











![]()












LOS ANGELES – Extraordinary Families celebrated 30 years of helping provide loving families for children in foster care with a gala fundraiser in Hollywood Oct 12, where they honored key creatives and LGBT activists who’ve made a difference in the lives of children.
The star-studded gala was emceed by TV personality Carson Kressley (Queer Eye for the Straight Guy, RuPaul’s Drag Race), who praised Extraordinary Families for its leadership in placing foster children with same-sex parents.
“All that matters is finding a home most qualified to care for, to nourish, and to love this young life,” he said. “More than 2 million children have a parent in our community, and more than 200,000 children have same-sex parents. And cuter outfits, I might add.”
Actress and author Victoria Rowell (The Young and the Restless), who has worked with foster children for more than thirty years, presented the Sylvia Fogelman Founder’s Award to Robbie Pierce and Neal Broverman, who is Editorial Director with The Advocate and Out magazines. The couple have fostered two children, one of whom they adopted three years ago.
Last April, the family were victims of a homophobic attack while riding an Amtrak train from LA to the Bay Area. A man accosted the family and told the children that they were stolen by Broverman and Pierce, repeating well-worn homophobic slurs and tropes about gay parents.

“If any good came of it, it was that the story became national news, and people got to hear our story and stories of people like us – loving families, who just look a little different,” Broverman said, recounting the horror of that day. “Being a resource and adoptive parent, there’s no shortage of hard days. But the staff at Extraordinary Families faces hard days every day, coming to the rescue of children who need it the most.”
Actress Katey Sagal (Married…With Children, Sons of Anarchy) was on hand to give Paris Barclay the Visionary Award, and she noted his contributions to the LGBTQIA community – which gave the room a giggle when she initially struggled to say the acronym.
Barclay has directed more than 200 episodes of television, including for shows as diverse as NYPD Blue, Glee, Station 19, and Dahmer-Monster: The Jeffrey Dahmer Story. He has also been recognized for his work with The Human Rights Campaign, GLAAD, and the Aviva Family and Children Services Organization.
Barclay said that although the honor was in his name,
that it had to be shared with his husband Christopher, whom he called his “inspirer-in-chief.” He said they were driven to become foster parents when they learned of the disproportionate number of Black children in the system.
“We’ve been given so much but they’re just there. And in some cases, if they’re as dark as I am, they would have been in that system forever, and that just made me enraged. But I took that rage, and because of Christopher, we said let’s do something and we did,” Barclay said.
HBO executive vice-president Francesca Orsi, who has helped develop such hits for HBO as Game of Thrones and My Brilliant Friend, was honored with the Champion Award. Orsi spoke about her own childhood, in which she was separated from her parents and sent to live in Los Angeles with her grandparents at a young age, led her to devote herself to helping children as a board member of Extraordinary Families.
“During my eight years with this organization, I’ve witnessed newborns, children, and young adults on the receiving end of love from this organization’s staff, volunteers, men, women, and families who step in and step up to protect them,” she said.
Guests also heard stories from several young women who experienced the Los Angeles foster system and have been able to thrive with the support of Extraordinary Families. Mother of three Michelle Valdez described how Extraordinary Families helped her break a cycle of neglect and abuse and become the first person in her family to graduate from high school and college.
“Extraordinary Families has helped me obtain a job that I love, while also allowing me to bring hope to many others who have faced other life-changing circumstances,” Valdez said.
Their stories helped inspire guests at the gala to pledge nearly $80,000 in donations to the organization.
ROB SALERNO
HOLLYWOOD - In a tersely worded statement to SAG-AFTRA union rank and file members Thursday, Duncan Crabtree-Ireland, SAG-AFTRA’s national executive director and chief negotiator said that negotiations had broken down after studio CEO’s walked out.
“It is with profound disappointment that we report the industry CEOs have walked away from the bargaining table after refusing to counter our latest offer. We have negotiated with them in good faith, despite the fact that last week they presented an offer that was, shockingly, worth less than they proposed before the strike began,” the statement read.
According to the union, sticking points included a refusal by the studios to protect performers from being replaced by high technological advances in Artificial Intelligence, the studios are also refusing consideration to increase wages matching with inflation, and finally declining to allow SAG-AFTRA members to share in profits generated.

is estimated to make up around 2% of potential profits, an “untenable economic burden,” the studio CEO-led AMPTP negotiating team has valued the proposal costing them more than $2.4 billion over the course of a new three-year contract, or “more than $800 million per year.”
Crabtree-Ireland told Rubin the studio CEO’s description of the deal is a mischaracterization:
“That proposal is less than the cost of one postage stamp per subscriber per year. So, tell me why in an industry that has 885 million global subscribers, that is receiving billions and billions of dollars, they don t feel like they could share a postage stamp s worth of their money with the actors who helped make that platform exist. It just it’s not right,” he explained.
In its statement, the union pointed out:
“These companies refuse to protect performers from being replaced by AI, they refuse to increase your wages to keep up with inflation, and they refuse to share a tiny portion of the immense revenue YOUR work generates for them. We have made big, meaningful counters on our end, including completely transforming our revenue share proposal, which would cost the companies less than 57¢ per subscriber each year. They have rejected our proposals and refused to counter.
That proposal by SAG-AFTRA is the major sticking point. Deadline reported that terming the profit split demand, which
Crabtree-Ireland appearing on KTLA with entertainment beat reporter Sam Rubin Thursday telling Rubin: “They had told us during this few days of the process, that they were just adamantly opposed to our streaming revenue share proposal to anything that was attached to revenue. So we came back yesterday with a huge change in that proposal, took it out of revenue, linked it to subscribers. I fully expected them to say, ‘Wow,’ and instead, this is what we got back. It’s incredibly frustrating because our committee, our members, have worked so hard to help move this negotiation forward. We’ve made real moves, and they haven’t been reciprocated.”


“The whole reason I want to write these books that I believe in with all my heart is to give young people the gift of seeing themselves”
Los Angeles Blade Diversity Reporter Simhad Haddad recently sat down with author, screenwriter, producer, and queer activist Abdi Nazemian in an interview covering a variety of issues facing LGBTQ+ youth.

LOS ANGELES - As school districts nationwide seek to erase LGBTQ+ youth with dangerous outing policies and other anti-LGBTQ+ regulations, one author is taking a stand for young queer stories.
Abdi Nazemian is an Iranian-American author, screenwriter, and producer whose debut novel, The Walk-In Closet, won the Lambda Literary Award for Debut Fiction at the 27th Lambda Literary Awards in 2015.
He is also the author of Like a Love Story, a Stonewall Honor Book, and The Authentics His novel The Walk-In Closet won the Lambda Literary Award for LGBT Debut Fiction. His screenwriting credits include the films The Artist’s Wife, The Quiet, and Menendez: Blood Brothers and the television series The Village and Almost Family
He has been an executive producer and associate producer on numerous films, including Call Me by Your Name, Little Woods, and The House of Tomorrow. He lives in Los Angeles with his husband, their two children, and their dog, Disco.
“When they want to ban a book that is about our history and our activism, it is very clear that they are trying to ban who we are,” Nazemian told The Blade in a recent interview. “They are trying to ban us from existing.”
Nazemian moved to Los Angeles from Iran when he was two years old. Growing up in a traditional Iranian family in the 1990s at the height of the AIDS crisis, Nazemian was subject to a deep feeling of unease about being gay.
“I really thought that if I had sex, I would die,” Nazemian said. Nazemian found an outlet for his queerness through gay nightlife, enjoying an environ-
ment of acceptance and freedom with other LGBTQ+ youths. Eventually, Nazemian became educated in safe sex practices but still worried about the lack of LGBTQ+ education available to other youths.
“The whole reason I want to write these books that I believe in with all my heart is to give young people, hopefully, the gift of seeing themselves in history or on a page in media in a way I never had. To know that they are being subjected to the same kind of tactics of shaming and stigmatizing that I was subjected to back in those days, as in the early 90s, is upsetting, but it’s also in the playbook of the people who don’t want us to exist.”
Sadly, Nazemian’s goal of letting LGBTQ+ youth see themselves represented through his novels has caused his writing to come under fire from conservatives. His books have been banned by school districts across the nation. His historical fiction novel Like a Love Story is required reading at some high schools, causing conservative groups to be particularly active in banning the novel.
“It’s about about queer teenagers who get involved in activism. I have spoken to high school classrooms where the kids have told me they didn’t even know what HIV/AIDS was before reading the book, which is really, really crazy when you think about it. Teenagers should know about these diseases so that they can protect themselves.”
Nazemian said that depriving young adults of LGBTQ+ education is depriving them of a right of passage.
“Young adults are almost adults,” Nazemian said. “They are ready to grapple with these subjects.”
In addition to school districts banning Nazemian’s novels, people on Twitter (now X) have taken it upon themselves to attack Nazemian for both his writing and his own queerness.
Two Twitter (now X) users, in particular with large platforms, one former Fox News reporter and a Texan politician, took it upon themselves to rally other Twitter (now X) users to attack Nazemian and Like a Love Story.
“They took passages out of context,” said Nazemian. “It is a book about HIV/AIDS, so it is obviously going to contain some discussion of sex and sexuality. But they would take passages out of context that were about sex to make it seem very graphic. They would call me a groomer and a pornographer and all the buzzwords that they have. Then, inevitably, a lot of people would respond. Some people would respond to me directly with threats. There was a lot of Go back to Iran. The underlying message was that I should feel lucky to even exist in this country because I would be killed in Iran, which is a pretty gross thing to say.”
Nazemian has since somewhat cleansed himself of the social media platform. He deleted all of his tweets and now only posts the bare minimum to keep his readers informed about his projects.
Nazemian said that his desire to tell his own story has been made more difficult by his being a gay man of color.
“I spent about eight years working as a film writer, and I never succeeded in getting anything Iranian or queer made or even off the ground. Anytime I wrote something personal to my culture and my identity, it would get called a writing sample and be used to get me work on projects that were not personal in any way. I really felt this need to just tell a story that was about my own experience, and that ended up being the best thing I ever did.”
After the success of Like a Love Story, Nazemian began to feel a responsibility to LGBTQ+ youth to continue writing books.
“Once I wrote Like a Love Story, there was definitely a turning point for me. It became a much deeper thing. I don’t think I was quite prepared.”
Nazemian said he had no idea the book would resonate so deeply with such a broad international audience.
“I got to hear much more personal stories from readers about what that meant to them-readers who felt seen, readers who were kicked out by their families for being queer. People told me they read the book and then asked their parents about HIV/AIDS for the

first time and found out they had an uncle who died of it. Secrets came out. Books and art can be portals to conversation. Knowing this book allowed people to live more honest and fulfilled lives was huge for me. It gave me a different kind of perspective on my own work.”
Nazemian said that getting his stories out through books was easier than through TV/ film.
“Hollywood is still a very difficult place to tell these stories. Books have a different path to getting made. They don’t need millions of dollars. They don’t need stars. You can take bigger risks with books in a way that you can’t with movies. It is such a gift to be able to tell these stories and have the experience that every artist wants, which is to feel that you have genuinely expressed what is in your heart and soul.”
Nazemian said he also wants to educate LGBTQ+ youth about history.
“Part of the reason I write historical fiction and I’m so obsessed with history is so much of my ancestry was hidden when I was growing up. I didn’t know anything about the Iranian revolution and what happened to my family. I didn’t know anything about queer history or that there even was one. I thought I was the only person who ever felt the way I did. So, filling in the gaps is really important for me.”

Nazemian said that living through the AIDS crisis and having researched so much queer history has made him understand that the current volatile political climate surrounding LGBTQ+ rights is “nothing new.”
“What is going on now is a bit of a continuation of the 90s,” Nazemian said. “But it has also happened before then. In my latest novel, Only This Beautiful Moment, a whole section takes place in Los Angeles in the 1930s. Drag was very popular in LA in the 1930s. This was when all the movie stars like Marlena Dietrich were going out to see those drag queens perform, and they were becoming quite famous. Because drag was so popular, they criminalized it. They passed these laws that said you could dress and drag on stage, but if you got off stage, they would arrest you. It is similar to what is happening now. A lot of kids are obsessed with RuPaul’s Drag Race, and now what do they do? They go and they criminalize drag.”
Nazemian, who has visited countless schools, igniting conversations with youths about the LGBTQ+ community, said that libraries are often safe havens for many queer kids with nowhere else to turn.
“In every community I visit, the library has become the haven for these kids because the librarians are often the adults that make them feel seen and give them a place to feel safe.”
Nazemain said that he knows firsthand what it is like to feel safe with an educator at school. He said that he first came out to his English teacher when he was 14, and did not feel mentally or emotionally ready to come out to his family until ten years later.
“My English teacher was one of the first people to encourage me to write. These days, there is this push for schools and teachers to out children to parents... Had I not had that safe environment, I would never be who I am today.”
Nazemian said he and his husband make a conscious effort to create an inclusive and liberating home environment for their twin children.
“We tell our children that they will be accepted, no matter how they identify and whom they love. We have told them that school is a safe space to build an identity outside of the family unit. They don’t need to tell us everything that they are doing. I think the idea that everything must be reported to parents is really not how we’re supposed to be. So much of our job is to teach them how to be independent people.”
Nazemian also said he would like to see more focus turned to the unsung heroes like his high school English teacher and the librarians who create a safe environment for kids.
“People can help by shining a light in more local ways, like helping the local libraries or educators. There are amazing librarians, educators, and teachers who are standing up to parental complaints. They really stand up for the queer kids in the school. Instead of focusing on people doing the banning, let’s get in the habit of celebrating the everyday heroes.”
Finally, Nazemian said that despite all the negative press surrounding LGBTQ+ issues, he remains optimistic about the state of the world.
“I really want to remind our community of how much love there is out there,” Nazemian said. “I think sometimes social media can really distort our understanding. I have seen in my travels that there is a world out there of support and loving creativity. I just want to remind our community to celebrate love as they fight against the negative things. I really do believe there is more love than hate, and the way for the love to win is to keep shining the love out into the world.”

While Rising’s style resonates with various generations in diverse ways, his purpose is simple: “Preach love through music”
By NOAH CHRISTIANSEN
PORT HUENEME, Calif. - In the late evening, Kyle Rising took to the stage at a sold-out concert on September 30th, his attire embodying the spirit of a bygone era: a striking red leather jacket, a black low buttoned dress shirt, and flared black pants adorned with a captivating floral design. Rising’s not-so-subtle display of a late 60s- early 70s motif is not merely a predilection of personal taste; it embodies this 27 year-old’s way of life.
For this very reason, Rising’s performance at Port Hueneme’s Oceanview Pavilion, a Ventura County venue adjacent to the southern California coastal shore, held special significance as he opened for American guitarist Robby Krieger, a surviving founding member of legendary rock band The Doors.
Rising stands out -- he’s not your typical person with a predictable routine. In fact, he’s quite the opposite – an eccentric nomad. His entire essence exudes a carefree eclectic persona that can be likened to one’s driving along the Pacific Coast Highway, windows down, music blaring. Combining the mystique of Jim Morrison, the kinetic dynamism of Elvis, the raw energy of Mick Jagger, and the versatility of Gram Parsons, Rising is a mesmerizing force inspired by those music legends of the past while presenting something entirely new. The 60s and 70s free-spirited paradigm, emblematic of authenticity, love, and psychedelia, defines his allure.

During previous tours Rising performed with Sensi Trails, a band he described as a “reggae rock project” stemming from a ‘high school phase’. Nevertheless, it came as no surprise that, under his first-ever solo name appearance, he opened for Krieger, thanks to his outstanding cover of The Doors’ classic “People are Strange.”
While this cover opened a lot of doors for Rising (his pun), he refuses to be confined to a specific genre. “My taste in music is constantly evolving because I am a sponge when
it comes to musical influence,” he explains, “so to pick one genre to be stuck with is difficult.” Yet, he admits to having some significant influences such as ‘rock and roll’ and ‘Americana,’ evident in one of his most recent singles “She Freaks Me Out”.
Much of this versatility in Rising’s musical preference stems from both familial influences and his nomadic lifestyle. Currently residing in San Diego, Rising told the Blade of how his travels influenced his music. “I picked up influences from all over the place,” Kyle elucidates, “I lived in West Virginia and got into bluegrass music…I started playing banjo and got really into the Appalachian style.”
As a result of his penchant for diversification, Rising’s musical performances evoke a range of reactions from audiences, with some saying: “That sounds like classic psychedelic rock! Is that Caribbean music? I hear a reggae influence. Wait, is that country? Does that mean I like country music now?”
The musical versatility, resulting in a mix of emotions, works perfectly as Rising seems to intend. He explains: “Depending on which [genre] you listen to, it’s going to affect how you feel.”
With each new sound and emotion, Rising pulsated in rhythm with his every move during his Port Hueneme performance. Throughout his set, he held the microphone with an almost spiritual connection, swaying with each verse, as if channeling the spirit of The Doors frontman himself.
Seemingly, before anyone has the time to shout, “That’s Jim Morrison!” Rising almost imperceptibly transitions into another style. One memorable moment was when Rising – in the middle of a song – set his guitar on the stage floor and seductively took off his red leather jacket. With a provocative twist, Rising made slight thrusts at the crowd during a particularly raucous moment, a move that made concert goers feel as though they were immersed in something taboo.
He left the audience spell-bound, evoking a sense of nostalgia in those who witnessed it – a rebellious gesture through the music, a siren call for the audience to shed their inhibitions and join him on this sonic adventure. These bold statements were conveyed through his music, his movements, and his display choice of colorful, psychedelic visuals in the background, serving as reminders that Rising was not merely on stage to perform; he was on stage to evoke, provoke, and challenge any authority that dictates restraints on the body.
In a reflection, he does this while expecting his performance to be flawed or imperfect in some way. “I think that the human element has been lost in music,” Rising acknowledges, “When I go to a live show, I want to see the human error. I want to witness some flaws, and I don’t want to listen to a bunch of backing tracks; because if that’s what I want to hear, I’ll go home and put the album on.”


All of this culminates in a set of questions: What are the risks taken in today’s music landscape by the contemporary counterculture? Where is the authenticity of those claiming to believe in the spirit of the 60s and 70s revolutionary moment while refusing to bend the rules or test the limits of power? And finally, why did Rising’s performance stand out as one of those rare moments where audience members sensed they were at the heart of something about to erupt, a plateau about to be reached, or a never-ending intensity composed of artistic expression and uncharted musical territory?
Evidently, Rising understands the necessity for something new – or at least something that bridges the gap between the previous generations and the current one.
“For the older generation, the performance is nostalgic; and for the younger generation, it’s something new and exciting,” he said. However, this “new and exciting” prospect is not predicated off a short-lived career fueled by immaturity. “I’ve gone through phases where I’ve wanted to do the whole rock and roll party thing,” Rising explains, “but it’s not sustainable – that will make a career very short.” Rising noted that tour life does come with surprises, but “the main thing is providing music to the people.”
While Rising’s style resonates with various generations in diverse ways, his purpose is simple: “Preach love through music.”
An elegantly simple, yet profoundly effective means by which Rising imparts this message of love through music is through his dedications to his family, a practice he upheld during this particular concert where his family was present in the audience.

In a poignant gesture, he chose to dedicate “Hickory Wind,” a country song originally recorded by The Byrds in the late 60s, to his younger brother. This dedication was imbued with a nostalgia of growing up in the southeastern United States exemplifying “that feeling of being back home again,” and reminiscing about that time in their lives. Rising not only preaches a message of love through his music but also refrains from prescribing a rigid definition of what love should entail. He avoids confining himself to any particular religious doctrine, as he elaborated in his interview with the Blade: “I do believe in spirituality,” he says, clarifying that his spirituality is “centered on love and compassion for one another.”
When discussing his diverse fan base which spans various ages, genders, sexualities, and other characteristics, Rising states, “I love all people. As long as we can get together, enjoy the music, and love each other then that’s amazing.”
Whether on tour or off, Rising endeavors to convey a message of love. His open-minded, bohemian embracement of love may also be attributed to his deep affection for surfing where he finds the ocean to be a profound source of inspiration. As he explains, “There is so much to learn from the ocean; it offers a lot of metaphors about life.” Additionally, his passion for fashion plays a part, as he ardently believes in people expressing and loving themselves through style.
In fact, Rising offered that touring has afforded him the opportunity to explore thrift stores for clothing gems: “The best thrifting I’ve found is in the middle of nowhere.” Furthermore, his love for humanity is exemplified by his belief


in the importance of passing things onto others. Particularly when it comes to clothing, he criticizes fast-fashion by

asserting, “There is already an abundance of clothes in the world; there’s no need to keep making more. We can pass what we have on to others.”
Kyle Rising is a breath of fresh air, a welcome change in the music scene, which would make any manager lucky to have him as a client. Surprisingly, Rising has been doing his musicianship without management, and believes that “someone who knows the industry and relates to his message” could drastically benefit his musical journey.
The current music landscape seems to lack the audacious spirit of pushing boundaries, the fearless experimentation with the body expressed through wild movements and daring fashion choices infused with innovations. It’s missing the genre-defying music and inclusive acceptance of all individuals. Perhaps it’s even missing sneaking a concert-goer into a venue every once in a while. Kyle Rising is a provocateur who bends the rules, reminding us of the essence of real music: rock ‘n’ roll is alive and well in the 21st century.
While he insisted on an in-person interview in the Hollywood Hills, his gratitude for an interview with the Blade nearly matched his feelings of opening for Robbie Krieger: “It was a real honor,” Rising told the Blade, “I never could have expected this.”
As a music journalist eager to write about an artist with fresh style, I had the privilege of witnessing such a performance, complete with its daring risks and imperfections. It was an experience that embodied the Rising spirit by the fact that I had been discretely admitted to the concert, armed only with a flimsy, maybe not-so-official wristband provided by his friends accompanying him.




WASHINGTON - President Joe Biden and First Lady Jill Biden addressed attendees at the Human Rights Campaign National Dinner on Saturday with prepared remarks about the struggle for equality for LGBTQ people in the U.S. and around the world.
“Extreme MAGA Republicans in Congress are trying to undo virtually every bit of progress we’ve made -- trying to wipe out federal funding to end the HIV epidemic, strip funding for community venters for seniors, reinstate the ban on transgender troops, ban the Department of Justice from enforcing civil rights laws, ban Pride flags from flying on public land,” the president said.
These lawmakers are trying to interfere with “the right to make your own healthcare decisions, the right to raise your own children,” he said, adding, “I’m never going to stand by and watch families terrorized, doctors and nurses criminalized, or any child targeted for who they are.”
The president relayed that a 13-year-old trans teen wrote to him, sharing how painful it was to see anti-trans legislative activity on the news. A parent wrote to him too, he said, explaining, “I despair for families like mine who have already become refugees inside our own nation” amid the spate of anti-LGBTQ laws.
The president’s remarks also touched on the 25th anniversary of the death of Matthew Shepard, which came on Thursday, in an anti-gay hate crime, as well as the terrorist attacks against Israel last weekend.
“Silence is complicity,” the president said, echoing comments he made during a roundtable on anti-semitism on Thursday. Anti-semitism, Islamophobia, homophobia, and transphobia “are all related,” he said, and hate never goes away -- it only hides.
The president highlighted his record advancing LGBTQ rights, from the historic number of LGBTQ appointees serving in the Biden-Harris administration to signage of the Respect for Marriage Act last year to rescinding “the outdated policy of banning gay and bisexual men from donating blood -- leading with science, not stigma.”
“Thank you for your courage, thank you for your hope, and thank you for your pride,” the president said. “You’re loved and you’re heard and you’re understood and you belong.”
Taking the stage before the president was First Lady Jill Biden, who told the crowd “I’m so proud that this community has made D.C. such a welcoming home to LGBTQ+ people -- from where we came, when outing was used as a

political weapon” to now, when “we can celebrate without fear or shame.”
However, the first lady said, “In too many other parts of our country, these rights and freedoms are under attack across the country in places like Texas and Florida and Alabama. LGBTQ individuals don’t have the freedom to be honest with their family, or race, or gender identity at work,” she said.
“So while we celebrate this beautiful community tonight, let’s also remember how lucky we are and harden our resolve to advocate for those who are not.”
CHRISTOPHER KANE
MIAMI BEACH, Fla. — The executive director of the National LGBTQ Task Force on Saturday paid tribute to the civilians killed during the war between Israel and Hamas.
“Witnessing reports of Israel and Palestine are weighing on my soul,” said Kierra Johnson during her speech at the Task Force’s 50th anniversary gala that took place at the Miami Beach Convention Center. “My heart is with communities in the region who have suffered the pain of terrorism and violence and may continue to do so.”
Johnson added that while she does “not have many answers about the conflict, I do know many people I love, many members of the Task Force family and many in this room are deeply impacted.”
“The Task Force condemns terrorism, violence and harm against civilians,” she said.
Johnson also led a moment of silence for the “lives shattered and lost in the terror attack by Hamas in Israel and for all those impacted who continue to suffer.”
Hamas, which the U.S. and Israel have designated a terrorist organization, on Oct. 6 launched a surprise attack against communities in southern Israel from the Gaza Strip.
More than 1,300 Israelis have been killed since the war began. This figure includes at least 260 people who Hamas militants murdered at an all-night music festival in Re’im, a kibbutz that is near the border between Israel and Gaza. The Israel Defense Forces on its website also says more

than 3,200 Israelis have been injured and Hamas militants kidnapped at least 150 others.
Hamas rockets have reached Beersheba, Tel Aviv, Jerusalem, Ben Gurion Airport and other locations throughout central and southern Israel.
Palestinian officials say Israeli airstrikes have killed more than 2,000 people in Gaza and injured thousands of others in the enclave.
The Israeli government s decision to cut electricity, water and food and fuel shipments to Gaza has made the humanitarian crisis in the territory even worse. (National Security Advisor Jake Sullivan on Sunday said Israeli officials have told him they have restored water to southern Gaza.) The IDF has also told the 1.1 million people who live in northern Gaza to evacuate to the southern part of the enclave ahead of an expected ground incursion.
A Wider Bridge — a U.S.-based organization that seeks to build “a movement of LGBTQ people and allies with a strong interest in and commitment to supporting Israel and its LGBTQ communities” — in 2016 organized a reception at the Task Force’s annual Creating Change conference with two Israeli activists who worked for Jerusalem Open House for Pride and Tolerance. Hundreds of protesters with signs that expressed opposition to “pinkwashing,” which they described as the promotion of Israel’s LGBTQ rights record in an attempt to deflect attention away from its policies toward the Palestinians, and “no pride in apartheid” disrupted the event and forced its cancellation.
“I want to make this crystal clear: The National LGBTQ Task Force wholeheartedly condemns anti-Semitism and anti-Semitic statements made at any Task Force event, including our Creating Change Conference,” said then-Executive Director Rea Carey in a statement after the protest. “It is unacceptable.”
MICHAEL K. LAVERS

ATLANTA, Ga. - In a significant ruling released Wednesday by the 11th Circuit Court of Appeals, the Florida drag ban will not be allowed to take effect. This decision upholds an injunction issued by a district court judge in June that did likewise.
Florida had been the site of several enforcement threats against drag events, prompting some Pride celebrations to cancel their parades out of concern over the drag laws being weaponized against them. Now, however, drag will continue to be legal in the state. This ruling marks the latest in a series of victories against these types of laws nation-wide.

Dobbs case that overturned abortion rights. Thus, the recent ruling might have been unexpected for those who anticipated the court maintaining its pattern of upholding laws that target the LGBTQ+ community.
That was not the case on Wednesday, however. When deliberating on the anti-drag law, the court was not tasked with evaluating the inherent merits of the law. Instead, they ruled on whether the law should be wholly blocked or just limited to Hamburger Marys, a renowned drag brunch spot in Florida that has been heavily targeted by the state.
The 11th Circuit Court of Appeals, covering Alabama, Georgia, and Florida, has been a difficult circuit for challenging anti-LGBTQ+ legislation. Earlier this year, the court, for instance, upheld a school bathroom ban for trans youth, deeming it likely constitutional.
Similarly, the ban on gender-affirming care for trans youth was also upheld by the court, drawing on reasoning from the
CONCORD, N.H. – A Keene, New Hampshire man pleaded guilty in federal court to threatening to kill a member of Congress, the U.S. Attorney for the District of New Hampshire, Jane E. Young announced Thursday.
Allan Poller, 24, a student athlete at Keene State College, a member of the track and field team, pled guilty to transmitting in interstate commerce a threat to injure the person of another. U.S. District Court Judge Landya B. McCafferty scheduled sentencing for January 18, 2024. He was arrested on April 3, 2023.
A spokesman for Keene State College confirmed to the Blade that Poller remains as an enrolled student, but he had been suspended following his arrest and has been on a leave of absence.
On March 29, 2023, Poller called the Washington, D.C. office
In the end, the court determined that the law posed a threat to constitutionally-protected free speech and expression and affirmed that the block of the law would stand for the entire state of Florida.
In doing so, they cited major precedent over blocking overly-broad laws targeting freedom of speech, such as this section of Ashcroft v. ACLU, a first amendment lawsuit challenging portions of the Child Online Protection Act:

“There are also important practical reasons to let the injunction stand pending a full trial on the merits. First, the potential harms from reversing the injunction outweigh those of leaving it in place by mistake. Where a prosecution is a likely possibility, yet only an affirmative defense is available, speakers may self-censor rather than risk the perils of trial. There is a potential for extraordinary harm and a serious chill upon protected speech. The harm done from letting the injunction stand pending a trial on the merits, in contrast, will not be extensive. No prosecutions have yet been undertaken under the law, so none will be disrupted if the injunction stands. Further, if the injunction is upheld, the Government in the interim can enforce obscenity laws already on the books.”
Prior to the ruling, the Florida drag ban had done significant harm in the state. Treasure Coast Pride Fest cancelled their pride parade, citing the new law, and also made it so that in person pride events would be 21-and-up. Tampa Pride likewise cancelled a large celebration. Several drag organizers expressed concern over how the law could be weaponized against them. Now, some of those questions are resolved, at least for the time being.
of Florida Republican Rep. Matt Gaetz and left a voicemail message stating the following:
Hi, my name is Allan Poller, A-L-L-A-N P-O-L-L-E-R, phone number [...]. And I just want to let you know, Representative [Gaetz], if you keep on coming for the gays, we’re gonna strike back and I guarantee you, you do not want to fuck with us. We will kill you if that’s what it takes. I will take a bullet to your fucking head if you fuck with my rights anymore. And then if you want to keep going down that path, you know who’s next.
A source familiar with the investigation confirmed that Mr Gaetz was the member of Congress targeted. Gaetz’s office also confirmed that the congressman was the target of the call.
Pollert later admitted to placing the call and leaving the message. He stated that he had been drinking and left the message after becoming angry while watching videos on the social
media application TikTok.
In a statement to CNN, Poller’s attorney Jesse Friedman said his client “recognises that hate in any form is wrong and hurtful”.
“He accepts responsibility for his actions and did not intend for his acts to cause harm or a threat to anybody,” added Mr Friedman.
The charging statute provides a sentence of no greater than 5 years in prison, 3 years of supervised release, and a fine of $250,000. Sentences are imposed based upon the U.S. Sentencing Guidelines and statutes which govern the determination of a sentence in a criminal case.
The Federal Bureau of Investigation and U.S. Capitol Police led the investigation.
BRODY LEVESQUE

PHILADELPHIA, Penn. - The William Way Community Center announced that it has cancelled an Oct. 29 tribute event for murdered gay journalist Josh Kruger citing allegations of sexual abuse and providing drugs to a minor raised in a Philadelphia Inquirer story earlier this week.
The LGBTQ center in a Facebook post issued a statement on Friday that said:
“The William Way Community Center has decided to cancel the Celebration of Life for Josh Kruger scheduled for October 29th, 2023 at the Center. With the allegations that have recently surfaced about Josh’s murder and the complexities involved, we don’t believe that we can create a safe space, either for Josh’s friends and family, or for those who have rightful anger and con-
cerns over allegations of child sexual abuse. As more is revealed about the facts of the case, we hope that together we can figure out the right next steps to acknowledge and remember the many victims in this case-- individuals, families and communities.“
As Philadelphia homicide detectives continue the search for 19-year-old Robert Davis, a South Philadelphia resident, Davis mother and older brother in a series of interviews with the Philadelphia Inquirer are alleging Kruger, 39, commenced a sexual and drug relationship with the teenager four years ago when Davis was 15.
The Inquirer reported that sources said detectives were investigating explicit photos and messages in Kruger s phone. The sources did not say whether the content was connected to Davis, but said the images and messages were being analyzed by the Special Victims Unit.
Deputy Police Commissioner Frank Vanore told reporters that the contents of Kruger’s phone are part of the investigation as detectives seek to learn more about why he
may have been killed. But critical details of what happened, he said, lie with Davis, who remains at-large.
“I think he could answer a lot of questions if he comes into custody and surrenders,” Vanore said. “It might help us put all this together.”
Police sources say that although Kruger was open about parts of his life, publishing stories about his struggles with being HIV positive, homeless, and his own addition struggles, he was still concealing parts of his life, and that also meth was found in his bedroom as police searched his home for clues to his murder.
Homicide detectives working the case even as they continue to search for Davis, are working to figure out how it all fits together in what has turned out to a very convoluted and complicated story.
“We’re looking at everything as part of the case,” Deputy Commissioner Vanore said.
BRODY LEVESQUE


By BRODY LEVESQUE

LIMERICK, Ireland - The An Garda Síochána - Ireland’s National Police Service are seeking information leading to the arrest of the unknown hit and run driver who struck and killed an openly queer 21-year-old University of Limerick journalism student Friday night, Oct 13.
Joe Drennan, a popular and respected student, was the Editor-in-Chief of Limerick Voice, the award-winning news platform and paper produced by journalism students at the University of Limerick. Drennan was also a contributing writer to Ireland’s LGBTQ+ media website and magazine GCN Dublin-based The Journal news reported that Drennan was standing waiting for a bus around 9.50pm, after he had finished a shift at a local restaurant at Dublin Road, Castletroy, Limerick, when a car that had, immediately beforehand, been involved in a collision with another car, as well as an alleged interaction with Gardaí earlier on the night, struck and killed him.
Gardai said the driver of one of the cars “failed to remain at the scene” and that the driver of the second car, a male in his 40s and a female adult passenger, were taken to University hospital Limerick for non life threatening injuries.
Drennan’s death has left his family, friends, and fellow students and tutors at UL, shocked and distraught.
Paying tribute to Drennan, Sunday, Dr Kathryn Hayes, Course Director, BA Journalism and Digital Communication, University of Limerick said: “We are absolutely devastated in the journalism department and in the wider UL community to learn of the tragic death of our student Joe Drennan. Our heartfelt sympathies are with Joe’s family at this terrible time and all of his classmates and many dear friends.”
Hayes said Drennan had been “an inspirational student and a hugely talented young
journalist, who had a bright career ahead”.

WARSAW, Poland - The country’s rightwing populist Law and Justice party known as PiS, appear to have lost their parliamentary majority in the critical elections held Sunday. The final tally has yet to be announced. This would end eight years of rule that has seen the Polish government repeatedly clash with the European Union over the rule of law, media freedom, migration and LGBTQ rights since Law and Justice (PiS) came to power in 2015.
Opposition parties led by 66-year-old Donald Tusk’s Civic Coalition have vowed to mend ties with Brussels and undo reforms critics say undermine democratic standards.
Tusk, a former European Council president, is aiming to the PiS rule under Deputy Prime Minister of Poland Jaroslaw Kaczynski.
“Poland won, democracy has won,” Tusk told a large crowd of jubilant supporters in what felt like a victory rally in Warsaw. “This is the end of the bad times, this is the end of the PiS government.”
Ipsos polling reported a larger proportion of 18-29 year-olds had turned out to vote than over-60s and election officials said that turnout was probably 72.9%, the highest since the fall of communism in 1989.
The BBC reported that Polish President Andrzej Duda, an ally of the socially conservative Law and Justice (PiS), would normally ask the biggest party to form a government. However with vote as close as it, if PiS fails to win a vote of confidence, then the Sejm (Parliament) would appoint a new prime minister who would then choose a government and also have to win a confidence vote in Parliament as well.
Leading Polish LGBTQ+ rights activist Bart Staszewski posted a statement on social media:
“I am gay, I am Polish and I am proud today. After eight years of hate against peo-
ple like me, LGBT+ people, the creation of LGBT free zones, attacks on women and minorities, Poland is BACK on the path of democracy and the rule of law. This is also end of political trails of human rights activists. This is just the beginning of reclaiming of our country. The fight is ahead but we are breathing fresh air today. After eight years of government hatred, authoritarianism is over in Poland. I still can’t believe it... The nightmare ends...”

GENEVA, Switzerland - The United Nations Human Rights Council has named Graeme Reid, Director, Lesbian, Gay, Bisexual, and Transgender Rights for Human Rights Watch, as the next Independent Expert on Sexual Orientation and Gender Identity for the UN organization.
Originally from South Africa, Reid is the third person ever to be appointed to hold the #UnitedNations mandate dedicated to addressing specific human rights violations against #LGBT and gender diverse persons, following Vitit Muntarbhorn from Thailand (2016-2017) and Victor Madrigal-Borloz from Costa Rica (2017-2023).
Reid is an expert on LGBTQ rights. He has conducted research, taught and published extensively on gender, sexuality, LGBT issues, and HIV/AIDS.
Before joining Human Rights Watch in 2011, Reid was the founding director of the Gay and Lesbian Archives of South Africa, a researcher at the Wits Institute for Social and Economic Research and a lecturer in Lesbian, Gay, Bisexual, and Transgender Studies at Yale University, where he continues to teach as a visiting lecturer.
An anthropologist by training, Reid received a master’s from the University of the
Witwatersrand, Johannesburg, and a PhD from the University of Amsterdam.
TURKEY

ANKARA, Türkiye - Recep Tayyip Erdoğan, the President of the Republic of Türkiye speaking before the Congress gathering of his Islamist-rooted AK Party, which currently runs the nation’s government, said earlier this month that “he did not recognize LGBT and vowed to combat perverse trends he stated are aimed to destroy the institution of family.”
Erdoğan, who has held office since 2014, has a lengthy record of anti-LGBTQ statements who has frequently labeled members of the LGBTQ community as “deviants.” At the direction of his government, police agencies across the country have cracked down on Pride events and marches. Last April, Erdoğan, who was campaigning for reelection, told a rally of supporters in the Aegean city of Izmir, “In this nation, the foundations of the family are stable. LGBT will not emerge in this country. Stand up straight, like a man: that is how our families are,” he added.
While being LGBTQ+ is not a crime in Türkiye, hostility to it is widespread. Same-sex marriage, adoption, surrogacy and IVF are all illegal in the country, as is being openly gay or lesbian person serving in the military . LGBTQ people are not protected against discrimination in employment, education, housing, healthcare, public accommodations or credit, and police crackdowns often at the direction of the government have become tougher over the years.
FRANCE
PARIS, France - Eric Zemmour, the farright political leader and former presidential

candidate was convicted and fined for for homophobic statements he uttered while being interview on the French national news network CNews program Face à l’info hosted by Christine Kelly four years ago in October 2019.


Sunak himself.
French online news magazine Têtu.com reported that The Stop Homophobia association had filed a complaint against comments made by Zemmour on the October 15, 2019 show. Speaking about LGBTQ+ rights during a long debate with Nicolas Bouzou, Zemmour declared: “We have the whims of a small minority which has control over the State and which enslaves it for its own benefit and which will first disintegrate the society, because we are going to have children without a father and I have just told you that it is a catastrophe and, secondly, who is going to make all the other French people pay for his whims.”
The judge of the Cour de Cassation, the highest court of criminal and civil appeal in France, with the power to quash the decisions of lower courts, ruled that Zemmour had acted with“ Behavior contrary to the general interest.” In his decision the judge noted:
“The comments are contemptuous of the people they target, who see their desire for a child reduced to a selfish ‘whim’ and even take on an outrageous dimension when it is attributed to them, to satisfy it, to have recourse to the subjugation of the state apparatus.”
“In this, homosexual people find themselves disqualified in the eyes of the public for who they are, their sexual orientation necessarily inducing, according to the defendant, behavior contrary to the general interest,” he added. Zemmour was sentenced to a fine of 4,000 euros.
LONDON, UK - The government of Prime Minister Rishi Sunak is receiving copious amounts of criticism and outrage among the nation’s LGBTQ+ community and its allies for the anti-LGBTQ+ refugee asylum seekers and transphobic stance that has been taken by various government ministers including
In a recent speech delivered last month on September 26 at the American Enterprise Institute in Washington D.C., UK Home Secretary Suella Braverman addressing the government’s policies towards immigration told the audience:
“I think most members of the public would recognize those fleeing a real risk of death, torture, oppression or violence as being in need of protection. However, as case law has developed, what we have seen in practice is an interpretive shift away from persecution in favor of something more akin to a definition of discrimination. And there has been a similar shift away from a well-founded fear towards a credible or plausible fear, the practical consequence of which has been to expand the number of those who may qualify for asylum, and to lower the threshold for doing so.”
“Let me be clear, there are vast swaths of the world where it is extremely difficult to be gay, or to be a woman, where individuals are being persecuted, it is right that we offer sanctuary, but we will not be able to sustain an asylum system, if in effect, simply being gay, or a woman, or fearful of discrimination in your country of origin is sufficient to qualify for protection.”
“Article 31 of the refugee convention makes clear that it is intended to apply to individuals coming directly, directly from a territory where their life was threatened. It also states where people are crossing borders without permission, they should present themselves without delay to the authorities, and must show good cause for any illegal entry. The U.K., along with many others, including America, interpret this to mean that people should seek refuge and claim asylum in the first safe country that they reach. But NGOs and others, including the U.N. Refugee Agency, contest this. The status quo where people are able to travel through multiple safe countries and even reside in safe countries for years, while they pick and choose their preferred destination to claim asylum is absurd and unsustainable.
Nobody entering the U.K. by boat from France is fleeing imminent peril. None of them has good cause for illegal entry. The vast majority have passed through multiple other safe
countries, and in some instances have resided in safe countries for several years. There was a strong argument that they should cease to be treated as refugees during their onward movement. There are also many whose journeys originate from countries that the public would consider to be manifestly safe like Turkey, or Albania or India. In these instances, most are simply economic migrants gaming the asylum system to their advantage.”
Braverman’s specific remarks portraying Türkiye as “manifestly” safe drew harsh critique from LGBTQ+ groups in Britain pointing out that the President of the Republic of Türkiye, Recep Tayyip Erdoğan, has publicly labeled LGBTQ+ people “deviants.”
PinkNewsUK reported that 246 human rights groups banded together to demand that the UK government respect the lives of women and LGBTQ+ people after the Home Secretary’s Washington speech.
A joint letter produced by LGBTQ+ charity Stonewall, and signed by organisations like Amnesty, Oxfam, Refugee Council, Rainbow Migration, and End Violence Against Women Coalition, calls on Prime Minister Rishi Sunak to reaffirm the UK’s commitment to protecting LGBTQ+ people and women worldwide.
The letter also rejects Suella Braverman’s suggestion that LGBTQ+ people and women are misusing their identities to claim asylum in the UK.
On Oct 6, the UK government released its annual report that revealed there were 145,214 hate crimes recorded by police in England and Wales in 2022-2023, a slight 5 per cent decrease compared to the previous year.
PinkNewsUK noted:
In a briefing outlining new hate crime figures for the UK, the Home Office said that transgender issues had been “heavily discussed by politicians, the media and on social media” over the last year, which it said “may have led to an increase in these offences.”
It added that the government’s focus on transgender issues could also have led to “more awareness in the police in the identification and recording of these crimes.”
Stonewall, the UK’s largest LGBTQ+ charity organization, noted that this recent report’s data comes in a continuing surge in reports of anti-LGBTQ+ and anti-trans hate in recent months across Britain, Wales, and Northern Ireland.
The blame LGBTQ+ advocates in the UK say also lies with the Prime Minister’s transphobic public comments. At the Conservative Party conference on October 4, the prime minister claimed that Britons are being “bullied” into believing that “people can be any sex they want to be”. He then said it
was “common sense” that a “man is a man and a woman is a woman”.
Robbie de Santos, director of external affairs at Stonewall, told PinkNewsUK he is concerned that political figures are dehumanising LGBTQ+ people, which “legitimises violence” instead of acting “seriously or quickly enough” to tackle the rising tide of hate.

MANILA, Luzon, Philippines - A 33-yearold drag queen is facing up to 12 years in jail under the Catholic-majority country’s obscenity laws for his performance dressed as Jesus Christ, performing a rock version of the Lord’s Prayer in Tagalog.
Amadeus Fernando Pagente, who performs under the stage/drag name Pura Luka Vega, was arrested by Manila police earlier this month after The Philippines for Jesus Movement, comprising Protestant church leaders, registered the first criminal complaint with the Manila Prosecutor’s Office in July of this year followed in August by a second complaint was then filed in August by Nazarene Brotherhood, a Catholic group the BBC reported.
A video of the performance by Pagente had sparked criminal complaints by the Christian groups.
In interviews with AFP, supporters of Pagente are calling for his release with the #FreePuraLukaVega hash tag, arguing that “drag is not a crime”. Some compared the performer’s predicament with alleged murderers and sex crime offenders, whom they claimed remain free and have not been justly dealt with.
Pagente himself told AFP: “The arrest shows the degree of homophobia” in the Philippines. “I understand that people call my performance blasphemous, offensive, or regrettable. However, they shouldn’t tell me how I practice my faith or how I do my drag.”
Ryan Thoreson, a specialist at the Human Rights Watch’s LGBT+ rights program, also called for the charges against Pagente to be dropped. “Freedom of expression includes artistic expression that offends, satirizes, or challenges religious beliefs,” Thoreson told the BBC.
Additional reporting from GCN, The Journal, BBC, PinkNewsUK, and Têtu.com
is a mother of two with a passion for helping others. She works as a Community Outreach Coordinator for Addicted.org to help spread awareness of the dangers of drugs and alcohol.
October marks National Substance Use Prevention Month, making it an ideal time to ramp up overdose prevention messaging. Amid the ongoing opioid epidemic, prevention messaging has become critical to saving lives.
Synthetic opioids like fentanyl are the leading cause of overdose deaths in the United States. Local drug education and prevention campaigns and organizations play a vital role. However, some critical prevention messaging should be on repeat and reach LGBTQ communities and every community across the nation.
Most people would agree that the opioid epidemic began with overprescribing legal pain medication like OxyContin. Pharmaceutical companies used deceptive marketing and advertising of their products being safe and effective. As a result, countless people became addicted and died of an overdose.
ing no access to treatment or support.
The LGBTQ population is disproportionately affected by substance use disorders and has higher rates of misusing prescription pain medication. Data has shown a three times greater risk of developing an opioid use disorder.

Since the 1990s, the opioid epidemic has gone in waves, beginning with prescription opioids, followed by a strong resurgence in heroin and now illicitly manufactured synthetic opioids. Unfortunately, the COVID-19 pandemic worsened the situation.
The border closures and supply chain disruptions meant more drug users were turning to local unknown supplies of drugs. The lockdowns and social isolation resulted in countless people dying alone of an overdose and many others hav-
Some critical overdose prevention messaging should be on repeat and reach every community.
For instance, fentanyl is found in drugs like counterfeit pain medications made to look like the real thing. These illegal pills are sold on social media platforms, and drug dealers use code words and emojis to advertise products.
Fentanyl is also found in cocaine, heroin, methamphetamine, and other illicit substances. Other messaging should speak about the increased risk of overdose when mixing drugs. Mixing opioids with other depressants significantly slows breathing.
Fortunately, Naloxone is a life-saving medication that should be made known to everyone. Naloxone is available in all 50 states without a prescription.
Finally, people in treatment and recovery need support to break down the barriers attached to addiction. Showing compassion for people who use drugs and offering support during their treatment and recovery journey are the best ways to remove stigma from the equation.
ADDRESS
8237 Blackburn Avenue Ste. 201, Los Angeles, CA 90048
PHONE 310-230-5266
E-MAIL tmasters@losangelesblade.com
INTERNET losangelesblade.com
PUBLISHED BY Los Angeles Blade, LLC
PUBLISHER
TROY MASTERS tmasters@losangelesblade.com, 310-230-5266 x8080
SALES & ADMINISTRATION
SALES EXECUTIVE
SHANA WONG SOLARES
swong@losangelesblade.com, 808-386-0872
SALES/EVENT MARKETING EXECUTIVE
ANDREW BEAVER abeaver@losangelesblade.com, 646-907-4482
NATIONAL ADVERTISING
RIVENDELL MEDIA
sales@rivendellmedia.com, 212-242-6863
MARKETING DIRECTOR
STEPHEN RUTGERS srutgers@washblade.com, 202-747-2077 x8077
EDITORIAL
CONTRIBUTING WRITER
KAREN OCAMB karenocamb@losangelesblade.com
NATIONAL EDITOR
KEVIN NAFF kna @washblade.com, 202-747-2077 x8088
EDITOR
BRODY LEVESQUE
California
CONTRIBUTORS
MICHAEL K. LAVERS, TINASHE CHINGARANDE, ERNESTO VALLE, YARIEL VALDÉS GONZALEZ, PARKER PURIFOY, CHRISTOPHER KANE, AUSTIN MENDOZA, JOHN PAUL KING, JOEY DIGUGLIELMO, CHRIS JOHNSON, LOU CHIBBARO JR., REBEKAH SAGER, JON DAVIDSON, SUSAN HORNIK, CHANNING SARGENT, SAMSON AMORE, CHRISTOPHER CAPPIELLO, MICHAEL JORTNER, DAN ALLEN, SEAN SHEALY, SCOTT STIFFLER, RHEA LITRÉ ADMINISTRATION
PHILLIP G. ROCKSTROH prockstroh@washblade.com, 202-747-2077 x8092 CREATIVE DESIGN/PRODUCTION AZERCREATIVE.COM
DISTRIBUTION
CHRISTOPHER JACKSON, 562-826-6602
All material in the Los Angeles Blade is protected by federal copyright law and may not be reproduced without the written consent of the Los Angeles Blade. e sexual orientation of advertisers, photographers, writers and cartoonists published herein is neither inferred nor implied. e appearance of names or pictorial representation does not necessarily indicate the sexual orientation of that person or persons. Although the Los Angeles
Blade is available from authorized distribution points, to any individual within a 50-mile radius of Los Angeles, CA. Multiple copies are available from the Los Angeles Blade o ce only. Call for rates. If you are unable to get to a convenient free distribution point, you may receive a 52-week mailed subscription







is a longtime LGBTQ rights and Democratic Party activist. He writes regularly for the Blade.
A week from now I will fly to Rome. I will spend two days there, and then join friends to board the Celebrity BEYOND, for a two-week transatlantic cruise back to Ft. Lauderdale. I admit there are some guilty feelings about living my best life while there is so much turmoil and suffering in the world while people are dying in wars in Israel to defend a nation I stand with, and another in Ukraine.



I have connected with friends in Israel who are mourning the loss of some of their friends, killed by Hamas terrorists. I continue to write about Ukraine and the heroes fighting for their country, and in essence for the rest of the western world, against Putin. They are fighting a proxy war for us, along with fighting for their own country. Now if only the Republican Party, and even some left-wing Democrats, would get their heads out of their asses and understand that.






The guilt comes from continuing to live my best life while all this is going on. I know there is not much I can do about it even if I stayed home. I will continue to write my columns, and donate to charities in support of the people in Ukraine and Israel. I continue to look for, and hope you do as well, a charity to help the innocent Palestinian children suffering because of Hamas.






and to look for, and hope you do as well, a months of the war they were living in Kharkiv with disabilities, children, and even helping to import medicines and food for animals who were suffering. The easiest way to donate
















































One charity I have contributed to at the recommendation of friends in Israel is Magen David Adom. Another is a charity set up by my friends, the Bilak brothers, who I first met on a Celebrity APEX cruise. During the first eight months of the war they were living in Kharkiv with their family when the bombing began. Together with friends they began a charity to help seniors, those with disabilities, children, and even helping to import medicines and food for animals who were suffering. The easiest way to donate is through PayPal. I know it works as I have donated using this email zadelo.kh.ua@ gmail.com.



trary to some others onboard, I will stay connected throughout the trip. Celebrity ships are now connected by Starlink to the Internet. My only regret is that Starlink is owned by Elon Musk, but not much I can do about that.

























I intend to do what I always do when I am on a cruise, and share my experiences in a blog. You will be able to read it at the Washington Blade’s website. I will be interviewing the captain of the ship, and other members of the crew, many like the Bilak brothers, are from Ukraine with family still there. So, I won’t totally leave the world behind and I am sure neither will many others. Another important event I will be following from the ship is the election for the legislature in Virginia. The results could be an indication of how Democrats will do in the 2024 election for president and Congress. So some of the conversation over meals will definitely be about world events.




























Despite my qualms I will leave for Rome as scheduled, if other world events don’t prevent that. I will then board the ship with nearly 100 friends, and hope to enjoy it. Con-











In advance of my trip, I have emailed with the new ambassador to Italy, Jack Markell, and am hoping he may be in Rome the weekend I am. I first met Ambassador Markell when he was governor of Delaware. He is one of the great choices made by the Biden administration to be ambassadors. It would be interesting to get his views on what is happening in the world.
crew, many like the Bilak brothers, are from Ukraine with family still of Rome Markell when he was governor of Delaware. He administration to be ambassadors. It would be in the world.














Clearly, we live in difficult times. But we are not the first generation to do so, and we will survive this. At least we have the chance to, if the Republicans in Congress will stop acting like schoolchildren, instead of lawmakers responsible for the country. Their actions confirm for me why I vote for Democrats. I hope by the time you read this they will have gotten their act together enough to agree on a Speaker, or at least to vote for a temporary Speaker, so bills on funding assistance to Israel and Ukraine can be voted on. They also need to vote on a budget to keep the government open. Republicans must know the world is watching their outrageousness to see if the most powerful country in the world can actually function.
Sophie B. Hawkins’ new anthems are exactly what LGBTQ youth need
The woman who stunned audiences in the 90’s with her fresh music and fresh take on sexuality, has released her first new music in a decade
By ROB WATSON
HOLLYWOOD - Sophie B. Hawkins is back. Renowned as a singer-songwriter, musician, painter and a unique voice of social consciousness, she achieved critical and commercial success with her first two albums, Tongues and Tails (1992) and Whaler (1994), producing a string of single hits including “Damn I Wish I Was Your Lover”, “Right Beside You”, and “As I Lay Me Down“.
Her musical sound is unique with a blend of rock, pop, jazz and soul delivered with her distinctive vocal growl and heartfelt lyrics – ones that often herald a fluid sexuality.
Aside from GRAMMY award nominations, New York Music awards, the ASCAP award for longest running single, for starring on stage as Janis Joplin, paintings appearing in galleries around the world and her songs being featured on shows such as Stranger Things, Euphoria and Ozark, she is often thought of for her candid and outspoken take on sexuality and gender expression.
Long before Ron DeSantis was whining about “wokeness” and mental health experts saw the importance to embrace the concepts of fluid identities, Sophie self-identified as an “omni-sexual” in the 90s. While others scratched their heads at the term, she embraced concepts that are just now being understood and lived. Her new album, Free Myself, underscores the theme of authenticity and taking the freedom to be yourself as you are, and want to be seen.
We talked about her coming out moment, the one she defines as “the most important one of her career.” “It always makes me laugh when you talk about it, and smile,” she commented to me on my Rated LGBT Radio podcast:
“It was a moment of enlightenment for me to be faced with John Pareles of the New York Times in this diner in downtown Manhattan … prefaced by Columbia (Sony) that this was the most important interview and you had to get everything right. They did trust me to give an intelligent interview and did not give me any media training whatsoever. So I showed up and he asked me a bunch of questions about my upbringing and my musical influences, and then he just said ‘Are you a lesbian?’ At that moment, I thought, well, I have to tell the truth.”
She continued, “For me, telling the truth is telling the accurate truth. I knew my history was sort of diverse. I had never had a moment where I said ‘I am a lesbian’ or ‘I am a heterosexual’, in fact, there were moments of growing awareness at 9 years old when I thought ‘I love Paul Anacomb’ who was on the beach in Long Island one summer, he was older than me, I love him so much and had a crush on him, and then I literally looked at his mother and went ‘but I love her too.’ Then I said to myself ‘I have the LIBERTY and the great pleasure to love anyone I want. I can love both of them, and I do not have to choose. It was a great feeling—I was so young.
“Years later, I had an amazing affair with a man who was my teacher, my mentor, that lasted ten years. Then at some point, a woman seduced me, and I thought that was the most amazing thing too. It opened me up a lot emotionally… it opened up my song writing intuition… took me deeper. But when I was looking at John Pareles, I could not tell him all of that. So I took the word “omni” which means all, also ‘one’ and sexual, and said ‘I’m omnisexual’. He said, ‘What does THAT mean??’, I said, well John, it means my sexuality is not limited by my gender, or your gender…my sexuality is my creativity, my spirituality, my consciousness –it’s tied to me, my soul.”
Pareles had written a review of Sophie’s debut album,
Tongues and Tails, in 1992, and the interview was a follow up in 1993. He said of her, “Sophie B. Hawkins is a pop singer with a rock-and-roll attitude, a jazz singer’s improvisational skills and a blues singer’s soul. She’s also a songwriter with a knack for melodies that are both catchy and complex.” Sophie was the first musician to come out as omnisexual in the mainstream media, and Pareles’ interview with her was groundbreaking for its time.

Thirty years later, her son’s friends are freely identifying as “omnisexual” without an inkling that she was the one who first coined the term.
“Don’t care what people think, You know you are on the brink, Of breaking the chain…baby love yourself, ain’t nobody else gonna carry your soul.” Lyrics from Love Yourself, from the album Free Myself
Since the start of her musical journey, Sophie has shown an uncompromising devotion to her singular truth, endlessly transcending boundaries and offering up new ways of experiencing the world around us. Her truth is the roots of Free Myself and Sophie’s raw yet poetic lyrics as well as her captivatingly distinctive vocals.
Free Myself features some of her most emotionally powerful material to date and contains anthems that LGBTQ youth need especially now. Tapping into the same passion-filled storytelling and colorful eclecticism that inspired her previous work, Sophie embarks on a new creative chapter of independence and positivity in Free Myself
Certainly, LGBTQ youth working to express their uniqueness and self-definition will hear themselves in the lyrics of the album’s title track and its nascent omnisexuality:
“I want to free myself with you. Let my soul fly. I can’t lift these feelings, too big for me to carry. Why does it matter what we’re born. Aren’t we supposed to become mind, soul and body, who we love and who we want to marry?”
As Sophie talks to television personalities, she gets reductive questions such as “how has your music evolved?” The truth is, her music has not been on a path of development, but rather, has entered a new era. It is an era where society has caught up with her. It is an era where she has lived life. It is an era where she folds in decades of life experience that includes motherhood, oppressive relationships, codependency, deconstruction of dreams to their experienced reality and the ability to be guided by and appreciate, a hero.
“I wanted this to be a new beginning for me, for my family and my fans,” she says. The song Love Yourself is a confession. Sophie had been to a party and drank red wine and ate cake. Later as she lay in bed, she wanted to berate herself for such indulgences. She wanted to lament, “I hate myself for that.” But she didn’t. Instead the words to her incubating song filled her mind, “Baby, love yourself.” That had never happened, the allowance to love herself, before. Her unconscious mental health work had suddenly taken hold and was now carrying her.
For the Miley Cyrus Flowers generation, there is the Sophie B. Hawkins Better Off Without You “You got what you planned for, but I got so much more,” she sings.
Of the song, she shared with me:
“When I perform that song, I tell the audience that there is nothing better than ‘breaking up’—it can be so freeing, that you can weather and endure, and that it makes you feel more alive. If you can relate to the story in this song, then you are going to have the triumph when I sing it, and if you can’t relate to it, you haven t lived enough yet. It is release from the fear that you cannot survive without this relationship, or this person superstructure. Whether we are gas-lighted or whether we are in a position of unknowingly controlling someone, whatever your story is, when you are released from it … you can go, ‘wow, I have my whole life to begin again.’ The story behind the song was really painful, and I was trying to survive the lies and the way that it happened. However, if it had not happened that way, I don’t think I would have left it behind. It had to be that painful for me to really take a look.”
She adds, “Betrayal is common and human. This is actually the story of redemption.” Whether the listener is a person ending a toxic relationship, or whether it is a young LGBTQ person getting away from a toxic web of a hostile community or family relationships, the song speaks to self-actualizing introspection and hope.
Besides her fans, Sophie inspired and gave permission to a whole new generation of artists. On my last Rated LGBT Radio podcast, Andrea Walker from Glitterfox, the singer/song writer band from Portland that was recently named one of the Best New Bands of Oregon, commented about my conversation with Sophie, “You said Sophie B. Hawkins was your guest last week? I wish you could have seen my face when you said that. My jaw dropped to the floor. I was remembering being in the 90s listening to Damn I Wish I Was Your Lover. That song specifically was the one that helped me to come out as gay. Honestly, I owe such a huge debt to Sophie B. Hawkins. I really mean it.”
The Sophie B. Hawkins album Free Myself concludes with a song called You are My Balloon. It speaks to a spirit that is a “shoulder on a cloud, between the sun and moon, climbing very high, acting very proud.”
It turns quickly into a plea, “Above a sea of dreams, my lantern in the night, making up a tune, on your own jet stream, in and out of sight. And I love looking at you more than anything, I hope you’ll always stay my dancer on a string. I will hold your hand and carry you as far as I can. You won’t need me long but I’ll hold on ‘Cause you are my balloon.”
The song makes me think of Sophie B. Hawkins herself. The Lantern in the night who made up her tunes and created her own “omnisexual” jest stream definition. It was a definition that today’s LGBTQ youth have embraced, lived and given us all insight about, even as a conservative establishment attacks them.
Sophie B. Hawkins has delivered to them a package of anthems, one to remind them that they carry their own definitions, and they need no one else’s permission or approval. Just as a lone singer once carried the message to the biggest newspaper in the country as she sat in a New York diner, it has now grown to be the understanding of a generation.
So, with that message in hand, we carry Sophie as far as we can, and hope she always stays our personal dancer on a string.

At Gilead, we understand that it’s going to take a combination of both science and social change to help end the HIV epidemic for everyone, everywhere. It’s only by collaborating with advocates and organizations across the country that we can reach this collective goal. Together, we’re working tirelessly to improve health equity and bring awareness to the HIV epidemic.

By JOHN PAUL KING
With a title like “Down Low,” a movie could be almost anything, from a psychological thriller to a comedic crime caper to a documentary about the blues. When it stars Zachary Quinto and Lukas Gage, however, and describes them in its tagline as “a deeply repressed man” and “a twink” respectively, millions of queer audiences will immediately know what the title means.
That phrase is universal code for online cruisers who are “looking” for fun but only if their wife/husband/straight bro/church pastor/etc. never finds out about it. Based on the most likely assumptions about how a “DL” encounter between a repressed man and a twink might take place, it’s easily possible to guess the set-up – and maybe the entire scenario of the movie –before the first scene begins.
Just in case, though, we’ll fill in a few of the details. At the start of “Down Low” – which debuted on digital home video Oct. 10 – well-to-do Gary (Quinto), nearing 50 and recently separated from his wife and children, hires a young masseur named Cameron (Gage, who became instantly gay-famous thanks to that notorious rimming scene in the first season of “White Lotus”) to come to his house for a private session – and yes, it’s that kind of massage. After an awkward beginning, Gary reveals it’s his first time being intimate with a man, prompting Cameron to turn from sex worker to life coach as he quickly decides to give his Hot Daddy client a coming-out party to remember; before long, a stranger from “the apps” is on his way to join them, setting off an outrageous night full of questionable decisions, bad luck, and escalating consequences that is probably best described as a deviously twisted, wickedly macabre wild ride – or, alternatively, as a very dark screwball comedy. Either way, it’s also a romance.
We’re not being indecisive, and neither (presumably) is the film, in failing to pin it down into an easily-assessed and clearly-definable category. As directed by first-time feature filmmaker Rightor Doyle (best known for his short-form series “Bonding,” about a gay stand-up comic who moonlights as a BDSM sex worker), it’s a movie with little interest in conforming to any particular genre; it borrows from several of them, and shamelessly so, but only in order to turn them upside down – and our expectations along with them – in a sometimes-near-farcical mashup that prevents any of them from defining it. In the end, of course, the genre it comes most closely to matching is the kind of wacky, morbid comedy-of-errors represented by movies like “Weekend at Bernie’s” or “The Hangover,” but with deeper stakes and a much darker edge to its humor.
It’s all very clever – at times, admittedly, a bit self-consciously so, leading to a kind of “predictable unpredictability” that may or may not be intentional – and keeps us on our toes simply by its willingness to turn on a dime as often as necessary. It also takes delight in the pretense of “shocking” us with its candid discussions of queer sexuality and a sort of feigned amorality that feels strongly indebted to a Gregg Araki-style sense of hedonistic nihilism. There’s a rebelliousness to its spirit, a “let’s have fun while the world burns down around us” vibe that gives it a decidedly counter-cultural flavor. After all, its two leading characters are hardly the kind of “positive queer depictions” we push the industry so hard to achieve; indeed, they are (at face value, at least) largely clichés, avatars for familiar “types” that – in the eyes of modern progressive attitudes toward queer expression and experience, might even be considered toxic by some. Who could better serve us in a vicarious revolt against conformity than a pair of guys who could be seen as “problematic” under any traditional social norm we’ve lived under so far?
That’s especially true with the anti-heroes of “Down Low,” who are played with obvious relish by Quinto and Gage – the latter of whom, alongside Phoebe Fisher, also penned the movie’s smart screenplay – and quickly overcome the hard-sell implausibility of the premise that brings them together to become an irresistibly appealing screen couple with the kind of chemistry that both heightens the film’s considerable sex appeal while evoking the snappy rapport of the classic madcap comedies it clearly wishes to emulate. More than that, the two stars fully understand and inhabit their characters, reminding us (as if it were necessary) how much of a difference it makes when actual queer people play queer characters in queer stories. It’s hard
to imagine even the most gifted straight actors capturing the necessary dynamic these two obviously understand instinctively.
Still, a story about a closeted middle-aged white man and a young societal outcast who gives hand-jobs for a living – stereotypical representatives of two different queer generations drawn, we might add, with a not-too-subtle satirical eye – may not sit so well in an era when the mandate seems to be toward presenting the community as living its best life. It’s not that either of them is unlikable, it’s just that they’re both a mess.

That, perhaps, is the whole point; “Down Low” comes on strong and sassy, pitting the defiantly flamboyant and sex-positive iconoclasm of modern queer youth culture against the haunted survivor’s guilt of their Gen-X elders in a story that ultimately urges us to abandon the restrictive mindsets of the past in favor of a more open and authentic life; it’s a movie that brims with the trappings of transgressive anarchy, that leans hard into an absurdist outlook in which all our ideas of “normal” behavior become meaningless when confronted with life as it really is. Yet, for all that, it somehow retains a sweetly sentimental tone, in the form of the unlikely and yet eminently cheer-able love story that coalesces in the middle of its madness; in the end, the relatable messiness of these two mismatched misfits is meant to give us hope on which to cling as we plunge with them through the depraved-but-zany existential challenges of their adventure together.
Whether or not it does, of course, is dependent on how willing we are to buy into its multiple conceits, and that’s by no means a sure thing; viewers with a taste for over-the-top absurdism — which bubbles up from the very core of the movie’s premise and seems drawn from a theatrical tradition that includes Genet, Pinter, and Christopher Durang, at times making the film play more like, well, a play – are likely to respond better to it than those coming into it with an expectation of more traditional, “realistic” storytelling. Sweetening the pot for any viewer are the performances, which in addition to Quinto and Gage include glittering supporting turns by queer-allies-and-divas Judith Light and Audra MacDonald.
Despite all those benefits, however, “Down Low” might finally be a no-go for some audiences because its title also tells us how far it (and its characters) are willing to go – and for many, that might just be a little bit too low for comfort.
You can’t beat this one for a last hurrah in a true muscle car
It’s hard to forget your first love. For me, it wasn’t exactly Danell Leyva or Michael Sam. Yet there was some serious muscle on my primo amore: a Pontiac LeMans 455 sportster.
Sparkly blue. White racing stripes. Twin-scoop hood.
By JOE PHILLIPS

Dual exhaust. Feisty engine. Talk about butch points.
I’ve waxed poetic before about this super coupe, which ferried me all through high school. With tender loving care, I kept my beloved ride in great shape.
Alas, the next owner did not. Soon enough, it was riddled with rust, scrapes and scores of dents. Sigh.
But just last month, bittersweet memories of my first car came back when I tested the 2023 Dodge Challenger SRT Hellcat. This topof-the-line model boasts hyper horsepower and, seemingly, supersonic speed. There’s also an acres-long hood, low-slung seats and a tricked-out, gauge-laden dashboard.
Driving this rad Challenger was a thundering throwback to muscle cars of yore. It certainly got my motor running, and it likely will do the same for you.
But not for long: This is the last year of production before Dodge begins churning out an electric-only version.
Don’t get me wrong, I’m all in on EVs. They’re fun, fast, and eco-friendly. But if you’re looking for a last hurrah in a true muscle car, the Dodge Challenger SRT Hellcat can’t be beat.
DODGE CHALLENGER SRT HELLCAT
$73,000 | MPG: 13 city/22 highway 0 to 60 mph: 3.6 seconds Cargo room: 16.2 cu. ft.
PROS: wicked fast, kick-ass looks, wake-thedead rumble
CONS: almost too fast to handle, oh-so-impractical, final year
IN A NUTSHELL: First, the good news. A base-model Dodge Challenger costs $33,000, or $15,000 below the $48,000 average price of a new vehicle today. With a 303-horsepower V6, this two-door hardtop can scoot from 0 to 60 mph in a respectable 5.3 seconds. Not too shabby.
But hey, why settle for “Glee” or “Modern Family” reruns when you can stream more trendy fare like “Dicks: The Musical,” right? In other words, there are more fabulous Challenger trim levels, each offering more enticing features, styling and power
than the next. It all culminates with the SRT Hellcat, which— thanks to an iconic HEMI V8—churns out a ridiculous 807 horsepower and can go faster than many a Ferrari, Lamborghini or McLaren.
Unfortunately, Challenger pricing adds up quickly, especially if you opt for any of the dizzying array of specialty packages, customized paint jobs, interior colors and such. My test car, for example, was an eye-popping $100,000 and included the Redeye, Widebody and Black Ghost configurations. This meant wider wheels and tires, a sportier suspension, larger Brembo brakes, protruding fender flares and a glossy black exterior with white racing stripes across the rear end. The high-test brake calipers, usually bright red, were painted black to highlight the 20-inch silver wheels. For a real retro vibe, there was a circular chrome fuel door that said “FUEL” on the gas cap. The most love-it-or-hate-it feature: the roof, with its funky black-and-gray graphics designed to look like alligator skin.
Production of the Black Ghost is limited to 300 units and is part of Dodge’s “Last Call” series, the automaker’s celebratory nod to the end of the Hemi combustion engine. These special editions include an under-hood plaque stamped with a Challenger silhouette, as well as the factory location of where the car was built.
Driving such a menacing beast was exciting — and scary. At first, there seemed to be too much muscle under the hood, especially on wet roads when this coupe would easily fishtail. But I quickly learned to step on the accelerator ever so gently to still get plenty of thrills. (As for the racetrack-ready “Launch” button on the dashboard, it went unused—though I imagine pressing it just might have taken me airborne.)
The cabin had a smart, old-school ambience yet was full of modern amenities: dual-zone climate control, smartphone integration, flat-bottom steering wheel with paddle shifters, heated/ventilated seats and more. While there was an optional 18-speaker Harman Kardon stereo, turning on the ignition and listening to the throaty rumble was music enough for my ears. This is no SUV, of course, so don’t expect to haul lots of supplies from Home Dept. But the Challenger does have the most trunk space among sports cars. Split-folding rear seats open up the cargo area even more.
Overall, the Challenger SRT Hellcat was one helluva rush. It offered plenty of speed, sex appeal and ear-splitting screams—from the exhaust pipes, as well as a few of my passengers.
ANNOUNCEMENT
CANCEL YOUR TIMESHARE. Call Attorney Sid Connor, your nationally trusted consumer protection attorney. 40+ years experience, 1,000+ clients represented, 99% success rate.
L. Sidney Connor IV, Esq. 1500 U.S. Highway 17 North, Suite 209, Surfside Beach, SC 29575. https:/www.timeoutco.com. info@timeoutco.com. Ph: 1-843-846-3688. Bar No. 001363
NEW AUTHORS WANTED! Page Publishing will help you self-publish your own book. FREE author submission kit! Limited offer! Why wait? Call now: 1-855-667-0380
Switch and save up to $250/ year on your talk, text and data. No contract and no hidden fees. Unlimited talk and text with flexible data plans. Premium nationwide coverage. 100% U.S. based customer service. Limited time offer get $50 off on any new account. Use code GIFT50. For more information, call 1-844-908-0605
AUTOS WANTED
WANTED! OLD PORSCHE. 356/911/912 for Restoration Hobbyist. 1948-1998 only. Any Condition. Top $ Paid. PLEASE LEAVE MESSAGE 1-707-339-5994 or email Porscherestoration@ yahoo.com
THIS SPACE CAN BE YOURS! CALL 1-916-288-6011 or email: cecelia@ cnpa.com
DONATE YOUR UNWANTED CAR, TRUCK, RV OR BOAT TO HELP HOMELESS PETS Pets Alive, a California Qualified 501-C-3 Nonprofit. We are Tax Deduction and Paperwork Experts and Provide Guaranteed Tax Deductions. For Quotes and Quick Pickup, Call us Today! 1-833-772-2632, LAPETSALIVE.ORG
DONATE YOUR CAR TO KIDS Fast Free Pickup –Running or Not - 24 Hour Response - Maximum Tax Donation –Help Find Missing Kids! Call 1-888-491-1453.
CABLE / INTERNET/ SATELLITE TV
FREE high speed internet for those that qualify. Government program for recipients of select programs incl. Medicaid, SNAP, Housing Assistance, WIC, Veterans Pension, Survivor Benefits, Lifeline, Tribal. 15 GB internet service. Bonus offer: Android tablet FREE with one-time $20 copay. Free shipping & handling. Call Maxsip Telecom today! 1-855-480-0769
FINANCIAL SERVICES
Over $10K in Debt? Be debt free in 24 to 48 months. No upfront fees to enroll. A+ BBB rated. Call National Debt Relief 1-888-231-4274.
HOME REMODEL
Jacuzzi Bath Remodel can install a new, custom, bath or shower in as little as one day. For limited time, we’re waiving all installation costs! (Add’l terms apply. Subject to change & vary by dealer. Offer ends 12/31/23). Call 1-833-985-4766
INSURANCE
SAVE BIG on HOME INSURANCE!
Compare 20 A-rated insurances companies. Get a quote within minutes. Average savings of $444/ year! Call 1-844-410-9609! (M-F 8am-8pm Central)
STROKE & CARDIOVASCULAR disease are leading causes of death according to the American Heart Association. Screenings can provide early detection! Contact Life Line Screening to schedule your screening. Special offer - 5 screenings for $149. Call 1-888-892-5598
SAFE STEP North America’s #1 Walk-In Tub. Comprehensive lifetime warranty. Top-of-the-line installation & service. Now featuring our FREE Shower package & $1,600 off for a limited time. Financing available. Call 1-888-989-5749
REAL ESTATE/ LOANS
RETIRED COUPLE
$1 MIL for business purpose Real Estate loans. Credit unimportant. V.I.P. Trust Deed Company www. viploan.com Call 1-818-2480000 Broker-principal DRE 01041073. No Consumer Loans.
The difference in winning & losing market share is how you spend your ad dollars. CNPA’s power to connect nearly 10 million consumers and an engaged audience, makes our services an indispensable marketing solution. For more info cecelia@cnpa.com





