Important Chinese & Asian Art by Leonard Joel

Very Rare and Fine Chinese Sancai and Blue Glazed Kneeling

Bactrian Camel and a Female Rider, Tang Dynasty (618–907) (detail)

Important Chinese & Asian Art

14.06.2026, 11am

重要中國與亞洲藝術

VIEWING

thu 11 jun – sat 13 jun 11am – 5pm 2 Oxley Road, Hawthorn, VIC 3122

CONTACTS

luke guan

head of asian art 0455 891 888 luke.guan@ leonardjoel.com.au

31 A VERY FINE AND RARE CHINESE

OFFICIAL WARE

FAMILLE-ROSE "SCHOLARS" VASE, HUAI REN TANG ZHI

FOUR-CHARACTER

IRON RED SEAL

MARK, HONGXIAN

PERIOD (1915 - 1916)

$20,000-30,000

Important Chinese and Asian Art

This season’s Important Chinese and Asian Works of Art auction brings together distinguished private collections and carefully curated sections spanning Buddhist art, paintings, ceramics, and jade. Among the highlights is Radiance of Sacred Echoes: Himalayan and Buddhist Art (LOTS 45–110), comprising sixty-seven finely cast Buddhist sculptures and ritual works from various periods. The opening group derives from the renowned Sama Aranya Collection, New South Wales, researched and catalogued by Professor David Templeman of Monash University.

The Chinese Paintings and Calligraphy section features important modern works from The Cox Family Collection (LOTS 134–137), including paintings by Huang Yongyu, Wu Zuoren, Liu Wenxi, and Guan Shanyue, together with a distinguished group from the family of Rong Yiren of Wuxi, former Vice President of China (LOTS 145–152). Additional highlights include LOT 159, a framed calligraphy work by Zhao Puchu (1907–2000), and LOT 166, a landscape painting attributed to Dong Qichang, formerly in the collection of Major R. W. Scott and gifted by Major General Itsuki Toshi following the Second World War.

The ceramics section includes several exceptional Qing imperial porcelains, notably a Kangxi yellow-ground green-dragon bowl (LOT 7), a Yongzheng yellow-glazed anhua-decorated bowl (LOT 15), and a pair of Chenghua mark doucai “boys at play” conical bowls (LOT 11). The early ceramics section is led by eleven important Song wares from the Estate of Dr. Lam, Melbourne (LOTS 185–195), alongside a rare Sui/early Tang straw-glazed dragon amphora vase (LOT 210) and an exceptional Tang sancai and blue-glazed kneeling bactrian camel with female rider (LOT 205). Fine Song and Yuan works include a rare Song dynasty dark lacquer foliate dish from the Raymond and Victoria Tregaskis Collection (LOT 220), a Southern Song Longquan celadon mallet vase (LOT 245) and a fine Ming celadon longquan “lotus” vase (LOT 237).

The jade section continues Part II of the celebrated jade collection from the Estate of architect W. Y. Thomas Kwok of Hong Kong, featuring twenty-three exceptional works together with important Ming and Qing jades from various private collections. Highlights include a Qing yellow jade dragon vase (LOT 297), a white jade conch (LOT 303), a white jade teapot (LOT 307), and a rare eighteenth-century white jade figure of a foreigner holding a small dog (LOT 317).

Special attention should also be drawn to LOTS 112–118 from the collection of the late Japanese collector Hata Mineo (1949–2026), internationally respected for his expertise in early Asian art and Song–Yuan ceramics. Presented in his memory, this group reflects the refined connoisseurship for which he was widely admired.

本場中國與亞洲藝術大拍共涵蓋兩個尤為重要之專題章節。其中，「飲煌清音」喜馬拉雅及宗教藝術（LOT45–LOT111）專場，將於6月14日上午隆重呈獻67件來自不同時期之精美造像，凝弘華美，熠熠生輝。此章節前29件拍品（LOT45–LOT73）悉數來自新南威爾士州重要單一藏家「寂照樓」Sama Aranya 珍藏。作為顧問與摯友，莫納什大學著名學者 David Templeman 教授親自為「寂照樓」喜馬拉雅藝術收藏逐一整理、編纂並斷代，今次特釋出其中部分重要藏品。另一重要章節為將於午后舉槌之「岸芷汀蘭」中國書畫專場，其中 LOT134–LOT137 為墨爾本 COX 老家族遞藏，涵蓋黃永玉、吳作人、劉文西、關山月等十一幅重要畫作，海外遺珠，筆意超然。LOT145–LOT152 則為無錫榮家（榮毅仁家族）舊藏，海外遞藏珍品八件，另有多位重要藏家遞藏作品十九件，包括LOT 159趙樸初的書法以及LOT166 由大英帝國勳章授予者R.W. Scott少校後人提供的（傳）董其昌的山水畫軸，此畫在二戰結束後由日軍戰犯Itsuki Toshi 少將及上田光春大尉1945年贈與。

本次大拍瓷器版塊中，多件清代官窯瓷器精品尤值得關注，包括 LOT7 康熙官窯黃地綠龍紋碗、LOT15 雍正官窯暗花龍鳳紋黃釉碗、 LOT11 十七／十八世紀成化款鬥彩嬰戲馬蹄盃一對以及民國精品 LOT31 洪憲官窯「懷仁堂製」粉彩福祿壽三聖圖瓶。高古瓷器部分尤為精彩，特別值得一提者包括墨爾本 Dr. Lam 遺產高古瓷收藏十一件（LOT185–LOT195）；隋唐陶瓷重要珍品如 LOT210 罕見七世紀白釉盤口盤龍大雙龍瓶、LOT205 唐代藍彩跪坐駱駝仕女騎乘俑。宋元精美器物方面，則有已故澳洲著名亞洲藝術古董商Ray Tregaskis珍藏的 LOT217 宋代吉州窯褐釉白花束口罐和LOT220 宋代罕見花形漆盤；另外還有LOT245 南宋龍泉窯青釉魚耳紙槌瓶。元明龍泉窯精品亦殊為難得，包括 LOT237 明代龍泉窯刻蓮瓣紋梅子青釉大瓶與 LOT238 元代龍泉窯刻花卉紋大罐。

玉器部分「崑崙」（LOT257–LOT321）將繼續呈獻香港建築師郭偉仁先生珍貴玉器遺藏專場（The Estate of W.Y. Thomas Kwok）第二部分並匯聚多位藏家遞藏之明清與高古玉器。其中 LOT297 清黃玉螭龍玉瓶、LOT303 清白玉法螺御題詩配紫檀底座、LOT307 清白玉蓮花冰心玉壺，以及 LOT317 十八世紀白玉胡人小狗立像等，皆為罕見玲瓏之作。文房雅器專場「含章」（LOT322–LOT358）中，LOT333 明代鱔魚黃澄泥硯「翁方綱珍藏」款，細膩溫潤，另有諸多文房雅玩，殊堪賞鑒。

特別值得介紹者，為本場 LOT112–LOT118 源自著名日本收藏家秦峰男先生之小專場。秦峰男（Hata Mineo，1949–2026）為日本關西地區重量級收藏家及古董商，業界尊稱「大阪秦」，以高古藝術、佛教造像及宋元瓷器之收藏與鑑賞聞名。2023年至2026年間，佳士得紐約及蘇富比香港先後為其舉辦「品藝人生」系列專場，轟動國際藏界。其影響力堪與坂本五郎齊名，為日本少數能主導國際高古藝術市場之重要藏家，以眼光精準、審美超然及低調自守著稱。秦峰男先生於今年年初辭世，今特藉此專場以誌追思。

luke guan head of asian art

A SMALL CHINESE BLUE AND WHITE CENSER, LATE MING DYNASTY, 16TH/17TH CENTURY

7.5cm diameter; 5cm high

$3,000-5,000

清【大清康熙年製】

A FINE CHINESE BLUE AND WHITE ‘FRUIT AND FLOWER’ BOX AND COVER, QING DYNASTY (1644 - 1911)

8cm diameter; 5.5cm high

$2,000-3,000

A CHINESE BLUE AND WHITE VASE, GU, KANGXI SIX-CHARACTER UNDERGLAZE BLUE MARK AND OF THE PERIOD (1662 - 1722)

45.3cm high

provenance

A Private Collection, NSW.

$7,000-9,000

4 A RARE CHINESE BLUE AND WHITE 'DRAGON' BAT-SHAPED BOX AND COVER, WANLI SIX-CHARACTER MARK IN UNDERGLAZE BLUE IN A DOUBLE SQUARE AND POSSIBLY OF THE PERIOD (1573-1619)

A similar example with dragon and phoenix decoration, see Christie’s London, 14 May 2019, lot 278.

17cm wide

$2,000-3,000

5 A PAIR OF CHINESE BLUE GLAZED CUPS, GUANGXU PERIOD (1875 - 1908)

Each cup is with an apocryphal Cheng Hua mark on the base.

each: 7cm diameter; 4.5cm high

$1,500-2,500

6 A PAIR OF CHINESE IRON-RED “DRAGON” WINE CUPS, QIANLONG MARK

With a fitted box.

5cm diameter; 6cm high

provenance

The Estate of W.Y. Thomas Kwok (1944 - 2017), Hong Kong, acquired in Hong Kong in the 80s. $1,000-2,000

7 A CHINESE YELLOW-GROUND GREENENAMELLED ‘DRAGON’ BOWL, KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1662-1722)

Similar examples see Sotheby's Hong Kong, 10 July 2020, lot 3143; Sotheby's New York, 11 September 2019, lot 617 and same house, 7 November, 2018, lot 103; and also see Christie's New York, 23 March 2018, lot 779.

10cm diameter; 6cm high

provenance

An old private collection, Sydney. $10,000-20,000

清【大清康熙年製】青花六字楷书款及本朝黃地綠龍紋盌

A PAIR OF CHINESE APPLE GREEN-GLAZED CUPS, YONGZHENG MARK each 8cm diameter; 4.3cm high

provenance

A Private Collection, NSW.

$1,500-2,500

9 A FINE CHINESE CELADON GLAZED CENSER, QIANLONG MARK, POSSIBLY OF THE PERIOD

With an old Japanese wooden box. 6cm wide; 4.5cm high

$2,000-3,000

A RARE CHINESE CELADON-GLAZED INCISED “DRAGON” BOWL, KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE, AND OF THE PERIOD (1662-1722)

With an old Japanese wood box.

An important private collection, Tokyo, Japan.

A RARE AND FINE PAIR OF CHINESE DOUCAI “BOYS” CONICAL BOWLS, CHENGHUA MARK, KANGXI/YONGZHENG PERIOD, 17TH/18TH CENTURY

The base of each inscribed with an apocryphal Chenghua six-character mark in underglaze blue. It’s with an old fitted brocade box.

A slightly smaller pair (7.4cm diameter) of similar form, also decorated in doucai, was sold at Sotheby’s New York, The Cadle Family Collection of Chinese Monochromes, 21 March 2023, lot 19. 10.2cm diameter; 4cm high each

provenance

The Estate of Betty and Donald Currie. Raymond and Victoria Tregaskis Oriental Antiques, Sydney.

$8,000-10,000

十七／十八世紀【大明成化年製】青花六字楷書款鬥彩嬰戲紋馬蹄盌一對

附舊錦盒

相似品見紐約蘇富比，《The Cadle Family Collection of Chinese Monochromes》專場，一對尺寸稍小（直徑7.4厘米）鬥彩盌， 2023年3月21 日，拍品19

源流：

貝蒂與唐納德柯里伉儷舊藏

Raymond and Victoria Tregaskis 珍藏

A CHINESE PEACH-BLOSSOM GLAZED BOX AND COVER, KANGXI MARK, 19TH CENTURY

7.6cm diameter

provenance

A private collection, Sydney.

$600-800

13 A CHINESE BLACK-GROUND GREEN-ENAMELLED “DRAGON” BOWL, KANGXI MARK

21.7cm diameter

$3,000-5,000

A RARE AND FINE PAIR OF CHINESE RUBY RED-GROUND FAMILLE-ROSE BOWLS AND COVERS, DAOGUANG PERIOD (1821-1850), XIEZHU ZHUREN ZAO HALL MARK IN IRON RED WITHIN A SQUARE

Porcelain bearing the mark “Xiezhu Zhuren zao” (“Made for the Master of Xiezhu”) relates to the Qing imperial court and is closely associated with the Yuanmingyuan (the Old Summer Palace), once the principal imperial garden complex. Originally used as a summer retreat, the

frequently resided there, attending to state affairs, reading, and daily life, and was known for his frugality and diligence. Contemporary records, including the Veritable Records of the Daoguang Reign, note his presence at the studio during significant historical moments.

Porcelain inscribed with the mark “Xiezhu Zhuren zao” was specially commissioned from the imperial kilns at Jingdezhen for use by the Daoguang Emperor within this residence.

Following the emperor’s death in 1850, the Yuanmingyuan was looted and burned by AngloFrench forces in 1860, resulting in the destruction of the Xiezhu Ju and the loss of many imperial objects originally housed there.

Four cups with the same marks, sold at Christie’s Hong Kong, 13 June 2019, lot 8070. 10.6cm diameter each

provenance

A private collection, Sydney.

$6,000-8,000

清道光「嶰竹主人造」款珊瑚紅地「鳳鳴在竹」蓋碗一對

帶有「嶰竹主人造」款之瓷器與清代宮廷密切相關，並與昔日皇家園林圓明園關係尤為密切。圓明園初為清代皇帝夏日避暑之所，自乾隆時期起逐漸成為皇帝主要起居及理政之地。「嶰竹主人」為清道光皇帝（1820–1850年在位）之號，取自其位於圓明園內之書齋「嶰竹居」。道光帝常居於此，處理政務、讀書起居，以勤儉勤政著稱。《清宣宗實錄》等文獻亦記載其於嶰竹居之活動。

署「嶰竹主人造」款之瓷器，乃由景德鎮御窯專為道光皇帝於嶰竹居內使用而燒製。

道光三十年（1850年）帝崩後，至1860年英法聯軍焚掠圓明園，嶰竹居亦毀於一炬，原藏其中之御用器物多已散佚不存。

可參見四件帶同款之茶盞，售於佳士得香港，2019 年6月13日，拍品8070。

A FINE AND RARE CHINESE YELLOW-GLAZED INCISED “DRAGON AND PHOENIX” ANHUA BOWL, YONGZHENG SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1723-1735)

A bowl with similar incised design is illustrated by J. Ayers in The Baur Collection: Chinese Ceramics, vol. III, Geneva, 1972, no. A 449 and again in Sekai toji zenshu, vol. 15, Tokyo, 1983, p. 196, pl. 258. A similar bowl formerly in the collection of Stephen Junkunc III, sold at Christie’s New York, 18 September 2003, lot 361; another smaller one (10cm diameter), sold at the same house, 20 September 2005, lot 378. Another yellow-glazed bowl incised with two dragons, see Sotheby’s New York, 22 March 2022, lot 76. 13.5cm diameter

provenance

A Private Collection, USA, acquired in Japan in the early 2000.

$20,000-30,000

清【大清雍正年製】青花六字楷书款及本朝　黃釉暗刻龍鳳紋盌

瑞士鮑爾珍藏館（The Baur Collection）所藏一例相似暗刻紋飾之盌，見 J. Ayers 著《中國陶瓷》（The Baur Collection: Chinese Ceramics）卷三，日內瓦，1972年，編號A 449；並載於《世界陶瓷全集》第15卷，東京，1983年，頁196，圖版 258。

另有一例曾為 Stephen Junkunc III 所藏，後於紐約佳士得拍賣，2003年9月18日，拍品361；另有一件較小尺寸（直徑10厘米）者，於同場2005年9月20 日拍賣，拍品378。另見一件黃釉刻雙龍紋盌，紐約蘇富比，2022年3月22日，拍品76。

AN IMPORTANT AND RARE IMPERIAL

CHINESE BLUE AND WHITE DRAGON BOWL, XUANDE SIX-CHARACTER UNDERGLAZE

BLUE MARK AND OF THE PERIOD (1339-1435)

The bowl is finely decorated with a continuous frieze of four five-clawed dragons chasing flaming pearls and surrounded by cloud scrolls, the interior centre with a circular panel enclosing a scaly dragon within blue circles, the base is with a finely written sixcharacter Xuande mark within double blue circles. This extremely rare bowl represents the finest quality of porcelain produced at the Imperial kilns in the Xuande reign. The design of Imperial five-clawed dragons flying through the clouds and each chasing a flaming pearl is one of the most classic designs of all in Chinese porcelain, but that said this is one of the rarest patterns of the Xuande period. Originating as early as the Hongwu period (1368-1398) as seen on a blue and white and moulded bowl in the Tianminlou collection, illustrated in The Radiant Ming 1368-1644 through the Min Chiu Society Collection, Hong Kong, 2015, p. 18, no. 1. However, it was not until the Yongle period (1426-1435) that this design became standardised. A Yongle blue and white stem bowl of very similar decoration with fitted gold cover and silver stand was found in the tomb of Prince

Zhuang of Liang in Zhongxiang city, Hubei province, illustrated in the British Museum, Ming: 50 years that changed China, London, 2014, p. 87, fig. 70. On the Prince Zhuang of Liang example, not only the porcelain stem bowl but also the gold cover and silver stand bear a conforming five-clawed dragon design. It is important to note that an inscription on the gold cover dates it to the second year of Zhengtong (1437). The consistency of this design across precious mediums and different reign periods might suggest that in the early 15th century this design became one of the standard designs supplied by the court to various imperial workshops. Bowls of this type continued to be made in the following periods in the Ming dynasty (1368-1644) such as a Chenghua (1465-1487) example and a Hongzhi (1488-1505) example in the Shanghai Museum, illustrated by Lu Minghua in Porcelain Wares from the Official Kilns of the Ming, Shanghai, 2007, fig. 3-61 and fig. 3-69 respectively. Two Xuande bowls of related design are in the National Palace Museum, Taipei, illustrated in A Panorama of Ceramics in the Collection of the National Palace Museum: Hsuan-te Ware I, Taipei, 2000, nos. 64 and 65. Xuande ‘dragon’ bowls of this form also exist in a slightly different version, in which

the dragons have three claws and the interiors are decorated with various floral scrolls and sprays in underglaze blue. This group includes four examples in the National Palace Museum, Taipei, illustrated in ibid, nos. 69-73; one in the British Museum, illustrated by Jessica Harrison-Hall, Catalogue of Late Yuan and Ming Ceramics in the British Museum, London, 2001, p. 134, no. 4:26; one in the Matsuoka Art Museum, Tokyo, illustrated in the Toji Taikei (Ceramics of East Asia), vol. 42, Tokyo, 1975, figs. 51 and 52; and the other one sold at Sotheby’s Hong Kong, 2 November 1994, lot 36. A band of lappet design around the base of these bowls is more common, instead of the crashing waves seen on this example, making this design exceptionally rare. 23cm diameter, 9.5cm high

provenance

Raymond and Victoria Tregaskis Oriental Antiques, Hong Kong.

A private collection, Sydney.

$50,000-60,000

19 A CHINESE BLUE AND GOLD ENAMEL “FRUITS” BOWL, YONGZHENG SIXCHARACTER UNDERGLAZE BLUE SEAL MARK AND OF THE PERIOD (1723 - 1735)

24cm diameter

$4,000-6,000

清

A CHINESE TEADUST-GLAZED VASE, FANGHU, QIANLONG INCISED SIX-CHARACTER SEAL MARK AND POSSIBLY OF THE PERIOD (1736-1795)

Of faceted pear shape, the vase is moulded in low relief on the broad sides with large peach-shaped panels, and the neck, with indented corners, is set with a pair of rectangular lug handles. It is covered overall in an even olive-green glaze with fine golden speckling, extending to the base around the mark, which is reserved in brown glaze; the foot is finished with a blackish-brown wash.

Vases of this form were produced in the Qianlong period in a range of monochrome glazes. These include Ge-type, illustrated in Chinese Ceramics in the Idemitsu Collection, Japan, 1987, no. 960; flambé examples sold at Christie’s Hong Kong, 29 May 2013, lot 2279, and 1 June 2011, lot 3716; and a larger Rutype vase sold at Christie’s Hong Kong, 31 May 2017, lot 3203. A teadust-glazed example of comparable size (30.7 cm high) was sold at Christie’s Hong Kong, 1 June 2011, lot 3708, and another, from the Studio of Clear Garden collection, at Christie’s New York, 22 March 2018, lot 609.

31.5cm high

provenance

An Important Private Collection, Tokyo, Japan. $5,000-8,000

23 A CHINESE GE-TYPE VASE, FANGHU, QIANLONG SIX-CHARACTER SEAL MARK AND POSSIBLY OF THE PERIOD (1736-1795)

Of rectangular section, the vase is robustly potted in an archaic hu form, with peach-shaped panels to the front and back and a pair of rectangular tubular handles at the neck. The canted rim and neck are covered in a thick grey glaze with dark crackle. Archaism, a defining feature of Qing dynasty craftsmanship, is expressed here in both form and glaze: the hu shape derives from Shang and Zhou bronzes, while the glaze imitates Southern Song imperial Ge ware. A related Song prototype, a small Guan vase with canted corners in the Freer Gallery of Art, Washington, D.C., is illustrated in Oriental Ceramics, Kodansha Series, vol. 9, Japan, 1987, no. 960. Comparable examples have appeared at auction, including Bonhams Los Angeles, 16–25 June 2025, lot 34; Bonhams San Francisco, 11 December 2012, lot 8064; and Christie’s Hong Kong, 30 November 2011, lot 3321, and 3 June 2015, lot 3248. 30.8cm high

provenance

An Important Scholar’s Private Collection, Tokyo, Japan.

$5,000-7,000

A CHINESE CRACKLE-GLAZED VASE, QIANLONG MARK, QING DYNASTY (1644 - 1911)

28.5cm high

provenance

A Private Collection, Sydney.

$2,000-3,000

25 A PAIR OF CHINESE POWDER BLUE GLAZED AND FAMILLE VERTE JARS, KANGXI PERIOD (1662 - 1722)

38cm high

$2,000-3,000

A CHINESE FAMILLE-ROSE “BATS” VASE, GUANGXU SIX-CHARACTER IRON-RED MARK AND OF THE PERIOD (1875 - 1908)

33.5cm high

$4,000-6,000

清【大清光緒年製】礬紅六字楷書款及本朝粉彩百蝠紋瓶（1875–1908）

A CHINESE PEACH-BLOOM GLAZE BOTTLE VASE, GUANGXU SIX-CHARACTER UNDERGLAZE MARK AND OF THE PERIOD (1875 - 1908)

19.5cm high

$1,500-2,500

A CHINESE BLUE GLAZED ALTAR VESSEL AND COVER, DOU, QIANLONG RELIEF MOULDED SIX-CHARACTER SEALMARK AND PROBABLY OF THE PERIOD (1736-95)

A similar example sold at Christie’s London, 18 May 2012, lot 1024.

27.5cm high

provenance

Sotheby’s Sydney, 21 July 2015, lot 225 (with original invoice, invoice no. SA00007272).

A Private Collection, Sydney.

$2,500-3,500

A RARE CHINESE SHUFU GLAZED OPENWORK DRAGON VASE, POSSIBLY YUAN DYNASTY

With an old Japanese lacquered wood box. 31cm high

provenance

Iwasaki Family Collection (by repute, according the label on the box).

Masuro Otsuka Collection (by repute, according the label on the box).

Collection of A Tea Master, Kyoto, Japan.

$6,000-8,000

或為元樞府釉鏤空龍紋瓶

附舊日本漆木盒

源流：

岩崎家族舊藏（據盒上標籤）

大塚益郎收藏（據盒上標籤）日本京都茶道家收藏

30 A FINE CHINESE FAMILLE-ROSE MOON FLASK “BOYS” VASE, QIANLONG MARK, REPUBLIC PERIOD, EARLY 20TH CENTURY 16.5cm high

provenance

A private collection, Sydney.

$2,000-3,000

A CHINESE FAMILLE-ROSE SEATED FIGURE OF BUDDHA, QING DYNASTY (1644 - 1911)

30cm high

$5,000-7,000

34 A CHINESE LONGQUAN CELADON SEATED FIGURE OF SAMANTABHADRA, MING DYNASTY (1368 - 1644)

29.8cm high

$2,000-3,000

35 A CHINESE DEHUA STANDING FIGURE OF GUANYIN, QING DYNASTY (1644 - 1911)

The back of the figure is with an impressed seal mark. 34.5cm high

$2,000-3,000

36 A VERY FINE CHINESE LONGQUAN CELADON SEATED FIGURE OF GUANYIN, MING DYNASTY (1368 - 1644)

30cm high

provenance

J. Loren Karas Collection, collection no. 44 (according to the sticker on the base).

China Guardian Beijing, 19, November, 2023, lot. 887. $8,000-12,000

明龍泉窯青釉觀音坐像

37 A CHINESE QINGBAI GLAZED SEATED FIGURE OF BUDDHA SHAKYAMUNI, POSSIBLY YUAN DYNASTY OR LATER

With a fitted Japanese black lacquer box. H18.5

$5,000-7,000

A LARGE CHINESE CLOISONNE LOBED VASE, QING DYNASTY 18-19TH CENTURY

62cm high

provenance

An Important Private Collection, S.A.

$4,000-6,000

十八至十九世紀掐絲琺瑯花口大瓶

A CHINESE CLOISONNE VASE, QIANLONG MARK, QING DYNASTY (1644 - 1911)

23cm high

$3,000-5,000

A CHINESE CLOISONNE ENAMEL DRAGON VASE, BIANHU, QIANLONG INCISED FOURCHARACTER MARK AND OF THE PERIOD (1736-1795)

The ewer is of rounded form, with a circular mouth, short neck, and a compressed globular body, raised on a rectangular foot. The shoulders are set with a pair of gilt-bronze beast-form handles. The body is decorated with a front-facing dragon motif. The interior of the foot is engraved with a four-character mark in regular script reading Qianlong nian zhi. Another cloisonné vase of closely comparable form is preserved in the Palace Museum, Beijing (museum no. gu00116857).

14cm wide; 13cm high

provenance

A Private Collection, QLD.

$20,000-30,000

清【乾隆年製】四字楷書刻款及本朝掐絲琺瑯龍紋扁壺

參見北京故宮博物院造型相近之掐絲琺瑯器（館藏號 gu00116857）。

源流：

昆士蘭私人收藏

A CHINESE CLOISONNÉ ENAMEL TRIPOD CENSER AND COVER, QIANLONG MARK, QING DYNASTY, 18TH/19TH CENTURY

35.5cm

provenance

A private scholar’s collection, Tokyo, Japan.

$3,500-5,500

A CHINESE PAINTED ENAMEL FLORAL CUP WITH COVER AND SAUCER, QIANLONG MARK, QING DYNASTY (1644 - 1911)

overall 13.5cm high; cup: 9cm high; saucer: 16.5cm diameter

$2,000-3,000

A RARE CHINESE PARTIAL-GILT REPOUSSE BRONZE VASE, TOUHU, YONGZHENG MARK, QING DYNASTY (1644 - 1911)

As noted in the Book of Rites (Liji), pitch-pot (touhu) is a refined form of archery, derived from pre-Qin ritual practice and later adapted as a banquet game to entertain guests while retaining the moral and ceremonial aspects of archery rites.

The present vessel is an archaistic example of cylindrical form, with a straight mouth and a pair of smaller tubular side openings. The body is full and rounded, set with loop handles and raised on a tall foot. The dark bronze surface is partially gilt with finely detailed dragon motifs.

Well cast and proportioned, the vessel conveys a sense of dignity and balance, successfully evoking the form and spirit of ancient ritual bronzes.

A closely comparable bronze touhu vessel, a non-gilt example, is preserved in the Beijing Palace Museum (museum no. gu00177798).

38.5cm high

$10,000-20,000

清雍正款局部鎏金銅仿古紋龍耳壺《禮記》有雲：“投壺，射之細也”，投壺這種遊戲最早是由先秦時期的射禮演變而來。射是古代優秀男子必備的六藝之一，在很多重要場合需要展示射箭技巧，但畢竟不是所有人都精於此道，於是投壺便應運而生：“其始必於燕飲之間，謀以樂賓，或病於不能射也，舉席間之器以寄射節焉”——《投壺新格》。作為利益的一種，投壺不僅繼承了射禮的儀節，還繼承了射禮正己修身的禮儀，後世之人也對此明言道：“投壺乃射禮之變也”。

此投壺為仿古之器，圓口直筒，大筒兩側附雙小筒，小筒上下開口。壺體圓鼓，豐滿厚重，兩側置一對係耳，高足。壺體局部鎏金，深邃肅穆的銅地上勾勒無數明亮華麗的卷草龍紋，遊走自如，精美細緻。

這件作品整體造型莊重大氣，鑄造線條挺拔秀麗，所呈現出的氣質典雅安穩，紋樣圖案點綴得恰到好處，相得益彰，將數千年前的尊貴禮器完美重現，是為一件經典的仿古銅器佳品。

A CHINESE PAINTED ENAMEL SQUARE VASE, FANG QU, QIANGLONG MARK, LATE 19TH/EARLY 20TH CENTURY With a fitted old brocade wood stand and old fitted lacquer wood box. 26cm high

provenance

Acquired from Patrick Bowen in Western Australia, 1994. Patrick was the representative of Philips Auction during the 1990s.

$6,000-8,000

晚清／二十世紀初【乾隆年製】四字款畫琺瑯方壺附舊底座及漆木盒源流：

Patrick Bowen 於1994年購於西澳（其為1990年代 Philips 拍賣行代表）

Radiance of Sacred Echoes: Himalayan and

Buddhist Art

飲煌清音：喜馬拉雅及佛教藝術

lots 45 – 110

sama aranya ColleCtion of himalayan art, nsW. (lots 45 – 73)

寂照樓珍藏喜馬拉雅藝術

A FINE SINO-TIBETAN GILT BRONZE SEATED FIGURE OF AMITAYUS, 18TH CENTURY

13.5cm high

$2,000-3,000

十八世紀中藏銅鎏金無量壽佛坐像

A SINO-TIBETAN GILT-BRONZE SEATED FIGURE OF AMITAYUS, QIANLONG SEVEN-CHARACTER INSCRIBED MARK AND OF THE PERIOD (1736 - 1795) 25cm high

$6,000-8,000

【大清乾隆年敬造】七字刻款及本朝中藏風格銅鎏金無量壽佛坐像

47 A SINO-TIBETAN GILT-BRONZE SEATED FIGURE OF BUDDHA SAKYAMUNI, 19TH CENTURY

28.5cm high

$8,000-12,000

十九世紀藏傳銅鎏金釋迦牟尼佛坐像

A RARE MONGOLIAN STYLE GILT BRONZE SEATED BUDDHA, 18TH CENTURY

18cm high

$6,000-8,000

十八世紀蒙古風格銅鎏金佛坐像

A LARGE AND FINE TIBETAN BRONZE AND SILVER INLAID SEATED FOUR-ARMED

VAJRAPANI, 18TH CENTURY

47.5cm high

$15,000-25,000

十八世紀西藏銅嵌銀四臂金剛手菩薩坐像

50 A SINO-TIBETAN GILT LACQUERED BRONZE

SEATED FIGURE OF BUDDHA, 18TH CENTURY

23cm high

$3,000-5,000

十八世紀

A RARE TIBETAN GILT-BRONZE SEATED FIGURE OF BUDDHA AMITAYUS, 15TH CENTURY

26.5cm high

$15,000-25,000

十五世紀西藏銅鎏金無量壽佛坐像

A SINO-TIBETAN SILVER SEATED FIGURE OF BUDDHA, 18TH CENTURY The reverse of the lotus is inscribed with a line of Tibetan script.

9.5cm high; 331g

$3,000-5,000

十八世紀中藏銀製佛坐像

53 A SINO-TIBETAN GILT-BRONZE STANDING FIGURE OF AN AVALOKITESHVARA, 18TH CENTURY OR EARLIER 18cm high

$4,000-6,000

十八世紀或更早中藏風格銅鎏金觀音`立像

54 A TIBETAN SILVER SEATED FIGURE OF BUDDHA, 18TH/19TH CENTURY

16.5cm high; 655g

$3,000-4,000

十八至十九世紀西藏銀製佛坐像

55 A SINO-TIBETAN GILT BRONZE SEATED FIGURE OF A BUDDHA, 18TH CENTURY

24cm high

$6,000-8,000

十八世紀中藏風格銅鎏金佛坐像

56 A NEPALESE GILT-BRONZE STANDING FIGURE OF BUDDHA SHAKYAMUNI, 17TH/18TH CENTURY

46cm high

$8,000-12,000

十七至十八世紀尼泊爾銅鎏金釋迦牟尼佛立像

57 A LARGE AND FINE TIBETAN GILT-BRONZE SEATED FIGURE OF GREEN TARA, 18TH CENTURY

34cm high

$8,000-12,000

十八世紀西藏銅鎏金綠度母坐像

58 A FINE SINO-TIBETAN GILT-BRONZE SEATED FIGURE OF VAJRASATTVA, 18TH CENTURY

18cm high

$6,000-8,000

十八世紀中藏風格銅鎏金金剛薩埵坐像

sits in a relaxed posture on a double lotus base with her spine elongated holding a dignified stature. The reverse of the lotus base inscribed with a line of Tibetan scripts, "Chos dang 'byar bpung (?) rlung rta dar", translated as: "May the religion spread widely and may the prayer flag of auspiciousness spread in all regions".

Vasudhara’s presence in Nepal arose from the impassioned worship of the goddess who promised both material wealth and spiritual prosperity. Her offerings included all-encompassing boons of fertility, abundance, wealth, and wisdom signified by the water pot, sheaf of corn, strand of jewels, and Prajanaparamita sutra held in each of her hands. Expressions of her popularity are evident from the numerous casts which apply this iconographic program including another 12th century example in (Kramrisch, The Art of Nepal, New York, 1964, pl. 15) and one dated to the 12th/13th century from the Zimmerman collection (Pal, Art of the Himalayas, New York, 1991, p. 48, pl 12).

23cm high

$8,000-12,000

十八至十九世紀尼泊爾銅鎏金財源天母（婆蘇陀羅）坐像

60 A LARGE AND FINE SINO-TIBETAN GILT-BRONZE SEATED FIGURE OF MAHAPRATISARA AND CONSORT, 18TH CENTURY

40cm high

$10,000-20,000

十八世紀中藏銅鎏金大隨求佛母及其明妃坐像

61 A NEPALESE SILVER AND COPPER INLAY BRONZE SEATED FIGURE OF INDRA, 18TH CENTURY

The reverse of the lotus base is inscribed with a six-character Tibetan inscription.

51cm high

$10,000-20,000

十八世紀尼泊爾銅胎嵌銀因陀羅坐像

62 A SMALL TIBETAN GILT BRONZE

MAHAKALA, 19TH CENTURY

10.5cm high

$2,500-3,500

十九世紀西藏銅鎏金大黑天像

63 A RARE TIBETAN GILT BRONZE KNEELING

FIGURE OF JAMBHALA AND A VASE, 17TH/18TH CENTURY

17.5cm high

$8,000-10,000

十七至十八世紀西藏銅鎏金財寶天王跪像及寶瓶

A FINE AND LARGE TIBETAN

GILT-BRONZE FIGURE OF YAMANTAKA AND VAJRAVETALI, 18TH CENTURY

The powerfully modelled sculpture depicts Yamantaka Vajrabhairava, the wrathful manifestation of Manjushri, in ecstatic union with his consort The powerfully modelled sculpture depicts Yamantaka Vajrabhairava, the wrathful manifestation of Manjushri, in ecstatic union with his consort Vajravetali. The composition is dominated by a ferocious buffalo head with flaming hair, encircled by six wrathful faces and surmounted by additional heads, culminating in that of Manjushri. Vajrabhairava, the “Adamantine Anger” and destroyer of ignorance and death, is a principal yidam of the Geluk sect founded by Tsongkhapa

(1357–1419), which later gained prominence at the Ming and Qing courts. Closely associated with imperial authority, and linked to the Dalai Lama as well as the Qing emperors—both regarded as manifestations of Manjushri—this formidable deity came to symbolize both spiritual power and imperial legitimacy.

Two similar examples see Sotheby, Hong Kong, 3 April 2018, lot 3679 and Sotheby’s New York, 22 March 2018, lot 1050.

33.5cm high

$20,000-30,000

十八世紀西藏銅鎏金閻魔敵金剛與金剛瑜伽母雙身像

A SINO-TIBETAN GILT BRONZE STANDING FIGURE OF ACALA AND A LION, QIANLONG MARK, 18TH/19TH CENTURY

The front of the base bears a cast mark reading Da Qing Qianlong Nian Jing Zao, and is further inscribed in Chinese with the name of the figure, Acala. The reverse is inscribed Zu Li Gen Ben Pin. The piece is accompanied by a fitted box. 39cm high

$10,000-20,000

十八至十九世紀【大清乾隆年敬造】七字鑄造款中藏風格銅鎏金不動明王立像及獅子

66 A TIBETAN GILT-BRONZE SEATED FIGURE OF PADMASAMBHAVA, 18TH CENTURY

11.5cm high

$3,000-5,000

十八世紀西藏銅鎏金蓮花生大士坐像

67 A TIBETAN GILT BRONZE SEATED LAMA, 18TH CENTURY

17cm high

$6,000-8,000

十八世紀西藏銅鎏金喇嘛坐像

68 A FINE SINO-TIBETAN GILT BRONZE

SEATED FIGURE OF LAMA TSONGKAHAPA, 18TH CENTURY

The back of the lotus based inscribed with a line of Tibetan scripts, "Rin po che 'jam dpal (b)rgya ra la na mo", translated as: "Precious Master Jampay Gya ('One Hundred Manjusris') - Homage to You!".

17.5cm high

$6,000-8,000

十八世紀中藏銅鎏金宗喀巴坐像

69 A TIBETAN GILT-BRONZE SEATED FIGURE OF LAMA, KANGXI SEVEN-CHARACTER INSCRIBED MARK, 17TH/18TH CENTURY

27cm high

$8,000-12,000

十七至十八世紀【大清康熙年敬造】七字刻款西藏銅鎏金喇嘛坐像

A LARGE AND FINE TIBETAN BRONZE

SEATED FIGURE OF A LAMA, MID-14TH CENTURY

The figure is seated in vajraparyankasana on a lotus pedestal with a beaded rim, the right hand in bhumisparshamudra and the left resting in dhyanamudra at the lap. The figure is clad in voluminous inner and outer robes falling in neat folds, with the collar, hems and “diamond” shaped decorations inlaid with silver and copper. The face bears a serene, benevolent expression. The figure is supported on a throne ornamented with addorsed lions.

A smaller example (19.5cm high) with similar robes, lotus base and throne, sold at Bonhams Hong Kong, 5 May 2025, lot 119. Also see anther similar Lama, offered at Sotheby’s Hong Kong, 2 October 2017, lot 3107.

33cm high

$15,000-25,000

十四世紀中期西藏大銅嵌銀喇嘛坐像

71 A LARGE AND FINE TIBETAN BRONZE AND SILVER INLAID SEATED YOGI, 18TH CENTURY

34cm high

$6,000-8,000

十八世紀西藏銅嵌銀瑜伽士坐像

72 A FINE CHINESE GILT-BRONZE FIGURE OF A SEATED DAOIST IMMORTAL, 17TH/18TH CENTURY

33cm high

$6,000-8,000

十七至十八世紀中國銅鎏金道教仙人坐像

73 A CHINESE GILT LACQUERED BRONZE FIGURE OF UCCHUSMA, HONGWU MARK, MING DYNASTY (1368 - 1644)

The base inscribed “Hongwu Bingzi Siyue Jiri Shi”, translated as “Dedicated on an auspicious day in the fourth month of the Bingzi year of the Hongwu period (1396).”

57cm high

$6,000-8,000

明【洪武丙子四月吉日施】鎏金漆銅烏芻沙摩明王像

A SINO-TIBETAN BRONZE AND SILVERINLAID SEATED FIGURE OF VAJRASATTVA, POSSIBLY 16TH/17TH CENTURY 15.7cm high

$3,000-5,000

75 A SINO-TIBETAN GILT BRONZE SEATED FIGURE OF BUDDHA, 18TH CENTURY 17.5cm high

$3,000-5,000

76 A SINO-TIBETAN GILT BRONZE SEATED VAJRASATTVA 17cm high

$3,500-5,500

A SINO-TIBETAN GILT BRONZE SEATED FIGURE OF BUDDHA, 18TH/19TH CENTURY OR EARLIER 21cm high

$3,000-5,000

78 A SINO-TIBETAN SILVER AND GILT-BRONZE FIGURE OF SEATED AMITAYUS, QING DYNASTY (1644 - 1911)

The base is with inscribed Yongle mark. 20cm high

$6,000-8,000

清【大明永樂年施】六字刻款中藏風格銀和銅鎏金無量壽佛坐像

79 A SINO-TIBETAN GILT-BRONZE SEATED FIGURE OF AMITAYUS, QING DYNASTY (1644 - 1911)

The base inscribe with a line of Tibetan script, "Chos rab la/ ma nga la na mo.", translated as ": The religion is most excellent. (This is for) my most excellent Mother. "

23cm high

provenance

Cohen & Pearce, London (According to the label on the base).

$8,000-12,000

清藏文刻款中藏鎏金銅無量壽佛坐像源流：

倫敦 Cohen & Pearce（據底部標籤）

80 A SINO-TIBETAN GILT-BRONZE SEATED FIGURE OF VAJRASATTVA AND CONSORT, QIANLONG PERIOD, 18TH CENTURY

17.5cm high

$10,000-20,000

十八世紀中藏銅鎏金金剛薩埵及明妃坐像

81 A TIBETAN GILT-LACQUER BRONZE STANDING FIGURE OF MAHAKALA, 17TH CENTURY

24cm high

$6,000-8,000

十七世紀西藏銅漆金大黑天立像

A TIBETAN GILT-BRONZE FIGURE OF PALDEN LHAMO, 18TH CENTURY

A similar example with Qianlong mark, see Christie’s Hong Kong, 9 July 2020, lot 2708; a slightly larger one see Bonhams Hong Kong, 26 November 2019, lot 22.

12cm high

$6,000-8,000

A TIBETAN GILT-BRONZE

STANDING FIGURE OF VAJRA DAKINI, 18TH/19TH CENTURY

35.5cm high

provenance

An old private collection, Sydney.

$6,000-8,000

A RARE NEPALESE GILT-BRONZE SEATED FIGURE OF BUDDHA SAKYAMUNI, 10TH/11TH CENTURY

12cm high

provenance

A private collection, Melbourne. Mossgreen Melbourne, 19 November 2013, lot 0213. $30,000-50,000

十至十一世紀尼泊爾銅鎏金釋迦牟尼佛坐像

源流：

墨爾本 Mossgreen，2013年11月19日，拍品0213

A FINE TIBETAN BRONZE

STANDING FIGURE OF YAMANTAKA, 16TH/17TH CENTURY

29cm high

provenance

A private collection, Osaka, Japan.

$8,000-12,000

A SINO-TIBETAN GILT BRONZE SEATED FIGURE OF WHITE TARA, QIANLONG PERIOD, 18TH CENTURY

With an original gilt and polychrome lacquer base. 18.5cm high

$15,000-25,000

AN INDIAN GILT-BRONZE SEATED FIGURE OF BUDDHA, POSSIBLY PALA PERIOD, 14TH CENTURY 15.4cm high

$9,000-10,000

A NEPALESE PARCEL-GILT SEATED FIGURE OF BUDDHA SHAKYAMUNI, POSSIBLY 11TH/12TH CENTURY 14.2cm high

$10,000-20,000

A SINO-TIBETAN GILT BRONZE SEATED BUDDHA OF SHAKYAMUNI

The reverse of the mandorla is inscribed in Chinese, Manchu, and Mongolian with the following:

“On the tenth day of the twelfth month of the thirty-ninth year of the Qianlong reign, by imperial command, the Hutuktu Awang Banzhu’er examined and consecrated (this image), a copper alloy figure of Shakyamuni Buddha, for the benefit [of all beings].” 34cm high

provenance

A private collection, VIC.

$8,000-12,000

清中藏鎏金銅釋迦牟尼佛坐像

A GANDHARAN BRONZE STANDING

FIGURE OF BUDDHA SHAKAYMUNI, POSSIBLY 6TH/7TH CENTURY

With a fitted box.

13.6cm high

$800-1,200

91 A LARGE AND RARE NEPALESE GILT-BRONZE BUDDHIST TRINITY GROUP, DATED TO 1832 AND OF THE PERIOD

The central figure in a three-headed and six-armed form, seated with his consort in dhyanasana on a double lotus base, holding various Buddhist attributes including a sword, vajra and ghanta, wearing a multicrowned headdress, roundel earrings, and a long beaded necklace with armlets and bracelets, a gently folded dhoti and celestial scarf, his shakti seated on his left knee in lalitasana, seated either side on lotus bases further forms of Manjusri and retinue figures, the entire group surrounded by swirling scrollwork and seated on a rectangular, tiered openwork base decorated in relief with yakshas, the reverse of the base with inscription.

This sculpture depicts Manjushri in the form of Dharmadhatsuvajisvara seated at the centre in dhyanasana (meditation) with his female consort Sarasvati with hands in varadamudra and abhayamudra, surrounded by other forms of Manjusri and retinue figures.

Compare with a related Nepalese gilt-bronze group

sitam bahumuni ratnasamcana// sreyostu// samvat 952 mti bhadrapadamase krsnapakse ekadasyantithau

sivayoge yathakarnnamuhurte brhaspativasare kamnya rasigate savitari karkka?arasigate candramasi idamsa divase

pita sri bhajudhanaju xxx mata gunalaksmi// thvate nihma pramukham putra sri simnarasi// putra sri ratramanasim// putri sihalaksmi putri ratna thakum Thaoya namana// suvarnnanirmita sri sukhavati lokesvara dayakao pratistha yana juro// * // puna bhakha: sajiva putra sri vidhidhunaju// putra sri dhiju

... //putra sri Laksminarasim// putra sri ... sim putra sri rajanarasim// pautra sri sthayo muni// dhaca muni// raja muni// hakhanarsim ...

... thvate samohana ubhaya juyao// thva suvarna pratima dayaka juro// thvateya punyana saptavrddhi kalyana juya mara// subha//

Text on the side:

puna kha// babu mamayata asugrumati coya tatya: yapako pujo 7 dhami vupi pha 2// dyadi vupi pha 1/ thuti vu babumama paroksa jusyam li thuti vuya sahmana va?avadeva puja yayamala// jula//subha//

and consecrated. [Astrologically it was] on the day of Sivayoga, Karana muhurta. On this day the Sun was on Kanya Rasi and the Moon on Karkata Rasi.

The image is made for our [deceased members of the family], father Bhaju Dhanaju ... mother Guna Laksmi and their sons Simnarasim and Rajamanasim and their daughters Simha Laksmi and Ratna Thakum. ... Their children, who are still alive, are their sons Vidhidhunaju, Dhiju, ... Laksminarasim, ...Sim, Rajanarasim and their grandsons Sthayo Muni, Dhaca Muni, Raja Muni, and Hakha Narasim. As a united group, they are fully responsible for the commission of this golden image. With this religious merit, may they have seven-fold prosperity and auspicious happy life!’

On the side of the pedestal:

‘Following is the annual revenues and the names of land donated for the religious merit of father and mother: the cultivated land of Dhapako, which yields 7 pujao of rice, the cultivated land of Dhami, which yields 2 pha rice, the cultivated land of Dyadi, which yields 1 pha rice. With these revenues, the annual rite called vasavadeva [of the god] should be conducted. May it be auspicious.’

Translation by G.V. Vajracharya, September 2018 36cm wide, 30cm high

provenance

A distinguished English private collection. Bonhams London, 8th Nov. 2018, lot 250. $45,000-65,000

1832年紀年尼泊爾銅鎏金三尊佛組像

源流：

英國顯赫私人收藏

倫敦邦瀚斯拍賣行，2018年11月8日，拍品250

A VERY FINE CHINESE GILT-BRONZE ELEPHANT AND A VASE, MING/QING DYNASTY

The finely cast gilt-bronze elephant stands foursquare on a base, richly caparisoned with a saddle cloth adorned with jewels, beaded festoons, and tasselled pendants draped across the head, neck, back, and haunches. Suspended at the chest are three pairs of bells. The elephant turns its tail to the right, curling toward the rear leg. The saddle is decorated with lotus and ruyi-cloud motifs and supports a lotus base surmounted by a vase, with a further lotus ornament rising behind. The animal raises its head in an alert posture, with the trunk curled upward and grasping a conch or horn. The present example is notable for its exceptional quality and craftsmanship, the modelling elegant and naturalistic, with finely rendered details throughout.

In Tibetan Buddhism, the elephant (often referred to as the “elephant treasure”) is one of the Seven Treasures of the Wheel-Turning King, symbolising strength and power. The vase borne on its back is one of the Eight Auspicious Emblems, representing the inexhaustible teachings of the Buddha and the bestowal of blessings. The conch held in the trunk further signifies the far-reaching sound of the Dharma.

The motif of an elephant bearing a vase also conveys the rebus taiping youxiang (“Great Peace under Heaven”), as ping (vase) is a homophone of ping (peace), symbolising harmony and prosperity. Widely popular from the Ming and Qing dynasties onward, this auspicious imagery was favoured in both Buddhist and courtly contexts.

An almost identical example bearing a Yongle mark was sold at China Guardian, Beijing, 12 May 2012, lot 2562; another is in the Beijing Capital Museum, illustrated in Wisdom of Avatamsaka: Buddhist Art Treasures from the Beijing Capital Museum, p. 216. 33cm high

provenance

An important private collection, Tokyo, Japan. $15,000-25,000

明/清鎏金铜太平有象尊

此件鎏金铜象立于基座之上，造型稳重端庄。通体饰以华丽鞍具，鞍垫镶嵌宝石，并垂挂璎珞与流苏，自象首、颈部延至背部及臀部。胸前悬挂三对铃铛，尾部右摆并收于后足。象背鞍面饰莲花及如意云纹，其上承托莲花座与宝瓶，后方另立莲花宝饰。象首昂扬，长鼻上卷，鼻端缠绕法螺或号角。

整体铸造精良，比例匀称，姿态生动自然，细部刻画细腻入微，充分展现出高超的工艺水平。

在藏传佛教中，象宝为“七政宝”之一，象征力量与威严；象背所托宝瓶为“八吉祥”之一，寓意佛法无尽、福泽绵延；象鼻所持法螺亦象征佛法之音远播。象负宝瓶之形象又寓“太平有象”，因“ 瓶”与“平”谐音，象征天下太平、祥瑞安宁。此类题材自明清以来广为流行，兼具宗教与吉祥寓意。

可参见一件带永乐款的近似例，售于中国嘉德（北京），2012年5月12日，拍品2562；另有一例藏于北京首都博物馆，见《智慧华严北京首都博物馆佛教文物珍藏展》，第216页。

A SINO-TIBETAN IRON WITH SILVER AND COPPER INLAY SUTRA BOX AND COVER, QING DYNASTY (1644 - 1911)

Finely decorated with dragons and “shou” characters. 35cm long

$2,000-3,000

94 A CHINESE GILT-BRONZE SEATED FIGURE OF GUANYIN, MING DYNASTY (1368 - 1644)

33cm high

$7,000-9,000

95 A FINE CHINESE GILT-BRONZE

FIGURE OF A BODHISATTVA, TANG DYNASTY (AD 618-907)

The bodhisattva Avalokiteshvara is shown standing in tribangha on a waisted double lotus base, holding a willow branch in the raised right hand and a kamandalu (‘holy water’ bottle) in the pendent left hand, and wearing bejewelled necklaces, a skirt folded over below the waist, and a long scarf wrapped around the shoulders and arms that trails down the sides of the body, as do the long ribbons that fall from a headdress centred by the figure of Amitabha Buddha. It’s with a fitted Japanese wood box.

A smaller example (9.5cm high) without lotus base, see Sotheby’s Hong Kong, 12 October 2021, lot 3518; other similar examples, see Christie’s New York, 14 September 2017, lot 830 and same house, 18 March 2016, lot 1407.

14.3cm high

provenance

An important private collection, Osaka. $15,000-25,000

唐鎏金銅菩薩立像附日本舊配木盒。

一件較小尺寸（高9.5厘米）且無蓮座之例，見香港蘇富比，2021年10月12日，拍品3518；另見相類作品，紐約佳士得，2017年9月14日，拍品830，及 2016年3月18日，拍品1407。

源流：

大阪重要私人收藏

A CHINESE GILT-BRONZE STANDING FIGURE OF A BODHISATTVA, TANG DYNASTY (618 - 907)

With a fitted Japanese wood box.

12cm high

$6,000-8,000

唐鎏金銅菩薩立像（618–907）附日本舊配木盒

A CHINESE BRONZE VOTIVE FIGURE OF SAKYAMUNI BUDDHA AND PRABHUTARATNA BUDDHA, NORTHERN WEI DYNASTY, DATED TO THE SECOND YEAR OF THE XIAOCHANG PERIOD (IN ACCORDANCE WITH 526)

It’s cast as Sakyamuni Buddha and Prabhutaratna Buddha, depicted seated against a flame-shaped mandorla on a flange atop a splayed four-legged plinth, the reverse of the mandorla decorated with a seated figure of Buddha. The front and one side of the plinth incised with dedicatory inscription dated to the second year of Xiaochang reign (in accordance with 526). With a fitted Japanese wooden box.

Similar examples, see Sotheby’s Hong Kong, Chinese Art Through The Eye Of Sakamoto Goro: Early Buddhist Bronzes, 5 October 2016, lot 146 and 3206. 11.6cm high

provenance

An important Japanese private collection, Osaka. $10,000-20,000

北魏孝昌二年（526年）銅造釋迦牟尼與多寶佛並坐供養像

座前及一側刻有供養題記，紀年為孝昌二年（相當於526年）。附日本舊配木盒。

可參考相類例，見香港蘇富比《Chinese Art

Through The Eye Of Sakamoto Goro: Early Buddhist Bronzes》，2016年10月5日，拍品146 及3206。

源流：

日本大阪重要私人收藏

98 A CHINESE WHITE MARBLE STONE CARVED SEATED TORSO OF A PENSIVE BODHISATTVA, NORTHERN QI DYNASTY (550 - 577 A.D.)

31.5cm wide; 18cm wide; 17cm deep

A LARGE AND RARE CHINESE CARVED STONE STANDING TORSO OF BODHISATTVA, NORTHERN WEI PERIOD (386-534)

The figure wearing a traditional pilgrims robe in closed mode wrapped and tied high across the chest with concentric folds falling towards the lower limbs, the upper arms covered also and supporting deep folds of cloth draped over the crook of each arm held outright, the partial left hand suggests a grasp of something now missing, mounted upon a low set

A Private Collection, VIC., acquired in Hong Kong

造像身著傳統行者衣，衣襟緊束高繫於胸前，衣褶層疊向下垂落，下肢可見流暢褶紋；雙臂覆衣，衣料厚重，自肘部垂掛形成深邃衣褶，左手殘部似原執持器物。現置黑色矮座之上。

維多利亞州私人收藏，2000年代初購於香港

100

A CHINESE WHITE MARBLE STONE CARVED STANDING FIGURE OF A BODHISATTVA, NORTHERN QI DYNASTY (550 - 577)

24cm high

$3,000-5,000

101

A CHINESE WHITE MARBLE STONE CARVED STANDING FIGURE OF A BODHISATTVA, NORTHERN QI DYNASTY, DATED TO CIRCA APRIL 557

The inscription on the base reads “Tianbao Banian Sanyue Sanri Guobo XX Shangfu Zao X xiang X Yi X”; translated as “On the third day of the third month in the eighth year of Tianbao (circa April 557), the monk Guo Bo commissioned the making of this Buddhist statue for his father.”

25cm high

provenance

An important private collection, Osaka, Japan.

$2,500-3,000

102

A KHMER BAYON STYLE SANDSTONE FIGURE OF A SEATED NAGA BUDDHA, 13TH CENTURY

30cm high

provenance

A private collection, Sydney, acquired from Panya Antiques Bangkok Thailand, January 2006, with original Certificates of Authenticity issue by the gallery.

$1,000-2,000

104

A MASSIVE AND RARE GANDHARAN STUCCO HEAD OF BUDDHA, 3RD/4TH CENTURY

103

A KHMER GREY SANDSTONE RELIEF PLAQUE OF THREE DEITIES, CAMBODIA, 12TH CENTURY

44cm wide; 34cm high

provenance

A private collection, Sydney, acquired from Panya Antiques, Bangkok, Thailand, April 2007, with original Certificates of Authenticity issue by the gallery.

$3,000-5,000

A much smaller (33cm high) and simpler stucco Buddha head dated to the same period, sold at Christie’s New York, 23 March 2010, lot 112. head: 67cm high; 44cm wide; 100.5cm (including stand)

provenance

An Old Private Collection, Melbourne. $25,000-35,000

三至四世紀犍陀羅灰泥佛首同時期一件尺寸較小（高33厘米）且風格較簡之灰泥佛首，曾於紐約佳士得售出，2010年3月23日，拍品112。

105

A GANDHARAN STUCCO STANDING FIGURE OF BUDDHA, 3TH/4TH CENTURY

The sculpture is finely modelled, depicting a standing figure grasping the hem of his robe (sanghati) with his right hand while arranging the drapery with his left. The face is characterised by a bow-shaped mouth, prominent aquiline nose, and deeply set, heavylidded eyes, framed by elongated earlobes. The hair is rendered in dense curls rising over the Usina.

A similar stucco figure sold at Christie’s New York, 20 March 2012, lot 16. 89cm high (including stand)

provenance

A Private Collection, Melbourne.

$2,500-3,500

106

A JAPANESE WOOD CARVED GUARDIAN

FIGURE, EDO PERIOD, 17TH CENTURY

Depicting one of the four guardian kings (shitenno), wearing ancient armour, his left arm raised. The Shitenno are Buddhist protectors of the four directions. In Japan they are often shown as matial figures wearing Chiense armour warding off evil and protecting the world from malicious spirits. 57cm high inlcluding base (the figure 46.5cm high)

provenance

Eastate of James Oswald Fairfax A.C. (1933 - 2017).

Leonard Joel, 7 Spetember 2017, lot 1011.

$2,000-3,000

107

A PAIR OF JAPANESE POLYCHROME ON WOOD CARVED FIGURES OF MONKS, EDO PERIOD, 17TH CENTURY each 41.5cm high

provenance

A Private Collection, Melbourne, acquired from Kazari in 1990.

$1,500-2,500

108

A CHINESE ALOESWOOD CARVED STANDING FIGURE OF BUDDHA, QING DYNASTY (1644 - 1911)

31.5cm high

$1,000-2,000

109 A TIBETAN THANGKA OF KURUKULLA, 18TH CENTURY

Depicting the red Kurukulla standing on a lotus pedestal at the centre, holding a gilt kundika in the left hand and a flowering garland in the right, backed by a flaming mandorla and surrounded by Buddha, Bodhisattvas, Tara, and other protective deities. Opaque pigments and gold on textile.

For a related example, compare Christie’s, New York, 14 September 2010, lot 152.

Overall: 108 x 66cm; image: 51 x 36cm

$20,000-30,000

十八世紀西藏俱胝佛母唐卡

可參考相類品，見紐約佳士得，2010年9月14日，拍品152。

110

A TIBETAN THANGKA OF AMOGHAPASHA, 18TH CENTURY

The three-headed deity is seated in vajraparyankasana upon a moon disc supported on a lotus throne, holding a trishula in the upper right hand, the upper left in varada mudra, a lotus in the lower right hand, and a pasha in the lower left. The lower register is inscribed in Tibetan script. The inscription translated as: “Beneficence!

This is the representation of the entire tantra of the deity Amoghapasha - ‘He Who Holds The Unfailing Noose’ - who is depicted with three faces and four arms. As for the benefits of seeing this painting they arise from merely beholding the tantra (mis-spelled in text) itself.

Just by seeing this cotton-cloth painted bodily representation of that deity, it would be quite befitting to also see the painted image of the mighty deity Chenrezig (Avalokiteshvara) which is housed in the incomparable palace of the Potala.

With this painting’s superior qualities, it will fully resolve the terrors of the great hell-realms, the eight great fears as well as the five great sins which are beyond all forgiveness. Moreover things such as abandoning the Holy Buddhist teachings, uttering wicked things concerning the Buddha, the bodhisattvas and the order of Buddhist monks and other such things, all these obscurations of what is holy, inasmuch as they are perceived they will be condemned and purified by merely seeing this painting.

Through your own diligent work to avoid the lowest of the Hell-realms you will attain complete liberation from such states. Through the hundred-thousand merits arising from the mighty deity Brahma, the roots of appropriate virtue will develop and you will attain the most excellent virtuous roots of all worldly people.

At the time of your death moreover, the Mighty Arya Avalokiteshvara himself will reveal his face and engage in teaching and he will also dispense comfort and a sense of safety to all beings. At the time of your death and the transmigration of your consciousness moreover, you will be reborn in the most perfect blissful realm of Sukhavati and you will become free from all things that obscure your mind, your lifespan will expand to fifty times one hundred thousand years - all of which you will recall.

Throughout the very heart of the state of the entirety of Enlightenment this will be your very final rebirth. Just by seeing (the actuality of) this present body, once the heap of merit becomes so that it is absolutely beyond any measure whatsoever this will be inscribed for all eternity. As for the many deeds which you will perform they will possess absolutely no sense of backsliding to them at all. May the state of unexcelled Enlightenment and completely pure awakening in all its vastness come into being! (May) Virtue prevail!

Overall 56.5 x 37.5cm; image: 28 x 20cm $10,000-20,000

西藏十八世纪不空羂索觀音唐卡

唐卡下半部藏文铭文译为： “功德！

此乃本尊不空羂索觀音（Amoghapāśa，意為「持不空羂索者」）之完整密續化現，其尊像具三面四臂。僅僅瞻禮此尊之密續壇像，即能獲得無量功德。

凡見此繪於棉布之本尊色身者，亦如得見安住於無上布達拉宮中的大悲聖者觀世音（Chenrezig / Avalokiteśvara）聖像，福德無量。

憑藉此唐卡殊勝功德，能盡除地獄諸苦、八大怖畏，以及五無間罪等極重罪障。又如捨棄正法、誹謗佛陀、菩薩與僧團等一切不善業障，凡所積集者，僅以瞻禮此像，皆得懺淨消除。

若能依此勤修，遠離惡趣地獄，終得究竟解脫。由大梵天等所生百千功德善根，亦將於自身增長，成就世間最勝善業福報。

臨命終時，聖者觀自在菩薩將親現其前，為其開示教法，並賜予一切有情安慰與無畏。神識遷轉之際，將得往生極樂淨土（Sukhāvatī），遠離一切覆障，壽命增廣至五十乘十萬歲，並具宿命憶念。

此生將為成就圓滿菩提之前最後一次受生。僅見此現身，即能積聚不可思議、無量無邊之福德資糧，永誌無盡。其後所行諸善業，永不退轉。

願無上正等正覺、廣大清淨圓滿菩提速得成就！願吉祥善德增長！”

111 A PAIR OF CHINESE MARRIAGE BEDCOVERS, 19TH CENTURY Gold and coloured silk threads on silk, both with a design of ‘The Hundred Boys at Play’ in a landscape setting

176.5 x 127cm and 181.5 x 127cm

provenance

The Jane Carnegie Collection, 5 October 1988, lot 136. $3,000-5,000

111 (part)

Collection of Mineo Hata

秦峰男珍藏

lots 112 – 118

Hata Mineo (1949-2026) was born near the Izumo Grand Shrine in Shimane Prefecture, a region long associated with myth and spirituality, as recorded in the ancient chronicles Kojiki and Nihon Shoki. Raised in this environment, he developed an early sensitivity to beauty that would shape his lifelong pursuit as a collector.

Coming from a family of soy sauce brewers with a respected local standing, Hata moved to Tokyo in 1967 as part of the postwar “group employment” movement, working in the medical supply trade while cultivating a growing interest in antiquities. During this time, he was deeply influenced by the philosophy of Yanagi Sōetsu, whose emphasis on intuitive, direct appreciation of beauty became the guiding principle of his collecting.

In 1976, Hata left salaried work to enter the art trade, facing early financial hardship but remaining steadfast in his independent vision. Guided by the spirit of the sukisha, he relied on instinct rather than market trends or academic authority, pursuing only objects of exceptional quality with quiet dedication.

He opened Hata Kobijutsu in Osaka in 1984 and was admitted to the Osaka Art Club in 1990, later expanding with a gallery in Ashiya. Over time, he built a reputation for connoisseurship and integrity. His collection spans Chinese, Japanese, and Korean works, with a particular strength in Song dynasty ceramics, alongside archaic bronzes, Ming porcelain, Buddhist sculpture, and Japanese arms and armour.

Highlights include a Southern Song Longquan celadon kinuta vase sold at Christie’s New York in 2008 for over US$2.28 million, and a Xuande blue and white ‘fish’ bowl sold at Sotheby’s in 2017, which set a world auction record. Works he handled have entered major museum collections, including the Minneapolis Institute of Art.

Hata Mineo’s collection represents not merely an assemblage of exceptional works, but the distillation of a life devoted to the pursuit and understanding of beauty in East Asian art.

秦峰男（1949-2026

）出生於島根縣，鄰近著名的出雲大社。出雲自古為神話之地，《古事記》與《日本書紀》皆載其為眾神會聚之所。成長於此靈秀之境，秦峰男自幼培養出敏銳的審美直覺，奠定其日後收藏之志。

秦氏家族世代經營醬油釀造，家境殷實。1967年，年僅十八歲的他隨戰後「集體就業」浪潮赴東京，任職於醫療器材公司，並於餘暇間廣泛涉獵古美術，頻訪古董商肆，逐步建立收藏興趣。期間深受柳宗悅思想影響，認同其強調以直覺與親身感受體悟器物之美，而不倚賴權威與學識之鑑賞觀，並以此為終身依歸。

1976年，秦峰男辭去穩定職位，投身古物經營。創業初期雖歷艱辛，仍秉持「數寄者」精神，不隨市場趨勢，專憑個人審美甄選精品，潛心經營。其夫人回憶，他常於燈下反覆觀察藏品，務求徹底體悟其精髓。

1984年，他於大阪西天滿創立「秦古美術」，1990年加入大阪美術俱樂部，1992年於芦屋設立分店，聲譽與日俱增。其收藏橫跨中國、日本與韓國藝術，以宋代陶瓷尤為精粹，並涵蓋青銅器、明代官窯、佛教造像、日本甲冑及高麗瓷等。

重要拍品包括2008年於佳士得紐約上拍之南宋龍泉青瓷砧形瓶（原為松平不昧舊藏），以逾228萬美元成交；以及2017年於蘇富比上拍之明宣德青花魚藻紋盌，創下青花瓷世界拍賣紀錄。其經手作品亦為多家博物館典藏，包括明尼阿波利斯藝術館。

秦峰男之收藏，不僅為珍品之匯聚，更為其畢生致力於東亞藝術之審美實踐與精神結晶。

112

A FINE CHINESE PARCEL-GILT SILVER SHELL-FORM BOX

Realistically formed as a clam shell with silver hinge at one side, the box is decorated on the exterior of each half with birds and animals amidst a landscape, all reserved on a fine ring-punched ground.

A similar one without gilding, see Christie’s New York, 23 Mar. 2023, lot 811.

10.5cm diameter; weight: 96g.

$5,000-7,000

113

A VERY FINE CHINESE SILVER LOTUS BOWL

The exterior finely engraved with leafy scrolls and auspicious animals reserved on a ring-punched ground beneath the gently everted rim, the interior plain save for raised ribs accentuating the lobed form.

It’s with a Japanese wood box.

An oval shaped example, see Christie’s New York, 20 Mar. 2015, lot 728.

10.2cm diameter; weight: 103g

$6,000-8,000

銀蓮瓣盌

114

A CHINESE BRONZE STANDING FIGURE OF A BUDDHA, LIAO DYNASTY (916 -1125)

A seated Buddha from the same period, see Sotheby’s Hong Kong, 18 Dec. 2024, lot 773.

11.5cm high

$3,000-5,000

遼銅佛立像

112

113

114

115

A VERY FINE CHINESE PETAL-LOBED SILVER BOX AND COVER

8cm diameter; 3.3cm high; weight: 230g

$8,000-12,000

銀蓮瓣蓋盒

116 A VERY FINE AND RARE CHINESE GILT BRONZE FIGURE OF A STANDING FIGURE OF BODHISATTVA, NORTHERN WEI DYNASTY (386 - 535)

14.5cm high

$15,000-25,000

117 A CHINESE GILT-BRONZE SEATED CROWNED FIGURE OF GUANYIN, MING DYNASTY (1368 - 1644)

With a fitted wood stand and a Japanese wood box. 14.8cm high

$15,000-25,000

A PAIR OF CHINESE SILVER CUPS AND SAUCERS, SOUTHERN SONG DYNASTY

Each cup is in the form of a flower, each stand is finely decorated with four phoenix, a pair of carps cup; 7.5cm diameter; saucer: 12.5cm diameter; weight: 191g

$8,000-12,000

南宋銀盃及盞托一對

119

A CHINESE SILVER FLOWER-SHAPED CUP STAND, SOUTHERN SONG DYNASTY (1127 - 1279) 14cm diameter

$3,000-5,000

120

A VERY RARE PAIR OF CHINESE PARCEL GILT-SILVER AND SHELL BOXES, TANG DYNASTY (618 - 907)

With a fitted Japanese wood box. 10 x 8.8cm each

$20,000-30,000

唐局部鎏金銀蛤殼式盒一對附日本舊木盒

121

A RARE GILT-BRONZE WEIGHT IN THE FORM OF A RECUMBENT HARE, TANG DYNASTY (618 - 907)

A slightly larger hare formed weight (6.4cm wide), also dated to Tang dynasty, sold at Christie’s New York, 24 Sep 2020, lot 901; in addition, another gilt bronze model of a rhinoceros, also dated to Tang dynasty, sold at the same house, 10 Nov 2015, lot 155. 5.5cm wide

$8,000-12,000

唐鎏金銅臥兔形镇一件尺寸稍大（寬6.4厘米）之兔形鎮，同屬唐代，曾於紐約佳士得拍賣，2020年9月24日，拍品901；另有一件鎏金銅犀牛形器，亦為唐代，見同場2015 年11月10日，拍品155。

122

A RARE CHINESE ENGRAVED GILT-BRONZE STEM CUP, TANG DYNASTY (618 - 907)

The deep sides of the cup are finely engraved with equestrian huntsmen in pursuit of game amid a floral landscape, set against a ring-punched ground above a knobbed, spreading foot, and with a band of scrolling foliage below the rim. The cup is accompanied by an old Japanese wood box.

This finely engraved stem cup exemplifies the refinement of Tang dynasty metalwork. Compare a smaller gilt-bronze stem cup engraved with a related floral scroll design on a ring-punched ground from the collection of Mrs Roy Hunt, illustrated by H. Trubner in The Arts of the Tang Dynasty, Los Angeles, 1957, no. 121. Another smaller gilt-bronze stem cup in the Avery Brundage Collection, engraved with a hunting scene, is illustrated by J. Fontein and Wu Tung in Unearthing China’s Past, Boston, 1973, p. 180, pl. 93.

A comparable stem cup was sold at Christie’s New York, 23 March 2023, lot 812; another slightly smaller example (5 cm high) was sold at the same house, London, 14 May 2019, lot 77.

6.7cm high

provenance

An Important private collection, Osaka, Japan. $10,000-20,000

唐刻花鎏金銅高足盃此類刻紋精細之高足盃，體現唐代金屬工藝之精湛水準。可比較 Roy Hunt 夫人舊藏一件尺寸較小之鎏金銅高足盃，飾相類卷草紋，見 H. Trubner 著《The Arts of the Tang Dynasty》，洛杉磯，1957 年，編號121；另有一件 Avery Brundage 收藏之例，飾狩獵圖，見 J. Fontein 與吳同著《Unearthing China’s Past》，波士頓，1973 年，頁180，圖版93。

另見相類器，紐約佳士得，2023年3月23日，拍品 812；及倫敦佳士得，2019年5月14日，拍品77（高5厘米）。

123 A FINE CHINESE SILVER AND GOLD HAIR PIN, SONG DYNASTY (867 - 1279) With a fitted box.

17cm long; silver: 19g; gold: 5g; overall: 24g provenance

Collection of Ai Dan, Beijing, China. Ai Dan is a Chinese artist and collector, and the younger brother of Ai Weiwei. He is the son of the renowned Chinese poet Ai Qing. 艾丹旧藏。

艾丹為中國藝術家與收藏家，亦為艾未未之弟，著名詩人艾青之子。

A private collection, Melbourne. 墨爾本私人珍藏

LITeraTUre

Ai Dan, Tao hua tan shui shen qian chi, 2025, no. 13, p.28.

艾丹著，《桃花潭水深千尺：兩宋什物，古玉清供》, 2025，13號，28頁。

$2,000-3,000

124

A SET OF FOUR FINE CHINESE GILT FILIGREE ORNAMENTS, POSSIBLY TANG DYNASTY (690 - 705)

Each shield-form bronze plaque is set behind openwork gold foil decorated in relief with fine lines and granulation, depicting four mythical beasts—a pair of phoenix, a dragon, a rhinoceros, and a tiger— within a linear border. The edges of the gold foil are pinked and folded back, and the bronze surfaces display malachite encrustations. It’s with a Japanese wood box and two fitted perspex stands.

Two ornaments employing similar decorative techniques, both formerly in the collection of J. J. Lally & Co., New York, and dated to the Eastern Jin dynasty, one were sold at Bonhams New York, 23 March 2026, lot 72, and the other one were sold at the same house, 20 March 2023, lot 36. the largest one: 8 x 5cm

provenance

Acquired from a private collection, Taiwan. $25,000-50,000

或為唐鎏金纍絲飾件一組四件

兩件採相近裝飾工藝之例，曾為紐約 J. J. Lally & Co. 舊藏，並斷代為東晉，其中一件售於紐約邦瀚斯，2026年3月23日，拍品72；另一件售於同場，2023年3月20日，拍品36。

125 A PAIR OF CHINESE ARCHAIC GOLD INLAID BRONZE CHARIOT CANOPY SHAFT FITTINGS, WARRING STATES/HAN DYNASTY (5TH B.C.E - 3RD C.E.)

A similar pair with silver inlaid, see Sotheby’s Hong Kong, 17th April 2024, lot 1025. Overall 24.3cm high; each 12.7 cm and 12.5cm provenance

An important private collection, Osaka, Japan. $5,000-7,000

戰國／漢鎏金嵌金銅車蓋立柱構件一對可參考一對嵌銀相類例，見香港蘇富比，2024年4月 17日，拍品1025。

126

A CHINESE PARCEL-GILT BRONZE TRIPOD CENSER, TANG DYNASTY (618 - 907)

10cm high

$4,000-6,000

唐局部鎏金銅三足香爐

127

A FINE CHINESE GOLD AND SILVER-INLAID BRONZE RABBIT-FORM WEIGHT, HAN DYNASTY (206 B.C.E - 220 C.E.)

A tiger-form bronze weight also with gold and silver inlaid, see Christie’s 27 March 2026, lot 669. 7.8cm wide

provenance

An important private collection, Osaka, Japan.

$10,000-20,000

漢鎏金嵌金銀銅兔形鎮一件同為金銀錯嵌之虎形銅鎮，見佳士得，2026年3 月27日，拍品669。

128

A CHINESE TURQUOISE INLAID BRONZE WEIGHT, POSSIBLY WARRING STATES PERIOD, 4TH-3RD CENTURY BC 8.5cm diameter

provenance

A private collection, Kyoto.

$3,000-5,000

129

A CHINESE INSCRIBED ARCHAIC BRONZE WINE VESSEL, JUE, LATE SHANG /EARLY WESTERN ZHOU DYNASTY (12TH-10TH CENTURY B.C.)

The vessel is raised on three blade-form supports, and the sides are finely cast with two taotie masks divided by narrow flanges against a leiwen ground, one mask is further divided by a flange, while the other divided by the handle emerging from a bovine mask with a cast standing human formed clan sign underneath. 23.5cm high; 19.5cm wide

provenance

An important private collection, Osaka, Japan.

$10,000-20,000

商晚期／西周早期青銅爵（公元前12至10世紀）

130

A CHINESE ARCHAIC BRONZE RITUAL FOOD VESSEL, DING, LATE SHANG /EARLY WESTERN ZHOU DYNASTY (12TH-10TH CENTURY B.C.)

The rounded body raised on three columnar supports and the upper body cast with a band of three taotie masks formed by pairs of confronting dragons with elongated bodies, the flat everted rim set with two upright twisted rope form loop handles. 20cm high; 16cm wide

provenance

An Important Private Collection, Osaka, Japan.

$8,000-12,000

商晚期／西周早期青銅鼎

131 A CHINESE BRONZE RITUAL FOOD VESSEL, GUI, WESTERN ZHOU DYNASTY (c. 1046 -771 BCE)

A comparable example was sold at Sotheby’s Paris, 16 June 2022, lot 81. Further examples include Bonhams Hong Kong, 30 November 2022, lot 13; Bonhams San Francisco, 19 June 2012, lot 6272; and Bonhams London, 16 May 2013, lot 411. 32cm wide; 19.2cm high

provenance

An Important Private Collection, S.A., acquired in London, circa 1995-2000.

$15,000-25,000

西周青銅簋

一件相類例，見巴黎蘇富比，2022年6月16日，拍品81；另見香港邦瀚斯，2022年11月30日，拍品13 ；舊金山邦瀚斯，2012年6月19日，拍品6272；倫敦邦瀚斯，2013年5月16日，拍品411。

A RARE BRONZE ELLIPTICAL VESSEL AND COVER, XU, EARLY EASTERN ZHOU, SPRING AND AUTUMN PERIOD (6TH CENTURY BC)

Of compressed form, the vessel is fitted with a pair of loop handles terminating in animal heads and is raised on four legs cast as animal heads and claws. The cover is surmounted by a flared crown-form finial with openwork sides, the top decorated with an interlaced rope design.

An almost identical example of the same size, formerly in the collection of Bishop William C. White and now in the Royal Ontario Museum (museum no. 932.16.71), is illustrated in Sara Irwin and Chen Shen, A Question of Provenance: The Bishop William White ‘Jincun’ Collection in the Royal Ontario Museum, fig. 9.

Another comparable example was sold at Christie’s London, 10 November 2015, lot 22. 20 x 12.7cm

provenance

An Important Private Scholar’s Collection, acquired from Kyoto, Japan in the 90s. $4,000-6,000

春秋早期青銅盨一件尺寸及形制幾乎相同之例，曾為白晉士主教（Bishop William C. White）舊藏，現藏皇家安大略博物館（藏品號932.16.71），見 Sara Irwin 與 Chen Shen 著《A Question of Provenance: The Bishop William White ‘Jincun’ Collection in the Royal Ontario Museum》，圖9。另見一件相類例，倫敦佳士得，2015年11月10日，拍品22。源流：重要文人私人收藏，1990年代自日本京都購得。

133 A PAIR OF RARE CHINESE IRON CEREMONIAL HAMMERS, QING DYNASTY (1644 – 1911)

Each hammer bears a four-character cast inscription, “Yong Ding Yong Bao” (meaning: “Everlasting, Treasured as a Sacred Object”). each 50cm long

provenance

A private collection, ACT, acquired in China in the 90s.

$1,500-2,500

The Cox Family Collection of Chinese Paintings, Melbourne.

墨爾本Cox家族珍藏中國書畫

lots 134 – 143

134

LI XIONGCAI (1910 - 2001)

Mountain Landscape ink on paper

June 1985

hanging scroll, inscribed, signed and two red seals of the artist.

Overall: 172.5 x 86.5cm; painting: 93.5 x 67cm

$1,000-2,000

黎雄才

勁松

1985年6月

水墨紙本

立軸

簽名，題識，鈐印 135

LI XIONGCAI (1910 - 2001)

Mountain Landscape ink and colour on paper

June 1985

hanging scroll, inscribed, signed and two red seals of the artist.

Overall: 214 x 93cm; painting: 136.5 x 68cm

$3,500-5,500

黎雄才

山水

1985年6月於

水墨紙本

立軸

簽名，題識，鈐印

136

GUAN SHANYUE 1912 - 2000

Mountain Landscape

ink and colour on paper

June 1985 in Melbourne, Australia

hanging scroll, inscribed, signed and three red seals of the artist.

overall: 225.5 x 105cm; painting: 145.5 x 79cm

$2,500-3,000

關山月

山水

1985年6月於墨爾本

設色紙本

立軸

簽名，題識，鈐印

137

HUANG YONGYU (1924 - 2023)

Damo ink and colour on paper

1981 hanging scroll, inscribed, signed and six red seals of the artist.

Overall: 219.5 x 92cm; painting: 137 x 74.5cm

$6,000-8,000

黃永玉

达摩

1981年

設色紙本

立軸

簽名，題識，鈐印

138

GUAN SHANYUE 1912 - 2000

Birds, Rock and Bamboo ink and colour on paper

May 1985 in Sydney, hanging scroll, inscribed, signed and three red seals of the artist.

Overall: 199.5 x 97.5cm; painting: 145.5 x 77.5cm

$3,000-5,000

關山月

瑞竹圖

1985年5月於悉尼

設色紙本

立軸

簽名，題識，鈐印

139

GUAN SHANYUE 1912 - 2000 PRUNUS AND BIRDS ink and colour on paper

June 1985 in Melbourne

Hanging scroll inscribed, dated, singed and four red seals of the artist.

Overall: 201.5 x 92cm; Painting: 136 x 68.5cm

$3,000-5,000

關山月

花鳥

1985年6月於墨爾本

設色紙本

立軸

簽名，題識，鈐印

140

WU ZUOREN 1908 - 1997

Hawks ink and colour on paper

1982 in Australia

hanging scroll inscribed, signed and two red seals of the artist.

Overall: 180 x 81.5cm; painting: 98 x 61.5cm

$1,500-2,500

吴作人

老鷹

1982年於澳洲

設色紙本

立軸

簽名，題識，鈐印 141

LIU WENXI 1933 - 2019

Grandfather ink on paper

1992 hanging scroll inscribed, signed and one red seal of the artist. Overall 173.5 x 100cm; painting: 83 x 80.4cm

$1,000-2,000

劉文西

爺爺

1992年

水墨紙本

立軸

簽名，題識，鈐印

142

HUANG YONGYU 1924 - 2023

Drying Books in the Sun ink and colour on paper hanging scroll; inscribed, dated to Spring 1989, signed and five red seals of the artist.

Overall: 209 x 90cm; painting: 117.5 x 64.4cm

$10,000-20,000

黃永玉

曬書圖 1989年春日於澳洲

設色紙本立軸

簽名，題識，鈐印

143

HUANG YONGYU (1924 - 2023)

Owl ink and colour on paper hanging scroll; dated to 1981, inscribed, signed and six red seals of the artist.

Overall 225.5 x 98cm; painting: 138 x 74.5cm

$15,000-25,000

黃永玉

益鳥也 1981年

設色紙本

立軸

簽名，題識，鈐印

144

SHAO LUOYANG 1917-2016

Plum blossom

ink and colour on silk hanging scroll, inscribed, signed and three red seals of the artist. 104.8 x 51.4 cm

provenance

A Private Collection, Sydney.

$1,000-1,500

邵洛羊 (1917-2016)

梅

設色紙本立軸

款識：辛酉(1981)新正之月邵洛羊於上海中國畫院。

鈐印：邵青溪印、洛羊

來源：悉尼私人收藏

The Rong Family Collection of Chinese Paintings

By descent to Mr. and Mrs. Vivian YK Yeh. Mrs. Yeh is a member of the Wuxi Rong family, one of China’s most powerful industrial dynasties, and the niece of Rong Yiren (former Vice President of China). 無錫榮家舊藏中國書畫, Mr. & Mrs. Vivian YK Yeh遞藏，葉太太為無錫榮家後裔，榮毅仁之姪女。（榮毅仁曾任中華人民共和國副主席）

145

ZHU CHAN 1825-1901

Bamboo and rock ink on paper

Hanging scroll, signed and two red seals of the artist.

137 x 33.6cm

$1,000-2,000

竹禪 (1825-1901)

竹石圖

水墨紙本立軸

款識：烘晴。竹禪。

鈐印：竹、禪

146

ATTRIBUTED TO YUN SHOUPING 1633 - 1690

Peony ink and colour on paper

Hanging scroll, inscribed, signed and two red seals of the artist.

102.7 x 41cm

$1,000-2,000

(傳）惲壽平 (1633-1690)

牡丹

設色紙本立軸

款識：白雲外史惲壽平。

147

Attribute to SHEN ZHOU 1427-1509

Figures and landscape ink and colour on silk

Hand scroll, inscribed, signed and three red seals of the artist. Shen Zhou painting: 97.5 x 29.5cm; Calligraphy inscription: 88.7 x 29.5cm

$4,000-6,000

（傳）沈周 (1427-1509)

泛舟圖

設色絹本手卷

款識：沈周。

鈐印：沈氏啟南

148

WU YUNHAO 1644 - 1912

Calligraphy ink on gold-flecked paper

Mounted fan leaf, singed and one red seal of the artist.

51 x 15.5cm

$1,000-2,000

吳允蒿（清代）

楷書

水墨金箋扇面

款識：長洲吳允蒿。

149

XU YU 1843-1916

Calligraphy ink on paper

Mounted fan leaf, inscribed, signed and three red seals of the artist. 50 x 15.5cm

$1,000-2,000

許鈺（1843-1916）

行書

水墨紙本扇面

款識：錫山X許鈺。

鈐印：許鈺之印

150

DING YANYONG 1902-1978

Frog ink and colour on paper Hanging scroll signed and one red seal of the artist.

69 x 35cm

$4,000-6,000

丁衍庸 (1902-1978)

荷塘蛙戲圖

設色紙本立軸

款識：丁衍庸寫。

鈐印：獸形印

151

LIANG QICHAO 1873-1929

Calligraphy Couplet ink on paper

Couplet hanging scroll. each 127.3 x 28.2cm

$3,000-5,000

梁啟超(1873-1929)

行書

水墨紙本對聯

款識：更上一層如世外，閒思千載幾斜陽。任公，庚申四月。

152

After SUN WEN 1866-1925

Calligraphy ink on paper

Hanging scroll. 148.8 x 48cm

$1,000-2,000

（傳）孫文 (1866-1925)

行書

水墨紙本立軸

款識：孫文。

鈐印：孫文之印

153

ZHAO SHAO’ANG 1905-1998

Bird ink and colour on paper two red seals of the artist. 89.8 x 47.3cm

$2,000-3,000

趙少昂 (1905-1998)

花鳥

設色紙本镜心

鈐印：少昂

154

After SUN WEI

The Gathering of Scholars ink and colour on silk Hand scroll, Three collectors’ seals. painting: 167.8 x 45.9cm; calligraphy inscription: 75 x 45cm

$6,000-8,000

(傳）孫位（唐，九-十世紀）

高逸圖

設色絹本手卷

題簽：唐孫位高逸圖蕉林珍玩。

藏印三枚、題跋卷藏印五枚

155 WANG JIQIAN 1907-2003

Calligraphy in running script ink on paper Hanging scroll. 134.5 x 68.5cm

provenance

Collection of Jeanette Hsu Zhenyu (1929-2012).

$3,000-5,000

王季遷（1907-2003）

行書

水墨紙本立軸

156

WANG JIQIAN 1907-2003

Calligraphy couplet in running script ink on paper hanging scrolls. each: 125.3 x 35cm

provenance

Collection of Jeanette Hsu Zhenyu (1929-2012). $4,000-6,000

王季遷（1907-2003）行書

水墨紙本對聯

款識：推半窗明月，臥一榻清風。振玉女弟清賞，丁巳(1977)夏月震澤王季遷。

鈐印：季遷拜贈、石橋村裡人家來源：徐振玉（1929-2012）舊藏徐振玉（1929-2012）祖籍江蘇昆山。幼年隨父研習書法，後畢業於美國哥倫比亞大學。1962年拜張榖年（1905-1987）為師習水墨山水，1967 年出國，1973 年拜旅美當代書畫大師王季遷（1907-2003 ）為師。徐振玉畢生致力研習書畫，先後於哥倫比亞大學及紐約東方畫廊舉辦個展，並於1997年出版《徐振玉書顧毓琇詞》。徐氏收藏甚豐，尤富王季遷所贈書畫。

157 GAO LUOYUAN (1886-1976）

Bamboo and rock ink on paper mounted, inscribed, signed and six red seals of the artist. 37.5 x 29cm $1,000-1,500 高絡園（1886-1976）慈竹清風水墨紙本鏡片款識：南池先生方家鑑教，一九七五年一月絡園寫奉時年九十。慈竹清風，奇貴世兄失恃後孝思不匱爰將此幀轉貽以誌欽佩，南翁題記時年六十八。鈐印：高樂、繹求、施翀鵬、南池、絡園老人、過眼煙雲源流：悉尼私人收藏

158

Attributed to LÜ HUANCHENG 1630-1708

Ladies traveling across spring mountains ink and colour on silk 1699

hanging scroll, inscribed, signed Lü Huancheng, dated jimao (1699) and with two seals of the artist.

177 x 97.6 cm provenance

Sotheby’s, Hong Kong, 30th September 2017, Lot 2738.

$40,000-60,000

(傳）呂煥成（1630-1708）仕女游春圖設色絹本立軸款識：己卯(1699)荷月寫於具慶堂，舜江呂煥成。鈐印：煥成印、呂氏吉文來源: 香港蘇富比，中國古代書畫拍賣會，2017年9 月30日，拍品編號 2738

ZHAO PUCHU 1907 - 2000

Calligraphy in running script ink on paper

Hanging scroll, framed

The following piece, by artist Zhao Puchu (1907-2000), beautifully brings together traditional chinese calligraphy and the compassionate core of Buddhism. The characters rendered-Namo Guanshiyin Pusa-form a sacred phrase honoring Guanyin, who is believed to hear and respond to the cries of the world.

Born in Taihu, Anhui Province, Zhao was more than just a skilled calligrapher; he was a preeminent scholar, a dedicated social activist, and the long-serving President of the Buddhist Association of China. Serving as a vice-chairman of the National Committee of the Chinese People’s Political Consultative Conference, he navigated the complexities of modern Chinese politics while remaining deeply committed to the revival and protection of Buddhist culture.

In this particular work, one can examine his signature style: a balance of rounded, elegant strokes and a resilient, disciplined internal structure. It is a style that mirrors his own character-conveying a deep, unshakable serenity amidst the turbulent currents of his time. As a piece of devotional art, it remains highly regarded by collectors not merely for its aesthetic and calligraphic merit, but as a symbolic artifact representing the resilience of faith and the scholarly ideals of moral cultivation that Zhao Puchu embodied throughout his life. Similar works fetched hammer prices of HKD 713,000 at the 2013 Poly Auction Hong Kong Autumn Sales and RMB 782,000 at the 2015 China Guardian Spring Auctions.

22 x 63cm

provenance

An Important Private Collection, NSW, acquired directly from the artist.

$90,000-120,000

趙樸初（1907 – 2000）

行書「南無觀世音菩薩」

水墨紙本鏡框

識文：南無觀世音菩薩。

款識：趙樸初敬書。

鈐印：阿彌陀佛、無盡意居士來源：直接得自作者本人

備註：此件作品由趙樸初（1907-2000）創作，將中國傳統書法與佛教的慈悲核心完美融合，書中的「南無觀世音菩薩」聖號旨在禮讚尋聲救苦的觀音大士。趙公出生於安徽太湖，不僅是書法名家，更是卓越的學者、社會活動家及長期領導中國佛教協會的先驅，他在擔任全國政協副主席並應對現代政治複雜局勢的同時，始終不遺餘力地投身於佛教文化的復興與保護；在這件作品中，其典型書風展露無遺，圓潤優雅的筆觸與嚴謹堅韌的內在結構交相輝映，正如其人般在動盪時代中展現出深沉而不可動搖的寧靜；作為一件虔敬的藝術珍品，它在收藏界倍受推崇，不僅因其極高的美學造詣，更因其作為信仰韌性的象徵，完美體現了趙樸初一生所秉持的道德修養與文人理想。此類作品曾分別於2013年保利香港秋季拍賣會及2015年中國嘉德春季拍賣會上，以71.3萬港元與78.2萬元人民幣落槌成交。

160

MA JIATONG 1865-1937

Flower ink and colour on silk hanging scroll, inscribed, signed and two red seals of the artist. 159.5 x 40cm

provenance

A Private Collection, Sydney $1,000-1,500

馬家桐 (1865-1937)

花卉

設色絹本立軸

款識：擬錢宗磐筆廂東居士馬家桐寫於平憾齋。

鈐印：家桐私印

源流：

悉尼私人收藏

161 YANG LINGFU 1887-1978

Flower and rocks ink and colour on paper Hanging scroll, inscribed, two red seals of the artist. 115 x 40cm

$1,000-1,500

楊令茀（1887 1978）

洞石水仙圖

設色紙本立軸

款識：楊令茀。

鈐印：令茀

鈐印：茀 163

162 YANG LINGFU 1887-1978

Landscape ink and colour on paper Hanging scroll, inscribed, signed and one red seal of the artist. 130 x 39cm

$1,000-1,500

楊令茀（1887 1978）松山煮茶圖設色紙本立軸、楊令茀。

164

After HAN GAN 706-783

Horse ink and colour on paper

Hanging scroll,

Bearing signature of Han Gan, with one seal

Title-slip inscribed.

163

ATTRIBUTED TO PU RU 1896-1963

Album of Calligraphy and Bonsai

Ink and colour on silk

A set of sixteen leaves, ink and colour on silk each leaf inscribed, signed and three red seals of the artist.

each leaf: 18.5 x 18.5cm

$5,000-7,000

（傳）溥儒

盆栽書法冊

設色絹本　冊頁十六開每開簽名，題識，鈐印

97.5 x 75 cm

provenance

A Private Collection, Sydney.

$2,000 – 3,000

（傳）韓幹（1049-1106）

馬

設色紙本立軸

款識：韓幹。

鈐印：漫患不辨

源流：悉尼私人收藏

165

After LI GONGLIN 1049 - 1106

Court Ladies ink and colour on silk

Hanging scroll, bearing signature of Li Gonglin, with one seal. 198 x 84 cm

provenance

A Private Collection, Sydney

$3,000 – 5,000

（傳）李公麟（1049-1106）

二美圖

設色絹本立軸

款識：李公麟繪。

鈐印：李公麟印

源流：悉尼私人收藏

166

ATTRIBUTED TO DONG QICHANG 1555 - 1636

Mountain Landscape ink and colour on silk hanging scroll, inscribed, signed and three red seal of the artist. This scroll together with a Japanese falg and Japanese Naval officers Dirk and Porclamation to the People of the Andaman and Nocobar Islands (LOUIS MOUNTBATTEN Supreme Allied Commander Southeast Asia) were given to Major R.W. Scott (M.B.E) (K.I.H) by Major General Itsuki Toshi and Captain M Ueda at the cessation of Hostilities on Car Nicobar Island 24th of October 1945. painting: 92 x 40cm

provenance

Collection of Zhu Guoliang.

Collection of Major Gneral Itsuki Toshi. Collection of Major R.W. Scott, (M.B.E.), (K.I.H.), (1887 - 1963), hence by descent.

Comprising original letters between Mrs. D. E. Scott and Soteby’s London in 1963 and 1973; letter between Mrs D. E. Scott and Commonwealth of Australia, Office of the Australian Government Trade Commissioner in 1964; letter between Mrs. D. E. Scott and Christie’s in 1975.

This Dong Qichang painting scroll together with a Japanese falg and Japanese Naval officers Dirk and Porclamation to the People of the Andaman and Nocobar Islands (LOUIS MOUNTBATTEN Supreme Allied Commander Southeast Asia) were given to Major R.W. Scott (M.B.E) (K.I.H) by Major General Itsuki Toshi and Captain M Ueda at the cessation of Hostilities on Car Nicobar Island 24th of October 1945. The Proclamation No.1 has on the back the names and stamps of the Japanese senior officers along with the signatures of Chief Administrator Deputy Commissoner Nocoba Isaland Major R.W. Scott & Local Commander of Car Nocobar Major Singh.

Major R.W. Scott along with his wife were the only Europeans living on Car Nicobar Islands from about 1934 to 1942. When the war broke out in 1939, he

struck a mine off the rescued after being in the water for a few hours and taken to Port Blair where Sir Charles Waterfull, Chief Commissioner, gave him clothes and a pair of shoes. Sir Charles assisted him to get away from the Japanese and after reaching India was employed as a scet agent in 136 attached to the Dutch Submarine Squadron at Solombo. In 1944he was presuaded to accept an emergency commission (2nd Gurkhas Dehra) and was with the 116 Infantry Brigade on the H. M. S. Rocksand when they landed back on the Car Nicobar Isaland 24th October 1945. Major Scott left the Nicobars in late 1945 and returned to his regiment in India retiring on the 26th of October 1948 to Devonport Tasmania Australia. He met Dorothy (the current owner’s Auntie) and they married in 1955. Major Robert Scott passed away at the age of 75 in 1963 and the scroll, the flag and the drik were passed on at the passing of Dorothy.

K.I.H.: Kaiser - I - Hind first class gold medal for social services in India (Nicobar Islands)

M.B.E.: 14th of June 1945 was given an Order of the British Empire to be Members of Civil Dvision by his Imperial Majesty the KING EMPEROR OF INDIA.

Major General Itsuki Toshi was the General Chairman of the Committee for Civil Administration on Car Nicobar Island March 1944 to Ocober 1945. Major Gneral Itsuki was brought before the Singapore war Trials in March 1946 and due to the atrocities on Car Nicobar sentenced to Death by Shotting.

Captain. Udea Mitsuharu: Japanese military brought before the Singapore war trials in March 1946 found guilty given 15 years.

$8,000-12,000

(傳) 董其昌山水

水墨絹本，立軸題識，簽名，鈐印。

以及一面署有“日本海軍民政部”的日本國旗，五把日本海軍軍官短刀劍及《安達曼尼科巴群島告民眾書》

源流：朱國良收藏。

日本陸軍少將 Itsuki Toshi（井月俊）舊藏。

R. W. Scott 少校（M.B.E., K.I.H., 1887–1963）舊藏，其後由家族遞承。

附相關文件，包括：其妻Dorothy Scott 1963和 1973年與倫敦蘇富比往來信函；1964年與澳大利亞政府貿易專員公署通信；以及1975年與佳士得往來信函。

此董其昌書畫手卷，連同一面日本軍旗、五把日本海軍軍官短刀劍及《安達曼尼科巴群島告民眾書》（盟軍東南亞最高司令路易斯蒙巴頓頒布）為同一來源。該組物品於1945年10月24日卡爾尼科巴島戰事結束時，由日本陸軍少將 Itsuki Toshi 及上田光春大尉贈予R. W. Scott少校。

R. W. Scott少校約於1934至1942年間任尼科巴群島副專員，長期駐守卡爾尼科巴島。二戰期間負責當地行政與後勤事務，並與英軍保持密切聯繫。1942 年日軍進佔後輾轉至印度，後加入英軍服役，並於 1945年隨部隊重返尼科巴群島。戰後退役，定居澳大利亞塔斯馬尼亞。其身後，上述文物由家族承繼。

K.I.H.：印度社會服務一級金質凱撒勳章。

M.B.E.：大英帝國勳章（1945年授予）。

Itsuki Toshi 少將曾任1944至1945年間卡爾尼科巴島民政委員會主席，戰後於新加坡軍事法庭受審並被判死刑。

上田光春大尉亦於戰後受審，被判監禁十五年。

167

A SET OF FOUR FINE CHINESE INK AND COLOUR ON PAPER PAINTINGS, QING DYNASTY (1644 - 1911)

Overall: 59 x 50.5cm; image: 43 x 34.5cm

provenance

Raymond and Victoria Tregaskis Oriental Antiques, Sydney.

$3,000-5,000 清四幅水墨人物畫

168

WU HUFAN 1894 - 1968

Calligraphy ink on paper

Signed and two red seals of the artist. 96 x 32cm

provenance

A private collection, Sydney. $2,000-3,000

吴湖帆

新意楼书法，水墨纸本镜心，签名，钤印

169 HE YU 1852 - 1928

Birds and Flowers

Ink and colour on paper 1925 hanging scroll, inscribed, dated to 1925, signed and two red seals of the artist.

175 x 38.5cm

$1,000-2,000

何煜花鳥 1925年作

設色紙本立軸題識，簽名，鈐印

170

WU CHANGSHUO 1844 - 1927

Calligraphy ink on paper 1902

Inscribed, dated to 1902, signed and one red seal of the artist.

29 x 23.3cm

$2,000-3,000

吳昌碩

書法

壬寅（1902）八月作

水墨紙本鏡心

題識，簽名，鈐印

171

WANG XIJING b. 1946

The Song of Everlasting Sorrow Ink and colour on paper hanging scroll, inscribed, signed, and two red seals of the artist. painting: 137 x 34.6cm

provenance

A private collection, Sydney.

$2,000-3,000

王西京

長恨歌

設色紙本

題識，簽名，鈐印

172

A GROUP OF FIVE CHINESE PAINTED POTTERY TILES OF MUSICIANS, TANG DYNASTY (618 - 907)

Each piece with a certificate from Hong Kong Art Craft Merchants Association Limited, 1997 - 1998. each 37.5 x 18cm

provenance

A Private Collection, QLD & NSW., acquired in Hong Kong in 22 Nov. 1997.

$6,000-8,000

唐彩繪陶樂舞人物磚一組五件

各附香港藝術品商會證書（1997–1998年）。

源流：

昆士蘭及新南威爾士私人收藏，1997年11月22日

購於香港

173

A CHINESE IMPRESSED-DESIGN GREY POTTERY JAR, WARRING STATES PERIOD

(c. 475 – 221 BCE)

Similar jars see Sotheby’s Hong Kong, 9 September 2025, lot 5146; and Sotheby’s London, 8 December 2022, lot 110.

35 x 30cm

provenance

A Private Collection, QLD. & NSW., acquired from Arch Angel Antiques, Hong Kong, 14 October 1997 (with original purchase letter).

$1,000-2,000

174

A GROUP OF THREE CHINESE LARGE PAINTED RED POTTERY ZODIAC FIGURES, TANG DYNASTY (618 - 907)

Comprising a dog, a tiger and a snake. largest 34cm high

provenance

A private collection, Sydney, acquired from Empyrean Fine Chinese Antiques Gallery (Bonnie Lai Antiques), Hong Kong, 27th May, 2011, with original Certifcates of Authenticity issue by the gallery, and an original invoice (no. 0865).

$1,000-2,000

175 A RARE CHINESE PAINTED DARK GREY POTTERY TORSO OF A HORSE, HAN DYNASTY (206 BC - AD 220)

A similar example, see Christie’s New York, 24 September 2020, lot 896. In addition, another similar pair, see the same house, 16 September 1999, lot 256. In addition, also see a pair sold at Sotheby’s New York, 16 - 27 September 2022, lot 713 and lot 714.

31cm wide; 24.5cm high

provenance

A Private Collection, QLD & NSW., acquired from Arch Angel Antiques, in 24 March 1997 (with original purchase letter).

$800-1,200

176

A RARE AND FINE CHINESE BLACK, RED AND BROWN PAINTED LACQUER “EAR” CUP, HAN DYNASTY (206 BCE - 220 CE)

There is a two-character red lacquer mark on the base. With a fitted box.

A similar pair with cloud patterns decorations and without mark on the base, see Bonhams Hong Kong, 29 May 2022, lot 110. 16cm long; 13cm wide.

provenance

Raymond and Victoria Tregaskis Oriental Antiques, Sydney, acquired from Bonnie Lai Antiquities (Empyreum Antiques) Hong Kong, 2011.

$5,000-7,000

漢黑紅褐彩漆耳盃底部有紅漆二字款，附配盒。

177 A RARE CHINESE RED AND BROWN LACQUER DISH, PAN, HAN DYNASTY (206 BCE - 220CE)

The dish is decorated in red and black with slender swirling cloud motifs reserved against a reddishbrown ground, set within a broad brick-red band below a band of lozenge pattern in the well. The narrow, flat rim and outer edge are finely painted in line with conjoined spirals and T-shaped motifs, while the upper register of the exterior is encircled by a band of long-tailed birds.

A dish of comparable form, sharing similar decorative motifs on the rim but with a different interior design, is illustrated by K. J. Brandt, Chinesische Lackarbeiten, Linden-Museum Stuttgart, 1988, no. 14, p. 55 (bottom). See also two similar dishes sold at Bonhams Hong Kong, 1–9 May 2025, lots 2004 and 2002; and a related pair sold at Christie’s New York, 21 September 2000, lot 174. 15.3cm diameter

provenance

Lam & Co. Antiques, Hong Kong

$4,000-6,000

漢紅褐漆盤源流：香港松豐堂。

178

A RARE AND LARGE CHINESE PAINTED POTTERY FIGURE OF AN OFFICIAL,

thermoluminescence test no. C198j21 (10 April 1998) is consistent with the dating of this lot.

An Private Collection, QLD and NSW, acquired from Arch Angel Antiques, Hong Kong in May 1998 (with original purchase letter and Oxford TL test

經牛津熱釋光測試（編號 C198j21，1998年4月10

昆士蘭及新南威爾士私人收藏，1998年5月購自香港 Arch Angel Antiques（附原購藏信及牛津熱釋

A GROUP OF THREE CHINESE POTTERY ENTERTAINERS, EASTERN HAN DYNASTY, 25

A private collection, Sydney, acquired from Archangel, Hong Kong, 20th April, 2009, with original Certifcates of Authenticity issue by the gallery, and an original invoice (no. 15523).

悉尼私人收藏，2009年4月20日購自香港 Archangel（附該古董行出具之原始真品證書及發

A FINE CHINESE PAINTED POTTERY FIGURE OF A STANDING FOREIGNER, HUREN, TANG DYNASTY (618 - 907)

181

A CHINESE RED POTTERY HANDLED VESSEL, QIJIA CULTURE, 2400 - 1600 B.C. 13cm high

provenance

Capital Gallery, Hong Kong.

$2,000-3,000

齊家文化紅陶提梁器

182

A CHINESE PAINTED POTTERY TRIPOD VESSEL, LI, XINDIAN CULTURE (CIRCA 1500 B.C. - 1000 B.C.) 15cm high

provenance

Capital gallery, Hong Kong.

$4,000-6,000

辛店文化彩繪陶鬲

183

A CHINESE PAINTED POTTERY HANDLED VESSEL, XINDIAN CULTURE, LATE 2ND-EARLY 1ST MILLENNIUM BC 20.5cm high

provenance

Capital Gallery, Hong Kong.

$2,500-3,500

辛店文化彩繪陶提梁器

184

A FINE CHINESE DARK POTTERY VESSEL, DAWENKOU CULTURE, 3RD-2ND MILLENIUM BC 14.3cm high

provenance

Capital Gallery, Hong Kong.

$2,000-3,000

大汶口文化黑陶器

Property from the Estate of Dr. Lam of Singapore and Melbourne: An Important Collection of Early Chinese Ceramics Formed Since the 1980s.

lots 185 – 195

185

A CHINESE QINGBAI FOUR-LUGGED JAR AND COVER, SONG DYNASTY (960 - 1279)

With a fitted box.

A similar example, see Christie’s Hong Kong, 11/11/2025, lot 1248.

14.5cm high

provenance

Acquired in Hong Kong on the 24/9/1984. $1,000-2,000

186

A FINE CHINESE JUN WARE CELADON DISH, NORTHERN SONG-JIN DYNASTY, 11TH-12TH CENTURY

With a fitted box.

A similar small dish, see Christie’s New York, 23/3/2023, lot 871. Also, see Sotheby’s New York, 22/9/ , lot 251.

11.5cm diameter

provenance

Acquired in Hong Kong on the 21/12/1983. $2,000-3,000

187

A VERY FINE SMALL CHINESE JUN “BUBBLE” BOWL, NORTHERN SONG DYNASTY (960-1127)

With a fitted box. 9cm diameter

$3,000-5,000

188

A CHINESE PERSIMMON GLAZED HARE’S FUR TEA BOWL, SOUTHERN SONG DYNASTY (1127 - 1279)

With a fitted box.

11.7cm diameter; 6.5cm high

provenance

Acquired in Singapore on the 17/6/1987.

$2,000-3,000

189

A CHINESE DING-TYPE DARK GLAZE “OIL SPOT” CONICAL TEABOWL, SOUTHERN SONG DYNASTY (1127 - 1279)

13.4cm diameter

$2,000-3,000

190

A RARE CHINESE CARVED QINGBAI JAR, SONG DYNASTY (960 - 1279)

With a fitted box.

12.5cm diameter; 8.6cm high

$4,000-6,000

191

A FINE CHINESE CARVED QINGBAI “BOYS” BOWL, SONG DYNASTY (960 - 1279)

A two-character ink mark on the base.

The bowl is with a fitted box.

19.5cm diameter

provenance

Acquired in Hong Kong in the 80s.

$2,000-3,000

192

A VERY FINE CHINESE QINGBAI CARVED BOWL, SONG DYNASTY (960 - 1279)

With a fitted box.

19.8cm diameter

provenance

Acquired in Singapore in the 80s.

$3,000-5,000

193

A CHINESE DARK GLAZED JIZHOU TEA BOWL, SONG DYNASTY (960 - 1279)

With a fitted box.

11.5cm diameter; 5cm high

$1,000-2,000

194

A CHINESE LONGQUAN GUAN DOUBLE FISH WASHER, SOUTHERN SONG DYNASTY (1127 - 1279)

12.5cm diameter

provenance

South East Asia Ceramics Society 1978 (Sticker on the base)

$1,500-2,500

195

A LARGE AND FINE CHINESE LONGQUAN DISH, YUAN/MING DYNASTY, 14TH CENTURY

37cm diameter

$1,500-2,500

196 A CHINESE CELADON-GLAZED CUP, NORTHERN QI DYNASTY (550 - 577)

8.5cm high; 10.2cm diameter

$1,000-2,000

197 A RARE AND FINE CHINESE GONGXIAN GREEN-GLAZED MOULDED RUYI-FORMED BOX AND COVER, TANG DYNASTY (618 - 907)

The box is modelled with five lobes and moulded decoration to each side. The cover is applied with a pair of confronted phoenix perched upon an elaborate looped ribbon ornament. The base is decorated with a quatrefoil floral design and three raised spur marks. Each side is enclosed within a double-line border and covered overall with an olivegreen glaze. With an old fitted box.

The motif of confronted phoenixes is a recurring decorative theme on Chinese metalwork and

ceramics from the Tang dynasty onwards. A related composition, with confronted phoenixes flanking a looped ribbon ornament similar to that seen on the present box, appears on a 10th-century silver box and cover from the Dr Carl Kempe Collection, sold at Sotheby’s London, 14 May 2008, lot 41.

A comparable box and cover from the Ding kilns, formerly in the Hans Popper Collection and exhibited in the 1937 Exhibition of Ancient Chinese Art at the Musée de l’Orangerie, Paris, is illustrated in Eskenazi, London, Song Ceramics from the Hans Popper Collection, London, 2005, no. 18. 12.6cm wide; 4.5cm high

provenance

A private collection, Hong Kong. $20,000-30,000

A RARE SET OF CELADON-GLAZED CARVED ‘LOTUS’ BOWL AND STAND, SOUTHERN

provenance

A private collection, Hong Kong.

$3,500-5,500

199 A VERY FINE CHINESE ASH-CELADON GLAZED HANDLED JAR, WARRING STATES PERIOD (475-221 BC)

Each loop handle is finely moulded with a Taotie mask.

15.5cm high

$4,000-6,000

200

A LARGE AND FINE CHINESE XIN WHITE-GLAZED OVOID JAR, TANG DYNASTY (618 - 907)

With a Japanese wood box.

Similar example see Sotheby’s New York, 21 September 2021, lot 98. 20.3cm high; 21cm wide

provenance

An important private collection, Osaka, Japan.

$8,000-12,000

唐邢窑白釉大罐附日本木盒

201

A CHINESE SANCAI-GLAZED BOWL, TANG DYNASTY (618 - 907) 10cm high; 5cm diameter

provenance

The collection of Mr. Larry Lucas, Sydney.

$3,000-5,000

202

A CHINESE SANCAI-GLAZED TRIPOD JAR, TANG DYNASTY (618 - 907)

The vessel raised on three lion-paw legs, covered in a splashed glaze of green, amber, yellow, and creamy arranged in stripes on the outwardly curved rim and falling in an irregular line down the body above the unglazed pale body.

A similar example, see Bonhams London, 11 May 2021, lot 62; another similar one with a cover, see Christie’s New York, 13 September 2019, lot 834. 11.7cm high

$6,000-8,000

唐三彩三足炉

203

A VERY FINE CHINESE SANCAI GLAZED POURING VESSEL, TANG DYNASTY (618 - 907)

The vessel is covered with blue, amber and green glaze

14.2cm wide

$6,000-8,000

唐三彩流罐

204

A CHINESE BLUE-GLAZED BOY ON A BUFFALO, FIVE DYNASTIES / NORTHERN SONG, CIRCA 10TH CENTURY 7cm high; 8.5cm wide

provenance

A private collection, Hong Kong.

$2,000-3,000

205

A VERY RARE AND FINE CHINESE SANCAI AND BLUE GLAZED KNEELING BACTRIAN CAMEL AND A FEMALE RIDER, TANG DYNASTY (618 - 907)

The powerfully modelled camel is shown kneeling in a naturalistic posture and is covered overall in an even amber glaze. Seated between the humps is a female rider wearing an official’s robe and hat, glazed in blue and green, with the right hand, face and hat left unglazed.

Camels modelled in a kneeling posture are rare, and examples accompanied by a female official rider appear to be exceptionally uncommon. No closely comparable examples have been identified to date. A related sancai-glazed camel with a foreign rider is preserved in the National Museum of China, see: National Museum of China.

The results of Oxford thermoluminescence test no. C108z31 consistent with the dating of this lot. 36cm wide; 28cm high

provenance

An Important Private Collection, acquired in Hong Kong in the early 1990s.

$80,000-120,000

唐三彩加藍釉跪姿雙峰駱駝及女官騎乘俑駱駝造型雄健，呈自然跪姿，通體施均勻褐色釉。

雙峰之間坐一女騎者，身著官服戴官帽，施藍、綠釉，右手、面部及帽部露胎未施釉。

呈跪姿之駱駝造像甚為少見，而配女官騎者者更屬罕見，迄今未見與之密切相同之傳世例。中國國家博物館藏有一件三彩駱駝載胡人騎者之相關作品，可資比較。

經牛津熱釋光測試（編號 C108z31），結果與本拍品年代相符。

源流：

重要私人收藏，1990年代初購於香港

206

A RARE CHINESE AMBER GLAZED MARBLE PILLOW, TANG DYNASTY (618 - 907)

Marbling (jiao tai) was a popular decorative technique on Tang dynasty ceramics, applied to a wide range of forms including jars, cups, bowls, dishes, and censers. Marbled sections were also inlaid into larger objects, such as pillows, for decorative effect. The marbled appearance was achieved either by blending clays of different colours during formation or by applying contrasting slips to the surface. In both cases, the vessel was then covered with a transparent glaze, most commonly amber, as seen on the present lot.

A similar example sold at Sotheby’s Hong Kong, 28 November 2018, lot 307. Similar pillow also in the collection of the Palace Museum, Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum: Porcelain of the Jin and Tang Dynasties, Hong Kong, 1996, p.238, no.217. 14.5 x 10 x 7.5cm

provenance

A private collection, Hong Kong. $20,000-30,000

唐琥珀釉絞胎枕

207

A LARGE GONGXIAN WHITE GLAZED WATERPOT, TANG DYNASTY (618 - 907)

With a Japanese wood box. 12.5cm wide; 9.5cm high

provenance

An important private collection, Osaka, Japan. $6,000-8,000

唐鞏縣窯白釉大水盂

208

A CHINESE LUSHAN PHOSPHATIC GLAZE SPLASHED BROWN-GLAZED JAR AND COVER, TANG DYNASTY (618 - 907)

A similar covered jar without two handles, see Christie’s New York, 15 September, 2011, lot 1452. 22.5cm high

provenance

A private collection, Osaka, Japan.

$8,000-12,000

唐鲁山窯黑釉褐彩蓋罐

209

A CHINESE HENAN DARK GLAZED WASHER, TANG DYNASTY (618 - 907)

8.5cm diameter

$1,000-2,000

210

AN EXTREMELY RARE AND LARGE STRAW-GLAZED DRAGON AMPHORA VASE, SUI/EARLY TANG DYNASTY, 7TH CENTURY

Of baluster form, rising to a tall waisted neck with a cup-shaped mouth, the neck applied with two intertwined dragons climbing upward toward the rim, their bodies forming loop handles just below the mouth, all covered in a finely crackled creamy-white glaze.

On the more commonly encountered Tang dynasty amphorae, the handles are typically formed as two separate dragons issuing from either side of the body and rising individually to bite the rim. By contrast, the present vase is distinguished by its highly unusual design, with two dragons emerging at the neck, entwining as they climb upward, and joining at the rim in biting the mouth edge. This striking handle configuration appears to be exceedingly rare, and no second comparable example has been noted on the market or museum collections.

57cm high

provenance

An Important Private Collection, acquired in Hong Kong in the early 1990s.

$50,000-80,000

隋／初唐七世紀白釉雙龍耳盤龍大瓶器作梅瓶式，束頸高挺，口呈杯形，頸部貼塑兩龍相互纏繞上攀至口沿，其身於口下盤繞成雙耳，通體施細密開片乳白色釉。

唐代常見之雙耳瓶，多為兩龍分據器身兩側，各自上攀銜口；本器則別具一格，雙龍自頸部相生，纏繞而上，並於口沿合抱銜緣，構思奇特，極為罕見，迄今市場及博物館中未見可比之例。

源流：

重要私人收藏，1990年代初購於香港

211 A FINE CHINESE CELADON-GLAZED PERA SHAPED VASE, PANKOUPING, EASTERN JIN DYNASTY (317 - 420 A. D.)

15cm high

provenance

A private collection, Sydney.

$3,000-5,000

212 A RARE CHINESE DARK-GLAZED DOUBLE GOURD EWER, JIN DYNASTY (1115 - 1234)

16.5cm high

$2,500-3,500

213 A CHINESE DARK-GLAZED BOWL, ZISUBO, TANG DYNASTY (618 - 907)

The exterior is covered in a dark glaze, while the interior is finished with a clear glaze over a white body; the mouth rim is left unglazed. 7.3cm diameter; 3.5cm high

provenance

A private collection, Osaka, Japan.

$4,000-6,000

唐淄素钵

214 A CHINESE CELADON-GLAZED CARVED ‘LOTUS’ VASE, MEIPING, SONG DYNASTY (960 - 1279)

18.5cm high

provenance

A private collection, Hong Kong.

$2,500-3,500

215 A FINE CHINESE GONGXIAN WHITE GLAZED PEAR-SHAPED VASE, TANG DYNASTY (618 - 907) 13cm high

$7,000-9,000

唐鞏縣窯白釉净瓶

216

A LARGE CHINESE WHITE-GLAZED CUP, SUI DYNASTY (581 - 618 CE)

With a fitted box.

11.4cm diameter; 9.5cm high

provenance

Collection of Mr. Ben Ng., Hong Kong. An important private collection, Sydney.

$7,000-9,000

隋白釉大盃

源流：

香港宋瓷藝廊

217

A RARE AND FINE JIZHOU SPLASHED JAR, SONG DYNASTY (960 - 1279)

With a fitted box.

8.5cm high

provenance

Raymond and Victoria Oriental Antiques, Sydney, Australia, acquired from Ben Ng, Treasure Gallery, Hong Kong, 2007.

$10,000-20,000

宋吉州窯花斑釉束口罐

源流：

已故著名亞洲藝術古董商Ray Tregaskis 珍藏，購自

香港宋瓷藝廊。

218

A LARGE AND RARE CHINESE OCTAGONAL LONGQUAN CELADON CARVED DISH, MING DYNASTY (1368 - 1644)

With a fitted box.

37cm diameter

provenance

A Private Collection, Sydney.

$3,000-5,000

A VERY FINE CHINESE ‘KINUTA’ LONGQUAN CELADON WASHER, SOUTHERN SONG DYNASTY (1127 - 1279)

The washer is finely potted with an angular profile, rising from a short foot to a slightly everted rim, and is covered overall in an unctuous glaze of even bluish-green tone, save for the foot ring burnt orange in the firing.

The ethereal sky-blue colour and remarkably tactile, almost silken, surface of the glaze exemplify the finest ideals of celadon production. Generations of potters across various kilns sought to emulate such texture and colour, though it was seldom matched outside the imperial Ru and Guan kilns. Even among imperial Guan wares, considerable variations in tone are evident, with less successful examples discarded in kiln waste pits (see Select Ceramics from Laohudong Kiln Site in Hangzhou, Beijing, 2002, pp. 16, 24–25).

The refinement of Southern Song Longquan celadons was closely linked to the establishment of the Guan kilns after the Song court moved south to Hangzhou (see Zhu Boqian, ed., Celadons from Longquan Kilns, Taipei, 1998, p. 17). While Longquan kilns largely produced wares for prosperous commercial patrons, their finest output occasionally approached imperial standards. Southern Song examples are particularly admired for their thick, lustrous bluish-green glazes, the best of which are known in Japan by the term kinuta. Some scholars have further suggested that Longquan kilns may also have supplied wares directly to the court when required (see Rose Kerr, Song Dynasty Ceramics, London, 2004, p. 89). The present washer may be considered among this elite group.

Comparable examples include a pair of washers of this type in the MOA Museum of Art, Atami, illustrated in Song Ceramics, Tokyo, p. 108, no. 71; another in the Idemitsu Museum of Art, Tokyo, illustrated in Sensei, Bansei and Celadon of Longquan Yao, Izumi, 1996, p. 16, no. 48; and related examples excavated from the Jinyucun hoard, Suining, Sichuan, illustrated in Jinyucun Hoard of Southern Song Dynasty in Suining, vol. II, Beijing, 2012, pls. 62–64.

Auction comparables include a slightly larger kinuta-type washer sold at Christie’s New York, 22 March 2019, lot 1742; further related examples sold at Christie’s New York, 13 September 2019, lot 1045; Christie’s Hong Kong, 30 May 2018, lot 3096; Christie’s Hong Kong, 7 June 2022, lot 3114; and Sotheby’s Hong Kong, 8 April 2023, lot 3516.

11cm diameter; 2.8cm high

provenance

An Old Private Collection, Kyoto, Japan. $10,000-20,000

南宋龍泉窯砧青瓷洗

本器釉色空靈澄澈，呈天青泛藍之調，釉面溫潤細膩，幾近絲絹質感，堪稱青瓷燒造之理想境界。歷代窯工雖競相追求此等釉色與質感，然除汝窯與官窯外，能臻其妙者殊為罕見。即使官窯器中，釉色亦多有差異，未達理想者往往棄置於窯址之中。

南宋遷都臨安後，龍泉窯受官窯審美與技術影響，燒造水準顯著提升。雖主要供應士紳與富裕階層，然其最精良之作，品質往往足以比肩御窯。南宋龍泉青瓷尤以釉層肥厚、光澤瑩潤、色呈青翠者最受推崇，日本收藏界稱之為「砧青瓷」（kinuta）。部分學者更認為，龍泉窯曾燒製高品質器物供奉宮廷，本洗或可列入此類佳器。

相類器可參見日本熱海MOA美術館藏一對同式洗，以及東京出光美術館藏例；四川遂寧金魚村南宋窖藏中亦出土同類器物。

拍賣可比案例包括：佳士得紐約2019年3月22日，拍品 1742；佳士得香港2018年5月30日，拍品3096；佳士得香港2022年6月7日，拍品3114；以及蘇富比香港2023年 4月8日，拍品3516。 219

220

A RARE CHINESE DARK LACQUER FOLIATE DISH, SONG DYNASTY (960 - 1279)

The cavetto formed with five floral lobes surrounding the slightly sunken central medallion and continuing to the foot ring to encircle the recessed base, covered in a dark brown lacquer. It’s with a Japanese old red lacquer box.

A similar lacquer dish was sold at Christie’s New York, 24 March 2023, lot 1214. A much smaller example (13.7 cm in diameter) was sold at the same house, 29 November 2024, lot 1374. Another smaller dish (14.6 cm in diameter), formerly in the collection of Sakamoto Goro, was sold at Sotheby’s Hong Kong, 29 April 2022, lot 3606. 19.6cm diameter

provenance

Christie’s Hong Kong, 27 May 2008, lot 1927. Raymond and Victoria Tregaskis Oriental Antiques, Sydney, Australia.

$15,000-25,000

宋褐色大漆葵口盤

源流：

香港佳士得，2008年5月27日，拍品1927

已故著名亞洲藝術古董商Ray Tregaskis 珍藏。

221

A PAIR OF CHINESE CREAMY ICE CRACKLE-GLAZED FLOWER SHAPED DISHES, SOUTHERN SONG/MING DYNASTY, 13TH/17TH CENTURY

Each of the mouth rim has mounted with a metal band. With a fitted box.

14.5cm diameter

$5,000-7,000

222

A CHINESE JIZHOU “TORTOISESHELL” GLAZED CONICAL TEABOWL, SOUTHERN SONG DYNASTY (1127 - 1279)

With an old Japanese wood box. 15.5 diameter

provenance

Collection from a tea master, Kyoto.

$4,000-6,000

223

A RARE CHINESE DING PERSIMMON GLAZED CUP STAND, SOUTHERN SONG DYNASTY (1127 - 1279)

12cm diameter; 8cm high

$8,000-15,000

南宋定窑紫金釉（柿红釉）盏托

224

A CHINESE DANGYANGYU WARE WHITE GLAZE WITH DARK DECORATED CUP AND STAND, SONG DYNASTY (960 - 1279)

Cup: 5.5 diameter; Stand: 9.5cm diameter

provenance

Capital Gallery, Hong Kong. A private collection, Sydney.

$4,000-7,000

宋當陽峪窯白釉褐彩盃及盃托

源流：

香港長安美術；悉尼私人收藏

225

A VERY FINE CHINESE LONGQUAN CELADON VASE, SOUTHERN SONG DYNASTY (1127 - 1279) with a fitted box.

Similar examples, see Christie’s New York, 22nd Sep. 2023, lot 1019; and Christie’s Hong Kong, 2 May 2025, lot 988. 15cm high

provenance

Capital Gallery, Hong Kong.

$10,000-20,000

南宋龍泉窯青釉瓶配盒。

類似器見：2023年9月22日紐約佳士得拍賣，第號；2025年5月2日香港佳士得拍賣，第988號

源流：

香港長安美術；悉尼私人收藏

226

A CHINESE QINGBAI GLAZED CENSER, XINGLU, SONG DYNASTY (960 - 1279) 13cm diameter; 7.5cm high

provenance

Collection of Walter Hoschedeter, New York, US and S. A., Australia.

Mossgreen Asian Art, MA 122, lot 1130.

$2,000-3,000

227

A PAIR OF CHINESE QINGBAI MOULDED VASES, YUAN DYNASTY (1368 - 1644) 19.5cm high

provenance

A private collection, QLD.

$1,500-2,500

228

A FINE CHINESE QINGBAI FLOWER SHAPED DISH, SOUTHERN SONG DYNASTY (1127 - 1279)

A similar dish sold at Sotheby’s Hong Kong, 26 May 2021, lot 454. 10cm diameter

provenance

Raymond and Victoria Tregaskis Oriental Antiques, Sydney, Australia.

$1,500-2,500

A RARE CIZHOU WHITE-GLAZED BOY ON A CARP, JIN/YUAN DYNASTY, 13TH CENTURY

230

A RARE CHINESE GREEN-GLAZED STANDING FIGURE OF A BUDDHIST DISCIPLE, SANCAITONGZI, JIN DYNASTY (1115 - 1234) 16cm high

provenance

A private collection, Hong Kong.

$4,500-6,500

231

A CHINESE DING WHITE GLAZED LOTUS BOWL, NORTHERN SONG DYNASTY (967 - 1127)

Similar example, see Christie’s New York, 22 Mar. 2019, lot 1275.

8.4cm diameter; 6.5cm high

provenance

Capital Gallery, Hong Kong.

$5,500-8,000

北宋定窯刻蓮瓣盌

類似器見：2019年3月22日紐約佳士得拍賣，第1275 號拍品

源流：香港長安美術；悉尼私人收藏

232

A RARE CHINESE LONGQUAN CELADON VASE, POSSIBLY YUAN DYNASTY (1279-1368)

The vase is finely potted with a long cylindrical neck rising from a pronounced flange above the shoulder. The body is covered overall with a soft green glaze stopping just above the foot rim. It’s with a fitted pouch and a Japanese wood box.

This type of vessel, likely derived from a metal prototype, is commonly referred to as a ‘pure water’ or ‘holy water’ bottle, and is closely associated with the Bodhisattva Avalokitesvara (Guanyin). The form is related to the kendi and kundika, sharing the distinctive flanged neck, but differs in lacking a spout on the shoulder. Only a small number of Longquan celadon examples of this type are recorded. For a comparable example in the Palace Museum, Beijing, see Longquan of the World: Longquan Celadon and Globalization, Vol. II: State Vessels (Beijing: The Palace Museum, 2019), cat. no. 067. See also a smaller example sold at Christie’s Hong Kong, 3 December 2021, lot 2972.

32.5cm high

provenance

Aoyama family collection, Tokyo (by repute, label on the box).

An Important Private Collection, Tokyo.

$15,000-25,000

233 A FINE CHINESE JIAN ‘HARE’S FUR’ TEABOWL, SOUTHERN SONG DYNASTY, 12TH/13TH CENTURY

12.5cm diameter

provenance

Raymond and Victoria Tregaskis Oriental Antiques, Hong Kong.

Bonhams Sydney, 9 December 2021, lot 216 (sold $5,012 with a copy of the original receipt).

$2,500-3,500

234

A LARGE AND RARE CHINESE DING WHITE GLAZE FOLIATE RIM BOWL, FIVE DYNASTIES (907 - 979)

With a fitted box.

A very similar but restored example, are now collected in Cultural Relics Institute Hebei Provence, see, Palace Museum Comp., Ding Ware, p. 62, no. 18. 19cm diameter; 7cm high

provenance

Blitz Oriental Art, Amsterdam. Capital Gallery, Hong Kong.

An important private collection, Sydney.

$20,000-30,000

五代定窯白釉花口大盌配盒。

類似但經修復之器現藏於河北省文物研究所，參見《故宮定窯瓷器全集》，頁62，編號18。

源流：

阿姆斯特丹Blitz Oriental Art；香港長安美術；悉尼重要私人收藏。

235

A LARGE CHINESE PURPLE SPLASHED JUN BOWL, YUAN DYNASTY (1271 - 1368)

Two character ink mark to the base. 18.7cm diameter

provenance

Mossgreen Asian Art, MA 122, lot 943. Raymond and Victoria Tregaskis Oriental Antiques, Sydney, Australia.

$3,000-5,000

236

A RARE AND FINE CHINESE QINGBAI FLOWER SHAPED CUP AND CUP STAND, SOUTHERN SONG DYNASTY (1127 - 1279)

With Japanese wood box. Overall: 7cm high; cup: 9.5cm diameter; dish: 14cm diameter

provenance

Uragami Sokyu-do Co., Ltd., Tokyo, Japan (with an original receipt).

浦上蒼穹堂，日本，東京。（附原發票）

$8,000-12,000

237 A RARE AND FINE CHINESE LONGQUAN CELADON “LOTUS” VASE, MING DYNASTY (1368 - 1644)

Compare to a longquan meiping vase with carved peony scroll decoration, dated to early Ming dynasty, 14th-15th century, see Christie’s New York, 23 September, 2022, lot 904.

35.5cm high

provenance

An Important Private Collection, acquired in Hong Kong in the early 1990s.

$35,000-65,000

明龍泉窑青釉蓮紋大瓶可比較一件明初（14至15世紀）龍泉青釉牡丹刻花梅瓶，見紐約佳士得，2022年9月23日，拍品904。

源流：

非常重要私人收藏，1990年代初購於香港

238 A RARE AND FINE CHINESE LONGQUAN CELADON “FLORAL” JAR, YUAN/EARLY MING DYNASTY, 14TH CENTURY

30cm high; 24.5cm wide

provenance

An Important Private Collection, acquired in Hong Kong in the early 1990s.

$25,000-35,000

元／明初十四世紀龍泉窯青釉花卉紋大罐源流：

非常重要私人收藏，1990年代初購於香港

241

239

A CHINESE BLACK GLAZED TEA BOWL, SONG DYNASTY (960 - 1279)

12.3cm diameter

$2,000-4,000

240 A CHINESE YINGQING BOWL, SONG DYNASTY (960 - 1279)

17.4cm diameter

provenance

Capital Gallery, Hong Kong.

$2,000-4,000 242

A RARE AND LARGE CHINESE QINGBAI ‘PEONY’ HEXAGONAL BOX AND COVER, SOUTHERN SONG (1127 - 1279)

The cover is finely moulded with a peony spray, the box and cover are covered inside and out with a transparent glaze of bluish-white tone with the exception of the base, exposing the fine white ware. 12cm diameter

provenance

Raymond and Victoria Tregaskis Oriental Antiques. Mossgreen (label)

A private collection, Sydney.

$2,500-2,500

242

A PAIR OF CHINESE QINGBAI MOULDED “FLORAL” VASES, YUHUCHUNPING, YUAN DYNASTY (1271 - 1368)

Each vase is finely decorated with lotus and peony sprays, covered with a translucent glaze of a lustrous bluish tone.

An almost identical example, offered at Christie’s Hong Kong, 5 December 2023, lot 3226. 24.2cm high

provenance

A private collection, Sydney.

eXHIBITIonS

Sydney, Asian Arts Institute of Australia, Oct., 2013, no. 25.

LITeraTUre

Asian Art Institute of Australia, Oct., 2013, no. 25, p. 30.

$6,500-8,500

243

A CHINESE JIAN WARE HARE’S FUR CONICAL BOWL, SOUTHERN SONG DYNASTY (1127 - 1279)

12.5cm diameter

provenance

A Private Collection, Hong Kong.

$4,000-6,000

244

A CHINESE JIAN HARE’S FUR CONICAL BOWL, SONG DYNASTY (960 - 1279) 12.5cm diameter

provenance

A private collection, Hong Kong.

$4,000-6,000

宋建窯兔毫斗笠盞

源流：香港私人收藏

A FINE CHINESE LONGQUAN MALLET VASE, SOUTHERN SONG DYNASTY (1127 - 1279)

The vase is of mallet form, with sides tapering gently from the canted shoulder towards the foot. The tall neck is flanked by a pair of dragon-fish handles below a widely flared mouth with an upturned rim. It is covered overall in an even glaze of soft sea-green tone, the foot ring left unglazed.

The vase is accompanied by an old brocade wrap and a gilt-lacquer inscribed black lacquer box, the reverse of the cover bearing the Tokugawa hollyhock crest. Celadon vases of this mallet form, known in Japan as kinuta, rank among the most prized Longquan wares. Scholars have suggested that the shape, though resembling a paper mallet, may ultimately derive from imported Islamic glass vessels introduced to China during the Song period. Examples of related forms have been excavated from archaeological sites and shipwrecks, attesting to their early circulation and popularity.

Large kinuta vases with dragon-fish (feiyu) handles are particularly rare. The auspicious feiyu motif was favoured during the Yuan dynasty and reflects the broad cultural exchanges of the period. Closely comparable examples are preserved in important collections, including the Tokugawa Art Museum, Nagoya; the Freer Gallery of Art, Washington, D.C.; and the Palace Museum, Beijing.

Comparable examples have appeared at auction, including Christie’s Hong Kong, 4 October 2018, lot 30, and 1 December 2010, lot 3103; and Sotheby’s Hong Kong, 1 April 2019, lot 3028. 26.3cm high provenance

Formerly in the collection of the Tokugawa family (by repute, based on the tomobako).

An Important Private Collection, Tokyo. $40,000-60,000

南宋龍泉窯飛魚耳紙槌瓶

此瓶呈紙槌形，肩部折角，腹壁自肩向下微斂至足。長頸高挺，頸部兩側飾一對飛魚耳，口沿外撇寬闊，唇口微微上折。通體施勻淨柔和海棠青釉，足圈露胎無釉。

此瓶附舊錦套及黑漆描金題字箱，箱蓋背面飾德川家葵紋。

此類紙槌形青瓷瓶，在日本稱為「砧青瓷」（kinuta），為龍泉窯器中最受珍視之品類之一。學者認為，此式樣雖形似紙槌，其原型或源自宋代傳入中國之伊斯蘭玻璃瓶器。相關器形曾見於考古遺址及沉船出土，足證其早期流通與廣受珍愛。

帶飛魚耳之大型砧形瓶尤為罕見。飛魚紋飾寓意吉祥，於元代尤為流行，亦反映當時廣泛的文化交流。與本器相近之例，現藏於名古屋德川美術館、華盛頓弗利爾美術館及北京故宮博物院等重要機構。

拍賣市場可參考相類例子：香港佳士得，2018年10 月4日，拍品30號；香港佳士得，2010年12月1日，拍品3103號；以及香港蘇富比，2019年4月1日，拍品3028號。

246

A CHINESE LINRU WARE CELADONGLAZED MOULDED FLORAL BOWL, SONG DYNASTY (960 - 1279)

12.5cm diameter

provenance

A private collection, Hong Kong.

$3,500-5,500

247

A CHINESE LONGQUAN CELADON LOBED TRIPOD CENSER, POSSIBLY SOUTHERN SONG DYNASTY (1127 - 1279)

For a similar example see Bonhams Hong Kong, 29/5/2023, lot 308.

With a Japanese silver cover and a Japanese wood box.

11cm diameter; 9cm high

provenance

A private collection, Kyoto, Japan.

$8,000-10,000

248

A VERY FINE CHINESE QINGBAI CARVED DRAGON CONICAL BOWL, SONG DYNASTY (960 - 1279)

The bowl is exquisitely potted with wide flaring sides rising from a small foot ring. The interior is finely carved with two chilong dragons encircling a flower. It is covered overall with a pale blue glaze appearing lucid in areas where it pools. It’s with a fitted box.

19.3cm diameter

provenance

A private collection, Hong Kong.

$10,000-20,000

影青刻雙龍紋斗笠盞源流：香港私人收藏。

A CHINESE JIZHOU TORTOISESHELLGLAZED TEA BOWL, SONG DYNASTY (960-1279)

11.8cm diameter

provenance

A private collection Sydney, acquired from Raymond and Victoria Tregaskis Oriental Antiques, 25/8/2005 (with original invoice).

$2,000-3,000

A CHINESE QINGBAI CARVED DOUBLE FISH BOWL, SOUTHERN SONG DYNASTY (1127 - 1279)

17.7cm diameter

$1,500-2,500

251

A CHINESE QINGBAI CARVED CONICAL BOWL, NORTHERN SONG DYNASTY (967 - 1127)

With a fitted box.

18cm diameter

provenance

A private collection, Hong Kong.

$3,000-5,000

252

A RARE CHINESE MOLDED QINGBAI OCTAGONAL VASE, MEIPING, SOUTHERN SONG-YUAN DYNASTY (1127-1368)

The vase is well potted with eight facets rising from a tapering foot to a cylindrical neck with a flared rim. Each facet is moulded with a smaller cartouche enclosing a floral spray, above a larger cartouche with undulating floral scrolls. The piece is covered overall with a pale bluish glaze that pools in the recesses, leaving part of the foot unglazed.

It’s with a fitted box.

An almost identical example with smaller size (17.5cm high), sold at Christie’s New York, 15 September 2016, lot 728.

22cm high

$12,000-15,000

南宋／元青白釉模印八方梅瓶

253 A CHINESE JIZHOU DARK GLAZE IRON-DECORATED “MOONLIGHT PLUM” JAR, JIN DYNASTY (1115 - 1234)

11.3cm high

provenance

A private collection, QLD.

$3,500-5,000

254

A CHINESE DARK-GLAZED AND RUSSET SPLASHED JAR, SONG DYNASTY (960 - 1279)

12cm high

$2,500-3,500

255

A FINE CHINESE JIZHOU VASE, POSSIBLY SONG DYNASTY (960 - 1279)

17.8cm high

$3,000-5,000

256

A KOREAN SLIP-INLAID CELADON BOWL, GORYEO DYNASTY, 12TH CENTURY

19.5cm diameter

$800-1,200

The Estate of W.Y. Thomas Kwok (1944 - 2017) Part II,

Acquired in Hong Kong in the 80s.

lots 257 – 279

Born in Macau, Mr. Kwok studied architecture in Melbourne and built a four-decade career with Wong & Ouyang, shaping Hong Kong’s skyline. His collecting began with Japanese occupation stamps (1941–1945), issued during Japan’s wartime administration of Hong Kong and other territories. Gradually, his passion shifted to jade, inspired by visits to auction houses.

At the time, Hong Kong’s auction scene was emerging—Sotheby’s debuted in 1973, Christie’s in 1986. By the late 1980s, Kwok was attending smaller sales, joining the city’s first generation of serious collectors. His jade holdings embody not only technical excellence and cultural symbolism but also the personal evolution of a connoisseur whose interests bridged philately, architecture, and Chinese art heritage.

郭偉仁先生（Kwok, Thomas Wai Yan）1944年出生於澳門，青年時在墨爾本攻讀建築專業並開啟了建築設計的事業。1984年，Thomas加入香港著名建筑师事务所 WONG & OUYANG (HK) LIMITED 王歐陽(香港)有限公司担任董事，并于1992至1995 年间，担任香港注册建筑师委员会主席。在1980年前后，苏富比和佳士得首次进入香港。郭偉仁先生对于玉器收藏的热情随之得到了滋养，逐渐形成了自己的品味和收藏体系。郭偉仁先生是香港最早开始收藏的初代收藏家之一。

257

A CHINESE CELADON JADE CARVING OF FIGURES IN A BOAT, QING DYNASTY (1644 - 1911)

With a fitted box.

13 x 11.5cm

provenance

The Estate of W.Y. Thomas Kwok (1944 - 2017), Hong Kong, acquired in Hong Kong in the 80s. $1,000-2,000

258

A FINE CHINESE MUGHAL-STYLE CELADON JADE CARVED BOX AND COVER WITH QIANLONG MARK, 19TH CENTURY

With a fitted box.

7 x 5.3cm

provenance

The Estate of W.Y. Thomas Kwok (1944 - 2017), Hong Kong, acquired in Hong Kong in the 80s. $1,000-2,000

259

A CHINESE MUGHAL-STYLE CELADON

BEGONIA-SHAPED CARVED BOWL, QING DYNASTY, 19TH CENTURY

With a fitted box.

14.6 x 9.2cm

$1,500-2,500

260

A CHINESE WHITE FURONG SOAPSTONE CARVING OF MONK BUDAI, QING DYNASTY (1644 - 1911)

With a fitted box.

18 x 13.2cm

$1,000-2,000

261

A RARE CHINESE MOTTLED OPAQUE TWO-TIERED JADE CONG, POSSIBLY LIANGZHU CULTURE

With a fitted box.

6 x 9.7cm

$3,000-5,000

262

A PAIR OF CHINESE WHITE JADE CUPS, QIANLONG MARK, QING DYNASTY (1644 - 1911)

Each of the cup inscribed with a Qianlong imperial poem, and with “Qianlong Bingshen Yuming”, translated as “Imperial Inscription of the Qianlong Period, Bing Shen Year (1776)”; and three seal marks of Qianlong. Each with a fitted carved zitan stand. The pair is in a fitted box.

8 x 6cm each

$2,000-3,000

263

A CHINESE YELLOW AND RUSSET JADE CARVING OF A “PIG DRAGON”, POSSIBLY HONGSHAN CULTURE

With a fitted box.

5 x 6.6cm

$2,000-3,000

264

A CHINESE GREENISH YELLOW JADE CARVING OF A “MYTHICAL BEAST” FORMED PAPERWEIGHT, QING DYNASTY (1644 - 1911)

With a fitted box.

9 x 7.2cm

$1,500-2,500

265

A CHINESE SPINACH GREEN JADE CARVED BOWL, QING DYNASTY, 18TH/19TH CENTURY

With a fitted box.

17.1 x 7cm

$2,000-3,000

266

A PAIR OF CHINESE SPINACH GREEN JADE MUGHAL-STYLE CANDLESTICKS, QING DYNASTY, 19TH CENTURY

With a fitted box.

17 x 11.5cm each

$2,000-3,000

267

A LARGE AND FINE CHINESE WHITE JADE CARVED BOULDER OF SCHOLARS IN MOUNTAIN LANDSCAPE, QING DYNASTY (1644 - 1911

With a fitted hongmu stand. 25 x 16.5cm

$3,500-5,500

268

A LARGE CHINESE SPINACH-GREEN JADE FIGURE OF AN ELEPHANT SUPPORTING A VASE

With a fitted box.

17.2 x 21cm

$2,000-3,000

269

A LARGE WHITE JADE ARCHAISTIC FACETED VASE AND COVER, FANGHUAND, QIANLONG FANGGU SIX-CHARACTER INSCRIBED MARK, QING DYNASTY (1644 - 1911)

The exterior front of the vase is finely inscribed with a Qianlong imperial text, concluding with the inscription “Qianlong Bingwu Yuti” (“Imperial Inscription of the Qianlong Period, Bingwu Year [1786]”), and flanked by two Qianlong seal marks. The sides are plain, applied with a pair of taotiemask handles suspending loose rings. The base bears a six-character inscription reading “Daqing Qianlong Fanggu” (“Made in archaic style during the Qianlong period of the Great Qing”).

The three great emperors of China’s Qing dynasty (1644-1911) - Kangxi, Yongzheng and Qianlong - were famous for their love of antiques. All three were active collectors and frequently commissioned wares made in ancient styles out of admiration for the golden eras of China’s past, although it was likely the Qianlong emperor who had the strongest fascination with the antique. Archaistic wares produced during his reign included porcelains, bronzes, and as can be seen in the present lot, fine jades.

The shape of the present vase is based on bronze prototypes of Han dynasty (206 BC-220 AD) date. Compare two bronze fanghu of closely related form illustrated in The Complete Collection of Treasures of the Palace Museum - Bronze Articles for Daily Use, Hong Kong, 2006, pp. 68-9, nos. 59-60. Compare, also, the form of the Han dynasty bronze fanghu in this sale (lot 1259).

An inscribed Qianlong fanggu-marked jade fanghu with similar shape, is in the collection of the Palace Museum, Beijing, and is illustrated in Chinese Jades Throughout the Ages - Connoisseurship of Chinese Jades: Qing Dynasty - 12, Hong Kong, 1997, p. 85, pl. 42.

Another smaller jade fanghu see Christie’s New York, 24 March 2011, lot 1522.

23.5 x 13cm

$4,000-6,000

270 A CHINESE PALE WHITE JADE CARVED BOULDER OF SCHOLARS IN LANDSCAPE, QING DYNASTY (1644 - 1911)

15 x 12.5cm

$3,000-5,000

271

A FINE AND RARE CHINESE WHITE JADE CARVED "MUSICIAN" BOWL, TANG DYNASTY (618 - 907)

The bowl is thinly carved, the exterior is finely decorated with six musicians.

A smaller jade bowl (8.5cm wide) with a similar decoration, dated to Six Dynasties to Tang Dynasty, see The Complete Collection of Treasures of the Palace Museum: Jadewares (II), Hong Kong, 1995, No. 37, p.41.

12.6cm diameter

$2,000-3,000

唐白玉樂人盌

272

A RARE CHINESE YELLOW AND RUSSET JADE CARVED “DRAGON AND CLOUD” DISC BI, TANG DYNASTY (618 - 907 A.D.)

One side is decorated with a dragon chasing a flaming pearl, the other side with ruyi clouds. With a fitted box.

11.2cm diameter

$1,000-2,000

273

A CHINESE CELADON JADE CARVED SEATED FIGURE OF DAMO, QING DYNASTY (1644 - 1911)

11.5cm high; 9.8cm wide

$2,000-3,000

274

A CHINESE WHITE JADE CARVED MOUNTAIN FORM BRUSH STAND, QING DYNASTY (1644 - 1911)

With a fitted hongmu stand

15 x 6.6cm

Kong, acquired in Hong Kong in the 80s.

$2,000-3,000

275

A CHINESE WHITE AND GREY JADE CARVED DRAGON, YUAN/MING DYNASTY, 13TH/17TH CENTURY

With a fitted box.

17 x 5.3cm

$2,500-3,500

276

A CHINESE WHITE JADE CARVED SEATED FIGURE OF BUDDHA, QING DYNASTY (1644 - 1911)

17cm high; 10cm wide

$2,000-3,000

277 A CHINESE PALE WHITE JADE CARVED DRAGON, YUAN/MING DYNASTY, 14TH/17TH CENTURY

With a fitted box.

14.5 x 13.5cm

$1,500-2,500

278

A CHINESE DARK JADE CARVED VESSEL LEI, MING DYNASTY (1368 -1644) OR EARLIER

With a fitted box.

6.2 X 6.6cm

$1,500-2,500

279

A CHINESE CELADON AND RUSSET ARCHAISTIC JADE CARVED “DRAGON AND PHOENIX” AXE-FORMED PLAQUE

With a fitted box.

9cm long

$800-1,200

280 A CHINESE CELADON JADE “PIG-DRAGON”, POSSIBLY NEOLITHIC PERIOD, HONGSHAN CULTURE, CIRCA 3500 B.C.

7.9cm high

$3,000-5,000

281 A GROUP OF TWO CHINESE JADE PENDANTS, POSSIBLY WARRING STATES PERIOD

With a fitted box.

Larger one: 8.3cm wide

$3,000-5,000

282

A GROUP OF FOUR CHINESE WHITE JADE ANIMAL PENDANTS, WARRING STATES PERIOD (475 - 221 BCE) largest 4.3 x 3.8cm

$2,000-3,000

283

A CHINESE CELADON AND RUSSET

JADE HORSE HEAD, POSSIBLY HAN SIX DYNASTIES

With a fitted hongmu stand.

A very close example, see Sotheby’s New York: Junkunc: Chinese Jade Carvings, 22 September 2020, lot 252.

Other similar examples, see Christie’s New York, 29 June 2021, lot 111; same house, 18 March 2021, lot 653.

21cm high

$6,000-8,000

或為漢至六朝青白玉馬首一件極為相似之例，見紐約蘇富比《Junkunc: Chinese Jade Carvings》，2020年9月22日，拍品252。

另見相類例，紐約佳士得，2021年6月29日，拍品 111；同場，2021年3月18日，拍品653。

284 A LARGE CHINESE CELADON JADE DISC, BI, HAN DYNASTY (206 BCE - 220CE) 16cm diameter

provenance

Capital Gallery, Hong Kong.

$6,000-8,000

285 A PAIR OF RARE YELLOW JADE PENDANTS, WARRING STATES PERIOD (475 - 221 BCE)

3.3cm long each

$8,000-12,000

戰國黃玉束絹佩一對

286

A CHINESE JADE “RAM” SWORD FITTING, LIAO/JIN DYNASTY, 10TH/13TH CENTURY

4.7cm wide

$1,500-2,500

287

A CHINESE WHITE AND GREY JADE CONG, SONG/MING DYNASTY, 12TH/17TH CENTURY 5cm high

$6,000-8,000

288

289

A CHINESE WHITE JADE CARVED ‘CHILONG’ SWORD GUARD, POSSIBLY WESTERN HAN DYNASTY

With a fitted box.

4.6 x 2.4cm

$2,000-3,000

290 A CHINESE PALE-WHITE JADE CARVING OF A RAM, MING DYNASTY (1368 -1644) OR EARLIER

8cm wide

$1,500-2,500

291 A CHINESE YELLOW JADE CYLINDRICAL “DRAGON” PENDANT, POSSIBLY WARRING STATES PERIOD (C. 475 - 221 BCE)

4.2cm long

$2,000-3,000

292 A CHINESE WHITE JADE CARVED PENDANT, LEZI, POSSIBLY WARRING STATES TO HAN DYNASTY

With a fitted box.

3.4cm high

$2,500-3,500

293 A CHINESE WHITE JADE CARVED BOY HOLDING A YUANBAO, QING DYNASTY (1644 - 1911) 7cm high

$1,000-2,000

294 A RARE AND VERY FINE CHINESE WHITE JADE “CHILONG” CUP, QING DYNASTY, 18TH/19TH CENTURY

Each side is finely carved in low relief with a spray of orchids. The piece is accompanied by an old fitted brocade stand and a brocade box.

10.5cm wide; 6.3cm high

provenance

An important private scholar’s collection, Tokyo, Japan.

$5,000-7,000

清十八至十九世紀白玉螭龍盃

295 A CHINESE WHITE JADE LOTUS-LEAF SHAPED BRUSH WASHER, QING DYNASTY

(1644 - 1911)

With a fitted box.

14.5cm long; 8.5cm wide

$6,000-8,000

296 A CHINESE WHITE JADE OPENWORK FINIAL, JIN/YUAN DYNASTY, 12TH-14TH CENTURY

With a brocade stand and a fitted box. A smaller example see Christie’s New York, 19 September 2013, lot 1134.

5.4cm high

$4,000-6,000 296

297

A RARE AND FINE CHINESE YELLOW JADE “DRAGON” VASE, QING DYNASTY, 18TH /19TH CENTURY

The vase is superbly carved in high relief with a dragon coiled around the neck, pursuing a flaming pearl.

The rich yellow tone of yellow jade was traditionally associated with imperial authority and was especially prized by the Qing court. The present vase is carved from a finely polished stone of warm, lustrous tone and demonstrates exceptional craftsmanship throughout. As early as 1388, the Gegu yaolun (The Essential Criteria of Antiquities) records that: “the most valuable yellow jade should be stones with the colour of the chestnut kernel, also known as ganhuang; smoky yellow ranks next in quality” (see Sir Percival David, Chinese Connoisseurship, London, 1971, p. 120).

Two covered vases carved from similarly toned yellow jade are preserved in the Palace Museum, one dated to the Qing dynasty and the other to the Qianlong period (1736–1795), illustrated in The Complete Collection of Treasures of the Palace Museum –Jadeware (III), Hong Kong, 1995, pp. 78 and 181, nos. 66 and 148. Compare also a related white jade vase with closely comparable decoration, ibid., p. 75, no. 63.

Further comparable examples include a yellow jade carving worked in high relief with a chilong dragon pursuing a flaming pearl, sold at Christie's New York, 20 March 2019, lot 803, and a yellow jade you vessel sold at Christie's Hong Kong, 30 May 2018, lot 2930. 17.8cm high

PROVENANCE

An Important Scholar's Collection, Tokyo, Japan. $25,000-35,000

清十八／十九世紀　黃玉雕螭龍趕珠瓶玉瓶取質黃玉，玉色溫潤瑩澤，局部帶深淺天然色沁。瓶頸高浮雕一螭龍盤繞其上，回首追逐火珠，身軀矯健，筋骨遒勁，雕工精湛細膩，極富立體感。

黃玉之色，自古與帝王威儀相聯，尤為清宮所珍重。早於明洪武二十一年（1388）成書之《格古要論》中即載：「玉以黃如栗子黃者為貴，謂之甘黃，煙黃次之。」（見 Sir Percival David 著，《Chinese Connoisseurship》，倫敦，1971年，頁120）足見黃玉自古即備受推崇。

北京故宮博物院藏有兩件與本品玉質相近之黃玉蓋瓶，一件定為清代，另一件定為乾隆時期（1736–1795），著錄於《故宮博物院藏文物珍品全集．玉器（下）》，香港，1995年，頁78及181，圖版66及148。另可比較一件裝飾風格相近之白玉瓶，同書頁75，圖版63。

此外，可參考一件黃玉高浮雕螭龍趕珠器，售於紐約佳士得，2019年3月20日，拍品803；以及一件黃玉卣，售於香港佳士得，2018年5月30日，拍品2930。

298

A CHINESE YELLOWISH WHITE JADE CARVED LION, QING DYNASTY (1644 - 1911)

9.8cm wide

$1,000-2,000

299

A CHINESE WHITE JADE CARVING OF PEACH AND BAT GROUP, QING DYNASTY (1644 - 1911)

With a fitted carved hongmu stand. 10cm wide; 9.5cm high

$3,000-5,000

300

A CHINESE WHITE JADE CARVING OF FIVE BATS, QING DYNASTY, 18TH/19TH CENTURY

A similar white and russet jade example, see Christie’s Hong Kong, 7 October 2014, lot 101.

With a fitted box.

8 x 5.7cm

$3,000-5,000

301 A FINE CHINESE WHITE JADE RABBIT, MID QING DYNASTY, 18TH CENTURY

With a carved fitted zitan stand.

A larger jade rabbit (14cm wide) sold at Christie’s Hong Kong, 29 May 2013, lot 2185. In addition, also see a similar one sold at Bonhams Hong Kong, 29 May 2018, lot 26.

8.3cm wide; 8cm high

provenance

A private collection, Kyoto, Japan.

$10,000-20,000

清中期十八世紀白玉兔附雕紫檀木座。

一件尺寸較大（寬14厘米）之玉兔，見香港佳士得，2013年5月29日，拍品2185；另見香港邦瀚斯，2018年5月29日，拍品26。

302 A CHINESE WHITE JADE OPENWORK

FINIAL, JIN/YUAN DYNASTY, 12TH-14TH CENTURY

A smaller example (4.5 cm high) was sold at Christie’s New York, 19 September 2013, lot 1134. A comparable finial was offered at Sotheby’s New York, 15 September 2018, lot 1421, and another at Bonhams London, 11 November 2010, lot 12.

For a related openwork jade ‘egrets’ finial, attributed to the Liao or Jin dynasty and preserved in the Qing Court Collection, see The Complete Collection of Treasures of the Palace Museum: Jadeware (II), Hong Kong, 1995, pl. 98.

5.5cm high

provenance

A Private Collection, NSW, acquired in Hong Kong in the early 90s.

$6,000-8,000

金／元

303

A CHINESE WHITE JADE CARVING OF A CONCH SHELL, QIANLONG MARK, QING DYNASTY (1644 - 1911)

One side of the shell has finely inscribed in gold pigment with a Zen Buddhist poem: “Bodhi has no tree, the bright mirror is not a stand. Originally there is nothing; where can dust settle? The first month of the 53rd year of Qianlong, imperial gift to Yongfu temple.”

It’s with a carved fitted Zitan stand and an old fitted box.

The present white jade carving in the form of a conch shell is exceptionally rare, if not unique. Conch shells (Sanskrit: sankha; Chinese: luo) are among the Eight Buddhist Emblems (bajixiang), symbolising the far-reaching sound of the Buddha’s teachings and their transmission. Closely associated with Tibetan Buddhist ritual, such objects held particular significance at the Qing court, especially under the reigns of the emperors Kangxi and Qianlong, both devout adherents.

A number of real conch shells, often elaborately mounted or embellished, were commissioned by the court or presented by high lamas for ritual use. Examples are preserved in the National Palace Museum, Taipei, illustrated in Monarchy and Its Buddhist Way (1999), pp. 149–155, nos. 61–65. Jade carvings in this form are comparatively rare, as vessels of this type were not typically associated with the Confucian scholar’s desk, reflecting instead a syncretic blending of literati and Buddhist traditions. Compare a large white jade conch shell carved with the Eight Buddhist Emblems from the Shorenstein Collection, sold at Christie’s Hong Kong, 1 December 2010, lot 2960.

Overall: 21.5cm; Jade: 16cm high; $15,000-25,000

清乾隆款白玉雕法螺描金御題詩

一面以金彩細書禪宗偈語：「菩提本無樹，明鏡亦非臺。本來無一物，何處惹塵埃。乾隆五十三年正月賜永福寺。」

附雕紫檀木座及舊配盒。

白玉雕法螺形器極為罕見，幾近孤例。法螺（梵語 sankha，漢語螺）為佛教八吉祥之一，象徵佛法傳播之聲遠播四方，與藏傳佛教儀軌關係密切，尤受清代宮廷推崇，康熙及乾隆朝尤為崇奉。清宮常見真螺加飾或鑲嵌製作，或由高僧進貢用於法事，相關例藏於台北故宮博物院，見《法界源流：清宮藏傳佛教文物特展》（1999年），頁 149–155，編號61–65。玉雕螺形器存世極稀，因其形制並非常見於文人案頭器物，反映文人與佛教文化之融合。

可比較一件雕飾八吉祥紋之大型白玉法螺，出自 Shorenstein 收藏，售於香港佳士得，2010年12月1 日，拍品2960。

304

A CHINESE WHITE AND RUSSET JADE CARVED RUYI FORMED WASHER, QING DYNASTY (1644 - 1911)

13.5 x 8cm

$2,000-3,000

305 A FINE CHINESE WHITE JADE

DOUBLEGOURD

“SEA CLIFF ADDING LONGEVITY”

PLAQUE, QING DYNASTY (1644 - 1911)

One side of the plaque is carved with an immortal traversing the sea upon a pine tree toward a pavilion, accompanied by cranes, deer, and a phoenix, all emblematic of longevity and auspiciousness.

The reverse side is finely carved with a poem titled Cangbo lou, followed by a two-character “Wen Wan” mark.

The plaque is with a very fine carved zitan and boxwood stand.

A smaller double-gourd form plaque (7.1cm high), see Christie's New York, 23 March 2012, lot 1927. jade plaque: 10.6cm high; Overall: 20cm high (including the stand)

provenance

An Important Scholar's Collection, Tokyo, Japan.

$6,000-8,000

清白玉浮雕「海屋添壽」葫蘆形桌屏紫檀嵌黃楊底座

306 A CHINESE GREEN JADE ARCHAISTIC SQUARE TRIPOD CENSER, FANGDING, QIANLONG MARK

14cm high; 8.5cm deep; 12.5cm wide

$5,000-7,000

307

A FINE CHINESE PALE WHITE JADE CARVED “LOTUS” TEAPOT, QING DYNASTY (1644 - 1911)

With a fitted Japanese maki-e black and red lacquer with gilt decorated box, and an old Japanese lacquer box.

Compare two related jade teapots preserved in the Palace Museum, illustrated in The Complete Collection of Treasures of the Palace Museum: Jadeware (III), Hong Kong, 1995, pp. 257–258, nos. 212 and 213.

Further comparable examples have appeared at auction, including one sold at Sotheby's Hong Kong, 5 May 2026, lot 9826; another sold at Christie's New York, 23 March 2012, lot 1884; and a further example sold at Bonhams Hong Kong, 4 June 2015, lot 50. 21cm wide; 11.5cm high

provenance

An Important Tea Master's Collection, Kyoto, Japan. $20,000-30,000

清代　白玉雕蓮花式茶壺此壺外部精美雕刻纏枝蓮紋及蓮瓣紋，雕刻難度大，在清代玉執壺中屬於上乘之作。配日本蒔繪黑紅漆描金蓋盒及舊日本漆盒。

可比較北京故宮博物院藏兩件相關玉雕茶壺，著錄於《故宮博物院藏文物珍品全集．玉器（下）》，香港，1995年，頁257–258，圖版212及213。

另可參考拍賣市場相類作品，包括售於蘇富比香港，2026年5月5日，拍品9826；售於佳士得紐約，2012年3月23日，拍品1884；以及售於邦瀚斯香港，2015年6月4日，拍品50。

源流：

日本京都茶道大師珍藏

308 A CHINESE WHITE JADE CARVED PLAQUE, QING DYNASTY (1644 - 1911)

29.5cm high (overall); 20cm high (jade plaque)

$5,000-7,000

309 A CHINESE WHITE JADE CARVED OPENWORK PHOENIX PENDANT, YUAN/ MING DYNASTY, 13TH/14TH CENTURY

7.5cm diameter

$1,500-2,500

310 A CHINESE WHITE JADE CARVED MYTHICAL BEAST, BIXIE, QING DYNASTY (1644 - 1911) OR EARLIER 7cm wide

$3,000-5,000

311

A CHINESE WHITE JADE CARVED “BOYS” VASE, QIANLONG MARK, QING DYNASTY (1644 - 1911)

Carved with five boys clambering over a “wrapped” vase; reverse inscribed with the Tang poem After Passing the Examination; base with a four-character Qianlong mark.

It’s with a fitted brocade stand and box.

10.5cm high

$8,000-12,000

清【乾隆年製】四字刻款白玉雕嬰戲圖瓶器作“包袱瓶”式，雕五童攀附嬉戲，背面刻唐詩〈及第後〉

312

A CHINESE CELADON WHITE JADE “TIGER AND CUB” GROUP, QING DYNASTY (1644 - 1911)

7cm wide

$2,000-3,000

313

A RARE CHINESE PALE WHITE JADE ‘MYTHICAL BEAST’ FORM CENSER, QING DYNASTY (1644 - 1911)

It’s with a fitted box.

Censers of this mythical beast form are extremely rare. A gilt-splashed bronze example of similar form was sold at Christie¡¯s Hong Kong, 1 June 2011, lot 3948. Jade examples are of exceptional rarity, and no other published example of this form appears to be recorded.

16.5cm wide; 13.5cm high provenance

An important private scholar, Tokyo, Japan. $8,000-12,000

清白玉雕甪端玉熏爐

此類甪端香爐極為罕見。此瑞獸象征光明正大，吉祥太平，常被用於宮廷與書房陳設。一件相似造型之灑金銅例，見香港佳士得，2011年6月1日，拍品3948。玉雕同類器尤為稀少，迄今未見其他著錄例。

314

A SMALL CHINESE WHITE JADE CARVED DOG, QING DYNASTY (1644 - 1911)

5cm wide; 3cm high

$1,000-2,000

Photo Indicated

315

A CHINESE WHITE JADE CARVED BOY HOLDING A LOTUS LEAF, QING DYNASTY (1644 - 1911)

6.5cm wide

$1,000-2,000

Photo Indicated

316

A CHINESE CELADON AND RUSSET JADE CARVED POMEGRANATE, CITRON, PEACH AND BOY FORMED VASE, QING DYNASTY (1644 - 1911)

With a carved zitan stand.

7.5cm high

$2,500-3,500

317 A RARE CHINESE WHITE JADE CARVING OF A FOREIGNER WITH A DOG, QING DYNASTY, 18TH/19TH CENTURY

Jade figures of this type were first made during the Tang dynasty when figures of foreigners were produced in various materials, representing the cosmopolitan society of the period.

Compare to a smaller mottled grey and black jade standing figure of a foreigner holding a dog (10.9cm high), dated to Yuan dynasty, sold at Sotheby’s London, 8 December, 2022, lot 249. Another white jade example, dated to 18th century, see Christie’s London, 8 November 2016, lot 169.

12.6cm high

$10,000-20,000

清十八至十九世紀白玉雕胡人抱犬立像

318 A CHINESE BROWN JADE CARVED LION, QING DYNASTY (1644 - 1911)

5.5cm wide

$1,500-2,500

319

A CHINESE YELLOW JADE CARVED DOG, QING DYNASTY (1644 - 1911)

7cm wide; 4cm high

$2,000-3,000

320

A CHINESE GREY AND DARK JADE CARVING OF A DOG, SONG/MING DYNASTY, 12TH/17TH CENTURY

With a fitted wood stand and a fitted box.

A similar celadon jade example, see Christie’s Hong Kong, 28 November 2012, lot 2192. In addition, a yellow and russet jade example, see Christie’s Hong Kong, 26 November 2014, lot 3160.

8cm wide

provenance

A Private Collection, NSW, acquired in Hong Kong in the early 90s.

$2,500-5,000

321

A CHINESE PALE WHITE JADE CARVED PEACH FORMED BRUSH POT, QING DYNASTY (1644 - 1911)

With a hongmu stand. 10.5cm wide

$3,000-5,000

322 A CHINESE BOXWOOD FIGURAL GROUP, HEHEERXIAN, QING DYNASTY, 18TH CENTURY

Depicting the Hehe Erxian (the twins), both smiling, each one standing in flowing robes wearing a headdress, one holding a box containing a tortoise, the other seated holding a gourd, lovely honey-brown patina, supported on a naturalistic hardwood stand. The laughing twins represent harmony and mirth as well as bestowing blessing on marriages. The word “he” is the homonym for “union”, while “erxian” means “the two holy ones”. They actually represent the two famous poet-monks of the Tang Dynasty, Hanshan and Shide.

A single boxwood figure of carved in a similar manner, see Christies New York, Auspicious Treasures, 22/3/2012, lot 1288. 20.5cm high

provenance

A private Australian collection, acquired from an auction in Sydney in 1979.

Raymond and Victoria Tregaskis Oriental Antiques, Sydney, NSW.

$6,000-8,000

清十八世紀黃楊木雕【和合二仙】像

323 A CHINESE BAMBOO CARVED BRUSH POT, QING DYNASTY (1644 - 1911)

One side is finely carved with bamboo issuing from rockwork, the reverse inscribed with a poem, dated to the eighth year of the Qianlong reign.

14.5cm high

$1,000-2,000

324

A CHINESE HUANGHUALI BRUSH POT, QING DYNASTY, 17TH/18TH CENTURY

12cm high; 9.7cm diameter

provenance

A private collection, ACT, acquired in China in the 90s.

$1,500-2,500

325

A RARE AND FINE CHINESE METAL-LINED BRUSHPOT, RUAN YUAN MARK, QING DYNASTY (1644 - 1911)

The upper section of the brush pot is finely decorated with a continuous mountain landscape, followed by an inscription of Zhuzi Zhijia Ge Yan (Maxims for Managing the Household by Master Zhu), signed and sealed by Ruan Yuan.

Ruan Yuan (1764 -1849), style name Boyuan and sobriquet Yuntai, was a prominent scholar-official of the Qing dynasty and a leading figure of the Qianjia school of evidential scholarship. A native of Yizheng, Jiangsu, he obtained the jinshi degree in 1789 and held a number of high-ranking posts, including Governor of Zhejiang and Governor-General of Huguang, Liangguang, and Yungui. Renowned for his achievements in classical studies, Ruan Yuan compiled important works such as Huang Qing Jingjie and editions of the Confucian classics. He was also an influential patron of scholarship and education, founding academies and overseeing major editorial projects. His collected writings are published as Yanjing shi ji. 15cm high; 15.9cm diameter

provenance

Quek Kiok Lee Collection (1921 – 2018), Singapore, and thence by descent.

Gora Singh Mann Collection, Wollongong (label no. 1179).

Mr Mann was a well-known local philanthropist, has been collecting art for over fifty years and has amassed an impressive collection. With his business partner and friend, William Tatlow, they donated a significant portion of their collection of Asian ceramics and art to the Wollongong Art Gallery. Mr Mann has also generously donated art from his collection to the Mudgee District Hospital, the Mid-Western Regional Council and many other local businesses.

An important private collection, Sydney.

$6,000-8,000

清阮元款錫簪刻筆筒

筆筒上部通景簪刻山水紋，下接〈朱子治家格言〉銘文，署款並鈐印阮元。

阮元（1764–1849），字伯元，號芸臺，清代著名學者與高級官員，為乾嘉考據學重要代表人物，江蘇儀徵人。乾隆五十四年（1789）進士，歷任浙江巡撫、湖廣總督、兩廣總督及雲貴總督等要職。其於經學研究成就卓著，編纂《皇清經解》並校訂多種儒家經典，亦積極興辦書院、推動學術事業，著有《揅經室集》。

源流：

郭克禮收藏 (1921 – 2018), 新加坡。

Gora Singh Mann 收藏，臥龍崗（標籤編號1179）悉尼重要私人收藏

326

A PAIR OF CHINESE MOTHER OF PEARL INLAID BLACK LACQUER BOWLS, KANGXI PERIOD (1661 - 1772)

A similar pair also dated to Kangxi period, see Sotheby’s Pairs, 18 June 2020, lot 38. 10cm diameter; 5.3cm high each

provenance

A private collection, NSW, Australia.

$2,000-3,000

327

A CHINESE SHE STONE CARVED RUYI-FORMED WASHER, SONG DYNASTY (960 - 1279)

20 x 14.5cm

provenance

Collection of Ai Dan, Beijing, China.

Ai Dan is a Chinese artist and collector, and the younger brother of Ai Weiwei. He is the son of the renowned Chinese poet Ai Qing.

艾丹旧藏。

艾丹為中國藝術家與收藏家，亦為艾未未之弟，著名詩人艾青之子。

A private collection, Melbourne. 墨爾本私人珍藏

LITeraTUre

Ai Dan, Tao hua tan shui shen qian chi, 2025, no. 44, p.102.

艾丹著，《桃花潭水深千尺：兩宋什物，古玉清供》, 2025，44號，102頁。

$2,500-3,500

328

A VERY FINE CHINESE POLYCHROME CINNABAR LACQUER “PEONY” BOX AND COVER, MING DYNASTY (1368 - 1644)

The box is deeply and finely carved through the cinnabar, green and brown layers. It’s with an old Japanese wood box.

A similar cinnabar lacquer box and cover with “orchid” design, see Christie’s Hong Kong, 1 June 2011, lot 3835. 5.5cm diameter

provenance

Raymond and Victoria Tregaskis Oriental Antiques, Sydney, Australia.

$1,500-2,500

329

A CHINESE TRANSPARENT GLASS BOWL, JIAQING SIX-CHARACTER MARK, POSSIBLY OF THE PERIOD

The exterior of the bowl is finely carved with an imperial poem, followed by a two-character Jiaqing seal mark; the base is carved with a six-character Jiaqing seal mark. The bowl is accompanied by a fitted brocade stand and a matching brocade box. 9.5cm diameter

$800-1,200

330 A CHINESE BRONZE RECTANGULAR CENSER WITH SQUARE HANDLES, XUANDE MARK, 17TH CENTURY

A closely comparable example was sold at Bonhams New York, 15 September 2025, lot 62. Another gilt example of this form was sold at the same house, London, 15 May 2025, lot 158, where two further comparable examples were cited, sold at Bonhams London, 9 November 2015, lot 296, and at Christie’s New York, 21 March 2014, lot 2285. 13.5cm wide; 6cm high

provenance

A private collection, Sydney. An old Sotheby’s label on the base.

$2,500-3,500

十七世紀宣德款方形雙耳銅香爐

331 A CHINESE BRONZE TRIPOD CENSER, QING DYNASTY, 17TH CENTURY

The base cast with a rare five-character mark, “Jin Zai Wu Cang Zhen”, the vessel fitted with a carved zitan and jade cover and a carved zitan stand. Overall: 24cm (including stand and cover); censer: 12.9cm high; 18cm wide

$4,000-6,000

十七世紀銅三足香爐底鑄【金在五藏珍】五字款，配雕紫檀嵌玉蓋及雕紫檀座。

A CHINESE ALOESWOOD AND JADEITE

ROSARY BRACELET, SHOU CHUAN, QING DYNASTY (1644 - 1911)

The bracelet comprises eighteen large aloeswood beads, chenxiang, evenly divided by two larger jadeite beads. Accompanied by four further carved small jadeite beads. The pewter box is with “Dian Tong” and “Qianlong Yuzhi” marks.

A smaller and lighter aloeswood and jadeite rosary, sold at Christie’s Hong Kong, 26 November 2014, lot 2909. bracelet approx. 14cm diameter; overall weight (exclusive pewter box): 110g

provenance

A Private Collection, NSW., acquired in Hong Kong in the late 1980s and early 1990s.

$3,000-5,000

清沈香手執　並”点铜” ， “乾隆御制”款錫盒

盒面便簽曰”清上等伽楠香珠拾捌籽手持”

來源:

紐省私人收藏，上世紀八十年代末至於九十年代初購於香港

333

A RARE AND FINE CHINESE ELL-YELLOW CHENGNI INKSTONE, MING DYNASTY (1368 - 1644)

Both side of the inkstone has been inscribed, with a carved mark of “Feng Fanggang Zhen Cang”. It’s with a fitted hongmu box, the cover of the box inscribed and signed by Wu Dacheng (1835 - 1902).

Weng Fanggang (1733 - 1818) was a leading scholarofficial, calligrapher, and connoisseur of the Qing dynasty. Renowned for his rigorous scholarship and advocacy of evidential research (kaozheng), he was also an influential collector and authority on calligraphy and antiquities.

Wu Dacheng (1835 - 1902) was a prominent late Qing scholar-official, epigraphist, collector, and artist, renowned for his studies of ancient bronzes and inscriptions and for assembling an important collection of antiquities.

13.5cm long; 9cm wide

provenance

Collection of Wu DaCheng (1835 - 1902), based on the inscription on the wood case.

An important private collection, Osaka, Japan.

$20,000-30,000

明『翁方綱珍藏』款黃澄泥硯及吳大澂款硬木盒翁方綱（1733–1818）為清代著名的學者官員、書法家與鑑藏家。其以治學嚴謹、提倡考證學（考證）而著稱，亦為重要的收藏家，並在書法與古器物鑑賞方面享有崇高聲譽。

吳大澂（1835–1902）為晚清重要的學者官員、金石學家、收藏家與藝術家，以研究古代青銅器及銘文見長，並建立了重要的古器物收藏。

源流：

據木盒題識，此藏品原為吳大澂（1835–1902）舊藏。

吳大澂（1835–1902）為晚清重要的學者官員、金石學家、收藏家與藝術家，以研究古代青銅器及銘文著稱，並曾建立重要的古器物收藏。

日本大阪重要私人收藏。

334

A VERY FINE JAPANESE RINPA BLACK AND GOLD AND MOTHER OF PEARL INLAID LACQUER TEA BOX, EARLY 20TH CENTURY

With an inscribed Japanese wood box. 16.8cm high; 7cm diameter

provenance

An old private collection, Kamakura, Japan.

$800-1,200

日本二十世紀早期琳派嵌螺鈿蒔繪茶入

335

A VERY RARE AND LARGE CHINESE BOXWOOD VASE, QING DYNASTY (1644 - 1911)

40.5cm high

$6,000-8,000

336

A CHINESE ALOESWOOD CARVED RUYI, QING DYNASTY, 19TH CENTURY 36cm long

provenance

A Private Collection, Perth. Bonhams Australia, 22 Marh 2015, lot 385. A Private Collection, Melbourne.

$2,000-3,000

337

A VERY FINE CHINESE EMERALD-GREEN JADEITE SNUFF BOTTLE, QING DYNASTY, 18TH/19TH CENTURY

Each side of the well-hollowed bottle is finely carved in relief with birds and flowers. It is fitted with a rose quartz stopper and accompanied by a fitted polychrome cinnabar lacquer box.

Bottle: 6.5cm high; Box: 12cm long; 9cm wide

$6,000-8,000

清十八至十九世紀翡翠鼻煙壺

338 A PAIR OF FINE CHINESE ALOESWOOD AND SILVER-LINED CHRYSANTHEMUM CUPS, GONGZHI TWO-CHARACTER GILT MARK, QING DYNASTY (1644 - 1911)

It’s with a fitted pewter “dragon” box marked ‘Kut Hing Pewter Swatow’. 8cm each (2)

provenance

Bonhams Sydney, 8 December, 2023, lot 237.

$2,000-3,000

清沉香菊瓣鑲銀對杯「宮製」底款並錫盒，底及蓋内銘「潮陽顔吉興，真料點銅，汕頭淮安街。Kut Hing Pewter Swatow」，蓋内簽「清乾隆御製沉香菊瓣杯」

339

A LARGE CHINESE CORAL FIGURE OF A COURTESAN AND CHILD, 20TH CENTURY

With a carved fitted hongmu stand and a fitted box. 22cm high; weight: 692g

provenance

Bonhams Sydney, 10 August 2022, lot 61 (with original invoice).

A private collection, Sydney.

$15,000-25,000

二十世紀紅珊瑚孩兒面雕仕女與童子立像

340

DAXI KINGDOM, (MING REBEL), XI WANG GONG SHANG, SILVER MEDALLION

50 mm, 45g

provenance

Noble Numismatics Pty Ltd, 28 - 30 July 2020, lot 1776.

$20,000-30,000

大西國（明末起義政權）【西王功賞】銀章

341

A CHINESE JADE CARVED MOUNTAIN FORM SCHOLAR ROCK

With a fitted wood stand. 18.5cm wide; 7.5cm high

$2,000-3,000

342

A CHINESE HUANGHUALI BRUSH POT, QING DYNASTY, 17TH/18TH CENTURY

13.4cm high; 11.2cm diameter

provenance

A private collection, ACT, acquired in China in the 90s.

$2,000-3,000

343

A CHINESE CARNELIAN AGATE

‘LINGZHI’ CARVING, MID QING DYNASTY, 18TH/19TH CENTURY

12.4cm high; 11cm wide

$8,000-12,000

清中期十八至十九世紀瑪瑙雕靈芝擺件

344

A CHINESE HARDWOOD POSSIBLY ZITAN CARVED “DRAGON” DOCUMENT BOX

30 x 17 x 12cm

provenance

The Estate Collection of Oscar Saldarriaga (Colombia, b. 1947).

Oscar Saldarriaga was a distinguished textile trader, active during the height of Colombia’s thriving textile industry in the 1970s and 1980s. His career frequently took him to China, where he developed a deep admiration for Chinese culture, artistry, and craftsmanship. Over the decades, Saldarriaga assembled an important collection of fine art and Chinese works of art, each piece thoughtfully acquired during his travels.

$1,500-2,500

或為紫檀雕龍紋文書盒源流：

Oscar Saldarriaga 遺產收藏（哥倫比亞，1947 年生）

Oscar Saldarriaga 為著名紡織品商人，活躍於 1970至1980年代哥倫比亞紡織業鼎盛時期，其事業使其經常往返中國，並對中國文化、藝術與工藝產生深厚興趣。數十年間於旅途中悉心蒐集，成就一批重要中國藝術品收藏。

345 A CHINESE HUANGHUALI BRUSH POT, QING DYNASTY, 17TH/18TH CENUTRY 16cm high; 14.4cm wide

provenance

A private collection, ACT, acquired in China in the 90s.

$2,500-3,500

346

A CHINESE JADE CARVED SCHOLAR ROCK, QING DYNASTY (1644 - 1911)

With a carved fitted hongmu stand. 14.5cm high

provenance

Lam & Co. Antiques, Hong Kong.

$2,000-3,000

347 A FINE CHINESE BLACK YING ‘RISING CLOUD’ SCHOLAR ROCK, QING DYNASTY (1644 - 1911)

The weathered rock formation with holes, niches and overhanging sections, all with a pock-marked surface, the tall, narrow shape resembling an auspicious cloud, hard wood stand. Including stand: 34cm high

provenance

Bonhams London, 9 May 2016, lot 102. An Important Private Collection.

$5,000-7,000

清黑英石【升雲】賞石源流：

倫敦邦瀚斯，2016年5月9日，拍品102 重要私人收藏

RECESSED-LEG SIDE TABLE, 17TH CENTURY

The top, composed of three panels, is set within a rectangular frame with a beaded edge, above plain aprons and spandrels of conforming beaded design. The rounded legs are joined by pairs of stretchers. Comparable examples include Christie’s New York, 18 March 2016, lot 1354; Sotheby’s Hong Kong, 6 October 2015, lot 130, and 22 April 2021, lot 55. For related tables with a single shelf, see Christie’s New York, 23 March 2018, lot 967, and 19 March 2021, lot 833; and Sotheby’s London, 8 December 2022, lot 306.

85 x 80 x 48.5cm

provenance

A Private Collection, QLD, acquired from Sharon Lin, Shanghai Antique Passion Antique Furniture Co., Ltd., in 2001.

昆士蘭私人收藏，2001年購於上海古藤苑古典家具有限公司。

$20,000-30,000

349

A CHINESE JICHIMU MEDITATION STOOL, QING DYNASTY, 18TH CENTURY

For comparable examples, see Christie’s New York, 18 March 2016, lot 1365; and a similar pair offered at Bonhams London, 13 May 2021, lot 59.

70.5 x 70 x 50.5cm

provenance

A Private Collection, QLD, acquired from Sharon Lin, Shanghai Antique Passion Antique Furniture Co., Ltd., in 2001.

昆士蘭私人收藏，2001年購於上海古藤苑古典家具

有限公司。

$4,000-6,000

350

A SMALL CHINESE HUANGHUALI STOOL, 17TH CENTURY

During the Ming dynasty, small and low chairs were likely very common in households. However, it is rare to find extant example made from huanghuali wood. An identical example of a huanghuali fangdeng can be found in the collection of Wang Shixiang, illustrated in Wang Shixiang, Ming shi jia ju zhen shang, Hong Kong, 1985, p.59, pl. 10. Another similar pair, see Bonhams Hong Kong, 27 November 2024, lot 105.

41.5 x 39.5 x 29.5cm

9 x 29.1 x 41cm

39 x 29.1 x 41cm

provenance

A Private Collection, QLD, acquired from Sharon Lin, Shanghai Antique Passion Antique Furniture Co., Ltd., in 2001.

昆士蘭私人收藏，2001年購於上海古藤苑古典家具

有限公司

$4,000-6,000

351

A CHINESE TIANHUANG CARVED ELEPHANT AND BOYS, SHANGJUN MARK, QING DYNASTY (1644 - 1911)

7.6cm wide; 6.5cm wide

$2,500-3,500

352

A CHINESE TIANHUANG CARVED LION SEAL, QING DYNASTY (1644 - 1911)

The seal face is carved: “Zhu jia zhe zhong ren bu de zhen, mai qiao zhe zhong cang bu de zhuo” , translated as: “One who deals in falsehood cannot know the true; one who values cleverness cannot hide what is unrefined.”

4.5cm high; 5cm wide

$2,000-3,000

清田黃雕獅鈕印印文【著假者終認不得真賣巧者終藏不得拙】

353 A CHINESE TIANHUANG CARVED MYTHICAL BEAST, LIN YUANKANG MARK, QING DYNASTY (1644 - 1911)

The base of the mythical beast bears “Lin Yuan Kang Zuo” mark. It’s with a fitted carved zitan case. The cover of the case is finely carved with linzhi sprays.

7.5cm wide; 4cm high

$5,000-7,000

清田黃雕瑞獸底部刻【林元康作】款，附雕紫檀盒，盒蓋飾靈芝紋。

354

A CHINESE CARVED YELLOW SOAPSTONE SEAL, POSSIBLY TIANHUANG, SIGNATURE OF QIU KAI, QING DYNASTY (1644 - 1911)

The sides are finely carved with scholars in the mountain landscape scene, signed Xia Cun, the seal face is carved with “Bi Yan Zhi Xiang” (translated “the fragrance of brush and inkstone”). It’s with a fitted box.

5.5cm high

$800-1,200

清或為田黃邱愷款壽山石印側部淺刻山水高士圖，署【霞邨】，印文【筆硯之香】

355

A CHINESE TIANHUANG CARVED SEATED FIGURE OF MAITREYA BUDDHA, QING DYNASTY (1644 - 1911)

With a fitted wood stand. 6.2cm wide; 3.8cm high

$3,000-5,000

356 A CHINESE SOAPSTONE POSSIBLY TIANHUANG PHOENIX SEAL, HUANG

SHILING MARK

Inscribed and signature of Huang Shiling on the side. 5cm wide

$2,000-3,000

黃壽山石或為田黃雕鳳鈕印側刻【黃士陵】款，【乙亥九月上浣士陵仿漢法作】，印文【率性多非學，緣情偶自書】

357 A CHINESE TIANHUANG CARVED SEAL, QING DYNASTY (1644 - 1911)

The seal face is carved “Yi nei er yan wai ye”. 6.5cm high

$2,000-3,000

清田黃石印印文刻【意內而言外也】

358 A CHINESE TIANHUANG SQUARE MYTHICAL BEAST SEAL, LATE QING/ REPUBLIC PERIOD, EARLY 20TH CENTURY

The side inscribed Yiyou Year, Jiaping Month, 3rd day.

It’s with a black lacquer mother of pearl inlaid box and cover.

5cm high

$3,000-5,000

清末／民國田黃瑞獸鈕方印側刻【乙酉嘉平月三日三庚】，附黑漆嵌螺鈿盒及蓋

Conditions of Business / Summary

speCial Conditions of sale – jeWellery

Jewellery and watches offered by Leonard Joel are sometimes accompanied by an Independent valuation as stated in the catalogue. These valuations are conducted by registered valuers and are offered purely as independent opinions. Variation may be found as to the colour, clarity and size of stones described in these reports, consequently Leonard Joel does not guarantee these Independent Valuations. Where stones can be weighed accurately, weights will be provided. Weights of set stones are estimates only and are provided to the best of our technical ability. Gram weight on gold and other precious metals are also given as an approximation. Wristwatches and pocket watches are offered in there current condition and Leonard Joel does not guarantee that they are in working order. Items may be thoroughly inspected during the viewing period or by prior arrangement.

authentiCity CertifiCates

As various manufacturers may not issue certificates of authenticity, Leonard Joel has no obligation to furnish a buyer with a certificate of authenticity from the manufacturer, except where specifically noted in the catalogue. Unless Leonard Joel is satisfied that it should cancel the sale in accordance with the Limited Warranty provided in the General Conditions of Business, the failure of a manufacturer to issue a certificate will not constitute grounds for cancellation of the sale.

gst

In the event that the vendor is registered for Goods & Services Tax (GST), the invoice to the buyer will provide a separate entry for the GST which is included in the purchase price. All Leonard Joel charges for services referred to in this catalogue are exclusive of GST. Overseas buyers may be entitled to a rebate for GST charged.

For further information contact: Ety Liong accounts@leonardjoel.com.au

admission

Leonard Joel has the right at its sole discretion without assigning any reason therefore to refuse admission to the premises or attendance at any of its sales of any person.

Commission (absentee) bids

Leonard Joel will execute absentee bids when instructed. Lots will be bought as cheaply as allowed by other bids and/or reserves.

telephone bidding

Buyers interested in bidding by telephone should contact Leonard Joel as soon as possible. Please note that telephone bidding facilities are available on a first-come, first-served basis.

bidder registration

To recognise bidders during the sale all intending buyers are required to complete a Bidder Registration Form providing full photo identification and appropriate references if required before the Sale which will enable them to bid by way of a numbered paddle allocated to them.

buyer’s premium

There will be a buyer’s premium added to all purchases.The buyer’s premium will be calculated at the rate of 25% of the hammer price on each lot. This is inclusive of GST. The buyer’s premium is reflected by a reduction in the Seller’s Commission and is a common practice throughout Australia and overseas.

property subjeCt to the artist resale royalty Lots with the § sign will be subject to payment of the Artist Resale Royalty in the event that the lot is sold for a hammer price of $1,000 or more. The Australian Resale Royalty is a flat rate of 5 percent (5%) levy on the hammer price (including GST). The Australian Resale Royalty is payable by the buyer in addition to the buyer’s premium plus applicable GST.

damage

Any viewer who damages a Lot will be held liable for all damage caused and shall reimburse Leonard Joel for all costs and expenses relating to rectification of such damage.

title

Leonard Joel guarantees good title to all lots.

Warranties and Condition reports

Condition reports will be available for any lot upon request, subject to conditions.

estimates

Estimates are a reflection of Leonard Joel’s opinion of the current market values, based on historic and current market realisations of similar lots. Estimates are inclusive of any GST, which may be applicable. Actual prices at this sale may fall short or exceed the estimates.

payment

In any event accounts must be settled with Leonard Joel no later than 4pm two days after the auction. Attention is specifically drawn to condition 22 of the Buyer’s Conditions of Sale.

Payment may be made by way of cheque, most credit cards, eftpos or telegraphic transfer.

Please note: payments made by cheque are subject to a 5 day clearance before goods can be collected.

Credit card fees may apply.

Bank telegraph transfers should be directed to:

accoUnT name: Leonard Joel Pty Ltd

addreSS: Westpac Banking Corporation

150 Collins Street, Melbourne

VIC 3000 Australia

BSB: 033–364

accoUnT no: 942956

ColleCtion of lots

Purchased lots must be collected no later than two days after the auction; otherwise lots shall be moved to storage at the Buyer’s expense (see below). Lots are at the Buyer’s risk from the fall of the hammer. It is strongly advised that overseas and interstate purchasers and absentee bidders make their arrangements with Leonard Joel in advance of the Sale. Charges are outlined below and are quoted in Australian dollars.

removal and storage

Any lots not collected within two days after the auction, may be stored or resold at the Buyer’s expense.

removal Charges

Each lot: $55

storage Charges

Each lot: $33 per day

proteCtion of movable Cultural heritage aCt 1986 (pmCh aCt)

Buyers should be aware of the PMCH Act which protects Australia’s heritage of movable cultural objects and supports foreign countries’ right to protect their heritage of movable cultural objects. The PMCH Act regulates the export of nationally significant heritage objects, it is not intended to restrict normal and legitimate trade in cultural property, and does not affect an individual’s right to own or sell objects, within Australia. The PMCH Act was enacted in response to the 1970 UNESCO Convention on the Means of Prohibiting the Illicit Import, Export and Transfer of Ownership of Cultural Property. It is the responsibility of the Buyer to ensure that the export of any lots purchased are not subject to, or in breach of, this Act.

Information about the PMCH Act, the Protection of Movable Cultural Heritage Regulations 1987 and the 1970 UNESCO Convention, can be found on the Department of the Environment, Water, Heritage and the Arts website at: www.environment.gov.au/heritage/movable/index

exporting signifiCant australian Cultural heritage

The export of Australia’s significant cultural heritage is regulated under the Protection of Movable Cultural Heritage Act 1986 (PMCH Act.) It is not intended to restrict normal and legitimate trade in cultural property and does not affect an individual’s right to own or sell within Australia. The PMCH Act implements a system of export permits for certain heritage objects defined as ‘Australian protected objects’. More information is available on the Department of the Environment, Water Heritage and the Arts’ website: www.arts.gov.au/movable_heritage Enquiries can be made to the Cultural Property Section at the Department of the Environment, Water, Heritage and the Arts, T: 02 6274 1810 E: movable.heritage@environment.gov.au

Cites regulations

It is the buyer’s sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licences. The refusal of any import or export licences, any delay in obtaining such licences or any limitation on your ability to export a lot shall not permit the cancellation of the sale. Please note that all lots marked with the symbol * are subject to CITES regulations when exporting these items outside of Australia. Information about these regulations may be found at www.environment.gov.au/biodiversity/tradeuse/cites/index.html or may be requested from:

The Director International Wildlife Trade Department of Sustainability, Environment, Water, Population and Communities

GPO Box 787

CANBERRA ACT 2601

leonard home delivery

Purchases can be delivered to your door via Leonard Home Delivery. Please note this service is available in Melbourne (Select suburbs) only and is not available for Sydney auction purchases. For any enquiries about this service please contact delivery@ leonardjoel.com.au

reCommended Carriers

For recommended carriers please refer to our website.

This document has been produced to international environmental management standard ISO14001 by Ellikon Fine Printers, a certified green printing company.

Our Specialists

m anaging d ireC tor & head of important C olleC tions

John Albrecht, BA LLB MBA

sydney

Madeleine Mackenzie BFA, BComm, MLitt, Head of Decorative Arts & Art

Ella Nail, Office Manager & Administrator

Ronan Sulich, Senior Adviser

fine art

Wiebke Brix, Head of Art

Amanda Hayward (née North), Senior Art Specialist

Hannah Ryan, Senior Art Specialist, Manager of Specialty Auctions

Daisy Giuffrida, Administrator and Registrar

deC orative arts

Chiara Curcio BA, Head of Department

David Parsons, Head of Private Estates and Valuations, Decorative Arts Specialist

Natasha Berlizova, Administrator

asian art

Luke Guan MLitt, Head of Department

Kyle Walker, Administrator and Coordinator

Zoe Cenche , Curator & Senior Specialist

C.C. Chen , Chinese Painting Consultant

Yiran Li, Intern

fine je W els & timepieCes

Annie Soust, Head of Department, Melbourne

Lauren Boustridge BSc, AJP, GG (GIA), Head of Department, Sydney

Patricia Kontos F.G.A.A., Senior Timepieces & Jewellery Specialist

Piper Jiang, Jewellery & Luxury Administrator

Hui Chong, Jewellery Administrator, Sydney

Bethany McGougan, Senior Auctioneer and Jewellery Consultant

Henrietta Maiyah, Consultant

modern design

Rebecca Stormont, Senior Modern Design Specialist

luxury

John D'Agata, Senior Jewellery Consultant

prints

Hannah Ryan, Senior Art Specialist

furniture

Alex Sargeant, Manager

Inigo Fleming, Assistant

Shawn Mitchell , Interiors Consultant

je W ellery

Anna Akacich, Manager

Zoe Tsamis, Assistant

art salon

Millie Lewis, Manager

Patrick Curtis, Assistant

objeC ts & C olleC tables

Kieran Grogan Carpenter, Manager

Charlotte Dippie, Assistant

valuations

David Parsons, Head of Private Estates and Valuations, Decorative Arts Specialist

Troy McKenzie, Head of Private Collections, Queensland

Anthony Hurl, Representative Specialist, South Australia

John Brans, Representative Specialist, Western Australia

aCC ounts

Ety Liong, Finance Manager

Michelle Draper, Accounts Manager

Ninad Chouhan , Finance & Accounts Assistant

Client serviCes

Kim Clarke, Saleroom & Office Manager

Amelia Lewis, Client Services Liaison

Richard Grieve, Client Services Liaison

operations & logistiC s

David Price, Operations, Delivery & Logistics Manager

marketing & C ommuni Cations

Blanka Nemeth, Senior Marketing, Media, & Communications Manager

Lucy Lewis, Marketing & Database Coordinator

photography

Paolo Cappelli, Senior Photographer & Videographer

Adam Obradovic, Photographer & Videographer

Jon Bader, Photographer & Videographer, Sydney

graphiC design

Maria Rossi

melbourne

2 Oxley Road, Hawthorn, VIC 3122 03 9826 4333

sydney

The Bond, 36-40 Queen Street, Woollahra, NSW 2025 02 9362 9045

brisbane 54 Vernon Terrace, Teneriffe, QLD 4005 0412 997 080

adelaide

429 Pulteney Street, Adelaide SA 5000 0419 838 841

perth 0412 385 555

info@leonardjoel.com.au leonardjoel.com.au