Issuu

The Traditional Collector Tuesday, August 12, 2025 SINCE 1969

AUCTIONEERS & APPRAISERS w w w. j o h n m o r a n . c o m

The Traditional Collector August 12, 2025 | 12pm PDT Sale 315 145 East Walnut Avenue, Monrovia CA 91016

This is an interactive catalogue. Click on any item description or hyperlink for more information.

Previews:

Friday, August 8th: 12-4pm Saturday, August 9th: 12-4pm Monday, August 11th: 12-4pm Tuesday, August 12th: Doors open 9am

Meet the Team Angela Past Senior Specialist, Furniture & Decorative Arts a.past@johnmoran.com Sally Andrew Cataloguer, Silver Jewelry & Decorative Arts s.andrew@johnmoran.com

Grant Stevens Cataloguer, Decorative Arts g.stevens@johnmoran.com

Madison Ari Cataloguer, Fine Art m.ari@johnmoran.com

Client Services Mario Esquivel Office Manager m.esquivel@johnmoran.com

Ella Fountain Client Services e.fountain@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS

2001

A Chinese Export silver tea service

Late 19th/early 20th century Three vessels marked: Cheong Shing; tray marked: KMS [Kwong Man Shing] Each with repoussé dragons to body and bamboo-form handles and spouts, comprising a Cheong Shing tea pot with hinged lid (5.25” H x 9.5” W x 5.5 D), an open creamer (2.75” H x 5” W x 3.875” D), and a lidded sugar (4.125” H x 5.875” W x 4.375” D), set on a conformingly designed Kwong Man Shi rectangular handled tray (1.625” H x 15.25” W x 9.25” D) 4 pieces 56.6 oz. troy approximately $2,000-3,000

Notes: “Jeweller, Gold and Silversmith, and Dealer in Chinese Art Goods, etc., 21, Nanking Road, Shanghai. Probably no shops are more interesting to the stranger than the handsome ones in which certain prominent Chinese firms deal in the various art goods o the Empire. One of the best of these is that belonging to Mr. Cheong Shing, which should be visited by everyone on the outlook for choice specimens o jewellery, gold or silver work, porcelain, lacquered ware, silk handkerchiefs and silk dress materials, embroideries, ivory goods, or any of the many articles which the Chinese are noted. All the silks and embroideries displayed are the productions of Mr. Cheong Shing’s establishment in Canton, and cannot fa to win the encomiums of the most expert connoisseurs. Japanese as well as Chinese curios are also held in abundance, while there is an excellent variety European black wood furniture. Mr. Cheong Shing’s establishment, which has two floors devoted to its purposes, is artistically and elegantly appointed, a the arrangement and display of the stock could not be improved. He has been established in Shanghai for about twenty years, and commands the respe the entire community for his honourable and straightforward dealings.” Source: Allister MacMillan, “Seaports of the Far East, Historical and Descriptive, Commercial and Industrial Facts, Figures & Resources,” (London: 1907)

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

5” ing

of of s for ail y of and ect of

w w w. j o h n m o r a n . c o m

2002

An English silver-plated candelabrum

Early 20th century With inscribed armorial: vigilate et orate; otherwise appears unmarked Likely Sheffield, the seven-light candelabrum with foliate-cast nozzles and floriform bobèches, on a fluted columnar standard over a spreading base with scrolled foliate feet 32” H x 22.75” Dia. $700-900

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2003

A German .800 silver figural compote

Late 19th/early 20th century With German hallmarks for unknown maker: B / [lion passant] / [crown] / 800 / [illegible] The shell-form bowl with repoussé decoration depicting figures riding dolphins in the sea, raised on a figural standard dolphin and rider holding a trident with reins, on a conforming repoussé foot 10.625” H x 5.75” W x 4.875” D 15.7 oz. troy approximately $600-800

w w w. j o h n m o r a n . c o m

2004

A Victorian sterling silver punch bowl

1890 Marked for sterling, for London, date, and maker: WBJ [Walter & John Barnard] The footed bowl with gadrooned body and repoussé swags of garlands with ribbons 7.5” H x 12” Dia. 35.72 oz. troy approximately $900-1,200

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2005

A Victorian sterling silver oval meat platter

1867 With British hallmarks for sterling, London, date, Queen Victoria, and maker: RG [Robert Garrard); impressed: GARRARDS Panton Street LONDON The oval platter with dished cavetto and gardrooned rim, engraved with crest 1.375” H x 19” W x 14.125” D 68.2 oz. troy approximately $2,000-3,000

w w w. j o h n m o r a n . c o m

2006

An Edward VII sterling silver trophy cup

1903 Vessel and lid each marked for sterling, London, date, and maker: G & S Co., Ltd [Goldsmiths & Silversmiths Co Ltd] The lidded trophy with repoussé floral and foliate motifs throughout, opposed scroll handles, and reeded trim, the interior with a gold wash 16” H x 13.75” W x 7” D 94.8 oz. troy approximately $2,000-4,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2007

An Edward VII sterling silver epergne and a cake basket

Each 1906 Each marked for sterling; epergne marked for London, date, and maker: GJ / DF [Josiah Williams & Co (George Maudsley Jackson & David Landsborough Fullerton)]; basket marked for Birmingham, date, and maker: C S G & Co. [Charles S Green & Co Ltd] Comprising a three-compartment epergne with removable pierced footed bowls, and a pierced cake basket with bail handle, each with foliate motifs 2 pieces Epergne overall: 11” H x 14” W x 8.875” D; Basket stored: 4.25” H x 11.625” W x 9.125” D Total weight: 54.3 oz. troy approximately $1,200-1,800

w w w. j o h n m o r a n . c o m

2008

A suite of three George V sterling silver footed trays

1912 and 1921 Each with British hallmarks for sterling, Chester, date, and maker: HEB / FEB [Barker Brothers (Herbert Edward Barker & Frank Ernest Barker)] Comprising two handled oval trays and one circular tray, each with pie crust border and raised on hoof feet 3 pieces Largest: 2.375” H x 20.625” W x 12.25” D; Smallest: 1.25” H x 12.375” Dia. Total weight: 136.6 oz. troy approximately $3,000-5,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2009

A George V sterling silver serving tray

1933 With British hallmarks for sterling, London, date, and maker: S G [Garrard & Co.] The tray with beveled edge and opposed handles 2.375” H x 27.5” W x 18” D 129.5 oz. troy approximately $2,500-3,500

w w w. j o h n m o r a n . c o m

2010

Three English sterling silver footed trays

1940 and 1964 Each with British hallmarks for sterling, Sheffield, and date; circular maker: CJV [C J Vander Ltd]; further marked: Harrods; shaped octagonal maker: FB / GL [Fenton Brothers (Glasgow) Ltd]; shaped square maker: EV [Viner’s Ltd (Emile Viner)] Comprising a circular tray with scalloped and gardooned rim and scroll feet, a shaped octagonal tray with pad feet, and a shaped square tray with scroll feet 3 pieces Circular: 1.5” H x 14.25” Dia.; Shaped octagonal: 1.375” H x 12.25” Dia. Total weight: 94.6 oz. troy approximately $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2011

An Elizabeth II sterling silver box with gold-plated plaque and three dishes

1988-2007 Each with British hallmarks for sterling; three marked for London and date; box marked: WRA / William & Son; two dishes marked: Asprey; smallest dish marked with Sheffield Tudor rose, with date and maker: RC [Carrs of Sheffield] Comprising a William & Son round box, the lid featuring a gold-plated plaque depicting African cervine animals in a landscape scene, together with a pair of Asprey dishes and a conformingly designed smaller dish Box: 2.75” H x 6.125” Dia.; Pair of dishes: 5.75” Dia.; Single dish: 4” Dia. Total weight: 36.1 oz. troy approximately $1,000-1,500

w w w. j o h n m o r a n . c o m

2012

A pair of weighted sterling silver candlesticks

20th century Each marked to underside: Sterling / R44 The footed candlesticks, each with attenuated standard 2 pieces Each: 20.25” H x 5.75” Dia. $300-500

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2013

A Frank M. Whiting & Co. sterling silver pitcher

Early 20th century; North Attleboro, MA Marked to underside: I / [W cipher] / Sterling / P907 / 3 1/2 Pts. / Early American The lidded pitcher with strainer holes and lug handle 10.625” H x 7” W x 5.375” D 31.1 oz. troy approximately $600-800

w w w. j o h n m o r a n . c o m

2014

2015

1909; New York City, NY Marked and dated to underside: 925 / 1909 / Sterling / 1654 / 6 Pts. The footed pitcher with ornate scrolled handle, personalized 14.75” H x 8.75” W x 6.375” D 39.7 oz. troy approximately

Mid-20th century; New York With Durham pictorial hallmarks and further marke Comprising a coffee pot (11” H x 9” W x 5 D), a te 5.25” W x 3.375” D), a covered sugar (6.25” H x 6 5 pieces Total weight: 72.4 oz. troy approximately

A Dominick & Haff sterling silver pitcher

$500-700

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

A Durham sterling silver tea and coffee ser

$1,800-2,500

rvice

ed: Sterling / 225 / Hand Chased eapot (9.25” H x 9.375” W x 5.25” D), a cream jug (5.5” H x 6.75” W x 4.25” D), and a waste bowl (4” H x 4.5” Dia.)

w w w. j o h n m o r a n . c o m

2016

A Gorham sterling silver ‘Chantilly’ flatware service

20th century Each marked for Gorham and for sterling Comprising 12 dinner knives (9”), 12 dinner forks (7”), 12 salad forks (5.875”), 12 teaspoons (5.875”), 6 butter spreaders (5.875”), 5 cocktail forks (5.5”), 1 pickle fork (5.75”), and 1 sugar spoon (6”), together with associated silver-plated salt & pepper shakers and a jelly server 64 pieces Weighable sterling: 34.5 oz. troy approximately $700-900

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2017

A Gorham sterling silver ‘Lancaster Rose’ partial flatware service

20th century Each marked for Gorham and for sterling; associated marked with a bee cipher The assembled set, comprising 14 dinner forks (7.75”), 6 dessert forks (7”), 10 salad forks (6”), 5 cocktail/oyster forks (5.625”), 5 tablespoons (7”), 14 dinner knives (9.625”), 1 master butter spreader (6.625”), 1 pierced serving spoon (8.5”), 1 casserole/berry server (8.75”), 1 sugar spoon (6.375”), 1 cream ladle (5.25”), 1 cream ladle with scalloped bowl (5.25”), 1 asparagus serving fork (9”) 1 fish serving fork (9”), and 1 baked potato fork (7.375”), together with 6 associated silver-plated salad forks (6”) and 1 silver-plated serving fork (7.625”), each in a nearconforming pattern 70 pieces Weighable sterling: 63 oz. troy approximately $1,000-1,500

w w w. j o h n m o r a n . c o m

2018

A Gorham sterling silver ‘Strasbourg’ flatware service

Early/mid-20th century Each marked for Gorham and for sterling Designed circa 1897, comprising 12 place knives (9.25”), 12 dinner knives (8.875”), 13 hollow-handle butter spreaders (6.25”), 12 flat butter spreaders (6”), 12 dinner forks (7.5”), 12 luncheon forks (7”), 24 salad forks (6.375”), 12 oyster forks (5.625”), 12 oval soup spoons (7.125”), 12 cream soup spoons (6.25”), 8 iced tea spoons (7.625”), 35 teaspoons (5.875”), 2 sugar spoons (6”), 4 serving spoons (8.625”), 2 serving forks (8.5”), 1 tomato server (7.625”), 1 pastry server (10.25”), 1 gravy ladle (7.125”), 1 cream ladle (5.5”), 1 punch ladle (14.25”), and a salad serving set (larger: 8.75”) 191 pieces Weighable sterling: 196.9 oz. troy approximately $4,000-6,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2019

A Tiffany & Co. sterling silver ‘Hampton’ flatware service

Circa 1934-1947, directorship of John C. Moore II Each marked: Tiffany & Co. / sterling / M Designed 1934, comprising 8 place knives (10.125”), 8 dinner knives (9.25”), 3 fish knives (8.5”), 5 smaller fish knives (8.125”), 8 butter spreaders (6.125”), 8 dinner forks (7.875”), 8 luncheon forks (7”), 8 salad forks (7”), 8 dessert forks (6.25”), 7 fish forks (7.125”), 8 cocktail forks (6”), 8 bouillon soup spoons (7.25”), 8 cream soup spoons (7.125”), 10 teaspoons (6.125”), 8 iced tea spoons (7.625”), 2 tablespoons (9.25”), 1 pie server (10.5”), and a carving set (9” and 8.75”) 118 pieces Weighable sterling: 150.6 oz. troy approximately $2,500-3,500

w w w. j o h n m o r a n . c o m

2020

A Reed & Barton sterling silver ‘Marlborough’ flatware service

Late 20th century Each marked for Reed & Barton and for sterling Comprising 8 dinner knives (9.125”), 8 butter knives (6.25”), 7 dinner forks (7.25”), 8 salad forks (6.125”), 12 teaspoons (5.75”), and 2 serving spoons (8.25”) 45 pieces Weighable sterling: 37.2 oz. troy approximately $800-1,200

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2021

A Wallace sterling silver ‘Old Atlanta’ flatware service

Late 20th century Each marked for Wallace and sterling; most marked with pattern name Comprising 8 dinner knives (9”), 8 butter spreaders (6.25”), 8 dinner forks (7.375”), 8 salad forks (6.5”), 8 teaspoons (6”), 3 teaspoons (8.375”), 1 slotted tablespoon (8.375”), 1 sugar spoon (6.25”), and 1 pie/cake server (10.875”) 46 pieces Weighable sterling: 44.6 oz. troy approximately $800-1,200

w w w. j o h n m o r a n . c o m

2022

A Wallace sterling silver ‘Romance of the Sea’ flatware service

Mid/late 20th century Each marked for Wallace and sterling; most marked with pattern name Designed 1950, comprising 14 dinner knives (9.125”), 14 butter spreaders (6.375”), 14 dinner forks (7.5”), 14 salad forks (6.5”), 8 cocktail forks (5.625”), 18 teaspoons (6.125”), 8 oval soup spoons (6.875”), 13 cream soup spoons (6”), 1 larger cream soup spoon (6.625”), 3 table/serving spoons (8.5”), 2 serving forks (8”), 1 demitasse spoon (4”), 1 sugar spoon (6”), 1 gravy ladle (6.625”), 1 pickle/olive fork (5.5”), 1 jelly server (6.5”), 1 cake/pie server (11”), and a 2-piece carving set (Larger: 13.75”) 117 pieces Weighable sterling: 144.8 oz. troy approximately $3,000-5,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2023

A Wallace sterling silver ‘Sir Christopher’ flatware service

Late 20th/early 21st century Each marked for Wallace and for sterling Designed 1936, comprising 12 dinner knives (9.125”), 12 dinner forks (7.375”), 12 salad forks (6.375”), 12 teaspoons (6”), 2 oval soul spoons (7”), 8 iced tea spoons (7.625”), 1 tablespoon (8.5”), 1 serving fork (7.875”), 1 sugar spoon (6.125”), 1 sauce ladle (6.375”), and 1 master butter spreader (6.625”) 63 pieces Weighable sterling: 73.1 oz. troy approximately $1,500-2,000

w w w. j o h n m o r a n . c o m

2024

A Wallace sterling silver ‘Grand Baroque’ flatware service

Mid/late 20th century Each marked for Wallace and for sterling Designed 1941, comprising 12 dinner knives (9”), 6 butter spreaders (6.25”), 12 dinner forks (7.5”), 6.625”), 12 salad forks (6.625”), 12 cream soup spoons (6.25”), 12 teaspoons (6.25”), 1 gravy/sauce ladle (6.5”), 1 pie/cake server (11.25”), and 1 bread slicer (12.875”) 69 pieces Weighable sterling: 76.2 oz. troy approximately $1,500-2,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2025

A Wallace sterling silver ‘Grand Baroque’ flatware service

20th century Each marked for sterling and Wallace Comprising 8 dinner knives (9”), 3 dinner forks (7.5”), 4 salad forks (6.875”), 8 cocktail forks (5.5”), 6 strawberry forks (5.125”), 6 teaspoons, 3 tablespoons, 2 slotted serving spoons, 2 serving forks, 1 gravy ladle, 1 sugar spoon, and 1 cheese server 45 pieces Largest serving utensil: 8.875” L Weighable sterling: 55.1 oz. troy approximately $800-1,200

w w w. j o h n m o r a n . c o m

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2026

A Wallace sterling silver ‘Grand Baroque’ flatware service

20th century Each marked for Wallace and for sterling Comprising 20 dinner knives (9”), 7 butter spreaders (6.5”), 1 master butter knife (7.5”), 20 dinner forks (7.5”), 23 salad forks (6.5”), 20 teaspoons (6.25”), 8 soup spoons (6.25”), 4 serving spoons (8.75”), 1 slotted serving spoon (8.75”), and a carving set (Longest: 13.75”) 106 pieces Weighable sterling: 136.7 oz. troy approximately $4,000-6,000

w w w. j o h n m o r a n . c o m

2027

A Kashan rug

Late 20th century Wool on cotton foundation 17’ 1” L x 12’ W $1,000-2,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2028

A Kashan rug

Early 20th century Wool on cotton foundation 6’ 3” L x 4’ 3” W $800-1,200

w w w. j o h n m o r a n . c o m

2029

A Kashan floral prayer rug Early 20th century With Koranic inscriptions Wool on cotton foundation 6’ 8” L x 4’ 6” W $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2030

A Kashan rug

Early 20th century Wool on cotton foundation 13’ 5” L x 9’ 7” W $2,000-3,000

w w w. j o h n m o r a n . c o m

2031

A Kazak rug

Early 20th century Wool on wool foundation 8’ 10” L x 5’ 3.5” W $500-700

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2032

A Kazak runner

Early 20th century Wool on wool foundation 12’ 1” L x 3’ 7” W $1,000-1,500

w w w. j o h n m o r a n . c o m

2033

A star Kazak rug

Early 20th century Wool on wool foundation 7’ 6” L x 5’ 7” W $300-500

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2034

A Kazak geometric runner Early 20th century Wool on wool foundation 10’ 1” L x 4’ 2” W $500-700

w w w. j o h n m o r a n . c o m

2036

A Lavar Kerman rug

Early 20th century Wool on cotton foundation 10’ 6.5” L x 6’ 9” W $3,000-4,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2037

A Kerman Tree of Life prayer rug Early 20th century Signed in a cartouche Wool on cotton foundation 10’ 6” L x 7’ 4” W $2,500-3,500

w w w. j o h n m o r a n . c o m

2038

A Shirvan geometric runner Early 20th century Wool on wool foundation 9’ L x 4’ 4” W $300-500

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2039

A palace-sized Royal Kerman rug Early 20th century Wool on wool foundation 26’ 3” L x 15’ W $10,000-15,000

w w w. j o h n m o r a n . c o m

2040

A Tabriz rug

Mid-20th century Wool on cotton foundation with geometric diamond medallion 13’ 1” L x 9’ 2” W $3,000-4,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m

2041

A Qom garden rug

20th century Wool on silk foundation 4’ 11” L x 3’ W $700-900

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2042

A Qom rug

Mid-20th century Wool on silk foundation 6’ 1” L x 4” W $500-700

w w w. j o h n m o r a n . c o m

2043

A Qom rug

20th century Wool on silk foundation 6’ L x 4’ 1.5” W $500-700

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2044

A Qom rug

Mid-20th century Wool on silk foundation 5’ 2” L x 3’ 0.5” W $500-700

w w w. j o h n m o r a n . c o m

2045

Frederik Robert Martin

(186-1933) “A History of Oriental Carpets Before 1800,” 1908 Hardcover book in two volumes Martin, Frederik Robert. “A History of Oriental Rugs Before 1800.” Vienna: Office of the Imperial-Royal Austrian Court and State, 1908 Originally a three-volume set, the first volume contains the text and the second volume now comprising both original volumes of plates, each elephant folio later rebound in quarter leather with gilt-stamped front title and spine 2 pieces Text volume: 26” H x 21.25” W x 3” D; Plate volume: 26” H x 21” W x 1.75” D $300-500

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2046

Pompeo Giustiniano

(1569-1616) “Delle Guerre di Fiandra Libri VI,” 1609 Hardcover book Giustiniano, Pompeo. “Delle Guerre di Fiandra Libri VI di Pompeo Giustiniano del Consiglio di Guerra di S. M. C. e fuo Maestro di Campo d’infanteria Italiana.” Compiled and edited by Giuseppe Gamurini. Antwerp: Joachim Trognesius, 1609 First Edition Containing a first-person account by Ligurian mercenary Pompeo Giustiniano, detailing battles and sieges during the Spanish campaign in Flanders (1601-1609), primarily the threeand-a-half-year siege of Ostend, with 29 engraved fold-out plates illustrating maps, troop formations, pontoon bridges, and town plans 9.875” H x 8.375” W x 1.75” D $500-700

w w w. j o h n m o r a n . c o m

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2047

Two John Steinbeck First Edition hardcover books Two works:

“The Grapes of Wrath,” 1939 Steinbeck, John. “The Grapes of Wrath.” New York: The Viking Press, 1939 First Edition, Second Printing With pictorial tan cloth, Battle Hymn of the Republic endpapers, dust jacket presenting original price, clipped at lower corner 8.25” H x 5.875” W x 1.625” D “The Red Pony,” 1945 Steinbeck, John. “The Red Pony.” Illustrated by Wesley Dennis. New York: The Viking Press, 1945 First Illustrated Edition With pictorial front and gilt-stamped spine, no dust jacket as issued, housed in original slipcase with pictorial front 10” H x 6.875” W x 0.75” D 2 pieces $500-700

w w w. j o h n m o r a n . c o m

2048

Harriet Beecher Stowe

(1811-1896) “Uncle Tom’s Cabin,” 1852 Hardcover book Stowe, Harriet Beecher. “Uncle Tom’s Cabin.” London: C. H. Clarke & Co, 1852 Early UK Edition With gilt-stamped spine and blind-stamped front boards on green cloth 9” H x 6.125” W x 1.125” D $200-300 Notes: This edition appears to be the second illustrated Clarke printing of 380 pages, but without the illustrations included. As such, some page numbers are skipped. The variation of spine text and front board blind-stamped vignettes are also indicative of a later edition.

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2049

Mark Twain

(1835-1910) “Life on the Mississippi,” 1883 Hardcover book Twain, Mark. “Life on the Mississippi.” Boston: James R. Osgood and Company, 1883 First Edition, First Printing, First State With the image of Twain in flames on p. 441 and with “The St. Louis Hotel” caption on p. 443, bound in the original publisher’s brown cloth stamped with gilt vignettes on the front board and spine 9” H x 6.5” W x 1.875” D $600-800

w w w. j o h n m o r a n . c o m

2050

A Chinese yellow ground Famille-Rose peony foliated rim charger

Qianlong Period (1736-1795) Underside with a six-character Qianlong Period reign mark in iron-red on a turquoise ground The flared body with a foliated rim standing on a raised foot, the interior painted with a stylized lotus flower in the center surrounded by a band of chimes alternating with peony flowers among leafy meander of scrolling blossoms in full bloom against a bright yellow ground, the exterior with lotus scrolls on a white background 3.5” H x 15.375” Dia. $20,000-40,000 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent Notes: Dorothy Adler Routh was a devoted and passionate collector of Asian art, renowned in the 1970s and 1980s for assembling one of America’s finest private collections of Chinese cloisonné enamel. Beginning in 1962, what began as casual browsing in antique shops evolved into a passion that fueled a collection of extraordinary scope and quality. By the mid-1970s, the Routh collection had achieved national recognition. Pieces from the collection were regularly loaned to museums and other prestigious institutions, including the Los Angeles County Museum of Art, the Palace of Fine Arts in San Francisco, and museums throughout the country, where they educated and inspired countless visitors. True to her philanthropic nature, Mrs. Routh ensured that her collection would serve an educational purpose beyond her lifetime. She generously donated a significant portion of the collection to the Claremont Colleges, where it remains on permanent display in the Ruth Chandler Williamson Gallery, continuing to enrich the academic and cultural life of the institution. Following Mrs. Routh’s passing in 1999, the remaining works from her collection were carefully preserved within the family, where they have been treasured for over two decades. John Moran Auctioneers is honored to present a selection of works from this celebrated collection.

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m

2051

A pair of East Asian cloisonné table lamps

20th century Each base with applied metal plaque to underside bearing an apocryphal reign mark for Qianlong Period (1736-1795) The base of each enameled and gilt-metal lamp in the form of a recumbent elephant, issuing a rotating standard terminating in a dragon head, issuing a cloisonné-framed hanging shade with painted panels and adorned with woven fabric 2 pieces Each base: 5” H x 9.25” W x 8.75” D; Each overall: 24.5” H; Each shade: 5” H x 9.25” Dia. $1,000-1,500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2052

A Chinese hardstone-mounted wood two-panel screen

20th century The black lacquered screen with two panels, each panel mounted with carved bone and mother-of-pearl eagles in high relief within an aquatic shoreline scene with blooms, crested by a carved openwork dragon figure with inset bone eyes 72” H x 62” W x 3” D $300-500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2053

An East Asian hardstone-mounted four-panel screen

20th century Of circular form, each black lacquered wood panel with hardstone, shell, and carved bone overlay to fronts, depicting a scene with courtly figures and Manchurian crane, the versos gilt-decorated with text and floral motifs Each inner panel: 72.25” H x 18.75” W x 1.375” D; Each outer panel: 68.25” H x 18” W $300-500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2054

A Chinese champlevé enamel floor lamp

19th century with later elements The brass lobed standard with inlaid enamel depicting various figures and taotie masks, converted into a two-light floor lamp surmounted by a floral pattern fabric-lined paper shade, electrified Lamp: 68” H x 14.5” Dia.; Shade: 20.25” H x 17.5” Dia. $400-600 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2055

A pair of Chinese hardwood and cloisonné stools

20th century Each carved wood stool with inset cloisonné enamel top depicting lotus blooms, above a shaped apron raised on four curvilinear legs joined by a curved box stretcher 2 pieces Each: 20” H x 16.25” Dia. $300-500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2056

A Chinese cloisonné censer mounted as a lamp

20th century The polychrome enameled metal censer with a gilt-brass openwork lid, converted to a single-light lamp with a carved wood base, the body depicting floral, avian, and ruyi motifs, electrified Overall: 18.5” H x 12” Dia.; Censer sight: 12” H x 12” Dia. $300-500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2057

A Chinese enameled metal articulated fish

Early 20th century The fish figure with articulated fins, whiskers, tail, and body in many segments 4.25” H x 14.25” W x 2” D $200-400 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2058

A group of Chinese cloisonné desk items

20th century Hinged box marked to underside: China The enameled metal items, comprising a long-handled magnifying glass with floral motifs, a hinged lid box depicting blue flowers revealing four internal compartments, a rectangular blue ground lidded box depicting dragon and phoenix motifs and revealing a fabric-lined interior, a pencil cup with blue panels depicting butterflies and floral motifs, and an egg depicting floral motifs 5 pieces Largest box: 1.875” H x 6.125” W x 4.75” D; Magnifying glass: 20.25” L; Egg: 2.25” H x 1.75” Dia. $300-500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2059

Four Chinese cloisonné sample vases

20th century Each depicting a stage in the process of creating a cloisonné vase, one as the copper base, another with gilt and copper wiring, and two with enamel filled into the copper wiring 4 pieces Each: 4.5” H x 2.75” Dia. $200-300 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2060

A Chinese cloisonné lamp

20th century The polychrome enameled copper vase converted to a two-light lamp with a carved wood base, the body depicting dragons, phoenixes, and butterflies, electrified Overall: 24.5” H x 8.5” W x 6.5” D; Cloisonné sight: 12” H x 4.25” W x 4.25” D $300-500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent w w w. j o h n m o r a n . c o m

2061

A Chinese cloisonné planter pot

20th century The polychrome enameled copper pot depicting floral motifs, with a drainage hole to underside, and four holes around rim for mounting, now set on a carved wood stand Pot: 7.375” H x 6.25” Dia.; Stand: 1.75” H x 5.125” Dia. $200-300 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2062

An East Asian cloisonné vase

20th century Unmarked The polychrome enameled copper footed vase with a lobed body below a long flared neck, depicting butterfly and phoenix figures on a floral and filigree ground 12.125” H x 5.25” Dia. $300-500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2063

Two Chinese cloisonné vases

20th century Shorter stamped to underside: China The enameled copper vases, comprising one with a pink floral pattern and another depicting a central dragon figure with floral motifs 2 pieces Taller: 7.375” H x 3.875” Dia.; Shorter: 6.625” H x 3.625” Dia. $100-200 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2064

A group of plique-à-jour spoons

Late 19th/early 20th century One marked for Shiebler and for sterling, another marked for David Andersen and for sterling; another marked for Georg Adam Scheid and Austrian toucan mark [.800]; last three dated: 3-10-1914 Each vermeil gold-washed spoon of various silver purities, featuring translucent enamel decoration in floral and filigree patterns 6 pieces Andersen: 5” L; Longest: 8.5” L $500-700 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2065

A group of East Asian plique-à-jour items

20th century Each unmarked Comprising two footed dishes and two vases, depicting floral and foliate motifs 4 pieces Taller vase: 5.25” H x 3.5” Dia.; Each tray: 1.625” H x 6” Dia. $300-500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2066

A group of East Asian diminutive bud vases

20th century One signed by Hayakawa Komejiro; others variously marked Comprising five red enamel vases and two bronze vases, each depicting a village scene and birds in relief 7 pieces Tallest: 4.875” H x 2.2.25” Dia.; Shortest: 2.375” H x 2.25” Dia. $300-500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2067

A monumental Japanese cloisonné vase

20th century The baluster-form enamel on copper vase decorated with alternating polychrome floral motifs and butterflies, with a swirled wave motif band to the shoulder and a green dragon encircling the neck 61” H x 20” Dia. $2,000-3,000 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2068

A monumental Japanese cloisonné vase

20th century The enameled copper floor-standing vase decorated with floral motifs, phoenix figures, and bats 48.5” H x 16.75” Dia. $1,500-2,000 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2069

A Japanese Komai-style damascened miniature kodansu

Meiji period or later Unmarked The gold-inlaid iron and brass diminutive cabinet with three drawers raised on bracket feet and surmounted by a ring loop handle, each drawer front depicting a village landscape scene, the surrounding surfaces bearing leaf motifs 3.625” H x 3.25” W x 2.25” D $1,000-1,500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2070

A Japanese Satsuma pottery vase

20th century The footed vase with hexagonal body and flat shoulder, opposed handles below a flared neck, featuring painted and gilt avian and floral motifs within a landscape scene, and gilt details on a cobalt ground 14.5” H x 7.75” W x 7.25” D $300-500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2071

A Japanese Kinkozan Satsuma pottery vase

Meiji Era (1868-1912) Marked for Kinkozan to underside in gilt; additionally impress illegibly The wide-bodied vase with small flared neck, featuring painted and gilt depictions of flowers and a butterfly below a geometric medallion to shoulder 10.125” H x 7.125” Dia. $800-1,200 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2072

Three diminutive Japanese Satsuma pottery vessels

20th century One bearing Japanese characters in gilt to underside Each with painted and gilt figural scenes, comprising a small handled and lidded jug, a footed oval vase, and a cobalt ground vase, together with an associated East Asian vase depicting floral motifs 4 pieces Largest: 5.125” H x 3” W x 1.125” D; Smallest: 1.875” H x 1.375” Dia. $600-800 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2073

A group of framed East Asian embroidered panels

20th century Each elaborate multicolored floral panel worked in silk and gilt-wrapped thread embroidery in blues and cream, worked on peach or salmon fabric, and featuring multiple stylized floral and auspicious motifs including vases, fruit, a bird, a bat, and moths, each with narrow brocade and embroidered borders 3 pieces Sight: Largest: 18” H x 13.5” W; Smallest: 14.25” H x 12.5” W $200-400 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2074

A Chinese cinnabar lacquer vase

Late Qing Dynasty (1644-1912) The hexagonal two-tiered vase of deeply carved cinnabar lacquered wood, the body depicting vignettes of the eight immortals in each register, with meandering motif trim and floating bat figures 23.25” H x 15.75” W x 13.25” D $4,000-6,000 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2075

A pair of Chinese carved hardstone trees

20th century Each decorated with carved translucent hardstone peony flowers and stone leaves, affixed to woven fabric-encased and pliable branches, stemming from a painted plaster trunk, set in a weighted cloisonné pot 2 pieces Each: 26.5” H x 16” Dia. approximately, dimensions variable $300-500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2076

Lord Byron

(1788-1824) “The Works of Lord Byron, with his Letters and Journals, and his Life,” 1832 Hardcover books in 17 volumes Moore, Thomas. “The Works of Lord Byron, with his Letters and Journals, and his Life.” London: John Murray, 1832 First Edition Each 8vo volume with engraved frontispiece and title, marbled endpapers, and gilt upper page edges, handsomely later bound in full morocco with gilt-stamped border and spine 17 pieces Overall: 6.75” H x 4.5” W x 15.5” D $300-500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2077

A Russian cloisonné and silver creamer

1892 With Russian hallmarks for Moscow, 84 zolotnik, and assay master Lez Fridrikhovitch Oleks The creamer with scrolled handle raised on three ball feet, featuring enameled floral motifs, filigree, and a vermeil wash 3.25” H x 3.875” W x 2.375” D $1,000-1,500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2078

A group of European cloisonné items

Late 19th/early 20th century Cup with kokoshnik mark for 88 zolotnik, assay master Ivan Sergeyevich Lebedkin, and possibly maker Fedor Ruckert; bowl marked for St. Petersburg, 88 zolotnik, and unknown maker; strainer marked for David Andersen, for sterling, monogrammed, and inscribed: Kristiania / Juli 7-1892 Each with enameled floral and filigree designs and vermeil gold wash over silver of various purities, comprising a Russian small handled cup and footed bowl, a Russian-style sugar spoon, and Norwegian tea strainer, personalized 4 pieces Cup: 2” H x 2.625” W x 1.75” D; Strainer: 5” L x 3.125” W $700-900 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2079

A group of Tiffany Studios Favrile glass table articles

Early 20th century underplates and bowls each variously numbered and etched: L. C. T.; footed vessels etched: L. C. Tiffany / Favrile; one unmarked Comprising four handkerchief bowls, three scallop-rimmed underplates, and four footed compotes with grapevine motifs to rim, together with an associated Favrile-style footed bowl 12 pieces Each bowl: 2” H x 4.625” Dia.; Each compote: 3.5” H x 4.875” Dia.; Associated: 3.25” H x 6.375” Dia. $800-1,200 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2080

A Unique Art Glass & Metal Company cherry blossom table lamp Early-20th century Unmarked The patinated metal three-light lamp with dished base, surmounted by a leaded glass shade with floral band, electrified Base: 24” H x 8” Dia.; Shade: 7.125” H x 16.125” Dia. $1,000-1,500 Provenance: From the Estate of Dorothy Adler Routh Acquired by descent

w w w. j o h n m o r a n . c o m

2081

An Italian carved alabaster figural lumière

20th century With signature verso possibly reading: U Stacinni; further marked: Florence / Made in Italy The single-light lumière depicting a maiden with jug standing by a fountain with gadrooned font below a mask of a mythical creature, electrified 23.5” H x 9.25” W x 8.25” D $500-700

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2082

Louis Icart

(1888-1950) “Pals (Les amis),” 1923 Drypoint, etching, and aquatint in colors with touches of hand coloring on wove paper Signed in pencil and with the artist’s windmill blindstamp in the lower margin: Louis Icart; Les Graveurs Modernes, Paris, pub. and with their copyright and date printed in the plate at the upper left Plate: 17” H x 21.25” W; Sight: 17.375” H x 21.5” W $600-800 Literature: Holland/Catania/Isen 188

w w w. j o h n m o r a n . c o m

2083

A Franz Bergman cold-painted bronze woodcock Early 20th century With stamp to figure underside: B [in an amphora] On stone base Overall: 11.5” H x 9.25” W x 5.5” D $1,000-1,500

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2084

A Johann Maresch earthenware figural dragon vase Circa 1900 Impressed to underside: JMB / 1673 The painted vase with molded dragon figure in high relief 16.5” H x 7.125” Dia. $800-1,200

w w w. j o h n m o r a n . c o m

2085

A French Art Nouveau buffet

Circa 1900; Nancy, France The buffet with carved openwork and relief grapevine accents and foliate-form brass drawer pulls, the upper unit with a central shelf flanked by glazed locking cabinets, each with a single glass shelf, the lower unit with two central drawers above two locking cabinet doors revealing a single shelf, flanked by open shelves to each side 80” H x 77.5” W x 23” D $800-1,200

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2086

A French Art Nouveau dining table and eight chairs

Circa 1900; Nancy region, France The table extendable with five associated later leaves, the corners decorated with carved wheat stalk accents, together with eight conforming side chairs with leather seat cushions and brass tacking 14 pieces Table: 29.5” H x 53” W x 49” D; Each leaf: 15.5” W; Each chair: 39” H x 16.5” W x 18” D $700-900

w w w. j o h n m o r a n . c o m

2087

An Art Nouveau brass and glass chandelier

Early 20th century The five-light chandelier with etched iridescent glass shades, electrified 21” H x 22.5” Dia. $300-500

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2088

A nest of four Gallé marquetry tables

Circa 1900 Signed in marquetry: Gallé Comprising four fruitwood tables in graduated sizes, each depicting Umbel flowers and foliage, the three largest depicting insects, raised on carved wood trestle legs 4 pieces Largest: 28” H x 14” W x 14” D; Smallest: 25.25” H x 14” W x 14” D $700-900

w w w. j o h n m o r a n . c o m

2089

A Gallé cameo glass vase and a Daum cameo glass box

Early 20th century; France Vase signed in relief near base: Gallé; the box signed in relief: Daum Nancy / France with cross of Lorraine The Gallé footed vase with green overlay depicting grape motifs on a pink frosted glass ground, and the Daum lidded box with polychrome overlay depicting fruit on a frosted clear glass ground 2 pieces Gallé: 6.5” H x 4.5” Dia.; Daum: 3.75” H x 6” W x 6” D $500-800

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2090

A Gallé cameo glass solifleur vase

Circa 1900 Signed in relief: Gallé The slender footed tall vase with frosted ground, layered with a foliate motif 15” H x 3.25” Dia. $800-1,200

w w w. j o h n m o r a n . c o m

2091

A Johann Loetz Witwe glass ‘Cytisus Neuroth’ vase

Circa 1900 Unsigned The waisted ovoid with dimpled shoulder, salmon-colored above blue pulled stripes and oil spotting 8.125” H x 3.25” Dia. $1,500-2,500

1 0 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2092

After François-Raoul Larche (1860-1912)

A gilt-bronze Loïe Fuller lamp, late 20th/early 21st century Marked in the casting: RAOUL. LARCHE The Art-Nouveau-style figural lamp depicting the dancer, Loïe Fuller, within a swirl of scarves, electrified 16.75” H x 8” W x 9” D $2,000-3,000

w w w. j o h n m o r a n . c o m 1 0 1

2093

A Steuben Aurene glass compote and candlestick

1920s Each etched to underside: Steuben / Aurene; candlestick further etched: 686 The iridescent gold glass items, comprising a footed compote and a footed candlestick with twisted standard 2 pieces Compote: 6.875” H x 6.375” Dia.; Candlestick: 10” H x 4.625” Dia. $250-350

2095

A Tiffany Studios Favrile glass candlestick base Circa 1902-1918 Etched to underside: L. C. T.; further etched: 4988 The iridescent gold glass candlestick with twisted form 5.25” H x 4.25” Dia. $400-600

1 0 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2094

A Tiffany Studios Pastel Favrile glass candlestick

Early 20th century Etched to underside: 1910 / L. C. T. Favrile The hand-blown glass footed candlestick with floriform bobèche 10.25” H x 4.5” Dia. $700-900

w w w. j o h n m o r a n . c o m 1 0 3

2096

Two Tiffany Studios patinated bronze candlesticks

Circa 1902-1919 Each marked: Tiffany Studios / New York; one with medallion: First Panel Sheriffs Jury 1905-1906; the other additionally marked: 1202 The tripod candlesticks, comprising one model 1202 and a commemorative candlestick with gadrooned bobèche 2 pieces Commemorative: 8” H x 4.875” W x 4.125” D; Other: 9.25” H x 3.75” W x 3.5” D $500-800

1 0 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2097

A Tiffany Studios patinated bronze double student lamp, model 316

Early 20th century Impressed on underside: Tiffany Studios / New York / 316 With two adjustable articulated swing arms, together with two associated reproduction leaded glass geometric shades Without shades: 26.5” H x 19.5” W x 7.125” D; Each shade: 8” H x 11.5” Dia. $2,000-4,000 Literature: Alastair Duncan, “Tiffany Lamps and Metalware: An Illustrated Refernce to Over 2000 Models,” (Suffolk: Antique Collector’s Club, 2007), 58, fig. 202

w w w. j o h n m o r a n . c o m 1 0 5

2098

A Duffner & Kimberly leaded glass and metal table lamp

Circa 1910-1920 Heat cap stamped: 532 C The three-light lamp with patinated metal columnar base bearing laurel garlands, surmounted by a flaring leaded glass shade, electrified Base: 23.5” H x 6.5” W x 6.5” D; Shade: 9” H x 19” Dia. $3,000-5,000 Notes: This lamp was orally reviewed and deemed authentic by Paul Crist.

1 0 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2099

Louis Icart

(1888-1950) “Pals (Les amis),” 1923 Drypoint, etching, and aquatint in colors with touches of hand coloring on wove paper Signed in pencil and with the artist’s windmill blindstamp in the lower margin: Louis Icart; Les Graveurs Modernes, Paris, pub. and with their copyright and date printed in the plate at the upper left Plate: 17” H x 21.25” W; Sight: 18.25” H x 22.5” W $800-1,200 Provenance: Burton & Perozzi, Los Angeles, CA Literature: Holland/Catania/Isen 188

w w w. j o h n m o r a n . c o m 1 0 7

1 1 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2100

Serge Youriévitch

(1876-1969) “La Danseuse Nattova” Patinated bronze on marble plinth Inscribed in the casting: S. YOURIEVITCH SCULP.; additionally stamped: FRANCE; further marked: 45 Bronze: 28.75” H x 17” W x 14.25” D; Overall: 30.5” H $4,000-6,000 Notes: Natacha Nattova, born on August 8, 1905, in Petrograd, Russia, was a celebrated avant-garde ballerina whose dynamic career bridged classical ballet, modern dance, and cabaret performance. Fleeing the Russian Revolution with her family, she spent her formative years in Nice, France, and later moved to Paris. During the 1920s, at the height of her fame, Nattova posed for the renowned Russian sculptor Serge Youriévitch, resulting in the creation of La Danseuse Nattova, a striking bronze figure capturing her in a dramatic arabesque. The sculpture was widely admired, further solidifying her status as a cultural icon. In later years, Nattova relocated to Los Angeles, and she passed away in Pasadena in 1988, aged 82.

w w w. j o h n m o r a n . c o m 1 1 1

2101

A set of Art Deco style dining chairs

Late 20th century Each appears unmarked In the manner of Jules Leleu (1883-1961), each side chair with a sloping back and curvilinear legs, upholstered in a cream fabric 8 pieces Each: 39.5” H x 19.5” W x 22.5” D $600-800

1 1 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 1 1 3

1 1 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2102

A Louis Vuitton steamer trunk on later stand

Circa 1930s-1940s Serial number: 811670; with orange and gold foil label to interior With LV monogram canvas wrapped exterior and wood slats to the lid and body, the interior with jacquard branded strapping and brass tacking, and with iron hardware and lockplates, on a later-added wood stand Trunk: 13” H x 43.5” W x 1.5” D; On stand: 25” H $3,000-5,000

w w w. j o h n m o r a n . c o m 1 1 5

2103

A vintage Louis Vuitton Monogram 50 suitcase

Circa 1960s-1970s, France Marked to exterior hardware, handle, and interior buckles for Louis Vuitton; Interior label: Louis Vuitton / 906922 / AVe Marceau 78 bis Paris / Nice. 2 AVe De Suede A hard-sided suitcase No. 906922 with LV Monogram coated canvas in brown and tan with leather trim, a single square layered leather handle, branded brass hardware, brass corners, and interior branded straps 14.25” H x 19.75” W x 6.25” D (36 cm x 50 cm x 16 cm) $800-1,200

1 1 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2104

A René Lalique glass ‘Bleuets’ vase

Early 20th century Wheel-cut: R LALIQUE / FRANCE; further etched: No 909 The molded and frosted glass vase depicting stalks of cornflowers 6.25” H x 7.25” Dia. $300-500

w w w. j o h n m o r a n . c o m 1 1 7

2105

A René Lalique glass ‘Avallon’ vase

Marcilhac 986, design introduced 1927 Wheel-cut: R LALIQUE / FRANCE; further etched: N: 986 The molded iridescent glass vase with birds amidst clusters of grapes in medium relief 5.75” H x 6.5” Dia. $400-600 Literature: Félix Marcilhac, “René Lalique 1860-1945: Maître-Verrier Analyse de L’Œuvre et Catalogue Raisonné,” Les editions de l’Amateur, Paris, 1989, cat no. 986

1 1 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2106

Three René Lalique glass vessels

Early 20th century Roger wheel-cut: R LALIQUE / FRANCE; further etched: 121-8; Eglantines with etched signature: R Lalique; Perles wheel-cut: R LALIQUE Comprising a ‘Roger’ powder box (designed 1926) with painted grape and avian motifs, an iridescent glass ‘Eglantines’ vase, and an iridescent glass ‘Perles’ vase 3 pieces Roger: 2” H x 5.5” Dia.; Eglantines: 4.375” H x 3” Dia.; Perles: 4.875” H x 3.25” Dia. $800-1,200

w w w. j o h n m o r a n . c o m 1 1 9

2107

A René Lalique glass ‘Chamarande’ vase

Marcilhac 974, model introduced 1926 Wheel-cut: R LALIQUE / FRANCE; further etched: N 974 The molded iridescent glass vase with opposed rose cluster handles, issuing thorny branch motifs in relief 7.875” H x 9.5” W x 5.875” D $700-900 Literature: Félix Marcilhac, “René Lalique 1860-1945: Maître-Verrier Analyse de L’Œuvre et Catalogue Raisonné,” Les editions de l’Amateur, Paris, 1989, cat no. 974

1 2 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2108

A Rene Lalique glass ‘Archers’ vase

Marcilhac 893, pre-1945 R Lalique France / No 893 in engraved script Designed 1921, the molded, polished, and frosted glass vase depicting birds in flight above archer figures 10.5” H x 9” Dia. $1,000-2,000 Literature: Félix Marcilhac, “René Lalique 1860-1945: Maître-Verrier Analyse de L’Œuvre et Catalogue Raisonné,” Les editions de l’Amateur, Paris, 1989, cat no. 893

w w w. j o h n m o r a n . c o m 1 2 1

2109

A Lalique molded glass ‘Deux Poissons’ centerpiece

Lat 20th/early 21st century With etched script mark: Lalique ® France [post-1978]; with applied Lalique factory sticker Designed 1953 by Marc Lalique (1900-1977) Model 11622, the molded glass centerpiece depicting two intertwined carp, raised on a circular base 11.375” H x 10.375” W x 5.5” D $700-900

1 2 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2110

A Lalique molded black glass ‘Tanzania’ vase

1981 Acid-etched to underside: Lalique ® France [post-1978] / 81 Designed by Marie-Claude Lalique (1935-2003), depicting zebras centering bands of foliage 8.375” H x 7.5” Dia. $1,000-1,500

w w w. j o h n m o r a n . c o m 1 2 3

2111

Charles Meryon

(1821-1868) “Tourelle de la rue de la Tixéranderie,” 1852 Etching on laid China paper without watermark From the edition of unknown size, the third state (of five) The artist’s initials printed in the plate at upper right: C.M Plate: 9.75” H x 5.125” W; Sheet: 13.375” H x 8.625” W $1,000-1,500 Provenance: Otto Gerstenberg, Berlin (1848-1935), brown ink stamp verso (Lugt 2785) Literature: Delteil-Wright 29iii/v

1 2 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2112

Charles Meryon

(1821-1868) “Rue des Toiles, à Bourges,” 1853 Etching and drypoint on laid paper without watermark From the edition of unknown size, the fifth state (of nine), with the date on the chimney at upper right partially effaced, but before the removal of the dog at lower left The artist’s name, date, address and other lettering etched (and with the etched strike through line) in the plate just below the image Plate: 8.5” H x 4.75” W; Sheet 15.25” H x 11.75” W $800-1,200 Provenance: According to information written inside the mat, Mme Mary Jane Morgan, New York (unknown - before 1886), not stamped (see Lugt 1879) Literature: Delteil-Wright 55 v/ix

w w w. j o h n m o r a n . c o m 1 2 5

2113

Thomas Moran

(1837-1926) “The Harbor of Veracruz, Mexico,” 1885 Etching in black on imitation Japan paper Signed in pencil and stamped with a brown ink footed vase remarqué in the lower margin, at left: T. Moran; Christian Klackner, New York, NY, pub. Plate: 11.625” H x 26.75” W; Sight: 13.75” H x 27.75” W $600-800

1 2 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2114

Muirhead Bone

(1876-1953) ‘’Windy Night, Stockholm,’’ 1935 Drypoint on wove paper From the edition of unknown size; tenth (final) state Signed in pencil in the lower margin, at right: Muirhead Bone Plate: 11.875” H x 7.75” W; Sight: 12.625” H x 8.25” W $400-600 Literature: Dodgson 457x/x

w w w. j o h n m o r a n . c o m 1 2 7

2115

Muirhead Bone

(1876-1953) “Railway Sheds, Marseilles,” 1937 Drypoint on wove paper From the edition of 91 impressions in the tenth (final) state (the total edition in all states was 103) Signed in pencil in the lower margin, at right: Muirhead Bone Plate: 10” H x 12.5” W; Sight: 10.625” H x 13” W $300-500 Literature: Dodgson 473x/x

1 2 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2116

Käthe Kollwitz

(1867-1945) “Council,” plate 3 from the series “Ein Weberaufstand,” 1898 Etching on cream wove paper From the edition of unknown size and date, printed posthumously Unsigned; with the A.v.d. Becke Muenchen-22 blindstamp in the lower right corner of the platemark; Alexander von der Becke, Berlin, Germany, pub. Plate: 11.75” H x 7” W; Sight: 12.125” H x 7.25” W $300-500 Literature: Klipstein 25; Knesebeck 28; Sievers 25

w w w. j o h n m o r a n . c o m 1 2 9

2117

Pierre-Auguste Renoir

(1841-1919) “Ambroise Vollard,” from “Douze lithographies originales de Pierre-Auguste Renoir,” circa 1904 Lithograph on wove paper From the edition of 950 (there were also 50 on Japan paper) With the signature printed in the stone: Renoir; Ambroise Vollard, Paris, printed/published in 1919 Image: 9.25” H x 6.75” W; Sheet: 13” H x 9.875” W $1,500-2,000 Literature: Delteil/Stella 37

1 3 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2118

Augustus John

(1878-1961) “A Man Etching, Self-Portrait,” 1917 Etching on off-white paper From the edition of unknown but presumably small size, second (final) state Signed in pencil in the lower margin, at right: John Plate: 6” H x 4” W; Sight: 6.75” H x 4.5” W $400-600 Literature: Dodgson 136ii/ii

w w w. j o h n m o r a n . c o m 1 3 1

2119

After William-Adolphe Bouguereau

(1825-1905) “Fisherman’s Daughter,” 1882 Lithograph in colors on linen From the edition of unknown size and date Signed and dated in the stone near the center of the right edge: W. Bouguereau-1882 Sight: 39.25” H x 23.125” W $500-700 Provenance: An Important Westlake Village Collection

1 3 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 1 3 3

2120

A pair of Tibetan Buddhist incense burners

18th century or later Each with low-relief decorations depicting the Ashtamangala, or Eight Auspicious Symbols, featuring a hinged openwork lid mounted with animal figures and a medallion centered by inlaid turquoise 2 pieces Each: 7.25” H x 17.5” W x 3.5” D $1,200-1,800

1 3 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2121

An Asian metal bhumpa

19th century or later; Tibet or greater Vajrayana Diaspora The tall footed and spouted vessel with zoomorphic and floral decoration 9.75” H x 7.5” W x 5.875” D $700-900

w w w. j o h n m o r a n . c o m 1 3 5

2122

A group of Tibetan liturgical implements

19th/20th century; Tibet or greater Vajrayana Diaspora Comprising a ceremonial brass vajra club-form implement with a ribbed spherical head on either end, three Tibetan metal ghanta bells, and a small metal alloy traveling ga’u shrine with hinged opening, revealing a cloth painting of a deity 5 pieces Largest bell: 6.5” H x 3.5” Dia.; Cloth: 10.75” H x 9.125” W; Vajra: 4.875” L x 1.625” Dia. $800-1,200

1 3 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2123

An Tibetan gilt-bronze seated Bodhisattva

17th century or later Likely Avalokitesvara, the figure with inset turquoise cabochons, depicted seated on a double lotus base, set on another carved wood double lobed base Metal: 4.125” H x 3” W x 2.125” D; Base: 1.5” H x 3.375” W x 2.375” D $1,000-1,500

w w w. j o h n m o r a n . c o m 1 3 7

2124

A pair of Asian carved and tinted wood figures of the Sadaksari Lokesvara 19th/20th century; Tibet or greater Vajrayana Diaspora Each depicting a seated figure on a double lotus base 2 pieces Each: 5” H x 3.625” W x 2” D $800-1,200

1 3 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2125

A pair of Asian metal stupa

19th/20th century; Tibet or greater Vajrayana Diaspora Undersides with a chased floral medallion Each copper stupa, or, chortens, with partial zinc plating and chased designs 2 pieces Each: 10.75” H x 4.5” Dia. $1,000-1,500

w w w. j o h n m o r a n . c o m 1 3 9

2126

An Asian reticulated metal ga’u and figure of Vajrasattva

19th century or later; Tibet or greater Vajrayana Diaspora With the seated deity figure in brass-toned metal and accompanying shrine case with gold-toned accents wrapped in cloth 2 pieces Figure: 6.875” H x 5” W x 1.875” D; Case metal: 7.75” H x 7” W x 2.875” D $1,000-1,500

1 4 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2127

A Nepalese stone-inset gilt filigree votive plaque

Early/mid-20th century The rectangular panel with a central deity on an ornate gilt scrolling filigree ground mounted with coral and likely glass cabochons Sight: 9.75” H x 7.875” W $1,800-2,000

w w w. j o h n m o r a n . c o m 1 4 1

2128

A South Indian painting depicting the story of the Ramayana 20th century Gouache on canvas Sight: 30” H x 64.5” W $2,000-3,000

1 4 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 1 4 3

2129

A Southeast Asian carved alabaster and wood figure of Buddha

20th century or earlier Likely Burmese, the polychrome painted and giltwood figure in royal attire, with applied reflective accents, featuring carved marble hands, feet, and head, depicted seated with hands in Bhumisparsha Mudra 15.75” H x 11” W x 8.5” D $2,500-3,500

1 4 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2130

Three East Asian bronze figural censers

Qing Dynasty (1644-1912) or later Each likely Chinese, comprising one in the form of a sage on a horse, another depicting a sage on a goat, and the third in the form of a boy on a water buffalo 3 pieces Largest: 6.875” H x 4.5” W x 2.25” D; Smallest: 3.5” H x 3.75” W x 2” D $700-900

w w w. j o h n m o r a n . c o m 1 4 5

2131

Three East Asian bronze censers

Late Qing Dynasty (1655-1912) or later The footed and lidded censers, comprising one with cloisonné floral motifs to body, four scrolled handles, and a mythical beast-form finial, another with opposed registers of avian motifs to body, two lion-form handles, and a dog-form finial, and another with intricate meandering motifs to body, dragon-form legs, and a carved wood lid with hardstone finial 3 pieces Cloisonné (largest): 5.875” H x 4.5” W x 4.5” D; Dog (smallest): 5.25” H x 5.5” W x 5” D $1,000-1,500

1 4 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2132

A Chinese metal seated guardian lion scroll weight Qing Dynasty (1644-1912) or later Figure: 8.5” H x 4.5” W x 6.5” D $600-800

w w w. j o h n m o r a n . c o m 1 4 7

2133

A Chinese archaistic bronze jue-form libation cup Likely Song Dynasty (960-1279 CE) or later In an Eastern Zhou style, with chased designs 7.75” H x 5.75” W x 3.125” D $800-1,200

1 4 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2134

A Chinese bronze censer

Likely Qing Dynasty (1655-1912) or later Underside bearing an apocryphal reign mark for Xuande Period (1426-1435) The footed bowl with opposed makara handles 2.75” H x 6” W x 4.75” D $2,000-3,000

w w w. j o h n m o r a n . c o m 1 4 9

2135

A Chinese cloisonné lidded box

Circa 1900 The copper and enamel box decorated with floral motifs, the lid featuring a dog-form finial, set on a carved wood stand Box: 5.25” H x 8.125” Dia.; Stand: 2.375” H x 8.5” Dia. $600-800

1 5 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2136

A pair of Chinese cloisonné elephant vases

20th century Each gilt copper and enamel vase decorated with floral motifs, phoenix figures, and toatie masks, the upper element featuring opposed bird-form masks in high relief, set in an elephant-form base 2 pieces Each overall: 18” H x 14” W x 7.75” D $700-900

w w w. j o h n m o r a n . c o m 1 5 1

2137

A pair of Chinese cloisonné vases

20th century Each gilt copper and enamel hexagonal vase with floral and bird motifs on a black ground 2 pieces Each: 20.25” H x 9” W x 8” D $400-600

1 5 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2138

Four Chinese cloisonné vessels

20th century Urn marked with Chinese characters in relief to underside The copper and enamel vessels comprising a pair of bowls depicting figural motifs, a single bowl depicting dragon motifs, and a lidded urn decorated with lion and bat figures 4 pieces Largest bowl: 12” H x 16” Dia.; Urn: 14.625” H x 9.5” Dia. $600-800

w w w. j o h n m o r a n . c o m 1 5 3

2139

A pair of East Asian cloisonné crane candlesticks

20th century Each bird with hollow body and removeable wings, raising a tree branch-form standard with a conformingly enameled bobèche, all raised on a rock-form triangular base set in a wood stand 2 pieces Each overall: 37.25” H x 13” W x 13” D; Each without branch: 28.25” H $1,000-2,000

1 5 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2140

A Chinese cloisonné enamel censer

20th century The gilt copper and enamel censer with openwork foliate motifs to lid and finial, the body with opposed handles and floral motifs on the enameling, raised on guardian lion-form feet 15” H x 14” W x 9.5” D $500-700

w w w. j o h n m o r a n . c o m 1 5 5

2141

A Chinese Yixing ceramic snuff bottle

18th/19th century Decorated in enamel with green and white flowering branches with a bird perched on a branch against a blue ground, mounted on a hardwood stand 3” H $600-800 Provenance: Purchased from Warren Imports Far East Fine Arts, Laguna Beach, CA, August 15, 2003

1 5 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2142

Three Chinese snuff bottles

19th century Comprising a carved turquoise bottle depicting foliate motifs in haute relief, a carved coral bottle depicting a phoenix motif, set on a wood stand, and a mother of pearl bottle depicting birds perched on branches 3 pieces Coral without stand: 2.375” H $400-600 Provenance: Turquoise bottle: Purchased from Fox’s, St Francis Hotel, San Francisco, CA, November 8, 1985 This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.

w w w. j o h n m o r a n . c o m 1 5 7

2143

Three East Asian carved items

Early/mid-20th century Goldfish with incised signature Comprising a Chinese carved wood bottle, a Chinese carved walnut bottle with coral stopper, and a Japanese carved goldfish okimono 3 pieces Larger bottle: 2.75” H; Okimono: 3.125” L $300-500 Provenance: Wood bottle: Purchased from Mr. Chippendale, 237 Royal Street, New Orleans, LA, May 25. 1983 Walnut bottle: Purchased Charles & Company, Atlanta Hilton Towers, Atlanta, GA, December 7, 1994 This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.

1 5 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2144

A Chinese carved rock crystal snuff bottle Late 19th century With opposed masks in low relief 3.625” H $300-500 Provenance: Purchased from Ashkenazie & Co., The Fairmont Hotel, San Francisco, CA, September 21, 1989

w w w. j o h n m o r a n . c o m 1 5 9

2145

Three Chinese snuff bottles

19th/20th century Comprising a grey nephrite snuff bottle, a cinnabar snuff bottle, and a carved mottled stone double gourd snuff bottle 3 pieces Tallest: 3” H $300-500 Provenance: Grey nephrite bottle: Purchased from Chow Bar Kee, No. 30, Mody Road, Kowloon, Hong Kong, June 24, 1982

1 6 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2146

A Chinese smoky rock crystal snuff bottle

19th century The urn-form bottle with opposed dragon mask handles with rings, mounted on a carved wood stand Overall: 3.625” H $400-600 Provenance: Purchased from Warren Imports Far East Fine Arts, Laguna Beach, CA, August 13, 2005

w w w. j o h n m o r a n . c o m 1 6 1

2147

A Chinese carved azurmalachite snuff bottle

Late 19th century Carved with cat figures to each side and mounted on a carved wood stand Overall: 3.5” H $300-500 Provenance: Purchased from Warren Imports Far East Fine Arts, Laguna Beach, CA, August 14, 1997

1 6 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2148

Three Chinese reverse-painted glass snuff bottles

20th century Each bearing Chinese inscriptions Two depicting scholars and one depicting a mountain landscape 3 pieces Tallest: 4.375” H $300-500

w w w. j o h n m o r a n . c o m 1 6 3

2149

A Chinese carved turquoise snuff bottle Mid/late 19th century Carved in relief with a pair of bats 2.125” H $300-500 Provenance: Purchased from Fox’s, St. Francis Hotel, San Francisco, CA, November 8, 1985

1 6 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2150

Three Chinese glass snuff bottles

19th/early 20th century Comprising a blue Peking glass bottle, a red and ochre glass bottle mounted on a wood stand, and a green glass bottle mounted on enameled silvered metal stand 3 pieces Tallest: 3.75” H $400-600 Provenance: Blue bottle: Purchased from Mr. Chippendale, 237 Royal Street, New Orleans, LA, May 25, 1983 Red and Ochre bottle: East West Gallery Pacific Asia Museum, Pasadena, CA, July 31, 1985

w w w. j o h n m o r a n . c o m 1 6 5

2151

A Chinese carved agate snuff bottle

Mid-19th century The banded agate with carved accents to each side 2.875” H $300-500 Provenance: Purchased from Ashkenazie & Co., The Fairmont Hotel, San Francisco, CA, November 29, 1993

1 6 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2152

Two Chinese carved agate snuff bottles

19th century Comprising one rounded and one gourd-form 2 pieces Taller: 3.25” H $300-500 Provenance: Large bottle: Purchased from Manheim Galleries, New Orleans, 403-409 Royal Street, LA, July 11, 1997 Gourd bottle: Purchased J. Christie, 12-14 Burlington Arcade, Piccadilly, London, June 3, 1994

w w w. j o h n m o r a n . c o m 1 6 7

2153

Three Chinese overlay glass snuff bottles

Mid-19th and 20th century Comprising a two-color overlaid glass snuff bottle, a red overlaid glass snuff bottle, and a twocolor overlaid blue glass snuff bottle with Tibetan-style lid 3 pieces Tallest: 3.125” H $300-500 Provenance: Two-color bottle with eagle: Purchased from Michael D. Stevenson, Pasadena, CA, June 1, 2001 Blue bottle: Purchased Gallery Tokusa, Honolulu, HI, April 15, 2003

1 6 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2154

A Chinese porcelain snuff bottle

Mid-19th century Each side painted with a mountain scene, with carved turquoise stopper, mounted on a carved wood stand Overall: 3.5” H $300-500 Provenance: Purchased from Warren Imports Far East Fine Arts, Laguna Beach, CA, August 17, 1998

w w w. j o h n m o r a n . c o m 1 6 9

2155

Two Chinese cloisonné snuff bottles

20th century Each enameled metal bottle depicting floral motifs 2 pieces Taller: 3.875” H $300-500

1 7 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2156

Three Chinese snuff bottles

Late 19th/20th century Two bearing Chinese inscription to underside Comprising a Famille Rose porcelain snuff bottle, a Yixing snuff bottle, and a turquoise glazed molded porcelain snuff bottle 3 pieces Tallest: 2.75” H $300-500 Provenance: Fan shaped bottle: Purchased from Fox’s, St. Francis Hotel, San Francisco, CA, November 8, 1985 Yixing bottle: Purchased from Ashkenazie & Co., The Fairmont Hotel, San Francisco, CA, July 25, 1988 Ashkenazie gives a reference to Bob Stevens Collection #347 in the Baur Collection (Museum), Geneva Turquoise glazed bottle: Purchased Chow Bar Kee, No. 30 Mody Road, Kowloon, Hong Kong, February 16, 1993

w w w. j o h n m o r a n . c o m 1 7 1

2157

Two Chinese overlay glass snuff bottles

Late 19th/early 20th century Each overlaid with black glass, one reverse-painted depicting a mountain landscape and horses 2 pieces Taller: 2.875” H $300-500 Provenance: Reverse painted bottle: Purchased from Mr. Chippendale, 237 Royal Street, New Orleans, LA, May 25, 1983 Overlaid bottle: Purchased Warren Imports Far East Fine Arts, Laguna Beach, August 14, 1992

1 7 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2158

A Chinese white jade snuff bottle

18th/19th century Bearing Chinese inscription to each side 2.625” H $300-500 Provenance: Purchased from Ashkenazie & Co., The Fairmont Hotel, San Francisco, CA, November 17, 1993

w w w. j o h n m o r a n . c o m 1 7 3

2159

2160

Early 19th century The stopper with gilt-metal band 2.875” H

19th/early 20th century Comprising two agate and o stands 3 pieces Tallest overall: 3.625” H

A Chinese carved agate snuff bottle

$300-500 Provenance: Purchased from Gumps, San Francisco, CA, August 3, 1991

1 7 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

Three Chinese carved st

$400-600

Provenance: Double bottle: Purchased fro August 16, 2001

tone snuff bottles

one nephrite double bottle, two mounted on carved wood

om Warren Imports Far East Fine Arts, Laguna Beach, CA,

w w w. j o h n m o r a n . c o m 1 7 5

2161

A Chinese Peking glass snuff bottle 20th century Mounted to a carved wood stand Overall: 3” H $300-500 Provenance: Purchased from Warren Imports Far East Fine Arts, Laguna Beach, CA, August 28, 1999

1 7 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2162

A group of Chinese carved items

20th century Cat with a wax seal to underside bearing Chinese characters Comprising a carved turquoise figure, a carved agate model of a cat, and two composite snuff bottles, two mounted on a wood stand 4 pieces Tallest: 3” H $300-500

w w w. j o h n m o r a n . c o m 1 7 7

2163

Two Asian snuff bottles

Mid/late 19th century and 20th century Comprising a silver bottle, probably for the Mongolian market, decorated with scroll ornament and set with coral, lapis and turquoise cabochons, and a Tibetan white metal-mounted horn bottle 2 pieces Taller: 4” H $300-500 Provenance: Horn bottle: Purchased Charles & Company, Atlanta Hilton Towers, Atlanta, GA, December 7, 1994 Silver bottle: Purchased Warren Imports Far East Fine Arts, Laguna Beach, CA, August 15, 1995 This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.

1 7 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2164

A lac burgauté butterfly-form snuff bottle

Late 19th/early 20th century Likely Japanese, decorated with inlaid mother of pearl and lacquer 2.75” H x 3” W $800-1,200 Provenance: Purchased from Fox’s, St. Francis Hotel, San Francisco, CA, November 8, 1985

w w w. j o h n m o r a n . c o m 1 7 9

2165

A Chinese carved nephrite fruit-form snuff bottle Late 19th/early 20th century With leaf-forms in relief and chased design 2.75” L $400-600 Provenance: Purchased from Ashkenazie & Co., The Fairmont Hotel, San Francisco, CA, July 25, 1988

1 8 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2166

Two Chinese enameled metal snuff bottles

Late 19th/20th century Comprising a cloisonné enamel double snuff bottle and a champlevé snuff bottle raised on a wood stand 2 pieces Double bottle: 2.5” H; Champlevé without stand: 2.75” H $300-500 Provenance: Double gourd bottle: Purchased from Yue Po Chai Curios Store, 132-136 Hollywood Road, Hong Kong, February 3, 1981

w w w. j o h n m o r a n . c o m 1 8 1

2167

Three Chinese carved stone snuff bottles

Late 19th/20th century Comprising one malachite carved with a figure and guardian lion and mounted on a wood stand, one amethyst carved with a maiden figure in haute relief, and one rhodocrosite carved with a dragon figure 3 pieces Tallest: 4” H $400-600 Provenance: Amethyst bottle: Purchased Charles & Company, Atlanta Hilton Towers, Atlanta, GA, December 7, 1994 Malachite bottle: Purchased Warren Imports Far East Fine Arts, Laguna Beach, CA, August 12, 2004

1 8 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2168

Two Chinese porcelain snuff bottles

Late 19th century Each depicting a dragon figure, comprising one cylindrical blue and white bottle, and another polychrome mounted on a wood stand 2 pieces Taller: 3.625” H $300-500 Provenance: Globular bottle: Purchased from Warren Imports Far East Fine Arts, Laguna Beach, CA, August 15, 2002 Cylindrical bottle: Purchased from F. Suie One Co. Asian Art & Antiques, Pasadena, CA, December 23, 2006

w w w. j o h n m o r a n . c o m 1 8 3

2169

Two Chinese carved stone snuff bottles

19th century Comprising one agate snuff bottle carved with a horse figure in relief and mounted on a carved wood stand, and a black hair crystal snuff bottle 2 pieces Taller overall: 3.5” H $300-500 Provenance: Black hair bottle: Purchased from Warren Imports Far East Fine Arts, Laguna Beach, CA, August 15, 1996

1 8 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2170

Three Chinese reverse-painted glass snuff bottles

20th century Each bearing Chinese inscriptions Two depicting maidens and one depicting a cat, each mounted on a wood stand 3 pieces Tallest without stand: 3” H $300-500

w w w. j o h n m o r a n . c o m 1 8 5

1 8 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2171

A group of Chinese snuff bottles

20th century Two marked with Chinese characters to underside Comprising one reverse-pained glass, one Peking glass, one cloisonné enamel, one enameled porcelain, and two carved hardstone 6 pieces Tallest: 4.125” H; Shortest: 2.375” H $1,000-1,500

w w w. j o h n m o r a n . c o m 1 8 7

2172

A group of three Chinese narrative paintings

Late 19th century or later Now mounted as hanging panels, depicting fighting, dynastic rule, figures in a garden, and other elements of Chinese culture; each panel with ink and pigments on textile laid to board and with a two-layered decorative textile border Sight of each (with border): 39” H x 19.5” W $500-700

1 8 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 1 8 9

1 9 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2173

A pair of Chinese Export carved hardwood dragon armchairs

Early 19th century or later Each featuring a dragon form to crest rail, a dragon head to one armrest terminal, and an elaborate openwork apron under each seat, upholstered in a damask fabric depicting floral motifs with double piping 2 pieces Each: 44.75” H x 28.25” W x 27.5” D $800-1,200

w w w. j o h n m o r a n . c o m 1 9 1

2174

A pair of Chinese hardwood stools

20th century Each with caned top above an apron and high-set box stretcher carved with rolling clouds 2 pieces Each: 20.5” H x 21.625” W x 21.625” D $1,000-2,000

1 9 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 1 9 3

1 9 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2175

A Chinese blue and white and copper red porcelain brush pot

Qing dynasty With Ralph M. Chait Galleries sticker to underside The copper red and celadon porcelain with carved relief landscape decoration 6.625” H x 7.25” Dia. $4,000-6,000

w w w. j o h n m o r a n . c o m 1 9 5

2176

A Chinese polychromed porcelain jardinière Circa 1900 Unmarked The porcelain planter depicting a dog, a monkey, and bird figures amidst foliate motifs and insects 14.5” H x 15.5” W x 15” D, irregular $1,000-1,500

1 9 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2177

A group of Chinese Qianjiangcai and other porcelain vessels

Late Qing Dynasty (1644-1912) One plate bearing a reign mark in red underglaze to underside; bowl marked in Chinese characters to underside Each decorated with variations of floral, figural, peach, and bat motifs, comprising two plates, a crescent bowl, a teapot, an open box, an ink well, a diminutive bowl, and five bud vases 12 pieces Largest plate: 1.875” H x 9.375” Dia.; Smallest (bowl): 1.125” H x 2.25” Dia. $1,000-1,500

w w w. j o h n m o r a n . c o m 1 9 7

2178

A Chinese blue and white porcelain basin

19th century or later The wide bowl exterior depicting a riverside building and figures in boats, the interior with a building in front of a fenced courtyard 8.5” H x 21.75” Dia. $1,000-2,000

1 9 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2179

A Chinese polychrome porcelain vase

Mid-20th century With apocryphal Qianlong Period reign mark painted to underside The vase with opposed figural handles, intricate millefleurs, and landscape decoration, set on a carved wood stand Vase: 20.75” H x 11.5” Dia.; Stand: 3.125” H x 18” W x 11.5” D $1,200-1,500

w w w. j o h n m o r a n . c o m 1 9 9

2180

A pair of large Chinese Export porcelain ginger jars 20th century With blue underglaze marks for Qing Dynasty (1644-1912) The lidded jars each decorated with figural scenes in friezes 2 pieces Each: 23.75” H x 11.75” Dia. $600-800

2 0 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2181

A Chinese Qianjiangcai porcelain sweet-meat set

Circa 1900 The nine-piece set of enameled dishes, each depicting figural scenes, mounted in a wood box Box: 1.375” H x 11.5” W x 11.5” D $600-800

w w w. j o h n m o r a n . c o m 2 0 1

2182

A Chinese hardstone carving

20th century The dragon-form body surmounted by a two-part pagoda, with ring accents throughout, set in a carved wood stand Stone assembled: 14.625” H x 10.75” W x 3” D; Overall: 15.875” H x 10.875” W x 3.5” D $300-500

2 0 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2183

A Chinese carved marble figure of Guanyin

20th century The female figure depicted in flowing robes and an elaborate headpiece, holding a lotus flower in one hand and a branch of peaches in the other, raised on a carved wood stand Stone: 34.75” H x 17.75” W x 11” D; Stand: 5.75” H x 18” W x 14.75” D $700-900

w w w. j o h n m o r a n . c o m 2 0 3

2184

A group of Asian ceramic jardinières

19th century or later; China or Southeast Asia Each ovoid jardinière depicting a dragon figure in ochre and brown glazes, with a teal glazed interior 4 pieces Largest: 19.25” H x 20” Dia.; Smallest: 16” H x 16” Dia. $600-800

2 0 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2185

A large Asian ceramic jardinière

19th century or later; China or Southeast Asia The large ovoid jardinière depicting a dragon motif in ochre and brown glazes, with a blue glazed interior 19.5” H x 20.5” Dia. $400-600

w w w. j o h n m o r a n . c o m 2 0 5

2 0 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2186

18th Century Chinese School

Qing Dynasty (1644-1912), circa 18th century or later Seated figure and attendants in a garden Ink and natural pigments on paper laid to board with a decorative fabric Unsigned Sheet: 51.5” H x 24.5” W $1,500-2,500

w w w. j o h n m o r a n . c o m 2 0 7

2187

A pair of Chinese cloisonné side tables

20th century The wood tables with inset cloisonné top, apron, and leg accents, each depicting bat figures and foliate motifs 2 pieces Each: 20.25” H x 16.75” W x 16.75” D $500-700

2 0 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2188

A Chinese hardwood side table

Early/mid-20th century The table with single drawer to one side, above an apron with carved accents, raised on square legs joined by an openwork shelf stretcher 30.5” H x 17.25” W x 17.25” D $600-800

w w w. j o h n m o r a n . c o m 2 0 9

2189

A Chinese lacquered wood chou table

Late 19th/early 20th century The tabletop decorated with a painted figural scene above a shaped apron with floral and foliate motifs, raised on curvilinear legs with squared feet 13.25” H x 34.25” W x 23” D $400-600

2 1 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2190

A pair of Chinese ceramic gu-form vases

19th century or later Each with impressed chop mark to base Each with a sancai-style glaze palette, depicting incised phoenix and dragon figures, with opposed masks in relief 2 pieces Each: 40” H x 15.25” Dia. $600-900

w w w. j o h n m o r a n . c o m 2 1 1

2191

A large Chinese Famille Rose porcelain ginger jar

20th century Unmarked The octagonal lidded jar with guardian lion finial, the lid and body decorated with alternating friezes of figural scenes and flowers with birds 30” H x 16.5” Dia. $1,500-2,000

2 1 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2192

A pair of Chinese blue and white porcelain jardinières

Early/mid-20th century or later Each hexagonal jardinière decorated with cobalt blue buildings and figures in a landscape, raised on a conformingly shaped base 2 pieces Each: 14.75” H x 14.5” Dia. $600-900

w w w. j o h n m o r a n . c o m 2 1 3

2193

A Chinese Longquan celadon censer

Yuan/Ming Dynasty (1271-1644) or later The vessel with bagua decoration, raised on three feet and set on a custom carved wood stand Vessel: 6.75” H x 10” Dia.; Stand: 2.5” H x 9.125” Dia. $1,500-2,000

2 1 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2194

Katsushika Hokusai (1760-1849) Two works:

“Under the Wave off Kanagawa,” from the series “Thirty-six Views of Mount Fuji,” circa 1830-32 Woodcut in colors on paper From the edition of unknown size and date With the blue ink signature and other various Japanese characters in the upper left image Image: 10.25” H x 15” W; Sheet: 10.625” H x 15.75” W “Rainstorm Beneath the Summit,” from the series “Thirty-Six Views of Mount Fuji,” 1838 Woodcut in colors on paper From the edition of unknown size and date With the blue ink signature and other various Japanese characters in the upper left image Image: 8.875” H x 12.5” W; Sheet: 9.375” H x 13.125” W $200-300

w w w. j o h n m o r a n . c o m 2 1 5

2195

Katsushika Hokusai (1760-1849) Three works:

“Ishiyakushi,” from the series “Fifty-three Stations of the Tôkaidô Road,” circa 1779-1849 Woodcut in colors on paper laid to thick paper From the edition of unknown size and date With the black ink signature and seals in Japanese in the upper right image; with a red ink seal by S.M. Shiba Miyanoshita to guarantee the authenticity of this work, on the verso of the lower right corner Image: 4.625” H x 6.5” W; Sheet: 5.75” H x 7.25” W “Ôiso” from the series “Fifty-three Stations of the Tokaido Road,” 1804 Woodcut in colors on paper laid to thick paper From the edition of unknown size and date With the black ink signature and seals in Japanese in the upper right image; with a red ink seal by S.M. Shiba Miyanoshita to guarantee the authenticity of this work, on the verso of the lower right corner Image: 4.625” H x 6.625” W; Sheet: 5.75” H x 7.25” W A poet, possibly Fujiwara from the series “Ogura Hyakunin Isshu” (“One Hundred Poets”), circa 1820s Woodcut with hand coloring on paper From the edition of unknown size and date With the black ink signature and inscriptions in Japanese throughout the image Image: 9.375” H x 7.125” W; Sheet: 10.75” H x 7.625” W $200-300 Notes: Both works include a statement affixed to the matting board stating: “The genuineness of this print is guaranteed by S.M. Shiba Miyanoshita.” These are likely later 19th century examples using the original blocks.

2 1 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 2 1 7

2 1 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2196

Utagawa Kunisada (Toyokuni III) (1786-1865) Four works:

Bijinga genre print, circa 1850s Woodcut in colors on paper From the edition of unknown size and date With the black ink signature and various Japanese characters Sheet: 14.625” H x 10” W Depiction of Akoya, possibly, circa 1850s Woodcut in colors on paper From the edition of unknown size and date With the black ink signature and various Japanese characters Sheet: 14.125” H x 9.75” W “Iwai Kumesaburo III” as “Osome” and “Ichimura Uzaemon XIII” as “Hisamatsu,” 1860 Woodcut in colors on paper From the edition of unknown size and date With the black ink “Toyokuni ga” signature and various Japanese characters Sheet: 14.875” H x 9.875” W “Nakamura Shikan IV” as “Hyakusho Yokozo nochi-ni Yamamoto Kansuke” in “Honcho nijushiko,” 1861 Woodcut in colors on paper From the edition of unknown size and date With the black ink “Toyokuni ga” signature and various Japanese characters; Kagiya Shobei, pub. Sheet: 15” H x 9.5” W $400-600

w w w. j o h n m o r a n . c o m 2 1 9

2197

Utagawa Kunisada (Toyokuni III) (1786-1865) Three works:

Scene from “Ashiya Doman Ouchi Kagami,” 1852 Woodcut in colors on paper From the edition of unknown size and date With the black ink signature and various Japanese characters Sheet: 14” H x 9.625” W “Nakamura Fukusuke I” as “Kisemu” from the series “The Seven Variations of the Iroha,” circa 1856 Woodcut in colors on paper From the edition of unknown size and date With the black ink signature and various Japanese characters; Enshuya Hikobei, pub. Sheet: 14.125” H x 9.625” W Actors Ichikawa Danzo VI and Ainosuke in the play “Irifune Soga Nihon no Torikachi,” 1857 Woodcut in colors on paper From the edition of unknown size and date With the black ink “Toyokuni ga” signature and various Japanese characters Sheet: 14” H x 9.75” W $300-500 2 2 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 2 2 1

2198

Utagawa Kunisada (Toyokuni III) (1786-1865) Four works:

“The First Month,” from the series “The Twelve Months,” 1847-52 Woodcut in colors on paper laid to paper From the edition of unknown size and date With the black ink signature and various Japanese characters; Minatoyo Kohei, pub. Sheet: 14” H x 9.625” W “The Third Month,” from the series “The Twelve Months,” 1847-52 Woodcut in colors on paper laid to paper From the edition of unknown size and date With the black ink signature and various Japanese characters; Minatoyo Kohei, pub. Sheet: 14.875” H x 9.5” W “Actor Ichikawa Ichizô III” as “Hagakure no Chôkichi,” from an untitled series, circa 1863 Woodcut in colors on paper From the edition of unknown size and date With the black ink signature and various Japanese characters; Kigaya Shobei, pub. Sheet: 14.5” H x 9.75” W Scene from a Kabuki play, circa 1857 Woodcut in colors on paper From the edition of unknown size and date With the black ink “Toyokuni ga” signature and various Japanese characters Sheet: 14” H x 9.75” W $300-500

2 2 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 2 2 3

2 2 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2199

Utagawa Hiroshige

(1797-1858) “Lake Suwa in Shinano Province,” from the series “Thirty-six Views of Mount Fuji,” circa 1858 Woodcut in colors on paper From the edition of unknown size and date With the black ink “Hiroshige ga” signature in the lower portion of the left image edge; with the black ink “Horse 4” censor’s seal and an unidentified seal in the lower right corner of the image; other various black ink Japanese characters in the upper right image; Tsutaya Kichizo, pub. Image: 13.375” H x 8.875” W; Sheet: 14.75” H x 10” W $300-500 Literature: Ukiyo-e shûka 14; Hiroshige list 250; ôban #58.14

w w w. j o h n m o r a n . c o m 2 2 5

2200

A Japanese archaic-style bronze jar

20th century Impressed characters to underside; further marked: Japan The footed jar with opposed figural handles and dragon figures in relief to body within bands of meandering motifs 13.25” H x 9.25” Dia. $500-700

2 2 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2201

An East Asian bronze Kirin figure 20th century Likely Japanese 12.25” H x 11.5” W x 7.5” D $800-1,200

w w w. j o h n m o r a n . c o m 2 2 7

2202

Two Japanese cast metal items

19th/20th century Comprising a gilt-metal figure of Fudo Myo-o depicted seated and holding a sword, flanked by two smaller figures, and an hourglass-shaped vase with haute relief dragon figure 2 pieces Figure: 4.5” H x 2.375” W x 2” D; Vase: 9.375” H x 5” Dia. $600-800

2 2 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2203

A Japanese gilt-bronze figural censer

Meiji Period (1868-1912) or later Bearing makers mark perhaps reading: Kinsei Muneoto Seizo The elephant-form censer depicted with elaborate howdah decorated with dragon and meandering motifs below a pagoda-form lid with dragon-form handle, each mounted with hanging accents 10.375” H x 13.25” W x 4.75” D $800-1,200

w w w. j o h n m o r a n . c o m 2 2 9

2204

A Japanese patinated bronze censer

Meiji period (1868-1912) or later The lidded ‘koro’ censer with finial in the form of Kirin above opposed figural handles and the body depicting mythical beasts, raised on tripod legs joined on a circular base, set on a wood stand Censer: 13” H x 7” W x 5.5” D; Stand: 3.5” H x 8” Dia. $700-900

2 3 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2205

A Japanese gilt and lacquered wood Amida Nyorai figure

Possibly late Edo Period (1603-1867) or later The figure depicted with hands in raigo-in mudra, inlaid glass urna to forehead, and aureole carved with cloud motifs, standing atop a double lotus base and architectural pedestal carved with cloud and foliate motifs 26.25” H x 10” W x 7” D $1,000-2,000

w w w. j o h n m o r a n . c o m 2 3 1

2206

A Japanese carved hardwood mask group okimono

19th century The conjoined cluster of theatrical masks, recto including a monkey, a dragon, and a human face, verso including two human faces, mounted to a metal support and housed in a custom acrylic case Masks: 1.75” H x 1.75” W x 0.875” D; Case: 7.5” H x 4.125” W x 3.75” D $500-700 Provenance: Sold: Sotheby’s, New York, NY, “Fine Japanese Prints and Works of Art,” May 25, 1989, Lot 130 The Collection of David and Holly Davis, Pasadena, CA Private Collection, Los Angeles, CA

2 3 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2207

A Japanese Imari porcelain centerpiece bowl

19th century With blue underglaze mark to underside The shallow oval bowl with scalloped rim and blue and red floral motifs 3.75” H x 19.5” W x 24.5” D $800-1,200

w w w. j o h n m o r a n . c o m 2 3 3

2208

An East Asian embroidered hanging scroll of birds and flowers

Possibly Japan, Edo period or later A beige floral figured fabric scroll with a central embroidered panel featuring a bird among cascading branches and trailing flower sprays, with a brown brocade fabric border at the top and bottom of the central panel, all lined with paper backing; the scroll attached to wooden dowels, and with hanging cord and tassels to top Overall: 68.25” H x 23.125” W $700-900

2 3 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 2 3 5

2 3 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2209

A Korean porcelain blue and white dragon jar

Joseon Dynasty (1392-1897) Unmarked The ovoid jar with tall cylindrical neck above wide shoulders tapering to the foot, with a tall, painted in underglaze cobalt with an animated dragon chasing a flaming jewel through clouds 18” H x 10.5” Dia. $3,000-5,000

w w w. j o h n m o r a n . c o m 2 3 7

2210

An East Asian gilt-bronze standing figure of a Bodhisattva

19th century or earlier Possibly Korean Goryeo Period or Goryeo-style, with inset red glass cabochon applied to headpiece, depicted standing on a lobed base 12” H x 4.625” Dia. $2,000-3,000

2 3 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 2 3 9

2 4 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2211

Hiroshi Yoshida

(1876-1950) “Buraitohorun-yama,” from the series “Oushuu,” 1925 Woodcut in colors on paper From the lifetime edition of unknown size and date Signed and titled in pencil in the lower margin: Hiroshi Yoshida; signed again “Yoshida” in black ink, and with the artist’s red ink “Hiroshi” seal in Japanese in the lower left corner of the image; with Japanese characters, including the artist’s jizuri (“self printed”) seal, stamped in black ink in the left margin Image: 9.875” H x 14.625” W; Sheet: 11” H x 16” W $600-800

w w w. j o h n m o r a n . c o m 2 4 1

2212

Hiroshi Yoshida (1876-1950) Two works:

“Cherry Tree in Kawagoe,” from “Eight Scenes of Cherry Blossoms,” 1935 Woodcut in colors on paper From the lifetime edition of unknown size and date Signed and titled in pencil in the lower margin: Hiroshi Yoshida; signed again “Yoshida” in black ink, and with the artist’s red ink “Hiroshi” seal in Japanese in the lower right corner of the image; with Japanese characters, including the artist’s jizuri (“self printed”) seal, stamped in black ink in the left margin Image: 14.875” H x 9.75” W; Sheet: 16” H x 11” W “Arashiyama,” from “Eight Scenes of Cherry Blossoms,” 1935 Woodcut in colors on paper From the lifetime edition of unknown size and date Signed and titled in pencil in the lower margin: Hiroshi Yoshida; signed again “Yoshida” in black ink, and with the artist’s red ink “Hiroshi” seal in Japanese in the lower right corner of the image; with Japanese characters, including the artist’s jizuri (“self printed”) seal, stamped in black ink in the left margin Image: 14.875” H x 9.875” W; Sheet: 15.875” H x 11” W $300-500 Literature: Abe 195 and 196

2 4 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 2 4 3

2 4 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2213

Hiroshi Yoshida (1876-1950) Three works:

“Nambeshima,” from the series “Inland Sea, Second,” 1930 Woodcut in colors on paper From the edition of unknown size; printed by the artist Signed and titled in pencil in the lower margin: Hiroshi Yoshida; signed again “Yoshida” in black ink, and with the red ink “Hiroshi” seal, both in Japanese and in the lower right corner of the image; with various Japanese characters, including the artist’s jizuri (“self printed”) seal, stamped in black ink in the left margin Image: 9.75” H x 14.875” W; Sheet: 10.375” H x 15.75” W “A Little Temple Gate,” from the series “Kansai District,” 1933 Woodcut in colors on paper From the edition of unknown size; printed by the artist Signed and titled in pencil in the lower margin: Hiroshi Yoshida; signed again “Yoshida” in black ink, and with the red ink “Hiroshi” seal, both in Japanese and in the lower left corner of the image; with various Japanese characters, including the artist’s jizuri (“self printed”) seal, stamped in black ink in the left margin Image: 14.875” H x 9.625” W; Sheet: 15.875” H x 10.75” W “Kamogawa in Kyoto,” from the series “Kansai District,” 1933 Woodcut in colors on paper From the edition of unknown size; printed by the artist Signed and titled in pencil in the lower margin: Hiroshi Yoshida; signed again “Yoshida” in black ink, and with the red ink “Hiroshi” seal, both in Japanese and in the lower right corner of the image; with various Japanese characters, including the artist’s jizuri (“self printed”) seal, stamped in black ink in the left margin Image: 9.75” H x 14.875” W; Sheet: 10.25” H x 15.5” W $200-300

w w w. j o h n m o r a n . c o m 2 4 5

2214

One woodcut by Hiroaki Takahashi (Shotei) (1871-1945), together with four works after Hiroaki Takahashi (Shotei) Five works:

Hiroaki Takahashi (Shotei) (1871-1945) “Evening Shower at Takaido,” circa 1930 Woodcut in colors on paper From the edition of unknown size and date; possibly from the post-1923 earthquake period With the red ink “Shiwasu” seal in the lower right image corner, and black ink Japanese characters in the upper portion of the left image edge Image: 14.75” H x 6.375” W; Sheet: 15” H x 6.5” W After Hiroaki Takahashi (Shotei) (1871-1945) “Evening at Shinagawa,” circa 1930 Woodcut in colors on paper From the edition of unknown size and date; printed later With an unrecognizable red ink seal and black ink Japanese characters in the lower right image corner Image: 14.75” H x 6.5” W; Sheet: 15” H x 6.75” W

2 4 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

After Hiroaki Takahashi (Shotei) (1871-1945) “Yushima Tenjin Shrine in the Snow,” circa 1930 Woodcut in colors on paper From the edition of unknown size and date; printed later With a red ink “Meisetsu” seal and black ink Japanese characters in the lower left image corner Image: 14.875” H x 6.5” W; Sheet: 15.25” H x 6.875” W After Hiroaki Takahashi (Shotei) (1871-1945) “Nagareyama,” circa 1930 Woodcut in colors on paper From the edition of unknown size and date; printed later With the red ink “Sekiyo” seal and black ink Japanese characters near the center of the left image edge Image: 14.875” H x 6.5” W; Sheet: 15.125” H x 6.875” W After Hiroaki Takahashi (Shotei) (1871-1945) “Wind blowing at Tsukuba,” circa 1930 Woodcut in colors on paper From the edition of unknown size and date; printed later With the red ink “Shiwasu” seal and black ink Japanese characters in the lower portion of the right image edge Image: 14.75” H x 6.5” W; Sheet: 15.125” H x 6.75” W $800-1,200 w w w. j o h n m o r a n . c o m 2 4 7

2215

Tsuchiya Koitsu

(1870-1949) “Tea Shop at Kiyomizu,” from the series “Sketches of Famous Places in Japan,” 1940 Woodcut in colors on paper From the edition of unknown size and date With the black ink signature and the artist’s red ink seal in Japanese near the lower left image corner; other black ink Japanese characters in the lower left and right margins; Yokoi, prntr.; Doi Hangaten, pub. Image: 14.375” H x 9.625” W; Sheet: 15.625” H x 10.5” W $300-500 Literature: Koitsu fig. 3.63

2 4 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 2 4 9

2216

Tsuchiya Koitsu (1870-1949) Three works:

“Asakusa Kinryuzan Temple,” 1938 Woodcut in colors on paper From the edition of unknown size and date With the black ink signature and red ink seals in Japanese in the lower left image; other black ink Japanese characters in the lower left and right margins; Yokoi, prntr.; Doi Hangaten, pub. Image: 15.5” H x 10.25” W; Sheet: 16.75” H x 11.25” W “Spring Snow, Kyoto Maruyama,” 1936 Woodcut in colors on paper From the edition of unknown size and date With the black ink signature and red ink seals in Japanese in the lower left image; other black ink Japanese characters in the lower left margin; Doi Hangaten, pub. Image: 14.5” H x 9.75” W; paper: 15” H x 10” W

2 5 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

“Shinkyo Bridge, Nikko,” 1937 Woodcut in colors on paper From the edition of unknown size and date (later edition from the original block) With the black ink signature and red ink seals in Japanese in the lower left image; other black ink Japanese characters in the lower left and right margins; Doi Hangaten, pub. Image: 10.125” H x 15.5” W; paper: 11.25” H x 16.875” W $250-350 Literature: Koitsu figs. 3.53 and 3.32

w w w. j o h n m o r a n . c o m 2 5 1

2217

Bisen Fukuda

(1875-1963) “Amanohashidate,” 1950 Woodcut in colors on paper From the edition of unknown size With the black ink signature and the artist’s red ink seals in Japanese in the upper left image corner; Japanese characters stamped in red in the lower portion of the right margin, and stamped “Printed by Kyoto Hanga in 1950” in the lower margin, at left Image: 10.625” H x 15.625” W; Sheet: 11.125” H x 16.125” W $300-500

2 5 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2218

Bisen Fukuda

(1875-1963) “Matsushima,” circa 1951 Woodcut in colors on paper From the edition of unknown size and date With the black ink signature and the artist’s red ink seals in Japanese in the upper right image corner; Japanese characters stamped in red in the lower portion of the right margin Image: 10.75” H x 15.625” W; Sheet: 11.5” H x 16.25” W $300-500

w w w. j o h n m o r a n . c o m 2 5 3

2219

Kawase Hasui

(1883-1957) “Morning in Onomichi,” from the “Collection of Scenic Views of Japan II,” circa 1940 Woodcut in colors on paper From the edition of unknown size and date Signed “Hasui” and sealed “sui” lower right, other various black ink inscriptions in Japanese in the lower portion of the left and right margins Image: 14.375” H x 9.5” W; Sheet: 15.625” H x 10.5” W $400-600

2 5 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2220

Kawase Hasui

(1883-1957) “Zaimoku Island at Matsushima,” from the series “Collection of Scenic Views of Japan: Eastern Japan,” 1933 Woodcut in colors on paper From the edition of unknown size; lifetime printing, circa 1947-57 With the black ink “Hasui” signature and the red ink “Kawase” seal near the lower right corner of the image; with the black ink title in Japanese in the lower portion of the right margin; other various black ink inscriptions with Japanese characters in the upper portion of the right margin; Watanabe Shozaburo, pub. Image: 14.25” H x 9.5” W; Sheet: 15.125” H x 10.125” W $500-700 Literature: Hasui 298

w w w. j o h n m o r a n . c o m 2 5 5

2221

19th Century Spanish School

A Spanish retablo depicting “Nuestra Señora del Refugio” (Our Lady of Refuge) Oil on tin Unsigned 20” H x 14” W $400-600

2 5 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2222

A Russian icon of the Virgin and Christ Child

19th/20th century With an offset image in colors on paper depicting Mary and baby Jesus taped under a repoussé and embossed silver oklad 8.5” H x 6” W $300-500

w w w. j o h n m o r a n . c o m 2 5 7

2 5 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2223

Albrecht Dürer

(1471-1528) “Saint Jerome Penitent in the Wilderness,” circa 1496 Engraving on laid paper, watermark bunch of grapes With the artist’s monogram engraved near the center of the lower edge: AD; a richly inked Meder D (or later) of G impression, printed sometime after 1530, with the short diagonal scratch across the center cliff showing very faintly Sheet: 12.5”-12.625 “ H x 8.75” W $3,000-5,000 Literature: Bartsch 61; Strauss 8; Meder 57; Schoch, Mende, and Scherbaum 6

w w w. j o h n m o r a n . c o m 2 5 9

2224

Heinrich Aldegrever (1502- circa 1555/1561) Three works:

“Adam with a Lion,” 16th century Engraving on laid paper With the artist’s monogram engraved in the plate near the center of the right edge: AG Sheet: 3.625” H x 2.5” W “Eve with a Stag,” 16th century Engraving on laid paper With the artist’s monogram engraved in the plate near the center of the left edge: AG Sheet: 3.625” H x 2.5” W “Charity,” from “The Virtues,” 1552 Engraving on laid paper With the artist’s monogram and the date engraved in the upper left corner of the plate, and two lines of Latin text engraved in the blank of the plate below the image Sheet: 4.125” H x 2.5” W $800-1,200 Provenance: Estate, Hollywood, CA Literature: Bartsch, Hollstein 11, only state: “Adam with a Lion” Bartsch, Hollstein 12, only state: “Eve with a Stag” Bartsch, Hollstein 118, only state: “Charity,” from “The Virtues” Notes: The Latin text engraved across the lower edge of the “Charity” image can be roughly translated as: “The gentlemen of envy are robbed by love which follows the straight path of hope and faith.”

2 6 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 2 6 1

2225

Albrecht Altdorfer

(1480-1538) “The Agony in the Garden,” from “The Fall and Redemption of Man,” circa 1513 Woodcut on laid paper With the artist’s initials printed in the block in the upper right corner: AA Image: 2.875” H x 1.875” W; Sheet: 3” H x 2” W $400-600 Literature: Bartsch 19; Hollstein 19; Winzinger 44

2 6 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2226

Barthel Beham

(1502-1540) “Titus Gracchus” (Battle of the nude men), 1528 Engraving on laid paper With the title and date engraved in the plate at the center of the upper edge, and in the lower edge, at left, respectively Sheet: 2.125” H x 11.5” W $1,000-1,500 Provenance: Estate, Hollywood, CA Literature: Bartsch 17; Pauli 24; New Hollstein 24iii/iii Notes: The present work likely references the assassination of the Roman politician Titus Gracchus and hundreds of his freemen companions after their failed revolt against the slave labor practices of aristocratic landowners in 133 BC. It is an example of the long, narrow prints of battles which German artist Barthel Beham (brother of printmaker Hans Sebald Beham) produced in emulation of the relief sculpture on antique sarcophagi. He was clearly inspired by certain figures from influential Italian compositions, such as Antonio Pollaiuolo’s ‘Battle of the Nudes’ and ‘Hercules and the Giants’, which were well known in artistic circles in the north by this date... as well as Michelangelo’s ‘Battle of Cascina’ of 1504-5, groups from which were engraved by Marcantonio Raimondi and Agostino Veneziano. Beham’s designs are not direct copies of these other works, however, but novel interpretations of a traditional format for battle scenes on a small scale. Their main purpose was to display the artist’s considerable talents in the portrayal of all angles of the human form within complex figure arrangements. (https://www.britishmuseum.org/collection/object/P_1874-0808-172)

w w w. j o h n m o r a n . c o m 2 6 3

2227

Hans Sebald Beham (1500-1550) Two works:

“Coat of Arms of Sebald Beham,” 1544 Engraving on laid paper With the monogram and date engraved in the plate at the lowest point: 15 HSB 44 Sheet: 2.75” H x 2.375” W (hexagonal) “Coat of Arms with an Eagle Surrounded by Foliage,” 1543 Engraving on laid paper With the monogram and date engraved in the plate as part of the decorative banner: HSB / 1543 Sheet: 2.875” H x 2” W $800-1,200

Provenance: Two unidentified collector’s marks stamped on the verso of “Coat of Arms with an Eagle Surrounded by Foliage” Each: Estate, Hollywood, CA Literature: Bartsch 254; Hollstein 265, only state: “Coat of Arms of Sebald Beham” Bartsch 257; Hollstein 268, only state: “Coat of Arms with an Eagle surrounded by Foliage”

2 6 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2228

Hans Sebald Beham (1500-1550) Two works:

“Standard Bearer and Drummer,” 1544 Engraving on laid paper without watermark laid to Japan paper With the artist’s monogram and the date engraved in the plate at lower right: HSB / 1544 Sheet: 2.75” H x 1.875” W “Astrology” from “The Seven Liberal Arts,” 1540s Engraving on laid paper With the artist’s monogram and the title engraved in the plate at lower left: HSB, and the title, “Astrologia,” engraved in the plate at upper right Sheet: 3.5” H x 2.125” W $600-800

Provenance: Estate, Hollywood, CA Literature: Bartsch VIII.198.199; Pauli 202; Hollstein 202 ii/ii: “Standard Bearer and Drummer” Bartsch VIII.164.127; Pauli 129: “Astrology”

w w w. j o h n m o r a n . c o m 2 6 5

2229

Rembrandt van Rijn

(1606-1669) “The Death of the Virgin,” 1639 Etching and drypoint on China paper With the artist’s signature and date etched in the plate at lower left: Rembrandt 1639 Sheet: 15.625” H x 12.375” W $1,000-1,500 Literature: Bartsch 99; Hollstein (White and Boon) 99; Hind 161

2 6 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2230

Abraham Bosse

(1602/04-1676) “A Gentleman Walking Forward with his Right Arm Outstretched...,” one plate from “The Garden of the French Nobles...,” after Jean de Saint-Igny, 1629 Etching on paper From the edition of unknown size, presumably a second (final) state With the names of the artist and printmaker etched in the lower corners of the plate: “De St Igny inv” and “A Bosse fecit” Sheet: 5.625” H x 3.75” W (approx.) $300-500 Literature: Blum 35; Lothe 250

w w w. j o h n m o r a n . c o m 2 6 7

2231

Giovanni Battista Piranesi

(1720-1778) “The Well,” plate XIII from “Carceri d’Invenzione,” circa 1761 Etching and engraving on laid paper Robison’s fifth state (of six) With the artist’s name etched in the plate in the lower right corner: Piranesi. f. Plate: 16.125” H x 21.75” W; Sheet: 21.25” H x 30.375” W $2,000-3,000 Provenance: Rudolf L. Mayer (1895-1962), red ink stamp, verso (Lugt 4534) Literature: Robison 39 v/vi

2 6 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 2 6 9

2232

Francisco Goya

(1746-1828) “Ya tienen asiento (They’ve already got a seat),” plate 26; and “Ensayos (Trials),” plate 60 from “Los Caprichos,” circa 1799 Each: Etching with aquatint, drypoint, and engraving in black on off-white/white paper Each presumably from one of the later editions (at least 12 separate editions were printed between 1799 and 1937) Each unsigned as usual; plate 60 with the artist’s name etched in the lower left corner of the plate; each with the title and plate number etched in the plate outside the image Plate of plate 26: 8.375” H x 5.875” W; Plate of plate 60: 8.125” H x 6.5” W $400-600

2 7 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2233

An Italian maiolica snake-handled urn

19th/early 20th century Appears unmarked The baluster-form urn with opposed snake-form handles above lion’s head masks in relief, the body painted with Neoclassical historical scenes above the foot depicting a village 24” H x 11” W x 10.5” D $400-600

w w w. j o h n m o r a n . c o m 2 7 1

2235

Two Continental giltwood d

Early 19th century Each issuing a gilt-metal scrolle 2 pieces Taller: 26.5” H x 14” W x 7.5” D $1,000-1,500

2234

A pair of South German/Austrian style ceramic angels

20th century Each polychromed and parcel-gilt figure with bent knees and outstretched arms 2 pieces Each: 9.5” H x 7” W x 4.875” D $500-700

2 7 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

double eagle mirrors

ed arm mounted with a candlestick bobèche, one with cut glass inset eyes

D; Shorter: 25” H x 20.75” W x 8” D

w w w. j o h n m o r a n . c o m 2 7 3

2236

A pair of Baroque-style silver-plated wall sconces

Early 20th century Each unmarked Each single-light sconce with repoussé scrolled, foliate, and floral motifs, issuing a foliate-form arm 2 pieces Each: 10.875” H x 8.375” W x 5.75” D $500-700

2 7 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2237

A pair of green marble holy water fonts

20th century The fonts with rimmed circular basins over baluster-form standards on spreading circular feet 2 pieces Each: 32” H x 15.75” Dia. $400-600

w w w. j o h n m o r a n . c o m 2 7 5

2238

A Japanese carved wood table and pair of Baroque-style corner armchairs

19th century Comprising a Japanese rounded pedestal table with floral medallion top above a standard tripartite base intricately carved with floral motifs in high relief, together with a pair of open corner chairs, each with figural supports and paw feet, the seats with light green upholstery and brass tacking 3 pieces Table: 30” H x 26” Dia.; Each chair: 30.5” H x 21” W x 21” D $600-900

2 7 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2239

A Baroque-style carved walnut library table

Early 20th century The wood table with an inlaid tabletop edge above cup and cover turned supports joined by a double box stretcher 31.5” H x 96” W x 36” D $800-1,200

w w w. j o h n m o r a n . c o m 2 7 7

2240

A Baroque-style painted leather five-panel screen

Late 19th/early 20th century The leather-wrapped wood panels with metal hinges, each depicting a seraphim mask above an urn with floral arrangement above another mask of a satyr, with metal tacking and stitched leather bands joining the leather segments Each panel: 79.5” H x 24.5” W x 1.25” D $700-1,000

2 7 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2241

A Continental Baroque giltwood mirror

19th century With giltwood acanthus leaf border and a grey-painted ground, the later mirror in two panels 89” H x 57” W x 2.25” D $1,000-1,500

w w w. j o h n m o r a n . c o m 2 7 9

2242

Emile Boyer (1877-1948)

Two French bronze figures of knights, late 19th century Each signed in the casting: Boyer Depicting Jean Sanspeur and Charles Le Temeraire, each originally configured as lamp bases 2 pieces Temeraire: 25.375” H x 11” W x 9” D; Sanspeur: 24.5” H x 12.25” W x 9.75” D $1,000-1,500

2 8 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2243

After Émile-Victor

(1821-1887) Two figures of Henri de Lorais and Frederic-Maurice de la Tour, 1851 Gilt-bronze Each signed in the casting: E. Blavier; Frederic dated 1851; Frederic inscribed: Frederic De La Tour / [illegible] / 1641; Henri inscribed: Henri / [illegible] / 1641 Henri: 21” H x 7” W x 6.25” D; Frederic: 21.25” H x 8.5” W x 8.5” D $1,000-2,000

w w w. j o h n m o r a n . c o m 2 8 1

2 8 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2244

George Sherwood Hunter

(1846-1919) “A Close Shave - Who Wins?” (Bowling in Brittany), 1890 Oil on canvas Signed and dated lower left: G. Sherwood Hunter 1890; titled from a contemporary exhibition announcement in the “Liverpool Mercury” 24.5” H x 52” W $2,000-3,000 Provenance: J.B. Bennett & Sons Ltd., Glasgow, Scotland Exhibited: London, England, Royal Society of British Artists, April 1890 Literature: “Liverpool Mercury,” Liverpool, England, April 22, 1890 Notes: This lot includes a xerox copy of the London exhibition announcement, with a mention of this painting, from the “Liverpool Mercury” issue described above. George Sherwood Hunter was born in Aberdeen, Scotland and spent the majority of his career working in London and Cornwall. Censuses of 1871 and 1881 identify Hunter as a professional artist. Hunter travelled throughout the UK and continental Europe and painted Spanish, Scottish, British, and French subjects, including the present Brittany bowling genre scene. In London, he regularly exhibited at the Royal Academy and the Royal Society of British Artists, and he exhibited at the National Gallery, London in 1895 and 1901. Around 1897 or 1898 Hunter moved from London to Newlyn, Cornwall, and married Constance Mary Stuart in 1889. The couple moved to The Malt House in Newlyn in 1902 where they remained for the rest of their lives. In Cornwall, Hunter maintained a studio at Bateman’s Meadow near Stanhope Forbes’s Anchor Studios. He taught at Forbes’s Newlyn Community of Artists School of Art while Constance was involved with the Newlyn Artists Amateur Dramatic Society.

w w w. j o h n m o r a n . c o m 2 8 3

2245

Early 19th Century European School

Winter scene and sledding with horses Oil on canvas Signed indistinctly lower right: E.E. Landers*****; indistinctly inscribed verso 14” H x 19” W $800-1,200

2 8 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2246

Cornelis Speets

(1794-1862) “Vermoeide Keukenjongens” (Tired kitchen urchins), 1840 Oil on panel Signed, dated, and inscribed in the lower left quadrant, to the left of the woman’s skirts: G. Speets / “fct [fecit/made it] ‘40;” titled on an old gallery label affixed verso, together with red sealing wax; with an alternate title, “Street Urchins, Amsterdam,” on a gallery sheet stored on the panel’s verso 15.75” H x 14.5” W $600-800 Provenance: Kunsthandel Roelofs Art Gallery, Amsterdam, Netherlands The Estate of a La Jolla Collector K. Nathan Gallery, La Jolla, CA

w w w. j o h n m o r a n . c o m 2 8 5

2247

In the Manner of Josef Israels

(1824-1911) “Waiting for the Boat” Oil on panel Unsigned; titled on the frame plaque 20” H x 16” W $700-900

2 8 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2248

Charles Walz

(1845-1911) Portrait of a lady with a large hat, 1909 Oil on canvas Signed and dated lower left: Charles Walz / 1909 46” H x 34.25” W $600-800

w w w. j o h n m o r a n . c o m 2 8 7

2249

In the manner of Heinrich Friedrich Fuger (1751-1818) Portrait of a gentleman, circa 19th Century Oil on canvas laid to canvas Unsigned 28.5” H x 22.5” W $500-700

2 8 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2250

A George III-style giltwood wall mirror

Late 19th/early 20th century The oval mirror surrounded by a carved giltwood frame with acanthus, C-scrolls, and floral sprays, surmounted by a floral bough crest 52” H x 33” W x 6” D $500-700

w w w. j o h n m o r a n . c o m 2 8 9

2251

A set of Louis XV carved walnut fauteuils

Mid-late 18th century with later elements Each wood armchair with carved foliate accents and scroll armrest terminals, the seatback, seat cushion, and armrests upholstered in a floral pattern fabric 3 pieces Each: 39” H x 30” W x 29.5” D $500-700

2 9 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2252

A pair of Louis XVI-style gilt-bronze appliques

20th century Each six-light wall fixture with an upper medallion draped in ribbons above a fluted standard issuing two three-light arms with faux candle lights and floral and foliate motifs, electrified 2 pieces Each: 35” H x 14.5” W x 8.5” D $700-900

2253

A pair of Louis XVI-style gilt-bronze wall sconces

20th century Each five-light wall fixture with upper ribbons above an architectural standard issuing five arms with faux candle lights and foliate-form bobèches, electrified 2 pieces Each: 39” H x 11.25” W x 7.5” D $500-700

w w w. j o h n m o r a n . c o m 2 9 1

2254

A pair of Empire-style commodes

Mid-20th century The green marble top over a frieze drawer, over three drawers flanked by caryatid terms on outset block feet, with gilt-metal hardware and accents Each: 30.25” H x 27.25” W x 16” D $600-800

2 9 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2255

A pair of Empire-style gilt-bronze wall sconces

20th century Each six-light wall fixture with an upper angel figure holding a wreath in each hand above three double-arms with foliate accents above an elaborate palmette, electrified 2 pieces Each: 29” H x 17.5” W x 13” D $500-700

w w w. j o h n m o r a n . c o m 2 9 3

2256

An Empire-style drop front secretary

Mid-20th century The wood secretary with gilt-metal hardware, pulls, mask accents, and swan-form escutcheons, featuring a locking drop front with central painted figure on a chariot, revealing multiple fitted cubbies, two drawers, and an architectural central cavity, above three locking drawers, all flanked by half-column sides 46.5” H x 33.75” W x 19” D $600-800

2 9 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2257

A Napoleon III patinated bronze figural center bowl

After a model by Auguste-Maximilien Delafontaine, 19th century Stamped to underside: 4317 The bowl interior with figures of musicians in relief, the exterior featuring animal figures, raised on a tripartite base with three child figures depicted atop dolphins, their tails meeting together and twisted to form the standard, set on three turtle-form feet 13.75” H x 11.875” Dia. $400-600

w w w. j o h n m o r a n . c o m 2 9 5

2259

A set of four French gilt-bronze sconces

19th century Each wall-mounted sconce with three lights, the backplate cast with an anthemion above a reeded urn over a suspended palmette, issuing three scrolling arms terminating in floriform bobèches 4 pieces Each: 27” H x 31” W x 19.5” D $1,000-1,500

2258

Three Baccarat glass figu

Late 20th century Each with Baccarat stenciled Comprising a pair with dolph standard, each faceted with d 3 pieces Each dolphin: 13.5” H x 6.75 $1,000-1,500

2 9 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

ural candlesticks

factory marks hin-form standards and a single with putto-form drop prisms

5” Dia.; Putto: 15.25” H x 6.125” Dia.

w w w. j o h n m o r a n . c o m 2 9 7

2260

A pair of Grand Tour bronze and stone cassolettes

19th century The parcel-gilt-bronze footed urns, each with opposed mask handles to body and putto finial to lid, one depicted with bow and arrow, the other holding a cup, each mounted on a footed tiered stone pedestal base with gilt edges 2 pieces Each: 14.75” H x 7.375” W x 6.25” D $2,000-3,000

2 9 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2261

A pair of Rococo-style bronze-mounted marble lamps

Early/mid-20th century Each two-light urn-form marble lamp mounted with gilt-bronze acanthus-form mounts and gadrooning to base, electrified 2 pieces Each: 33.5” H x 10.75” W x 7” D $600-800

w w w. j o h n m o r a n . c o m 2 9 9

2262

A Rococo-style gilt-bronze-mounted Chinese Export porcelain bowl

Late 19th/early 20th century The Rose Medallion porcelain bowl decorated with figural scenes, mounted with Louis XV-style bronze foliate and scrolled accents and set on an openwork base 11.625” H x 19.5” W x 13.25” D $1,000-1,500

3 0 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2263

A pair of Louis XVI-style bronze and blue glass vases

19th century In the manner of Le Creusot, Paris, each glass with a twisted swirling form, mounted with an upper festooned gilt-bronze piece issuing swags of chains, and a lower tiered foot with an architectural square base with scooped corners 2 pieces Each: 7.25” H x 2.625” Dia. $700-900

w w w. j o h n m o r a n . c o m 3 0 1

2264

An Imari-style porcelain and bronze three-piece clock garniture

19th century Movement marked: CB / 158 Each lidded porcelain vase decorated with red and blue floral and avian motifs, mounted with Continental bronze adornments including opposed lion’s head ringed masks and a flame finial, the central vase housing a two-train movement clock with Roman numeral enameled metal hour track, additionally adorned with bronze griffins and putti and mounted on an elaborate pierced base 3 pieces Clock with lid: 29” H x 17.5” W x 13” D; Each garniture with lid: 19.25” H x 10.25” W x 7.625” D $2,000-3,000

3 0 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2265

A Louis XV provincial buffet a deux corps

18th/19th century The upper unit with locking hinged cabinet doors surmounted by an architectural scroll cornice, opening to reveal two shelves and the interior later lined with fabric upholstery, the lower unit with locking hinged doors revealing a single shelf, all raised on front scroll and rear square feet Lower: 39” H x 58.5” W x 21” D; Upper: 57.25” H x 55” W x 18” D; Overall: 96.25” H $800-1,200

w w w. j o h n m o r a n . c o m 3 0 3

2266

A collection of French copper pots and kitchen implements

20th century Two saucepans and graduated oval pans marked: E. Dehillerin / Paris; two saucepans and mixing bowl marked: Cordon Bleu / Made in France; bain-marie marked: Bazar Francais / 666 Comprising nine assorted pots and pans, a bain-marie, a teapot, a mixing bowl, a lidded storage container, a hot water kettle, an ice scoop, three graduated jelly/cake molds, a steamer pot, and a small fondue pot 21 pieces Largest pot: 7” H x 15” W x 9.5” D; Storage bin: 15” H x 14.25” W x 12.5” D $1,000-1,500

3 0 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2267

A William & Mary-style slant front writing desk

Early 20th century The wood desk with locking hinged drop front writing surface opening to reveal five letter compartments above two small drawers, all above two longer drawers with batwing escutcheon pulls, raised on fluted baluster-form legs joined by three stylized bar stretchers 41.25” H x 30” W x 17” D $300-500

w w w. j o h n m o r a n . c o m 3 0 5

2268

A William & Mary walnut marquetry highboy cabinet

18th century The cabinet surmounted by an architectural cornice over a two-door cupboard opening to reveal a fitted interior with ten drawers and one smaller cupboard containing three additional drawers, flanked by wrought iron bail handles, over three short drawers and a shaped apron, the doors and drawers with X-motif marquetry inlay, and raised on barley twist legs with bun feet joined by a shaped box stretcher 67.5” H x 40” W x 20” D $1,000-1,500

3 0 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2269

A George II provincial-style oak writing desk

19th century The wood desk with molded edges above three drawers with joinery and brass bulls, raised on cabriole legs with pad feet 31” H x 45” W x 21” D $400-600

w w w. j o h n m o r a n . c o m 3 0 7

2270

Two pairs of Chippendale-style side chairs

20th century Comprising one pair upholstered in cream fabric and one pair upholstered in pale red fabric, each seatback with ribbon crest rail and openwork splat, two in the Massachusetts style, raised on ball and claw feet 4 pieces Each: 39” H x 24” W x 25.5” D $500-700

3 0 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2271

A set of ten Chippendale-style dining chairs

Circa 1930s Comprising eight side chairs and two armchairs, each with an openwork back splat and ribbon crest rail above a damask-style fabric upholstered seat cushion, raised on squared legs joined by a box stretcher 10 pieces Each side chair: 37.25” H x 21.5” W x 21” D; Each armchair: 38.5” H x 26” W x 21” D $1,000-2,000

w w w. j o h n m o r a n . c o m 3 0 9

2272

A pair of Baccarat ‘Medallion’ candelabra

Late 20th/early 21st century Each marked for Baccarat The three-light candelabra, each with two arms and central pedestal issuing three floriform bobèches and twenty-eight prisms, raised on a foliate standard with a beaded base 2 pieces Each: 17.75” H x 13” W x 5.375” D $1,000-1,500

2273

A George II-style giltwood wall mirror

Late 19th/early 20th century The beveled rectangular mirror surrounded by a carved giltwood frame with rocaille, acanthus, and inset mirror banding, surmounted by a floral urn crest 60” H x 36” W x 4.5” D $800-1,200

3 1 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2274

A George III Chippendale-style mahogany linen press

19th century with later elements The broken swan neck and latticework pediment above denticulated trim and a band of fretwork, above two hinged locking cabinet doors revealing an updated interior of five drawers, above three more long locking drawers with brass pulls, raised on bracket feet 85.5” H x 52.5” W x 24.75” D $1,000-1,500

w w w. j o h n m o r a n . c o m 3 1 1

2275

A Wallace sterling silver ‘Sir Christopher’ flatware service

Most marked for Wallace and sterling Comprising 12 dinner knives (9.125”), 12 butter spreaders (6.25”), 12 dinner forks (7.375”), 24 salad/cake forks (6.375”), 12 cocktail forks (5.625”), 12 teaspoons (6”), 12 cream soup spoons (6”), and 1 corn butterer (5.375”), together with 6 cocktail forks from the “Rose Point” pattern (5.625”), and 1 Watson “Poppy” teaspoon (5.5”) 104 pieces Weighable sterling: 95.7 oz. troy approximately $2,500-3,500

3 1 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2276

A Burmese stone-mounted sterling silver bowl

1996 Marked to underside: Visit / Myanmar Year / 1996 / M.G.E. 95% The round vessel with elaborate chased and repoussé scrolled motifs surrounding a band of haute-relief figures with inset green stone cabochons 6.75” H x 11” Dia. 55.2 gross oz. troy approximately $1,200-1,800

w w w. j o h n m o r a n . c o m 3 1 3

2277

Two Burmese sterling silver boxes

20th century Each marked to underside Each hexagonal vessel with elaborate chased and repoussé scrolled motifs surrounding haute-relief cartouches, one with elephants and one with dancing figures 2 pieces Larger: 8” H x 8.25” Dia.; Smaller: 6” H x 6.25” Dia. 55.7 oz. troy approximately $800-1,200

3 1 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2278

A group of Burmese silver items

20th century The manuscript holder with an inscription in Burmese Comprising a round, lidded sterling silver box with chased and repoussé haute-relief elephant motifs, a sterling silver manuscript holder with chased and repoussé figural motifs, and a silver alloy elephant-form box 3 pieces Round box: 7” H x 7.5” Dia.; Elephant: 8” H x 7.75” W x 5” D; Manuscript holder: 13.25” L x 3” Dia. Total weight: 61.2 gross oz. troy approximately $600-800

w w w. j o h n m o r a n . c o m 3 1 5

2279

A Burmese sterling silver box

20th century Unmarked The slender, rectangular vessel with elaborate pierced scrolled motifs surrounding chased and repoussé haute-relief figures 4.25” H x 14.25” W x 4.25” D 49.2 oz. troy approximately $500-700

3 1 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2280

A Burmese sterling silver bowl

20th century Unmarked The round vessel with elaborate chased and repoussé scrolled motifs surrounding a band of haute-relief figures 7” H x 12” Dia. 43.3 oz. troy approximately $1,000-1,500

w w w. j o h n m o r a n . c o m 3 1 7

2281

Two Burmese silver figural boxes

20th century The duck marked to underside: 1900 Comprising a large duck-form box and a small box with a mythical creature to the lid 2 pieces Duck: 10.5” H x 7.25” W x 12” D; Box: 3” H x 4” W x 4” D Total weight: 38.8 oz. troy approximately $500-800

3 1 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2282

A Burmese sterling silver bowl

20th century Unmarked The round vessel with elaborate chased and repoussé scrolled motifs surrounding haute-relief cartouches of dancing figures 4” H x 5.25” Dia. 9.1 oz. troy approximately $700-900

w w w. j o h n m o r a n . c o m 3 1 9

2283

A group of Burmese silver boxes

20th century One marked in Burmese to underside Each small box with elaborate chased and repoussé motifs, comprising two bird-form boxes, a frog-form box, a square box with floral motif, two round boxes, a round footed box, a round wooden vessel with silver mounts, and a conical-shaped vessel, comprising various silver alloy purities 9 pieces Largest: 7.5” L x 2.75” Dia.; Smallest: 1.25” H x 2.75” Dia. Total weight: 45.7 oz. troy approximately $400-600

3 2 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2284

Three Burmese sterling silver bowls

20th century Each unmarked Each round bowl with elaborate chased and repoussé motifs, each with a band of alternating human and animal figures 3 pieces Largest: 4” H x 5.5” Dia.; Smallest: 2.5” H x 3.25” Dia. Total weight: 18.1 oz. troy approximately $800-1,200

w w w. j o h n m o r a n . c o m 3 2 1

2285

A Burmese sterling silver betel nut box

20th century Appears unmarked The round vessel with elaborate chased and repoussé scrolling vine motif surrounding cartouches of various animals, the lid with a haute-relief figural medallion 6” H x 6” Dia. 19.5 oz. troy approximately $700-900

3 2 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2286

A Burmese sterling silver betel nut box

20th century Appears unmarked The rectangular vessel with elaborate chased and repoussé scrolling vine motif surrounding cartouches of various animals and dancing figures 4” H x 7.25” W x 4.375” D 19.2 oz. troy approximately $400-600

w w w. j o h n m o r a n . c o m 3 2 3

2287

A Southeast Asian sterling silver tea caddy

Late 19th/early 20th century; likely Indonesia Appears unmarked Possibly Yogya silver, the covered vessel with chased and repoussé basket weave motif and floral accents, the lid with elaborate pierced foliate scrolls 9.5” H x 6.5” Dia. 18.6 oz. troy approximately $400-600

3 2 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2288

A Burmese sterling silver betel nut box

20th century Appears unmarked The round vessel with chased and repoussé reeded pattern, the lid with a haute-relief crab motif within a C-scroll medallion 4.75” H x 6” Dia. 18.9 oz. troy approximately $300-500

w w w. j o h n m o r a n . c o m 3 2 5

2289

A group of Burmese sterling silver boxes

Late 19th/early 20th century Two marked in Burmese to the underside Each with elaborate chased and repoussé foliate and figural motifs, comprising four oval boxes and one semicircle 5 pieces Largest: 1.25” H x 4” W x 2.25” D; Smallest: 1.75” H x 2.375” W x 1.5” D Total weight: 14.6 oz. troy approximately $300-500

3 2 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2290

Two Southeast Asian sterling silver ornaments

20th century Each appear unmarked Each with chased and repoussé decoration, comprising a large frog pendant centering a large yellow stone set with a smaller turquoise, and with turquoise and coral stone to the face, along with a butterfly hair barrette set with coral and turquoise 2 pieces Frog: 10” H x 9.5” W x 3” D; Butterfly: 5.25” H x 6.5” W x 1.5” D Total weight: 48.3 gross oz. troy approximately $400-600 This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.

w w w. j o h n m o r a n . c o m 3 2 7

2291

A pair of Burmese Hsun Ok offering jars

20th century Each tripod lidded bowl with lobed cover and turned finial above an openwork apron, black lacquered to exterior and red to interior 2 pieces Each: 23.75” H x 25” Dia. $300-500

3 2 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2292

A Burmese Hsun Ok offering jar

19th century or later The footed and lidded carved wood bowl featuring a gilt and jeweled exterior profusely decorated with carved floral motifs, the interior lacquered, surmounted by a figural finial 40.5” H x 19.75” Dia. $300-500 Notes: This lot is accompanied by an Authentication Certificate from Asiatica, dated February 27, 1999.

w w w. j o h n m o r a n . c o m 3 2 9

2293

A Thai gilt-bronze standing Buddha figure

19th century or later The figure adorned with inset glass cabochons to robe and base, with hands in abhaya mudra and ushnisha flame headpiece, standing on a tiered base 52.25” H x 13.75” W x 15.25” D $300-500

3 3 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2294

A Thai bronze standing Buddha figure

20th century Depicted with ushnisha flame headpiece, hands in abhaya mudra, and standing on a lotus base 55.5” H x 15.5” W x 12” D $400-600

w w w. j o h n m o r a n . c o m 3 3 1

2295

An Asian bronze Naga Buddha figure

19th century or later The figure depicted seated on a tiered base, hands in dhyana mudra, meditating under the protection of the seven-headed Naga (serpent king) Muchalinda 28” H x 13.5” W x 8.5” D $400-600

3 3 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2296

A Thai bronze standing figure of Buddha Sakyamuni

20th century Standing in samabhanga, both hands stretched downwards along his body, wearing diaphanous samghati, his face with meditative expression, elongated earlobes, curled hair, and usnisha surmounted by a flame 38.25” H x 12.75” W x 8.75” D $500-800

w w w. j o h n m o r a n . c o m 3 3 3

2297

A pair of Thai gilt-bronze Buddha figures

Late Rattanakosin Era, 19th century or later Each figure with inlaid mirror accents throughout, depicted under a triple baldachin canopy overhead and hands in abhaya mudra, standing on a four-tiered base 2 pieces Each: 25.75” H x 4.5” W x 4.25” D approximately $300-500

2298

A Thai jeweled giltwood Sutta box

20th century The box with inset hardstones and carved foliate and figural motifs in relief, containing 28 painted suttas and several decorated wood panels 7” H x 28” W x 10” D $300-500

3 3 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2299

A Thai gilt-bronze temple Buddha figure

Late Rattanakosin Era, 19th century or later The robed figure with hands in bhumisparsha mudra, surmounted by an ushnisha flame and seated atop a temple, raised on three feet 25.25” H x 18” W x 10” D $400-600

w w w. j o h n m o r a n . c o m 3 3 7

2300

An Asian lacquered wood cabinet

Possibly Tibetan, 20th century The red lacquered cabinet with painted decorations depicting various figures including phoenixes, dragons, and other mythical beasts, featuring two hinged cabinet doors revealing two drawers centering open cavities 58.5” H x 59.25” W x 21” D $500-700

3 3 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2301

A Tibetan gilt-bronze ga’u shrine with a carved lapis figure of Siddhartha Gautama Late 19th/20th century The young Buddha housed inside a carved wood shrine mounted to the front with jeweled giltbronze panel, set on a carved wood stand Shrine: 4.5” H x 3.25” W x 1.75” D; Stand: 1.375” H x 5” Dia. $700-900

2302

A Dong Son-style rain drum side table

19th/20th century with later elements The stepped body with opposed handles, later converted to a side table with mounted glass top Overall: 23” H x 26” Dia. $800-1,200

w w w. j o h n m o r a n . c o m 3 3 9

2303

A gilt-metal figure of Padmapani

Nepal or greater Himalayan/Vajrayana diaspora, 14-15th century or style The copper alloy figure with skirts chased with cloud and floral motifs, mounted with turquoise, garnets, and glass, on a wooden stand Figure: 10.5” H x 4.5” W x 2.375” D; Overall: 12.5” H $3,000-5,000

3 4 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2304

An assembled group of Vajrayana Buddhist implements with jade and silver elements

20th century Comprising a hardstone, jade, and silver-mounted double gourd box, a prayer wheel, and an associated silver cover 3 pieces Prayer wheel: 11” H x 3.25” Dia.; Box: 7.25” H x 10” W x 5.5” D; Cover: 2.75” H x 6” W x 4.75” D $800-1,200

w w w. j o h n m o r a n . c o m 3 4 1

2305

A pair of Chinese horseshoe armchairs

20th century The carved wood chairs, each with an openwork splat and flat seat with fabric upholstered seat cushion and throw cushion 2 pieces Each: 32” H x 29.5” W x 24.5” D $400-600

3 4 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2306

A set of four Chinese carved wood nesting tables

20th century Each table with inset top above an openwork apron with central medallion, in graduated sizes 4 pieces Largest: 28” H x 20” W x 14.25” D; Smallest: 16” H x 12.5” W x 9” D $300-500

w w w. j o h n m o r a n . c o m 3 4 3

2307

A Chinese gilt-bronze double guardian lion group 17th century or later The figures depicted in combat or play, each with applied turquoise and coral accents 4.375” H x 5.75” W x 5.875” D $2,000-3,000

3 4 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 3 4 5

2308

A large Chinese bronze figural censer

20th century Cast with mice, leaves, and floral motifs, the openwork top surmounted by a fish figure, raised on ruyi-form tripod feet 3 pieces Overall: 27” H x 29.75” W x 20.5” D $400-600

3 4 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2309

A pair of Chinese bronze phoenix candlesticks

20th century Each with a lotus bobèche above a phoenix depicted standing atop a guardian lion with a ball under one paw 2 pieces 15.25” H x 6.25” W x 6.25” D $400-600

w w w. j o h n m o r a n . c o m 3 4 7

2310

A pair of Chinese pewter crane candlesticks

20th century Each possibly depicting a Manchurian crane figure with a cloud form supported in its beak, set on a hexagonal stand with openwork gallery 2 pieces Each: 23.5” H x 8” W x 7” D, approximately $150-250

3 4 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2311

A Chinese carved wood figure of Kui Xing

20th century With Chinese inscription to one side of base The whitewashed wood scene depicting Kui Xing standing atop a carp in transformation, above a lotus flower Overall: 36.5” H x 15.5” W x 12” D, dimensions variable $600-800

w w w. j o h n m o r a n . c o m 3 4 9

2312

A Chinese carved wood bird cage

Qing Dynasty (1644-1912) or later The base and upper portions carved with fish, crabs, and aquatic motifs, with applied carved wood and bone elements, some which are supporting interior porcelain bowls, surmounted by an enameled metal finial and metal hook, accented by a figural beaded charm with fabric tassels 24.25” H x 10.5” Dia. $300-500

3 5 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2313

A Chinese carved hardwood horseshoe chair

20th century The rounded crest rail terminating in dragon’s head armrests above a splat and front apron each carved with dragon figures 37” H x 29.5” W x 25.5” D $300-500

w w w. j o h n m o r a n . c o m 3 5 1

2314

A pair of Chinese carved wood horseshoe chairs

20th century Each with rounded crest rail/armrests above a back splat with openwork figural motifs and openwork aprons with front panel accents to supports and stretcher 2 pieces Each: 39.25” H x 26” W x 24.5” D $500-700

3 5 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2315

A Chinese hardwood picnic box

19th century Th two-compartment lidded box with iron mounts, set into a base with handle 22.25” H x 20.5” W x 14.5” D $300-500

w w w. j o h n m o r a n . c o m 3 5 3

2316

A Chinese cinnabar-style lidded box

20th century The carved wood box with red lacquer to exterior depicting a goldfish in relief to the lid and a roiling sea to the bottom, with black lacquered interior 3.5” H x 6.125” W x 4.5” D $300-500

3 5 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2317

Two Chinese bronze mirrors

Warring States through Han Dynasty (475 BCE-220 CE) or style Each circular mirror with central knop surrounded by stylized scrolls or geometric motifs, set in an enameled metal stand 2 pieces Larger mirror: 6.25” Dia. Smaller mirror: 5.25” Dia.; Larger overall: 8.875” H $800-1,200

w w w. j o h n m o r a n . c o m 3 5 5

2318

Two Chinese bronze mirrors

Tang/Song Dynasty (618-1279) or style The larger cast with a building, figures, and birds, the smaller with running animals, each set in an enameled metal stand 2 pieces Larger: 5.25” Dia.; Smaller: 4.25” Dia.; Larger overall: 7.75” H $1,000-1,500

3 5 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2319

A Chinese silvered and gilt-bronze mirror

Tang Dynasty (618-907 CE) or style The circular mirror cast with a central knop of a crouching creature surrounded by mythological creatures and birds within vines, set in an enameled metal stand mounted to a wood block base Mirror: 10.75” Dia; Overall: 16.25” H x 10.75” W x 3.5” D $2,000-3,000

w w w. j o h n m o r a n . c o m 3 5 7

2320

Three Chinese Bronze mirrors

Warring States through Han Dynasty (475 BCE-220 CE) or style The largest with a ring of stylized script, the next with two scrolls flanking a small knop, the last with a ring of stylized script within chevron band, each set in an enameled metal stand 3 pieces Largest: 4” Dia.; Smallest: 3.5” Dia. $800-1,200

3 5 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2321

A Chinese bronze mirror

Han Dynasty (206 BCE-220 CE) or style The circular mirror cast with central knop surrounded by petal forms within a stylized scroll outer border, set in an enameled metal stand Mirror: 8.25” Dia.; Overall: 11.625” H $1,200-1,800

w w w. j o h n m o r a n . c o m 3 5 9

2322

A group of Chinese bronze mirrors

Warring States through Han Dynasty (475 BCE-220 CE) or style The largest cast with clouds, two cranes, and a turtle knop, the next with frog knop surrounded by creatures and symbols, the third with scrolls, and the smallest with symbols and script, two set on enameled metal stands 4 pieces Largest: 4.875” Dia.; Smallest: 2” Dia. $1,200-1,800

3 6 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2323

A Chinese bronze mirror with unusual jade inlay

Han through Tang Dynasty (206 BCE-907 CE) or style The exterior of the jade disc carved in raised relief in a densely composed ground of stylized zoomorphic repeating chilong patterns, the bronze border with petal forms 9.25” Dia. $2,500-3,500

w w w. j o h n m o r a n . c o m 3 6 1

2324

Three Chinese carved wood and marble plant stands

Late 19th/early 20th century Comprising three marble-topped stands, each with elaborately carved openwork floral and figural motif aprons, raised on four conformingly carved legs joined by a stretcher, consisting of two with octagonal tops and one with a scalloped top 3 pieces Largest: 24” H x 15” Dia.; Smallest: 18” H x 20” Dia. $500-700

3 6 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2325

Three Chinese carved wood and marble plant stands

Late 19th/early 20th century Comprising three marble-topped stands, each with elaborately carved openwork floral and figural motif aprons, raised on four conformingly carved legs joined by a stretcher, consisting of two with round tops and one with a scalloped top 3 pieces Largest: 36” H x 13” Dia.; Smallest: 28” H x 18” Dia. $600-800

w w w. j o h n m o r a n . c o m 3 6 3

2326

A Chinese lacquered wood apothecary cabinet

Late 19th/20th century The cabinet with metal ring pulls, featuring forty-two small drawers with two inner partitions above three longer lower drawers, each bearing Chinese characters 46.75” H x 34.25” W x 18.5” D $300-500

3 6 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2327

A Chinese gilt and lacquered wood cabinet

Late 19th/early 20th century The black lacquered wood cabinet with gilt-decorated child figures, housewares, butterfly, and foliate motifs, featuring two locking doors revealing a central drawer between upper and lower open cavities 35.5” H x 25” W x 17” D $400-600

w w w. j o h n m o r a n . c o m 3 6 5

2328

An Asian carved stone brush washer

20th century The shaped ovoid bowl carved with a lion’s face and scrolls 2.5” H x 4.75” W x 4.5” D $300-500

3 6 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2329

Two East Asian carved fluorite table lamps

20th century Each lidded stone vessel mounted as a lamp with metal band and openwork base, comprising a single-light lamp with carved dragon-form handles above carved wood, and a two-light lamp depicting a carved figure and floral motifs, electrified 2 pieces Taller lamp with harp: 35.75” H x 11.5” W x 9” D; Larger shade: 14” H x 18.25” Dia. $200-400

w w w. j o h n m o r a n . c o m 3 6 7

2330

Three Chinese archaistic carved hardstone items

20th century Comprising a double vase covered urn set on a black stone base, a covered vase on the back of a phoenix, and another carving of a phoenix seated on a vase 3 pieces Largest overall: 11” H x 6” W x 2.5” D; Smallest: 3.875” H x 3.5” W x 1.625” D $1,200-1,800

3 6 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2331

Three Chinese carved hardstone decorations

20th century Comprising a rectangular plaque carved with a phoenix on one side, and the two green pebble pendants, one carved with peaches and a dragon, the other with a gourd and a Happy Buddha 3 pieces Largest: 8.25” H x 3.125” W; Pendants: 2.25” L and 2.75” L $800-1,200

w w w. j o h n m o r a n . c o m 3 6 9

2332

Three Chinese carved hardstone seals

20th century Each carved with a dragon or guardian lions, together with a composition deer seal, a malachite lion-form snuff bottle, and a carved blue stone figure 6 pieces Largest seal: 3.5” H; Snuff bottle 2.75” L $400-600

3 7 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2333

Two Chinese intricately carved soapstone seals

20th century Each carved with a cluster of four guardian lions, blank seal 2 pieces Each: 8.5” H x 3.875” W x 3.875” D $1,000-1,500

w w w. j o h n m o r a n . c o m 3 7 1

2334

Ten Chinese carved hardstone figural seals

20th century Each with various subjects including dragons, guardian lions, other animals, and immortals, all blank 10 pieces Tallest: 4.5” H; Shortest: 2” H $800-1,200

3 7 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2335

Eight Chinese carved hardstone seals

20th century With various subjects including dragons, immortals, and one a landscape, all blank 8 pieces Tallest: 3” H; Shortest: 2.375” H $800-1,200

w w w. j o h n m o r a n . c o m 3 7 3

2336

Seven Chinese carved hardstone seals

20th century Carved with various subjects including landscapes, a seascape, insects, and dragons, all blank 7 pieces Tallest: 4.625” H; Shortest: 2.25” H $700-1,000

3 7 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2337

A pair of large carved stone Komainu statues

20th century Each depicted sitting on its haunches and clutching a ball 2 pieces Each: 17” H x 34” W x 15” D $700-900

w w w. j o h n m o r a n . c o m 3 7 5

2338

An Asian carved stone sculpture of a Dharmapala

Likely Indonesian/Southeast Asian, 20th century Depicted with an elaborate headpiece, holding an implement in right hand, and standing above a maiden figure 34.5” H x 17.5” W x 14.75” D $700-900

3 7 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2339

A Vietnamese-style carved stone stele

20th century The central figure depicted with sixteen arms, above ten other figures below 23” H x 32.5” W x 12” D $700-900

w w w. j o h n m o r a n . c o m 3 7 7

2340

A Japanese natural wood choba tansu

20th century The document chest with iron hardware and ring pulls, featuring multiple sliding cabinet doors and drawers, one with latch lock 68” H x 37.5” W x 19.75” D $600-800

3 7 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2341

A Japanese bronze figural censer

Meiji Era (1868-1912) or later Bearing maker’s mark reading ‘Suiun chu’ The domed cover with a finial in the form of an old man with frogs, the censer with opposed handles and raised on four legs with masks of mythical creatures 16” H x 10.25” W x 10.25” D $800-1,200

2342

A Japanese bronze figural censer

Meiji Era (1868-1912) or later With Japanese inscription to underside of body possibly reading ‘Dainihon Kanda Kawabe-zumi Shokaken I-no-[ten]’ The lidded censer with opposed dragon-form handles and raised on four legs in the form of guardian lions, featuring a finial in the form of a seated man with a frog 22” H x 11.75” W x 10.5” D $1,000-2,000

w w w. j o h n m o r a n . c o m 3 7 9

2343

A Japanese bronze figure of Amida Nyorai

20th century Depicted in flowing robes and hands displaying itarka mudra, standing atop a double lotus base 34.5” H x 11.5” W x 11.5” D $400-600

3 8 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2344

A large Chinese silver-clad jardinière

20th century Bearing Qianlong mark below rim The silver-clad planter with a band of meandering motifs above a dragon and floral motif body, set on a wood stand Jardinière: 18.5” H x 22.5” Dia.; Stand: 10.5” H x 18.5” Dia. $1,000-1,500

w w w. j o h n m o r a n . c o m 3 8 1

2345

A pair of Japanese bronze Rinto hanging lanterns

20th century Each with script underneath the wax catcher Each in three segments depicting cherry blossoms and bird figures 2 pieces Largest segment: 7.75” H x 8.25” W x 4.75” D; Assembled: 24” H $300-500

3 8 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2346

A Japanese bronze figural censer

20th century The lidded censer raised on tripod legs, with opposed handles, bands of openwork, and bird figures in relief, the lid featuring a Shishi figural finial 14.25” H x 12.625” W x 9.5” D $400-600

w w w. j o h n m o r a n . c o m 3 8 3

2347

A Japanese patinated bronze Shishi figure

20th century The lion/dog guardian figure depicted recumbent and set into a carved burlwood stand Overall: 10” H x 16.25” W x 9” D $300-500

3 8 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2348

A large Japanese bronze planter

20th century The planter with opposed dragon-form handles and chased decorations to body depicting a mountain village scene, raised on tripod feet and mounted to a conformingly patinated metal and wood base 16” H x 22” Dia. $300-500

w w w. j o h n m o r a n . c o m 3 8 5

2349

A pair of Japanese patinated bronze candlesticks 20th century Each standard with openwork bamboo and bird motifs 2 pieces Each: 20” H x 4.625” Dia. $500-700

3 8 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2350

A Japanese gilt-bronze figure of Kannon

20th century The figure of the God of Mercy, depicted with gilt robe and adornments, seated atop a double lotus base 20.25” H x 16.5” W x 10.5” D $500-700

w w w. j o h n m o r a n . c o m 3 8 7

2351

A pair of Japanese bronze candlesticks

20th century Each single-light candleholder with scalloped rim wax catcher above two crane figures joined by floral openwork, the standard with chased decorations 2 pieces Each: 34.75” H x 9” W x 9” D $700-900

3 8 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2352

A Japanese bronze lamp

20th century Impressed to wood base: 460 / 462 The two-light lamp body with bird figures on branches in high relief, above openwork branches of peaches, raised on a wood base, surmounted by a fabric shade and carved bone finial, electrified Lamp: 27.5” H x 9.5” Dia.; Shade: 11.5” H x 21.25” Dia. $200-400

2353

An East Asian bronze jardinière

20th century The footed planter cast with Koi amidst waves, with opposed lug handles, set on a wood base 9.25” H x 12” W x 10.75” D $300-500

w w w. j o h n m o r a n . c o m 3 8 9

2354

A Japanese wood hibachi

20th century The hibachi with metal liner, five drawers, and opposed inset handles, raised on an enameled metal stand Overall: 22.5” H x 28.5” W x 15.5” D $300-500

3 9 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2355

A Japanese tansu chest

20th century The wood chest with iron hardware and opposed handles, featuring five locking drawers and a locking cabinet door centering, the top and sides ebonized 35” H x 46.5” W x 18” D $400-600

2356

A small Japanese tansu chest

20th century The wood chest with iron hardware and opposed handles, featuring three locking drawers to one side and a locking cabinet door centering two drawers to the other 29.5” H x 35.5” W x 15.5” D $500-700

w w w. j o h n m o r a n . c o m 3 9 1

2357

Two East Asian porcelain chargers

19th/20th century Each with blue underglaze chop mark Decorated with gilt and polychrome figures 2 pieces Larger: 25” Dia.; Smaller: 22” Dia. $200-400

3 9 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2358

Four East Asian porcelain chargers

19th/20th century Each unmarked Comprising three in the Imari style and one depicting a rural mountain village 4 pieces Largest: 18” Dia.; Smallest: 14.5” Dia. $300-500

w w w. j o h n m o r a n . c o m 3 9 3

2359

A Chinese yellow ground enameled porcelain charger Circa 1900 or later With red underglaze Qianlong Period (1736-1795) reign mark Together with two East Asian porcelain chargers 3 pieces Yellow ground: 15.75” Dia.; Other chargers: 18” and 16” Dia. $800-1,200

3 9 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2360

A Chinese porcelain jardinière

20th century With four ringed lion’s head masks and painted in blue and iron red with an underwater scene with koi 19.5” H x 21.5” Dia. $200-400

w w w. j o h n m o r a n . c o m 3 9 5

2361

A Japanese Satsuma pottery charger

19th/20th century Unmarked The gilt and painted ceramic plate depicting a scholar holding a bowl in an interior, with attendants around 2” H x 11.75” Dia. $700-900

3 9 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2362

Three Chinese carved snuff bottles

19th/20th century Comprising a gourd-form bottle, a two-handled jade urn-form bottle, and a coral ovoid bottle 3 pieces Tallest: 3.125” H; Shortest: 2.25” H $800-1,200

w w w. j o h n m o r a n . c o m 3 9 7

2363

Five Chinese glass snuff bottles

20th century Comprising two interior-painted glass bottles and three overlay glass bottles, one overlaid with three colors and carved with bats and clouds on a white ground, another with green overlay carved with vines and gourds on a white ground, and the last with red blossoming branches 5 pieces Tallest: 3” H; Shortest: 2.25” H $800-1,200

3 9 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2364

Five Chinese snuff bottles

20th century Comprising a hardstone bottle carved with turtles, a quartz Koi-form bottle, a turquoise stone bottle, a blue and white porcelain bottle, and a cinnabar-style bottle 5 pieces Each: 2.5”-3” H; Koi: 4” L $600-900

w w w. j o h n m o r a n . c o m 3 9 9

2365

A group of Chinese mixed media snuff bottles

20th century Comprising eight ceramic bottles, a carved hardstone bottle, and four metal bottles 13 pieces Tallest: 3.5” H; Shortest: 2.25” H $500-700

4 0 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2366

Three Chinese snuff bottles

19th/20th century Comprising a red overlay green glass bottle carved with a grasshopper and grapes, with a bridge on the reverse, a glass bottle incised with mountains and trees, and a butterscotch glass bottle carved with a phoenix 3 pieces Tallest: 3” H; Shortest: 2.75” H $800-1,200

w w w. j o h n m o r a n . c o m 4 0 1

2367

A group of Chinese snuff bottles

20th century Comprising two engraved or etched glass bottles, an interior-painted glass bottle, two carved hardstone bottles, three enameled bottles, and two hardstone-mounted silvered metal bottles 10 pieces Tallest bottle: 3.25” H; Gourd: 2.75” L; Blue glass turtle: 3” L $700-900

4 0 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 4 0 3

2368

A group of Chinese porcelain garden stools

20th century Each unmarked The glazed ceramic stools decorated with all-over floral and foliate motifs with pierced accents to the top and sides and low-relief beads near the foot and rim 4 pieces Each: 19.5” H x 13” Dia. $400-600

4 0 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2369

A large blue and white porcelain jardinière

20th century With four lion masks under the rim, painted with Chinese-style figural and cloud motifs 23” H x 25.5” Dia. $300-500

w w w. j o h n m o r a n . c o m 4 0 5

2370

A pair of Chinese Famille Rose porcelain vases

20th century Each of hexagonal form, with applied precious objects in relief and lion handles to the neck Each: 22.5” H x 9.5” Dia. $800-1,200

4 0 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2371

A pair of silver-plated figural candlesticks

20th century Each turned standard with two applied bird figures, set on a wood stand 2 pieces Each overall: 7.75” H x 6.75” Dia. $100-200

w w w. j o h n m o r a n . c o m 4 0 7

2372

An Indian polychromed wood dowry chest

20th century The wood with hinged latch-locking lid, featuring inlaid trimming and panels to each side painted with figures 20” H x 26” W x 20.5” D $300-500

4 0 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2373

A large Indian bronze temple bowl

Late 19th/early 20th century One side bearing inscription The cast bronze low bowl with rosette motifs and two loop handles 9.5” H x 28.25” Dia. $500-800

w w w. j o h n m o r a n . c o m 4 0 9

2374

Two Mewar Indian paintings

18th century One work depicting Rana Sanga on horseback; the other depicting Shrinathji at the center and surrounded by priests and devotees Each: Gouache and metallics on paper with a decorative fabric border 2 pieces Sight of each (with border): 13.375” H x 11” W $300-500

4 1 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2375

Two Mughal Indian paintings

18th century Two paintings depicting Mughal Emperors Each: Gouache on paper with a decorative border 2 pieces Sight of each: 10.75” H x 7.125” W $300-500

w w w. j o h n m o r a n . c o m 4 1 1

2376

A Kerman rug

Early/mid-20th century Wool on cotton foundation 4’ 9” L x 3’ 6” W $300-500

4 1 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2377

A Hamadan rug

Early/mid-20th century Wool on cotton foundation 4’ 11” L x 4’ 1” W $500-700

w w w. j o h n m o r a n . c o m 4 1 3

2378

A group of Russian icons

19th/20th century Each painted on wood, comprising a Christ Pantocrator, two depicting the Mother of God, and Mother of Kazan with enameled riza, each with a gilt-metal oklad and set in a wood frame 5 pieces Largest: 10” H x 9” W x 3” D; Smallest: 7.75” H x 6.75” W x 2.25” D $1,000-1,500

4 1 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2379

A Renaissance-style iron chest

19th century The chest with opposed handles to side and floral medallion to front, the lid with double latch lock and central door-form lock, opening to reveal a painted panel depicting floral motifs, with 4 keys 20” H x 29.5” W x 21” D $700-900

w w w. j o h n m o r a n . c o m 4 1 5

2380

A Black Forest carved wood cuckoo clock

20th century The single movement clock with mounted plastic Roman numeral hour track and hands below a cuckoo bird, housed in a case profusely decorated with carved vines of ivy and three bird figures 22.25” H x 17.5” W x 9.5” D $200-400

4 1 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2381

A Baroque-style carved wood open armchair

20th century With curvilinear arms and acanthus-form terminals, upholstered in a woven fabric, raised on block-turned front legs and H-stretcher 47” H x 31.5” W x 27” D $300-500

w w w. j o h n m o r a n . c o m 4 1 7

2382

A Neoclassical-style marquetry sofa table

20th century The long thin table with marquetry inlaid diamonds within squares 25.5” H x 61.25” W x 15.75” D $300-500

4 1 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2383

A Viennese regulator

19th century Marked to dial: B Aulich / Wien The single-movement clock with Roman numeral hour track on an enameled metal dial with gilt-metal trimming, housed in a glazed wood case with hinged front door centering barley twist columns and surmounted by an architectural pediment 26.5” H x 9.5” W x 5” D $200-400

w w w. j o h n m o r a n . c o m 4 1 9

2384

A Victorian cast-iron hall tree

19th century Possibly Coalbrookdale, the backing with scroll motifs and opposed barley twist accents centering an oval mirror, featuring a single drawer and a demilune marble top 86” H x 38” W x 16” D $500-700

4 2 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2385

A Victorian mahogany Wellington chest

19th century The seven-drawer wood chest with turned wood knob pulls and locking vertical side panel 51.5” H x 22.25” W x 15.5” D $400-600

w w w. j o h n m o r a n . c o m 4 2 1

2386

A George III-style mahogany chest of drawers

20th century The wood chest with brass hardware and brass pulls, featuring five drawers centering fluted vertical panels, raised on ogee bracket feet 42.25” H x 47” W x 22” D $500-700

4 2 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2387

A George III mahogany chest of drawers

19th century The wood chest with later hardware and brass pulls, featuring five drawers, raised on bracket feet 38” H x 41.25” W x 20.5” D $700-900

w w w. j o h n m o r a n . c o m 4 2 3

2388

A patinated metal elephant-form side table

20th century The caparisoned elephant figure issuing four X-form supports wound with metal cording ending in tassels, surmounted by a beveled glass top and raised on a metal and leather-wrapped wood pedestal base Overall: 25.5” H x 20.25” W x 19.25” D $400-600

4 2 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2389

Kenneth “Dale” Ferguson (1928-2004)

Two large Raku-style glazed earthenware vessels, late 20th century Each with incised signature near base: Ferguson Comprising a lidded jar and a bulbous vase, each fired in the Japanese Raku style 2 pieces Jar: 25” H x 13” Dia.; Vase: 11” H x 14.75” Dia. $300-500

w w w. j o h n m o r a n . c o m 4 2 5

4 2 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2390

Frederick Stuart Church

(1842-1924) “The Music Lesson,” 1916 Oil on canvas Signed and dated lower left: F.S. Church / 1916; signed and dated again, and titled underneath the figure, to the left 33” H x 18” W $2,000-3,000

w w w. j o h n m o r a n . c o m 4 2 9

2391

William Hubacek

(1871-1958) Still life with grapes and a basket, 1908 Oil on canvas Signed and dated lower right: Wm. Hubacek / 1908 18” H x 24” W $800-1,200

4 3 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2392

Edwin Steele

(1837-1898) Still life with flowers and fruit, 1887 Oil on canvas Signed and dated lower right: E. Steele 1887 36.25” H x 28” W $500-700

w w w. j o h n m o r a n . c o m 4 3 1

2393

James Hardy II

(1832-1889) “Waiting for Lunch” Watercolor on paper laid to board Signed lower left: James Hardy [indistinct]; titled on the frame plaque Sheet/board 13.25” H x 18.25” W $1,200-1,800 Provenance: Henry Whitley, Scarborough, England Sold: Bonhams, Chester, England, “Chester Sale,” March 6-8, 2012, Lot 262 Sold: Mealy’s Fine Art, Castlecomer, Ireland, “Summer Fine & Decorative Art Sale,” May 29-30, 2012, Lot 720

4 3 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2394

19th Century British School

Portrait of John Arthur Cooper on his mount Billy Oil on canvas Signed, dated, and inscribed, all verso: “John Arthur Cooper on his pony Billy / at 8 years of age 1842 Billy aged 20. Painted by J. Dobson.” 22.5” H x 27” W $400-600

w w w. j o h n m o r a n . c o m 4 3 3

2395

Late 17th/early 18th century British School Two works:

Portrait of Lady Helen Lindsay Oil on canvas Unsigned; titled lower left: “[Lady] Helen Lindsay / Wife of / [Si]r. Robert. 3d Bt;” inscribed in ink in another hand on a label affixed to the stretcher bar: “Helen daughter of John, Earl of Crawford, Lindsay / married 1663 to / Sir Robert Sinclair. Bart / of Stevenson. Co. Haddington” 30” H x 24” W Portrait of Sir Robert Sinclair Oil on canvas Unsigned; titled lower left: [Si]r. Robert. 3[d] Bt.;” inscribed in ink in another hand on a label affixed to the stretcher bar: “Sir Robert Sinclair. Bart / of Stevenson. Co. Haddington / Born __ died 1713” 30” H x 24” W $1,000-2,000

Notes: “Bt” and “Bart” are the traditional abbreviations in British nobility for individuals who have been awarded the hereditary title of baronet. Baronets rank below barons, but above all other knights. Like all British knights, baronets are addressed as “Sir.”

4 3 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 4 3 5

4 3 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2396

19th Century American School

Portrait of a woman Oil on panel Unsigned; indistinctly inscribed verso 31.75” H x 25.75” W $1,500-2,000

w w w. j o h n m o r a n . c o m 4 3 7

2397

John Opie

(1761-1807) “Mrs. Brookings” Oil on canvas laid to canvas Unsigned; titled on the frame plaque 30” H x 25” W $800-1,200

4 3 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2398

Eduard Charlemont

(1848-1906) Portrait of a standing gentleman, 1891 Oil on panel Signed and dated at the center of the right edge: E. Charlemont 1891 22.75” H x 15” W $500-700 Provenance: Fletcher Copenhaver Fine Art, Fredericksburg, VA

w w w. j o h n m o r a n . c o m 4 3 9

2399

After Basilius Besler

(1561-1629) “Sparganium, Orobanche, Cicta Maxima,” and “Tragopogon Flore Luteo, Linum sylvetsre flore coeruleo, Tragopogon purpureum,” two plates from “Hortus Eystettensis” Each: Engraving with hand-coloring on speckled paper laid to board From the edition of unknown size and date Unsigned Each sight: 19” H x 15.75” W $1,000-1,500

4 4 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2400

A George III inlaid mahogany knife box

Early 19th century The mahogany veneer lidded box with locking mechanism, featuring inlaid trim, opening to reveal thirty-eight slots 14.25” H x 8.875” W x 10.75” D $300-500

w w w. j o h n m o r a n . c o m 4 4 1

2401

2402

19th century The wood sideboard with inlaid veneer trimming and bellflower motifs to fronts, featuring a central locking drawer above two locking hinged cabinet doors revealing an open cavity, flanked by locking cabinet doors, raised on attenuated square legs 40.75” H x 68” W x 28.25” D

Late 20th century Three with metal Kittinge Each with lolling armrests H-stretcher 4 pieces Each: 38.5” H x 28” W x

A Hepplewhite-style mahogany bow front sideboard

$500-800

4 4 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

A set of Kittinger Fed

$800-1,000

deral-style mahogany lolling armchairs

er tag to underside s and velvet upholstery with tufted seatback, raised on straight legs joined by an 29.5” D

w w w. j o h n m o r a n . c o m 4 4 3

2403

2404

Circa 1930 The rectangular cross-banded top over two pedestal supports, each with turned standard and four out-swept fluted legs ending in casters, extendable with three leaves Table: 28.75” H x 70.25” W x 48” D; Each leaf: 18” W

Early/mid-1 Each with a splat and gr 4 pieces Each: 33.25

A Regency-style mahogany twin pedestal dining table

$800-1,200

4 4 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

A set of fo

$500-700

our Biedermeier dining chairs

19th century a straight top rail with marquetry griffins flanking a shield, over a foliate back rey upholstered seat with brass tacking, raised on four splayed legs

5” H x 18” W x 23” D

w w w. j o h n m o r a n . c o m 4 4 5

2405

A Biedermeier part-ebonized cherry veneer commode

Circa 1820 The upper drawer with later rounded metal pulls, the lower two locking drawers with ebonized escutcheons, flanked by ebonized columnar accents, surmounted by a later black hardstone top 31” H x 33” W x 18” D $500-700

4 4 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2406

A pair of Meissen porcelain vases

Late 19th century Each with underglaze blue crossed swords with double cancellation and numbered: 29; each incised: A.148: each impressed: 8; each marked in gilt: 2 The parcel-gilt footed vases with opposing snake-form double handles, each body painted in friezes, one depicting “The Emperor Maximilian Receives the Venetian Ambassadors in Verona” after Carl Ludwig Friedrich Becker (1820-1900), the other depicting a related scene after the same artist, the necks and reverse depicting birds raising a garland, a central urn, and opposed griffins 2 pieces Each: 19” H x 12.5” W x 9.75” D $800-1,200

w w w. j o h n m o r a n . c o m 4 4 7

2407

A pair of large Dresden porcelain Schneeballen vases and covers

19th century Each with spurious underglaze blue crossed swords mark over an oval dot The ogee bodies applied with branches of mayflowers, the small flowerheads with blue edges and yellow dot centers, the domed covers with a parrot perched on a branch of cherries 2 pieces Each: 31.5” H x 14” Dia. $3,000-5,000

4 4 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 4 4 9

2408

A pair of Dresden porcelain covered urns

20th century Each with underglaze blue Potschappel ‘PS’ monogram over: Dresden Each baluster-form urn with flared, acanthus motif lid over a tapering body with painted musical reserves on a blue, gilt-highlighted ground with a gadrooned base, raised on a fluted support and square foot 2 pieces Each: 15.5” H x 5.25” Dia. $400-600

4 5 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2409

A Dresden porcelain figural candelabrum

19th century With pseudo underglaze blue crossed swords The four-light candelabrum with a satyr figure standard, decorated with floriform and foliate motifs throughout, raised on four scrolled feet 21.5” H x 9” W x 9” D $300-400

w w w. j o h n m o r a n . c o m 4 5 1

2410

A J. & L. Lobmeyr glass punchbowl and goblet set

20th century Each piece with two-toned gilt accents, trim, and grapevine motifs, comprising a footed and lidded punchbowl (17.375” H x 9.5” Dia.) and twelve stemware punch goblets (5.375” H x 2.75” Dia.), each with applied prunts, all set on a platter (1.75” H x 17.25” Dia.), together with a Gorham sterling silver and stainless steel hollowhandled punch ladle (12” L) 15 pieces $800-1,200

2411

A Limoges porcelain fish service

Early 20th century Each twice marked to underside: Limoges / France Each with transfer-printed sea life motifs and hand-gilt embellishments, comprising a serving platter (23.75” W x 9.75” D), a sauce boat (4.25” H x 7.375” W x 3.5” D) with underplate (8.875” W x 6.25” D), and twelve plates (9.375” Dia.) 15 pieces $300-500

4 5 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2412

A set of ten Schumann porcelain ‘Chateau Dresden’ dinner plates Early 20th century; Germany Each marked to underside: Schumann / Bavaria Each with reticulated rims and transfer-printed floral motifs 10 pieces Each: 10.375” Dia. $300-500

w w w. j o h n m o r a n . c o m 4 5 3

2413

A George III mahogany tall case clock

18th/19th century The two-movement clock with Roman numeral inner hour and Arabic minute marker outer track on an enameled metal dial, with subsidiary seconds dial and crescent date dial, all below a day/night moon phase dial, housed in a mahogany case with a hinged cabinet door centering fluted columnar accents, surmounted by a glazed bonnet with a broken swan neck pediment 89” H x 19.75” W x 11” D $1,500-2,500

4 5 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2414

A George III mahogany tilt-top pedestal table

Late 18th/early 19th century The tabletop with a piecrust beveled edge, supported on a turned standard raised on tripod curvilinear legs carved with bellflower motifs 28.5” H x 33.25” Dia. $300-500

w w w. j o h n m o r a n . c o m 4 5 5

2415

A pair of Baccarat glass three-light sconces

Mid/late 20th century Each with Baccarat factory stencil mark Each curving arm issuing from circular backplate and ending in vasiform nozzles and scalloped bobèches hung with faceted prisms, fitted with etched hurricane shades 2 pieces Each: 22.5” H x 18” W x 12.5” D $600-800

4 5 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2416

A Victorian needlepoint tapestry: The surrender of Mary Queen of Scots to the Confederate Lords at Carberry Hill in the year 1567

Mid/late 19th century; after Alexander Chisholm (1792-1847) A finely worked petitpoint wool on canvas panel depicting Mary and Lord Kirkaldy of Grange on horseback in a landscape surrounded by troops Sight: 27.75” H x 39.5” W $700-900

w w w. j o h n m o r a n . c o m 4 5 7

2417

An Edwardian marquetry kneehole desk

Attributed to James Phillips & Sons, Ltd., early 20th century The tabletop with blind-stamped leather, above seven drawers with lion’s head mask ring pulls, the front inlaid with bellflower swags and ribbons 30” H x 48.25” W x 25” D $700-900 Notes: It is reported that the desk previously had the James Phillips & Sons tag, but it is no longer present.

4 5 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2418

A Maitland-Smith Regency-style leather-clad games table

Late 20th century The leather-wrapped wood table with gilt and blind stamped borders, featuring an inset backgammon board, each side with one drawer and one false-front, raised on stylized trestle supports joined by an arched stretcher and terminating in brass paw feet with casters, together with assorted game pieces 29” H x 26” W x 37” L $400-600

w w w. j o h n m o r a n . c o m 4 5 9

2419

A Copeland Spode earthenware ‘Spode’s Tower’ dinner service

1914-1917 Each with blue underglaze mark: Copeland / Spode’s Tower / England; most impressed with Copeland Spode backstamp and date stamp The blue and white transferware service, each with gilt gadrooned rims, comprising 7 dinner plates (10.75”), 4 luncheon plates (9.5”), 12 salad plates (7.75”), 11 bread plates (5.375”), 8 wide rim soup bowls (9.5”), 11 fruit bowls (5.5”), 8 flat cups (2.25”) with 11 saucers (6.125”), 2 covered vegetable servers (Each: 5.125” H x 8.25” W x 10” D), 1 covered sauce boat with attached underplate (5.5” H x 8.125” W x 6.375” D), 3 graduated serving platters (Largest: 17.5” W x 13.75” D), and 2 vegetable bowls (Larger: 10” W x 7.75” D) 80 pieces $800-1,200 Notes: The bridge depicted in most of the pieces is the Ponte Salaro in Rome, after an image published circa 1796 by Merigot and Robert Edwards (1768-1827) in London, as part of a portfolio titled “A Select Collection of Views and Ruins in Rome and Its Vicinity; Executed from Drawings Made Upon the Spot in the Year 1791,” which comprised 59 aquatint plates.

4 6 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2420

A Royal Crown Derby bone china ‘Black Aves’ dinner service

1993-1994 Each marked to underside: Royal Crown Derby English Bone China [centering crown logo] / Black Aves / A. 1310 / © Royal Crown Derby 1985; alternately date marked: LVI / LVII Each with gilt trim and black transfer-printed design depicting birds in an arboreal scene, comprising 12 dinner plates (10.5”), 12 salad plates (8.5”), 12 bread and butter plates (6.375”), and 12 flat cups (3.75”) with 12 saucers (5.875”) 60 pieces $1,500-2,500

w w w. j o h n m o r a n . c o m 4 6 1

2421

An Italian white marble sculpture of a girl with a basket Metello Motelli (1851-1894), mid-19th century Base with incised inscription: Motelli / Milano 1860 40.5” H x 13.5” W x 18.5” D $700-900 Provenance: Sold: Andrew Jones Auctions, Los Angeles, CA, “DTLA Collections and Estates,” November 20, 2024, lot 271 Private Collection

4 6 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2422

A pair of Baccarat ‘Medallion’ candelabra

Late 20th century Each with Baccarat factory stencil mark Each three-light candelabrum with floriform nozzles and bobèches mounted with faceted prisms, raised on a lobed foot with beaded edge 2 pieces Each: 17.75” H x 13” W x 5.375” D $800-1,200

w w w. j o h n m o r a n . c o m 4 6 3

2423

A Herend porcelain ‘Queen Victoria’ part dinner service

Mid/late 20th century Underglaze blue factory marks, impressed and inscribed blue numbers Comprising 6 dinner plates (10.125”), 8 salad plates (8”), 6 soup plates (9.5”), six fruit bowls, two oval platters (13.5” and 15”), a ladle, four cups, a coffee pot, a teapot, a covered sugar bowl, and a creamer 37 pieces $1,200-1,800

4 6 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2424

A Herend porcelain ‘Rothschild Bird’ covered tureen

Late 20th/early 21st century Stamped to underside: Herend / Hungary / Handpainted; further marked: 22/RO / 7 / H35 / 679 The tureen with opposed foliate-form handled and lemon-form finial, decorated with painted birds and butterflies, with gilt accents 9.25” H x 12” W x 9.5” D $600-800

w w w. j o h n m o r a n . c o m 4 6 5

2425

An Edward Ferrell ‘Knole’ sofa

Early 21st century Marked under middle cushion: Edward Ferrell LTD The sofa with hinged side panels, which anchor with a tasseled cord bound around wood finials, upholstered in a burnt orange chenille fabric, with two conforming pillows and an associated bolster pillow 4 pieces Stored: 40.5” H x 86” W x 39” D; Open: 126” W $800-1,200

4 6 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2426

A United States of America military commission signed by President Martin Van Buren (1782-1862)

A partially printed military commission on thick vellum, signed faintly “M. Van Buren” and dated “28th of February 1838” in ink; also signed in ink by the Secretary of the Navy, “Mahlon Dickerson,” just below the center of the left edge; with the white paper seal at the center near the lower edge Sheet: 17.25” H x 13.75” W $600-800

w w w. j o h n m o r a n . c o m 4 6 7

4 6 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2427

A Canadian stained pine cabinet

First half 19th century, Frontenac or Victoria county Of mortise and tenon construction, the reeded cornice above two cabinet doors fitted with octagonal panels with fan corner accents, opening to reveal three shelves to each side 73.5” H x 50.5” W x 21.25” D $2,000-3,000 Provenance: Sold: Sotheby’s, New York, “Important Americana,” October 9, 1997, lot 430 Private Collector Palm Desert, CA, acquired from the above Literature: c.f. Howard Pain, “The Heritage of Upper Canadian Furniture,” (Toronto: Van Nostrand Reinhold, Ltd.: 1978), pp. 177-181, 194-195

w w w. j o h n m o r a n . c o m 4 6 9

2428

A Chippendale stained wood corner cupboard

Late 18th century With an architectural cornice above a glazed locking cabinet door revealing three shelves, flanked by fluted accents, above a lower locking cabinet door revealing a single shelf, raised on bracket feet, together with an associated document depicting the the family tree and history of this piece 93” H x 50” W x 22” D $600-800

4 7 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2429

A set of twelve Horner-style Renaissance Revival oak dining chairs

Mid/late 19th century Comprising ten side chairs with floral pattern fabric upholstery and two armchairs with red velvet upholstery, each carved oak chair with a broken pediment-style crest centering a lion mask flanked by carved flowers over columnar supports with rosettes, with an upholstered back and seat over a conformingly carved seat rail, raised on reeded toupie front feet 12 pieces Each side chair: 40.75” H x 20.5” W x 21.5” D; Each armchair: 45.75” H x 24.5” W x 27” D $800-1,200

w w w. j o h n m o r a n . c o m 4 7 1

2430

A Steinway & Sons baby grand piano

Circa 1925 Marked to fallboard: [lyre logo] / Steinway & Sons; inscribed in ink to keyboard wood: 234939 The 88-key piano housed in an ebonized wood case with square tapering legs ending in spade feet on casters, together with a bench with flip-top for sheet music storage 2 pieces Piano: 40” H x 75” W x 58” D approximately; Bench: 19.625” H x 36” W x 15” D $4,000-6,000

4 7 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2431

A set of twelve Royal Copenhagen porcelain ‘Flora Danica’ salad plates

1966-1973 Each variously marked in script for the depicted botanical and further marked: Royal Copenhagen [most with dot under ‘G’, one under ‘N’] / [crown logo] / Denmark / 20 / 3573; each marked with three waves in blue underglaze Designed 1790, the plates with painted and gilt-embellished sawtooth rim, each variously featuring a central hand-painted depiction of a botanical 12 pieces Each: 7.875” Dia. $3,000-5,000

w w w. j o h n m o r a n . c o m 4 7 3

2432

A Royal Copenhagen porcelain ‘Flora Danica’ monteith

1969-1973 Marked to underside: Royal Copenhagen [with dot under ‘G’] / [crown logo] / Denmark / 20 / 3531; further marked with three waves in blue underglaze Designed 1790, the wine glass chiller with opposed handles and scalloped rim, hand-painted with gilt embellishments, depicting sixteen botanicals in registers and one to interior, each labeled at bisque underside in script 4.75” H x 13.25” W x 9.5” D $2,000-3,000

4 7 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 4 7 7

2433

A set of twelve Royal Copenhagen porcelain ‘Flora Danica’ dinner plates

1969-1973 Each variously marked in script for the depicted botanical and further marked: Royal Copenhagen [most with dot under ‘G’] / [crown logo] / Denmark / 20 / 3549; each marked with three waves in blue underglaze Designed 1790, the plates with painted and gilt-embellished sawtooth rim, each variously featuring a central hand-painted depiction of a botanical 12 pieces Each: 10.25” Dia. $6,000-8,000

4 7 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 4 7 9

2434

A set of twelve Royal Copenhagen porcelain ‘Flora Danica’ side plates

1962-1967 Each variously marked in script for the depicted botanical and further marked: Royal Copenhagen [most with dot under a letter in ‘COPENHAGEN’] / [crown logo] / Denmark / 20 / 3554; each marked with three waves in blue underglaze Designed 1790, the plates with painted and gilt-embellished reticulated rim with sawtooth edge, each variously featuring a central hand-painted depiction of a botanical 12 pieces Each: 9” Dia. $4,000-6,000

4 8 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2435

A Royal Copenhagen porcelain ‘Flora Danica’ covered sugar bowl

1969-1973 Bowl and lid each marked to underside: Royal Copenhagen [with dot under ‘G’] / [crown logo] / Denmark / 20 / 3502; further marked with three waves in blue underglaze Designed 1790, the lidded sugar bowl with opposed foliate-form handles, hand-painted with gilt embellishments, depicting a botanical to lid 3” H x 4.375” W x 3.25” D $400-600

w w w. j o h n m o r a n . c o m 4 8 1

4 8 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2436

Frederick Arthur Jessup

(1920-2007) Still life with flowers and a blue glass Oil on canvas Signed lower left: FA Jessup 29” H x 23.75” W $600-800

w w w. j o h n m o r a n . c o m 4 8 3

2437

R. M. Zoy

(active 20th century) Figures at a beach Oil on canvas Signed lower right: R. M. Zoy 24” H x 36” W $700-900 Notes: The present work is a copy of Eugène Louis Boudin’s “Fashionable Figures on the Beach” from 1865 in the collection of the Museum of Fine Arts Boston.

4 8 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 4 8 5

4 8 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2438

Gabriel Vié (1888-1973) Two works:

“Brise en Marne” Oil on Masonite Signed lower right: Vié; titled verso 13” H x 13” W “Paysage en Lozère” Oil on Masonite Signed lower left: Vié; titled verso 13” H x 13” W $400-600

w w w. j o h n m o r a n . c o m 4 8 7

2439

Jan Korthals

(1916-1972) Dutch canal scene Oil on canvas Signed lower right: Jan Korthals 19.75” H x 23.75” W $500-700 Provenance: Estate, Hollywood, CA

4 8 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2440

Sergei Bongart

(1918-1985) Figure in a harvest scene Oil on canvas Unsigned 30” H x 32” W $600-800 Provenance: The Estate of Sergei Bongart

w w w. j o h n m o r a n . c o m 4 8 9

2441

Richard Dey De Ribcowsky

(1880-1936) “Bazaar in Cairo” Oil on canvas Signed lower left: D. De Ribcowsky; signed again and titled verso 20” H x 30” W $2,000-3,000

4 9 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 4 9 1

2442

A Fereghan garden prayer rug Early 20th century Wool on cotton foundation 6’ 5” L x 4’ 4” W $600-800

4 9 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2443

An Isfahan rug

Mid-20th century Wool on wool foundation 8’ 4” L x 5’ 2” W $700-900

w w w. j o h n m o r a n . c o m 4 9 3

2444

A Fereghan floral prayer rug Early 20th century Wool on cotton foundation 6’ 4” L x 4’ 7” W $800-1,200

4 9 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2445

A Chinese carpet

20th century Wool on cotton foundation with light pink and purple flowering vines around a band work border on a champagne field 10’ 1.5” L x 8’ W $400-600

w w w. j o h n m o r a n . c o m 4 9 5

2446

A Chinese rug

20th century Wool on cotton foundation, with sprays of light pink flowers with green leaves on a light taupe/grey field 13’ 6” L x 9’ 9” W $500-700

4 9 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2447

A Bakhtiari garden carpet Mid-20th century Wool on cotton foundation 11’ 8” L x 8’ 10.5” W $600-800

w w w. j o h n m o r a n . c o m 4 9 7

2448

A Caucasian rug

Early 20th century Wool on wool foundation 10’ 2” L x 4’ 8” W $500-700

4 9 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2449

A Caucasian geometric area rug Early 20th century Wool on wool foundation 10’ 4” L x 4’ 3” W $800-1,200

w w w. j o h n m o r a n . c o m 4 9 9

2450

A Caucasian geometric wide runner Early 20th century Wool on wool foundation 10’ 10” x 4’ 9” W $1,000-1,500

5 0 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2451

A Caucasian geometric area rug Early 20th century Wool on wool foundation 7’ L x 4’ 3” W $400-600

w w w. j o h n m o r a n . c o m 5 0 1

2452

A Caucasian geometric area rug Mid-20th century Wool on wool foundation 8’ 11” L x 4’ 0.5” W $700-900

5 0 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2453

A Caucasian prayer rug Early 20th century Wool on cotton foundation 7’ 4” L x 4’ 3” W $500-700

w w w. j o h n m o r a n . c o m 5 0 3

2454

A Caucasian rug

Early 20th century Wool on wool foundation 6’ 3” L x 4’ W $400-600

5 0 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2455

A Caucasian rug

Early 20th century Wool on wool foundation 8’ 1” L x 5’ 11” W $300-500

w w w. j o h n m o r a n . c o m 5 0 5

5 0 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

2456

A Caucasian geometric runner Early 20th century Wool on wool foundation 9’ 1” L x 3’ 11.5” W $500-700

w w w. j o h n m o r a n . c o m 5 0 7

Consign Today

The Traditional Collector October 2025 A Riviere Studios “Wisteria” table lamp

Price Realized: $31,750

Consignment and Auction Inquiries: info@johnmoran.com

5 0 8 T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

Is your collection

protected?

Do you need a formal appraisal for insurance scheduling, estate tax ﬁling, gift or charitable donation? Moran’s team of USPAP compliant appraisers is here to meet your needs. • USPAP Compliant

• Quick Turnaround

art - jewelry - decorative objects - furnishings and more Sold at John Moran Auctioneers:

Francois Boucher “The Vegetable Vendor: A Sheet of Studies,” c.1738

Price Realized:$81,250

SINCE 1969

AUCTIONEERS & APPRAISERS w w w. j o h n m o r a n . c o m 5 0 9

Condition Reports 5 1 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A u g u st 1 2 , 2 0 2 5

w w w. j o h n m o r a n . c o m 5 1 1

2001 Each overall good condition with tarnishing and light scratches commensurate with age. Silver ranges from 800 900 standard. 2002 With tarnishing and scratches commensurate with age. The standard with scattered indentations, one measuring 1” long underneath central light. Some arms with a slight lean. Wax residue to bobèches. 2003 Overall good condition with tarnishing and light scratches commensurate with age. Denting to the base. Reigns not attached to dolphin figure. Shell with a slight lean. 2004 Overall good condition with tarnishing and light scratches commensurate with age. 2005 With tarnishing and scuffs and scratches commensurate with age. Heavily scratched in center. 2006 Overall good condition with tarnishing and light scratches commensurate with age. 2007 Each overall good condition with tarnishing and light scratches commensurate with age. One arm of epergne with a slight lean. 2008 Each overall good condition with tarnishing and light scratches commensurate with age. 2009 Overall good condition with tarnishing and light scratches commensurate with age. Minor soiling to underside. 2010 Each overall good condition with tarnishing and light scratches commensurate with age. The shaped square with one slightly bent rim.

Condition Reports

2011 Each overall good condition with tarnishing and light scratches commensurate with age.

512

2012 Each overall good condition with light scratches and scattered small indentations commensurate with age. One with repair where standard meets base, with attendant 3” long area of scuffing and corrosion along the vertical seam, which has some separation throughout.

2015 Each overall good condition with tarnishing and light scratches commensurate with age. Weight includes nonsterling wood insulators, which have replaced the original ivory. 2016 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. 2017 Each overall good condition with tarnishing and light scratches commensurate with age. Some with mild maceration. One knife with separation of blade from handle, one with denting to handle, and two monogrammed. Weight does not include hollow-handled items. 2018 Each overall good condition with tarnishing and light scratches commensurate with age. Some teaspoons slightly bent. Weight does not include hollow-handled items. 2019 Most overall good condition with tarnishing and scratches commensurate with age. A few pieces slightly bent at juncture with handle. One place knife blade separating from handle. Weight does not include hollow-handled items. 2020 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. 2021 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. 2022 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. 2023 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. 2024 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

2013 Overall good condition with very minor tarnishing and scattered light scratches commensurate with age. Two peasized indentations to body. Denting to lower rim of lid.

2025 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

2014 Overall good condition with very minor tarnishing and scattered light scratches commensurate with age. Two peasized indentations to body. Monogrammed ‘JCE.’

2026 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

2027 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered small localized stains at edges.

2040 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: an area of moth grazing to one corner.

2028 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

2041 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

2029 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Wear and losses to fringes.

2042 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

2031 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered repairs, a few small areas of moth grazing, and a 6” area of repair to one selvage edge. 2032 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. With a 6” repair to one edge. 2033 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 2034 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 2036 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of moth grazing, concentrated to one corner, two 1” long cuts, and fringe edges trimmed. 2037 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: visible areas of staining, areas of moth grazing, and wear to fringe edges. 2038 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: losses to fringe edges. 2039 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to selvage edges, and one half with slightly more sun fading.

2043 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 2044 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 2045 Each with shelf wear and soiling commensurate with age. Each volume with losses to leather of spine, cracking to hinges with attendant leather losses, and bowing. Hinges starting to separate in both volumes. Staining to boards, the text volume with a dime-sized abrasion. Pages 17 and 19 of text volume with repaired tears, unobtrusive to the text. Tanning to page edges. 2046 Vellum cover with heavy losses, soiling, stiffening, cockling, and some separation from boards. Pages with some cockling, moderate foxing, and soiling at edges commensurate with age. Front fixed endpaper with bookplate at upper left corner and ex-libris stamp to lower right corner. Front free endpaper with older inked inscriptions. Title page with penciled date to lower edge. 2047 Each overall good condition with shelf wear and minor bumping at corners and edges commensurate with age. ‘Grapes’ with tanning to cloth of spine, a 0.625” long stain verso, personalized at upper right corner of first front free end paper, and the archival-wrapped dust jacket with small tears along edges and minor soiling throughout. ‘Red’ slipcase with tears to upper and lower edge and scattered minor stains and soiling throughout. 2048 Overall good to fair condition with shelf wear, soiling, fading to cloth, and bumping to corners and edges commensurate with age. With cracking to loose/shaken hinges, the rear hinge with tears along the gutter. Tanning to spine, with small tears and abrasions at ends. Pages with slight cockling, minor foxing at edges, and soiling to outer page edges. Inked personalization to upper left corner of first fixed end paper. 2049 Overall good condition with shelf wear, minor soiling, and bumping to corners and edges commensurate with age. Rubbed wear to gilding and cloth boards, verso with a 1.625” long shallow tear in the cloth. Spine slightly tilted, the ends with small tears, losses, and abrasions. Pages clean with tanning at edges and soiling/dust accumulation to upper edge.

Condition Reports

2030 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: one corner with an area of moth grazing.

513

2050 The rim has a loss to the underside measuring about .0.75” W x 0.625” L with two associated hairline cracks, one measuring 3.75” and 1.5”. The loss and the hairline cracks have signs of old restoration. Some wear, scratches and minor losses to the enamels. With shelf wear and scattered scuffs and scratches commensurate with age. 2051 Each with shelf wear, soiling, scattered scuffs and scratches, and oxidation to metal components commensurate with age. Each base with a few quarter-sized abrasions with attendant cracking to enameling, as well as sticker and tape residue to underside. Each shade with heavy losses to painted panels and wear/stiffening to fabric components. 2052 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered prior glued repairs to the carved feathers with visible yellowing to the adhesive. Scattered small chips to the carving and applied elements. 2053 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Scattered losses to overlay, two pieces retained with the lot. One outer panel with a 6” long deeper gouge verso. Craquelure to lacquer throughout. 2054 Scattered losses to inlay, with scuffs, scratches, abrasions, and oxidation commensurate with age. Shade is warped out of round. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

Condition Reports

2055 Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Enameling with inherent imperfections throughout, including pinholing and air bubbles.

514

2056 Lamp base and components not removed for inspection. With scattered minor scuffs and scratches and oxidation to metal components commensurate with age. The body with a 2” x 2” area of indentation and attendant losses to enameling. Another thumb-sized indentation with enamel intact. Scattered small losses to enameling throughout. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 2057 Several scattered chipped losses to scales enamel. Overall good condition with shelf wear, dust accumulation, and scattered scuffs and scratches commensurate with age. Hanging hardware mounted to dorsal fins. 2058 Each with shelf wear, scattered scuffs, scratches, and abrasions, and oxidation to metal components commensurate with age. Each box interior with soiling, the hinged lid with a dime-sized chipped loss with attendant cracks. Pencil holder with denting to rim and a 1.5” long loss to rim.

2059 Each with oxidation to copper elements throughout, shelf wear, and scattered scuffs and scratches commensurate with age. Each with stickers to underside. 2060 Lamp base and components not removed for inspection. Overall good condition with scattered minor scuffs and scratches and oxidation to metal components commensurate with age. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 2061 Overall good condition with scattered scuffs, scratches, nicks, and shelf wear commensurate with age. Scattered losses, cracks, and soiling to the enamel throughout. Oxidation to metal components. Sticker residue to underside. 2062 Overall good condition with scattered scuffs, scratches, nicks, and shelf wear commensurate with age. Scattered pinholing to enamel. Oxidation to metal components. 2063 One with two pea-sized indentations with attendant chips and cracks in the enamel, the other with a thumb-sized indentation. Dragon with a 1” long area at rim with cracking and small losses from an indentation. Each with shelf wear, oxidation, and scattered scuffs and scratches commensurate with age. Each with sticker remnants to underside. 2064 Each with some scattered cracking in enamel throughout. Each overall good condition with scattered scuffs, scratches, and oxidation/tarnishing commensurate with age. Each with rubbed losses to vermeil wash throughout. 2065 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Oxidation to metal components. Each with sticker remnants to underside. 2066 Each with shelf wear, oxidation, and scattered scuffs and scratches commensurate with age. The Komejiro with a 0.5” diameter abrasion with attendant chipped loss to enameled layer. Another with a thumb-sized loss to enamel. One with loose base. Each with stickers applied to underside. 2067 Overall good condition with wear, scattered minor scuffs, scratches, and inherent production flaws commensurate with age. Scattered inherent imperfections to the enameling throughout, including pinholing and air bubbles. A 2” area of slight indentation and attendant loss to the enamel at the rim. 2068 Overall good condition with scattered scuffs and scratches and oxidation commensurate with age. Scattered pinholing to the enameling. The underside of base with heavy oxidation and small losses, loose from its mounting.

2070 Underside a 2.5” diameter hole cut out. The body with a 13” long repaired crack below shoulder. With shelf wear, scattered scuffs, and inherent firing flaws commensurate with age. Craquelure throughout. Rubbed losses to gilding. 2071 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Craquelure to glaze throughout, with rubbed losses to gilding at rim. With a dime0sized dark scuff to body. 2072 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The oval with a pea-sized chipped loss at base. Each with rubbed wear to the gilding. The last with accession mark to underside. 2073 Each overall good condition with dust accumulation and minor creasing commensurate with age. Larger panel with light wear and minor splits to ribbon border edges. Each smaller panel with areas of minor subtle staining, possibly water marks. Not examined out of frame. Framed under glass: Largest: 19.75” H x 15.25” W x 0.75” D; Smallest: 15.25” H x 13.75” W x 1” D 2074 Overall good condition with shelf wear, dust accumulation, soiling, and scattered scuffs, scratches, and nicks commensurate with age. The base with chipped losses to lacquer at each corner. 2075 Each missing one lower branch and with other possible small losses/chips. Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with allover soiling, grime, and dust accumulation. Each with potted “soil” loose from the pot container. 2076 Each overall good condition with mild shelf wear, bumping to spine ends and corners, and slight fading to boards commensurate with age. Several volumes with lower front hinge starting. Small losses to leather at spine ends and corners. A few volumes with small scuffs to boards. 2077 Overall good condition with scattered scuffs, scratches, and oxidation/tarnishing commensurate with age. Scattered losses to vermeil wash throughout. Sticker remnants to underside. 2078 Each overall good condition with scattered scuffs, scratches, and tarnishing/oxidation commensurate with age. Each with scattered losses to vermeil wash throughout. Cup with a rice-sized loss to enamel at handle. Strainer monogrammed ‘AJB.’

2079 One plate with a quarter-sized loss at rim. Otherwise in overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 2080 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Shade with one missing glass tile and another partial tile. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 2081 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Chipped losses along the edges and corners of base. Wax residue to the font, encumbering the light fixture. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 2082 Overall good appearance. With margins. A few scattered and very unobtrusive foxmarks, two of which are in the upper right portion of the background. A small area of slight surface rubbing near the copyright line at upper left, resulting in the loss of the first few letters of the word “Copyright.” Not examined out of the frame. Framed under Plexiglas: 23.75” H x 29.75” W x 1.375” D 2083 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. 2084 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Rubbed wear to painted decorations throughout, with some soiling. No evidence of restorations or repairs under UV light. 2085 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Older evidence of wood worm throughout, inactive. With a repair to left side at corner of top surface. Small losses throughout. 2086 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Tabletop with scattered staining and wear to finish. Each with evidence of older wood worm throughout, inactive. Leather seats with creasing, darkening, and some with small tears. One chair with repaired but loose break at seat rail. Each leaf crudely constructed later. 2087 Overall good condition with scattered scuffs, light scratches, dust accumulation, and oxidation commensurate with age. Shades with fleabites to rims and scattered scratches and minor abrasions. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

Condition Reports

2069 Overall good condition with scattered scuffs, scratches, nicks, and oxidation commensurate with age.

515

2088 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some light water damage to feet. Wax remains on top surfaces. Smallest with repairs to supports near juncture wit the top on each side. 2089 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The Gallé with two rice-sized chipped losses to underside rim and sticker remnants to underside. The Daum with fleabites to rim and mounting putty residue to underside. 2090 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. A few scuffs in the ground. Mounting putty to underside. 2091 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 2092 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Scattered small losses to the gilding throughout. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 2093 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with mounting putty residue to underside. 2094 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Mild wax remnants to bobèche.

Condition Reports

2095 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Underside with sticker remnants and felt pads applied.

516

2096 Each with dust accumulation, scattered minor scuffs, minor soiling, and darkening/oxidation to bronze commensurate with age. ‘1202’ with one leg bent, causing an overall lean, with bending as well to wax catcher. 2097 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 2098 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to metal components commensurate with age. Shade overall good condition. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

2099 Overall good appearance. With margins. Not examined out of the frame. Framed under glass: 28” H x 32.5” W x 1.5” D 2100 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Marble plinth with a fleabite chipped loss to one corner. 2101 Each overall good condition with scattered minor scuffs and scratches commensurate with age. The upholstery in good condition with even pile wear and very minor soiling. 2102 Overall good condition with scattered scuffs, scratches, nicks, indentations, and wear commensurate with age and use. A 5” area to the center of the lid with heavier wear to the LV monogram canvas with surface loss. With localized areas of heavier surface scratching. Minor oxidation to the hardware. 2103 Overall good condition with scattered scuffs, minor wear to edges and base, oxidation, and a few scratches commensurate with age and use. Light wear and slight darkening to the leather. Scattered white marks to exterior. Scattered light dust accumulation and a few minor marks to interior. Lacking key. 2104 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Heavier scratching and two fleabite chips to underside. 2105 With shelf wear, scuffs, and light scratches commensurate with age. The rim with a 0.25” diameter filled conchoidal chip, a rice-sized chipped loss, and scattered fleabites. The underside with heavy scratching and fleabite chips to outer edge. 2106 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with mounting putty residue. ‘Perles’ with a rice-sized chipped loss to rim. 2107 Overall good condition with shelf wear, scuffs, and scratches commensurate with age. Each handle with small chipped losses to thorns and flowers. More concentrated and deeper scratches to underside. 2108 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 2109 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

2111 Overall good appearance. With wide (possibly full) margins. A very good impression, with clear contrasts. A pale, approximately pinhead-sized foxmark just above the first story of the right edge of the building at left. Very slight cockling along the left margin edge, as well as the upper margin corners, due to the remains of old hinges and glue, verso. A soft 1” diagonal crease at the center of the right margin, not affecting the image. A thin strip of white paper tape along the verso of the left margin edge. Two pea-sized skinned patches at the verso of the lower margin corners, attendant with previous matting. A 3” H x 0.375” W area of old tape residue on the verso of the lower portion of the right margin edge showing through slightly to the recto. The brown collector’s stamp, verso, shows through very slightly to the recto in the lower margin and just into the lower portion of the platemark/image. The sheet is hinged to the back mat with two pieces of white hinging tape from the verso of the upper margin corners. Framed under glass: 21.25” H x 16.25” W x 1.25” D 2112 Overall good appearance. A rich, crisp impression on a sheet with very wide (possibly full) margins. Some minor surface soiling at the extreme margin edges, both recto and verso. Hinged to the overmat from the verso of the upper margin corners.

2117 Full margins with deckled edges. The sheet very slightly cockled, visible in raking light. A pale, rice-sized foxmark in the blank to the right of Vollard’s left shoulder. Mat staining in the margins and on the verso. The sheet is hinged to the overmat with masking tape from the verso of the upper margin edge. Framed under glass: 18.25” H x 15.25” W x 1” D 2118 Overall good appearance. A rich impression of this seemingly rare etching. Not examined out of the frame. Framed under glass: 12.75” H x 10.25” W x 0.75” D 2119 Overall generally good appearance. Pale light-staining and the colors slightly attenuated. Scattered, very fine craquelure, mostly visible in raking light. A few pinpointsized, unobtrusive pigment losses scattered in the lower half of the work. Not examined out of the frame. Framed under glass: 52” H x 36” W x 4” D 2120 Each with soiling, denting, scuffs, scratches, and oxidation commensurate with age.

Framed under glass: 21.25” H x 16.25” W x 1” D

2121 With scattered scuffs, scratches, and oxidation commensurate with age. Denting, older losses, and soiling throughout, with wear to junctures and some attendant lifting to seams. The top with a 0.5” long crack.

2113 Overall good appearance. With margins. Pale light-staining. The palest, unobtrusive, mostly pinpoint-sized foxing scattered in the plate and margins, primarily visible in raking light. Not examined out of the frame.

2122 Each with soiling, scratches, scuffs, and oxidation commensurate with age. The cloth with heavy soiling, creases, and tears and small losses at edges. The box containing the cloth with denting throughout.

Framed under Plexiglas: 24.25” H x 38.25” W x 1.25” D

2123 Losses to gilding throughout. With dust accumulation, scattered scuffs, and darkening/oxidation to bronze commensurate with age.

2114 Overall good appearance. With margins and a very good impression with rich burr. Not examined out of the frame. Framed under glass: 21.25” H x 16.25” W x 1.25” D 2115 Overall good appearance. With margins. A rich impression still with velvety burr throughout. A few unobtrusive vertical surface abrasions confined primarily to the upper right corner of the sky, the longest of which measures approximately 2.25” H and extends slightly into the uppermost roofline of the buildings at right. Not examined out of the frame. Framed under glass: 18” H x 20” W x 1” D 2116 Overall good appearance. With margins. Not examined out of the frame. Framed under glass: 18.375” H x 13” W x 1.125” D

2124 Each overall good condition with soiling, rubbed losses to polychrome, and shelf wear commensurate with age. 2125 Each overall good condition with scattered scuffs, scratches, dents, and oxidation commensurate with age. 2126 Each with soiling, oxidation, and scattered scuffs and scratches commensurate with age. The case with some denting. Wear to cloth wrap. 2127 Overall good condition with minor wear to the gilding, dust accumulation and soiling commensurate with age. Framed: 10.5” H x 8.5” W x 1.625” D

Condition Reports

2110 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

517

2128 Overall generally good appearance. Scattered areas of wear and creasing, as well as minor rippling to the canvas. Fine craquelure primarily scattered in places along the left and right edges, with attendant wear/pigment loss. Framed without glazing: 33.75” H x 68.5” W x 2” D 2129 With cracks and possible repaired breaks throughout. With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, dust accumulation, soiling, and separation at joints commensurate with age. Older chipped losses to wood and rubbed wear to paint and gilding throughout. The left foot slightly loose from its mounting. 2130 Each overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. 2131 Each with dust accumulation, scattered scuffs, and darkening/oxidation to bronze commensurate with age. Losses to cloisonné. The last with degradation and older losses to bronze. Repair to hardstone finial. 2132 With degradation and loss to head and head base. With shelf wear, oxidation, and scattered scuffs and scratches commensurate with age. 2133 With wear, weathering, soiling, and degradation commensurate with age. Scattered older losses throughout. 2134 Slight indentation to upper and lower rim, with an indentation from the impressed mark visible to bowl interior. Overall good condition with older scuffs and scratches and darkening/oxidation to bronze commensurate with age.

Condition Reports

2135 Overall good condition with scattered minor scuffs, scratches, and oxidation commensurate with age. The lid with losses to enamel at finial juncture apparent to the exterior and interior. The stand with mounting putty residue.

518

2136 Each overall good condition with dust accumulation, scattered scuffs and scratches, and wear to gilding with attendant oxidation commensurate with age. The rings at juncture between upper and lower portions are bent. 2137 Each overall good condition with dust accumulation, scattered scuffs and scratches, and wear to gilding with attendant oxidation commensurate with age. 2138 Each with dust accumulation, soiling to interiors, scattered scuffs and scratches, and oxidation commensurate with age. The largest with a 12” long white scuff to body. One of the pair with a quarter-sized loss to enamel at underside, the other with staining to one side.

2139 Each overall good condition with dust accumulation, scattered scuffs and scratches, and oxidation commensurate with age. Each branch standard sits with a lean. Each raised leg with repair to mounting juncture. One wood base with a crack to one corner, each with wear to the finish. 2140 Overall good condition with dust accumulation, scattered scuffs and scratches, and wear to gilding with attendant oxidation commensurate with age. Lid does not fit exactly, and with a loose finial. 2141 Overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2142 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2143 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2144 Overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2145 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2146 Overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2147 Overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2148 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2149 Overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2150 Each overall good condition with handling wear commensurate with age. Each with mounting putty residue. All ivory spoons are removed and no longer extant.

2151 Overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant.

2164 Overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant.

2152 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant.

2165 Overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant.

2153 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant.

2166 Each overall good condition with handling wear commensurate with age. Mounting putty to underside of champlevé. All ivory spoons are removed and no longer extant.

2155 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2156 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2157 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2158 Overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2159 Overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2160 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2161 Overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2162 Each overall good condition with handling wear commensurate with age. Cat with a fleabite chip to one ear. The agate with chipped loss to rim and two abrasions to shoulder. All ivory spoons are removed and no longer extant. 2163 Each overall good condition with handling wear commensurate with age. Each with mounting putty residue. All ivory spoons are removed and no longer extant.

2167 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2168 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2169 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2170 Each overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2171 Each overall good condition with handling wear commensurate with age. Ivory spoons have been remove and are not extant. 2172 Each with toning and the pigments attenuated. Scattered staining, mostly pea-sized or smaller, with a few dimesized, presumably attendant with the adhesive on the verso showing through to the recto. Scattered wear to the pigment, pale foxing, flattened creases, small pigment losses, and scattered abrasions. Some panels with bands of stray white pigment. Each framed without glazing: 41.5” H x 22.25” W x 1.25” D 2173 One with repair to one back leg, one front leg (with reinforcing screws), and one side of seatback upright. Each with small losses including to one talon and spikes on dragon back. One with cracks in the armrests where they meet with the seat. Each with scattered scuffs, scratches, nicks, indentations, shrinkage cracks, and separation at joints commensurate with age. Wear to finish at armrest terminals. Upholstery in good condition with minor soiling and scattered pulled threads at the piping. 2174 Each overall good condition with scattered scuffs, scratches, and small nicks commensurate with age. One foot with older losses to inside edge.

Condition Reports

2154 Overall good condition with handling wear commensurate with age. All ivory spoons are removed and no longer extant.

519

2175 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

2185 Overall good condition with wear, weathering, scattered scuffs, and inherent firing flaws commensurate with age.

2176 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Soiling and staining to interior from use.

2186 Toning throughout with the colors slightly attenuated. Various tears (and repaired, flattened tears) scattered throughout, the largest area being a horizontal tear extending from both the left and right edges and all along the upper center sheet, presumably the sheet detached until it was laid down to the board. A few pea-sized (or smaller) paper losses (with areas on the Scholar’s face), wear to the pigment, scattered foxing, and pale uneven staining with the largest measuring 3.5” Dia. on the chest of the deer near the lower edge, at right, possibly attendant with the glue used on the verso now showing on the recto. Scattered scratches and surface soiling throughout. A few, mostly pinhead-sized (or smaller) areas of puckering to the sheet, primarily scattered in the outer edges.

2177 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. One plate with three pea-sized chips to underside and minor soiling throughout. Three bud vases and bowl with chips to rim. A few items with cracks in the glaze, not surface-reaching. Each with rubbed ear and loss to gilt accents. 2178 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With two spots of oxidation under the glaze, about peasized. No evidence of restorations or repairs under UV light. 2179 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations or repairs under UV light. Scratches and a few small chipped losses to stand. 2180 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations or repairs under UV light. 2181 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations or repairs under UV light. Soiling and shelf wear to box. Each piece has been firmly mounted into the box. As such, the undersides have not been examined.

Condition Reports

2182 With wear, dust accumulation, and minor scuffs commensurate with age. Scattered small chipped losses, two pieces retained with the lot. Mounting putty to pagoda elements.

520

2183 With wear, dust accumulation, soiling, weathering, scattered small losses, and minor scuffs commensurate with age. With a quarter-sized stain to figure’s right shoulder. The wood stand in two pieces and with a break and a repair. 2184 Each overall good condition with wear, weathering, scattered minor scuffs, and inherent firing flaws commensurate with age. The glaze at the rims is thickly applied and has run down the side of the pot in areas. One large pot and one small pot with chips to the rims and attendant hairline cracks running vertically. One large pot with a later-added drainage hole.

Framed without glazing: 57.375” H x 30” W x 1” D 2187 Overall good condition with scattered scuffs, scratches, nicks, indentations, and small losses to wood commensurate with age. One top with a 0.5” loss to enamel at corner. Scattered repairs to legs and apron. 2188 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Tabletop with a few scattered stains. 2189 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Rubbed losses to decorations, heavy fading and discoloration, and craquelure throughout. Losses to lacquer at corners, edges, and feet, with some repairs/ restoration to the lacquer and decoration throughout. 2190 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. A few fleabite chips to rims. Small chipped losses to bases. Sticker ghosts from shipment packaging to upper portions. Crazing to the glaze throughout. 2191 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations or repairs under UV light. Scattered pinholing throughout. 2192 One pot with a 9” hairline crack with attendant spiderweb cracks and a 1” chip to the rim. Otherwise each in overall good condition with wear, weathering, scattered scuffs, and inherent firing flaws commensurate with age.

2194 Each overall generally good appearance. Uneven and possibly trimmed margins. “Under the Wave off Kanagawa,” the paper slightly toned on the recto and verso. Very minor, occasional handling creases scattered in the margins. The non-blue pigments attenuated, and the blue pigments may have been enhanced. “Rainstorm Beneath the Summit,” the paper toned and the colors slightly attenuated. An ‘L-shaped’ flap tear near the upper left image corner and three small partial tears upper center of the image. Minor handling creases and a few small tears, all scattered occasionally in the margins. A small, scattered area of printer’s ink in the lower margin. Each sheet is loose, not matted. Unframed 2195 “Ishiyakushi” and “‘iso,” with pale-light staining and the colors attenuated. Artist pinholes at each corner. The thick paper that the woodcut is laid to has thin paper tape along the extreme left, upper, and lower edges. As mentioned, the work is laid to thick paper and tipped to the back mat from the verso of the upper right corner. “Ishiyakushi,” with pale, scattered spots of unobtrusive staining in the image. The woodcut from the “Ogura Hyakunin Isshu” series with pale light-staining and the colors slightly attenuated, minor handling marks, minor surface soiling scattered throughout, staining and a piece of white paper residue on both the recto and verso of the lower right corner, and other minor defects. The sheet is loose, not matted. Each unframed 2196 Each overall generally good appearance. Pale lightstaining and the colors slightly attenuated. The Bijinga genre woodcut with a few scattered spots of staining and surface soiling scattered throughout. Minor wear and creasing to the sheet edges. Two small losses lower left. Paper hinge remnants on the verso of the upper sheet corners. Depiction of Akoya with losses or pinholes scattered along the right edge, the center of the upper and lower edges, and in the corners. Very small “nibbles” and minor wear to the sheet edges. Paper hinge remnants on the verso of the upper sheet corners. “Iwai Kumesaburo III,” with scattered soiling along the edges. Minor wear and creasing to the sheet edges. A few scattered small losses throughout. “Nakamura Shikan IV,” with margins. Soiling and pale staining scattered throughout. Binding losses along the left edge. The left and right margin edges trimmed, and slightly affecting some margin inscriptions. Each sheet is loose, not matted. Each unframed

2197 Each overall generally/fair appearance. “Ashiya Doman Ouchi Kagami,” with strong blue pigment. Minor lightstaining. A few spots of staining scattered throughout. Nibble-sized losses to the upper left corner and minor wear to the sheet edges. “Nakamura Fukusuke I,” with pale light-staining and the colors attenuated. Surface grime, staining, and surface soiling scattered throughout, concentrated primarily along the sheet edges. Paper losses to the upper left corner and the center of the upper edge. Two pinhead-sized holes lower left. Nibble-sized losses and wear to the edges. “Irifune Soga Nihon no Torikaji,” with pale light-staining and the colors attenuated. Scattered losses left center, right center, and the upper third. Small remnants of hinging paper on the verso of the upper corners. Each sheet is loose, not matted. Each unframed 2198 Each overall generally good appearance. Pale lightstaining and the colors slightly attenuated. “The First Month,” with minor surface soiling. A small crease to the left of the upper figure. As mentioned, the sheet is laid to another piece of paper. “The Third Month,” with a loss along the upper right edge. A few scattered, minor handling creases. As mentioned, the sheet is laid to another piece of paper. “Actor Ichikawa Ichizô III,” with small “nibbles” to the paper along the edges, primarily along the lower edge. A 0.5” scissors cut into the paper, near the center of the right edge. Scene from a Kabuki play, with a loss to the upper left corner, and two pinholesized losses near the right edge, at upper center. A 1.5” vertical area of insect damage upper right. Spots of pale staining upper center and near the upper edge. Stray printer’s ink in the upper center and to the left of the figure. Minor wear to the edges. Remnants of hinging tape on the verso of the upper corners. Each sheet is loose, not matted. Each unframed 2199 Overall generally good appearance. With margins. Pale light-staining to the sheet and the colors slightly attenuated. A few pale, scattered spots (mostly pinpointsized) of foxing/staining in the image and margins. Minor surface soiling scattered in the margins. The sheet is hinged to the back mat with two pieces of hinging tape from the verso of the upper margin corners. Unframed but matted: 18.375” H x 13.5” W x 0.25” D 2200 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. The bottom with a hole drilled, possibly inherent. 2201 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age.

Condition Reports

2193 The underside with two cracks, one measuring 3” long, the other 2.5” long. Chipped loss to one foot. Otherwise overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered pinholing to the glaze with attendant oxidation. No evidence of restorations or repairs under UV light. The stand with two cracks.

521

2202 Each overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. Vase out of conical shape. Loss to gilding of figure, with two peasized abrasions verso with attendant oxidation. 2203 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. About twelve mounted accents missing from elephant and three missing from lid. Repair to elephant’s tail. 2204 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Wear to finish of wood stand. Mounting putty to lid juncture. 2205 One foot broken and retained with the lot. One hand with loss to right middle finger. Older chipped loss to top tip of aureole, also with a 1” long chipped loss along edge of right side proper. The base with some shrinkage cracks and losses to lacquer and small chipped losses. Rubbed losses to gilding throughout. 2206 Overall good condition with general wear commensurate with age. Not examined outside of case. 2207 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Six holes have been drilled into foot of base.

Condition Reports

2208 Overall good appearance with dust accumulation and creasing commensurate with age and use. Scattered small splits to the central panel, and two larger splits at the bottom of the scroll. Minor wear and small splits to beige fabric edges. Rubbed wear and scratches to the embroidery panel fabric, with bare fabric in lower part of panel. Scattered areas of minor stains verso. Top and bottom slightly loose on dowels, with scattered small tears to top fastening. Lower dowel missing one finial.

522

2209 The vase has been reconstructed from multiple repaired breaks. Older losses to base. With shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered pinholing to glaze throughout. 2210 Figure is loose in its mounting with the base. Heavy losses to gilding throughout. With dust accumulation, soiling, scattered scuffs, and darkening/oxidation to bronze commensurate with age.

2211 Overall generally good appearance. With margins. Pale light-staining and the colors slightly attenuated. Minor surface soiling scattered in the margins. A few scattered small spots of pale staining on the verso of the upper margin corners. Later sales inscriptions in pencil and ink along the verso of the lower and left margin edges. The sheet is hinged to the back mat with three pieces of hinging tape from the upper margin edge. Unframed but matted: 16” H x 20” W 2212 Each sheet with margins. Heavily toned and the colors attenuated, including the red seals. “Cherry Tree in Kawagoe” with a very pale, pea-sized and pinhead-sized area of staining near the lower left image corner, and a few other very pale stains in the image. “Arashiyama” slightly rippled, possibly attendant with the taping on the verso. Each sheet is taped to the overmat with long pieces of brown paper tape along the verso of each sheet edge. Each unframed but matted: 21” H x 16” W x 0.25” D 2213 Each with margins. “Nambeshima,” with toning to the recto and verso. The colors attenuated. Paper losses scattered in the upper margin and the lower margin corners, and two small areas of loss near the center of the upper margin edge are slightly affecting the image border. A 0.875” vertical tear extending from the center of the upper margin and affecting part of the image. An unobtrusive pinpoint-sized surface skinning in the upper portion of the left image edge. Pale staining in the upper right margin corner and the lower margin corners. A few small paper remnants on the verso, near the upper right corner. “A Little Temple Gate,” with previous overmat staining and the colors slightly attenuated. The lower margin edge unevenly trimmed, with an attendant 1” cut in the lower margin, at left. Two pinholes in the upper and lower portions of the left margin. A small crease in the upper right margin corner. “Kamogawa,” with toning to the recto and verso. The colors attenuated. Long losses to the upper margin edge and the lower margin corner. A 0.75” horizontal tear in the upper portion of the left margin, slightly affecting the image, and a few other smaller tears in the margins, but not affecting the image. A small thin 1” diagonal piece of white paper residue on the verso, near the upper left corner. Each sheet is loose, not matted. Each unframed 2214 Each overall good/generally good appearance. With narrow margins. “Wind blowing at Tsukuba,” with the extreme lower margin edge trimmed slightly unevenly. “Evening Shower at Takaido” with pale, uneven light-staining, and the colors slightly attenuated. An approximately pinhead-sized area of minor wear to the pigment near the lower left image corner. Some sheets with the verso of the upper margin corners with very small, unobtrusive paper remnants. Each sheet is loose, not matted. Each unframed

Unframed but matted: 20” H x 14.625” W x 0.25” D 2216 Each overall generally good appearance. Pale lightstaining and the colors slightly attenuated. “Asakusa Kinryuzan Temple” with minor handling creases. Small paper losses to the upper margin corners, and an approximately dime-sized stain in the upper left margin corner. Rectangular remnants of paper tape at the verso of the upper and lower margin edges, at center. The sheet is loose, not matted. “Spring Snow, Kyoto Maruyama,” with the upper and right margin edges trimmed to the image edge, as well as bands of staining along those image edges. Pieces of cardstock affixed to the verso sheet corners presumably used as a support. The sheet is loose, not matted. “Shinkyo Bridge, Nikko,” with the sheet glued to a backing board. Small, scattered areas of glue staining along the left and upper margins. Each unframed 2217 Overall good appearance. With margins. Pale toning to the recto and verso, primarily in the margin edges. Scattered printer’s ink in the lower margin. Brown paper remnants on the verso of the upper margin corners. The sheet is loose, not matted. Unframed 2218 Overall generally good appearance. With margins, however, the margins trimmed unevenly, primarily along the left and lower margin edges. Pale light-staining and the colors attenuated. Stray printer’s ink scattered in the lower margin. Paper remnants on the verso of the upper margin corners with attendant surface skinning. The sheet is loose, not matted. Unframed 2219 With margins. Pale light-staining and the colors attenuated. Mat burn from a previous overmat. Minor handling marks scattered in the outer edges of the image and the margins. A 1” diagonal tear in the upper portion of the left margin edge, not affecting the image. Two small paper losses in the upper portion of the right margin edge. A pinhole in the upper left margin corner. The left and right margin corners trimmed slightly unevenly. The sheet is loose, not matted. Unframed

2220 Overall generally good appearance. With margins. Toning throughout and the colors attenuated. A pale, unobtrusive pinpoint-sized fleck of staining at the upper center of the sky, mostly visible in raking light. A tiny tear along the lower left margin edge. Artist pinholes in the upper and lower left margin corners. Paper remnants on the verso of the upper right margin corner, and a pea-sized area of surface skinning on the verso of the upper left margin corner. The sheet is loose, not matted. Unframed 2221 Visual: Overall generally good appearance. Grime and discoloration, commensurate with age. The tin is very slightly warped, primarily in the upper and right edges, and primarily visible in raking light. Blacklight: No evidence of restoration. Frame: 29.75” H x 23.5” W x 3.5” D 2222 Overall generally good appearance. Minor surface skinning on the verso of the paper. The oklad with minor scratches, slight denting, and tarnishing. The offset image on paper with a few tears and handling creases. Framed under glass: 11” H x 8.75” W x 1.25” D 2223 A richly inked impression, trimmed on or just inside the platemark. With faint borderlines added in places in another hand (primarily in graphite), as is often the case with this plate. At least three skillfully repaired vertical tears in the upper half of the sheet. Most are 1” or less and confined to the blank upper edge, with the exception of one that is approximately 2” and extends vertically down from the upper sheet edge to the ferns protruding from the tallest cliff at left. One shorter vertical edge tear, approximately 0.5” long, has not been repaired, but is partially held closed via the hinge on the verso of the upper left sheet corner. An unobtrusive rice-sized abrasion in the terrain behind the lion’s back. The upper sheet corners bulging slightly from the hinges verso. Small stains and small areas of surface skinning showing primarily on the verso or under blacklight. Other lesser defects. The sheet is framed floating, hinged to the back mat from the verso of the upper sheet corners. Framed under glass: 25” H x 20” W x 1.5” D

Condition Reports

2215 With margins. Pale light-staining, primarily noticeable in the margins. A few pale, scattered spots of foxing and minor handling creases in the margins, primarily visible in raking light. A long tape remnant along the verso of the lower margin edge. The sheet is taped to the overmat with a long piece of brown paper tape along the verso of the upper margin edge.

523

2224 Both “Adam with a Lion” and “Eve with a Stag” overall good appearance on sheets trimmed to either thread margins or on the platemark in places. Both with rich, even printing making them a nicely matched pair of impressions. “Eve” with several very soft horizontal creases across the center of the sheet, visible primarily in raking light. Both with assorted collectors or dealers numeric notations in pencil, verso. Both sheets floating, hinged to the back mat from the verso of the upper sheet edges. “Charity” trimmed on the platemark. A good impression of this delicately engraved image, with the plate starting to show slight wear in places such as the now-faint tree in the distance near the right plate edge. An approximately 3.5” diagonal crease through the left portion of the sheet, not affecting the figure, visible primarily in raking light and on the verso. Matted floating, hinged to the back mat from the verso of the upper sheet corners. Three engravings displayed in two mats; unframed 2225 Overall good appearance. With thread margins all around. A good, clear impression. Scattered glue and hinging remnants on the verso of the left and upper edges, not affecting the recto. A few collector or dealer pencil notations, verso. The sheet is hinged to the back mat with two small pieces of hinging tape from the verso of the upper sheet edge. Framed under glass: 16.25” H x 11.75” W x 1.25” D 2226 The sheet trimmed to thread margins just outside the platemark. A foxmark in the left forearm of the mounted figure to the right of the engraved title. Another foxmark (or possibly an iron filing inherent in the paper manufacture) near the upper left corner of the image. The sheet is framed floating, hinged to the back mat from the verso of the upper sheet corners, with attendant old staining, approximately 0.25” H x 1” W in each case, showing through to the recto in those two places.

Condition Reports

Matted but unframed 2227 “Coat of Arms of Sebald Beham” trimmed to or on the platemark on all sides. A good impression, with the delicate details still printing clearly. An unobtrusive 0.125” uninked vertical line (or possibly skillfully repaired tear) in the black background at the lower right diagonal sheet edge. A few old hinge remains at the edges of the sheet’s verso. The sheet is framed floating, hinged to the back mat from the verso of the upper left diagonal sheet edge. “Coat of Arms with Eagle Surrounded by Foliage” trimmed on the platemark on three sides and with a thread margin along the right edge. A good impression, with the delicate details still printing clearly. Slight surface soiling and occasional pale foxing recto and verso. Remains of old hinging or album paper showing in place on the verso. Various dealer or collector numeric notations in pencil, as well as two unidentified collector’s ink stamps, all verso. The sheet is framed floating, hinged to the back mat from the verso of the upper sheet edge. Each matted but unframed 524

2228 “Standard Bearer and Drummer” is a rich, clear impression on a sheet which is trimmed on or just inside the platemark but retains a thread of blank paper outside the borderline on all sides. As mentioned, the work is laid to Japan paper. It is matted floating, hinged to the back mat from the verso of the upper sheet corners. “Astrology” is a fair to good impression, with some slight signs of wear in the cross hatched areas, particularly in the lower left quadrant, and with what appears to be some foul biting along the lower edge of the image. The sheet is trimmed on or just inside the platemark but retains a thread of blank paper outside the borderline on all sides. Scattered pale foxing showing mostly on the verso. There is a collector’s or dealer’s numeric notation in faint pencil, verso. The sheet is matted floating, hinged to a sheet of cardstock from the verso of the right sheet edge. Each matted but unframed 2229 The sheet trimmed to very narrow margins along the vertical edges, to thread margins along the upper edge, and inside the platemark (yet still outside the borderline) along the lower edge. There is a flattened vertical crease extending the entire length of the delicate China paper, approximately 2” from the left edge. There is also an approximately 7” softer diagonal crease across the upper right corner of the image. Both of these creases are primarily visible in raking light. A small cluster of three pinhead-sized repairs to the paper within the swirling clouds above the figures at the far end of the Virgin’s bed, only visible when illuminated from the verso. Numerous pea-sized (or smaller) repairs scattered in places at the outermost edges of the sheet, most of which are again primarily visible when illuminated from the verso. The sheet edges are slightly ragged and dog eared in places, concentrated primarily at the lower left sheet corner. The sheet is framed floating, hinged to the back mat from the verso of the upper sheet corners, with attendant lumpiness which is mostly visible at the upper right corner in raking light. Other minor defects. Framed under glass: 27.25” H x 23” W x 1” D 2230 Overall good appearance. The sheet trimmed very slightly unevenly, either to thread margins or on the platemark in places. Framed floating, hinged to the back mat from the verso of the sheet corners, with attendant slight distortion to the paper surface, visible primarily in raking light. Not examined out of the frame. Framed under glass: 12.25” H x 10.25” W x 0.625” D

2239 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Tabletop with drink rings and staining. Older small chipped losses throughout, concentrated with corners, legs, and tabletop edges.

Framed under glass: 28” H x 33” W x 1.5” D

2240 Lacking some hinges, as a result, one pair is connected, another pair is connected, and the last is not connected. The versos with scattered tears and repairs, one with a 6” long repaired tear, another with a 5” x 5” tear with attendant losses verso. The single panel with a 15” x 9” area of tears in the leather front. Each with scattered losses throughout to leather and decoration. Losses to leather stitches in the fronts of each panel. Losses to the tacking, concentrated to upper surfaces. Updated hardware and scattered restoration in the painted decoration.

2232 Each overall good appearance. Plate 26 with very slight light-staining. Each not examined out of the frame.

2241 Overall good condition with scattered scuffs, scratches, nicks, and small losses to edges commensurate with age.

Each framed under glass; Frame of largest: 15.25” H x 13” W x 0.5” D

2242 Each overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Temeraire with a 1.5” x 0.75” area of loss to middle of cape, possibly inherent in the lamp conversion, with a drilled hole as well. Sanspeur with three 1” long carved losses, possibly also inherent. With drilled hole.

2233 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Restoration to each handle. A pea-sized abrasion to neck. Lower portion of body with some restoration/retouching of decorations. Felt dust cover to underside, as such, the underside not examined. The piece has an inherent lean. 2234 Each with shelf wear, scattered minor scuffs, rubbed wear and minor losses to gilt and polychrome, soiling, and inherent firing flaws commensurate with age. Each with repairs to wings and losses to fingers. 2235 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One with a 3.5” long crack in one wing verso. The other with multiple old repaired breaks to feather tips. 2236 Each overall good condition with tarnishing and scattered scratches commensurate with age. One with a bent lower portion below the arm. 2237 Each overall good condition with scattered minor scuffs and scratches and general wear commensurate with age. With natural fissures and infilled cracks. 2238 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The upholstery with heavier wear, sun fading, and soiling.

2243 Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. Scattered areas of minor loss to gilding. 2244 Visual: Overall good appearance. Fine craquelure throughout. Blacklight: No evidence of restoration. Frame: 35” H x 63” W x 6” D 2245 Visual: Dust accumulation, grime, craquelure, paint shrinkage primarily scattered in the lower half, and minor wear to some areas of the pigment, all commensurate with age. The canvas is slightly concaved unevenly, with some quarter-sized (or smaller) unobtrusive pressure marks in the upper half. Blacklight: No evidence of restoration. Frame: 18.25” H x 23” W x 3” D

Condition Reports

2231 Overall good appearance. The sheet with wide margins and the usual central vertical fold, unflattened, showing primarily on the verso. A rich, atmospheric impression with good contrasts and the paper seemingly untreated. Two unobtrusive rice-sized pigment losses in the lowest portion of the vertical fold just mentioned. An approximately 6.5” repaired tear in the lower left margin corner, extending diagonally from the lower margin edge up into just 1” of the lower left corner of the plate, visible only when the mat is lifted, or the sheet is viewed from the verso. A 0.5” H x 1” W uneven paper loss with a related 0.25” H L-shaped tear in the lower right margin corner. Slight surface soiling in the margins, primarily in the margin corners. Other lesser defects. The sheet is hinged to the back mat from the verso of the upper margin corners.

525

2246 Visual: Overall good appearance. A few very fine areas of crazing in the varnish layer, presumably attendant with the natural grain of the wooden panel. A 2” curved, delicate, surface scuff in the varnish layer at the lower right corner. Blacklight: Some scattered older and newer touch-ups, generally pea-sized, including in the bricks at the left of center near the lower edge, and a pea-sized touch-up in the period of the signature. A heavy layer of varnish has been applied. Frame: 26.5” H x 25.125” W x 4.5” D 2247 Visual: Overall good appearance. Frame abrasion with attendant scattered flecks of pigment loss, primarily in the left edge. An occasional, scattered, unobtrusive pinheadsized pigment loss. Blacklight: A few areas of old touch-up, the largest 0.5” H x 1” W, in the upper left quadrant. Frame: 30” H x 26” W x 4” D 2248 Visual: Overall generally good appearance. A 2” H x 0.875” W abrasion with an attendant 2” vertical tear and significant pigment loss (with the canvas exposed) in the lower right quadrant. Frame abrasion primarily along the left, right, and lower edges. Blacklight: A 1.5” vertical band of touch-up in the fur below the figure’s left shoulder, and a few small areas of touch-up in the extreme outer edges. Frame: 55.5” H x 43.75” W x 2” D 2249 Visual: Overall good appearance. Very fine, stable craquelure throughout. As mentioned, the canvas has been relined. Blacklight: A few quarter-sized (or smaller) spots of touchup scattered throughout, with other rice-sized touch-ups occasionally scattered throughout the face of the figure.

Condition Reports

Frame: 43” H x 37” W x 4” D

526

2250 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With various surface chips to the gilding and scattered prior repairs to the carving. The mirror with small spots of de-silvering. 2251 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. A few repairs to leg junctures. Upholstery in good condition with minor soiling and slight fading.

2252 Each overall good condition with scattered scuffs, scratches, minor rubbed wear to gilding, and mild oxidation commensurate with age. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 2253 Each overall good condition with scattered scuffs, scratches, minor rubbed wear to gilding, and mild oxidation commensurate with age. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 2254 One top with an 11” long and 3” long area of deeper scratching. Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Each marble top with scattered minor scuffs and scratches. 2255 Each overall good condition with scattered scuffs, scratches, minor rubbed wear to gilding, and mild oxidation commensurate with age. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment 2256 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Verso edges with some staining, lifting to veneer along edge, and soiling and older losses to lower portions. Lower 12” and feet with soiling and staining. Repairs to feet, one detached and retained with the lot. Left side lower trim is separating. Includes key. 2257 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Rim element of bowl slightly separating. 2258 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 2259 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 2260 Each overall good condition with some wear to the gilding and oxidation/darkening to bronze elements commensurate with age. 2261 Each slightly shaken from loose mounts. With heavy loss to gilding and oxidation to bronze, and scattered scuffs and scratches commensurate with age. Lacking shades. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

2263 Each lacking finial. Each with denting to rim and with scattered minor scuffs and scratches commensurate with age. Rubbed wear to the gilding and minor oxidation. 2264 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. One garniture lid with finial mounted slightly off, with attendant restoration to porcelain. Rubbed wear to gilding and oxidation to bronze throughout. Includes winding key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 2265 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Evidence of older wood worm and insect grazing throughout. The top of the bottom unit with a 2” x 2” break. Splits in the wood throughout including the cabinet doors. Older losses throughout. Staining to upper unit upholstery at the highest surface. Scattered repairs, the rear feet with reinforcements. Includes key. 2266 Each overall good condition with scattered scuffs, scratches, indentations, and oxidation commensurate with age. Some with denting to lids and rims. Each with soiling from use. 2267 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The interior desk fittings with some sag towards the middle. One drawer with a 1.5” long chipped loss. The veneer of drop front and drawer fronts with wear and fading. Lacking key. 2268 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered cracking and lifting to the veneer throughout. Evidence of woodworm. Areas of possible refinishing to the apron. Drawers rebuilt. 2269 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Older repairs to leg junctures. Tabletop with scattered minor staining and drink rings. Includes key. 2270 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Upholstery of each with scattered small stains and fading.

2271 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wear to and fading to finish. Older rubbed wear and losses to legs. Each upholstery with fading, scattered loose threads at edges, and slight pilling. 2272 One with glued repair to one arm. Each with minor shelf wear commensurate with age. One central fixture lacking a prism. 2273 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Evidence of woodworm. 2274 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Small loss to denticulated trim. Areas of uneven fading to finish. Includes key. 2275 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. 2276 Overall good condition with tarnishing, small indentations, and light scratches commensurate with age. Tests for sterling silver with XRF analysis. 2277 Each overall good condition with tarnishing, small indentations, and light scratches commensurate with age. Tests for sterling silver with XRF analysis. 2278 Each overall good condition with tarnishing, small indentations, and light scratches commensurate with age. Round box’s lid slightly out of round. Each tested with XRF analysis. 2279 Overall good condition with tarnishing, small indentations, and light scratches commensurate with age. Tests for sterling silver with XRF analysis. 2280 Overall good condition with tarnishing, small indentations, and light scratches commensurate with age. Tests for sterling silver with XRF analysis. 2281 Each overall good condition with tarnishing, small indentations, and light scratches commensurate with age. Tests for sterling silver with XRF analysis. 2282 Overall good condition with tarnishing, small indentations, and light scratches commensurate with age. Very slightly out of round. Tests for sterling silver with XRF analysis.

Condition Reports

2262 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The bronze with wear and losses to gilding and oxidation/ darkening to bronze.

527

2283 Each overall good condition with tarnishing, small indentations, and light scratches commensurate with age. Tests for multiple silver alloy purities with XRF analysis. Weight does not include silver-mounted wood vessel. 2284 Each overall good condition with tarnishing, small indentations, and light scratches commensurate with age. Each very slightly out of round. Tests for sterling silver with XRF analysis. 2285 Overall good condition with tarnishing, small indentations, and light scratches commensurate with age. Tests for sterling silver with XRF analysis. 2286 Overall good condition with tarnishing, small indentations, and light scratches commensurate with age. Tests for sterling silver with XRF analysis. 2287 Overall good condition with tarnishing and light scratches commensurate with age. Tests for sterling silver with XRF analysis. 2288 Overall good condition with tarnishing, small indentations, and light scratches commensurate with age. A larger 1” dent to the foot. Tests for sterling silver with XRF analysis.

Condition Reports

2289 Each overall good condition with tarnishing, small indentations, and light scratches commensurate with age. Test for sterling silver with XRF analysis.

528

2295 Overall good condition with dust accumulation, scattered scuffs, and darkening/oxidation to bronze commensurate with age. The Naga hood detaches from the base. 2296 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Rubbed losses to gilding. 2297 Each with scattered losses to flame elements of robe or finer protrusions in base and canopy. Each with dust accumulation, scattered minor scuffs, and darkening/ oxidation to bronze commensurate with age. Each with losses to the mirrored panels and rubbed losses to gilding throughout. Possibly reattached to base. 2298 With scuffs, scratches, nicks, and abrasions commensurate with age. The box and sutras each with rubbed losses to gilding. The box with small older losses to wood at edges and losses to inset stones. 2299 The front with a 5” long vertical crack at lower edge, possibly with attempted restoration/repair. With dust accumulation, scattered minor scuffs, and darkening/ oxidation to bronze commensurate with age. Loss to gilding throughout. 2300 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Older losses throughout, concentrated to edges and corners. Craquelure to lacquer and small flaked losses to polychrome throughout.

2290 Each overall good condition with tarnishing, small indentations, and light scratches commensurate with age. Test for sterling silver with XRF analysis. Weight includes attached stones.

2301 Losses to some of the jewels. Rubbed loss to gilding with attendant oxidation. Scattered scuffs and scratches commensurate with age.

2291 Each overall good condition with scattered minor scuffs and scratches commensurate with age. One with repaired leg. One with repaired finial. Each lid with a crack in the lacquer.

2302 Oxidation and staining throughout with scattered scuffs, scratches, and indentations commensurate with age. The glass top with some scratches.

2292 With soiling, scattered scuffs and scratches, and rubbed loss to gilding commensurate with age. Scattered losses to carvings and inset elements. Finial with break and repair, with a 2” long loss. The bottom of interior with cracking to the lacquer.

2303 Wear and rubbed losses to gilding with attendant oxidation, especially on face. Scattered scuffs and scratches. Scattered replacements and losses to stones.

2293 Crack through the left arm proper and continued along figure’s back, with possible restoration. With dust accumulation, scattered minor scuffs, and darkening/ oxidation to bronze commensurate with age. Rubbed losses to gilding throughout. Losses to inset glass decoration 2294 General wear and oxidation commensurate with age. Heavy verdigris to bronze. Figure not mounted to base. Scattered remnants of gilding at sides.

2304 Each overall fair to condition with tarnishing, small indentations, and light scratches commensurate with age. The gourd box with one leg broken, but accompanies the lot. The cover lacking a finial, with ivory removed. The prayer wheel is lose on it’s mounting. 2305 Each overall good condition with scattered scuffs, scratches, nicks, and minor indentations commensurate with age. Uneven wear to wood finish, with areas of lacquer loss at legs and armrests. Upholstery in good condition with minor soiling.

2307 Wear and rubbed losses to gilding with attendant oxidation. Scattered scuffs and scratches. Staining to underside, with felt pads applied. 2308 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. One side of body with a 10” long area of horizontal scuffing. Soiling to interior. 2309 Each with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Each with a repair to junction of standard with bird figure. Birds with areas of heavier oxidation and verdigris. 2310 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 2311 Constructed in two pieces, the figure and the carp with base. The figure is loose in its mounting with wear and blackening to the surrounding area. Figure with repaired break to robe. One lotus petal with a quarter-sized chipped loss. Likely lacking the brush held in right hand. The base with a shrinkage crack. Rubbed loss to the white wash throughout. 2312 One carved bone element broken and retained with the lot. Lacking at least two other mounted elements. Otherwise good condition with scattered scuffs, scratches, dust accumulation, and oxidation to metal components commensurate with age. 2313 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Wear to the finish at crest rail, dragon heads, and more trafficked areas of seat. The seat with a few small cracks, stains, and indentations. 2314 Each with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each splat and apron with multiple cracks and possible restoration. One with repair to seat rail with attendant loss measuring .75” diameter as well as a repaired break to end of left armrest. Scattered older losses and wear to the finish. 2315 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation to metal components. Handle is shaken, with possible older repairs. There is an odor to interiors.

2316 Overall good condition with scattered scuffs, scratches, and dust accumulation commensurate with age. The lid juncture with mounting putty residue. 2317 The larger with heavy oxidation and accretions on mirror side. Each with normal wear and oxidation. Stands with losses to enamel and attendant rust/oxidation. 2318 The first with oxidation and verdigris, the smaller with oxidation, both with accretions to mirror side. Each stand with losses to enamel and attendant rust/oxidation. 2319 Heavy oxidation to both sides, accretions and verdigris to mirror side. Stand with losses to enamel and attendant rust/ oxidation. 2320 With light oxidation, the middle one with yellow accretions and remains of tape on mirror side. Stands with losses to enamel and attendant rust/oxidation. 2321 Heavily oxidized and with heavy accretions especially to mirror side. Stand with losses to enamel and attendant rust/ oxidation. 2322 Some oxidations and accretions. Each stand with losses to enamel and attendant rust/oxidation. 2323 With oxidation, verdigris, and heavy accretions. Small loss to edge of jade. 2324 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, chips and small losses to carving, and separation at joints commensurate with age. The marble with surface scratches. 2325 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, chips and small losses to carving, and separation at joints commensurate with age. The marble with surface scratches. 2326 With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age. Some drawer fronts with later applied paper labels. The top with more concentrated wear to the lacquer, with a quarter-sized indentation. Older losses to wood throughout. 2327 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Older losses to front legs and apron. Wear to the lacquer, concentrated to edges and top, where there is much craquelure and losses. Rubbed wear to the gilt decorations throughout.

Condition Reports

2306 Each overall good condition with scattered scuffs, scratches, nicks, and wear to finish commensurate with age. The largest with a 1” diameter area of two white scuffs, likely paint transfer, as well as a pea-sized deeper nick to one leg.

529

2328 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. 2329 Each with scattered abrasions and small chipped losses. Oxidation to metal components, with some indentations. One shade with torn interior and a 6” tear to exterior. The other shade with scattered stains and soiling. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 2330 Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Mounting putty residue to lids. 2331 Each overall good condition with scattered minor scuffs and scratches commensurate with age. 2332 The blue figure with breaks and losses. One lion seal with carved base, the remaining items in good condition with scattered scuffs and scratches commensurate with age. 2333 Each good condition overall with light handling wear. 2334 The seal portion is blank. Each in good condition overall with slight rubbing and handling wear. 2335 Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. A few fleabites to bases. One with previous dealer’s sticker applied. 2336 Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. A few fleabites to bases.

Condition Reports

2337 Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Each with weathering and staining. One with a crack through the ball. The other with scuffs and abrasions to face.

530

2338 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Soiling to base verso, with a few scattered small stains, including one to figure’s head. 2339 With weathering and soiling commensurate with age and outdoor use. Green staining to half of the item recto. Scattered red stains to top and verso. 2340 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Oxidation to hardware. Older losses to upper trim and corners.

2341 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. 2342 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Each dragon accent is loose from its mounting. 2343 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Figure slightly loose from the base. 2344 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Soiling to interior. XRF tested between .830-.880 silver purity (cladding only) 2345 Each overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. 2346 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. A few scattered nicks and indentations, concentrated to handles. Each handle and finial loose from its mounting. Soiling to interior. 2347 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. 2348 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Soiling and rust to interior. 2349 Each overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. The base with a few repairs and one piece of standard loose. 2350 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Oxidation to gilding, with spotting throughout. 2351 Each overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Each with a slight lean. 2352 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Shade with a pea-sized stain near top. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

2354 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Water staining to top surface. Oxidation and heavy soiling with water damage to metal liner. 2355 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation to iron hardware. 2356 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and rust to metal hardware. Drawer fronts with wear to finish. 2357 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with rubbed wear to gilding and decorations, concentrated at edges. No evidence of restorations or repairs under UV light. 2358 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with rubbed wear to gilding and decorations, concentrated at edges. One larger with some chipped losses to foot rim. No evidence of restorations or repairs under UV light. 2359 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with rubbed wear to gilding and decorations, concentrated at edges. One larger with some chipped losses to foot rim. No evidence of restorations or repairs under UV light. 2360 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Two masks with losses to ring portion. No evidence of restorations or repairs under UV light. Soiling to interior. 2361 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations or repairs under UV light. Rubbed wear to the rim gilding. Crazing to underside. 2362 Each overall good condition with soiling and handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2363 The smallest interior glass bottle with large chip to mouth and neck and lacking stopper, the red blossom overlay bottle lacking stopper. All ivory spoons are removed and no longer extant.

2364 Each overall good condition with minor soiling and shelf wear commensurate with age. All ivory spoons are removed and no longer extant. 2365 Two ceramic bottles lacking stoppers, hardstone bottle with small chips around foot, some stoppers loose and lacking spoons. All ivory spoons are removed and no longer extant. 2366 Each overall good condition with soiling and handling wear commensurate with age. All ivory spoons are removed and no longer extant. 2367 Each overall good condition with shelf wear commensurate with age and a few scattered fleabites to bases. All ivory spoons are removed and no longer extant. 2368 Each overall good condition with wear, weathering, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: scattered chips along the foot of each. 2369 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered pinholing to glaze with attendant oxidation. No evidence of restorations or repairs under UV light. 2370 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restoration or repair under UV light. 2371 Each overall good condition with scattered scuffs, light scratches, tarnishing, and oxidation commensurate with age. One bird with wing broken from its mounting with base. 2372 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The top lid with horizontal cracks through. Scattered losses to inlay and older losses to wood, with rubbed wear to painted decorations. 2373 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. 2374 Each overall generally good appearance. Scattered areas of minor wear to the pigment, and flattened, unobtrusive creases. The work depicting Rana Sanga with a pinheadsized abrasion with attendant black residue in the upper portion of the left edge in the red pigmented border. The work depicting Shrinathji with more significant areas of wear and pigment losses, the largest measuring 0.25” H x 0.75” W at the center of the upper edge of the red pigmented border. Occasional, fine craquelure with attendant areas of unstable pigment. A few very small paper losses in the corners and edges. Each not examined out of the frame.

Condition Reports

2353 With dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. The wood base with a crack and water damage, with some warping. Soiling to interior.

Each framed under glass: 23.25” H x 21.125” W x 2.25” D 531

2375 Each overall good appearance. Some slight, unobtrusive wear to the pigment. Not examined out of the frame. Each framed under glass: 21.5” H x 17.625” W x 1.25” D 2376 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Scattered moth grazing. 2377 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 2378 Each overall good condition with scattered scuffs, scratches, and wear commensurate with age. Each with wear and chips to the outer frame. The metal oklads with slight black and iridescent oxidation. Two with heavy craquelure to the underpainting.

Condition Reports

2387 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Sides with many cracks in the veneer. Drawer fronts also with scattered veneer cracks and with more wear and scuffing. 2388 With scattered scuffs, scratches, and oxidation commensurate with age. Corner of glass top with a 2.5” long chipped repair. Leather in good condition with wear at corners.

2379 With heavy oxidation, rust, and losses to paint throughout. Losses to painted interior lid panel and soiling to interior.

2389 Each with intentional crazing and antiquing in the glaze. Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations or repairs under UV light. The jar with felt applied to underside.

2380 A 6” long area of upper trim broken off and retained with the lot. One side with cracking to the wood. The dial with a few missing pieces of numerals and restoration to hands. Interior wood reinforcements/restoration. Movement not inspected. Incudes pendulum but not winding key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

2390 Visual: Overall good appearance. Fine paint shrinkage scattered in the black pigment, and a few areas of unstable, mostly pinpoint-sized pigment losses, primarily in the lower half of the work, the largest, pinhead-sized near the lower right corner. A pinhead-sized spot of old, darkened varnish near the lower left corner. The canvas slightly loose from the stretcher.

2381 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Areas with wear to finish including legs and armrests. Upholstery in good condition.

Blacklight: No evidence of restoration.

2382 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Legs slightly shaken, with separation at junctures with top. With two losses to inlay measuring 3.5” long and 1.75” long. Uneven fading to wood finish.

532

2386 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Two 1.5” long losses to trim of upper drawer. Uneven fading to top finish.

2383 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Rubbed wear to the dial. Includes winding key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 2384 Overall good condition with scuff, scratches, and oxidation/rust throughout commensurate with age. The marble top with small chips to back corners. 2385 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Frame piece on upper right side is loose. A repaired break to trim of upper right edge.

Frame: 35” H x 20” W x 2.5” D 2391 Visual: Overall generally good appearance. Scattered craquelure throughout. Stretcher bar creases along each side. The work with newer stretcher bars and keys. Blacklight: Scattered crackfill to some of the craquelure as well as in places along the upper and left stretcher bar creases. Frame: 21.75” H x 27.75” W x 3” D 2392 Visual: Overall good appearance. Very fine, scattered craquelure. A small stray speck of house paint in the upper right quadrant. Very minor frame abrasion primarily shown in the left and right edges. Blacklight: A 2” H x 1” W area with scattered flecks of possible old touch-up in the lower right quadrant, just to the right of the smaller fruit bowl. Difficult to read under the heavy varnish application. Frame: 44” H x 35” W x 4.5” D

Framed under glass: 21” H x 26.25” W x 2.5” D 2394 Visual: Overall generally good appearance. Surface grime and slight varnish discoloration primarily in the white pigments. Scattered craquelure with a few attendant flecks of pigment loss. A 0.5” H x 0.5” W reverse pressure mark with an attendant rice-sized pigment loss. A 1.5” vertical scuff in the upper right quadrant. The canvas is very slightly puckered in places along the edges, primarily visible in raking light. Blacklight: Crackfill scattered primarily in the sky. A 7.5” vertical band of touch-up along the upper portion of the extreme left edge. Frame: 32” H x 37” W x 5” D 2395 Visual: Each overall generally good appearance. Crazing throughout, primarily visible in the skin of the figures. Soft stretcher bar creases, primarily visible in raking light. Minor scattered frame abrasion. The portrait of Sir Robert Sinclair with a few hairline surface scratches, 3” (or smaller). The portrait of Lady Helen Lindsay with two 1.5” (or smaller) horizontal surface scratches. Blacklight: The portrait of Sir Robert Sinclair with a 0.25” H x 0.75” W touch-up in the extreme right edge, and a few scattered pinhead-sized or smaller touch-ups throughout, but concentrated in the lower half. The portrait of Lady Helen Lindsay with a rice-sized touch-up in the background to the left of her forehead, and occasional scattered touch-ups primarily in the frame abrasion. Each with heavy varnish application. Each frame: 34.5” H x 28” W x 2.5” D 2396 Visual: Overall generally good appearance. Fine crazing throughout the skin of the figure. A deep 0.5” H x 0.125” W abrasion with attendant pigment loss in the upper left quadrant, and another two 0.5” H x 0.5” W (or smaller) surface abrasions with attendant scattered pigment loss in the center of the right edge. A few minor, unobtrusive surface scuffs and scratches in the lower left corner, the longest 1.25” H. A 0.75” H area of frame abrasion in the center of the right edge. A 3.5” scattered band of possible stray pigment in the center and right portions of the lower edge, and a few very minor specks of stray house paint, one in the lower tip of the figure’s hair and two more in the lower half of the work, on her dress. Blacklight: A few tiny, scattered flecks of touch-up. Uneven varnish application.

2397 Visual: Overall generally good appearance. Soft stretcher bar creases on each side, primarily visible in raking light. Very fine crazing, primarily scattered in the face of the figure. A 0.5” H x 0.5” W L-shaped old tear that has been repaired, in the right portion of the figure’s lower torso. An unobtrusive pinhead-sized area of craquelure possibly due to an abrasion, at the edge of the figure’s right shoulder. Frame abrasion primarily in the left, right, and lower edges, with attendant scattered pinhead-sized or smaller pigment losses. The tacking edges have been removed, and as mentioned, the canvas has been relined. Blacklight: A 0.5” H x 0.5” W L-shaped touch-up attendant with the old repaired tear mentioned above, in the right portion of the figure’s lower torso. A few scattered 2” H x 1” W (or smaller) areas of older and newer touch-up, confined primarily to the background and outer edges. A heavy layer of varnish has been applied. Frame: 35.5” H x 30.5” W x 2.5” D 2398 Visual: Overall generally good appearance. Some wear with small attendant flecks of pigment loss along the edges of the panel. Blacklight: Two vertical bands of touch-up measuring 3” H and 2” H are visible on the chair’s arm and leg, respectively. Other occasional areas of touch-up, 0.25” H x 1” W (or smaller), to the left of the figure, as well as a few minor touch-ups along the edges. Frame: 31” H x 23” W x 4.5” D 2399 Each overall good appearance. Scattered areas of unobtrusive bubbling and slight puckering to the blank of the sheets, attendant with the sheets being laid to board. “Sparganium, Orobanche, Cicta Maxima,” with a pale, almost pinhead-sized stain in the blank of the upper center. “Tragopogon Flore Luteo, Linum sylvetsre flore coeruleo, Tragopogon purpureum” with text from the verso showing through slightly to the recto. As mentioned, each sheet is laid to board. Unexamined out of the frames. Each framed under glass: 29” H x 25.625” W x 2” D 2400 Overall good condition with scattered scuffs, scratches, nicks, and abrasions commensurate with age. Verso with cracking and repairs to hinge area. Scattered cracks and small losses to veneer at edges. The lid with a two longer cracks in veneer measuring 2.5” long and 2.75” long. Interior with dust accumulation and minor soiling. Lacking key. 2401 Legs appear to have been removed and reattached. With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Cracking to veneer of cabinet doors, with a few small losses to veneer. The tabletop with multiple lateral splits in the wood. Older small losses throughout, concentrated at edges, corners, and legs. Oxidation to hardware, the pulls updated, with wear and losses to lock escutcheons.

Condition Reports

2393 Overall generally good appearance. Pale light-staining and the colors slightly attenuated. A rice-sized abrasion in the center, just above the young boy’s head. Four areas of old tape remnants, the largest 0.25” H x 0.625” W, in places along the upper sheet edge, as well as a few minor flecks of old glue residue scattered in the extreme outer edges. A few scattered flecks of pigment loss, primarily in the upper and lower left corners. As mentioned, the sheet is laid to board. The work is loose, not matted.

Frame: 38.25” H x 32” W x 3.25” D 533

2402 Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Upholstery with staining, areas of yellowing, and soiling throughout, with areas of uneven pile wear. 2403 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The top with a few small repairs along edge, one measuring 1” long, and an area of abrasion/loss measuring 2” long. 2404 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One chair with crazing and a 1” area of loss to one inlaid griffin. 2405 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Cracking to veneer throughout. Scattered small losses to veneer at edges. With a split in the wood verso. Losses to feet, with evidence of older wood worm to legs and verso. Includes key. 2406 Six repaired breaks with attendant small losses to snake handles. Each with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each slightly loose from base. Each with minor soiling to interior. 2407 Losses to flowerheads especially around foot, and breaks to stems, two small broken parts of stem not attached but extant. Restoration to one cherry cluster. Body bolted to foot and both are a little loose.

Condition Reports

2408 Each overall good condition with shelf wear, dust accumulation, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with spotted yellow residue to interior.

534

2409 The standard constructed in three pieces, which are loose, causing a lean. With shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered chipped losses to flowers and leaves throughout. Dust accumulation throughout, with wax residue to bobèches. 2410 Lacking original ladle. Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Footed bowl with rice-sized chipped loss to outer edge of base. Two goblets with rice-sized chipped loss to base, one with fleabite to rim. Some goblets with minor soiling to interior. Heavier shelf wear and scratches to tray underside. Minor tarnishing and scratches to ladle. 2411 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with minor soiling and rubbed wear to gilt edges.

2412 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Mild rubbed wear to gilt edges. 2413 The case with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The front of case with a 8” long and 7” long split in the wood. Also with a 3” long loss to trimming. The upper gold-toned elements of later plastic. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. Includes winding key, pendulum, weights, and cabinet key. 2414 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Table somewhat shaken. The legs with reinforcements and possible repairs at junctures. The tabletop with scattered small stains and wear to finish. 2415 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Some wax residue to bobèches. One prism detached and retained with the lot. 2416 Overall good condition with dust accumulation commensurate with age and use. Scattered areas of minor insect damage with small losses to stitches around some edges, revealing bare canvas. With framer’s label verso: James Morris / No. 79 Park Street/Oxford Street Not examined out of frame. Framed under glass: 37.5” H x 49.5 “ W x 3” D 2417 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Losses to mounted trimming, with a 4.5” long loss at front. Scattered small losses to inlay, mostly to drawer front edges. Each side with splits in the wood, one with a 1.5” long area of lifting to trim. Heavy wear and losses to leather top surface, with losses 2418 Overall good condition with scattered scuffs, scratches, minor soiling, nicks, abrasions, and oxidation to metal components commensurate with age. 2419 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with crazing to the glaze, some with minor soiling to underside. One teacup with rice-sized chipped loss to rim. Two plates with hairline cracks in the glaze, not surface-reaching. Covered vegetables with scattered areas of rubbed loss to the gilding of rim. Covered boat with a pea-sized chipped loss to inner rim of lid. 2420 Each overall good condition with shelf wear and inherent firing flaws commensurate with age. Some dinner plates and saucers with soiling and minor staining to underside.

2422 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Some wax residue to nozzles. Some surface grime throughout each. 2423 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Many pieces with mild to moderate soiling. 2424 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Interior with minor staining. 2425 Overall good condition with minimal wear commensurate with age. The upholstery in good condition with minor dust accumulation and minor wear to passementerie. 2426 Pale toning with some areas of the black ink now faint and attenuated to brown. Folding creases, minor handling marks, cockling along the outer edges, surface soiling, scattered areas of pale staining, mostly along the edges and scattered throughout the verso, small losses to the tips of the white paper seal, and lesser defects, all commensurate with age. The sheet is loose, not matted. Unframed 2427 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Older losses and evidence of wood worm throughout. Repairs to hinges and feet junctures. Some replaced areas of molding. Heavier losses to cornice corners and feet, the back left foot with a 5” x 4” repaired break.

2431 One with a 1.25” long crack issued from rim. Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Two with a 2” diameter area of minor soiling. 2432 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 2433 Five plates each with a single tooth repair, two rice-sized and three pea-sized. Two plates with a single rice-sized chipped loss to upper surface of one tooth of rim. Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 2434 Two plates each with one area of restoration at sawtooth edge, one pea-sized and one rice-sized. Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 2435 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Some rubbed wear to gilding at rims of bowl and lid at their juncture. 2436 Visual: Overall good appearance. Blacklight: No evidence of restoration. Frame: 37” H x 31.75” W x 3” D 2437 Visual: Overall good appearance. Blacklight: No evidence of restoration. Frame: 33” H x 45” W x 2.75” D

2428 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The cornice with multiple breaks, some sections loosely mounted, one with a 5” long loss. Older losses throughout, with one to backside measuring 6” x 3”. Includes key.

2438 Visual: Each overall good appearance. Minor grime and varnish discoloration. Slight frame abrasion. “Brise en Marne” with a few pea-sized (or smaller) pigment losses scattered in the upper portion of the extreme right edge, and a few very small, unobtrusive areas of craquelure in the sky.

2429 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Upholstery in good condition with minor soiling and dust accumulation.

Blacklight: Each with a few minor pea-sized (or smaller) areas of touch up in the sky.

2430 This item is sold as-is. Approximately 10-15 strings are broken or need replacement, in the higher register. Oxidation to strings and tuning pins, with pitting and oxidation to pedals. The case with scattered small losses to lacquer. Some craquelure to iron plate. Dust accumulation throughout interior. Heavy scratching to case lid. Working condition unknown. Moran’s does not guarantee the working condition of musical instruments.

Each frame: 19” H x 19” W x 3.5” D 2439 Visual: Overall good appearance. Blacklight: No evidence of restoration. Frame: 25” H x 29” W x 2.5” D

Condition Reports

2421 With losses to right hand. Repairs and losses to base. Weathering and soiling throughout.

535

2440 Visual: Overall good appearance. Blacklight: No evidence of restoration. Frame: 38” H x 40” W x 3.5” D 2441 Visual: Overall good appearance. Fine scattered craquelure. Blacklight: No evidence of restoration. Frame: 27.75” H x 37.75” W x 3” D 2442 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 2443 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 2444 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 2445 With even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered stains, several small areas of moth grazing, concentrated to one lateral half, and breaks to selvage edges with attendant fraying. 2446 With even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered stains. 2447 Overall good condition with pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered moth grazing, including an area measuring 8” x 4”, and some areas of uneven pile wear.

Condition Reports

2448 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Slight dye migration.

536

2449 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: a 5” x 2” area of repair to one corner. 2450 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: several small repairs to edges, the longest measuring 5” long. 2451 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

2452 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: losses to fringe edges and corners, with pile loss near fringe edges, and all-over dye migration. 2453 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Small loss to one corner. 2454 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of moth grazing, and wear to fringes. 2455 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: losses to fringe edges. 2456 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: one quarter-sized hole, losses to two corners at fringe edge, scattered small repairs, and metal rings applied for wall mounting.

537

Condition Reports

John Moran Auctioneers, Inc SPECIALISTS

Head of Sale, Senior Specialist, Furniture & Decorative Art Angela Past President, Auctioneer Jeffrey J. Moran Vice President, Specialist, Silver, Western & American Indian Art

Director, Fine Art Specialist / Department Manager, Decorative Arts Cataloguer, Furniture & Decorative Arts

Cataloguer, Silver, Western and American Indian

Associate Specialist, Fine Art Associate Specialist, Fine Art Department Administrator, Fine Art Senior Cataloguer, Fine Art Cataloguer, Fine Art Cataloguer, Fine Art

Post-War & Contemporary Design Specialist Director, Jewelry & Watches Specialist, Jewelry & Watches

TRUSTS & ESTATES

Senior Vice President, Director Trusts & Estates

Director, Appraisals Associate Appraiser Department Administrator, Trusts and Estates

Maranda Moran

Katherine Halligan, AAA Jen Kurtz Grant Stevens

Sally Andrew

Bobby Cullen Ian Anderson

Jacob Baer Anne Spink Madison Ari

Lori Kassabian

Matthew Grayson Tom Burstein Kelly Sitek

Morgana Blackwelder, ISA AM

Mariam Whitten, ISA AM Shannon Dailey Julia Kelley

CLIENT SERVICES

Office/HR Manager Mario Esquivel Client Services Ella Fountain Finance Administrator Jamie Holthauser Client Services Bryan Ortega

OPERATIONS

Vice President, Business Director, Auctioneer Controller Consignment Coordinator Warehouse Supervisor, Senior Art Handler Transport Supervisor, Senior Art Handler Art Handler Art Handler

MARKETING

Director, Advertising & Marketing Manager, PR/Social Media Graphic Designer

PHOTOGRAPHY

Senior Photographer, Head of Photography Photographer

FOUNDERS

Founder Co-Founder

Stephen Swan Joseph Scott Jean Rapagna Richard Corral Joe Miranda Romero Corral Robert Robles

Nathan Martinez Brenda Smith Brian Olivas

Keith Berson Madison Torres

John H. Moran (1942-2017) Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 - $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

Download Moran Mobile today at the App Store and Google Play!

Conditions of Sale These Terms and Conditions of Sale (“Terms“) set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. (“Moran”) will be governed. These Terms constitute a legal and binding agreement between You and Moran. AUCTION HOUSE AS AGENT Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer. BEFORE THE AUCTION (a) Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran. com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer’s Responsibility. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold “As Is”: Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD “AS IS.” Condition reports are offered as a courtesy and are typically published in Moran’s catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission. Moran’s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording. (b) Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer’s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment. Successful bidders may be required to further verify their identity before property is released. (c) Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder’s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and—in the case of error or dispute, whether during or after the sale—determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran’s sale record shall be conclusive as to the successful bidder and the price of the successful bid. (d) Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

(e) Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller’s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer’s Premium, plus any applicable sales tax. The Buyer’s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer. Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer’s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer. Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full. Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers’ LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause. (c) Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran’s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the “Retrieval Period”), Moran may, without further notice, (a) continue to store the lot in Moran’s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer’s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.

Conditions of Sale Cont’d (d) Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran’s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned (“Abandoned Property”) and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period. (e) Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein. (f) All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran’s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist’s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist’s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer’s damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability. (c) Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates. All estimates provided are carefully considered opinions of Moran’s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

(f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer’s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney’s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran’s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California. (c) Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California. (d) Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction. This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision. In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys’ fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys’ fees reasonably incurred by the prevailing party in connection with the arbitration. (e) Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.

SINCE 1969

AUCTIONEERS & APPRAISERS

w w w. j o h n m o r a n . c o m · i n f o @ j o h n m o r a n . c o m · ( 6 2 6 ) 7 9 3 - 1 8 3 3

The Traditional Collector — Tuesday, April 29, 2025 | John Moran Auctioneers