Prelude No. 8 (Chromatic) for Solo Piano by Keane Southard

Keane Southard

Prelude No. 8 (Chromatic) For Piano

(2011) (Duration: c. 2 mins.)

Program notes: Prelude No. 8 for piano was written in the spring of 2011. It is an extremely chromatic “moto perpetuo� and an exercise in alternating hands. Keane Southard 2011

Performance instructions: 1. Unless otherwise indicated, the damper pedal should be used discreetly to allow for maximum clarity.

Keane Southard/Spindrift Pages Email: keane.southard@hotmail.com Website: keanesouthard.instantencore.com

q = 80

Prelude No. 8

Keane Southard

(Chromatic)

                                         f

                                         

2

mf

p

3

                                          ff

                                         

4

(p) 5

p

                                       



  



mf 6

                                          7

(p)

                                            ff

©2011

2

                                         

8



mf

  



p

mf 9

                                       



 

(p)

10

                                          ff

11

  

                          

                                        ff

12

p

13

p

pp

                                

pp

                                                       

14

f sub. (both voices)

                                                       

15

                                                    

16

ff

p sub.

ff p sub.

ff p sub.

ff p sub.

  17                                                                                                     

18

ff

pp sub.

                                                 

19

                                                   

20

 21                                    ff

                                          

22

p

mf

                                            

23

p

mf

3

4 24

                                    p

mf

25

                                  p

mf

26

                                                          p

f

27

                                                            pp

28



molto  accel.



ff

  

                                p



29

                                

30

As Fast as Possible

  





        

(maintain top tempo)





fff

      