In this issue, Cynthia Abila sees African fashion as a dialogue between heritage and modernity, while Dr Akin Faminu champions aiming to dismantle misconceptions about African Fashion's lack of refined quality. Ejiro Amos Tafiri celebrates the modern African woman, whereas Lakin Ogunbanwo questions the very existence of a singular "African fashion," emphasising individual expression and the maker's identity. Michelle Adepoju fiercely protects cultural stories, centring culture first and working directly with artisans, contrasting with Mark Odiete, who sees African fashion as a "cultural archive in motion" and a way to make culture "unapologetically cool again." Nicolas Abdullahi defines African fashion by its storytelling power, emphasising intentionality, craftsmanship, and respect for cultural elements, while Nonye Udeogu views African fashion as a cultural export from Africa, highlighting authenticity and integrity as non-negotiables. Nkwo Onwuka sees African fashion as a form of activism, amplifying a pos
