John-Richard, Spring 2026 Press Kit

PRESS RELEASES • FEATURED NEW PRODUCTS

ROOTED IN CRAFT. BOUNDLESS BY DESIGN.

John-Richard occupies a distinctive place in the luxury home furnishings space, showcasing masterfully handcrafted designs across an expansive range of categories. Rather than steering designers toward a single look, a broad spectrum of global influence offers the freedom to create spaces that feel expressive, layered, and personal. Design sits at the core of the brand, redefining luxury décor through an expansive assortment spanning lighting, wall art, furniture, mirrors, upholstery, accessories, and botanicals. This breadth becomes a canvas for superb artisans inspired by history, provenance, and cultures worldwide, with each season introducing maker-led details such as exotic veneers, intricately carved surfaces, and the manual precision of reverse-painted glass.

Headquartered in Whitsett, North Carolina, John-Richard operates from a substantial facility housing design, sales, and distribution. This is supported by a sophisticated global manufacturing network with state-of-the-art facilities in the U.S., Vietnam, India, and China. These international ateliers form the backbone of the company’s worldwide footprint, ensuring a commitment to hand-crafted excellence across every category. A spacious showroom in High Point, North Carolina remains a vital resource for the trade, reinforcing John-Richard’s dedication to providing exquisite, artisan-refined products that bring the narrative of the home to life.

A First Look at John-Richard’s Latest Introductions for Spring 2026

Tamboril Thirty-Eight-Light Chandelier (AJC-9524)

HIGH POINT, NC,

[April 2026] – John-Richard’s Spring 2026 introductions showcase a masterful blend of styles, recontextualizing diverse influences through a contemporary lens. By transforming organic inspirations into functional silhouettes, the assortment marries highconcept design with artisanal execution to create a luxury narrative that feels innovative and timeless.

This season, natural motifs are reinterpreted through a spectrum of artistic expressions. The assortment draws from the botanical world, translating the complexity of flora into striking sculptural statements. These organic silhouettes range from wind-swept forms to lifelike details, elegantly elevating interior spaces with pastoral grace.

Complementing these organic forms is an exploration of structural and geometric themes. Linear precision and multi-dimensional patterns provide scale. Sweeping slopes and intricate layering create silhouettes that feel expansive and deliberate. Bold angles are punctuated with symmetry, establishing a sophisticated poise.

The aesthetic is anchored by a sophisticated interplay of materials and masterfully executed finishes. Natural stones with high-contrast veining are paired with metallic leaf and polished accents. Rich wood grains meet hand-gilded surfaces in gold and silver, while intricately carved details provide a tactile, artisanal quality.

Slope Accent Chair – 2228 (AMF-1818V391-2228)

FEATURED NEW RELEASES .............. Page 12

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 Download Resources for Accessories & Botanicals

Artist Spotlight: New Talent Curated by Carol Benson-Cobb

HIGH POINT, NC, [April 2026] – This year at Spring Furniture Market, several artists curated by Carol Benson-Cobb will showcase their work as part of a dynamic expansion of the John-Richard wall art collection. These skilled artists made their debut last Fall, when longtime artistic collaborator Benson-Cobb, whose influence has shaped the brand’s visual direction for years, formally introduced them as part of her evolving vision for John-Richard. In her expanded curator role, Benson-Cobb now oversees the entire John-Richard wall art line and will soon curate John-Richard Originals as well, in-house artworks created specifically for the brand.

Debra Ferrari approaches painting as an intuitive exchange between material, emotion, and environment. Working across acrylic, oil, plaster, and thread, she resists a fixed formula, allowing each piece to unfold through instinct and layered decisions. Some works begin on raw canvas, others on heavily built plaster surfaces, with each material introducing texture and depth that guide what follows, resulting in compositions that feel discovered rather than imposed.

Her visual language is rooted in nature, both in palette and philosophy. Drawing from landscapes she has experienced firsthand, from the deserts of New Mexico to Zion National Park, Ferrari builds her work from earth-driven tones such as umbers, soft greens, and muted blues. Influenced by biophilic design and her study of Josef Albers, she layers paint to create shifting interactions of color, producing surfaces that evolve with light and context while maintaining a quiet sense of balance and harmony.

Symbolism further enriches her work through the recurring presence of the dove, a subtle marker of hope, humanity, and spiritual connection inspired by Renaissance traditions. Whether concealed within layers or brought forward with greater clarity, the dove remains a constant thread throughout her portfolio, reinforcing the emotional depth and intention behind each piece.

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Rodney Bursiel’s photography spans the African savannah, the polar landscapes of Antarctica, the waters of Guadalupe Island, and many other exotic locales. Bursiel approaches photography with a deep respect for the natural world, saying, “I like to spend time in nature on its own terms, without trying to dominate or sensationalize the experience. You just sit, watch, and let things unfold. That’s when you get a true, authentic moment.”

His images capture encounters that are both intimate and awe-inspiring, conveying the texture, mood, and raw beauty of each environment. Bursiel has earned widespread recognition for his work, including third place in the National Geographic Travel Photographer of the Year contest and multiple first-place wins in Scuba Diving Magazine competitions.

Bursiel’s lens moves fluidly from endangered species like Grevy’s zebras and northern white rhinos to intimate human moments with legendary musicians like Willie Nelson and Paul Simon. Whether tracking wild horses in France, observing penguin behaviors in Arctic climates, or diving with sharks, his photography captures authenticity, inviting viewers to pause, reflect, and connect. Bursiel’s work offers a dynamic counterpoint to the painterly works of Bolton and Ferrari, creating a rich, cohesive dialogue within the John-Richard showroom.

Shelley Bolton’s paintings unfold through layered acrylics and glazes applied over handwritten text that forms an invisible foundation beneath the surface. Drawing from personal reflections, reading, and her faith, Bolton often writes positive messages or uplifting truths, describing them as a “message in a bottle” that guides her process even when hidden under paint. The writing informs both the emotional tone and the color choices of each piece, while broad expanses of color contrast with intimate, tactile gestures to create work that feels meditative yet alive.

Bolton lets her paintings evolve organically, sometimes creating what she calls a “chaotic casserole” before refining the composition through an ebb-and-flow process of adding, covering, and revealing layers.

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“To me, the most exciting thing about her work is the depth that she paints in,” Benson-Cobb said. “She does all of these layers with just this range of color. But if you start just shifting the color a little bit, you have a totally different painting.” The result is introspective, richly layered pieces that invite viewers to discover subtle gestures and unexpected details throughout.

Beyond Ferrari, Bolton, and Bursiel, Carol has curated a diverse roster of artists who further enrich the John-Richard collection. Shannon Plourde’s ethereal landscapes evoke connection and renewal through fluid washes and threadlike drips, while Janet Dyer uses vibrant color to reimagine familiar landscapes. Donna Weathers creates layered works that move between abstraction and figuration, balancing spontaneity with structure.

Mary Pratt blends impressionistic techniques with a modern sensibility across figurative and natural subjects, Kim Heal’s photorealistic approach captures the nuance of texture, form, and light, and Sarah Thomas translates the shifting drama of expansive skylines into atmospheric, light-filled landscapes Together, these artists reflect the breadth of Carol’s vision, forming a collection that is both varied and cohesive Link to Video

Made in America: Global Styles Crafted Through Local Hands

Greenwood, MS, [April 2026] – The creative process behind John-Richard wall art, botanicals, and select designs begins in Greenwood, Mississippi. Formerly the brand’s corporate headquarters, the 275,000 square foot facility now serves as a workshop where talented artisans shape raw materials into distinctive works through attentive, hands-on techniques. In the heart of the Mississippi Delta, creativity is guided not by automation or assembly lines, but by the measured pace of real American hands.

From frame to finish, John-Richard wall art is crafted entirely in-house by skilled Greenwood artisans. Feathers by Shaye Rawson exemplifies the studio’s highquality giclée printing, rendered on canvas with textures that capture the nuance of Rawson’s original brushstrokes. Handapplied gold and silver leaf highlights bring subtle radiance to the design, while a gentle gloss medium seals the metallic leaf and enriches the depth of color. These prints extend beyond canvas to mediums such as silk and watercolor paper, as seen in Belle Poesia’s Contemplation and Zana Brown’s Golden Gardenia. Both works feature similar gilding techniques, where wildlife and lush flora are accented with shimmering metallic tones. The result is a collection that merges classic natural motifs with modern sophistication, each piece reflecting the precision and patience of the skilled hands that bring it to life.

John-Richard frequently creates wall art using mixed media as well. Materials such as natural stone, glass, and textiles are combined to create richly dimensional artwork suited to a variety of interiors. Mary Hong’s Dove II Mirror has a canvas frame surrounding a modern beveled mirror. The frame is enhanced with tempered glass fragments and bits of silver leaf, embedded in a high-gloss vitreous finish. Each element is meticulously placed by hand, resulting in a composition where every panel carries its own distinct character.

The same hands-on attention shapes John-Richard’s botanical designs. Each arrangement is assembled entirely by hand, with skilled makers carefully placing stems and foliage, tying, securing, and shaping every

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element until the creation feels balanced and lifelike. This attentive process allows the materials to settle into a form that feels organic rather than manufactured.

Many botanicals incorporate natural elements such as mood moss and real river rocks, introducing subtle variations in color and texture that enhance the sense of realism. Some arrangements are housed within custom vessels, including select John-Richard vases, allowing the container itself to become part of the overall composition. A striking example is Selenite Orchids, where graceful white phalaenopsis blooms and vibrant greenery are thoughtfully arranged atop natural moss within a vessel carved from luminous selenite stone.

Everything created in the Greenwood studio is made-to-order, allowing us to approach each work as a new creation. Rather than pulling finished items from a warehouse, our approach unfolds step by step as materials are gathered, surfaces are shaped, and made in America, each piece is created specifically for its future home, forging a personal connection between maker, product, and owner.

The Enduring Craftsmanship of John-Richard Upholstery

Whitsett, NC, [April 2026] – At John-Richard, each chair, ottoman, bed, and bench is crafted with real human hands, reinforcing philosophy rooted in artisanal skill rather than mass production. This hands-on approach ensures quality from conception to creation, resulting in upholstery defined by intricately carved motifs, sculptural silhouettes, and textured finishes that feel both intentional and expressive.

Signature details highlight the brand’s attention to craftsmanship: the alluring interplay of texture and tone of the Lakewood Armchair (AMF-1590V457-2216) presented on a boldly angled exposed wood frame, the precise Nickel-toned nailhead trim of the Luna Chair (AMF-1721V242-2239) playfully contrasted by Espresso hues and Polished Brass ferrules, the gorgeous eglomise panels of the Trivi Bench (AMF-1669V225-2164-AS) set in beautifully sculpted Silver Champagne molding. Elements like these exemplify the masterful construction and meticulous attention to detail that defines John-Richard.

Our design philosophy draws from a broad spectrum of influences. Traditional, transitional, coastal, and contemporary styles are interpreted through global motifs, architectural forms, and the evolving language of the fashion industry. Rather than simply copying historical references or chasing momentary trends, John-Richard reimagines these inspirations, consistently innovating to provide fresh perspectives on classic looks. The Vallejo King Bed (EUR-06-0036), for example, elevates a timeless, architectural look through stunning handcarved details and visually rich distressed gold highlights.

Layered shades and subtle patterns bestow a sense of sophistication and refinement, as exemplified by the Aquila Armchair (AMF-1854V377-3040), which presents a sleek, unique shape featuring natural wood tones with textural Valyrian Gold accents, and the Manila Swivel Chair (AMF-1843V398-3040-AS), pairing a classic silhouette and gracefully curved veneer that is subtly contrasted with a darker natural hue along the armrests, creating a cohesive yet visually dynamic aesthetic.

John-Richard’s world-class designers demonstrate foresight and precision when considering new creations, translating fleeting influences into pieces that will remain relevant for years. Runway collections in the fashion industry introduce new palettes and materials at a rapid pace. However, the furniture industry follows a slower and more deliberate rhythm, requiring that every choice, from tones and textiles to proportion and detail, be made with longevity in mind.

Fashion-forward concepts are evident throughout the upholstery line. New introductions feature rich browns, golds, and deep russets complemented by modern textures and subtle patterns inspired by runway trends. Pieces such as the Rendino Ottoman (AMQ-1216-2239) and Ticinese Swivel Chair (AMF-1633V18-2211), with their warm palette and textural metal accents, exemplify how contemporary color direction is applied with restraint, enhancing the composition without overtaking it.

Link to Video

John-Richard Advances Sustainability with Rooftop Solar Installation at Vietnam Factory

WHITSETT, NC, [February 2026] – John-Richard is excited to share an important milestone in our ongoing commitment to sustainability. Construction of a rooftop solar array at our Vietnam factory, first envisioned when we announced the new factory in 2023, is now complete and the system is operational as of early December 2025. This marks a major step forward in reducing our environmental impact and strengthening the long-term efficiency of our operations.

The system, developed with Palma Solutions JSC and New Motion Industrial Company Limited, delivers 701.04 kWp of clean, renewable energy directly to the factory. Operating in a zero export configuration, the solar array is designed to supply a significant portion of the factory’s daily energy needs, providing roughly two-thirds of the electricity required during normal weather conditions.

This approach greatly reduces reliance on traditional power sources and creates a strong foundation for expansion. Current performance has exceeded expectations, and the scalable infrastructure supports future capacity additions while positioning the facility for full renewable coverage. This shift to on-site clean energy has meaningfully reduced the factory’s carbon footprint while supporting consistent and reliable production for the customers and markets we serve.

This initiative reflects the vision that guided the development of our build-to-suit facility in the BDIP Premium Industrial Park, developed by Frasers Company in Binh Duong Ward, Ho Chi Minh City, Vietnam. Designed with LEED principles in mind, the building incorporates LED lighting, expanded green spaces, improved working conditions, and a range of environmental protections that include VOC capture systems, noise reduction measures, and strict oversight of potential airborne or liquid pollutants. These investments were made with a clear focus on responsible manufacturing, and the solar project continues that momentum in a meaningful and measurable way.

We look forward to sharing updates as future sustainability initiatives take shape.

Link to Video

Gale Four-Door Credenza (EUR-04-1007): The Gale Credenza displays a Macassa quarter veneer frame in a Merida Ebony finish. Hand-carved Valyrian Gold detailing showcases a stylish radial pattern, punctuated by hammered aluminum handles – 36" H x 90.5" W x 20" D.

Halcyon Four-Door Credenza (EUR-04-1001): The Halcyon Credenza displays figured eucalyptus veneer in a Monteverde finish. Sweeping, hand-carved composite flourishes are accented with gold leaf to create an organic sense of motion – 36" H x 86.5" W x 20" D.

Slope Accent Chair - 2228 (AMF-1818V391-2228) : The Slope Accent Chair presents a transitional silhouette defined by continuous curvature. Slender steel legs in White Brass sweep from beneath the armrests, creating an airy profile. The chair is upholstered in Precious Metal Golden 2228 fabric, coordinating seamlessly with the metallic base – 34" H x 31.5" W x 27" D.

Belvedere Bench (AMF-1856-2164): The Belvedere Bench features a contemporary rectangular form and an open-air plinth base. Tubao veneer in a clear coat accentuates the natural grain, topped by Polished Brass accents. The bench is upholstered in Notre Dame Smoke Plisse fabric for a flowing, textured finish – 18" H x 60" W x 18" D.

Tamboril Thirty-Eight-Light Two-Tier Chandelier (AJC-9524): This architectural centerpiece blends smoky alabaster panels with faceted brown glass crystals for a multidimensional glow. The two-tier Brown Brass frame is punctuated by grooved square elements and circular accents – 20" H x 40" W x 40" D.

Dryad Twelve-Light Chandelier (AJC-9534): The Dryad Chandelier features a brass frame of organically textured leaves and botanical buds. Etched glass flora cradles twelve lights, blending warm metallics with transparent tones in an expansive floral arrangement – 30.5" H x 44" W x 44" D.

Lithos Floor Lamp (JRL-11399): The Lithos Floor Lamp features a bold body cut from dramatically veined Calacatta black marble. It anchors to a sleek Antique Brass pedestal with matching hardware. The piece is topped by a white linen shade and a faceted marble finial – 64" H x 16" W x 16" D.

Twilight Garden Table Lamp (JRL-14466): TThe Twilight Garden Table Lamp showcases a textural, pencil-cut black marble body embellished with brass florals in Champagne tones. Bookended by clear acrylic accents at the base and neck, the piece features a white linen drum shade with an organic brass finial that mimics the floral motifs below – 32” H x 16” W x 16" D.

Topiary Table Lamp (JRL-11403): The Topiary Table Lamp displays a spherical white porcelain body enveloped in detailed, hand-sculpted florals. It is anchored by a two-tier crystal base and finished with a white linen drum shade and coordinating porcelain flower finial – 25" H x 15" W x 15" D.

Levante Table Lamp (JRL-11296): The Levante Table Lamp presents a geometric core hand-gilded in gold leaf and encased in clear composite with floating, misty-streaked acrylic orbs. The piece rests atop a two-tier acrylic base and topped by a white linen box shade and matching acrylic ball finial –24" H x 18" W x 10" D

Sarah Thomas’ Coastal Keepsake, Small (GBG-3273): This luminous coastal landscape is painted in cobalt, teal, and terracotta tones. A towering sky of sun-washed clouds reflects in the bay below. Presented as a canvas giclée, the work is finished in a Champagne Gold floater frame –42" x 42" Small / 58" x 58" Large.

Rodney Bursiel’s Sundowner (GBG-3249): Sundowner by photographer Rodney Bursiel captures a herd of Camargue horses amidst shallow floodwaters and a brooding sky. This black and white photograph utilizes silver leafing to create an otherworldly luminescence, resulting in a composition that is both monumental and quietly electric – 62.37" W x 42.37" H x 2" D.

Teng Fei’s Bed of Flowers (JRO-3662): This impressionistic oil painting features a contemplative figure amidst lush florals. A warm palette of apricot and ochre contrasts with deep cerulean and slate blues. The composition is displayed in a gold wood frame – 60" W x 60" H x 1.5" D.

Contorno Lighted Mirror (JRM-1503): The Contorno Mirror features a tactile Antique Beluga frame with rippling textures. An integrated LED strip illuminates the beveled glass and interior ridges –58" W x 58" H x 3" D.

Camellia Mirror (JRM-1631): This sculptural mirror features branching brass petals in a Honey Brass finish. Each blossom is embellished with a hand-blown glass orb – 34" W x 54" H x 6" D.

Sonoran Vase, Large (JRA-15950), Sonoran Vase, Small (JRA-15951): This tapered ceramic vessel features a white crackle glaze over a warm brown finish. A rim of inlaid mother-of-pearl in a geometric pattern adds a luminous contrast to the rustic ceramic body – 27" H x 7" W x 7" D Large / 15" H x 9" W x 9" D Small.

Modernist Silhouette Sculpture I (JRA-16384), Modernist Silhouette Sculpture II (JRA-16385): Abstract geometry defines this tapered composite sculpture, blending angular dimensions with fluid curves. The piece stands on a black marble base with an iron support rod for a monochromatic look –59.5" H x 8" W x 6.5" D Sculpture I / 56" H x 8.5" W x 7" D Sculpture II.

Wading Heron Sculpture (JRA-16444): Crafted from aluminum in Light Champagne, this sculpture depicts a heron in meticulous detail. The figure stands atop textural foliage anchored by a rippled watereffect base – 35" H x 29" W x 17.5" D.

Altis Bowl, Tall (JRA-16463): This hand-blown smoke glass vessel features organic rippling curves. The airy bowl rests on an Antique Brass pedestal with a pitted, grid-like texture – 7.5" H x 9" W x 9" D.

Willow and Purple Scabiosa (JRB-5701W): This vertical display pairs winding willow branches with spherical purple scabiosa and lily pad leaves. Stems are secured in a clear rectangular glass vase with permanent faux water – 39" H x 15" W x 12" D.

Flower Garden Halo (JRB-5712W): A lush mix of white tulips, hydrangeas, and lisianthus is accented by textural berry sprays. The arrangement is set within a unique halo of connected clear glass vases with faux water – 10.5" H x 15" W x 15" D.

Stay informed by visiting www.johnrichard.com or connect with John-Richard on social media for real-time updates

Press inquiries can be directed to: Scott Smith, CMO, John-Richard ssmith@johnrichard.com

Social Media inquiries can be directed to: AE Reed, Director of Social Media, John-Richard areed@johnrichard.com