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PROJECT 3

Cultural Impact On Designing AAR 2244

CULTURE AND HUMAN BEHAVIOUR IN THE BUILT ENVIRONMENT

MOHAMAD LUQMAN HAKIEM BIN MOHAMAD FADELI 1910745

CONTENT 1. BIOGRAPHY

2. INTRODUCTION

3. CASE STUDIES

4. USER STUDY 5. DESIGN

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CONSIDERATION

BIOGRAPHY

NAME : MOHAMAD LUQMAN HAKIEM BIN MOHAMAD FADELI MATRIC NO : 1910745 UNIVERSITY : ITERNATIONAL ISLAMIC UNIVERSITY MALAYSIA (UIAM) MAJORING : BACHELOR SCIENCE OF ARHITECTURE SESSION : 2020/21 YEAR 2, SEMESTER 2 ADDRESS : PT1746 TAMAN AN-NUR, KAMPUNG GUAL TINGGI, 17200 RANTAU PANJANG, KELANTAN

INTRODUCTION THIS PROJECT AIMS TO APPLY THE KNOWLEDGE OF CULTURE TO THE DESIGN STUDIO PROJECT. STUDENTS NEED TO CHOOSE SOME BUILDINGS TO BE THE CASE STUDIES AND ANALYZE THE CULTURAL ELEMENTS OF THE BUILDINGS. THEN, STUDENTS HAVE TO MAKE A STUDY ABOUT THE MAIN USERS. STUDENTS WILL APPLY ALL THE KNOWLEDGE OF THE STUDEIES TO THEIR STUDIO PROJECT, WHICH IS TO DESIGN AN ART AND CRAFT CENTRE FOR KERIS STUDENTS WILL PRODUCE AN EBOOK MAGAZINE JOURNAL.

CASE STUDIES

CASE STUDY 1

KUALA LUMPUR CRAFT COMPLEX

THE KUALA LUMPUR CRAFT COMPLEX IS A WELL-KNOWN ART TOURIST SITE IN THE CITY'S CENTRE. THIS ONE-STOP CRAFT CENTRE CATERS TO BOTH LOCAL AND INTERNATIONAL VISITORS, OFFERING A DIVERSE RANGE OF TOURISM PRODUCTS SUCH AS ARTS AND CRAFTS. THE COMPLEX HAS A MALAY TERENGGANU ARCHITECTURAL DESIGN AND IS A TREASURE TROVE OF TRADITIONAL AND MODERN CONTEMPORARY PRODUCTS FROM ALL AROUND MALAYSIA. THE SKYSCRAPER STANDS APART FROM OTHER FAMOUS SHOPPING MALLS IN KUALA LUMPUR BECAUSE IT PROVIDES A PANORAMIC VIEW OF THE COUNTRYSIDE WITH A MALAYSIAN-THEMED SETTING. IT IS BUILT ON THE FOUNDATION OF FOUR CONCEPTS: EDUCATION, MARKETING, ENCULTURATION, AND LODGING.VISITING THE CRAFT COMPLEX IS LIKE GETTING A GLIMPSE INTO THE MALAYSIAN WAY OF LIFE, WHICH IS NOTED FOR ITS REMARKABLE ART CRAFT THAT HAS BEEN PASSED DOWN THROUGH THE YEARS.

KUALA LUMPUR CRAFT COMPLEX

ANALYSIS

KUALA LUMPUR CRAFT COMPLEX HAS A LOT OF TIMBER CLADDINGS AND STRUCTURE TO THE BUILDING. IT OFFERS THE SENSE OF TRADITIONAL AND NATURE TO THE TOURISTS. BESIDES, THE ARCHITECTURAL DESIGN WAS INSPIRED BY MALAY TERNGGANU ARCHITECTURAL DESIGN. IT ALSO HAS A LOT OF MALAY TRADITIONAL CARVINGS AROUND THE BUILDING.

THERE, THEY LET THE VISITORS TO HAVE A LOOK ON TUTORIAL HOW TO MAKE BATIK AND ALSO LET THEM TO TRY MAKING BATIK ON THEIR OWN. THIS IS ONE OF THE WAY HOW THE BUILDING CAN INTERRACT WITH THE VISITORS AND AS ATTRACTION TO THE TOURISTS TO GO HERE AS THEY CAN LEARN THE MALAY TRADITIONAL ARTS THERE.

AFTER WENT THROUGH THE EXHIBITION, VISITORS WILL GO PASS THE COURTYARD BEFORE THEY GO TO THE NEXT SPACES. THIS BLENDS NICELY WITH THE NATURE AND LANDSCAPE. IT CAN PROVIDES A GOOD AIR FOR THE PLACE. IT IS SUITING WITH THE BUILDING'S CONCEPT WHICH IS VILLAGE CONCEPT.

CASE STUDY 2

ART AND CRAFT STUDIOS, SOUTH KOREA

THE KOREAN NATIONAL UNIVERSITY OF CULTURAL HERITAGE'S ARTS AND CRAFT STUDIOS ARE DIVIDED INTO THREE PRIMARY PROGRAMMES: GALLERY, WORKSHOP, AND STUDENT DORMITORIES. IT IS PART OF A UNIVERSITY CAMPUS IN BUYEO'S RURAL AREA. THE BUILDING WAS DESIGNED BY POLY.M.UR. AND HAS A TOTAL AREA OF 3802 SQM. THE BUILDING SEEMS TO BE VERY MINIMALIST IN TERM OF ARCHITECTURAL STYLE AND GIVE GOOD AESTHETIC FOR THE PEOPLE.

ART AND CRAFT STUDIOS, SOUTH KOREA

ANALYSIS

IN TERM OF THE ORGANIZATION OS SPACES, MOST OF THE PUBLIC SPACES SUCH AS EXHIBITION, STUDOS AND LECTURE ROOM ARE LOCATED ON THE GROUND AND FIRST FLOOR. OTHER SEMI PUBLIC AND PRIVATE AREAS ARE LOCATED ON FIRST AND SECOND FLOOR AS IT WILL GIVE PRIVACY TO THE STAFFS THERE.

THE SITE IS SURROUNDED BY THREE DISTINCT ENVIRONMENTS: MOUNTAINS, A UNIVERSITY CAMPUS, AND DENSELY FORESTED REEDS. MASSING IS CONSTRUCTED BY LAMINATING THREE LAYERS OF LINEAR VOLUMES FACING DISTINCT VIEWPOINTS, RESULTING IN A TRI-WING SHAPE, WHICH CORRESPONDS TO THREE PROGRAMMING ZONES WITH THESE ENVIRONMENTS.

THREE DIFFERENT FAÇADE DESIGNS WERE EMPLOYED TO HIGHLIGHT PROGRAMMATIC AND ENVIRONMENTAL LINKS USING POLYCARBONATE AS THE MAIN MATERIAL.

CASE STUDIES CONSLUSION AND SYNTHESIS

SYNTHESIS 1 BASED ON CRAFT COMPLEX KUALA LUMPUR BUILDING, HAVING A BUILDING WITH LOTS OF TIMBER STRUCTURE OR CLADDINGS CAN GIVE THE SENSE OF NATURE TO THE BUILDING. IT ALSO HAVE THE ELEMETS OF MALAY VERNACULAR TRADIDITONAL BUILDING WHICH IS SUITABLE FOR THE STUDIO PROJECT. IT WILL BLEND WITH THE NATURAL SURROUNDING AROUND THE PROJECT'S SITE.

SYNTHESIS 2 PUTTING A COURTYARD TO ONE OF THE SPACES OF THE BUILDING CAN GIVE GOOD FRESH AIR TO THE BUILDING. IT ALSO GIVE THE MOOD OF SERENITY TO THE POEPLE AT THE BUILDING ESPECIALLY MALAYSIANS, WHICH MAJORITIES OF THEM LOVE NATURE. AS EXAMPLE, TRADITIONAL MALAY HOUSES USUALLY SURROUNDED BY TREES. TREES CAN ALSO CAN FILTER THE LOUD NOISE FROM THE WORKSHOP.

SYNTHESIS 3 THE LAST SYNTHESIS IS TO DESIGN THE BUILDING WITH CONSIDERATION OF THE SURROUNDING LIKE ART AND CRAFT STUDIO, SOUTH KOREA. PEOPLE WILL BE ATTRACTED AND APPRECIATE MORE THE BUILDING BECAUSE OF IT BLENDS WITH THE NATURE. THE BUILDING ALSO MUST HAS AN INTERESTING FORM TO ATTRACT NOT ONLY THE LOCALS, BUT PEOPLE AROUND THE WORLD TOO.

USER STUDY

STAFF

KERIS MAKER

TIME USE : 8.00 P.M. - 5.00 P.M. SPACES USED : OFFICE, LECTURE ROOM, CAFE

TIME USE : 8.00 P.M. - 5.00 P.M. SPACES USED : WORKSHOP, CAFE

STAFFS ARE A GROUP OF PERSONS, AS EMPLOYEES, CHARGED WITH CARRYING OUT THE WORK OF AN ESTABLISHMENT OR EXECUTING SOME UNDERTAKING. MOST OF THE SPACES WILL BE HANDLED BY THEM IN TERMS OF THE MANAGEMENT SUCH AS EXHIBITION AREA, LOBBY AND OFFICE.

KERIS MAKER WILL SPEND MOST OF THEIR TIME AT WORKSHOP TO PRODUCE KERIS. IT CAN BE TOLD THAT THEY SPEND THEIR ENERGY THE MOST AMONG THE MAIN USERS, AND BECAUSE OF THAT A LOUNGE OR RESTING AREA MUST BE CONSIDERED FOR THE BUILDING.

PUBLIC USER TIME USE : 8.00 P.M. - 5.00 P.M. SPACES USED : EXHIBITION ROOM, CAFE, LECTURE ROOM PUBLIC USERS CAN BE CONSIDERED AS MALAYSIANS ESPECIALLY THOSE WHO LIVE IN GOMBAK, SELANGOR AS THE SITE IS LOCATED NEAR TO INTERNATIONAL ISLAMIC UNIVERSITY MALAYSIA, GOMBAK, SELANGOR. TOURISTS MAY ALSO BECOME THE PUBLIC USER HERE. WHEN THEY COME TO A PLACE LIKE ART AND CRAFT CENTRE, THEY WILL LIKELY TO SPEND THEIR TIME AT THE EXHIBTION AREA AND WORKSHOP TO KNOW THE BACKSTORY AND PRODUCTION OF THE KERIS.

DESIGN CONSIDERATION

CONSIDERATION 1

FIRST FLOOR PLAN

GROUND FLOOR PLAN

SECOND FLOOR PLAN

CONSIDERATION OF SURROUNDING NATURE AND COURTYARD THE SHAPE OF THE FLOOR PLAN FOR THIS BUILDING IS HEAVILY INFLUENCED BY THE 360 DEGREE VIEW OF NATURE AROUND THE SITE. IT HAS A LOT OF CURVES AND GLASS WALL FOR PEOPLE TO APPRECIATE THE NATURE SURROUNDINGS. AS CAN BE SEEN ON THE GROUND FLOOR PLAN, THE COURTYARD WAS PLACED BETWEEN TWO MAIN SPACES, WHICH ARE THE LOBBY AND WORKSHOPS. BASED ON THE SYNTHESIS OF THE CASE STUDY, TREES CAN PROVIDE FRESH AIR TO THE SURROUNDINGS AND GIVE A BEAUTIFUL LANDSCAPE SIGHT OF NATURE FOR THE VISITORS TO APPRECIATE. ANOTHER FUNCTION OF THE TREES AT THE COURTYARD IS TO FILTER THE LOUD NOISE FROM THE WORKSHOPS WHERE THE KERIS ARE MADE. THERE IS ALSO AN OUTDOOR CAFE ON THE FIRST FLOOR FOR THE USERS TO EAT AND ENJOYING THE VIEW OF NATURE SURROUNDINGS. THEY ALSO HAVE THE OPPORTUNITY TO ENJOY THE NATURAL FRESH AIR THAT FLOWS THROUGH. IT ALSO SUITS THE TASTE OF MALAYSIANS WHO LOVES TO 'LEPAK' OR HANG OUT LIKE MAMAK'S RESTAURANT.

CONSIDERATION 2

FORM OF THE BUILDING AND MATERIALS THE CURVY 'LOK' OF THE KERIS AND THE ENTIRE KERIS ITSELF INSPIRES FOR THE FORM OF THE BUILDING. THE FRONT ELEVATION ITSLEF SHOWS THE ABSTRACT SHAPE OF THE KERIS AND POSSIBLY WILL ATTRACT THE VISITORS IN MALAYSIA OR TOURISTS TO GO HERE. THE DYNAMIC CURVY SHAPE OF THE BUILDING ALSO BLENDS WELL WITH THE SURROUNDING AT THE SITE. AT THE SAME TIME, IT IS CONTRADICTING WITH THE EXISTING BUILDINGS AROUND GOMBAK AND THIS WILL ATTRACT MORE PEOPLE TO VISIT THE ART CENTRE. MOST PART OF THE BUILDING USES TIMBER INCLUDES FOR THE STRUCTURE AND THE FINISHES. FOR THE STRUCTURE, IT USES GLUE LAMINATED TIMBER AND THE CLADDINGS ARE ALSO TIMBER. THESE USAGE OF TIMBER IS BASED OF THE ANALYSIS ON THE KUALA LUMPUR CRAFT COMPLEX, WHICH USES TIMBER TO GIVE THE SENSE OF NATURE AND TRADITIONAL MALAY HOUSES. FOR THIS BUILDING, IT USES TIMBER TO GIVE THE SENSE OF NATURE WHICH WILL BLENDS WELL WITH THE TREES AROUND THE SITE. SOME PART OF WALL IS MADE OF BRICK, AND OTHER PARTS USE GLASS FOR PEOPLE TO LOOK THE ENVIRONMENT OUTSIDE OF THE BUILDING.

CONSIDERATION 3

FIRST FLOOR PLAN

GROUND FLOOR PLAN

SECOND FLOOR PLAN

ORGANIZATION OF SPACES SPACES ORGANIZATION FOR THIS BUILDING IS BASED OF THE ANALYSIS ON ART AND CRAFT STUDIOS, SOUTH KOREA. PUBLIC SPACES ARE MOSTLY LOCATED ON GROUND AND FIRST FLOOR. FOR EXAMPLE, EXHIBITION AREA, SOUVENIER SHOP AND CAFE. SEMI PUBLIC SPACES SUCH AS WORKSHOPS IS PLACED ON THE GROUND FLOOR AND LECTURE ROOM IS LOCATED OF THE FIRST FLOOR. OFFICE WHICH IS A PRIVATE SPACE IS LOCATED ON THE HIGHEST LEVEL WHICH IS SECOND LEVEL FOR THE PRIVACY. THE ORGANIZATION OF SPACES IS ALSO INFLUENCED FROM USER STUDY. FOR EXAMPLE, ADMINISTRATION OFFICE IS LOCATED ON THE SECOND FLOOR FOR THE PRIVACY. THERE IS ALSO A LOUNGE OR RESTING AREA FOR THE KERIS MAKERS NEAR THE WORKSHOP. IT WILL SURELY USEFUL FOR THEM WHO USE LOTS OF ENERGY BY MAKING THE KERIS TO TAKE A TIME AND REST THERE. PUBLIC SPACES SUCH AS EXHIBITION AREA IS LOCATED ON THE GROUND FLOOR AND NEAR TO THE ENTRANCE BECAUSE IT MAY BE THE FIRST PLACE FOR THE PUBLIC USERS TO VISIT RIGHT AFTER THEY ENTERED THE BUILDING.

Syukran Jazilan