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From the everyday moments to the grandest stages, life is filled with experiences big and small. At CHI Health, we’re here to support your health and well-being every step of the way, so you can live life to the fullest.
CHI Health is proud to support the Lied Center for Performing Arts.
CHIhealth.com









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The University of Nebraska is an economic engine for the state, driving growth and success. Just as importantly, it's a cultural engine for Nebraska. From music to dance, theatre programs to lecture series, athletic events to art, the university's four campuses contribute to a thriving arts and cultural community. We're proud to be the people's university—enriching lives across the state.

To find out more about NU's impact, visit: nebraska.edu/economic-impact












THE 2025-2026
Sharing an exceptional performing arts experience with family and friends is truly one of life’s great joys. There are few times when we are more connected to those around us than when we’re seated together in a theater, witnessing something thrilling or inspirational or entertaining. For an hour or two, we escape the real world and travel to a place of laughter, romance, beauty, excitement, culture and so many things that fill our souls.

Every season at the Lied is unique, combining encore performances from legendary artists with breathtaking talent that has never graced the Lied Center stage. This season we are thrilled to welcome back many of our favorite artists of all time! The Boston Pops under the baton of Keith Lockhart, the internationally celebrated Philadelphia Orchestra , Second City, and Stars of American Ballet all return to the Lied Center as many of our community’s favorite ensembles.
The Glenn Korff Broadway series continues in 2026 with The Music Man and SUFFS , the new hit musical making its Nebraska premiere. Winner of the 2024 Tony Awards for Best Score and Best Book of a Musical, this moving show tells the story of the brave, passionate, funny, inspirational women who fought to win the right for women to vote in the United States.
There’s so much to be excited about this season ( The Moth! Dirty Dancing in Concert! Gunhild Carling! Capital City, a new play commissioned by the Lied! ), and I hope you’ll take the opportunity to experience countless date nights, outings with the family, or the best of times with friends featuring the world’s best music, theater and dance artists. Take the time now to plan and schedule your favorite moments of the year with us. Life is short. Eat the cake. Buy the tickets. Enjoy these once-in-alifetime moments that we can treasure together forever.
Bill Stephan, Executive Director & Chief Artistic Officer, Lied Center for Performing Arts

The Lied Center for Performing Arts honors and acknowledges that it resides on the traditional and unceded territories of the Pawnee, Ponca, Otoe-Missouria, Umo n ho n , Dakota, Lakota, Arapaho, Cheyenne and Kaw Peoples, as well as the relocated Ho Chunk (Winnebago) , Iowa and Sac and Fox Peoples. We pay our respects to Elders past, present, and future.
May this acknowledgment affirm the Lied Center’s commitment to building and strengthening partnerships with vibrant Indigenous communities who continue to thrive and honor their sacred connection to this land.

Ernst F. Lied and Christina Hixson have transformed the lives of millions of Americans through the Lied Foundation Trust with philanthropic contributions of more than $300 million to over 125 different organizations in seven states.
Born in 1906, Ernst F. Lied was a 1927 graduate of the University of Nebraska. He achieved business success as the owner of a Buick dealership in Omaha and as a real estate magnate in Las Vegas. Having no living relatives, he established a trust in 1972, and upon his death in 1980, his secretary and business partner Christina Hixson was appointed to administer the foundation.
The first gift from the Lied Foundation Trust was a $10 million matching grant to build the Lied Center for Performing Arts in the early 1980s at the University of Nebraska–Lincoln in memory of Lied’s parents, Ernst M. and Ida K. Lied. The Lied Foundation Trust went on to support many projects in Nebraska, including Omaha’s Henry Doorly Zoo Lied Jungle, the Lied Lodge in Nebraska City, and the Lied Transplant Center at the University of Nebraska Medical Center.
“ THE LIED CENTER’S MOST IMPORTANT ROLE IS TO INTRODUCE INDIVIDUALS FROM ALL WALKS OF LIFE AND CULTURAL BACKGROUNDS TO ENRICHING AND DIVERSE PERFORMING ARTS EXPERIENCES.
Christina Hixson
Christina Hixson first partnered with Lied in 1944 as his secretary at the Omaha Buick dealership, and she followed him to Las Vegas as a business partner in 1960. After Lied’s death, Hixson became the executrix of his estate and continues to serve as the Lied Foundation’s sole trustee. It was Hixson who made the decision to support the construction of the Lied Center for Performing Arts.
In 2000, she also announced a gift of $18 million to support UNL’s Hixson-Lied College of Fine and Performing Arts. One of the last major gifts of the Lied Foundation Trust was a $2.5 million grant for the construction of the Lied Center’s new multipurpose space, the Lied Commons, which opened in 2012. Together, Lied and Hixson built a multimillion-dollar empire that has positively impacted the lives of millions of people in Nebraska and across the nation.

BILL STEPHAN, EXECUTIVE DIRECTOR & CHIEF ARTISTIC OFFICER
BUSINESS SERVICES
Natalie Stroud, Associate Executive Director
Sharon Burkle, Finance Specialist
Jesse Dillman, Data Systems Manager
Rose Khorsandi, Administrative Projects Coordinator
Paige Patton, Programs & Events Specialist
Michelle Zinke, Administrative Coordinator
DEVELOPMENT
Amy Ossian, Associate Director of Development & Membership
Ben Cuca, Development Coordinator
Hannah Miller, Administrative & Development Associate
EDUCATION & ARTS PROGRAMS
Jane Schiermeyer Hansen, Education & Community Engagement Director
Sasha Dobson, Education Outreach Manager
Nancy Engen-Wedin, Education & Grant Programs Manager
EVENTS & FACILITIES
Mark Moore, Associate Director of Events & Facilities
Casey Barnett, Custodial Leader
Bethany Blackman, Usher & Events Coordinator
Stacy Brand, Assistant Facility Services Manager
Laura Ekinde, Custodian
Holden Franken, Events Coordinator
Steve Pearson, Event Services Manager
Christian Richey, Building & Grounds Attendant
Jillian Stewart, Assistant Custodial Services Manager
Jayden Taylor, Custodian
PRODUCTION
Jesse Snyder, Director of Production
Mike Doran, Audio & Production Specialist
Raymond Guern, Production Technician
Jason Hibbard, Production Coordinator
Melanie Rudy, Production & Broadcasting Associate
Ted Tipton, Associate Technical Director
MARKETING & PUBLIC RELATIONS
Matthew Boring, Deputy Director
Lauren Durban, Communications Manager
Andrea Fabiano, Marketing Projects Coordinator
Thao Huynh, Graphics Specialist
TICKET OFFICE
Ginger Dzerk, Associate Director of Ticketing & Patron Services
Kelly Buresh, Group Sales Manager
Drew Caskey, Administrative Ticket Office Manager
John Fucinaro, Ticketing Operations & Sales Manager
UNIVERSITY OF NEBRASKA FOUNDATION
Barbara Kohler, Director of Development
EMERITA
Lucy Buntain Comine, Senior Development Director

Performance times vary. Please check your ticket or call 402.472.4747 to confirm starting times. Ushers will seat latecomers at an appropriate time to minimize disruption. For most performances, the lobby will open one hour prior to show time, and the auditorium doors will be open 30 minutes before the show.
Regardless of age, every person must have a ticket for admission. Children under age 12 must be accompanied by an adult at all Lied Center events.
There are many nearby parking options in downtown Lincoln. For more information, visit the City of Lincoln Parking Services website at ParkAndGo.org.
The Lied offers limited valet parking for most Lied Season main stage season events. Purchase your valet parking in advance at liedcenter.org/parking or through the Lied ticket office at 402-472-4747.
All Lied Center venues have wheelchairand scooter-accessible locations where patrons can remain in their wheelchairs or transfer to theater seats. Patrons with mobility disabilities should request accessible seating when ordering tickets. For website orders at liedcenter.org, accessible seats in the main hall are marked with the ISA symbol. Lied Center staff are not able to physically assist patrons with chair transfers. Should you require direct physical assistance, please plan to attend with a personal care attendant. Guests of patrons with disabilities must purchase a ticket to attend performances. Lied Center ushers are happy to provide seating in the observation room should a patron need to leave the theater at any point during a performance.
Assisted listening devices, including hearing loop adapters, are provided at the coat check. ASL interpretation is available when requested at least two weeks in advance.
Sensory bags are available for check out at coat check. They include items that help individuals manage sensory sensitivities in busy or loud environments.
PDF programs are available to patrons with visual impairment when requested at least 48 hours in advance. Audio description is available when requested at least two weeks in advance.
Patrons are welcome to use the observation room at the rear of the theater to view performances. The room is separated from the audience by glass and provides a place to see and hear the show without disturbing other guests. Ask an usher for assistance.
Coatrooms, public restrooms, and drinking fountains are all conveniently located throughout the Lied Center. Please ask an usher for assistance if you have trouble locating them.
A variety of snacks and beverages, including coffee, cookies, cocktails, and more, are available for purchase in the lobby.
We ask that you turn off all noise-making electronics, including cellphones, during Lied Center performances. Due to copyright restrictions on the artists’ work, taking pictures and video is prohibited at all performances (unless specified by the artist).
No tobacco products may be used in facilities of the University of Nebraska– Lincoln, including the Lied Center. This includes electronic cigarettes or other forms of electronic smoking. The University of Nebraska–Lincoln is smoke-free, tobacco-free, and vapor-free. Learn more at go.unl.edu/quit.
Please take a moment to identify the nearest exit in case evacuation is necessary. If you hear a weather emergency announcement while outside the seating area, please return to your seat and await instructions.
The safety and security of our guests, as well as artists, volunteers, and staff are a top priority for the Lied Center. All patrons and their belongings are subject to search upon entering our facilities. By presenting your ticket and entering our venue, you consent to such screenings. Persons who refuse screening may be denied entry into our venues. More information can be found on liedcenter.org in the FAQ under Security Policies.
Wondering if the show will go on? Visit LiedCenter.org or our Facebook page to get up-to-date information regarding show status during inclement weather.
Patrons may dance in the area immediately in front of their seats as long as it is carried out in a manner that is respectful of other audience members. Dancing in the aisles and other common areas will not be permitted for safety reasons.
As a courtesy to other Lied patrons, we ask that you please refrain from wearing strong cologne and perfumes during Lied Center performances. Scented products can trigger mild to extremely severe allergic reactions and asthma and respiratory attacks. Thank you for your cooperation.
COUGH DROPS
Cough drops are available from Red Cross on second floor upon request.
PRE-TALKS
A 15-minute pre-performance talk, delivered by a local expert, is held 30 minutes prior to most Lied Season main stage events. Talks are designed to provide background information on artists and shows in order to increase audience enjoyment of events. Seating is limited.
FAMFEST
FamFest activities start 90 minutes before each FamFest performance. FamFest provides free food and fun hands-on activities for the whole family!
GROUP SALES
Discounts for groups of 10 or more are available for most Lied Center presented Season performances. Contact Kelly Buresh at 402.472.4734 or visit liedcenter.org/groups for more information.
TOURS
Tours of the Lied Center are available Monday through Friday, 9am–5pm. Tours must be prearranged on an individual basis and depend on room availability. Email Steve Pearson at spearson5@unl.edu for more information or to schedule a tour.
VOLUNTEER USHERS
Interested in becoming a volunteer usher at the Lied Center? Contact Bethany Blackman at bblackman@unl.edu to learn more.
TICKET OFFICE HOURS
Monday–Friday / 11am–3pm
For most main stage performances, the Ticket Office opens two hours prior to the event, and remains open 15 minutes after the show’s scheduled start time. For events in other venues, Ticket Office personnel are on-site one hour prior to the event.
CONTACT INFO
402.472.4747
LiedCustomerService@unl.edu
We recommend that you allow sufficient time before a performance and review paid parking options available at the listed locations.
VISIT LIEDCENTER.ORG/PARKING FOR MORE INFORMATION.


University of Nebraska–Lincoln Lied Center for Performing Arts Ticket Office 301 North 12th Street P.O. Box 880157 Lincoln, NE 68588 Excited for an upcoming performance? Let your friends know! The Lied Center utilizes most social media channels including Facebook, Twitter,
and Spotify. Stay up-to-date on all Lied Center announcements, giveaways and special discounts by

The value of higher education extends beyond the degrees students receive and the research that changes so many lives. The University of Nebraska is an economic engine for the state, driving growth and success—and it’s also a cultural engine for Nebraska.
The arts better our quality of life, create social bonds and help us to think more broadly about the human experience.
From music to dance, theatre programs to lecture series, athletic events to art, the university’s four campuses contribute to a thriving arts and cultural community.
The Lied Center is an important contributor to this work. The Lied Center’s programs and engagement across the state create new knowledge and enrich lives.
I’m proud to have this gem as part of our university. The fine and performing arts truly play an important role in making Nebraska a great place to live and work.
JEFFREY P. GOLD, M.D. President, University of Nebraska System

On behalf of the University of Nebraska–Lincoln, welcome to the Lied Center, Nebraska’s home for the arts. Whether you’ve traveled from across the state or across the globe, we are thrilled to have you here. At UNL, we empower generations to lead boldly, courageously, and with purpose greater than ourselves. While much of our work sustains and strengthens our world, the arts inspire, uplift, and bring us together in uniquely powerful ways. The Lied Center offers Huskers unparalleled opportunities to experience live performance at its finest — from world-class musicians and dancers to innovative theater and cultural events that celebrate creativity in every form. Thank you for joining us and for sharing in the joy, inspiration, and connection that the arts bring to our community.
KATHERINE S. ANKERSON, INTERIM CHANCELLOR, UNIVERSITY OF NEBRASKA–LINCOLN


“All roads lead to Lincoln – and fortunately for us, those roads are traveled by some of the most talented and impressive performers of our time! Congratulations to the Lied Center for creating a spectacular season that is sure to entertain, thrill, and inspire audiences of all ages.
LEIRION GAYLOR BAIRD MAYOR OF LINCOLN
Here in Lincoln, it can feel easy to take for granted the many popular musicals, intricate ballets, captivating plays, and other incredible performances we are able to witness each year at the Lied Center for Performing Arts. After all, the Lied has been here for 35 years, serving as a hub for high-quality programming and world-class performances since it opened in 1990. But as my family and I return to the Lied year after year — whether it’s for time-honored holiday traditions like Mannheim Steamroller or exciting, family-friendly Broadway hits like Disney’s Frozen — I’m reminded of how important it is to recognize how fortunate we are to have a place like this right here at home. That’s why Union Bank is proud to support the Lied Center’s mission of educating, inspiring, and entertaining the people of Nebraska through the performing arts. If you are so inclined and have the means, I encourage you to join us in supporting the Lied Center to help ensure our community will be able to enjoy moments like these and create lasting memories for years to come.
JASON MUHLEISEN PRESIDENT AND CEO OF UNION BANK AND TRUST

Fulfilling life is what we do every day at Ameritas. We support the performing arts because it enriches lives—and our community—by creating opportunities to enjoy life at its very best. This is why we are so proud to sponsor Lied Center performances.
BRENT KORTE SENIOR VICE PRESIDENT & CHIEF MARKETING OFFICER, AMERITAS


The anticipation I feel waiting for a show to begin… the emotions felt listening to a world class vocalist, the intense emotions that are stirred from a virtuosic piano player, tapping my foot along to show tunes from musicals or learning about an historical time period in a play are among the many reasons I am proud to support the Friends of Lied. The arts unite us.
Becoming a Friends of Lied member is easy and the benefits are many. For a donation of as little as $50, you become part of an amazing group supporting arts in Nebraska at the Lied Center. Additionally, you are supporting Arts Across Nebraska which brings performances to small towns across the state. You are supporting master classes for UNL students who get to train with some of the greatest talents in the world. You are supporting the Nebraska Triple Threat: a summer intensive where high school students improve upon their talents with Broadway actors and musicians. You are supporting FamFest programming for young kids to enrich their learning. The Lied Center for Performing Arts is so much more than just performances and ticket sales cover less than 50 percent of the cost of putting on a show.
The Friends of Lied Board of Directors consists of members across the state who fundraise and provide awareness of the mission of the Lied Center – To Educate, Inspire and Entertain. This fun, passionate and committed group of individuals support the Lied Center in many ways. Our annual gala is an extraordinary event that last year raised $170,000. We also put on member appreciation events, pre-performance dinners and so much more. If you’d be interested in serving the Friends of Lied in this capacity, we’d love to have you.
As the arts are under attack, now more than ever, your support of the arts is critical to promoting the mission of the Lied Center for Performing Arts. We cannot sustain the mission without you. Please consider joining Friends of Lied.
DEB NELSON PRESIDENT, FRIENDS OF LIED
“ “As a lifelong resident of this great city, I have had the good fortune of experiencing the magic that happens inside the Lied Center on many occasions. The performing arts enrich our lives in so many ways. They have the capacity to appeal to us emotionally and intellectually while expanding our horizons and habits of thought. The Lied Center attracts the finest performing artists in the world and provides the residents of Nebraska with profound opportunities to experience the arts. FMNE Insurance (formerly Farmers Mutual of Nebraska) is a proud supporter of the Lied Center and the wonderful contribution that it makes to the quality of life we enjoy here in Nebraska.
MARK WALZ BOARD CHAIRMAN & CHIEF EXECUTIVE OFFICER, FMNE INSURANCE



The Lied Center for Performing Arts is an important partner to the Hixson-Lied College of Fine and Performing Arts and allows our students, faculty and staff to experience world-class artists on stage and in the classroom. These experiences help our students observe what it takes to perform at the highest level.
Our deepest thanks to Miss Christina Hixson and the Lied Foundation Trust for their vision to create this facility that enhances all the arts in Nebraska, as well as their support for the Hixson-Lied College of Fine and Performing Arts.
Enjoy the performances this season at the Lied Center. We also invite you to visit arts.unl.edu for information on our student and faculty performances. We look forward to welcoming you to our new Westbrook Music Building, renovated Kimball Recital Hall and other performance and exhibition spaces this season!
The Lied Center for Performing Arts brings vibrancy, creativity, and diversity to Lincoln and the entire state of Nebraska. Through its engaging entertainment and educational programs, it enriches our communities and broadens our horizons.
As a mutual organization built on the principle of bringing people together for the common good, Assurity is honored to support a world-class performing arts venue that creates exceptional shared experiences for all.
We applaud the Lied Center as it raises the curtain on another outstanding season.
SUSIE KEISLER-MUNRO PRESIDENT AND CEO, ASSURITY
FNBO is committed to contributing to the strength of our communities, and one measure of a successful community is its vibrant and robust culture. By supporting organizations that expose individuals to the arts, cultures, humanities and athletics, we are investing in the future of our city and what it cares about. FNBO is proud to continue our tradition of partnership with the Lied Center, and we support their dedication to bringing world-class entertainment to the Lincoln area.
NATHAN S. MCKOWN MANAGING DIRECTOR, COMMERCIAL BANKING, LINCOLN, NE, FNBO
At Ameritas, fulfilling life is what we do daily. This means helping our customers enjoy life at its very best. It’s about reducing uncertainty, helping grow assets, and protecting what is most cherished. As a mutually based organization, we put our customers first. Backed by a foundation of financial strength, we offer a competitive array of insurance, retirement, and investment products. Securities offered through affiliate Ameritas Investment Company LLC., member FINRA/SIPC and investment advisory services offered through the business name of Ameritas Advisory Services.
The Friends of Lied is a membership organization of over 1,300 members, governed by a board of directors from across the state of Nebraska. Its purpose is to support and promote the Lied Center through education experiences, fundraising, social events, and service. The Friends of Lied is a 501(c)(3) tax-exempt organization, serving as a support group for the Lied Center for Performing Arts. Contributions to the Friends of Lied are tax-deductible, and membership starts at just $50. Since its inception in 1989, the Friends of Lied has contributed over $9 million in support of the Lied Center’s mission to educate, inspire, and entertain the people of Nebraska through the performing arts. Visit liedcenter.org/friends to learn more.
UBT is a locally owned bank that takes a personal approach to providing a breadth of services with a warm, helpful personality. Major turning points in your life—first car, first job, going to college, getting married, a new home, having children, retirement—are what UBT loves to help you with. At UBT, people don’t have your money— your money has people.
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Larry and Lucy are proud to return as Lied Center Season Lieders for the 2025–2026 season! They have been Lied supporters and leaders for many years, including as Season Lieders for the past several seasons. Lucy serves as the Lied Center’s Senior Development Director Emerita. She has made a major impact in building the Lied Center’s artistic programs, including the Glenn Korff Broadway Series and the Lied’s Command Performance of American Ballet Theatre with Misty Copeland and the St. Louis Symphony. During her time with the University of Nebraska Foundation, Lucy played a lead role in developing the arts at UNL, including the creation of the Hixson-Lied College of Fine and Performing Arts, Johnny Carson School of Theatre and Film, Mary Riepma Ross Media Arts Center, Johnny Carson Center for Emerging Media Arts and much more. She has a passion for Broadway, dance and a wide variety of art forms. Larry and Lucy enjoy supporting and advocating for Nebraska’s performing arts center, and their positive impact on the Lied will last long into the future.

The Pearle Francis Finigan Foundation, guided by Liana Sandin, has endeavored to make a significant impact on Nebraska's cultural scene. Their unwavering support has not only enriched the arts community in Lincoln but also fostered a broader appreciation for all the arts, especially classical music. By partnering with educational and humanitarian organizations, they have ensured that the arts remain accessible and relevant to diverse audiences. The Lied Center's world-class performances share the foundation's vision of a vibrant cultural milieu, where the arts are celebrated and cherished as a vital part of the community's fabric. This commitment to the arts is a powerful reminder of how dedicated patronage can inspire and elevate a region's cultural heritage.

Returning to Lincoln after leaving in 1985 to launch a career in the music business, Bill is excited to support the Lied Center and its 2025–2026 Season. A graduate of Lincoln High and UNL, he spent the past 35 years on the road managing finance and logistics for live concert tours for a range of rock and pop artists. His first tour was with the B-52s Cosmic Tour in 1990, and over the years he’s worked with Ozzy Osbourne, Janet Jackson, CHER, P!NK, and Tina Turner.
“Growing up in Lincoln, we didn’t have a dedicated performing arts center, so I saw touring Broadway shows at the Stuart Theater and Pershing Auditorium. We often had to travel to Omaha or Kansas City to see the most current productions. My family also produced the summer musicals at Pinewood Bowl in the late 1970s, and I probably caught the entertainment bug during those summers.”
Since moving back to Lincoln part-time in 2022, Bill has attended several performances at the Lied Center and continues to be amazed by both the quality and quantity of the programming. Whether you’re seeing a play for the first time, or revisiting one of your favorites, seeing a show at the Lied is a reminder of how good it feels to experience something live—and together.

We are thrilled to support the Lied Center in its mission to "educate, inspire and entertain" as Season Lieders for the 2025–2026 season. We have formed many wonderful memories with our children at Lied Center performances, and we appreciate the Lied's efforts to extend this opportunity to all students in our community and beyond. The Lied provides unique and meaningful outreach and educational experiences — from a 9-year-old's eye-opening first visit to a Lied Center matinee, to the chance for a UNL student to hone their craft in a master class, and so much more.
Kristen serves on the Lied Center Statewide Advisory Board and the
Lincoln Children’s Zoo Board of Directors and previously served as President of the Friends of Lied Board of Directors. Geoff is the managing partner of Orange Street Group and serves on the boards of the Sheldon Art Association, United Way, and Public Art Lincoln.
We believe arts education and firsthand experiences are critical to the success of our students and our community.

The Lied Center for Performing Arts has always held a special place in Ryan and Beth's hearts and lives. They are honored to be Season Lieders and support the Lied Center for Performing Arts and all the artists, creators and storytellers who perform there. The arts have always been an important part of their lives and a gateway to expanding their understanding of the world and the amazing artists who create in it each day.
As a child Ryan would listen to his grandfather play the dulcimer by ear without any formal music training. He would play for those in his community including those in retirement homes, community and cultural events and for his family. He loved bringing people together through music. Beth has been involved in music and the arts her entire life. She was a member of multiple bands in school, and her children have all followed by learning to play musical instruments and all enjoy visual arts and theater. Her eldest daughter is currently enrolled in the Johnny Carson Center for Emerging Media Arts. The Lied Center for Performing Arts brings world-class, culturally diverse arts to our community. They are proud to support it and hope all that attend these shows are inspired by these great artists and performers.

We are pleased to participate in the Lied as Season Lieders for the 2025–2026 season. Both lifelong Nebraskans, Karen grew up in Lincoln and graduated from UNL, and Chuck grew up in York and is a University of Minnesota graduate. We have been honored to participate in various Lied organizations, including as members of the Lied Center’s 25th Anniversary Sterling Society. Karen served on the Friends of Lied board and served as its president in 2008–2009. She also served on the Lied Statewide Advisory Board and on the board of the Hixson-Lied College of Fine and Performing Arts. Chuck served on the Statewide Advisory Board and as its president in 2015–2016. He currently serves on the Chancellor’s Advisory Board at UNMC. We have enjoyed attending and encouraging friends to enjoy the Lied experience. The Lied’s commitment to making the performing arts experiences available to all through programs like Arts Across Nebraska, master classes by visiting performers and subsidized ticket prices makes the Lied Center the go-to destination for performing arts in Nebraska. We want all Nebraskans to have the amazing opportunity to enjoy all that the Lied Center makes possible.

The Kotils are longtime friends and supporters of the Lied Center. In 1985, Vikki first became involved as a member of the then, newly formed, Statewide Program Advisory Council for the Lied Center for Performing Arts. She later joined the staff of the Lied Center Project, under the direction of Shelia Griffin, during the facility's construction and initial program development. Vikki recalls this as such a very exciting time to personally witness the brick and mortar being transformed into the world-class performing arts facility that it is today. She adds that from the onset the mission of the Lied Center was to increase opportunities for all Nebraskans to experience the highest quality performances and its events. Doug added that he and Vikki are happy to continue their support as an advocate and Season Lieder because they feel truly fortunate to benefit from the efforts of those visionaries who made the Lied Center a reality. Today, the Lied Center is one of the top 100 theaters in the world. As we attend this season’s performances, it is a priority for us to support the programs and events as it remains evident that the Lied Center continues to enhance and enrich the cultural experiences of generations of Nebraskans.

Taking great honor and pleasure in their involvement with the Lied Center, Art and Chris Zygielbaum support programs, take part in special events, and contribute time and energy to the Lied. Art is the past president of the Lied Center Statewide Advisory Board, and Chris is a former Friends of Lied board member. Art and Chris can be found at the Lied Center for more than 20 performances a year and often choose to support programs that have exceptional artistic merit and social justice impact. These include the play 1984 in the 2019-2020 season, the Mosaic Circle’s Everytime I Talk About and the incredible ABT Across America in the 2020-2021 Season. A number of years ago, they supported a youth play from Australia called Hitler’s Daughter that explored issues of Nazi Germany through a fictional plot. This production, in particular, had a significant impact on local youth who were given the opportunity to experience the show. The Zygielbaums also sponsored My Antonia, Trevor Noah, The Capitol Steps and many other memorable and meaningful programs in past seasons. Because of their deep belief in the importance of the Lied Center to our community and state, the Zygielbaums are committed to helping assure its continued success.

John and Laurie Tavlin have been dedicated supporters of jazz music for 50 years. John founded the Nebraska Jazz Orchestra in 1975, serving as its president and performing in the trumpet section from 1975 to 1988. As a jazz trumpeter, John has been a soloist at venues ranging from London’s Crystal Palace Bowl to jazz clubs in New York City, Chicago, Kansas City, Des Moines, New Orleans, San Francisco, Los Angeles, and San Diego. He has performed with many jazz greats, including Clark Terry, Bill Watrous, Don Menza, and Ed Shaughnessy. In 1986, John received the Lincoln Mayor’s Arts Award as a performing jazz artist.
In 2016, John founded the Johnny Manhattan Orchestra, a 19-member ensemble created to support the University of Nebraska Jazz Studies Program by pairing student musicians with professionals in a working band that celebrates classic Swing Era music.
In 2023, he founded the Metro Jazz Quintet, which honors the rich tradition of jazz through a sold-out performance series in the Lied Commons.
Through their company, Nebraska Diamond, John and Laurie have sponsored numerous guest artists with the Nebraska Jazz Orchestra and the University of Nebraska, as well as supporting Jazz in June. They have also established and funded a Graduate Fellowship in Jazz Trumpet and an Excellence in Jazz Performance Scholarship Fund through the University of Nebraska Foundation, benefiting jazz programs at both UNL and UNO.
As Season Lieders, John and Laurie—along with Nebraska Diamond—support the full spectrum of Lied programming. As members of the Lied Jazz Circle, they are especially committed to the growth and appreciation of jazz music, a uniquely creative and important American art form. They toast the Lied on another outstanding season of great performances!

Michael and Marvona Tavlin are longtime Lied Center friends and supporters. They are big fans of Broadway musicals and are both music school graduates of Oklahoma City University where Mike is a member of the Alumni Advisory Councils for the Schools of Dance, Music and Theatre. Longtime Lincoln residents and community volunteers, Mike is the Managing Director of Pacific Asset Management, LLC, and Marvona is a Past National President of the Delta Zeta Sorority, a Past President of the Delta Zeta Foundation, and was an early Friends of Lied board member. The Tavlins believe that arts education is a critical part of student development because it helps shape well-rounded, adaptable and thoughtful individuals equipped to thrive both in school and in life.


The arts bring color to our lives. We both grew up in homes that valued the arts in many different forms. We raised our own children to understand the importance of the arts in the lives of every person and the strength of community it provides. Our family has enjoyed both engaging in various arts and the ability to appreciate the work of other artists. We are continually engaged and excited by the exceptional programming at the Lied. The Lied’s commitment to bringing many different forms of the arts to Nebraska through both education and entertainment is a treasure for Lincoln and all of Nebraska. We are excited to continue our support of the Lied and its mission to make Lincoln an unparalleled community for the arts.
Few Nebraskans have supported the arts and culture of the state, including the Lied Center for Performing Arts, more than Rhonda Seacrest and her late husband, James C. Seacrest. With their support of the Hixson-Lied College of Fine and Performing Arts, Sheldon Museum of Art, the Glenn Korff School of Music, Lincoln’s Symphony Orchestra, the NET Foundation and the Nebraska Cultural Endowment, among others, the Seacrests have gone above and beyond to provide world-class cultural events and education to citizens all across Nebraska.
Jointly and individually, the Seacrests have headed fund drives raising millions of dollars and served on the boards of some of Nebraska’s most significant cultural entities.
“Attending any performance at the Lied Center enhances the cultural awareness of each person. I can feel it! Patrons exit culturally elevated in a manner that can only be provided in an exceptional venue. And it is happening right here in Lincoln.”

Barbara Bartle
Justin Carlson
Kristen Cline
Dee Cummins
Kate Engel
Clover Frederick
John Leonard Harris
Randy Hawthorne
Heather Hilgers
Hasan Khalil
Barbara Kohler
Brent Korte (President)
Daniel Martinez
Anthony J. Messineo
Dave Miller
Marilyn Moore
Brian Morrison
Kayla Mulheisen
Deb Nelson
Rosemary Ohles
It is an incredible honor to serve as president of the Lied Center’s Statewide Advisory Board, working alongside passionate individuals from across Nebraska who are united by a deep love for the performing arts.
The Lied Center is more than a landmark—it’s a beacon of creativity, connection, and excellence. Consistently ranked among the top 100 performing arts centers worldwide, its reputation is built not just on remarkable performances, but on the people behind them. From the devoted team bringing transformative art to stages and classrooms, to the generous donors, volunteers, and statewide partners who make it all possible—this is a shared achievement. And at the heart of it all is you: the audience whose curiosity, passion, and presence give the work true meaning.
Jackie Ostrowicki
Jill Pershing Davis
Kim Russel
Dr. Sarah Salem
Bryan Shank
Piyush Srivastav
Bill Stephan
Natalie Stroud
Emily Tonniges

As Sir Ken Robinson once said, “The arts are not a luxury. They are as fundamental as breathing.” The arts enrich our lives in profound and lasting ways. They allow us to experience beauty, express emotion, and explore new perspectives. They help us understand ourselves and one another, forming a bridge between diverse communities and generations.
President John F. Kennedy beautifully captured this truth when he said: “The life of the arts, far from being an interruption, a distraction, in the life of a nation, is very close to the center of a nation's purpose—and is a test of the quality of a nation’s civilization.”
When you attend a performance at the Lied, it’s more than entertainment—it’s a chance to be moved, challenged, uplifted. What will you take with you? A burst of inspiration? A new way of seeing the world? A shared moment with family or community?
The performing arts offer escape, connection, and meaning. They don’t just reflect life—they fulfill it. And through your presence and support, the Lied Center continues to open a “whole new world” of possibility for you and your loved ones.
BRENT KORTE, PRESIDENT OF THE STATEWIDE ADVISORY BOARD

In our 35 year history, the Lied Center has hosted more than 1,700 events featuring artists from around the world.
More than 3 million audience members have enjoyed thrilling performances #AtTheLied.
Nearly every artist that appears on the Lied Center stage also works with students at the University of Nebraska-Lincoln and/ or local K-12 students. Recent masterclasses have taken place in elementary schools, after-school programs, community centers, and beyond—and they’re always FREE to students.
As part of our partnership with Lincoln’s Symphony Orchestra, every fourth-grade student in Lincoln Public School visits the Lied Center to experience a performance from the symphony.
The Lied Center’s Arts Across Nebraska program takes exceptional artists on annual tours to communities throughout the state. Last season, artists and Lied staff traveled over 1,700 miles and provided public performances and arts outreach to more than 4,700 Nebraskans in 8 communities!

Right now, more than 1,300 Nebraskans from all across the state support the Lied Center as members of the Friends of Lied.



• Priority seating over single-ticket buyers
• No per-ticket fees
• Free bus parking
• Personalized concierge service
• Free pre-performance talks
• Groups as low as 10+ qualify for benefits
• Discount of 20% to most season performances
1. CHOOSE YOUR EVENT
Visit liedcenter.org to browse our list of spectacular season shows and choose your performance. Gather your group of 10 people or more to take advantage of great discounts and personal service.
2. GET IN TOUCH
Reach out to Group Sales Manager Kelly Buresh at 402.472.4734, email kburesh3@unl.edu, or complete the Group Ticket Request Form at liedcenter.org/groups. Kelly will find you the best seats for a price that fits your budget.
3. HAVE FUN
House lights down, stage lights up: enjoy the show!

Preview Sale Tickets Now Available April 23-25, 2026
Sandhills Global Event Center, Lincoln

Get the best pick of the plants!
Thursday, April 23 | 7-9:30 p.m.
$25 for PlantNebraska members
$30 for non-members
Or attend Spring Affair April 24, 2-6 p.m. and April 25, 9 a.m. - 12 noon for Free
plantnebraska.org/spring-affair
THU, MAR 26, 2026 | 8 PM

BEETHOVEN LEONORE OVERTURE NO. 3, OP. 72B
BRAHMS VARIATIONS ON A THEME OF JOSEPH HAYDN, OP. 56A
SCHUMANN SYMPHONY NO. 2 IN C MAJOR, OP. 61
SEASON LIEDER
LIANA SANDIN - PEARLE FRANCIS FINIGAN FOUNDATION
This performance is supported in part by the Anabeth Hormel Cox Lied Performance Fund.
This performance is supported in part by the Sheila Delaney Griffin Fund.
This project was made possible, in part, with support from the Hixson-Lied College of Fine and Performing Arts Endowment Fund.

Ludwig van Beethoven (1770-1827)
Johannes Brahms (1833-1897)
Leonore Overture No. 3, Op. 72b
Robert Schumann (1810-1856)
Variations on a Theme of Joseph Haydn, Op. 56a
Theme. Chorale St. Antoni. Andante
Variation I. Poco più animato
Variation II. Più vivace
Variation III. Con moto
Variation IV. Andante con moto
Variation V. Vivace
Variation VI. Vivace
Variation VII. Grazioso
Variation VIII. Presto non troppo Finale. Andante
—
Symphony No. 2 in C major, Op. 61
I. Sostenuto assai – Allegro, ma non troppo
II. Scherzo: Allegro vivace
III. Adagio espressivo
IV. Allegro molto vivace
Leonore Overture No. 3
Ludwig van Beethoven
Born in Bonn, probably December 16, 1770
Died in Vienna, March 26, 1827
The most famous of the four overtures that Beethoven wrote for his lone opera Fidelio, the socalled Leonore Overture No. 3, summarizes in the space of some 13 minutes the dramatic and emotional trajectory of the entire opera, from the dark depths of the orchestra to the ultimate triumph of the thrilling coda. In the midst of the Overture a trumpet sounds from the distance, just as it will in the crucial scene near the end of the opera announcing the arrival of the enlightened minister Don Fernando that secures freedom for the unjustly imprisoned political hero Florestan. The urgency of the Overture, especially of this signal of liberation, resonates with Beethoven’s own deeply held political beliefs.
Beethoven and Enlightenment Values Throughout his career, Beethoven was a fervent believer in Enlightenment values and found various ways to express them in his music, as he did in letters and other writings. He grew up during the American and French revolutions and experienced war firsthand when Napoleon’s troops invaded Vienna in 1805 and 1809. His first large composition, written at the age of 19, was an impressive 40-minute cantata for chorus, orchestra, and soloists commemorating the death of Emperor Joseph II, who had done a great deal to liberalize the Austrian empire in the 1780s. Enlightenment ideals would later find expression in the political messages of Fidelio, Egmont, and the larger humanistic vision of the Ninth Symphony.
Beethoven in fact recycled some of the Joseph Cantata music years later in Fidelio, a work he struggled with for years. The opera’s premiere in November 1805 (with the Leonore Overture No. 2) was unsuccessful for various reasons, some artistic and some political. For one thing, Napoleon’s troops had just invaded the city and they accounted for much of the audience. Beethoven revised the opera the next year, shortening its three acts to two, and for the new production wrote the Third Leonore Overture, a recasting of the earlier one, which also contains the trumpet call. (He wrote the First Leonore Overture in 1807, probably for a planned production in Prague that never materialized.)
In 1814, when Beethoven was at the height of his popular and critical success, he revised the opera yet again and wrote yet another overture, this one quite short, omitting the trumpet call, and, unlike the previous three, without any direct musical allusions to melodies in the opera. The most likely reason Beethoven ultimately substituted the Fidelio Overture that opens the opera as we know it today is that the Leonore Third in particular does such an effective job of conveying the dramatic sweep of the opera in purely orchestral terms—he may have felt it lessened the power of the following theatrical representation. Donald Francis Tovey, the brilliant English music critic, argued that the revision of the Overture “profited in a fatal way, which raised it to one of the greatest instrumental works in existence, and at the same time ensured that it would absolutely kill the first act … it is about ten times as dramatic as anything that could possibly be put on the stage.”
A Closer Look Beethoven’s opera is today the best known of the once popular genre of “rescue operas.” Leonore, disguised as Fidelio, apprentices herself to the jailer, Rocco, in the hope that she will be able to free her husband, Florestan, an unjustly condemned political prisoner. Although she is not even sure he is still alive, she heroically risks her life to save his. On orders from the evil Pizarro, she and Rocco descend to the dungeon to kill Florestan, but she reveals her identity, to the amazement of everyone, just as he is to die. At this moment the trumpet sounds in the distance, indicating the arrival of Don Fernando. It later became the custom in many productions of Fidelio, popularized by Mahler, Toscanini, and other conductors, to insert the Leonore Third Overture at this point. (In some instances, the addition serves the practical purpose of filling time as the scenery changes from the dungeon to the triumphal concluding scene outdoors where evil is exposed, Florestan liberated, and Leonore praised.)
The Overture begins with a slow descending scale that may relate in some way to Florestan’s imprisonment; in any case, out of this follows a theme alluding to his aria “In des Lebens Frühlingstagen” (In the springtime of my life), in which he sings of the price he paid for speaking the truth and envisions an angel resembling Leonore leading him to freedom in heaven. This theme is transformed later in the Overture, in the allegro section, and yet again in the triumphant presto coda that concludes the work. The trumpet call interrupts twice in the middle of the development section, separated by music derived from what the thankful Leonore and Florestan sing immediately after the trumpet announcing their salvation at the end of the first scene of act 2 (“Ach! Du bist gerettet! Grosser Gott!” [Ah! You are saved! Almighty God!]). A thrilling coda brings the Overture to a triumphant close.
—Christopher H. Gibbs
Christopher H. Gibbs is James H. Ottaway Jr. Professor of Music at Bard College and has been the program annotator for The Philadelphia Orchestra since 2000. He is the author of several books on Schubert and Liszt, and the co-author, with Richard Taruskin, of The Oxford History of Western Music, College Edition.
Beethoven composed the Leonore Overture No. 3 in 1806.
The score calls for two flutes, two oboes, two clarinets, two bassoons, four horns, three trumpets (one offstage), three trombones, timpani, and strings.
Performance time is approximately 13 minutes.
Johannes Brahms
Born in Hamburg, May 7, 1833
Died in Vienna, April 3, 1897
The Variations on a Theme of Joseph Haydn, which Johannes Brahms composed at the age of 40, marked his entry into full orchestral maturity. Exactly 20 years earlier Robert Schumann had prophesized great things for him, hailing the young composer as the long-awaited heir to Beethoven. In a famous review titled “New Paths” (the last article Schumann wrote), he praised Brahms’s early pianos sonatas as “symphonies in disguise.” The wide attention and great expectations this elicited seem to have proved something of a burden.
Although Brahms was prolific, did not suffer from composer’s block, and even soon started composing a symphony, he found it a challenge to write purely orchestral works. He diverted some of his symphonic ideas into the ambitious Piano Concerto No. 1 in D minor and came closer to symphonies in two orchestral serenades. The First Symphony finally arrived in 1876, when Brahms was 43, but it was the Haydn Variations three years earlier that had given him greater confidence and set the decisive course for his magnificent four symphonies. The idea of a set of orchestral variations was unusual, although individual movements within earlier symphonies, such as the second in Haydn’s “Surprise” or the finale of Beethoven’s “Eroica,” offered models of sorts, as did great keyboard works by Bach, Beethoven, and Schubert.
Not By Haydn? Brahms wrote atop the autograph manuscript “Variations for Orchestra on a Theme of Jos. Haydn, Chorale St. Antoni.” Expert opinion, however, holds that Haydn did not write the Divertimento in B-flat (Hob. II/46) from which Brahms got the melody. In the early 1950s the eminent Haydn scholar H.C. Robbins Landon suggested the actual composer might have been Ignaz Josef Pleyel (1757–1831). In any case, the relevant melody within that work is labelled as the “St. Anthony” Chorale, which may have had some folk origin. Brahms seems not to have been sure whose tune it actually was, but he at least thought Haydn had used it as the second movement of the divertimento.
Brahms was among the most historically well informed and engaged of all great composers. One of his scholarly friends was the Haydn biographer Carl Ferdinand Pohl, who showed him several unpublished pieces supposedly by Haydn; from one of them Brahms copied out the “St. Anthony” Chorale. Several years later, in the summer of 1873, he decided to use it for a grand set of variations. His close friend Clara Schumann recorded in her diary on August 20: “In the morning I tried out with Johannes [his] new variations for two pianos on the ?-theme, which are entirely wonderful.” This statement, along with others, indicates that Brahms initially composed the Variations for two pianos, although an orchestral conception may nonetheless have been in mind from the start. After rumors spread about the piece he informed his publisher that they were “actually variations for orchestra.” He completed both versions that summer before his return to Vienna in September and they were published as Op. 56a and 56b.
Brahms conducted the premiere at the opening subscription concert of the Vienna Philharmonic in November 1873. The event was an important one for him as his only previous Philharmonic performance of a piece, the Op. 16 Serenade a decade earlier, had not gone well. Now Edward Hanslick, the most powerful critic of the day and a staunch Brahms advocate, praised the Variations highly, as did others. Brahms conducted the piece often and its influence was felt by later composers who followed his example, including Antonín Dvořák’s Symphonic Variations, Edward Elgar’s “Enigma” Variations, and Arnold Schoenberg’s Variations for Orchestra.
A Closer Look No matter who wrote the original Divertimento from which Brahms got the theme (let alone who wrote the original tune), he closely followed the source, which was also a variation movement scored for a small ensemble consisting of two oboes, two horns, three bassoons , and serpent (a large bass-register woodwind instrument). Brahms begins his piece by using almost the same instrumentation to present the tune, which consists of a pairing of two five-measure phrases.
There follow eight variations of different speeds, moods, and character, but almost always with the same phrase and harmonic structure as the theme. The work ends with a grand finale that offers what is itself a miniature set of variations based on part of the original theme presented over a ground bass. This Baroque technique, also known as passacaglia or chaconne, would serve the composer 13 years later for the great final movement of his Fourth Symphony, his last orchestral work.
—Christopher H. Gibbs
Brahms composed his Variations on a Theme of Joseph Haydn in 1873.
Brahms’s score calls for piccolo, two flutes, two oboes, two clarinets, two bassoons, contrabassoon, four horns, two trumpets, timpani, triangle, and strings.
Performance time is approximately 20 minutes.
“For several days, there has been much trumpeting and drumming within me (trumpet in C). I don’t know what will come of it.” The result of the inner tumult that Robert Schumann reported to his friend and colleague Felix Mendelssohn, in a letter of September 1845, was a symphony: the third of the four he would complete, though it was published as Symphony No. 2 in C major, Op. 61, in 1847.
Schubert as Catalyst The principal catalyst for Schumann’s return to symphonic composition in 1845 was almost surely a performance of Franz Schubert’s Symphony in C major (D. 944) on December 9 of that year, with the Dresden orchestra under Ferdinand Hiller. Schumann’s association with Schubert’s “Great” C-major Symphony dated back to the winter of 1838–39, when, during a trip to Vienna, he was introduced to the practically forgotten work by Schubert’s older brother, and quickly arranged for Mendelssohn to lead the Leipzig Gewandhaus Orchestra in the long overdue premiere. The newly excavated masterpiece had a lasting impact on Schumann, revealing to him that it was indeed possible to make an original contribution in a realm where Beethoven reigned supreme.
In his celebrated 1839 review of Schubert’s Symphony, Schumann described the work in superlatives the likes of which he had never before bestowed on a piece of instrumental music: “Here, apart from the consummate mastery of compositional technique, we find life in every vein, the finest shades of coloring, expressive significance in every detail, and the all-pervasive Romanticism to which Schubert’s other works have already accustomed us.” In addition to marveling at the Symphony’s “heavenly length,” Schumann also praised Schubert’s uncanny ability to “emulate the human voice in his treatment of the instruments.” Schumann would adopt both qualities as articles of aesthetic faith in his own Symphony in C major, especially in the magnificent valedictory hymn that crowns the finale.
Although Schumann completed the sketches for the Second Symphony in just two weeks toward the end of December 1845, he needed the better part of the following year to fill in the details. Indeed, he was still touching up the orchestration of the draft not long before the premiere, with the Leipzig Gewandhaus Orchestra under Mendelssohn’s direction, on November 5, 1846. As indicated by several entries in Schumann’s household account books, his labor on the Symphony was frequently interrupted by recurrent bouts of poor health. During the winter and spring months of 1846, Schumann made reference to severe headaches, fits of depression, anxiety attacks, and auditory disturbances.
Memories of a Dark Time As with so many of Schumann’s compositions, the Second Symphony lends itself to interpretation as an essay in musical autobiography. Schumann himself encouraged a reading of this kind. In a note to the composer and critic J.C. Lobe, he claimed
that the new work “told a tale of many joys and sorrows.” Schumann offered a more detailed account of the Symphony’s personal connotations to D.G. Otten, founder of the Hamburg Musical Association: “I wrote the C-major Symphony in December 1845 while I was still half sick, and it seems to me that one can hear this in the music. Although I began to feel like myself while working on the last movement, I recovered totally only after completing the entire piece.” Above all, Schumann confided to Otten, the Symphony reminded him of a “dark time,” symbolized musically “by the melancholy bassoon in the Adagio.”
The initial reaction to the Symphony was not entirely positive. According to reliable reports, the November 1846 premiere fell considerably short of the success that the composer had hoped for, despite concertmaster Ferdinand David’s assiduous drilling of the Gewandhaus violins on the finger-twisting passagework in the Scherzo and the perilously high trills in the Adagio. Before long, however, the critics were making the expected obeisances, comparing Schumann’s work to Mozart’s “Jupiter” Symphony and Beethoven’s Fifth.
A Closer Look The Second Symphony begins with a solemn chorale-like melody, stated quietly by the horns, trumpets, and trombones, and supported by a flowing counterpoint in the strings. Though presented simultaneously at the outset, these melodic strands are developed independently as the music unfolds, a process that Schumann invokes across the entire four-movement span of the Symphony. The initial motto in the brass puts in an unexpected appearance at the conclusion of the Scherzo, and comes in for spectacular treatment in the closing phase of the last movement. Similarly, the plaintive Adagio theme is swept up in the propulsive march rhythms of the first part of the finale. In a surprising turn of events, Schumann then transforms the march music into a gentler, more lyrical idea that he proceeds to combine with the first movement’s brass chorale. The expressive aim of this contrapuntal tour de force is unmistakable: In fusing “secular” song and “sacred” chorale melody, Schumann demonstrated how it might be possible to transcend both spheres, the mundane and the religious, through the medium of the symphony orchestra. Therefore the message of the Symphony is an eminently “modern” one, and indeed, it was not lost on later composers as diverse in stylistic orientation as Bruckner, Dvořák, and Tchaikovsky. While deeply rooted in the musical past, Schumann’s Second Symphony pointed confidently toward the future.
John Daverio
John Daverio was associate professor and chair of the Musicology Department at the Boston University School for the Arts and the author of Robert Schumann: Herald of a New Poetic Age.
The Second Symphony was composed from 1845 to 1846.
Schumann scored the work for two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, three trombones, timpani, and strings.
Performance time is approximately 40 minutes.
Program notes © 2026. All rights reserved. Program notes may not be reprinted without written permission from The Philadelphia Orchestra Association.

Yannick Nézet-Séguin
Music and Artistic Director
Walter and Leonore Annenberg Chair
Marin Alsop
Principal Guest Conductor
Ralph and Beth Johnston Muller Chair
Joe Hisaishi
Composer-in-Residence
Naomi Woo Assistant Conductor
Joseph Conyers
Education and Community Ambassador
Mark and Tobey Dichter Chair
Charlotte Blake Alston
Storyteller, Narrator, and Host
Osagie and Losenge Imasogie Chair
First Violins
David Kim, Concertmaster
James and Agnes Kim Foundation Chair
Juliette Kang, First Associate Concertmaster
Joseph and Marie Field Chair
Christine Lim, Associate Concertmaster
Marc Rovetti, Assistant Concertmaster
Dr. James F. Dougherty Chair
Barbara Govatos
Robert E. Mortensen Chair
Jonathan Beiler
Hirono Oka
Richard Amoroso
Robert and Lynne Pollack Chair
Yayoi Numazawa
Jason DePue
Larry A. Grika Chair
Jennifer Haas
Miyo Curnow
Elina Kalendarova
Daniel Han
Julia Li
William Polk
Mei Ching Huang
Second Violins
Kimberly Fisher, Principal
Peter A. Benoliel Chair
Paul Roby, Associate Principal
Sandra and David Marshall Chair
Dara Morales, Assistant Principal
Anne M. Buxton Chair
Philip Kates
Peter A. Benoliel Chair
Davyd Booth
Paul Arnold
Joseph Brodo Chair, given by Peter A. Benoliel
Amy Oshiro-Morales
Volunteer Committees Chair
Yu-Ting Chen
Jeoung-Yin Kim
Willa Finck
John Bian
MuChen Hsieh
Eliot Heaton
Violas
Choong-Jin Chang, Principal
Ruth and A. Morris Williams, Jr., Chair
Kirsten Johnson, Associate Principal
Kerri Ryan, Assistant Principal
Burchard Tang
Renard Edwards
Anna Marie Ahn Petersen*
Piasecki Family Chair
David Nicastro
Che-Hung Chen
Rachel Ku
Marvin Moon
Meng Wang
Hsiang-Hsin Ching
Cellos
Hai-Ye Ni, Principal
Priscilla Lee, Associate Principal
Yumi Kendall, Assistant Principal
Elaine Woo Camarda and A. Morris Williams, Jr., Chair
Richard Harlow
Kathryn Picht Read
John Koen
Derek Barnes
Alex Veltman
Jiayin He
Michael Katz
Eugene Lin
Basses
Joseph Conyers, Principal
Carole and Emilio Gravagno Chair
Gabriel Polinsky, Associate Principal
Tobias Vigneau, Assistant Principal
David Fay
Duane Rosengard
Nathaniel West
Michael Franz
Christian Gray
Some members of the string sections voluntarily rotate seating on a periodic basis.
Flutes
Jeffrey Khaner, Principal
Paul and Barbara Henkels Chair
Patrick Williams, Associate Principal
Rachelle and Ronald Kaiserman Chair
Olivia Staton
Erica Peel, Piccolo
Oboes
Philippe Tondre, Principal
Samuel S. Fels Chair
Peter Smith, Associate Principal
Jonathan Blumenfeld
Edwin Tuttle Chair
Elizabeth Starr Masoudnia, English Horn
Joanne T. Greenspun Chair
Clarinets
Ricardo Morales, Principal
Leslie Miller and Richard Worley Chair
Samuel Caviezel, Associate Principal
Sarah and Frank Coulson Chair
Socrates Villegas
Paul R. Demers, Bass Clarinet
Peter M. Joseph and Susan Rittenhouse Joseph Chair
Bassoons
Daniel Matsukawa, Principal
Richard M. Klein Chair
Mark Gigliotti, Co-Principal
Angela Anderson Smith
Holly Blake, Contrabassoon
Horns
Jennifer Montone, Principal
Jeffrey Lang, Associate Principal
Hannah L. and J. Welles Henderson Chair
Victoria Knudtson, Assistant Principal
Christopher Dwyer
Chelsea McFarland
Ernesto Tovar Torres
Trumpets
(position vacant)
Principal
Marguerite and Gerry Lenfest Chair
Anthony Prisk
Sam Huss
Trombones
Nitzan Haroz, Principal
Neubauer Family Foundation Chair
Matthew Vaughn, Co-Principal
Jack Grimm
Blair Bollinger, Bass Trombone
Drs. Bong and Mi Wha Lee Chair
Tuba
Carol Jantsch, Principal
Lyn and George M. Ross Chair
Timpani
Don S. Liuzzi, Principal
Don S. Liuzzi Chair, given by Linda and David Glickstein
Angela Zator Nelson, Associate Principal
Percussion
Christopher Deviney, Principal
Charlie Rosmarin, Associate Principal
Angela Zator Nelson
Keyboards
Davyd Booth
Harp
Elizabeth Hainen, Principal
Librarians
Nicole Jordan, Principal
Holly Matthews
Stage Personnel
Dennis Moore, Jr., Manager
Francis “Chip” O’Shea III
Aaron Wilson
*On leave

The world-renowned Philadelphia Orchestra strives to share the transformative power of music with the widest possible audience, and to create joy, connection, and excitement through music in the Philadelphia region, across the country, and around the world. Through innovative programming, robust education initiatives, a commitment to its diverse communities, and the embrace of digital outreach, the ensemble is creating an expansive and inclusive future for classical music. In June 2021 the Orchestra and its home, the Kimmel Center, united. Today, The Philadelphia Orchestra and Ensemble Arts brings the greatest performances and most impactful education and community programs to audiences in Philadelphia and beyond.
Yannick Nézet-Séguin is now in his 14th season with The Philadelphia Orchestra, serving as music and artistic director. His connection to the ensemble’s musicians has been praised by both concertgoers and critics, and he is esteemed by the musicians of the Orchestra, audiences, and the community. In addition to expanding the repertoire by embracing an evergrowing and diverse group of today’s composers, Yannick and the Orchestra are committed to performing and recording the works of previously overlooked composers.
The Philadelphia Orchestra takes great pride in its hometown, performing for the people of Philadelphia year-round, at the Kimmel Center for the Performing Arts, throughout the community, over the airwaves, and online. The Kimmel Center has been the ensemble’s home since 2001, and in 2024 Verizon Hall at the Kimmel Center was officially rededicated as Marian Anderson Hall in honor of the legendary contralto, civil rights icon, and Philadelphian. The Orchestra’s award-winning education and community programs connect, uplift, and celebrate nearly 40,000 Philadelphians and 250 schools from diverse communities annually, through inclusive arts education and vibrant engagement that reflect our city’s voices and expand access to creative opportunities. Students, families, and other community members can enjoy free and discounted experiences with The Philadelphia Orchestra through programs such as the Jane H. Kesson School Concerts, Family Concerts, Open Rehearsals, PlayINs, and Our City, Your Orchestra community concerts.
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Under Yannick’s leadership, the Orchestra returned to recording with 15 celebrated releases on the Deutsche Grammophon label, including the GRAMMY® Award–winning Florence Price Symphonies Nos. 1 & 3. The Orchestra also reaches thousands of radio listeners with weekly broadcasts on WRTI-FM and SiriusXM. For more information, please visit www.philorch.org

One of the foremost conductors of our time, Marin Alsop is principal guest conductor of The Philadelphia Orchestra, with which she made her debut in 1990. She is the first woman to serve as the head of major orchestras in the United States, South America, Austria, and Great Britain. She is also the first and only conductor to receive a MacArthur Fellowship. This season marks her third as artistic director and chief conductor of the Polish National Radio Symphony and her third as principal guest conductor of London’s Philharmonia. She is also chief conductor of the Ravinia Festival and the first music director of the National Orchestral Institute + Festival at the University of Maryland. She served as chief conductor of the ORF Vienna Radio Symphony from 2019 to 2025; she is now honorary conductor. Season highlights include her fiveconcert Carnegie Hall Perspectivesseries, Washington National Opera’s new production of Bernstein’s
West Side Story, and a tour to Japan with the Polish National Radio Symphony. She also conducts the Chicago, Dallas, Houston, and ORF Vienna Radio symphonies; the Deutsches Symphonie-Orchester Berlin; and London’s Philharmonia. Last season, she became the first United States–born woman to conduct the Berlin Philharmonic.
In 2021 Ms. Alsop assumed the title of music director laureate and OrchKids founder of the Baltimore Symphony. During her 14-year tenure as its music director, she led the orchestra on its first European tour in 13 years, released multiple award-winning recordings, and conducted more than two dozen world premieres, as well as founding OrchKids, its groundbreaking music education program for Baltimore’s most disadvantaged youth. In 2019, after seven years as music director, she became conductor of honor of Brazil’s São Paulo Symphony. Deeply committed to new music, she was music director of California’s Cabrillo Festival of Contemporary Music for 25 years, leading 174 premieres.
Recognized with BBC Music Magazine’ s “Album of the Year” and Emmy nominations in addition to GRAMMY, Classical BRIT, and Gramophone awards, Ms. Alsop’s discography comprises more than 200 titles on the Decca, Harmonia Mundi, Sony Classical, Naxos, Pentatone, and LSO labels. Among her many awards and academic positions are the 2025 Golden Baton Award, the highest accolade conferred by the League of American Orchestras; the 2019 World Economic Forum’s Crystal Award; the 2021–22 Harman/Eisner Artist-in-Residence of the Aspen Institute Arts Program; and the 2020 artist-in-residence at Vienna’s University of Music and Performing Arts. She is currently director of graduate conducting at the Johns Hopkins University’s Peabody Institute. She holds honorary doctorates from Yale University, Johns Hopkins University, and the Juilliard School. To promote and nurture the careers of her fellow women conductors, Ms. Alsop founded the Taki Alsop Conducting Fellowship in 2002. The Conductor , an Emmy-nominated feature documentary about her life, debuted at New York’s 2021 Tribeca Film Festival.
We are pleased to support the Lied Center’s ongoing commitment to bringing classical music to the stage. The internationally and nationally acclaimed artists that share their gifts with Lied audiences add to the outstanding quality of life in Lincoln. We are delighted to join so many others at the Lied who share our appreciation for classical music.
We are avid supporters of the arts and arts education in all forms, and the Conductor’s Circle is a great way to further this mission. We feel it is vital that Nebraska has access and exposure to world class classical artists and orchestras, both in the audience and in the classroom.
Music has always been an important part of Tom’s and Linda’s lives. When they moved to Lincoln, they were drawn to the Lied Center for Performing Arts because of the variety of musical performances it brings to the city. They are pleased to support the Lied Center as a part of the Conductor’s Circle.
We value classical music, and we’ve both been involved in instrumental and choral forms of it for most of our lives. There is no performance thrill as great as the moment the conductor steps on the podium, lifts the baton, and brings the orchestra and the music to life. It’s a “goose bumps” moment every single time.
We’re delighted to have the opportunity to help bring the world’s finest orchestras to the Lied Center stage.
Few Nebraskans have supported the arts and culture of the state, including the Lied Center for Performing Arts, more than Rhonda Seacrest and her late husband, James C. Seacrest. With their support of the Hixson-Lied College of Fine and Performing Arts, Sheldon Museum of Art, the Glenn Korff School of Music, Lincoln’s Symphony Orchestra, the NET Foundation and the Nebraska Cultural Endowment, among others, the Seacrests have gone above and beyond to provide world-class cultural events and education to citizens all across Nebraska.
Jointly and individually, the Seacrests have headed fund drives raising millions of dollars and served on the boards of some of Nebraska’s most significant cultural entities.
“Attending any performance at the Lied Center enhances the cultural awareness of each person. I can feel it! Patrons exit culturally elevated in a manner that can only be provided in an exceptional venue. And it is happening right here in Lincoln.”
“GOTTA GET ME SOME OF THAT RED HOT CHILLI PIPERS!”
– Samuel L. Jackson
SAT, APR 4, 2026 7:30PM
“THESE ARE MY BOYS!” –
Paul McCartney
This performance is supported in part by the Kevin & Diane Klein Performance Fund.

“THESE ARE MY BOYS! ” EXCLAIMED SIR PAUL MCCARTNEY AFTER ROCKING OUT TO A CHILLI PERFORMANCE.
“AWESOME!” SAID FILM STAR EWEN MCGREGOR AFTER HE GUESTED ON DRUMS WITH THE CHILLIS
“GOTTA GET ME SOME OF THAT RED HOT CHILLI PIPERS! I WANT SOME!” TWEETED ACTOR SAMUEL L. JACKSON AFTER SEEING THE BAND PERFORM ON NBC IN THE SUMMER OF 2012
Bagpipes with attitude. Drums with a Scottish accent. A blazing rock band and show so hot, it carries its own health warning!
It’s Bagpipes. It’s Rock. It’s Bagrock. AC/DC meets the poet Robert Burns. Where rock anthems sit comfortably alongside the great tunes from the glens and the mountains of Scotland.
It’s The Red Hot Chilli PIPERS – (NOT the Peppers!) -- a 9-piece ensemble consisting of pipers, guitarists, keyboards, and drummers -- who have been rocking the world from New York to Beijing to Melbourne and everywhere in between with musicianship of the highest order and a passion for pipes that will leave you breathless. The band has four music degrees from the Royal Scottish Academy of Music and Drama and all the pipers and drummers have played at the top level in bagpiping.
Since they walked away with the top prize on the primetime TV talent show, “When Will I Be Famous” in the U.K. in 2007, the Red Hot Chilli Pipers haven’t stopped for a breath, other than to inflate their bagpipes! Formed in 2002, The Chillis have fast become a global phenomenon, taking their signature ‘Bagrock’ sound to the masses with their unique fusion of rocked up Bagpipes and clever covers of popular songs from all genres. Their trademarked sound is a unique fusion of traditional pipe tunes – like “The Flowers of Scotland”, “The Hills of Argyll”, and “Amazing Grace” (done Chilli-style, of course!) -- and contemporary anthems like Queen’s “We Will Rock You”, “Clocks” by Coldplay, “Chasing Cars” by Snow Patrol, “Let Me Entertain You” by Robbie Williams, and a fantastic rock medley of “Deep Purple”, “Smoke on the Water”, and AC/ DC’s “Thunderstruck”.
FUN FACTS ABOUT THE CHILLIS:
• Over 2.5 million views on YouTube of their viral cover of the Avicci track ‘Wake Me Up’
• Gold record for over 100,000 UK sales of their first album “Bagrock to the Masses”
• Triple platinum album status for third album and DVD – “Blast Live”
• Awarded twice for “Best Live Act in Scotland”
• Sold out tours in the UK, USA, China, Australia, New Zealand, Germany, Denmark, France, Spain, Belgium, Portugal, Ukraine, Dubai, Saudi Arabia, and India
• Regular performances for A-List showbiz, sports stars and royalty – including Ewan McGregor, Sir Paul McCartney, Gary Player, Samuel Jackson and Her Majesty the Queen
• Over 250,000 Facebook followers and a very active Twitter following of thousands of fans
The Chillis have never been more in demand for their infectious style of feel-good music which appeals right across the age range to people all over the world. Theirs are the very best musicians from Scotland and across the globe – many holding World Champion titles and all serious players with impressive credentials and qualifications. There has never been anything quite like The Red Hot Chilli Pipers. Feel the Chilli heat: It’s time to come closer to the fire!

For more than 135 years, Immanuel has been a trusted leader in retirement living and senior care across Nebraska. Founded in 1887 on a mission of Christ-centered service, Immanuel has created communities where all people can grow and age in dignity, safety, and wellness.
In Lincoln, Immanuel offers independent living, assisted living, and memory support, as well as access to long-term care communities and hospice services. Communities such as The Landing , Grand Lodge , and Yankee Hill Village provide more than beautiful residences: they foster connection, enrichment, and peace of mind. Residents enjoy maintenance-free living, chef-prepared dining, wellness programs, and engaging social opportunities designed to support a life of purpose and joy.
As a nonprofit organization, Immanuel prioritizes people over profits through the Immanuel Community Foundation and the Immanuel Vision Foundation. This commitment strengthens Lincoln by supporting seniors and their families with compassionate care and stability.
We’re also proud to invest in the cultural life of Lincoln through the Immanuel Ovation Series , bringing world-class entertainment to the community. This season’s lineup includes Hadestown, Cirque Kalabante, The Best of Second City, Red Hot Chilli Pipers , and the Glenn Miller Orchestra. By sponsoring these performances, Immanuel celebrates the arts and creates opportunities for connection and joy, values that enrich lives.
Immanuel’s presence in Lincoln is more than retirement living; it’s a promise of dignity, innovation, and community for aging adults. Together, we’re building a future where older adults live fully and confidently in the place they love.
THU, APR 16, 2026

CORPORATE SPONSOR
PATRON FRIENDS
DAVID & MEGAN DARLINGTON
LUTE FAMILY FOUNDATION
GENE & KRISTEN STOHS
BILL & BETSY STRAIN

Billboard charting classical-crossover quartet, Sons of Serendip, won the hearts of fans and judges alike as fi nalists on America’s Got Talent (NBC) with their ethereal and emotionally stirring interpretations of pop music, arranged with a unique blend of vocals, harp, piano, and cello.
With four successful albums ( Sons of Serendip, Christmas: Beyond the Lights, Life + Love, and Mosaic) and heartfelt live performances, Sons of Serendip has lifted audiences both nationally and internationally. Their most notable performances include collaborations with Keith Lockhart and the Boston Pops, the Atlanta Pops, the Maryland Symphony Orchestra, the Cincinnati Symphony Orchestra, and Cynthia Erivo, as well as a performance for the Creative Arts Emmy Awards (FXX). In 2019, Sons of Serendip returned to the America’s Got Talent stage, as they were selected to compete in the fi rst ever America’s Got Talent: The Champions. The quartet competed alongside 50 of the winners and fi nalists from America’s Got Talent and Got Talent’s worldwide. In 2020, the quartet performed for Oprah Winfrey’s 2020 Vision Tour’s closing celebration in Denver, CO, and in 2022, they were invited to be one of the artists representing the United States at the World Expo in Dubai.





MICAH CHRISTIAN, a native of Randolph, Massachusetts, became interested in music at an early age. However, it wasn’t until his senior year of high school, when he earned a solo in the Massachusetts Southeastern District Senior Choir, that he realized his potential as a musician. As a freshman at Stonehill College, he decided to follow his passion for music. For the next five years, he spent his summers performing with the Cape Cod-based a cappella group, Hyannis Sound, and his love for music deepened. Alongside Micah’s passion for music is his desire to help build a better world. He has volunteered for a year in Honduras, and a month in Calcutta, India with Mother Teresa’s Missionaries of Charity. Also, in 2013, after graduating from Boston University with a Master of Divinity, he and his wife volunteered in a rural community in northern Peru for another year. Through music and storytelling, Micah hopes to inspire others to use their gifts to spread love and build a better world.
CORDARO RODRIGUEZ was born in Charlotte, North Carolina. He began teaching himself piano at the age of 10 and became well-versed in several other instruments as well as in music production. He has produced music for several well-known international artists such as Verbal, Kylie Minogue, CREAM, and Def Tech. After graduating from Princeton University in 2008 with a Bachelor’s Degree in Psychology, he spent a year volunteering as an English teacher in Ecuador. He then attended Boston University School of Law where he received his Juris Doctor degree in 2012. At Boston University he met his future bandmate - Micah Christian. Cordaro is very grateful to have the opportunity to pursue his love for music.
JAHMORI SIMMONS is a luminary harpist and producer hailing from the vibrant music scene of Atlanta, Georgia. His versatile career spans the realms of harp performance and contemporary music production, creating a unique tapestry that seamlessly blends classical elegance with contemporary flair. / Since graduating from the esteemed University of Georgia, Simmons’ career highlights have included 26 BRIT certified Silver, Gold, and Platinum singles and albums in the UK, as well as Multi-Platinum Certifications in Australia, Austria, Belgium, Denmark, Hungary, and Poland. Most recently, Simmons’ artistic endeavors reached new heights with his collaboration with Fantasia Barrino and Taraji P. Henson in the 2024 rendition of the film “The Color Purple,” whose producers include Oprah Winfrey, Steven Spielberg, and Quincy Jones. Simmons showcased his ability to contribute to both the musical and cinematic landscapes, adding a layer of richness to this iconic production. / Whether crafting charttopping hits, enchanting audiences with the ethereal sounds of the harp, or contributing to cinematic masterpieces, Jahmori Simmons, aka Jay-Mo Dejon, exemplifies the essence of a true artist — while pushing artistic boundaries, and solidifying his place as a groundbreaking force in the world of music and beyond
ZACHARY BROWN is a NYC based cellist, born in Far Rockaway, Queens. Zach is both a classically and progressive/improvisation trained cellist. Using the training and experience from both styles, Zach focuses on pushing the boundaries of progressive cello playing in his writing and collaborations. He has been a guest artist and instructor at The Savannah Music Festival, New Directions Cello Festival, Ithaca Summer Music Academy, and Owens College. Performing at classical venues like Carnegie and Lincoln Center, he has also performed with The Turtle Island String Quartet, Terence Blanchard, Queen Latifah, Ashanti, Jadakiss, and numerous Gospel artists such as Tye Tribbet, Hezekiah Walker, Donald Lawrence, and more. Zach also performs regularly on Broadway in the pit of Hadestown and A Beautiful Noise.
In 1957, Val and Zena Weiler operated the Campus Fruit Market in Lincoln, Nebraska. It was clear to them that their business would soon be eclipsed by the large supermarkets springing up across Lincoln. The landmark which had stood for a dozen years had to go. In its place, armed with three dozen pizza pans, a recipe that had been in Mrs. Weiler’s family for years, and a generous amount of trepidation, they decided to open a pizza business.
They took in $60 their first day, and as the restaurant’s reputation grew, patrons began to gather and watch through the window as the pizzas were made. Patrons would stand in line for an hour or more to sample the pizza and pasta specialties created in the original restaurant.
In 1971, the Messineo and Alesio families purchased Valentino’s and soon carefully formulated plans to expand into additional locations. Today, Valentino’s has expanded to 38 restaurant locations throughout Nebraska.
Valentino’s success began with those wonderful family recipes that were passed on when the business changed hands in 1971. However, there’s more than recipes to this story. The highest quality food, reasonable prices, immaculately clean and comfortable restaurants, genuinely friendly service, and a written corporate creed which says that “community service is as important as the quality of the food,” have helped keep Val’s tremendously popular.
The Nebraska Arts Council, a state agency, supports the Lied Center for Performing Arts 2025/2026 Season through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts, and the Nebraska Cultural Endowment. Visit www.artscouncil.nebraska.gov for information on how the Nebraska Arts Council can assist your organization.
The Lied Foundation Trust established the Lied Performance Fund Endowment at the University of Nebraska Foundation to enable the students & citizens of Nebraska to experience the finest cultural performances in the world. Many generous individuals & groups continue giving to this fund, enabling the Lied Center to continue presenting artists of great distinction & expanding its outreach programs throughout the state of Nebraska. Every year, thousands of free tickets are distributed to children & families who normally would not have the opportunity to experience the arts.
Established in 2014, the Glenn Korff Broadway Endowment enables the Lied Center to present the highest-quality Broadway shows to Nebraskans while also providing opportunities for students to work with top performers and industry professionals. The Glenn Korff Broadway Endowment also supports the creation of exciting new work right here in Lincoln through the Grow A Show program and offers opportunities for students to work hands-on with top musical theater artists. Our deepest gratitude to the Glenn Korff Estate for making an immeasurable impact on the performing arts in Nebraska.
The Anabeth Hormel Cox Lied Center Performance Fund
The Lied Center is able to transform the lives of millions thanks to numerous endowments from individuals & organizations that are deeply invested in the power of the arts & their impact on our community. These endowments bring the greatest artists in the world to the Lied stage & create life-changing opportunities that will forever shape the lives they touch. Their legacies will enrich the lives & fulfill the dreams of generations of Nebraskans for years to come.
FOR INFORMATION ABOUT CREATING A FOREVER LEGACY WITH AN ENDOWMENT
CONTACT Barbara Kohler at the University of Nebraska Foundation at 402.458.1100 OR EMAIL lieddevelopment@unl.edu
Adna A. Dobson Memorial Fund
Art A. & Alice M. Dobson Endowment of the Lied Performance Fund
Burket Graf Lied Center for Performing Arts Fund
Charles J. & Irma V. Killian Fund
Dale Adams Lied Center Fund
Dan Stratman & Larry Wathor Lied Center Production & Facility Improvement Fund
Donald D. Hamann & Phoebe D. Hamann Charitable Fund
Edmund C. Peeks Family Endowed Fund
Evelyn B. Gold Memorial Fund for Performing Arts
Friends of Lied Endowment Fund & Friends of Lied Performance Fund
Gene & Hazel Tallman Memorial Endowment of the Lied Performance Fund
Glenn Korff Broadway Series Endowment
G.k. Platinum Performance Endowment Fund
Gordon & Phyllis Pauley Fund for the Lied Center
Guarantors Council Endowment of the Lied Performance Fund
Helen M. Field Endowment of the Lied Performance Fund
Jeannie Whitehead Fund
Kevin & Diane Klein Performance Fund
Kosmet Klub Lied Center Student Internship Fund
Marjorie & Gene Eaton Lied Endowment Fund
Martin & Ruth Massengale Lied Center Performance Fund
Maurice & Dorothy Hevelone Performing Artist Endowment
Melvin Kurpjuweit Friends of Lied Fund
Miriam Croft Moeller Endowment of the Lied Performance Fund
Piano Master Works Artist Fund
Priority Seating Endowment of the Lied Performance Fund
Roger Cummings Memorial Fund
Ruth M. Amen Performance Fund for Lied Center
Samuel F. & Elizabeth Heim Family Lied Program Endowment Fund
Sarah Lahr’s Sarah’s Kids Fund for the Lied Center
Sheila Delaney Griffin Lied Endowment Fund
Thompson Family Endowment of the Lied Performance Fund
Woody & Paula Varner Endowment of the Lied Performance Fund & Lied Support Fund
Lied Performance Fund: the Lied Center’s programs are supported in part by this endowment established in memory of Ernst F. Lied & his parents, Ernst M. & Ida K. Lied
Cooper Foundation
D.F. Dillon Foundation
Nebraska Arts Council & Nebraska Cultural Endowment
Supports outreach, education, and performance programs including residencies, master classes, student matinees, teacher workshops, performances, and special projects.
Lied Performance Fund
Bob & Jan FitzSimmons Lied Center
Educational Opportunity Fund
George and Barbara Day Lied Center Fund
Pace Woods Foundation
Mid America Arts Alliance
Green Feather Foundation
Lincoln Community Foundation
Dr. Phillip Engen
Ruth K. Seacrest Fund
Humanities Nebraska
Hixson-Lied College of Fine & Performing Arts Endowment Fund 2025-2026 Lied Center projects made possible, in part, with support from the HixsonLied College of Fine & Performing Arts Endowment Fund include Soweto Gospel Choir, The Philadelphia Orchestra, and Capital City.
Arts Across Nebraska connects Lied Center artists with communities, schools & performing arts centers across Nebraska.
Friends of Lied
Richard P. Kimmel & Laurine
Kimmel Charitable Foundation
Nebraska Arts Council & Nebraska Cultural Endowment
Support is provided by the John F. Kennedy Center for the Performing Arts to integrate the arts across the curriculum in partner schools. This includes a 24-year partnership with the Umonhon Nation School, Macy, NE.
ALSO SUPPORTED BY:
Nebraska Arts Council & Nebraska
Cultural Endowment
The Kennedy Center Partners in Education Program
Pace Woods Foundation
Green Feather Foundation
Dr. Phillip Engen

Umonhon Nation School
UNL College of Education & Human Sciences
Lincoln Public Schools and LPS Indian Education Program
Crete Public Schools



Experience joy, laughter, and awe
Support arts education and outreach across the state
Make the arts accessible for the next generation
Ensure affordable ticket prices
Enjoy exclusive membership perks!
Friends of Lied is committed to supporting and promoting the Lied Center through educational opportunities, fundraising, and social activities. Board members throughout Nebraska serve as ambassadors for the Lied Center and as liaisons for artistic experiences for the state. Contributions enable the Lied Center to keep ticket prices affordable for top-quality programming and support arts education programs for all Nebraskans. Contributions are tax-deductible.
PRESIDENT:
Deb Nelson, Aurora*
Katie Allen, Lincoln*
Amy Anderson, Lincoln
Emmy Anderson, Lincoln*
Sarah Arten, Omaha
Deidre Austin, Omaha
Margaret Bartle, Lincoln
Richard Bourque, Lincoln
Kara Brostrom, Lincoln
Pat Chick, Hastings*
Daniel Church, Lincoln
Cindy Clausen, Lincoln
Jody Cosimano, Omaha
Dee Cummins, Lincoln*
Megan D’Amour, Lincoln
Anne Davis, Lincoln
LeAnne Deppisch, Lincoln
Linda Dickeson, Lincoln
Paulette Dinsmore, Lincoln
*Executive Committee Member
Sara Downes, Lincoln
C.K. Duryea, Omaha*
Katie Ely, Lincoln
Clover Frederick, Lincoln*
Ann Gradwohl, Lincoln
Kimberly Hinrichs, Holdrege
Julie Hlavaty, North Platte
Sherrie Hollister, Hastings*
Jennifer Jessup, Lincoln
Susan Klanecky, Lincoln*
Pat Knaub, Lincoln*
Tami Lambie, Lincoln*
Diane Lewis, Central City
Caroline Melson, Lincoln*
Tammy Miller, Lincoln
Sue Moore, Lincoln
Bridgett Ojeda, Lincoln
Kathleen Ousey, Lincoln*
Terri Pattavina, Lincoln
Ann Quinlan, Lincoln*
Alicia Reisinger, Lincoln
Kristi Rippe, Hastings
Jessica Robinson, Lincoln*
Lisa Roth, Lincoln
Sheila Schumacher, Lincoln
Sharlette Schwenninger, Elwood
Kathy Spahr, Lincoln
Albany Starman, Lincoln
Paulette Stefka, North Platte
Krista Stevens, Lincoln*
Gary Tharnish, Lincoln*
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AS OF DECEMBER 1, 2025
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Kandy & Michael Eisenbarth, Lincoln
Mary & Paul Ells, Lincoln
Bruce & Nicole Ericksen, Ponca
Charles & Mary Ann Erickson, Lincoln
Chuck & Wendy Fast, Lincoln
Fischer Family, Lincoln
FOL Legends- Former Board Members
Alan & Barbara Johnson Frank, Lincoln
Matt & Clover Frederick, Lincoln
Dr. Charles & Mary Ann Genrich, Lincoln
Marynelle Greene & Ned Sharp, Lincoln
Charles & Carolyn Gregorius, Lincoln
John W. & Janet Hansen, Lincoln
Tim & Deanna Harris, Lincoln
Norman & Linda Helzer, Lincoln
Tari Hendrickson & Clay Naff, Lincoln
Janel & Chuck Hibberd, Lincoln
Phil & Kim Hinrichs, Holdrege
Dr. Todd & Julie Hlavaty, North Platte
Kristie Holoch, York
Kelly & Virginia Holthus, York
Ellan Hove, Lincoln
Kirk & Laurie Hovendick, Hickman
William & Nancy Ingham, Lincoln
Barb Jacobson, Lincoln
Richard Katt, Lincoln
Con & Barbara Keating, Lincoln
Ivan & Vickie Keller, York
Marcia B. Knuth, Lincoln
Freida Lange, Lincoln
Doreen White Luethje, York
Derrel Martin, Lincoln
Mike & Fran Marymee, Lincoln
Kent & Vickie Miller, Lincoln
Roger & Janet Millnitz, Lincoln
Rosie Molvar, Lincoln
Dick & Pat Morin, Lincoln
Royce & Colleen Mueller, Lincoln
Mary Nefsky, Lincoln
In Memory of Max & Eleanor Neiden
Stephen & Phyllis Nelsen, Lincoln
Normil Foundation, Lincoln
Betty Oaks, Seward
Keri & Doug Ohlson, York
Bridgett & Eric Ojeda, Lincoln
Jackie Ostrowicki, Monte Olson & Eva Olson, Lincoln
Owen & Cindy Paulson, Lincoln
Jeff & Sarah Peetz, Lincoln
John & Sigrun Pfister, Lincoln
Travis & Denise Pritchett, Lincoln
Kathy & Bruce Prochaska-Cue, Lincoln
Norman & Patricia Ricenbaw, Friend
Aaron & Angela Robinson, Lincoln
Joni & Bill Runge, Plymouth
Curt & Megan Ruwe, Lincoln
Jack Schneider, Lincoln
Jim & Kathy Schulz, Lincoln
Leo & Sheila Schumacher, Lincoln
Earl & Patty Scudder, Lincoln
Jon & Audrey Sevenker, Lincoln
In Memory of Willie Shafer
Ryan & Emily Shelstad, Lincoln
Wes & Maxine Sime, Lincoln
Duane & Debbie Smith, Beatrice
Fred & Lynette Snyder, Lincoln
Kathy Spahr, Lincoln
Nancy & Dennis Stara, Lincoln
Rob & Paulette Stefka, North Platte
Ray & Karen Stevens, Lincoln
Josephine Stewart, Lincoln
Vince & Brenda Sutton, Lincoln
Roxane & Scott Swanson, Lincoln
Carolyn M. Taylor, Friend
Gary Tharnish & Tom Fraser, Lincoln
Dan & Lisa Thayer, Grand Island
Jan Thelen, Lincoln
Tom & Georgia Thompson, Lincoln
Shane & Rhoda Thorell, Aurora
John & Marie Trayer, Roca
Richard & Karen Vierk, Lincoln
Ronald & Jane Wall, Lincoln
Dr. F.T. Waring, Fremont
Tyler & Jenna Waters, Lincoln
Tracy & Dean Way, Lincoln
R. David & Shirley J. Wilcox, Lincoln
FABULOUS FRIENDS
$500-$999
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Denise Ackerman, Lincoln
Dr. Cori S. Amend & Ryan Sothan, Lincoln
Kate Aufdenkamp, Lincoln
Melanie Bachman, Grand Island
Rich Bailey, Lincoln
Keith Bartels, Lincoln
Russell & Gwen Bayer, Lincoln
Tressa Beckler, Friend
Gwen Belden, Lincoln
Douglas & Laura Bell, Ashland
Bruce & Cheryl Bellamy, Lincoln
Catherine Beltz, Lincoln
Christian & Jenna Berg, Lincoln
Claude & Karen Berreckman, Cozad
Kenneth Bloom & Sarah Kelen, Lincoln
Karen J. Blue, Lincoln
Pat Bracken & Geri Cotter, Lincoln
Drs. Sam & Lorrie Bryant, Lincoln
Molly Burns & Tom Klein, Lincoln
Victoria Cady, Lincoln
Marcia Camden, Holmen, WI
John & Penny Cariotto, Lincoln
Pam Carrier, Lincoln
Chris & Debra Caudill, Lincoln
Ken & Pat Cheloha, Lincoln
Rebecca Wurm Clark, Lincoln
Mary Jo & Ron Clinch, Lincoln
Joe & Jan Cook, Grand Island
Nicole & Chris Cooper, Lincoln
Carol & Kevin Coughlin, Lincoln
Dean & Judy Crawford, Friend
Nick & Ann Cusick, Lincoln
Frank C. & Ceri N. Daniels, Lincoln
Don R. & Ann L. Davies, Lincoln
Willa Detweiler, Lincoln
Susan Dinsmore, Lincoln
Arthur & Rosemary Dobson, Lincoln
Dr. Paul & Marilyn Dongilli, Lincoln
Dean & Beth Dumler, Lincoln
John & Martha Eischeid, Lincoln
Donita & Rick Erickson, Lincoln
Sael Esparza Family, Lincoln
Janis & Rick Evert, Lincoln
Steve & Barb Ferris, Lincoln
Lynn Ford, Lincoln
Dr. Katie & Kurtis Fossen, Lincoln
Karl & Mary Lou Fredrickson, Bennet
Lilyan Fulginiti & Richard Perrin, Lincoln
Sarah Gervais & Tom Tiegs, Lincoln
Mike Gloor & Marie de Martinez, Grand Island
Ann Gradwohl, Lincoln
Mark & Linda Graff, McCook
Max & Lavon Gramann, Adams
Jim Griesen, Lincoln
Patty & Earl Haddow, Lincoln
Andrew & Nancy Hadenfeldt, Lincoln
Robin Hadfield, Lincoln
Jill & Terrel Hanshew, Valparaiso
Gisela & Klaus Hartmann, Lincoln
Frank & Joanne Hawkins, Lincoln
Norman & Debra Hedgecock, Lincoln
Ned & Eola Hedges, Lincoln
Kathy & Bob Hegler, Cortland
Candy & Tom Henning, Lincoln
Nora Hinrichs, Lincoln
Melvin & Eve Hoffman, Lincoln
Dr James & Linda Hoke, Lincoln
Jane Holtzclaw, Lincoln
Dan & Mary Howell, Lincoln
Jason & Tammie Huenink, Lincoln
Kent Imig & Lori Kreimer, Lincoln
Kayla & Joel Jacox, Lincoln
Karen & John Janovy Jr., Lincoln
Tony & Jennifer Jessup, Lincoln
Debra Johnson, Davenport
Gene & Jacquetta Johnson, Beatrice
Michael & Natalie Johnson, Lincoln
Paul & Terri Johnson, Lincoln
Carol Johnstone-Hornig, Lincoln
Dave & Jean Jones, Seward
Dallas & Nancy Kiburz, Lincoln
Craig & Marcia Kingery, Lincoln
Vic & Nancy Knutson, Wilsonville
Douglas & Donna Koch, Lincoln
Kathleen Korinek & Travis Wagner, Lincoln
Annette Kovar, Lincoln
Steve & Judy Krueger, Lincoln
Gary & Nancy Krumland, Lincoln
Kurt & Mary Kuhl, Lincoln
Elton & Sue Larson, Lincoln
Steve & Laurie Lindgren, Lincoln
Chandra Ljunggren, Lincoln
Tom & Sherrie Manning, Lincoln
Chuck & Peggy McCann, Lincoln
McCashland Family, Lincoln
Jim & Sara McLoughlin, Roca
Brad & Natalia Meyer, Lincoln
Patsy & Steve Meyer, Lincoln
Geoff & Angela Michaelson, Lincoln
Harry & Lois Muhlbach, Lincoln
Martha G. Nash, Lincoln
W. Don & Andrea Nelson, Lincoln
Tammie & Tom Nussrallah, Omaha
Sherry Oberg, Stromsburg
James & Gail O’Hanlon, Lincoln
Amy & David Ossian, Lincoln
Dr. James D. & Kristine D. Palmer, Lincoln
Derek & Larissa Palu, Lincoln
Linda Paul, Lincoln
Susan M. Petersen, Lincoln
Marilyn Peterson, Lincoln
Gale & Julie Pokorny, Lincoln
Shana Porter, Lincoln
Vicki Powell, Lincoln
Joan Powers, Lincoln
In Honor of Susan Ptacek, Lincoln
David & Kristi Quade, Lincoln
Paige J. & Matthew Roberts, Lincoln
Bill & JoAnn Roehrs, Lincoln
Michelle & Chris Roemig, Lincoln
Brenda Rohren, Lincoln
Linda Rossi, Lincoln
Maris Schad & Jean States, North Platte
Eric & Renee Schafer, Lincoln
Mike & Lisa Schafers, Lincoln
Gidge & Ken Schmidt, Lincoln
Patricia Schmitz, Lincoln
Ginny Schnabel & Mike Thew, Lincoln
The Schubert Family, Lincoln
Nikki Scott, Lincoln
Ann & Kent Seacrest, Lincoln
Ben & Lisa Sedivy, Lincoln
Joe Selig, Lincoln
Dottie Shapiro, Lincoln
Coleen Shepler, Lincoln
Rich & Deanna Sincovec, Lincoln
Ruth & Alan Slattery, Lincoln
David Smith & Dave Wilson, Lincoln
Norman & Judith Smith, Denton
Shaylene & Michael Smith, Crete
Bill & Sandy Spielman, Lincoln
Keith & Jana Spilker, Lincoln
Jay & Dottie Steinacher, Lincoln
Georgia L. Stevens, Lincoln
Susan Sehnert Stuart, Lincoln
Joan F. Tanderup, Pleasant Dale
Julie Uribe & Tom Rajkovich, Lincoln
James & Geraldine Van Etten, Lincoln
Rick & Dawn Vest, Lincoln
Bill & Carol Weaver, Lincoln
Bruce Wendorff, Lincoln
Bill & Sherry White, Milford
George & Joy White, Hastings
Gus & Marcia Wiebers, Lincoln
Dan & Marilyn Wieser, Norfolk
Mike & Sue Wilkins, Lincoln
Dr. David & Anne Zalewski, Lincoln
Mary & Michael Zmarzly, Lincoln
$250-$499
Anonymous (3)
AshLea Allberry, Lincoln
Katie Allen, Lincoln
Steve & Barb Allen, Lincoln
Margaret Allington, Lincoln
Marvin Almy, Waverly
Todd & Jodi Alva, Lincoln
Robert C. Andersen, Lincoln
Clark & Eileen Anderson, Lincoln
Hollis Anderson & Donna Awtry, Lincoln
Sue & Dan Anderson, Lincoln
Julie M. Andresen, Lincoln
Sue & Warren Arganbright, Valentine
Bev Austin & Don Spinar, Lincoln
Terry & Tracy Babcock, Grand Island
Joel & Kelli Bacon, Lincoln
Teresa Bailey, Lincoln
Mayor Leirion Gaylor Baird & Scott Baird, Lincoln
Tamara Barry, Lincoln
Steven & Patti Bassett, Lincoln
Pat & Ellen Beans, Lincoln
Mary M Beck, Lincoln
Kent & Peggy Been, Indianola
Kathy Bender, Lincoln
Dennis & Linda Biggerstaff, Lincoln
Erin Blankenship, Lincoln
Steve & Linda Blomgren, Lincoln
John & Patty Boltz, Hastings
Jon & Denise Borton, Lincoln
Don & Linda Bottorf, Sutton
Michael Bowling & Julie Petersen, Lincoln
Brad & Deb Brabec, Roca
Andy & Tiny Brace, Syracuse
Bob & Nancy Brandt, Lincoln
Kris Brenneis & Rob Shortridge, Ashland
Jan & Randy Bretz, Lincoln
Barthold & Mary Brinkman, Shickley
Karen & Alan Brodbeck, Lincoln
Micheal & Maxine Buchardt, Lincoln
Dori J. Bush, Lincoln
Robert & Billie Carole Bussmann, Lincoln
Andrea Butler, Omaha
Tom & Nancy Calvert, Lincoln
Jack & Sally Campbell, Lincoln
Mary & Doug Campbell, Lincoln
Stan Campbell & Marybell Avery, Lincoln
Doug & Reggi Carlson, Lincoln
Lanny & Ann Carlson, Lincoln
Larry Cerny, Geneva
Ray & Barb Chollet, Lincoln
Karen Coen-Brown & Family, Denton
Glen & Susan Cole, Hastings
Carey & Amy Collingham, Eagle
Terry & Gretchen Corey, Waverly
Brian & Melissa Crabtree, York
Pat & David Crews, Lincoln
John & Krista Croghan, Lincoln
Kate DeCoste Photography, Wahoo
Larry & Doris DeFord, Lincoln
Doug & Linda Dickeson, Lincoln
Gerald B. & Kit Dimon, Lincoln
Andrea & Gene Dinkelman, Lincoln
Lesa M. Dixson, Grand Island
Dr. David & Tracie Duensing, Lincoln
Rob Dump & Peggy Year, Hartington
David & Elaine Dyke, Lincoln
Dan Eakes, Grand Island
Charity Ebert, Lincoln
Karen Emerson, Clarks
Mike & Maribeth Everley, Lincoln
Drs. Todd & Heather Fago, York
Doug & Shawn Farrar, Lincoln
Yolanda Fasen, Lincoln
Ross & Emily Faubel, Lincoln
Polly Feis, Lincoln
Alan & Rose Fetty, Beatrice
Randall & Jill Flagel, Lincoln
Bill & Mary Flory, Lincoln
Laura Burton Franz, Lincoln
Jami & Cynthia Fristo, Lincoln
Steve & Lisa Gallant, Lincoln
Ganshert Family, Lincoln
Dr. & Mrs. Benjamin Gelber, Lincoln
Melanie Glinsmann, Lincoln
Ron & Merri Grasmick, Lincoln
Bob & Pat Grimit, Lincoln
Alex & Sam Gross, Lincoln
Dennis & Gerry Gutz, Lincoln
Bruce & Cathy Hahn, Lincoln
David & Mary Kay Hansen, Lincoln
Ardel & Marilyn Harger, Lincoln
Kylie & Mark Hatten, Lincoln
Wayne & Cindy Havlat, Dorchester
DeLynn & Esther Hay, Lincoln
Kelly & Gina Heath, Lincoln
Dennis Heckman & Shirley Jahn, Hickman
Kent & Jaime Hemmerling, Lincoln
Eric & Linda Hemmingsen, Lincoln
Richard D. & Debra Henderson, Lincoln
Susan Henrie, Hastings
Chris & Nancy Henry, Lincoln
Neal & Beth Hentzen, Seward
Jill M. Hicks, Lincoln
Thomas Hinshaw, Lincoln
Jonathan & Linda Hoke, Lincoln
Doug & Sherrie Hollister, Hastings
Diane Schilling Hooker, Lincoln
Warren & Kris Humphrey, Lincoln
Earl & Jeanie Imler, Lincoln
Teresa & Todd Ingram, Lincoln
Ken & Linda Inman, Lincoln
Greg & Janet Jerger, Seward
Steve & Linda Joel, Lincoln
Gerald & Linda John, Lincoln
Lance & Juliana Johnson, Lincoln
Margaret Johnson, Lincoln
Michele Johnson-Clouse, Lincoln
Mark & Patty Jones, Lincoln
Roger & Elsa Kaiser, Firth
Susan Keisler-Munro & Michael Munro, Lincoln
Vicki Kirchhoff & Jay Carstens, Lincoln
Erin & Scott Kitt, Malcolm
Bryan & Susan Klanecky, Lincoln
Karen & Steve Knobel, Lincoln
Bret & Emily Koenig, Lincoln
Mark A. Kolterman, Seward
Joan & Ray Koziol, Lincoln
James & Janelle Kremer, Milford
Burma Kroger, Lincoln
Joseph & Lyn Kummer, Lincoln
Annette Klassen Kunzman, Lincoln
Bob Lannin, Lincoln
Jon L. Large, Bennet
Max & Lillie Larsen, Lincoln
Grace Larson, Lincoln
Joel & Julie Lavicky, Lincoln
Cindy & Tim LeGrande, Lincoln
Jim & Doris Lewis, Lincoln
Teresa & Bruce Liesemeyer, Unadilla
Jim & Gail Linderholm, Lincoln
Tom & Deb Loseke, Columbus
Mary Losh, Lincoln
Ed & Loretta Love, Lincoln
Barrie & Ann Luers, Beatrice
Elizabeth & Herman Lui, Seattle, WA
Brian & Carol Lutz, Lincoln
Heidi & Tom Macy, Omaha
Pete & Cyndy Maddux, Lincoln
Jeff & Laura Markey, Lincoln
Dan & Donna Marvin, Lincoln
Dave & Lavon McBride, Lincoln
Jeffrey T. McCabe, Alvo
Sherry McClymont, Holdrege
Jim & Dianna McElfresh, Columbus
Dallas McGee, Lincoln
Mike McKain, Lincoln
Caroline Melson, Lincoln
Dave & Tammy Miller, Lincoln
James B. Miller, Lincoln
Mark & Korby Munger, Lincoln
Carol Myers, Lincoln
Dave & Ann Myers, Lincoln
Christopher & Sonia Neale, Lincoln
Jim & Patty Neid, Lincoln
Bill & Yvonne Nelson, Lincoln
Darrell & Nancyann Nelson, Lincoln
Jodi A. & Dan D. Nelson, Lincoln
Neal & Julie Niedfeldt, Grand Island
Richard Nielsen, Lincoln
Rick & Connie Olson, Grand Island
Rob & Carolyn Otte, Lincoln
Mary Owens, Lincoln
Tyler & Angela Pannier, Lincoln
Tom Pappas & Laurel Van Ham, Lincoln
Jim & Terri Pattavina, Lincoln
June Pederson, Lincoln
Kent & Sylvia Person, Holdrege
Wes & Andi Peterson, Lincoln
Bob & Margene Phares, North Platte
Dave Pool & Sarah Boehle Pool, Bennet
Neva Pruess, Lincoln
Prusa Family & T-S Ramos, Lincoln
Margaret & Jerry Puls, Lincoln
Mary Kathleen Quinn, Lincoln
Mary Raimondo, Elkhorn
Scott & Ashtyn Reiser, Greenwood
Alan & Pat Riggins, Lincoln
Kristi & Dave Rippe, Hastings
Phil & Trena Rogge, Fairbury
Dr. William & Beth Rogge, Lincoln
Bill & Judy Roper, Lincoln
Frank Rothell & Todd Hollenbeck, Lincoln
Kathy & Jim Rowoldt, Lincoln
Douglas & Connie Rupp, Norfolk
Rosanne Samuelson, Lincoln
Deanna J. Sands, Nebraska City
Steve & Sandy Scheinost, Lincoln
Bill & Carol Schulte, Lincoln
Glen & Nesha Schumann, Lincoln
Allen & Lisa Sedlak, Hastings
Don & Pam Sheets, Lincoln
Robert K. Shirer & Gail J. Hankins, Lincoln
Bob & Carmen Shively, Lincoln
Damian & Liz Shotkoski, Lincoln
Joyce & LeRoy Sievers, Lincoln
Rob & Susan Simon, Lincoln
Rod & Gayle Smith, Pleasant Dale
Sandy Sostad, Lincoln
Earleen L. Spitsnogle, Lincoln
Mary & Bill Stahly, Lincoln
Gayle & Mary Starr, Lincoln
Dave & Peggy Stenberg, Lexington
Janet Stephenson, Fairmont
Rolene Stillahn, Seward
Larry & Paula Stobbs, North Platte
Jill & Brett Stohs, Lincoln
Emily Suing, Lincoln
Bob & Paula Svoboda, Lincoln
Ray & Cindy Swanson, Lincoln
Katie & Ray Taddeucci, Lincoln
John Tauriella, Exeter
Daniel Taylor & Randy Jarolimek, Lincoln
Stephen Taylor, Lincoln
Tim & Roxie Tesmer, Lincoln
David & Sally Thomsen, Lincoln
Julia & Ron Thomsen, Minden
Tom & Carolyn Tipton, Palmyra
Gretchen A. Treadway, Lincoln
Jan & Mike Tuckerman, Lincoln
Gene & Rhonda Ulmer, Grand Island
Michael & Virginia Unverferth, Raymond
Mary Lou Van Dyke, Lincoln
Robert Vavala & Mary Koens Vavala, Lincoln
Patrick Voichahoske Family, Waverly
Wade & Ann Walkenhorst, Lincoln
Mark & Andrea Way, York
Denton & Ann Weichman, Grand Island
Jerry & Robin Westhoff, Lincoln
Molly & Ryan Wieber, Lincoln
C. Robert & Patricia E. Wikel, Crete
Jane Williams, Lincoln
Karen Hagelberger Winney, Seward
Leslie A. Wright, Omaha
Rawland & Sandy Wrobliski, Lincoln
Dr. William & Tamara Wyman, Lincoln
Robert & Trista Ybarra, Lincoln
Bob & Joyce Zackery, Holdrege
Allan & Marj Zimmerman, Lincoln
GREAT FRIENDS
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Greg & Julie Adams, York
Charlene Adden, Lincoln
Corey & Bailey Allard, Lincoln
Craig & Devon Ames, Lincoln
Wendi & Mark Anderson, Lincoln
Christine Arndt, Lincoln
Kate & Dawson Arnold, Lincoln
Bonnie Arrasmith, Lincoln
Sarah Arten, Omaha
Ronald & Gloria Asch, Lincoln
Mary E. Ash, Arcadia
Atlantic Music Academy, Lincoln (2)
Will & Amanda Austin-Mafilika, Lincoln
Bruce N. Ayers, Lincoln
David C. Bagby, Lincoln
Kimberly Baker & Family, Lincoln
Susan Barker, Lincoln
Rick & Mary Barmore, Washington, DC
Steve & Allison Barnas, Wilber
Linda K. Barnett, Lincoln
Craig & Myna Bartels, Lincoln
Mary Ann Barton, Lincoln
Lorraine Beadell & Gregory Love, Lincoln
Tammy & Robert Beck, Lincoln
Allen J. Beermann, Lincoln
Steven & Darla Belitz, Archer
William & Daralee Beltz, Lincoln
Benischek Family, Lincoln
Jared & Kay Bennett, Lincoln
Patricia Bennett, Hickman
Tara Benson, Lincoln
Patrick Bentzinger, Waverly
Kay & Tom Bergquist, Lincoln
Nancy & Leevon Bernt, Osceola
Jay & Donna Bitner, York
Tim & Cindy Bittinger, Raymond
Ray & Betty Bloomquist, Lincoln
Sara Boatman, Lincoln
Larry & Janet Bock, Lincoln
Roger Bodtke, Lincoln
Anita & Gerald Boeselager, Lincoln
Leslie Bonelli, Lincoln
Mardi Bonner, Lincoln
Ric & Debbie Bookstrom, Lincoln
Sue & Neil Boring, Lincoln
Rick & Kathy Bourque, Lincoln
Jon, Lyndsey, & Carter Bradford, Lincoln
In Memory of Eric D. Brandt
Gary & Sharon Bredehoft, Lincoln
Gale & Becky Breed, Lincoln
Frank Brill & Pinky Dokken, Lincoln
Randy & Kathy Brolhorst, Lincoln
Eric & Kelcey Buck, Lincoln
Karen & Dennis Buckley, Lincoln
Steve & Rhonda Burbach, Lincoln
Don Burt, Lincoln
Don & Lynette Byrnes, Lincoln
Cassie & Justin Cadwell, Greenwood
Wanda Caffrey, Lincoln
Dan & Becky Caldwell, Lincoln
Patricia Callaway, Lincoln
Jerry & Charlotte Campbell, Lincoln
Matthew & Kristi Carley & Family, Seward
Dennis & Nancy Carlson, Lincoln
Dennis & Patricia Carpenter, York
Rich & LaVonne Catron, Grand Island
Peggy Chesen, Lincoln
Pat & Randy Chick, Hastings
Gregg Christensen, Lincoln
Cindy Clausen, Lincoln
Pat Caudill Cole, Lincoln
Alice Coleman, Lincoln
Dave Collett, Lincoln
Foster Collins, Lincoln
Glynnis Collins, Lincoln
John & Nancy Comer, Lincoln
Nancy Coniglio, Lincoln
Terry & Gretchen Corey, Waverly
Anabeth H. Cox, Lincoln
Joan & Tim Creger, Lincoln
Juliet Cruce, Lincoln
Lona & Andy Dahlgren, Bertrand
The D’Amour Family, Lincoln
Damian & Natalie David, Lincoln
Allen Deaton & Jean Zeplin, Lincoln
Deb Degarmo, Lincoln
Judith DeGraff, Lincoln
Scot & Stu DeWitt, Lincoln
Bill & Laurie Dicke, Lincoln
Karen Dickson, Lincoln
Kay Dinkelman, Lincoln
Steve & Paulette Dinsmore, Lincoln
Eric & Opal Doerr, Lincoln
Julia Doerr, Lincoln
Steve & Faye Doolittle, Lincoln
Robert Dover, Norfolk
Sara & Geoff Downes, Lincoln
Maggie Doyle, Beatrice
Jerry & Julie Druery, Lincoln
C.K. Duryea, Omaha
Kimberly Eberly, Aurora
Greg & Rhonda Edwards, Hardy
Kasey Elgert, Lincoln
Mark & Katie Ely, Lincoln
Marijane Look England, Lincoln
Daryl & Deb Erickson, Greenwood
Jamie Erickson, Lincoln
Ann Z. Eroshevich, Lincoln
Jennifer Eurek, Kearney
Tom & Cynthia Fitchett, Lincoln
Dr. Christina Flaherty-Colling & Mr. Thomas Colling, Omaha
Rev. Rudy & Carol Flores, Aurora
Lee Foster, Lincoln
Chuck Fuhrer, Ord
Sara E. Fullerton, Lincoln
Karen L. Gagner, Lincoln
Kris & Kristin Ganoung, Halsey
Katie Garcia & Chris Balwanz, Lincoln
Jim & Marcia Gelinne, Lincoln
Nancy & John Gerrard, Lincoln
Don & Diane Giebelhaus, Lincoln
Susan Gildersleeve, Lincoln
Elizabeth Goehring, Albion
Lou & Kathy Gogela, Lincoln
Eunice Goldgrabe, Seward
Darrin & Diana Good, Lincoln
Jack & Aileen Graves, Lincoln
Tom & Jeanne Graves, Grand Island
Carolyn Gray, Albion
Jeff & Judy Greenwald, Lincoln
Penny Greer, Lincoln
Dennis & Kathy Gregory, Lincoln
Greitens Family, Lincoln
Susan L. Griess, Lincoln
LaDonna Grubbs, Lincoln
Bob & Diane Grundman, Lincoln
Jean Guenther, West Point
William Haberfeld, Lincoln
Martin Hall, Lincoln
Don & Jen Ham, Lincoln
Lisa Hansen, Lincoln
Tommy & Marlene Hansen, Kearney
Jim & Suzie Harder, Lincoln
Karen Harker, Lincoln
Julie Harre, Lincoln
Meg Harry family, Lincoln
Stacy Hartgerink -Home Real Estate, Milford
Elisabeth & George Hasley, Hastings
Dean & Karen Hawthorne, Hastings
Randy Hawthorne, Lincoln
Helen & Janet Hayes, Lincoln
Sue & Bob Hedrick, Lincoln
Lora Henderson, Aurora
Kevin & Brenda Henning, Seward
Walter Henning, Crete
Todd Henrichs, Lincoln
Denny & Bonnie Hentzen, Seward
Margaret & Charles Hermes, Hastings
Susan K. Hild, Lincoln
Charley & Debbie Hill, Lincoln
Jeffrey G. Hines, Lincoln
Dennis & Terri Hirschbrunner, Columbus
Dick & Sue Hodge, York
Brian & Karalyn Hoefer, Lincoln
Vincent Hoehne, Battle Creek
Don J. Hooper, Omaha
Don & Kerry Hopkins, Lincoln
SuEllyne Hopkins, Lincoln
Bob & Susan Howell, Lincoln
Joseph & JoAnne Hranac, Lincoln
Qi S. Hu, Lincoln
Megan & Thad Huenemann, Bennet
Karen Huff, Lincoln
Butch & Caroline Hug, Lincoln
Dr. Mark & Susan Hungerford, Manhattan, KS
Eric Hunt & Britany Porter, Lincoln
Inbody Family, Lincoln
Cheryl G. Jenkins & Toben Bunting, Lincoln
In Memory of Alyzabeth Jensen
Ken Jensen, Bennet
Rev. Jonathan & Patti Jensen, Lincoln
Jeff & Nancy Joe, Bruning
Ann & Rod Johnson, Lincoln
Bill & Bonnie Johnson, Lincoln
Candi Johnson, Lincoln
Marleen F. Johnson, Lincoln
William & Sally Jonas, Lincoln
Linda Jones, Lincoln
Mo & Sally Jost, Seward
Al & Mary Kamrath, Lincoln
Rose M. Kastl, Wahoo
Kay & Tom Keefe, Lincoln
Lisa Kelly, Lincoln
Julie Kent, Crete
Rich & Jeanne Kern, Lincoln
Amy Killeen, Lincoln
George & Sherril Kilpatrick, Lincoln
Denny Kipper, Lincoln
Jeanie & John Kissler, Lincoln
Rose & James Klein, Lincoln
Mark & Val Kline, Lincoln
Michael & Crystal Klockenga, Lincoln
Kathy Klotz, Seward
Celeste Knapper, Lincoln
Jim & Jan Kollars, Lincoln
Paul & Bernadette Korslund, Lincoln
Jim & Cheryl Kostal, Ayr
Steven & Angela Kramer, Lincoln
Jay & Kili Krauter, Wilber
Leo & Susan Kringle, York
Dale & Nancy Kruse, Beatrice
John & Donna Kruse, Seward
Ronald & Jayne Kuehn, Lincoln
Alex J. & Susan K. Kufeldt, Seward
Christine K. Kunz, Lincoln
Scott & Amber Lane, Lincoln
DeLoyd Larsen, Lincoln
Laddie C. Lastoka, Weeping Water
Mike & Deni Lautenschlager, Lincoln
Sara Leber, Roca
Jan Leeper, Lincoln
Rich & Ann Lemmerman, Lincoln
Deb Levitov, Lincoln
Rev. Ryan Lewis, Omaha
Cheryl Lockwood, Hastings
Ken & Carla Loemker, Beatrice
Greg & Ruth Luedtke, Lincoln
Diane Lydick, Lincoln
Julie Maaske & Chris Dooley, Lincoln
Kelly & Mike Madcharo, Lincoln
John & Pat Madsen, Stuart
Laura Makovicka, Ceresco
Roger & Wanda Mandigo, Lincoln
Douglas & Eike Marthaler, Lincoln
Martin Family, Kearney
Jeff & Teri Martin, Hickman
Andy & Kate Martz, Lincoln
Brian Maslonka, Lincoln
Kent & Shelley Mattson, Lincoln
Lois Mayo, Lincoln
Ross & Lynn McCown, Lincoln
Vickie McDonald & Larry Harnisch, Lincoln
Mikki McGuire, Lincoln
Rick & Kathy McLaughlin, Lincoln
Deborah Meyerhoff, Lincoln
Barbara Michael, Lincoln
Kathy Miller, Seward
Lou Anne Miller, Lincoln
Robert & Heather Miller, Lincoln
Dr. Michael Montgomery & Susan Rue, Eagle
Kevin & Sue Moore, Lincoln
Kari Morgan, Lincoln
Angie Muhleisen, Lincoln
Scott & Lori Muller, Lincoln
Catherine A. Nelson, Omaha
Clarine & Scott Nelson, Lincoln
John & Deb Nelson, Aurora
Neal P. & Jodi L. Nelson, Lincoln
Shannon Newburn, Ceresco
Rick Newcomer, Lincoln
Bill & Judy Nissen, Raymond
Grant & Michele Norgaard, McCook
Kathleen North, York
Vicki & Jamie Obrecht, Lincoln
Patrick O’Donnell, Lincoln
Patrick & Lacey O’Hare, Lincoln
Mary & Jorn Olsen, Hastings
Doug & Jody Osler, North Platte
David Palm & Alice Henneman, Lincoln
Ellen Paparozzi & Walt Stroup, Lincoln
Mary Pedersen, Lincoln
Joanne Pepperl, Lincoln
Ron & Clare Perkins, McCool Junction
Harvey & Susan Perlman, Lincoln
Erica Peterson, Lincoln
George W. & Harriet Peterson, Lincoln
Jeff & Tracey Peterson, Lincoln
Jerry & Mary Ann Petr, Lincoln
Mike & Wendy Petty, Omaha
Christy Phelps, Norman, OK
Jim & Suzanne Pillen, Columbus
Marty & Angie Pinkerman, Hastings
Steve & Sharon Placke, Grand Island
Kathy Plunkett, Lincoln
Dali Podenski, Lincoln
Gary Pohlmeier, Lincoln
Janet K. & Jeff Poley, Lincoln
Keith & Jan Prettyman, Lincoln
Linda Quillin, Lincoln
Kimberly Rath, Lincoln
Bruce & Ann Rauscher, Lincoln
Paul E. Read, Lincoln
Bob & Donita Reed, Beatrice
William & Deborah Reichert, Lincoln
Dr. Kevin & Tracy Reichmuth, Lincoln
Claudia & John Reinhardt, Lincoln
Pat & Wade Remmenga, Lincoln
Larry & Margo Remmers, Lincoln
Russ & Julie Reno, Lincoln
La Familia de Renteria-McKathnie, Lincoln
Mary Beth & Rich Rice, Lincoln
Jenna Ripke, Lincoln
Terri Rittenburg, Lincoln
Julie Robinson, Lincoln
Kay & Lee Rockwell, Lincoln
Jane Rohman, Lincoln
Kelly & Andrew Ross, Lincoln
Brad Roth & Karen Jensen, Lincoln
Cheryl Roth, Lincoln
Steve & Tammy Russell, Lincoln
Tim & Ann Russell, Hastings
Allison & Richard Salem, Lincoln
Diana Sanderson, Lincoln
Steven Schafer, Lincoln
Marty Schantell, Lincoln
Cathy & Ray Schapmann, Lincoln
Barbara & John Scharf, Curtis
Kristi Scheele, Waco
Mel & Linda Schmaderer, Saint Paul
Dennis Schmidt -SDMS Inc., Lincoln
Marilynn Schnepf, Lincoln
Lyle & Susan Schoen, Lincoln
JoAnn & David Schoengold, Lincoln
Sue Schulz, Hill City, KS
Michael & Karen Schweitzer, Lincoln
Elizabeth Scott, Roca
William & Karin Scully, Lincoln
Rhonda Seacrest, Lincoln
Scott & Mary Senne, Lincoln
Sue & Dave Shamblin, Lincoln
Dan & Emily Cameron Shattil, Lincoln
Patrick Shea & Elizabeth Walter-Shea, Lincoln
Patricia Shepard, Lincoln
Kevin & Lori Sheppard, Lincoln
Jane Shield, McCook
Jerry & Ann Siefkes, Roca
Linda D. Simonsen, Hebron
Kevin & Chananne Slepicka, Lincoln
Laurie P. Smith & Kent Eskridge, Lincoln
Peter Smith & Annette Thompson, Lincoln
Robert J. Smith, Lincoln
Todd & Mary Sneller, Lincoln
Gracen A. Sommerer, Seward
Robert & Susan Sondag, Hastings
Mark & Sheri St. Clair, Lincoln
Sue Staehr, Lincoln
Jeff & Kristin Stagemeyer, McCook
Drew & Holly Stange, Lincoln
Tom Starr, Lincoln
Jean States, North Platte
Jennifer Steenson & Joe Snyder, Denton
George & Glenda Steinsberger, Columbus
Diana Stemper, Lincoln
Bill Stephan, Lincoln
Janet Stephenson, Fairmont
Kevin & Krista Stevens, Lincoln
Wyatt Suddarth & Alexa Rosenau, Lincoln
Andy & Kristin Sullivan, Doniphan
Frank & Paula Swinnea, Hastings
Remy & Kate Sydik, Lincoln
Linda Taborek & Robert Potter, Lincoln
David Taylor & Lorraine Leiser, Hickman
Beverly J. Thomsen, Hooper
Thomas & Shelley Thorpe, Lincoln
Chris & Gary Timm, Lincoln
Teri Tran, Lincoln
Jay & Jeanine Trofholz, Columbus
Eileen & Steven Trout, Lincoln
Thomas Trumble, Lincoln
Richard & Cheryl Trzupek, Lincoln
Kimberly Tyler & Paul Kramer, Lincoln
Richard & Penny Urwiler, Lincoln
Cassidy J. Vacha, Cedar Bluffs
Suman & Michelle Vallabhbhai, Lincoln
Nick & Shari Veil, Lincoln
Jean Vincent, York
Sheila Dorsey Vinton & Paul Vinton, Lincoln
Chastity & Sarah VonWonder, Lincoln
Bob & DeEtta Vrana, Lincoln
Allan & Mindy Vyhnalek, Lincoln
George & Judi Wagaman, Lincoln
Gina M. Wagner, Omaha
John & Maureen Wagoner, Phillips
Kevin & Boots Wailes, Lincoln
Warwig Family, Lincoln
Deb Watchorn, Lincoln
Ted & Deborah Watson, Lincoln
Sherry Weber, Lincoln
Wendy & Scott Weitzenkamp, Lincoln
Celeste Wells, Axtell
Ryan & Rebecca Wells, Lincoln
Robert & Brenda Wergin, Lincoln
Colleen B. Werner, Hastings
Don Wesely & Michele Casanova, Lincoln
Francis & Virginia Whidden, Saint Edward
Nancy Whitman, Lincoln
Syd & Patty Widga, Lincoln
Roger & Sylvia Wiegand, Lincoln
Larry & Diane Wiehn, Lincoln
Denise Wiemer, Lincoln
Nancy Wieseman, Lincoln
Matt & Karen Freimund Wills, Lincoln
Jan L. Wilson, Roca
Mike & Marilyn Winkelbauer, Ord
Linda Winkelman, Brownville
Shirley J. & Shirley Witte, York
Curtis & Lila Wolff, Aurora
Dottie & Doyle Wolverton, Lincoln
Robert & Barbara Woodruff, York
Russel & Judy Workman, Lincoln
Ruth Ann & Michael Wylie, Lincoln
Tom & Patti Yaussi, Lincoln
Ian York, Lincoln
Dan Yost, Lincoln
Keith & Shelley Zaborowski, Lincoln
Kyla Zehr, Beatrice
Mary & Mike Zgud, Lincoln
Pam & Jim Zilly, Denton
Vitaly Zlotnik, Lincoln
$50-$99
Anonymous (7)
Amanda Andersen, Lincoln
Kathy Anstine, Seward
Barbara Armstead, Lincoln
Dolores Arten, Lincoln
Dee & Mike Austin, Omaha
Brad & Jen Bangs, Aurora
Marie Barrett, Lincoln
Tammy Bartels, Lincoln
Tom & Kathy Bass, Swanton
Gwen Batcher, Lincoln
Allison Bauer, Henderson
Janet Behrends, Omaha
Julie Berger & family, Lincoln
Patty Beutler, Lincoln
Dagnija Bite, Lincoln
Bitenieks Family in Memory of Don Wesely
Tom & Lisa Blankenau, Lincoln
Melvin & Gail Bomar, Columbus
Brandon Bosch, Lincoln
Mick & Michele Bosilevac, Hastings
Adrian Bowen, Fairbury
Bridget Bredenkamp, Lincoln
Brenda Brehm, Lincoln
Traci Bruckner, Wayne
Roger & Mary Bruning, Lincoln
Larry & Kathy Burklund, Lincoln
David A. Burnette, Lincoln
Gregory Buttell, Beatrice
Melanie Byrd, Lincoln
LeeAnne Call, Lincoln
Cindy Cammack & David Reifschneider, Lincoln
Jon Cannon, Lincoln
Alicia Cariotto, Lincoln
Cary & Ginger Colton, Lincoln
Dr. Trudy K. Clark, Lincoln
James Coll, Lincoln
David E. Crawford, York
Todd & Ashlee Crawford, Lincoln
Benjamin Cuca, Lincoln
Heidi Cuca, Lincoln
Mary A. Curtis, Lincoln
Jason & Jeannie Damm, Lincoln
Rose Mary Datus, Hastings
Nora E. D’Croz-Mason, Lincoln
Pam Deal, Hastings
William Dewey, Lincoln
Richard & Karen Dienstbier, Lincoln
Marcia A. Dorn, Axtell
Judy Douthit, Lincoln
Dzingle Family, Elba
Megan Eliason, Lincoln
John & Do Emerson, Lincoln
Scott & Kate Engel, Lincoln
Dr. Charles & Mary Ann Erickson, Lincoln
Carl & Janet Eskridge, Lincoln
Mark Franzen, Cary, NC
Debra K. Fritz, Lincoln
Georgia Glass, Lincoln
Larry & Laurie Graham, Crete
Raymond Grauf, Lincoln
Gutierrez Family, Lincoln
Jane Haire, Lincoln
Linda & Richard Harr, Lincoln
Kari Hasemann-Herbert, Lincoln
Tyler Hayden, Lincoln
Adam D. Heiser, York
Brandon Henley, Milford
Mary Hinds, Lincoln
Ken Hopkins, Lincoln
Joel & Stacey Houston, Lincoln
Mary Jo Howe, Valley Village, CA
Helen Hrdy, Lincoln
Rubab Husain, Lincoln
Mark R. Hutchins MD & Deanna L. Louise MD, Lincoln
Carol & Wendell Hutsell, Gretna
ReAnne J. Isom, Lincoln
Marlin D. Jeffers, Omaha
Daniel Jenson, Bellevue
Don & Bobbie Johnsen, Beatrice
Jim Johnson, Lincoln
David Jones, Lincoln
Dean & Pat Joy, Lincoln
Shelley Kahrs, Franklin
Helen & Dan Kappel, Lincoln
Connie C. Karges, Lincoln
Marissa Kemp, Lincoln
Rick & Karen Kennell, Lincoln
Carla Ketner, Seward
Carolyn A. Kitterer, Lincoln
Dr. Robin & Ann Koozer, Hastings
Stan Kravig, Lincoln
Jeff & Pam Krenk, Seward
Elaine Kruse, Lincoln
Teresa LaFave, Ashland
Chris & Christine Lamberty, Lincoln
Clinton Leach, Lincoln
Laurie Thomas Lee, Lincoln
Glen & Ellen Lefler, Lincoln
Howard & Donna Lefler, Fairmont
Thomas Leikam, Lincoln
Andrew Lenhart, Lincoln
Sheila Lueders, Seward
Bill & Pat Lundak, Lincoln
Joy Maag, Waverly
Jamie MacKichan, Lincoln
Michaela Mallery, Waverly
Kevin M. McArthur, Bellevue
Melissa McCoy & Paul Muff, Lincoln
Carl McReynolds, Lincoln
Sarah Meisenbach, Lincoln
Michael O. Miller, Clatonia
Cheryl A. Moncure, Lincoln
Jeannie G. Morehart, Hickman
Toni B Morehouse, Lincoln
Linda E. Mousel, Central City
Kathleen Murray-Oberg, Lincoln
Tasheika N., Pickrell
Peggy Newquist, Lincoln
Mark & Debra Nicholson, Lincoln
Pam Nicholson, Lincoln
Dale & Ellen Niebuhr, Lincoln
Melissa Nierman, Lincoln
William Olson, Lincoln
Kat & Gene Ousey, Lincoln
Nancy Packard, Lincoln
Marianne Pasho, Milford
Jeff & Dian Pickerel, Lincoln
Cynthia Pierce, Lincoln
Aimee Griffin Poor, Lincoln
James Potter & Deb Miller, Lincoln
Karen Rathke, Grand Island
Cortney Ray, Lincoln
Gary & Kathryn Raymond, Lincoln
Sandra J. Remus, Lincoln
Joanie Rich, Lincoln
April L. Rimpley, Lincoln
Jessica & Parker Robinson, Lincoln
Kent Rogert, Lincoln
Marjorie Ross, Lincoln
Lisa K. Roth, Lincoln
Debby Sampson, Murdock
Briana M. Scheef, Roca
Randy & Rhonda Schlick, Crete
Marian & Larry Schmid, Hickman
Rebecca Schreiner, Lincoln
Rodney & Cynthia Schwartz, Lincoln
Rich & Liz Scott, Lincoln
Al & Karen Scribner, Lincoln
Twila & Kirk Seaman, Lincoln
John Shields, Lincoln
Jesica Shiers, Lincoln
Roger E. Smidt, Filley
Donna L. Sommerer, Omaha
Thanks to the following companies who helped employee gifts go even further:
Robert & Christine Steinke, Columbus
James & Sandra Stiles, Lincoln
David W. Teche, Lincoln
Otilia Titus, Lincoln
Marsha Turbett, Henderson, NV
Jennifer Valenta, Crete
Cindy Waltke, Beatrice
Nancy Waltman, Lincoln
Susan J. Weber, Lincoln
Liz & Val Wedeking, Lincoln
Lori Wegener, Humphrey
Cheryl Wells, Lincoln
Ray & Glenna Wheasler, Dublin, OH
David & Mikaela White, Lincoln
Jill Wightman, Lincoln
Diana L. Zetterman, Lincoln
Julia Zornes, Lincoln
Ask your employer if they match employee contributions!
For more information about becoming a Friends of Lied member, contact
AMY OSSIAN
Assoc. Director of Development & Membership AOSSIAN2@UNL.EDU 402.472.4704



In September of 2024, sold out crowds exceeding 1,300 people experienced the world premiere play A House Divided in the Lied Center’s Carson Theater. Produced as part of the Lied Center’s Grow a Show program, this new work by Christina Kirk examined the bitter political and personal divisions in the Lincoln White House when Mary Todd Lincoln’s Confederate half-sister came to visit during the height of the Civil War.
The Lied Center has a long history of supporting and creating new work as part of the Grow A Show Program, and over the years the Lied has commissioned, created, and partnered on dozens of theatrical, dance, and musical compositions.
Executive Director Bill Stephan, who chose to produce the play after attending a first reading in November of 2023, said, “Abraham Lincoln used the phrase “a house divided” in his famous speech known as the “House Divided Speech,” delivered on June 16, 1858. The phrase is a reference from the Bible, Matthew 12:25 in which Jesus says, “Every kingdom divided against itself is brought to desolation, and every city or house divided against itself shall not stand.” I hope this play may help bring our community and potentially our nation together in that spirit of unity Abraham Lincoln so believed in. Keep an eye on this new work, as you may see it on stages in New York, Chicago, or Los Angeles in the future.”
In addition to the show, the Lied Center also presented a panel discussion and lecture featuring celebrated author and Civil War expert Dr. Jeremi Suri called A House Divided: Politics Today and American History, diving deeper into the topics presented in the play. The lecture was also later aired on C-SPAN, bringing these important topics to an even wider audience.
The Lied Center is proud to support new works that enrich our community, encourage thoughtful discussion, and inspire positive change!
Classical guitarist Daniel Martinez, who grew up in Peru and has called Lincoln home for more than 20 years, believes deeply in the power of music as a universal language to bridge divides. With that power in mind, he came up with a big dream. He says, “My goal was always to do a world music tour of all the Lincoln Public Schools.”
In partnership with the Lied Center, Daniel is currently doing just that through the Strings of Many Colors program. The plan is to bring the program to 10 schools each year, eventually reaching every school in LPS. He’s already visited more than 30 schools! For each visit, Daniel brings 7 or 8 instruments (which is only half of the instruments this talented multiinstrumentalist has mastered!) and gives students background on the country each one comes from. He plays and sings for them, talks about culture and traditions, and in the process invites students to talk about their own backgrounds and heritage. Daniel shares with the



students about the languages he speaks (Spanish, English, and Portuguese), and says students often tell him about the languages they speak as well. He says that’s one of his favorite parts of the program—seeing the students open up through music and feel pride in who they are and where they come from. He introduces music as the universal language, meaning that “Because you play an instrument or you love music, you can say you are bilingual- you speak English, and you also speak music.”
After his time in the classroom, Daniel returns to each school with his celebrated band Jarana to give a concert for the entire student body.
At a recent stop at a Lincoln elementary school, Daniel asked the students, “Why do you think I am here? I am here to show you love through culture. Because we are from different places. And the only thing we have to do for others is just love one another. Right?”
After the first Strings of Many Colors visits, Daniel knew the program was having exactly the effect he hoped it would on the students. “I know it’s working because of the laughter and clapping! Kids dancing in front of their peers! I know that’s working. As humans, we build these filters to protect ourselves. And kids, they don’t have that.”
Daniel and his Strings of Many Colors are scheduled to visit 10 schools during the 2025-2026 school year, and he says, “I want to reach more kids and families with my music and bring hope during these confusing times. I want to expand to different towns and cities, bringing hope through melodies, harmonies, and different rhythms. I want kids to connect to their roots, no matter where they are coming from.”
The Lied Center is proud to have this program as part of the Lied’s Educational Outreach that is bringing culture, belonging, and the “universal language” to students across Lincoln!



The Lied Center kicked off 2025 with the groundbreaking RENT in Concert, a one-night-only event celebrating Jonathan Larson’s groundbreaking Tony and Pulitzer Prize Award winning musical by adapting it for full orchestra. Fresh from its debut at the Kennedy Center with a superstar cast featuring multiple Tony Award® nominees performing alongside local Nebraska talent and the full Lincoln’s Symphony Orchestra, Lincoln was one of the only cities in the U.S. to welcome this exciting new concert production.
The project was helmed by Sammi Cannold, named one of Forbes Magazine’s 30 Under 30 in Hollywood & Entertainment and one of Variety’s 10 Broadway Stars to Watch and known for directing unique Broadway projects including How to Dance in Ohio, Evita at New York City Center, Ragtime on Ellis Island, and Sunset Boulevard at the Kennedy Center. For Cannold, the casting process was one of the things that made Rent in Concert so exciting.
She says, “Our casting process on this production is really unique because we are casting locally from amazing talent in the city that we’re going to, in this case in Lincoln. And then also we are bringing in folks from New York or from elsewhere, and those two groups are coming together and making something really special. The other dimension of that that’s really exciting is that we have a few performers who are now based in New York, who’ve performed on Broadway or Off Broadway, and are from Nebraska originally.”
Among those performers returning to Lincoln was Mary Kate Moore, a Lincoln native who was recently on Broadway in Into the Woods as a standby for Sara Bareilles and Stephanie J. Block. For Moore, returning to Lincoln to perform at the Lied was a true full-circle moment. “I had my first ever dance recital on the stage of the Lied. I graduated from high school on the stage of the Lied Center. It’s really, really special.”
In addition to the unique casting process, Cannold said the reimagining of the Rent score for full orchestra also made the show such a special experience. “It’s a completely new, exciting, thrilling sound and emotion.”
Cannold reflected on her time in Lincoln, saying “My Lied Center experience has been amazing. I just have loved every second of working here, and it’s been really exciting to see the different dimensions of what the Lied does. I think that often times in the theater, we work in a ‘theater-only’ bubble, and so to be at a place that does so many different kinds of art and engagement with the community is a very cool thing. And I’ve loved getting to know the community at the Lied.”
REACH NEW CLIENTS. GROW YOUR BUSINESS. SUPPORT THE LIED CENTER.
• Reach 130,000+ arts patrons and support Nebraska’s Home for the Arts.
• Your ad will be seen by a dedicated, influential audience—and your support helps bring world-class performances to our community.
LEARN MORE OR RESERVE YOUR SPOT TODAY:
KBURESH3@UNL.EDU 402-472-4734 LIEDCENTER.ORG/PROGRAM-ADVERTISING




For more than three decades, the Lied Center for Performing Arts has been Nebraska’s premier stage for world-class performances, community engagement and transformative arts education. Every season, the Lied Center opens doors to transformative experiences—bringing Broadway, classical music, dance, and innovative programming to audiences of all ages.
By including the Lied Center in your estate plans, you ensure that future generations will continue to experience the power of the performing arts. Your legacy will:
• Sustain Excellence : Support nationally acclaimed artists and productions that enrich our cultural landscape.
• Expand Access : Provide opportunities for students and underserved communities to experience live performance.
• Inspire the Future : Fund educational programs that nurture creativity and foster lifelong appreciation for the arts.
Planned gifts—such as bequests, charitable trusts, or beneficiary designations—are a meaningful way to make a lasting impact. Every gift helps guarantee that the Lied Center remains a vibrant hub for the arts for generations to come.
To learn more about including the Lied Center in your estate plans, or to join the Legacy Society if you already have a planned gift in place, contact Barbara Kohler, Director of Development, Visual & Performing Arts at the University of Nebraska Foundation at Barbara.kohler@nufoundation.org or (402) 458-1100.














Catch a can of Saro Cider before the next act.
Then visit us at our Saro Cider Taproom at 18th & N St. for your next date night.
Show us this ad for a $3 draft pour.
sarocider.com



Since 1937, the First Aid Services Team has been providing one-of-a-kind emergency medical services in the city of Lincoln. More than 200 local volunteers stand ready to keep you safe at community events. redcross.org /NEIARedCross @neiaredcross



















Polyphony
Friday, October 24, 2025 at 7:00 p.m.
Visit us at 201 N. 14th St
Sun-Wed 10AM - 11PM Thu-Sat 10AM - 3AM
2025 - 2026 Abendmusik Concert Season
All concerts are FREE - 2000 D Street, Lincoln NE
England’s most remarkable chamber choir, Polyphony, comes to the Midwest for the first time.
Community Sing: Handel’s Messiah
Sunday, November 30, 2025 at 4:00 p.m.
Raise your voice in Abendmusik’s annual rendition of George Frideric Handel’s iconic Messiah
Christmas with Abendmusik
Sunday, December 14, 2025 at 4:00 and 6:30 p.m.
Plymouth Choir accompanied by the Plymouth Ringers and the Abendmusik Chamber Orchestra.
New Year’s Eve Last Blast
Wednesday, December 31, 2025 at 3:00 p.m.
The Plymouth Brass, the Lincoln Continentals, and guest organist Diane Meredith Belcher.
St. Olaf Choir
Saturday, January 31, 2026 at 7:00 p.m.
The St. Olaf Choir is hailed as one of the nation’s premier a cappella ensembles.
Youth Masterworks Festival at the Lied Center for Performing Arts
Monday, February 23, 2026 at 7:30 p.m.
Directed by conductor Darita Seth.
J.S. Bach’s Mass in b minor
Sunday, March 15, 2026 at 6:00 p.m.
Tom Trenney leads sounding light, the Plymouth Choir, soloists, and the Abendmusik Orchestra.
Tonality: America Will Be
Sunday, April 12, 2026 at 4:00 p.m.
Tonality invites us to look toward a more perfect union for ourselves and future generations.


How much fun can you pack into a day in Lincoln? A relaxing and stress-free adventure is waiting for you. Trek around town at your leisure and discover a surprise around every corner.


As a local company, business, or organization, this free program provides your employees or members with Lied season subscriber benefits with no minimum purchase. Perfect for those managing employee perks, we will provide all the materials you need to share with your team.
• 20% discount on most Lied Center season events
• Early access to tickets before the general public
• Easy access to benefits using a company email address or unique promo code
• Reduced handling fees – save up to $9 per ticket!
• No minimum purchase required CONTACT OUR GROUP SALES MANAGER TODAY FOR MORE INFORMATION



Tuesday, January 20, 2026 | 7:30 PM
Johnny Carson Theater
Music by Anton Bruckner, Franz Schubert, Akemi Naito, Paul Moravec, and Andrew Smith

Wednesday, April 15, 2026 | 7:30 PM
Kimball Recital Hall
Music by George Gershwin, Peter Schickele, Arturo Marquez, and Greg Simon
Sunday, November 9, 2025 | 3:00 PM
Johnny Carson Theater
Music by Beethoven, Joseph Bologne, Aftab Darvishi, Toru Takemitsu, and Florence B. Price

Thursday, Feb. 19, 2026 | 7:30 PM
Johnny Carson Theater
Music by Beethoven, John Cage, John Zorn, and Franz Schubert

For more information about the artists and programs, go to www.LFCM.US
Single tickets available through the Lied Center and at the door.




Oct. 14 • 6:30pm • FREE Lied Center for Performing Arts
19th and 21st Surgeon General of the United States and and author of Together: The Healing Power of Human Connection in a Sometimes Lonely World.
Nov. 18 • Time TBA • FREE Location TBA
Communication strategist, creator of The Listening Table, and founder of Warmline.org, teaching communication skills to foster authentic human connection.
Feb. 17 • 6:30pm
Rococo Theatre • TICKETED
With Firespring and The Foundry Community
Local individuals and nonprofit organizations sharing ideas and stories that spark imagination, inspire, educate, and build a better community.
Mar. 31 • 6:30pm • FREE Lied Center for Performing Arts
With Center for Great Plains Studies
Social entrepreneur and coauthor of The Upswing: How America Came Together a Century Ago and How We Can Do It Again.












More students than ever are finding their community. IMPACTS IN EVERY COUNTY
Bringing Big Ten education and resources to all 93 Nebraska counties.
The state-of-theart building creates big opportunities for music, music education and dance students.
