Silver & Objets de Vertu | Auction 03 March 2026 from 10am GMT by Lyon & Turnbull

SILVER

& OBJETS DE VERTU

TUESDAY 03 MARCH 2026 FROM 10AM

Lyon & Turnbull 33 Broughton Place EDINBURGH EH1 3RR

VIEWING

Sunday 1 March 2026, 12noon-4pm

Monday 2 March 2026, 10am-4pm

Tuesday 3 March 2026, 9am-12noon

BUYER'S GUIDE

BUYER’S PREMIUM

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

27% up to £20,000

26% from £20,001 to £800,000 20% thereafter

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT

† VAT at the standard rate payable on the hammer price

‡ Reduced rate of 5% import VAT payable on the hammer price

Ω Standard rate of import VAT on the hammer price

Lots affixed with ‡ or Ω symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE

§ indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the Hammer Price is less than £1,000. The charge for works of art sold at and above £1,000 and below £50,000 is 4%. For items selling above £50,000, charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk.

This sale is subject to our Standard Conditions of Sale (available at the back of every catalogue and on our website). If you have not bought at auction before we will be delighted to help you.

REGISTRATION

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

1 – Government issued photo ID (Passport/Driving licence)

2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. (Particularly for bidding on lots marked by the high value lot symbol ) By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT

For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

CATALOGUE DESCRIPTIONS

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. Our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

IMPORT/EXPORT

Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES

Y Lot may contain material subject to CITES regulations, such as ivory. Please be aware that lots marked with the symbol Y may be subject to CITES regulations when exporting outside Great Britain. For more information visit http://www.defra.gov.uk/ahvla-en/ imports-exports/cites

COLLECTION OF PURCHASED LOTS

All collections will be by appointment only (this applies to both carriers and personal collections). To make an appointment call 0131 557 8844 or email info@lyonandturnbull.com.

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Stripe) - details will be shown on your invoice. Please note we are unable to take payments over the phone.

MEET THE SPECIALISTS

At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or condition of a lot, or just want to find out more about the auction process.

Kier Alexander Silver Specialist & Head of Sale

Colin Fraser Consultant Specialist in Silver, Whisky and Arms & Armour

Ruth Davis Associate Director, Head of Jewellery | Edinburgh

Philip Smith Director, Head of Modern & Post-War Art & Design

A 19TH CENTURY FRENCH PARCEL GILT NOVELTY OWL PEPPER

FRENCH EXPORT MARK

Modelled naturalistically, the detachable pierced head with coloured glass eyes, the body chased with feathers, gilt beak and gilt interior

7cm high, 46g

£400-600 2

A 19TH CENTURY FRENCH BOX

MINERVA HEAD MARK

Of rectangular outline, all over engraved scroll decoration; together with a Dutch pill box, of circular outline, brightcut engraved decoration throughout (2)

8.5cm wide, 3oz (combined)

£300-500 3

A PAIR OF FRENCH SILVER-GILT SEWING SCISSORS

INDISTINCT MARKS

Of traditional form, floral and scroll decoration to a pull-off cover with similar detail

10cm long, 17g

£300-500 4

AN EARLY 20TH CENTURY FRENCH ENAMEL WALKING CANE

STAMPED AC, 900, MINERVA HEAD FOR LESSER STANDARD OF SILVER

The flared terminal of pink guillochŽ enamel with pink bow and floral decoration, the border set with a row of pearls, to a silver collar, and tapered ebonised stick; together with another, the flared rock crystal terminal set in a harlequin pattern of collet set rubies, the white enamel collar also set with rubies in a similar fashion, to a tapered ebonised stick (2)

6.5cm and 7cm (mount) 91cm overall

£1,000-1,500

A LATE 19TH CENTURY/ EARLY 20TH CENTURY RUSSIAN GEM-SET AND ENAMEL EBONISED AND HORN TIP WALKING CANE

FABERGÉ, WORKMASTER VLADIMIR SOLOVIEV, 56 ZOLOTNIKS MARK

The rose quartz tapering terminal set with an old-cut diamond, to a gold and white enamel collar to a tapering cane

6.5cm (mount), 91cm overall

£3,000-5,000

A SET OF 19TH CENTURY PROVINCIAL RUSSIAN FORKS

MARKED M&S, TOWN MARK

Comprising four tablespoons and four dessert spoons, all with swag border decoration and engraved monogram to terminal (8)

21.5cm, 18.5cm long, 15.5oz (combined)

£300-500

AN EARLY SOVIET ERA RUSSIAN ENAMEL CIGARILLO CASE

84 STANDARD ZOLOTNIK MARK

Of rounded rectangular outline, chased red enamel Soviet star with sickle and hammer, in a chased wreath border, engraved presentation inscription to reverse, dated 1932, with a blue paste thumb button, gilt interior 11cm long, 5.8oz

£400-600 8

A 20TH CENTURY SOVIET ERA RUSSIAN SWING-HANDLED ENAMEL SALT CELLAR AND SPOON

88 ZOLOTNIK MARK

The hemi-spherical bowl decorated with a white enamel ground, with yellow and green enamel foliate cloisonnŽ enamel, the swing-handle similarly decorated; together with a matching spoon, similarly decorated (2) 11cm diameter of bowl, 6.4oz, 14.5cm long 0.8oz

£300-500 9

A MID 20TH CENTURY EGYPTIAN SET OF FIVE GRADUATED DRESSING TABLE BOXES

CIRCA 1940S

Each of circular outline, engraved scroll and foliate borders, the centre engraved with a coronet and monogram (5) 10cm (diameter of widest), 15.9oz (combined)

£300-500 10

AN EARLY 20TH CENTURY AMERICAN STERLING SILVER COCKTAIL SHAKER

CRICHTON & CO. NEW YORK

Modelled as an early Georgian covered tankard, with tapered sides, S-scroll handle, pierced thumbpiece, and wide spreading foot, with maker’s marks and stamped STERLING 6710

28cm high, 38.5oz (gross)

£800-1,200

11 Y

A MID 19TH CENTURY AMERICAN THREE PIECE TEA SERVICE

BALL, BLACK & CO., NEW YORK

Comprising water pot, teapot and milk jug, all of lobed baluster outline, chased floral decoration throughout, engraved initials to the stylised cartouche, the handles modelled as trailing vines with grape details with ivory insulators to the water pot and teapot, each raised on a lobed foot (3)

27cm high (waterpot), 50.4oz (combined)

Note: With non-transferable CITES self-certification number: EL8WULGD

£600-800

A SET OF TWELVE EARLY 20TH CENTURY AMERICAN TABLESPOONS

R. WALLACE AND SONS MANUFACTURING COMPANY, WALLINGFORD CONNECTICUT

Each of Washington pattern, engraved initial to terminal (12)

18cm long, 16oz

£500-800

A SET OF THREE 20TH CENTURY AMERICAN MINT JULEP CUPS MANCHESTER SILVER CO. PROVIDENCE, MARKED STERLING 3759

Each beaker of tapered form with threaded borders (3)

9.5cm high, 11.5oz (combined)

£400-600

A COLLECTION OF AMERICAN EARLY 20TH CENTURY SWEETMEAT BASKETS MARKED STERLING, ONE FOR THEODORE STARR

Comprising an oval basket, a smaller pierced round basket and six smaller bon bon dishes, all with engraved initials to the centre; together with a pair of bon bon dishes, Walker & Hall, Chester 1900, with pierced sides and rose terminals (10)

31cm wide, 42oz (combined)

£600-800

A PAIR OF 20TH CENTURY SILVER-PLATED ITALIAN COCKERELS STAMPED ITALY

Each modelled naturalistically, one in flight, one in take-off (2)

14cm high

£400-600

A COLLECTION OF DUTCH SILVER

To include, a twin-handled Dutch wine taster, unmarked; a snuff box, marked JG, of fan form and swivel lid; a twinhandled porringer, and a set of four liqueur glass frames (one glass lacking), with import marks, London 1890, of pierced form pastoral scenes (7)

6oz (silver gross)

£300-500

A SET OF SIX 19TH CENTURY AUSTRO-HUNGARIAN TABLE KNIVES

J. A. HENCKELS, SOLINGEN

Engraved with coronet and initials hp; together with a collection of American serving ware, various marks and patterns (13)

25.5cm long, 12oz (weighable)

Provenance: By Family Descent

Note: Joseph Freiherr Von, Hammer-Purgstall (1774-1856) Hammer-Purgstall signifies the HP engraved to the knives.

A well-known Austrian Orientalist, he is most famous for his works and the first ever complete translation of the Divān of Ḥāfeẓ into a western language.

His father Josef Hammer was knighted in 1791 and “von” was added to the family name and subesquently “Freiherr” and Purgstall was added in 1836, after his admirer Jane Anne Cranstoun, the widow of the last Count von Purgstall, who had bequeathed to him her husband’s title and arms as well as the estate of Hainfeld near Feldbach in the province of Styria.

£300-500

AN EARLY 19TH CENTURY AUSTRIAN PARCEL-GILT AND MOTHER OF PEARL SNUFF BOX

MAKER’S

MARK MS, VIENNA 1814

Of rectangular outline, with rounded edges, engraved foliate and floral detail to base, the hinged lid inset with a mother-of-pearl panel, foliate thumb piece, gilt interior

7.5cm wide, 3oz

£250-400

A 19TH CENTURY PARCEL-GILT COMMUNION CHALICE

POSSIBLY PORTUGUESE, LISBON

Of conventional tall form, double knopped stem, to a domed stepped foot; together with a Chinese cup, unmarked, engraved bamboo decoration to the bowl, raised on three bamboo canes, to a stepped circular foot (2)

27cm high, 15.4oz, 7.5cm high, 7.2oz

£300-500

A CONTINENTAL SILVER-GILT AND GEM-SET CHRISTENING CUP

INDISTINCTLY MARKED TO FOOT

The deep slender cup with chased floral scroll border and acanthus clasped lower body, the stem of baluster form, set with various cabochons, including bloodstone, garnet, chalcedony etc, to a domed foot with chased vine and grape detail, the border engraved ‘Robert Jocelyn from his Godfather, Frederik Viscount Castlereagh 1846’ above a gadrooned border, above a presentation inscription to foot ‘David George Patrick Coke, Lord Ogilvy, 17th May 1926 from his loving Grandmother and Godmother Mabell Airlie’ presented in a later case, likely French or Italian 28.2cm high, 12oz

Provenance: Property from the Earls of Airlie

£1,500-2,500

A LATE 18TH CENTURY GERMAN PORCELAIN HANDLED CAKE SERVER

CHRISTIAN DRENTWETT II, AUGSBURG, 1761-63

The tapered handle, formed of Thuringian porcelain, decorated possibly later with enamel decoration in delicate blue, green and red with gilded highlights, set against a white ground, to an acanthus mounted stem, the pierced blade with engraved floral detail

28.7cm long, 5.8oz gross

Note: The porcelain handle is Thuringian, second half of the 18th century. Other examples of the same underglazeblue pattern (without the enamels and gilding) are in the ’Museum für Kunst und Gewerbe’ in Hamburg, published in B. Heitmann/C. Boerner, ’Historische Bestecke aus der Sammlung des Museums für Kunst und Gewerbe’, Hamburg (2007), no. 141).

Literature: Helmut Seling, ’Die Kunst der Augsburger Goldschmiede 1529-1868, Band III’ and Supplement zu Band III, C.H. Beck, München 1980, p.398

£800-1,200

A MID-19TH CENTURY GERMAN TWIN-HANDLED JARDINIÉRE

CARL AUGUST OSTERBERG, MARKED 800

Of oval outline, cast swag border, angular handle with floral motifs, pierced shell details throughout, raised on two out-turned scroll bracket feet and two in-turned bracket feet; together with an associated brass liner

36cm (across handles), 32.5oz (weighable)

£400-600

A LATE 18TH CENTURY GERMAN SPOON

ELBERFELD - 13 LOTH SILVER, MAKER WRW, 1774, MARKED WITH “13” ABOVER THE CITY MARK

Of Hanoverian pattern, initials ‘DVDH’ engraved to reverse of terminal 20cm long, 53g

£250-400

A 19TH CENTURY INDIAN CASKET

UNMARKED

Of rectangular form, the domed hinged lid and sides all chased with varying floral and foliate designs, ornate cast swing handle, engraved lock cover, raised on six engraved bracket feet

14.5cm wide, 25oz

£300-500

BURMA - AN EARLY 20TH CENTURY BOWL

UNMARKED

Of hemi-spherical form, chased figural depictions above a foliate border, raised on a flat circular base

18cm across rim, 11.5cm high, 18.2oz

£500-800

CALCUTTA - AN INDIAN PRESENTATION TROPHY

HANDFORD & CREWE, LATE 19TH CENTURY

Marked Handford & Crew, Calcutta, the bowl of chased floral design, presentation engraving to the centre ‘TEZPORE RACES/ RAMGAON CUPÉ 1877’, to a knopped stem and circular foot with floral and beaded decoration

22cm high, 12.5oz

£300-500

KUTCH - A 19TH CENTURY INDIAN SPILL VASE / ROSE WATER SPRINKLER

UNMARKED

Of typical bulbous shape, lobed panels each decorated with chased foliate designs, raised on a domed foot with similar decoration; together with a flask, unmarked, of cylindrical form, chased decoration throughout of foliate and scroll design, pull-off lid (2)

26cm high, 18cm high, 18oz, 9.5oz

£300-500

KUTCH - A 19TH CENTURY INDIAN OVAL TRAY

UNMARKED

Of oval outline with a pierced foliate lobed border, heavily chased scroll border and pastoral depiction to dish 39cm wide, 16oz

Provenance: Private Scottish Collection, Fife

£300-500

KUTCH - A 19TH CENTURY INDIAN TEAPOT AND MILK JUG

UNMARKED

Of octagonal outline, chased scroll foliate and floral decoration throughout, the handle modelled as a serpent, beak spout, elephant finial to the hinged lid, raised on an octagonal foot; together with a milk jug, unmarked, of barrel form, heavily chased scroll decoration, the handle formed as a serpent (2) 12.5cm, 8.5cm high, 13.5oz, 3.5oz

£500-800

A PAIR OF MILENNIUM NOVELTY SALT AND PEPPER SHAKERS

SUSAN WALKER, LONDON 2020 each of phallic form, with pull off lids, one pierced for salt, the other for pepper (2) 5cm high, 3.5oz (combined)

£500-800

A 1990S PRESENTATION BOWL

PRUDEN & SMITH, SHEFFIELD 1995

Of circular outline, with a planished finish, engraved presentation inscription to the centre, ‘...DONALD REID 19681995’; together with a strawberry dish, Elkington & Co., Sheffield 2000; a matched pair of card trays, Henry Atkins, Sheffield with moulded border (4)

25cm diameter, 31oz (combined)

£400-600

A PAIR OF 1990S WINE COASTERS

JOHN BULL LTD., LONDON 1991

Of conventional form, feature hallmarks, turned wooden base, vacant disc to centre (2)

12.3cm diameter

£200-300

A 1970S SALVER

MAPPIN & WEBB, SHEFFIELD 1973

Of moulded circular outline with a Celtic knotwork border, raised on three hoof feet

32cm diameter, 29oz

£600-800

A SUITE OF 1970S FLATWARE

A. CHICK & SONS LTD., LONDON 1972

Comprising three tablespoons, five table forks, six soup spoons, six dessert forks, six dessert spoons, all of Hanoverian pattern, with rat tail bowls; together with six silver-handled table knives and six silver-handled side knives, Tessiers Ltd, London 1960 and 1961, each of pistol grip (38)

50oz (combined)

£2,000-4,000

A 1970S SALVER

BARKER ELLIS SILVER CO., BIRMINGHAM 1971

Of oval outline, raised pie-crust border

35.5cm wide, 28.5oz

£400-600

A PARTICULARLY LARGE 1960S BEAKER

PAYNE & SON, LONDON 1963

Of simple tapered form with slight everted rim, feature hallmarks to the underside; together with a rose bowl, Lambert & Co., London 1910 of traditional form with threaded border and girdle and another bowl, Paul Revere, stamped 925, with a slightly everted rim (3)

10.3cm high, 21oz (combined)

£300-500

A PAIR OF 1950S THREE-BRANCH CANDLESTICKS

CHARLES S GREEN & CO. LTD., BIRMINGHAM 1954

Each branch of scroll form, with simple cylindrical drip pans, raised on a slightly domed foot (loaded); together with a pair of candlesticks, Adie Brothers, Birmingham 1960, of tapered knopped form (loaded) (4)

7cm, 21cm high

£300-500

A 1950S 9CT GOLD CASED CIGARETTE HOLDER

ALFRED DUNHILL, BIRMINGHAM 1953

Of flared hexagonal form, with five inter-changeable coloured plastic mouthpieces; together with a cased 9ct gold mounted cigar holder and mouthpiece, presented in a fitted case retailed by Blumfeld’s Best Briars (2)

10.5cm long, 8.5cm long

£500-800

A 1950S PRESENTATION SALVER

WILLIAM SUCKLING LTD., BIRMINGHAM 1951

Of traditional form with a pie-crust border, engraved presentation inscription to dish, raised on three acanthus clasped scroll feet

27cm wide, 17.5oz

£500-800

A 1940S FOUR PIECE TEA SERVICE

RATTRAY & CO. (OF DUNDEE), BIRMINGHAM 1941

Comprising, a waterpot, teapot, twin-handled sugar basin and a milk jug, all of oval form, gadrooned border, angular handles, raised on four ball feet (4)

19cm high (waterpot), 52.4oz (combined)

£400-600

41 Y

A 1940S ART DECO STYLE THREE PIECE TEA SERVICE

VINER’S LTD, SHEFFIELD 1940

Comprising a water pot, teapot and milk jug, all of elongated octagonal form, engraved geometric border, angular ivory handles and finials, each raised on an octagonal foot; together with a silver-plated twin-handled sugar basin (4)

16.5cm high (water pot), 49.7oz (gross of three piece tea service)

Note: With non-transferable CITES self-certification number: EXYH14HT

£700-1,000

A 1930S ART DECO TABLE CIGAR BOX

ARTHUR FENWICK, BIRMINGHAM 1938

Of rectangular outline, stepped corners, gilt interior lid, with two wooden-lined compartments, raised on four square wooden feet

19cm wide

£400-600

A SET OF THREE 1930S MAZERS

THOMAS BRADBURY AND SONS, SHEFFIELD 1936

Each of rounded circular form with a slightly everted silver mount and lining, foliate border and chased edge, to an oak bowl and foot (3)

12cm diameter

£500-800

A SET OF FOUR 1930S MAZERS

THOMAS BRADBURY & SONS, SHEFFIELD 1936

Each of rounded circular form with a slightly everted silver mount and lining, foliate border and chased edge, to an oak bowl and foot (4)

12cm diameter

£600-800

A 1930S SALVER

BARKER BROTHERS SILVER LTD., BIRMINGHAM 1935

Of circular outline, gadrooned border, raised on four claw and ball feet

25cm diameter, 19.9oz

£300-500

A 1930S DOUBLE COMPARTMENT TABLE CIGARETTE BOX

HENRY CLIFFORD DAVIS, BIRMINGHAM 1935

Of rectangular outline, engine turned decoration throughout, with two vacant rectangular cartouches to each of the hinged lids, wooden lined, angular handle to centre, raised on four stepped feet

20.5cm wide

£400-600

A 1930S THREE PIECE TEA SERVICE

JK, SHEFFIELD 1932

Comprising a teapot, twin-handled sugar basin and a milk jug, all of octagonal outline, stylised border, C-scroll handles, engraved Gothic B to body, each raised on four hoof feet (4)

16cm high (teapot), 39.4oz (combined)

£350-500

A 1930S THREE PIECE TEA SERVICE

HENRY CLIFFORD DAVIS, BIRMINGHAM 1931

Comprising a teapot, twin-handled sugar basin and a milk jug, all of octagonal outline, angular handles, raised on an octagonal foot (3)

13cm high (teapot), 35.5oz (combined)

£600-800

A 1930S LARGE TABLE CIGAR BOX

PADGETT & BRAHAM LTD., LONDON 1930

Of rectangular outline, engine-turned decoration throughout, with an Art Deco style monogrammed CTF to the hinged lid, the interior of the hinged lid, gilded and engraved with a presentation inscription dated 1959, wooden lined interior with two movable compartments

30cm wide

£400-600

A SET OF FOUR 1930S SOUP SPOONS

FRANCIS HIGGINS & SONS, LONDON 1931

Each of double struck Queen’s pattern and two condiment spoons; together with a set of six teaspoons, Muirhead & Arthur, Glasgow 1860 and six by Duff & Millar, Glasgow 1860, of single struck Queen’s pattern; two teaspoons, Sheffield 1913, of single struck King’s pattern; a mother-of-pearl handled sugar shovel and a teaspoon of Old English pattern, bright-cut feathered decoration (22)

21.4oz (combined)

£600-800

AN EARLY 20TH CENTURY COMPOSITE CANTEEN

PREDOMINANTLY SHEFFIELD 1930S

Comprising twelve soup spoons, Mappin & Webb, Sheffield 1930 and two by Martin Hall & Co., Sheffield 1915, three dessert spoons, four table forks, Brook & Son, Edinburgh 1930 and six by William Hutton and Sons, Sheffield 1938, all of Hanoverian pattern; together with a collection of four teaspoons and two salt spoons with twisted stems; together with twelve silver-handled table knives and six silver-handled side knives, Sheffield, all contained in a mahogany three-drawer canteen (51)

67.7oz (weighable)

£1,500-2,500

A PAIR OF 1920S ENTRÉE DISHES & COVERS

HAWKSWORTH, EYRE & CO. LTD., LONDON 1929

Each of rounded rectangular form, gadrooned border with shell corners, the loop handle of similar decoration (2)

17cm wide, 43.5oz and 44oz

£1,200-1,600

A PAIR OF 1920S TUMBLERS

PAYNE & SON (OF OXFORD), LONDON 1929

Each of plain form

7cm high, 12.5oz (combined)

£400-600

A 1920S PRESENTATION SALVER

ATKIN BROTHERS, SHEFFIELD 1929

Of moulded circular outline, engraved presentation inscription to centre, raised on three scroll feet

36.5cm diameter, 49oz

£700-900

55 Y

A 1920S TRAVELLING VANITY CASE

PREDOMINANTLY P.W.G, LONDON 1928

comprising silver-mounted bottles, manicure set, a button hook, shoe horn, mirror, brush etc., all with engine turned decoration and foliate border, presented in a fitted crocodile skin case, retailed by REID & TODD LTD

GLASGOW

£300-500

A 1920S GEORGE II STYLE TWIN-HANDLED PORRINGER

D & J WELLBY LTD., LONDON 1926

Of slight baluster form, engraved vacant cartouche to the body, the handles formed as scrolling sea serpents; together with a planished bowl, R H Halford & Sons Ltd., London 1899, everted rim, raised on a circular foot (2)

6.5cm (porringer), 11.2oz (combined)

£300-500

A 1920S WAITER

BOARDMAN, GLOSSOP & CO., SHEFFIELD 1924

Of square outline, moulded corners, raised on four shallow bun feet 21.2cm wide, 12oz

£300-500

A PAIR OF 1920S SAUCEBOATS

ROBERT STEWART (OF GLASGOW), LONDON 1924

Of traditional form, gadrooned border, acanthus clasped handle, raised on three shell clasped hoof feet; together with another similar, Reid & Sons, London 1913, stylised pie-crust border (3)

9.5cm high, 14.5oz (combined)

£350-500

A 1920S ENTRÉE DISH LID

MAPPIN & WEBB, SHEFFIELD 1924

Of domed form, shell clasped loop handle, engraved monogram to body

7.3cm wide, 10oz

£250-350

A 1920S SALVER

POSSIBLY ADOLPH SCOTT, LONDON 1923

Of circular outline, pie-crust border, raised on three hoof feet

31cm diameter, 29oz

£700-1,000

A 1920S MATCHED FOUR PIECE TEA SERVICE

LEE & WIGFULL, SHEFFIELD 1922/4/7

Comprising a waterpot, teapot, twin-handled sugar basin and a milk jug, all of oval outline, engraved crest and motto for the Haig family to body, S-scroll handles, each raised on an oval foot (4)

22.5cm high (waterpot), 55.4oz (combined)

£500-800

AN ARTS AND CRAFTS GEORGE V FOUR PIECE BACHELOR’S TEA SERVICE

CHARLES EDWARD, LONDON 1918

Comprising a teapot, water pot, thrice-handled sugar basin and a milk jug, all of planished finish, the bi-furcated handles with foliate terminals, each raised on three plain feet (4) 18cm high (waterpot), 38oz (combined)

£400-600

A GEORGE V ENTRÉE DISH

MAPPIN & WEBB, SHEFFIELD 1918

Of rounded rectangular outline, gadrooned border, acanthus clasped loop handle 28cm wide, 52oz

£400-600

A GEORGE V TWIN-HANDLED COMPORT

MAPPIN & WEBB, SHEFFIELD 1917

The deep bowl with pierced border, engraved ‘THE FINAL STRAW STAKES/ ASCOT/...1983’, pierced scroll ornate handles, raised on a short stem and domed foot

31cm across handles, 21.8oz

£300-500

A MATCHED GEORGE V FOUR PIECE TEA SERVICE

WILLIAM HUTTON & SONS LTD., SHEFFIELD 1915/1916

Comprising a teapot, waterpot, twin-handled sugar basin and a milk jug, all of baluster oval form, waisted girdle, moulded angular handles, raised on a collet foot (4) 22.5cm high (waterpot), 59.3oz (combined)

£300-500

AN ARTS AND CRAFTS MATCHED GEORGE V FOUR PIECE TEA SERVICE

CHARLES EDWARD, LONDON 1915/16

Comprising a teapot, water pot, thrice-handled sugar basin and a milk jug, all of planished finish, the bi-furcated handles with foliate terminals, each raised on three plain feet (4)

20cm high (waterpot), 50oz (combined)

£600-800

A GEORGE V SALVER

GOLDSMITHS & SILVERSMITHS CO. LTD, LONDON 1912

Of circular outline with a pie-crust border, engraved vacant shield cartouche in a swag garland border to centre, raised on three ball and claw feet

38cm diameter, 53oz

£600-800

A GEORGE V DUTCH IMPORT TABLE CIGARETTE BOX

BERTHOLD HERMANN MULLER, LONDON 1912

Of rectangular outline, heavily chased and repoussŽ pastoral depictions, the corners each set with a cast musical figures, raised on four floral bracket feet

24cm wide, 12cm high, 31.3oz

£400-600

A GEORGE V ALMS DISH/ BOWL

CRICHTON BROS, LONDON 1911

Of traditional plain form, threaded border, engraved coat of arms to the bouge

34cm diameter, 33.9oz

£400-600

A LATE EDWARDIAN TWIN-HANDLED PRESENTATION PUNCH BOWL

WILLIAM HUTTON & SONS, LONDON 1910

The bowl with scalloped rim and engraved presentation engraving, foliate clasped S-scroll handles, raised on a short stem and circular foot

36cm diameter, 33.5oz

£500-800

A LATE EDWARDIAN SALVER

GOLDSMITHS AND SILVERSMITHS COMPANY LTD. LONDON 1910

Of circular outline, threaded border, raised on four hoof feet

36cm diameter, 41.9oz

£700-1,000

AN EDWARDIAN SWING-HANDLED BASKET

BARKER BROTHERS, CHESTER 1908

Of oval outline, pierced throughout with a beaded border, raised on a pierced oval foot with similar beaded border, the swing-handle with beaded border

32.2cm wide, 24oz

£700-1,000

A MODERN HIP FLASK

WALKER & HALL, SHEFFIELD 1907

Of traditional form, upper leather slipcover, with pull-off silver cup; together with another, Drew & Sons, London, 1900, the body formed of cut glass, the simple pull-off cup engraved with monogram GS (2)

16.5cm long

£300-500

A PAIR OF EDWARDIAN ‘ADAM’S STYLE’ CANDLESTICKS

WILLIAM HUTTON & SONS, LONDON 1906

of Neo-Classical form, the Corinthian column to a sweeping square base with beaded detail, the removable sconces with similar beading (loaded) (2)

23cm high

£300-500

A COLLECTION OF VICTORIAN AND LATER CARD AND VESTA CASES PREDOMINANTLY BIRMINGHAM

Comprising Frederick Field, Birmingham 1924, with engine turned detail; one by Hilliard & Thomason, Birmingham 1891, with tartan plaque to centre and a Continental example stamped 830, with a chased pastoral depiction; together with a card case, William Neale & Son Ltd, Birmingham 1928, engraved monogram to the centre; another imported, of Art Deco design, AJ, London 1933 and another, Deakin & Francis, Birmingham 1900 (6)

7.4oz

£300-500

A MATCHED EDWARDIAN THREE PIECE TEA SERVICE

WILLIAM HUTTON AND SONS LTD., LONDON 1905/1906

Comprising a teapot, twin-handled sugar basin and a milk jug, each of demi-fluted oval outline, gadrooned borders; together with a tea caddy, London 1900, of demi-fluted oval outline with a fluted domed hinged lid and flame finial and a coffee pot, Walker & Hall, Sheffield 1905, raised on four ball feet (5)

23.5cm high (water pot), 59oz (combined)

£500-800

AN EDWARDIAN BRIDGE PLAYING CARD BOX

GEORGE NATHAN & RIDLEY HAYES, CHESTER 1905

The plain box with an arched hinged lid with applied label ‘Bridge’, lion mask loop handles to the sides and raised on shell cast paw feet; the compartmented interior lined in boxwood 20cm wide, 11cm high, 5cm deep

£500-700

AN EDWARDIAN TABLE CIGARETTE BOX

WILLIAM COMYNS & SONS, LONDON 1904

Of traditional form, engraved inscription to the hinged lid ‘John, from his wife. 1st July 1904’, gilt interior; together with another smaller cigarette box, John Millward Banks, Chester 1900, wooden lined; and a dressing table box, Deakin & Francis Ltd, Birmingham 1894, of circular outline, the hinged lid and sides chased with floral and scroll decoration, to a gilt interior (3)

15cm wide, 14.5oz (weighable silver)

£300-500

A 2000S ‘LORIMER PATTERN’ SPILL VASE

HAMILTON & INCHES, EDINBURGH 2017

Of planished flared form, pierced knopped stem of foliate design, to a flared foot

20cm high, 14.3oz

Note: Named after the architect who designed the Thistle Chapel within St Giles Cathedral, the Lorimer collection is inspired by ancient Scottish Church plate. Key to the design is the pierced sphere or knop, which features on each item within the collection designed by Hamilton & Inches.

£400-600

A 2000S ‘LORIMER PATTERN’ CENTREPIECE

HAMILTON & INCHES, EDINBURGH 2016

The deep bowl of hammered finish, to a knopped pierced stem with foliate and scroll motifs, to a circular foot

17.5cm high, 30.3oz

£800-1,200

A 2000S ‘LORIMER PATTERN’ THREE-LIGHT CANDELABRA

HAMILTON & INCHES, EDINBURGH 2014

The twin scroll branches with three plain drip pans, each with a pierced sphere of foliate decoration, to a central flared stem of planished finish

28cm high, 38.7oz

£500-800

A LIMITED EDITION 2000S KELPIES BEAKER

HAMILTON & INCHES, EDINBURGH 2016

Of traditional flared cylindrical form, applied Kelpies, gilt interior, signed Andy Scott to underside and numbered No 15

11cm high, 13.8oz

£350-500

A MATCHED SET OF THREE 2000S LETTER OPENERS

HAMILTON & INCHES, EDINBURGH 2013

Each modelled as a broadsword with wrythen grip and bun finial, feature hallmarks to blade, one engraved ‘Allan’, one ‘A&M’, one vacant; together with a Victorian quaich, Hamilton & Inches, Edinburgh 1898, of planished finish, the handles each modelled as scroll maidens (4)

17cm long, 15cm (width across handles of quaich), 10oz (combined)

£300-500

A 2000S COMPORT

HAMILTON & INCHES, EDINBURGH 2012

The plain deep bowl to a baluster stem of planished finish with a Celtic scroll border, to a domed stepped circular foot

23.2cm high, 27cm diameter, 40.5oz

£1,000-1,500

A 2000S SILVER-MOUNTED GLASS VASE

HAMILTON & INCHES, EDINBURGH 2009

Of baluster form, etched glass with a silver mounted collar, to a simple glass foot

26cm high

£300-500

A 2000S BOWL

HAMILTON & INCHES, EDINBURGH 2009

The deep bowl of planished finish

12cm high, 20.5cm diameter, 30.9oz

£700-1,000

A SET OF 2000S GRADUATED DUCKS

HAMILTON & INCHES, EDINBURGH 2016

Each modelled naturalistically in various stances; together with two larger plated examples, one swimming and one waddling (6)

12.5cm high (plated example) 15.4oz (weighable)

£500-800

A BRACE OF 2000S PHEASANTS

COMYNS OF LONDON, LONDON 2014

Each modelled naturalistically, one as a male and one as a female (2) 8.5cm high, 9oz (combined)

£300-500

A MATCHED PAIR OF 2000S DEER

HAMILTON & INCHES, EDINBURGH 2011/ 2014

One modelled as a stag and one as doe, each modelled naturalistically; together with another larger stag, 2014 (3) 16.5cm high (larger stag), 23oz (combined)

£600-800

A 2000S REPRODUCTION ARMADA DISH

HAMILTON & INCHES, EDINBURGH 2012

Of traditional outline, feature hallmarks to the rim, threaded border 25.7cm diameter, 20.5oz

£300-500

A MODERN REPRODUCTION OF THE “LANARK SILVER BELL”

HAMILTON & INCHES, EDINBURGH 1931

The conventionally shaped bell with closed base, with cast foliate decorative suspender and loop suspension, the body engraved with coat of arms of Lanark and to reverse ‘Replica of Lanark Silver Bell, won by...1932’ 11cm high, 6.4oz

Note: The original Lanark bell was first completed circa 1608-1611 and was made in Edinburgh by goldsmith Hugh Lindsay. It now forms part of the rare early survival of Scottish sporting prizes and is the earliest Scottish horse racing trophy known. It now sits on a stand which supports around its rim medals dating from 1628 to 1977. This original trophy is still housed within South Lanarkshire archives.

This reproduction was awarded to the winner of the Lanark Silver Bell Handicap, a race run over a distance of a mile and a half, on Saturday, 24th September, 1932. The winner, Cat O’ Nine Tails, was owned by Mrs J. Carruther, trained by R.J. Colling of Newmarket and ridden by R. James in a race in which seven ran and was held at the now-closed Lanark Racecourse. Cat O’Nine Tails won the race by a length and a half.

£250-400

A 1980S NEO-CELTIC BOWL

RODGER DREW, EDINBURGH 1986

Of oval outline, chased with inter-scrolling motifs, raised on a small collet foot 7cm high, 4.3oz

Provenance: The Rodger Drew Studio Collection

£300-500

A PAIR OF 1980S NEO-CELTIC BEAKERS

RODGER DREW, EDINBURGH 1987

The deep bowls, each chased with Celtic scroll motifs to a planished ground, raised on a circular foot (2) 6.5cm high, 7.7oz (combined)

Provenance: The Rodger Drew Studio Collection

£600-800

A PAIR OF 1990S NEO-CELTIC BEAKERS

RODGER DREW, EDINBURGH 1990

The deep bowls, each chased with Celtic scroll motifs to a planished ground, raised on a circular foot (2) 6.5cm high, 8.3oz (combined)

Provenance: The Rodger Drew Studio Collection

£600-800

A PAIR OF 1990S NEO-CELTIC BEAKERS

RODGER DREW, EDINBURGH 1990

The deep bowls, each chased with Celtic scroll motifs to a planished ground, raised on a circular foot (2) 6.5cm high, 8.4oz (combined)

Provenance: The Rodger Drew Studio Collection

£600-800

A COLLECTION OF FOUR 1980S TORC BANGLES

RODGER DREW, EDINBURGH 1988/1990

Each terminal modelled as a bird and mythical beast head; together with a collection of three fish brooches, 1990, 1992 (7)

7cm internal diameter, 5cm wide (brooch), 224g (gross)

Provenance: The Rodger Drew Studio Collection

£400-600

A 1980S TUMBLER

RODGER DREW, EDINBURGH 1988

Of slightly bellied form, with a planished finish and engraved italic R to centre; together with another hand-raised tumbler of plain design, hallmarked for 1991 (2)

5.5cm high, 5cm high, 72g, 56g

Provenance: The Rodger Drew Studio Collection

£300-500

A PAIR OF 1980S TORSO BEAKERS

RODGER DREW, EDINBURGH 1986

Each of slightly tapered form, chased with two pairs of nude forms, raised on a circular foot

8.5cm high, 10.9oz (combined)

Provenance: The Rodger Drew Studio Collection

£600-800

A PAIR OF 1980S TORSO BEAKERS

RODGER DREW, EDINBURGH 1986

Each of slightly tapered form, chased with two pairs of nude forms, raised on a circular foot (2)

8.5cm high, 9.5oz (combined)

Provenance: The Rodger Drew Studio Collection

£600-800

100

A PAIR OF 1980S TORSO BEAKERS

RODGER DREW, EDINBURGH 1986

Each of slightly tapered form, chased with two pairs of nude forms, raised on a circular foot (2)

8.5cm high, 9.5oz (combined)

Provenance: The Rodger Drew Studio Collection

£600-800

101

A SET OF THREE 1990S BIRD BROOCHES

RODGER DREW, EDINBURGH 1992

Each formed of four birds in flight (3)

5.5cm wide, 90g (combined)

Provenance: The Rodger Drew Studio Collection

Note: The handles for this piece were cast and used for jewellery pieces and also feature as the handles for the quaich, which now forms part of the Helen Cargill-Thomson silver collection bequethed to the Glasgow School of Art

£500-800

102

A PAIR OF 1980S ‘SILVER DARLING’ CADDY SPOONS

RODGER DREW, EDINBURGH 1988

The cast handle each modelled as intertwined fish, to an almond shaped bowl (2)

8.5cm long, 70g (combined)

Provenance: The Rodger Drew Studio Collection

£300-500

103

A SET OF TWO 1990S MARINE BROOCHES

RODGER DREW, EDINBURGH 1991

Each of moulded rectangular outline, chased depicting an octopus and a dolphin (2)

8cm long, 62g (combined)

Provenance: The Rodger Drew Studio Collection

£250-400

104

A SET OF TWO 1990S MARINE BROOCHES

RODGER DREW, EDINBURGH 1991

Each of moulded rectangular outline, chased depicting an octopus and a dolphin (2)

8cm long, 61g (combined)

Provenance: The Rodger Drew Studio Collection

£250-400

105

A PAIR OF 1990S ANGEL BROOCHES

RODGER DREW, EDINBURGH 1991

One modelled a female nude and one modelled as a male nude with gilt articulated fig leaf, each with outspread wings (2)

7cm long, 55g (combined)

Provenance: The Rodger Drew Studio Collection

£300-500

106

A PAIR OF 1990S ANGEL BROOCHES

RODGER DREW, EDINBURGH 1990/1991

Each modelled as female nude with outspread wings (2)

7.5cm long, 53g (combined)

Provenance: The Rodger Drew Studio Collection

£300-500

107

A PAIR OF 1990S NUDE BROOCHES

RODGER DREW, EDINBURGH 1990

Each of rectangular outline, chased depicting a frontal female nude and a reverse nude (2)

8cm long, 45g (combined)

Provenance: The Rodger Drew Studio Collection

£300-500

108

A SET OF THREE 1990S ENAMEL NUDE BROOCHES

RODGER DREW, EDINBURGH 1990/1991

Each of shaped rectangular outline, two chased depicting a frontal male nude and one chased depicting a reverse nude, each with enamel detail and gold filigree scroll work, by Keryn Evely (3)

7.7cm long, 83g (combined)

Provenance: The Rodger Drew Studio Collection

£400-600

109

A COLLECTION OF 1990S CAST JEWELLERY

RODGER DREW, EDINBURGH

Comprising, three pairs of fish annular earrings 1989, two jumping fish earrings 1991, three pairs of annular swallow earrings 1989 and four pairs of annular hare earrings 1990 (24)

171g (combined)

Provenance: The Rodger Drew Studio Collection

£300-500

110

A 1990S CELTIC QUAICH

RODGER DREW, EDINBURGH 1991

The bowl of plain design with a simple collet foot, the lugs each of S-scroll design, inset with double S-scroll and gilt balls

12.5cm (across lugs), 93g

Provenance: The Rodger Drew Studio Collection

£180-220

111

A 1990S GOBLET WITH BURR ELM STEM

RODGER DREW, EDINBURGH 1991

The deep bowl with planished finish and simple collet foot, with a detachable turned burr elm stand with knopped stem

8cm high (cup), 15cm high (overall), 5.4oz

Provenance: The Rodger Drew Studio Collection

£500-800

112

A 1980S CHASED PHOENIX MEDALLION

RODGER DREW, EDINBURGH 1987

Of circular outline, depicting a phoenix in motion, with silver-gilt bead eye, set to a wooden plaque 9cm diameter of medallion, 116g (medallion)

Provenance: The Rodger Drew Studio Collection

£400-600

113

A FOX BOX

RODGER DREW, EDINBURGH 2025

The domed lid modelled as a sleeping fox, the pull-out wooden base with turned receptacle 10cm across, 5.8oz (weighable)

Provenance: The Rodger Drew Studio Collection

£400-600

114 Y

A PAIR OF 1990S COMMEMORATIVE SPOONS

GRAHAM STEWART, EDINBURGH 1991

Each with a hammered bowl, engraved to the reverse ‘HF AF 1952-1992’ the elongated rat-tail stem to a poppy head finial

17.5cm, 3.2oz (combined)

£300-500

115 Y

A 1990S TUMBLER

MALCOLM APPLEBY, EDINBURGH 1990

of plain textured design with rippled detail to the rim

7cm high, 9cm diameter, 4.4oz

Note: Purchased directly from Malcolm Appleby from his Banchory shop

£400-600

116 Y

A 1990S TUMBLER

MALCOLM APPLEBY, EDINBURGH 1990

of plain textured design with rippled detail to the rim

6.5cm high, 8.5cm diameter, 4.3oz

Note: Purchased directly from Malcolm Appleby from his Banchory shop

£400-600

117 Y

A 1990S TUMBLER

MALCOLM APPLEBY, EDINBURGH 1990

of plain textured design with rippled detail to the rim

6cm high, 8.5cm diameter, 4.3oz

Note: Purchased directly from Malcolm Appleby from his Banchory shop

£400-600

118 Y

A 1990S TUMBLER

MALCOLM APPLEBY, EDINBURGH 1990

of plain textured design with rippled detail to the rim

6cm high, 8.5cm diameter, 4.4oz

Note: Purchased directly from Malcolm Appleby from his Banchory shop

£400-600

119 Y

A 1990S TUMBLER

MALCOLM APPLEBY, EDINBURGH 1990

of plain textured design with rippled detail to the rim

6cm high, 8.5cm diameter, 4.4oz

Note: Purchased directly from Malcolm Appleby from his Banchory shop

£400-600

120 Y

A 1990S TUMBLER

MALCOLM APPLEBY, EDINBURGH 1990

Of plain textured design with rippled detail to the rim

6cm high, 8.5cm diameter, 4.3oz

Note: Purchased directly from Malcolm Appleby from his Banchory shop

£400-600

121 Y

A 1980S RIVER LIFE BROOCH

MALCOLM APPLEBY, EDINBURGH 1989

Of circular outline, pierced and engraved, depicting a figural leaping fish to a fauna background

5.5cm wide, 24g

Note: Purchased directly from Malcolm Appleby from his Banchory shop

£350-500

122 Y

A PAIR OF 18CT GOLD 1990S FISH CUFFLINKS

MALCOLM APPLEBY, EDINBURGH 1990

Each depicting a swimming fish, with belcher links, to a t-bar terminal

2cm wide, 25g

Note: Purchased directly from Malcolm Appleby from his Banchory shop

£1,500-2,500

123 Y

A 2000S CONTEMPORARY BANGLE

MALCOLM APPLEBY, EDINBURGH 2009

Of organic circular outline, engraved concentric geometric and circular motifs to either side with a silver-gilt bead detail, together with a similar ring and another larger ring, Malcolm Appleby, Edinburgh 2006, engraved with a wave motif, (3)

6.7cm (internal diameter), 7.2cm (external diameter), J/K, T/U

£400-600

124 Y

A 1930S CASED 9CT GOLD AND ALLIGATOR GREYHOUND RACING PRESENTATION COLLAR

POSSIBLY JAMES MCKIERNAN

The shaped alligator belt with applied gold plaques, engraved to one ‘Won by Diosun’ and ‘SEPT 1931’ to the other, the central section set with an engraved shield with inscription ‘GLASGOW GREYHOUND RACECOURSE LTD... SPRINT CHAMPS 1931’ in a garland border, presented in a fitted case; together with Certificate of Registration No. C2221, dated 1931 (2)

40cm wide

£2,000-4,000

125

A 1920S THREE PIECE TEA SERVICE

MACKAY & CHISHOLM, EDINBURGH 1924

Comprising a teapot, twin-handled sugar basin and a milk jug, all of oval bellied form, gadrooned border, with shell detail to teapot, S-scroll handle, each raised on four ball feet (3)

15.5cm high (teapot), 45.5oz (combined)

£300-500

126

AN EDWARDIAN MONTEITH

JAMES CHARLES JAY, SHEFFIELD 1902

Of conventional demi-fluted form, with moulded rim, the body with embossed floral and fruit design, vacant cartouche, all on a spreading foot

16.5cm high, 31cm diameter, 54oz

£800-1,200

127

AN EDWARDIAN MONTEITH

HAWKSWORTH, EYRE & CO LTD., LONDON 1910

Of traditional form with plain body and scalloped rim with pendant details, engraved crest and motto to body, lion mask handles (one damaged), raised on a stepped domed foot

20cm high, 49oz

Provenance: Possibly purchased by George Smith (1871-1914) following his acquisition of Pittodrie House in 1903 and thence by descent.

Second son of George Smith (1803-1876), founder of the steam ship company George Smith & Sons in 1840. Having sold the City Line company to The Ellerman Lines in 1901, Smith took residence at Pittodrie House in Aberdeenshire in 1903 and became a member of the Gordon Highlanders, where he is mentioned in dispatches during the First World War. Unfortunately, he was killed in action at Neuve Chapelle and his body was never recovered.

£1,000-1,500

128

AN EDWARDIAN MONTEITH

HAWKSWORTH, EYRE & CO LTD., LONDON 1910

Of traditional form with plain body and scalloped removable rim with pendant details, engraved presentation inscription to body ‘...George Smith Esq of Pittodrie House, by West Aberdeenshire Unionists... in the Parliamentary Election of January and December 1910’, lion mask clasped loop handles, raised on a stepped domed foot

24cm high, 33cm diameter, 83.5oz

Provenance: George Smith (1871-1914)

By family descent.

£1,500-2,500

129

AN EDWARDIAN MONTEITH

HAWKSWORTH, EYRE & CO LTD., LONDON 1910

Of traditional form with plain body and scalloped rim with pendant details, engraved crest and motto to body, lion mask handles (one damaged), raised on a stepped domed foot

20cm high, 51oz

Provenance: Possibly purchased by George Smith (1871-1914) following his acquisition of Pittodrie House in 1903 and thence by descent.

£1,000-1,500

130 Y

A VICTORIAN

CASED FOUR PIECE TEA SERVICE

WILLIAM SMITH OR WILLIAM SHARP, GLASGOW 1885

Comprising a waterpot, teapot, twin-handled sugar basin and a milk jug, all of tapered form, profuse scroll and foliate chasing, engraved italic R to heart-shaped cartouche, foliate clasped angular handles, ivory insulators to the water pot and teapot, fluted bases, each raised on a circular foot, presented in a fitted stained mahogany case (4)

21.5cm high (waterpot), 57.5oz (combined)

Note: With non-transferable CITES self-certification number: DZBVLJGC

£1,000-1,500

131 A SET OF VICTORIAN QUEEN’S VARIANT PATTERN FLATWARE

WILLIAM CLARKE SHAW, GLASGOW 1857

Comprising six tablespoons, twelve table forks and ten dessert spoons, all of single struck Queen’s variant pattern, shoulders lacking, engraved italic B to terminal (28)

67.9oz (combined)

£800-1,200

132 Y A VICTORIAN COFFEE POT

MARSHALL & SONS, EDINBURGH 1854

Of baluster outline, chased foliate decoration throughout with vacant cartouches to either side, foliate clasped S-scroll handle with ivory inserts, the domed lid with bud finial, raised on a domed foot

31.5cm high, 30.8oz

Note: With non-transferable CITES self-certification number: YD93Z93K

£500-800

133

A SCARCE VICTORIAN SCOTTISH SCENE ‘CASTLE TOP’ VINAIGRETTE

NATHANIEL MILLS BIRMINGHAM 1849

The shaped oval vinaigrette, with engraved scene of Perth with railway bridge and Puller Dye Works in foreground, the hinged cover opening to a pierced and engraved hinged grill

5.4cm wide, 25.5g

£600-800

134 Y

A VICTORIAN WATER JUG

LEONARD URQUHART, EDINBURGH 1837

Of baluster outline, heavily chased floral and foliate border to body with vacant cartouches to either side, acanthus clasped S-scroll handle with ivory insulators, the hinged lid with floral finial, raised on a stepped circular foot

31cm high, 32oz

Note: With non-transferable CITES self-certification number: HCLVB51Y

£800-1,200

135 Y

A VICTORIAN IV WATER JUG

JAMES MCKAY, EDINBURGH 1837

Of baluster form, Bacchus mask to spout ivory insulators to handle, the hinged lid with budding finial, raised on a circular foot

24cm high, 27oz

Note: With non-transferable CITES self-certification number: BM7ZT53J

£600-800

136

A PAIR OF GEORGE IV SALTS

ROBERT KEAY (OF PERTH), EDINBURGH 1824

Each of circular outline, cast gadrooned borders, chased floral bodies, engraved initial to cartouche, raised on three paw feet; together with an egg cup, London, of urn form, gadrooned border, engraved with an earl’s coronet (3) 8.7cm diameter across salts, 7.2cm high egg cup, 9oz (combined)

£300-500

137

A MATCHED SUITE OF GEORGE IV AND LATER KING’S PATTERN FLATWARE

ADAM ELDER (PROBABLY), EDINBURGH 1826 & JAMES MCKAY, EDINBURGH 1835

Comprising six table forks, six tablespoons, six dessert spoons, six dessert forks, three sauce/ toddy ladles and six teaspoons, all of single struck King’s pattern, engraved A to terminal; together with a set of six teaspoons, Andrew Wilkie, with J&W Marshall, Edinburgh 1820, engraved D to terminal (39)

58oz (combined)

£2,500-4,000

138

A SET OF SIX GEORGE III DESSERT SPOONS

DM, EDINBURGH 1813

Of Fiddle pattern, engraved initials to terminal; together with a pair of dessert spoons, Thomas Watson, Newcastle 1840, of Fiddle pattern and another similar, Sheffield; together with a collection of thirteen dessert/teaspoons, various maker’s marks and dates, predominantly Fiddle pattern and Fiddle and Thread pattern (22)

18.5cm long, 19.9oz (combined)

£600-800

139

A SET OF TWELVE GEORGE III TABLESPOONS

MATTHEW CRAW, EDINBURGH 1809

Each of Fiddle pattern, engraved initial D to terminal (12)

22cm long, 24.5oz (combined)

£400-600

140

A COLLECTION OF KING’S PATTERN FLATWARE

PREDOMINANTLY EDINBURGH AND ABERDEEN

Comprising a single struck soup ladle, Alexander Henderson with J W Howden & Co., Edinburgh 1815, a basting spoon, Peter & William Bateman, London 1813; together with a collection of teaspoons, six by George Jamieson of Aberdeen, six teaspoons and a sugar shovel, J.W. Edinburgh 1853, all of single struck King’s pattern; together with a condiment spoon, Edinburgh, crest and motto engraved to terminal (16)

34cm long (ladle), 22oz (combined)

£300-500

141

A COLLECTION OF FIDDLE PATTERN FLATWARE

PREDOMINANTLY EDINBURGH AND GLASGOW

Comprising a basting spoon, DMcG, Edinburgh 1811, engraved initials to terminal IMcD/ MMcL; a tablespoon, Robert Morton/ Andrew Wilkie, Edinburgh 1822, engraved crest to terminal, a set of six dessert spoons, JMJr, Glasgow 1832, engraved initial to terminal; together with a collection of dessert spoons and a toddy ladle (14)

19.4oz (combined)

£250-400

142

A PAIR OF GEORGE III WINE LABELS

W.P. CUNNINGHAM, EDINBURGH 1804

Each of plain rectangular outline, pierced ‘CLARET’ and ‘MADEIRA’, the chains present but detached (2) 5.5cm wide, 13g (labels, not chains)

Provenance: Harvey’s Wine Museum Silver, Bonhams New Bond Street, 1st October 2003, lot 369

£200-400

143

A MATCHED SET OF SEVEN GEORGE III TABLESPOONS

WILLIAM HANNAH /LINDSAY BEECH, EDINBURGH 1802/ 1807

Four by Lindsay Beech, all of Old English pattern, engraved crest to terminal; together with a set of six table forks, John Samuel Hunt, London 1858, of Fiddle and Thread pattern (13) 24cm, 20cm, 32.4oz (combined)

£400-600

144

A COLLECTION OF KING’S PATTERN FLATWARE

PREDOMINANTLY EDINBURGH

Comprising a tablespoon, Alexander Edmonstoun, Edinburgh 1829, two dessert spoons, Edinburgh 1865 and 1868, three table forks, Andrew Wilkie, Edinburgh 1836 and six dessert forks, James & Walter Marshall, Edinburgh 1852, all of single struck King’s pattern, all with various initials engraved to terminal (12)

19.9oz (combined)

£300-500

145

A COLLECTION OF PREDOMINANTLY GEORGE III OLD ENGLISH FLATWARE

EDINBURGH

Comprising a soup ladle, William Marshall, Edinburgh 1804; a set of six table forks, Matthew Craw, Edinburgh 1815, engraved M to terminal; together with a pair of toddy ladles, William Marshall, Edinburgh, engraved initials to terminal and a collection of teaspoons, mainly Edinburgh, all engraved with initials or crest and motto to terminal (22)

34cm long (ladle), 25.5oz (combined)

£300-500

146

A COLLECTION OF GEORGE III OLD ENGLISH FLATWARE

PREDOMINANTLY EDINBURGH AND LONDON

Comprising a soup ladle, William & Patrick Cunningham, Edinburgh 1801, engraved motto and crest to terminal, another smaller soup ladle, Richard Crossley, London 1788, engraved crest to terminal; a basting spoon, London 1828, vacant terminal and a set of four tablespoons, Alexander Zeigler, Edinburgh 1798, vacant terminals, all of Old English pattern (7)

34cm long (soup lade), 22.9oz (combined)

£600-800

147

A SET OF SIX GEORGE III TABLESPOONS

FRANCIS HOWDEN, EDINBURGH 1802

Of Old English pattern, engraved initial to terminal (6) 13.7oz (combined)

£300-500

148 Y

A GEORGE III THREE PIECE TEA SERVICE

WILLIAM AND PATRICK CUNNINGHAM, EDINBURGH 1793

Comprising a teapot, twin-handled sugar basin and a milk jug, all of tapered urn form, chased foliate border (engraved to jug) of Regency design, vacant oval cartouche, budding finial to hinged lid of teapot, C-scroll handles with ivory inserts to teapot and loop to sugar basin, each raised on a square foot with beaded border (3) 25cm high (teapot), 47.4oz (combined)

Note: With non-transferable CITES self-certification number: TV1L9C3Z

£500-800

149

A PAIR OF CELTIC POINT PATTERN GEORGE III BASTING SPOONS

JAMES MCKAY, EDINBURGH 1793

Each with italic C engraved to terminal; together with a Old English thread example, Edinburgh, an Old English bright-cut example, Edinburgh, each with engraved initials to terminal and another, London, of Old English pattern (5)

31.5cm long, 15oz (combined)

£300-500

150

A SET OF SIX GEORGE III TABLESPOONS

JAMES GILLILAND, EDINBURGH 1786 (DUTY MARK LACKING)

Of Old English pattern, engraved B to terminal; together with six table forks, Matthew Craw, Edinburgh 1806, engraved JB to terminal and a collection of dessert spoons, six by Solomon Hougham, London 1798, JB engraved to terminal and one indistinctly marked, of Old English pattern (19)

22cm long, 32oz (combined)

£2,000-4,000

151

A SET OF FOUR GEORGE III SPIRIT LABELS

POSSIBLY JAMES MCKENZIE, EDINBURGH

Each of rectangular outline, engraved ‘BRANDY’, ‘GIN’, ‘SHRUB’ and ‘WHISKY’; together with another two spirit labels, Thomas Phipps & Edward Robinson, London 1796, engraved ‘BRANDY’ and one, Joseph Willmore, Birmingham 1809, engraved ‘SHERRY’, each of rectangular outline and double threaded border, all with a curb link chain (6)

4cm wide, 43g (combined)

£250-400

152

A GEORGE III CARD TRAY

WILLIAM DEMPSTER, EDINBURGH 1762

Of moulded circular form with foliate details, engraved floral border, raised on three hoof feet

18.5cm diameter, 7.3oz

£300-500

153

A PAIR OF GEORGE II SALTS

JOHN EDMONDSON, EDINBURGH 1758

Assay Master Hugh Gordon, each of circular outline, with gadrooned border, raised on three hoof feet; together with associated spoons (4)

6.3cm diameter, 5.4oz (combined)

Provenance: Philips, The Scottish Sale, Made in Scotland, 25th August 2001, lot 554

£250-400

154

A COLLECTION OF GEORGE III HANOVERIAN PATTERN TABLESPOONS

VARIOUS MARKS, PREDOMINANTLY EDINBURGH AND GLASGOW

Comprising three examples, Edinburgh 1772, initials engraved to the reverse of the terminal, four further Edinburgh examples, three with crest engraved and one with crest and motto engraved to the reverse of terminal and another tablespoon, Milne & Campbell, Glasgow, marked M&C, town mark, M & C, C, crest engraved to terminal (8)

15.5oz (combined)

£400-600

155

ABERDEEN - A SET OF THREE SCOTTISH PROVINCIAL DESSERT SPOONS

JAMES ERSKINE

Marked JE, three towers, JE, of Celtic Point pattern, engraved S to terminal; together with a dessert spoon, Charles Murray of Perth, marked CM, double headed eagle, CM, double-headed-eagle, of Fiddle pattern, engraved initials to terminal and a tablespoon, marked WS twice, of Old English pattern, engraved initials to terminal; together with two plated tablespoons, of Fiddle pattern (7)

4.9oz (weighable silver)

£350-500

156

ABERDEEN - A SCOTTISH PROVINCIAL CREAM JUG

JAMES GORDON

Marked IG, IG, of Neoclassical urn form with beaded rims and foot, the slender S scroll handle with tapered beaded details, the body with engraved initials ‘MDK’, on a short stem and domed foot (loaded)

15.5cm high

Provenance: Lyon & Turnbull, Scottish Silver & Accessories, 13 August 2014, lot 236

£400-600

157

ABERDEEN - A SCOTTISH PROVINCIAL JUG

WILLIAM JAMIESON

Marked WJ, A B D WJ, of squat baluster form, ornate ribbed S-scroll handle, scallop rimmed spout, engraved crest to body, raised on a short foot

8.5cm high, 5.5oz

£400-600

158

ARBROATH - A SCOTTISH PROVINCIAL WINE LABEL

ANDREW DAVIDSON

Marked AD, plant, of rounded rectangular outline, fluted border with shell corners, engraved M to centre, with belcher link suspension 5cm wide, 16g

£250-400

159

BALLATER - A SCOTTISH PROVINCIAL KILT PIN

ROBB OF BALLATER

Marked, W.R., BLTR, the claw set citrine finial above intertwined tapered stem, with simple hinged pin a X formed safety catch 10cm long, 12g

£250-400

160

CANONGATE - A SCARCE SCOTTISH

PROVINCIAL TABLESPOON

COLIN MITCHEL

Marked CM, stags head, CM, I, of Hanoverian pattern with vacant terminal 20cm long, 67.6g

£300-500

161

CANONGATE - A SCOTTISH PROVINCIAL TAZZA DAVID DUNLOP

Marked DD (conjoined), stags head, DD (conjoined), A, of conventional form, the circular plate with moulded rim, raised on a flared trumpet foot with stepped rim, the underside of plate engraved with crest 22cm diameter, 6.4cm high, 14oz

£5,000-8,000

162

CANONGATE- A SCOTTISH PROVINCIAL TEASPOON WILLIAM CRAW

Note: Any early holloware made in Canongate is to be deemed rare. Not until much later in the 18th century does a small handful survive by William Craw and Michael Forrest.

Indeed, any wares bearing the mark of David Dunlop must be considered scarce. He is recorded making a small number of spoons (see Scottish Silver, Lyon & Turnbull 16th August 2010, lot 334) and the only recorded holloware are a small number of communion cups, including those for West Linton Parish Church. This tazza therefore, is the only item of secular holloware recorded by Dunlop. The rarity of David Dunlop’s work is in part explained but his very short working life, only between 1701 and 1710 when he died. He was trained in Glasgow by Thomas Cumming from 1691 and moved and worked in Canongate, gaining his Burgess ticket in 1701. In 1707 he is elected Master for the Burgh.

Considering his short working career and the use of a pseudo date letter A struck to this piece it seems likely it was copying the official date letter in use by the Edinburgh Assay Office for 1705 - 1706.

Marked WC, of Scot’s Fiddle pattern, engraved initials above 12; together with a collection of Provincial flatware, including, two dessert spoons, Donald Fraser of Inverness, marked DF, INS, of Old English pattern, engraved J to terminal and another indistinctly marked of Hanoverian pattern; a dessert spoon, William Jamieson of Aberdeen, marked WJ, A B D, WJ thrice, of Fiddle pattern, initials engraved to terminal and five teaspoons by George Sangster of Aberdeen, marked GS A B D, Edinburgh 1852, of Fiddle pattern, engraved italic B to terminal (10)

12cm long, 7oz (combined)

£300-500

163

DUMFRIES - A SET OF FOUR SCOTTISH PROVINCIAL TEASPOONS

MARK HINCHSLIFFE

Marked, anchor, K, stag’s head, M with HINCHSCLIFFE around, of Fiddle pattern, engraved italic McK to terminal; together with a pair of toddy ladles, Alexander Mollison, marked AM A B D N, of Fiddle pattern (6) 14.7cm, 16cm long, 135g (combined)

£300-500

164

DUMFRIES - A SCOTTISH PROVINCIAL WINE LABEL

JOSEPH PEARSON

Marked, anchor, IP, stag, of kidney shape, engraved MADEIRA, with belcher link suspension

6cm wide, 11g

£300-500

165

DUNDEE - A PAIR OF SCOTTISH PROVINCIAL PUNCH LADLES

EDWARD LIVINGSTONE

Each marked EL, heart, D, heart, of traditional form, feather edge to both with one engraved W, the part twisted baleen handle with simple cap finial (2)

38cm long

£300-500

166

DUNDEE - A SET OF TWELVE SCOTTISH PROVINCIAL TABLESPOONS

EDWARD LIVINGSTON

Marked EL, pot of lilies, m, D, of Celtic point pattern, engraved initial to terminal (12) 23cm long, 24oz (combined)

£500-700

167

FORRES - A SCOTTISH PROVINCIAL TEASPOON

ROBERT STEWART

Marked, RS, F, RS, of Fiddle pattern, McL engraved to terminal 14.5cm long, 17g

Note: A similar example was sold by Lyon & Turnbull on the 12th August 2015, lot 281, for £2,125

£600-800

168

GLASGOW - A MATCHED PAIR OF TABLESPOONS

WILLIAM MURDOCH (PROBABLY)

Marked W.M, S, W.M, S, each of Old English pattern, engraved crest to terminal of one and italic initials to the other (2)

21cm long, 3.5oz

£300-500

169

GREENOCK - A SET OF SIX SCOTTISH PROVINCIAL TABLESPOONS

WILLIAM CLARKE

Marked, WC, anchor, ship, c, oak tree, of Celtic Point pattern, engraved initials to terminal (6)

25cm long, 13.5oz (combined)

£500-800

170

GREENOCK - A SCOTTISH PROVINCIAL WINE LABEL

JOHN TAYLOR

Marked IT, anchor, IT, oak tree, of rectangular outline with canted threaded edges, engraved MADEIRA to centre, surmounted by a shield cartouche and scroll supports, engraved with crest, to a ring loop

5cm wide, 10g

£300-500

171

INVERNESS - A SCOTTISH PROVINCIAL SOUP LADLE

MEDLOCK & CRAIK

Marked cross, M&C, thistle, of Fiddle pattern, italic B to terminal; together with a table fork, William Jamieson of Aberdeen, marked WJ, ABD, WJ, of Fiddle pattern, engraved initials to terminal and another George Jamieson of Aberdeen, marked GJ ABDn, London hallmarks and a collection of four table forks, Edinburgh and London; together with a matched set of three tablespoons, Edinburgh and four teaspoons, SS, London 1875, of Fiddle pattern, engraved initials to terminal (14)

31cm long, 28.5oz

£500-800

172

INVERNESS - A SCOTTISH PROVINCIAL SOUP LADLE

ALEXANDER MCLEOD

Marked AMcL, INS, device struck twice, of Fiddle pattern with engraved script initial S to terminal; together with another, James Douglas of Dumfries, marked ID, device thrice, possible crowned heart, of Celtic Point pattern, italic J engraved to terminal (2)

35cm long, 13oz (combined)

Provenance: Lyon & Turnbull, Jewellery, Silver & Watches, 14th October 2015, lot 462

£300-500

173

INVERNESS - A SCOTTISH PROVINCIAL TABLESPOON

ALEXANDER STEWART

Marked AS, INS, C, of Old English pattern, engraved italic R to terminal; together with another, Robert Gray, marked RG, tree, I, of Old English pattern; and a basting spoon, indistinctly marked of Old English pattern (3) 22cm, 31cm long, 7.5oz

£250-400

174

MONTROSE - A PAIR OF SCOTTISH PROVINCIAL TODDY LADLES

PETER LAMBERT

Marked rose twice, PL, rose, of Fiddle pattern, JMCK engraved to terminal; together with another, William Mill of Montrose, marked WM, rose, WM, rose, WM, of Fiddle pattern and a sugar sifter, Cameron of Dundee, marked CAM/ERON, C, thistle pot of lilies, DUN/DEE, of Old English pattern, and another, London, of Old English pattern (5)

14.5cm long, 3.7oz (combined)

£350-500

175

MONTROSE - A SCOTTISH PROVINCIAL MEAT SKEWER

WILLIAM MILL

Marked rose twice, WM, rose, WM, of traditional plain form with loop handle, italic AC engraved to stem 30.5cm long, 77g

£300-500

176

PERTH - A SCOTTISH PROVINCIAL SNUFF BOX

DANIEL DEWAR

Marked DD, thistle, ** S, D.D. (incuse), of rounded rectangular outline, engraved to the lid with foliate thumbpiece; together with another Taylor & Perry, Birmingham 1830, of rounded rectangular outline, engine turned detail to the sides, the repoussŽ lid depicting a hare coursing event, engraved to the interior lid crest and motto for the Clerk of Penicuik family, ‘To James Clerk Esq...’ (2)

8cm, 9cm wide, 3.5oz, 4.4oz

£400-600

177

PETERHEAD - A SCOTTISH PROVINCIAL TODDY LADLE

GEORGE ANGUS

Marked GA, PHD, GA, of Old English pattern with rounded bowl and vacant terminal 15cm long, 22g

£300-500

178

ST. ANDREWS ? - A SCOTTISH PROVINCIAL SOUP LADLE

COLIN RICHARDSON & JOHN LINDSAY

Marked CR, TL, anchor, St Andrew on cross, of Fiddle pattern, initial engraved to terminal; together with a basting spoon, PH, Edinburgh 1847, engraved initials to terminal and another, Glasgow 1820, vacant terminal; together with a set of six dessert spoons PH, Edinburgh 1849, of Fiddle pattern, engraved S to terminal; together with a tablespoon James Hewitt, Edinburgh, of Celtic Point pattern, engraved initial to terminal and another tablespoon, marked for Edward Lothian and Hugh Gordon, Edinburgh of Hanoverian pattern, crest and motto engraved to the reverse of terminal (11)

34cm long, 24.9oz (combined)

£400-600

179

TAIN - A SCOTTISH PROVINCIAL TABLESPOON

HUGH ROSS

Marked, HR, TAIN L, of Hanoverian pattern, engraved crest and motto for the Munros of Foulis and italic M 21cm long, 56g

Note: The Munro of Foulis family, otherwise known as Clan Munro, descends from Donald Munro of Foulis in the 11th century. Castle Foulis was acquired in the 14th century and is still the seat for the family to this day.

£500-800

180

‘A POMPEIAN LADY AT HER TOILET’ - A VICTORIAN ELECTROTYPE AND COPPERED PLAQUE BY LEONARD MOREL-LADEUIL (1820-1888) FOR ELKINGTON & CO., LONDON 1876

Of circular outline, decorated with a Neoclassical scene depicting ‘A Pompeian Lady’ reclining on her couch with her three handmaidens, signed and dated ‘Morel-Ladeuil, inv Fecit 1876’, registration mark, all within a decorative border on a black, contained in its original convex glazed frame

61cm diameter (overall), 49cm diameter (plaque within frame)

Note: The Victorian era brought much invention and discovery, both industrial and for the arts. The firm Elkington & Co. were the epitome of innovation and were at the forefront of developments of electro-metallurgy.

Elkington & Co. honed their skills to create electroplate masterpieces and in particular electrotype facsimile copies of museum quality artefacts. They were also the only British company to consistently win the highest awards at all seven of the International Exhibitions held from 1851-1878.

Founded by cousins, George Richards Elkington and Henry Elkington, and financed by the steel pen magnate Josiah Mason the company formed a relationship with the pre-cursor to the Victoria and Albert Museum, the South Kensington Museum to produce facsimile copies of museum artefacts for educational purposes known as a ‘type pattern’.

In order to re-produce these type patterns, a mould is first made of the original piece and then sprayed with a silver paint to help conduct electricity, dipped in a solution with copper wires this first helps connect the copper and then the silver. The complex process produces a product that can be handled and examined for further research.

Elkington & Co. was a commercial enterprise and did sell their electrotype wares. The purpose of their exercise was to provide educational tools, but with Elkington’s success, they began to use the elements of the original ‘type patterns’ such as a handle, for other designs. This created a conflict of interest and may have been a contributing factor to why the relationship between the V & A and Elkington ended.

The plauque was originally produced in silver and damascened steel by the great French artist Leonard Morel-Ladeuil for Elkington, after the painting by Lawrence Alma-Tadema (1836-1912). He was approached in 1859, to work for them for three years in Birmingham, assuring him a free hand. The silver and steel prototype was produced as the showstopper for the Elkington stand at the Philadelphia Exhibition of 1876. There are 105 sa;es pf tje Pompeian Lady electrotype recorded in Elkington’s sales ledger at the 1876 exhibition. The first to be held in the United States, which coincided with the centennial anniversary of the Declaration of Independence in Philadelphia on the 4th July 1776.

Currently the V & A museum holds over 400 items relating to the firm Elkington and holds and has accessioned a copy of the plaque. The whereabouts of the original are unknown.

Literature: Grant A. & Patterson A., The Museum and the Factory, pg 99

£1,000-1,500

181 Y

AN EDWARDIAN MATCHED FIVE PIECE TEA SERVICE

EDWARD AND SONS (OF GLASGOW), & JAMES DIXON & SONS, SHEFFIELD 1905

Comprising a spirit kettle (James Dixon & Sons), water pot, teapot, twin-handled sugar basin and a milk jug, all of demi-fluted rounded rectangular form, gadrooned borders, acanthus clasped C-scroll handles, with ivory inserts to teapot and water pot, each raised on four ball feet (5)

33cm high (spirit kettle) 104.5oz (combined)

Note: With non-transferable CITES self-certification number: SENEUKVJ

£1,200-1,500

182

A LATE VICTORIAN MATCHED FOUR-DRAWER CANTEEN

JOSEPH RODGERS & SONS LTD., SHEFFIELD 1900/1901

Comprising twenty-four table forks, eighteen dessert forks, twelve dessert spoons, twelve teaspoons, twenty-four tablespoons, four sauce ladles, all presented in a fitted four-drawer mahogany canteen (143) 202oz (weighable)

£2,500-4,000

183

A LATE VICTORIAN COMMEMORATIVE CASED QUEEN VICTORIA PHOTOGRAPH

WILLIAM FREDERICK WILLIAMS, LONDON 1899

The oval photograph of Queen Victoria in a tortoiseshell border, the hinged case embossed within an intertwined 80 to the front and 1899 to the reverse, presented in a velvet and silk-lined box, retailed by HUNT & ROSKELL Ld... LONDON’ for her 80th birthday

9.5cm x 7.6cm, 153g (gross weight)

£400-600

184

A COLLECTION OF VICTORIAN DRESSING TABLE BOXES AND SCENT BOTTLES

To include, an oval box, George Unite & Sons, Chester 1899, engraved inscription to the hinged lid; together with a dressing table box, chased pastoral scene to the pull-off lid and chased foliate scrolls to the body; a double ended scent box, a silver-mounted glass scent bottle and a pill box, stamped J. KIRK & SON, the pull-off lid with chased foliate decoration (5)

9.2cm wide, 9oz (weighable)

£400-600

185

A LATE VICTORIAN TEA CADDY

THOMAS BRADBURY & SONS, LONDON 1898, RETAILED BY J. CAMERON AND SONS, OF KILMARNOCK

Of bombŽ form, shell and scroll motifs throughout, the pull-off lid with shell finial, raised on four foliate bracket feet

14cm high, 7oz

£300-500

186 A LATE VICTORIAN CASED FRUIT SERVICE

MARTIN HALL & CO., SHEFFIELD 1897

Comprising a tall comport and two smaller examples and four bon bon dishes, all with a raised scalloped and pierced border, engraved monogram to the centre, the comports each raised on a knopped stem to a domed pierced foot with four bracket shell feet, all presented in a fitted silk and velvet-lined mahogany twin-handled box retailed by Elkington & Co.

16.5cm high, 63oz (combined)

£1,000-1,500

187

A SET OF LATE VICTORIAN OLD ENGLISH FLATWARE

HOLLAND, ALDWINCKLE & SLATER, LONDON 1896

Comprising five tablespoons, seven desert spoons, four teaspoons (16)

26.7oz (combined)

£500-800

188

A SET OF LATE VICTORIAN OLD ENGLISH PATTERN FLATWARE

JOSIAH WILLIAMS & CO., LONDON 1895

Comprising twelve tablespoons, twelve table forks, twelve dessert forks, twelve dessert spoons, twelve teaspoons, all of Old English pattern, engraved initials to terminal; together with twelve silver-mounted side knives and twelve silver-mounted table knives; three teaspoons, Josiah Williams & Co, Exeter, 1869 and six teaspoons, JW, Edinburgh 1853, of Fiddle pattern, engraved B to terminal (93)

111oz (weighable silver)

£700-1,000

189

A MATCHED SET OF TWELVE VICTORIAN BRITANNIA STANDARD THREE PRONGED TABLE FORKS

R & S GARRARD & CO., LONDON 1881/1882

Each of Hanoverian pattern; together with a matched set of twelve sterling dessert forks, A Haviland-Nye, London 1973/1979 of Hanoverian pattern (24)

19.5cm long, 33oz, 17cm long 17oz (dessert)

£1,800-2,500

190

A VICTORIAN TWIN-HANDLED PRESENTATION CUP

HENRY WILKINSON, LONDON 1870

The tapered bowl of alternating chased scroll and pineapple motifs to plain lobed panels, gilt interior, foliate clasped S-scroll handles, raised on a knopped stem to a stepped domed foot with a chased floral border and a further beaded border, with associated plinth with applied unmarked white metal plaques engraved with winners of the ‘DUNMONAIDH CUP’ (2)

33cm high, 39.5cm high (with plinth), 22.5oz

£500-800

191

A VICTORIAN WATER POT

WB, BIRMINGHAM 1869

of compressed baluster form, chased floral and foliate decoration throughout, vacant oval cartouche to body, sparrow beak spout, stepped domed lid with ornate thumb-piece, pineapple finial, S scroll handle, raised on a stepped spreading foot

29cm high, 31oz

£400-600

192

A VICTORIAN COMMUNION CUP

CHARLES THOMAS FOX & GEORGE FOX, LONDON 1853

Modelled as a font, the basin of octagonal outline, chased trefoil pattern to each lobed panel above a cherub border

10cm high, 5oz

£250-400

A VICTORIAN CHRISTENING MUG

EDWARD, JOHN & WILLIAM BARNARD, LONDON 1848

Of slight baluster form, chased foliate decoration, with a country bird scene depicted to one side, engraved initials and ‘1849’ to cartouche, foliate S-scroll handle; together with another John Tapley, London 1837, of baluster form foliate clasped to lower body and a mustard, IK, London1840, with foliate decoration, with blue glass liner and modern condiment spoon (4)

16.4oz (weighable silver)

£500-800

194 Y

AN EARLY VICTORIAN THREE PIECE TEA SERVICE

JOHN WELLBY, LONDON 1839

Comprising a teapot, twin-handled sugar basin and milk jug, all of circular outline, foliate clasped S-scroll handles, ivory insulators to teapot, each raised on a bracket foot with four shell clasped feet (3)

17cm high, (teapot) 38.3oz (combined)

Note: With non-transferable CITES self-certification number: VSLP8RPC

£600-800

195

A MATCHED SUITE OF WILLIAM IV AND LATER FIDDLE AND THREAD PATTERN FLATWARE PREDOMINANTLY GEORGE ADAMS, LONDON VARIOUS DATES

Comprising, three tablespoons, twelve table forks, five dessert forks Exeter 1874 and one other London, eight dessert spoons, eight tea/coffee spoons and a sauce ladle, all of Fiddle and Thread pattern, most with engraved crests to terminals (38)

75.5oz (combined)

£1,000-1,500

196 Y

AN EARLY VICTORIAN THREE PIECE TEA SERVICE

RICHARD PEARCE & GEORGE BURROWS, LONDON 1838

Comprising a teapot, twin-handled sugar basin and a milk jug, all of lobed form, cast floral border, S scroll handles, with ivory insert to teapot handle, the hinged lid to the teapot with budding finial, each raised on a bracket foot with four feet (3)

16cm high (teapot), 46oz (combined)

Note: With non-transferable CITES self-certification number: R5FQAYMS

£400-600

197

A SET OF SIX VICTORIAN COBURG PATTERN TABLESPOONS

MARY CHAWNER, LONDON 1837

Each of double-struck Coburg pattern, vacant terminals (6)

22cm long, 22oz (combined)

£800-1,200

198 Y

A WILLIAM IV COFFEE POT

W.*, LONDON 1837

Of Regency design with gadrooned borders, the angular handle with ivory inserts, raised on a short stem, rounded rectangular base and four ball feet, engraved presentation inscription to the underside of foot

24cm high, 27oz

Note: With non-transferable CITES self-certification number: 9P2KQFU4

£300-500

199

A WIILIAM IV SILVER-GILT SALVER

PAUL STORR, LONDON 1837, NUMBERED 357

Of circular outline, cast shell and scroll border, engraved floral and foliate to design to the dish, raised on three scroll support bracket feet

35.5cm diameter, 36oz

Note: Paul Storr (1770-1844)

Paul Storr is deemed one of the most prolific and successful British silversmiths. Working at a time which has often been considered the period that saw the greatest demand in production and trading of silverware, Storr always ensured that exceptional craftsmanship was maintained to the highest level.

Paul Storr registered his first punch on the 12th January 1793 and ten further marks followed, marking various stages in his career. It was his fifth registered mark in 1807 which reflects his ascendency and his personal success. The company ‘Rundell Bridge and Rundell’ who had been appointed Jewellers, Goldsmiths and Silversmiths to the Crown, and had also attained the Royal Warrant from HRH The Prince of Wales and The Duke of York, scouted Storr and he joined the company. Throughout his career, his work mostly features a Neoclassical style. Important commissions include the replica of the Warwick Vase, now on display at the V & A museum

LOAN:GILBERT.829:2-2008. Whilst working with Rundell Bridge & Rundell, the firm was instructed to create ‘The Grand Service’ for the Royal Family commissioned by George IV (17621830) when Prince of Wales. It is made up of over 4,000 pieces for dining and is still in use today.

Due to the volume of production at Rundell Bridge and Rundell, Storr’s role became almost supervisory, interacting with the existing staff to convey his work practices. A plate bearing Storr’s mark may not have been worked by his hands, but the hallmark was his and acted as a guarantee of the quality.

Perhaps due to the lack of opportunity to be ‘hands-on’, in 1819 Storr opened his own shop, and in 1822, formed the company Storr & Mortimer.

£4,000-6,000

200

A COLLECTION OF VARIOUS FLATWARE

VARIOUS MAKERS AND DATES, PREDOMINANTLY LONDON AND GLASGOW

Comprising two basting spoons, William Theobalds & Lockington Bunn, London 1835 and six dessert forks, London 1840, all of Fiddle and Thread pattern, crest engraved to terminals; together with eight soup spoons, Payne & Son Sheffield 1976, two tablespoons, James Henry Daniel, London 1829, of Fiddle and Shell pattern; together with a sauce ladle, one teaspoon and four other teaspoons, Glasgow 1851, of single struck Queen’s pattern, engraved initial to terminal (24)

30cm long, (basting spoons) 52.4oz (combined)

£700-1,000

201

A WILLIAM IV CANTEEN OF FLATWARE

WILLIAM CHAWNER, LONDON 1831/38

Comprising a soup ladle, basting spoon, nine tablespoons, eight table forks, eight dessert forks, eight dessert spoons, nine teaspoons, four egg spoons and one egg spoon 1829 and a pair of sugar tongs; together with a butter knife, eight side knives and nine table knives, all of double struck King’s pattern, engraved W to terminal (68)

121.5oz (weighable silver)

£2,500-4,000

202

A GEORGE IV SNUFF BOX

JOHN LINNIT (PROBABLY), LONDON 1829

Of rectangular outline, engine-turned sides, the hinged lid with a repoussŽ hunting scene, foliate thumbpiece; together with a smaller French snuff and vesta box, engraved cross-hatch pattern throughout (2)

9cm wide, 4.5oz, 5cm wide, 1oz

£300-500

203

A COLLECTION OF GEORGE IV FLATWARE

CHARLES ELY, LONDON PREDOMINANTLY 1826/7

Comprising six tablespoons, six table forks, six dessert spoons and six dessert forks two by W.E., London 1826, all of double struck King’s pattern, crest engraved to terminals (24)

63.4oz (combined)

£2,500-4,000

204 Y

A GEORGE IV THREE PIECE TEA SERVICE

JOHN & THOMAS SETTLE, SHEFFIELD 1823

Comprising a teapot, twin-handled sugar basin and a milk jug, all of circular form, profusely chased floral decoration throughout, ivory insulators to handle of teapot, each raised on a domed foot, presentation inscription to underside of the teapot, dated ‘June 1824’; together with a teapot stand, JMc, Edinburgh 1823, of similar decoration, raised on four foliate bracket and paw feet (4)

18cm high (teapot), 64oz (combined)

Note: With non-transferable CITES self-certification number: DADULKQ3

£2,000-4,000

205

A GEORGE IV COFFEE POT

JOSEPH CRADDOCK & WILLIAM KER REID, LONDON 1821

Of baluster outline, chased shell and scroll cartouche to either side of body with later engraved crest to one side, foliate clasped scroll spout, S-scroll wooden handle, the domed lid with gadrooned border, with an ornate finial, raised on a stepped circular foot

28cm high, 25.5oz

£500-800

206

A COLLECTION OF GEORGE IV FIDDLE PATTERN FLATWARE

PREDOMINANTLY WILLIAM ELEY I & WILLIAM FEARN, LONDON 1821

Comprising a soup ladle, basting spoon, five tablespoons, ten table forks, six dessert spoons, twelve dessert forks, various sauce ladles, a butter knife, Edinburgh, a pair of sugar tongs, a teaspoon and a condiment spoon, all of Fiddle pattern most with engraved initials to terminal (42)

72oz (combined)

£1,200-1,500

207

A COLLECTION OF GEORGE IV AND LATER FLATWARE

Comprising, a basting spoon Richard Poulden, London 1821, of Fiddle pattern, foliate F engraved to terminal; a marrow scoop spoon, of Feather Edge pattern, and a medicine spoon, Charles Stuart Harris, London 1896, engraved initials to the stem (3)

7.5oz (combined)

£300-500

208

A COLLECTION OF GEORGE IV AND LATER FIDDLE PATTERN FLATWARE

VARIOUS MARKS AND DATES

Comprising a basting spoon, H J Lias & Son, London 1867, a tablespoon Reid & sons, Newcastle 1841, six table forks, various Edinburgh makers, four dessert spoons, George Jamieson of Aberdeen and thirteen tea/coffee spoons, all of Fiddle pattern, most with engraved initial to terminal (25)

30.5cm long (basting spoon), 33oz (combined)

£500-800

209

A COLLECTION OF FIDDLE PATTERN FLATWARE

VARIOUS MAKERS AND DATES, PREDOMINANTLY LONDON AND SHEFFIELD

Comprising eight tablespoons, twelve table forks, fifteen dessert spoons, twelve dessert forks, eight teaspoons, a sauce ladle, toddy ladle and three condiment spoons, all of Fiddle pattern, most with engraved initials to terminal (60)

91.4oz (combined)

£600-800

210

A PAIR OF GEORGE III WICK TRIMMERS

I.B., LONDON 1816

Of conventional form with shell and gardrooned handles, loop terminals, the scissor action with box snuffer, engraved to the side with a Ducal coronet, and italic initials, raised on three feet

18cm long, 4oz

£250-400

211

A GEORGE III SOUP LADLE

JOHN ROBERTSON II & JOHN WALTON, NEWCASTLE 1814

Of Old English pattern, engraved initials to terminal; together with a toddy ladle, Christian Reid, Newcastle, of Fiddle pattern, engraved initial to terminal and a pair of tongs, Newcastle; together with a collection of Irish flatware, to include, a tablespoon, Dublin 1784, of Hanoverian pattern, engraved coronet and feathers to reverse of terminal; another tablespoon of Celtic Point pattern, engraved crest and initial to terminal, a teaspoon, Dublin 1836 of Fiddle pattern, initials engraved to terminal and a condiment spoon, Dublin, of Celtic Point pattern (7) 32cm long, 13oz (combined)

£500-800

212

A REGENCY TWIN-HANDLED PRESENTATION CUP

PAUL STORR, LONDON 1810

Of traditional campana form, fluted lower body, foliate scroll handles, raised on a short knopped stem with fluted skirt to a domed foot

25.5cm high, 40.9oz

Note: Paul Storr (1770-1844)

£2,000-4,000

213

A SET OF SIX GEORGE III TABLESPOONS

THOMAS WALLIS, LONDON 1808

Of Old English pattern (6) 22cm long, 12.4oz (combined)

£300-400

214

A SET OF FIVE GEORGE III BEAD PATTERN FORKS

RICHARD CROSSLEY & GEORGE SMITH, LONDON 1808

Each of Old English bead pattern (5) 20.5cm long, 9.5oz (combined)

£400-600

Throughout his career, his work mostly features a Neoclassical style. Important commissions include the replica of the Warwick Vase, now on display at the V & A museum LOAN:GILBERT.829:2-2008. Whilst working with Rundell Bridge & Rundell, the firm was instructed to create ‘The Grand Service’ for the Royal Family commissioned by George IV (1762-1830) when Prince of Wales. It is made up of over 4,000 pieces for dining and is still in use today. Due to the volume of production at Rundell Bridge and Rundell, Storr’s role became almost supervisory, interacting with the existing staff to convey his work practices. A plate bearing Storr’s mark may not have been worked by his hands, but the hallmark was his and acted as a guarantee of the quality.

Perhaps due to the lack of opportunity to be ‘hands-on’, in 1819 Storr opened his own shop, and in 1822, formed the company Storr & Mortimer.

215

A PAIR OF GEORGE III SALTS

RICHARD CROSSLEY, LONDON 1803

Each of basket form with threaded border, raised on an oval stepped foot; together with a cream jug, London 1800, of bellied form, bright-cut engraved scroll borders, engraved crest to body in a garland (3) 10cm high (salt), 11.4oz (combined)

£300-500

216

A PAIR OF GEORGE III SALTS

PAUL STORR, LONDON 1802

Each of hemi-spherical form with a rope-twist border, raised on a short spreading foot with similar rope-twist border (2)

7.5cm diameter of bowl, 6oz (combined)

Literature:For a similar example of the rope twist border, please see Penzer, N.M., MacArthur, ‘Paul Storr 1771-1844 Silversmith and Goldsmith’ 1971, pg 149, plate XXXV

Paul Storr (1770-1844)

£500-800

217

A GEORGE III WINE FUNNEL

CHARLES ALDRIDGE & HENRY GREEN, LONDON

Of conventional form, threaded borders and curved spout; together with another similar, Peter & Ann Bateman, London (2)

12cm long, 4.5oz (combined)

£400-600

218

A PAIR OF GEORGE III BERRY SPOONS

CHARLES HOUGHAM, LONDON 1791

Of Old English pattern with later engraved floral and scroll decoration to obverse and reverse of stems, engraved initial within a garter to terminal, the gilt bowls with scallop edge and embossed with a display of fruits (2) 23cm long, 4.5oz (combined)

£250-400

219

A COLLECTION OF GEORGE III AND IV CONDIMENTS

LONDON

Comprising a pair of salts, JH, London 1788, each of navette boat form, raised on a short stem and navette foot; together with two associated salt spoons, PS, Edinburgh, various dates, each of Fiddle pattern, italic S engraved to terminal; two casters, London 1767 and 1742, each with a pierced pull-off lid and knopped finial; together with a mustard, Alice & George Burrows, London 1807, of bellied form, engraved crest and motto to body, gadrooned border, the hinged lid with ball finial, raised on four ball feet with an angular handle; together with an associated condiment spoon, Peter, Ann & William Bateman, London 1799, of Old English pattern, crest engraved to terminal (8)

15.4oz (weighable combined)

£300-500

220

A GEORGE III IRISH THREE FOOTED SUGAR BASIN

JOSEPH JACKSON, DUBLIN 1784

Of traditional form, chased floral decoration, gilt interior, beaded border, raised on three shell clasped hoof feet

14.5cm diameter, 8cm high, 6oz

£400-600

221

A SET OF FIVE GEORGE III TABLESPOONS

JOHN LANDLANDS I & JOHN ROBERSTON I, NEWCASTLE 1780

Each of Old English pattern (5)

22.5cm long, 10.5oz (combined)

£300-500

222

A GEORGE III SNUFFER TRAY

WILLIAM CAFE, LONDON 1764

Of kidney outline, gadrooned border with scroll corners, engraved crest to dish, acanthus clasped thumb-piece, raised on four shell feet

18.7cm wide, 6.5oz

£250-400

223 Y

A GEORGE III COFFEE POT

JOHN MOORE, LONDON 1760

Of baluster form, allover later chased scroll and foliate decoration, bold foliate-clasped scrolling spout, ivory S-scroll handle, the hinged cover with turned finial, all on a spreading foot base with gadrooned border

28cm high, 32oz

Note: With non-transferable CITES self-certification number: AZUA2WFA

£500-800

224

AN IMPRESSIVELY LARGE GEORGE II SALVER

JOHN CAFE, LONDON 1759

Of circular outline, later engraved floral decoration, arms for the Scarlett family engraved to the centre, with engraved crest to border, raised on four ball and claw feet, scratch weight 165:4 to the underside

62cm diameter, 159.5oz

£1,0,000-1,2,000

225 Y

A GEORGE III LIDDED TANKARD

INDISTINCT MAKER, LONDON 1760

Of baluster form, later decorated throughout with embossed florals and foliage, foliate cartouche to centre with engraved presentation inscription, the S-scroll handle with heart-shaped terminal, the domed lid with floral detail, all raised on a pedestal foot

22cm high, 27oz

Note: With non-transferable CITES self-certification number: HZ3E6M4S

£1,200-1,500

226

A GEORGE II WATERPOT

EDWARD WAKELIN, LONDON 1756

Of baluster outline, rattan handle, pineapple finial, raised on a circular foot; together with another 1895, of demifluted baluster outline, the hinged lid with beaded border and flame finial, raised on a circular foot with similar beaded border (2)

24cm high, 24.4oz (combined)

£400-600

227

A PAIR OF GEORGE II CAST SILVER-GILT CANDLESTICKS JAMES GOULD POSIBBLY, LONDON 1740

Of traditional knopped form, engraved initials to the moulded circular base, removable fluted drip pans (2)

19cm high, 36oz (combined)

£1,000-1,500

228

A HENRY VI ACORN KNOPPED SPOON UNMARKED, CIRCA 1450

The large fig shaped bowl, to a tapered quatrefoil stem, the finial modelled as an acorn with traces of original gilding 13.6cm long, 22g

Provenance: Phillips, London, Fine Silver and Early Spoons, Friday 10th May 1991, lot 67

Property of a Private Gentleman

£2,000-3,000

229

AN ELIZABETH I APOSTLE TOP SPOON

A BIRD’S CLAW, LONDON 1564

Of traditional form, hammered fig shape bowl, St. Paul to terminal 18cm long, 51g

Provenance: Property of a Private Gentleman

Literature:Jackson’s Silver & Gold Marks, of England, Scotland and Ireland, 3rd edition, 2011 page 94

£1,000-1,500

230

A JAMES VI/ I APOSTLE SPOON

JOHN FEAKE, LONDON 1623

Of traditional form, hammered fig bowl, flanking rat tail, engraved to the reverse 1686, H / WE/ J-MAT / A, in different scripts, the hexagonal stem to a gilt finial modelled as St. Jude, the nimbus embossed with Saint Esprit 18cm long, 57g

Provenance: Private Collection

Philips Fine Art Auctioneers Catalogue 25th January 1980, lot 203 Phillips, Spoons 1399-1901, 6th September 199, lot 40

Property of a Private Gentleman

£1,000-1,500

231

A JAMES VI/ I APOSTLE SPOON

JOHN FEAKE, LONDON 1606

Of traditional form, the reverse of the fig bowl prick engraved K/ME, the stem engraved Breadalbane, to a gilt finial modelled as St. Simon Zealotes

18cm long, 63g

Provenance: Gavin Campbell 1st Marquess and 7th Earl of Breadlabane Collection

The Property of the 1st Lord Rochdale’s Will Trust

Sotheby’s Silver, Objects of Vertu and Portrait Miniatures, London Thursday 26th November 1992, Lot 14

Property of a Private Gentleman

£800-1,200

232

A CHARLES I APOSTLE SPOON

DANIEL CARY, LONDON 1631

Of traditional form, the plain bowl wriggle engraved WC to the reverse, to a plain stem, the parcel gilt finial modelled as The Master, the nimbus embossed with the Saint Esprit

18.7cm long, 61g

Provenance: Sotheby’s Silver, Object of Vertu and Portrait Miniatures, London Thursday 26th November 1992, Lot 19

Property of a Private Gentleman

£1,000-1,500

233

EXETER - AN ENGLISH PROVINCIAL CHARLES I APOSTLE SPOON

CIRCA 1630

Of traditional form, fig shape bowl, the gilt finial modelled as St. Matthew, the nimbus embossed with the Saint Esprit

18.3cm long, 45g

Provenance: Sotheby’s Important Silver sale, Thursday 18th March 1982, Lot 23

Property of a Private Gentleman

£1,500-2,500

234

AN APOSTLE SPOON

EARLIER MARKS, LYON & TURNBULL, EDINBURGH 2026

Of traditional form; together with another, also hallmarked for Lyon & Turnbull, Edinburgh 2026, with earlier marks (2)

18cm, 42g, 18cm, 43g

Provenance: Property of a Private Gentleman

£100-150

235

EXETER - A QUEEN ELIZABETH I ENGLISH PROVINCIAL MAIDENHEAD SPOON

JOHN JONS, CIRCA 1575

The large fig bowl, to a plain stem, the parcel-gilt finial modelled as a maidenhead 15cm long, 32g

Provenance: Sotheby’s New Bond Street, Catalogue of Good Silver, Thursday 20th May 1982, Lot 38

Property of a Private Gentleman

£2,500-4,000

236

A QUEEN ANNE TREFID SPOON

WILLIAM SCARLETT, LONDON 1698

Of traditional form with a moulded and beaded rat-tail, to a vacant terminal 20cm long, 56g

Provenance: Private Collection

William H. Brown, Leicester, An Important Collection of Silver... 4th December 1991, lot 19 Property of a Private Gentleman

£300-500

237

A CHARLES II TREFID SPOON

THOMAS ALLEN, LONDON CIRCA 1680S

Of traditional form with rat-tail bowl, the reverse of the terminal prick-engraved *A*/*T*E*

19.5cm long, 52g

Provenance: William H. Brown, Leicester, An Important Collection of Silver... 4th December 1991, lot 13

Property of a Private Gentleman

£300-500

238

A CHARLES II CHILD’S TREFID SPOON

SAMUEL HAWKES, LONDON CIRCA 1680S

Of traditional diminutive form, rat-tail bowl, the reverse of the terminal engraved AB, italic script CC to obverse terminal 13cm long, 15g

Provenance: Purchased from Frederick Goold Antiques 1981 Property of a Private Gentleman

£250-350

239

A QUEEN ANNE DOG NOSE SPOON

POSSIBLY JOSEPH BIRD, LONDON 1707

Of traditional form, with rat-tail bowl, the reverse of terminal engraved ?/I*W 18.5cm long, 40g

Provenance: Neales of Nottingham, June 1983

Property of a Private Gentleman

£300-500

240

A QUEEN ANNE DOG NOSE SPOON

HENRY GREENE, LONDON 1702

Of traditional form, with rat-tail bowl, the reverse of terminal engraved with a marquis coronet above P*A 20cm long, 58g

Provenance: Purchased from John Pearson Andrew, 30th October 1983

Property of a Private Gentleman

£300-500

241

UNASCRIBED - A CHARLES I ENGLISH PROVINCIAL SEAL TOP SPOON CIRCA 1640-50

Of traditional form with fig shaped bowl, the parcel-gilt finial of ornate baluster form, with fluted border, to seal terminal engraved W

17.5cm, 49g

Provenance: Property of a Private Gentleman

Literature:Jackson’s Silver & Gold Marks, of England, Scotland and Ireland, 3rd edition, 2011 page 523

£2,000-4,000

242

ATTRIBUTED TO SOUTHAMPTON - A CHARLES II ENGLISH PROVINCIAL SEAL TOP SPOON CIRCA 1630

Of traditional form with fig shaped bowl, the parcel-gilt finial of ornate baluster form, with fluted border, to seal terminal prick engraved EB/ IA/ 1630

16.9cm long, 50g

Provenance: Purchased from Frederik Goold Antiques 1980

Property of a Private Gentleman

Literature:Jackson’s Silver & Gold Marks, of England, Scotland and Ireland, 3rd edition, 2011 page 277

£1,000-1,500

243

A JAMES VI/I SEAL TOP SPOON

WILLIAM CAWDELL, LONDON 1610

Of traditional form, with fig shaped bowl, the hexagonal stem to a knopped finial, the terminal prick-engraved L*A/ A-H

16cm long, 39g

Provenance: Phillips, London, Spoons 1399-1901, Friday 6th September 1991, lot 25

Property of a Private Gentleman

£800-1,200

244

A CAST JAMES II/ VII STYLE SEAL TOP SPOON INDISTINGUISHABLE MARKS

Of traditional form, with fig shaped bowl, the hexagonal stem to a parcel-gilt baluster finial with disc finial, the terminal prick-engraved FB/EG

19cm long, 61g

Provenance: Property of a Private Gentleman

£400-600

245

UNASCBRIBED - A CHARLES I ENGLISH PROVINCIAL SEAL TOP SPOON CIRCA 1630

Of traditional form with fig shaped bowl, the gilt finial of ornate baluster form, with fluted border, to seal terminal engraved E.M/E.S/1631

15.7cm long, 24g

Provenance: Phillips London, Fine Silver and Early Spoons, Friday 10th May, 1991, lot 51

Property of a Private Gentleman

Literature:Jackson’s Silver & Gold Marks, of England, Scotland and Ireland, 3rd edition, 2011 page 525

£1,500-2,500

246

AN ELIZABETH I SLIP TOP SPOON MULLET AND ANNULET, LONDON 1580

Of traditional form, slightly waisted hexagonal stem, engraved TR to the reverse of the bowl

15cm long, 41g

Provenance: Private Collection

William H. Brown, Leicester, An Important Collection of Silver... 4th December 1991, lot 3

Property of a Private Gentleman

£2,000-3,000

247

A JAMES I/ VI SLIP TOP SPOON

LONDON CIRCA 1620S

Of plain traditional form, engraved M H to stem

16cm long, 42g

Provenance: Sotheby’s New Bond Street, London, Important Silver, Thursday 3rd March 1983, Lot 97

Property of a Private Gentleman

£800-1,200

248

A CHARLES II PURITAN SLIP TOP SPOON

JEREMY JOHNSON, LONDON 1672

The traditional bowl to a thick hexagonal stem flaring to a hatched terminal, the reverse engraved A/LC 17cm, 68g

Provenance: Private Collection

William H. Brown, Leicester, An Important Collection of Silver... 4th December 1991, lot 12

Property of a Private Gentleman

£2,000-3,000

249

A GEORGE I MARROW SCOOP/ SPOON

THOMAS BURRIDGE, LONDON 1721

Of traditional form, with rat-tail bowl; together with a marrow scoop, RH, London 1752, of plain form (2)

22cm long, 56g, 22cm long, 57g

Provenance: Property of a Private Gentleman

£300-500

250

A COLLECTION OF THREE GEORGE II MOTE SPOONS

THOMAS JACKSON CIRCA 1740, JOHN INNOCENT AND DANIEL SKINNER

Each of traditional form, the pierced bowl to a tapered stem with pointed finial (3) 13.5cm long (longest), 29g (combined)

Provenance: William H. Brown, Leicester, An Important Collection of Silver... 4th December 1991, lot 100 (Thomas Jackson)

Neals of Nottingham, June 1983 lot 184 (Unascribed)

Property of a Private Gentleman

£300-500

251

A GEORGE II BRITANNIA STANDARD TABLESPOON

THOMAS BURRIDGE, LONDON 1749

Of Hanoverian pattern, rat tail detail to bowl, engraved HW to reverse of terminal; together with another tablespoon, George Smith, London 1785, of Old English pattern, IDM engraved to terminal; a tablespoon, maker’s mark indistinctly marked, London 1703, of Hanoverian pattern, shell back detail to bowl, engraved M*R to reverse of terminal and two tablespoons, Ebenezer Coker, London 1749, of Hanoverian pattern, italic JE engraved to obverse of terminal, ME engraved to reverse of terminal (5)

21cm long (longest), 8.2oz (combined)

Provenance: Property of a Private Gentleman

£600-800

252

HOW, GEORGE EVELYN PAGET

ENGLISH AND SCOTTISH SILVER SPOONS

Three volumes, printed 1953

Provenance: Purchased from Bourdon-Smith Ltd., 1992

Property of a Private Gentleman

£300-500

253

A COLLECTION OF AUCTION AND RETAIL CATALOGUES

Comprising various silver catalogues, predominantly from Sotheby’s and Philips; together with Bourdon Smith catalogues and Kent, Tim London Silver Spoonmakers 1500-1697 etc.

Provenance: Property of a Private Gentleman

£100-150

254

A VICTORIAN MINIATURE CURLY HORN VINAIGRETTE

UNMARKED

Of traditional form, the domed hinged cover (detached) with finely chased thistle and foliate scroll border around a faceted citrine, to a coiled horn body and loop suspension chain

5cm long

£300-500

255

AN 18TH CENTURY NIELLO ANNULAR BROOCH

UNMARKED

Of traditional circular outline, with engraved scroll and geometric patterns, niello enamel detail, engraved to the reverse, ‘1749’, ‘Kindrochet’, the pin of tapered outline

9cm diameter, 79g

£1,000-1,500

256

A VICTORIAN HARDSTONE SET OVATE LOCKET

UNMARKED

Of ovate form, engraved decoration, set to to either side with varying hardstones, including Montrose agate, bloodstone, moss agate etc., the interior opens to a glazed panel with plaited hair, to a plain bale and loop fastening 3.2cm long (including bale), 14g (gross)

£400-600

257

A VICTORIAN HARDSTONE SET BRACELET

UNMARKED

Composed of two rows of faceted assorted hardstone cylindrical links, including assorted jasper, banded agate and smoky quartz panels, interspersed by similarly set shaped square panels, with foliate engraved mounts and similarly set shield shaped fob to the concealed clasp, with oval locket aperture to reverse; together with a banded agate seal of obelisk form, vacant matrix (2)

21cm long, 5cm high (seal)

£400-600

258

A VICTORIAN MONTROSE AGATE BRACELET

UNMARKED

Modelled as a belt with six engraved lozenges each set with two Montrose agate panels, belt buckle to the centre; together with two unmarked white metal formed of six varying shaped hardstone lines, one with a padlock clasp (3)

18cm, 20cm, 19cm

£250-400

259

A COLLECTION OF VICTORIAN HARDSTONE BROOCHES

UNMARKED

Comprising a brooch modelled as an arrow set with varying hardstone panels, two annular brooches set with varying hardstone panels, three smaller foliate-shaped brooches each set with varying hardstone panels and an annular blue enamel brooch set to the centre with a blue enamel saltire and applied crown, engraved to the reverse, ‘...13th April 1879’ (7)

7cm wide (arrow brooch)

£300-500

260

A VICTORIAN HARDSTONE BRACELET

UNMARKED

Composed of alternating pyramid shaped lozenges set with four varying hardstones to a moulded hardstone lozenge, to a shield padlock clasp collet-set with an oval-shaped glazed panel and an agate-moss panel to the reverse; together with another similar, composed of six oblong lozenges to a shield padlock and a collection of hardstone set hat pins, including four horseshoe, four shamrocks, one heart shaped, one Masonic and one crown dependent shield shape set with varying pastes (13)

20cm long

£400-600

261

A COLLECTION OF VICTORIAN HARDSTONE BROOCHES

Comprising six annular hardstone brooches, of scalloped outline, each set with varying hardstone panels, four with pin fastenings lacking; another of annular outline, set with varying hardstone and a collection of shamrock themed jewellery, to include a bangle and seven brooches (16)

£300-500

262

A COLLECTION OF VICTORIAN HARDSTONE JEWELLERY

PREDOMINANTLY UNMARKED

Comprising, a brooch modelled as an anchor, five brooches each modelled as varying dirks, each set with varying hardstones; an oblong granite brooch, marked ‘M RETTIE & SONS ABERDEEN’’; a gilt-metal interwoven knot brooch and a similar white metal, each set with hardstone panels, including malachite; together with a Celtic cross pendant set with varying hardstone panels, a bow brooch set with granite panels and a banded agate modelled as a powder horn (12)

£300-500

263

A MID 20TH CENTURY 9CT GOLD SWIZZLE STICK

JACQUES CARTIER, LONDON

Signed Cartier, numbered, L547, the slender hexagonal stem with suspension ring, a ball push piece extending the seven wires with ball terminals

8cm long, 5g

£200-300

264

A FRENCH 18CT TRI-GOLD THIMBLE

EAGLE CONTROL MARK

Of conventional tapered form, vacant shield cartouche with a green gold foliate border, presented in a shagreen case; together with another 15ct example, Chester 1914, of conventional form (2) 5g (each)

£500-600

265

A COLLECTION OF FOUR VICTORIAN POSY HOLDERS

UNMARKED

Three with pierced foliate baskets, to a cornucopia handle, the other of tapered form with engraved foliate decoration (4)

11.5cm longest

£300-500

266

A VICTORIAN GILT METAL AND ENAMEL POSY HOLDER

UNMARKED

The trumpet basket, formed of six foliate panels, to a tapered enamel handle with gilt floral detail; together with another, the pierced basket claw set with four facetted garnets, to a turned mother-of-pearl handle (2) 15cm, 13cm

£300-500

267

A COLLECTION OF THREE VICTORIAN GILT-METAL POSY HOLDERS

UNMARKED

Each formed of a pierced basket, one set with enamel horseshoe detail, one set with turquoise and paste cabochon detail, to a turned mother-of-pearl handle (3) 14.5cm,12cm, 10.5cm

£400-600

268

A VICTORIAN ENAMEL POSY HOLDER

UNMARKED

The pierced basket to a tapered enamel set handle; together with two posy holders, each with a cornucopia handle (3)

11cm long

£250-400

269

A VICTORIAN GILT-METAL FOLDING POSY HOLDER

UNMARKED

The stamped pierced basket set with trailing vine and grape decoration, to tripod stand engraved with scroll-work decoration; together with another with a cornucopia handle (2) 14cm, 9cm

£300-500

270

A COLLECTION OF FILLIGREE POSY HOLDERS

UNMARKED

Comprising, three cornucopia shaped and one of tulip form, the baluster handle of filigree work (4) 17cm longest, 8cm shortest

£250-400

271

A VICTORIAN GILT-METAL FIGURAL POSY HOLDER

UNMARKED

The pierced basket set with cast bird and vine decoration; together with another similar, the basket form of cast trailing foliage (2)

14.5cm, 12.5cm

£300-500

272

A VICTORIAN GILT-METAL POSY HOLDER

UNMARKED

The basket form of cast trailing vine and grapes with applied base metal grapes, the handle modelled naturalistically as a scrolling vine; together with another, the basket pierced with floral and grape motifs, to a turned mother-of pearl handle (2) 14cm, 18cm

£400-600

273

A SET OF TWO MOTHER-OF-PEARL HANDLED GILT-METAL POSY HOLDERS

UNMARKED

Each with pierced baskets set with cast foliate details, set with imitation pearls, to a multi-knopped baluster stem (2)

14.5cm, 16cm long

£400-600

274

A 19TH CENTURY GILT-METAL POSY HOLDER WITH DOUBLE MIRRORS

UNMARKED

The pierced stamped basket set with a mirror to each side, to a turned mother-of-pearl handle; together with another, the basket with applied filigree and coral set flowers to a turned mother-of-pearl handle and another of open-scroll work, with enamel detail, bead decoration to a turned mother-of-pearl handle (3) 14cm, 17cm, 13.5cm

£400-600

275

A LATE 19TH CENTURY DOUBLE-ENDED SCENT FLASK

SAMPSON MORDAN & CO., LONDON

Of baluster outline, the body and domed lid with painted floral decoration, the hinged lid to the base, to reveal a vinaigrette, the spring-hinged lid with small glazed panel over stamped maker’s label, S. MORDAN & Co.; together with a gilt-metal vinaigrette, unmarked, the hinged lid and base each set with a hardstone panel, with a pierced grille to the interior (2)

6.5cm long, 4.5cm wide (vinaigrette)

£500-800

276

A GEORGE III GOLD MOUNTED CARNELIAN FOB SEAL

The profusely ornately decorated floral and scroll mounts with loop handle, to a carnelian matrix engraved with a coat of arms

3.5cm long

£500-800

277

THE SIR WILLIAM ALEXANDER, VISCOUNT OF STIRLING, LATER 1ST EARL OF STIRLING (CIRCA 1577-1640)

A 17TH CENTURY TURNED WOODEN AND STEEL DESK SEAL

CIRCA 1630

The domed terminal to a knopped stem, to a steel matrix, engraved with the coat of arms of Sir William Alexander, as Viscount of Stirling; together with a smaller wooden desk seal, family motto and initials engraved to matrix and two other base metal integral seals (4) 9.2cm overall, 3.2cm x 2.7cm (matrix)

Note: Sir William Alexander (1576 - 1640)

£600-800

278

A GEORGE III INTAGLIO CITRINE FOB SEAL

The foliate mount to a citrine matrix, engraved with the initials HJM; together with another with a fluted mount to a bloodstone matrix engraved with a cypher (2) 3.2cm, 3cm high

£400-600

279

THE EMERSON PERSONAL DESK SEAL

A 19TH CENTURY CITRINE AND WOODEN PERSONAL DESK SEAL

Viscount of Stirling was born in Clackmannan Scotland, he became a courtier as James I (James VI of Scotland) claimed the English throne in 1603, a year later writing his most famous work ‘Aurora’.

Further successful works in poetry such as ‘Doomes day’ (1614) saw King James employing Alexander to aid in translating the Psalms. Also recognised for his colonial affairs Alexander became proprietor of Nova Scotia in spite of French claims of the territory, with the first settlement being established in 1629. Challenges from the French saw war break out in 1627 with the Scottish force being led by Alexander’s son. England and France established the treaty of SUSA agreeing to restore territory and shipping rights therefore forcing Alexander to surrender and withdraw Scottish settlers, leaving him in great debt. In 1630 he was created Viscount of Stirling and Lord Alexander of Tullibody and in 1633 the Earl of Stirling, Viscount of Canada.

The turned wooden handle of baluster form, to a fluted white metal collar with embossed foliate scroll border, the citrine matrix engraved with the arms of Emerson 9.5cm overall, 2.6cm x 2.7cm (matrix)

It is most likely that this seal was in possession of one of the sons of William Emerson (born 22nd April 1771 died 1st May 1821), of Ardmore in the County of Armagh and his wife, Sarah Arbuthnot (born circa 1770/71 died circa December 1851).

There are three candidates for the ownership of this desk seal. They are as follows:

1) George Emerson (born 4th July 1792 died 23rd August 1859).

2) Arbuthnot Emerson (born 22nd June 1802 died 24th May 1857)

3) Sir James Emerson (later Emerson-Tennant) (born 7th April 1804 died 6th March 1869).

£500-800

280

AN 18TH CENTURY FOB SEAL AND WATCH KEY UNMARKED

Each with a pear shaped scroll frame, the matrix engraved with monogram AC in script and stylised basket of flowers above, all within wreath of leaves; together with a small 19th century swivel seal, dated 1882, with script below; a group of twelve Russian silver gilt small crucifixes, one with Christ and decorated back, the other eleven engraved decoration on one side, 84 standard mark and various silversmiths marks; a white metal and niello decorated pendant, decorated male and female to each side, unmarked; an ecclesiastical ring engraved IHS, and on a shank with ribbed detail, unmarked; an 18th century white metal ring, with ribbed and engraved head, pierced gallery to a shank with shoulder detail and an unmarked chain (qty)

4cm overall (seal), 2cm x1.5cm (matrix)

£300-500

281

A COLLECTION OF FOUR INTAGLIO FOB SEALS

PREDOMINANTLY 19TH CENTURY

Comprising a fob with fluted mount, to a chalcedony matrix engraved with a forget-me-not; another smaller with an amethyst matrix engraved with a lily of the valley; together with another fob seal, formed of four staves to an oval carnelian intaglio engraved with a crest and another with a seated figure engraved to the matrix (4)

2.2cm longest 1.5cm shortest

£300-500

282 A MINIATURE 19TH CENTURY CITRINE FOB SEAL

Of diminutive form, the domed terminal to a fluted column, the gold collar to a citrine matrix with an engraved indistinct word; together with a mother-of-pearl handled seal, formed as a clasped hand, to a gold collar, to a vacant matrix (2)

3cm, 9.5cm long

£300-500

283

A LARGE COLLECTION OF UNMOUNTED SEALS

VARIOUS HARDSTONES AND PASTE

Comprising, thirteen various with crest and or motto engraved; six pictorial, including one designed as a scroll ‘A VOUS’ and another similar engraved ‘POUR LUI’; fifteen with initials/ names engraved, including one engraved Harry and one Fanny; and four vacant of various sizes (38)

£300-500

284

A VICTORIAN SOVEREIGN

1900, in later case with certificate

£400-600

285

A THREE COIN GOLD PROOF COLLECTION

To celebrate the 21st birthday of Prince William, comprising £5 coins from Guernsey, Jersey and Alderney, in fitted case with certificates

£6,000-8,000

286

ALDERNEY - A 2001 GOLD PROOF £25

Celebrating Stevenson’s Rocket, in fitted case with certificate

£400-600

287

ALDERNEY - A GOLD PROOF £5

Commemorating the final flight of Concorde, in fitted case with certificate

£2,000-4,000

288

DUTCH EAST INDIES 1 DUCAT

1928, VF/EF

£400-600

289

GAMBIA - A 1996 GOLD PROOF 150 DALASIS

Commemorating Queen Elizabeth The Queen Mother, in fitted case with certificate

£300-500

290

GB - A HALF GUINEA

1808 VF/EF

£600-800

291

GUERNSEY - A 2001 GOLD PROOF £25

Celebrating the 75th birthday of Queen Elizabeth II, in fitted case with certificate

£500-800

292

GUERNSEY - A 1997 GOLD PROOF £25

Celebrating the Queen and Prince Philip’s Golden Wedding, in fitted case with certificate £500-800

293

GUERNSEY - A 2001 GOLD PROOF £25

Celebrating the reign of Queen Victoria, in fitted case with certificate £500-800

294

GUERNSEY - A 2000 GOLD PROOF £25

Celebrating the 100th birthday of Queen Elizabeth The Queen Mother, in fitted case with certificate £500-800

295

GUERNSEY - A 2002 PROOF GOLD £5 COINS

To celebrate the Golden Jubilee, in fitted case with certificate

£2,000-3,000

296

GUERNSEY - A 2002 GOLD PROOF £25

Celebrating the Golden Jubilee, in fitted case with certificate

£500-800

297

JERSEY & GUERNSEY - A 2002 TWO COIN GOLD PROOF SET

Commemorating the life of Queen Elizabeth The Queen Mother, in fitted case with certificates

£4,000-6,000

298

ST. HELENA - GOLD PROOF 50P

Celebrating the Queen Mother’s 100th birthday, in fitted case with certificate

£1,500-2,000

299

SWITZERLAND - 20 FRANC

1935, VF/EF

£500-700

300

TURKS AND CAICOS - A 1997 GOLD TWENTY FIVE CROWN COIN

Celebrating the Queen and Prince Philip’s Golden Wedding, in fitted case with certificate

£600-900

301

UK - A CASED GOLD PROOF FOUR COIN ‘BRIDGES’ PATTERN SET

2003, in fitted case, certificate lacking

£3,000-5,000

302

UK - A 2004 GOLD PROOF £5 COIN

Celebrating the hundredth anniversary of Entente Cordial, in fitted case with certificate

£2,000-3,000

303

UK - A 2002 PROOF GOLD £5

Celebrating the Golden Jubilee, in fitted case with booklet / certificate

£2,000-3,000

304

UK - A 2003 GOLD PROOF £5 COIN

Celebrating the coronation jubilee, in fitted box with certificate

£2,000-3,000

305

UK - A 2002 PROOF SOVEREIGN

In fitted case with booklet / certificate

£500-800

306

UK - A 2005 PROOF SOVEREIGN

In fitted case with booklet / certificate

£500-800

307

UK - A 2004 PROOF SOVEREIGN

In fitted case with booklet / certificate

£500-800

308

UK - A 1997 PROOF GOLD £5

In memory of Diana Princess of Wales, in fitted box with certificate and booklet

£2,000-3,000

309

A WWI MILITARY MEDAL AND WWI GROUP AWARDED TO ANDREW MURRAY CAMERONIAN HIGHLANDERS AND ROYAL AIRFORCE

Comprising, Military Medal, 1914 star with rosette (both named to 8722 Sjt A. Murray, Cam’n’highrs), War Medal and Victory Medal, (named to 2 Lieut A. Murray. RAF) with WWII War Medal and Defence Medal (un-named); and studio photograph of recipient in uniform showing M.M. ribbon, and matching miniatures

£600-800

310

PENINSULAR WAR INTEREST - A MILITARY GENERAL SERVICE MEDAL TO LIEUT COL. CHARLES COLLIER MICHELL

ROYAL ARTILLERY WITH CLASPS BADAJOZ, VITTORIA, TOULOUSE

Mounted in a case with a silver cuff engraved with name and position of Surveyor General, Cape of Good Hope 1873; together with a torc style bangle, unmarked, engraved ‘J. *** Caffer War 1835 C C H SET JEA ADC’ 7.5cm (external diameter of bangle)

Note: Lieutenant-Colonel Charles Collier Michell, KH (1793 -1851)

A surveyor general, road engineer, architect, artist and naturalist.

As part of the Peninsular War, he commanded a brigade at the battles of Vittoria and Toulouse and was present at Waterloo.

He was later appointed teacher of military drawing at the Royal Military College, Sandhurst in 1824 and professor of military fortification at Woolwich in 1825.

During the Sixth Frontier War, which broke out in December 1834, Michell served as assistant quartermaster-general to the staff of Governor Benjamin D’Urban, and made valuable surveys and sketches of regions in the Eastern Cape. After the war he was honoured for his services as a Knight of the Hanoverial Order (KH) by King William IV of England. The bangle is dated 1835 and perhaps marks the culmination of this campaign.

£600-800

FOR BUYERS (UK)

These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue. These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate. “You”, “Your” means the Buyer.

Lyon & Turnbull Ltd. acts as agent for the Seller. Lyon & Turnbull Ltd. acts as agent for the Seller. On occasion where Lyon & Turnbull Ltd. own a lot in part or full the property will be identified in the catalogue with the symbol (��) next to its lot number.

A. BEFORE THE SALE

1. DESCRIPTIONS

OF LOTS

Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS

We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the extent provided below.

(a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale. Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way.

(b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon.

(c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL

Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

JEWELLERY, CLOCKS & OTHER ITEMS

(a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future.

(ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report.

(iii) We do not obtain a gemmological

report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent. The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report.

(iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced.

(b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys.

(c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given.

(d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters,

music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300.

(e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID

1. NEW BIDDERS

(a) If this is Your first time bidding at Lyon & Turnbull or You are a rev turning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration. We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following:

(i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement)

(ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements.

(b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

2. RETURNING BIDDERS

We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS

If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or antiterrorism financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON

(a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/her.

(b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON

If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES

The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services.

(a) Phone bids

Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections.

(b) Internet Bids

For certain auctions we will accept bids over the internet. For more information please visit our Website. We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding.

While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do

so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE

1. ADMISSION TO OUR AUCTIONS

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES

Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot.

3. AUCTIONEER’S DISCRETION

The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots. The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING

The Auctioneer accepts bids from:

(a) Bidders in the saleroom;

(b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and;

5. BIDDING INCREMENTS

Bidding increments shall be at the Auctioneer’s sole discretion.

6. CURRENCY CONVERTER

The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS

Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

8. RELEVANT LEGISLATION

You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY

1. THE PURCHASE PRICE

For each Lot purchased a Buyer’s Premium of 27% of the Hammer Price of each Lot up to and including £20,000, 26% of the Hammer Price from £20,001 up to and including £800,000, 20% from £800,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

2. VALUE ADDED TAX

Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots.

(a) Lots affixed with (†): Value Added Tax on the Hammer Price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme.

(b) Lots affixed with (*): A reduced rate of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique items.

(c) Lots affixed with [Ω]: Standard rate of Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above.

3. ARTIST’S

RESALE ROYALTY (DROIT DE SUITE)

This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than £1,000. The charge for works of art sold at and above £1,000 and below £50,000 is 4%. For items selling above £50,000, charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES

1. SELLER’S WARRANTIES

For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else.

If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense. The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded.

2. AUTHENTICITY GUARANTEE

We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by

the original purchaser.

This Guarantee does not apply if:

(a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or

(b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or

(c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must:

(a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and

(b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES

(a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes.

(b) Where You are bidding on behalf of another person You warrant that:

(i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so;

(ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and;

(iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of moneylaundering, terrorist activities, or other crimes.

F. PAYMENT

1. MAKING PAYMENT

(a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year.

(b) Any payments by You to us can be applied by us towards any sums owing by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied.

(c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name.

(d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the earlier of the following:

(i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing.

(e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any payment whichever is later. Please note we do not accept

cheques. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us.

(f) No purchase can be claimed or removed until it has been paid for.

(g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time.

2. IN THE EVENT OF NONPAYMENT

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(a) To proceed against You for damages for breach of contract;

(b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You;

(c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs).

(d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof;

(e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale;

(f) To retain that or any other Lot sold to You until You pay the Total Amount Due;

(g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted;

(h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your property in our possession for any purpose until the debt due is satisfied. You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and

(i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE

(1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is

set out in the Catalogue and our Website

(2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion;

(i) Charge You storage costs at the rates set out on our Website.

(ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs.

(iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING

1. TRANSPORT AND SHIPPING

We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements.

2. EXPORT OF GOODS

Buyers intending to export goods should ascertain;

(a) Whether an export licence is required; and

(b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot.

3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION

Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites. We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties.

(b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or

(ii) We do not give any

representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph.

(c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services.

(d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot

(e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS

1. OUR ABILITY TO CANCEL

In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if;

(i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be unlawful; or

(iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS

We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT

We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission. We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot.

4. ENFORCING THIS AGREEMENT

If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES

You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM

Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www. lyonandturnbull.com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers.

(c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids.

(d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

DATA PROTECTION

Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed).

A copy of our Privacy Policy can be found on our Website www. lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE

We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION

(a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law

(b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

DEFINITIONS & GLOSSARY

The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

DEFINITIONS

“Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate;

“Bidder” a person who has completed a Bidding Form Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words “You” and “Your”

“Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website

“Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

“Estimate” a statement of our opinion of the range within the hammer is likely to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer;

“High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above;

“High Value Lot” a Lot with a lower Estimate of £30,000 or above;

“Lot” each Item offered for sale by Lyon & Turnbull;

“Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses;

“Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty;

“Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value

Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions;

“VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com

2. GLOSSARY

The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings:

“Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to

“Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

Title” the legal and equitable right to the ownership of a Lot.

GUIDE TO BIDDING & PAYMENT

REGISTRATION

1 – Government issued photo ID (Passport/Driving licence)

2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING IN THE SALEROOM

At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

BIDDING OUTSIDE THE SALEROOM

BY PHONE

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

IN WRITING

Bid forms are available at the sale and/or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

ON THE INTERNET

- ABSENTEE BIDDING

Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com

- BID LIVE ONLINE

Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

PAYMENT

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. On-site payment facilities are available by appointment.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods:

BANK TRANSFER

Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS

We no longer accept card payments by phone. Please use our online payment service (provided by Stripe).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH

No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS

Please refer to page 2 of this catalogue.