In Forrest Moses's most recent body of paintings and monotypes, Sylvan Waters, the acclaimed landscape painter places rhapsodic emphasis on bodies of water and their remarkable relationship to the still woods that border them. Modulating within a constantly varying continuum between the more recognizable and the nearly abstract, the features of landscape in Sylvan Waters take on an internally dynamic tension that radiates nature's own exuberant changeability and the beauty that inheres in its transition and transformation, examples of our own potential for transcendent growth.
