Issuu

The Estate of Joanna Carson Tuesday, March 3, 2026

SINCE 1969

AUCTIONEERS & APPRAISERS w w w. j o h n m o r a n . c o m

The Estate of Joanna Carson

Tuesday, March 3, 2026 | 10am PST Sale 350 145 East Walnut Avenue, Monrovia CA 91016

This is an interactive catalogue. Click on any item description or hyperlink for more information.

Previews:

Friday, February 27: 12pm-4pm Saturday, February 28: 12pm-4pm Saturday, February 28: 5pm-8pm (Evening Preview, RSVP Required) Sunday, March 1: 12pm-4pm Monday, March 2: 12pm-4pm Tuesday, March 3: Doors open at 9am

Meet the Team Jennifer Kurtz Head of Sale Director, Furniture & Decorative Arts j.kurtz@johnmoran.com Kelly Sitek Senior Specialist, Jewelry & Watches k.sitek@johnmoran.com

Anne Spink Senior Cataloguer, Fine Art a.spink@johnmoran.com

Grant Stevens Cataloguer, Decorative Arts g.stevens@johnmoran.com

Sally Andrew Cataloguer, Luxury & Couture s.andrew@johnmoran.com

Client Services Mario Esquivel Office Manager m.esquivel@johnmoran.com

Ella Fountain Client Services e.fountain@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS

Joanna Carson (1937-2025) John Moran Auctioneers is proud to present over 400 lots from The Estate of Joanna Carson. Joanna Carson was a former model, philanthropist, and Broadway producer whose life was defined far more by generosity than by celebrity. Born Johanna Ulrich and raised in New York, she married professional backgammon player Tim Holland in 1960. The couple shared a son, Joe, during their six-year marriage. Following their divorce, Joanna supported herself as a prominent fashion model, rising to become one of New York’s top figures in the industry. She met The Tonight Show host Johnny Carson at the 21 Club in 1971, and the two married the following year. Their marriage ended in divorce in 1985. Beyond her public image, Joanna was deeply committed to charitable giving. For more than fifty years, she helped establish the Women’s Rape Treatment Center and supported organizations serving children with disabilities through her longtime involvement with SHARE (Share Happily and Reap Endlessly). She also worked closely with the Elizabeth Taylor AIDS Foundation and contributed to numerous other causes, reportedly helping direct nearly $200 million to programs and organizations she cared about. In addition to her philanthropic work, Joanna was active in the arts. She served as vice president of fashion designer Michaele Vollbracht’s company from its earliest days and went on to produce several Broadway productions, including American Psycho (2016), Beetlejuice (2019 and 2022), and American Buffalo (2022). Her personal style favored elegant simplicity. Even at home, she believed that “less is more,” whether setting a table or preparing one of her beautifully straightforward meals. This single owner auction reflects her balance of grace and ease, telling the story of a woman who navigated every setting with understated charm. While many remember Joanna through her high-profile marriage and divorce, those who knew her best recall a gracious, kind woman who used that chapter of her life to fuel a lifetime of giving. Proceeds from the sale of items from the Estate of Joanna Carson will be donated to charity, ensuring that her legacy continues to make a difference for generations to come.

Van Cleef & Arpels: An 18K Gold, Amethyst and Diamond Ring

Centering an oval amethyst weighing approximately 5.25 carats, accented by round diamonds weighing approximately 2.30 carats, signed VCA, 5H224-1 Size: 6 1/4 10.6 grams gross $3,500-5,500

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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Jean Vitau: A Pair of 18K Gold, Gem-Set and Diamond Earclips

Of a fish design set with round sapphires, round ruby cabochons, carved onyx elements and round diamonds, signed Jean Vitau 2 pieces Measures: 1 x 1 in. 18.8 grams $800-1,200

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

Jean Vitau: A Pair of 18K Gold and Gem-Set Butterfly Earclips

Of a butterfly design featuring wings set with round yellow sapphires, rubies and sapphires all accented by round diamonds, signed Jean Vitau 2 pieces Measures: 1 x 3/4 in. 30.3 grams gross $1,500-2,000

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The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

An 18K Gold and Citrine Ring

Centering a sugarloaf citrine accented by geometric gold openwork filled with orange accents, with French assay and makers marks Size: 7 3/4 13.1 grams gross $3,000-5,000

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L’oree du Bois: Two Gold-Plate and Wood Brooches

Of a frog design featuring carved wooden bodies, gold-plated legs and finished with green glass eyes, signed L’oree du Bois, France Measures: 2 1/4 x 1 3/4 in. and 1 3/4 x 1 1/2 in. 53.9 grams gross $1,000-1,500

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

An 18K Gold and Diamond Ring

Of a high polish design featuring a singular round diamond weighing approximately 0.45 carat Size: 8 1/2 14.2 grams $1,200-1,800

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A Pair of 18K Gold and Diamond Earclips

Of a crescent design featuring three rows of graduated round diamonds weighing approximately 5.92 carats 2 pieces Measures: 7/8 x 3/4 in. 14.6 grams gross $1,800-2,500

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

David Webb: An 18K Gold, Platinum, Gem-Set and Diamond Ring Centering two oval sapphire and ruby cabochons accented by round diamonds weighing approximately 1.08 carats, signed Webb Measures: 6 3/4 in. 25.4 grams gross $5,000-7,000

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A Pair of 14K Gold, Baroque Pearl and Diamond Earclips

Of a pendant design suspending large baroque pearls accented by tendrils of gold set with round diamonds 2 pieces Measures: 2 1/4 x 1/2 34.8 grams gross $2,500-3,500

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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An 18K Gold, Baroque Pearl and Diamond Ring

Of an organic design featuring four baroque pearls finished with four round diamonds Size: 7 1/2 25.5 grams gross $1,200-1,800

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

A Pair of 18K Gold, Cultured Pearl and Diamond Earclips

Centering two cultured pearls measuring 13.5 - 13.77 mm, accented by a spray of tapered baguette diamonds weighing approximately 1.92 carats total 2 pieces Measures: 1 in. 23.2 grams gross $1,500-2,000

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The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

A Pair of Bi-Color Gold and Diamond Earclips

Of a dome design featuring white and yellow gold set with round diamonds weighing approximately 7.00 carats 2 pieces Measures: 3/4 in. 17.0 grams gross $1,500-2,000

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Nardi: An 18K Gold, Coral and Diamond Bug Brooch

Of a bug design featuring two carved coral cabochons, accented by round diamonds weighing approximately 5.25 carats, signed E. Nardi Measures: 2 x 2 1/4 in. 33.3 grams gross $3,500-5,500

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

An 18K Gold, Coral and Diamond Bracelet

Featuring domed graduated carved coral elements, accented by knotted textured gold set with round diamonds weighing approximately 7.25 carats, with French assay marks and makers mark WF Measures: 6 3/4 in. 175.4 grams gross $5,000-7,000

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An 18K Gold, Coral and Enamel Ring

Of a domed design centering an oval coral cabochon set in twisting sections of white enamel and gold rope accents Size: 6 1/2 37.1 grams $3,000-5,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

A Pair of Gold, Coral and Diamond Earclips

Featuring two round coral cabochons, encircled by two rows of round diamonds weighing approximately 7.14 carats 2 pieces Measures: 1 x 1 in. 22.7 grams $1,000-1,500

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An 18K Gold and Coral Necklace

Of a single strand design featuring graduated round coral beads measuring approximately 6.31 - 16.72 mm, finished with an 18k gold and coral clasp Length: 22 1/2 in. 84.4 grams gross $1,500-2,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

An 18K Gold and Coral Bracelet

Featuring twelve strands of coral beads measuring approximately 5.20 mm, finished with a gold foliate design clasp accented by three domed coral cabochons, with French assay marks Measures: 8 3/4 141.6 grams gross $2,500-3,500

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An 18K White Gold, Coral and Diamond Ring and Earring Set Centering three oval coral cabochons, encircled by round diamonds weighing approximately 3.88 carats total 3 pieces Ring: 7 1/4, Earrings: 7/8 x 1/2 in. 36.4 grams gross $3,000-5,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

An 18K Gold and Coral Necklace

Of a single strand design featuring graduated round coral beads measuring approximately 6.78 - 16.84 mm, finished with an 18k gold and coral clasp Length: 20 1/2 in. 80.8 grams gross $1,500-2,000

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A Pair of 18K Gold, Coral and Enamel Brooches

Including two carved coral figural designs featuring garments of red and white enamel accented by round diamonds and emeralds, with makers mark B 2 pieces Measures: 2 1/4 x 1 3/4 in., and 3 x 1 3/4 in. 61.5 grams gross $4,000-6,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

A Pair of 14K Gold, Ruby and Diamond Earrings

Of a pendant design featuring a floral motif suspending a sphere all set with square-cut rubies and accented by round diamonds weighing approximately 5.20 carats total 2 pieces Measures: 2 x 3/4 in. 23.4 grams gross $2,500-3,500

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A Pair of 18K Gold, Onyx, Ruby and Diamond Earclips

Of a pendant design featuring carved onyx, accented by round ruby cabochons and finished with round diamond accents weighing approximately 1.50 carats total 2 pieces Measures: 2 1/4 x 7/8 in. 36.1 grams gross $2,000-3,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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An 18K Gold, Mabe Pearl, Onyx and Diamond Ring

Centering a round mabe pearl accented by a carved circle of onyx, finished with two side embellishments set with round diamonds Size: 7 3/4 16.4 grams gross $1,500-2,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

A Pair of 14K Gold, Mabe Pearl, Onyx and Diamond Earclips

Centering two mabe pearls, accented by carved onyx elements and finished with round diamonds weighing approximately 1.92 carats total Measures: 1 x 1 in. 21.1 grams gross $1,000-1,500

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An 18K Gold, Ancient Coin and Diamond Pendant Slide

Of an organic high polish design centering a Valerian I, 253-260 A.D. Bronze coin, accented by twelve round diamonds Measures: 1 1/2 x 1 1.4 in. 38.7 grams gross $2,000-3,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

A Pair of 18K Gold, Ancient Coin and Gem-Set Earclips

Centering bronze coins featuring Constantine II 317-337, accented by one oval ruby and sapphire cabochon 2 pieces Measures: 7/8 x 3/4 in. 25.4 grams gross $1,500-2,000

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David Webb: An 18K Gold, Platinum and Diamond Ring

Of a high domed design centering round diamonds weighing approximately 3.36 carat, finished with a fluted gold mount, signed Webb Size: 7 1/2 18.5 grams gross $3,000-5,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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David Webb: An 18K Gold, Platinum and Diamond Butterfly Brooch Of a butterfly design featuring textured gold wings, accented by round, baguette and shield-shaped diamonds weighing approximately 7.25 carats, signed Webb, c.1970 Measures: 3 1/4 x 2 1/2 in. 64.8 grams gross $7,000-9,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

Chatila: An 18K White Gold, Diamond and Colored Diamond Watch Dial: 30.00 mm, round with diamond set hour markers, encircled by round brown and near-colorless diamonds weighing approximately 4.70 carats Model: Chronometer Case: 40.00 mm Case number: BA81, 96 Closure: black satin strap with deployment clasp Signed: case, dial and strap Inner circumference: 6 - 6 3/4 in. 120.1 grams gross Accent diamonds: Approximate overall color and clarity: F-G-H, M- Brown, VS-SI $6,000-8,000

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A Platinum, Aquamarine and Diamond Ring

Centering an emerald-cut aquamarine weighing approximately 31.27 carats, accented by twelve round diamonds Size: 8 21.1 grams gross $3,000-5,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

An 18K White Gold, Chalcedony and Diamond Ring and Earring Set Featuring blue chalcedony cabochon elements together with a pair of flower motif earrings, all accented by round diamonds weighing approximately 2.05 carats total 3 pieces Ring: 8 1/4, Earrings: 1 x1 in. 51.0 grams gross $4,000-6,000

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A Pair of 14K White Gold, Turquoise, Sapphire and Diamond Earclips

Of a floral design featuring carved turquoise petals, centering round sapphires and finished with round diamonds weighing approximately 2.60 carats 2 pieces Measures: 1 1/4 in. 26.3 grams gross $1,500-2,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

A Pair of Titanium, Gold and Diamond Earrings

Of a flower design featuring purplish blue titanium petals centering and accented by round diamonds weighing approximately 3.20 carats total 2 pieces Measures: 1 3/8 x 1 1/8 in. 14.6 grams $1,500-2,000

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A 14K White Gold and Diamond Pendant Necklace

Centering a pear-shaped diamond weighing approximately 0.75 carat, accented by a pear-shaped frame set with round diamonds weighing approximately 0.57 carat Chain: 17 in., Pendant: 1 x 1/2 in. 4.3 grams gross $1,000-1,500

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

A Pair of Platinum and Diamond Stud Earrings

Of a floral design featuring sixteen round diamonds weighing approximately 1.60 carats total 2 pieces Measures: 3/8 in. 2.6 grams gross $600-800

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An 18K White Gold and Diamond Ring

Of a dimensional floral design set with pave diamonds weighing approximately 6.50 carats Size: 6 3/4 15.7 grams gross $2,000-3,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

A Pair of 14K White Gold, Cultured Pearl and Diamond Earclips Of a spray design featuring cultured pearls and single-cut diamonds weighing approximately 0.64 carat 2 pieces Measures: 1 x 3/4 in. 9.5 grams gross $400-600

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A Pair of Bi-Color Gold, Cultured Pearl, Gem-Set and Diamond Earclips 18k white gold featuring carved foliate designed ruby, emerald and sapphire accented by round diamonds weighing approximately 1.96 carats, suspending 14k gold and cultured pearl drops 2 pieces Measures: 1 7/8 x 3/4 in. 22.9 grams $2,000-3,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

A 14K White Gold, Sapphire and Diamond Ring

In a tiered design set with round sapphires, finished with round diamonds weighing approximately 0.65 carat Size: 7 1/2 with sizing spring 9.6 grams gross $300-500

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A Pair of 18K White Gold, Sapphire and Diamond Earrings Suspending two spheres set with rows of round sapphires accented by a diamond chain set with round diamonds weighing approximately 0.45 carat total 2 pieces Measures: 1 1/2 in. 14.9 grams gross $1,200-1,800

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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An 18K Gold, Pink Sapphire and Diamond Ring

Featuring round pink sapphires weighing approximately 2.40 carats, centering four round diamonds Size: 8 3/4 7.5 grams gross $1,200-1,800

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

A 14K Gold and Diamond Eternity Band

Featuring five graduated rows of round diamonds weighing approximately 13.20 carats in a flexible design Size: 8 1/2 15.2 grams gross $4,000-6,000

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The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

An 18K Gold Collar Necklace Of a graduated tubogas design Length: 15 in. 65.0 grams gross $4,000-6,000

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An 18K Gold Pendant/Brooch

Of a graduated quatrefoil design, with makers mark Measures: 2 1/2 x 2 1/2 in. 68.0 grams gross $5,000-7,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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A Gold and Amethyst Necklace

Of a single strand design featuring round amethyst be approximately 13.14 mm, accented by gold rondelles weighing approximately 4.20 carats, finished with a tex Length: 20 in. 153.2 grams gross $1,500-2,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

eads measuring set with round diamonds xtured gold clasp

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A Gold, Enamel and Diamond Ring and Earring Set

Featuring domes of white enamel set in a geometric design accented by round diamonds weighing approximately 2.60 carats 3 pieces Ring: 8, Earrings: 1 x 1 in. 66.7 grams $3,000-5,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

David Webb: An 18K Gold, Enamel and Diamond Pendant/Brooch Of an openwork design accented by white enamel and finished with twenty round diamonds weighing approximately 2.35 carats, signed Webb Measures: 2 1/2 x 2 1/2 in. 64.5 grams gross $6,000-8,000

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David Webb: A Pair of 18K Gold, Enamel and Diamond Earclips Featuring a lattice design of white enamel accented by twelve round diamonds weighing approximately 1.30 carats, signed Webb 2 pieces Measures: 1 1/4 x 5/8 in. 34.0 grams $3,000-5,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

David Webb: An 18K Gold and Enamel Ring

Of a domed design featuring undulating lines of green and white enamel, signed Webb Size: 8 1/4 23.1 grams gross $3,000-5,000

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An 18K Gold and Ruby Ram’s Head Ring

Of a ram’s head design featuring textured gold and finished with round rubies and rose-cut diamonds, stamped Greece makers marks Size: 6 1/4 15.3 grams gross $1,500-2,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

A Pair of 18K Bi-Color Gold and Diamond Earclips

Of a flame design featuring accents of rope gold and round diamonds weighing approximately 2.28 carats 2 pieces Measures: 7/8 x 1/2 in. 15.4 grams gross $800-1,200

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An 18K Gold, Enamel, Ruby and Diamond Cross Necklace Featuring a mariner-style double chain accented by green and blue enamel, suspending a blue enamel gold cross pendant set with a single round ruby and single-cut diamonds Chain: 32 in., Cross: 2 x 1 1/2 in. 147.6 grams gross $12,000-18,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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An 18K Gold, Ruby and Diamond Ring

Of a bypass design featuring textured gold elements finished with round rubies and diamonds Size: 7 3/4 15.0 grams gross $2,500-3,500

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

A Pair of 18K Gold, Ruby and Diamond Earclips

Centering two oval ruby cabochons weighing approximately 14.80 and 15.05 carats, encircled by round diamonds weighing approximately 4.80 carats total 2 pieces Measures: 7/8 x 1/2 in. 17.8 grams gross $2,500-3,500

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The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

An 18K Gold, Ruby and Diamond Heart Necklace

Featuring high polish heart-shaped links accented by heart-shaped connectors set with round diamonds weighing approximately 2.00 carats, finished with accents of oval ruby cabochons, with Italian workshop marks Length: 17 1/2 in. 122.5 grams gross $10,000-15,000

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A pair of 18K Gold Bangles

Of a twisted high polish hinged design 2 pieces Measures: 6 3/4 in. 108.2 grams $7,000-10,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

Van Cleef & Arpels: A Pair of 18K Gold, Gem-Set and Diamond Earclips

Of an organic design featuring oval emerald, ruby and sapphire cabochons accented by round diamonds, signed Van Cleef and Arpels, made in France 2 pieces Measures: 7/8 x 3/4 in. 18.6 grams gross $5,000-7,000

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Van Cleef & Arpels: An 18K Gold, Gem-Set and Diamond Brooch, 1971

Of a flowing floral design centering an oval emerald, ruby and sapphire cabochon accented by bursts of graduated round diamonds weighing approximately 10.35 carats, signed Van Cleef and Arpels, NY42138, 1971 Measures: 2 1/2 x 2 in. 37.8 grams $12,000-18,000

The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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A Pair of 14K Gold and Gem-Set Earclips

Of a shell design, capped by oval sapphire and ruby cabochons 2 pieces Measures: 1 x 1/2 in. 16.1 grams gross $800-1,200

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A Pair of 18K Gold, Ruby, Sapphire and Diamond Earclips Featuring four ornate oval designs centering two oval ruby and sapphires cabochons accented by eight round diamonds Measures: 2 x 1 in. 19.9 grams gross $1,500-2,000

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An 18K Gold, Gem-Set and Diamond Necklace

Of a Cuban link design featuring six stations set with oval sapphire and ruby cabochons all accented by seventy-two round diamonds weighing approximately 7.20 carats, no.29573 Length: 30 3/4 in. 189.6 grams $15,000-20,000

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An 18K Gold, Gem-Set and Diamond Ring

Featuring three tiers set with a single oval emerald, ruby and sapphire cabochons, accented by round and baguette diamonds weighing approximately 2.20 carats, with Italian workshop marks Size: 8 15.5 grams gross $3,000-5,000

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A Pair of 14K Gold, Gem-Set and Diamond Earclips

Featuring graduated oval ruby, sapphire and emerald cabochons, accented by round diamonds weighing approximately 1.28 carats total 2 pieces Measures: 1 x 3/4 in. 25.8 grams gross $2,000-3,000

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An 18K Bi-Color Gold, Enamel and Diamond Compact, Italy

Featuring an animalistic design of textured gold, green, black and orange enamel, all accented by single-cut diamonds weighing approximately 2.25 carats, with original ostrich feather puff, signed Modele FC Depose, made in Italy Measures: 3 1/4 x 2 3/4 in. 182.6 grams $12,000-18,000

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An 18K Gold, Emerald, Ruby and Diamond Letter Opener

Featuring a shortened 18k gold blade topped by a foliate carved emerald, embellished by an ornate gold motif set with round rubies and diamonds Measures: 5 1/2 x 3/4 in. 55.2 grams $6,000-8,000

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An 18K Gold, Emerald and Diamond Ring

Centering an oval emerald cabochon weighing approximately 5.86 carats, accented by eighteen round diamonds, with maker’s mark Size: 8 1/4 17.1 grams gross 13.5 x 11.4 x 6.3 mm $2,000-3,000

1 1 0 The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

An 18K Gold Chain

Of a mariner link design Length: 24 1/4 in. 43.1 grams gross $3,000-5,000

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A 14K Gold and Intaglio Pendant

Featuring a round dyed green chalcedony intaglio, accented by two round onyx cabochons set in a stepped design Measures: 1 1/2 x 3/4 in. 6.7 grams $400-600

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A Pair of 18K Gold, Mabe Pearl, Onyx and Ruby Earclips Centering two round mabe pearls, encircled by an onyx frame, accented by round diamonds weighing approximately 1.00 carat and finished with two oval ruby cabochons 2 pieces Measures: 1 1/4 x 1 in. 38.4 grams gross $1,500-2,000

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An 18K Gold, Onyx, Ruby and Diamond Suite

Including a bangle, pair of earrings and ring all of a geometric design featuring onyx elements, oval ruby cabochons and accented by round and baguette diamonds weighing approximately 7.90 carats total 4 pieces Bangle: 6 1/2 in., Earrings: 1 x 1/2 in., Ring: 8 1/2 107.7 grams gross $5,000-7,000

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An 18K Gold, Mabe Pearl, Onyx and Diamond Ring

Centering a round mabe Pearl accented by four carved onyx elements, finished with forty-eight round diamonds weighing approximately 0.96 carats Size: 8 20.3 grams gross $1,500-2,000

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An 18K Gold, Onyx, Rock Crystal Quartz and Diamond Ring and Earring Set Featuring carved fluted rock crystal quartz, centering oval onyx cabochons accented by round diamonds weighing approximately 2.16 carats total, stamped DM with English hallmarks 3 pieces Ring: 8 3/4, Earrings:1 x 3/4 in. 47.5 grams gross $3,000-5,000

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A Pair of 18K Gold, Onyx and Diamond Earclips

Of a geometric design featuring carved onyx and pave-set diamonds weighing approximately 3.75 carats 2 pieces Measures: 1 1/4 x 1 in. 28.6 grams gross $2,500-3,500

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An 18K Gold, Onyx and Diamond Ring and Earring Set Of a geometric design featuring panels of onyx, accented by round diamonds weighing 4.80 carats total 3 pieces Earrings: 3/4 x 3/4 in., Ring: 8 48.1 grams gross $3,000-5,000

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121

A Gold, Turquoise, Gem-Set and Diamond Necklace and Earring Set

Of an ornate design featuring oval turquoise cabochons accented by round rubies and sapphires, finished with round diamonds weighing approximately 3.50 carats total Necklace: 17 in., earrings: 1 3/4 x 5/8 in. 145.1 grams gross $5,000-7,000

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A 14K Gold, Turquoise and Diamond Ring and Earring Set

Centering three oval turquoise cabochons weighing approximately 39.90, 16.00 and 16.50 carats, encircled by round diamonds weighing approximately 5.20 carats total 3 pieces Ring: 7 3/4, Earrings: 1 x 7/8 in. 39.5 grams gross $4,000-6,000

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125

Van Cleef & Arpels: An 18K Gold, Turquoise and Diamond Ring

Featuring oval turquoise cabochons in a floral design accented by twenty-four round diamonds weighing approximately 3.60 carats, signed VCA 38260 Size: 7 15.8 grams gross $7,000-10,000

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Oscar Heyman & Brothers for Cartier: An 18K Gold, Platinum, and Diamond Necklace, 1977

Featuring sixty-nine graduated pear-shaped diamonds weighing approximately 24.15 carats, set in a draping ‘V’ shaped design, Oscar Heyman maker’s mark 85778, c.1977, signed Cartier 1257, with certificate of authenticity Measures: 22 in. 55.9 grams $20,000-30,000

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An 18K Bi-Color Gold and Diamond Ring

Of a domed design featuring five sections of round diamonds weighing approximately 3.40 carats Size: 6 27.5 grams gross $3,000-5,000

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133

An 18K Gold Lavender Jade and Diamond Ring and Earring Set Featuring three oval greyish lavender jade cabochons, accented by round diamonds weighing approximately 3.45 carats total 3 pieces Ring: 7 1/2, Earrings: 1 x 3/4 in. 58.8 grams gross $3,000-5,000

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An 18K Gold, Tanzanite, and Diamond Ring and Earring Set

Featuring three oval tanzanite cabochons, accented by round, baguette and trilliant-cut diamonds weighing approximately 6.45 carats total 3 pieces Ring: 8, Earrings: 7/8 x 7/8 in. 41.7 grams gross $3,500-5,500

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Rondette: An 18K Gold, Cultured Pearl and Sapphire

Centering a round cultured pearl, set in a floral gold dome design accented by round sapphires, signed Rondette Size: 6 with sizing band 13.8 grams $2,000-3,000

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A Pair of 10K Gold, Sapphire and Diamond Earclips

Centering two oval sapphire cabochons weighing approximately 5.60 carats each, encircled by round diamonds weighing approximately 1.96 carats total 2 pieces Measures: 3/4 x 1/2 in. 11.8 grams gross $1,000-2,000

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A Pair of 14K Gold Hoop Earrings

Of a twisted hoop design, stamped 14k over resin 2 pieces Measures: 1 in. 5.7 grams gross $300-500

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141

Sidney Mobell: An 18K Gold and Diamond Hourglass Pin

Featuring loose round diamonds encased in a gold hourglass design, signed Sidney Mobell Measures:1 1/2 in. 6.2 grams $1,500-2,000

A 14K Gold and Gem-Set Charm Pendant

Centering a ballerina motif set with cultured pearls, round rubies and sapphires, accented by a radiating gold motif Measures: 1 1/2 in. 13.4 grams gross $600-800

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A 14K Gold Chain Necklace

Featuring high-polished heart links Length: 31 in. 43.0 grams gross $2,000-3,000

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A 14K Gold and Gem-Set Charm

Of an antique pitcher design featuring oval and round multi-colored synthetic stones Measures: 1 1/2 x 1 1/2 in. 16.5 grams gross $700-1,000

A 14K Gold and Ruby Pendant

Featuring a double-sided, braided gold in a heart-shaped motif, accented by two round rubies Measures: 1 x 1 in. 20.1 grams $800-1,200

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A 14K Gold and Ruby Heart Locket Necklace

Including a long gold rope chain together with a heart-shaped double-sided locket accented by six round rubies 2 pieces Chain: 24 in., Pendant: 1 1/2 x 1 1/2 in. 30.8 grams gross $1,000-2,000

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A 14K Gold Bracelet

Of a fancy woven design featuring heart-shaped textured gold motifs Measures: 7 1/4 in. 41.4 grams gross $2,000-3,000

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147

A 14K Gold Pendant and Charms

Of a butterfly design suspending seven charms featuring a lapis lazuli butterfly, a St.Christopher medal, a smiley face, a gavel, a child cut out, and two flat elements Measures: 3 1/2 x 2 in. 28.7 grams gross $1,500-2,000

A Pair of Gold, Amethyst and Diamond Earrings

Centering two cushion-cut amethysts weighing approximately 4.07 and 3.86 carats, encircled by old mine-cut diamonds weighing approximately 2.60 carats total 2 pieces Measures: 3/4 x 1/2 in. 10.86 grams gross $1,000-2,000

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A Gold, Amethyst and Diamond Ring

Centering an oval amethyst weighing approximately 32.00 carats encircled by round diamonds weighing approximately 2.60 carats Size: 8 1/4 15.5 grams gross $2,000-3,000

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A 14K Gold and Blue Topaz Ring

Centering an emerald-cut blue topaz weighing approximately 8.50 carats Size: 7 1/2 10.6 grams gross $1,000-1,500

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A Pair of 18K Gold Earrings Of a graduated hoop design 2 pieces Measures: 1 in. 9.4 grams gross $700-1,000

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A Pair of 18K Gold and Diamond Heart Earclips

Of a heart-shaped high polish design centering fifty-town round diamonds weighing approximately 1.30 carats total 2 pieces Measures: 1 x 3/4 in. 20.5 grams gross $1,500-2,000

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An 18K Gold and Diamond Scarf Slide

Of a rounded square design featuring textured gold, set with sixteen round diamonds weighing approximately 0.65 carat Measures: 1 5/8 x 1 1/2 in. 29.2 grams gross $2,000-3,000

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A 14K Gold and Diamond Flower Brooch

Of a floral openwork design featuring round and baguette diamonds weighing approximately 7.85 carats Measures: 2 3/4 x 2 1/2 in. 37.5 grams gross $5,000-7,000

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101

A 14K Bi-Color Gold and Diamond Collar Necklace

Of a high polish design featuring rounded rectangular links, accented by arrow motifs set with round diamonds weighing approximately 4.40 carats Measures: 13 in. 45.7 grams gross $3,500-5,500

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A Pair of 18K Gold Bangles

Both of a high polished graduated organic hinged design 2 pieces Measures: 6 /2 in., Width 7/8 in. at the widest point 158.4 grams $10,000-15,000

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103

A 14K gold and Black Star Sapphire Ring

Of a signet design centering an oval black star sapphire cabochon weighing approximately 6.70 carats Size: 11 12.3 grams $1,200-1,500

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104

A 14K Gold and Green Tourmaline Ring

Of a signet design centering an oval green tourmaline weighing approximately 4.12 carats Size: 10 3/4 11.4 grams gross $1,200-1,500

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105

An 18K Gold, Pink Tourmaline, Emerald and Diamond Ring and Earring Set Featuring fluted designs centering pink oval cabochons weighing approximately 11.59, 14.40 and 14.65 carats, accented by emerald cabochons and round diamonds 3 pieces Ring: 6 3/4, Earrings: 1 x 1 in. 39.3 grams gross $3,000-5,000

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106

An 18K Gold, Mabe Pearl and Diamond Ring and Earring Set Featuring three round grey mabe pearls, set in stepped gold frames accented by round diamonds 3 pieces Ring: 8 1/2, Earrings: 1 x 1 in. 33.6 grams gross $2,000-3,000

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107

GemLok: A Pair of 18K Gold, Mabe Pearl and Diamond Earclips

Centering two round mabe Pearls, set in a hexagonal frame set with round diamonds weighing approximately 1.44 carats total, signed GemLok 2 pieces Measures: 1 x 1 in. 31.1 grams gross $400-600

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108

A 14K Gold and Mabe Pearl Ring

Centering a round mabe pearl accented by four rows of twisted gold rope motifs Size: 8 14.0 grams $600-800

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109

A Pair of 14K Gold Earrings Of a gradated hoop design 2 pieces Measures: 7/8 in. 8.43 grams gross $400-600

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110

Tiffany & Co.: A 14K Gold Cigarette Holder

Featuring textured 14k gold, signed Tiffany, Germany Measures: 4 x 1/2 in. 10.2 grams gross $300-500

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111

A 14K Gold and Composite Turquoise Ring Of a floral design featuring cabochons of blue composite turquoise Size: 6 3/4 9.4 grams gross $250-350

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112

A Pair of 14K Gold and Composite Turquoise Rings

Centering two oval composite turquoise cabochons set in an open lattice work design Size: 8 and 8 1/2 18.2 grams gross $500-700

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113

A 14K Gold and Synthetic Color-Change Sapphire Ring Centering an oval synthetic color-change sapphire weighing approximately 11.83 carats, finished with a fluted gold band Size: 10 17.6 grams gross $500-700

114

A 14K Gold and Synthetic Color-Change Sapphire Ring Centering an emerald-cut synthetic color-change sapphire weighing approximately 15.60 carats Size: 8 1/4 10.8 grams gross $400-600

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173

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115

A Pair of Bi-Color Gold and Diamond Earclips

Of an organic design featuring textured gold edges set with graduated round diamonds weighing approximately 6.00 carats 2 pieces Measures: 1 1/4 x 3/4 in. 20.0 grams gross $1,500-2,000

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116

David Webb: An 18K Gold David Webb Pisces Pendant/Brooch Featuring two fish swimming in a circular design accented by two round diamonds, signed David Webb and Webb Measures: 2 x 2 in. 53.0 grams gross $6,000-8,000

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117

David Webb: An 18K Gold Collar Necklace

Featuring bright gold textured links and large circular connectors, signed Webb Measures: 14 3/4 in. 180.8 grams gross $15,000-20,000

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118

David Webb: An 18K Gold Bracelet

Featuring six strands of graduated textured gold beads finished with a foliate motif clasp, signed Webb Measures: 7 in. 78.7 grams gross $7,000-9,000

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119

David Webb: A Pair of 18K Gold Earclips

Featuring interlocking ovals of textured gold in a door knocker style design, signed Webb 2 pieces Measuring: 1 1/2 x 1 in. 39.4 grams gross $5,000-7,000

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120

Cartier: A 14K Gold, Lapis Lazuli and Ruby Cross

Of a cross design featuring panels of carved lapis lazuli, set upon a tiered square fluted gold mount accented by four round ruby cabochons, inscribed on the back “Whosoever therefore shall confess Me before men, him will I confess also before my Father which is in Heaven, Matthew 10:32” and “Nov-Dec 1948, to Clare from Harry,” signed Cartier Measures: 4 x 1 5/8 x 1 5/8 in. 144.2 grams gross $10,000-15,000 Provenance: Sale: Sotheby’s, “Jewels & Objects of Vertu of Clare Boothe Luce,” April 19, 1988, Lot 519 The Estate of Joanna Carson

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121

Valentino Garavani: A Black & Gold Lamé Evening Gown

Circa 1980s, Italy Label: Valentino Boutique / Made in Italy A long black silk crepe dress featuring ruched metallic gold lamé fabric sleeves and a high waist midriff panel, the slightly gathered skirt with a shaped mock back wrap draped panel faced with gold lamé, the dress fully lined in black silk and with a keyhole button closure at back neck and a left side zipper Size 12: bust across front: 19 in.; waist: 14 1/2 in.; hips: 21 in.; sleeves: 9 in.; CB length: 60 in. $1,000-1,500

Notes: This lot includes a framed black-and-white photograph of Joanna Carson wearing the dress with friends.

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122

Oscar de la Renta: A Black Velvet & Fur Evening Gown

Circa 1980s, USA Label: Oscar de la Renta A long fitted velvet dress with sweetheart neckline and off-the-shoulder sleeves with wide black fox fur collar, attached with large fur snaps to gown exterior neck edge, and with a fitted flared slight fishtail skirt and side back zipper Size 12: bust across front: 19 in.; waist: 16 in.; hips: 21 in.; sleeves: 6 in.; CB length: 58 in. $1,000-1,500

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123

Judith Lieber: A Black & White Crystal ‘Grenade’ Minaudière

Marked to interior plaque: Judith Leiber / © A black and white checked crystal-covered flat oval clutch bag with black cord tassel, gold-toned hardware and set amethyst clasp closure, a drop-in chain strap, gold leather lining and matching coin purse as well as a gold compact mirror and gold comb with tassel 4 1/2 in. H x 7 in W x 1 1/2 in. D; chain drop: 21 in. $600-800

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124

Judith Leiber for Frances Klein: A Red & Pink Crystal Patterned Minaudière

Marked to interior plaque: Judith Leiber / ©; with cloth label: Frances Klein / Beverly Hills A red, pink, and white checked crystal-covered, rounded rectangular clutch bag with gold-toned hardware, including a rounded gold clasp and drop-in chain strap, with gold leather lining and a matching coin purse, a gold compact mirror and a gold comb with tassel 4 in. H x 7 1/4 in. W x 1 3/4 in. D; chain drop: 20 in. $400-600

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125

Michaele Vollbracht: A Vintage Beaded Evening Top

Circa 1980s Label: Michaele Vollbracht A round neck pullover top with rounded hem and dolman sleeves, featuring allover floral and wing designs in multicolored faux pearl, bugle beads, and sequins, with quilted black silk cuffs with black buttons, black silk lining, and small shoulder pads No size label: waist across front: 18.5 in.; sleeves: 23 in. (from neckline); length: 25 1/2 in. (shoulder to hem) $200-300

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126

Michaele Vollbracht: A Printed Silk Maxi Dress & Coat

Circa 1980s Each with label: Michaele Vollbracht Comprising a sleeveless pullover black and multicolored patterned silk shift dress with drawstring waist, wide double ruffle collar, in-seam pockets, and curved hem with side splits, together with a black silk satin opera-style hooded oversized swing coat with raglan sleeves, and with a matching silk print lining and two large patch pockets 2 pieces Dress: bust across front: 21.5 in.; waist: 19.5 in.; hips: 21.5 in.; armholes: 16 in. Dia.; length: 60 in.; Coat: CB length: 45 in.; sleeves: 29 in. (from neckline) $200-400

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127

Michaele Vollbracht: A Grey Silk Beaded Portrait Evening Dress

Circa 1980s Label: Michaele Vollbracht A long grey silk satin gown with blouson-style top featuring a fully beaded design of an embracing kissing couple, the top with wide dolman sleeves, gathered shoulders with shoulder pads, and the dropped waist bias skirt in a two-panel wrap style with extra-long bias satin sash belt No size label: bust across front: 20 in.; waist: 18 1/2 in. hips: 19 in. (bias); sleeves: 23 in.; CB length: 60 in.; belt: 144 in. approximately $400-600

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128

Hanae Mori: A Vintage Beaded Print Silk Evening Gown

Circa 1980s Label: Hanae Mori Paris A long printed silk fitted dress with multicolor beading overall, in black, grey, purple, and red in a floral and landscape design, the front with ruched waist and skirt, with high front split, long sleeves, and black silk lining No size label: bust across front: 18.5 in.; waist: 13.5 in.; hips: 19 in.; sleeves: 24 in.; CB length: 61 in. $300-500

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129

Nolan Miller: A Black Sequined Tulle & Beaded Evening Gown

Circa 1980s-1990s Label: Nolan Miller A long fitted dress with dropped waist and A-line skirt, in black double layer silk chiffon/ satin, with decorative dotted black tulle bodice with crystal and black sequins and diamanté floral and leaf arabesque motifs, the bodice backed in nude organza, and with an integral inner short boned corset, and back metal zipper No size label: bust across front: 19 in.; waist: 14 in.; hips: 22 in.; sleeves: 25.5 in.; CB length: 60 in. $200-400

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130

Nolan Miller: A Floral & Metallic Thread Evening Dress Ensemble

Circa 1980s-1990s Label: Nolan Miller Couture A bustier evening gown in floaty gold, green and yellow paisley floral patterned silk and ‘Lurex’ fabric, featuring a gathered wrapped lightly boned and padded bodice and a draped, gathered front wrap skirt, fully lined in dark green silk, with a back zip, and with a matching one-sleeve shoulder wrap stole 2 pieces Dress: no size label: bust across front: 18 1/2 in.; waist: 15 in.; hips: 22 in.; CB length: 51.5 un. Wrap: 100 in. x 35 in. $100-200

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131

Judith Leiber: A Gold Tone Brass & Crystal ‘Pillow’ Minaudière

Marked to interior plaque: Judith Leiber / © A rectangular gilt brass rounded box clutch bag with incised starburst with channel set crystals and set red garnet cabochon accents, with gold-toned hardware, drop-in chain strap, gold leather lining and matching coin purse as well as a gold compact mirror and gold comb with tassel 4 1/4 in. H x 6 1/4 in. W x 1 1/2 in. D; chain drop: 19 3/4 in. $400-600

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132

Judith Leiber: A Gold & White Patterned Crystal Minaudière

Marked to interior plaque: Judith Leiber / © A gold and white checkered crystal-covered shaped box clutch bag, with gold-toned hardware and pink gemstone clasp closure, drop-in chain strap, and gold leather lining with matching coin purse 4 3/4 in. H x 7 1/4 in W x 2 1/4 in. D; chain drop: 19 1/2 in. $400-600

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133

Judith Leiber: A Floral Patterned Crystal Minaudière

Marked to interior plaque: Judith Leiber / © A vintage clear crystal-encrusted oblong clutch bag with red, green, and blue crystal stylized floral motifs, with gold-toned hardware and set onyx clasp, drop-in chain strap, and gold leather lining 3 in. H x 6 3/4 in W x 2 1/8 in. D; chain drop: 19 3/4 in. $400-600

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134

Judith Leiber: A White Exotic Leather Clutch Bag with Amethyst

Marked to interior plaque: Judith Leiber / © A vintage white pleated karung snake leather purse with silver-toned metal hardware and with an amethyst curved stone clasp and inset amethyst and diamanté decorative frame edge, with a drop-in silver chain strap, tonal satin fabric lining and matching satin coin purse, as well as a silver compact, silver comb with tassel, and original leather care certificates 6 in. H x 9 3/4 in. W x 2 1/4 in. D; drop: 20 in. $200-300

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135

Valentino Garavani: A Vintage Black Velvet ‘Night’ Evening Clutch Bag

With red label to interior for Valentino / Made in Italy A handbag with black velvet front, back, and flap and blue silk satin sides and base, with drop-in beaded strap and embossed logo to black leather flap interior, all fully lined in red silk grosgrain fabric, and with one interior zip pocket lined with red satin 6 in. H x 8 3/4 in. W x 2 in. D; drop: 20 in. $300-500

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136

Kenneth Jay Lane: A Vintage Black Patent Leather Clutch

Signed to interior plaque: Kenneth J. Lane A narrow envelope clutch bag with green and black Art Deco-style resin magnetic clasp with diamanté accents, with zip closure and matching compact mirror 2 pieces 5 in. H x 10 in. W x 1 1/4 in. D $100-200

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137

Givenchy: A Black Velvet & Green Silk Satin Evening Dress

Circa: 1980s, France Label: Givenchy / Nouvelle Boutique / Paris; with boutique label for fabric, style, and size A long fitted dress featuring a green silk satin mock ‘jacket’ bodice attached to a heavy flared panel cupro black velvet skirt, the bodice with arabesque soutache-style beaded cord embroidery, and gathered puffed sleeves with zipped cuffs, and a hand-stitched Riri metal zip to back Size 12/42; bust across front: 18 1/2 in.; waist; 16 1/2 in.; hips: 19 1/2 in.; sleeves: 27 in.; CB length: 61 in. $400-600

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138

Emanuel Ungaro: A Black Silk Evening Skirt Ensemble

Circa 1980s, France Labels: Emanuel Ungaro / Couture / Paris A two-piece black silk crepe skirt ‘suit’ featuring a long-sleeved front-wrap blouse with trapunto beaded panels to neckline front and back shoulders., large shoulder pads, and a cut-out back and asymmetric hem, the interior with black silk lining to bust and back, integral bust shaping and an integral waistband with snaps to join to the matching black silk fitted flared gored panel skirt, with a back zip, and partially lined in black silk, likely custom made 2 pieces Blouse: bust across front: 16 1/2 in.; waist: 13 1/4 in.; hips: 18 in.; CB length: 26 1/2 in. Skirt: waist across front: 13 in.; hips: 19 1/2 in.; CB length: 44 1/2 in. $300-500

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139

Mary McFadden: A Blue Pleated & Beaded Evening Gown

Circa 1980s-1990s Label: Mary McFadden A long fitted dress in finely pleated blue fabric, featuring a fitted bodice with an elaborate beaded shaped neck panel and gauntlet style cuffs with zips, in blue, pink, white and gold beads and sequins, the bodice with tonal organza lining, large shoulder pads and net shapers, and the straight skirt with a ruffle seam to the dropped waist, with a side zip closure and a small zip to the neckline Size 10: bust across front: 19 in.; waist: 14 in.; hips: 18 in.(at seam); sleeves: 26 in.; CB length: 60 in. $200-400

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140

Andrea Odicini: A Beaded Blue Silk Evening Dress Ensemble

Circa 1986, Italy Each with label: Odicini Couture; jacket: Made in Italy for Bergdorf Goodman; dress with Bergdorf Goodman label for owner and date Comprising a cropped jacket in sapphire blue silk charmeuse satin, featuring front panels with elaborate beadwork and sequin embroidery, depicting Classical columns and arabesque ribbon swag motifs in blue, purple and silver, the jacket with ruched silk back and sleeves, and fully lined in blue silk, with shoulder pads, together with a matching bustier long dress, with ruched lightly boned bodice and gathered straight skirt, with front slit and side zipper 2 pieces Size 46 (Italian) Jacket: CB length: 17 in.; sleeve: 26 in.; across shoulder at back: 16 1/2 in. Dress: CB length: 49 in.; bust across front: 17 in.; waist: 14 in.; hips: 19 1/2 in. $300-500

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141

Judith Leiber: A Blue Exotic Leather Clutch Bag

Marked to interior plaque: Judith Leiber / © A vintage cobalt blue pleated karung snake leather envelope purse with an Art Deco-style rhinestone clasp and silver-toned metal hardware, with a detachable dark blue tasseled cord strap, tonal grosgrain fabric lining and matching coin purse, as well as a silver compact, and a silver comb with tassel 4 3/4 in. H x 9 1/4 in. W x 2 in. D; drop: 21 in. $200-400

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142

Judith Leiber: A Black Exotic Leather Clutch with Gemstones

Marked to interior plaque: Judith Leiber / © A vintage black snake leather tapered pleated purse with a gold-toned curved frame and a golden clasp featuring multiple set gemstone and glass cabochons, with a drop-in chain strap and a tonal grosgrain lining, with one zip pocket 4 3/4 in. H x 9 1/2 in. W x 1 3/4 in. D; strap drop: 20 in. $200-400

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143

Judith Leiber: A Red Exotic Leather Clutch Bag

Marked to interior plaque: Judith Leiber / © A vintage red snake leather purse with a gold-toned curved frame and a golden clasp featuring black “intaglio seal” with helmeted profile, with a drop-in chain strap and a tonal grosgrain lining, with one zip pocket 5 in. H x 9 1/4 in. W x 1 1/2 in. D; strap drop: 19 1/2 in. $200-300

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144

Judith Leiber: A Red Exotic Leather Clutch Bag

Marked to interior plaque: Judith Leiber / © A vintage red pleated karung snake leather envelope purse with an Art Deco-style rhinestone and carnelian cabochon clasp and silver-toned metal hardware, with a detachable red tasseled cord strap, tonal satin fabric lining, as well as a silver compact, and a silver comb with tassel 5 1/2 in. H x 8 3/8 in. W x 2 in. D; drop: 21 1/2 in. $200-400

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145

André Laug: A Red Silk Pleated Tiered Dress

Circa 1970s-1980s, Italy Labels: André Laug / for Audrey s.r.l. Roma / Made in Italy; Neiman Marcus A long dress in pale red figured silk crepe, with a fitted deep V-neck bodice with long sleeves, shoulder pads, and pintuck accents front and back, and the skirt with two pleated tiers over a front wrap long skirt, with a back zipper and detachable cummerbund-style self-belt 2 pieces Size 10: bust across front: 18 1/2 in.; waist: 14 in.; hips: 19 1/2 in.; sleeves: 26 in.; CB length: 61 in. Belt: 30 1/2 in. x 2 3/4 in. $200-400

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146

Chloe: A Black Silk Beaded Evening Gown

Circa 1980s, France Labels: Chloé / Made in France; Made especially for Neiman Marcus A long strapless bustier silk crepe dress featuring a fitted bodice above a three layer skirt with two floaty shaped tiers, the dress edges embellished with wide bands of silvered bugle beads, with a back zip, and silk lining to bodice No size label: bust across front: 19 in.; waist: 14 in.; hips: 19 in.; CB length: 50 in. $300-500

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147

Arnold Scaasi: A Black Lace & Sequin Evening Gown Ensemble

Circa 1970s-1980s Label: Arnold Scaasi A tiered black floral lace and silk tulle bustier dress embellished with black sequins, with a lightly boned bodice, a pale pink partial lining, and back zipper, together with a similar design lace net stole wrap with horizontal stripes and scalloped edges finished with lines of black sequins 2 pieces Dress: no size label: bust across front: 19 in.; waist: 14 1/2 in.; hips: 19 in.; CB length: 51 in. Stole: 124 in. x 16 in. approximately $200-400

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148

Arnold Scaasi: An Embroidered Floral Silk Organza Gown

Circa 1970s-1980s Label: Arnold Scaasi A long sleeveless dress of glazed organza fabric flowers, attached and embellished with pink and green embroidery, with a fitted lightly boned silk-lined bodice with a deep ruffled flower collar, and a long flared skirt with a partially detachable pink and green satin ribbon bow belt, the skirt with a double lining of organza and white silk, with back zip closure No size label: bust across front: 18 in.; Waist: 13 1/2 in.; hips: 18 1/2 in.; CB length: 50 in. $200-400

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149

CHANEL: A Black Quilted Leather CC Collar Camera Bag

Circa 1980s-1990s; Italy Stamped to interior: Chanel / ® / Made in Italy A rectangular soft leather bag with large fringe CC tassel, CC folded collar detail to front pocket, gold tone hardware, leather chain strap and zip closure, and with black smooth leather interior and one zip pocket with CC charm 7 1/2 in. H x 10 in. W x 2 1/2 in. D; strap drop: 20 in. $700-900

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150

CHANEL: A Pale Beige Quilted Leather CC Collar Camera Bag

Circa 1980s-1990s; Italy Stamped to interior: Chanel / ® / Made in Italy A vintage rectangular smooth cafe-au-lait leather bag with large fringe CC tassel, CC folded collar detail to front pocket, gold tone hardware, leather chain strap, and zip closure, and with tonal smooth leather interior and one zip pocket 7 1/2 in. H x 10 in. W x 2 1/2 in. D; strap drop: 21.5 in. $400-600

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151

CHANEL: A Vintage Quilted CC Grey Suede Mini Flap Bag

Circa 1980s; Italy Stamped to interior: Chanel / ® / Made in Italy A vintage Lagerfeld rectangular suede leather Boy-style crossbody flap bag, the flap with two rows of trapunto edging and press-clasp closure, as well as a large fringe CC tassel, gold tone hardware, leather chain strap through the flap, CC motif to flap interior, and with tonal smooth leather lining, and one zip pocket with CC pull charm and satin lining 5 1/2 in. H x 8 in. W x 2 1/2 in. D; strap drop: 21 in. $700-900

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152

CHANEL: A Quilted White Lizard Leather CC Pocket Camera Bag

Circa 1980s; Italy Stamped to interior: Chanel / ® / Made in Italy; with early tag to pocket interior: 404680 A vintage rectangular exotic leather crossbody bag with shaped exterior pocket, small fringe CC tassel, gold tone hardware, leather chain strap, and zip closure, and with tonal smooth leather interior and one zip pocket with satin lining 6 1/2 in. H x 9 in. W x 2 1/4 in. D; strap drop: 17 1/2 in. $600-800

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153

CHANEL: A Metallic Gold Quilted CC Pocket Camera Bag

Stamped to interior: Chanel / ® / Made in Italy A vintage rectangular gold lurex fabric/leather crossbody bag with exterior flap pocket, large fringe CC tassel, gold tone hardware, metallic leather chain strap, and zip top closure, and with brown smooth leather interior and one zip pocket with brown satin lining 5 1/2 in. H x 7 3/4 in. W x 2 1/4 in. D; strap drop: 20 in. $500-700

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154

Judith Leiber: A Black Karung Leather Clutch Bag with ‘World Travel’ Charms

Marked to interior plaque: Judith Leiber / © A vintage black snake leather envelope purse with gold-toned hardware including gold chain edging and multiple gold travel motif charms suspended from the front flap, with a drop-in chain strap and black grosgrain lining, multiple interior pockets, as well as a gold compact mirror, and a gold comb with tassel 4 1/2 in. H x 7 1/2 in. W x 2 1/4 in. D; strap drop: 19 in. $200-400

Literature: This design illustrated: Enid Nemy, “Judith Leiber: The Artful Handbag” (New York, NY: Harry N. Abrams, 1995), 89.

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155

Christopher Ross: A Vintage Gold Tone Fish Belt Buckle

Circa 1984 A heavy cast gold-toned metal buckle featuring a sculptural Classical-style fish with inset blue glass eye and acanthus leaf tail, signed and dated verso Buckle: 3 1/2 in. H x 8 1/4 in. W x 1 1/2 in. D 364.8 grams gross $200-300

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156

Bottega Veneta: An Intrecciato Knot Fabric & Leather Minaudière Clutch

Embossed to interior: Bottega Veneta / Made in Italy A vintage hard-sided oblong clutch bag with tan basketweave fabric sides and gold-toned hardware, trimmed and lined with brown leather, and with a knotted leather clasp accent and a fine braided brown leather drop-in strap 4 in. H x 9 1/2 in. x 2 in. D; drop: 21 1/2 in. $500-700

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157

Badgley Mischka: A Tan Silk Ladies Pant Suit Ensemble

Circa 1990s, U.S.A. Labels: Badgley Mischka / Made in U.S.A.; with boutique labels for fabric A three-piece pale beige finely ribbed silk faille trouser suit, each piece with tonal silk linings, comprising a cropped blazer style swing jacket with two gold-tone faux-pearl and diamanté buttons, together with a matching vest with elaborate beadwork to the front, and a matching pair of high waisted pants with front pleats and a back zipper, as well as a Badgley Mischka matching silk crepe camisole top 4 pieces Jacket: size 12: bust across front: 20 in.; waist: 17 in.; sleeves: 23 1/2 in.; across back at shoulders: 16 1/2 in.; CB length: 21 in. Vest: size 12: bust: 20 in.; waist: 17 in.; length: 20 in. Top: size L; bust: 20 1/2 in. length: 21 in. Pants: size 12: waist across front: 14 1/2 in.; hips: 22 in.; length: 46 in.; inseam: 33 (unhemmed) $100-200

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158

Badgley Mischka: A Pale Grey Silk Ladies Skirt Suit

Circa 1990s, U.S.A. Labels: Badgley Mischka / Made in U.S.A.; with boutique labels for fabric A three-piece ‘eau-de-nil’ finely ribbed silk faille formal suit, each piece with tonal silk linings and two with gold-tone fauxpearl and diamanté buttons, comprising a slightly fitted longline jacket, together with a matching vest with side zip fastening, and a matching straight skirt with front pleats, as well as a Badgley Mischka matching silk crepe camisole top 4 pieces Jacket: size 12: bust across front: 20 in.; waist: 19 in.; hips: 22 in.; sleeves: 24 in.; across back at shoulders: 16 1/2 in.; CB length: 31 in. Vest: size 12: bust: 19 in.; waist: 18 in.; length: 19 1/2 in. Top: size L; bust: 21 in. length: 22 in. Skirt: size 12: waist across front: 114 1/2 in.; hips: 21 in.; length: 24 in. $100-200

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159

Christian Dior: A Dark Green Formal Ladies Suit Ensemble

Circa 1990s-2000s, USA Labels: Christian Dior / Made in USA A three-piece green wool suit comprising a loosely tailored jacket with cotton velvet pointed collar and cuffs, together with a matching straight skirt and pair of pleated tapered leg trousers, each fully lined, as well as an associated ‘Nap’ dark green stretch lace camisole tank top 4 pieces Jacket: bust across front: 21 in.; waist: 20 in.; sleeves: 25 1/2 in.; across back at shoulders: 16 in.; CB length: 28 in. Top: size L; length: 21 1/2 in. Skirt: size 14: waist across front: 16 in.; hips: 22 in.; length: 25 in. Pants: size 14: waist across front: 16 in.; hips: 24 in.; length: 42 1/2 in.; inseam: 30 1/2 in. $200-400

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160

Margaretha Ley for Escada: A Black Velvet & Satin ‘Rock Kombi’ Skirt Suit

Circa 1980s-1990s, Germany Label: Escada / Margaretha Ley / Made in Germany A two-piece tuxedo style black cotton velvet suit comprising a fitted blazer with silk/wool satin ruffled lapels and cuffs, front pockets, and a branded viscose lining, together with a matching straight skirt with satin waistband and vertical tuxedo stripes to side seams 2 pieces Jacket: size 42/US 12: bust across front: 20 in.; waist: 19.5 in.; sleeves: 26 in.; across back shoulders: 17 in.; CB length: 28 1/2 in. Skirt: size 44/US 14: waist across front: 16 in.; hips: 21 in.; CB length: 26 in. $200-300

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161

Fendi: A Black Wool ‘365’ Swing Coat

Circa 1980s-1990s, Italy Label: Fendi / 365 / Made in Italy; material tag: 50% wool, 25% cashmere, 25% lambswool A smooth wool-mix wrap coat with deep raglan sleeves, shoulder pads, welted front slash pockets, a roll-neck collar and self-sash belt, with branded Bemberg cupro lining Size 8 (USA): CB length: 43 in.; sleeves (from collar): 28.5 in.; across back at underarms: 27 in. $300-500

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162

Valentino Garavani: A ‘Miss V’ Herringbone Cream Wool Coat

Circa 1980s-1990s, Italy Labels: Valentino / Miss V / Made in Italy / 100% wool A heavy textured ivory cream wool double-breasted coat with front and back slightly gathered yokes, front patch pockets, and a V-neck shawl collar, with tonal viscose lining Size 42 (Italy): CB length: 34.5 in.; sleeves: 22 in.; across back at shoulders: 17 1/2 in.; across front at underarms: 26 in. $400-600

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163

Emanuel Ungaro: A Two Tone Cream Wool & Black Velvet Coat

Circa 1980s, Italy Label: Emanuel Ungaro / Couture / Paris A vintage felted cream/ivory wool mid-length coat with shaped sleeves and buttoned cuffs, trimmed in black velvet to the collar, edges and sleeves No size label: CB length: 49 1/2 in.; across back at shoulders: 15 in.; sleeves: 26 in. $100-200

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164

Oscar de la Renta: A Printed Silk Kimono Robe

Circa 1980s-1990s Label: Oscar de la Renta A printed silk caftan style oversize robe in bold colors of blue, green, pink, salmon, and cream, with metallic gold cord trim and tassel ties to front neck No size label: CB length: 49 in.; sleeves: 27 in. (from neckline); back width at hem: 41 in. $300-500

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165

Gucci: A Vintage Single ‘Horsebit’ Beige Leather Handbag

Circa 1970s, Italy Marked to interior: Gucci / Made in Italy; number: 22.01.2116 A multi-compartment envelope flap pocketbook shoulder bag with a single gold-tone horse bit motif to clasp, welted detail to flap and edges, gold-toned hardware, adjustable leather strap, and with tonal suede lining 7 1/2 in. H x 10 3/4 in. W x 1 3/4 in. D; drop: 7 1/2 in. to 15 in. $400-600

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166

Louis Vuitton: A Vintage Monogram Canvas Papillon 26 Bag

Circa 1970s-1980s The LV canvas small barrel bag with dual classic russet orange leather handles, zip top closure with Eclair zipper, and with pale russet leather lining to interior 5 in. Dia. x 10 in.; drop: 4 in. $300-500

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167

Dolce & Gabbana: A Blue Denim & Gold Leather Tote Bag

Circa 2007 A medium bowling-style soft zip-top tote in washed dark denim with gold metallic leather straps and trim with gold-toned studs, hardware, and branded hangtag, lined with beige cotton twill, with one interior zip pocket, and detachable adjustable webbing shoulder strap 9 in. H x 14 in. W x 7 in. D; drop: 7 in. & 19+ in. $200-300

Notes: This lot accompanied by a purchase receipt from Nordstrom Westside Pavilion, dated July 2007.

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168

Gianni Versace: A Red Patent Leather Medallion Signature Tote Bag

With interior label: Versace / Made in Italy; CLG / 938 355 310 432 A vintage double-handled satchel style tote bag with shaped flap, gold-toned ‘Medusa’ hardware, and detachable adjustable shoulder strap, all lined in black satin fabric, with two interior pockets 7 in. H x 9 1/2 in. W x 4 in. D; drop: 3 in. & 25+ in. $400-600

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169

Bottega Veneta: A Vintage Black Intrecciato Woven Leather Shoulder Bag

Marked to interior plaque: Bottega Veneta / Made in Italy A rounded double flap crossbody bag with woven leather exterior, press-stud gold-toned clasp, a long, knotted shoulder strap, and black leather lining to interior, with two under-flap compartments and one zip pocket with satin lining 6 1/2 in. H x 9 1/4 in. W x 2 1/4 in. D; drop: 22 in. $200-400

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170

Bottega Veneta: A Vintage Red Intrecciato Woven Leather Shoulder Bag

Marked to interior plaque: Bottega Veneta / Made in Italy A bowling style zip-top soft bag with woven leather exterior, two long handle straps and black leather lining to interior, with one zip pocket 7 in. H x 9 1/4 in. W x 4 in. D; drop: 14 in. $300-500

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171

Bottega Veneta: A Vintage Dark Green Intrecciato Woven Two Tone Leather Shoulder Bag

Marked to interior plaque: Bottega Veneta / Made in Italy A rectangular zip-top soft bag with woven suede and exotic leather exterior, a long suede shoulder strap, gold-toned hardware, and black leather lining to interior, with one satin-lined zip pocket with satin lining 6 3/4 in. H x 9 in. W x 2 in. D; drop: 25 in. $200-400

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172

Bottega Veneta: A Vintage Small Metallic Silver Intrecciato Woven Leather Shoulder Bag

Stamped to interior: Bottega Veneta / Made in Italy A zip-top soft bag with woven leather exterior, a long leather shoulder strap, and black leather lining 7 in. H x 9 1/4 in. W x 4 in. D; drop: 14 in. $200-400

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173

Ferragamo: A Vintage White & Brown Leather Shoulder Bag

Marked to interior: Salvatore Ferragamo / Made in Italy / Firenze 2 A smooth white leather double compartment envelope flap pocketbook shoulder bag with single gold-tone clasp and branded hardware, pleated sides, and brown leather trim and detachable, adjustable leather strap, and with brown leather lining and multiple interior pockets, as well as a matching coin purse and mirror 7 5/8 in. H x 11 in. W x 2 in. D; drop: 5 1/2 in. $100-200

175

Krizia: A White & Tan Embossed Exotic Leather Clutch

Embossed to interior: Krizia / Made in Italy A vintage flat envelope portfolio style clutch in white embossed stippled leather, with smooth tan leather corner accents and strap, with multiple interior pockets, and one zip pocket 8 in. H x 10 3/8 in. W x 1 in. D $100-200

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174

Ferragamo: A Vintage Navy & White Leather Shoulder Bag

Marked to interior: Salvatore Ferragamo / Made in Italy / Firenze 17 A navy double flap shoulder bag clutch with contrast white leather details, pleated front and magnetic strap closure, gold-tone branded hardware and detachable thin leather strap, the interior with pockets under each flap, and black leather lining 7 1/4 in. H x 10 3/4 in. W x 2 1/2 in. D; drop: 18 1/2 in. $100-200

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176

Artis Lane

(b. 1927) Portrait of Joanna Carson, 1973 Oil on canvas Signed and dated lower right: Artis Lane ‘73 46” H x 34” W $1,000-2,000

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177

Paul Lewis Clemens

(1911-1992) Seated nude in an interior, 1942 Oil on canvas laid to Masonite Signed and dated upper right: Clemens 42 43” H x 32” W $2,000-3,000

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178

Conger Metcalf

(1914-1998) Woman and boy seated near the seaside Watercolor and pencil on paper Signed in pencil lower right: Metcalf Image/Sheet: 12” H x 9” W $300-500

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179

Jean Negulesco

(1900-1993) Seated nude with raised knee, 1959 Ink on paper Signed and dated lower left: Negulesco / 59 Sight: 29.75” H x 19.75” W $500-700

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180

Jean Negulesco

(1900-1993) Seated nude seen from the side, 1959 Ink on paper Signed and dated lower left: Negulesco / 59 Sheet: 28” H x Sight: 19.75” W $500-700

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181

Jean Negulesco

(1900-1993) Seated nude figure seen from behind, 1959 Ink on paper Signed and dated lower right: Negulesco / 59 Sight: 29.875” H x 19.625” W $500-700

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182

James Cagney

(1899-1986) Floral spray, circa 1960s Oil on board Signed lower left and lower right: Jim Cagney; signed again and inscribed to Joanna and Johnny Carson, all in ink on the frame’s backing paper 14” x 8” W $50-75 Provenance: The Artist The Estate of Joanna Carson, acquired from the above Notes: The inscription, verso, reads: “For Joanna & Johnny, / All that’s good, kido, from your old friend & admirer / Jim Cagney”

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Frank Marvin Blasinga (1903-1967)

Artist Frank Marvin Blasingame was born in S in Honolulu, Hawaii with his Hawaiian-born w and Marguerite worked individually and coll Frank continued his art career in New York a

The present work is one of two known comp ceremonies conducted for the purpose of no Dancers” shares a similar compositional stru men sit shoulder to shoulder, each embracin

Hula gatherings are an important part of Haw singing, and body movements, participants recounting of historical events, genealogies, with the land and the divine. Hula passes do from a Hawaiian perspective.

Careful attention to detail is seen in “Hawaii laps, which they use to bless the dancers and essential for creating a sacred space free of n

The Blasingames are the subjects of a forthc

Researched and compiled by Michael Kelley

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ame

San Francisco and raised in Fresno, California. From 1927 through 1935 he lived wife, artist Marguerite Louis Blasingame (1906-1947). During this period, Frank laboratively as painters, sculptors, and muralists. After their divorce in mid-1936, and California.

positions by the artist, both large in scale, which depict Hawaiian hula on-touristic, inter-communal fellowship. The companion painting, “Native ucture, but rather than the present work’s central standing female figures, four ng their companion with his right arm.

waiian culture and incorporate “storytelling in motion.” Through chanting, maintain an ancestral connection to Hawaiian culture and customs through the , and legends which address the forces of nature and the relationship of humans own ancient wisdom, preserves cultural identity, and celebrates life and the spirit

ian Hula Ceremony:” Several women hold baskets of pa'akai (sea salt) in their d cleanse the hula area throughout the ceremony. This practice is considered negative influences and for maintaining the “mana” (spiritual power) of the hula.

coming book by Brian Loudenslager and Elise Ciez.

y with assistance from Brian Loudenslager. We are grateful for their assistance.

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Frank Marvin Blasingame

(1903-1967) “Hawaiian Hula Ceremony” Oil on canvas Signed lower right: -Blasingame-; titled by repute 72” H x 48” W $2,000-3,000 Provenance: Estate of the artist, Phoenix, AZ Sold: Butterfields, Los Angeles, CA, September 20, 1993, Lot 108, as “Oriental figures-in worship” The Estate of Joanna Carson, from the above

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184

A set of ten Newport sterling silver goblets Late 20th century Impressed factory marks and numbered: 16352 10 pieces Each: 6.5” H x 3.5” Dia. Total weight: 38.2 oz. troy approximately $1,200-1,800

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185

A Towle sterling silver chalice

Mid-20th century Impressed factory marks and: STERLING / 1 3/4 PINTS / 6982 / J With three daffodils, their stems forming supports 9.375” H x 5.125” Dia. 17.6 oz. troy approximately $600-800

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186

An English Arts & Crafts silver mounted glass decanter Late 19th century Unmarked, XRF tested for .990 silver 12.5” H x 4.875” Dia. $200-300

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187

Four silver plated bar articles

20th century Pitcher and ice bucket each marked: Mazzuccon / Firenze; wine bucket marked: EGW&S / IS / International Silver / 10/15; coaster marked: Finnigans / Manchester / 6456 Comprising an Italian pitcher and handled ice bucket with lid and glass liner, a footed wine bucket with grape vine motifs in relief, and a wine bottle coaster 4 pieces Pitcher: 11.25” H x 6.25” W x 3.625” D; Bucket: 10.875” H x 10.375” Dia. $100-200

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188

A group of silver serving utensils 20th century Six works:

A Georg Jensen sterling silver ‘Acorn’ olive fork and two horn blade caviar knives Each with impressed factory marks Fork: 6.625” L; Each caviar: 5.75” L 3 pieces A Frank M. Whiting sterling silver ‘Josephine’ sardine fork and spoon Impressed factory marks and: Sterling Each: 8.125” L 2 pieces A pair of .800 silver asparagus tongs Impressed: J.C.K. [Josef Carl Klinkosch] / 800 / [toucan mark with W and 4] 10.12” L A Cartier sterling cocktail spoon Impressed factory marks and: Sterling 9.25” L Together with a silver-plated small gravy ladle 6.625” L 8 pieces total Total weighable silver: 11.9 oz. troy approximately $400-600

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189

Two American sterling silver circular trays

20th century Each impressed: STERLING; one marked for Towle and numbered: 150; the other marked for Watson Company and numbered: K12 2 pieces Larger: 12.125” Dia.; Smaller: 10.625” Dia. Total weight: 30 oz. troy approximately $1,000-1,500

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190

A pair of British Neoclassical style silver plated and cut glass center bowls

Late 19th century Glass bowls etched: MADE IN / Edinburgh / SCOTLAND; stand impressed 2 or 4, each with British registration mark, one mark is partial Each cut glass deep bowl raised on a circular portico stand on ball feet 2 pieces Each stand: 5.625” H x 6” Dia.; Each bowl: 3.375” H x 7” Dia.; Each overall: 8.5” H $300-500

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191

A pair of Sheffield silver plated footed wine coolers

19th century Each variously impressed: 2 / 4 Each with opposed vine-form handles with grapes at the terminals, gadrooning, and palmette trim, the rim and inner lining removeable 2 pieces Each: 9.125” H x 10” W x 8.125” D $800-1,200

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193

Mid-20th century Each with impressed marks for sterling, maker, pattern, and numbered: 1027 Comprising: A hot water kettle A teapot A coffee pot A handled tray (1.625” H x 25.25” W x 15.5” D) 4 pieces

20th century Five with unknown maker and: A.Dragsted / Kjoben Comprising a set of five Q Danish hammered sterlin 7 pieces Sterling: 8.625” H x 5.75” Weighable sterling: 15.8

A Poole sterling silver ‘Georgian’ tea and coffee service

$7,000-9,000

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A group of silver plat

$200-300

ted coffee pots and a sterling silver pitcher

r’s mark: SM [conjoined, in a triangle] / EPNS; the hammered pitcher with Danish hallmarks nhavn; the gilt pitcher marked: Crescent Queen Anne-style silver-plated coffee pots, each with carved wood handle and finial, and a ng silver pitcher, together with a gilt metal pitcher

” W x 4.375” D; Tallest plated: 9.5” H x 6.75” W x 4.125” D oz. troy approximately

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194

A set of twelve John Wanamaker sterling silver ‘Harewood’ bread & butter plates 20th century Each impressed: (J.W.) [eagle] (925/1000) / D [in a lozenge] / STERLING / 200 / HAREWOOD Each circular plate with overlapping leaf tip-cast rim and ribbon-tied garland border, each with central monogram 12 pieces Each: 7” Dia. Total weight: 79.5 oz. troy approximately $2,500-3,500

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195

A pair of J. E. Caldwell sterling silver footed bowls

20th century Each impressed for maker and: STERLING SILVER / Reproduction / 278 Each with pierced galleried edge, raised on circular foot and square base 2 pieces Each: 4.5” H x 6” Dia. Total weight: 22.3 oz. troy approximately $700-900

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196

A Cartier sterling silver silent butler

20th century Impressed: CARTIER / STERLING / 925/000 The circular dish with hinged lid surmounted by a squirrel finial and thumbpiece, with wood handle 3.375” H x 12.75” W x 7.75” D 15.5 gross oz. troy approximately $400-600

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197

An Elizabeth II sterling silver coffee pot

Sidney Beddall, Sheffield, 1968 With impressed standard, city, date letter, and maker’s marks The hinged lid with turned finial, with scroll wood handle 11” H x 8.5” W x 4” D 29 gross oz. troy approximately $800-1,200

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198

A set of four Neoclassical style weighted sterling silver candlesticks Martin, Hall & Co., London, 1890 With impressed standard, city, date letter, and maker’s marks: RM / EH Each with repoussé laurel swags, bellflowers, urns, and ram’s heads 4 pieces Each: 11.75” H x 5.25” W x 5.25” D $400-600

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199

A Puiforcat sterling silver ‘Royal’ flatware service Late 20th century Each marked: E [penknife cipher] P / [Minerva] Comprising: 14 dinner knives (9.875”) 14 luncheon knives (8.25”) 14 fish knives (8.5”) 14 butter spreaders (5.5”) 14 dinner forks (8.125”) 14 luncheon forks (6.875”) 14 fish forks (7.375”) 14 tablespoons (8.125”) 14 oval soup spoons (6.875”) 14 teaspoons (6”) 1 shorter cheese knife (8.125”) 1 longer cheese knife (10.125”) 1 sugar tongs (4.25”) 1 master fish knife/server (10.25”) 1 fish server (8.875”) 1 gravy ladle (7.125”) 1 bouillon ladle (9.75”) 1 pastry server (9.75”) 1 rice serving spoon (10.5”) 2-piece salad serving set (larger: 10.375”) 151 pieces Total weighable sterling: 272.8 oz. troy approximately $20,000-30,000

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Partial lot illustrated

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200

Three silver articles Three works:

A Tiffany & Co. sterling silver teapot, circa 1880s With factory marks and numbered: 6393 M [directorship of Edward Moore (1873-1891)] 7700; further marked: STERLING SILVER / 3 GILL / 2 1/4 CUPS 3.5” H x 7.25” W x 3.875” D A Tessiers sterling silver cream pot, 1959 With British hallmarks for sterling, London, date, and maker: HP / LP [Herbert & Laurie Parsons as Tessiers]; further impressed: TESSIERS / LONDON 4.5” H x 4.25” W x 3” D A small silver tray, late 19th/20th century Marked with a four-leafed clover, a profile bust, and numbered: 67397; XRF tested for .860 purity With central crown and black raised cartouche 0.75” H x 6.375” W x 4.75” D 3 pieces Total weight: 21.1 gross oz. troy approximately $300-500

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201

A collection of Christian Dior silver plated and glass serving wares

20th century Each with factory marks and: Made in Italy Comprising one large oval, two circular, and two rectangular serving dishes, each footed base with opposed handles holding a Pyrex liner, and a pair of vases 7 pieces Oval (largest): 3.125” H x 18” W x 11.25” D; Each vase: 9.125” H x 4.875” W x 4.875” D $400-600

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202

Three sterling silver serving sets Three works:

An English serving set Francis Higgins III, London, 1883 Each with impressed standard, city, date letter, Queen Victoria, and maker’s marks: FH [in a heart] Comprising one tablespoon and one pierced tablespoon, each monogrammed 2 pieces Each: 9.125” L A set of Tiffany & Co. ‘Tomato’ servers, early/mid-20th century Each with factory marks and: Sterling / Pat. / M [directorship of John C. Moore II (1907-1947)] Each with gilt-washed bowl 2 pieces Each: 9.875” L A pair of English berry spoons Thomas Chawner, London, 1766 With impressed standard, city, date letter, and maker’s marks: TC 2 pieces Each: 8.375” L 6 pieces total Total weight: 19.4 oz. troy approximately $800-1,200

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203

Four Baroque style sterling silver vanity boxes

20th century The pair marked: RC / 925; larger scrolled marked: SK [in a circle] / Sterling / 925; largest unmarked Each with hinged lid opening to reveal a velvet-lined interior, comprising a pair with bombé body, a single with figural tableaus in relief, and a larger with scrolls and foliate motifs in relief and raised on paw feet, together with a silver-plated brass cylindrical covered jar depicting monkeys in relief 5 pieces Largest: 8.25” H x 5.25” Dia.; Smallest: 3.625” H x 3.625” W x 2.875” D Total weighable sterling: 39.1 gross oz. troy $1,000-2,000

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204

A George III sterling silver shaped rectangular salver

Likely William Eley & William Fearn, London, 1801 With impressed standard, city, date letter, George III, and maker’s marker: WE [rubbed] / WF With scalloped and pierced rim, centered by an armorial, raised on four feet 1.625” H x 12” W x 9.5” D 22.8 oz. troy approximately $600-800

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205

A Christofle silvered bronze footed jardinière

Late 19th/early 20th century With impressed factory marks and numbered: 1382156 The dished vessel with scroll-pierced sides within leaftip borders, raised on four compressed feet, with silvered metal liner 3.75” H x 15” Dia. x 12.25” D $1,200-1,800

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206

A Buccellati sterling silver covered box

Mid-20th century Impressed: ITALY / BUCCELLATI / STERLING The hinged domed lid over the bombé body raised on animal paw feet 3.5” H x 3.5” W x 2.75” D 5.5 oz. troy approximately $300-500

207

A Jugendstil silver plated jardinière

Early 20th century Unmarked With opposed handles and metal liner, decorated with repoussé ribbon-work and foliate motifs, raised on six feet 5.75” H x 20.25” W x 11.25” D $300-500

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208

An American sterling silver presentation tray

Mid-20th century Marked for sterling and maker Frank Smith Silver Co.; numbered: 212; with commemorative inscription: To Richard and Florence / June 16, 1948 [multiple names listed] 13.875” Dia. 29.5 oz. troy approximately $500-700

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209

A large group of sterling silver and silver plated serving articles

20th century Two trays marked for sterling and Poole, numbered: 370 [or] 371; footed bowl marked: Sterling / Columbia / Weighted; most of the rest v Comprising two sterling silver shaped rectangular trays in graduated sizes, a weighted sterling bowl, and various silver-plated trays and se partnered makers, including two in the 'Joanne' and 'Staffordshire' patterns, together with a nickel silver breadbasket 19 pieces Largest tray: 21” W x 14.625” D; Weighted sterling bowl: 3.375” H x 9.5” Dia. Total weighable sterling: 36.5 oz. troy approximately $300-400

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variously marked for maker and numbered ervers, some from International Silver Co. or

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210

An English sterling silver bread bowl

London, 1854 With impressed standard, city, date letter, and indistinct maker’s marks The oblong bowl centered by an armorial 1.625” H x 16” W x 7.75” D 29.4 oz. troy approximately $1,000-1,500

211

A group o

Late 19th/2 Undertray m Sheffield, an Comprising footed shel glass bowls undertray in 9 pieces Shell server Total weigh $150-200

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of sterling silver and silver plated table items

20th century marked: International Sterling / Lord Saybrook / H278; sugar with British hallmarks for sterling, 1927, nd maker: R&B g an English sterling silver lidded sugar, a four-section glass server on a sterling tray, a silver-plated ll-form server with glass-lined sauce vessel, a cut glass ice bucket in silver-plated holder, two partitioned s with sterling feet, two glass dishes in silver-plated holders, and a silver-plate-mounted glass carafe, the nscribed with honorific

r: 6.5” H x 12.375” W x 13” D; Sugar: 4.75” H x 7.5” W x 4.5” D hable sterling: 31.5 gross oz. troy approximately

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212

An Armand Frenais silver plated spirits bottle holder and glass bottles

Late 19th/early 20th century; France Holder marked: A. Frenais / BLANC70 / AF [anchor cipher] / 70; each tag marked: Sterling / R / B [with sword through the letter] / Co; each bar utensil marked indecipherably, likely same maker as tags Comprising a fitted holder raised on grapevine-form feet, housing nine glass bottles with painted and gilt labels for various spirits, together with seven later R. Blackington & Co. sterling silver liquor tags, a bottle opener, a bar knife, and an ice pick, utensils monogrammed Overall: 14.75” H x 18.25” W x 14.75” D; Each bottle: 12.375” H x 3.5” Dia.; Holder: 5.5” H Tags weight: 2.1 oz. troy approximately $600-800

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213

A Fratelli Cacchione for Cartier sterling silver basket Mid-20th century Marked: Cartier / FC / 925 / ITALY / STERLING The pseudo wicker oval basket with braided handle 7.75” H x 11.125” W 38.3 oz. troy approximately $1,200-1,800

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214

A set of four Fabergé 24K gold plated ‘Imperial Collection’ butter knives

Mid/late 20th century Each marked to stainless blade: FABERGE Each with enameled egg fitted with a cut crystal accent, housed in original felt-lined box 4 pieces Each: 4.75” L; Box: 2.25” H x 5.75” W x 6.25” D $300-500

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215

Charles “Chuck” Arnoldi

(b. 1946) Untitled, 1990 Monotype/Monoprint in oil on thick handmade-type paper Signed, dated, and indistinctly inscribed lower right: Arnoldi / 8/30/1990 / S.B. © 31" H x 23" W $1,500-2,500 Notes: The "S.B." inscription indicates that this work was likely printed at Atelier Richard Tullis, Santa Barbara.

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216

Henry Moore

(1898-1986) “Untitled,” from “Ideas for Sculpture,” 1966 Lithograph in colors on Japon nacre Edition: 39/50 Signed and numbered in pencil in the lower margin: Moore; signed again and dated in the stone; J. E. Wolfensberger, Zurich, Switzerland, prntr.; Galerie Gérald Cramer, Geneva, Switzerland, pub. Image: 11.5” H x 9.5” W; Sight: 23.125” H x 17.625” W $600-800

Literature: Cramer/Grant/Mitchinson 60

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217

Henry Moore

(1898-1986) “Two Reclining Figures in Yellow and Green,” from “Meditations on the Effigy,” 1967 Lithograph in colors on paper Edition: 32/50 Signed, dated, and numbered in pencil in the lower margin: Moore / 67; J.E Wolfensberger, Zurich, Switzerland, prntr.; Marlborough Fine Art Ltd., London, England, pub. Image: 13.25” H x 11.5” W; Sight: 30.5” H x 21.75” W $600-800

Literature: Cramer/Grant/Mitchinson 74

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218

Marino Marini

(1901-1980) “La Acrobata,” 1956 Lithograph in colors on wove paper Edition: 23/50 Signed and numbered in pencil in the lower margin: Marino; Mourlot, Paris, France, prntr.; Berggruen & Cie, Paris, France, pub. Image: 24.5” H x 18.5” W; Sheet: 16.25” H x 19.875” W $300-500

Literature: Gustalla L65

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219

Victor Vasarely

(1906-1997) “Yvalla II,” 1965 Screenprint in black and white in two layers on paper and on rhodoid Edition: 60/120 (there were also 30 artist’s proofs) Signed and numbered in pencil in the lower margin of the paper: Vasarely Image: 10.5” H x 8.25” W; Sight: 11.5” H x 9.25” W $300-500

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220

After Alberto Giacometti (1901-1966)

A pair of ‘Zig-Zag’-style gilt bronze andirons, circa 1978 Each stamped: 1978 © NR 2 pieces Each: 13.5” H x 11.375” W x 3.625” D $7,000-9,000

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221

Samuel Marx (1885-1964)

A pair of wrought-iron figural andirons, circa 1940 Each unmarked 2 pieces Each: 17.875” H x 8.75” W x 7” D $4,000-6,000

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222

Anthony Redmile (1940-2016)

Two ostrich egg and silver plated metal boxes, circa 1980s Box impressed: j antony redmile Comprising a rectangular box with wood-lined interior, mounted with a half egg and malachite finial, and an egg box with hardstone finial, raised on a pedestal base 2 pieces Rectangular: 6.875” H x 8.125” W x 5.25” D; Full egg: 12.125” H x 5” Dia. $800-1,200

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223

A Murano art glass vase 20th century Unmarked 13” H x 8.5” Dia. $200-300

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224

A Karl Springer style bench

Late 20th century The metal-clad wood frame with gold-toned finish, with an inset seat cushion upholstered in a cream moiré fabric 19.5” H x 48” W x 18.125” D $800-1,200

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Claude Lalanne (1925-2019)

French artist Claude Lalanne (1925-2019) and her husband nature, Les Lalannes created furniture, sculpture, and jewel

Claude was born in Paris and studied architecture at the Éc exhibition of paintings, and they worked together at his stu exhibition was at Galerie J in Paris from June to October 19 cocktail bar within its armored plates, and a perfect examp animal life.

The further thirteen exhibited pieces by Claude, namely sc including imprinting, casting, and electrotyping. These wer well as cast versions of small animals and vegetables or com and whimsical treatment of a cast bronze head of cabbage adding legs might improve its character!

Lalanne taught herself the 19th century method of galvano object with an irregular surface, either from a woodcut for p capturing natural forms until she perfected the process tha and arboreal forms strewn about her workshop." In 1967, t extensive gardens were a great source of inspiration: "I nev

Claude created her first 'Pomme Bouche' in 1968 by makin cast the enhanced wax model in bronze and completed the Alexandre lolas's gallery in Milan in 1970, Claude made an resembles an ordinary apple but opens to reveal two pairs du Louvre.

Usually, the sculpture editions made by Les Lalannes comp 'Pomme Bouche' is a work that appears in larger editions, r features exemplifies the artist's lifelong interest in melding touted health benefits of eating apples, the active role of th a powerful holder of meaning." [Morris, p. 79]

Les Lalannes continue to be celebrated, with several notab at Trianon' at the Chateau de Versailles, France, each in 202 Paris in 1964: 'Les Lalanne: Zoophites' at Kasmin Gallery in Ivancich, Venice, Italy.

François-Xavier died in 2008, and Claude continued with h

Sources: Morris, Kathleen M. "Claude & François Lalanne: Nature Tr Genzlinger, Neil. "Claude Lalanne, Whimsical (and SoughtGuinness, Louisa. "Claude Lalanne: Overview." Louisa Guin 3 1 6 The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

d François-Xavier Lalanne (1927-2008) have been collectively known as Les Lalannes since the 1960s. Inspired by lry in humorous, poetic forms, often mixing flora and fauna in surrealistic whimsical creations.

cole des Beaux-Arts and the École Nationale des Arts Decoratifs. She met François-Xavier in 1953 at his first solo udio in Montparnasse, later moving to a second studio in the area before marrying in 1962. Their first joint 964. 'Zoophites' presented fourteen pieces, such as 'Grand Rhinocéros I,' a life-size metal sculpture with a hidden ple of the playful, elegant, yet functional works created by François-Xavier inspired by the rich and varied forms of

culptures, watches, and belts, embraced her love of transforming objects using various metal working techniques re essentially ornamental versions of natural forms such as leaves, twigs, and found treasures from her garden as mbinations of these forms. The show featured the first two of many subsequent 'Choupattes,' Claude's surreal e with the considered addition of chicken legs, created after initially casting a cabbage, and then imagining how

oplasty or electrotyping, a chemical process for making metal parts that are an exact facsimile of a non-conductive printing purposes, or of a statue or natural object for artistic purposes. She continued to experiment with at became one of her "defining hallmarks," and most certainly contributed to an abundance of "fossilized foliage the Lalannes moved south of Paris to an old farmhouse with land in Ury, near the Fontainebleau forest. The ver stop walking in the garden, looking at what is there and using what I grow."

ng a wax model of an actual apple, and "grafting" a wax life-mold of human lips to one smooth side. She then he sculptural transformation by adding electrotyped apple leaves and a stem. After showing the sculpture at n edition of 250 for Artcurial in 1975. Claude created variations, including a 1970 'Pomme à Deux Bouches', that of lips inside, and 'Pomme Bouche d' Alan', a version with the molded lips of a friend who worked at the Musée

prise six or eight examples as well as four artist proofs, all carefully overseen and finished by the artists. Claude's reflecting the popularity of the fanciful creation over her career. "The concept of animating an apple with human the animal and vegetable worlds. The hybrid evokes connotations of the fall of man in the Garden of Eden, the he lips and mouth when eating an apple, and the mystery of an enigmatic expression, making the small sculpture

ble exhibitions in the past few years, including The Clark Institute in Williamstown, Massachusetts and 'The Lalanne 21, and more recently, in 2024 to celebrate the 60th anniversary of their first joint solo exhibit as Les Lalanne in n New York, and 'Planète Lalanne,' a major exhibition organized by Ben Brown Fine Arts gallery at the Palazzo Rota

her creations up until her passing in 2019. "The state of her hands was proof of this!" (Louisa Guinness)

ransformed." Williamstown, MA: Clark Art Institute, 2021. -After) Sculptor, Is Dead at 93." New York Times, April 17, 2019. nness Gallery, London, accessed October 2022 (website). w w w. j o h n m o r a n . c o m 3 1 7

225

Claude Lalanne

(1925-2019) “Pomme Bouche,” designed 1975, executed circa 1980 Gilt bronze Edition Artcurial: 95/250 Underside impressed with edition, artist’s monogram, and: LALANNE / ARTCURIAL 5.5” H x 4.5” W x 4.5” D approximately $30,000-50,000

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226

Ulrica Hydman-Vallien (1938-2018)

An “Open Minds” painted glass vase for Kosta Boda, late 20th century Etched to underside: Kosta Boda / [indecipherable] / Ulrica H.V / 48744; painted at base: Ulrica HV/LP; with applied factory labels Raised on a painted wood plinth Glass: 10.75” H x 5.625” Dia.; Plinth: 2” H x 4.5” W x 4.5” D $200-300

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227

Jean Cocteau

(1889-1963) “Quatre-profils,” 1958 Terracotta charger with polychrome ceramic crayon and enamels Edition: 19/30 Signed recto: Jean Cocteau [star cipher]; inscribed and numbered to underside: Edition originale de Jean Cocteau / Atelier Madeline-Jolly 1.5” H x 14.75” Dia. $3,000-5,000

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228

Jean Cocteau

(1889-1963) “Les trois yeux,” 1958 Terracotta charger with black and white ceramic crayon and polychrome enamels Edition: 43/50 Signed recto: Jean Cocteau [star cipher]; inscribed and numbered to underside: Edition originale de Jean Cocteau / Atelier Madeline-Jolly 1.625” H x 14.875” Dia. $3,000-5,000

Notes: This lot is accompanied by an electronic copy of the Certificate of Authenticity, dated May 15, 1958, issued and signed by the ceramicists and decorators Marie-Madeleine Jolly and Philippe Madeline.

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229

Jean Cocteau

(1889-1963) “Visage ovale (G. 240),” 1958 Terracotta charger with polychrome ceramic crayon Edition: 3/15 Signed, dated, and inscribed recto: Villefranche / Jean Cocteau [star cipher] 58; inscribed and numbered to underside: Edition originale de Jean Cocteau / Atelier Madeline-Jolly 1.75” H x 14.625” W x 10.625” D $3,000-5,000

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230

231

(1889-1963) “L’Indiscret,” 1958 Terracotta vase with black and white ceramic crayon and polychrome enamels Edition: 18/35 Inscribed and numbered to underside: Edition originale de Jean Cocteau / Atelier Madeline-Jolly 10” H x 6” Dia.

(1889-1963) Gondolier, one plate from Lithograph on wove paper Edition: 47/150 (there are Signed, dated, and inscrib brown ink stamp J C in a d printer: FM; numbered in p Sight: 19” H x 24” W

Jean Cocteau

$3,000-5,000

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Jean Cocteau

$300-500

the “Venice” series, 1956 r also 25 proofs numbered in Roman numerals), printed and published in 1975 bed in the stone: Jean Cocteau / Juillet 1956 / "à Venise"; with the artist’s pale double oval (not in Lugt), lower left, together with the pencil initials of the pencil lower right; Fernand Mourlot, Paris, prntr; A.C. Mazot, Paris, pub.

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232

Jean Cocteau

(1889-1963) Gondolier in Venice, one plate from the “Venice” series, 1956 Lithograph on wove paper Edition: 47/150 (there are also 25 proofs numbered in Roman numerals), printed and published in 1975 Signed, dated, and inscribed in the stone: Jean Cocteau / 23 Juillet 1956 / "à Venise”; numbered in pencil lower right; Fernand Mourlot, Paris, prntr, with his pencil initials lower left; A.C. Mazot, Paris, pub. Sight: 19” H x 24” W $300-500

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233

After Auguste Rodin

(1840-1917) Model fixing her hair, from the series “Douze Aquarelles,” 1920 Lithograph in colors on cream paper With the printed initials in the image, lower right: AR; George Editions, pub., with their blindstamp in the lower right margin Image: 11.5” H x 7” W; Sight: 14.25” H x 10.5” W $200-300

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234

Georges Braque

(1882-1963) “Deux fleurs violettes,” from “Lettera amorosa” suite, 1963 Lithograph in colors on wove paper Edition: 49/75 Signed and numbered in pencil in the lower margin: G. Braque; Mourlot, Paris, France, prntr.; Edwin Engelberts, Geneva, Switzerland, pub. Image: 4” H x 6.25” W; Sight: 13.375” H x 9.75” W $700-900

Literature: Vallier 187

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235

After Salvador Dalí

(1904-1989) “La Dance,” circa 1964 Lithograph in colors on cream paper An artist’s proof [épreuve d'artiste] aside from the edition of unknown size and date Bears signature and inscribed “EA” in pencil in the lower margin: Dalí Image: 16.5” H x 12” W; Sight: 19.75” H x 16” W $100-200

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236

Theo Tobiasse

(1927-2012) One plate from the “Diaspora” series, 1968 Lithograph in colors Japon nacré paper Edition: 13/20 J (aside from the edition of 125 numbered in Roman numerals) Signed and numbered in pencil in the lower margin: Theo Tobiasse; Shorewood Atelier, New York, NY, pub. Image: 23.5” H x 18” W; Sight: 25” H x 19” W $300-500

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Ernst Van Leyden (1892-1969)

Ernst Van Leyden was a Dutch-born painter Brussels, Berlin and London to extended pe later the United States before finally settling still life and landscape, his work was admired rare quality, which might seem unfashionable included artists and intellectuals such as Pica context in which his art evolved.

From the late 1940s, Van Leyden turned dec developing ambitious mixed-media collages surfaces. In these years, he produced large-s Jasper Johns and Robert Rauschenberg, usin used." The present mixed media/collage be is transformed into a lyrical abstraction: form composition remain central to the work's exp

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and sculptor whose cosmopolitan career took him from studies in Rotterdam, eriods working in Italy, Spain, France, Portugal, England, Egypt, the Middle East, and g near Paris. Initially associated with a vigorous, expressionist approach to portraiture, d by critics such as Michel Ragon, who wrote that "Van Leyden's painting has a e and somewhat shocking: it is beautiful… it is beautiful and joyful." His wide circle asso, Dalí, Willem de Kooning, Chaplin and Stravinsky, reflecting the international

cisively toward abstraction, creating his first abstract work in 1948 and, in the 1950s, s that explored "color, shapes and texture" through layered fabrics and painted scale collages and mixed-media works that have been compared to the idiom of ing oil, paste and assembled materials to "reveal the secret of the materials he elongs to this mature phase, in which Van Leyden's earlier expressionist sensibility ms are distilled and recomposed, yet his characteristic warmth of color and dynamic pressive power.

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237

Ernst Van Leyden

(1892-1969) Commedia dell’arte figure Pastel, charcoal, and paper collage on board Signed faintly lower left: Ernst van Leyden Sight: 95.25” H x 31” W $3,000-5,000

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A Bromsgrove Guild c Early 20th century

The Bromsgrove Guild of Applied Arts was e craftsmanship and develop a commercial en artists and designers associated with the Art business soon expanded to incorporate bron its membership encompassed artisans that c

The Guild's most famous commission, the iro appointing them metal workers to Edward V shipping company Cunard to create the orn city of Liverpool's famous Liver Birds that sit projects, the firm produced large quantities bronze light fittings.

At its height, the Guild participated in the ex 1912 and the 1900 Paris Exposition where it

The reputation of the Guild continued to gro commissions, but the austerity of that period

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composition stone herm

established in 1898 by sculptor Walter Gilbert with an aim to promote high quality nterprise whereby skilled craftsmen could find well-paid work. Composed of modern ts & Crafts Movement, the company began producing decorative ironwork, but the nze and lead foundries, as well as wood and stone carving studios. As the Guild grew, created stained and leaded glass, embroidery, jewelry, and enameled metalworks.

on and bronze gates located outside Buckingham Palace, resulted in a Royal Warrant VII and later, George V. Other commissions followed including a contract with the nate metalwork on the Lusitania and the Queen Mary, and another contract for the atop the clock towers of the Royal Liver Building. When not working on high profile of lead rainwater goods, garden statuary, fountains, sundials, wrought ironwork and

xhibitions of the Arts & Crafts Exhibition Society in London in 1899, 1903, 1906, 1910, t was awarded nine medals.

ow until the onset of the Second World War. After the war the Guild was still receiving d resulted in the closure in 1966.

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238

A Bromsgrove Guild composition stone herm

Early 20th century Marked in relief to base: Bromsgrove Guild / Worcestershire Set on a concrete base Bronze: 36” H x 8.5” W x 9” D; Overall: 40” H x 19” W x 13.5” D, irregular $1,000-2,000

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239

A Continental carved marble herm of a maiden 18th/19th century Raised on a later marble plinth 2 pieces Marble with tiered base: 38.5” H x 11” W x 10.5” D; Plinth: 21” H x 14.75” W x 14.75” D $2,000-3,000

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240

A pair of large carved marble urns on marble pedestals

20th century 2 pieces Each urn: 15.75” H x 21” Dia.; Each pedestal: 32.5” H x 16” W x 16” D $3,000-5,000

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241

Two life size patinated bronze models of cranes

20th century Comprising one Japanese Meiji style crane depicted atop the back of a turtle with a beast head, with fountain hardware, and another figure on a rectangular base 2 pieces Turtle: 69” H x 26” W x 18” D; Taller: 72” H x 32” W x 22” D, approximately $1,000-1,500

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242

A pair of carved hardstone pedestal bird baths Late 20th century Each carved with opposed birds in high relief 2 pieces Each: 19.75” H x 25.75” Dia. $1,000-1,500

244

Two English glazed earthenware covered jars

19th century Each relief decorated in the chinoiserie taste with floral motifs against an orange ground 2 pieces Lager: 16” H x 10.25” W x 10” D; Smaller: 15.75” H x 7.5” W x 7” D $300-500

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243

A pair of Grand Tour style patinated bronze Pompeian deer 20th century Each unmarked 2 pieces Each: 36.5” H x 31” W x 12” D $2,000-4,000

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245

A Louis XV style bureau plat

20th century With gilt-bronze-mounted upper trim, acanthus leaf and foliate accents, and scrolled foliate sabots, with gilt-stamped and tooled white leather top above opposed conforming pull-out surfaces, and three locking drawers lined in paper 29.75” H x 57” W x 25.75” D $1,200-1,800

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246

A pair of Louis XV paint decorated fauteuils

Mid-18th century with later elements The parcel gilt and painted wood chairs, each with scrolled armrests and feet, and later upholstered seatback and seat cushion with passementerie trim 2 pieces Each: 41.5” H x 29.5” W x 30” D $800-1,200

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247

A pair of Louis XV style upholstered benches

20th century Each carved with floral accents and scroll feet, upholstered in a yellow fabric with braided trim 2 pieces Each: 19” H x 25.5” W x 15.75” D $700-900

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248

An assembled Este ceramic part dinner service

20th century Each with factory marks and numbered; vase numbered: 6420; bud vase marked: peint main; rabbit stamped: amm / Italy Comprising: 11 dinner plates (13”) 2 large serving platters (14.75” W x 11.625” D) 3 hexagonal serving bowls (11.25” W x 10.5” D) 6 small trapezoidal bowls (6.25” W x 7.375” D) 2 watering cans (10.75” H x 14.875” W x 6” D) 2 octagonal tureens (5.5” H x 9” W x 8.25” D) 2 handkerchief vases (4.25” H x 4.625” Dia.) 9 cabbage-form cups (4.75” H x 3.125” Dia.) Together with: 1 Herend double-wall vase (4.875” H x 5.375” Dia.) 1 Limoges tulip bud vase (5.875” H x 1.875” Dia.) 1 English jug in the form of an ear of corn with pewter lid (10.625” H) 1 rabbit-form covered tureen with spoon (6” H x 9.75” W x 4.5” D) 41 pieces $400-600

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Partial lot illustrated

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249

Three creamware articles

19th century The cup with pseudo puce-painted crossed swords Comprising a floral encrusted covered cup and pair of tulip ornaments 3 pieces Cup: 5.625” H x 6.5” W x 5.75” D; Taller tulip: 4” H x 2.875” W x 2.375” D $300-500

251

A pair of rock crystal o

20th century Each mounted on a brass t 2 pieces Each: 10.875” H x 5” W x 4 $1,200-1,800

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250

A Continental blanc de chine porcelain model of a rabbit Early 20th century Raised on a gilt-bronze stand Overall: 6.875” H x 11.5” W x 7.25” D $800-1,200

ornaments

tiered base with three feet

4.125” D

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252

A pair of Chinese Famille Rose porcelain jardinières

20th century Each unmarked Each depicting birds, floral motifs, butterflies, and other insects on a pale green ground, with conforming drip underplate 2 pieces Each overall: 9” H x 14.25” Dia. $400-600

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253

A pair of Chinese carved hardstone plates

20th century Each bearing an apocryphal reign mark for Qianlong Period (1736-1795) Comprising one depicting a dragon and another depicting a qilin, each mounted on a custom hardwood stand 2 pieces Each plate: 10.875” Dia.; Each stand: 7.75” H x 10” W x 3.125” D $500-700

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Rufino Tamayo (1899-1991)

Rufino Tamayo is a towering figure in 20 modernist influences. Born in Oaxaca, h to a distinct style marrying Mexican folk mixographia, a technique he developed to inked plates, resulting in textured, m

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0th-century Mexican art, famed for blending indigenous and his exposure to Zapotecan culture shaped his artistic vision, leading k traditions with avant-garde aesthetics. Central to his oeuvre is d with Luis Remba in the 1970s, involving wet paper pulp applied multidimensional artworks.

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254

Rufino Tamayo

(1899-1991) “Galaxia,” 1977 Mixografía in colors on wove paper Edition: XIII/XXV (one of XXV deluxe impressions, aside from the 100 impressions numbered in Arabic numerals plus a small number of assorted Signed and numbered in white pencil along the lower edge: Rufino Tamayo; Taller de Grafíca Mexicana, Mexico City, prntr. Image/Sheet: 19.75” H x 47.625” W (irreg.) $10,000-15,000 Literature: Pereda 242

Notes: Tamayo’s mixographias, over 80 in total, reflect his thematic preference for highlighting his Zapotec heritage. Often depicting mythology, nature received numerous accolades, including the UNESCO Prize at the 1958 Venice Biennale, solidifying his legacy as a pioneering figure in printmak 3 6 2 The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

d proofs)

e, and the human condition, his art transcends cultural boundaries, resonating universally while celebrating Mexico’s rich heritage. Tamayo king. w w w. j o h n m o r a n . c o m 3 6 3

255

Rufino Tamayo

(1899-1991) “Dos Figuras [Two Figures],” from the series “Rufino Tamayo 15 litografías,” 1973 Lithograph in colors on wove paper Edition: 5/75 (there are also 10 artist’s proofs) Signed and numbered in white crayon in the lower right and left corners, respectively: R. Tamayo; Ediciones Polígrafa, Barcelona, prntr. and pub. Image/Sheet: 29.875” H x 22” W $1,000-1,500

Literature: Pereda 152

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256

Diego Rivera

(1886-1957) Figure working a field with three birds Conte crayon on thin cream wove paper Signed in pencil lower left: Diego Rivera; with the artist’s notations written in and around the figure; the verso of the sheet with a cursory landscape ink sketch Sheet: 7.375” H x 4.75” W $1,500-2,500 Provenance: B. Levin Galleries, Palm Springs, CA The Estate of Joanna Carson

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257

Frank Montague Moore

(1877-1967) “Yucca in Moonlight” Oil on canvas laid to board Signed lower right: F.M. Moore; signed again, titled, and inscribed “Huntington Hotel, Pasadena, Calif.” on the stretcher 52.25” H x 42” W $1,000-1,500 Provenance: Sold: Bonhams, California, September 20, 1993, Lot 94 The Estate of Joanna Carson

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258

Dong Moy Chu Kingman

(1911-2000) “Street Corner - Mexico City” Watercolor on paper Signed lower right: Kingman; signed again and titled on the frame’s backing board: Dong Kingman; titled again on three typed gallery labels affixed to the frame’s backing board Sight: 14.375” H x 21.5” W $500-700 Provenance: Dalzell Hatfield Galleries, Los Angeles, CA Hoover Gallery, San Francisco, CA The Estate of Joanna Carson Exhibited: Monterey, CA, Monterey Peninsula Museum of Art, n.d. (presumably, as indicated by a black ink stamp on the frame’s backing board)

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259

A Peruvian sterling silver mounted mirrored plateau Mid-20th century Marked: Plata 925 Del Pilar Peru / RI 8357 With scrolls and foliate motifs to rim and a wood backing 1.125” H x 22.25” W x 19.25” D $500-700

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260

An Emilia Castillo silver plated gourd vessel

Mid-20th century With etched signature: Emilia Castillo; impressed: Emilia Castillo / Mexico MR. / Plateado / T0-85 Plated hammered copper, with lobed body, tripod legs, and stem finial, the rim mounted with malachite accents 14.375” H x 14.75” Dia. $600-800

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261

A Fratelli Cacchione for Cartier sterling silver bowl

Post-1968 Impressed: ITALY / 925 [in an oval] / star 39 MI [in a polygon] / F.C. [in a circle] / STERLING / Cartier With undulating rim and three repoussé fish 2.5” H x 9.75” Dia. 18.9 oz. troy approximately $600-800

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262

A set of twelve French silver open salts

20th century Impressed: M.G. [over three stars in a diamond lozenge]; XRF tested .940 The rim with flowerheads over the body cast with four roundels enclosing the head of a bishop holding a cross and raising his hand in blessing, separated by male term supports 12 pieces Each: 2” H x 2.625” Dia. Total weight: 52.2 oz. troy approximately $2,000-3,000

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263

A Norwegian enameled silver gilt dessert service

Mid-20th century Each impressed: TH. MARTHINSEN / STERLING / NORWAY / 925 Comprising 12 spoons and 12 forks, each monogrammed 24 pieces Each: 6” L $300-500 Provenance: Sold: Butterfield & Butterfield, Sale 6046V, Lot 5094 The Estate of Joanna Carson

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264

A Fisher Silversmiths Inc. sterling silver pitcher Mid-20th century With factory marks and: STERLING / 2026 9.375” H x 8.875” W x 5.875” D 17.9 oz. troy approximately $500-800

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265

A WMF silver plated handled serving tray

Early/mid-20th century With ostrich mark within a dashed arch for French export: WMF / G, further marked: I/O / [export star] Mounted with four foliate-form accents to handles and rim, the center further chased with foliate motifs 2.25” H x 30.875” W x 23.5” D $400-600

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266

A sterling silver mounted Royal Crown Derby porcelain ‘Olde Avesbury’ plate

1952 with later elements The porcelain dated with factory marks: XV; silver marked: STERLING Transfer printed and hand-colored, depicting birds of paradise, later clad in repoussé sterling 1.625” H x 13.125” Dia. $100-200

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267

Two silver plated and glass entrée dishes and a lidded box

Mid-19th century-20th century Box marked: TH / &S [Thomas Hardwood & Son, Birmingham] / EP / [crown] / [palmette] / S; each bamboo unmarked Comprising a silver-plate-clad lidded wood box with ceramic liner, and a pair of bamboo-form silver-plated serving trays with Pyrex liners, the box bearing an armorial 3 pieces Box: 2.625” H x 7” W x 5.375” D; Each bamboo: 3.625” H x 20.25” W x 11.25” D $100-200

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269

An International Sterling silver trophy cup

1930s Impressed factory marks and: STERLING / Z11; with commemorative inscription: Tepper Trophy / Plainfield Horseshow / 1938 / Awarded to / Horsemanship / June 8.375” H x 6.875” W x 4” D 8.8 oz. troy approximately $200-300

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270

An Edwardian sterling silver two handled trophy cup

1905, retailed by Tiffany & Co. With hallmarks for sterling, London, date, and truncated maker’s mark: G; impressed: MADE IN ENGLAND FOR TIFFANY & CO. 7” H x 9.875” W x 5.625” D 35.9 oz. troy approximately $1,000-1,500

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271

A Frank Smith Silver Co. sterling silver ‘Chippendale’ bowl Mid-20th century Marked for sterling, maker, pattern, and numbered: 196 With scalloped rim and lobed body, monogrammed at center 1.875” H x 9.625” Dia. 11.3 oz. troy approximately $300-500

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272

An Elkington silver plated fish serving set

1857 Each impressed with factory marks and date mark Each with Empire-style figural handle and chased with bellflower motifs, housed in a velvetlined and leather-clad case 2 pieces Longer: 13.5” L; Fork: 11.125” L; Case: 1.375” H x 15.125” W x 4.875” D $200-300

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273

An Art Nouveau style sterling silver center bowl Late 20th century Marked: RC [in a lozenge] / STERLING The undulating rim cast with lotus blossoms and leaves 3” H x 13.375” Dia. 23.9 oz. troy approximately 2.75” H x 13.12” Dia. $600-800

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274

An American sterling silver pitcher

Early 20th century Marked: STERLING / 1306 / S & E [The Sweetser Co.] Monogrammed 10” H x 9” W x 5” D 20 oz. troy approximately $700-900

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275

Four Reed & Barton silver plated ‘King Francis’ platters

Early 20th century Each with factory marks and pattern; each relief numbered: 1692; each flat numbered: 1682 Comprising a pair of raised three-compartment trays, each with palmette-form sauce wells, and a pair of flat trays, each with foliate trimming to edges 4 pieces Each raised: 2.375” H x 22.5” W x 16.75” D; Each flat: 1.25” H x 22.5” W x 16.75” D $300-500

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276

A Stieff sterling silver footed center bowl

Early/mid-20th century Impressed: STIEFF / STERLING / A / S [within a lozenge] / 086 The bell-form bowl decorated with chased lappet band below the rim, above garlands joining cartouches, monogrammed 6.62” H x 11.12” Dia. 31.5 oz. troy approximately $1,000-1,500

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277

A Gorham sterling silver footed bowl and an English sugar bowl Two works:

A Gorham sterling silver footed bowl, late 19th/early 20th century Marked for sterling and: G.M.Co With pierced foliate rim, raised on fluted scroll legs headed by flowerhead ornament 3.375” H x 7” Dia. An English sterling silver bowl, 1958 With British hallmarks for sterling, London, date, and maker: CJV Ld [C J Vander] Raised on circular spreading foot 2” H x 4” Dia. 2 pieces Total weight: 13.3 oz. troy approximately

$400-600

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278

A Victorian sterling silver Coronation spoon set

Goldsmith & Silversmiths & Co, Ltd., London, 1899 With impressed standard, city, date letter, and maker’s marks: G & S Co. Ld Each with a gold wash, contained within original lined factory case Each: 10.375” L; Case: 1.75” H x 12” W x 7.375” D Total weight: 6.7 oz. troy approximately $200-300

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279

A pair of Neoclassical style silvered bronze center bowl bases Late 19th century Each with indecipherable marks 2 pieces Each: 5.5” H x 9.5” W x 6.75” D $400-600

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280

A Tiffany & Co. sterling silver ‘Hampton’ partial flatware service

1934-1947 Designed 1934 Each with factory marks and: STERLING / M [directorship of John C. Moore II (19071947)] Comprising: 14 steak knives (9”) 14 dinner knives (9.375”) 14 butter spreaders (6”) 1 dinner fork (7.75”) 2 serving forks (8.75”) 14 salad forks (7”) 14 luncheon forks (7”) 9 cocktail forks (6”) 13 cream soup spoons (7”) 12 teaspoons (6.125”) 14 demitasse spoons (4.5”) 1 sugar spoon (5.875”) 2 table/serving spoons (8.75”) 2 gravy ladles (7.375”) 1 cream ladle (7”) 1 cheese server (7”) 1 cake/pie server (10.625”) 1 vegetable serving spoon (9.125”) 1 berry/casserole serving spoon (9.25”) 1 pierced cold meat serving fork (9.125”) 132 pieces Total weighable sterling: 159.1 oz. troy approximately $3,000-5,000

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Partial lot illustrated

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281

Three Cartier sterling silver table items

Mid-20th century Each with impressed factory marks; basket and one cup marked: STERLING; the other cup XRF tested for sterling; basket further marked: Handmade; each cup numbered: 851 Comprising a handled basket and two pierced cups, basket monogrammed 3 pieces Basket: 8.125” H x 10.125” W x 6.25” D; Each cup: 2.625” H x 3.5” Dia. Total weight: 23 oz. troy approximately $800-1,000

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282

A Gorham sterling silver oval serving bowl

Mid-20th century With impressed factory and: STERLING / 977 / 3 [in a cartouche] With a scalloped rim and lobed body 2.125” H x 13.375” W x 10.125” D 23.3 oz. troy approximately $600-800

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283

An Italian sterling silver vase

Late 20th century Impressed: ITALY / St [within an oval] / STERLING / .925 [within an oval] / BATTUTO A MANO Of flared outline with undulating rim 10” H x 7.125” W x 5.125” D 25 oz. troy approximately $800-1,200

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284

A Wallace sterling silver ‘Rose Point’ platter

Mid-20th century Impressed for maker, pattern name, and: STERLING / 6620 With pierced and repoussé rim 12” Dia. 15.6 oz. troy approximately $400-600

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285

A group of sterling silver table items

20th century Each marked: STERLING; and for various makers such as Towle, Reed & Barton, Poole, and Fisher Including three circular dishes and a small rectangular tray, a creamer, and a trembleuse cup and saucer with porcelain liner, one dish with commemorative inscription Total weight: 35.7 oz. troy approximately 6 pieces $1,200-1,800

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286

A set of twelve Sedlacek & Co. sterling silver place plates 1920s Each with factory marks and: STERLING / LOS ANGELES Each with bound-reed and shaped rim 12 pieces Each: 11” Dia. Total weight 194.8 oz. troy approximately $7,000-9,000

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287

A group of sterling silver and silver plated serving articles

20th century One tray marked: Poole / STERLING; one entrée dish with pseudo Sheffield marks for Goldfeder Silverware Company Inc.; the rest unmarked Comprising a silver-plated dome with gadrooning, two sterling silver trays, one silver-plated tray, and two silver-plated entrée dishes 6 pieces Larger entrée dish: 6.75” H x 18.25” W x 11” D; Dome: 8.75” H x 4.25” W x 10” D Total weighable sterling: 15.1 oz. troy approximately $150-250

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288

A Tiffany & Co. sterling silver dish and compote

Mid-20th century Each with factory marks and: STERLING; dish further impressed: 23378 / M [directorship of Louis deBebian Moore (1947-1956)]; compote further impressed: 21848 / L [directorship of William T. Lusk (1956-1965)] Comprising a leaf-form footed dish and a pedestal compote 2 pieces Dish: 2” H x 11.25” W x 6.125” D; Compote: 3.125” H x 6.25” Dia. Total weight: 19.9 oz. troy approximately $600-800

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289

A set of twelve Hayes & McFarland sterling silver ‘Harewood’ dinner plates

20th century Each impressed: HM [in a lozenge] / 925 / STERLING / 1000 / 200 / HAREWOOD Each circular plate with overlapping leaftip-cast rim and ribbon-tied garland border, each with central monogram Each: 11.5” Dia. Total weight: 260.2 oz. troy approximately $7,000-9,000

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290

An English sterling silver footed salver

1992 With British hallmarks for sterling, Sheffield, date, and maker: RC [in hexagonal cartouche, Carr’s] With scalloped rim, raised on three scrolled feet 1.25” H x 12” Dia. 28.4 oz. troy approximately $700-900

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291

Max Ernst

(1891-1976) “Janus,” conceived 1974 Verdigris patinated bronze Edition: 0/18 (there were 20 cast, plus 8 artist’s proofs and several test proofs) Signed and numbered in the casting: max ernst; with impressed foundry mark in a diamond cartouche: A. VALSUANI CIRE PERDUE 17.5” H x 8.625” W x 8.75” D $30,000-50,000

Literature: Edward Quinn, “Max Ernst,” (Boston: New York Graphic Society, 1977), pp. 18-23, another cast illustrated Susanne Kaufmann, “Im Spannungsfeld von Fläche und Raum, Studien zur Wechselwirkung von Malerei und Skulptur im Werk von Max Ernst,” (Weimar: 2003), p. 293, fig. 104, another cast illustrated Jürgen Pech, “Max Ernst - Plastische Werke,” (Cologne: Kreissparkasse, 2005), pp. 208, 210-211, another cast illustrated Notes: Multiple patina variations were used for this edition of 20, which was numbered 00/18, 0/18, and 1-18/18, with 8 known artist proofs and an unknown amount of test proofs.

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292

Miguel Ortiz Berrocal

(1933-2006) “La Totoche,” 1972 Brass, articulated Edition: 372/2000 Signed and numbered on the base: Berrocal Assembled from thirteen elements, this work can be configured vertically or horizontally by releasing a lever on the base Upright: 9” H x 8.25” W x 3.625” W; Recumbent: 5.625” H x 8.5” W x 3.625” D $1,500-2,500 Literature: J. Gallego, “Antologica Berrocal (1955-1984)” (Madrid: Ministerio de Cultura, 1984), Opus 118, pp. 84-85, 272, 276, 448 Notes: “La Totoche” (“The Plump Lady”) was designed as an homage to Federico Fellini, after a character from his 1973 film “Amarcord.”

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293

Eli Karpel

(1916-1988) Untitled abstract form Polished copper on later rotating wood base Edition: 4/7 With impressed signature and edition to base: Karpel Overall: 10.375” H x 12.5” W x 10.25” D; Form: 8.5” H x 12.25” W x 9” D $800-1,200

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294

Erwin Binder

(1934-1993) “Lady of the Wind,” 1977 Patinated bronze on rotating wood plinth Signed and dated in the casting: Binder / 77 Bronze: 12.5” H x 4.625” W x 3.625” D; Overall: 14.875” H x 6” W x 6” D $400-600

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296

Erwin Binder

(1934-1993) Couple embracing Carved alabaster on painted wood base Incised with signature and illegible date: Binder Stone: 15.625” H x 13.75” W x 10.5” D; Overall: 17.5” H $400-600

295

Erwin Binder

(1934-1993) Figure, 1979 Patinated bronze on rotating composite plinth Edition: 5/50 Signed, dated, and numbered in the casting: Binder © / 79 Bronze: 7.875” H x 7.75” W x 5.5” D; Overall: 9.875” H x 7.875” W x 6.125” D $300-500

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297

Michael Anderson

(b. 1945) Monumental abstract geometric sculpture, 1976 Enameled steel Signed and dated in solder on the base: M. Anderson / 76 93” H x 41” W x 24” D $3,000-5,000 Provenance: Sold: Bonhams, Los Angeles, CA, May 22, 2011, Lot 7088 The Estate of Joanna Carson

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Reg Butler (1913-1981)

Reg Butler stands out as a unique figure in p sense of the trauma of war while holding ont trained as an architect, then worked as a bla in his art, which often looks both skeletal and called the "geometry of fear," the signature Listener, 1952).

By the early 1960s, Butler began to focus mo smaller, more personal works in his studio, e "Musée Imaginaire," a collection of thirty-nin custom wood-framed case with a mirrored b Butler's interest in how identity and memory

The name "Musée Imaginaire" tips its hat to laid out in his 1947 essays. Malraux believed and places, letting them "talk" to each othe each figure is different, yet they're tied toget sculpture becomes a meditation on history, m

"Musée Imaginaire" shows Butler wrestling w how repetition changes meaning, and what just want us to look, he wants us to see ourse bronzes, making you part of the story.

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postwar British sculpture. He was part of a generation of artists trying to make nto the hope and resilience of the human spirit. Butler's background is unusual; he acksmith during World War II. This blend of structure and hands-on craft shows up d strong at the same time. That mix became a hallmark of what critic Herbert Read style that captured both the anxiety and strength of the postwar years (Read, The

ore on his own interests, turning away from big public projects. He started creating exploring themes like intimacy, community, and scale. That's when he created ne unique bronze figures, each carefully cast and patinated, all displayed in a back. The result is both a sculpture and a kind of personal museum, reflecting y shape, and are shaped by, space.

o French novelist André Malraux's concept of the "imaginary museum," an idea he d that photography and reproductions could bring together artworks from all times er across history. Butler's miniature bronzes turn this idea into something physical: ther by theme and reflected endlessly in the mirror. This creates a space where memory, and the way we see art.

with the big ideas behind modern sculpture, like what it means to be an individual, role the viewer plays. By putting these figures in a mirrored case, Butler doesn't selves as part of the work. When you view the piece, your reflection mixes with the

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298

Reg Butler

(1913-1981) “Musée Imaginaire,” conceived 1961-62, cast 1963 39 patinated bronze figures in custom wood and mirror-backed display case Edition: 1/9 Each bronze impressed with monogram and numbered: © RB [overlapping] Cast by Valsuani Foundry, Paris Case: 30.5” H x 48.5” W x 5” D $30,000-50,000 Literature: Exhibition catalogue, “Reg Butler” (London: Tate Gallery, 1983), pp. 15, 68, no. 63, another cast illustrated Exhibition catalogue, “Reg Butler: Musée Imaginaire: Bronzes Middle & Late Period” (London: Gimpel Fils, 1986), another cast illustrated on the cover “The Tate Gallery Illustrated Catalogue of Acquisitions 1984-86” (London: Tate Gallery, 1988), pp. 117-118, 500, no. T03703, another cast illustrated Margaret Garlake, “The Sculpture of Reg Butler” (Much Hadham: The Henry Moore Foundation in association with Lund Humphries, 2006), pp. 18-19, 162, no. 224, pl. 4, another cast illustrated Notes: This lot, edition 1 of 9, offered from the estate of Joanna Carson, stands out in Butler's career. It marks his move away from the bold, heroic works of the 1950s and toward a quieter, more thoughtful style. Here, sculpture becomes a way to invite people into a shared, imagined space, instead of telling them what to see, Butler asks them to take part.

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299

Robert Graham

(1938-2008) “Gabrielle,” 1998 Patinated bronze From the edition of 250 Incised initials and date: RG / 12.25.98 Overall: 16.25” H x 2.375” Dia.; Figure: 7.25” H; Upper: 8.25” H; Base: 8” H $2,000-3,000

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300

Robert Graham

(1938-2008) “Eliza,” 1996 Patinated bronze on rotating composite base on wood plinth Number 36 from the edition of unknown size Initialed, titled, and dated in the casting: 8/96 / RG; with impressed edition; the composite base signed: R Graham Bronze: 3.5” H x 3.125” W x 3.375” D; Composite: 2” H x 5” W x 5” D; Overall: 8.125” H x 7.25” W x 7.25” D $1,000-1,500

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301

Gerald Fellman

(active 20th century) Acrobats Patinated bronze on rotating wood plinth Signed in the casting: G. Fellman Bronze: 26.25” H x 8” W x 10” D; Overall: 29.25” H $300-500

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302

Ralph Tarzian

(1924-2019) Modern seated figure Verdigris patinated bronze on wood plinth Edition: 2/10 Signed and numbered on the figure’s leg: R. Tarzian Bronze: 14.75” H x 6.5” W x 9.375” D; Overall: 15” H $300-500

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303

John W. Kearney

(1924-2014) Camel, 1971 Chrome-plated steel, found car parts Signed and dated in cut-out: JK [conjoined] / 71 72.5” H x 48” W x 32” D $3,000-5,000

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304

A patinated bronze figure of a turtle Circa 1970s Signed: A. Tiot 5.25” H x 12.75” W x 9.75” D $200-400

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305

Ferdinand Seeboeck

(1864-1953) Portrait bust of Sebastian Kneipp (1821-1897), 1898 Patinated bronze on inlaid wood pedestal Inscribed, signed, and dated verso: Seb. Kneipp / modelliert von / F. Seeboeck / Rom; foundry mark: G. [Giovanni] Nisini / Roma Bronze: 13.75” H x 10.25” W x 5.875” D; Pedestal: 48” H x 10.5” W x 10.5” D $300-500 Notes: Sebastian Kneipp was a German Catholic priest and one of the forefathers of the naturopathic movement. He created the “Kneipp Cure,” a form of hydrotherapy where various methods, temperatures and pressures of water were applied to the body therapeutically for healing effects.

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306

Four carved marble busts of ladies

20th century Each unmarked Mounted on black marble socles 4 pieces Each: 12.25” H x 7” W x 4.5” D approximately $600-800

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307

A Richard Ginori porcelain ‘Ercolano Red’ part dinner service

Produced 1980-1986 Each with factory green underglaze factory mark and stamped with pattern name Comprising: 8 dinner plates (10.5”) 8 salad plates (7.75”) 8 saucers (6.75”) 1 covered soup tureen (9.75” H x 11.125” W x 9.75” D) 1 covered vegetable dish (7.25” H x 9.625” W x 8.625” D) 1 large bowl (4.25” H x 10.75” Dia.) 2 oval bowls (2.125” H x 9.75” W x 7.125” D) 1 gravy boat with attached underplate (3.375” H x 8.5” W x 5.5” D) 30 pieces $800-1,200

Partial lot illustrated

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308

A set of twelve Baccarat glass ‘Harmonie’ highball glasses Late 20th/early 21st century Introduced 1975 Each with etched factory mark 12 pieces Each: 5.5” H x 2.75” Dia. $700-900

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309

A Continental mahogany center table

19th century The top mounted with gilt bronze anthemion and floral trimmings and laurel wreath accents, above a galleried undertier, raised on three parcel gilt and ebonized legs carved with lion masks and paw feet 28.75” H x 32.75” Dia. $1,000-1,500

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Partial lot illustrated

310

A set of twenty-five Baccarat blue opaline glass sherbets Late 19th century Each with etched factory mark 25 pieces Each: 3.625” H x 3.75” Dia. $600-800

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311

A Solimene Vietri glazed earthenware floor vase

Mid-20th century Stamped to underside: Solimene / ® / [bird cipher] / Vietri sul mare Italy; signed indistinctly With opposed lug handles, decorated with fish, coral, and other sea creatures 26.75” H x 16.25” W x 14” D $250-350

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312

A Théodore Deck glazed earthenware jardinière

Late 19th century Impressed to underside: TH [conjoined] DECK With opposed figural handles, depicting birds and floral motifs 4.875” H x 16.625” W x 8.75” D $2,000-3,000

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313

A pair of George I/II style walnut veneered armchairs

Circa 1900 Each with vasiform burlwood veneered splat, modified shepherds crook armrests terminating in scrolls, later upholstered seat cushion, raised on cabriole legs headed by carved shell and bellflower ornament, ending in claw and ball feet 2 pieces Each: 40” H x 29.75” W x 25” D $300-500

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314

A group of four clear glass decanters

Mid/late 20th century One etched: Val St. Lambert Comprising one pair with frosted etched ‘John Carson’ (each: 11.25” H x 4.5” Dia.), one Val St. Lambert decanter with frosted scroll motif (11.625” H x 5.125” Dia.), and another decanter with ring neck and thumbprint lobed body (12.5” H x 5.125” Dia.), each with stopper 4 pieces $300-500

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Partial lot illustrated

315

A suite of Baccarat glass ‘Malmaison’ stemware Late 20th/early 21st century Designed 1910 Each etched with factory mark Comprising: 16 tall water goblets (8”) 18 claret wine glasses (6.875”) 13 champagne glasses (8”) 10 fluted champagne glasses (7.5”) 13 port wine glasses (6.125”) 70 pieces $800-1,200

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316

A Louis XV style carved fruitwood duchesse brisée

20th century Each piece of the chair and ottoman carved with floral accents, with scrolled armrest terminals and front feet, upholstered in a cotton fabric with cording, embroidered with fruit tree branches 2 pieces Chair: 38” H x 36” W x 32” D; Ottoman: 20” H x 37” W x 26” D $500-700

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317

After Fernando Botero (1932-2023) A patinated bronze figure, 20th century Pseudo-inscribed in the casting: Clodion Raised on a composite base Bronze: 9.25” H x 3.75” W x 4.75” D; Overall: 10.5” H x 4.375” W x 5” D $200-400

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318

Gerald Fellman

(20th century) Seated nude female figure Patinated bronze on rotating wood plinth Edition: A.P. Signed and numbered on the base: G. Fellman Bronze: 6.75” H x 5.25” W x 5.25” D; Overall: 11” H x 5.375” W x 5.375” D $300-500

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319

An Empire style gilt bronze mounted guéridon

20th century Surmounted by a circular marble top, raised on three columnar supports headed by anthemion and sphynx mounts, joined by an inswept undertier, on gilt bronze paw feet 30.5” H x 31” Dia. $800-1,200

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320

A Daum & Majorelle Art Nouveau glass and wrought iron vase

Early 20th century Etched: Daum [cross of Lorraine] / L. Majorelle [Louis Majorelle (1859-1926)] The mottled glass blown out through iron swirls 14.5” H x 8.625” Dia. $600-800

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321

A Baroque style cast stone garden table

20th century The top raised on a tripod pedestal cast with three satyrs accented by grape bunches and laurel swags 2 pieces Base: 31” H x 31” Dia.; Top: 4” H x 34.5” Dia. $1,200-1,800

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322

A Maison Renaud & J Clermont Art Deco meat serving trolley

1930s With applied metal label: Renaud & J Clermont S. A. / Genève / Fournitures Générales Pour Hótels The silver-plated and mahogany hot meat carving trolley with retractable dome opening to reveal a removeable bain-marie heated by an alcohol burner, the carving platform with au jus well and two removeable sauce compartments, with handles at corners, a folding wine bottle surface, a hanging tray for serving utensils, and an undertier, all raised on columnar supports with rubber casters With dome shut: 43.5” H x 39” W x 25” D; Retracted: 39” H $500-700

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323

A Continental specimen wood center table

Early 19th century The top inlaid with central medallion of fleur-de-lis and geometric repeating motifs, raised on three scroll legs, resting on ball feet 30” H x 36” Dia. $400-600

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324

A pair of Chinese Export Rose Medallion porcelain vases

20th century Unmarked Each with four gilt lion-form ring handles to shoulder, painted with alternating friezes of courtly figures and birds with butterflies 2 pieces Each: 13.75” H x 7.5” Dia. $400-600

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325

A pair of blue and yellow porcelain jardinières

21st century Each with blue underglaze maker’s mark for United Wilson to underside Each with gold-toned metal mounts 2 pieces 11.25” H x 18” W x 12.25” D $300-500

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326

A pair of French pâte-sur-pâte celadon porcelain vases

20th century Each unmarked Each with Louis XV-style gilt-bronze foliate-form mounts and opposed handles 2 pieces Each: 14.875” H x 8.125” W x 7” D $400-600

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327

A pair of Chinese Kangxi style Famille Verte porcelain vases

20th century Each unmarked Each with squared body, depicting figural tableaus to each side and neck 2 pieces Each: 18.375” H x 5.375” W x 5.375” D $800-1,200

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328

Four Folk Art carved wood winged figures

20th century Each impressed in the wood: K Each mounted with pierced metal wings, comprising one pair mounted to a black painted backing with copper sheeting, and another pair of floating figures 4 pieces Top pair each: 19.5” H x 6.25” W x 4” D; Lower pair each: 15” H x 10.75” W x 5.5” D approximately $300-500

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329

An Aynsley porcelain part dinner service

20th century Each with green printed factory mark Comprising: 12 dinner plates (10.5”) 12 soup bowls (9.375”) 11 salad plates (8.25”) 11 bread & butter plates (6.375”) 12 cups (3.75”) with 12 saucers (5.625”) 1 covered vegetable dish (5” H x 11.125” W x 8.875” D) 1 cream jug (4.125” H x 5.375” W x 3.75” D) 1 open sugar (2.75” H x 4.875” Dia.) 73 pieces $400-600

Partial lot illustrated

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330

A monumental Contemporary ceramic jardinière

1975 Signed and dated to underside: Arbuckle / 75; inscribed illegibly Decorated with fish motifs over a flambé glaze 33” H x 36.5” Dia. $300-500

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331

An Art Deco-style etched glass charger

Late 20th century Unmarked Possibly depicting Aphrodite at center, bordered by zodiac figures 2.125” H x 22” Dia. $300-500

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332

An Art Deco style exotic wood hall table

Late 20th century The top with inlaid circular motifs above stacked curved supports accented by a central ball finial 32” H x 49” W x 16.5” D $1,000-2,000

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333

A near pair of Louis XVI style gilt bronze candlestick lamps

E.F. Caldwell & Co., New York and Maison Gagneau & Cie. Paris, late 19th century One incised to base: E. F. Caldwell & Co. Inc New York.; the other incised: Gagneau & Cie Paris Each wired fluted standard cast with bellflower swags and lion masks, one issuing three lights, the other issuing two lights, each surmounted by a fabric-lined paper shade, electrified 2 pieces Taller lamp: 33.75” H x 7.5” Dia.; Shorter: 30.25” H x 7.75” Dia.; Each shade: 10.5” H x 17.5” Dia. $800-1,200

Notes: Based in New York City, the firm of Edward F. Caldwell & Co. was one of the preeminent designers and manufacturers of lighting fixtures and ornamental metalwork of the late 19th and early 20th centuries. Founded in 1895 by Edward F. Caldwell (18511914), a portrait painter and designer from New York, and Victor von Loosberg (1853-1942), a European-trained designer and draftsman, the company flourished at a time when many important buildings were being constructed and fitted for electricity. Garnering a reputation for the highest quality and the with manufacturing ability to take large appointments, the firm thrived with commissions for such landmarks as the Waldorf Astoria Hotel, the Vanderbilt, Frick, Carnegie and Morgan residences, St. Patrick’s Cathedral, and the White House. Maison Gagneau was one of the leading suppliers of lighting and chandeliers in Europe during the 19th and early 20th centuries. Founded in 1800 in Paris, the bronzier prospered during the 19th century, first established at 25, rue d'Enghien, and later at 115 rue Lafayette. The firm exhibited numerous chandeliers, wall lights, torcheres and lamp bases in both French and International exhibitions including the Expositions des Produits de líIndustrie and Expositions Universelle of 1900.

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334

A Louis Philippe mahogany table

Second quarter 19th century The tiered table with columnar supports and gilt-bronze capitals and bases, raised on brass casters 26.5” H x 21.75” W x 13” D $400-600

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335

336

Each: Gouache, ink, and charcoal on thin paper laid to board Each: Unsigned Sight of each: 32” H x 15.25” W

20th century With scrolled molding at e motifs 37.75” H x 126” W x 20”

Two Late 19th/Early 20th Century Chinese School Paintings

$400-600

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A large Chinese carved

$3,000-5,000

d hardwood altar table

each end, raised on pedestal supports carved with openwork cloud D

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337

A Continental gilt bronze center bowl base

20th century With weighted base and egg and bellflower trim, raised on four paw feet 7” H x 14” Dia. $700-900

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338

A group of Grand Tour style carved marble obelisks and vases

Late 20th century Comprising two obelisks and two pairs of urn-form vases 6 pieces Each obelisk: 15.875” H x 4.125” W x 4.125” D; Each vase: 7.25” H x 3.75” Dia. $700-900

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339

Three Italian carved pine wood busts of Caesars

Late 19th century Likely depicting Augustus, Tiberius, and Gaius (Caligula), each raised on faux-marble-decorated wood socle 3 pieces Tallest: 13.5” H x 7.375” W x 5.5” D; Shortest: 13.125” H $800-1,200 Provenance: Sold: Andrew Jones Auctions, Los Angeles, CA, “DTLA Collections & Estates,” July 28, 2019, Lot 7

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340

A pair of specimen marble obelisks 20th century 2 pieces Each: 21.25” H x 6.375” L x 6.375” W $1,000-1,500

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341

A French carved lapis, porphyry, and marble compote 19th/20th century Raised on a slate plinth 9.625” H x 7.875” W x 5.375” D $200-300

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342

A life size Continental terracotta figure of Athena

19th/20th century Raised on a painted wood plinth Figure: 63” H x 19” W x 13” D; Plinth: 7.875” H x 21.625” W x 14.625” D $1,500-2,000

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343

A set of five Steuben glass candlesticks

Late 20th century Each etched: Steuben All housed in a custom fitted case 5 pieces Tallest: 8” H x 3.125” Dia.; Shortest: 5.75” H x 3.75” Dia.; Case: 4.625” H x 23.5” W x 10.375” D $300-500

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344

Two Neoclassical style rock crystal table lamps

Late 20th century Each with vasiform body above an architectural base, issuing two lights and surmounted by a pleated fabric shade with fringe, electrified 2 pieces Each lamp: 32” H x 4.75” Dia.; Each shade: 11” H x 20.5” Dia. $1,000-1,500

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345

Four Tiffany & Co. carriage clocks

1990s Each dial marked: Tiffany & Co. Each with quartz movement and enameled metal dial bearing Roman hour markers, housed in a brass case with upper handle 4 pieces Each stored: 4.875” H x 3.25” W x 2.75” D $100-200

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346

A set of four Steuben glass ashtrays and an olive dish Two works:

A set of four ashtrays, model 7836, mid-20th century Designed 1936 by George Thompson (1913-1981) Etched: Steuben Each: 2.27” H x 8.75” W x 7.375” D approximately 4 pieces A scroll handle olive dish, model 7857, late 20th/early 21st century Designed 1939 by John Dreves (1913-2003) Etched: Steuben With original box Dish: 3.75” H x 6.125” W x 5” D; Box: 6.25” H x 9.375” W x 6.375” D 5 pieces total $250-350

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347

A Dutch Baroque style marquetry table

19th century elements With single drawer to one side, the top with foliate scrolls and central medallion, raised on barley twist legs joined by a curved X-stretcher, the edges inlaid with bone and wood 29.75” H x 46” W x 25” D $800-1,200

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349

A pair of French gilt bronze candlesticks

20th century Unmarked Each fluted standard with laurel swags and removeable bobèche 2 pieces Each: 10.25” H x 5.375” Dia. $300-500

348

A set of four Oggetti glass bowls

Late 20th century Each with two applied labels: Oggetti / Miami / Made in Italy / Marshall Todd’s / The Glass Menagerie / Beverly Hills 4 pieces Each: 2.75” H x 9.125” Dia. approximately $200-400

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350

A Chinese Export ebonized wood writing table

20th century In the Queen Anne style with single drawer, the top and sides painted with Japanese-style figural tableaus and phoenixes, with overlaid elements in relief, raised on cabriole legs with pad feet 28.25” H x 31” W 23” D $700-900

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352

A Louis XV style bureau plat

20th century With gilt-bronze-mounted upper trim, foliate mounts, female figural accents, and foliate scroll sabots, with gilt-stamped black leather top above a single locking drawer 30” H x 55” W x 29.5” D $1,500-2,000

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351

A set of four Rose Tarlow Melrose House giltwood ‘Verona’ armchairs

Late 20th century Each with scrolled armrest terminals and feet, upholstered in a foliate pattern fabric 4 pieces Each: 43” H x 33” W x 33.5” D $1,500-2,500

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353

Tom Perkinson

(1940-2017) Central Park at night Pastel and colored pencil on paper Signed in pencil lower right: Perkinson Sight: 7.75” H x 8.25” W $500-700 Provenance: Sold: Andrew Jones Auctions, Los Angeles, CA, January 20, 2019, Lot 174 The Estate of Joanna Carson

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354

Willering Epko

(b. 1928) Figures with a flower cart Oil on canvas Signed lower left: Epko 39.5” H x 39.5” W $400-600

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355

Harold Frank

(1917-1995) Two nude figures Oil on board Signed lower right: H. Frank 19.25” H x 15.5” W $400-600

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356

Harold Frank

(1917-1995) Two abstract women Acrylic, charcoal, and mixed media on paper Signed in pencil lower left: H. Frank Sight: 13” H x 9” W $300-500

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357

Michel Henry

(1928-2016) Landscape through bamboo window shades Oil on canvas Signed lower right: Michel Henry 45” H x 57.5” W $1,000-2,000

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358

Style of Maurice de Vlaminck

(1876-1958) Building exterior India ink on tan paper Indistinctly signed lower right: Sply Sight: 6” H x 4.5” W $100-200 Provenance: Rhoda Sande Gallery, New York, NY The Estate of Joanna Carson

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359

Maurice Valadon Utrillo

(1883-1955) Proof for “Bal de Nuit de l’A.A.A.A.,” 1925 Lithograph in colors on wove paper A rare proof, before letters (apart from the published edition with lettering printed throughout the sky) Signed, titled, and dated in the stone at lower right: Maurice, Utrillo, V / Bal de l’A.A.A.A / Vendredi 3 Avril 1925; inscribed “745” in pencil in an unknown hand on the verso of the upper right sheet corner Image: 43.5” H x 28.5” W; Sheet: 45.375” H x 31” W $300-500

Notes: The title includes an abbreviation for the Association Artistique des Amateurs d’Art Ball held in Paris on April 3, 1925.

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360

361

(1857-1926) “Landing Stage, Keswick” Ink and touches of graphite on off-white paper mounted to artist’s board Signed and titled lower left: Joseph Pennell, signed again on the support board directly below the lower sheet edge Image/Sheet: 7” H x 9.875” W; Sight: 7.25” H x 10” W

Late 20th century Each with etched factory mark Comprising three pairs in grad 6 pieces Largest: 8.875” H x 4.25” W x

Joseph Pennell

$300-500

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A set of six Baccarat glass

$400-600

s ‘Harcourt’ candlesticks

k duated sizes

x 4.75” D; Smallest: 7” H x 3.25” W x 3.625” D

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362

A George III inlaid mahogany knife box

Late 18th/early 19th century Later converted to a tantalus, the box with marquetry shell to hinged locking lid, opening to reveal an updated fitted interior housing three glass liquor bottles with stoppers and six shot glasses Box: 15” H x 9” W x 10.75” D; Larger bottles: 8.5” H; Shot glasses: 2.125” H $700-900

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363

A ‘jeweled’ malachite jewelry box

20th century The hinged lid mounted with dyed stones and metal wire filigree, raised on gilt-bronze feet 5.25” H x 14.75” W x 10.75” D $700-900

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364

A Steuben glass and 18k gold ‘Partridge in a Pear Tree’ paperweight Late 20th/early 21st century Designed 1970 by Lloyd Atkins (1922-2002), model 1014 Etched to underside: Steuben 5.5” H x 3.75” W x 3.125” D $2,000-3,000

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365

A Steuben glass and 18k gold ‘Mouse & Cheese’ paperweight Early 21st century Designed 1975 by James Houston (1921-20025), model 1006 Etched to underside: Steuben 3.875” H x 3.75” W x 3.375” D $2,000-3,000

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366

A set of four Baccarat glass ‘Bambous’ candlesticks Late 20th/early 21st century Each with etched factory mark 4 pieces Each: 9.125” H x 4.875” Dia. $400-600

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367

A group of brass candlesticks

19th-20th century Comprising a tall pair raised on paw feet, a set of four with rectangular bases, a pair with squared bases, and a set of four pricket sticks, each with weighted base 12 pieces Tallest: 17.5” H x 5.75” Dia.; Prickets: 9.25” H x 3.5” Dia. $600-800

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368

A Louis XV style upholstered duchesse brisée

20th century Each piece of the chair and ottoman carved with floral accents, with scrolled armrest terminals and front feet, upholstered in a cotton fabric with cording 2 pieces Chair: 40.75” H x 33.5” W x 36” D; Ottoman: 19” H x 33” W x 26” D $300-500

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369

A pair of George II style giltwood stools

20th century Each with pink suede leather upholstered seat cushion with brass tacking, raised on legs carved with acanthus leaves and paw feet 2 pieces Each: 20” H x 25.5” W x 21.5” D $500-700

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370

A William IV mahogany tilt top breakfast table

Circa 1830 The pedestal support with later gilding to base and three paw feet Open: 31.25” H x 47.75” Dia.; Stored: 60.75” H $1,000-1,500

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371

An Italian patinated bronze figure of the Sleeping Faun

20th century Unsigned With verdigris patina on a composite base Bronze: 9.125” H x 5.375” W x 4.25” D; Overall: 10.25” H x 7.125” W x 5.625” D $400-600

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372

A miniature Louis XVI style mahogany commode

20th century With gilt-bronze mounts and upper gallery, white marble top, and three locking drawers, raised on toupie feet 9.75” H x 10.375” W x 6.25” D $800-1,200

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373

A J. & G. Meakin English ironstone ‘Blue Nordic’ dinner service

Late 20th century Each with factory marks: J & G Meakin / Classic; most marked with pattern name Comprising: 10 dinner plates (10”) 26 salad plates (8”) 29 bread & butter plates (7”) 4 coupe cereal bowls (6.5”) 29 flat cups (2.875” H x 4.625” W x 3.625” D) 30 saucers (5.75”) 1 small oval platter (8.5” W x 5.375” D) 1 creamer (4.5” H x 4.5” W x 3.5” D) 1 lidded sugar bowl (5.25” H x 6” W x 4.5” D) 131 pieces $300-500

Partial lot illustrated

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374

Two Victorian faux bamboo stools

19th century Each with bamboo-form frame and legs joined by an X-stretcher with turned finial, later upholstered in a leopard print fabric 2 pieces Taller: 20” H x 15.25” W x 15.25” D; Shorter: 16.5” H x 20” W x 20” D $600-800

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375

A pair of Chinese Famille Verte style porcelain lamps

Mid/late 20th century The baluster-form vases mounted as two-light lamps, each with telescoping rod, one with fabric shade, the other with lobed paper shade, electrified 2 pieces Each porcelain: 23.375” H x 9.25” Dia.; Each lamp: 37” H, dimensions variable; Taller shade: 13.5” H x 18.25” Dia. $400-600

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376

A Louis XVI style gilt bronze cartel clock

Late 19th century Now fitted with a later quartz movement, the white enamel dial with Roman hours and Arabic minutes within a case decorated with acanthus leaves and laurel swags, surmounted by an urn finial, electrified 17” H x 7.5” W x 3.75” D $700-900

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377

A Steuben glass and 18k gold ‘Unicorn’ paperweight Late 20th/early 21st century Designed 1965 by James Houston (1921-2005), model 1004 Etched to underside: Steuben 6.875” H x 5.875” W x 1.625” D $1,000-1,500

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378

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379

A Japanese black lacquered wood table cabinet

20th century Mounts XRF tested for .990 silver The small cabinet mounted with chased silver and painted with foliate motifs throughout, the hinged doors painted with phoenixes and opening to reveal eight drawers, all raised on a conformingly mounted and decorated stand Cabinet: 15.5” H x 14.25” W x 9.75” D; Overall: 21” H x 16” W x 11” D $500-700

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380

A pair of silvered metal mounted bamboo ‘Hungry Frog’ vases 20th century Each with metal-lined rim, mounted to exterior with silver-plated metal blades of grass, a frog, and a hardstone-inset dragonfly 2 pieces Each: 14.5” H x 5.875” W x 5” D $600-800

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381

A carved marble bust of Guanyin

20th century Raised on a painted wood plinth Bust: 16” H x 9.5” W x 6.25” D; Plinth: 9” H x 12” W x 9.25” D $800-1,200

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382

A Japanese patinated bronze censer

Meiji/Taisho Period (1868-1926) Unknown impressed mark to underside With dragon-form handles and elephant-form tripod feet, raised on a carved hardwood stand Censer: 12.625” H x 11.5” W x 8.75” D; Base: 2.25” H x 7.25” Dia. $300-500

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383

A French patinated bronze figure of a woman

"Béatitude," 19th century Titled and marked in the casting: Thiébaut Frères fondeurs / Paris. sculp 19.75” H x 11” W x 11” D $1,200-1,800

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384

A Louis XV style gilt bronze and glass center bowl

Late 20th century Unmarked The lobed glass bowl mounted with gilt-bronze foliate-form handles, rim accents, and base 15.25” H x 21.5” W x 18” D $1,500-2,000

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385

Two French glass and gilt metal champagne buckets

Late 20th century The lobed with Baccarat etched factory mark, the other unmarked Each with gilt metal handles, comprising one Baccarat ‘Harcourt’ bucket with suspended bottle insert, and another cut glass bucket with swing handles 2 pieces Baccarat: 9.75” H x 11.375” W x 3.375” D; Cut glass: 8.5” H x 9.25” W x 7.875” D $600-800

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386

A Lalique glass ‘Bacchantes’ ice bucket

Late 20th/early 21st century Etched: Lalique ® / France; with partial factory label 9.125” H x 10” W x 9.25” Dia. $800-1,200

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387

Louis McClellan Potter

(1873-1912) Pair of Praying Monk bookends, 1911 Patinated bronze Each signed and dated in the casting: Louis Potter ©; with foundry mark: Roman Bronze Works N.Y. 2 pieces Each: 9.5” H x 5.125” W x 6” D $800-1,200

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388

A French gilt bronze jardinière

Late 19th century One side with a frieze depicting classical figures surrounded by wreaths and ribbons in relief, with a metal insert 5.5” H x 11.5” W x 4.5” D $300-500

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389

A Dutch marquetry center table

19th century The top with inlaid vignettes of jardinières and floral arrangements on a burlwood ground, the single drawer front, sides, and curved X-stretcher with conforming marquetry 30.5” H x 48.25” W x 35.5” D $1,000-1,500

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391

A pair of Lalique glass ‘Tete D’Aigle’ bookends Late 20th/early 21st century Each etched to base: Lalique ® / France 2 pieces Each: 5” H x 7.375” W x 5.875” D $300-500

390

Two Lalique clear and frosted glass swans Late 20th/early 21st century Each etched: Lalique ® France 2 pieces Head up: 9.625” H x 12.5” W x 7.5” D; Head down: 7.5” H x 14.5” W x 8.5” D $2,000-4,000

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392

A Lalique glass ‘Champs Elysees’ centerpiece bowl Late 20th/early 21st century Etched: Lalique ® / France; with partial factory label 7.75” H x 18” W x 10.125” D $700-900

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393

A Lalique glass ‘Igor’ caviar bowl

Late 20th/early 21st century Designed in 1969 by Marie-Claude Lalique (1935-2003) Etched: Lalique ® France In four pieces, with gold-plated metal support and dolphin-form finial and tripod base Overall: 10.25” H x 7.875” Dia. $700-900

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394

A large Contemporary onyx footed center bowl 20th century 10.5” H x 22” Dia. $600-800

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395

Steven Correia (b. 1949)

Three Contemporary acid cut blue overlay glass vases, 1989-1990 Each with etched signature and date: Correia / L. E.; tallest numbered 9/200 and inscribed: EVL8142; medium bowl numbered 16/20 Artist Proof; smallest numbered 12/500 and inscribed: ESG8129 3 pieces Tallest: 13” H x 7” Dia.; Medium: 6.5” H x 8” Dia.; Shortest: 4.125” H x 5.75” Dia. $700-900

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396

Aristide Croisy

(1840-1899) “Le Nid” Patinated bronze on marble plinth Signed in the casting: A. Croisy; incised title to plinth Bronze: 6.125” H x 5.875” W x 6.25” D; Overall: 6.75” H $300-500

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397

Pierre-Eugène-Emile Hébert

(1828-1893) “Thetis” Patinated bronze on parcel gilt bronze base Signed and titled in the casting of base; foundry impression verso: GS / MEDAILLE D’OR / 1867 Overall: 21” H x 9” W 8.5” D $800-1,200

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398

A Southeast Asian carved giltwood Buddha

Rattanakosin Period (1782-1932) With hands in Bhumisparsha mudra, decorated with inset glass accents, raised on a double lotus base 25” H x 17.75” W x 9.75” D $2,000-3,000

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Partial lot illustrated

399

A group of Baccarat glass ‘Harcourt’ and ‘Renaissance’ bowls and plates Late 20th century Each with etched factory mark Harcourt: 14 crescent salad plates (8.125” W x 5.75” D) 14 salad plates (7.625”) 7 finger bowls (5.125”) Renaissance: 9 finger bowls (4.75”) 44 pieces $800-1,200

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400

A set of six Meissen porcelain Kakiemon style plates

20th century Each with blue underglaze crossed swords and double cancellation Each outside decorated in the Japanese style 6 pieces Each: 9.625” Dia. $400-600

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401

After Émile Laporte (1858-1907)

A near pair of patinated spelter figural vases, 20th century Each signed to base: E Laporte Each mounted on a marble base 2 pieces Each overall: 11.25” H x 5” W x 4.25” D $300-500

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402

A set of seven Royal Copenhagen porcelain ‘Flora Danica’ butter pats Date codes for 1963-64 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3501, black painted titles in Latin 7 pieces Each: 3” Dia. $700-900

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403

A set of thirteen Royal Copenhagen porcelain ‘Flora Danica’ bread & butter plates

Date codes for 1956-74 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3552, black painted titles in Latin 13 pieces Each: 5.75” Dia. $2,000-3,000

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Partial lot illustrated

404

A set of twelve Royal Copenhagen porcelain ‘Flora Danica’ tea cups and saucers

Date codes for 1955-1974 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3597, black painted titles in Latin 12 pieces Each cup: 2.75” H; Each saucer: 5.375” Dia. $2,500-3,500

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Partial lot illustrated

405

A set of ten Royal Copenhagen porcelain ‘Flora Danica’ tea cups and saucers

Date codes for 1958-1974 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3597, black painted titles in Latin 10 pieces Each cup: 2.75” H; Each saucer: 5.375” Dia. $2,000-3,000

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406

A set of twelve Royal Copenhagen porcelain ‘Flora Danica’ dinner plates

Date codes for 1948-84 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3549; black painted titles in Latin 12 pieces Each: 10” Dia. $3,000-5,000

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407

Three Copenhagen porcelain ‘Flora Danica’ reticulated platters

Date codes for 1960-1974 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape numbers 3537, 3527, 3529, black painted titles in Latin Comprising one oval and two graduated circular platters 3 pieces Oval: 10.5” W; Smaller circular: 12” Dia.; Larger circular: 14” Dia. $2,000-3,000

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408

Two graduated Royal Copenhagen porcelain ‘Flora Danica’ serving bowls

Date codes for 1963-74 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3504 or 3505, black painted titles in Latin 2 pieces Larger: 10” Dia.; Smaller: 9” Dia. $800-1,200

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409

A set of fourteen Royal Copenhagen porcelain ‘Flora Danica’ dinner plates

Date codes for 1950-84 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3549, black painted titles in Latin 14 pieces Each: 10” Dia. $4,000-6,000

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410

A set of fourteen Royal Copenhagen porcelain ‘Flora Danica’ dessert plates

Date codes for 1949-1953 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3551, black painted titles in Latin 14 pieces Each: 6.75” Dia. $2,000-3,000

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Partial lot illustrated

411

A set of twelve Royal Copenhagen porcelain ‘Flora Danica’ tea cups and saucers Date codes for 1963-74 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3597, black painted titles in Latin 12 pieces Each cup: 2.625” H; Each saucer: 5.5” Dia. $2,500-3,500

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412

A set of twelve Royal Copenhagen porcelain ‘Flora Danica’ bread & butter plates

Date codes for 1956-67 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3552, black painted titles in Latin 12 pieces Each: 5.75” Dia. $2,000-3,000

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413

Four Royal Copenhagen porcelain ‘Flora Danica’ oval platters

Date codes for 1961-74 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3516, black painted titles in Latin 4 pieces Each: 9.75” W x 7.75” D $1,500-2,000

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414

Three Royal Copenhagen porcelain ‘Flora Danica’ serving pieces

Date codes for 1953-84 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3506 or 3568, black painted titles in Latin Comprising a pair of oval serving dishes and covered vegetable dish 3 pieces Each oval dish: 9.75” W x 7.5” D; Covered dish: 9.125” Dia. $1,200-1,800

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415

Three Royal Copenhagen porcelain ‘Flora Danica’ triangular cake plates

Date codes for 1969-74 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3508, black painted titles in Latin 3 pieces Each: 9” W x 8.25” D $1,500-2,000

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416

Three Royal Copenhagen porcelain ‘Flora Danica’ pickle dishes

Date codes for 1968-74 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3540 or 3541, black painted titles in Latin Comprising a pair and a larger single, each with branch handle 3 pieces Including handles, largest: 9.75” W; Smallest: 9” W $1,000-1,500

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417

Two Royal Copenhagen porcelain ‘Flora Danica’ table items

1969-1978 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape numbers 3620 or 3556, black painted titles in Latin Comprising a sauce boat with attached underplate, and a lidded chocolate pot with ebonized turned wood handle 2 pieces Sauce boat: 5” H x 9.25” W x 6.875” D; Chocolate pot: 7” H x 8.875” W x 5.625” D $3,000-5,000

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418

Fifteen Royal Copenhagen ‘Flora Danica’ and ‘Flora Danica’ style soup bowls

Late 20th century Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3545, black painted titles in Latin, ten bowls outside decorated with single cancellation mark and lacking pattern and shape number 15 pieces Each: 9.75” Dia. $2,000-3,000

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419

A set of twelve Royal Copenhagen porcelain ‘Flora Danica’ reticulated dinner plates Date codes for 1967 Each with green printed factory mark above underglaze blue wave and green painted pattern 20 over shape number 3553, black painted titles in Latin 12 pieces Each: 10” Dia. $5,000-7,000

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420

A set of thirteen Royal Copenhagen porcelain ‘Flora Danica’ style salad plates Late 20th century Each with green printed factory mark above underglaze blue wave and painted titles in Latin In the Flora Danica style, outside decorated with single cancellation 13 pieces Each: 7.75” Dia. $400-600

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421

A Dutch walnut bombé commode

19th century With shaped front and four locking drawers, raised on paw feet 34.25” H x 41” H x 22” D $700-900

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422

A set of four Louis XV style walnut armchairs

Late 19th/early 20th century Each with scrolled armrest terminals and feet, upholstered in a cream herringbone fabric 4 pieces Each: 41.5” H x 25” W x 30.5” D $800-1,200

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423

A Chinese four panel lacquered wood screen

20th century One side carved and painted, each panel coming together to depict a figural scene of a town above a lower register depicting homewares Each panel: 87.5” H x 19” W x 0.75” D; Stored: 3.125” D $800-1,200

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424

Two Chinese Cizhou style porcelain kneeling child pillows 19th century 2 pieces Each: 8.5” H x 15.5” W x Each: 5.5” D approximately $300-500

425

A Japanese inlaid ebonized wood table

20th century The tabletop pedestal inlaid with mother of pearl floral motifs, the top painted with scrolling foliate and geometric motifs centered by a floral medallion 9.5” H x 22.5” W x 18.25” D $1,200-1,800

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426

A set of eleven Spode porcelain ‘Wildflower Series’ plates

Mid/late 20th century Each Spode with gilt factory marks, labeled for depicted flower, and signed: D. Emery [Dennis Emery]; Wiinblad with Rosenthal factory marks, signed, and inscribed: "Heilige 3 Könige" Melchoir; additionally signed, dated, and titled to front: 1973 / Weinachten Each Spode housed in original padded box, with gilt trim and depicting various flowers including: no. 1 Harebell Y8246-A (2), no. 2 Buttercup Y8247-A (2), no. 3 Meadow Cranesbill Y8248-A (1), no. 4 Viola Y8253-A (2), no 5. Foxglove Y8254-A (2), no. 6 Love-in-aMist Y8255-A (2) Together with a Rosenthal & Bjorn Wiinblad (1819-2006) porcelain Christmas plate 12 pieces total Each Spode: 11” Dia.; Each box: 1.625” H x 12.25” W x 12.25” D; Wiinblad: 11.375” Dia. $100-200

Partial lot

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illustrated

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427

Two French gilt metal mounted glass table jardinières

Late 19th/early 20th century Comprising one with green glass insert and openwork metal depicting students of the classical arts and laurel wreaths, and another with clear glass insert mounted with swags and paw feet 2 pieces Green: 5” H x 8” W x 4.25” D; Clear: 3.75” H x 9.75” W x 6.25” D $200-300

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Partial lot illustrated

428

A set of eleven Copeland’s for Tiffany & Co. porcelain plates

Late 19th century Each stamped: Tiffany & Co. / New York; with blue underglaze stamp: Copeland’s China Each gilt and enameled, with central monogram 11 pieces Each: 10” Dia. $600-800

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Partial lot illustrated

429

A set of seven Copeland’s for T. Goode & Co. porcelain plates Late 19th century Each stamped: T. Goode & Co. / London; with blue underglaze stamp: Copeland’s China Each with gilt and enameled rim and monogram 7 pieces Each: 10.25” Dia. $200-300

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430

A set of twelve Baccarat glass ‘Harmonie’ double old fashioneds Late 20th/early 21st century Introduced 1975 Each with etched factory mark 12 pieces Each: 4.125” H x 3.25” Dia. $800-1,200

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431

A Victorian brass bound rosewood lap desk

Mid-19th century Inscribed to metal plaque: Presented to / Mr. Robert Stewart / Inland Revenue Officer / by the / Members of the Total Abstinence Society / Maybole 1852 With opposed carrying handles and locking hinged top, opening to reveal a hinged giltstamped leather writing surface and stationery storage with three drawers and a pen rest, raised on a later wood stand Closed: 7.75” H x 19.875” W x 10.875” D; Stand: 12.625” H x 20.375” W x 11.25” D $500-700

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432

A group of Continental glass jars and hurricane lamps

Late 19th-20th century Each unmarked Comprising two pairs of cut glass footed lidded jars, one pair decorated with frosted sylvan tableau to lids, and a pair of footed hurricane lamps 6 pieces Taller pair of jars: 14.25” H x 5.5” Dia.; Each hurricane: 10.125” H x 6.375” Dia. $500-700

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433

A pair of large Baroque style cast metal garden urns

20th century Each with opposed mermaid handles and decorated with classical figures and beasts in relief, with lining to interior, raised on a concrete base 2 pieces Each planter: 32” H x 31.5” W x 22.25” D; Each base: 12” H x 16.75” W x 16.75” D $1,000-1,500

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434

A Contemporary upholstered club chair

Late 20th/early 21st century With rolled armrests, upholstered in a scrolled foliate pattern fabric 39.5” H x 35” W x 39” D $300-500

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435

A Baccarat gilt metal mounted glass ice bucket and tongs Late 20th/early 21st century Bucket with etched factory mark Each mounted with amethyst 2 pieces Bucket: 4.375” H x 6” W x 4.375” D; Tongs: 6.875” L x 2.25” W $1,000-2,000

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436

Two French silvered bronze busts of maidens

Mid-19th century After models by Louis Valentin Elias Robert (1821-1874) and Joseph Charles Marin (1759-1834) One marked: L.V.E. ROBERT; the other marked: marin. A.D. [Auguste Delafontaine foundry, Paris] 2 pieces Robert: 8” H x 5.125” W x 3.625” D; Marin: 7.875” H x 5” W x 3.375” D $600-800

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437

A Chinese Dehua style porcelain figure of Guanyin 20th century With impressed marks verso The blanc de chine figure depicted on a double lotus base 26.75” H x 7.5” W x 7.5” D $300-500

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438

Three Chinese porcelain vessels

20th century Tall vase with blue underglaze leaf cipher to underside Comprising a tall blue and white gu-form vase with later copper insert (20.25” H x 8.75” Dia.), a Famille Rose jardinière (6.75” H x 10” Dia.), and a nine-goldfish jardinière (7.25” H x 10.625” Dia.) 3 pieces $300-500

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439

A Chinese carved hardwood altar table

20th century Raised on pedestal supports, the apron and corbels carved with cloud motifs and shou medallions 33” H x 78” W x 17.5” D $800-1,200

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440

William Gropper

(1897-1977) “Beach Sirens,” 1969 Pastel on paper Signed lower right: Gropper; titled and dated in ink on gallery and exhibition labels affixed to the frame’s backing board; titled and dated again, in ink, in another hand, on the frame’s backing board 16” H x 13.5” W $500-700 Provenance: ACA Galleries, New York, NY The Estate of Joanna Carson Exhibited: New York, NY, ACA Galleries, “William Gropper: 50 Years of Drawing,” November 7-27, 1971, cat. no. 158 5 7 8 The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

441

Phillipe Marchand

(20th Century) Surrealist face Oil on canvas Signed lower right: Marchand 16” H x 12” W $400-600

Notes: This work is in a Richard Tobey frame.

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442

After Juan Gris

(1887-1927) Copy of "Le Pierrot à la Guitare" Reproduction in oil on canvas Bears signature and date lower left: Juan Gris ‘25 60” H x 48” W $50-75

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443

Julian Ritter

(1909-2000) Two clown portraits Each: Oil on Masonite Each: Signed lower right: Julian Each: 12” H x 9.5” W $300-500

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444

Jonathan Winters

(1925-2013) “The Umbrella Dancers,” 1970 Offset lithograph in colors on paper Edition: Artist’s Proof 25/30 Signed, numbered, and inscribed “Artist’s Proof” in pencil in the lower margin: Jonathan Winters; signed and dated “70” in the image and with the printed title in the lower margin Image: 13.5” H x 18” W; Sight: 16.5” H x 21” W $50-75

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445

Charles Fazzino

(b. 1955) “A Night at the Met,” 1996 3-D screenprint in colors with mixed media hand embellishments on rag museum board Edition: 4/400 DX Signed twice, titled, numbered, and inscribed with an artist’s remarque, all in pencil in the lower margin: Charles Fazzino / “The Opera isn’t over til the S.H.A.R.E. girls sing” Image: 35” H x 29” W; Sight: 38” H x 31” W $800-1,200

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446

A Neoclassical style glass candlestick lamp

Late 20th century Unmarked The columnar standard surmounted by a gilt-bronze capital issuing a telescoping metal rod with two lights, surmounted by a fabric-lined paper shade, electrified Lamp: 30.5” H x 8” Dia., dimensions variable; Shade: 10.5” H x 17.5” Dia. $300-500

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447

C. Charles

(Active 20th century) Elephant Patinated bronze on marble plinth Signed in the casting: C Charles Bronze: 5.25” H x 6.125” W x 2.75” D; Overall: 7” H x 6.875” W x 4.5” D $200-400

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448

A group of Lalique and Steuben glass articles Three works:

A Lalique ‘Athena’ ashtray, late 20th century Designed by Marie-Claude Lalique (1935-2003) Etched: Lalique ® France 3.75” H x 8.875” W x 7.5” D A Lalique ‘Liberty’ eagle figure, late 20th century Designed 1975 by Marc Lalique (1900-1977) Etched: Lalique ® France; with applied factory label 9.625” H x 5.5” W x 6.625” D A Steuben sea lion figure, model 8150, late 20th century Designed 1965 by James Archibald Houston (1921-2005) Etched: Steuben 7.625” H x 6.625” W x 4.625” D 3 pieces $400-600

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449

Three designer glass vessels

Mid/late 20th century Each with factory marks Comprising a Waterford bowl (7.25” H x 9.875” Dia.), a Cartier vase (8” H x 7.75” Dia.), and an Elsa Peretti for Tiffany bowl (5.25” H x 11.25” Dia.) 3 pieces $300-500

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450

A wood architectural model

Late 20th century Burn marked to underside: ® AM [mermaid cipher] Overall: 35.75” H x 13.25” Dia. $500-700

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451

Antique engraving of the Louvre colonnade Engraving on paper From the edition of unknown size and date Appears unsigned Sight: 4” H x 16.5” W $100-200 Provenance: Rhoda Sande Gallery, New York, NY The Estate of Joanna Carson

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452

After Jean-Antoine Watteau

(1684-1721) Reproduction print of “Study Sheet, Two Female Models and Drapery” Offset lithograph on paper Unsigned Sight: 8” H x 11.25” W $100-200 Provenance: Rhoda Sande Gallery, New York, NY The Estate of Joanna Carson

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453

After Antonio Allegri da Correggio

(1489-1534) Reproduction print of "Vierge, tournée ver la droite, et putti" Offset lithograph on paper Unsigned Sight: 9” H x 6.75” W $100-200 Provenance: Rhoda Sande Gallery, New York, NY The Estate of Joanna Carson

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454

Anne Claude Philippe de Tubieres, comte de Caylus (1692-1765); and Nicolas Le Sueur (1691-1764)

“Des anges portant la toison de Gedeon” (Angels carrying Gedeon’s fleece), Plate 137 from the “Recueil d’estamples d’apres les plus beaux tableaux et d’apres les plus beaux desseins qui sont en France, Cabinet Crozat” series, after a drawing by Andrea Antonio Orazi (1670-after 1749), circa 1729-64 Etching and aquatint in colors (imitating a chiaroscuro woodcut) on laid paper mounted to paper board From the edition of unknown size and date, possibly an 18th century printing Etched with the name of the various artists involved, the title, the series, and the plate number, all in the blank of the plate below the image Image: 15.625” H x 10.125” W; Plate: 17.25” H x 10.5” W; Sheet: 18.75” H x 13” W $300-500 Provenance: Rhoda Sande Gallery, New York, NY The Estate of Joanna Carson

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Consign Today Jewelry & Wacthes April 21, 2026

Auction Inquiries: tom@johnmoran.com 5 9 6 The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

SINCE 1969

AUCTIONEERS & APPRAISERS

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art - jewelry - decorative objects - furnishings and more Sold at John Moran Auctioneers:

Algernon Mayow Talmage “Seaside View,” 1922

Price Realized: $41,275 SINCE 1969

AUCTIONEERS & APPRAISERS w w w. j o h n m o r a n . c o m 5 9 7

Condition Reports 5 9 8 The E s t a t e o f J o a n n a C a r son l Tu e sd ay, M arc h 3 , 2 0 2 6

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1 Overall good condition-superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold

8 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold and platinum

Major Colored Gemstone:amethyst Clarity: eyeclean Tone/Hue: medium purple

Major Colored Gemstone:sapphire and ruby Clarity: moderately included Tone/Hue: medium blue and purplish red

Accent diamonds: Approximate total number: 46 Approximate overall color and clarity: F-G, VVS-VS

Accent diamonds: 36 Approximate overall color and clarity: G-H, VVS-VS

2 Overall good condition-superficial wear in the form of minor scratches, clasp and safety secure, one element of onyx has agate banding in it Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: 0.84 carat, G-H, VS 3 Overall good condition-superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold Accent diamonds: Approximate total number: 0.95 carat each Approximate overall color and clarity: G-H, VS-SI 4 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

Condition Reports

5 Overall good condition-superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for gold plate

600

6 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Center Diamond: Approximate overall color and clarity: G-H, VVS-VS 7 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: 74 Approximate overall color and clarity:G-H, VS-SI

9 Overall good condition-superficial wear in the form of minor scratches some visible solder Metal tested with XRF for 14k gold Accent diamonds: Approximate overall color and clarity: H-I-J, VS-I, 10 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 11 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Cultured Pearls: Shape:round Body Color and overtone: white with pink and blue overtone Luster: good Accent diamonds: Approximate total number: 64 Approximate overall color and clarity: H-I, VS-SI 12 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 14k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 13 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Major Colored Gemstone:coral Tone/Hue: variegated pinkish orange Accent diamonds: Approximate overall color and clarity: G-H, VS-I

14 Overall good condition-superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold

20 Overall good condition-superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold

Major Colored Gemstone:coral Tone/Hue: variegated light cream pink the pinkish orange

Major Colored Gemstone: coral Tone/Hue: variegated light orangey pink

15 Overall good condition-superficial wear in the form of minor scratches, some enamel shows slight discoloration Metal tested with XRF for 18k gold Major Colored Gemstone:coral Approximate Dimensions:17.9 x 12.52mm Tone/Hue: variegated pinkish orange 16 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Major Colored Gemstone:coral Approximate Dimensions: 18.00 x 12.5mm Tone/Hue: variegated light pink Accent diamonds: Approximate total number: 102 Approximate overall color and clarity: G-H, VS-Si 17 Overall good condition-superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold Major Colored Gemstone:coral Tone/Hue: variegated light orangey pink 18 Overall good condition-superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold Major Colored Gemstone: coral, crack visible in the coral at the clasp Tone/Hue: variegated white pinkish coral

21 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Major Colored Gemstone: coral Tone/Hue: variegated creamy pink and pinkish orange Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 22 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 14k gold Major Colored Gemstone:ruby Clarity: slightly included Tone/Hue: medium purplish red Accent diamonds: 104 Approximate overall color and clarity: G-H, VS-SI 23 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Major Colored Gemstone: ruby Clarity: moderately included Tone/Hue: medium dark red Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 24 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

19 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

25 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 14k gold

Major Colored Gemstone: coral Approximate Dimensions: ring 29.00 x 19.84mm, earrings 17.5 x 12.4mm Tone/Hue: light orangey pink

Accent diamonds: Approximate total number: 48 Approximate overall color and clarity: G-H, VS-SI

Accent diamonds: Approximate overall color and clarity: G-H, VS-Si

Condition Reports

Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

601

26 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-Si 27 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold 28 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold and platinum

Condition Reports

Accent diamonds: Approximate overall color and clarity: F-G-H, VVS-VS

602

33 Overall good condition-superficial wear in the form of minor scratches, clasp and safety secure, some glue visible on the back of the turquoise Metal tested with XRF for 14k gold Accent diamonds: Approximate total number: 106 Approximate overall color and clarity: G-H, VS-Si 34 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 14k gold and titanium Accent diamonds: 302 Approximate overall color and clarity: G-H, VS-SI 35 Overall good condition-superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 14k gold

29 Overall good condition-superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold and platinum

Center Diamond: Approximate overall color and clarity: G-H, VS-SI, medium fluorescence

Accent diamonds: Approximate overall color and clarity: F-G-H, VVS-VS

Accent diamonds: 19 Approximate overall color and clarity: G-H, VS-SI

30 Overall good condition-superficial wear in the form of minor scratches automatic movement, currently running Metal tested with XRF for 18k gold Moran’s does not guarantee the working condition of clocks and watches.

36 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for platinum

31 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for platinum

37 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

Major Colored Gemstone: aquamarine Approximate Dimensions: 22.3 x 17.3 x 12.0 mm Clarity: eyeclean Tone/Hue: medium light blue

Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 32 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

Accent diamonds: Approximate overall color and clarity: G-H, VS-I

38 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 14k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

Cultured Pearls: Average Dimensions/Diameter: 11.35mm Shape: drop Body Color and overtone: white Luster: moedately blemishes Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 40 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 14k gold Major Colored Gemstone: sapphire Clarity: moderately included Tone/Hue: medium dark blue Accent diamonds: Approximate overall color and clarity: G-H, VS-I 41 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Major Colored Gemstone: sapphires Clarity: slightly included Tone/Hue: medium green Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 42 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

44 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold

45 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold 46 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for14 k gold Major Colored Gemstone: amethyst Clarity: moderately included Tone/Hue: medium purple Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 47 Overall good condition, superficial wear in the form of minor scratches some pocking in enamel Metal tested with XRF for 14k earring and 18k ring gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 48 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure, moderate/heavy loss to enamel on left hand side Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

Major Colored Gemstone: pink sapphire Clarity: slightly includeed Tone/Hue: medium pink

49 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

Accent diamonds: Approximate overall color and clarity: G-H, VVS-VS

43 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold

50 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

Accent diamonds: Approximate total number: 110 Approximate overall color and clarity: G-H, VS-SI

Condition Reports

39 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k white gold and 14k yellow gold

603

51 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold 52 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: Approximate total number: 76 Approximate overall color and clarity: G-H, VVS-SI 53 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure, some very minor loss to enamel on the chain Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: H-I, VS-I 54 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: Approximate total number: 18 Approximate overall color and clarity: 2.16 carat, G-H, VS-SI

Condition Reports

55 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

604

58 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Major Colored Gemstone :emerald, sapphire and ruby Clarity: slightly included Tone/Hue: medium red, blue and green Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 59 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-Si Accent Gemstone: emerald, ruby and sapphire Approximate overall clarity, color, and tone: moderately included, with surface reaching inclusions medium green, blue and red 60 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold Major Colored Gemstone: sapphire and ruby Clarity: moderately included Tone/Hue: medium blue and purplish red 61 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

Major Colored Gemstone: ruby Approximate Dimensions: 15.68 x 12.02 x 7.27mm Clarity: heavily included Tone/Hue: medium purplish red

Major Colored Gemstone: ruby and sapphire Clarity: moderately included Tone/Hue: medium slightly orangey red and medium blue

Accent diamonds: Approximate overall color and clarity: H-I, VS-SI

Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

56 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: G-H, VVS-VS 57 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

62 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold Major Colored Gemstone:rub7 and sapphire Clarity: moderately included Tone/Hue: medium dark blue and red Accent diamonds: Approximate overall color and clarity: G-H-I, VS-SI

63 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

70 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

Major Colored Gemstone: emerald, sapphire and ruby Clarity: moderately included with surface-reaching inclusions Tone/Hue: medium green, blue and red

Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

64 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold Center Diamond: Approximate overall color and clarity: G-H, VS-SI 65 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure but a bit loose Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 66 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Major Colored Gemstone: emerald Clarity: heavily included with surface-reaching inclusions Tone/Hue: medium light green Accent diamonds: Approximate overall color and clarity: G-H, VS-I 67 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Major Colored Gemstone: emerald Clarity: moderately included Tone/Hue: medium green Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 68 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold 69 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 14k gold

Major Colored Gemstone: ruby Clarity: heavily included Tone/Hue: medium purplish red Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 72 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 73 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 74 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 75 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 76 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure, visible glue on backs of turquoise cabochons Metal tested with XRF for 12k gold Major Colored Gemstone: turquoise Tone/Hue: medium blues and greenish blue Accent diamonds: Approximate overall color and clarity: G-H-I, VS-I Accent Gemstone: 1 sapphire missing

Condition Reports

Accent diamonds: Approximate overall color and clarity: G-H-I, VS-SI

71 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure, onyx is heavily cracked on the ring on one side Metal tested with XRF for 18k gold

605

77 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold

83 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

Major Colored Gemstone: sapphire Clarity: slightly included Tone/Hue: medium light violetish blue

78 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Major Colored Gemstone: turquoise Tone/Hue: medium light blue Accent diamonds: Approximate overall color and clarity: G-H, VVS-VS 79 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold and platinum Accent diamonds: Approximate overall color and clarity: VVS-SI, G-H 80 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: Approximate total number: 115 Approximate overall color and clarity: G-H, VS-SI 81 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Major Colored Gemstone: jade Approximate Dimensions: 21053 x 16.72mm, 20.02 x 15.69mm Tone/Hue: greyish lavender

Condition Reports

Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

606

84 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 10k gold Major Colored Gemstone: sapphire Clarity: slight to moderately included Tone/Hue: medium violetish blue Accent diamonds: Approximate total number: 26 Approximate overall color and clarity: G-H, VS-SI 85 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold

86 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold 87 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold 88 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 14k gold 89 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold

82 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

90 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold

Major Colored Gemstone: tanzanite Approximate Dimensions: ring14.27 x 11.62 x 9.65 mm earrings: 14.60 x 10.22 x 7.23 mm, 14.22 x 11.02 x 7.82 mm Clarity: moderately included Tone/Hue: violetish blue

91 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 14k gold

Accent diamonds: Approximate overall color and clarity: G-H-I, VS-SI

92 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 14k gold

94 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 12k gold Major Colored Gemstone: amethyst Clarity: eyeclean Tone/Hue: medium purple Accent diamonds: Approximate overall color and clarity: H-I, VS-SI 95 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 16k gold Major Colored Gemstone: Approximate Dimensions: 25.04 x 19.50 x 12.36 mm Clarity: eyeclean Tone/Hue: medium purple Accent diamonds: Approximate total number: 26 Approximate overall color and clarity: G-H, VS-SI 96 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold Major Colored Gemstone:topaz Approximate Dimensions: 18.22 x 13.03 x 8.88mm Clarity: eyeclean Tone/Hue: blue 97 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold 98 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: F-G-H, VS-SI 99 Overall good condition-superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

100 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 14k gold Accent diamonds: Approximate overall color and clarity: H-I-J, VS-SI 101 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 14k gold Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 102 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold 103 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold Major Colored Gemstone: black star sapphire Approximate Dimensions: 11.01 x 9.33 x 6.32mm Clarity: with growth lines and six rayed star Tone/Hue: goldish black 104 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold Major Colored Gemstone:green tourmaline Approximate Dimensions: 12.27 x 10.148 x 5.39 mm Clarity: slightly included Tone/Hue: medium dark green

105 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Major Colored Gemstone: pink tourmaline Clarity: moderately included Tone/Hue: medium light pink Accent diamonds: Approximate overall color and clarity: G-H, VS-SI 106 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold Cultured Pearls: Shape: mabe with mother-of-pearl doublet backing Body Color and overtone: grey with pink, green blue and purple overtone Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

Condition Reports

93 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold

607

107 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

116 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold

Accent diamonds: Approximate overall color and clarity: G-H, VS-SI

Accent diamonds: Approximate overall color and clarity: F-G, VVS-VS

108 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold

117 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold

109 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 14k gold

118 Overall good condition, superficial wear in the form of minor scratches, clasp and safety secure Metal tested with XRF for 18k gold

110 Overall good condition-superficial wear in the form of minor scratches Metal tested with XRF for 14 k gold

119 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 18k gold

111 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold

120 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold

112 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold

121 Overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. A couple of scattered minor pulls to crepe fabric, and lamÈ with a couple of loose threads. The integral interior grosgrain waistband is partially detached. A couple of tiny faint marks to bodice lining, and a few minor faint marks to hem.

113 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold Major Colored Gemstone: Synthetic Color-Change Sapphire Approximate Dimensions: 15.37 x 13.44 x 7.16 mm Clarity: eyeclean Tone/Hue: greenish blue to violetish purple

Condition Reports

114 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold

608

Major Colored Gemstone: synthetic color-change sapphire Approximate Dimensions: 17.86 x 12.87 x 6.79 mm Clarity: eyeclean Tone/Hue: medium purple to greenish blue 115 Overall good condition, superficial wear in the form of minor scratches Metal tested with XRF for 14k gold Accent diamonds: 100 round Approximate overall color and clarity: G-H, VS-SI

122 Each overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. A few scattered faint impressed marks to velvet. A few scattered minor pulls to seams in places, largest 1 in.. The interior integral grosgrain waistband is detached from thread loops in two places. 123 Overall good condition with light wear and faint scratches commensurate with age and use. A few scattered areas of single crystal loss, with some multiple minor losses, mainly near the clasp. 124 Overall good condition with light wear and faint scratches commensurate with age and use. A few scattered single crystal losses overall. 125 Overall good condition with dust accumulation, minimal wear and light creasing commensurate with age and use. A few scattered areas of single bead loss, and a small area of sequin loss to neckline at left back shoulder, some retained.

126 Each overall good condition with light wear and creasing commensurate with age and use. Coat with a couple of single pulls to satin, and a couple of single pulls to print silk lining at collar. A few scattered faint scuff marks to black satin.

137 Overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. Scattered small pale marks and streaks to bodice in places, including sleeves, and a few minor pressure marks to back of bodice. A few single subtle losses to black sequins at front.

127 Overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. Scattered areas of the beadwork with a few loose stitches.

138 Each overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. Each with a few scattered pulls to fabric, with additional pulls to blouse front panel. Blouse exterior with very faint marks to underarms, with some faint marks from the beads. The blouse lining with minor whitish marks to armholes. A few scattered small marks to hem interior.

129 Overall good condition with minor wear, dust accumulation, and creasing commensurate with age and use. Scattered areas and single pulls to chiffon fabric. Repaired split to back of skirt near hem in satin fabric only. Area of loose hem stitches. A few areas of loose stitching to interior elements, including left arm net shoulder roll partially detached. With very faint pale shading to each underam. 130 Overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. A few sacttered minor pulls to fabric. 131 Overall good condition with light wear and faint scratches commensurate with age and use. A couple of scattered single crystal losses. 132 Overall good condition with light wear and faint scratches commensurate with age and use. Interior with light dust accumulation, and minor impression marks to leather. Minor oxidation to interior metal. 133 Overall good condition with light wear and faint scratches commensurate with age and use. The edges with a few scattered areas of single crystal loss. Light oxidation to interior metal. 134 Overall good condition with light wear, dust accumulation, and faint scratches commensurate with age and use. 135 Overall good condition with light wear, dust accumulation, and faint scratches commensurate with age and use. Minor faint pressure marks to velvet, and a few faint marks to blue satin base. 136 Overall good condition with light wear, dust accumulation, and faint scratches commensurate with age and use. Scattered faint smudged marks to leather, easily polished.

139 Overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. A few scattered minor pulls to fabric. Minor distortion to sleeve net shapers. 140 Overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. Each with rubbed wear and faint marking to some ruched areas and to lining edges at neckline and with heavier marks to armholes. Each with scattered minor pulls to satin, primarily to bodice lining, hem edges, and to skirt side front. 141 Overall good condition with light wear, dust accumulation, and faint scratches commensurate with age and use. Minor oxidation to strap hardware. With original leather care certificates. 142 Overall good condition with light wear, dust accumulation, and faint scratches commensurate with age and use. Light oxidation to interior metal elements. With original leather care card. 143 Overall good condition with light wear, dust accumulation, and faint scratches commensurate with age and use. Clasp slightly stiff. With original leather care cards. 144 Overall good condition with light wear, dust accumulation, and faint scratches commensurate with age and use. Minor creasing to leather gathers on the back side. With original leather care certificates. 145 Overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. Scattered minor pulls to fabric, primarily to back of skirt. Loose stitching to back at end of zipper, with a few detached seam stitches, and a few detached snaps above. Loose stitching and minor marks to hem. Very faint small marks to underams.

Condition Reports

128 Overall good condition with light wear and creasing commensurate with age and use. A few scattered loose threads and some loose seam stitching. A few scattered areas of missing mostly single beads.

609

146 With wear, dust accumulation, and creasing commensurate with age and use. A couple of areas of minor losses and loose bead stitching at the back top of zipper, and to the right underarm. The interior of the bodice, between lining and front fabric, with degradation to internal padding, resulting in fine powder residue present in areas of the lining. 147 Each overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. Dress with minor pulled seams to bodice lining, seams intact. A few minor pulls to lace. A few scattered missing single sequins. Stole with a few scattered missing sequins and loose stitching to some sequin rows. Includes a length of gathered dress lace on a black silk ribbon, either a corsage or hair ornament; 12 1/2 in. x 4 1/2 in.. 148 With light wear, dust accumulation, and creasing commensurate with age and use. A few scattered small spots and marks. The lining with faint staining to each armhole. Collar with a few breaks to stitches holding floral elements. Heavier wear and damage to floral elements at shoulders, with several splits and lossed to fabric. Wear and slight yellowing to shoulder straps, with perished elastic, and some minor damage to organza lining fabric. A smalll tear/pulled seam to fabric at back right hip. Collar with a few breaks to stitches holding floral elements. Light wear to weave of ribbon belt. 149 With dust accumulation and wear commensurate with age and use. Scattered scratches and marks to leather and to lining overall. A couple of nicks to leather inside collar flap. Rubbed wear to edges. Very loose stitching to one end of chain strap, partially detached from bag. Wear to hardware finish.

Condition Reports

150 Overall good condition with dust accumulation and wear commensurate with age and use. A few scattered minor scratches and marks to leather and some to lining. A couple of minor marks to base exterior. Light creasing to leather.

610

151 Overall good condition with dust accumulation and light wear commensurate with age and use. A few scattered minor scratches and marks to leather and to lining. 152 Overall good condition with dust accumulation and wear commensurate with age and use. A few scattered minor scratches and marks to leather and some to lining. Slight yellowing to exterior pocket edge. Minor oxidation to zipper. 153 Overall good condition with dust accumulation, light wear, and minor creasing commensurate with age and use. Minor rubbed wear to piping edges. A few scattered minor scratches and marks to lining.

154 Overall good condition with light wear, dust accumulation, and faint scratches commensurate with age and use. Minor oxidation to interior hardware. Interior back pocket with partially detached seam stitching. Light wear to strap. 155 Overall good condition with light wear commensurate with age and use. 156 Overall good condition with light wear, dust accumulation, and faint scratches to leather commensurate with age and use. With original care information and quality control card. 157 Each overall good condition with light wear and creasing commensurate with age and use. A few tiny pulls to fabric in places.The embroidery with a couple of loose threads. The pants are unhemmed. The camisole with original retail tag. 158 Each overall good condition with light wear and creasing commensurate with age and use. A few single pulls to fabric. The vest with a small mark from cosmetics to the front neckline edge, 1 1/2 in.. The camisole with original retail tag. 159 Each overall good condition with light wear and creasing commensurate with age and use. Skirt and pants each with a few scattered impressed marks to wool fabric. 160 Each overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. A few scattered marks to velvet in places. The skirt with original retail tags from Escada/Saks Fifth Avenue. 161 Overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. 162 Overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. Light wear to collar edges. 163 Overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. 164 Overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. A couple of pale marks to front below left shoulder.The back with a couple of faint minor spots near hemline. A couple of minor single pulls to silk.

166 Overall good condition with wear and dust accumulation commensurate with age and use. The exterior canvas and one handle with white marks to one side, likely paint. The interior with rubbed wear and a few scattered ink marks. Light oxidation to hardware. 167 Overall good condition with light wear, dust accumulation, and creasing commensurate with age and use. With original D & G denim care card. 168 Overall good condition with light wear, dust accumulation, and faint scratches commensurate with age and use. Minor creasing to leather in places. A few scattered faint marks, smudges, and rubbed marks overall, with a couple of dark marks to one handle, near the base at back, and a few areas of minor color transfer to base. 169 Overall good condition with wear, dust accumulation, and scratches and faint marks commensurate with age and use. Light creasing to leather and to strap. Light oxidation to metal components. 170 Overall good condition with minor wear, dust accumulation, and scratches and faint marks commensurate with age and use. Light creasing to the leather. A minor stain to base exterior. Light oxidation to metal zippers. 171 Overall good condition with minor wear, dust accumulation, and scratches and faint marks commensurate with age and use. Light creasing to the leather and to the strap. Light oxidation to metal zippers. 172 Overall good condition with light wear, dust accumulation, and scratches and faint marks commensurate with age and use. Light creasing to the leather. Light oxidation to metal zipper. 173 Overall good condition with light wear, dust accumulation, and scratches and faint marks commensurate with age and use. A couple of dark scratches to back exterior at one lower corner. A few areas of abraded wear to strap edges. The strap is tightly secured to the ball post stud fastenings, and has not been adjusted. 174 With dust accumulation and wear commensurate with age and use. Scattered scratches and marks to leather overall. The interior with lightly ingrained dust/bloom to lining.

175 Overall good condition with light wear, dust accumulation, and faint scratches commensurate with age and use. A couple of minor abrasions to the tan leather triangle at top right. A minor spot to exterior back side. 176 Visual: Overall good appearance. Very minor, small areas of craquelure primarily in the areas of thicker impasto. Blacklight: No evidence of restoration. Certain areas in the figure’s hair and torso fluoresce under blacklight, but these appear to be in the hand of the artist. Frame: 53” H x 40.75” W x 3” D 177 Visual: Overall good appearance. Small areas of fine craquelure, primarily in the lower left quadrant. Slight wear along the extreme edges of the canvas. As mentioned, the canvas is laid to Masonite. Blacklight: No evidence of restoration. Frame: 52.75” H x 41.5” W x 3.5” D 178 Overall good appearance. The sheet is framed floating, presumably tipped to the back mat from the verso. Not examined out of the frame. Framed under glass: 23.75” H x 18” W x 2.25” D 179 Overall generally good appearance. Occasional scattered pale foxing, including in the figure’s torso. One darker, pinpoint-sized foxmark in the figure’s right thigh near the lower sheet edge. Slight cockling in the lower third of the sheet, primarily visible in raking light. Not examined out of the frame. Framed under glass: 35” H x 25” W x 1.5” D 180 Overall good appearance. Slight cockling to the lowest quarter of the sheet, primarily in the blank outside the figure, visible primarily in raking light. Pale time staining showing along the exposed upper and lower extreme sheet edges (the vertical edges covered by the framing). Not examined out of the frame. Framed under glass: 35.25” H x 25” W x 1.5” D 181 Overall generally good appearance. Pale damp staining with attendant slight cockling along the lower 2.5” of the sheet, including the signature, however, no ink bleeding is apparent. Not examined out of the frame. Framed under glass: 35.5” H x 25” W x 1.5” D

Condition Reports

165 With dust accumulation and extensive wear commensurate with age and use. Scattered scratches and marks to leather, with areas of soiling, spots, and ink marks. Scratches to hardware. Rubbed wear to edges. Strap with partially detached keeper loop, repairable. With possible repair/ replacement to interior zipper.

611

182 Visual: Overall good appearance. Slight varnish discoloration and an occasional speck of grime, the largest in the lower left corner. Blacklight: No evidence of restoration. Frame: 20” H x 14” W x 2.25” D 183 Visual: Overall generally good appearance. An approximately 4” H x 2” W repair (with related patch verso) surrounded by painterly touch-up extending and visually blending this area in with the hem of the red dress of the nearest standing female. An approximate 1” H x 2” W repair (with related patch verso) surrounded by painterly touch-up extending and visually blending this area in with the back of the red figure seated near the center of the lower edge. A 1.25” vertical repaired tear with attendant surrounding touch-up to help blend this area in the hair of the seated figure in pink in the lower left corner. An unobtrusive, quarter-sized area of scattered pinhead-sized pigment losses in the darker turquoise of the figure seated at the center of the right edge. Two pinhead-sized pigment losses in one of the lowest hanging red fruits at center. Other lesser defects. Blacklight: Touch-ups attendant with the three repaired areas described above. Frame: 77” H x 53” W x 2” D 184 Each overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. 185 With several shallow dents to side of goblets, rim, and foot. With mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age.

Condition Reports

186 Overall good condition with mild tarnishing, scuffs and scratches, and indentations commensurate with age. Two mounts loose at neck, one with a break between the band and the decorative element. Losses to cork. With remnants of wax seal.

612

187 Each overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. 188 Each overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. Horn blades with chipped losses. Weight does not include hollow-handled items, but does include items of mixed silver purity. 189 Each overall good condition with mild tarnishing and scattered scuffs and scratches commensurate with age.

190 Each overall good condition overall with light scratches to silver. Glass in good condition with no cracks or chips. 191 Each overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks and indentations commensurate with age. Soiling to interior of each, with some residue. 192 Each overall good condition with mild tarnishing and scattered scuffs and scratches commensurate with age. Original ivory insulators have been replaced. Weight does not include the silver-plated heating element. 193 The five each with degradation to silver plating at the junctures with the handles, with attendant oxidation and soiling. One with a quarter-sized deep scuff revealing base metal. Each with tarnishing and scattered scuffs and scratches commensurate with age. The ivory insulators on the sterling item have been removed. 194 Each with heavy scratches, scrapes, and scuffing, polishing scratches, with minor tarnishing. 195 Each generally good overall condition with typical wear from use, including typical dings, dents, surface scratches and minor bending. 196 Weight includes non-silver component. In generally good condition with typical wear from light use, including light scratches and abrasions. 197 Weight includes non-silver component. In overall good condition with typical wear from use, including minor dings, dents and surface scratches. Wood handle with wear and loss to finish as evident in catalog image. 198 Three with a slight lean. Each overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. 199 Each overall good condition with tarnishing and light scratches commensurate with age. Salad serving fork with a bent tine. Weight does not include hollow-handled items. 200 Each overall good condition with mild tarnishing and scattered scuffs, scratches, and a new fleabite nicks commensurate with age. Weight includes non-silver components and items of mixed purity. The Tiffany ivory insulators have been removed. 201 Each overall good condition with tarnishing and scattered scuffs and scratches commensurate with age. A few minor nicks to edges of vases.

203 One of the pair with a broken foot, retained with the lot. Heavy loss to silver-plating of the associated. Each overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. Minor soiling to interiors. Weight includes the velvet-lined interiors. 204 Overall good condition with mild tarnishing and scattered scuffs and scratches commensurate with age. 205 Overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. Two shallow dents in the liner. The piece does not sit level with all four feet touching a surface. 206 Good condition overall with light polishing scratches. 207 Overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. A few scattered dents. One possible small repair near one foot. 208 Overall good condition with mild tarnishing and scattered scuffs and scratches commensurate with age. 209 Each overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. Some platters with heavier polishing scratches to surfaces, the weighted with scattered small dents. 210 Overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. 211 Each overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. The four glass sections each with small chips to rims. All the other glass items with shelf wear. Denting to honorific tray, which is inscribed: Winner / Ed Harold Memorial R.C.C. / 1958. Weight includes non-silver wood finial of sugar. 212 The holder overall good condition with a few loose connections, mild tarnishing, and scattered scratches, scuffs, and indentations commensurate with age. Three bottles with repaired rims, three with fleabites to rim or stopper at their junctures, and wear to painted labels. Each bottle with soiling to interior from use. Each bar utensil monogrammed ‘C’. Weight does not include hollowhandled or plated items.

213 In good used condition with light scratches and shelf wear. 214 Each overall good condition with minimal handling wear, the box with minimal shelf wear commensurate with age. 215 Overall good appearance. Occasional scattered small accretions of paper fibers and/or pigment, generally quarter-sized or less, all inherent in the artist’s process. The sheet is framed floating, affixed from the verso to an invisible matboard which is subsequently affixed to a fabric-covered back mat. Framed under glass 35.5” H x 27.25” W x 1.75” D 216 Overall generally good appearance. With wide (possibly full) margins and the colors fresh. Various soft vertical and horizontal handling marks, the longest measuring 7.5” H in the lower portion of the left margin, and the widest measuring 4.25” W in the middle section of the right margin, none of which appear to affect the image and all of which are primarily visible under raking light. Not examined out of the frame. Framed under glass: 27” H x 21” W x 1.25” D 217 Overall good appearance. Wide (possibly full) margins and the colors good. An unobtrusive, 1” diagonal handling mark near the center of the lower image edge, visible primarily in raking light. Not examined out of the frame. Framed under glass: 34” H x 25” W x 1.25” D 218 Overall good appearance. Full margins with deckled edges. Very pale time and light-staining. A few minor pale foxmarks scattered primarily in the lower margin. An occasional very minute edge abrasion only affecting the deckled edges. The sheet is framed floating, attached to the linen back mat from the verso of the margin edges. Not examined out of the frame. Framed under glass: 30.5” H x 24” W x 1.5” D 219 Overall good appearance. With wide margins. Very minor rippling along the edges of the rhodoid layer. Not examined out of the frame. Framed under glass: 16.5” H x 14” W x 1.75” D 220 Lacking support element. Each with scattered scuffs, scratches, and minor soiling commensurate with age and use. Minor rubbed wear to gilding.

Condition Reports

202 Each overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. Tiffany spoon with small dent and loss to rim of bowl.

613

221 Each overall good condition with scattered scuffs, scratches, soiling, and dust accumulation commensurate with age and use. Losses to enameling with attendant oxidation, concentrated verso. 222 Each overall good condition with shelf wear, minor scuffs and scratches, and mild tarnishing commensurate with age. Hairline cracks in the egg of rectangular. 223 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 224 Pitting throughout, with attendant oxidation/rust. Scattered scuffs, scratches, nicks, and soiling commensurate with age. One lower corner with lifting to the metal, about the size of a dime. The upholstery with staining and a few small stains. 225 Overall good condition with minor light scratches and scattered oxidation marks commensurate with age and use. A couple of minor darker marks to base. 226 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 227 Overall good condition with minor shelf and handling wear and inherent flaws commensurate with age. With some smudging to black pigmentation of signature. White fingerprints verso, possibly inherent. 228 Overall good condition with minor shelf and handling wear and inherent flaws commensurate with age. With some smudging to adjacent areas of black pigmentation.

Condition Reports

229 Overall good condition with minor shelf and handling wear and inherent flaws commensurate with age. With some smudging to adjacent areas of black pigmentation. With a few small spots to right side of rim.

614

230 Overall good condition with minor shelf and handling wear and inherent flaws commensurate with age. With some smudging to adjacent areas of black pigmentation. 231 Overall good appearance. Not examined out of the frame. Framed under glass: 30” H x 35.25” W x 2.25” D 232 Overall good appearance. Not examined out of the frame. Framed under glass: 30” H x 35.25” W x 2.25” D

233 Overall generally good appearance. With wide margins. Pale light-staining and the colors slightly attenuated. The sheet with slight bubbling along the lower portion of the left edge, likely due to being laid down. Not examined out of the frame. Framed under glass: 26” H x 21.75” W x 2.75” D 234 Overall good appearance. With wide margins. A few very tiny, pale, unobtrusive flecks of foxing scattered in the lower margin, primarily visible in raking light. Not examined out of the frame. Framed under glass: 25” H x 21.25” W x 2” D 235 Overall good appearance. Not examined out of the frame. Framed under glass: 27.5” H x 23.375” W x 1.375” D 236 Overall good appearance. With margins and the colors fresh. Not examined out of the frame. Framed under glass: 35.5” H x 29.5” W x 2” D 237 Overall good appearance. An occasional pale foxmark scattered primarily in a few of the collaged pieces. Not examined out of the frame. Framed under glass: 102.25” H x 37.5” W x 6” D 238 The base with irregular shape at underside. With soiling, staining, weathering, and scuffs and scratches commensurate with age and outdoor use. 239 The figure with soiling, staining, older abrasions, and scuffs and scratches commensurate with age. With scattered small older losses, concentrated to lower edges. 240 One urn with repaired break to base and one large repaired break to the rim. One pedestal with a 4” repaired break at one corner of base and each with small abrasions and chipped losses at edges and corners. Both pedestals with a roughly 2” long area of infilled chips at the upper edges. Each with shelf wear, scattered scuffs and scratches, and minor abrasions commensurate with age. 241 Each overall good condition with weathering, oxidation, soiling, scuffs, and scratches commensurate with age and outdoor use. Each with wear and losses to patination, with flaking at the legs/feet and undersides. 242 Each overall good condition with scattered scuffs, scratches, and soiling commensurate with age and outdoor use. Heavier scratching to interiors of bowls.

244 The smaller with chipped losses to rim and lid rim junctures. Each with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 245 Overall good condition with scuffs, scratches, nicks, and soiling commensurate with age. Scuffing and scratches to the inset leather surface. Wear to gilding of mounts with attendant oxidation. Craquelure to the lacquer throughout. 246 Multiple repairs/areas of restoration including to leg junctures, armrests, and one seat back at lower edge. Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. Older chipped losses to wood, paint, and gilding, with soiling and rubbed wear. Upholstery in good condition. 247 Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Upholstery in good condition with mild soiling. 248 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The rabbit with soiling. Including a broken dinner plate and serving platter, not included in the piece count, retained with the lot.

253 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Wear to stands at mounting juncture. 254 Overall good appearance. The full sheet with deckled edges and the colors fresh. The sheet is frame floating, mounted from its verso to an invisible foamboard support which is affixed within the double-sided frame. Not examined out of the frame. Framed within double-sided Plexiglas: 25.5” H x 54” W x 1.25” D 255 Overall good appearance. Uneven backboard staining, staining from previous hinging tape in the lower corners, and a few pale foxmarks, all showing only on the verso. The sheet is framed floating, tipped to the back mat from the verso of the upper corners. Framed under glass: 34î H x 26.25î W x 1.25î D 256 Overall generally good appearance. The full sheet with indications of old binding holes in places along the extreme left sheet edge and an attendant rice-sized paper loss at the tip of the lower left sheet corner. Slight cockling in the upper sheet corners, recto, attendant with the work being framed floating and affixed to the back mat from the verso of those upper sheet corners. Framed under glass: 13.25” H x 10.75” W x 1” D

249 The cup with several small chipped losses to the flowers. One tulip with a loss to leaf, the other with two areas of restoration to leaves. Each with shelf wear, scattered minor scuffs, minor soiling, and inherent firing flaws commensurate with age.

257 Visual: Overall generally good appearance. Slight varnish discoloration and fine craquelure throughout. A few scattered rice-sized (or smaller) pigment losses and a 0.5” H x 1.75” W area of very fine surface scratches in the background of the upper left quadrant. A few minor pea-sized reverse pressure marks scattered primarily along the outer edges. As mentioned, the canvas has been laid to board.

250 Restoration to one ear, with possible restoration to the other. With shelf wear, soiling, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered areas of glaze slipping. Rubbed wear to gilding with attendant oxidation.

Blacklight: A few large areas of touch-up, the largest measuring 25” H x 13” W in the center of the upper half, and a few smaller areas of touch-up along the lower edge, the largest measuring 2” H x 2” W in the left portion of the lower edge.

251 One with a large loss at lower portion of rock crystal, the other with a smaller loss in the same place and partial repair. Each with wear, oxidation, and scattered scuffs and scratches commensurate with age.

Unframed

252 Issues including but not limited to: one with a pea-sized chipped loss to upper rim, another tray with a 1" long area of chipping along interior of rim, and one foot with a dime-sized chipped loss. Each with fleabite chips to rim, rubbed wear to polychrome, and soiling from use. Trays with rubbed wear to enameling. Each with soiling, shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations or repairs under UV light.

258 Overall good appearance. Not examined out of the frame. Framed under glass: 24.625” H x 31.5” W x 2.25” D 259 Overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. A few small minor scratches to mirror. 260 Overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. Localized areas of rubbed loss to plating, including underside of feet and over-polished bits of the rim and body.

Condition Reports

243 Each with scuffs, scratches, weathering, staining, and soiling commensurate with age and outdoor use. One with a 2” x 1” area of repair to back, another with a 3” x 2” area of deep scuff and patination loss.

615

261 In overall good condition with typical wear from use, including minor dings, dents and surface scratches.

276 In good condition overall with scuffs, scratches to interior and exterior.

262 Overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age.

277 The footed bowl in used condition, two legs bent, further dent to one area of the pierced decoration and some bending overall to the pierced decoration. The sugar bowl in overall good condition with typical wear.

263 Each overall good condition with tarnishing and light scratches commensurate with age. Monogram possibly reading: GTS. 264 Overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. 265 Overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. 266 Overall good condition with shelf wear, mild tarnishing, and light scratches commensurate with age. 267 Each overall good condition with scuffs and scratches commensurate with age. The box liner with a crack in the ceramic at one corner, the wood with some separation at joints. Box personalized with armorial. 268 With a quarter-sized dent to the body. Overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. 269 Overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. Soiling from previous cling-wrap storage. 270 Overall good condition with small dents, scratches, scuffs, and mild tarnishing commensurate with age. Possible small repair to interior.

Condition Reports

271 Overall good condition with mild tarnishing and scuffs and scratches commensurate with age. Monogrammed.

616

272 Overall good condition with scuffs and scratches commensurate with age. The case with crackigng and losses to the leather, minor soiling to interior, and heavy scratching to latch area. 273 Good condition overall with light scratches and scuffs. 274 Overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. Monogrammed. 275 Each overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age.

278 Each overall good condition with minor handling wear and rubbed wear to gold wash commensurate with age. The case with shelf wear and small losses to leather at edges. 279 Each overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks commensurate with age. 280 Each overall good condition with tarnishing and scratches commensurate with age. Some forks with bent tines. Some spoons and forks with mild maceration/small dings to edges. Weight does not include hollow-handled items. 281 Each overall good condition with tarnishing and light scratches commensurate with age. Basket with slight indentations at the handle junctures. Each cup with soiling to interior. Basket monogrammed. 282 Overall good condition with tarnishing and light scratches commensurate with age. 283 In overall good condition with typical wear from use. Typical minor dings, dents and surface scratches overall. 284 Each overall good condition with mild tarnishing and scattered scuffs and scratches commensurate with age. 285 Each with mild tarnishing and scattered scuffs, scratches, and small nicks and indentations commensurate with age. Creamer with heavier denting. 286 Each heavily scuffed, scraped, with mild tarnishing, and with polishing scratches on both sides. 287 Each overall good condition with mild tarnishing and scattered scuffs, scratches, and small nicks and indentations commensurate with age. Rounded entrée dish with scattered small dents. 288 Each overall good condition with mild tarnishing and scattered scuffs and scratches commensurate with age. 289 Each with heavy scratches, scrapes, and scuffing, polishing scratches, with minor tarnishing. Each monogrammed.

291 Overall good condition with minor handling and shelf wear commensurate with age. The three feet of the base each with a felt pad applied. 292 This work does not incorporate the paired “Portrait de Michele” head element. Lacking book with assembly instructions. Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. With remnants of brass polish and areas of uneven polishing. 293 Overall good condition with dust accumulation, scattered minor scuffs and scratches, and darkening/oxidation commensurate with age. Spotting too the polished finish throughout. 294 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Scattered areas of wear to patina/ finish.

302 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. 303 Feet with heavy rust. Scattered areas of rust and degradation, with scuffs, scratches, and pitting commensurate with age and outdoor use. 304 Heavy wear and soiling to patina and exterior, possibly weathering from outdoor use. With scuffs and scratches, and darkening/oxidation to bronze commensurate with age. 305 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. The pedestal with vertical cracks in the veneer of each side, with nicks, scuffs, and scratches concentrated to edges. 306 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age.

295 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age.

307 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with rubbed wear to gilt rims and decoration, concentrated to plates.

296 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age.

308 Each overall good condition with shelf and handling wear commensurate with age.

297 Overall good condition with weathering, soiling, oxidation, and fading to the paint commensurate with age and outdoor use. Underside of base with moisture damage and degradation with attendant rust, affecting 1”-1.5” of the lower edges. Scattered nicks to edges, with heavier soiling to top surfaces.

309 The legs with flaking and cracking to paint and vertical cracks in the wood. The top with chipped losses, cracks, and in-fills to trim veneer. Bronze mounts with wear to gilding and attendant oxidation. The top with scuffs and scratches. Overall with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age.

298 Case in good condition with minor wear. Each figure with minor handling wear commensurate with age. 299 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. 300 Overall good condition with dust accumulation, minor handling wear, and darkening/oxidation to bronze commensurate with age. 301 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Some spots/staining to plinth.

310 One broken, not included in piece count, retained with the lot. Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Some with soiling. 311 With a 1” diameter chipped loss to foot. Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 312 One handle with a rice-sized chip in the glaze at figure’s nose. Soiling and staining to interior. Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations or repairs under UV light.

Condition Reports

290 Overall good condition with mild tarnishing and scattered scuffs and scratches commensurate with age.

617

313 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. Repairs/restoration to leg junctures, one with updated reinforcements. One splat with cracking to veneer. Each with chipped losses to veneer of seat frame, as well as evidence of older wood worm.

323 The area where legs join with repairs and cracks in the veneer at leg junctures. A few chipped losses to veneer at feet. The top with localized areas of cracks in the veneer, with a few small areas of slight lifting. Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age.

314 Each overall good condition with shelf wear, scuffs, and scratches commensurate with age.

324 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations or repairs under UV light.

315 Many rims ground down. About 1/3 of the pieces with fleabites to rim, mostly affecting water goblets and claret wine glasses. Each with minor shelf wear, scuffs, and light scratches commensurate with age. 316 Each overall good condition with scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age. Older nicks are concentrated to edges. Some evidence of older wood worm. Upholstery in good condition with minor rubbed wear and dust accumulation. 317 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. 318 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. 319 The tripartite base with a few chipped losses to veneer at edges, with some cracking. Legs with cracking to the veneer and a few areas of lifting. One upper edge with a 1.5” diameter filled repair. to veneer. With scattered scuffs, scratches, nicks, and indentations commensurate with age. Mounts with wear to gilding and attendant oxidation.

Condition Reports

320 Fleabites to rim. Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With oxidation to iron components.

618

321 With weathering, scattered older losses, and soiling commensurate with age and outdoor use. The top with 19” and 6” long shallow cracks. The pedestal with a large possibly repaired crack. 322 With scuffs, scratches, nicks, and indentations commensurate with age and use. The silver-plated elements with nicks and tarnishing, concentrated at junctures and surfaces. The wood with nicks, scuffs, scratches, and fading to finish.

325 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Antiquing to the metal mounts. Heavy crazing to glaze throughout. 326 Each lacking a lid. Minor rubbed wear to the gilding. Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 327 One with a pea-sized glaze chip to rim. Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations or repairs under UV light. 328 Each overall good condition with shelf and handling wear, oxidation to metal components, and minor scuffs and scratches. Each with wall-mounting hardware verso. 329 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with minor rubbed wear to rim gilding. 330 The underside with a large chipped loss. Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Soiling to interior. 331 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 332 Four pea-sized raised areas of the top veneer. Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Craquelure to inlay throughout. 333 Each overall good condition with scattered scuffs and scratches and rubbed wear to gilding commensurate with age. Shades in good condition with minor soiling along lower rim. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

335 Each overall good appearance. Very fine flattened creases throughout, attendant to the sheet being laid down. A few rice-sized paper losses showing along the extreme right sheet edge of one of the works. Minor scattered areas of surface soiling. As mentioned, the paper is laid to board. Each not examined out of the frame. Each framed under glass: 34” H x 16.75” W x 1.5” D 336 The top with several in-filled repairs. Restoration and refinishing to supports. Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 337 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Rubbed wear to gilding. 338 Each with wear, dust accumulation, and minor scuffs commensurate with age. Two vases with quarter-sized repairs to body, partially in-filled losses. One vase also with chipping to rim exterior. Each with fleabites to edges and corners. One obelisk with chipped loss at top. 339 Each overall good condition with scuffs and scratches commensurate with age, concentrated to edges. One with a 4” long vertical split in the wood at right side proper of face. 340 One with a quarter-sized repair and each with a few small chipped losses along edges. Each overall good condition with shelf wear and scattered scuffs and scratches commensurate with age. 341 With restoration, the compote bowl with hardened substance and loose from its mounting. The plinth with chipped losses at corners and edges. With wear, dust accumulation, and minor scuffs commensurate with age. 342 The base of figure with a large repaired break and other infilled repairs with attendant cracks. The figure with shelf wear, scattered scuffs and scratches, and inherent firing flaws commensurate with age. As well, with wear to patination/finish. The plinth with a small repaired abrasion to one corner. 343 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Case with staining and soiling to exterior.

344 One with a dime-sized in-filled area to the center of the vasiform section of rock. Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Wiring should be checked by a qualified electrician prior to use. Shades in good condition with some pilling to fabric. Moran's does not guarantee the working condition of electronic equipment. 345 Each case with pitting to finish, with attendant oxidation, and scattered scuffs and scratches commensurate with age. Each with personalized gift inscription verso or to top of case including: CFP Love forever, Mom & Dad 1-1-2000 / AMP Love forever, Mom & Dad 1-1-2000 / NVP Love forever, Mom & Dad 1-1-2000 / Happy Anniversary 19811991. Working conditions unknown. Moran’s does not guarantee the working condition of clocks and watches. 346 Each ashtray with abrasions to handles, two with small chipped losses to handles. Each with minor shelf wear, scuffs, and light scratches commensurate with age. The ashtrays with more shelf wear and heavy scuffing to underside. Box missing formed interior, with minor shelf wear. 347 The top with wear to marquetry including a 9” long horizontal hairline crack and a 4” diameter area of lifting, and a few small scattered losses. Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 348 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 349 One standard slightly loose from its base with slight indentation at the juncture. Overall good condition with soiling and wax residue to nozzle, scattered minor scuffs and scratches, and minor wear to gilding commensurate with age. 350 The top and sides with losses to the overlay elements. With scattered scuffs, scratches, nicks, and abrasions commensurate with age. Craquelure to the lacquer throughout. 351 Each with antiquing, overall good condition with scattered scuffs, scratches, and minor nicks commensurate with age. Upholstery in good condition with some fading and possible tanning. 352 Overall good condition with scattered scuffs, scratches, and minor nicks commensurate with age. Rubbed losses to gilding and attendant oxidation to mounts. Includes key. 353 Overall good appearance. Not examined out of the frame. Framed under glass: 17.75” H x 18” W x 3” D

Condition Reports

334 The top with multiple in-filled cracks at edges, the base with repairs, small losses, and restoration at edges. Undertier loose from its mounting junctures. Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age.

619

354 Visual: Overall generally good appearance. Dust accumulation, scattered small spots and drips of grime, and occasional paint shrinkage. Blacklight: No evidence of restoration. Frame: 47.5” H x 47.5” W x 2.5” D 355 Visual: Overall good appearance. Slight varnish discoloration and a few specks of grime along the upper portion of the right edge. A few pea-sized (or smaller) pigment losses to the topmost layer of pigment scattered along the left edge. Areas of paint shrinkage and craquelure primarily along the upper edge, the largest measuring 3.5” H x 1.5” W, with a few attendant rice-sized or smaller pigment losses to the topmost layer of pigment. Minor imperfections in the surface of the board. Blacklight: No evidence of restoration. Frame: 23.5” H x 19.75” W x 2” D 356 Overall good appearance. Minor flattened creases scattered primarily in the left half. Not examined out of the frame. Framed under glass: 21.25” H x 17” W x 1” D 357 Visual: Overall good appearance. Blacklight: No evidence of restoration. Frame: 51” H x 63.5” W x 3.5” D 358 Overall good appearance. Not examined out of the frame.

Condition Reports

Framed under glass: 11.75” H x 9.75” W x 1.25” D

620

359 Overall generally good appearance, particularly for an unmounted sheet of this size and age. Wide margins and the colors good. One fairly unobtrusive, rice-size, partial puncture near the base of the tower at left, and one fairly unobtrusive, L-shaped split measuring approximately 0.375” H x 0.125” W in the sky at upper left, both of which are primarily visible in raking light. The sheet with some very soft cockling showing mostly in the upper half. Slight light-staining from the window opening of a previous mat showing in the right margin. A 2.25” H vertical tear in the lower right margin corner, not affecting the image. Remains of old gray paper tape along the verso of all but the lower margin edge. The sheet is loose, not matted. Framed under glass: 54” H x 39” W x 2” D 360 Overall good appearance. Not examined out of the frame. Framed under glass: 17.5” H x 20” W x 1.5” D

361 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. One of the largest with a rice-sized conchoidal chip along the edge of base. 362 Verso panel with cockling in the wood with attendant separation at junctures and cracking. Front lid and lock plate area with splits in the wood. With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The glass bottles with fleabite chips to stoppers and abrasions to edges and corners of bottles, one with a pea-sized chip to pouring spout and juncture with stopper. All glass with shelf wear and scuffs and scratches. Lacking key. 363 With scattered areas of in-filled repairs, most notably along half of the interior of hinge edge. With minor soiling and scattered scuffs and scratches commensurate with age. With a rice-sized loss to beaded metal trimming of lid. Chips to edges and corners. Oxidation to metal components. 364 With minor shelf wear and minor scuffs and scratches commensurate with age. 365 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 366 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 367 Most with denting to base, one tallest with dent to drip tray. Some loosely mounted to base, with degradation to mounting hardware. Each with dust accumulation, scattered scuffs and indentations, scratches, soiling, and darkening/oxidation commensurate with age. 368 Each overall good condition with scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age. Older nicks are concentrated to edges. Upholstery in good condition with wear to cushions. 369 Each overall good condition with scattered scuffs, scratches, nicks, indentations, and rubbed wear and losses to gilding commensurate with age. The suede with scratches and minor soiling, with fading. 370 The top with deeper scratches and stains/areas of discoloration to finish. The pedestal base with multiple large cracks in the veneer with attendant raised areas. Older small losses to edges and feet. With scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age.

372 The two right feet proper with possible repairs. Overall good condition with scattered minor scuffs and scratches commensurate with age. The gallery with a small bent area to front. Includes key. 373 Issues including but not limited to: One cereal bowl with pea-sized chip to rim with attendant vertical crack, and another pea-sized in-filled repaired chip to rim. One flat cup with two rice-sized chips to rim, another with one rice-sized chip to rim exterior. One bread and butter plate and three dinner plates, and three salad plates each with pea-sized chips to rim. One bread and butter plate with chips to foot. Otherwise, each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Most with crazing to the glaze. 374 The taller missing one spindle. Each with scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age. Upholstery in good condition. 375 One with a 3” long diagonal crack issuing from the rim. The other with a 4” long hairline crack to the body. Each with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each neck with a layer of finish that illuminates under UV light. Each shade with minor soiling, the fabric with a few small spots/stains. 376 Overall good condition with scattered minor scuffs and scratches commensurate with age. Minor rubbed wear to gilding. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 377 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 378 With minor shelf wear and minor scuffs and scratches commensurate with age. The box with handling and shelf wear to edges and corners. 379 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One leg of stand with repaired break. Each edge with touch-ups to the lacquer with chipped losses throughout. Cabinet door panels with cracks verso. 380 Each with cracking to the bamboo and small losses to blades of grass and to silvered finish. Some blades are bent outwards. Each with soiling, scuffs, scratches, and oxidation commensurate with age.

381 Scattered older chipped losses throughout, concentrated at protrusions and edges. Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Base with a 1.25” long abrasion with paint loss to top edge. 382 Censer lacking top element. Overall good condition with dust accumulation, scattered minor scuffs, and darkening/ oxidation to bronze commensurate with age. 383 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. 384 Overall good condition with minor shelf wear, scuffs, and scratches commensurate with age. Minor rubbed wear to gilding. 385 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with some wear to gilding. 386 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 387 Each overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. 388 Insert with repair to bottom. Overall good condition with scattered scuffs, scratches, small indentations, and soiling commensurate with age and use. 389 The top with localized areas of bubbling to the veneer, with scattered cracks and small losses to floral elements. The stretcher with multiple crack through the wood. Edges and corners with abrasions and scattered small losses to veneer. Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 390 Lacking mirror base. Each overall good condition with minor shelf wear and light scratches commensurate with age. 391 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 392 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 393 Wear to the gold-plated element. Overall good condition with minor shelf wear and light scratches commensurate with age.

Condition Reports

371 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age.

621

394 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. 395 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 396 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Small chips to edges and corners of plinth. 397 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Wear and losses to gilding of base. Possibly lacking an element unrelated to the artist’s contribution to base verso. 398 The base with chipped losses to the wood and a 3.5” long broken repair at front left proper. Losses to inset glass. Rubbed wear and loss to gilding. Shrinkage cracks throughout. With soiling, dust accumulation, and degradation commensurate with age. 399 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Most Harcourt bowls with ground down rims. Two crescent plates with two small chips too rim and another with fleabites along rim. 400 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 401 Each with dust accumulation, wear to patina, scattered scuffs and scratches, small indentations, and darkening/ oxidation commensurate with age. Fleabites to edges of marble base.

Condition Reports

402 Not examined under UV light. In overall good condition with typical wear from light use.

622

403 Not examined under UV light. In overall good condition with typical wear from light use. 404 Not examined under UV light. In overall good condition with typical wear from light use. 405 Not examined under UV light. In overall good condition with typical wear from light use.

406 Not examined under UV light. In overall good condition with typical wear from light use, including scattered light knife marks, mild stacking wear and pinprick dimples to glaze. One plate with one point to serrated rim restored. One plate with two fleabites to two points of rim. 407 Not examined under UV light. Typical wear from light use including some scattered light knife marks. 408 Not examined under UV light. In generally good condition with typical wear from light use. Smaller bowl with approximately 2” hairline emanating from rim. 409 Not examined under UV light. In overall generally good condition with typical wear from light use, including light scattered knife marks and mild stacking wear. A few plates with filed down popped air bubbles. One plate with losses to three point tips of the serrated rim. One plate with chip loss to one point tip of rim. One plate with small black paint droplet. 410 Not examined under UV light. In overall good condition with typical wear from light use, including knife marks and some stacking wear. One plate with one point of serrated rim restored, with some possible restoration to the point beside it. One plate with one point restored. One plate with some filing down to points. 411 Not examined under UV light. In overall generally good condition with typical wear from light use. One saucer with 1/4” chip to serrated rim. 412 Not examined under UV light. In overall condition with typical wear from light use, including scattered abrasions, pinprick dimples to glaze and stacking wear. 413 Not examined under UV light. In overall generally good condition with typical wear from light use including some scattered knife marks. 414 Not examined under UV light. The oval dishes in generally good condition with typical wear from light use. The covered vegetable dish with hairline chip to outer rim and hairline extending from it to basin of of the bowl with a flake chip and small losses in the corresponding area; the lid in good condition. 415 Not examined under UV light. In overall good condition with typical wear from light use, including some scattered light knife marks. 416 Not examined under UV light. Overall generally good condition with typical wear from light use, including a few scattered knife marks. Larger dish with some losses to petals of flowerhead terminals, fleabite nick to one serrated point at rim, and firing crack to underside of plate where the handle joins the base. One smaller dish with some light scratches to the handle.

418 Not examined under UV light. In generally good condition with typical wear from light use, including scattered abrasions, stacking wear and pinprick dimples to glaze. Some with filed down popped air bubbles. bowls with old sticker labels/adhesive residue, one of which has a chip to two points of the serrated rim, one with overpaint. One bowl with losses to three serrated points. Ten bowls outside decorated with single cancellation mark, three with a chip to one point. 419 Not examined under UV light. Four plates with old SPBLA (Sotheby’s Parke Bernet Los Angeles) lot stickers fixed to front of plate. In overall good condition with typical wear from light use, including scattered light knife marks and stacking wear. 420 Not examined under UV light. In generally good condition with typical wear from light use, including knife marks, stacking wear. Some scattered pinprick dimples to glaze. One plate with chip loss to one point on the serrated rim. One plate with flake chip to the underside of one point. 421 With vertical splits in the wood at sides and the top with multiple splits. Drawer fronts with cracks in the veneer. Multiple repairs and areas of restoration, concentrated to the top. With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Lacking key. 422 Each overall good condition with scattered scuffs, scratches, older nicks, and indentations commensurate with age. Each later upholstered, one seat with two large stains in the fabric. 423 With scuffs, scratches, soiling, nicks, abrasions, and losses to paint throughout. Chipping to wood and lacquer at edges, concentrated to hinge edges. Each panel with cracks in the lacquer throughout. Repairs to central feet. 424 Losses to glaze at knees and toes, with abrasions and attendant oxidation. Each with shelf wear, scattered scuffs and scratches, and inherent firing flaws commensurate with age. No evidence of restorations or repairs under UV light. 425 Rubbed wear and minor losses to painted designs. Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. 426 Each overall good condition with minor shelf wear commensurate with age. Wiinblad with wall-mounting hardware to underside. Each box with shelf wear.

427 Each glass insert with fleabite chips to rim. Each with scuffs, scratches, and shelf wear commensurate with age. The green with heavy scratching to glass underside. The metal mounts with rubbed wear to gilding and attendant oxidation. 428 One plate with a 3.5” long chipped loss to rim. Each otherwise overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 429 One plate with a pea-sized chip to rim. Each otherwise overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 430 Each overall good condition with shelf and handling wear commensurate with age. 431 With scattered scuffs, scratches, small nicks and abrasions, and minor oxidation to brass commensurate with age. The interior with unmounted drawers and other elements. The writing surface with loose elements including lifting to the veneer and loose edges with attendant cracks in the leather. Personalization unmounted, retained with the lot. Lacking key. 432 Each with chipping to lid and wind shield juncture rims. Two with a small chip to base. Each with shelf wear, scuffs, and scratches commensurate with age. 433 Each with soiling and weathering commensurate with age and outdoor use. Each with heavy oxidation and verdigris. Each base with some chipped losses to bottom edges and smaller chips and abrasions at edges and corners. 434 Overall good condition with minor soiling and dust accumulation commensurate with age. 435 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 436 Each overall good condition with tarnishing and light scratches commensurate with age. 437 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With dust accumulation and minor surface grime. No evidence of restorations or repairs under UV light.

Condition Reports

417 Each overall good condition with minor shelf wear commensurate with age.

623

438 The Famille Rose with rubbed wear to the decoration and possible restoration to a dime-sized area of one flower. Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Soiling to planter interiors, one with drainage hole plugged with putty. 439 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. The top with wear to the lacquered finish and horizontal hairline cracks, and localized areas of darkening to finish.

449 Each overall good condition with shelf wear, scuffs, and light scratches commensurate with age. 450 The spire unmounted with a missing element to rotating device. With antiquing to the wood. Overall good condition with scattered scuffs and scratches and small nicks commensurate with age.

Framed under glass: 25” H x 22.125” W x 1.75” D

451 Overall generally good appearance. Pale damp staining primarily along the left portion of the lower edge of the image. A few scattered pale foxmarks. With the usual vertical folding crease down center of the work. Not examined out of the frame.

Blacklight: No evidence of restoration. Minor foxing showing only under blacklight. Frame: 23.25” H x 19.25” W x 2.75” D 442 Visual: Overall good appearance. Blacklight: No evidence of restoration. Frame: 66.5” H x 54.25” W x 4” D 443 Visual: Each overall good appearance. Blacklight: One work with a few rice sized (or smaller) touch-ups in the upper right quadrant and in the clown’s lips. The other with a cluster of pinpoint-sized touch-ups in the clown’s chin and a rice-sized touch-up in his bowtie. Frame of each: 20.75” H x 18” W x 3.75” D

Condition Reports

448 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. More scratches to underside of Steuben sea lion.

440 Overall good appearance. A minor 10.5” long band of possible glue residue on the verso, showing through to the recto along the lower edge. Not examined out of the frame.

441 Visual: Overall good appearance.

624

447 Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Rubbed wear to patina.

444 Overall good appearance. With wide margins. Very minor cockling along the upper edge. Not examined out of the frame. Framed under glass: 23.5” H x 28” W x 1.25” D 445 Overall good appearance. Not examined out of the frame. Framed under Plexiglas: 51” H x 43.75” W x 3” D 446 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Wear to gilding. Standard with a few fleabites along edges. Shade in good condition with minor soiling along lower rim. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

Framed under glass: 5.5” H x 18” W x 1.75” D 452 Overall good appearance. Not examined out of the frame. Framed under glass: 16.25” H x 19.5” W x 2.25” D 453 Overall good appearance. Not examined out of the frame. Framed under glass: 16.25” H x 13.25” W x 2” D 454 Overall generally good appearance. The sheet with wide margins and the colors fairly good. Appears to be laid paper, however, cannot confirm if any watermark because it is laid to a later paper board. Areas of brown ink or staining in the upper left corner and in places along the extreme right edge of the image, possibly inherent in the printing. Scattered tears and small paper losses, some of which slightly affect a few of the letters within the middle line of the etched text, but most of which are confined to the lower left and right margin corners. Pale damp staining in the upper portion of the right margin edge, not affecting the plate. Framer marks in pencil and other lesser defects in the margins. The sheet is framed floating, completely mounted, as mentioned, to a later paper board. Framed under glass: 28” H x 19.5” W x 2.25” D

625

Condition Reports

John Moran Auctioneers, Inc SPECIALISTS

Head of Sale, Director, Furniture and Decorative Arts Jennifer Kurtz President, Auctioneer Jeffrey J. Moran Vice President, Specialist Maranda Moran Director, Jewelry & Watches Tom Burstein Senior Specialist, Jewelry & Watches Kelly Sitek Director, Fine Art Katherine Halligan, AAA Associate Specialist, Fine Art Bobby Cullen Associate Specialist, Fine Art Madison Ari Senior Cataloguer, Fine Art Anne Spink Cataloguer, Fine Art Lori Kassabian Department Administrator, Fine Art Jacob Baer Senior Specialist, Furniture & Decorative Art Angela Past Post-War & Contemporary Design Specialist Matthew Grayson Department Administrator, Furniture & Decorative Arts /Jewelry Jessica Crosbie Cataloguer, Furniture & Decorative Arts Grant Stevens Sally Andrew Cataloguer, Silver Jewelry, Luxury & Couture, and Decorative Arts

TRUSTS & ESTATES

Senior Vice President, Director Trusts & Estates Morgana Blackwelder, ISA AM Director, Appraisals Mariam Whitten, ISA AM Associate Appraiser Shannon Dailey, ISA AM Department Administrator, Trusts and Estates Julia Kelley

CLIENT SERVICES

Office/HR Manager Mario Esquivel Client Services Ella Fountain Finance Administrator Jamie Holthauser Accounts Receivable / Customer Service Tiffany Hansen

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Controller Joseph Scott Consignment Coordinator Jean Rapagna Warehouse Supervisor, Senior Art Handler Richard Corral Transport Supervisor, Senior Art Handler Joe Miranda Art Handler Romero Corral

MARKETING

Director, Advertising & Marketing Manager, PR/Social Media Graphic Designer

PHOTOGRAPHY

Senior Photographer, Head of Photography Photographer Photographer Photographer

FOUNDERS

Nathan Martinez Brenda Smith Brian Olivas Keith Berson Madison Torres Wyatt Beserra Chloe Daniels

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 - $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

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Conditions of Sale These Terms and Conditions of Sale (“Terms“) set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. (“Moran”) will be governed. These Terms constitute a legal and binding agreement between You and Moran. AUCTION HOUSE AS AGENT Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer. BEFORE THE AUCTION (a) Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran. com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer’s Responsibility. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold “As Is”: Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD “AS IS.” Condition reports are offered as a courtesy and are typically published in Moran’s catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission. Moran’s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording. (b) Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer’s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment. Successful bidders may be required to further verify their identity before property is released. (c) Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder’s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and—in the case of error or dispute, whether during or after the sale—determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran’s sale record shall be conclusive as to the successful bidder and the price of the successful bid. (d) Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

(e) Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller’s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer’s Premium, plus any applicable sales tax. The Buyer’s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer. Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer’s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer. Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full. Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers’ LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause. (c) Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran’s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the “Retrieval Period”), Moran may, without further notice, (a) continue to store the lot in Moran’s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer’s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.

Conditions of Sale Cont’d (d) Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran’s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned (“Abandoned Property”) and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period. (e) Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein. (f) All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran’s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist’s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist’s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer’s damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability. (c) Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates. All estimates provided are carefully considered opinions of Moran’s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

(f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer’s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney’s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran’s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California. (c) Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California. (d) Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction. This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision. In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys’ fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys’ fees reasonably incurred by the prevailing party in connection with the arbitration. (e) Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.

SINCE 1969

AUCTIONEERS & APPRAISERS

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The Estate of Joanna Carson — March 3, 2026 | John Moran Auctioneers