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A Place is Made but, Do We Get It?

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Gratitude to The Place that is Humayunpur and the people who made (and continue to make) within it a place for us who are othered in this city.

Ahiama Panmei, Asha , Ashok (Eat Pham), Amar, Nisha, Laphings corner, Gugun’s store, Pigou, Emmanuel Zou, Sowgene, Thangkhansuan Gualnam, Chongrosiem, Sonam (Yo Tibet), Khayingphi, Shun, Vanshika Goel, My family and friends

Participating Artists

Bellona Yumnam

Children Supported by Centre for Women & Girls

David Yambem

Felix Chungkham

Jacob Nunthuk

Lamhoiching Mangte

Menty Jamir

Parismita Singh

Rachungailiu Gonmei

Saadgi G, Shashank Shekhar

Sarah Lalhrietzuol

Shiarlua Goldminson Aimol

Curated by Anna Sireiliu Charenamei

the grumblings deep in our hearts about this place t Humayunpur. The Curator positions herself as a niece of H been a receiver of joy her aunts offer and a witness to the during moments of derision. The themes are guided by th attempt at sieving through the bargains made in making a the framework of “Place Making”. These are Barga Landowner and Tenant, both identities with complicated h in the capital.

The Exhibition provides for each artist to espouse divergen place that run parallel with their personal experiences o cautioned that this practice is not interested in an exercise entire region beyond the chicken neck. While some of the a history and “North-East” experience the place offers, t shaped by the Curator’s ongoing research on the incessa from her home state. As this is being written in Delhi, irratio in Manipur. The exhibition asks, would Humayunpur not ha or cool without the unique political instability of a state people out to achieve their dreams of a peaceful coexiste also hopes to provoke the Delhi Publics to ask themselves go on devouring a “niche” sum of experience (only to be r exotic heritage) sans a careful math of its variables. Final also responds to the collective exasperation felt by a pe region towards an expectation placed on them to situat intricate historiographies and gnarly local politics, perha and the curation and artworks are for those who might get

Felix Chungkham

Eche Thianching, 2026

Oil pastel, soft pastels, sketch pen(ink), acrylic, charcoal and graphite

Felix Chungkham

Eche Thianching, 2026

Oil pastel, soft pastels, sketch pen(ink), acrylic, charcoal and graphite

Where Evenings Remain, 2026

Acrylic on canvas

5 x 3 ft Vertical

Shiarlua Goldminson Aimol

Where Evenings Remain, 2026

5 x 3 ft Horizontal

Shiarlua Goldminson Aimol
Acrylic on canvas

Bellona Yumnam

Untitled , 2026

Photography

Sarah Lalhrietzoul

Untitled , 2026

Acrylic on carrom board

Bellona Yumnam

2 pm from Untitled , 2026 Photography

Untitled, 2026

Acrylic on carrom board

Sarah Lalhrietzoul

Menty Jamir

End of a Circle

Photography

Rachungailiu Gonmei

Home Almost, Finding Ground in Humayunpur, 2026

Photobook

Gonmei Home Almost, Finding Ground in Humayunpur, 2026

Rachungailiu
Photobook
Menty Jamir from End of a Circle Photography

The Act of Dreaming

Short (Animentary)

Language: Manipuri (Meiteilon, Kuki Zo)

Art and Craft Workshop with Children

mountains and houses, saying she had heard Delhi is polluted a cleaner, more peaceful environment. Some children believe chips come from outside Manipur, possibly from Delhi. Anothe natural scenery with a swing, saying she simply wanted a calm

Supported by Centre for Women and Girls

Dear Capital of India, 2026

Film Screening

April

Lamhoiching Mangte (Vocal Artist)

Jacob Nunthuk (Cinematograpahy)

Luidawng (Unwithering)

Public Art Display in Humayunpur

Menty Jamir

Enjoying Like Anything!

Menty Jamir Enjoying Like Anything!
Parismita Singh

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A Place is Made but, Do We Get It? by Khoj International Artists' Association - Issuu