View Portfolio - Kate Rudini by KateRudini

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KATE RUDINI

Hello, I am Kate, an interior design student driven by the belief that design should always do more I approach each project unafraid to take risks and committed to executing them with professionalism and intention For me, the plus sign represents growth beyond expectations With every project, I gain more skills and insight With every lecture, there is more to be curious about and more to challenge As innovative technology and global issues continue to expand, I am energized by the oppor tunity to tackle increasingly complex problems through design I wear many hats as a designer, researcher, and problem solver, with a strong focus on sustainability, universal design, and adaptability I thrive in this ever evolving world of more and aim to create spaces that are thoughtful, impactful, and forward looking

Hello, I am Kate, an interior design student driven by the belief that design should always do more . I approach each project unafraid to take risks and committed to executing them with professionalism and intention. For me, the plus sign represents growth beyond expectations. With every project, I gain more skills and insight. With every lecture, there is more to be curious about and more to challenge. As innovative technology and global issues continue to expand, I am energized by the opportunity to tackle increasingly complex problems through design. I wear many hats as a designer, researcher, and problem solver, with a strong focus on sustainability, universal design, and adaptability. I thrive in this ever evolving world of more and aim to create spaces that are thoughtful, impactful, and forward looking.

Purdue University, West Lafayette, IN

Bachelor of Fine Arts in Interior Design / GPA: 3.88 2022-2026

Purdue’s interior design program is accredited by the Council for Interior Design Accreditation (CIDA).

education experience software skills

Gensler: New York City NY

Interior Design Intern / 06.2025 - 08.2025

Collaborated on a workplace projects through test fits, Revit documentation, supported submittals, and presentation. Led intern team graphics, produced renderings, and presented work to the full office.

Marjorie Brown: Trumbull CT

Apprentice / 05.2024 - 08.2024

Worked closely with a residential designer on design development, documentation, and project coordination. Assisted with drawings, site coordination, and client-focused design problem solving, gaining hands-on exposure to the full residential design process.

Zimmer + Rhode: Stamford CT

Part-Time / 05.2023 - 08.2023

Supported the showroom and design team through client coordination, material organization, and product knowledge development. Gained exposure to high-end textiles, vendor relationships, and the intersection of interior design and product specification.

acheivments

Metropolis Future 100 The Future100 Class of 2026

Work Design Magazine Next Work Environment Competition Honorable Mention

NAHB Custom Home com petition 3rd place

Purdue 2025 Art & Design Juried Undergraduate Exhibition 3rd Place

ASID Indiana Student Competition Best of Creative Use Award

Dean’s List All Semesters

Patricia Recker Hartzell Undergraduate Scholarship Award x2

Undergraduate Research Fall Expo “Presentations With Distinction”

hobbies

English

Revit AutoDesk Docs

AutoCAD BIM 360

Illustrator InDesign Photoshop MS Office

Bluebeam Sketchup Lumion Enscape

Gensler intern project

research.

Oversaturation of undersaturated colors. Office correlated health decline. How to people feel a part of a legacy.

parking lot 1984 parking lot 2025

The Steelcase NEXT 202

envision the future of w design The prompt called

evolving professional ne expectations for f lexibil

T e d ev ex co p

competition emphasized c productivity, but also cultiv

concept.

nd positions legacy a s an evolving narrative shaped by esent, and future generations VING PORTRAIT 02 FRAMING FOCAL POINTS 03

xt Frame uses framing as a design act to challenge al law office norms by redefining innovation aesthetics, ng office related health issues, and reconsidering what means within a legal workplace. Through intentional raming and bold use of color, the project rejects muted y in favor of visible innovation, suppor ts employee well

The Next Frame uses framing as a design act to challenge traditional law office norms by redefining innovation aesthetics, addressing office related health issues, and reconsidering what legacy means within a legal workplace. Through intentional spatial framing and bold use of color, the project rejects muted neutrality in favor of visible innovation, suppor ts employee well being, and positions legacy a s an evolving narrative shaped by past, present, and future generations

Branding - Joseph Albers Legacy of nest ed hues

r d e p e e a g - Joseph Albers Legacy d hues

. 0 0 r y m e n

3 . 0 0 E t t ROOM

First impression: professional first frame light becomes focal point

plans.

floor plan. ceiling plan.

Per client request , private offices line the window perimeter, with both private offices and open workstations organized by practice area to align teams around client demands.

Design Intent:

strong, confident brand identity. reflective materials embed user identity nested brand hues to create legacy , inspired by Joseph albers Homage to The Square.

spaces. transitional spaces.

custom system

parking lot 1984 parking lot 2025

“OCCUPIED” “UN-OCCUPIED”

The Steelcase NEXT 2025-26 competition challenged students envision the future of work through innovative, human centere design The prompt called for a workplace that responds to rapid evolving professional needs, emerging technologies, and ne expectations for flexibility, well being, and collaboration Th competition emphasized creating environments that not only suppo productivity, but also cultivate connection, purpose, and a strong

selected works

SHOES MUST COME OFF

office equity

reduce clutter + focused atmosphere.

Design Intent:

Each office layout supports different work styles while maintaining equal function , storage, and seating. Variations in layout + finish quality distinguish associate and partner offices, allowing users to choose environments that best match their preferences and habits.

concept.

encourage connection + interaction. quick + convenient access.

Typology: Hospitality / Healthcare

Location: Butwal, Nepal Collaboration: Par tner [Avni Dutta]

For this project, we could choose any global location, and my par tner and I selected Butwal, Nepal to study a new culture and immerse ourselves in its social and spiritual context. The assignment functioned as a healthcare-adjacent design challenge, with the building locate d near a hospital to ser ve travelers from rural areas seeking medical care.

We designed both a hotel f loor and a community f loor, creating spaces for rest, gathering, and suppor t Because the project required a religious or contemplative space, we developed an inclusive multi-faith room inspired by mandala geometry, emphasizing balance, healing, and cultural sensitivity The overall design blends hospita lity, community programming, and wellnessfocused environments while honoring Nepal’s rich traditions.

Family-Centered Care and Cultural Support. Healing Environments Through Nature and Restoration. Access, Geography, and Regional Need in Butwal.

EXPERIENTIAL

concept.

TOUCH

TEMPORARY CYCLE

The mandala is a spiritual geometric form symbolizing balance, harmony, and connection. Rooted in Hindu and Buddhist traditions in Nepal, it uses symmetry and circular form to create a calm, restorative environment that supports healing and well-being.

RAWNESS

Branding: Existing layers/motifs in built space represented

Design Intent: devoid of icons. scnet, perception, sound,touch,sight

level 1.

level 2.

https://youtu.be/M-ycWLPzrYE?si=Mf-Oxuxeh-kZ8D8i

section cut.

AI-assisted render.

aiding rural accesibility

Typology: Community Center

ASID Indiana Student Competition Best of Creative Use Award celebration of culture

Location: Wanamaker, IN Collaboration: Individual

The Daily Center is a multifunctional community facility designed to suppor t individuals experiencing housing insecurity The project scope included comprehensive interior programming for essential daily needs such as nutrition, hygiene, rest, counseling, learning, and community engagement.

Grounded in h uman-centered and universal design principles, the layout prioritizes intuitive circulation, safety, accessibility, and dignity Warm material palettes, biophilic elements, and sensoryresponsive zones were integrated to suppor t mental and emotional well-being while fostering empowerment, stability, and pathways toward long-term resilience

trauma-informed design for safety and dignity. community identity and resilience through culture. sustainable, flexible design strategies.

mood board.

concept.

The Cultural Garden is a metaphor driven design that celebrates Indianapolis’s immigrant communities through the universal language of food and growth. Inspired by gardens and regional vegetables, the space uses layered forms, balanced color, and communal gathering areas to express cultural diversity within a cohesive whole. The design is organized into three phases Root Grow and Flourish reflecting stability collaboration and shared success while reinforcing the idea that community thrives through both individuality and unity.

Branding: “Origin” is a timeless , universal brand rooted in beginnings and growth.

Design Intent:

Community identity. Clear circulation + sightlines. Learning and resource support. Reduced clutter and hazards.

flex space options level 1 floor plan.

DONATION ROOM

LOBBY/ RECEPTION

LAUNDRY ROOM

W. BATH.

M. BATH.

KITCHEN

BATH.

Design Intent: root grow flourish narrative. skills building resources. semi private trellis partitions. durable grounded materials.

STUDIO KATE DESIGN FIRM

addaptive reuse

Typology: Workplace

Location: Austin, TX

Collaboration: Individual

Work Design Magazine Next Work Environment Competition Honorable Mention

Purdue 2025 Art & Design Juried Undegraduate Exibition 3rd Place

The project brief challenged designers to create a fully integrated exterior, interior, and landscape for a reimagined design firm housed within an aging industrial building in Austin, Texas Inspired by the structural clarity and environmental openness of the Pennybacker Bridge, the design balances strength and transparency, allowing light and nature to move fluidly through the site and building

The two story program unites collaborative and private workspaces, shared resources, and a compact on site apar tment within a connected ecosystem for work, creativity, and rest Guided by adaptive reuse principles, biophilic strategies, daylight, and flexible work zones, the project delivers a sustainable , human centered environment that suppor ts daily workflow and long term resilience

research.

Office Vacancy + Adaptive Reuse Post-COVID Biophilia + Wellness Live-Work-Play Community Models

concept.

Inspired by Austin TX’s Pennybacker Bridge, this design firm explores how industrial architecture can coexist with nature, celebrating the harmony between bold, structural design and the natural environment. Drawing from the experience of looking upward at the bridge and the fluidity of movement, the space emphasizes openness, light, and connection, blending natural materials with industrial elements. This design reflects the journey of perspective and creativity, uniting people, ideas, and architecture in a seamless dialogue with the surrounding landscape by methods of an enveloped form.

Core Spatial Idea : Enveloping a space within a space. C

section cut + elevation.

level 1 floor plan. level 2 floor plan.

Design Intent: light + transparency control. acoustic comfort. calm focus flexible creativity.

C O N C E P T : S P A C E S T U D Y

THE NET

minding the gaps

Gensler intern project

Typology: Public + Civic

Location: Manhattanville, New York

Collaboration: Team (David Ambul, Esther Wu, Amelie Clark, Emma McDewitt, Gelmira Gourgel)

Interdisciplinary intern teams composed of strategy, architecture, interior design, HR, graphic design, etc , collaborated to develop sitespecific programs and public interventions for New York City subway stations. Each team was t asked with analyzing neighborhood context, user experience, and cultural identity to inform a strategic design response

Our team focused on the 125th Street Station, exploring how a transit hub can operate as a civic gateway rather than solely a point of circulation The proposal reframed the station as a place of belonging through public-facing interventions, spatial strategy, and visual storytelling r ooted in the Manhattanville community