Since 2013 Fairview Concepts has delivered high-quality, custom solutions for residential, commercial, retro fitting and renovation projects across the South Island. Prioritising innovation, sustainability, and customer satisfaction, while offering premium, eco-friendly products.
ALUMINIUM JOINERY SPECIALISTS
Luxurious and lasting warmth in your home
Crafted for comfort and built to last.
Craft and connection
This issue of Distinctive Designs proves architecture is more than structure — it is story, craft and connection to place. In this issue, we celebrate the homes, designers and builders shaping Canterbury’s evolving architectural landscape, each project grounded in thoughtful design and brought to life with precision and passion.
From bold contemporary statements to refined mid-century inspirations, the pages ahead showcase residences that balance innovation with authenticity. You’ll discover energy-efficient new builds, transformative renovations and interiors layered with texture, tone and individuality. We also explore the latest in colour forecasting, materials and outdoor living — elements that elevate everyday life.
At its heart, this magazine is about collaboration: architects, builders, designers and artisans working together to create spaces that endure. We invite you to be inspired by their vision and consider how great design can enhance the way we live, gather and connect.
Enjoy the journey.
Stuart Dye
Group Editor | 021 676 320 stuart@academygroup.co.nz
Publisher
The Job Agency Ltd 38 Lowe Street, Addington, Christchurch 8011
DISCLAIMER: This publication is provided on the basis that The Job Agency Ltd is not responsible for the results of any actions taken on the basis of information in these articles, nor for any error oromission from these articles and that the firm is not hereby engaged in rendering advice or services. The Job Agency Ltd expressly disclaim all and any liability and responsibility to any person in respect of anything and of the consequences of anything done, or omitted to be done, by any such a person in reliance, whether wholly or partially upon the whole or any part of the contents of this publication. Advertising feature articles are classified as advertising content and as such, information contained in them is subject to the Advertising Standards Authority Codes of Practice. Contents Copyright 2022 by The Job Agency Ltd. All rights reserved. No article or advertisement may be reproduced without written permission. You can read the full list of terms and conditions on: www.markat.co.nz/terms-conditions | www.markat.co.nz/competition-terms/
28. Complete transformation
A reimagined Kennedys Bush residence combining exceptional craftsmanship with refined design.
36. Understated grandeur
A modern interpretation of Art Deco with elegant interiors.
44. Grounded in the environment
An energy-efficient Marshlands home reflects the calming, natural tones of its surroundings.
52. Curved cohesion
Award-winning home celebrates family, privacy and a connection to nature.
60. Built to last
This St Albans home is the product of a skillful partnership between two brothers, one an architect and the other a builder.
68. Mid-century inspiration
Papanui home is a modern interpretation of midcentury Christchurch Style architecture.
BUILDING MEMORIES THAT LAST A LIFETIME
At Bayside Pools, our pools are meticulously crafted with our customers at the forefront of our minds. We prioritise not only the design of pool shapes but also the manufacturing process, assuring our clients receive a pool of exeptional quality. Specialising in high-end fibreglass swimming pools to complement your outdoor living space perfectly.
Bring balance and natural warmth to your living space with the Wynn Coffee Table. Defined by its sleek ski-base design and gentle chamfered edges, this piece embodies understated craftsmanship that defines contemporary New Zealand design.
RRP $2,050.00 www.woodwrights.co.nz
Tribu Senja Meridienne by Studio Segers
The Tribu Senja Meridienne combines deep, inviting cushions with a sleek powder-coated frame, offering comfort and elegance outdoors. Customise with a choice of finishes and weather-resistant fabrics. A refined side table can also be attached, making it perfect for relaxed lounging with everything close at hand.
RRP $13,679.00 www.dawsonandco.nz
Alesso Curved Sofa
Bring contemporary style outdoors with the Alesso Curved Sofa. Crafted from powder-coated aluminium and styled in elegant curves, its natural tone and moistureresistant spun-polyester cushions create a relaxed, weather-ready focal point.
RRP $2,199.00 (down from $2,999.00) www.earlysettler.co.nz
Aster 9 Light Rectangle Marble Chandelier
Illuminate your space with understated luxury. The Aster 9 Light Rectangle Marble Chandelier brings together a fine brushed-bass metal frame with natural marble pieces, each subtly different in tone, meaning every piece is unique. Designed to span 120cm and drop 119cm from the ceiling (with rods that can be removed to adjust the height), it’s ideally sized for larger rooms, such as dining areas or kitchen islands, where you want presence and balance.
RRP $1,699.00 (down from $2,299.00) www.earlysettler.co.nz
Greg Natale ‘Fragment’
Rendered in luxurious Tibetan wool and bamboo silk, the hand-knotted “Fragment” rug by Greg Natale is a monochromatic ode to nature’s abstract forms. Measuring approximately 300 x 240cm, it brings sophisticated texture and quiet luxury underfoot.
RRP POE www.designerrugs.nz
Atelier Sofa
Crafted in a softly curved silhouette, the Atelier Sofa brings a refined sense of Parisian chic to modern living rooms. Tailor it to your space with a choice of over 40 luxe upholstery options, ensuring your sofa is individual to your style.
RRP $5,020.00 (down from $6,695.00) www.cocorepublic.co.nz
DISCLAIMER: Please note prices listed here are recommended retail pricing. Prices are subject to change at the discretion of the seller. The information on this page is for information purposes only. The Job Agency Ltd assumes no liability or responsibility for any inaccurate, delayed or incomplete information, nor for any actions taken in reliance thereon.
Exploration of light, space and colour
WRITTEN BY JONATHON TAYLOR
Max Patté is a contemporary multimedia artist known for his vivid interplay of light, colour, and form. Educated at the Wimbledon School of Art in London and elected an Associate of the Royal Society of British Sculptors in 2008, Max has developed a practice that spans sculpture, painting, and immersive light art.
His studio work is driven by a fascination with the liminal spaces where light and colour meet — the threshold where mood shifts and perception of space changes. “I’ve always been captivated by that moment of transition, when light shifts and suddenly a space feels entirely different. That’s where the magic happens,” Max says.
He works across traditional sculptural mediums such as cast iron and bronze, but equally embraces digital and technological toolsets, including CNC milling, 3D scanning, digital programs, and apps, which are all part of his working vocabulary.
“I don’t see a divide between traditional and digital tools,” he explains. “They’re all ways of making, and each has its own strengths in helping me express an idea.”
Some of Max’s most iconic works have become landmarks in New Zealand. Solace in the Wind, a figure cast in iron and placed on the Wellington waterfront, leans into wind and weather in a gesture of human vulnerability and connection to place. “That piece was about surrender,” Max reflects. “Letting go, being present, and embracing the elements, literally and emotionally.”
Max’s Infinity Works series employs illuminated spheres and wall works in which colour, tone, saturation and negative space co-operate to affect not just what is seen, but how one feels in a space.
“These works aren’t just visual, they’re emotional landscapes,” Max explains. “They change the way a room feels, how your body feels inside that room.”
The pieces are neither purely decorative nor merely technical: they alter environments, shifting the viewer’s relationship to the space in which the artwork lives.
Max’s art is available through Lightworx Gallery by ArtBay in Queenstown. Lightworx represents both his sculptures and light works, offering collectors and visitors access to iconic outdoor pieces and his more experimental, luminous creations.
Beyond individual works, what makes his practice compelling is how he merges the visceral with the conceptual. He draws on natural phenomena, such as how daylight moves across surfaces or how sky colours shift, and filters this through both traditional craft and modern fabrication.
The result is work that is grounded yet ethereal. “Nature is still the biggest inspiration,” Max says. “The sky, the sea, the way light hits a surface, is all endlessly inspiring. I just try to respond to it in my own way.”
www.maxpatte.com
Choosing the right rug for your space
WRITTEN BY SHELLEY SWEENEY
When choosing a rug, it’s important to consider how the space will be used. Will it be a high use area? Are there children and/or pets in the home? Is it located close to an entrance? All of these will contribute to the performance of the rug. Large rugs unite furniture and make a room feel intentional and cohesive, while small rugs can be playful or dynamic.
In a formal area, the furniture is often placed either partially or fully on the rug if the size allows. In a casual space, the rug may be in a more open space to allow children to play on the rug with the furniture appropriately arranged to suit the use.
When it comes to rug fibres, Laura Furey, managing director of Designer Rugs says: “Wool is the best fibre in a dining area and in fact, all areas of the home. Many of our rugs are produced in New Zealand wool.” This is the preferred fibre due to its durability, sustainability,
thermal and flame resistance among other benefits. “Some wool rugs do contain some artificial fibres, such as viscose, which provide highlights and sheen. These are more suited to low use areas, such as bedrooms and formal living spaces,” says Laura. There are many styles available but the selection is ultimately driven by the choices around furniture, art, paint colours and flooring.
“A rug can have a surprisingly big impact on the mood of a room because it affects, colour, texture, scale and even how cosy the space feels,” says Laura. “Warm colours make a room feel energetic, inviting and cosy, versus cool colours that create a calm, relaxing and airy mood. Bold patterns add excitement, personality or drama while neutral, subtle patterns feel grounded, elegant and peaceful.”
www.designerrugs.co.nz
Elevated everyday living
WRITTEN BY JONATHON TAYLOR
In New Zealand’s rich design landscape, Kamo Marsh Landscape Architects has earned a reputation for crafting outdoor spaces that are both functional and beautiful. Based in Christchurch and Queenstown, the studio is best known for its standout residential landscape design, which blends spatial clarity, robust planting palettes, and deep respect for site context.
Whether dealing with coastal conditions, alpine exposure, or compact urban sites, their approach is always bespoke; balancing aesthetics with climate resilience, maintenance needs, and lifestyle preferences.
“Our goal is to design landscapes that enhance everyday living, spaces that not only look good but feel good to be in,” says Danny Kamo, Senior Landscape Architect and Director. “Every site has a story to tell, and it’s our job to bring that to life in a way that’s both beautiful and enduring.”
In Christchurch’s coastal suburb of Sumner, for example, Kamo Marsh delivered a high-impact design on a tight 100m² site. Dubbed “a subtropical New Zealand resort,” the garden incorporates layered planting, water features, and rooftop greenery to create privacy and a lush atmosphere within metres of the ocean. The rooftop elements were grown off-site and installed rapidly to achieve instant effect, an example of the firm’s logistical and horticultural expertise.
“That project really pushed us to think creatively,” Danny says. “We had to pack a lot of function and feeling into a very small space, and still respond to the harsh coastal environment. It’s a great example of how smart design can make a compact site feel expansive.”
Further south in Drift Bay, Queenstown, a larger alpine property required a different strategy. There, Kamo Marsh created a series of connected outdoor rooms, a putting green, playhouse, vegetable garden, BBQ area, and fire zone, all unified by bold native planting and framed views of the lake and The Remarkables.
“Designing for the alpine environment comes with its own challenges. But it’s also incredibly rewarding. When you get the planting and materials right, the landscape feels like it’s always belonged there.” Across both urban and rural projects, the studio applies the same care: crisp geometry, intelligent grading, durable materials, and site-specific planting schemes. Kamo Marsh also excels at integrating hard and soft landscape elements in a seamless way, blurring the line between architecture and environment.
While residential work remains its focus, the team also brings landscape design leadership to larger projects, including master planning, subdivisions, and public realm development. Kamo Marsh's ability to guide a project from concept through to construction has made the company a trusted collaborator for councils, developers, and schools.
“One of our strengths is seeing a project through all phases, from the first sketch to the final plant going in the ground,” Danny notes. “That continuity ensures the design intent is carried right through, and it builds a lot of trust with our clients.
“Landscape architecture in Aotearoa isn’t just about aesthetics,” he adds. “It’s about acknowledging the land’s whakapapa, its history, its people, its patterns, and making space for that within the design.”
In every setting, Kamo Marsh’s work reflects a quiet mastery, treating outdoor space not as an add-on, but as an essential part of how people live.
www.kamomarsh.co.nz
Dulux colour forecast 2026
NEW ZEALAND’S DULUX COLOUR AND DESIGN SPECIALIST DAVINA HARPER, SHARES THE 2026 COLOUR FORECAST FROM THE DULUX COLOUR TEAM.
WRITTEN BY SHELLEY SWEENEY
The annual Dulux Colour Forecast is grounded in extensive, year-round research into global and local trends set to shape Kiwi interior design and the way we live. Since its inception in 1999, the forecast has become a trusted guide for designers, architects and homeowners alike. The three 2026 palettes are about a sense of tenderness and connection through colour.
Behind the scenes with the Dulux Colour Forecast Team
The Dulux Colour Team closely collaborates with international brands, attends design shows and seminars, runway presentations and global events such as Milan Design Week. It also draws from customised trend research and insights accessed through Dulux’s global network across the UK, Europe and Asia-Pacific. As members of the Color Marketing Group (CMG), Dulux analyses key reports from CMG as well as forecasting firms such as Color Hive-Mix Magazine and LS:N Global to ensure the forecasting reflects what’s ahead.
DIFFERENT
SNOWDON FOREST
The Ethereal Palette
Dulux Ethereal invites a soft form of escapism, creating playful and whimsical spaces filled with serenity, tenderness, and a dreamlike sense of calm.
This palette features a delicate pastel-like blend of soft and mid-tone hues, gentle greens, mauves, and blush pinks that evoke a sense of serenity and joy. With romantic tones like Dulux Snowdon Forest, Dulux Different Pink and Dulux Mask, alongside subtle pastels such as Dulux Wainui Beach, Dulux Lake Camp and Dulux Waitiki Landing, this palette feels playful, uplifting, and quietly luxurious.
The Elemental Palette Dulux Elemental offers a calm, grounded counterbalance to the overwhelm of modern life.
This palette is a tonal, grounded and built around warm whites and neutrals such as Dulux Whale Bay and Dulux Duvauchelle. Elemental is enriched with golden brown hues such as Dulux Kingsland and Dulux Herald Island. Subtle layers of warm grey,
including Dulux Godley Head and Dulux Boulder Beach, bring stillness and structure, while darker charcoal tones add depth and dimension.
Evoke Palette
Dulux Evoke is an optimistic, bold and expressive palette that channels individuality, reminiscence and emotional warmth.
This palette celebrates the resurgence of maximalism and individual style, a desire for change and support for local and global designers. Rooted in vintage aesthetics it embraces imperfection and cherishes treasures, blending elements of the past and future to create a fresh and eclectic style.
The colours in Dulux Evoke lean into rich, comforting tones instead of brights. This creates depth, character and warmth. Clay pinks like Dulux Benhar, muted oranges such as Dulux Ligar Bay and warm mustard golds like Dulux Desert Road form a versatile base, while dramatic shades, including Dulux Warkworth, Dulux Red Jacks, Dulux Wink and Dulux Deep Aqua, add contrast and a cultured edge.
www.dulux.co.nz
BOULDER BEACH
HAAST DOUBLE
HERALD ISLAND
Q +A
INTERIOR DESIGNER MICHELLE LAMB TELLS US ABOUT THE EMERGING TRENDS SHAPING OUR KITCHENS AND BATHROOMS AND THE CURRENT INSPIRATION BEHIND HER DESIGNS.
IMAGES BY ANNA MCLEOD
What materials and colours are you seeing coming through in joinery?
There is definitely a shift away from the Scandi washed-oak towards richer tones like walnut. Texture within timber is also popular with prominent grains, framed doors and beading detail with a natural finish rather than smooth and flat. While brass is still having a moment, I think cooler toned metallics such as brushed steel, pewter and nickel are coming back. Neutrals will always be in style, but I am definitely seeing bold, deep colours coming to the forefront – think burgundy, emerald green, mustards and midcentury vibes, which makes sense with the return of walnut. This is emphasised with a resurgence in colourful natural stones like Calacatta Viola marble and more daring quartzites.
Which materials are emerging in kitchen and bathroom surfaces?
Porcelain has reigned supreme as a benchtop surface for the last 5-10 years for its durability and heat resistance. For a while, we have had a more conservative market that has generally been a little apprehensive about using natural stone due to the fear of damaging it. Happy to report, it is back - people are embracing the qualities of a natural product that patinas with their home. Edge profiles on benchtops are also having a moment.
A simple arris edge has been replaced with softer bullnoses or more ornate laminated styles. When it comes to bathrooms we are seeing anything and everything! Microcement is on the rise as it provides a beautiful seamless texture and is a great way to introduce colour.
Tell us how lighting is being used to complement our kitchens and bathrooms?
I’m seeing a strong trend toward decorative pieces that double as a design statement – sculptural pendants, organic shapes, mixed metals, bold colours and pieces of art. At the same time, lighting is becoming more layered with multiple sources working together to support different moods and functions. Control is key and dimmers are your best friends, whether that be through a smart system or a classic dial at the light switch.
Which flooring options do you recommend for kitchens and bathrooms?
With timber, for example, wide boards are the go-to, however herringbone, chevron and parquet are all in style. Large format tiles with minimal grout are very appealing, as are colourful tiles in a smaller format.
Tell us about your current styling approach and inspiration.
In general, when it comes to styling, we are seeing fewer matching sets and a more thoughtfully curated mix of furniture and accessories. I spend a lot of time on marketplace and in thrift stores – they have some absolute gems. Accessories and art are a great way to explore colour.
www.michellelamb.co.nz
Complete transformation
Set in Christchurch’s Kennedy Bush hills, this reimagined residence built by D.J. Hewitt Builders with interiors by Michelle Lamb Interior Architecture, combines exceptional craftsmanship with refined design.
WRITTEN BY SHELLEY SWEENEY
BY
IMAGES
JARED YEOWARD
The history of this hillside home spans around 25 years when D.J. Hewitt Builders originally built the property for the previous owners. Two and a half decades later the current owners wanted to bring the kitchen up to date. “What started as a kitchen renovation became a full home renovation,” says Daryl Hewitt of D.J. Hewitt Builders. “They originally only wanted the kitchen done but the job just kept growing.”
Interior designer Michelle Lamb of Michelle Lamb Interior Architecture was referred to the clients by Daryl. “We have worked together on a number of projects now. We met, built a brief and scope, I sent a proposal and we went from there,” says Michelle.
The home is for a family of four plus and their beloved cats. “The clients are busy professionals,” says Michelle. “They wanted to elevate their home with some pretty big upgrades to the kitchen, living spaces and the master suite. They both had some pretty firm ideas as to what they wanted from an
aesthetics perspective, so it became my job to gel the two visions and help create better flow and functionality throughout the spaces. Our clients were super passionate and invested in the design process which really paid off.”
The design philosophy was guided by a respect for the homes’ original architecture while reimagining it for contemporary living. “The existing spaces remained largely intact, with some new interventions to layout, form, materiality and connection. We wanted to create a sense of cohesion throughout with some contemporary, yet modern designs,” says Michelle. “We were responsible for all joinery design and management, material and product specification and furniture throughout.”
The clients had some colours they wanted to incorporate in the interiors. In particular the dark inky blue in the kitchen was a vision of theirs. The depth of the blue led Michelle and her team to add some depth and richness with their other selections which included forms of timber and limestone.
Longevity of products is always a consideration for Michelle, who selected high quality finishes that age gracefully and require minimal replacement.
“We have a rich, moody palette of dark navy paint lacquer, walnut-toned timbers and Como limestone setting the tone. We have introduced layers of charcoal tones in the form of the basalt grey countertops, travertine tiles throughout the bathroom and the incredible slate sheets that clad the powder room walls,” says Michelle. “Metallics bring that next layer of luxury with the Henge straight above the dining table, the brass mesh and knurled handles throughout the kitchen and the sculptural wall lights in the master ensuite.
“For the furniture, we have an oval oak table from David Shaw which features an incredible Orobico porcelain top, paired with some leather upholstered chairs. We leaned into the clients love of blue with the sofa.”
In the kitchen, Michelle says the standout piece is the limestone. “We used it vertically
as the splashback and rangehood cover and for the impressive bar leaner that wraps around the island.”
The oak battened wall in the living room hides a door through to the office. “It’s such a clever anchor for the space and really elevates the overall design,” says Michelle. For Daryl, this was the most challenging aspect of the renovation. “The Timber battens on the secret door were the biggest challenge for our foreman Tom, as each batten had to be individually installed,” he says.
Michelle says of her favourite room, “I love the dining space. The outlook from there is stunning, I love the sheer ombre drapes, the battened timber ceiling and the furniture. It feels really luxurious. The perfect spot for entertaining, I’m sure I could spend many hours parked up at that table,” says Michelle.
“We are very proud of the whole project,” says Daryl who also replaced the original roof of the home with new Colorsteel roofing. “It’s a complete transformation.”
The large format Dorica Greige Natural tile from Brymac Tiles is a Travertine vein look porcelain tile from Italy. The timber-look tile speaks to the battening upstairs and reinforces the feeling of cohesion in the overall design.
Daryl enjoyed working with Michelle Lamb on the project and is particularly proud of her award-winning kitchen and bathroom designs. Michelle and her team won the Designers of the National Kitchen and Bathroom Awards (DNKBA) Gold Bathroom Design, NKBA Canterbury Bathroom Design and Canterbury Kitchen Design awards for this stunning home renovation at the 2025 NKBA awards.
“Our clients were great to work with,” says Daryl who notes that they are very happy with the transformation of their home.
‘It was a privilege working with Daryl and the team at DJ Hewitt on our award-winning kitchen and bathroom renovation. Their attention to detail and exacting craftsmanship have shone through in the finished product. Communication and project management were exceptional; wrangling 16 sub-trades is no mean feat! We’d happily work with the DJ Hewitt Builders team again, if we ever leave our amazing house,” say the homeowners. www.djhewitt.co.nz
Understated grandeur
The vision for this modern interpretation of Art Deco was brought to life by Barry Connor Design and Frost Builders with elegant interiors by Michelle Lamb.
BY SHELLEY SWEENEY
WRITTEN
IMAGES BY ANNA MCLEOD
By integrating thoughtful planning, refined materials and sustainable design, this grand 333 square-metre residence embodies a sophisticated, functional family home.
“The clients are long-time admirers of Art Deco architecture who wanted a home that reflected their love of design, travel and creative living,” says Architect Barry Connor of Barry Connor Design. “Their lifestyle called for generous, lightfilled spaces that could host friends and family while feeling elegant and deeply personal.”
This project was a true team effort between Barry Connor Design, Frost Architectural Builders, and interior designer Michelle Lamb. “Every detail, from curvature alignment to surface finish, was resolved through on-site discussion and digital modelling,” says Barry. “A few finishes evolved during the build as opportunities arose to refine textures and metallic tones.”
Having worked on several homes together, Mitch Frost of Frost Architectural Builders was recommended by Barry Connor. “We were engaged early on in the design and consulted throughout the design around different detail and construction methodology.”
“The brief was every designer’s dream,” says Michelle Lamb, “The clients wanted an Art Deco home and wanted to go all in. I was very guided by what Barry had created through his architecture. He had given us a wonderful canvas for our interiors.”
Initially intended to be a renovation of an earthquakedamaged weatherboard home, the project evolved into a complete rebuild. The home’s exterior balances crisp white Integra Rockcote plaster with the bold contrast of zinc tray-profile cladding from the Architectural Roofing Company. The striking black curved line on the front of the upper-level reinforces the Art Deco aesthetic.
At the heart of the home is an open-plan living, dining, and kitchen space, flanked by sheltered courtyards. The lower level accommodates a private artist’s studio, a concealed powder room and a combined living space with views of the landscaped gardens and courtyard spaces.
A large double garage, gym space, laundry and scullery areas, provide every day functionality. The master suite, with en-suite and walk-through wardrobe is positioned opposite a second living space. Upstairs are two double en-suited bedrooms and a home office.
Below
This elegant contemporary Art Deco home features zinc tray profile cladding from The Architectural Roofing Company. The Single Lock Standing Seam profile in Anthra gives large surface areas a dynamic, striking appearance. Sharp lines, depth and shading make it especially suitable for cladding, and the visible areas of steep roofs.
Builder Mitch recalls the challenges around the spherical stairwell ceiling and the radiused stairs. “It was a rewarding thing to achieve. The work that was involved in getting the radiuses perfect was really gratifying,” says Mitch. “The curved stairwell and spherical roof were significant technical achievements, demanding close collaboration between designer, builder, and joiner,” says Barry. “I love way the curve allows the stair to widen at the base and the De Castelli Ares brass wall lights double as beautiful art,” says Michelle.
Builder Mitch crafted the curved concealed door to the downstairs powder room and notes the exquisitely detailed joinery and custom elements
in the build. “The joinery is complemented by custom furniture including the dining table, made from the timber saved from the demolition of the old house.”
The curved entry features a warm, neutral tiled floor from Brymac Tiles and is clad in walnut toned rotary cut timber veneer. The same veneer appears on the kitchen island and on the doors in the media room and studio spaces featuring brass inlays. The curved wall in the kitchen mirrors the form of the entry. The hand-finished liquid metal splashback with an aged-bronze finish and the Whispair cylindrical rangehoods from Kouzina bring a bold beauty to the kitchen.
Passion for Painting
info@chamlang.co.nz www.chamlang.co.nz
“Our client was very passionate about not only the project, but the arts in general, so she had a very strong influence in the way this panned out,” says Michelle who was engaged to design all custom joinery, lighting design, material and finishes selection, colours and soft furnishings. “Metallics played a large roll and we weren’t afraid to mix metals. We used brass, both polished and lacquered, shiny chrome, brushed nickel.”
Michelle collaborated with Canterbury carpet designer, Carpets and Rugs of New Zealand (CRONZ) for the bespoke burgundy and gold geometric patterned carpets. Custom pieces by Christchurch furniture designer David Shaw and locally handcrafted Petrine Wall Sconce and Duomo Picocolo wall lights from Nightworks Studio were also selected for their nod to Art Deco style.
Jewel tones were utilised for that glamour element in the drapery, velvet upholstery and the deep burgundy carpets. “We really wanted a layered and eclectic feel,” says Michelle. There are 10 different paint colours in the home from black through to muted shades of blue, green, cream and white which were expertly applied by Chamlang Plasterers and Painters.
“The media room just exudes luxury – I love it all but the De Castelli sideboard in an ombre brass finish is one of the most beautiful pieces of furniture we have ever sourced,” says Michelle.
It’s no surprise that this unique, Art Deco inspired treasure won a Regional Gold Award and was the Regional Category Winner for Resene New Home $2 Million$4 Million at the Master Builders House of the Year awards.
“The original design to achieve the client’s vision wasn’t all necessarily on paper. We worked as a team to bring it to fruition. There were five working parts to it really with the clients, Barry the architect, Michelle and ourselves,” says Mitch.
“It was such a rewarding experience,” says Michelle. “Working with clients who love design and were bold enough to trust a team to pull off such a creative brief. It was a joy.”
“The project has been a highlight for all involved — a home that celebrates bold design and collaboration and reaffirms that architectural storytelling still has a place in post-earthquake Christchurch,” says Barry. www.barryconnordesign.co.nz
Grounded in the environment
Designed by Performance Architecture and built by Clive Barrington Construction, this energy-efficient Marshlands home reflects the calming, natural tones of its environment.
WRITTEN BY SHELLEY SWEENEY
IMAGES BY SARAH ROWLANDS
Innovative residential design.
03 332 1797 contact@parch.co.nz
www.performancearchitecture.co.nz
Located in a quiet cul-de-sac, this sustainable design was crafted for a young couple, their two small children and two dogs. The architecture realises their vision for a calm, low-maintenance and functional home to support the daily rhythm of family life.
Hailey Sinke, senior architectural designer at Performance Architecture, drew inspiration from the local Marshlands landscape. The home is named Te Kōrari as a reference to the flower stalk of the harakeke or flax, which is an abundant natural feature of the area.
Harakeke is a traditional symbol of community, unity and close connections between generations. The connection to the environment along with the symbolism of the harakeke, grounds this family home as a place of togetherness and growth.
“Our approach was guided by the idea that good design should balance performance, proportion and place,” says Dan McCormick director of Performance Architecture. “We focused on the site layout and orientation to maximise solar performance and a clear separation between public and private zones.”
The site’s east/west orientation and exposure to prevailing winds shaped the overall layout. The house
and detached garage are positioned in an L-shape toward the southern boundary to create shelter to the deck and lawn area for outdoor living.
The home is oriented for natural light and warmth with sheltered outdoor spaces positioned to embrace the sun. A central spine runs through the building, leading from the entry canopy through to distinct living zones. The communal living spaces feature pitched ceilings and generous glazing to create light-filled areas of connection that open directly to the north-facing courtyard. Upstairs, the bedrooms offer spaces for quiet retreat.
Energy efficiency, natural light and durability are key aspects of the design. A downstairs office and a separate but generous detached garage connect to the home via a covered path backed with vertical cedar battens. Soft landscaping balances privacy with a sense of connection to the neighbourhood.
“While built using traditional methods, the project demonstrates innovation through the integration of high-performance detailing within a conventional construction system. The slab-edge insulation hidden behind the brick cladding and recessed joinery detailing both improve performance and refine the aesthetic,” says Dan.
Structural steel supports the timber framed home, with a rigid air barrier and an insulated slab-edge concrete floor for improved thermal performance.
“Every junction was detailed with intent and expertly crafted by Jono Taylor and his team from Clive Barrington Construction,” says Dan. “The custom flashings, brick returns at openings and the timber fins that tie the exterior and interior together.”
Clive Barrington was introduced to the homeowners by family who recommended the builder and his team for their work that goes beyond the standard subdivision build.
“They knew if they came to us the house would be nicely built with attention to detail in every aspect,” says Clive, who favours the communal areas in the home.
“The main open plan living area is large, light and airy. “The vaulted ceiling is a feature that gives a real feeling of space. The Indoor/outdoor flow works very well with decks both to the east and a large expansive deck to the west spilling to a large lawn giving plenty of room for the young children to play.”
The roofing and first floor are clad in Colorsteel Espan 340 tray cladding in Lichen from Metalcraft. “The light colour was certainly a breath of fresh air,” says Clive. The Hermpac HP55 Cedar Vertical Shiplap cladding complements the Colorsteel.
No matter how you look at it there’s no mistaking a Clive Barrington house 03 343 2010 / info@clivebarrington.com www.clivebarrington.com
The bathrooms and kitchen in this home were designed by Ingrid Geldof Design. This family bathroom features earth-toned tiles from Nextdore to complement the soft natural colour palette featured throughout the home.
Both the exterior and interior palette were selected by interior designer Jane Swinard, including the steel tray Colorsteel Espan cladding in Lichen, the Hermpac cedar weatherboards and custom brick. The slimline Roman style Canterbury Clay Brick cladding was made to order from the bespoke Create Range.
Jane Swinard Design created a cohesive, natural aesthetic throughout the home. The palette is calm and natural, with oak timber flooring, wool carpet and décor in soft neutrals and muted greens.
“The project was a very collaborative process between Performance Architecture and the
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clients, with key design decisions developed together from the outset,” says Dan. Interior designer Ingrid Geldof joined during the concept phase to refine the kitchen, bathrooms and service areas.”
The kitchen by Ingrid Geldof Design, features a Caesarstone benchtop, olive Vixel mosaic-tile splashback and oak shelving that adds warmth and texture. The adjoining scullery and laundry connect to a back porch for practical family use. Ingrid’s ensuite design features a skylight to maximise light, while the children’s bathroom houses a cleverly concealed shower to ensure privacy.
A highly efficient ducted heat pump system, integrated with a Mitsubishi Lossnay mechanical heat-recovery ventilation system and Daikin VRV air conditioning system, ensure constant fresh air and stable internal temperatures throughout the year. The design relies on passive solar gain and cross flow ventilation to reduce mechanical demand.
The family enjoy living in the year-round comfort of their warm, healthy, well-ventilated home. The insulated envelope, thermally broken joinery and upgraded glazing ensure energy-efficiency and comfort well beyond current code requirements.
This refined, energy-efficient home was recognised at the 2025 Canterbury ADNZ Awards, where it received a Highly Commended award for New Home between 150m² and 300m². This award highlights the home’s thoughtful balance of energy efficiency, familyfriendly design and architectural clarity.
These considered design aspects were standout features among the entries for regional residential designs.
“We focused on getting the basics right,” says Dan. “A good building form, orientation and insulation, efficient glazing and materials that will last. The result is a house that performs well without needing constant attention, staying comfortable and efficient through simple, well executed design.”
“The house works very well for the owners. Good houses take time and these clients understood that and were a pleasure to work with. It’s a house that’s not trying too hard and will stand the test of time,” says Clive.
www.performancearchitecture.co.nz
Curved cohesion
This award-winning home from Stufkens and Chambers Architects is a unique sanctuary inspired by an existing elm tree and celebrates family, privacy and a connection to nature.
WRITTEN BY SHELLEY SWEENEY
ANTHONY TURNHAM
BY
IMAGES
Set on Christchurch’s rural-urban fringe, the design embraces all the benefits of country living in a suburban location with organic curves, open living spaces and quiet nooks.
The property is positioned for natural light in a new footprint that replaces the site’s original house; inheriting a legacy of mature trees and a tennis court for the homeowners to enjoy.
Designed for a busy family, the home fosters openness and connectivity across all levels. The living-area opens to private outdoor spaces and backyard views, while maintaining street privacy.
Positioned opposite a vineyard and in close proximity to neighbouring homes, the design balances private, sheltered outdoor areas with open spaces that engage with the street.
The architecture is a carefully considered response to both the site and the owners’ unique lifestyle. “Situated on a small lifestyle block, it was designed to foster open family living while incorporating their beloved pets including two Clydesdale horses and Snow the goat who can engage with the family at their discretion,” says Marcus Stufkens of Stufkens Architecture.
On the ground floor of the 340 square metre home, an open-plan living area is central to the design and leads to the kitchen, dining and library. Three large internal voids with varying ceiling heights link both floors. Built-in daybeds and intimate nooks provide retreat-like spaces within the open layout.
The living area opens out via cedar-framed sliders to a sun-drenched backyard with a heated Reflection salt and mineral water swimming pool with automatic cover from Lagoon Pools. This stylish swimming pool has entry steps perfectly positioned at both ends of the pool with a full-length bench seat, without compromising space for swimming. The horses enjoy their poolside position, close to the home. This inclusive design shows just how special these treasured pets are to the family. The garden beyond is framed by expansive views of the paddocks and tennis court.
Landscape designer Olivia Bird from OBD Studio worked with the privacy of the mature trees. Olivia designed hardscaped walls of varying heights and low plantings to soften the edges of the bold architecture and blend the home into the landscape.
The home’s material palette is simple yet refined brick, glass, steel, concrete and timber delivering a rich, tactile experience. The sculptural kitchen crafted by Bates Joinery features Melteca cabinetry in Green Slate with a Pearl Finish with Imes pull 98 handles in Brushed Brass from ABI Interiors.
Masterfully crafting kitchens, bathrooms, stairs and household joinery for over 60 years.
The curved island is wrapped in Surround by Laminex and lacquered in Resene Quarter Iron Sand. The benchtop and backsplash from Artisan Stone are in Caesarstone Rugged Concrete to echo the Golden Elm’s tones. Zomodo Cignus tapware in gunmetal complements the grey palette that includes a Venetian plaster finish in the kitchen and living areas.
Whitewashed TimberTop Banff timber floors from Jacobsens have been installed along with Cavalier Bremworth wool carpets in Sage Galet Carpet was laid in the media room and bedrooms.
Peter Diver Plumbing fitted the Gunmetal tapware from ABI Interiors, in the bathrooms and the ensuite along with Methven Turoa tapware in graphite along with the Scala freestanding acrylic bath in matte white from ABI Interiors. The muted green matte tiles offer a calming, organic retreat.
“With a prominent street-facing profile, privacy was a key consideration. The elm tree informed the curved timber slats and perforated metal rain screens. These sculptural elements not only create a striking aesthetic but also provide structural support, privacy and climatic control, balancing sun glare and shading,” says Marcus.
Builder Calvin Cocks from CJC Construction had worked with Marcus on a previous project and enjoyed the details in the build. “The curved steel frame of the rain screen was a challenge. It was easy to see it on a 3D model, but once installed on site, the frame is exposed, so you couldn’t hide any discrepancies,” says Calvin.
A robust brick veneer grounds the home, forming a base. The use of second-grade bricks placed in an ad-hoc pattern adds texture and depth, playing with a subtle grit-infused paint system.
The secondary cladding is the rainscreen, which stands off the main wall and is clad in vertical slats of thermally modified Abodo Vulcan cladding, to settle the home into the landscape.
Birch plywood interior linings were used throughout the home including some ceilings that feature LED lighting behind the panels. The exposed timber joists in the interior highlight the craftsmanship of builder Calvin from CJC adding texture and reinforcing structural integrity.
A classical material palette of wood grains, neutral tones, perforated blackened steel and stone elements establishes a timeless aesthetic, enriched by hidden LED lighting behind prefinished birch ply panels. The exposed timber joists in the interior highlight the craftsmanship of builder Calvin from CJC adding texture and reinforcing structural integrity.
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The first-floor bedrooms serve as private sanctuaries, with carefully framed openings maximizing natural light and backyard views while maintaining privacy. The bedrooms are located on the first floor, all with feature Autex wall panelling. A lift has been incorporated to ensure accessibility in later years.
“Each bedroom features a private balcony, while the son’s separate sleepout is linked via an external boardwalk, overlooking the pool and sheltering the horse stables below, allowing the horses to interact with the family, often in hopes of a treat,” says Marcus.
Solar gain and passive design principles ensure year-round comfort and energy efficiency. A Woodsman Coleridge fire and Ducted HVAC throughout the home providing heating and cooling, situated in bulkheads and ceilings.
This home won a NZIA Canterbury Architecture Award for its open-plan heart, strategic voids, and intimate nooks. The judges praised the home's strong connection to nature and the way in which the design encourages engagement, with both family and pets.
They noted that the residence exemplifies thoughtful planning and design, balancing contemporary living with natural harmony.
Through its restrained yet carefully considered material selection, this home achieves a harmonious blend of durability, sustainability, and aesthetic refinement.
“This home is more than a residence it is an immersive, nature-connected sanctuary that celebrates family, openness and the beauty of its surroundings,” says Marcus. www.scarchitects.co.nz
Built to last
This considered St Albans home is the result of a skillful collaboration by brothers Daniel Webb of Threefold Architecture and Jeremy Webb of JWW Construct.
WRITTEN BY SHELLEY SWEENEY
IMAGES BY JAMIE COBEL
Built to replace an earthquake damaged property the homeowners had lived in for many years, this new design maximises the site with increased light, privacy and connection to outdoor spaces. Daniel Webb, architectural designer and director of Threefold Architecture says: “The homeowners’ lifestyle is relaxed and centred around the kitchen and living areas and a strong connection to the garden. The design was about refining what already worked and responded more clearly to their routines.”
The brief was for a single-storey home that felt light, open with two bedrooms and generous living spaces. Simplicity and flow were central to the design approach. The house is deliberately wide rather than tall, giving it a strong horizontal presence and allowing spaces to connect naturally. It turns away from the street for privacy, while opening up to the north to capture light and outdoor living.
When the homeowners asked Daniel to recommend a builder, he suggested his brother Jeremy Webb, director of JWW Construct. This sibling duo of designer and builder always enjoy the opportunity to work together. Daniel says: “We can be open and honest with each other, which allows design ideas and construction input to feed into the process early rather than being treated as separate stages.”
100%
Builder Jeremy says: “While the family relationship opened the door, it was really the shared expectations around quality, communication and how the project would be run that confirmed the fit. Everyone was aligned on wanting a well-built home delivered with care and clarity.”
Reflecting on the influences behind his and brother Jeremys’ complementary career choices, Daniel says: “We both grew up interested in how things are put together. We took different paths, one into architecture and the other into construction - but the shared interest has always been in problem solving, materials and making things that last. Those different perspectives now complement each other well on site. Having a builder involved early meant decisions were grounded in buildability and cost from the outset, which gave the clients confidence.”
Jeremy says: “There’s a level of trust and honesty that comes naturally and it means conversations can be direct and solutions-focused.”
From the street, the home is intentionally quiet, comprised of a low, horizontal form with a calm exterior palette, including Vi-Block Dart Brick in a natural finish. The bricks were cut down to achieve a slimmer profile. The result is a refined, contemporary aesthetic that really defines the home. Jeremy says: “The response has been so strong that the homeowners still have people knocking on the door asking where the bricks came from.”
The Vi-Block also made a strong impression on Daniel: “The Vi-Block cladding was a notable innovation on this project. At the time, the manufacturer hadn’t produced a brick in this longer, thinner profile. The result worked so well that it has since become a popular option for Viblock. It’s a material I liked enough to use in my own recently completed home.” Elsewhere on the exterior James Hardie Linea Oblique cladding in Resene Flaxpod has been matched with T-Rib Colorsteel Endura roofing from Metalcraft and the window and door joinery.
The subdued interior palette features crisp white walls and Hurfords Genuine Oak
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engineered timber flooring along with Bremworth Kensho Insight carpet, providing warmth and durability through the main living areas.
The north-facing centrally located kitchen serves as the organisational core of the house, visually connected to the main living spaces and outdoor area. “The kitchen by Trends Kitchens is a standout and the owners’ furniture and styling have finished the home beautifully. The way the kitchen connects all three living areas works exceptionally well and really reinforces it as the heart of the home,” says Jeremy.
“The ability to close off the TV room with a double cavity sliding door adds another layer of flexibility.”
The home uses a fully ducted heat pump system throughout and the gas fireplace is a feature element in the living space with electrical work completed by Axion Electrical.
“Having a close working relationship between designer and builder, combined with engaged and trusting clients, made the process genuinely enjoyable. That collaboration is reflected in the quality of the finished home,” says Jeremy.
Daniel says: “The homeowners were instrumental in the success of the home — they trusted the process, were engaged in decisions, and embraced collaboration from the outset. That level of trust allowed ideas to develop naturally and confidently and it made the entire process genuinely enjoyable. It was a rewarding project to be part of from start to finish.”
The homeowners love the indoor–outdoor connection and the way the home captures sun throughout the day. Their new home feels warm, relaxed and easy to live in, exactly as intended.
www.jwwconstruct.co.nz
Mid-century inspiration
This award-winning Papanui home from Johnstone Callaghan Architects and DRH Building is a modern interpretation of mid-century Christchurch Style architecture.
WRITTEN BY SHELLEY SWEENEY
IMAGES BY SAM HARNETT
The owners of this light-filled house had a very clear vision from the start.
Nick Cowdy of Cowdy Real Estate and Prue Johnstone of Johnstone Callaghan Architects drew inspiration for their family home from a love of mid-century design.
“The Christchurch Style was at the forefront of the brief,” says architect Prue. “It was a nice visual language to start with.” Prue worked alongside Johnstone Callaghan director Mike Callaghan on the design. The two architects took the best features of the much-admired mid-century Christchurch Style and applied them in modern ways.
“We almost treated Nick as the client and I was on the design team and straddled both worlds,” says Prue. “Nick had been thinking about it for a long time before we even met and had been living in an earthquake damaged home on the site for some years. His experience of living on the site was the starting point for the brief.” During the design process the couple’s two sons, now aged two and four, were born. While this meant a more demanding schedule for Prue and Nick, the single-level living and open plan layout of the design have provided a dream first home for the young family.
The close connection of both client and architect was well supported by a long-standing friendship between Nick and builder Daniel Hubber of DRH Building. “Nick and Dan have been friends since they worked together as drivers during a season on the Colorado ski slopes many years ago,” says Prue. “Dan and his team made it a really enjoyable experience. Nick loves the building process and spent time on site during the build.”
Not only was it a good experience to work with a close friend, Dan was also deeply committed to the plans, executing every architectural detail with an exceptional level of skill. “Anytime we proposed a detail, it was a conversation with Dan and he brought a lot of knowledge and problem solving to how we might achieve things,” says Prue. “The experience that Dan was able to bring led to a better outcome.”
Architect and homeowner Prue Johnstone chose an impactful grey natural stone in the kitchen benchtop and splashback to create a characterful focal point and complement the palette of earth tones and greys in open plan space.
Daniel embraced the challenge of crafting the timber detailing throughout the home and says: “We worked together closely on the whole project so were in regular communication. Nick and Prue were very involved with the details and it was a really good working relationship between the three of us.”
The aesthetic style both inside and out follows the modest, honest simplicity of mid-century style. The exterior features Euro Modus bricks in Nieve and lintel bricks in Euro Modus Ceniza from Midland Brick NZ. Warm wooden features such as cedar on the garage door and on the soffit as you enter the house along with macrocarpa posts, work in tone with the overall palette of the home.
The 250 square-metre, four-bedroom home unfolds over three low-slung forms on a long, narrow site that expands in volume as you walk through. The central hallway opens up at the end to skylights and floor-to-ceiling windows that invite the outdoors in with light and gardens views.
The interiors flow on from the exterior materials, honing in on warmth and tactility, harnessing light and red oak architectural detailing and roof beams that circle back to that admired ‘Christchurch Style’. The white walls and ceilings were expertly finished by DJ Parkyn Painting and Decorating with paints from Resene.
The timber lined door nook with seat and storage is one of Prue and Nick’s favourite features in the home. “It’s at the end of the long hallway and you get that look straight down the building and out to the exterior so it’s this really lovely moment where you compress and then open up into the outdoor area,” says Prue. Bespoke timber veneered cabinetry in the open plan living space complements the timber detailing on the ceiling. The large skylight over the second living area gently implies that the solid beams extend under the skylights. “Some of these details weren’t the easiest to achieve,” says Prue. “Dan’s attention to detail and commitment to getting it
right was amazing with a high degree of perseverance and skill required.”
A sustainable approach was taken to the materials in the home and the window system from Nulook Windows and Doors was selected for its energy efficient, healthy home credentials.
The outdoor fireplace was a key architectural piece of the home, creating a functional focal point for the garden and al fresco dining space, while catering to Christchurch’s four seasons.
The large concrete benchtop above the fireplace was another element expertly executed by Daniel and the DRH Building team. “It had always been a key part of the design and through the design process we tested various fires and chose a gas fire inside and feature Stoke woodfire outside,” says Prue.
This home was the Residential winner of the NZIA Local Award for Canterbury. The judges praised its elevated design, well-planned, well-built materially and honest simplicity. The refined craftsmanship of Daniel Hubbard and his team resulted in a Gold award at the 2025 Registered Master Builders House of the Year awards and secured the home a place in the Top 100 homes of New Zealand.
Below
The outdoor fireplace was an essential element of the architectural brief allowing for al fresco dining and entertaining in Christchurch’s four seasons.
The concrete benchtop was expertly built by Dan Hubbert and the team at DRH Building.
“We were thrilled,” says Prue. “It’s really lovely to see that Dan and all the contractors who worked on our home have received these awards. It’s wonderful to be recognised. It was nice that the judges could appreciate the success of it. I like that it represents a different end of a broad spectrum of award-winning homes. It is quite a simple but considered family home.
“I really love when you just arrive and that the layered gardens at the front give you a journey through to the entry. The feeling that you get when you’re in the home is very calm, very easy and just seems light.”
The family has enjoyed the connection to the garden, especially the two busy young boys. “It’s a very easy house to live in and our boys absolutely love the large lawn and the rock garden down the side where they have spent countless hours of time. Having single level living and being able to open the doors with a line of sight through the house and another living space to allow for separation has worked very well. The building process was all really streamlined. It was just a real pleasure and really great process in all,” says Prue.
www.drhbuilding.co.nz
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Tailor the water and filtration system to suit your family, choose from a range of pool covers to improve efficiency, and incorporate lighting, heating or water features to elevate the atmosphere. Every element is customised to enhance your lifestyle and complement your home.
Whether you’re dreaming of a lap pool, plunge pool, spa, infinity edge or a complete indoor setup, every Mayfair pool is custom-crafted to suit your site, lifestyle and design vision.
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CUSTOM CRAFTED FOR
FROM LANDSCAPE TO LIVING SPACE
There’s a quiet shift happening in contemporary home design. After years of sleek minimalism and manufactured finishes, many homeowners and designers are returning to something more grounded: natural stone. Not as a decorative afterthought, but as a defining material that brings depth, permanence and meaning to a space.
A return to materials that feel real, natural stone is chosen for its honesty. Each piece carries variation in colour, grain and texture. In a world of mass production, stone feels reassuringly individual. Homeowners are drawn to its durability, its lowmaintenance longevity and the way it ages gracefully rather than wearing out. Whether used for exterior walls, fireplaces or landscape features, stone brings a sense of calm and timelessness that many contemporary homes are craving.
Connecting the home to its landscape
One of stone’s greatest strengths is its ability to anchor a home to its surroundings. When the material palette echoes the local landscape, be it with the use of basalt, schist, granite or sedimentary stone, buildings feel more considered and connected. Thoughtfully selected stone can soften modern forms, blur the boundary between indoors and out, and help new architecture sit comfortably within its environment rather than competing with it.
Craftsmanship that makes the difference
The true beauty of stone lies not just in the material, but in how it’s laid. Hand-laid stonework brings rhythm, balance and subtle imperfection, which elevates a project from functional to artful. Skilled stonemasons, such as those behind the work of QC Stonemasons, with its 24 years’ industry experience delivering high-quality stone, understand proportion, coursing and the quiet discipline required to let the stone speak for itself. For homeowners planning stonework, early collaboration is key. Consider scale, jointing, and finish, and allow craftsmanship the time it deserves. When done well, stone isn’t just a surface; it becomes part of the home’s story.
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Why natural stone is finding its place in modern living
FEATURE WALL INS AND OUTS FOR 2026
Interior trends for 2026 are all about intention.
Spaces are becoming more layered, thoughtful and built to last, moving away from looks that feel rushed or purely trend-driven. Darko Ponjiger, director of Wall Décor Ltd, shares what’s in — and what’s on the way out — as homes evolve to feel warmer and more considered.
IN
Design in 2026 embraces depth, warmth and restraint. The focus is on immersive, cohesive spaces that prioritise longevity over quick visual impact.
Colour drenching
One of the strongest looks is colour drenching — painting walls, trims and sometimes ceilings in one coordinated hue. Darko says it creates an immersive, moody feel. “Done right, it feels sophisticated, calming and intentionally designed,” he says, especially when paired with layered lighting and subtle texture.
Earthy tones
Warm neutrals are replacing cool, clinical interiors. Think clay, sand, olive, mushroom and soft terracotta. “Earth tones, greens, nuanced blues and soft whites,” Darko says. These shades feel timeless and adapt well to New Zealand’s shifting natural light.
Texture-led finishes
Texture is taking centre stage, with plaster finishes, limewash effects and soft surface movement adding depth without overpowering a room. “Venetian plaster, polished plaster, limewash-style — it’s a movement,” Darko says.
Wallpaper features
Wallpaper is returning strongly, particularly murals, textured coverings and nature-inspired prints that introduce pattern in a considered way.
Quiet luxury and sustainability
Understated luxury remains influential, favouring refined materials and high-quality finishes over bold statements. Sustainability is also front of mind, with low-VOC paints, durable systems and healthier interior choices increasingly prioritised.
OUT
Flat, one-dimensional walls are losing appeal, as are overly bright statement colours that quickly date a space. Random accent walls without connection to the overall design are also on the way out, replaced by features with clear purpose and cohesion.
Built to last
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Darko says exterior painting in New Zealand is about longevity. “Interior painting is still the foundation of great design — especially when preparation is done properly.”
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REBUILDING CHRISTCHURCH
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