The artists Klara Källström and Thobias Fäldt use the medium of photography to make conceptual work; the camera is a tool for visual thinking. In '1970 - 2015', Källström and Fäldt put the presence of architecture students at the centre of our attention. The still ongoing activity that has taken place in the KTH School of Architecture building on Östermalms-gatan 26 in Stockholm since its inauguration in the 1970’s is made tangible.
Källström and Fäldt have turned their focus to the work tables found in the Upper Atelier. The use of a photographic macro perspective enables a close study of the tabletops. Throughout the years, the surfaces have been marked by the students work. Photographic cut-outs are blown up to make visible the accumulated traces, from the first classes in January 1970 and up until the present, and thus from the very first to the very last student that has passed through the school.
During the final academic semester that the KTH-A is housed in the building, a sel
