Issuu

ReDesigned

Interiors April 8, 2025 | 10am PDT

SINCE 1969

AUCTIONEERS & APPRAISERS w w w. j o h n m o r a n . c o m

ReDesigned Interiors

Tuesday, April 8, 2025—10am

Sale 305 145 East Walnut Avenue, Monrovia CA 91016

This is an interactive catalogue. Click on any item description or hyperlink for more information.

Previews:

Friday, April 4th: 12-4pm Saturday, April 5th: 12-4pm Monday, April 7th: 12-4pm Tuesday, April 8th: Doors open 9am

Meet the Team

Angela Past Head of Sale Senior Specialist, Furniture & Decorative Art angela@johnmoran.com Grant Stevens Cataloguer, Decorative Art grant@johnmoran.com

Anne Spink Cataloguer, Fine Art anne@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS

A Chinese Chippendale-style giltwood mirror

20th century Marked verso at top: Made in Italy The oval plate mounted in an openwork chinoiserie decorated frame, featuring scrollwork, foliate motifs, and two opposed Ho Ho birds, crested by a pagoda canopy 58” H x 34” W x 3.5” D $300-400

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A Continental automaton singing bird box

Circa 1950s Unmarked Possibly Karl Griesbaum (1872-1941), the gilt-brass box with elaborate filigree and scrollwork, the hinged lid opening when wound to reveal a chirping rotating figural animated bird figure with articulated wings and beak Closed: 1.875” H x 4.25” W x 2.75” D $500-700

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Tiffany Studios (1899-1930)

A Favrile glass candlestick lamp, circa 1902-1918; New York, NY Engraved to underside: L.C.T. Favrile; shade marked: L.C.T. The iridescent gold glass single-light lamp with twisted candlestick-form base and ruffled shade, metal mounts, electrified Overall: 14.25” H x 7.25” Dia. $700-900

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A group of Eurasian antiquities

Possibly 1st century CE and later Comprising a Roman glass beaker, an Etruscan bronze olpe jug, a Chinese bronze small urn with carved wood lid and base, and a Southeast Asian bronze bodhisattva figure with fabric and wax seal elements, 4 pieces Urn overall: 7.75” H x 5.5” Dia.; Beaker: 3” H x 3.375” Dia. $500-700 Provenance: Estate of a Lady, Hollywood, CA

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Aldo Londi (1911-2003)

A ceramic Buddha head for Bitossi, 1960s; Montelupo Fiorentino, Italy Unmarked Designed for the “Cinese” (Chinese) series, with a crackled vermillion glaze and a gilt base with incised swirl motifs Overall: 11.875” H x 5.25” W x 6.5” D $300-500

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A Palissy-style zoomorphic pottery vase

20th century Unmarked The glazed ceramic vase, featuring opposed snake-form handles applied to tall neck, above a wide body applied with bugs and cowrie shells on a textured mossy surface 12.875” H x 6.125” Dia. $300-500

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A Classical-style patinated metal bust

20th century Unmarked The antiqued metal alloy bust depicting a young man with vines and fruit adorning his hair Bust: 13” H x 10.5” W x 7.75” D; Overall: 16.25” $300-500

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Lieutenant Long

(1829-1891) North African scene, riders near a river, 1887 Oil on canvas laid to panel Signed and dated lower left: L. Long 1887 20” H x 24” W $2,000-3,000

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Fernando Amarica

(1866-1956) “Orillas del Rio Zadorra” Oil on canvas laid to Beva Signed and titled verso: F. de Amarica 25.5” H x 35.25” W $2,000-3,000 Provenance: Robert Bijou Fine Art, San Francisco, CA

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Three Asian Buddha figures

20th century Comprising a cast iron figure with gilt remnants (9.25” H x 5.625” W x 4.75” D), a bronze figure on a lotus base with incised details and adorned with metal charms (8.25” H x 4.875” W x 4” D), and another bronze figure with ushnisha flame (8.375” H x 6.25” W x 3.5” D), 3 pieces $200-300

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Two Asian carved wood figures

20th century Comprising one figure depicted standing beside a jar and another figure depicted holding a box and coddling a small child, 2 pieces Taller: 6.5” H x 3” Dia.; Shorter: 5.25” H x 5” W x 4” D $150-250

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A late Renaissance carved wood panel of St. George and the Dragon

17th century The panel depicting St. George leaning on a spear above the slain dragon, mounted in an architectural giltwood frame with denticulated cornice above opposed cherub masks, twisted and foliate opposed columns, and a foliate motif base Panel: 6.375” H x 3.75” W; Frame: 15” H x 11.375” W x 3.5” D $600-800

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Two petrified wood obelisk specimens

20th century Polished specimens, 2 pieces Taller: 14.5” H x 5.375” W x 4.25” D; Shorter: 14.125” H x 4.5” W x 3.625” D $400-600

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A petrified wood slab

20th century Polished cross-section 1.125” H x 17.5” W x 18” D $300-500

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A Chinese yingqing-glazed porcelain pitcher and teapot

Song Dynasty (960-1280) Comprising a baluster-form handled pitcher with foot, and a handled wine pot, the lid with floral blossom decoration and bound by a loop string knot, raised on a carved wood stand, 2 pieces Pitcher: 5” H x 3.75” W x 3.25” D; Teapot: 3.25” H x 4.625” W x 3.25” D; Stand: 1.625” H x 3.5” Dia. $1,500-2,500 Provenance: Wine pot: Antique House, Inc., Honolulu, HI The Collection of David and Holly Davis, Pasadena, CA, acquired from the above, January 20, 1994 Notes: This lot is accompanied by a purchase receipt as well as a Certificate of Authenticity from Antique House, Inc., dated January 20, 1994.

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A George III partner’s desk

18th century The double-sided desk with brass pulls, locking mechanisms, and hardware, one side featuring opposed cabinets with false-drawer doors, the other side featuring three opposed drawers, all surmounted by an upper console with a brown tooled leather top above three drawers to each side, raised on scrolled feet Overall: 32” H x 51” W x 39” D $1,000-2,000

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Late 19th/early 20th century The small wood cabinet with locking hinged top revealing two inner hinged doors, each revealing a zinc-lined storage space, raised on an architectural base with casters 23.75” H x 23.75” W x 18” D

20th century The carved wood chairs, each with o crest, raised on cabriole legs, featuri upholstered seat cushions, 6 pieces Each: 38” H x 22” W x 22” D

A George III-style mahogany cellarette

$500-700

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A set of Italian Rococo-style ne

$200-300

eedlepoint side chairs

open ribbon-backs surmounted by a shell at ing needlepoint floral and fruit motifs to fabric

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A Chinese polychrome porcelain vase

20th century Marked in red bearing an apocryphal reign mark for Qianlong Period (1736-1795) The small vase with flared neck and gilt rim, the body depicting a peacock standing atop a stone, surrounded by flowers 7.5” H x 4.625” Dia. $800-1,000

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A Shreve & Co. silver overlay Japanese porcelain vase

Circa 1930s Bearing characters to underside in blue underglaze; silver marked: Shreve & Co. / Sterling Depicting a poppy blossom and foliage in textured glaze overlaid with sterling silver cyclamen blossoms 8” H x 7.375” Dia. $300-500

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Two Chinese enameled vases

20th century The enameled gilt-brass vases, comprising one cloisonné depicting Manchurian cranes in friezes, and one champlevé with raised floral motifs throughout, 2 pieces Cloisonné: 10.25” H x 5.5” Dia.; Champlevé: 10.25” H x 6” Dia. $200-300

Ron Kent (1931-2018)

A turned Norfolk pine bowl, 1994 With incised signature and date to underside: Ron Kent / 94 5.875” H x 13.375” Dia. $800-1,200

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A Chinese carved wood plant stand

Late 19th/early 20th century The marble-topped stand with openwork floral motif apron, raised on four conformingly carved legs joined by an X-stretcher 35.75” H x 20.5” Dia. $300-500

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Two Islamic coco de mer kashkul begging bowls

Qajar Period (1789-1925); Iran Each bearing Arabic inscriptions Carved from sea coconuts, comprising one depicting figural scenes within and elaborate geometric ground and a metal double chain, and one depicting banded script and floral motifs and a metal fourstrand chain mounted with bells, 2 pieces Figural: 6” H x 12.5” W x 6.75” D; Floral: 5.75” H x 11.5” W x 5.75” D $1,000-1,500

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20th century Each with chased elaborate medallions to breast and back, foliate scrollwork, and geometric border to neck and tail feathers, 2 pieces Each: 6.75” H x 7.75” W x 3.125” D

(1892-1966) “La Table,” Mid/late 20th century Screenprinted cotton; linen Edition 462/500; handprinted by Corot Paris Printed signature to design; signed to fabric label ver 46” H x 75.5” W

A pair of Persian silver alloy pigeon figures

$400-600

Jean Lurçat

$300-500

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rso: S Lurçat

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A pair of Louis XV-style giltwood mirrors

20th century The frame with scrollwork and foliate accents, 2 pieces Each: 47.25” H x 25.25” W x 2” D $500-700

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A Louis XV-style bombé commode

Late 20th century The black lacquered wood bombé-form commode with four drawers with dovetail joints and gilt-bronze mounts and pulls depicting mid-relief masks and foliate motifs 35.5” H x 50.5” W x 22.5” D $600-800

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A Continental wrought-iron and marble console table

20th century The patinated wrought-iron table with single drawer above foliate and bellflower motifs, raised on scrolled legs joined by a lateral stretcher, surmounted by a marble top Overall: 34.75” H x 68.5” W x 21” D $400-600

A George III-style japanned tall case clock

Late 20th century; Germany Movement marked: Urgos / Made in Germany / No 101 Jewels / Unadjusted / UW 7/30 / 547365; dial marked: Made in Germany The clock with silvered dial bearing Roman numeral hour markers and Arabic numerals to outer minute track, house in an ebonized case with Japanese-style floral decorations, set on a detached base with cabinet door depicting a mountain landscape 84.5” H x 19” W x 12” D $300-500

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A North African mother of pearl inlaid easel

Late 19th/early 20th century Inscribed in Arabic to canvas support and below mast: Morning and Night The ebonized wood easel with openwork turned spindles and mother of pearl inlaid support fronts, surmounted by a foliate crest with inlaid six-pointed star and turned accents Open: 74” H x 29” W x 31” D, dimensions variable $400-600

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Attributed to Philippe Starck (b. 1949)

A set of Modern barstools, late 20th century Each unmarked The carved wood stools with molded plastic seatbacks and red leather seat cushions above metal-wrapped footrests 5 pieces Each: 46” H x 15.25” W x 18.25” D $400-600

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A Modern rosewood dining set

Late 20th century Each unmarked Comprising a circular table with two leaves and four chairs, each with seatback and cushion upholstered in a Southwest-style pattern fabric depicting chickens and corn stalks, 5 pieces Table: 29” H x 48” Dia.; Each extension: 19.4” W; Each chair: 31.5” H x 19.75” W x 23.5” D $800-1,200 This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.

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A Le Tallec for Tiffany & Co porcelain “Nuits de Chine” partial dinner service

Late 20th century Each stamped to underside: Tiffany & Co. / Musée Des Arts Decoratifs / Paris / Tenues Grandias / Made in France / L Tallec Paris / © 1981 / [tree cipher] Comprising 12 dinner plates (10.25”), 11 salad plates (7.875”), 11 demitasse cups (2.375”) with 12 saucers (4.75”), and 11 flat cups (3.375”) with 11 saucers (5.75”), 68 pieces $6,000-8,000

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A Baccarat glass “Massena” stemware set

Early 21st century Each with Baccarat stencil mark to underside Comprising 12 champagne flutes (8.5”), 12 glass white wine (6.375”), and 12 water goblets (7”), 36 pieces $1,200-1,800

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A Victorian sterling silver tazza

Robert Garrard, 1853 Marked for sterling, London, Queen Victoria, and date marked for 1853; maker’s mark: [crown] / RG [Robert Garrard II]; bearing a lion crest with banner reading: Fuimus The gadrooned top with repoussé beaded rim and chased bellflower motifs above a stem with lion masks and a conformingly decorated foot 7.625” H x 10.625” Dia. 32.7 oz. troy approximately $500-700

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A George IV sterling silver tureen

1828 Basin and lid each marked for sterling, London, George IV, and date marked for 1828; maker’s mark: IC [in an oval cartouche, possibly Joseph Craddock]; bearing a crest with banner text: Honneur et Fidelite The sterling tureen, with acanthus leaf-form opposed handles and feet, gadrooned body, and lid with pomegranate finial Overall: 11.75” H x 15.25” W x 9.5” D 142.6 oz. troy approximately $2,000-3,000

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A Reed & Barton sterling silver “Francis I” bowl

20th century Impressed to underside: Reed & Barton / Sterling / X569 / Francis I; with applied sticker: Reed & Barton / Sterling Designed 1907, depicting repoussé grape bunches, pomegranates, and foliate motifs 2” H x 8” Dia. 9.7 oz. troy approximately $200-300

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A Towle sterling silver “Fiddle Thread” partial flatware service

Late 20th/early 21st century Each marked for Towle and for sterling Comprising 8 dinner forks (7.5”), 5 place forks (7.125”), 13 salad forks (6.125”), 14 oval soup spoons (7.125”), 13 teaspoons (6”), 8 dinner knives (9.5”), 6 place knives (8.5”), 1 master butter knife (7”), 1 serving fork (7.75”), 1 tablespoon (8.125”), 1 pierced serving spoon (8.125”), 1 sugar spoon (5.75”), and 1 pie/cake server (10.875”), 73 pieces Weighable sterling: 99.2 oz. troy approximately $1,000-1,500

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Tom Perkinson

(b. 1940) “Venice,” 1982 Oil on canvas Signed and dated lower right: Perkinson - 82; titled from the sales invoice 30” H x 40” W $1,000-1,500 Provenance: National Heritage Gallery of Fine Art, Beverly Hills, CA Notes: This lot is accompanied by copy of a sales invoice, dated November 10, 1990, from the gallery mentioned above.

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Alexander Charles Stuart

(1831-1898) “A Foggy Morning” Oil on panel Signed lower left: Stuart; titled on the frame plaque 12” H x 18” W $2,000-3,000 Provenance: Sanchez & Miller, New York, NY

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Louis Douzette

(1834-1924) “Landscape with Cottages in Moonlight” Oil on panel Signed lower right: L. Douzette; titled on a gallery label attached to the frame’s hanging wire 11.75” H x 17.25” W $3,000-5,000 Provenance: Galerie Michael, Beverly Hills, CA

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Heinrich Hartung

(1851-1919) Village landscape, 1908 Oil on canvas laid to Masonite Signed and dated lower left: H. Hartung 26” H x 38” W $1,200-1,800

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A Victorian sailor’s woolwork maritime embroidery “Yarn”

Mid/late 19th century The framed stitched wool yarn commemorative British “woolie” embroidery panel with bead accents featuring a central medallion with a full rigged three-masted schooner, surmounted by an embroidered crown, and with laurel wreath, clover and floral sprigs, all surrounded by festooned drapery and eight flags 20.75” H x 24” W $800-1,200 Provenance: The Collection of David and Holly Davis, Pasadena, CA Notes: Flags depicted include the flags of the United Kingdom, France, USA, The Netherlands, and the Ottoman Empire as well as the UK Red Ensign or Red Duster, and the Great Britain Naval White Squadron Ensign.

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A Louis XV provincial walnut commode

18th century The top with serpentine front and molded edge, above three long drawers featuring carved foliate and scrolled motif fronts and corners, mounted with brass foliate hardware 39.5” H x 53” W x 29” D $1,000-2,000 Provenance: The Collection of David and Holly Davis, Pasadena, CA

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A Hendrix Allardyce Regency-style bench

Late 20th century The parcel-gilt and green painted carved wood bench with lion mask accents, raised on six paw feet, upholstered in green leather 21” H x 59.5” W x 34.5” D $1,000-1,500

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A Louis XV-style giltwood bench

20th century With paper label to underside: Manufactured by S. Craydman & Co. / Studio City, California The wood bench raised on cabriole legs, featuring a tufted silk brocade upholstery with cording, depicting foliate motifs 20” H x 56.5” W x 17.5” D $200-400

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A Louis XV-style marquetry games table

Late 20th century The lacquered wood game table with removeable top inlaid with floral motifs above conformingly designed sides and cabriole legs, the top underside displaying a badminton board, housing a roulette table in two panels that separate to reveal a roulette wheel and various compartments housing badminton pieces, chips, cards, and die Stored: 29.75” H x 30.5” W x 30.5” D; Open: 42.5” W $300-500

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Four brass and mahogany nautical telescopes

Early 20th century Largest marked: Dollond / London / Day or Night; another marked: Spencer, Browning & Co / London The maritime collapsible spyglasses, each with mahogany surround, 4 pieces Largest stored: 11” L x 2.5” Dia.; Smallest stored: 8” L x 1.25” Dia. $400-600

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Four brass nautical telescopes

Early 20th century Largest marked: Perry Mason & Co. / Boston; another marked: Denhill “Vixen” 30X; smallest marked: Dollond London The maritime collapsible spyglasses, two with leather surrounds, 4 pieces Largest stored: 10.25” L x 2.375” Dia.; Smallest stored: 5” L x 1.125” Dia. $300-500

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A John Bliss & Co. nautical taffrail log and two sample anchors

Late 19th/early 20th century Log marked to readout: John Bliss & Co. / Taffrail Log / New York U.S.A.; each spinner marked: John Bliss & Co.; serial number: 259; anchors unmarked Comprising a brass maritime taffrail log with two spinners, joined by fibrous cording, together with a brass anchor model, and a painted iron anchor model, 3 pieces Log: 10.5” L; Each spinner: 9.75” L; Larger anchor: 11.25” H x 8.125” W x 2.25” D $300-500

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Three nautical telescopes and a hand bilge pump

19th/early 20th century One telescope marked: James Motion & Co. / Singapore / Made in England; largest marked: Dollond / London / Day or Night The maritime items, comprising a brass and metal spyglass, a brass and mahogany collapsible spyglass, a wood spyglass, and a brass and wood hand bilge pump, 4 pieces Longest assembled: 30.25” L x 2.25” Dia.; Smallest: 17.125” L x 2.125” Dia. $300-500

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Four nautical navigational lanterns

Circa 1920s Two marked for Perkins Marine Lamp & Hardware Corp.; one marked: Helvig’s The brass and tinted Fresnel glass maritime lamps, comprising a Perko combination starboard and port lamp, a Perko starboard lamp, a Perko port lamp, and a Helvig’s port lamp, 4 pieces Largest: 12” H x 8.25” W x 6.75” D; Smallest: 9.5” H x 5.75” W x 6.125” D $600-900

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Five nautical lanterns

Early 20th century Each variously marked for manufacturer The maritime oil burner lanterns, comprising an Adlake brass binnacle lamp, an R. C. Murray & Co. brass binnacle lamp, A Perko galvanized steel and Fresnel glass lantern, a National Marine Lamp Co. galvanized steel and Fresnel glass lantern, and a P&A Mfg. Co. enameled metal boat signal lantern, 5 pieces Largest: 12” H x 6.5” Dia.; Signal: 8.5” H x 3.625” W x 5.5” D $400-600

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Two nautical gimbaled compasses

Early 20th century One compass marked: Heath Navigational Ltd. / London / No. 1867X; other compass marked: U. S. Navy / 47619 / 1917 Each maritime navigational instrument with oil burner lamp in a glazed case, comprising one U. S. Navy issued copper and one brass, 2 pieces Copper: 10” H x 9.5” W x 9” D; Brass: 10.75” H x 11.25” W x 9.5” D $300-500

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Four nautical optical instruments

Late 19th/early 20th century One binoculars marked: L. Petit Fabt. / Paris; another marked: Hazebrouco / Opticien / Paris; monocular marked: CP. Goerz Berlin / 4x20 / M. Blink. 16 / 515048; slide rule marked: Carbic Ltd. / Made in England The maritime instruments, comprising two brass binoculars, one with leather surrounds, a monocular, and a navigational cylindrical slide rule, 4 pieces Larger binoculars: 5.75” H x 4.5” W x 2.125” D; Rule stored: 6” L x 1.25” Dia. $500-800

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An unusual English redware posset pot

Dated 1731 Incised to waist: SS / M7 / IS / 1731 The glazed earthenware vessel with flared rim and four applied ribbed lug handles and two exterior spouts 8.25” H x 11.75” W x 12” D $2,000-4,000

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A group of Pennsylvania redware pottery items

18th/19th century Each unmarked The glazed earthenware group comprising a jelly mold, a piggy bank, a rabbit figure, two small crocks, and a small handled jug, 6 pieces Largest: 2.5” H x 5.25” W x 4.5” D; Smallest: 3.125” H x 2.875” W x 2” D $200-300

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A W. & A. K. Johnston 18in. terrestrial globe

Early 20th century; Edinburgh, Scotland Marked in a cartouche: Terrestrial Globe / by W. & A. K. Johnston Limited / Geographers, Engravers, & Printers / Edinburgh The 18-inch globe depicting warm and cold ocean currents, railways, submarine telegraph lines, isothermal lines, and an analemma, mounted on a calibrated brass northern polar hour circle, the horizon band mounted with paper calendar and zodiac, raised on a Regency-style tripod stand with a dolphin wrapped around a turned standard Overall: 45.5” H x 25” Dia. $500-700

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A group of personal effects and smoking items

Late 19th/early 20th century Largest cigarette case marked: Silver / Yen; wallet marked with illegible script signature; notebook marked: R M S Corsican; matchbox marked: Patt. 1135 / AFT Comprising two 800 standard silver cigarette cases with dragons in relief, a metal case with 5k gold-plated trim and tiger motifs to top lid, a metal pocket notebook with mounted enamel seal and pencil, and a bulkhead matchbox, 5 pieces Largest cigarette case: 0.75” H x 5.375” W x 3” D; Matchbox: 3.75” H x 3.5” W x 2.125” D $400-600

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A petrified wood heart-shaped specimen 20th century Polished specimen 7.75” H x 7.75” W x 3.375” D $600-800

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20th century Polished specimen 9.5” H x 6.75” Dia.

20th century The polished spheres, comprising 1 sep and 2 petrified wood, 6 pieces Largest: 5.375” Dia.; Smallest: 2.875” D

A petrified wood ovoid specimen

$400-600

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Six spherical mineral specimens

$400-600

ptarian, 1 labradorite, 1 red jasper, 1 celestite,

Dia.

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Two septarian mineral specimens

20th century Each with polished exterior, 2 pieces Larger: 9” H x 6.25” W x 6.5” D; Smaller: 7.25” H x 5.375” W x 3.375” D $400-600

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Six nautical navigating rulers

Early 20th century Rolling rules each marked: U.W.W. Makers / Birmingham; brass parallel ruler marked: Kelvin - White Co. / Boston - New York / Nautical Instruments; wood and brass marked: Hezzanith / Made in England; brass ruler marked: Edward Preston & Sons. / EP Comprising two brass parallel rolling chart rules, one housed in a wood case, a brass parallel ruler, two wood and brass parallel rulers, and a hinged brass two-foot ruler, 6 pieces Case: 1.875” H x 19” W x 3.375” D; Longest parallel: 23.875” L x 3” W; Brass ruler stored: 12.5” L $200-300

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Three brass nautical instruments

Early 20th century Sextant marked: no. 5048; forecaster marked: Negretti & Zambra / London / Patent 6276 / 1915; calendar marked: D. L. Khannah & Son / Moradabad Comprising a box sextant, a weather forecaster with easel back, and a perpetual calendar for the years 1900-2000, 3 pieces Sextant: 2.875” H x 3.125” Dia.; Forecaster: 4.75” Dia.; Calendar: 7.5” H x 7” W $300-500

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A group of nautical charting and ship’s navigational instruments

18th-early 20th century Housed octant marked: W Desitva / Liverpool; bow marked: C. J. Jeffry; divider marked: Chadburn Brothers / Sheffield The maritime instruments, comprising three octants, one housed in a wood case, a charting instrument kit housed in a wood case, a navigational divider housed in a red leather-clad case, and a brass implement, one personalized, 6 pieces Largest case: 5” H x 13.25” W x 11” D; Largest octant: 2.75” H x 13.5” W x 12.5” D $500-700

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A group of nautical charting and ship’s navigational instruments

Early/mid-20th century Azimuth marked: U.S.Navy Azimuth Circle / Mark 3 Mod.2 BU.Ships N[in a circle] 12831 -1944 / The Eastern Specialty Company / Phila. 40, Penna.; case marked: Type 712E / Azimuth Circle / Made by / The Lionel Corporation / New York, N. Y., U.S.A. The maritime tools, comprising a brass folding protractor housed in a wood case, a metal folding protractor, and a brass U.S. Navy issued azimuth circle compass house in a wood case, two personalized, 3 pieces Azimuth case: 4.375” H x 11.625” W x 11.625” D $500-700

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Two pocket barometers and a chartometer

Early 20th century Barometer/compass marked: Thomas Armstrong & Brother Ltd. / Manchester & Liverpool / No 3477; aneroid barometer marked: Troughton & Simms / London / 1281; chartometer marked: The Morris Patents Engineering Works / Birmingham Comprising a gilt-brass barometer/compass, a gilt-brass aneroid barometer, and a brass chartometer with ten paper scales, each housed in a leather-clad case, 3 pieces Largest in case: 4.25” H x 4” W x 2” D; Chartometer in case: 1.125” H x 3.75” W x 2.75” D $150-250

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A group of navigational compasses

19th/early 20th century Maritime marked: Star / Boston U.S.A. / 42972; largest wood case marked: School Board for London / W.W. Hooper; Chester Road, East Ham. E.; pocket case marked: Negretti & Zambra / London Comprising a maritime compass gimbaled in a mahogany case, three cased dry card compasses, and a gilt-brass pocket compass housed in a leather-clad case, 5 pieces Maritime: 3.625” H x 4.625” W x 4.625” D; Pocket in case: 1.375” H x 2.5” W x 2.375” D $200-400

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A group of navigational compasses and measuring instruments

19th/20th century Each unmarked or marked illegibly Comprising 2 Chinese astrological wood compasses,1 including a staple-bound pamphlet titled “Chinese Astrology,” 2 tabletop brass compasses, 4 brass or metal pocket compasses, 2 wood case pocket compasses, 1 Army-issued WWI brass field compass, 1 portable diamond scale in wood case, and 1 boxwood and brass cordage gauge caliper, 14 pieces Largest: 0.75” H x 5.625” W x 5.625” D; Smallest: 0.5” H x 1.875” Dia. $300-500

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A collection of brass miner’s lanterns and blowtorches

19th/early 20th century Most variously marked for manufacturer Comprising a Dewar Mfg. Co. miner’s safety lantern, another safety lantern, an Adlake railroad caboose sconce with Pyrex chimney, a Primus 630 paraffin blowtorch, a small gasoline welding blowtorch, an Auto-Lite miner’s head lamp, a Shanklin Manufacturing Co. “Guy’s Dropper” carbide miner’s helmet lamp, a kerosene reflector lamp, and a metal pocket lantern with spring-loaded candleholder, 9 pieces Sconce: 11.5” H x 3.25” W s 2.375” D; Pocket lantern stored: 3.25” H x 2” W x 0.75” D $300-500

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Two tridacna squamosa clam shells

20th/21st century Two bivalve mollusk shells also known as fluted or scaly giant clams, each featuring leaflike protrusions, 2 pieces Larger: 3.75” H x 10.5” W x 7” D; Smaller: 3.25” H x 9.25” W x 6.25” D $200-400

A Moroccan fossilized shark teeth specimen

Prehistoric or later The stone specimen with multiple fossilized shark teeth embedded 4.25” H x 32” W x 23” D $500-700

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Two ammonite fossils

20th century Comprising two cephalopod spiral shells, 2 pieces Larger: 2.75” H x 10.5” W x 9.5” D; Smaller: 3.25” H x 8” W x 6.875” D $400-600

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A Japanese carved hardwood toad netsuke

19th century Signed: Masatada Depicting a toad atop a tapering squared bucket, set on a wood stand Netsuke: 1.25” H x 1.375” W x 1” D; Stand: 0.5” H x 2.125” W x 1.25” D $600-800 Provenance: The David and Sandy Swedlow Collection Sold: Sotheby’s, London, “The Swedlow Collection of Inro, Lacquer Netsuke and Ojime,” March 31, 1993, Lot 79 The Collection of David and Holly Davis, Pasadena, CA, acquired from the above Notes: This lot is accompanied by an invoice from Sotheby’s, dated April 26, 1993.

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A Japanese carved hardwood Oni netsuke

19th century With incised signature Depicting a musician in a lion costume playing a drum, set on a wood stand Netsuke: 1.5” H x 1.5” W x 1.5” D; Stand: 1” H x 3.375” W x 1.625” D $700-900 Provenance: The Collection of David and Holly Davis, Pasadena, CA

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A Japanese carved hardwood Noh mask netsuke

19th century Signed: Gyokuzan Comprising five theatrical masks, set on a wood stand Netsuke: 1.5” H x 1.625” W x 1.125” D; Stand: 0.625” H x 1.5” W x 0.875” D $600-800 Provenance: Sold: Sotheby’s, New York, NY, “Japanese Works of Art,” June 18, 1990, Lot 169A The Collection of David and Holly Davis, Pasadena, CA, acquired from the above, June 25, 1990 Notes: This lot is accompanied by an invoice from Sotheby’s.

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A Japanese polychrome carved wood crane netsuke

19th century Incised signature to underside: Toen Depicting a resting Manchurian crane, the plumage painted white with red, green and black details, set on a wood stand Netsuke: 1.375” H x 2.5” W x 1.5” D; Stand: 0.625” H x 2.625” W x 1.75” D $400-600 Provenance: Sold: Sotheby’s, London, England, “One Owner Japanese Netsuke,” November 14, 1991, Lot 102 The Collection of David and Holly Davis, Pasadena, CA, acquired from the above Notes: This lot is accompanied by an invoice from Sotheby’s as well as a page from the sale catalogue picturing the item.

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A Japanese carved hardwood cricket netsuke

20th century Depicting a cricket atop an eggplant, set on a wood stand Netsuke: 0.875” H x 2.25” W x 0.75” D; Stand: 0.625” H x 2.5” W x 1.5” D $300-500 Provenance: The Collection of David and Holly Davis, Pasadena, CA

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A Japanese carved stag antler netsuke

19th century Depicting a rolling wave, with twine rope, 2 pieces 1.125” H x 3” W x 1.75” D, dimensions variable $200-300 Provenance: The Collection of David and Holly Davis, Pasadena, CA

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Hiroshi Yoshida

(1876-1950) “Sailing Boats -- Morning, “ from the “Inland Sea” series, 1926 Woodcut in colors on cream Japanese paper laid to off-white Japanese paper From the lifetime edition of unknown size printed by the artist (there was also a posthumous edition). Signed and titled in pencil in the lower margin: Hiroshi Yoshida; signed again “Yoshida” in black ink, and “Hiroshi” with the artist’s red ink seal, both in the lower right corner of the image; with Japanese characters, including the artist’s jizuri (“self printed”) seal, stamped in black ink in the left margin Image: 16.5” H x 15” W; Sheet: 21.875” H x 15.875” W $3,000-5,000 Provenance: Fujio Yoshida (1887-1987), wife of the artist Acquired by the present owner from the above in the early 1970s

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Hiroshi Yoshida

(1876-1950) “Sailing Boats -- Forenoon,” from the “Inland Sea” series, 1926 Woodcut in colors on cream Japanese paper laid to off-white Japanese paper From the lifetime edition of unknown size printed by the artist (there was also a posthumous edition). Signed and titled in pencil in the lower margin: Hiroshi Yoshida; signed again “Yoshida” in black ink, and “Hiroshi” with the artist’s red ink seal, both in the lower right corner of the image; with Japanese characters, including the artist’s jizuri (“self printed”) seal, stamped in black ink in the left margin Image: 16.5” H x 15” W; Sheet: 21.875” H x 15.875” W $2,000-3,000 Provenance: Fujio Yoshida (1887-1987), wife of the artist Acquired by the present owner from the above in the early 1970s

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Hiroshi Yoshida

(1876-1950) “Sailing Boats -- Afternoon,” from the “Inland Sea” series, 1926 Woodcut in colors on cream Japanese paper laid to off-white Japanese paper From the lifetime edition of unknown size printed by the artist (there was also a posthumous edition). Signed and titled in pencil in the lower margin: Hiroshi Yoshida; signed again “Yoshida” in black ink, and “Hiroshi” with the artist’s red ink seal, both in the lower right corner of the image; with Japanese characters, including the artist’s jizuri (“self printed”) seal, stamped in black ink in the left margin Image: 16.5” H x 15” W; Sheet: 21.5” H x 15.375” W $2,000-3,000 Provenance: Fujio Yoshida (1887-1987), wife of the artist Acquired by the present owner from the above in the early 1970s

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Hiroshi Yoshida

(1876-1950) “Sailing Boats -- Mist,” from the “Inland Sea” series, 1926 Woodcut in colors on cream Japanese paper From the lifetime edition of unknown size printed by the artist (there was also a posthumous edition). Signed and titled in pencil in the lower margin: Hiroshi Yoshida; signed again “Yoshida” in black ink, and “Hiroshi” with the artist’s red ink seal, both in the lower right corner of the image; with Japanese characters, including the artist’s jizuri (“self printed”) seal, stamped in black ink in the left margin Image: 16.5” H x 15” W; Sheet: 21.875” H x 15.875” W $2,000-3,000 Provenance: Fujio Yoshida (1887-1987), wife of the artist Acquired by the present owner from the above in the early 1970s

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Hiroshi Yoshida

(1876-1950) “Sail Boats -- Evening, “ from the “Inland Sea” series, 1926 Woodcut in colors on cream Japanese paper laid to off-white Japanese paper From the lifetime edition of unknown size printed by the artist (there was also a posthumous edition). Signed and titled in pencil in the lower margin: Hiroshi Yoshida; signed again “Yoshida” in black ink, and “Hiroshi” with the artist’s red ink seal, both in the lower right corner of the image; with Japanese characters stamped in black ink in the left margin, along with the artist’s jizuri (“self printed”) seal printed in red Image: 16.5” H x 15” W; Sheet: 21.5” H x 15.5” W $3,000-5,000 Provenance: Fujio Yoshida (1887-1987), wife of the artist Acquired by the present owner from the above in the early 1970s

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Hiroshi Yoshida

(1876-1950) “Sailing Boats -- Night,” from the “Inland Sea” series, 1926 Woodcut in colors on cream Japanese paper laid to off-white Japanese paper From the lifetime edition of unknown size printed by the artist (there was also a posthumous edition). Signed and titled in pencil in the lower margin: Hiroshi Yoshida; signed again “Yoshida” in black ink, and “Hiroshi” with the artist’s red ink seal, both in the lower right corner of the image; with Japanese characters stamped in black ink as well as in blue ink in the left margin, along with the artist’s jizuri (“self printed”) seal printed in red; inscribed “(255)” in pencil at the center of the lower margin Image: 16.5” H x 15” W; Sheet: 21.5” H x 15.5” W $3,000-5,000 Provenance: Fujio Yoshida (1887-1987), wife of the artist Acquired by the present owner from the above in the early 1970s Notes: Yoshida carved and printed an additional block in order to convey the watery reflections of the distant lights on the horizon line separating the deep blues of the sky and water.

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A Regence-style mahogany bureau plat

After a model by Charles Cressent, 20th century With blue leather gilt-stamped top, above three locking drawers to one side, featuring giltbronze mounts including scrolled acanthus motifs to tabletop border and throughout, and maiden masks in high relief at corners, surmounted by a later glass top Overall: 31” H x 69.5” W x 38” D $800-1,200

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A Japanese carved wood figure of a Shinto priest

20th century The polychrome painted and lacquered wood figure, depicted seated and smiling, with left palm extended outward 17.25” H x 21.5” W x 16” D $800-1,200

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A Japanese bronze elephant stand

20th century Possibly a vase stand, comprising three elephant masks mounted to a pedestal surmounted by a phoenix figure atop a sphere above banded foliate and meandering motifs 17.125” H x 14” Dia. $500-700

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A Chinese bronze and cloisonné enamel vase

20th Century Marked with Kanji characters in the casting to underside The vase with banded polychrome motifs of organic and geometric patterns, along with animal forms flanked by figural dragon handles 16.25” H x 14.25” W x 13” D $400-600

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A pair of Satsuma pottery vases

Late Meiji Period (1868-1912) Each signed to underside: Taizan Each depicting cranes in flight to bulbous body, issuing a cylindrical neck decorated in brocade-style gilt floral patterns, 2 pieces Each: 12.25” H x 5.875” Dia. $250-350

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A Japanese ceramic charger with moriage decoration

Late 19th/early 20th century Unmarked The ring-footed plate depicting figures in a landscape centering a textured slip decorated with scrolled foliate motifs 2.75” H x 15” Dia. $200-400

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A Japanese Satsuma pottery vase and dish

20th century Smaller dish bearing Kanji characters for Kinkozan Each glazed ceramic vessel decorated with gilt enamel highlights, comprising a vase with figures in landscapes and a smaller Kinkozan dish with polychrome floral motifs, 2 pieces Vase: 9.75” H x 4.5” Dia.; Dish: 1” H x 7.25” Dia. $400-600

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A Japanese blue and white porcelain plate

20th century Unmarked The square plate with a blue landscape scene centering a foliate and diaper pattern banded rim 2.25” H x 14.5” W x 14.5” D $300-500

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After Émile-Victor Blavier

(1821-1887) Two figures of Henri de Lorais and Frederic-Maurice de la Tour, 1851 Gilt-bronze Each signed in the casting: E. Blavier; Frederic dated 1851; Frederic inscribed: Frederic De La Tour / [illegible] / 1641; Henri inscribed: Henri / [illegible] / 1641 Henri: 21” H x 7” W x 6.25” D; Frederic: 21.25” H x 8.5” W x 8.5” D $1,000-2,000

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Loet Vanderveen

(1921-2015) “Polar Bear and Baby,” 2002 Patinated and polished bronze Edition: 290/1750 With incised signature, dated, and edition: LOET © 02 5.5” H x 8.25” W x 4.625” D $600-800

Loet Vanderveen

(1921-2015) “New Cheetah Pair” Patinated and polished bronze Edition: 734/750 Incised signature and number to underside: Loet © 5.375” H x 13.75” W x 6.75” D $700-900

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Hiroshi Yoshida

(1876-1950) “Fujiyama -- First Light of the Sun,” from the “Ten Views of Mount Fuji” series, 1926 Woodcut in colors on Japanese paper laid to tissue-thin Japanese paper From the edition of unknown size, printed by the artist Signed and titled in pencil in the lower margin: Hiroshi Yoshida; signed again “Yoshida” in black ink, and “Hiroshi” with the artist’s red ink seal, both in the lower left corner of the image; with Japanese characters, including the artist’s jizuri (“self printed”) seal, stamped in red ink in the left margin Image: 21” H x 28” W; Sheet: 23.25” H x 30.25” W $2,000-3,000 Provenance: Fujio Yoshida (1887-1987), wife of the artist Acquired by the present owner from the above in the early 1970s Literature: cf. VMFA, Water and Shadow (2014), #II-7; cf. Abe 1987, #048

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Hiroshi Yoshida

(1876-1950) “Himeji Castle, Evening,” 1928 Woodcut in colors on paper From the edition of unknown size, printed under the artist’s supervision Signed and titled in pencil in the lower margin: Hiroshi Yoshida; with the printed signature and the artist’s red ink seal in the image at lower left; with the jizuri (“self printed”) stamp as well other Japanese characters stamped in the left margin Image: 14.5” H x 9.75” W; Sheet: 15.125” H x 10.5” W $300-500

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102

Hiroshi Yoshida

(1876-1950) “Numazaki Pasture,” 1928 Woodcut in colors on paper From the edition of unknown size, printed under the artist’s supervision Signed in pencil lower right: Hiroshi Yoshida; with the printed signature and the artist’s red ink seal in the image at lower right; with the jizuri (“self printed”) stamp as well other Japanese characters stamped in the left margin Image: 21.25” H x 28.25” W; Sheet: 24” H x 32” W $400-600

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103

Three Japanese woodcuts Three works:

Hiroshi Yoshida (1876-1950) “Cherry Tree in Kawagoe (Kawagoe no sakura)” from “Eight Scenes of Cherry Blossoms (Sakura hachidai),” 1935 Woodcut in colors on paper From the edition of unknown size and date, printed posthumously With the printed signature and the artist’s red ink seal in the image at lower left; other Japanese characters stamped in the left margin Image: 14.75” H x 9.75” W Kawase Hasui (1883-1957) “Sanshu Zensetsuji,” 1937 Woodcut in colors on paper From the edition of unknown size and date With the printed signature “Hasui” and red artist’s seal “Kawase” in the image at lower right; other Japanese characters stamped in the left and right margins Image: 14.25” H x 9.5” W Kawase Hasui (1883-1957) “Udo Tower at Kumamoto Castle,” 1948 Woodcut in colors on paper From the edition of unknown size and date With the printed signature “Hasui” and red artist’s seal “Kawase” in the image at lower right; other Japanese characters stamped in the left and right margins Image: 14.125” H x 9.625” W $800-1,200

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Toshi Yoshida

(1911-1995) “Friendly Garden” triptych: (“Plum Tree,” “Pine Tree,” and “Bamboo Tree”), 1980 Each woodcut in colors on paper Each from the edition of unknown size Each signed in Japanese in pencil lower right; with the printed signature and title in Japanese, as well as the artist’s red ink seal, all in the image, at left Franklin Mint Gallery and Yoshida Family, publishers 3 pieces Image of each: 19.75” H x 10” W; Sight of each: 20.5” H x 10.5” W $800-1,200

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Ohara Shoson

(1877-1945) “Scops Owl Flying under Cherry Blossoms with Full Moon” Woodcut in colors on paper From the edition of unknown size With the printed artist’s red seal in red and Japanese characters at lower right; Watanabe, Shôzaburô, Tokyo, pub. Sight: 14” H x 9.25” W $300-500

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Ohara Shoson (1877-1945) Two works:

“Mandarin Ducks in Snow,” 1935 Woodcut in colors on paper From the edition of unknown size With the printed artist’s red seal and Japanese characters at center right edge Sight: 14” H x 9.25” W “Two White-Front Geese Flying in Snow” Woodcut in colors on paper From the edition of unknown size With the printed artist’s red seal and Japanese characters at center left edge Sight: 14” H x 9.25” W $400-600

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Ohara Shoson (1877-1945) Two works:

“Three Plovers and Crescent Moon” Woodcut in colors on paper From the edition of unknown size With the printed artist’s red seal and Japanese characters at lower left Sight: 14” H x 9” W “Wild Ducks and Pampas Grass” Woodcut in colors on paper From the edition of unknown size With the printed artist’s red seal in red and Japanese characters at lower left Sight: 14” H x 9.25” W $400-600

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A Chinese cloisonné zimingzhong automaton clock

20th century Stamped to the underside with an apocryphal reign mark for Qianlong Period (1736-1795) The automaton two-movement clock with enameled dial bearing Roman numeral hour markers and with inset cut glass jewels to rim of brass case, set in a cloisonné enameled brass decorated gilt-copper vase, housing a wind-up musical apparatus and featuring a ring of rotating swans below gilt-metal stems terminating in enameled lily pads and lotus flowers, three of which open to reveal a seated Buddha in time with the music 48.75” H x 24” W x 25” D $30,000-50,000 Notes: This example is a copy of an 18th century original. During the 18th century, Chinese emperors collected elaborate clockwork automata known as zimingzhong, valuing them for their intricate craftsmanship and technical sophistication. These remarkable timepieces played a significant role in early cultural exchanges between Britain and China. The term zimingzhong, meaning “bells that ring themselves,” refers to more than just clocks. These devices expertly combined timekeeping with advanced musical mechanisms and striking visual designs. Adorned with motifs such as cranes and lotus flowers, they reflected British interpretations of Chinese culture, which captivated the imagination of the era.

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An Alfonso Marina parquetry side table

1999 With paper tag applied to underside: AM / Alfonso Marina / FBanista / Oct. 27 99 / 491/99; further marked with metal tag: Hecho en Mexico; with sticker to drawer interior: AM The wood table with brass ring pulls and single drawer to one side, featuring parquetry burlwood inlay and floral marquetry to top and side panels 27.25” H x 29.25” Dia. $200-300

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An Alfonso Marina marquetry coffee table

1999 With paper tag applied to underside: AM / Alfonso Marina / FBanista / Sept. 10 99 / 397/99; further marked with metal tag: Hecho en Mexico; with sticker to drawer interior: AM The wood table with brass ring pulls and three drawers to one side, featuring book-matched parquetry burlwood inlay and floral marquetry to top and side panels 20.25” H x 48.25” W x 30.5” D $600-800

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111

An Alfonso Marina Pembroke table

1999 With paper tag applied to underside: AM / Alfonso Marina / FBanista / Oct. 18 99 / 508/99; further marked with metal tag: Hecho en Mexico; with sticker to drawer interior: AM The wood table with single drawer and opposed drop-leaves held by swing rails, featuring an inlaid border to top, side panels, and legs Stored: 27.25” H x 26.5” W x 19” D; Open: 37.75” D $200-300

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A Samuel Marti champlevé and gilt-brass regulator mantel clock

Mid/late 19th century; France Marked to movement: S Marti et Cie / Medaille De Bronze; further marked: H P & Co. / [diamond] / 6412 / 58 The two-movement clock bearing Roman numeral hour markers on a gilt-metal dial with an eight-day open escapement, housed in a gilt-brass champlevé case depicting foliate motifs in the polychrome enamel, with glazed front, rear, and side panels, featuring Egyptian figures above ball-in-claw feet 13.75” H x 9.25” W x 8” D $500-700

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A pair of Japanese six-panel Byobu screens

18th/19th century with later elements The painted and gilt rice paper screens in ebonized wood frames, each panel with poetry decoupage above lower depictions of fences with ivy, morning glories, and passion flowers, within a silk brocade fabric border, 2 pieces Each panel: 54.875” H x 21” W x 0.75” D; Each stored: 4.25” D $700-900

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114

A pair of Japanese six-panel screens

The paintings Edo period, possibly earlier The screens in ebonized wood frames, each panel mounted with painted rice paper depicting city scenes with warriors and other figures, mounted to fabric, 2 pieces Each panel: 48.25” H x 17.875” W x 0.75” D; Each stored: 4.25” D $700-900

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115

A pair of Asian decoupage fan-mounted screens

Mid-20th century The Japanese-produced screens, each panel mounted with five applied Chinese paper fan forms painted with calligraphy, landscapes, plants, or animals, on a gilt paper ground in an ebonized wood frame, 2 pieces Each panel: 69” H x 23.5” W x 0.625” D; Each stored: 3.5” D $700-900

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116

A pair of Japanese six-panel narrative Byobu screens

19th/20th century Each vignette inscribed on gilt paper The painted rice paper screens in ebonized wood frames, each panel depicting various vignettes from the Tales of Genji, within a gilt paper and silk brocade fabric border, 2 pieces Each panel: 68” H x 24.875” W x 0.75” D; Each stored: 4.25” D $600-900

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117

A Japanese Iwayado-style tansu chest

20th century With paper label to upper cabinet door: KG-TK-0518 / Japan Furniture Industries Association, Inc. The zelkova wood chest with opposed locking cabinet doors revealing a single shelf above six locking drawers, featuring ebonized iron hardware with incised designs, foliate motif escutcheons, and elaborate pulls 53.25” H x 22.75” W x 18.25” D $600-800

118

A Japanese Iwayado-style tansu chest

20th century The zelkova wood chest with three small drawers above three long locking drawers, featuring ebonized iron hardware with incised designs, foliate motif escutcheons, and elaborate pulls 23.75” H x 22.25” W x 14.75” D $400-600

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119

A Japanese tansu stacking chest

20th century Each wood console with metal hardware and opposed upper handles that hide for stacking, the upper console comprising a sliding cabinet door above three drawers, the middle console comprising locking hinged cabinet doors revealing three open tray drawers, and the lower console comprising two long drawers, all set on a small box frame base, 4 pieces Overall: 53.5” H x 34.5” W x 17.5” D $500-700

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120

After Eugène Delacroix

(1798-1863) Interior figural scene Oil on canvas Unsigned; with an ink stamp on the verso 32.25” H x 39.25” W $2,000-3,000 Provenance: Robert Bijou Fine Art, San Francisco, CA

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121

Style of Carlo Dolci

(1616-1686) The Magdalene in Prayer, 19th Century Oil on canvas Unsigned 22” H x 17” W $400-600

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122

Eduard Charlemont

(1848-1906) Portrait of a gentleman, 1891 Oil on panel Signed and dated at the center of the right edge: E. Charlemont 1891 22.75” H x 15” W $1,000-1,500 Provenance: Fletcher Copenhaver Fine Art, Fredericksburg, VA

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123

Enrico Tarenghi

(1848-1938) “The Mother” Watercolor on board Signed lower right: E. Tarenghi; titled on a label affixed to the frame’s backing board Sight: 20.75” H x 14.5” W $800-1,200

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124

Adolf Brougier

(1870-1926) Spanish dancer with fan Oil on canvas Signed lower right: A. Brougier 45” H x 30.5” W $1,000-1,500

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125

Robert John Thorton

(1768-1837) “Dragon Arum” from “The Temple of Flora,” 1801 Mezzotint and aquatint in colors with hand coloring on wove paper From the edition of unknown size Unsigned; with the printed title, name of printer and publisher in the plate, just below the image; Ward, prntr.; Dr. Thorton, London, 1801, pub. Image: 17.25” H x 13.625” W; Plate: 16.25” H x 13.75” W; Sight: 19.25” H x 14.375” W $400-600 Literature: Dunthorne 301 Notes: This lot is accompanied by the corresponding poem on wove paper that is in the book, “The Temple of Flora.” The sheet is currently loose and secured with a clear sheet protector and taped to the frame’s backing board. w w w. j o h n m o r a n . c o m 1 4 3

128

A Debir Kashan pictorial rug

1930s Inscribed in cartouche depicting Amir Mojahaed Yousef Khan Bakhtiari; further inscribed at one short end in a cartouche Wool on cotton foundation 7’ 7” L x 4’ 8” W $2,000-3,000

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129

A Lavar Kerman prayer rug

Early 20th century Wool on cotton foundation, depicting calligraphy 6’ 10” L x 4’ 5” W $2,000-3,000

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130

A Lavar Kerman pictorial rug Early 20th century Wool on cotton foundation 7’ 3.5” L x 4’ 6.5” W $2,000-3,000

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131

A Kashan rug

Mid-20th century Wool on cotton foundation 13’ 6” H x 9’ 6” W $400-600

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132

A Nepalese stele of Durga slaying the demon Mahishasura

17th century Durga standing with one foot on her tiger and the other on the buffalo body of Mahishasura, holding various weapons, with her trident aimed at the demon’s heart, all within a flaming prabhamandala raised on a lotus pedestal, set in a custom wood plinth Stone: 13.25” H x 8.5” W x 3.5” D; Plinth: 2.75” H x 10.25” W x 5” D $2,000-3,000 Provenance: The collection of Joseph Michael Carrier

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133

A Nepalese stele of Chakrasamvara with his consort Vajravarahi

17th century The couple embracing in alidhasana over prone figures, Chakrasamvara with radiating arms around and holding various implements, with four faces, including one on the reverse, Vajravarahi with her right arm raised holding a vajra and with her left around his neck, her head flung back to look into his face, both within a flaming prabhamandala on a lotus pedestal and set in a custom wood plinth Stone: 14.25” H x 9” W x 3.75” D; Plinth: 2.75” H x 11.25” W x 5.625” D $1,500-2,000 Provenance: The collection of Joseph Michael Carrier

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134

Style of Omura Taiun

(1883-1938) Mt. Fuji landscape, Circa 20th Century Ink and watercolor on paper heightened with white, with paper border and wooden dowels, mounted as a hanging scroll Stamped with red chop marks in both the upper left and lower right portions of the sheet; further bearing the Japanese signature of Omura Taiun lower right Image: 32.75” H x 9.5” W $400-600

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135

Style of Wu Li

(1632-1718) Mountainous landscape with several buildings, Circa 20th Century Ink on antiqued-looking paper mounted as a hanging scroll with fabric border and wooden dowels Stamped with red chop marks in both the upper left and lower right portions of the sheet; further inscribed in the upper left Image/Sheet: 45.25” W x 15.5” W $400-600

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136

A Northern Chinese pottery funerary sculpture

Han Dynasty (206 BCE-220 CE) The polychrome glazed female robed figure set on a wood plinth with a Plexiglas case Figure: 27” H x 10.25” W x 5.75” D; Plinth: 31” H x 17.5” W x 13.25” D $1,000-1,500

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137

An Asian carved wood figure of an attendant

17th century or later The carved polychromed wood figure dressed in a heavy robe and painted in colorful pigments, mounted to an acrylic base Wood: 17.375” H x 5” W x 3.5” D; Base: 2” H x 5.5” W x 4.5” D $300-500

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138

Two Chinese pottery attendant figures

Ming Dynasty (1368-1644) The polychrome painted figures, comprising one female and one male, 2 pieces Female: 12.375” H x 3.625” W x 2.375” D; Male: 12.5” H x 4.375” W x 2.625” D $300-500

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139

A pair of Chinese pottery court lady figures

Tang Dynasty (618-907) or later Comprising two polychrome ceramic female figures, each set in a custom fabric-lined and cushioned box, 2 pieces Each figure: 7.5” H x 2.125” W x 1.75” D; Box: 3.375” H x 9.5” W x 8” D $200-300

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140

Two Chinese sancai-glazed pottery figures

Tang Dynasty (618 CE-907 CE) Comprising a polychrome painted fat lady figure and two other polychrome glazed attendant figures, 3 pieces Fat lady: 13.875” H x 4.125” W x 3.75” D; Each attendant: 11” H x 3.375” W x 3.375” D approx. $200-300

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141

Three Chinese pottery horse figures

Han Dynasty (206 BCE-220 CE) and Tang Dynasty (618 CE-907 CE) Comprising a Tang Dynasty equestrienne rider on horseback playing a flute, and two Han Dynasty terracotta horse heads, each mounted to an acrylic stand, 3 pieces Equestrienne: 13.5” H x 13.25” W x 4.5” D; Each head: 6” H x 6.25” W x 2.375” D $700-900 Provenance: The Iris Love Collection Sold: Merrill’s Auctioneers and Appraisers, Williston, VT, “The Iris Love Estate: Part One,” September 24, 2021, Lots 12 and 19 Private Collection, acquired from the above

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142

Three Chinese glazed pottery figures

Tang Dynasty (618-907) Comprising a cream glazed horse and rider figure, a green glazed horse, and a painted bison figure, 3 pieces Tallest horse fragment: 12.5” H x 10.875” W x 4” D; Bison: 6.625” H x 9.625” W x 3.25” D $100-200

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143

A Chinese folio of ten landscapes with embroidered cover

Late 19th/early 20th century Comprising ten landscape views, all but one of which includes figures in various activities; each ink and pigment on silk laid to paper, as issued; one view with a series of Chinese characters in black ink and a red chop mark reading “Shigu Wang Hui” in the upper right quadrant; all sheets loose, as issued, and all held within a silkcovered display folio with the cover formed of a Chinese rank badge-style textile embroidered in silk and metal-wrapped thread, depicting a pheasant atop a rock amid waves and deep water surrounded by clouds, flowers, and auspicious symbols, and with the interior of the folio covered in figured silk brocade, with pocket and display corners 11 pieces Each Image/Sheet: 9.75” H x 10” W approx.; Folio: 10.25” H x 10.756” W x 0.75” D $2,000-3,000 Notes: This lot is being sold to benefit the Tibetan Aid Project.

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144

A Councill Craftsman George III-style buffet

Late 20th century With metal tag: Councill Craftsmen The veneered wood buffet cabinet with gilt-metal pulls and hardware, comprising four central locking drawers and two side locking drawers above opposed cabinets, each revealing a single shelf 33.25” H x 57” W x 18” D $300-500

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145

A Chinese blue and white porcelain fan plaque

20th century Bearing Chinese inscription and chop mark The painted fan-shaped plaque depicting a mountain village landscape scene, set in a lacquered wood openwork frame with foliate motifs Sight: 16” H x 28.25” W, irregular $500-700

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146

A Chinese blue and white porcelain plaque

20th century With Chinese inscription at upper right and lower left The painted porcelain plaque with red accents, depicting two cranes amidst pine trees, set in a lacquered wood openwork frame with foliate motifs Sight: 31.375” H x 17” W $500-700

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147

A Chinese blue and white porcelain plaque

20th century Inscribed at bottom left corner The painted porcelain plaque depicting a scholar and a child standing on the bank of a body of water with lotus pads, set in a burlwood veneer frame Sight: 23.125” H x 14.125” W $500-700

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148

A Chinese blue and white porcelain bowl

20th century The shallow bowl with guardian lions, flaming pearl, and cloud motifs to interior and exterior, set on a folding wood stand Bowl: 3.5” H x 16.625” Dia.; Stand stored: 13.25” H x 10.375” W x 1.375” D $500-700

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149

A Chinese cloisonné charger

20th century Unmarked The large polychrome enamel and copper alloy charger depicting a dragon flying above roiling seas 3.25” H x 25.5” Dia. $100-200

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150

Two Chinese porcelain eggshell bowls

Circa 1970s Each bearing overglaze Macau Qianlong reign mark to underside The thin porcelain lobed bowls, each glazed and painted with dragons and floral motifs, the exterior with a gold-toned ground, 2 pieces Each: 2.875” H x 6.5” Dia. $200-400

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151

A group of Chinese carved hardstone items

20th century Plaque with partial sticker verso: Made in China Comprising a pair of carved hardstone guardian lions, a carved hardstone Happy Buddha with children, and a hardstone-mounted wood plaque depicting two ladies, one riding a longma, a mythological horse with scales, 4 pieces Plaque: 14.25” H x 11.75” W x 1” D; Buddha: 8” H x 4.5” W x 3” D; Each lion: 5.25” H x 2.5” W x 2” D $400-600

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152

A Chinese carved lapis figure of a seated Guanyin

20th century With sgraffito details, depicted seated with books and scrolls, set on a carved wood base Stone: 25” H x 14.25” W x 9.25” D; Overall: 3.25” H x 16” W x 10.125” D $300-500

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154

After Jules Moigniez

(1835-1894) “Race Horse” Patinated bronze on marble plinth Signed in the casting: J. Moigniez; attributed and titled to metal plaque applied to plinth Bronze: 12.5” H x 12.875” W x 4.75” D; Overall: 14” H x 14.5” W x 5.625” D $400-600

153

A Continental patinated bronze relief plaque 20th century Inscribed illegibly to base and dated 1865 Set in a velvet-clad wood frame Bronze sight: 18.5” H x 15” W x 2” D $150-200

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155

Warren B. Davis

(1865-1928) “The Rose,” 1905 Watercolor on off-white paper Signed and dated lower left: Warren B. Davis ‘05; titled on a gallery label affixed to the frame’s backing board Sight: 13.5” H x 9.5” W $800-1,200 Provenance: Private collection, New York, NY Spanierman Gallery, New York, NY, acquired from the above The Collection of David and Holly Davis, Pasadena, CA, acquired from the above, January 30, 1993

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156

Paul Clemens

(1911-1992) “Ballerina Resting,” 1969 Oil on canvas laid to Masonite Signed and dated lower right: Clemens 69; titled on the frame plaque 22” H x 15” W $1,000-1,500 Provenance: Richard Rush Estate The Castle Collection - Larry Castle Sold: John Moran Auctioneers, Pasadena, CA, June 15, 1999, Lot 66 The Collection of David and Holly Davis, Pasadena, CA, acquired from the above

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157

Lucia Fortuny

(b. 1937) “Voilier,” 1970 Oil on canvas Signed lower right: Fortuny; titled and dated, verso: 70 24” H x 19.625” W $500-700

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158

Lucia Fortuny

(b. 1937) “Port de Plaisance,” 1972 Oil on canvas Signed lower right: Fortuny; signed again, titled, and dated, all verso 18.25” H x 21.625” W $500-700

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159

Lucia Fortuny

(b. 1937) “Village Provençal,,” 1970 Oil on canvas Signed lower right: Fortuny; signed again, titled, and dated, all verso: 70 29” H x 23.75” W $500-700

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160

Jean Salabet

(1913-1995) “Montmartre,” circa 1950s Oil on canvas Signed and inscribed lower left: J. Salabet / “Paris”; titled and dated on a label affixed to the frame’s backing board 23.75” H x 29” W $600-800 Notes: This artist also known by the name of Juan Bayon Salado.

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161

Jean Salabet

(1913-1995) “Café de la Paix, Opera,” circa 1950s Oil on canvasboard Signed and inscribed lower left: J. Salabet / “Paris”; titled and dated by repute Sight: 17.25” H x 20.75” W $600-800 Notes: This artist is also known by the name of Juan Bayon Salado.

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162

Jean Salabet

(1913-1995) “Notre Dame, St. Michel,” circa 1950s Oil on canvasboard Signed and inscribed lower right: J. Salabet / “Paris”; titled and dated from labels attached to the frame’s backing paper and wire Sight: 17.25” H x 20.625” W $600-800 Notes: This artist is also known by the name of Juan Bayon Salado.

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163

A Tétard Frères sterling silver jardiniËre

Early 20th century; France Liner marked for TÈtard FrËres; oval body bearing Mercury hallmark in a vertical lozenge cartouche The .950 silver shaped oval body with scrollwork rim, decorated with shells to the sides, with a fitted silver-plated brass liner Overall: 6.875” H x 20.375” W x 14.25” D Weighable sterling: 58.9 oz. troy approximately $1,000-1,500 Provenance: The Collection of David and Holly Davis, Pasadena, CA

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164

A George III sterling silver covered serving dish

1811 Each marked for sterling; dish marked for London and George III; each date marked for 1811 and with maker’s mark: IE / EE [John & Edward Edwards (John Edwards III & his son)]; bearing a crest reading: Spes et Fides The sterling tray with gadrooned rim and shell corner accents, the lid with a foliate-form handle Overall: 6.875” H x 11.625” W x 9.625” D 64.1 oz. troy approximately $600-800

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165

A George IV sterling silver oval platter

1823 Marked for sterling and for London and date marked for 1823; maker’s mark: BS [Benjamin Smith II]; bearing a family crest to one side and another emblem to the other reading: Labore et Prudentia The sterling serving tray with scrollwork and rockwork, shells, and floral motifs to rim 1” H x 14.25” W x 11.25” D 49.6 oz. troy approximately $800-1,200

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166

Two George III sterling silver tea caddies

18th/19th century Each marked for sterling and for London; gadrooned date marked for 1811, repoussé for 1768; gadrooned with illegible maker’s mark; repoussé with maker’s mark: ER [Emick Romer] Comprising one caddy with gadrooned body and hinged lid with locking mechanism raised on ball feet, and a lidded box with chased and repoussé scrolled and floral motifs raised on foliate-form feet, 2 pieces Gadrooned: 5.25” H x 6” W x 4.625” D; Repoussé: 5.125” H x 3.5” W x 3.5” D 21.6 oz. troy approximately $500-700

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167

Two Wedgwood black basalt figures of fauns

19th century Each impressed to underside: WEDGWOOD Comprising a satyr figure after “Jeune faune à l’oiseau” by Claude Michel Clodion (1738-1814) and a running faun figure, each on a rounded base with garland motifs, 2 pieces Satyr: 11.25” H x 9.5” W x 6.5” D; Faun: 12” H x 8.75” W x 7” D $500-700

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168

Cesare Lapini

(1848-1893) Innocence tormented by Love, 1893 Carved marble on marble plinth With incised signature, date, and inscription verso near base: C. LAPINI / FIRENZE Sculpture: 49.5” H x 16.5” W x 15.5” D; Plinth: 19.75” H x 19” Dia. $3,000-5,000

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169

Leone Clerici (19th century)

An Italian carved marble bust of the young Octavian, 1879 Carved marble on alabaster column plinth Incised signature, date, and inscription: L. Clerici / Roma / 1879 2 pieces Bust: 22.5” H x 11.75” W x 9” D; Plinth: 36.75” H x 12” W x 12” D $1,000-1,500

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170

Tsukioka Yoshitoshi

(1839-1892) Six plates from “One Hundred Aspects of the Moon” (“Tsuki no Hyakushi”), 1885-1892 Each woodcut in colors on paper Each from the edition of unknown size and date Each with a red ink chop mark, and with Japanese characters in black, either printed as part of the image or stamped near the outer edges or in the margins; 6 works Image or sight of each: 12.5” H x 8.5” W (approx.) $700-900 Notes: The six plates comprising this lot are: Plate 6: “The Village of the Shi Clan on a Moonlit Night” Plate 14: “Tsunenobu and the Demon” Plate 33: “Dawn Moon of the Shinto Rites” Plate 82: “Uesugi Kenshin Watching Geese in the Moonlight” Plate 83: “Akashi Gidayu Writing his Death Poem before Committing Seppuku” Plate 91: “Musashi Plain Moon”

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171

Tsukioka Yoshitoshi

(1839-1892) Eight plates from “One Hundred Aspects of the Moon” (“Tsuki no Hyakushi”), 18851892; and one plate from “Beauty and Valor in the Novel Suikoden,” 1866 Each woodcut in colors on paper Each from the edition of unknown size and date Each with a red ink chop mark, and with Japanese characters in black, either printed as part of the image or stamped near the outer edges or in the margins; 9 works Sight of smallest: 9.25” H x 6.75” W; Sight of largest: 13.25” H x 9.25” W $500-700 Notes: The eight plates from “One Hundred Aspects of the Moon,” comprising this lot are: Plate 3: “Rising Moon over Mount Nanping” Plate 8: “Moonlight Patrol” Plate 20: “Suzaku Gate Moon” Plate 29: “The Yugao chapter from The Tale of Genji” Plate 32: “Kitayama Moon” Plate 57: “Reading by the Moon” Plate 85: “Moon of the Lonely House” Plate 93: “A Buddhist Monk Receives Cassia Seeds on a Moonlit Night” The one plate from “Beauty and Valor in the Novel Suikoden” compromising this lot is: Plate 22: “Takagi Umanosuke and the Ghost of a Woman”

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172

Tsukioka Yoshitoshi

(1839-1892) Four plates from “New Forms of Thirty-Six Ghosts,”, 1889-92; and four other plates Eight works: “The Good Woman’s Spirit Praying in the Waterfall” from the “New Forms of Thirty-Six Ghosts” series, 1889-92 Woodcut in colors on paper From the edition of unknown size and date With a red ink chopmark and Japanese characters in black, printed in the image Sight: 14” H x 9.375” W “Sadanobu Threatening a Demon in the Palace at Night” from the “New Forms of Thirty-Six Ghosts” series, 1889-92 Woodcut in colors on paper From the edition of unknown size With a red ink chopmark and Japanese characters in black, printed in the image Sight: 14” H x 9.375” W “Ii no Hayata Kills the Nue at the Imperial Palace” from the “New Forms of ThirtySix Ghosts” series, 1889-92 Woodcut in colors on paper From the edition of unknown size and date With a red ink chopmark and Japanese characters in black, printed in the image Sight: 14” H x 9.375” W “Nitta Tadatsune Sees Something Strange in the Cave” from the “New Forms of Thirty-Six Ghosts” series, 1889-92 Woodcut in colors on paper From the edition of unknown size and date With a red ink chopmark and Japanese characters in black, printed in the image Sight: 14” H x 9.375” W “Nomi no Sukune Wrestling with Taima no Kehaya” Woodcut in colors on paper From the edition of unknown size and date With Japanese characters in black, printed in the image Sight: 13.5” H x 9.5” W “Kazuenokami Kato Kiyomasa Observing a Monkey with a Writing Brush,” 1883 Woodcut in colors on paper From the edition of unknown size and date With a red ink chopmark and Japanese characters in black, printed in the image Sight: 13.5” H x 9.5” W “Otomi Takenouchi no Sukune torturing a Korean Yoshitoshi’s Courageous Warriors,” 1883 Woodcut in colors on paper From the edition of unknown size and date With a red ink chopmark and Japanese characters in black, printed in the image Sight: 13.25” H x 9” W “Tametomo - Yoshitoshi Musha Burui,” 1885 Woodcut in colors on paper From the edition of unknown size and date With a red ink chopmark and Japanese characters in black, printed in the image Sight: 13.5” H x 9.25” W $500-700

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173

Tsukioka Yoshitoshi

(1839-1892) One plate from “Sketches by Yoshitoshi,” 1886; and two other plates Three works: Untitled triptych Woodcut in colors on three conjoined sheets of paper From the edition of unknown size and date With various printed red chopmarks and inscriptions in Japanese characters in the image Sight: 13.5” H x 27.25” W “Imperial Councilor Chunagon Yukihira Ason Meets the Divers Murasame and Matsukaze During His Exile at Suma Bay” from the “Sketches by Yoshitoshi” series, 1886 Woodcut in colors on two conjoined sheets of paper From the edition of unknown size and date With a printed red chopmark and various signatures and inscriptions in Japanese characters in the image, lower right Sight: 14” H x 18.5” W “The Fever of Taira no Kiyomori” Woodcut in colors on three conjoined sheets of paper From the edition of unknown size and date With a printed red chopmark and inscription in Japanese characters in the image, lower left Sight: 13.625” H x 28.25” W $500-700

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174

After Françoise Auguste-Hippolyte Peyrol

(1856-1929) Man fighting a cougar “L’homme vainquant la lionne” Patinated bronze Signed in the casting: H. PEYROL 29.75” H x 17.5” W x 9.75” D $1,500-2,000

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175

After Auguste Nicolas Cain

(1821-1894) Lioness feeding her cub Patinated bronze Signed in the casting: A. CAIN; foundry mark: Susse Fres, Ed, Fabr, Paris; further marked: 1ere Epreuve 1905 24.25” H x 35.75” W x 13.5” D $1,000-2,000

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176

Attributed to Heinrich Schlitt

(1849-1923) Gnomes and animals in a naturalistic setting Watercolor, gouache, and ink on paperboard Unsigned Sight: 11.125” H x 8.875” W; Paperboard: 11.625” H x 9.5” W $600-800

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177

A pair of Chinese carved jade bowls

20th century Each footed bowl set on a carved hardwood stand, 2 pieces Each bowl: 2.25” H x 4” Dia.; Each stand: 1.25” H x 3.25” Dia. $600-800

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178

A Chinese carved nephrite cup

20th century The mottled nephrite footed cup with opposed dragon-form handles, set on a Japanese carved hardwood stand 2.25” H x 4.25” W x 2.875” D; Stand: 1” H x 2.75” Dia. $600-800

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179

A Chinese Export polychrome porcelain sweet-meat set

Late 19th/early 20th century The nine-section set, each painted and glazed porcelain, set in a carved hardwood handled tray, 10 pieces Overall: 1.75” H x 18” W x 15.875” D $1,000-1,500

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180

A group of Chinese Export Famille Rose dinnerware items

Qianlong Period (1736-1795) Comprising twelve plates and six soup bowls, each depicting a landscape scene with birds, a tree, and a building in the distance, 18 pieces Each plate: 1.125” H x 9” Dia.; Each bowl: 1.5” H x 9” Dia. $1,500-2,500

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181

An E. J. Victor table

Late 20th century With tag to underside: E J Victor / Premier Furniture Crafters The table with hinged quatrefoil top with burlwood veneer above four tapered and flared legs Open: 29.75” H x 44” W x 44.25” D; Stored: 22” W $200-300

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182

A Rococo-style bureau plat with side chair

20th century The carved wood desk with green leather gilt-stamped top above two locking drawers to one side, featuring carved shells and floral and foliate motifs, raised on cabriole legs with scrolled feet; Chair: The carved wood chair with burlwood veneer, the crest rail with bellflower and foliate motifs and the front adorned with shell accents, raised on ball-in-claw feet, featuring a needlepoint upholstered seat cushion depicting a floral basket arrangement Desk: 30.75” H x 59” W x 34.25” D; Chair: 41.75” H x 23” W x 23” D $300-500

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183

A Rococo-style table vitrine

20th century The wood table with glass top revealing a felt-lined display with passementerie trim, the exterior featuring gilt-bronze mounts including floral garlands inset with painted plaques, and four cabriole legs 18.75” H x 34.5” W x 35.75” D $150-250

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184

A metal-mounted marquetry étagère

20th century The three-tiered wood shelf stand mounted with metal trimming and foliate accents, each shelf featuring floral marquetry 32.25” H x 16.75” Dia. $100-200

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185

Edward Ladell

(1821-1886) Still life with grapes and peaches Oil on canvas laid to canvas Signed with the artist’s monogram along the lower left table edge: EL 18” H x 14” W $4,000-6,000

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186

Lucien-Victor Guirand de Scevola

(1871-1950) “Vase of Flowers” Oil on canvas laid to canvas Signed lower left: Guirand de Scevola; titled on a gallery label affixed verso 18” H x 15” W $800-1,200 Provenance: Ansley Graham Gallery, Los Angeles, CA Sold: John Moran Auctioneers, Monrovia, CA, “The Traditional Collector,” September 20, 2022, Lot 3366

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187

Henry John Stock

(1853-1930) “Dante’s Vision,” 1923 Watercolor with traces of graphite on wove paper mounted to thin paperboard Signed and dated lower left: H. J. Stock 1923; titled in pencil in another hand on the verso of the frame; titled again on a gallery label affixed to the frame’s hanging wire Image/Sheet: 14” H x 9” W; Paperboard: 14.5” H x 9.5” W $2,000-3,000 Provenance: Sold: Sotheby’s, Billingshurst, England, April 29, 1986, Lot 2944 Galerie Michael, Beverly Hills, CA

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188

A Raynaud and Co. porcelain “Montezuma Green” dinner service

20th century; France Each marked to underside: Limoges / France / Fabriqué et Décoré Dans la Cité de Limoges / Raynaud & Co. / Limoges / [swan logo] Manufactured by Limoges, comprising 12 dinner plates (10.375”), 12 salad plates (8.875”), 12 crescent side plates (8.125” x 5.5”), 10 bread and butter plates (6.5”), 12 lobed fruit bowls (6.5”), 12 flat rim soup bowls (9”), 12 footed cups (3.875”) with 12 saucers (6.5”), 1 oval serving platter (16.375” x 10.75”), 1 smaller oval serving platter (14.125” x 8.875”), 1 serving bowl (11”), 1 lobed serving bowl (9.75”), and 1 smaller lobed serving bowl (8”), 99 pieces $3,000-5,000

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189

A Chinese embroidered silk ceremonial robe

20th century The handstitched large robe in blue/grey striped silk fabric with wide, shaped sleeves, the back of the robe with elaborate appliqued multi-colored silk and metal-wrapped thread embroidered elements featuring Taoist imagery including a central medallion with a pagoda and dragon motif, surrounded by five roundels depicting various Immortals with attendants, and with cranes, bats, rabbits, pheasants, and other multiple various auspicious motifs overall, and with the embroidered border at the hem depicting the Eight Immortals crossing the sea, with four pink lotus blossoms; the robe laid flat and professionally mounted and framed 53” H x 72” W (at shoulders) $800-1,200

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190

A Chinese embroidered silk woman’s skirt

20th century A four-panel wrap skirt of green figured silk with two pleated panels and two flat panels, each with multicolored silk floss and metal-wrapped thread embroidery featuring flowers and insects such as peonies and irises, butterflies and moths, each panel with black silk banded borders and hem with tonal blue floral embroidery, and with a narrow plain weave blue fabric waistband; the skirt laid flat and professionally mounted and framed 32” H x 70” W (at hem) $700-900

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191

An American Empire carved wood recamier

Late 19th/early 20th century The wood settee with eagle-form corners featuring deeply carved plumage and giltwood beaks, upholstered in a gold-toned fabric depicting urns and foliate motifs with gimp braid trim, raised on scrolled feet 32.25” H x 73” W x 29.75” D $1,000-1,500

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192

A French Renaissance style gilt-metal ewer and basin

19th century Basin medallion marked: Tempe rantia; inner ring marked: Acna, Terra, Ignis, Aer; outer ring marked: Minerva, Grammatic, Dialectica, Rhetorica, Musica, Arithmetia, Geometria, Astrolggia After the model by Françoise Brion, the gilt-copper ewer bearing classical figures and beasts in friezes, set on a gilt-copper basin bearing figural expressions of the Seven Liberal Arts and sciences and Minerva, centering the four elements and a central maiden of temperance, raised on a tripod enameled metal stand with openwork gilt-bronze foliate mounts, bird figure finial, and sandal-form feet, 2 pieces Stand with basin: 31” H x 19.5” Dia.; Ewer: 11.25” H x 6” W x 4.75” D; Basin: 17.75” Dia. $1,500-2,500

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193

A Renaissance Revival-style bar and pair of stools

20th century Each stool stamped to underside: Made in Spain; each further stamped with illegible maker’s mark The yellow-painted wood bar with glass top and front panels of tufted fabric upholstery centering scrolled foliate carved motifs, the interior featuring three drawers above hanging stemware racks and a single shelf, together with a pair of conforming stools with columnar standards, 3 pieces Bar: 37” H x 61” W x 21” D; Each stool: 27” H x 15” Dia. $400-600

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194

A Continental Baroque-style carved wood coffee table

20th century The gold-toned painted openwork wood table with acanthus leaf motifs, surmounted by a later glass top, 2 pieces Wood: 17.5” H x 55.5” W x 29.75” D; Glass: 0.75” H x 68” W x 34” D $400-600

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195

A Rococo-style giltwood overmantel mirror

20th century The mirror frame with scrolled foliate motifs and an openwork flower basket crest ornament 42” H x 52” W x 7.5” D $300-400

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196

A pair of French provincial-style giltwood nightstands

American of Martinsville, 20th century Branded mark in drawer The two-drawer wood nightstands, each with gilt-metal pulls featuring transfer-printed porcelain medallions, surmounted by a marble top, and raised on scrolled feet Each: 23.25” H x 26.25” W x 16.5” D $100-200

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197

A Louis XV-style lady’s writing desk

20th century The wood desk with gilt trimming, gilt-metal hardware, and foliate mounts, featuring a central marquetry floral vase accent atop letter filing slots and two opposed drawers, above five drawers and raised on cabriole legs 42.5” H x 37.5” W x 20.25” D $200-300

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198

A Contemporary lacquered coffee table

Late 20th century In the manner of Karl Springer (1931-1991), the lacquered wood table with gold-toned accents at leg junctures, surmounted by a glass top Overall: 19.625” H x 48” W x 48” D $200-300

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199

Sabatino De Angelis

(b. 1838-n.d.) Narcissus Patinated bronze The base with incised signature, date, and inscription: Sabatino De Angelis / Capodimonte Napoli / 1887 Overall: 24.75” H x 12.5” W x 10” D $1,000-1,500

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200

After Déstrier de Blézer

(b. 19th century) The Swordsman Brass Signed in the casting: de Blezer. D 18” H x 7.75” W x 7.5” D $400-600

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201

Sacheverell Sitwell and Wilfrid Blunt (1897-1988 and 1901-1987)

“Great Flower Books 1700-1900,” 1956 Sitwell, Sacheverell, and Wilfrid Blunt. “Great Flower Books 1700-1900.” London: Collins, 1956 Edition: 256/295, plus 1750 unnumbered copies Signed to colophon: Sacheverell Sitwell / Wilfrid Blunt The folio bound in quarter green leather and marbled paper, with gilt-stamped spine, housed in a conforming slipcase, containing twenty 8-color photo-litho-offsets and sixteen monochrome collotype prints Overall: 20” H x 14.25” W x 1.5” D $400-600

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202

Lewis Carroll and Salvador Dalí (1832-1898 and 1904-1989)

“Alice’s Adventures in Wonderland,” 1969 Carroll, Lewis. “Alice’s Adventures in Wonderland.” Illustrated by Salvador Dalí. New York: Maecenas Press, 1969 Edition: 2032/2500 Signed by Dalí to title page The softcover folio housed in a clamshell case, containing eleven original woodcuts and an original etching Overall: 18.5” H x 13.375” W x 2.875” D $2,000-3,000

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203

“Knowing Darkness: Artists Inspired by Stephen King”

Beahn, George (essays). “Knowing Darkness: Artists Inspired by Stephen King.” Introduction by Frank Darabont. Illustrated by various artists. Lakewood, CO: Centipede Press, 2009 Edition: 33/300 Signed by 33 artists to end of principal volume Comprising two hardcover folio volumes, housed in a formed clamshell case Overall: 20.5” H x 14” W x 5.125” D $1,000-1,500

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204

A Chinese four-panel floor screen

Late 20th century Each panel bearing applied plastic inscription recto and painted inscription verso The screen with black lacquered frame and glazed front, each panel mounted with carved hardstones depicting various landscapes above fruit and floral motifs, each verso with painted arboreal and floral motifs Each panel: 71.75” H x 17.875” W x 1.75” D; Stored: 7.75” D $300-500

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205

A Chinese polychrome porcelain plaque

20th century With Chinese inscription and chop mark at upper right The painted porcelain plaque depicting four immortal figures seated underneath a pine tree, set in a lacquered wood frame Sight: 29.75” H x 14” W $400-600

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206

A hand-wrought gilt tole mirror and console

Late 20th/early 21st century The gilt-metal frame with applied foliate and floriform motifs, above a conformingly adorned demilune console with white marble top, 2 pieces Mirror: 58” H x 23.75” W x 2.5” D; Console: 12.75” H x 26” W x 13” D $300-500

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207

A Renaissance Revival settee and armchair

Late 19th century Comprising a two-seater settee and an armchair, each of parcel gilt and ebonized wood construction, mounted with gilt-bronze maidens to armrests, featuring openwork crest rail accent depicting floral and foliate motifs and finial, upholstered in canary yellow velvet fabric, the settee tufted at seatback, each set on casters, together with three silk throw pillows with passementerie accents, 2 pieces Sofa: 44.5” H x 72” W x 32” D; Chair: 42.5” H x 26” W x 29” D $800-1,200

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208

A Renaissance Revival carved mahogany hall stand

Late 19th century The wood stand mounted with seven coat hooks centering an oval mirror above a marble-top shelf with single drawer raised on fluted turned supports, flanked by brass rails for cane/umbrella storage, featuring carved floral and foliate motifs, trimming, and medallions, surmounted by an architectural cornice with turned spindle gallery and shell-form finial centering opposed turned finials 96” H x 47” W x 15” D $600-900

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209

A Walter H. Durfee banjo clock

Late 19th/early 20th century Marked to dial: Walter H. Durfee / Providence The wall-mounted single-movement clock with glazed enameled metal dial bearing Arabic numerals, housed in a wood casket with brass trimmings and accents, featuring two reversepainted scenes, each depicting a heraldic eagle and shield emblem, the lower additionally depicting three American warships, surmounted by a brass eagle finial 42.5” H x 10.5” W x 4.125” D $800-1,200

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210

After Gian Lorenzo Bernini (1598-1680) A figure of David, 20th/21st century Patinated bronze on stone plinth Unmarked Overall: 26” H x 13.5” W x 10.75” D $400-600

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211

212

(1873-1955) “Bogenschütze” Patinated bronze and copper on wood plinth Signed in the casting: R. Kaesbach Figure: 14.25” H x 13” W x 7” D; Overall: 16.5” H x 14.25” W x 7” D

20th century Each marked for sterling and for various makers; Jensen m Comprising a Georg Jensen hand-hammered footed bon a Gorham bowl, together with 4 more bowls, 1 footed sa small footed vessels, and a pair of small vessels, one pers Largest bowl: 1.625” H x 12.5” Dia. 93 oz. troy approximately

After Rudolf Kaesbach

$800-1,200

A group of sterling silver table items

$1,500-2,500

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marked: Dessin HN / Denmark / 575 C n bon bowl designed by Harald Nielsen (1892-1977) and alver, 2 small dishes, 1 small lidded pitcher, a set of 4 sonalized, 16 pieces

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214

A pair of Renaissance-style brass figural andirons

Late 19th century Each depicting a partly robed figure of Hercules hoisting a flaming urn, raised on a shaped base featuring a pair of opposed dragons or gryphons centering a figural mask below a crest, raised on paw feet, 2 pieces Each: 40.5” H x 19” W x 26.5” D $1,500-2,000

213

A palace-sized Egyptian rug Early 20th century Cotton on wool foundation 19’ 11” L x 18’ 3” W $4,000-6,000

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215

A group of glass stemware and tumblers

20th century Martini glasses marked illegibly to underside; others unmarked The cut glass vessels, comprising 12 martini glasses (5.5” H x 4.5” Dia.), 9 cordial glasses (5.25” H x 3” Dia.), 10 claret wine glasses (6.125” H x 3.5” Dia.), and 6 tumblers/double old-fashioned glasses (3.75” H x 3.125” Dia.), 37 pieces $100-200

216

A Japanese six-panel narrative Byo

19th/20th century The painted and gilt rice paper screen in depict various scenes from the Tale of G Each panel: 54” H x 21” W x 0.625” D; S $600-900

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obu screen

n a wood frame, each panel joining to Genji, within a silk fabric border Stored: 4.125” D

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217

A pair of Japanese six-panel decoupage Byobu screens

20th century Some decoupage elements signed The painted and gilt rice paper low screens, each in an ebonized wood frame, each panel with applied decoupage including poems and figural and landscape paintings, within a silk fabric border, 2 pieces Each panel: 47.75” H x 18.25” W x 0.75” D; Each stored: 4” D $600-900

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218

A pair of Japanese six-panel narrative Byobu screens

Edo Period (1603-1868) Each signed to rice paper applied to edge of outside panel frame The painted and gilt rice paper screens in ebonized wood frames, each panel joining to depict scenes from the Tales of Heike, within a silk brocade fabric border, 2 pieces Each panel: 55.5” H x 23.5” W x 0.75” D; Stored: 4.5” D $600-900

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219

Paul Jacoulet

(1896-1960) “Le Billet Doux. Mongole,” 1955 Woodcut in colors with gold leaf, silver mica, and silver metallic on handmade mulberry paper From the total edition of fewer than 350 impressions Signed in pencil above the artist’s red ink Peony stamp in the image near the lower left: Paul Jacoulet; the title printed in the lower margin, at right; with the black ink stamp of the carver, Honda Onodera, in the lower portion of the right margin; the artist’s elaborate red ink initials stamp at the verso of the lower margin Image: 15.5” H x 12” W; Sheet: 18.25” H x 14” W $400-600 Literature: Miles 139 Notes: According to Richard Miles, “...Jacoulet’s numbering system was eccentric at best...Existence of an edition does not mean that the edition was printed in full, and in most cases many fewer were pulled. It was Jacoulet’s practice to print only what he expected to sell, or had already sold, to subscribers...In addition, he tried not to duplicate numbers, and largely succeeded. Therefore, [in a hypothetical example], although a print stamped 290/350 is known to exist, there are fewer than 100 actual impressions with the edition of 350 stamp, because 200 of the earlier numbers were used up in the edition of 150 and 250. Even the edition of 150, of which number 150/150 is known, may have existed in fewer impression, because Jacoulet started printing some editions of 250 before completing the first printing.”

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220

Paul Jacoulet

(1902-1960) ‘’Marionettes Chinoises, Chinois,” 1935 Woodcut in colors with silver highlights on handmade mulberry paper Edition: one of fewer than 330 total impressions Signed in pencil above the artist’s (faint) red ink mandarin duck stamp in the image at the lower right: Paul Jacoulet; the title printed in the lower margin, at right; according to Miles, the block was carved by Kazuo Yamagishi; with the black ink stamp of the printer, Shunosuke Fujii, in the lower portion of the right margin Image: 15.25” H x 11.625” W; Sight: 16.375” H x 12.625” W $300-500 Provenance: Shogun Gallery, Washington, D.C. The Collection of David and Holly Davis, Pasadena, CA, acquired from the above, March 2, 1989 Literature: Miles 18 Notes: This lot is accompanied by a sales invoice dated March 2, 1989 from the gallery mentioned above. According to Richard Miles, Jacoulet used the red ink mandarin duck stamp from 1935-1936. He states that Shunosuke Fujii was active as a printer of the artist’s works from 1940-1950. Miles also points out that “...Jacoulet’s numbering system was eccentric at best...Existence of an edition does not mean that the edition was printed in full, and in most cases many fewer were pulled. It was Jacoulet’s practice to print only what he expected to sell, or had already sold, to subscribers...In addition, he tried not to duplicate numbers, and largely succeeded. Therefore, [in a hypothetical example], although a print stamped 290/350 is known to exist, there are fewer than 100 actual impressions with the edition of 350 stamp, because 200 of the earlier numbers were used up in the edition of 150 and 250. Even the edition of 150, of which number 150/150 is known, may have existed in fewer impressions, because Jacoulet started printing some editions of 250 before completing the first printing.”

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221

Paul Jacoulet

(1902-1960) ‘’Le Bonze Errant, Coree,’’ 1948 Woodcut in colors on handmade mulberry paper Edition: one of fewer than 250 total impressions Signed in pencil above the artist’s red ink peach stamp in the image at lower right: Paul Jacoulet; the title printed in the lower margin, at right; with the black ink stamps of both the carver, Kentaro Maeda, and the printer, Shunosuke Fujii, in the lower portion of the right margin Image: 15.25” H x 11.7” W; Sight: 16.5” H x 12.75” W $300-500 Provenance: The Collection of David and Holly Davis, Pasadena, CA Literature: Miles 95 Notes: According to Richard Miles, the artist used the red ink peach stamp from 1948-1951. He also states that, “... Jacoulet’s numbering system was eccentric at best...Existence of an edition does not mean that the edition was printed in full, and in most cases many fewer were pulled. It was Jacoulet’s practice to print only what he expected to sell, or had already sold, to subscribers...In addition, he tried not to duplicate numbers, and largely succeeded. Therefore, [in a hypothetical example], although a print stamped 290/350 is known to exist, there are fewer than 100 actual impressions with the edition of 350 stamp, because 200 of the earlier numbers were used up in the edition of 150 and 250. Even the edition of 150, of which number 150/150 is known, may have existed in fewer impression, because Jacoulet started printing some editions of 250 before completing the first printing...It goes without saying that many of the pre-war prints that did not leave Japan prior to 1941 are no longer in existence, and in many cases the delicate vegetable pigments have faded.”

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222

A malachite mineral specimen

20th century Set in a molded plastic base Overall: 13.5” H x 16.25” W x 8” D $400-600

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223

A malachite and chrysocolla mineral specimen 20th century Set in a molded plastic base 13.5” H x 17.25” W x 8” D $400-600

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224

A Gladding-McBean pottery oil jar

20th century Unmarked The large green-glazed jar with opposed handles, set in a wrought iron ring stand raised on scrolled feet, 2 pieces Jar: 34.25” H x 23.75” Dia.; Stand: 17.75” H x 27.5” Dia. $1,000-1,500

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225

A Gladding-McBean pottery oil jar

20th century Unmarked The large green-glazed jar with banded pictorial motifs in relief including musician figures to neck, animals to shoulder, men on horseback and river scenes to body, and scrollwork to base, set in a wrought iron ring stand raised on scrolled feet, 2 pieces Jar: 34.5” H x 21.75” Dia.; Stand: 18.5” H x 27.5” Dia. $1,000-1,500

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226

A massive Chinese celadon porcelain nine-peach fishbowl

Republic Period (1912-1949) or later The celadon-glazed porcelain bowl mounted with nine peaches on branches in relief, set on a carved wood base Porcelain: 25.85” H x 34” Dia.; Base: 5.25” H x 20.25” Dia. $8,000-12,000

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227

Pierre-Auguste Renoir

(1841-1919) Étude pour une baigneuse,” circa 1906 Drypoint on cream wove paper From the total edition of 1,000 Stamped with the artist’s signature in the lower margin, at right, as issued (Lugt 2137a); from “Tableaux, Pastels & Dessins de Pierre-Auguste Renoir” Amboise Vollard, Paris, pub. Plate: 8.625” H x 6.5” W; Sheet: 12.75” H x 9.75” W $1,000-1,500 Literature: Delteil 16; Stella 16 Provenance: Galerie Michael, Beverly Hills, CA Notes: A certificate of authenticity issued by the above-mentioned gallery accompanies this lot.

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228

After Henri de Toulouse-Lautrec

(1864-1901) “Le Baron Moise - La Loge” plate one from Georges Clemenceau, “Au Pied du Sinai,” 1897 Lithograph in light-black ink on off-white wove paper From the regular book edition published in 1898, of which 355 were printed as here, and 355 were printed on china paper (there were also 100 impressions printed in other colors and on other types of paper for a separate, deluxe, book edition) Unsigned, as issued; with the artist’s printed monogram in the image at upper right; Chamerot and Renouard, Paris, prntr.; Henri Floury, Paris, pub. Image: 7” H x 5.5” W; Sheet: 10.125” H x 7.75” W $500-700 Provenance: Claude Roger Marx (1888-1977) Sold: Audap, Solanet and Godeau-Villiet Auctioneers, Paris, “Former Claude Roger-Marx Collection: Prints from the 19th and 20th Centuries,” March 24, 1995, a black ink stamp (as shown here, verso, Lugt 3548) was specially created and added at the time to the prints in this singleowner auction Galerie Michael, Beverly Hills, CA, presumably acquired from the above Private Collection, acquired from the above, 1995 Private Collection, by descent from the above Literature: Delteil 236; Wittrock 189 Notes: According to Lugt, “Claude Roger-Marx did not have a personal mark. The stamp [L.3548] was created by the experts Denise Rousseau and Sylvie Collignon, and the auction house Audap, Solanet and Godeau-Velliet, on the model of the mark L.2229, for the sale of part of the prints from his collection in Paris on March 24, 1995.” This lot is accompanied by a certificate of authenticity as well as the original sales invoice issued by Galerie Michael on July 24, 1995.

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229

Itzchak Tarkay

(1935-2012) “Woman Reclining,” 1993 Acrylic on canvas Signed lower right: Tarkay; titled and dated from the sales invoice 40” H x 32” W $2,000-3,000 Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA Notes: This lot is accompanied by a sales invoice and other documentation related to the artwork.

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230

Fred Rodger

(b. 1952) House in a landscape Oil on board Signed lower right: Fred; signed again and inscribed verso: “I always wanted to visit the people that lived in this house” 16” H x 16” W $300-500

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231

Maurizio Tempestini (1908-1960)

A “Radar” lounge chair for Salterini, circa 1950s Unmarked The wrought iron chair with mesh seat and seatback, raised on a cantilevered base 29.75” H x 30” W x 27.5” D $500-700

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232

Two cobalt glazed pottery oil jars

20th century Larger incised to underside: 139 [symbol] Each jar with cobalt blue glaze and lug handles, one jar with tilted handles, 2 pieces Larger: 18” H x 14.5” W x 13.5” D; Smaller: 16.5” H x 12.25” W x 10.75” D $300-500

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233

Two Mexican carved wood doors

Early 20th century The double-sided doors of mortise and tenon construction joined by hinges, featuring friezes depicting floral and avian motifs, cherubs, and a church, surmounted by later carved accents and finials Each panel: 79” H x 18.625” W x 2” D $700-900

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234

Two cast concrete figures of Apollo and Diana

20th century Each hunter depicted with bow and a quiver of arrows, 2 pieces Apollo: 55.75” H x 19.5” W x 15” D; Diana: 56” H x 19.5” W x 17” D $600-800

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235

Two molded plastic sculptures of Classical figures

20th century Sabines signed: G. Ruggeri; wrestlers signed and dated: raip. A. Giannelli / 1970 Comprising a figural group depicting the Rape of the Sabines women, and a figural group of wrestlers, each set on a marble base, 2 pieces Sabines overall: 25.75” H x 9.25” W x 7.5” D; Wrestlers overall: 11.5” H x 13” W x 7.75” D $50-100

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236

Three Neoclassical-style Italian terracotta planters 20th century Each depicting putti in relief, 3 pieces Each: 11.5” H x 44.5” W x 16” D approximately $300-500

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237

A pair of Neoclassical-style Italian terracotta planters 20th century Each depicting putti in relief, 2 pieces Each: 11.5” H x 44.5” W x 16” D approximately $200-400

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238

A Japanese ikekomi-doro stone garden lantern

20th century Two components inscribed: JAPAN The carved granite garden ornament lantern of five components, comprising a four-window hollow hexagonal fire cavity depicting animal figures, above a columnar base and surmounted by an umbrella with scrolled accents, 5 pieces Overall: 59” H x 24” Dia. $500-700

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239

A Japanese ikekomi-doro stone garden lantern

20th century The carved granite garden ornament lantern of five components, comprising a four-window hollow hexagonal fire cavity depicting animal figures, above a columnar base and surmounted by an umbrella with scrolled accents, 5 pieces Overall: 57” H x 24” Dia. $300-500

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240

A Japanese ikekomi-doro stone garden lantern

20th century The carved granite garden ornament lantern of five components, comprising a fourwindow hollow fire cavity, one window with carved wood grate, above a rounded tripod base and surmounted by an umbrella with globular finial, 5 pieces Overall: 19” H x 17.5” Dia. $300-500

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241

A Japanese ikekomi-doro stone garden lantern

20th century Base of lantern inscribed: [illegible] / JAPA The carved granite garden ornament lantern of four components, comprising a four-window hollow fire cavity above a rounded base and surmounted by an umbrella with globular finial, 4 pieces Lantern: 18.25” H x 18” Dia.; Stand: 26” H x 13” Dia. $300-500

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242

A Japanese ikekomi-doro stone garden lantern

20th century The carved granite garden ornament lantern of six components, comprising a sixwindow hollow hexagonal fire cavity above a cantilevered base and surmounted by a shaped hexagonal umbrella with flared pointed corners, 6 pieces Overall: 49.75” H x 34” W x 22” D $400-600

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243

A Japanese ikekomi-doro stone garden lantern

20th century The carved granite garden ornament lantern of two components, comprising a two-window hollow fire cavity above a tall base and surmounted by a squared umbrella with ornate finial, 2 pieces Overall: 33” H x 14.5” W x 14.5” D $400-600

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244

Three Aboriginal polychrome wood boards

20th century The dot-painted curved wood boards in various motifs including two depicting central medallions and another depicting an arboreal motif, 3 pieces Longest: 22.5” H x 7.5” W x 3.5” D; Shortest: 20” H x 9.5” W x 7.5” D $600-800

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245

Three large studio pottery vases

Mid-20th century Each signed to underside by an unknown maker The glazed ceramic vessels with biscuit undersides, comprising two with applied coils and roundels and another with sgraffito body and pierced textured rim, 3 pieces Tallest: 28.5” H x 8.75” Dia.; Shortest: 16” H x 10.5” Dia. $400-600 Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA

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246

A group of mineral specimens

20th century The polished specimens, comprising 1 jasper, 1 red jasper, 3 petrified wood, and 2 labradorite, 7 pieces Largest: 7.25” H x 4” W x 2.25” D; Smallest: 4.125” H x 3.25” W x 2” D $500-700

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247

A septarian spherical mineral specimen 20th century Exterior polished 8.25” Dia. $300-500

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248

Clifton Karhu

(1927-2007) “Junks of Hong Kong,” 1973 Woodcut in colors on wove paper Edition: An artist’s proof aside from the edition of 200 Signed, titled, dated, and inscribed in pencil in the lower margin: Clifton Karhu ‘73 / “AP” Image: 13” H x 17.75” W; Sheet: 15” H x 19.5” W $400-600 Provenance: Yoseido Gallery, Tokyo, Japan

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249

Clifton Karhu

(1927-2007) “Kyomeisho-Kiyomizu,” 1975 Woodcut in colors on wove paper Edition: 12/100 Signed, titled, dated, and numbered in pencil in the lower margin: Karhu 75 Image: 12” H x 16” W; Sheet: 15” H x 18.5” W $400-600

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250

Clifton Karhu

(1927-2007) “Osaka-Jo,” 1974 Woodcut in colors on thick Japanese paper Edition: 11/80 Signed, titled, dated, and numbered in pencil in the lower margin: Karhu 74 Image: 20” H x 20” W; Sheet: 24” H x 24” W $400-600

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251

Kiyoshi Saito

(1907-1997) “Gate Horyu-ji Nara,” 1970 Woodcut in colors on paper From the edition of unknown size With the printed signature and red chopmark in the image at lower left: Kiyoshi Saito Sight: 14.625” H x 20.5” W $400-600

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252

Rokushu Mizufune

(1912-1980) “Bush” Woodcut in colors on paper Edition: 7/30 Signed, titled in Western and Japanese script, and numbered in pencil in the lower margin: R. Mizufune; signed again in the image left of center Image: 21.25” H x 16.25” W; Sheet: 23.375” H x 16.25” W $200-300

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253

Group of 13 Contemporary Japanese Prints 13 works:

Susumu Yamaguchi (1897-1983) “Reflections in the Lake” Woodcut in colors on laid paper From the edition of unknown size With the printed artist seal in red in the image, at lower left Image: 14.125” H x 18.5” W; Sheet: 16.125” H x 21” W Hiroto Norikane (b. 1949) Untitled, farmhouse Etching and drypoint in colors on wove paper Edition: 58/100 Signed, numbered, inscribed in Japanese characters in pencil in the lower margin: Hiroto Norikane; with the artist’s red ink seal in the lower margin, at right Image: 6.375” H x 5.5” W; Plate: 6.75” H x 5.875” W; Sheet: 11.625” H x 10.375” W Hiroshige Ando (1797-1858) “Yellow Rose and Frogs” Woodcut in colors on paper tipped to the back mat in three places along the verso of the right margin edge, as issued From the edition of unknown size With the printed artist seal in red in the image near the center of the left edge; other Japanese characters printed in the image and the lower portion of the right margin Image: 15.125” H x 5.25” W; Sheet: 16.375” H x 5.625” W Takehisa Yumeji (1884-1934) “Final Settlement of Love,” from “The Ladies Graphic,” 1924 Woodcut in colors on Japanese paper From the edition of unknown size Unsigned; inscribed indistinctly in pencil, possibly in the hand of the artist, on the verso of the lower right corner Image: 9.75” H x 4.375” W; Sheet: 10” H x 4.75” W Shin (Late 19th/20th century) Untitled, a Bunraku puppet head Woodcut in color on Japanese paper tipped to a support sheet from the verso of the upper sheet corners, as issued From the edition of unknown size With the printed signature or inscription in the image, at lower right: SHIN Image: 6.25” H x 4.375” W; Sheet: 6.75” H x 4.75” W Akio Yamao (20th century) “Emma (T),” 1976 Etching on wove paper Edition: 38/100 Signed, titled, dated, and numbered in pencil in the lower margin: Yamao / ‘76 Plate: 4.75” H x 3.5” W; Sheet: 9.875” H x 6.5” W Akio Yamao (20th century) “Emma (F),” 1974 Etching on Bresdin Japon paper Edition: 24/100 Signed, titled, dated, and numbered in pencil in the lower margin: Yamao / ‘74 Plate: 7.125” H x 4.75” W; Sheet: 12.875” H x 9.875” W Masao Ohba (1928-2008) Untitled, blue butterfly Screenprint in colors on thick paper Edition: 83/200 Signed, numbered, and inscribed with Japanese characters in pencil in the lower margin: M. Ohba Image: 6.75” H x 8” W; Sheet: 10.75” H x 11.75” W Re de s i gned: I n t e r i o r s l Tu e s d ay, A p ril 8 , 2 0 2 5

Taniguchi Kokyo (1864-1915) Untitled, a Bunraku puppet Woodcut in colors on laid paper Edition: 17/25 With a printed red ink chopmark and pencil numbering in the image, at lower right; with printed Japanese characters and pencil notations in another hand, all verso Image: 10” H x 7.75” W; Sheet: 14.375” H x 11” W Tokuriki Tomikichiro (1902-2000) “Sanjo Ohashi Bridge” Woodcut in colors on wove paper tipped to the back mat from the verso of each sheet corner, as issued From the edition of unknown size Unsigned Image: 11.125” H x 9.75” W; Sheet: 11.625” H x 11.5” W 20th century Japanese school Untitled, Angel, 1963 Woodcut in colors on wove paper Edition: 13/100 With the printed indistinct signature in the image, at lower left; dated, numbered, and inscribed Japanese characters in pencil in the lower margin: -63 Image: 10.875” H x 15” W; Sheet: 12.5” H x 16.875” W 20th century Japanese school Untitled, Majestic figure, 1963 Woodcut in colors on wove paper Edition: 9/100 With the printed indistinct signature in the image, at lower right; dated, numbered, and inscribed Japanese characters in pencil in the lower margin: -63 Image: 10.875” H x 15” W; Sheet: 12.5” H x 16.5” W 20th century Japanese school Untitled, abstract, 1982 Woodcut in colors on wove paper Edition: 2/20 Signed indistinctly, dated, numbered, and inscribed with Japanese characters in pencil in the lower margin: -’82 Sheet: 15.875” H x 22.625” W $300-500 Provenance: The Yoseido Gallery, Tokyo, Japan Notes: This lot is accompanied by a certificate of authenticity dated January 28, 1976 from the gallery mentioned above, for the work “Reflections in the Lake” by Susumu Yamaguchi.253

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254

A Kashan rug

Late 20th century Wool on cotton foundation 17’ 1” L x 12’ W $2,000-3,000

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255

A Qum silk garden rug 20th century Silk on cotton foundation 2’ 11” L x 2’ 1.5” W $400-600

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256

A painted leather three-panel dressing screen

Circa 1920s Each panel depicting pheasants and floral vines, with tacking along edges and brass hinges Each panel: 72.125” H x 21.375” W x 1” D; Stored: 3.375” D $500-700

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257

A pair of Continental processional lanterns

Mid/late 20th century Each unmarked Comprising two metal single-light lanterns with eight glass panels centering openwork and repoussé tole accents, each raised on a wood dowel pole, 2 pieces Each lantern: 28.5” H x 11.75” Dia.; Longer pole: 69” L $400-600

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258

A Jamestown Furniture Co cellarette

Circa 1910 Unsigned With a single-door oak cabinet decorated with inset green slag glass and a painted and carved wood panel, possibly depicting the Pied Piper, over a pull-out slag glass rolling surface and two short drawers raised on four legs with a carved stretcher 65.75” H x 18.5” W x 18.5” D $400-600

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259

A Korean carved hardwood étagère

20th century The three-tier lacquered wood display cabinet with brass hardware, featuring three small drawers above a locking cabinet with hinged doors, each front with panels depicting various figures 63” H x 20.5” W x 14.5” D $300-500

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260

A Chinese chicken coop cabinet

Late 19th century The carved wood cabinet with brass hardware, featuring two open slatted doors revealing three shelves, above two drawers and an open slatted undercabinet with small central door 63.5” H x 44.5” W x 22.75” D $400-600

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262

An Asian carved wood sculpture of a deity and attendant

20th century Possibly Indonesian, the polychrome wood sculpture of a four-armed deity figure kneeling on an animal attendant 18.25” H x 8” W x 7” D $200-300

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263

An East Asian painted chest

Early 20th century with later elements The polychrome wood chest with hinged top, brass accents, trim, opposed handles, and later locking mechanism, featuring painted figural courtly scenes to top and front framed by floral motifs, set in a later conforming footed stand and surmounted by a custom glass top Overall: 18.75” H x 31.25” W x 16.5” D $400-600

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264

A Chinese carved wood panel

20th century The wood panel with carved openwork foliate motifs in friezes, at center are depicted two traveler figures, one on horseback, surmounted by a brass openwork hanging handle With handle: 19.625” H x 15” W x 1.375” D $200-300

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265

A Chinese carved hardwood hanging lantern

Late 20th century The three-light ceiling fixture with four reverse-painted frosted glass panels depicting floral motifs, set in a carved wood frame with openwork ornamentation and dragon-form finials, electrified 33” H x 22” W x 22” D $800-1,200 Notes: This lot is being sold to benefit the Tibetan Aid Project.

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266

A Chinese inlaid Huali brush pot

20th century The carved hardwood brush pot with mother of pearl inlay depicting two birds perched on a tree branch with blossoms, above a removeable wood plug to underside 8.75” H x 9” Dia. $800-1,200

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267

268

20th century The underside bearing an apocryphal reign mark for Qianlong Period (1736-1795) The polychrome enameled opaque white glass snuff bottle with floral motif and a cork stopper 2.5” H x 1.875” W x 1.125” D

19th century Each bearing Kanji characters recto Comprising six glass snuff bottles with hardstone caps various figural scenes, 6 pieces Each: 3.625” H x 1.875” W x 0.875” D

A Chinese Guyuexuan-style glass snuff bottle

$400-600

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A group of Chinese glass snuff bottles

$400-600 Provenance: Estate of a Lady, Hollywood, CA

s, each reverse-painted with

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269

A group of lapidary bird figures

20th century The carved stone figures, comprising a rhodocrosite penguin figure, an onyx pelican figure on a banded onyx base, a rock crystal parrot figure with sodalite beak on an amethyst base, and a white hardstone cockatoo figure, 4 pieces Parrot with base: 4.375” H x 3” W x 1.875” D; Penguin: 2.375” H x 1.5” W x 1.375” D $400-600

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270

Two Chinese polychrome porcelain plaques

1986 One dated and with inscription in red and black The near-pair of painted porcelain plaques, each depicting a landscape scene, set in a lacquered wood frame, 2 pieces Larger sight: 14.875” H x 9.875” D; Smaller sight: 14.5” H x 9.75” W $800-1,000

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271

Three Chinese carved hardstone items

20th century Comprising an agate snuff bottle ornately decorated with flowers, set in a carved wood stand and house a glazed brass display box, a pierced green stone mirror backing, and a framed pierced hardstone medallion depicting bats, 4 pieces Mirror: 13.5” H x 6.5” W; Medallion: 2.65” H x 2.75” W; Snuff: 6” H x 3.75” W x 1.75” D $400-600

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272

Two Chinese polychrome paper wall fans

20th century Each with sticker to outer rib: Made in China / ZL86202769; each with Chinese inscription and red chop mark The painted paper fans, comprising one depicting five birds, the other depicting a Bengal tiger, each mounted to lacquered wood ribs, 2 pieces Each stored: 35” H x 3” W x 2.375” D $250-350

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273

Romain (Erté) de Tirtoff

(1892-1990) Tassels, 1988 Etched glass luminaire on acrylic plinth Edition: 83/175 Signed and numbered lower right: Erté; dated and inscribed: © Crystal Haze Design, Inc. Glass: 15.25” H x 12.375” W; Overall with plinth: 19.75” H x 14.125” W x 7.25” D $700-900

274

A Paul Scheurich for Meissen porcelain fi

1913-1923 With underglaze blue crossed swords; incised: Designed by Paul Scheurich (1883-1945) for th porcelain figure of the clown Pierrot from the R 7.375” H x 8” W x 3.75” D $600-900

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275

A. Jeffrey Zigulis

(b. 1954) Two Dream Masks Painted ceramic and plastic wire Each with incised signature verso: A.J. Zigulis Larger: 31.5” H x 11.75” W x 8.25” D; Smaller: 19.5” H x 8.5” W x 5.75” D $300-500

figure of Pierrot

: D283; stamped: 48 he Ballet Russe series, the glazed Russian Ballet “Karneval”

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276

A Continental walnut drop-front secretary

Possibly Danish, circa 1830 The oak secretary with book matched walnut burlwood veneer, mother of pearl escutcheons, and brass locking mechanisms, the two twisted standards terminating in turned finials, flanking an upper drawer above a drop front, revealing nine drawers with marquetry fronts, all above three more drawers and raised on front paw feet 62.5” H x 43.25” W x 21” D $600-800

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277

A Chinese six-panel cloisonné-mounted lacquered screen

20th century The red lacquered wood panels, each featuring four inset cloisonné panels in various shapes, depicting flowers and birds, 6 pieces Each panel: 73.5” H x 17.25” W x 1.25” D $600-900

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278

A pair of Chinese gilt and red lacquered wood panels

Late Qing Dynasty (1644-1912) or later The decorative openwork panels, each depicting figures in a roundel centering bat motifs, above a lower relief frieze depicting courtly figures, 2 pieces Each: 28.5” H x 19” W x 1.375” D $300-500 Notes: This lot is being sold to benefit the Tibetan Aid Project.

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279

A Chinese Famille Verte polychrome porcelain plaque

20th century Unmarked The painted porcelain plaque depicting a mythical creature by the sea within a diamond border, set in a carved wood frame Sight: 17.375” H x 12.25” W $200-300

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280

A group of Chinese sancai-glazed pottery items

Ming Dynasty (1368-1644) Comprising a pagoda, a pair of cabinets, two tables with offerings, a pair of horseshoe chairs, a shrine, a chest, and a boat, 11 pieces Pagoda overall: 31” H x 12.25” W x 12.25” D; Each chair: 7.5” H x 4.5” W x 4” D $1,000-1,500

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281

Two Chinese green glazed pottery figures

Ming Dynasty (1368-1644) Comprising two ceramic figures of officials, each with detached heads set into shoulder and raised on a pedestal, 2 pieces Taller: 16” H x 4.75” W x 4” D; Shorter: 15” H x 5” W x 4.125” D $300-500

282

Two Chinese hardstone carvings

20th century One depicting a leaping fish and aquatic plants, another fan-form carving with seed pods and floral elements, each set on a carved wood stand, 2 pieces Fan overall: 13.75” H x 9” W x 3.5” D; Fish overall: 14” H x 7.25” W x 3.25” D $300-500

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283

Eight vintage Chinese propaganda posters

Featuring works of Soviet and Chinese Revisionism from the Cultural Revolution era, circa 1960s-1970s Various sizes, the largest: 31” H x 21.5” W $500-700

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284

Wilson Chu

(b. 1946) “Garden by the Ocean” Oil on canvas Signed lower left: Wilson Chu; titled on a label affixed to the stretcher bar 39.5” H x 59.5” W $1,000-1,500

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285

Allen Sapp

(1929-2015) “Going Someplace,” 1969 Acrylic on canvas Signed lower right: Allen Sapp; titled and dated on a label affixed to the stretcher bar 20” H x 16” W $1,000-1,500

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286

A Chinese carved stone standing Bodhisattva stele 20th century The figure carved into a sandstone block 22.25” H x 9.375” W x 5.75” D $500-700 Notes: This lot is being sold to benefit the Tibetan Aid Project.

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287

A group of Chinese carved hardstone figures

20th century Guanyin incised to underside: CHINA; Ho Tai with applied sticker: Made in China Comprising a green stone figure of Ho Tai, a black stone travelling Buddha, a figure of Guanyin, a figure of a Buddha with child, and a figural seal depicting a Sage, three set on carved wood stands, 5 pieces Guanyin stone: 8.25” H x 2” W x 1.625” D; Sage: 2.875” H x 0.875” W x 0.875” D $300-400

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288

A group of Chinese carved hardstone figures

20th century The green hardstone figures, comprising a seated Buddha, two elephants, and a saddled horse, each set on a carved wood stand, 4 pieces Buddha stone: 2.375” H x 3.125” W x 1.875” D; Horse stone: 2.375” H x 3.125” W x 1.125” D $400-600 Provenance: The Collection of David and Holly Davis, Pasadena, CA

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289

Two Chinese carved hardstone dog figures

20th century Comprising a seated dog with a ball held in his front paws, and another dog with a pup, each set on a wood stand, 2 pieces Larger stone: 1” H x 1.75” W x 1.25” D; Smaller stone: 0.625” H x 1.75” W x 0.875” D $500-700 Provenance: The Collection of David and Holly Davis, Pasadena, CA

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290

A Tibetan thangka

19th/20th century Gouache and gold leaf pigment on finely wove canvas, depicting a central standing deity surrounded by further deities 16.75” H x 14.75” W $300-500 Provenance: Estate of a Lady, Hollywood, CA

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291

Iwao Akiyama

(1921-2014) “Two Owls,” 1971 Woodcut on handmade Japanese paper laid to tissue paper Edition: 5/100 Signed and titled in Japanese, dated, and numbered, in pencil in the lower margin: 1971; with the artist’s red ink seal in the lower margin, at right Image: 11.375” H x 11.75” W; Sheet: 20” H x 18.125” W $500-700

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292

Iwao Akiyama

(1921-2014) “To the Sea,” 1971 Woodcut on handmade tan Japanese paper laid to tissue paper Edition: 5/100 Signed, titled in Japanese, dated, and numbered, all in pencil in the lower margin: Iwao Akiyama / 1971; with the artist’s red ink seal in the lower margin, at right Image: 20.5” H x 15” W; Sheet: 23.5” H x 18” W $500-700

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293

Iwao Akiyama

(1921-2014) “Aizen Myo’o,” 1976 Woodcut on tissue-thin cream-colored handmade Japanese paper Edition: 58/100 Signed and titled in Japanese, dated, and numbered, all in pencil in the lower margin: Akiyama / 1976; with the artist’s red ink seal in the lower margin, at right Image: 13.75” H x 10” W; Sheet: 21.25” H x 13” W $500-700

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294

Iwao Akiyama

(1921-2014) “Guardian Deity,” 1972 Woodcut on wove paper Edition: 35/200 Signed, titled in Japanese, dated, and numbered, all in pencil in the lower margin: Akiyama / 1972; with the artist’s red ink seal in the lower margin, at right Image: 18” H x 7” W; Sheet: 23” H x 10.75” W $500-700

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295

Iwao Akiyama

(1921-2014) “Owl and Girl,” 1972 Woodcut in colors on paper Edition: 22/100 Signed, titled, dated, and numbered in pencil in the lower margin: Iwao Akiyama / 1972; with the artist’s red ink seal in the lower margin, at right Image: 13” H x 7.5” W; Sheet: 15.75” H x 9.5” W $500-700

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296

Iwao Akiyama

(1921-2014) “Running Horse,” 1972 Woodcut on handmade tan Japanese paper laid to tissue paper Edition: 21/100 Signed, titled in Japanese, dated, and numbered, all in pencil in the lower margin: Iwao Akiyama / 1972; with the artist’s red ink seal in the lower margin, at right Image: 19.5” H x 10” W; Sheet: 23.5” H x 11.625” W $500-700

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297

Jun’ichiro Sekino

(1914-1988) Cats, 1960 Woodcut in colors on Japanese paper Edition: 41/100 Signed in white ink in the lower right corner of the image: J. Sekino; with a red ink chop mark in the same area; dated and numbered in pencil in the lower margin Image: 14.875” H x 10” W; Sight: 15.625” H x 10.75” W $600-800 Provenance: Sold: John Moran Auctioneers, Monrovia, CA, “ReDesigned,” October 15, 2024, Lot 257

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298

A pair of Chinese porcelain fishbowl jardinières

20th century Marked in red underglaze bearing an apocryphal reign mark for Jiaqing Period (1796-1820) Each depicting riders on horseback, bats, and other figures in a landscape, set on a carved wood stand, 2 pieces Each bowl: 12.5” H x 15.5” Dia.; Each stand: 11.25” H x 14.5” Dia. $500-700

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300

Two Chinese porcelain fishbowl jardinières

20th century Famille Rose marked in red underglaze bearing an apocryphal reign mark for Qianlong Period (1736-1795) Comprising one Famille Rose bowl depicting alternating friezes of courtly figure scenes and birds within floral bunches to exterior and goldfish to interior, and another bowl depicting various birds within a floral landscape to exterior and lotus flowers and lily pads to interior, each set on a carved wood stand, 2 pieces Larger bowl: 15.5” H x 16.75” Dia.; Smaller bowl: 13” H x 15.5” Dia. $300-400

299

A pair of Chinese porcelain fishbowl jardinières

20th century Marked in red underglaze bearing an apocryphal reign mark for Qianlong Period (17361795) Each depicting peacocks within an arboreal and floral landscape to exterior and lotus flowers and lily pads to interior, set on a carved wood stand, 2 pieces Each bowl: 12.75” H x 14.625” Dia.; Each stand: 11” H x 14.75” Dia. $400-600

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301

A group of Hermés and Versace designer silk throw pillows

Late 20th century Each with printed mark to fabric for designer; one marked to interior fabric and care label: Versace / Made in Italy Comprising two Hermés “Les Cles” blue and gold silk throw pillow covers, each with a brown branded exterior tag and embroidered “H” motif medallion verso, with white piping and invisible zip fastenings (each: 17” H x 17” W x 4” D), as well as a Versace two-sided printed silk cushion with classical arabesque acanthus and Medusa medallion motifs, in red or blue, with black, gold, and pink, and with a zip closure (18” H x 18” W x 5” D), 3 pieces $400-600

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302

Two Atelier Versace silk throw pillows

Late 20th century Each with printed mark for Versace and to interior fabric and care label: Versace / Made in Italy Each Atelier Versace fringed accent cushion with printed central medallion and arabesque designs, one all silk in black, blue, and gold, and one in silk with the reverse in cotton velour, in golds, cream, and black, each with zip closure and removable inner pillow Larger: 17.5” H x 17.5” W x 6” D; smaller: 16.5 “ H x 16.5” W x 5” D $250-350

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303

A Chinese Famille Rose porcelain vase

20th/21st century Stamped to underside in blue underglaze The vase with alternating floral motifs and friezes depicting courtly figures 16.25” H x 9.25” Dia. $100-200

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304

A Chinese Famille Jaune porcelain vase

20th/21st century Marked in red underglaze bearing an apocryphal reign mark for Qianlong Period (1736-1795); with inscription to body The vase body depicting figures and a horse in a rural scene, set on a carved hardwood stand Vase: 13.25” H x 8” Dia.; Stand: 5” H x 8” Dia. $100-200

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305

A pair of Chinese Famille Verte porcelain vases

Early 21st century Each marked in red underglaze: Zhongguo Zhi Zao / Made in China The baluster-form vases, each with opposed gilt handles below flared rim, profusely decorated with floral motifs throughout, centering opposed friezes depicting buildings in a landscape, 2 pieces Each: 23.625” H x 10.75” Dia. $200-300

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307

A Yok Sang Chinese Export silver compote

Late 19th/early 20th century Stamped in a cartouche to underside: Yok Sang The footed coin silver bowl with repoussé bamboo motifs 3.625” H x 5.375” Dia. 8.1 oz. troy approximately $500-700

306

A pair of Chinese black lacquered stools

20th century The ebonized wood stools, each painted with floral motifs, with an openwork apron depicting orange peonies, one top depicting painted courtly ladies, the other with mother of pearl inlay depicting a maiden hoisting a flower basket, 2 pieces Each: 17.75” H x 17.5” Dia. $400-600

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308

A group of seven Indian miniatures

Late 18th century/early 19th century A group comprised of five erotic scenes, plus one with figures at work, and one with figures and elephants; with natural pigment, borders along the image, and some with text inscriptions; 7 works Sight of smallest: 6.5” H x 4.75” W; Sheet of largest: 13.5” H x 7.5” W $500-700

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309

Male chakra chart

Indian, 18th century or later Gouache and ink on beige paper Appears unsigned; inscribed in ink on a label affixed to the frame’s backing paper: “Tantric Kangra / Chukra Man / 18th century” Sight: 11” H x 7.5” W $100-200

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310

A pair of Korean four-panel scroll screens

1852 with later elements Dated by inscription to the year 1852 (Joseon Dynasty); each bearing a poetic inscription describing the agricultural activities depicted Each scroll depicting various daily activities of farmers, comprising eight scrolls mounted to two four-panel screens, each with fabric border and wood frame, 2 pieces Each panel: 60.75” H x 24.5” W x 0.625” D; Each stored: 2.375” D $1,000-1,500

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311

A Chinese four-panel screen

17th century with later elements A partial painting of ink and color on silk, depicting an elderly matriarch surrounded by her grandchildren offering her blessings, mounted to later screen with ebonized wood frame and fabric border Each panel: 40.5” H x 20” W x 0.75” D; Stored: 2.875” D $800-1,200

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312

Tadashi Nakayama

(1927-2014) Butterfly, 1964 Woodcut in colors on wove paper Edition: 5/50 Signed, dated, and numbered in pencil in the lower margin: T. Nakayama 1964; an unidentified red ink stamp, verso Image: 28.5” H x 22.5” W; Sheet: 30.5” H x 24.25” W $600-800

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313

Tadashi Nakayama

(1927-2014) Two horses, 1968 Woodcut in colors on paper Edition: 18/72 Signed, dated, and numbered in pencil in the lower margin: 1968 T. Nakayama; an unidentified red ink stamp, verso Image: 23.5” H x 22.5” W; Sheet: 25.25” H x 23” W $600-800

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314

Tadashi Nakayama

(1927-2014) “Herd of Horses,” 1963 Woodcut in colors on Japanese paper Edition: 37/65 Signed, dated, and numbered in pencil in the lower margin: T. Nakayama 1963; titled by repute; an unidentified red ink stamp, verso Image: 10” H x 30” W; Sheet: 13.25” H x 33.25” W $200-400

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315

Jun’ichiro Sekino

(1914-1988) “My Family,” 1956 Woodcut in colors on wove paper Edition: 95/100 Signed, dated, and numbered in pencil in the lower margin: Jun’ichiro Sekino 1956; with the artist’s black ink printer’s stamp at the center of the lower margin edge Image: 21” H x 16” W; Sheet: 25” H x 18.5” W $400-600

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316

Jun’ichiro Sekino

(1914-1988) Group of zebras, 1965 Etching and mixed media on paper Edition: 10/75 Signed, dated, and numbered in pencil in the lower margin: Jun. Sekino 1965 Plate: 16.875” H x 16.375” W; Sheet: 25.125” H x 22.125” W $300-500

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317

A Martin 00-17 acoustic guitar

1955 Headstock marked: Martin & Co. / Est. 1833; interior stamped: C.F. Martin & Co. / Nazareth, PA; further stamped: 00-17 / 152414 The mahogany body six-string guitar, housed in a later case Guitar: 39” H x 14.375” W x 4.75” D; Case: 42.5” H x 18” W x 5” D $2,000-3,000

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318

20th Century Modern School

Tire Tread Polished bronze on wood plinth Unsigned Bronze: 2” H x 13” W x 6.75” D; Wood: 6” H x 12” W x 5.75” D $300-500

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319

Liu Xinting

(b. 1959) Summer gourds, 2016 Ink and watercolor on paper Dated by the inscription to 2016; inscribed with Chinese characters and multiple red ink seals throughout Sight: 16.25” Dia. $300-500

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320

Shigeki Kuroda

(b. 1953) “Splash Street 102” Etching and aquatint in colors on Arches paper Edition: 22/50 Signed, titled, and numbered in pencil in the lower margin: Shigeki Kuroda Plate: 14.5” H x 19.5” W; Sheet: 20” H x 23” W $300-500

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321

Shigeki Kuroda

(b. 1953) “Golden Avenue 56” Etching and aquatint in colors on Arches paper Edition: 42/50 Signed, titled, and numbered in pencil in the lower margin: Shigeki Kuroda Plate: 14.25” H x 19.25” W; Sheet: 20” H x 24” W $300-500

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322

Maeda Masao

(1904-1974) “Rashomon-ten,” 1967 Woodcut in colors on Japanese paper Edition: 15/50 Signed in pencil and with the artist’s red seal in the image at lower left: Maeda Masao; numbered in pencil in the lower margin; ; with the printed date and Japanese inscription in the lower margin, at center: -67 Image: 14.75” H x 19.5” W; Sheet: 16.25” H x 20.75” W $250-350

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323

Un’ichi Hiratsuka

(1895-1997) “Stone Image of Buddha at Usuki,” 1940 Woodcut on cream-colored wove paper From the edition of unknown size Signed and dated in the lower margin, at right: Un’ichi Hiratsuka 1940; with the artist’s red ink seal in the image, lower right Image: 15” H x 18” W; Sight: 15.5” H x 18.25” W $400-600

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324

Yamamura Koka (Toyonari)

(1885-1942) “Ichikawa Ennosuke II as Hayami Tota” from “Flowers of the Theatrical World,” 1921 Woodcut in colors with silver mica on paper From the edition of 150 With the printed signature in Japanese and circular date seal along the upper right edge of the image: Toyonari ga / 1921 Image: 15.75” H x 10.75” W; Sheet: 16.5” H x 11.5” W (irreg.) $500-700

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325

Three Japanese Kabuki woodblock prints Three works:

Shunkosai Hokushu (Shunko IV) (act. 1802-1832) Kabuki Actor, 1830 Woodcut in colors on paper From the edition of unknown size and date With a red chop mark lower right and various signature and inscriptions in Japanese characters Sight: 13.75” H x 9.75” W Yoshitaki Utagawa (1841-1899) Osaka Kabuki actor, circa early 20th Century Woodcut in colors on paper From the edition of unknown size and date With various printed inscriptions in Japanese characters Sight: 9.5” H x 6.5” W Tsukioka Kogyo (1869 - 1927) “Yumiya Taro” from “Pictures of Noh Plays (Nogaku zue),” circa 1897-1902 Woodcut in colors on paper From the edition of unknown size and date With various printed margin inscriptions in Japanese characters Sight: 9.5” H x 14” W $400-600

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326

Group of Three Japanese Woodblock Prints Three works:

Tanaka Masaaki (b. 1947) “Autumn Festival at Karatsu” Screenprint in colors on paper Edition: 32/100 Signed and dated in pencil lower right: Masaaki Tanaka 1976, numbered in pencil “32/100,” titled in Western and Japanese script and inscribed “Saga Pref.” lower center Sheet: 31.5” H x 21.5” W Masaji Yoshida (1917-1971) “Evening Gloom of Japan No. 2,” 1958 Woodcut in colors on paper Edition: 2/100 Signed in pencil lower right: Masaji Yoshida, titled in Japanese, dated, and numbered in pencil lower left Image: 16.25” H x 10.25” W; Sheet: 18” H x 12” W Kaoru Kawano (1926-1989) Girl with a friend Woodcut in colors on paper From the edition of unknown size Unsigned, with artist’s red seal lower right Image: 15” H x 9.25” W; Sheet: 16.5” H x 11.25” W $100-200

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327

A group of Filipino Ifugao woven basketry vessels

20th century Comprising a lidded hu’up rice server, a shoulder bag with long strap handle, a small backpack with strapping, and four open vessels, 7 pieces Hu’up: 5.25” H x 14.25” W x 13.5” D; Smallest: 4.375” H x 7.75” W x 4.75” D $200-300

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328

A group of Filipino Ifugao woven basketry vessels

20th century Comprising three lidded and handled baskets, and a bowl, 4 pieces Largest: 14.75” H x 12.75” Dia.; Bowl: 6.125” H x 12.5” Dia. $100-200

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329

An Edward F. Caldwell Neoclassical-style table lamp

Early 20th century; New York, NY Marked to base: E. F. Caldwell & Co. Inc. / New York The patinated copper single-light lamp base of architectural tripod form, depicting classical figures and Greco-Roman motifs, electrified 13.25” H x 9” W x 8.75” D $800-1,200

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330

An Italian carved alabaster and marble figural lamp Early 20th century The lamp depicting three putti figures hoisting a globe, mounted to a red marble base, electrified Overall: 23” H x 10.5” W x 8” D $800-1,200

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331

An Italian carved alabaster figural table lamp 20th century Unmarked The figure of a child reading a book above an architectural base, electrified 25.5” H x 10.25” W x 9.25” D $400-600

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334

An Empire-style occasional table

20th century The circular wood table with glass top and opposed drawers, above four legs mounted with gilt-bronze classical figures, acanthus leaves, foot-form terminuses, and medallions, joined by an undershelf with central transfer-printed porcelain plaque 25.75” H x 31” Dia. $200-400

333

An Empire upholstered mahogany canapé

Early 19th century The carved mahogany canapé with gilt-bronze mounts including griffins and stars to crest rail, rosette medallions to armrests, and foliate motifs to supports, upholstered in a gold-toned fabric depicting swans in foliate medallions, with brass tacking 38” H x 55” W x 26” D $500-700

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332

An Empire gilt-bronze-mounted mahogany dresser

19th century The wood dresser with mahogany veneer and gilt-bronze mounts, featuring a hinged mirror flanked by columnar supports surmounted by urn finials, above three drawers with gooseneck pulls, the upper drawer revealing opposed sliding door compartments, the lower two with locking mechanisms, all centering mounted lyre and foliate accents, raised on circular bracket feet 73” H x 44.5” W x 23” D $350-450

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335

Yoshitoshi Mori

(1898-1992) Shibaraku kabuki, 1965 Gouache, watercolor, and ink on cream tissue-thin Japanese paper laid to paper Signed and dated lower right: Y. Mori ‘65 Sheet: 23.125” H x 13.625” W $300-500

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336

Yoshitoshi Mori

(1898-1992) “Festival Dancer,” 1973 Woodcut in colors on cream Japanese paper Edition: 17/70 Signed, dated, and numbered in pencil in the lower margin: Y. Mori; with the artist’s red ink seal in the lower margin, at right Image: 15.5” H x 10.5” W (irreg.); Sheet: 20.5” H x 13.75” W $300-500

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337

Yoshitoshi Mori

(1898-1992) Samurai, 1971 Watercolor on Japanese paper laid to cream paper Signed, dated, and inscribed in Japanese in ink lower right: Y. Mori; with the artist’s red ink seal lower right Sheet: 19” H x 27.25” W; Support Sheet: 20.125” H x 28.5” W $200-400

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338

Yoshitoshi Mori

(1898-1992) Whispering, 1976 Watercolor, gouache, and ink on thick paper laid to thinner Japanese paper Signed and dated in ink lower right: Y. Mori ‘76; with the artist’s red seal lower right Sheet: 16.375” H x 20.75” W $300-500

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339

Yoshitoshi Mori

(1898-1992) Fight scene, 1977 Woodcut in colors on cream Japanese paper Edition: 8/50 Signed, dated, and numbered in white ink in the lower edge of the image: Y. Mori; with the artist’s red ink seal stamped in the image at lower left Image: 10.75” H x 14” W; Sheet: 14” H x 17” W $300-500

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340

Yoshitoshi Mori

(1898-1992) Samurai, 1977 Woodcut in colors on cream Japan paper Edition: 17/50 Signed and dated and numbered in pencil in the lower margin: Yoshitoshi Mori ‘77; with the artist’s red ink seal in the lower margin, at left Image: 25” H x 19.75” W approx.; Sheet: 27” H x 23.625” W $200-400

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341

Yoshitoshi Mori

(1898-1992) “Kamiarai,” 1977 Woodcut in colors on Japanese paper Edition: 23/80 Signed, dated, and numbered in pencil, and with the artist’s red seal lower right: Yoshitoshi Mori ‘77 Image: 13.14” H x 10.75” W; Sheet: 20.5” H x 13.5” W $300-500

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342

A William & Mary-style oak secretary

Early 20th century; England The wood desk with brass hardware, the lower console with a locking fall front revealing three drawers above a letter file centering two cubbies, a pen holder, and a gilt-stamped leather writing surface, all above three long locking drawers, the upper console featuring astragal glazed cabinet doors revealing two shelves, 2 pieces Lower console: 41” H x 35.5” W x 18.5” D; Upper console: 41.25” H x 35” W x 9.75” D $300-500

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343

A Baroque-style black and gold mirror

Late 20th century With sticker verso: Made in China The rectangular plate set in a gilt and ebonized frame with foliate motif border and corner accents 38.25” H x 48.25” W x 1.875” D $400-600

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344

Yoshitoshi Mori

(1898-1992) Shinto music and dance, 1978 Woodcut in colors on cream-colored laid Japanese paper Edition: 6/50 Signed, dated, and numbered in pencil in the lower margin: Y. Mori; with the artist’s red ink seal in the lower margin, at left Image: 15.5” H x 20.5” W (irreg.); Sheet: 20.25” H x 27.25” W $300-500

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345

Yoshitoshi Mori

(1898-1992) Sukeroku, 1978 Gouache, watercolor, and ink on cream tissue thin Japanese paper laid to Japanese paper Signed and dated in ink lower left: Y. Mori ‘78 Sheet: 16.625” H x 13.5” W $300-500

347

Yoshitoshi Mori

(1898-1992) Untitled portrait Pastel, gouache, and watercolor on tissue-thin Japanese paper tipped to paper Signed indistinctly and with presumably the artist’s red seal, lower right Sheet: 6” H x 4.5” W; Support Sheet: 6.25” H x 5.125” W $200-300

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346

Yoshitoshi Mori

(1898-1992) Seated figure with pipe, 1979 Watercolor on cream tissue-thin Japanese paper laid to paper Signed and dated lower left: Y. Mori ‘79 Sheet: 16.75” H x 12.25” W; Support Sheet: 18.75” H x 14.75” W $300-500

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348

Yoshitoshi Mori

(1898-1992) Sandogasa, 1982 Watercolor, pastel, and ink on cream Japanese paper Signed and dated in ink lower left: Y. Mori / ‘82; with the artist’s red ink seal lower right Sheet: 13.75” H x 10.875” W $200-400

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349

Yoshitoshi Mori

(1898-1992) Geisha Woodcut in colors hand embellished with gouache and ink on Japanese paper Signed and dated in pencil and with the artist’s red seal lower left: Y. Mori 80 Image: 17.75” H x 13” W; Paper: 18.75” H x 14” W $300-500

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350

An Indonesian mahogany dining table and chairs

20th Century The carved mahogany extension dining table with brass inlaid borders, featuring an openwork apron depicting grapes and leaves, raised on ball-in-claw feet, including two conforming armchairs, each seat cushion with needlepoint fruit and foliate motifs on cotton fabric upholstery, 3 pieces Stored: 30.75” H x 66” W x 44.5” D; Extended: 102” W; Each chair: 38.75” H x 22.75” W x 24.25” D $400-600

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351

An Indonesian mahogany china cabinet

20th century En suite with dining table and chairs, the carved wood cabinet with brass inlaid borders and inset pulls, featuring an openwork cornice depicting grapes and leaves, the upper console comprising four glazed cabinet doors revealing two glass shelves, the lower console with pullout surface above three flatware service drawers lined in felt, above four cabinet doors with conforming carved motifs, revealing a single shelf to each side, raised on ball-in-claw feet 84” H x 66” W x 19.25” D $400-600

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352

A Victorian burlwood and marquetry étagère cabinet

Late 19th century; England With paper label verso: Christr. Pratt & Sons, Cabinet Makers and Upholsterers, Carpet and Bedding Warehousemens / Bradford The cabinet adorned with five Sèvres-style porcelain plaques within gilt-metal frames, featuring acanthus leaf marquetry trimming and a central mirrored open back with four fabric-lined shelves and upper gallery, centered by opposed locking cabinets, each revealing two conforming shelves and flanked by ebonized fluted columnar accents 53” H x 66” W x 15.75” D $500-700

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353

Four Contemporary ribbon-back armchairs

20th century Each with openwork back and metal tack trimming, turned front legs, and seat cushion upholstered in a blue chenille fabric, 4 pieces Each: 32.25” H x 24” W x 21.5” D $150-250

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354

Yoshitoshi Mori

(1898-1992) Dancing beauty, 1980 Watercolor, gouache, and ink on tissue-thin Japanese paper laid to Japanese paper Signed and dated in ink lower right: J. Mori ‘80; with the artist’s red seal lower right Sheet: 13.375” H x 17.875” W $300-500

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355

Yoshitoshi Mori

(1898-1992) “Big Mouth” (“Oh-guchi”) Watercolor and ink on cream Japanese paper laid to paper Signed lower right: Y. Mori; with the artist’s red seal lower right; titled by repute Sheet: 13.625” H x 17.875” W $300-500

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356

Fumio Kitaoka

(1918-2007) “Tea Stall at Miidera” (Temple), 1970 Woodcut in colors on paper Edition: 7/100 Signed, titled in Western and Japanese script, and dated in pencil in the lower margin: Fumio Kitaoka 1970 Image: 15.5” H x 21.5” W; Sheet: 19.75” H x 25” W $200-300

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357

Gyojin Murakami (1911-1998) Three works:

Toddler with grandparent walking toward pigeons Color woodcut on Japanese paper Edition: No 2/100 Signed in Western and Japanese script and dated in pencil lower left: 1942 G. Murakami, with the artist’s red ink seal in the image at lower left Image: 20” H x 14.35” W; Sheet: 21.75” H x 16.5” W Child with watermelon and grasshopper Color woodcut on Japanese paper Edition: No 46/100 Signed in Western and Japanese script and dated in pencil lower left: 1946 G. Murakami, with the artist’s red ink seal in image at upper left Image: 9” H x 11” W; Sheet: 11.5” H x 13.5” W Child wearing a mask on the shoulders of an older man Color woodcut on Japanese paper Edition: No 11/100 Signed in Western and Japanese script and dated in pencil lower left: 1940 G. Murakami, with the artist’s red ink seal in the image at lower right Image: 14.25” H x 10.25” W; Sheet: 16.5” H x 12.5” W $300-500

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358

Mitsuhiro Unno (b. 1939) Three works:

Two men before a thatched home Woodcut in colors on Japanese paper Edition: 42/50 Signed in Western and Japanese script and numbered in pencil lower right: M. Unno, inscribed in Japanese and dated in the print lower right: 1971.8 Image: 9” H x 13.25” W; Sheet: 12.375” H x 15.5” W Figures in a landscape Woodcut in colors on Japanese paper Edition: 39/100 Signed in Western and Japanese script and numbered in pencil lower right: M. Unno, inscribed in Japanese and dated in the print lower right: 1972.8 Image: 10.25” H x 13.25” W; Sheet: 12.25” H x 14.5” W Man holding baskets Woodcut in colors on Japanese paper Edition: 15/50 Signed in Western and Japanese script and numbered in pencil lower right: M. Unno, inscribed in Japanese and dated in the print lower left: 1970.9 Image: 10.5” H x 9.25” W; Sheet: 12” H x 12.25” W $300-500

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359

Senpan Maekawa

(1888-1960) “Kaigan no Akaushi” (Red Cow at the Seashore), 1957 Woodcut in colors on Japanese paper Signed in pencil in the lower margin, at right: Senpan Maekawa; with the artist’s red seal in the image at lower right Image: 13.25” H x 17.5” W; Sheet: 13.75” H x 18” W $100-200

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360

Three Chinese polychrome porcelain plaques

20th century Each inscribed to upper left or right The painted porcelain plaques, comprising two winter scenes of rural mountain towns, and a spring blossoming tree scene, two set in openwork lacquered wood frames, 3 pieces Largest sight: 29.25” H x 16.875” W; Smallest: 30.5” H x 9.125” W $700-900

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361

Andre Gisson

(1921-2003) Children in a field Oil on canvas Signed lower right: Gisson 16” H x 20” W $400-600

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362

John Milne Donald

(1819-1866) Landscape vista with ruins and figures at sunset Oil on canvas laid to canvas Signed along the lower edge, left of center: J M Donald 26” H x 39” W $700-1,000

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363

Early 20th Century French School

French landscape with haystacks Oil on canvas backed with board Indistinctly signed lower right: A. Dre**on 13” H x 21.625” W $400-600

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364

Alfred Edward Emslie

(1848-1917) Man and woman harvesting wheat Watercolor on paper laid to board Faintly signed lower left: A.E. Emslie; inscribed in pencil on the verso of the board, possibly in another hand: “No. 16 / To **** Robin Grey he’s a good man to me” (twice) 7.75” H x 11.25” W $500-700

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365

Jennie Tomao

(1934-2011) Cats in a garden Oil on board Signed lower right: Tomao 13” H x 15” W $300-500

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366

William Rowland

(Late 19th/Early 20th century) A set of four coaching scenes Each: Oil on panel Three works signed lower right, and one signed lower left: Wm. Rowland; four works Each: 6” H x 12” W $300-500

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367

A pair of Japanese six-panel byobu screens

19th/20th century Each bearing inscription to applied paper verso; one signed to farthest right panel in a cartouche The painted and gilt rice paper screens, each in a wood frame with panels joining to depict a riverside village scene with figures, within a silk fabric border, 2 pieces Each panel: 55” H x 21” W x 0.625” D; Each stored: 4” D $500-700

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368

An A. Rudin swivel chair no. 628 and ottoman

Circa 2020’s Each with A. Rudin tag The wood casket swiveling armchair with curved arms, upholstered in green chenille fabric, with conforming ottoman raised on casters, 2 pieces Chair: 37” H x 34.5” W x 40” D; Ottoman: 19” H x 36” W x 25” D $600-800

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369

A Baroque-style giltwood mirror

20th century The large ornate giltwood frame with garlands, rocaille, acanthus leaves, and scrolled motifs 59” H x 38.5” W x 2” D $400-600

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370

A Neoclassical style eight-light chandelier

19th century The eight-light architectural bronze chandelier with central baluster-form standard above an architectural base with modified egg and dart trim and pinecone drop finial, issuing scrolled foliate arms terminating in floriform bobéches, electrified 44.5” H x 45” Dia. $500-800

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371

A pair of Neoclassical style gilt-bronze mounted pedestals

Late 20th/early 21st century The lacquered and veneered wood pedestals, each with gilt-bronze mounts including figural roundels, foliate trimming, and wreaths centering porcelain ovals to base, surmounted by a peach marble top, 2 pieces Each: 38.5” H x 12.375” W x 12.375” D $400-600

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372

After Eugène Marioton

(1857-1933) “Vainqueur” Patinated bronze Signed and titled in the casting: Eug. Marioton; foundry mark: Siot Decauville Fondeur Paris 20.75” H x 6.25” W x 8” D $600-800

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373

After Hippolyte Françoise Moreau

(1832-1927) “L’Oiseau Blessé” Patinated spelter Marked: Hip. Moreau; foundry mark: Fabrication Francaise / Made in France / Paris 30.25” H x 8.5” W x 8” D $300-500

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374

An Edwardian carved mahogany étagère cabinet

Early 20th century The carved mahogany vitrine with illuminated and fabric-lined glazed cabinets, adorned with carved panels, foliate openwork, half-urn and garland accents, and carved foliate trimming, featuring a central barrel-front cabinet with single shelf above an open cabinet with single shelf and openwork gallery, all centering two upper mirrors, turned standards, and two smaller opposed glazed cabinets, electrified 86” H x 55” W x 24” D $700-900

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375

A Tiffany & Co. sterling silver centerpiece bowl

Circa 1947-1956, directorship of Louis deBebian Moore Marked to underside: Tiffany & Co Makers / Sterling Silver / 23347 / L The Modernist footed bowl with opposed curled handles 4.875” H x 16.5” W x 8” D 28.6 oz. troy approximately $700-900 Provenance: Private Collection of an Orange County Gallerist

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376

Yoshisuke Funasaka

(b. 1939) “Mt. Fuji, No. 480,” 1976 Screenprint and woodcut in colors on cream paper, watermark Y. Funasaka Edition: 59/100 Signed, dated, and numbered in pencil in the lower margin: Y. Funasaka; titled, dated and numbered in red felt pen “480” on an artist’s stamp, verso Image: 10.5” H x 10.25” W; Sheet: 13.25” H x 12.5” W $200-300

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377

Morikazu Maeda

(b. 1932) Two ducks on calm waters in a gentle rain, 1981 Woodcut in colors on paper Edition: 6/40 Signed in pencil (in reverse) and dated in the lower margin, at right: Maeda Morikazu 81; numbered and inscribed in Japanese in pencil in the lower margin, at left Image: 13” H x 21.5” W; Sheet: 15.5” H x 21” W $300-500

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378

Tomio Kinoshita

(1923-2014) “Kuro ni kakomarete,” 1972 Woodcut in colors on paper Edition: 40/50 Signed in pencil lower right: Tomio Kinoshita, dated in Western and Japanese script “1972” lower center, and numbered and inscribed in Japanese lower left Image: 34” H x 24” W; Sheet: 36” H x 25.5” W $500-700 Provenance: Yoseido Gallery, Tokyo, Japan

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379

Reika Iwami

(1927-2020) Moon and butterfly, 1973 Woodcut in colors with gold and silver metallic pigments Edition: Artist’s proof Signed and dated in the lower margin, at right: Reika Iwami ‘73; inscribed in Japanese script lower center, and also inscribed “A.P.,” all in pencil in the lower margin Image: 17.5” H x 13” W; Sheet: 20.5” H x 15” W $200-300 Provenance: Yoseido Gallery, Tokyo, Japan

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380

Murai Masanari

(1905-1999) Abstract Shapes, 1964 Woodcut in colors on thick Japanese paper Edition: 4/70 Signed, dated, and numbered in pencil in the lower margin: Masanari 64 Sheet: 19” H x 15” W $250-350

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381

Shinagawa Takumi (1908-2009) Two works:

Abstract composition, circa 1950s or later Woodcut in colors on paper From the edition of unknown size Signed on the paper covering Sheet: 29.5” H x 23” W “Denizen of the Lake Depths,” circa 1957 Woodcut in colors on paper Edition: 56/100 Signed and numbered in pencil lower margin: by Takumi Shinagawa; inscribed “#10” verso Image: 9.5” H x 14.25” W; Sheet: 12.625” H x 16.875” W (irreg.) $300-500

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382

A Curtis Jeré sculpture of two birds

1980 Signed and dated: C. Jere The Modern metal alloy bird figures set into a gold-toned metal perch issued from a marble base Dimensions variable: 33.25” H x 10.5” W x 10.75” D; Each bird: 21.5” H $400-600 Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA

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383

Four Chinese polychrome porcelain plaques

20th century Each bearing inscription characters at upper left The painted porcelain plaques, each depicting soldiers and village scenes, centering carved giltwood panels depicting birds, vases and homewares, each set in a carved wood frame with metal upper handle, 4 pieces Each overall: 29.5” H x 11.5” W x 1” D $200-400

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384

Four Chinese polychrome porcelain plaques

20th century Each bearing inscription at upper left or right The painted porcelain plaques, each depicting scenes of ladies’ pursuits and studies, centering carved wood panels depicting courtly figures and vases and homewares, each set in a carved wood frame with metal upper handle, 4 pieces Each overall: 29.5” H x 11.5” W x 1” D $300-500

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385

Four Chinese polychrome porcelain plaques

20th century Each bearing inscription characters at upper left or right The painted porcelain plaques, each depicting scenes of boys at play, centering conforming carved wood panels, each set in a carved wood frame with metal upper handle, 4 pieces Each overall: 29.5” H x 11.5” W x 1” D $200-400

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386

Three 20th Century Asian hanging scrolls Three works:

Two women under an autumn tree; Two women near a bamboo grove; Two women under a blossoming spring tree Each: Ink and watercolor on silk with a brocade fabric border, backed with rice paper and with wooden dowels, as issued Each: Signed with a red chop mark in the image at lower left; the third also with a lengthy inscription along the left edge Image of first and second: 31” H x 10.5” W; Image of third: 19.75” H x 13.5” W $100-200

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387

Four Neoclassical carved wood columns

19th century or later The parcel-gilt and white painted wood pedestals, each with columnar standard, foliate motif capital, and squared architectural base with foliate medallions, 4 pieces Each: 41.25” H x 6” W x 6” D $800-1,200

388

A pair of Continental Baroque altar pricket sticks

18th century or later The carved silvered wood candlesticks, each with foliate motif standards above a footed tripod pedestal base, 2 pieces Each: 37” H x 10.5” Dia. approximately $500-800

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389

A French marquetry and ebonized wood jardinière

In the manner of Charles-Guillaume Diehl, 19th century The Neo-Grec two-tiered stand with marquetry inlaid foliate medallions and border motifs, on three ebonized supports, mounted with gilt-bronze accents including winged masks, with metal liner 40” H x 23” W x 19.5” D $500-700

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390

A group of Four Japanese woodcuts Four works:

Kitagawa Utamaro (circa 1753-1806) Two females Woodcut in colors on paper From the edition of unknown size and date With printed seals and Japanese characters Sight: 15” H x 10” W Utagawa Toyokuni (1769-1825) Beauty with a drum Woodcut in colors on paper From the edition of unknown size and date With printed seals and Japanese characters Sight: 13” H x 9.5” W Utagawa Yoshitora (1836-1880) Standing woman Woodcut in colors on paper From the edition of unknown size and date With printed seals and Japanese characters Sight: 28” H x 9.375” W Kitagawa Utamaro (circa 1753-1806) Untitled triptych Each: Woodcut in colors on paper Each: From the edition of unknown size and date Each: With printed seals and Japanese characters Each Sheet: 14.75” H x 10” W 6 pieces $500-700

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391

Group of Five Japanese woodcuts Five works:

Keisai Eisen (1790-1848) “A Bijin in a Blue Kimono” Woodcut in colors on two thin conjoined papers (vertical diptych) From the edition of unknown size With printed seals and Japanese characters in the image Sheet: 26.625” H x 9.125” W Keisai Eisen (1790-1848) “Kaga No Chiyojo (The Maiden Chiyo from Kaga),” circa 1844-48 Woodcut in colors on two thin conjoined papers (vertical diptych) From the edition of unknown size With printed seals and Japanese characters in the image Sheet: 26.75” H x 9.125” W Utagawa Kuniyoshi (1798-1861) “Tokiwa Gozen Walking and Sheltering Her Children from the Snow,” circa 1830-40 Woodcut in colors on two thin conjoined papers (vertical diptych) From the edition of unknown size With printed seals and Japanese characters in the image Sheet: 28.625” H x 9.75” W Utagawa Toyokuni (1769-1825) “Geisha” Woodcut in colors on two thin conjoined papers (vertical diptych) From the edition of unknown size With printed seals and Japanese characters in the image Sheet: 27.25” H x 9.75” W Keisai Eisen (1790-1848) “Teahouse Waitress with Cup Stand,” circa 1830 Woodcut in colors on two thin conjoined papers (vertical diptych) From the edition of unknown size With printed seals and Japanese characters in the image Sheet: 28.375” H x 9.625” W $400-600

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392

Group of Five Japanese woodcuts Five works:

Toyonari Yamamura (1885-1942) “Kabuki - Kataoka Nizaemon” Woodcut in colors on paper From the edition of unknown size With printed Japanese characters in the image, at lower left Image: 15.75” H x 10.875” W; Sheet: 16” W x 11” W Toyonari Yamamura (1885-1942) “Sannin Kata Wa” Woodcut in colors on wove paper From the edition of unknown size With printed Japanese characters in the image, at upper right Image: 15.75” H x 10.75” W; Sheet: 16.5” H x 11.25” W Shunsen Natori (1886-1960) “Shanks Mare” from the “Shunsen Nigao-e Shu” series Woodcut in colors on wove paper From the edition of unknown size With printed Japanese characters in the image, at upper left Image: 15” H x 10.25” W; Sheet: 15.375” H x 11” W Shunsen Natori (1886-1960) “Ichimura Uzaemon as Sukeroku” from the “Supplement of Fifteen Actor Prints” series, 1929 Woodcut in colors on laid paper From the edition of unknown size With printed Japanese characters in the image, at lower left Image: 15” H x 10.25” W; Sheet: 15.75” H x 11” W Toyonari Yamamura (1885-1942) “Matsusuke as Goroji” Woodcut in colors on laid paper From the edition of unknown size With printed Japanese characters in the image, at upper right Image: 14.375” H x 10.75” W; Sheet: 16.25” H x 11.375” W $200-300

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393

Three Japanese woodcuts

Three works: Kikugawa Eizan (1787-1867) Standing woman Woodcut in colors on paper From the edition of unknown size and date With the red ink seal and various printed Japanese characters in the image at lower left Sight: 27.25” H x 9” W Keisai Eisen (1790-1848) Standing beauty Woodcut in colors on paper From the edition of unknown size and date With various printed seals and Japanese characters Sheet: 14.5” H x 10” W Keisai Eisen (1790-1848) Standing beauty with two children Woodcut on paper From the edition of unknown size and date With various printed Japanese characters Sight: 14.25” H x 9.25” W $400-600

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394

Utagawa Kunisada (Toyokuni III)

(1786-1864) Two works: “Ashikae Tsuru Chiyo-kun” (Beauty), and Samurai, circa 20th Century Each: Woodcut in colors on paper From the edition of unknown size and date Each: With the various printed signature and inscriptions in Japanese characters Each sight: 13.625” H x 9.25” W $100-200

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395

Utagawa Kunisada

(1786-1865) “Genji Incense Pictures (Genji kô no zu)” Six woodcuts in colors on paper, backed with a single sheet of Japanese paper From the edition of unknown size and date Various stamped inscriptions in Japanese characters along the upper edge and in the lower left and right corners of each woodcut Sheet of each: 9.875” H x 7.25” W; Overall: 43.5” H x 11” W $200-300

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396

Utagawa Kunisada

(1786-1865) “Enjoying Flowers in the Inner Garden” (Oniwa hana no asobi), triptych Each: Woodcut in colors on three sheets of paper From the edition of unknown size and date Various stamped inscriptions in Japanese characters in the lower left and right corners of each sheet Overall: 13.625” H x 28.5” W $300-500

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397

Utagawa Kunisada

(1786-1865) “Snow Fight,” triptych Each: Woodcut in colors on three sheets of paper From the edition of unknown size and date Various stamped inscriptions in Japanese characters in the lower left and right corners of each sheet Overall: 14.5” H x 29.5” W $300-500

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398

399

19th/early 20th century One marked: Manufactured Ansonia Brass Co[illegible] / Pat Dec 16 185[illegible]; another marked: [illegible]terbury Brass Co. Manufactured [H. W. Hayden for Waterbury] Comprising two handled brass jelly pots and a copper bowl, 3 pieces Largest: 8” H x 12.75” W x 11.125” D; Copper: 5.125” H x 10.5” Dia.

Late 20th century; Most marked: Cor Portugal; cheese s Comprising 1 stoc sizes, together wit Turkish coffee pot, Stockpot: 5.625” H

Three brass and copper cookware vessels

$200-400

A group of Cord

$500-700

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don Bleu hammered copper cookware

; France rdon Bleu / B [fleur de lis] A / France; bain-marie marked: Made in shaker marked: Korea ckpot, 1 skillet, 1 oval sauté pan, and 5 lidded saucepans of graduated th the associated: 1 lidded stoneware bain-marie, 1 mixing bowl, 1 , 1 cheese shaker, and 1 ladle, 13 pieces H x 15.375” W x 11.625” D; Smallest saucepan: 5.25” Dia.

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400

A group of Seven Japanese woodcuts Seven works:

Tsukioka Yoshitoshi (1839-1892) “Susanoo no Mikoto and Inadahime Awaiting the Eight-headed Serpent” from the “Mirror of Famous Generals of Japan,” 1880 Woodcut in colors on paper From the edition of unknown size and date With various printed chopmarks and Japanese characters in the image and the lower portion of the left margin Image: 12.5” H x 8.125” W; Sight: 13” H x 9” W Tsukioka Yoshitoshi (1839-1892) “Exploits of the Tokugawa Clan,” 1876 Woodcut in colors on paper From the edition of unknown size and date With various printed chopmarks and Japanese characters in the image Sight: 14” H x 9” W Tsukioka Yoshitoshi (1839-1892) “A Priest Helps Hino Kumawakamaru Escape from Sado Island after the Death of His Father” from the “Twenty-Four Accomplishments in Imperial Japan” series, 1887 Woodcut in colors on paper From the edition of unknown size and date With various printed chopmarks and Japanese characters in the image and the left margin Image: 13” H x 9” W; Sight: 13.625” H x 9.625” W Tsukioka Yoshitoshi (1839-1892) “Farmers Celebrating the Autumn Moon,” 1891 Woodcut in colors on paper From the edition of unknown size and date With various printed chopmarks and Japanese characters in the image Sight: 13” H x 8.75” W Tsukioka Yoshitoshi (1839-1892) “The Moon of the Moor, Yasumasa” from “One Hundred Aspects of the Moon” Woodcut in colors on paper From the edition of unknown size and date With various printed chopmarks and Japanese characters in the image Sight: 13” H x 8.75” W Kogyo Tsukioka (1869-1927) “Ryoko (The Fight of a Dragon and a Tiger),” circa 1900 Woodcut in colors on paper From the edition of unknown size and date With various printed chopmarks and Japanese characters in the image and margins Sight: 9.625” H x 14.125” W Kogyo Tsukioka (1869-1927) “Sagi (A Heron and the Emperor),” circa 1900 Woodcut in colors on paper From the edition of unknown size and date With various printed chopmarks and Japanese characters in the image and margins Sight: 9.375” H x 13.75” W $600-800

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401

Toshihide Migita (1863-1925) Two works:

“Nitta Shiro Yoshisada,” 1900 Each: Woodcut in colors on paper, diptych From the edition of unknown size With a red ink stamp seal and various stamped inscriptions in Japanese characters in black ink in the image and the right margin Full sheet: 14.75” H x 19.5” W “Momijigari” (Gathering Maple Leaves) from the series “Eighteen Acts of Glory,” 1899 Each: Woodcut in colors on paper, diptych From the edition of unknown size With a red ink stamp seal and various stamped inscriptions in Japanese characters in black ink in the image and the right margin Full sheet: 14.25” H x 19.125” W $400-600

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402

Utagawa (Ando) Hiroshige (1797-1858) Five works:

“Station 18: The Satta Foothills from the Okitsu River near Okitsu” from “The FiftyThree Stations of the Tokaido” Woodcut in colors on paper With the printed signature and various other inscriptions in Japanese characters Sight: 13.5” H x 9” W “Station 18: Kuwana” from “The Fifty-Three Stations of the Tokaido” Woodcut in colors on paper With the printed signature and various other inscriptions in Japanese characters Sight: 13.5” H x 9” W “Station 37: Fujikawa- Station in the Mountains” from “The Fifty-Three Stations of the Tokaido” Woodcut in colors on paper With the printed signature and various other inscriptions in Japanese characters Image: 6.5” H x 9” W; Sheet: 6.875” H x 9.375” W “The Coast at Hota in Bushu” from the “36 Views of Mount Fuji” Woodcut in colors on paper With the printed signature and various other inscriptions in Japanese characters Sight: 14” H x 9.25” W “Station 7: Hiratsuka” from “The Fifty-Three Stations of the Tokaido” Woodcut in colors on paper With the printed signature and various other inscriptions in Japanese characters Image: 9” H x 14” W; Sheet: 9.5” H x 14.25” W $500-700

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403

Katsushika Hokusai (1760-1849) Two works:

“Sumida River” Woodcut in colors on paper From the edition of unknown size and date With various printed Japanese characters Sight: 8” H x 12” W “Surimono: Ariwara No Narihira” Woodcut in colors on paper From the edition of unknown size and date With various printed Japanese characters Sight: 8.625” H x 13.125” W $300-500

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404

Kawase Hasui (1883-1957) Three works:

“Senzoku Pond” from the series “Twenty Views of Tokyo,” 1928 Woodcut in colors on paper From the edition of unknown size Signed “Hasui,” with red artist’s seal “Kawase” in the image at right; various stamped inscriptions in Japanese characters in the left and right margins Image: 14.25” H x 9.5” W; Sight: 15” H x 10.25” W “Yakushiji Temple, Nara,” 1951 Woodcut in colors on paper From the edition of unknown size Signed “Hasui,” with red artist’s seal “Kawase” in the image at left; various printed inscriptions in Japanese characters in the left margin Sight: 14.5” H x 10” W “Kizaki Lake, Shinshu,” 1941 Woodcut in colors on paper From the edition of unknown size Signed “Hasui,” with red artist’s seal “Kawase” in the image at right; various stamped inscriptions in Japanese characters in the left margin Image: 9.75” H x 14.25” W; Sheet: 10” H x 14.75” W $400-600

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405

Four Japanese works Three works:

Toshihide (1863-1925) “Kagekiyo,” (diptych) from “Eighteen Honorable Acts,” 1892 Woodcut in colors on joined paper From the edition of unknown size and date With various printed signatures and seal in Japanese characters Sight: 14” H x 18” W Shigenobu Yanagawa (1787-1832) Two works: “Fujieda, No. 23” and “Mariko” from an untitled series of the “Fifty-three Stations of the Tokaido Road Each: Woodcut in colors Each: From the edition of unknown size and date Each: With various printed signature and inscription in Japanese characters Framed together, each sight: 4.5” H x 6.5” W Kneeling Japanese warrior Ink and pigment on paper with brocade fabric border With a red chop mark and signature lower left Sight: 30” H x 13” W $300-500

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406

Three Japanese School paintings of figures in architectural and garden views Late 19th/early 20th Century Each: Ink and pigment on thin paper Each: Unmarked 3 pieces Two each: 14” H x 34” W; One: 14” H x 33” W $300-500

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407

Style of Hua Ziyou (19th Century) Two works:

Three Luohan, one riding a Chinese guardian lion or mythical beast, circa late 19th/early 20th Century Ink and pigment on silk Unmarked Silk: 10.375” H x 16.625” W Two Luohan, one riding a guardian lion or mythical beast and with a peacock, circa late 19th/early 20th Century Ink and pigment on silk Unmarked Silk: 10.375” H x 16.625” W $400-600

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408

Four Japanese woodcuts Four works:

Tsuchiya Koitsu (1870-1949) “Sacred Bridge of the Nikko Shrine,” circa 1920 Woodcut in colors on paper From the edition of unknown size and date With printed Japanese characters and a red seal in the image at left Sight: 9.125” H x 14.125” W Yoshijiro Urushibara (1888-1953) “Quai d’Orsay, Paris,” circa 1920 Woodcut in colors on paper From the edition of unknown size and date Signed, titled, and inscribed in the lower margin: Y. Urushibara / “No. 90” Image: 9.5” H x 12.25” W; Sheet: 10” H x 12.5” W Kasamatsu Shiro (1898-1991) “Misty Evening at Shinobazu Pond,” 1932 Woodcut in colors on paper From the edition of unknown size and date With the printed Japanese signature and red seal in the image at lower left; with the title and various Japanese characters stamped along the left and lower margins Image: 14.25” H x 9.5” W; Sheet: 15” H x 10.25” W Kasamatsu Shiro (1898-1991) “Spring Evening at Tokyo Ueno Park,” 1948 Woodcut in colors on paper From the edition of unknown size and date With the artist’s red seal in the image at lower left and the publisher’s black seal in the image at right; titled in ink in the lower margin, at left; various Japanese characters stamped along the left margin Image: 14.25” H x 9.5” W; Sheet: 15” H x 10.25” W $500-700

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409

Four Japanese woodcuts Four works:

Utagawa Hirokage (active 1855-1865) “No.41: Two Men on Scaffolding Spilling Plaster” from “Comic Incidents at Famous Places in Edo,” circa 1855 Woodcut in colors on paper From the edition of unknown size and date With various printed Japanese characters Sight: 13” H x 8.25” W Utagawa (Ando) Hiroshige (1797-1858) and Utagawa Kunisada (1786-1864) “Futagawa” from “53 Stations by a Pair of Brushes,” 1855 Woodcut in colors on paper From the edition of unknown size and date With various printed Japanese characters Sight: 14” H x 9.25” W Utagawa (Ando) Hiroshige (1797-1858) “Station 28: Mitsuke” from “The 53 Stations of the Tokaido Road,” 1855 Woodcut in colors on paper and date From the edition of unknown size With various printed seals and Japanese characters Image: 13.5” H x 9” W; Sight: 14” H x 9.5” W Utagawa (Ando) Hiroshige (1797-1858) “Station 22: Fujieda, Wading Through the Seto River” from “The 53 Stations of the Tokaido Road,” 1855 Woodcut in colors on paper From the edition of unknown size and date With various printed seals and Japanese characters Image: 13.5” H x 9” W; Sight: 14” H x 9.5” W

$400-600

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Consign Today

The Traditional Collector July 29, 2025 Vasily Yakovlevich Grachev Tsar And His Falconer

Price Realized: $46,200 Consignment and Auction Inquiries: angela@johnmoran.com

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art - jewelry - decorative objects - furnishings and more Sold at John Moran Auctioneers:

Herter Brothers (1864-1906) An American Aesthetic mantel, circa 1880

Price Realized:$152,400 Inquiries: appraisals@johnmoran.com

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Consign Today Jewelry & Watches August 16, 2025

Consignment and Auction Inquiries: jewelry@johnmoran.com 4 7 4 R edes i gn e d : I n t e r io r s l Tu e sd ay, A p ril 8 , 2 0 2 5

SINCE 1969

AUCTIONEERS & APPRAISERS

Condition Reports

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1 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Rubbed wear to gilding. 2 Overall good condition with minor scuffs and scratches and mild oxidation to metal. Mechanism functions while manually wound, but does not hold a charge. Lid opens and closes with bird appearing and disappearing. Bird wings and beak move, but can stick. Does not include winding key. Case unopened and untested for proper functioning of mechanical components. Moran’s does not guarantee the working condition of musical instruments. 3 Overall good condition with minor shelf wear, minor scattered scuffs, and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 4 Each overall good condition with wear, soiling, and weathering commensurate with age. Bronze items with oxidation, the jug with heavy verdigris. Flaking to Roman beaker. 5 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Several pea-sized losses to the glaze of head.

Condition Reports

6 With shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each handle with repaired break, one with a rice-sized attendant loss. Scattered touch-ups to body. Underside with mounting putty residue.

476

7 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Some loss to enamel of metal portion of stand, and one corner of base with lifting to veneer.

8 Visual: Grime, dust accumulation, minor varnish discoloration, and very fine, stable craquelure in the upper left quadrant, mostly visibly in raking light, all commensurate with age. Various areas of pigment loss with attendant areas of visible touch-up, the largest areas measuring 2” H x 0.25” W and 0.75” H X 0.375” W near the center of the work, a 0.5” H x 1.5” W loss near the lower edge, left of center, and other occasional, mostly pea-sized (or smaller) areas of pigment loss scattered throughout. Stray flecks of white pigment, possibly house paint, scattered throughout. Blacklight: As mentioned above, the areas of pigment loss with corresponding touch-up and other smaller touch-ups scattered primarily in the lower half of the work. Frame: 27.375” H x 32” W x 2.75” D 9 Visual: Overall generally good appearance. Minor scattered craquelure. As mentioned, the canvas has been relined. Blacklight: Scattered bands touch-up, the largest 3” long, primarily in the sky and the outer edges. Frame: 32” H x 41.75” W x 2.5” D 10 Each with scattered scuffs, scratches, and darkening/ oxidation to metal commensurate with age. The iron Buddha with heave loss to gilding, rust, and degradation, as well as a 3” long radial crack verso. Ushnisha with possible restoration to base verso, a pea-sized loss recto, and small losses to base. 11 Each overall good condition with scattered scuffs, scratches, and small nicks commensurate with age. 12 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Soiling and rubbed losses to gilding throughout. Panel and frame with evidence of older wood worm. Upper frame cornice with three loose pieces. 13 Each overall good condition with scattered minor scuffs and scratches. Each with rice-sized chipped losses at top point. 14 Overall good condition with scattered minor scuffs and scratches.

16 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, soiling, and separation at joints commensurate with age. Two feet with repairs, one of which is loose. Two vertical side embellishments are loose at the upper terminus. Cabinet doors slightly loose. Leather top with heavy wear, staining, and discoloration. With possible other repairs/ restoration. Lacking key; one drawer lacking the locking mechanism. 17 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Heavy soiling to interior, with degradation and losses to zinc lining. Older chipped losses to the veneer, concentrated at lower edges and corners. 18 Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Upholstery in good condition with even wear. 19 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Rubbed wear and loss to gilt of rim. Soiling to interior. 20 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Two losses of silver overlay stem strands. 21 Each overall good condition with scattered scuffs, scratches, nicks, and shelf wear commensurate with age. 22 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Stand somewhat shaken. Rubbed wear to finish throughout.

23 Overall good condition with minor shelf wear and scattered minor scuffs and scratches commensurate with age. 24 Each overall good condition with darkening, scuffs and scratches, and soiling commensurate with age. Oxidation to metal components. 25 Overall good condition with scattered minor scuffs and darkening/oxidation to metal commensurate with age. 26 Overall good condition with light creasing and dust accumulation commensurate with age. A few scattered minor pulls to weave. Slightly ruckled overall, likely from lining tension. A few faint smudges to corners, and to some edges, with additional surface soiling to top edge and to top half of lining verso. A few scattered small spots verso. With thread loops verso for hanging. 27 Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. One with a chipped loss to foliate accent lower left side proper. 28 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. With scattered cracks in the lacquer at wood seams throughout, concentrated to drawer fronts. The marble top broken in multiple pieces, with scratches throughout, and fleabite chips to rear edge. 29 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Marble top with an 8” x 3” repaired break at front edge. 30 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. A few small losses to inlay. Some lifting to inlay of mast. Some mounted elements loose. 31 Overall good condition with scattered scuffs, scratches, and minor nicks, commensurate with age. Pendulum door warped and does not fully close at the bottom juncture. Base with a vertical split in the wood. Case with a 3” long blue mark to left side proper. Includes pendulum and two weights.

Condition Reports

15 The pitcher with restoration to foot, the teapot with restoration to lid. Each with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Spout of pitcher with an older small chipped loss.

477

32 Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Corners and edges with small chipped losses. Leather upholstery with scattered stains, fading at edges, and rubbed wear. 33 Each overall good condition with scattered scuffs, nicks, and indentations commensurate with age. The tabletop and extensions each with uneven fading/discoloration to finish, with minor soiling and scattered faint stains. Upholstery faded, with rubbed wear and soiling, three chairs with tears in the seat cushions. One chair with a 1.5” long deep gouge in seatback support. 34 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. One dinner plate with two 1.5” long surface cracks at center. Some dinner plates with minor soiling to underside. 35 Each overall good condition with minor shelf wear commensurate with age. 36 Overall good condition with tarnishing and light scratches commensurate with age. With two small hand-etched inscriptions to underside rim. 37 Overall good condition with tarnishing and light scratches commensurate with age. 38 Overall good condition with tarnishing and light scratches commensurate with age.

Condition Reports

39 Each overall good condition with tarnishing and light scratches commensurate with age.

478

40 Visual: Overall generally good appearance. Not examined out of the frame. Blacklight: No evidence of restoration. Framed under Plexiglas: 38” H x 47.5” W x 5” D

41 Visual: Overall generally good appearance. Slight, scattered specks of grime. Blacklight: Scattered bands of touch-up along the extreme edges, a 1.5” H x 1” W area of touch-up near the right edge, and other pea-sized (or smaller) touch-ups scattered throughout. Frame: 17.25” H x 23.25” W x 2.25” D 42 Visual: Grime and scattered specks of surface accretion, fine craquelure scattered throughout, some areas of unstable craquelure, with small, attendant pigment losses, all commensurate with age. Scattered frame abrasion in places along the extreme upper, lower, and right edges, and an attendant area with a 1.25” thin band of visible touch-up to the left of center, along the extreme lower edge. Blacklight: A 9.25” H x 0.25” W band of touch-up along the extreme upper edge, at right, and other 2” x 0.25” W (or smaller) areas of touch-up scattered along the edges. A 1” H x 1” W area of touch-up around the moon and other pea-sized touch-ups scattered throughout. Frame: 22.375” H x 28.375” W x 4” D 43 Visual: Overall generally good appearance. The canvas is stable but has some lifting with attendant areas of air bubbles, primarily in the lower left quadrant. Blacklight: A 5” H x 13” W irregular area of touchup in the clouds and partially in the greenery of the upper right quadrant. A 8” H x 2.5” W diagonal band of touch-up in the lower left quadrant and another 1.5” H x 1.5” W triangular area of touch-up in the lower left quadrant, along with other smaller scattered areas of touch-up. Frame: 34” H x 46” W x 3” D 44 Overall good condition with dust accumulation and fading commensurate with age. Scattered loose threads and minor areas of moth grazing. Scattered bead losses to medallion. Not examined out of frame. Framed under glass: 25.75” H x 29.25” W x 1.25” D

46 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Upholstery with fading and cracking to leather and scattered scuffs and scratches. Antiquing and rubbed wear/losses to paint and gilding, concentrated at edges and corners. 47 Overall good condition with scattered scuffs, scratches, and indentations commensurate with age. With rubbed wear and losses to finish and gilding throughout. Upholstery good condition, with dust accumulation and a few dime-sized stains to one end. 48 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Table is shaken. More concentrated scratches to tabletop. Wear to playing pieces. 49 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. Wear to wood finishes. Each with mounting putty to large lens. Smallest telescope with smallest component stuck, does not collapse. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments. 50 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. One with tear in leather, held by tape. Each possibly lacking components. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments. 51 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. Iron anchor sample with losses to paint and rust. Each possibly lacking components. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments.

52 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. Brass and metal telescope with chipped losses to lens and larger indentations. Each possibly lacking components. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments. 53 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. Each possibly lacking components. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments. 54 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. Each possibly lacking components. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments. 55 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. Each possibly lacking components. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments. 56 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments. 57 With shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With two chips to spouts at the rim. Two handles with a repaired crack near upper juncture. Scattered rice-sized fleabites to rim. The underside with a 1” diameter inclusion, likely inherent, as well as a 1.25” diameter divot in the material, possibly also inherent. 58 Each with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with fleabite chips to rim, the rabbit figure with fleabites to base.

Condition Reports

45 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The sides and front with older evidence of wood worm. Older losses to wood, concentrated to back. Each side with a 23” long vertical crack in the wood. Top with a few deeper scratches. Hardware replaced, with oxidation/darkening. Locking mechanisms removed.

479

59 Globe spins with difficulty on polar axis. Polar ring also spins with difficulty. Globe with gap at equatorial seam, rubbed wear, scattered abrasions and cracks, and tanning. As well, with a 2” diameter indentation/ abrasion. Chipped losses to outer edges of horizon band paper. Oxidation to polar ring. Stand overall good condition with scattered minor scuffs and scratches and wear to finish.

68 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. Azimuth with cracks in glass component. Both protractors personalized with named and city. Each possibly lacking components. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments.

60 Each with scattered scuffs, scratches, indentations, and oxidation/tarnishing commensurate with age and use.

69 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, and oxidation commensurate with age. Aneroid case with loss to leather strap. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments.

61 Overall good condition with scattered minor scuffs and scratches. 62 Overall good condition with scattered minor scuffs and scratches. 63 Each overall good condition with scattered minor scuffs and scratches. 64 Each overall good condition with scattered minor scuffs and scratches to exterior and dust accumulation to interior.

Condition Reports

65 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments.

480

66 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. Sextant lacking lid. Each possibly lacking components. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments. 67 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. One octant and its case each personalized with name and location. As well, the case with a few cracks in the wood. Each possibly lacking components. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments.

70 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. Pocket lacking magnetic needle. Maritime with verdigris to brass, requires calibrating/cleaning/repair. Each possibly lacking components. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments. 71 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. Army compass lacking magnetic needle. One pocket compass lid not opening, not inspected. Each possibly lacking components. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments. 72 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. One safety lantern with cracked glass. Rust to pocket lantern. Kerosene lamp reflector broken off from base. Each possibly lacking components. Working conditions unknown. Moran’s does not guarantee the working condition of these instruments. 73 Each overall good condition with shelf wear and inherent degradation commensurate with age. Each with chipped losses to the leaf-like protrusions. 74 Overall good condition with inherent flaws commensurate with age and excavation. 75 Each overall good condition with wear and degradation commensurate with age and excavation.

78 Overall good condition with minor rubbed wear and darkening to wood commensurate with age. Mounting putty residue to underside and top of wood stand. 79 Overall good condition with minor rubbed wear and darkening to wood commensurate with age. Mounting putty residue to underside and top of wood stand. 80 Overall good condition with minor rubbed wear and darkening to wood commensurate with age. Mounting putty residue to underside and top of wood stand. 81 Overall good condition with minor rubbed wear and darkening to wood commensurate with age. Mounting putty residue to underside and top of wood stand. 82 With older scuffs, scratches, nicks, and soiling commensurate with age. 83 Overall good condition. As mentioned, the sheet is laid to a Japanese paper support sheet. With full margins, deckled along the upper and left edges. Pale light-staining showing in the margins. A stray speck of printer’s ink showing very slightly in the left sail, and a pinhead-sized foxmark in the same general area showing through from the reverse of the support sheet. An additional pinpoint-sized foxmark in the sky of the upper right quadrant. Stray printer’s ink in a few places at the extreme edge and lower corner of the right margin, not affecting the image. Remnants of three very small old masking tape hinges, each approximately 0.25” H x 0.75” W (or smaller), at the upper margin edge. Framed under glass: 29” H x 22” W x 1” D

84 Overall good condition. As mentioned, the sheet is laid to a Japanese paper support sheet. With full margins, deckled along the upper and left edges. Pale light-staining showing in the margins, slightly affecting the Japanese characters in the left margin. Minor surface soiling at the extreme margin edges. Stray printer’s ink in a few places at the extreme edge and lower corner of the right margin, not affecting the image. Remnants of three very small old masking tape hinges, each approximately 0.25” H x 0.75” W (or smaller), at the upper margin edge. Taped to the overmat with brown paper tape along the verso of the support sheet’s upper edge. Framed under glass: 29” H x 22” W x 1” D 85 Overall good condition. As mentioned, the sheet is laid to a Japanese paper support sheet. With wide (probably full) margins, deckled along the upper and left edges. Very pale light-staining showing in the margins. A few unobtrusive, tiny and pale foxmarks in the sky at upper left. Remnants of three very small old masking tape hinges, each approximately 0.25” H x 0.75” W (or smaller), at the upper margin edge. Old backboard staining and a few scattered foxmarks on the verso of the support sheet. Taped to the overmat with brown paper tape along the verso of the support sheet’s upper edge. Framed under glass: 29” H x 22” W x 1” D 86 Overall good condition. With full margins, deckled along the left edge. Light-staining showing in the margins. Two pinhead-sized (filled) tack holes at the extreme upper margin edge. Minor, soft creases in the upper and lower left margin corners, not affecting the image. A rice-sized pale stain at the verso of the right margin edge, showing only on the verso. Slight traces of old glue from previous hinges in three places at the verso of the upper margin edge. The sheet is currently taped to the overmat with brown paper tape along the verso of the upper margin edge. Framed under glass: 29” H x 22” W x 1” D 87 Overall good condition. As mentioned, the sheet is laid to a Japanese paper support sheet. With wide (probably full) margins, deckled along the upper and left edges. Very pale light-staining showing in the margins. One pinhead-sized foxmark in the deckle of the left margin edge. Pale old backboard staining on the verso of the support sheet. The work is taped to the overmat with four narrow pieces of clear tape at the verso of the support sheet’s upper edge. Framed under glass: 29” H x 22” W x 1” D

Condition Reports

77 Overall good condition with minor rubbed wear and darkening to wood commensurate with age. Mounting putty residue to underside and top of wood stand.

481

88 Overall good condition. As mentioned, the sheet is laid to a Japanese paper support sheet. With full margins, deckled on all sides. Very pale light-staining and slight surface soiling showing in the margins. Remnants of two very small old brown paper hinges, each approximately 0.25” H x 0.25” at the upper margin edge. A soft diagonal handling crease in the support sheet of the upper left corner, not affecting the recto. Pale old backboard staining and foxing on the verso of the support sheet. Taped to the overmat with four short pieces of clear tape and slight remnants of brown paper tape in places at the verso of the support sheet’s upper edge. Framed under glass: 29” H x 22” W x 1” D 89 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Heavy losses and lifting to veneer of each leg. Bronze mounts with rubbed losses to gilding with attendant darkening/oxidation. Glass top with scattered scratches throughout. Lacking key. 90 With a chipped loss to bottom front of robe. Overall good condition with scattered scuffs, scratches, soiling, dust accumulation, and shelf wear commensurate with age. Fading and scattered craquelure to lacquer. Rubbed losses to polychrome. 91 Overall good condition with scattered scuffs and scratches and darkening/oxidation to bronze commensurate with age. One elephant trunk leg detached from its mounting. Scattered small cracks in thinner areas, possibly inherent in the casting. Rim with a 2.25” long older loss.

Condition Reports

92 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Pin-holing throughout the enamel.

482

93 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with crazing to the glaze throughout and minor rubbed wear to gilding, particularly to rim. 94 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Glaze with inherent crazing. Three holes drilled to the underside for wall hanging purposes. No evidence of repairs or restorations under blacklight. Underside with applied inscribed paper.

95 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight. 96 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. A pea-sized abrasion mark to façade of the plate. Glaze with inherent crazing. No evidence of repairs or restorations under blacklight. 97 Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. Scattered areas of minor loss to gilding. 98 Overall good condition with minor shelf wear, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. 99 Overall good condition with minor shelf wear, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. 100 Overall good condition. With margins. As mentioned, the sheet is backed with tissue-thin Japanese paper. Scattered foxing on the verso of the backing sheet, one of which shows through slightly to the recto of the printed sheet in the lower right portion of the mountain’s outline. The work is attached to the overmat in places with a combination of brown paper and clear tapes from the verso of the tissue-thin Japanese backing paper. Framed under glass: 30.5” H x 38” W x 1” D 101 Overall generally good appearance. With margins. Light-staining throughout and the colors attenuated. A 1” H x 2” W area of pale staining with an attendant, approximately pea-sized abrasion to the left of the structure in the background. Minor handling marks, mostly visible in raking light scattered in the upper half of the work. The sheet is framed floating, hinged to the back mat. Not examined out of the frame. Framed under Plexiglas: 22” H x 17” W x 0.75” D

Unframed 103 Works with various minor toning and creasing, and the colors somewhat attenuated. Not examined out of the frames. First-hand inspection recommended. Sold as a collection of plates not subject to return. Each framed under glass: 19.75” H x 13.75” W x 1” D; 20.25” H x 15.5” W x 1” D; and 20” H x 15.5” W x 1” D 104 Each overall generally good appearance. With margins. The colors very slightly attenuated. Not examined out of the frame. Each framed under Plexiglas: 31.75” H x 16” W x 1” D 105 Overall generally good appearance. Pale lightstaining. A 0.75” vertical, flattened crease near the lower right corner. An approximately pinhead-sized area of whiteish residue adhered to the surface near the lower edge, left of center. Not examined out of the frame. Framed without glazing: 19.75” H x 14.375” W x 1.25” D 106 Each overall generally good appearance. The colors slightly attenuated. Not examined out of the frame. Each framed under glass: 19.75” H x 14.375” W x 1.25” D 107 Each overall generally good appearance. The colors slightly attenuated. Not examined out of the frame. Each framed under glass: Smallest: 20.75” H x 14.375” W x 1.25” D; Largest: 20.375” H x 15” W x 1.25” D

108 Overall good condition with scattered scuffs and scratches and darkening/oxidation to brass commensurate with age. The rim, metal cover to vase, and swans are later replacements. Pin-holing throughout the enamel. A few jewels of dial loose from their mounting. Includes clock key and winding key. Lotus flowers do not close entirely. Internal apparatus not inspected. Proper working condition unknown. Moran’s does not guarantee the working condition of musical instruments. 109 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Border inlay with cracking to apron. 110 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. 111 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Middle portion of tabletop with concentrated scratches and indentations. Border inlay with cracking. 112 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. More concentrated scratches to floor of case interior. Monogrammed to top of case: RM. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 113 Each with scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges intact, with darkening and staining and losses to surrounding areas. One panel with small losses along front bottom edge. Versos with scattered losses, concentrated to end panels and edges. A few tears to edges verso. 114 Each with scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges intact. One panel with two puncture holes, the larger measuring 2.25” x 1.75” large. The same screen with two puncture holes and larger abrasions verso. Each with rubbed wear verso. 115 Each with scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges intact, with darkening and staining. Some staining or darkening to fans and ground. Fading to and holes in silk backing.

Condition Reports

102 The paper laid to cardboard. The colors attenuated. Toning and spots of staining throughout. A 5” H x 7” W triangular area of surface scratches to the print at upper right. The surface layer of the print’s margins skinned off in large sections due to prior adhesive, including part of the artist’s pencil inscription “Yoshida.” A 1” H x 5” W area of paper loss to the upper left margin. Aside from it being laid to cardboard, the work is not matted.

483

116 Each with scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges intact, with scattered small tears at gutters. Each with small chipped losses to edges of painted vignettes. One with chipped losses to gilt paper along lower border. Verso of each with losses to paper, concentrated at corners and edges, one with a 3” diameter puncture. 117 Overall good condition with scattered minor scuffs and scratches commensurate with age. Includes key. 118 Overall good condition with scattered minor scuffs and scratches commensurate with age. 119 Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Each component with vertical splits in the wood verso. Middle console with a pea-sized chipped loss to door interior. Upper console possibly lacking a component to lock for sliding cabinet doors, as well with two long deeper scratches to top surface. Pitting and oxidation to metal components. Lacking key.

Condition Reports

120 Visual: Dust accumulation, grime, minor varnish discoloration, and very fine scattered craquelure, all commensurate with age. A small area of frame abrasion in the lower portion of the extreme right edge.

484

122 Visual: Overall generally good appearance. Some wear with attendant small flecks of pigment loss along the edges of the panel. Blacklight: A 3” H and a 2” H vertical band of touchup in the arm and leg of the chair, respectively. A few areas of touch-up, 0.25” H x 1” W (or smaller), to the left of the figure, as well as a few minor scattered touch-ups along the edges. Frame: 31” H x 23” W x 4.5” D 123 Overall generally good appearance. A few very minor specks of grime scattered in the upper half. Framed under glass: 27” H x 20.75” W x 2.5” D 124 Visual: Craquelure throughout, soft stretcher bar creases along each side, minor varnish discoloration, and darkening to the pigment, all commensurate with age. A pea-sized area of pigment loss near the left edge, at center, and other areas of pinpointsized (or smaller) pigment losses scattered in the dark green background. A 1.25” H x 0.5” W minor scuff in the figure’s dress, near the lower edge, at center. Scattered areas of fine creasing to the canvas primarily in the background. Blacklight: A 2” H x 1” W area of touch-up on the figure’s right side armpit. A 2” H x 1” W area of touch-up near the left edge, at center, and a 1” H x 0.5” W area of touch-up near the upper left corner.

Blacklight: A 4” H x 1” W area of touch-up in the lower portion of the rightmost figure’s skirt, a 2” H x 1.5” W area of touch-up on the foot of the centermost figure, a 0.5” H x 1.25” W area of touchup on the thigh of the figure to the right of the centermost figure, and other pea-sized (or smaller) areas of touch-up scattered primarily in the outer edges.

Frame: 52.5” H x 38.5” W x 4.5” D

Frame: 40.25” H x 47.5” W x 5.5” D

Framed under Plexiglas: 30.25” H x 26” W x 1.25” D

121 Visual: Dust accumulation, grime, varnish discoloration, minor darkening to the pigment, craquelure throughout, all commensurate with age. A few flecks of stray white pigment, possibly house paint, scattered in the lower half of the work.

128 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered moth grazing, the largest area measuring 1.25” diameter, a few small stains, and one selvage edge with a 1” long cut.

Blacklight: A few flecks of old touch-up in the background of the upper right quadrant. Possible areas of very old touch-up, however, difficult to read under the thick varnish layer. Frame: 28.25” H x 23.5” W x 3” D

125 Overall generally good appearance. With margins. The three smallest specks of pale foxing, two on the platemark in the upper left corner, and one at the center of the left margin. Not examined out of the frame.

129 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor localized areas of moth grazing.

130 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered localized areas of moth grazing.

139 One figure broken at the waist with attendant small losses. Each with losses, soiling, and wear to the polychrome and glaze commensurate with age. Box with shelf wear and minor soiling.

131 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: two 10” diameter areas of staining, scattered isolated areas of moth grazing, a 4” diameter area of reweave at corner of field, a 17” long pulled thread, a silver dollar-sized repair, and a 3” diameter repair.

140 Each with losses, soiling, and wear to the polychrome commensurate with age.

133 With weathering and small losses commensurate with age. A 3.5” area of chipped loss to the prabhamandala and a 1” area of loss to torso of left demon proper. Scattered remnants of polychrome, most notably to forehead and hands of deity figure and the outstretched leg of consort. No apparent evidence of restoration under UV light. 134 Lower wood dowel and upper wood hanging mount. Unframed. Scroll 49.75” H x 12” H 135 Splattered pale brown staining affecting the left half of both the image and the fabric border. Some scattered short tears, losses, and touched-in areas near the sheet edges, one of which (near the lower left corner and approximately 1” diameter) is slightly unstable. The vast majority of what appear to be other creases and tears throughout the background are inherent in the paper manufacture. The work includes a lower black wood dowel and an upper wood hanging mount. Unframed. Overall: 69.25” H x 21” W

136 Head repaired/remounted to neck. With older losses, soiling, and losses to the polychrome or glaze commensurate with age. 137 With dust accumulation, losses to polychrome, and scattered chipped losses. Figure lacking hands. The base with older evidence of wood worm. 138 Each with losses, soiling, and wear to the polychrome commensurate with age.

142 Cream glazed horse with head and rider broken off, retained with the lot. Bison with one leg repaired and another broken off, retained with the lot. Each with losses, restoration, soiling, and wear to the polychrome commensurate with age. 143 Each painted sheet loose, as issued. Each with slight surface soiling and toning throughout. Each also with wear, small tears, creases, and small losses confined primarily to the edges. The painted sheet with the Chinese characters and chop mark has split vertically into two sections near the right edge, directly between the second and third (from right) columns of text. The embroidery with light dust accumulation and scattered loose threads throughout. Wear and minor loss to black silk of folio verso, mainly to edges and corners. Break and attendant wear to snap tab to side. Interior with silk-covered band with perished elastic. 144 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Top with more concentrated scratches. One cabinet with a 2” area of loss to finish at top edge. 145 Overall good condition with shelf wear, scattered minor scuffs, dust accumulation, oxidation to metal components, and inherent firing flaws commensurate with age. The frame with cracks/breaks in the openwork and scattered nicks and indentations. 146 Overall good condition with scattered scuffs, scratches, nicks, indentations, minor soiling, and oxidation to metal components commensurate with age. Framed: 41.5” H x 24.5” W x 1.25” D

Condition Reports

132 With weathering and small losses commensurate with age. Patination/discoloration to buffalo torso and tail of dog. Scattered remnants of polychrome. No apparent evidence of restoration under UV light.

141 Each with soiling, older chipped losses, and inherent flaws commensurate with age. One horse head with a repaired break to muzzle. Equestrienne with traces of paint.

485

147 Overall good condition with scattered scuffs, scratches, nicks, indentations, minor soiling, and oxidation to metal components commensurate with age. Plaque slightly bowed. Framed: 41” H x 23.5” W x 1.25” D 148 A large area of touch-up/repair issuing from rim under blacklight. With shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 149 Overall good condition with minor scattered scuffs and scratches and oxidation to metal components commensurate with age. Underside with two 1.5” diameter areas of soiling. Underside of rim with 3” area of chipped losses, as well with scattered fine cracks in the enamel below rim. 150 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 151 Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. The plaque with three losses to mounted stones. 152 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. 153 Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. Not inspected verso.

Condition Reports

Framed: 20” H x 17.625” W x 4.5” D

486

154 Overall good condition with scattered minor scuffs, dust accumulation, and darkening/oxidation to bronze commensurate with age. 155 Overall generally good appearance. Occasional pale and very minor foxmarks near the edges of the blank paper. A pinhead-sized stain in the blank of the lower right quadrant, possibly stray pigment. Not examined out of the frame. Framed under Plexiglas: 25” H x 21” W x 2” D

156 Visual: Overall generally good appearance. Scattered flecks of grime. A 3” line of frame abrasion scattered along the left edge. Blacklight: Scattered bands of touch-up along the extreme edges. Frame: 28.75” H x 21.75” W x 3.25” D 157 Visual: Overall generally good appearance. A very unobtrusive pinhead-sized pigment loss just above the small blue boat. Blacklight: No evidence of restoration. Frame: 33.75” H x 29.375” W x 2.75” D 158 Visual: Overall good condition. Blacklight: No evidence of restoration. Frame: 25.25” H x 28.625” W x 3.5” D 159 Visual: Overall generally good appearance. Very fine, unobtrusive, scattered paint shrinkage in the trees near the right edge of the lower right quadrant. Blacklight: No evidence of restoration. Frame: 35.625” H x 30.375” W x 4” D 160 Visual: Overall generally good appearance. Minor craquelure and cockling of the canvas, primarily in the white pigmented areas of the sky. Blacklight: A few scattered areas of touch-up, the largest 2” H x 2” W in the sky, and a few more areas of touch-up scattered in the sky and the upper edge. Frame: 30.25” H x 35.25” W x 3.25” D 161 Visual: Overall good appearance. Very minor craquelure, primarily in the white pigmented areas of the sky. Blacklight: No evidence of restoration. Frame: 25.5” H x 29” W x 3” D

Blacklight: A 0.25” H x1” W area of scattered touchup in the upper portion of the right edge. Frame: 25.25” H x 28.75” W x 3” D 163 Overall good condition with tarnishing, light scratches, and minor indentations commensurate with age. Liner with oxidation to interior and rubbed losses to silver plating, concentrated to edges of underside. Liner does not fit exactly. Weight does not include non-sterling liner. 164 Overall good condition with tarnishing and light scratches commensurate with age. 165 Overall good condition with tarnishing and scratches commensurate with age. Deeper scratches to bowl and underside edges. 166 Each overall good condition with tarnishing and light scratches commensurate with age. The gadrooned with ivory component of finial removed; subsequently, the finial is loose in its mounting. Lacking key. 167 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 168 Repaired break to figure’s right hand pinky. Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. 169 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Scattered soiling to marble. 170 Each overall generally good appearance. Plates 33, 82, and 91 with small margins showing on all sides, the other three plates with no margins showing as currently matted and framed. Each plate with the colors slightly attenuated. At least three of the plates with scattered pale and unobtrusive stains in the images and/or margins. Plate 33 with pale old damp staining confined primarily to the left half of the work, and attendant slight bleeding to the ink of the red chop mark in the upper left quadrant. Each not examined out of the frame.

171 Each overall generally good appearance. Plates 29, 57, 85, and 93 with small margins showing on all sides; the other five plates with no margins showing as currently matted and framed. Each plate with pale light-staining, some plates with uneven staining in both the image and margins. Each plate with the colors slightly attenuated. Plate 8 with a few pale stains scattered throughout the the image. Each not examined out of the frame. Each framed under glass: Largest: 21.125” H x 17” W x 1.5” D 172 The sheets with narrow margins showing. Pale lightstaining and the colors slightly attenuated. “The Good Woman’s Spirit Praying in the Waterfall” with a 1.5” H x 1” W area of very pale staining in the upper right corner and minor handling creases throughout the image. Some sheets with minor, unobtrusive soiling or small spots of insect damage. Each not examined out of the frame. Each framed under glass: Largest: 22” H x 17.625” W x 1” D 173 Each with pale light-staining and the colors slightly attenuated. Minor handling creases scattered throughout. The woodcut from the “Sketches by Yoshitoshi” series, with handling creases in-between the two conjoined sheets and small areas of staining in the lower right of the image. Some woodcuts with scattered, pale foxing. Each not examined out of the frame. Each framed under glass: Smallest: 19.75” H x 26” W x 0.75” D; Largest: 21.75” H x 34.75” W x 1.25” D 174 Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. 175 Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.

Condition Reports

162 Visual: Overall good appearance.

Each framed under Plexiglas: 21” H x 17” W x 1” D 487

176 Very minor toning. Blue preparation line scattered horizontally near the bottom of the image, 0.5” from the lower edge of the paperboard. Artist ink borderlines at the left, right and lower edges. Upper edge with heavier ink across margin and 0.25” into the scene. A small piece of old black tape at the center of each of the paperboard edges, verso. Remnants of newspaper print along the verso of the upper edge. Framed under glass: 19.5” H x 16” W x 1” D 177 Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. One stand with repaired break. 178 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. 179 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 180 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with scattered pinholing to glaze with attendant oxidation. One bowl with two rice-sized chipped losses to rim and one with a dime-sized conchoidal chip to rim underside. Another bowl with a 2.5” long crack emanating from rim. Several plates with fleabite and rice-sized chips to rim, one with a 3.5” long crack at middle.

Condition Reports

181 Overall good condition with scattered scuffs, scratches, nicks, and minor indentations commensurate with age. Nicks concentrated to legs, with wear to finish near bottom third.

488

182 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Scattered localized areas of older wood worm. Leather with fading, even discoloration, and scratches. One drawer stuck locked. Includes key. Chair: With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Front legs loose. Upholstery with fading, dust accumulation, and even soiling. Chair slightly shaken.

183 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Cracking to veneer throughout. Loss to gilding, with attendant oxidation/darkening to bronze mounts. Display interior with some ring impressions in the felt. 184 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Veneer with cracks throughout. Oxidation to metal components. 185 Visual: Overall generally good appearance. Very fine, stable craquelure, primarily along the edges. As mentioned, the canvas has been relined. Blacklight: Scattered areas of touch-up, primarily in the red pigmented area and along the edges. Frame: 29” H x 25” W x 3” D 186 Visual: Overall generally good appearance. Minor scattered specks of grime. A pinhead-sized pigment loss in the neck of the vase. Blacklight: A 3” H x 4” W area of touch-up in the upper right quadrant, and a 3” H x 2.25” W area of touch-up in the lower right quadrant, both near the right edge. A few pinhead-sized (or smaller) touchups scattered throughout the flowers. Frame: 25.5” H x 22.5” W x 3” D 187 Overall generally good appearance. Pale lightstaining. A pinhead-sized foxmark to the right of the female figure in the upper right quadrant. The lower left sheet corner is slightly lifting from the paperboard, and the rest of the sheet is still mounted to the paperboard. The paperboard with small tears in the lower portion of the left edge, not affecting the sheet. As mentioned, the sheet is mounted to paperboard, and the work is secured to the back mat with three archival corners. Framed under glass: 37” H x 31.5” W x 1.5” D 188 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. One footed cup with ricesized chipped loss to edge of foot.

Framed under Plexiglas 57.25” H x 78” W x 1.75” D 190 Overall good condition with light dust accumulation commensurate with age. Some edges held in place with discrete pins. Not examined out of frame. Framed under Plexiglas: 44” H x 76” W x 1.25” D 191 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Upholstery with staining to lounge cushion, footrest, and back cushion. Two strands of gimp trim loose. One eagle with chipped losses to the gilding. 192 With scattered rubbed wear, oxidation/darkening, scuffs, and scratches commensurate with age. The ewer with dent at the neck to one side. Basin is loose from the stand and sits at a tilt. Frame is shaken with loose components and junctures.

197 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. Oxidation to metal components. Letter file with break to front and attempted repair. 198 Overall good condition with scattered scratches, scuffs, and nicks commensurate with age. Three legs with black smudges scuffs horizontally along base. As well, a few small chipped losses to edges and corners of leg bases. Glass in good condition with minor scattered scratches. 199 Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. Wear and loss to patination, with attendant oxidation. Lower half of figure and base with verdigris. 200 Overall good condition with scattered minor scuffs and darkening/oxidation to brass commensurate with age. Figure’s head loose from its mounting. 201 Overall good condition with shelf wear and minor bumping to corners and edges commensurate with age. Tanning to spine.

193 Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Soiling to bottom edge of front of bar. Stiffening to seat cushions. Bar and stool upholstery with some fading, soiling, and wear.

202 Overall good condition, the slipcase with minor shelf wear, bumping to boards, and soiling commensurate with age. Slipcase with foxing and staining, as well as two small tears at the top of spine. Lacking one slipcase strap, with wear to the other.

194 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Rubbed wear to paint. Glass top with scattered scratches.

203 Overall good condition with minor shelf wear commensurate with age.

195 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Frame with a 5.5” long vertical split in the wood. 196 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with rubbed wear/losses to gilding at edges. One with more craquelure and losses to gilding to front of drawers. One marble top with a pea-sized chip to one corner. Each with chipped losses to feet.

204 Overall good condition with scattered scuffs and scratches, nicks, and indentations commensurate with age. Scattered small chipped losses to lacquer, concentrated to corners. Two panels with adhesive residue to glass. 205 Overall good condition with scattered scuffs, scratches, nicks, indentations, minor soiling, and oxidation to metal components commensurate with age. Framed: 39.75” H x 20” W x 1.25” D 206 Each overall good condition. Marble top with fleabite chipped losses along back edges.

Condition Reports

189 Overall good condition with light dust accumulation and minor creasing commensurate with age. Scattered faint blotchy stains, small areas of dye transfer, and small marks to areas. A few loose stitches and scattered minor wear to metal-wrapped threads. Not examined out of frame.

489

207 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with rubbed wear and losses to gilding and ebonizing, with scattered restorations. Reupholstered, with some fading. Armchair lacking rear casters. 208 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation/darkening to brass components. With a few stains in the wood at bottom surfaces. Two hooks unmounted. 209 Overall good condition with scattered minor scratches, scuffs, nicks, and indentations commensurate with age. The dial with rubbed wear to the enamel. One ball drop finial detached and retained with the lot. Oxidation to brass components. Including winding key and pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 210 Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. Uneven wear and rubbed loss to patina. 211 Lacking arrow. Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. Right shoulder with hairline crack. Scattered spots of corrosion and rubbed losses to patination. Bow slightly bent. Figure loose from mounting with wood plinth.

Condition Reports

212 Each overall good condition with tarnishing and light scratches commensurate with age. A few small vessels with pea-sized dents. Gorham bowl monogrammed.

490

213 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: storage creasing throughout, reduced in length and a few small localized areas of moth grazing. 214 Each overall good condition with oxidation, verdigris, and soiling commensurate with age. Each inner bracket with degradation from fireplace use.

215 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Five martini glasses with fleabite chips to rim, another with factory flaw to rim. One tumbler with a 1” crack to rim. 216 With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Staining, moisture damage, and chipped losses at hinges, with darkening. Fabric with fading, staining, and small losses. The boards with general rubbed wear to each side. Verso with scattered tears in the hinges and throughout, staining, and the ends panels with more wear, including a few pea-sized holes. 217 With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. One frame with loose components. Verso of each with more wear, staining, and small tears at hinges. Outer panels verso with more wear, including one with a 8” x 2.5” patched repair and another with a 2” area of tears and abrasions at hinger upper corner. A few small chipped losses at ends of wood frame. 218 Each with scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges loose, some with splits, with darkening and staining to areas surrounding. Moisture stains along lower edges on fabric borders of some panels. One with an 18” long stain along bottom edge of painted segment. One panel with a 4.5” long deeper scratch. Verso with some areas of darkening. Scattered older chipped losses to the wood frame. 219 Overall generally good condition. With margins and deckled edges. The usual rectangular notch out of the lower right margin corner for the alignment of the various colored blocks. Pale light-staining and the colors slightly attenuated. A few pale foxmarks scattered in the margins. Bands of old adhesive on the verso showing on the recto at the center of the left, right, and lower margins. Two pinholes near the corners of the lower margin. The sheet is loose, not matted. Unframed 220 Overall good condition. With margins. Not examined out of the frame. Framed under Plexiglas: 22.5” H x 19.5” W x 1” D

Framed under Plexiglas: 22.5” H x 19.5” W x 1.5” D 222 Overall good condition with some inherent flaking and dust accumulation. Base with partial sticker applied to side. 223 Overall good condition with some inherent flaking and dust accumulation. Base with partial sticker applied to side. 224 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Rim with chipped losses, the largest measuring 1.75” long. Chipped losses to underside/ base. Heavy oxidation and rust to stand. 225 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Rim with chipped losses, the largest measuring 1.75” long. Chipped losses to underside/ base. Heavy oxidation and rust to stand.

228 Overall good condition. Full margins, deckled along the upper and right edges. Pale light-staining showing primarily in the margins. The sheet is hinged to the back mat at the verso of the upper margin corners. A stamped collector’s mark (see below) and some old framing notations in pencil, all verso. Framed under glass: 20” H x 18” W x 1” D 229 Visual: Overall good condition. Blacklight: No evidence of restoration. Frame: 49.75” H x 41.25” W x 3.5” D 230 Visual: Overall generally good appearance. An unobtrusive rice-sized abrasion in the yellow pigmented area of the upper right quadrant. Blacklight: Specks of uneven varnish in the lower portion of the piece. Unframed 231 With oxidation/rust throughout and scuffs and scratches commensurate with age.

226 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The interior of bowl with a 12” long repair to base. Base with scattered scuffs and scratches and one foot loose.

232 Each overall good condition with shelf wear, scattered scuffs, and inherent firing flaws commensurate with age. The larger with a repaired break to base, more concentrated scuffs to body, and minor crazing to the glaze.

227 Overall good condition. With wide margins. A very good impression, still with velvety burr in places on the drypoint lines. Pale light-staining in the margins and slight time staining along the extreme margin edges. A 0.25” narrow band of old glue staining as well as one stitch hole from the original binding along the extreme right margin edge. Several pale foxmarks on the verso, one of which shows through slightly to the recto in the lower right margin corner. The sheet is hinged to the back mat from the verso of the upper margin corners.

233 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One frieze with two 1” holes. Insect grazing and losses throughout. Scattered white soiling throughout.

Framed under glass: 21.25” H x 18.5” W x 1” D

235 Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Sabines with scattered areas of discoloration and losses to upper figure’s raised hand.

234 Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Apollo with a 5” x 5” area of restoration verso and small spots of red ink to his forehead and chest.

Condition Reports

221 Overall good condition. With margins. The colors somewhat attenuated. Not examined out of the frame.

491

236 Each with wear, small losses, heavy soiling, dust accumulation, and weathering commensurate with age.

247 Overall good condition with scattered minor scuffs and scratches to exterior and dust accumulation to interior.

237 Each with wear, small losses, heavy soiling, dust accumulation, and weathering commensurate with age.

248 Overall good condition. Full margins with deckled edges. Minor handling creases scattered in the outer margin edges and corners. Stray printer’s ink scattered in the margins and the verso. A tissuethin gallery label affixed partially to the verso of the upper right corner. The sheet is loose, not matted.

238 Overall good condition with scattered small losses, soiling, green stains, and weathering commensurate with age and outdoor use. Umbrella with an 8” long repaired break and a 15” long crack. Chipped losses to columnar base and top of finial. 239 Likely assembled, some components newer. Overall good condition with scattered small losses, soiling, green stains, and weathering commensurate with age and outdoor use. 240 Overall good condition with scattered small losses, soiling, green stains, and weathering commensurate with age and outdoor use. 241 Overall good condition with scattered small losses, soiling, green stains, and weathering commensurate with age and outdoor use. Top of lantern with 9” long repaired break. 242 Overall good condition with scattered small losses, soiling, green stains, and weathering commensurate with age and outdoor use.

Condition Reports

243 Overall good condition with scattered small losses, soiling, green stains, and weathering commensurate with age and outdoor use.

492

244 Each with shelf wear, dust accumulation, and scattered scuffs and scratches commensurate with age. 245 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with soiling to interior, one with a few pea-sized spaulding losses to rim of base. 246 Each overall good condition with scattered minor scuffs and scratches.

Unframed 249 Overall good condition. Full margins with deckled edges. A few very pale, unobtrusive specks of foxing in the margins. Small, diagonal creases in the lower margin corners and scattered creases in the outer margins. Cockling along the right margin edge. The sheet is tipped to the back mat in places along the verso of the upper margin edge. Unframed 250 Full margins with deckled edges. Pale light-staining. Occasional foxing scattered in the margins. Minor handling creases scattered throughout, some creases affecting both the image and margins. Three rectangular areas of tape residue on the verso showing through to the recto of the lower left margin corner. Occasional stray printer’s ink in the margins. Two bands of old tape residue on the verso of the upper and lower margin edges, at center. The sheet is loose, not matted. Unframed 251 Overall generally good appearance. Not examined out of the frame. Framed under glass: 23.125” H x 29.125” W x 1” D 252 With margins. Handling creases concentrated in the outer margins. A few 1” indentations to the sheet in places along the upper and right margins. A few scattered, unobtrusive foxmarks in the margins. Paint shrinking in some of the pigments. The sheet is loose, not matted. Unframed

Each unframed 254 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered small localized stains at edges. 255 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Fabric to one short side of underside for a rod for hanging. 256 Overall good condition with scattered scuffs, scratches, nicks, and abrasions commensurate with age. One panel with a 2” long tear. With a longer white scratch to middle panel measuring 7.5” long. Rubbed wear and small scattered losses to leather at edges. Oxidation/darkening to metal components. Hinges loose, with one unmounted. Craquelure to the paint throughout.

257 Each overall good condition with scattered scuffs, scratches, nicks, indentations, dust accumulation, and oxidation commensurate with age. One lantern with cracked glass panel. Each interior with some wax residue. Tole elements with edges bent or imperfectly aligned. 258 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 259 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Includes brass lock. 260 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each side with large vertical crack. Shelves and drawers with soiling. Bowing to the top. Oxidation to brass hardware. 262 Overall good condition with scuffs, scratches, loss to the polychrome, nicks, indentations, shrinkage cracks, and soiling commensurate with age. Multiple vertical cracks/splits in the wood of base and attendant figure. 263 With scattered scuffs, scratches, nicks, and indentations commensurate with age. Inside of chest with updated wood reinforcement. Rubbed wear and losses to the painted decorations. The top of chest with three 15” long cracks. Indentations and oxidation to metal components. Glass top with scattered scratches. Includes key. 264 Overall good condition with scattered scuffs, scratches, small nicks, slight separation at joints, and oxidation commensurate with age. 265 Overall good condition with scattered scuffs, scratches, and minor nicks commensurate with age. One small panel with a 1.5” long crack. With a few scattered splits in the openwork wood. Includes hanging hook. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

Condition Reports

253 Most in overall generally good condition. All with margins, some narrow and some wide, “Emma (T),” “Emma (F),” and the untitled, abstract works with deckled edges and full margins. “Reflections in the Lake” with pale and uneven toning, handling creases scattered throughout the image and margins, a 1.5” thin, diagonal area of stray black pigment affecting both the image and lower margin, at center, and remnants of adhesive on the verso of the upper left corner and right margin edge. “Final Settlement of Love,” from “The Ladies Graphic,” with a 2.375” horizontal area of pale staining with an attendant pea-sized area of tearing to the sheet, all at the center of the right margin. “Emma (T),” with a very pale, pea-sized foxmark in the upper left margin corner, and “Emma (F)” with a few very pale pinhead-sized (or smaller) foxmarks scattered in the margins and some directly on the platemark. The work by Masao Ohba with a 0.25” diagonal crease in the lower left margin corner and stray printer marks in the outer margin edges. The work by Taniguchi Kokyo with a soft crease along the left and right margin edges. A pale, pinhead-sized foxmark in the upper left corner and some of the extreme margin corners are slightly dog-eared. “Sanjo Ohashi Bridge” and the three unidentified works with handling creases scattered in the outer margin edges and corners. The untitled, abstract, with pale foxing scattered primarily in the outer margins.

493

266 Overall good condition with shelf wear, and darkening/staining to upper and lower edges, underside, and interior commensurate with age and use. Inlay appears intact. 267 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The original scooper has been removed, with subsequent loss to cork stopper. 268 The ivory scoops have been removed. One with cork stopper stuck in the bottle. Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 269 Each overall good condition with shelf and handling wear and dust accumulation commensurate with age. Penguin with chipped losses to feet and beak. Cockatoo with fleabite chips to base. Parrot slightly loose from base. 270 Each overall good condition with scattered scuffs, scratches, nicks, indentations, minor soiling, and oxidation to metal components commensurate with age. Larger framed: 17.25” H x 12.125” W x 1” D Smaller framed: 16.125” H x 12” W x 1” D 271 Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Oxidation to brass case.

Condition Reports

Medallion framed: 6.375” H x 6.375” W x 1.25” D Case: 7.375” H

494

272 Each overall good condition with scuffs, scratches, nicks, minor fading, and soiling commensurate with age and use. Each with stiffness and some leaves starting to dismount from the ribs. Tiger with a few scattered small tears in the paper. 273 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Acrylic base with a 3” diameter area of localized scratches. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

274 The base with a 1.5” long conchoidal chip. Otherwise good condition with shelf wear and inherent firing flaws commensurate with age. 275 Each overall good condition with minor wear commensurate with age. 276 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Bottom drawer stuck shut, with unmounted escutcheon, retained with the lot. The top with horizontal split in the wood. As well, the drop front with two splits in the wood, measuring 17.5” and 14” long. Break to front left foot proper. Includes key. 277 Each overall good condition with scattered minor scuffs, scratches, minor nicks, and rubbed wear to the lacquer commensurate with age. 278 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each central roundel panel slightly loose. Rubbed losses to gilt. Each with wall-hanging hardware to upper edge verso. 279 Overall good condition with scattered scuffs, scratches, nicks, indentations, minor soiling, and oxidation to metal components commensurate with age. Framed: 28.5” H x 21.5” W x 1.125” D 280 Each with shelf wear, scattered scuffs and scratches, soiling, losses, and inherent firing flaws commensurate with age. One cabinet with broken foot, retained with the lot. Table with one offering broken off, retained with the lot. Shrine entrance roof broken off, retained with the lot. Most with repairs/ restoration, particularly pagoda and tables. 281 Each with losses, soiling, and wear to the polychrome and glaze commensurate with age. 282 Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Each with a few rice or pea-sized chipped losses.

284 Visual: Overall good condition. Blacklight: No evidence of restoration.

291 With wide margins, possibly slightly trimmed. A peasized foxmark in the lower margin edge, right of center, showing on the recto and verso. Areas of staining in places along the verso of the lower margin edge. The sheet is loose, not matted. Unframed

285 Visual: Overall good appearance. Minor dust accumulation. A faint, unobtrusive 1.5” diagonal scuff mark in the sky of the upper right quadrant.

292 Overall generally good condition. Full margins with deckled edges. A pinhead-sized abrasion on the right side wing of the bird. A 0.5” H x 0.25” W paper loss in the upper portion of the right margin edge. The upper left corner slightly dog-eared. The sheet is loose, not matted.

Blacklight: No evidence of restoration.

Unframed

Frame: 21.25” H x 17.25” W x 1.25” D

293 Overall generally good condition. Full margins with deckled edges. Handling creases scattered in the margin edges and corners. The lower portion of the extreme left margin edge folded forward. The sheet is loose, not matted.

Frame: 49.5” H x 70” W x 3.5” D

286 With losses, soiling, and wear commensurate with age. Mounting putty to underside. 287 Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Guanyin with loss to headpiece, hand, and scattered abrasions/fleabites. Three others with scattered fleabites to edges. 288 Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. One elephant with loss to an ear and end of trunk, the other with loss to ear. Each with mounting putty to underside. 289 Overall good condition with minor rubbed wear commensurate with age. Mounting putty residue to underside and top of wood stand. 290 Specks of grime, areas of wear to the pigment, and minor surface soiling mostly in the outer edges, all commensurate with age. Specks of pigment loss scattered in the lower left quadrant and the outer edges. The work is framed floating and sandwiched between two pieces of Plexiglas. Not examined out of the frame. Framed under Plexiglas: 19.75” H x 17.5” D x 0.5” D

Unframed 294 With wide margins and deckled edges. Some sections of the deckled edges have been folded back slightly. Pale light-staining. Creases scattered throughout. A few pinhead-sized (or smaller) indentations scattered in the blank. Cockling along the right margin edge. Minor surface soiling in the blank. The sheet is loose, not matted. Unframed 295 With wide margins. Scattered specks of grime. Pale light-staining. Two very pale, unobtrusive pea-sized stains in the upper portion of the left margin. Soft 0.75” diagonal creases in both the upper and lower left margin corners. Cockling along the left and right margin edges. The sheet is loose, not matted. Unframed 296 Overall generally good condition. With wide margins and deckled edges. The sheet is loose, not matted. Unframed

Condition Reports

283 With various staining, handling creases, staining and a few tears. One with tape remnants verso. Paper on each loose. We recommend viewing in person.

495

297 Overall good appearance. With margins. Pale mat staining showing in the margins along the window opening of the mat. Unobtrusive, soft rippling in the lower portion of the left margin and just slightly into the image, possibly attendant with a 1” vertical line of slight surface abrasion in the same section of the margin, not affecting the image. Not examined out of the frame. Framed under glass: 22” H x 16.25” W x 0.5” D 298 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Soiling to interiors. 299 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Soiling to interiors, one with soiling to rim. 300 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Soiling to interiors, the larger with soiling to rim. 301 Each in overall good condition with light dust accumulation, a few faint marks, and minor wear commensurate with age and use. Hermés covers with a few scattered minor pulls to weave, and overall very slight fading/discoloration to fronts. Each Hermés cover with added unassociated decorative pillow insert. Versace cushion with scattered minor pulled threads to cording edge trim.

Condition Reports

302 Each in overall good condition with minor wear commensurate with age and use. Smaller cushion with scattered minor pulls to weave on each side. Each with original retail and authenticity tags attached.

496

303 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 304 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

305 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with evidence under UV light of restoration or retouching to gilt handles. 306 Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Craquelure to lacquer throughout. Undersides of tops with some losses to the lacquer, with small losses at other edges. 307 Overall good condition with tarnishing and light scratches commensurate with age. 308 Each sheet with margins and a decorative border. Sheets with toning, some darker and more uneven than others, at least four sheets with larger bands of damp staining, some areas of wear to the pigment, scattered pale foxing, some sheets with tears, paper loss, and insect damage. One of the erotic miniatures with significant damp staining and insect damage. And other minor defects. Each not examined out of the frame. Each framed under glass: Largest: 19.25” H x 12.875” W x 1.25” D 309 Overall generally good appearance. A few soft ripples in the lower portion of the sheet, attendant with the material used, and visible primarily in raking light. An occasional minor handling mark outside the image. Not examined out of the frame. Framed under Plexiglas: 19.75” H x 17” W x 1.25” D 310 Each scroll with areas of restoration, water damage, soiling, and remounted to screens. Screens in overall good condition with scuffs, scratches, and minor soiling verso commensurate with age. 311 The painting has been cut and remounted to screen, in worn condition with restoration, soiling, and moisture damage commensurate with age. The fabric borders with wear and fraying, the frame with scuffs, scratches, and nicks.

Unframed 313 With margins. A minor handling mark at the center of the lower margin. Mat staining along the extreme left margin edge. The colors very slightly attenuated. The sheet is loose, not matted. Unframed 314 Overall generally good condition. With wide margins, deckled along the lower edge. Uneven toning on the recto and verso, scattered pale foxing, and the colors perhaps slightly attenuated. Formerly rolled-type soft vertical creasing throughout the image and margins. The sheet is loose, not matted. Unframed 315 With wide margins, trimmed slightly unevenly in places. Pale toning. Uneven rectangular blocks or smaller areas of staining along the margin edges. A horizontal folding crease along the lower margin, and smaller handling creases scattered throughout the margins. The sheet is loose, not matted. Unframed 316 With wide margins. Pale light-staining showing below the image, along the lower edge of the plate. Occasional pale flecks of foxing scattered in the margins. Minor handling creases concentrated in the margins. Remnants of tape residue on the verso, showing through slightly to the recto of the margins. Thin bands of paper tape along the extreme margin edges. The sheet is loose, not matted. Unframed

317 Overall good condition with scattered minor scuffs and scratches commensurate with age. The body with a few shallow cracks emanating from the bottom edge to front and back, measuring about 3”-4” long. Backside of body with some adhesive wear and loss to finish. Proper working condition unknown. Moran’s does not guarantee the working condition of musical instruments. 318 Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. 319 Overall good appearance. Not examined out of the frame Framed under Plexiglas: 24.75” H x 24.75” W x 1.5” D 320 Overall generally good condition. Full margins with deckled edges. A few soft handling marks in the margins, visible primarily in raking light. The sheet is loose, not matted. Unframed 321 Overall generally good condition. Full margins with deckled edges. A few soft handling marks in the margins. The sheet is loose, not matted. Unframed 322 Overall good condition. The sheet with wide margins. Minor handling creases and some scattered soiling in the margins. A few scattered remnants of old hinge tape along the verso of the margin edges. The sheet is loose, not matted. 323 Overall generally good condition. With margins. A pinpoint-sized foxmark on the main figure’s cheek. A minor 0.5” horizontal crease at the center of the left margin edge. The sheet is hinged to the back mat, and the back mat is taped to the overmat with long pieces of duct tape along the verso of the upper and lower edges. Unframed

Condition Reports

312 With margins. Light-staining throughout. Occasional specks of pale foxing scattered in the margins. Significant creasing along each of the edges of the image border and other minor handling creases scattered throughout. A 3” folding crease in the upper portion of the right margin, slightly affecting the image. A 0.5” H x 1” W area of surface skinning just above the image at the center of the upper margin. The sheet is loose, not matted.

497

324 Overall generally good condition. Full margins with deckled edges. Some unobtrusive wear to the mica in the background of the image. The sheet is loose, not matted. Unframed 325 Works with various minor toning and handling creases. Not examined out of the frames. First-hand inspection recommended. Sold as a collection of plates not subject to return. Each framed under glass: Largest: 22.5” H x 18.5” W x 1” D; Smallest: 15” H x 11.5” W x 0.5” D 326 “Autumn Festival at Karatsu” with margins. Handling creases throughout, concentrated along the upper margin edge and lower margin corners. A 1” tear and associated bend to the paper along the upper right margin edge. Minor toning. Each sheet is loose, not matted. “Evening Gloom of Japan No. 2” with full margins and deckled edges on all sides. Scattered staining throughout, concentrated in the margins and lower corners. Scattered minor handling creases in the margins. The girl with a friend (Kawano work) with margins, deckled on three side. Minor handling creases and minor scattered soiling in the margins. Spot of errant ink in the upper right margin. Each sheet is loose, not matted. Each unframed 327 Each overall good condition with soiling, dust accumulation, scuffs and scratches, and wear commensurate with age and use.

Condition Reports

328 Each overall good condition with soiling, dust accumulation, scuffs and scratches, and wear commensurate with age and use.

498

329 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. With a few small dents at corners of base and upper edges. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 330 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

331 With wear, soiling, dust accumulation, and minor scuffs commensurate with age. Chipped losses to corners and edges of base. Light fixture standard slightly loose from base. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 332 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Column supports loose from their mounting, one with crack through the wood base. Each side with two long vertical cracks through the veneer. Dresser top with scattered deeper nicks, scratches, and abrasions. Rubbed wear to gilt-bronze mounts, with attendant darkening/oxidation. The mirror with cracks and evidence of older wood worm verso. Mirror surface with some yellowing and scattered minor scratches. Lacking key. 333 One leg repaired. With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Upholstery with staining throughout one half of canapé. 334 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Glass top with scattered scratches. Craquelure to lacquer finish throughout, with a few small chipped losses at edges of base. 335 The tissue thin paper with minor surface soiling, occasional flecks of pale foxing, and a small paper loss at the center of the left extreme edge. A 1” H x 1” W of possible intentional or stray pigment, in the hand of the artist. The suppport sheet with minor creasing and denting in places along the extreme upper edge, all not affecting the image. The work is loose, not matted. Unframed 336 Full margins with deckled edges. Pale foxing and very minor handling creases scattered in the margins. A pinhead-sized fleck of stray printer’s ink in the lower portion of the left margin. A rice-sized area of glue residue at the center of the right margin edge, verso. The sheet is loose, not matted. Unframed

Unframed 338 Overall generally good condition. Scattered surface soiling. Minor handling creases scattered throughout, primarily in the outer edges and corners of the support sheet. A small vertical tear in the thicker paper near the center of the lower edge. The work is loose, not matted. Unframed 339 Overall good condition. Full margins with deckled edges. Pale foxing scattered in the margins. The sheet is loose, not matted. Unframed 340 Overall generally good condition. With margins and deckled edges. Soft handling creases primarily along the outer edges. Pale pinhead-sized foxmarks scattered throughout. The sheet is loose, not matted.

344 Overall generally good condition. Full margins with deckled edges. Foxing scattered throughout. Soft handling creases scattered in the outer margins, mostly visible in raking light. The sheet is loose, not matted. Unframed 345 Overall generally good appearance. Very pale, occasional flecks of foxing scattered in the blank of the work. The tissue thin paper with some creasing inherent to the process of it being laid to the Japanese paper, and the tissue thin paper folded forward in the lower right corner. Two pieces of green tape remnants on the verso of the upper sheet corners. The work is loose, not matted. Unframed 346 Foxing scattered throughout the tissue-thin Japanese paper and the support sheet. Minor handling creases scattered in the support sheet, not affecting the image. The work is loose, not matted. Unframed

341 The sheet with wide margins, deckled at right. Very minor toning. The sheet is loose, not matted.

347 Overall generally good appearance. The tissue thin paper with minor handling creases in the upper right corner, possibly attendant with how it’s tipped to the support sheet. The support sheet with a small tear and a pea-sized glue stain near the upper left corner, not affecting the image. A tissue-thin gallery label affixed partially to the verso of the upper right corner of the support sheet. The work is loose, not matted.

Unframed

342 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Lower console top drawer stuck. Discoloration to leather writing surface. Upper console with scattered crack and small chips in the veneer. Includes two keys.

348 Overall generally good condition. A few foxmarks scattered in the blank of the work. Minor handling creases scattered in the outer edges and corners. The sheet is loose, not matted.

343 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age.

349 The Japanese paper further laid to Japanese paper support. Errant spots of ink and soiling intrinsic to creation throughout the background. Two remnants of hinge tape along the upper margin edge. The sheet is loose, not matted.

Unframed

Condition Reports

337 Overall generally good condition. The Japanese paper with two approximately pea-sized paper losses near the center of the lower edge. The support sheet with handling creases along the edges and corners, and the upper edge with small, various tears, all not affecting the image. The work is loose, not matted.

499

350 Overall good condition with scattered scuffs, scratches, nicks, and minor indentations commensurate with age. Center of table with discoloration. Light scuffing on corners of table. Upholstery good condition with slight fading, dust accumulation, and one with two quarter-sized stains. 351 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Cabinet doors with uneven wear to finish. Pullout surface with a 1” long chipped loss to underside at front edge. 352 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One porcelain plaque lacking gilt-metal frame. One column accent loose. Heavy wear to fabric-lined shelves. With a vertical split in the wood backing verso. Includes key. 353 Each with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some joints re-glued. Each with craquelure and losses to wood finish. Upholstery in good condition with even wear. 354 Overall generally good condition. The support sheet with minor creasing in the upper right corner, mostly visible in raking light, not affecting the image. Two pieces of green tape remnants on the verso of the upper sheet corners. The work is loose, not matted. Unframed

Condition Reports

355 Pale light-staining to the Japanese paper. Remnants of tape on the verso of the support sheet along the upper and left edges, and slightly showing on the recto. The work is loose, not matted.

500

Unframed 356 Overall generally good condition. The sheet with wide margins. Minor horizontal rippling. Scattered tiny spots of stain throughout the margins, and a small glue stain in each of the margin corners from previously use of tape for mounting. The sheet is loose, not matted. Unframed

357 The first: The sheet with full margins and deckled edges. Minor toning. Scattered minor handling creases in the margins. The upper left margin corner folded over. A spot of errant ink in the lower left margin. The sheet is loose, not matted. The second: The sheet with full margins and deckled edges. Scattered minor creases in the lower margin and lower left margin corner. The sheet is loose, not matted. The third: The sheet with full margins and deckled edges. Scattered minor handling creases in the margins. A small stain along the extreme lower left edge. The sheet is loose, not matted. All unframed 358 The first: Paper with scattered handling creases concentrated along the edges. A 0.25” tear in the paper in the left of the lower edge. The sheet is loose, not matted. The second: Paper with scattered handling creases concentrated along the edges. A 1.5” minor indentation in the paper lower left. Minor soiling upper left. An errant spot of ink right center on the white near the right figure. The sheet is loose, not matted. The third: Paper with central soft horizontal ripples. A triangular small indentation from the printing lower left margin. Minor handling creases lower margin and lower left corner. Minor toning. A spot of stain lower right margin near the inscriptions. The sheet is loose, not matted. All unframed 359 With narrow margins. Toning and with the colors slightly attenuated. Old tape stains in places along the margin edges, a few of which affect the outer edges of the image. Remnants of archival hinging tape along the upper margin edge. The sheet is loose, not matted. 360 Each overall good condition with scattered scuffs, scratches, nicks, indentations, minor soiling, and oxidation to metal components commensurate with age. Largest framed: 39.5” H x 25.5” W x 1.25” D Smallest framed: 40” H x 16.25” W x 1.25” D

Blacklight: No evidence of restoration. Frame: 23” H x 26.75” W x 3.25” D 362 Visual: Overall generally good appearance. Scattered stable craquelure and minor grime. The canvas slightly rubbed in the area of the small tree left of center. An unobtrusive, nickel-sized touch-up in the clump of bushes near the left edge. As mentioned, the canvas has been relined. Blacklight: Touch-ups of various sizes scattered throughout, the largest several measuring approximately 4.5” H x 7.5” W in the sky. Frame: 40” H x 52” W x 4.5” D 363 Visual: Overall generally good appearance. One ricesized and one pinpoint-sized area of pigment loss in the sky of the upper left quadrant, and two more rice-sized pigment losses along the lower edge. An unobtrusive 2.5” vertical scuff mark in the upper portion of the extreme right edge. Blacklight: No evidence of restoration. Frame: 20” H x 28” W x 3.5” D 364 Overall generally good appearance. Pale, uneven toning in the sky. Artist pinholes and some wear along the edges and corners. Framed under glass: 12.5” H x 16” W x 1.75” D 365 Visual: Overall good condition. Blacklight: No evidence of restoration. Frame: 23” H x 25” W x 4” D 366 Visual of each: Overall generally good appearance. Dust accumulation, occasional specks of grime, and minor varnish discoloration. Blacklight of each: No evidence of restoration. Frame of each: 12” H x 17.75” W x 2.25” D

367 Each with scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Staining, moisture damage, and chipped losses at hinges, with some darkening. Scattered losses to border fabric. Verso of end panels with more wear, darkening, and some patched paper repairs. A few chipped losses to wood frames at hinges. 368 Each overall good condition with minor wear to upholstery commensurate with age. 369 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With a quarter-sized chipped repair at bottom left. 370 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Scattered verdigris in the crevices. Rubbed losses to the gilt finish. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 371 Overall good condition with scattered scuffs and scratches commensurate with age. Craquelure to lacquer of the standard. Nicks, small losses, and indentations to base. 372 Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. 373 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. Uneven patination verso, with cracking and losses to area around neck and back of figure’s head. 374 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each glazed cabinet door with scattered cracks, concentrated to upper portions. Wood top surfaces with a few deeper scratches. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. 375 Overall good condition with mild tarnishing and light scratches commensurate with age.

Condition Reports

361 Visual: Overall good condition.

501

376 Overall generally good condition. The sheet with full margins, deckled along the lower edge. An approximately 2.5” diagonal, soft, handling mark extending partway into the image from the upper portion of the left margin edge. Minor staining along the extreme edges of the upper right margin corner. The sheet is loose, not matted. Unframed 377 Overall good condition. With wide margins. Minor handling creases in the margins. A few spots of errant ink in the left and right margins. The sheet is loose, not matted. Unframed 378 Overall good condition. With wide margins. Tape remnants along the upper margin edge. Slight handling creases in the margins. A spot of foxing in the blank at lower right. Margin corners tipped to a back mat. Unframed 379 Overall generally good condition. With wide margins. Handling creases in the margins. Minor toning. A partial gallery label on Japanese paper affixed to the paper, verso. The sheet is loose, not matted Unframed

Condition Reports

380 With margins. Minor handling creases concentrated along the outer margin edges. Scattered, very pale and unobtrusive foxing throughout, but showing primarily in the margins. Two larger foxmarks (approximately pinhead-sized) in the upper and left margins. Slight cockling to the sheet along the right margin edge. The sheet is loose, not matted

502

Unframed

381 Each with margins. The abstract composition with toning and scattered staining in the margins. Handling creases. Upper corners and upper left and right edges with scattered edge wear, bends, and small tears. Remnants of paper tape along the upper left and upper center edge. Affixed to a paper covering along the upper edge. “Design of Lake Depth” with minor cockling along the left and right margins, slightly affecting the image. Minor soiling in the margins. The upper portion of the left margin edges slightly trimmed unevenly. Each sheet is loose, not matted. Each unframed 382 Overall good condition with scattered scuffs, light scratches, mild soiling, and oxidation commensurate with age. The base with some pitting to gold-toned finish. Each bird with fleabite indentations at edges. Standard is loose from the base. 383 Each overall good condition with scattered scuffs, scratches, nicks, indentations, minor soiling, and oxidation to metal components commensurate with age. Frames with some separation at joints. Rust to metal handles. 384 Each overall good condition with scattered scuffs, scratches, nicks, indentations, minor soiling, and oxidation to metal components commensurate with age. Frames with some separation at joints. 385 Each overall good condition with scattered scuffs, scratches, nicks, indentations, minor soiling, and oxidation to metal components commensurate with age. 386 Each overall good condition. The image with the blossoming spring tree has a small foxmark lower center, between the two women. The image with bamboo grove has slight damp staining along the verso of the paper-wrapped upper wooden dowel. Each unframed; Overall of largest: 63” H x 18.25” W 387 Each with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with multiple chipped losses or cracks to edges and corners. Rubbed wear/ loss to finish and gilding. Bottommost piece of plinth likely later added.

389 With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Two bronze mounts lacking upper half, one mount missing. Lowest undershelf with lifting to edge bronze trimming, some bowing to wood, staining, and more wear to finish. Soiling to planter interior. 390 The works with minor toning and surface soiling, an occasional small stain, and the colors attenuated. The Utagawa of the two women has what appears to be an approximately dime-sized made-up section in the paper of the upper left quadrant. Not examined out of the frames. First-hand inspection recommended. Sold as a collection of plates not subject to return. Each framed under glass: Largest: 19.25” H x 37.25” W x 1” D; Smallest: 18.5” H x 14.5” W x 1” D

394 Beauty: Colors faded. Central horizontal crease with associated discoloration. Worm hole upper left, worm holes upper right. Nibble to paper edge upper right. Approximately 1” horizontal tear with loss related to the crease right center. Hinged along the upper edge, upper right hinge has failed. Not examined out of the frame. Samurai: Colors faded. Central horizontal crease with associated discoloration. Two minor scuffs upper right. Surface accretion upper right on the book. 2mm loss lower right. Not examined out of the frame. Framed together under glass: 19” H x 25” W x 1” D 395 Toning and scattered staining and surface soiling throughout. The second, fourth, and sixth woodcuts with occasional holes and/or insect damage, the largest approximately quarter-sized in the second woodcut image. Each with curling or creases of the vertical edges from previous accordion-style folding for storage. The support sheet with foxing, tiny edge tears and time staining along extreme sheet edges. Unframed

391 The sheet with grime, toning with some areas of uneven/darker toning, pale time staining, the colors attenuated, occasional foxing, area of surface soiling, tears, paper loss, insect damage, creasing, and other minor defects. “Teahouse Waitress with Cup Stand” with the conjoined sheets coming off from it’s adhesive. Each sheet is loose, not matted.

396 The three sheets glued together. Pale toning and the colors slightly attenuated. Handling creases scattered throughout. A stain in the lower right. Wear to the edges, surface rubbing in the upper right and along the left edge, and the sheets trimmed particularly along the lower edge. Remnants of tape adhesive in places on the verso. The sheets loose, not matted.

Each unframed

Unframed or matted.

392 Each with margins, some sheets with smaller margins than others, and some with deckled edges. Each with pale light-staining and the colors slightly attenuated. “Kabuki - Kataoka Nizaemon” with two flecks of pale foxing on the figure’s cheek. “Ichimura Uzaemon as Sukeroku” with pinholes in the upper and left margins, and a foxmark in the extreme lower right margin corner. Each sheet is loose, not matted.

397 The three sheets partially glued together and backed with rice paper. Pale light-staining and the colors slightly attenuated. Handling creases scattered throughout. The left and center sheets with repaired binding holes along the inner edges. Wear to the edges and the sheets trimmed. A few scattered remnants of tape or adhesive in places on the verso. The sheets loose, not matted.

Each unframed

Unframed

393 The works with toning and surface soiling, and the colors somewhat attenuated. Not examined out of the frames. First-hand inspection recommended. Sold as a collection of plates not subject to return.

398 Each with shelf wear, scattered scuffs and scratches, soiling and dust accumulation, indentations, and oxidation commensurate with age. Heavy oxidation to interiors.

Each framed under glass: Largest: 33.25” H x 15” W x 0.75” D; Smallest: 15” H x 10” W x 1.75” D

Condition Reports

388 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chipped losses and rubbed wear to the silvered finish.

503

399 Each overall good condition with scuffs, scratches, nicks, small indentations, and oxidation commensurate with age and use. The interiors and undersides with wear from use and flame exposure.

405 Works with various minor toning and handling creases. Not examined out of the frames. First-hand inspection recommended. Sold as a collection of plates not subject to return.

400 Each overall generally good appearance. Some plates with small margins showing on all sides; the other plates with no margins showing as currently matted and framed. Pale light-staining and the colors slightly attenuated. Some plates with a few very pale, unobtrusive foxmarks. Each not examined out of the frame.

Each framed under glass: Largest: 40” H x 19” W x .5” D; Smallest: 15” H x 12” W x .5” D

Each framed under glass: Largest: 20.5” H x 15.75” W x 1” D 401 Each: The two sheets taped together on the verso. Hinge tape along the four edges and affixed to the front mat. Pale light-staining and the colors everso-slightly attenuated. “Nitta Shiro Yoshisada,” with scattered losses along the seam, a pea-sized loss along the left center edge, a spot of loss along the upper right edge, a 1” H x 1” W loss, and other scattered loss spots in the lower left. “Momijigari” with scattered areas of loss and insect damage. Each matted 402 The works with minor toning and surface soiling, and the colors somewhat attenuated. Not examined out of the frames. First-hand inspection recommended. Sold as a collection of plates not subject to return.

Condition Reports

Each framed under glass: Largest: 18.5” H x 22.5” W; Smallest: 12” H x 15” W x 0.75” D

504

403 Both works with minor toning and surface soiling, an occasional small stain, and the colors attenuated. Not examined out of the frames. First-hand inspection recommended. Sold as a collection of plates not subject to return. Each framed under glass: Largest: 15.75” H x 19.375” W x 1.375” D; Smallest: 14.5” H x 18.5” W x 1” D 404 Works with various minor toning and creasing, and the colors somewhat attenuated. Not examined out of the frames. First-hand inspection recommended. Sold as a collection of plates not subject to return. Two framed under glass: Largest: 16.75” H x 20.75” W x 1” D; One framed without glazing: 19.25” H x 14” W x 0.75” D

406 Each with toning, scattered staining, handling creases throughout, scattered tears and tiny losses, primarily at the extreme edges. Some scattered pigment loss, particularly in the lower left on the scene with the seated figures. The scene with a horse with a central vertical crease. Only the scene with the seated figures was examined out of a frame, the other two scenes were not. Two framed under glass: 14.75” H x 34.75” W x .75” D; One unframed: 14.75” H x 33.75” W 407 Each with toning and staining throughout. The blue pigments slightly faded. Not examined out of the frames. Frame of first under glass: 22.75” H x 27.75” W x 1.25” D Frame of second under glass: 22.5” H x 26.6.5” W x 1” D 408 The works with minor toning and handling marks, an occasional foxmark, and the colors somewhat attenuated. Not examined out of the frames. Firsthand inspection recommended. Sold as a collection of plates not subject to return. Each framed under glass: Largest: 15.75” H x 20.25” W x 1” D; Smallest: 16.75” H x 12.5” W x 0.75” D 409 The works with minor toning and surface soiling, an occasional small stain, and the colors attenuated. Not examined out of the frames. First-hand inspection recommended. Sold as a collection of plates not subject to return. Each framed under glass: Largest: 24” H x 18.25” W x 1” D; Smallest: 18.25” H x 13.5” W x 1” D

505

Condition Reports

John Moran Auctioneers, Inc SPECIALISTS

Head of Sale, Senior Specialist, Furniture & Decorative Art Angela Past President, Auctioneer Jeffrey J. Moran Vice President, Specialist Maranda Moran Director, Fine Art Katherine Halligan Associate Specialist, Fine Art Bobby Cullen Associate Specialist, Fine Art Ian Anderson Specialist / Department Manager, Furniture and Decorative Arts Jen Kurtz Post-War & Contemporary Design Specialist Matthew Grayson Department Administrator, Fine Art Jacob Baer Cataloguer, Fine Art Anne Spink Cataloguer, Fine Art Madison Ari Cataloguer, Fine Art

Lori Kassabian

Cataloguer, Silver, Western and American Indian

Sally Andrew

Cataloguer, Furniture & Decorative Arts

Grant Stevens

Director, Jewelry & Watches Tom Burstein Specialist, Jewelry & Watches Kelly Sitek

TRUSTS & ESTATES

Senior Vice President, Director Trusts & Estates

Morgana Blackwelder, ISA AM

Director, Appraisals Mariam Whitten, ISA AM Associate Appraiser Shannon Dailey Department Administrator, Trusts and Estates Julia Kelley

CLIENT SERVICES

Office/HR Manager Mario Esquivel Client Services Ella Fountain Finance Administrator Jamie Holthauser Client Services Bryan Ortega

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Controller Joseph Scott Jean Rapagna Consignment Coordinator Warehouse Supervisor, Senior Art Handler Richard Corral Transport Supervisor, Senior Art Handler Joe Miranda Art Handler Romero Corral Art Handler Robert Robles

MARKETING

Director, Advertising & Marketing Manager, PR/Social Media Graphic Designer

PHOTOGRAPHY

Senior Photographer, Head of Photography Photographer Photographer

FOUNDERS

Nathan Martinez Brenda Smith Brian Olivas

Keith Berson Madison Torres Matthew Mizerowski

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 - $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

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Conditions of Sale These Terms and Conditions of Sale (“Terms“) set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. (“Moran”) will be governed. These Terms constitute a legal and binding agreement between You and Moran. AUCTION HOUSE AS AGENT Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer. BEFORE THE AUCTION (a) Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran. com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer’s Responsibility. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold “As Is”: Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD “AS IS.” Condition reports are offered as a courtesy and are typically published in Moran’s catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission. Moran’s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording. (b) Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer’s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment. Successful bidders may be required to further verify their identity before property is released. (c) Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder’s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and—in the case of error or dispute, whether during or after the sale—determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran’s sale record shall be conclusive as to the successful bidder and the price of the successful bid. (d) Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

(e) Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller’s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer’s Premium, plus any applicable sales tax. The Buyer’s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer. Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer’s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer. Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full. Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers’ LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause. (c) Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran’s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the “Retrieval Period”), Moran may, without further notice, (a) continue to store the lot in Moran’s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer’s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.

Conditions of Sale Cont’d (d) Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran’s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned (“Abandoned Property”) and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period. (e) Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein. (f) All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran’s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist’s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist’s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer’s damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability. (c) Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates. All estimates provided are carefully considered opinions of Moran’s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

(f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer’s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney’s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran’s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California. (c) Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California. (d) Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction. This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision. In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys’ fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys’ fees reasonably incurred by the prevailing party in connection with the arbitration. (e) Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.

SINCE 1969

AUCTIONEERS & APPRAISERS w w w. j o h n m o r a n . c o m · i n f o @ j o h n m o r a n . c o m · ( 6 2 6 ) 7 9 3 - 1 8 3 3

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