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THE SCHLAGER COLLECTION AUCTION MONDAY 4 DECEMBER 2017

AUCTION CATALOGUE VOLUME 10 ISSUE 16

Front Cover Detail 65 AN IMPORTANT DIAMOND SET ENAMEL AND GOLD RUSSIAN IMPERIAL PRESENTATION BOX WITH MONOGRAM OF TSAR ALEXANDER II (1855-1881), MARK OF CARL MARTIN WEISHAUPT UND SÃ–HNE $120,000 - 180,000

leonardjoel.com.au ii

THE SCHLAGER COLLECTION AUCTION MONDAY 4 DECEMBER 2017 AT 6.30PM

Every purchase will be accompanied by a gift box and Schlager carry bag.

THE SCHLAGER COLLECTION AUCTION MONDAY 4 DECEMBER 2017 AT 6.30PM

VIEWING Sydney (Jewellery Highlights) 39 Queen Street, Woollahra 18 - 19 November 10am-4pm

Melbourne 333 Malvern Road, South Yarra 3141 22 November 9am-8pm 23 - 26 November 10am-4pm 2 - 4 December 10am-4pm

CONTACT

John Albrecht

John Dâ€™Agata

Caroline Tickner

Managing Director & National Head of Private Collections 03 8825 5619 | 0413 819 767 john.albrecht@leonardjoel.com.au

National Head of Jewellery 03 8825 5605 | 0408 355 339 john.dagata@leonardjoel.com.au

Jewellery Insurance Valuations 03 8825 5605 caroline.tickner@leonardjoel.com.au

View the entire catalogue at leonardjoel.com.au 3

Introduction

More a connoisseur than a dealer When you speak with someone and listen to their stories; of an industry, a vibrant

I once overheard a client at Kozminsky describing to my late father, Kurt that

city and a period in time, you cannot help but become nostalgic. This was my

Schlager was one of the most beautiful stores in the world. I did not hear my

experience deep inside the Block Arcade in Melbourne on Monday 16 October,

father disagree.

when I met with Ray Schlager. And this is the story…

Schlager was quite simply committed to and only interested in the finest pieces

There are really only two people in Melbourne that can convey the glamour and

and clients that were also interested in only the finest.

change within the Melbourne jewellery scene from the 1960s until now. One was

My description sounds cliché and overblown but it is not! I recall many times

Kurt Albrecht, now deceased and the other is Raymond Schlager, who still lives

walking past the windows of Schlager in the 1980s and marvelling at the

and breathes his working hours in what is best described as high-end and often

jewels and objets that had never been seen before in Melbourne, and in such

signature international jewellery.

unashamed and not easily attainable fashion. My most vivid window gaze was

I have always known him as Ray and my memories of Ray are few, but vivid. The

being beguiled by the most exquisite Shibayama box I had ever seen.

indelible one is that of a man who revealed the most beautiful jewels ever seen

Schlager was and will always be remembered as a jewels house that changed the

in Australia in his store on Little Collins Street, Royal Arcade in 1986. There

Australian industry’s approach to display and what was possible for a business on

have been many jewellers but few purveyors of ‘fine jewels’ where every piece

Australian shores. The possibility, the reality proven that Australians had a taste

represents the finest design, manufacture and craftsmanship, and the highest

and deep enough pockets to not only buy the very best but more importantly

quality gems. Ray Schlager is one of these few.

appreciate it.

As a young man Ray was already dealing with beautiful things and meeting

Today, Ray Schlager remains as interested in jewels and objets as he ever was.

interesting people, some of who were immigrants from Europe with their

He handles his pieces with confidence (and force) that only comes when you

wonderful treasures, stories and international perspective. Coming from war

understand proportion and construction, another element that importantly

torn Europe they understood the value of precious objects and gems and Ray

underpins this collection that Leonard Joel has the privilege of offering. Pieces

very quickly learned the diversity and beauty of objects not seen before in this

that are beautiful and appealing and also of fine manufacture, features that are

country. He recognised the need to go back to school to build the skills to

so often overlooked in this mostly transient commercialism.

restore and to understand the original function of these rare objects, to reveal

This collection offers the opportunity to acquire a piece of history, a piece of

their artistry and their rich histories, which have contributed to the cultural wealth

Ray’s passion and knowledge and a piece that will stand up to not only rigorous

of this country.

aesthetic scrutiny, but also to time!

Ray began his trade as a restorer and repairer back in the early 1950s and had

Our Private Collection and Jewels departments are honoured to have been

the good fortune of working for the firm of Kozminsky. In the 1970s Kozminsky

selected to manage this important collection, and with viewings in both

became a magnet for the talented in this field and Ray was asked to join the

Melbourne and Sydney, it is my hope that you will have a moment to perhaps

firm, no doubt enhancing and bringing further skills and understanding to that

discuss with Ray the finer points of a particular piece, his memories of the

business.

Melbourne jewellery scene and what it is that defines a ‘fine jewel’, as it is he

‘One of the most beautiful stores in the world’

who truly knows.

But the great ‘reveal’ from Ray and for Melbourne came in 1986 when Ray

JOHN ALBRECHT

opened Schlager in Royal Arcade on Little Collins Street.

Managing Director, National Head of Private Collections, Leonard Joel

1 AN ART DECO DIAMOND PLAQUE RING Centrally set with an early round brilliant cut diamond and flanked by two vertically set baguette cut diamonds, having further diamond detail set to the oval domed filigree plaque, all hand crafted in platinum and 18ct white gold, ring size L. $3,000-5,000 2 A DIAMOND BRACELET Comprising nine graduated round brilliant cut diamonds totalling 2.00cts, all mounted in white gold, total length 170mm. $2,000-3,000

3 A PAIR OF AQUAMARINE AND DIAMOND CLUSTER EARRINGS Each comprising an emerald cut aquamarine, surrounded by round brilliant cut diamonds, mounted in 18ct white gold. $2,600-3,600 4 AN AQUAMARINE AND DIAMOND RING The emerald cut aquamarine of 4.02cts having baguette cut diamonds set to the stepped shoulders, mounted in 18ct white gold, ring size L. $3,600-5,000

5 A DIAMOND PENDANT WATCH The diamond watch suspended from a diamond set brooch fitting with fleur-de-lys design, mounted in 18ct white gold, presented in original Hardy Brothers fitted box. $1,500-2,000 6 A FIVE STONE DIAMOND RING The centrally set emerald cut diamond of 1.46cts, with stepped baguette cut diamonds to the shoulders, mounted in 18ct white gold, ring size N. $7,000-9,000 7 A PEARL AND DIAMOND BROOCH The rectangular pierced plaque centrally set with a cultured pearl measuring 6.2mm, having floral and leaf decoration grain set with old European and single cut diamonds within a border of further diamonds, all mounted in platinum. $1,000-1,500

8 AN EMERALD AND DIAMOND CLUSTER RING The centrally set emerald cut emerald of 1.02cts, framed by a surround of fourteen round brilliant cut diamonds, mounted in 18ct white gold, ring size N. $1,000-1,200

9 A DEMANTOID GARNET AND DIAMOND SPIDER BROOCH The body of the spider set with fourteen old cushion cut demantoid garnets, interspaced with old mine cut diamonds and having cabochon red garnet set eyes, all mounted in 15ct gold and silver. $2,000-3,000 10 A DIAMOND EGG PENDANT The pierced pendant having twelve rows of graduated round brilliant cut diamonds, suspended from a fully diamond set bale and a trace chain, all mounted in 18ct white gold, total length 560mm. $9,000-12,000

11 A DIAMOND SOLITAIRE RING The round brilliant cut diamond of 1.46cts raised in four double claws with further diamonds to the shoulders, mounted in 18ct white gold, ring size N. $5,000-7,000 12 A VICTORIAN OPAL AND ENAMEL BROOCH The pierced circular ribbon brooch set throughout with round solid white opals cut en cabochon, highlighted by blue enamel and having a glazed section to the reverse, mounted in 15ct gold. $800-1,200

13 A VINTAGE RUBY AND DIAMOND CLUSTER RING The square cut ruby of 1.65cts centrally raised in four claws surrounded by baguette and round brilliant cut diamonds within a pierced scroll frame, mounted in 18ct white gold. Circa 1940. $2,000-3,000 14 A FULL CIRCLE DIAMOND ETERNITY RING Handcrafted, comprising three rows of round brilliant cut diamonds totalling 2.80cts, mounted in 18ct white gold, ring size M. $3,000-5,000

15 A RUSSIAN RUBY AND DIAMOND BROOCH Styled as intertwined hearts, one set with old European cut diamonds, the other with rubies cut en cabochon, mounted in 18ct gold, Russian marks, presented in S.J Phillips London fitted box. $3,000-4,000 16 A GOLD POISON RING The round band with carved floral decoration having a secret concealed compartment, hand crafted in 15ct gold. $900-1,300

17 A VICTORIAN RUBY AND DIAMOND HALF HOOP RING Comprising three oval cut rubies totalling 1.30cts, interspaced by two old European cut diamonds totalling 0.78cts, claw set in a hand carved scroll mount of 18ct gold, ring size R. $2,000-3,000

18 A CULTURED PEARL STRAND WITH A ‘REGARD’ CLASP The round pearls of cream hues measuring 7.5mm to 7.9mm, finished with an elongated 14ct gold engraved clasp set with round cut stones spelling REGARD - ruby, emerald, garnet, amethyst, ruby and diamond, total length 450mm. $500-700

19 A SOLITAIRE DIAMOND RING The centrally set square cut diamond of 0.98cts having diamond set shoulders, mounted in 18ct white gold, ring size M. $3,000-5,000

17 19

20 A PAIR OF DIAMOND STUD EARRINGS Each comprising a round old European cut diamond of 2.10cts, hand crafted in 18ct white gold. $30,000-40,000

21 AN EMERALD AND DIAMOND CLUSTER RING The centrally set square cut emerald of 3.35cts surrounded by twelve round brilliant cut diamonds totalling 1.40cts, hand crafted and mounted in 18ct gold, ring size M-N. $8,000-12,000

22 A MULTI STRAND CULTURED PEARL NECKLACE WITH A DIAMOND LEOPARD CLASP The triple strand of round pearls of pink and white hues measuring 6.10mm to 6.30mm, individually knotted to two diamond set leopard heads with emerald set eyes, joined by a circular pierced pave set diamond panel all in 18ct white gold, total length 470mm. $2,600-3,600

23 A PAIR OF GOLD AND DIAMOND CHANDELIER EARRINGS Each designed as three graduated fluted bells fringed with round brilliant cut diamonds, surmounted by a fluted bombe panel with diamond detail, mounted in 18ct gold. $7,000-9,000

24 A DIAMOND CLUSTER RING The centrally set transitional round brilliant cut diamond of 1.14cts surrounded by a halo of fourteen smaller round brilliant cut diamonds totalling 0.28cts, hand made and mounted in 18ct white gold, ring size N. $4,800-6,000

25 A GOLD AND DIAMOND BRACELET The wide mesh link bracelet centrally set with a round brilliant cut diamond of 1.30cts, within a cluster of round brilliant cut diamonds totalling 5.68cts, flanked by ten further graduated diamonds totalling 4.35cts mounted in 18ct gold, total length 180mm. $22,000-32,000

26 AN ART DECO DIAMOND RING The domed pierced frame centrally set with a round brilliant cut diamond of 0.80cts offset by two further diamonds totalling 0.58cts with further diamond detail throughout to the filigree setting, all hand crafted and mounted in platinum, ring size N. $4,000-6,000 27 AN EDWARDIAN DIAMOND AND ZIRCON BROOCH The oval pierced frame centrally set with a round zircon, having floral and leaf decoration and a border all set with single cut diamonds, mounted in platinum. $1,200-1,800 28 28 A DIAMOND CLUSTER RING Featuring an old European cushion cut diamond of 1.50cts surrounded by a diamond set pierced scalloped halo, with further diamond detail to the shoulders, mounted in 18ct white gold, ring size N. $4,000-6,000

29 A FRENCH SEED PEARL AND DIAMOND LINE BRACELET The fancy curb link bracelet featuring a seed pearl surrounded by a diamond set scroll to each panel, mounted in platinum and 18ct gold, total length 180mm. $2,000-3,000

30 A RUBY AND DIAMOND CLUSTER RING The oval cut ruby of 2.03cts surrounded by twelve round brilliant cut diamonds totalling 0.96cts, mounted in 18ct white gold, ring size M-N. $4,000-6,000

31 A DIAMOND DOUBLE HEART BROOCH Comprising old European and round brilliant cut diamonds totalling 1.00cts, mounted in platinum and gold. $800-1,200

32 A VICTORIAN THREE STONE EMERALD RING The centrally set emerald cut emerald of 1.08cts, flanked by pear shaped emeralds totalling 1.05cts, finished with four small old cut diamonds, crafted in 18ct gold, ring size M. $6,000-8,000

33 A DIAMOND WEDDING BAND Grain set with fourteen round brilliant cut diamonds totalling 0.21cts, mounted in 18ct white gold, ring size N. $400-600

34 A PERIDOT AND DIAMOND CLUSTER RING Centrally set with a round cut peridot of 1.69cts, surrounded by sixteen round brilliant cut diamonds in a pierced scalloped frame, mounted in 18ct white and yellow gold, ring size M. $1,200-1,800

35 A DIAMOND BRACELET BY VAN CLEEF & ARPELS The open work links comprising round brilliant cut diamonds totalling 10.54cts, all connected by D-shaped baguette cut diamond links with diamonds totalling 12.55cts, mounted in 18ct white gold, total length 180mm, clasp signed Van Cleef & Arpels, 26751. $80,000-120,000

“This collection offers the opportunity to acquire a piece of history, a piece of Ray’s passion and knowledge and a piece that will stand up to not only rigorous aesthetic scrutiny, but also to time!”

36 A SOLITAIRE DIAMOND RING Centrally set with a round brilliant cut diamond of 2.28cts, hand crafted in 18ct white gold, ring size M. $20,000-30,000

37 A STRAND OF SOUTH SEA PEARLS The semi-baroque pearls of grey and silver hues measuring 9mm to 11mm, finished with a 14ct white gold ball clasp with brush finish, total length 460mm. $800-1,200 38 A VICTORIAN GOLD AND PEARL BROOCH The oval brooch centrally set with a starburst of seed pearls within a domed polished top set above beaded and rope twist decoration, having a glazed hair section to the reverse, all mounted in 15ct gold, circa 1895. $500-700

39 AN EMERALD AND DIAMOND CLUSTER RING The emerald cut emerald of 2.45cts raised in four claws and surrounded by twelve round brilliant cut diamonds in a scallop formation totalling 0.52cts, mounted in 18ct white gold, ring size M-N. $4,000-5,000

40 A PAIR OF GOLD AND DIAMOND EARRINGS BY VAN CLEEF AND ARPELS Of domed and pierced design, set throughout with round brilliant cut diamonds, mounted in 18ct gold, signed Van Cleef and Arpels 144 231. $4,600-6,000

41 A SOLITAIRE DIAMOND RING The centrally set emerald cut diamond weighing 1.20cts, with a tapered baguette cut diamond set to each shoulder, mounted in platinum, ring size L-M. $4,200-6,000

42 A FULL CIRCLE DIAMOND ETERNITY RING Comprising twenty eight round brilliant cut diamonds totalling 0.42cts, all grain set in 18ct white gold, ring size J. $400-600

43 AN AMETHYST, PEARL AND DIAMOND BRACELET Featuring a central panel set with an oval cut amethyst of 11.55cts, surrounded by alternating cultured pearls and old European cut diamonds, set above a pierced herringbone link bracelet in 18ct rose gold, total length 175mm. $5,000-7,000

44 AN AMETHYST AND DIAMOND HEART PENDANT The large heart cut amethyst, surrounded by fifteen radiating panels individually grain set with an early round brilliant cut diamonds individually grain set, suspended from a diamond set bale, all mounted in 18ct white gold and suspended from a 14ct gold fancy link belcher chain, total length 740mm. $3,800-5,000

â€œHouse of Schlager, a jewels house and a name synonymous with rarity, history, quality and craftsmanship.â€?

45 AN IMPRESSIVE THREE STONE DIAMOND RING The centrally set emerald cut diamond of 4.09cts, accompanied by GIA report number 11134438 stating colour F and clarity VS1, shouldered by an emerald cut diamond of 0.90cts, accompanied by GIA report number 11690560 stating colour E and clarity VS1 and an emerald cut diamond of 0.93cts, accompanied by GIA report number 11690533 stating colour D and clarity VS1, mounted in platinum, ring size L. Provenance: Purchased Geneva circa 2001. $90,000-150,000

46 A PAIR OF CITRINE AND DIAMOND DROP EARRINGS Each set with a square chequerboard cut citrine, surrounded by round brilliant cut diamonds and suspended from a diamond set hoop, mounted in 18ct gold. $800-1,200 47 AN IRISH CLADDAGH RING Comprising five intertwined rings forming crossed hands, hand crafted in 22ct gold, ring size O. $600-800 48 A PAIR OF GARNET STICK PINS Each set with a circular garnet cut en cabochon, set in engraved 15ct gold circular cases to pin fittings. $300-500

49 A DIAMOND CLUSTER RING Featuring a principal round brilliant cut diamond of 0.50cts, set within a halo of diamonds with further diamond detail to the shoulders, mounted in 18ct white gold, ring size J. $2,000-2,500

50 AN ART DECO DIAMOND NECKLACE The open link necklace set throughout with old European and baguette cut diamonds, mounted in a platinum and 18ct white gold millegrain setting, total length 380mm, presented in original Hardy Brothers fitted box. $8,000-12,000

52 A PAIR OF GOLD, DIAMOND AND ENAMEL COCKTAIL EARRINGS Each in the form of a stylised leaf, having four single cut diamonds set to the centre, with blue enamel highlights throughout, mounted in 18ct yellow and white gold. $800-1,200

51 A SAPPHIRE AND DIAMOND CLUSTER RING The domed pierced plaque centrally set with an oval cut sapphire of 1.25cts, with round brilliant cut diamonds set throughout, mounted in two tone 18ct gold, ring size L. Circa 1940. $1,500-2,000

53 AN ART DECO STYLE SAPPHIRE AND DIAMOND RING The domed lozenge shaped panel centrally set with an oval cut sapphire of 0.47cts, offset with graduated carre and trilliant cut sapphires, surrounded by a border of grain set round brilliant cut diamonds, all mounted in 18ct white gold, ring size M. $900-1,100

54 A PAIR OF SAPPHIRE AND DIAMOND EARRINGS Each centrally set with an oval sapphire cut en cabochon of 3.24cts, within a reeded frame overlaid with four pairs of round brilliant cut diamonds, mounted in 18ct white and yellow gold. $1,100-1,900 55 A MINIATURE BROOCH / PENDANT* With finely painted courting couple within a country setting, engraved to the reverse LW to ELR, mounted in gold. $400-600

56 A JADEITE RING The round polished opaque band displaying varying green hues, ring size M. $300-600

58 A GRADUATED CORAL NECKLACE The graduated polished coral beads measuring 7.65mm to 11.10mm, total length 660mm. $500-700

57 A MEDITERRANEAN CORAL NECKLACE The graduated round polished beads measuring 5.47mm to 11.12mm of even red hues, total length 570mm. $800-1,200

59 A LADYâ€™S ENAMEL AND GOLD POCKET WATCH Cylinder movement, the white circular dial with black Roman numerals, having diamond set elaborate gold hands, dial and curvette signed Durean Geneve, 18ct gold engraved case with an enamel cherub to one side and a bird and leaves to the other, 26mm diameter, boxed. $900-1,300

60 A GOLD AND CORALLIUM RUBRUM TIARA, CIRCA 1865 Formed as a tapered semi-circular gold band with rope twist boarders, the oval and round corallium rubrum cut en cabochon alternatively set within concave discs and floral motifs, the whole decorated with gold wirework, assay marks, height at the tallest point 30mm. $6,000-10,000

61 A PAIR OF VICTORIAN DIAMOND BEE BROOCHES Each set with old European cut diamonds, with rubies cut en cabochon for eyes, with articulated wings forming clips, mounted in silver and gold. $3,000-4,000 62 A THREE STONE DIAMOND RING The central old European cut diamond of 1.16cts, flanked by two old European cut diamonds of 0.53cts and 0.51cts respectively, total diamond weight 2.20cts, hand crafted in 18ct gold and platinum, ring size N. $6,000-8,000 63 A VICTORIAN AMETHYST AND PEARL BROOCH The oval cut amethyst of 23.15cts claw set above a pierced cartouche shaped frame set throughout with seed pearls, mounted in 15ct gold. $800-1,200

64 AN ANTIQUE GOLD GUARD CHAIN The fancy link chain with swivel parrot clasp fitting, handcrafted in gold, total length 1640mm $1,000-1,500

â€œHe handles his pieces with confidence (and force) that only comes when you understand proportion and construction.â€?

65 AN IMPORTANT DIAMOND SET ENAMEL AND GOLD RUSSIAN IMPERIAL PRESENTATION BOX WITH MONOGRAM OF TSAR ALEXANDER II (1855-1881), MARK OF CARL MARTIN WEISHAUPT UND SÖHNE Hand crafted in gold, the ornately sculptured and engraved hinged box measuring 90 x 60 x 35mm, with raised and carved scrolled patterns to the lid , harlequin patterned blue enamel oval centre section and applied diamond set crown and initial “A II”, surrounded by an oval border of mine cut diamonds, with six old European cut diamonds to the surround totalling 10.60cts, the repoussé body finely hand engraved and the base also engraved with a scroll, leaf and floral design, the inner lip is stamped with the numbers 2378 and hand etched 27377, the base impressed mark 14 CMWS 2378, mark of Carl Martin Weishaupt und Söhne, Hanau, 157 grams, with original fitted presentation box.

A 19th century sculptured gold box. Sold for AUD $234,000 IBP, Bonhams and Goodman 3rd December 2007.

By repute the box was originally gifted from Tsar Alexander II to Dr Sergei Botkin, the Court Physician, to the Tsar in St Petersburg. Historians of the period note that often royalty would not pay for services rendered; instead they would be gifted valuable items or bestowed titles of nobility. The box later passed onto Dr Sergei Botkin’s son Dr Eugene Botkin, who was assassinated along with the Romanov family and their servants, on the 17th July 1918. Prior to this, Dr Botkin held a fundraising dinner party, where the box was part of an exclusive tombola to raise funds for a new children’s hospital in Malmo. The Swedish Great Great Grandfather, of one of the later owners of the box, Edward Engestrom (1821-1899) won the box after purchasing a ticket for 8000 Swedish crowns, along with only eight others. Edward Engestrom was a self-made Industrialist

living in Malmo Sweden. The proceeds were used to build the Children’s hospital in Malmo where it still stands today. As a result of Edward Engestrom’s donation two beds in the hospital were allocated specifically to the Engestrom family. Provenance: The Raymond Schlager Collection. Purchased from a descendant of the Engestrom family, circa 2006. Notes: Jewelled boxes of this type are rarely seen at auction in Australia. A similar example is held at the National Museum of Helsinki Finland. On 3rd December 2007, lot 110, Bonhams and Goodman sold a similar box for AUD $234,000 IBP. On the 24th of February 2015, Sotheby’s London sold a similar box that was paste set for £48,000 IBP. $120,000-180,000

66 A PAIR OF CUFFLINKS Each centrally set with an opal doublet, surrounded by rows of rope twist decoration, mounted in 18ct gold. $500-700 67 A GOLD DOG BROOCH Finely modelled as a boxer in rose gold, hallmarked. $300-500 71

68 A GOLD ALBERT CHAIN The fancy fetter link chain having a swivel clip and a t-bar, modelled in 9ct rose gold, total length 450mm. $900-1,100 69 A CAT’S EYE RING The oval cat’s eye chrysoberyl cut en cabochon measuring 10.25mm x 9.10mm displaying fine chatoyancy, mounted in a domed 18ct white gold band, ring size O. $800-1,200 70 A LADY’S CARTIER TANK WRISTWATCH Quartz movement, rectangular cream dial with Roman numerals, signed case, dial and movement, gold plated silver case and black leather bands, case reference 366001 / 44788, case length 18mm, boxed with papers. $300-500 71 A PAIR OF AQUAMARINE AND DIAMOND EARRINGS Each modelled as a stylised leaf, set with a pear cut aquamarine and round brilliant and baguette cut diamonds, mounted in platinum and 18ct white gold. $2,200-3,200

72 A PINK SAPPHIRE AND DIAMOND BUTTERFLY BROOCH Each wing set with round pink sapphires in graduating hues and a single round brilliant cut diamond, having a diamond set body and antennae, total sapphire weight 1.91cts, total diamond weight 0.08cts, mounted in 18ct white gold. $500-700 73 AN ENGRAVED DIAMOND WEDDING BAND The geometric band having two panels set with old cut diamonds, the other panels of alternating polished and engraved pattern, mounted in 18ct white gold, ring size N. $500-700

74 A PEARL STICK PIN The button shaped pearl of silver and white hues measuring 6.50mm, mounted in 15ct gold, boxed. $200-400

76 AN ANTIQUE GOLD LOCKET The hinged oval locket crafted in 15ct gold with polished finish. Engraved to the interior F.H. 1875. $200-300

75 A DIAMOND DAISY CLUSTER RING Comprising a central round brilliant cut diamond of 0.21cts, surrounded by eight further diamonds totalling 0.48cts, mounted in 18ct gold, ring size N-O. $700-900

77 AN EMERALD AND DIAMOND PLAQUE RING The marquise shaped panel centrally set with three emerald cut emeralds surrounded by a border of old cut diamonds, all hand crafted and mounted in 18ct gold, ring size F. $750-900

78 AN ALBERTINA NECKLACE Comprising four Albertinas joined to form one necklace, with tassel pendant and teapot charm, having a large bolt ring clasp, crafted in gold, total length 400mm. $1,500-2,000 79 A GOLD ALBERT CHAIN The fancy fetter link chain having a swivel clip and t-bar, all mounted in 9ct rose gold, total length 510mm. $900-1,200

80 TWO PAIRS OF GOLD CUFFLINKS One pair of heart design, set with small diamonds, the other of engraved oval design hallmarked Birmingham, 1863-64, both on 9ct gold. $300-500 81 A GOLD CANON CHARM The depose charm modelled as a canon inscribed with the words GLORIEUX 75, 1914-16, mounted in 14ct gold. $200-300

82 A RUBY AND DIAMOND THREE STONE RING Centrally set with an oval cut ruby and two old European cut diamonds, totalling 0.42cts, having fine scroll work and beaded decoration throughout and finished with a finely carved and reeded band, mounted in 18ct gold, ring size L. $1,500-2,000 83 A PAIR OF GOLD CUFFLINKS Crafted in 15ct gold, stamped WJH. $200-400

84 AN EMERALD AND DIAMOND HALF HOOP RING Comprising three emerald cut emeralds totalling 0.95cts interspaced with four small old European cut diamonds, mounted in 18ct gold, hallmarked, ring size N. $1,200-1,800 85 THREE PEARL CLASPS One multi-gem-set, one of floral design set with a cultured pearl and rubies and one of cluster design, set with emeralds and diamonds, all crafted in gold. $800-1,200 86 A GOLD ALBERTINA With triple fancy link chain, having an engraved slide fitting and engraved gold terminals, with tassel pendant, crafted in 15ct gold, total length 250mm. $1,000-1,500

87 AN ENGLISH FUSEE LEVER POCKET WATCH Key wind and set movement, circular gilded dial with Roman numerals, engraved 18ct gold case, 40mm diameter. Hallmarked London, 1874-75. $400-600 88 A WALTHAM HUNTER POCKET WATCH Key wind and set movement, circular white enamel dial with black Roman numerals, subsidiary seconds dial at six, movement signed Waltham Mass, engine turned 18ct gold case, 41mm diameter. Hallmarked Birmingham 1882-83. $1,000-2,000 89 A DOUBLE DIAL SWISS HUNTER POCKET WATCH One side featuring a circular white dial with split seconds chronograph, thirty minute register, signed T. Gaunt and Go, London and Melbourne, the other side featuring a white dial with black Roman numerals and blue steel hands, to an 18ct gold polished and monogrammed case, Swiss hallmarks, 55mm diameter. Circa 1910. $5,000-7,000

89 Double Dial

90 A FRENCH QUARTER REPEATER FUSEE VERGE POCKET WATCH Curvet and movement and signed Breguet and Files, circular 18ct gold fancy engraved dial with roman numerals, with engraved hunting scene depicting stag and hound, 18ct gold case, diameter 50mm. Circa 1810. $5,000-7,000 91 A FRENCH FUSEE VERGE POCKET WATCH The circular white enamel dial with black Roman numerals and gilded hands, signed Vauchez Paris to the dial and movement, to an 18ct tricolour gold case, 40mm diameter. Circa 1790. $1,500-2,600 92 AN ENGLISH FUSEE DUPLEX POCKET WATCH Key wind and set movement, circular tri-coloured gold dial with applied Roman numerals, black subsidiary seconds at six, having gilded hands, movement signed Grimaldi Thomson Strand, to a finely carved and engine turned 18ct gold case, 52mm diameter. Hallmarked London, 1825-26. $2,000-3,000

93 A GOLD NUGGET Total weight 109gms. $6,000-9,000

94 A GEORGIAN PORTRAIT MINIATURE OF A GENTLEMAN BY THOMAS HAZLEHURST* The finely painted oval ivory panel depicting a gentleman in a blue jacket, signed lower right T.H. having a glazed hair section to the reverse and Bristol blue glass within a rose gold frame, 78mm x 62mm. $600-800 95 AN ENGLISH MINIATURE PORTRAIT ON IVORY* 19TH CENTURY Depicting a young nobleman set within a leather carrying case, the case 9.5cm x 8.5cm x 1.5cm. $500-700

96 AN ENGLISH MINIATURE PORTRAIT ON IVORY* 18TH/19TH CENTURY Depicting a young woman wearing a feathered hat and a pink gown, signed Cosway to lower right, set within an oval metal frame, the miniature 8cm x 6cm, the frame 11cm x 8cm. $1,600-2,600

98 AN ENGLISH MINIATURE PORTRAIT ON IVORY* 18TH/19TH CENTURY Depicting a female in traditional costume, set within a rectangular gilt metal frame, titled ‘Lady Harrington by Cosway’ to verso, the frame 17cm x 14cm. $2,600-3,600

97 AN ITALIAN MINIATURE PORTRAIT ON IVORY* LATE 19TH CENTURY Depicting a young female wearing a feathered bonnet and a blue gown, set within a later turned wood frame, the miniature 7.5cm x 6cm. The frame 12cm x 10cm. $300-600

99 AN ITALIAN HAND PAINTED MINIATURE PAINTING ON IVORY* AFTER BOTTICELLI, 19TH CENTURY Depicting Botticelli’s ‘Madonna del Magnificat’, housed in a circular turned wood frame, the miniature 9.5cm in diameter, the frame 12cm in diameter. $1,000-1,500

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100 A CONTINENTAL AGATE BOX LATE 19TH CENTURY Of compressed oval form, the whole mounted in gold plated trimmings, 3cm high, 7.5cm wide, 5cm deep. $500-700 101 A FRENCH RENAISSANCE REVIVAL AGATE BOWL, OF MINIATURE PROPORTIONS, CIRCA 1890 The bowl oval in form, mounted within a scroll handled frame, raised on four feet, 4cm high, 8cm wide, 4.5cm deep. $500-700

102 A QUEEN ELIZABETH II ROYAL PRESENTATION SILVER AND GOLD CIGARETTE BOX BY GOLDSMITHS & SILVERSMITHS LTD, LONDON 1953 Decorated with reeded bands within floral cast borders, the hinged cover embellished with EIIR coronet in gold, enclosing gilded interior, engraved from Queen Elizabeth II & Prince Phillip to Michael Parker During the Commonwealth Tour 1953-54, approximately 364 grams, 13 x 8.5 x 4cm. $1,500-2,000

103 A PAIR OF MINIATURE SILVER KANGAROOS HANCOCKS & CO / LONDON / CIRCA 1991 Naturalistically modelled each in an upright pose with a joey in each pouch, approximately 180gms silver, each 6.5cm high. $1,500-2,000 104 A SINO-AUSTRALIAN SILVER GOLD FIELDS ORNAMENT LATE 19TH CENTURY Modelled as a Chinese worker operating a mining tool on four wheels, stamped YK to underside, approximately 30 grams, 6cm high, 6cm wide, 3cm deep. $500-700

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105 A PAIR OF AUSTRALIAN SILVER GOBLETS EDWARD FRANCIS GUNTER FISCHER / GEELONG / CIRCA 1880 The ogee formed bowl raised on a knopped stem above an engraved tapering foot, with repeating floral motifs, stamped E. FISCHER GEELONG to base, approximately 476 grams silver, 14cm high, the base 7cm in diameter. $1,500-2,000

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106 A SET OF SEVEN RUSSIAN SILVER FORKS FABERGÃ‰ / MOSCOW / CIRCA 1896 Comprising five forks, approximately 448 grams silver. Provenance: Purchased from the Dame Mable Brooks Collection $900-1,100

107 A FINE SUITE OF FRENCH CUT GLASS Comprising twelve side plates, twelve red wines, twelve dessert coupes, two three branch candlesticks, twelve small coupes, seven large beakers, six small beakers, ten white wines, twelve champagne coupes, eleven parfaits, and a large centre bowl. The plates measure 19cm diameter.

108 A TIFFANY STUDIO GOLD DORE FINISH BOWL NEW YORK, CIRCA 1920 Shallow and circular in form, with a graduated centre, raised on a footed base, stamped Tiffany Studios, New York, numbered 1708, 23cm diameter, 3cm high. $200-300

Provenance: The Claire McKinnon Estate $1,200-1,800

109 TWO CHINESE EXPORT WARE ENAMEL PLATES QING DYNASTY Each shallow and circular in form, applied with a famille rose border on a yellow ground surrounding a central reserve decorated with figures in landscape, 21.5cm diameter, 4cm high. $300-500

â€œOne of the most beautiful stores in the world.â€?

Detail 110 46

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110 ARTIST UNKNOWN (19th Century) A Day on the Water oil on canvas 137.5 x 100cm Provenance: Werribee Mansion $5,000-7,000 111 EUROPEAN SCHOOL (Religious Scene) oil on canvas 34.5 x 25cm $1,500-2,000

112 GEORGE PIERRE LOUIS SERRIER (French, 1852-1949) Farm Cottage oil on canvas signed lower right: G. Serrier 140 x 209cm $5,000-7,000 113 ERNST SAMUEL GEIGER (German, 1876-1965) View Through The Window oil on board signed lower right: Ernst Samuel Geiger 48.5 x 59.5cm $4,000-6,000

114 IKUNOSUKE SHIRATAKI (Japanese, 1873-1961) Women Reading oil on board signed lower right: I. Shirataki 52.5 x 40cm Provenance: Lieut-General Horace Robertson Sothebyâ€™s, Melbourne, 2 May 2000, lot 333 $3,000-5,000 115 A LATIN ICONOGRAPHIC WORK ON PAPER Hand painted with gold leaf ground, set within a decorative wooden frame, 8cm x 8cm. $300-500

111A EUROPEAN SCHOOL (18th Century) The Poultry Sellers oil on panel 44 x 32cm Provenance: Werribee Mansion $5,000-7,000

“Decorated with a gilt ground highlighted with graduated turquoise jewelling, all hand applied.”

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116 ARTIST UNKNOWN i) View of the Garden ii) Workers by the River gouache and watercolour on paper (2) 12.5 x 19.5cm (each) $300-500 117 ROSEMARY LOW AND ELIZABETH BUTTERWORTH Amazon Parrots 28 coloured plates after Elizabeth Butterworth in original red silk and black Solander box Rodolphe d’Erlanger, the Basilik Press, London 1983 $500-700 118 THREE BOOKS RELATING TO EDWARD SEAGO (a) With Capricorn to Paris by Edward Seago, Collins, St Jame’s, London, 1956, signed by the author (b) Edward Seago: a review of years 1953-1964 by Francis W. Hawcroft, Collins, St Jame’s, London, 1965, limited edition, no. 11/50, signed by Edward Seago with an original illustration (c) Edward Seago, painter in the English tradition, introductory text by Horace Shipp, Collins, St Jame’s, London, 1952, inscribed ‘For Liz with love from Ed, The Dutch House, September 1962’, along with an original illustration. Provenance: Edward Seago’s mistress Elizabeth (Liz) Edwards resided in Australia; these books were inscribed to her from Edward. $1,000-2,000

119 A RARE ROYAL WORCESTER JEWELLED COUNTESS OF DUDLEY CUP AND SAUCER, CIRCA 1875-77 The teacup raised on three gilt paw feet, painted with three female portrait medallions, hand painted by Thomas Scott Callowhill. The cup and saucer decorated with a gilt ground highlighted with graduated turquoise jewelling, all hand applied by Samuel Ranford, with clusters of white jewelling in places. Impressed factory mark to underside of saucer and signed S. Ranford. The feet of the cup bearing a purple factory mark, monogram for Samuel Ranford and T. S. Callowhill. The tea cup 6.5cm high, the saucer 13cm. Provenance: purchased from J. B. Hawkins antiques, NSW, in 1975. Note: This cup and saucer formed part of a service commissioned by the city of Worcester for the wedding of Baron Ward, Earl of Dudley to lady Georgina Moncreiffe in 1865. The set exhibited exceptional hand applied decoration, which took two years to finish. The set was borrowed and displayed at the Paris exhibition in 1867 and was awarded “The Legion D’ Honneur”, causing a sensation as a masterpiece of craftsmanship. This set is illustrated in Royal Worcester Porcelain by Henry Sandon, plate 27. $4,000-6,000

120 A SCOTTISH BREAKFRONT BOOKCASE CABINET W. PRIEST, CIRCA 1800 The upper body with four glazed doors, above a central fall front fitted drawer and four panelled doors, all raised on a pedestal base, stamped W. PRIEST 17 & 24 WATER ST BLACKFRIARS, 240cm high x 222cm wide x 61cm deep. $5,000-7,000 121 A REGENCY MAHOGANY LONGCASE CLOCK Having a painted dial with Roman numerals, seconds and date subsidiary chapters, all in an arched hood with swan neck pediment, above the panelled door enclosing original pendulum and weights, 218cm x 55cm x 25cm. $1,500-2,000 122 A REGENCY MAHOGANY CENTRE TABLE CIRCA 1830 The segmented marquetry flip top , with a cross banded apron raised on a carved leaf tip stem above a tripartite base terminating in scroll feet, 73cm x 130cm diameter. $1,000-2,000 123 A SET OF EIGHT VICTORIAN DINING CHAIRS Each chair with an elaborately carved back, raised on cabriole legs, 90cm x 43cm x 42cm. $400-600

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124 A LOUIS XVI ORMOLU MOUNTED VITRINE 19TH CENTURY The gallery edged pediment above a single door revealing a mirror back interior, raised on tapering feet, signed lock, 157cm x 73.5cm x 38cm. $2,000-3,000 125 AN EDWARDIAN SATINWOOD BIJOUTERIE TABLE The rectangular glass fronted display raised on four tapering legs, the whole decorated with decorative garland designs, 84cm x 101cm x 61cm. $2,000-3,000 125A THREE VIOLIN BOWS Each inlaid with silver mounts and papua shell detail. One bow stamped A. P BILSTEIN. $300-500 126 A SMALL JAPANESE LACQUERED TRAY MEIJI PERIOD (1868-1912) Rectangular in form, with a gilded border enclosing a central landscape scene on a matt ground, the reverse decorated in Nashiji, 1.5cm x 15cm x 19cm. $200-400 127 A CHINESE BRONZE FU DOG ON STAND Modelled in seated position with a raised head, standing on a rock formation. $200-300 128 THE HOLY BIBLE 17TH CENTURY Oxford, the University printers, 1695, leather cover with marbled end papers. $300-500 129 A COLLECTION OF DECORATIVE ARTS REFERENCE BOOKS Including Derby porcelain, Chamberlain Worcester, Flight Barr and Barr, Carriage clocks, Jacksonâ€™s silver and gold marks and The directory of gold & silversmiths in two volumes. $200-300 130 A COLLECTION OF JEWELLERY REFERENCE BOOKS Including Jewellery 1789-1910 in two volumes, Australian Jewellers makers & marks, Australian Jewellery 19th and Early 20th Century, American wristwatches, Clutton & Daniels watches, The Art of Cartier. $200-300

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CONDITIONS OF BUSINESS - SUMMARY To be read in conjunction with our General Conditions of Business as displayed during the viewing and auction. Special Conditions of Sale – Jewellery Jewellery and watches offered by Leonard Joel are sometimes accompanied by an Independent valuation as stated in the catalogue. These valuations are conducted by registered valuers and are offered purely as independent opinions. Variation may be found as to the colour, clarity and size of stones described in these reports, consequently Leonard Joel does not guarantee these Independent Valuations. Where stones can be weighed accurately, weights will be provided. Weights of set stones are estimates only and are provided to the best of our technical ability. Gram weight on gold and other precious metals are also given as an approximation. Wristwatches and pocket watches are offered in there current condition and Leonard Joel does not guarantee that they are in working order. Items may be thoroughly inspected during the viewing period or by prior arrangement. GST In the event that the vendor is registered for Goods & Services Tax (GST), the invoice to the buyer will provide a separate entry for the GST which is included in the purchase price. All Leonard Joel charges for services referred to in this catalogue are exclusive of GST. Overseas buyers may be entitled to a rebate for GST charged. For further information contact: Marie McCarthy accountant@leonardjoel.com.au Admission Leonard Joel has the right at its sole discretion without assigning any reason therefore to refuse admission to the premises or attendance at any of its sales of any person. Commission (Absentee) Bids Leonard Joel will execute absentee bids when instructed. Lots will be bought as cheaply as allowed by other bids and/ or reserves. Telephone Bidding Buyers interested in bidding by telephone should contact Leonard Joel as soon as possible. Please note that telephone bidding facilities are available on a first-come, first-served basis. Bidder Registration To recognise bidders during the sale all intending buyers are required to complete a Bidder Registration Form providing full photo identification and appropriate references if required before the Sale which will enable them to bid by way of a numbered paddle allocated to them. Buyer’s Premium There will be a buyer’s premium added to all purchases. The buyer’s premium will be calculated at the rate of 24% of the hammer price on each lot. This is inclusive of GST.

Warranties and Condition Reports. Condition reports will be available for any lot upon request, subject to conditions. Estimates Estimates are a reflection of Leonard Joel’s opinion of the current market values, based on historic and current market realisations of similar lots. Estimates are inclusive of any GST, which may be applicable. Actual prices at this sale may fall short or exceed the estimates. Payment In any event accounts must be settled with Leonard Joel no later than 4pm two days after the auction. Attention is specifically drawn to condition 21 of the Buyer’s Conditions of Sale. Payment may be made by way of cheque, most credit cards, eftpos or telegraphic transfer. Please note: payments made by cheque are subject to a 5 day clearance before goods can be collected. (1.65% administration fee applies for Visa and Mastercard, 3.15% for American Express and Diners is not accepted.) Bank telegraph transfers should be directed to: Account name: Leonard Joel Pty Ltd Address: Bank West 62 Elizabeth Street Melbourne, VIC 3000 Australia BSB: 303-111 Account no: 1304963 Collection of Lots Purchased lots must be collected no later than two days after the auction; otherwise lots shall be moved to storage at the Buyer’s expense (see below). Lots are at the Buyer’s risk from the fall of the hammer. It is strongly advised that overseas and interstate purchasers and absentee bidders make their arrangements with Leonard Joel in advance of the Sale. Charges are outlined below and are quoted in Australian dollars. Removal and Storage Any lots not collected within two days after the auction, may be stored or resold at the Buyer’s expense. Removal Charges Each lot

$55

Storage Charges Each lot

$11 per day

Property subject to the Artist Resale Royalty Lots with the § sign will be subject to payment of the Artist Resale Royalty in the event that the lot is sold for a hammer price of $1,000 or more. The Australian Resale Royalty is a flat rate of 5 percent (5%) levy on the hammer price (including GST). The Australian Resale Royalty is payable by the buyer in addition to the buyer’s premium plus applicable GST.

Protection of Movable Cultural Heritage Act 1986 (PMCH Act). Buyers should be aware of the PMCH Act which protects Australia’s heritage of movable cultural objects and supports foreign countries’ right to protect their heritage of movable cultural objects. The PMCH Act regulates the export of nationally significant heritage objects, it is not intended to restrict normal and legitimate trade in cultural property, and does not affect an individual’s right to own or sell objects, within Australia. The PMCH Act was enacted in response to the 1970 UNESCO Convention on the Means of Prohibiting the Illicit Import, Export and Transfer of Ownership of Cultural Property. It is the responsibility of the Buyer to ensure that the export of any lots purchased are not subject to, or in breach of, this Act.

Damage Any viewer who damages a Lot will be held liable for all damage caused and shall reimburse Leonard Joel for all costs and expenses relating to rectification of such damage.

Information about the PMCH Act, the Protection of Movable Cultural Heritage Regulations 1987 and the 1970 UNESCO Convention, can be found on the Department of the Environment, Water, Heritage and the Arts website at:

The buyer’s premium is reflected by a reduction in the Seller’s Commission and is a common practice throughout Australia and overseas.

Exporting Significant Australian Cultural Heritage The export of Australia’s significant cultural heritage is regulated under the Protection of Movable Cultural Heritage Act 1986 (PMCH Act.) It is not intended to restrict normal and legitimate trade in cultural property and does not affect an individual’s right to own or sell within Australia. The PMCH Act implements a system of export permits for certain heritage objects defined as ‘Australian protected objects’. More information is available on the Department of the Environment, Water, Heritage and the Arts’ website: http://www.arts.gov.au/movable_heritage Enquiries can be made to the Cultural Property Section at the Department of the Environment, Water, Heritage and the Arts, phone 02 6274 1810 or email movable.heritage@environment.gov.au CITES Regulations It is the buyer’s sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licences. The refusal of any import or export licences, any delay in obtaining such licences or any limitation on your ability to export a lot shall not permit the cancellation of the sale. Please note that all lots marked with the symbol * are subject to CITES regulations when exporting these items outside of Australia. Information about these regulations may be found at www.environment.gov.au/biodiversity/trade-use/cites/index. html or may be requested from: The Director International Wildlife Trade Department of Sustainability, Environment, Water, Population and Communities GPO Box 787 CANBERRA ACT 2601 Recommended carrier for this auction Daniel Hochberg PACK & SEND Kings Cross Shop 3, 200 William St, Woolloomooloo, NSW, 2011, Australia T: (0)2 9331 2700 | F: (0)2 9331 3700 E: kingscross@packsend.com.au www.packsend.com.au/kingscross Lin Tan FINE ART CONSULTANT | GRACE FINE ART T: (02) 9838 5659 | E: ltan@grace.com.au Collection and Storage: All lots must be collected by 5pm on Thursday 7th December 2017. All uncollected items will be removed to third party storage at the purchaser’s expense.

http://www.environment.gov.au/heritage/movable/index.html Title Leonard Joel guarantees good title to all lots.

Sale Rooms MELBOURNE 333 Malvern Road, South Yarra, Melbourne VIC 3141 Telephone: (03) 9826 4333 Facsimile: (03) 9826 4544 Interstate: 1800 264 333 SYDNEY 39 Queen Street, Woollahra, Sydney NSW 2025 Telephone: (02) 9362 9045 Facsimile: (03) 9826 4544 Interstate: 1800 264 333 email: info@leonardjoel.com.au e-mail all lower case firstname.surname@leonardjoel.com.au leonardjoel.com.au MANAGING DIRECTOR & NATIONAL HEAD OF COLLECTIONS John Albrecht BA LLB MBA

Leonard Joel Specialists SYDNEY Robert Williams, Head of Single-Owner Collections & Sydney Office Emily Sinclair, Art Specialist Maria Fayyez, Jewellery Assistant ABORIGINAL ART Sophie Ullin BA Hons, National Head of Art ART Sophie Ullin BA Hons, National Head of Art Olivia Fuller BArtTh, Art Specialist Anna Maude, Art Specialist Lucy Foster EMA, Art Specialist Emily Sinclair, Art Specialist Daizi Zheng, Administrator COLLECTABLES Allison Therrien, Collectables Manager & Specialist Administrator INTERNATIONAL DESIGN & APPLIED ARTS Chiara Curcio BA, Head of International Design & Applied Arts Dominic Kavanagh MFA, International Design & Applied Arts Assistant Trevor Fleming, BA (Asian Studies), M.Mgmt (Arts), Specialist, Japanese Art Sally A. Robin, MA (Chinese), DipML, DipAPLE, DipLCM Specialist, Chinese Art

IN ASSOCIATION WITH

JEWELLERY John Dâ€™Agata F.G.A.A., National Head of Jewellery Bethany McGougan, BA Hons, MSc, Manager, Jewellery & Luxury Karen Tidball F.G.A.A., Jewellery Assistant Kerry Dobson, Administrator Mary Kenny BA, Dip. Ed., Consultant Henrietta Maiyah, Consultant LUXURY Bethany McGougan, BA Hons, MSc, Manager, Jewellery & Luxury MODERN DESIGN Anna Grassham BA Contemporary Arts, Specialist INTERIORS & FURNITURE Tanith Harley, Manager Shawn Mitchell, Acting Manager William Broadhurst, Assistant Toby Lennox-Hilton, Assistant OBJECTS, BOOKS & COLLECTABLES Maxine Winning, Manager Moi Rogers, Assistant SPORTING MEMORABILIA Max Williamson, Head of Sporting Memorabilia VALUATIONS Caroline Tickner, BA Hons, F.G.A.A., Head of Valuations ACCOUNTS Marie McCarthy, Chief Financial Officer Michelle Draper, Account Manager Andrea Del Campo, Accountant FRONT OFFICE Kim Clarke, Front of House Manager Amelia Lewis, Receptionist Keryn Gilchrist, Database OPERATIONS & LOGISTICS Anthony Riepsamen, Manager COMMUNICATIONS & MARKETING Nicole Kenning, Manager PHOTOGRAPHY Adam Obradovic, Senior Photographer Joseph Hammond, Photographer DESIGN Maria Rossi, Finished Artist