11 October 2025
7pm - The Liner Hotel
Dress code; Black Tie
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CAROLINE FOGG CAROLINEFOGG
Owner
My journey in aesthetics hasn’t always been smooth but it’s been real, raw, and transformational.
I first fell in love with skincare as a teenager, watching my mum care for her skin religiously using Clarins. I followed in her footsteps, even borrowing her products while I was still at school. After leaving secondary school, I began modelling and trained with Faces in Rodney Street. I later joined Storm Model Agency in Manchester the same agency that represented Kate Moss where I learned how important skin health was to confidence and image. It sparked a lifelong passion in me for flawless, glowing skin
Although I enjoyed modelling, I knew deep down my true passion was in dermatology, skincare, and helping others feel their best. I trained in beauty and aesthetics.
I earned distinctions, and became qualified to teach. In 2008, I opened my first clinic, Flawless, in Birkenhead. For six years, it thrived.
But then I made a mistake. I invested heavily in machines from a company that turned out to be corrupt and dishonest. They claimed their devices were European but they weren’t. I used my entire cashflow and even asked my aunt to invest in the business to buy two advanced machines. Within 6 weeks, they began to fail. One blew up during a treatment. Another caused pain and damage. Support from the company vanished. I was left with broken equipment, debt, and a damaged reputation. I had no choice but to close the clinic I was devastated I felt like I’d lost everything. But that failure didn’t break me it rebuilt me
I took a job managing a highend clinic in Heswall and retrained in advanced dermatology and laser. I became passionate again, learning from the best and working with top brands like SkinCeuticals and Environ.
equipment sales and training, quickly becoming the top seller nationwide. With a new sense of purpose, I carefully researched certified European manufacturers, ensuring safety and results were never compromised again. I travelled to Italy to train with doctors near Venice, gaining expertise in Cryolipolysis, HIFU, Plasma, Fractional Lasers, and more. My confidence soared. Soon, I was offered a role as UK Brand Ambassador for one of the top Italian aesthetic manufacturers. I began training clinics and practitioners, all while selling devices with complete knowledge and trust. As my commissions grew, I reinvested into myself.
I bought the Mesotherm skin rejuvenation system and began treating clients from a small rented room in a Liverpool salon. The results were incredible skin tightening, hydration, glow, and real transformation. Word spread. Reviews flooded in. I launched Facebook campaigns and live demos of Aesthetic machines from Biotec to supply to other Aesthetic clinic owners at Liverpool’s Hilton Hotel. The bookings followed.Within months, I purchased the 5th generation HIFU Renova, one of the most powerful non-surgical facelift systems on the market. This machine tripled my income in a matter of 8 months, I saved enough to open my own clinic again only this time, I did it on my own terms.
I launched Derma Cosmedic on Castle Street, Liverpool:
A high-end medical aesthetic clinic
A team of doctors and aesthetic experts
And a mission that’s never changed: to transform skin, confidence, and lives Now, I hold a degree in Aesthetic Medicine, and I specialise in combining cutting-edge technologies like polynucleotides, skin boosters, microneedling RF, and advanced fat reduction with a holistic approach to skincare. I’ve helped thousands of clients regain their confidence. by focusing on excellence, ethics, and real results. .I have trained hundreds of students, they always leave my training courses full of confidence to set up their business and a wealth of knowledge in their chosen Aesthetic training.
But my story isn’t just about my success. It’s about what I learned — and how I can now help you write your own story. If you're ready to launch your aesthetic career, or you're a clinic owner looking to grow with confidence, I’m here to share every lesson I’ve learned the hard way and the right way. I offer all your marketing support to help set up your business, with an instant business CRM platform offering you online bookings, email marketing, guaranteeing you success from the beginning, with our cutting edge Advanced Aesthetic equipment alongside the most up to date training, and our facebook marketing experts, providing you with clients the minute you open your own business.
Let me help you build the career and life you dream of.Because if I can come back stronger so can you.
Hifu Non Surgical Facelift
Cryo Fat reduction
Hifu fat reduction
Laser Skin rejuvenation
Laser Hair removal
Polynucleotides
Skin Boosters
Anti wrinkle injections Hydrafacials.
Childline Anticipated An Increase In Contacts From
Children Across The UK Who Have Concerns About
Returning To School This Month
From April 2024 to March 2025, the NSPCC-service delivered 1,812 counselling sessions to young people on this topic.
Over a third (34%) of these counselling sessions took place across August (377) and September (236). Young people told Childline that they’re worried about reactions to a change in their appearance from peers and concerns about the demands of schoolwork in the new term. One girl, aged 14, told Childline: “I really, really don’t want to go back to school – I worry what people will say to
me about my body after the summer. I feel so ugly and guilty that I didn’t have the discipline to stick to a diet or lose any weight.
My family keeps telling me I’m beautiful, but it’s hard to believe them. At least at home I feel safe and understood, but at school I’ll have to eat around other people and that makes me feel really upset - I feel so vulnerable and judged.”
Childline is reminding children that they are there for any child who needs support, no matter their concern.
"We see a significant rise in contacts to Childline during the summer holidays, particularly in the lead-up to the new school year. School should be a place where children feel safe, supported, and happy. “
She is calling for publis support to raise £250,000
Renowned historian and author Philipa Connolly, who lives with cerebral palsy, has officially launched AIMS FOR LIFE, a groundbreaking new charity dedicated to mentoring disabled individuals and supporting them in building successful careers and businesses. Driven by lived experience and a deep understanding of the barriers disabled people face, Connolly’s mission is simple yet urgent: to unlock potential, challenge assumptions, and empower disabled people to become the fullest versions of themselves, particularly in the business world. Phillipa is a member of Napoleon Hill Mentorship, an exclusive program designed to help ambitious individuals unlock the path to wealth and personal growth.
“This isn’t about charity, it’s about opportunity,” says Connolly. “Disabled people are full of untapped talent, ambition, and ideas. AIMS FOR LIFE will give them the mentorship, tools, and confidence to lead.”
To get the programme off the ground, AIMS FOR LIFE is seeking to raise £250,000. The funding will go directly toward:
Establishing the mentorship infrastructure Developing workshops, training, and business support programmes
Philanthropists, businesses, and members of the public are invited to contribute to this transformative initiative. Donations can be made directly to Phillipa via phillipaconnolly@hot mail.co.uk
A gofundme page for Aims for Life has also been set up.
AIMS FOR LIFE represents a powerful shift in how we think about disability and leadership and the time to act is now.
As a male dating coach, I have observed the profound shifts in modern dating dynamics.
The term "entitled" can describe some women's approach today, not as a criticism, but as a reflection of broader societal changes. Traditionally, men initiated courtship; however, with greater gender equality and women's independence, many now wait for interest or act only when strongly compelled. Social media and reality shows promote visual perfection and high standards, leaving men hesitant In my work, women often ask why men no longer approach, highlighting a social stalemate that breeds frustration yet offers chances for equitable connections.
To grasp these rules, we trace their evolution from primal roots. For millennia, instincts governed pairings: men driven by survival, women selecting for strength and provision. Relationships focused on reproduction, not romance, with monogamy rare. Modern dating emerged in the late 19th century, shifting from supervised, transactional courtships arranged for economic gain to scheduled outings. The Victorian era emphasised chivalry and restraint, with subtle signals like a dropped handkerchief allowing approaches while preserving propriety.
The 20th century brought seismic changes, especially for women. The contraceptive pill in the 1960s enabled career pursuits and autonomy, challenging patriarchal norms Feminism promoted shared responsibilities; yet, as women embrace masculine essences in careers or single parenting, some declare they need no partner, masking deeper .
As a male dating coach, I have observed the profound shifts in modern dating dynamics. The term "entitled" can describe some women's approach today, not as a criticism,
but as a reflection of broader societal changes.
Traditionally, men initiated courtship; however, with greater gender equality and women's independence, many now wait for interest or act only when strongly compelled. Social media and reality shows promote visual perfection and high standards, leaving men hesitant. In my work, women often ask why men no longer approach, highlighting a social stalemate that breeds frustration yet offers chances for equitable connections.
To grasp these rules, we trace their evolution from primal roots. For millennia, instincts governed pairings: men driven by survival, women selecting for strength and provision. Relationships focused on reproduction, not romance, with monogamy rare Modern dating emerged in the late 19th century, shifting from supervised, transactional courtships arranged for economic gain to scheduled outings. The Victorian era emphasised chivalry and restraint, with subtle signals like a dropped handkerchief allowing approaches while preserving propriety
The 20th century brought seismic changes, especially for women. The contraceptive pill in the 1960s enabled career pursuits and autonomy, challenging patriarchal norms. Feminism promoted shared responsibilities; yet, as women embrace masculine essences in careers or single parenting, some declare they need no partner, masking deeper yearnings.
Discover how Circology™ fosters meaningful connections at www.circology.life, where The Circus Question™ app offers the fastest known compatibility quiz. Let us build fulfilling relationships beyond isolation.
From 4–14 September, Liverpool will welcome more than 550 boxers from over 65 countries, competing across two daily sessions, a late morning start at 11:00 or 12:00, and an evening session at 18:00. Tickets are just £15 for adults and £5 concessions (U16, OAPs, students, and those in receipt of benefits)
20% off all training courses Sep-Oct
20% off the following treatments:
HYDRA FACIAL & HEAD SPA Now £110
HYDRA FACIAL & SKIN BOOSTER Now £170
Breaking
you?”
I felt sick with guilt as the last thing I want to do is drop my plastic insecurities onto them.
even know what that meant.”
And then she added something that really stuck: “Before the 20th century, people didn’t even know what they looked like.
Mirrors were rare.
Portraits were for the rich.
People weren’t obsessed with being attractive, they didn’t
And it got me thinking. As usual, she’s not wrong. It’s only in the last 80 years or so that we’ve become fixated on image. We call it self-care, but so much of it is just well-packaged insecurity. We’ve been sold the idea that beauty is empowerment but it’s just well marketed bullshit which I have built a career around. We’re drowning in the pressure to be seen, polished and perfect. When I left my husband, the man who never really cared how I looked, I reinvented myself. I threw myself into beauty. Expensive skincare, hair extensions, designer makeup, nails, lashes, botox, aesthetics. You name it, I got it as I wanted to feel worthy again. I wanted to be visible, to look and feel beautiful. But maybe, just maybe, he was right to care less.
JENNY BROWN JENNYBROWN
How did you get into designing?
Encouragement from my eldest child got me started. I talked about putting one of my paintings on a T-shirt for a while. I wasn’t sure how to go about it, so one day Sam said –let’s try it! She took a picture; we researched suppliers, picked one and a few days later, a T-shirt arrived. It was so exciting opening the package and holding the T-shirt in my hands, with my design on the front. That initial buzz hasn’t stopped – each time I try something new, I’m impatient for the finished item to arrive –its like waiting for Christmas!
You say nature inspires you, how?
What is your favourite item you’ve designed?
This is really difficult to answer – they’re all my babies! I like to challenge myself by producing different products. My favourite is the one I’m working on at the moment, however there is a special place in my heart for one of my earlier designs, which is an Art Deco style flamingo motif that I have used on a glasses case, parachute bag and wrapping paper.
It’s one way I relax - by walking. I enjoy being out in nature, whether its in the countryside of the Yorkshire Dales, across a blustery beach or in my garden. For me Nature is about patterns and feelings - the changes in the seasons or moods, can suggest particular colours or shapes. The pretty shapes of the fuchsia flower and their bold colours, were fun to develop into patterns for cushions, bringing the sunshine in! The Peacock collection was inspired by a trip to Knowsley Safari Park, where the birds wandered freely. I wanted to capture, not just the gorgeous blue-green colour of feathers, but also their majestic bearing, which brought rich gold and deep purple into the mix. My research into peacocks revealed how various cultures held different spiritual beliefs on the powers of peacocks to bring good fortune. This was my starting point for the collection of peacock designs.
Clothing or accessories, which do you prefer?
“WhetherI'm teachingadance class,leadinga workshop,or performingon stage,Ibringthe sameenergyand passionto everythingIdo.””
I prefer accessories because for me they offer more freedom to experiment with the design, whilst also considering how the item will be used - and then scale too. I’m much nosier now whenever I’m out shopping, I pay much more attention to products and designs; how other designers use colour and design, is inspiring. I’m love the challenge of creating an item that has my unique stamp on it. My aim is to build a collection of accessories, for each set of designs. My themes so far are exotic birds, but I also want to expand my range to include endangered species – to spread the word of how diverse plants and animals are, and
to raise awareness of what we might lose. I’m currently working on a pangolin design – which is currently one of the most heavily poached animals in the world.
Describe your style
I’d call it Dopamine Deco! I love vibrant colours and interesting subjects but also I like to add some form of framework so there also some degree of geometry too. I want to bring happiness by showing the diversity of the world around us. This can be a walk around the block or travelling to another land Its trying to capture a childlike sense of wonder – I’m a firm believer in the school of lifelong learning – there’s always something new out there, if you take a minute to look.
How difficult is it establishing yourself as a brand?
This I have found very difficult – blowing my own trumpet doesn’t come naturally at all. I’m pleased with the progress I’ve made, moving forward and being bolder. I’m continually looking ahead giving myself new challenges and am excited by the possibilities.
Yes. I definitely think Liverpool provides inspiration. It’s a vibrant city on the coast, where there is always something going on. Amazing architecture, green spaces and local parks I feel very fortunate, to be living here at this time
What do you love about your work?
I love the process of having a germ of an idea that I mull over for a while and then develop into a product Working to produce a very personal item is an immensely satisfying journey. It could start with a favourite colour, motif, or animal and then grow into something unique. Seeing the reaction when they receive their item, is a very special moment for me.
What materials do you like to work with?
The material I work with the most is paint. This can be watercolours or acrylics but it helps me get my ideas out of my head and into the real world. Usually, from the very beginning I have an idea of the product that would be most suitable for the design I am working on, sometimes it changes along the way and develops into a range of items.
Does Liverpool give you an inspirational canvas ?
