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Prelude No. 4 (O Woozy Suzy!) for Solo Piano by Keane Southard

Page 1

Keane Southard

Prelude No. 4 (O Woozy Suzy!)

For Piano

(2009) (Duration: c. 2 mins.)


Program notes: Prelude No.4 for piano was written in a single day in July of 2009, while attending the Northeastern University Fusion Arts Exchange. Everyone had been given an assignment to compose a solo piece to bring in and share the next day in class. I am a self-admitted slow composer, so I thought this task daunting. However, I had had this piano piece brewing in my head in which I'd explore this figure of a double neighbor black grace notes to every white note. It is a figure that is very easy to play, yet very characteristic and effective. When playing around with it, I somehow began playing the tune of Stephen Foster's “O Susanna!� with these figures (and it happened to work that if you play the tune in G major, you don't use any black keys). The result was a kind of American folky etude that kept tripping over itself, hence the subtitle. I sat down and wrote it out in a matter of hours that day. Keane Southard 2009

Performance instructions: 1. Unless otherwise indicated, the damper pedal should be used discreetly to allow for maximum clarity.

Keane Southard/Spindrift Pages Email: keane.southard@hotmail.com Website: keanesouthard.instantencore.com


 

q = 60 con rubato

       

 

p    

   

Prelude No. 4

Keane Southard

(O Woozy Suzy!)



   

   

    

   

 







   

mf

   

 



 

 

            

3

q = 76 senza rubato

    

       3

accel. 5



   



                    

                



  

  

   

 

     

               

   



 

q = 100

8

 



         

   

    

 

                                 

6

ff

6

6

6

pp sub.

 6 6 6 6                                               

   6 6                      6 6  f 6 6                        6 6    

10

©2009



 

  6

 

6

    

             6  6




2 12

(e=40)

molto rit.

q = 50 Melancholy

                                                6

6

6

6

ff

p

                                           6

6

6

   

    



 



   

poco rit.    

15

 



 



 



 

 

   

   

   

  

 

 

16

 

  

mp

   

                 



   

  

 



   

6

14

  

   





  

   



 



  



                 3 3  3  3   

(e=46)

q = 144

 

    mf

p

        



   

p



 

 

simile

 


p

18





 

         

         

 

   

21

   

       

 

    

3  

    



 

mf

         

 

   

 

    

   

mf

   

 





  

              

p

p



mf

p





     

mf

      

 

 

 

p 23



 

    

   

25

27

  

   



   

 

 



 



    



      





  









   

 

   





         p



   



 





 





   

 



     

 





mf

  

 

p

mf

   

 







mf



 

 p





mf



f

   



 

  



  





  



    

 



    

 






4



29

   

  

31



















  

 

















mf

         p





  

 

  

   











35

   

  

37

 

 

   





 











          



   

 









 



 

  



             

   



 

   



 

     



 



      



  

   

 

 

 



mf

 



ff

   

 





  

  

 



   



 

 

 



 



                           



6

     



mp

          f



     

  

 

 

 

 

6



mf

                    p

   



   

 

p

33



p

mf





 





   

   

   

  



   

  

 



  

 



    

  

     


39

 

41

  

    

 

   

   

  



  

   

  

 

  

   

 

   

   

 

 

 

   

    

      

6

pp sub.

6

6

6



                          

  42  

6

6

6

                          

                        43  

6



ff

  

 

5

                          

 

  

     

 

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Prelude No. 4 (O Woozy Suzy!) for Solo Piano by Keane Southard by Keane Southard - Issuu