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El Último Sueño de Frida Y Diego - Met Opera Program - 06-28-26

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Cast:

Frida Khalo............................................Isabel Leonard

Diego Rivera...........................................Carlos Alvarez

Catrina..............................................................Gabriella

Leonardo................................................Nils Wanderer

First Villager...............................................Paul Corona

Second Villager................................Angel Raii Gomez

Third Villager...........................................Scott Conner

First Frida Image...............................Kresley Figueroa

Second Frida Image.......................Mary Beth Nelson

Third Frida Image.............................Cecelia McKinley

Guadalupe Ponti...................Lianne Coble-Dispensa

Young Man........................................Angel Raii Gomez

Crew:

Stage Director & Choreographer.......Debora Colker

Conductor..................................Yannick Nezet-Seguin

Set & Costume Designer...........................Jon Bausor

Costume Designer.........................Wilberth Gonzalez

Lighting Designer...............................Adan Silverman

Chorus-master.....................................Tilman Michael

Composer.....................................Gabriela Lena Frank Librettist..........................................................Nilo Cruz

About The Creators:

Born of a Latina mother and a white father, Gabriela Lena Frank (b. 1972) draws heavily upon her multicultural identity in her work. In May 2026, she was awarded the Pulitzer Prize in Music for the ten-movement symphonic piece Picaflor: A Future Myth, based upon Incan mythology, and she has also received a Latin Grammy Award and Guggenheim Fellow and was a member of the world-music collective the Silk Road Ensemble. She has received commissions from some of the nation’s leading institutions, including the Philadelphia Orchestra, where she served as composer-in-residence. El Último Sueño de Frida y Diego is her first opera. Cuban American author and playwright Nilo Cruz (b. 1960) created the opera’s libretto. In addition to multiple plays including the 2003 Pulitzer Prize–winning Anna in the Tropics—he also wrote the libretto for Jimmy López’s Bel Canto and has collaborated with various composers on a number of song cycles, including Frank’s La Centinela y la Paloma (The Keeper and the Dove), created for soprano Dawn Upshaw.

About The Music:

To find the music to depict a story playing out across multiple planes of existence,Frank has created a rich soundscape that ranges from eerily suggestive to exuberantly melodic. Her orchestration draws upon a wide musical palette, juxtaposing traditional instrumentation with elements of mariachi and Mexican folkloric music. The marimba, a significant instrument in Mexican and Central American music, features prominently, often contributing an otherworldly, mysterious color. The voices of the living and the dead are never far away, with a prominent role for the chorus embodying both at various points in the story. The principal characters’ vocal lines are closely based on the intonations of their expressions in the Spanish-language text, with Frida’s phrases often fractured by asymmetrical rhythms that both depict the bodily pain she suffered in her life and the anger she maintains toward Diego in death. Her music noticeably lightens, however, in her encounters with the drag-clad Leonardo, a countertenor frequently paired with a vibraphone. The music for Catrina, the keeper of the dead and the gatekeeper between worlds, is as diverse as her role suggests, scored for lyric soprano but occasionally dipping into low mezzo-soprano tessitura or flying up into coloratura outbursts, especially as a depiction of the character’s mischievous laughter. The arc of the score mirrors the contour of the larger narrative, culminating in a final scene on the precipice of the underworld: Individual voices are subsumed into the overall texture of mournful orchestra punctuated by percussion—a simultaneously unsettling and consoling sonic depiction of all-embracing death

LAND ACKNOWLEDGEMENT

King’s Theatre is honoured to be on the ancestral and unceded territory of L’nu, also known as the Mi’kmaq Peoples, who have lived and cared for this land since time immemorial. We honour the Peace and Friendship Treaties and acknowledge that we are all treaty people.

The Fog Machine may be in use tonight. It is a non-toxic water-based mist

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COMING SOON

THURSDAY JULY 2 7:00 PM

FRIDAY JULY 3

7:00 PM

SATURDAY JULY 4

7:30 PM

SUNDAY JULY 5

6:00 PM

SATURDAY JULY 11

7:00 PM

WEDNESDAY JULY 22 7:00 PM

SATURDAY JULY 25 7:30 PM

WEDNESDAY JULY 29

7:00 PM

SATURDAY AUGUST 1

7:30 PM

FILMPASS FILMPASS

KING’STHEATRE

King's Theatre was built in 1921 by Arthur M. King, and has been at the heart of Annapolis Royal’s cultural community for over 100 years. In recent years we have completed more than $2 million in facility upgrades that includes new lighting, cinema projection, video capture, and sound -- you can expect crystal clear audio for both live shows and movies.

King’s Theatre’s mandate is to be a catalyst for creativity, social connection, learning, and excellence. Presenting live performances yearround, we offer all genres of music, theatre, contemporary dance, comedy, and spoken word. On screen there’s every kind of cinema, from blockbusters and indies to stage-toscreens. We offer workshops and opportunities for local residents to experience performing on stage, with a special emphasis on youth. With more than 200 events a year, King’s Theatre is one of the busiest small theatres in Canada.

Tue-Fri: 10am-3pm

BOARD OF DIRECTORS

Tracy Summerville, Chair

Alison Warwick, Vice Chair

Kerrie Picken, Treasurer

Margo Tait, Secretary

Betsy Akin

Thea Boyanowsky

Bob Buchanan

Maggie Cotreau

Caroline Hancock

Phil Hartling

Lesley MacDonald

Michael Westcott

STAFF

Janet Larkman, Executive Director

Tracey Harnish, Bookkeeper

Devin Fraser, Technical Director

Jessica Scott, Box Office & Operations Manager

Gregory Muszkie, House Manager

Jamie Alcorn, Sound Technican

Cali Currie-Timmons, Box Office and House Support

Philip Denuke, Historian

Joseph Walsh, Student Staff

Jax Bailey, Student Staff

Wegratefullyacknowledgethe supportofourgovernmentsponsors.

Nousreconnaissonsavecgratitude l’appuidenospartenaires gouvernementaux.

Thank You to Our Generous

BENEFACTOR

Jan & Cam Albright

Brady & Miriam Code

Here’sthelistofdonorsfromthelast12months, updatedonApril28,2026

AMBASSADOR

Annapolis Board of Trade

Sanford & Associates

Hannilore & James Fisher

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Eileen Kelleher

Ellie Macklin-Ackerman

Anne Pollett & Morris Walker

Jane & Brian Power-Grimm

Barbara Smith

Bill & Nancy Smith

Andrew & Kim Wilson

CONTRIBUTOR

Betsy Akin

Wilfred Allan

Anonymous x 3

Phillip Bailey

John Bottomley in memoriam

Thea Boyanowsky

Harold & Diane Clapp

Lavena Crocker

Drew Graham-Smith in memoriam

Karen Gregor

Philip Hanshaw

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Tracy Summerville & Keith Egger

Margo Tait

SUPPORTER

Tyson Acker

Carmenchita Antonio

Bobbie Archer

Anonymous x 5

Elsa Beattie

Sam Boer

Jane Borecky

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Gary Bradley

David Britton

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AC Silver

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Jim Thurber

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Micheal Westcott

Ian & Bev Weston

Rebekah & Andrew Wetmore

FRIEND

Deanna Amero

Cheryl Anderson

Anonymous x 38

Kirk & Mary Ann Anderson

Iris & Brian Andrews

Sam Anson

Belinda Atwell

David Baker

Poppy Balser

Cindy Banks

Richard Berens

Blackwoods Bread & Roses Inn

Rob & Laura Bright

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Susan Carroll

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BFC Inc.

Jennifer Chivers

John Clarke

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Jacques Doucet

Jennifer Eaton

Brenda & Neal Forbes

Kerry Foster

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Gamberg Family

Kim Grimard

Flora Hall In Memoriam

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Maidpro of Annapolis Valley

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El Último Sueño de Frida Y Diego - Met Opera Program - 06-28-26 by King's Theatre - Issuu