Issuu

The Traditional Collector Wednesday, April 28, 2021

The Tradition

Wednesday, April

Sale 145 East Walnut Avenu

Public P Friday, April 23 12pm

Or by app

Meet th

Roland Ry Head o roland@john Mike Hook Fine Art Cataloguer mike@johnmoran.com

Client S Mario Esquivel Office Manager mario@johnmoran.com

nal Collector

l 28, 2021—12pm

e 185 ue, Monrovia CA 91016

Previews: Tuesday, April 27 m-4pm

pointment

he Team

ynkiewicz of Sale nmoran.com Shannon Dailey Decorative Arts Cataloguer shannon@johnmoran.com

Services Ella Fountain Client Services ella@johnmoran.com

1001

1002

Late 19th/early 20th Century Case marked: D 28; Movement signed: France / 680 / 6 The clock with gilt-bronze dial, black Arabic numeral hour markers, two train movement, and black hands enclosed in a glazed gilt-bronze architectural case with polychrome enamel champleve columns, dial medallion, and tympanum surmounted by four bouquet finials, centering an urn with opposed scrolled handles, and with pendulum depicting a portrait of a woman, finished with red and colorless simulated gem trim to dial and pendulum and raised overall on four bracket feet 19.5” H x 10” W x 6.25” D

Mid-20th Century; New York, NY Marked for Richard M. Woods and Co. [R The sterling silver trophy urn with all-ove to the body and oak and acorn motifs to handles and raised on a circular foot, per 16” H x 12” W x 6.5” D 54.555 oz. troy approximately

A French gilt-bronze and champlevé mantel clock

$600-800

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

An American sterling silver trophy u

$700-900

urn

RWM] / Sterling er floral and rocaille motifs the lid, with two scrolled rsonalized

1003

Fourteen Italian Venetian Murano glass goblets

Late 19th/first-quarter 20th Century Possibly Salviati, each hand-blown goblet with a red chalice and clear knopped stem and base, featuring gilt rims and scrolling decorations with white enamel jeweling, 14 pieces 5.75” H x 3” Dia. $600-800

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1004

A Meissen “Bologner Hund” porcelain dog

19th Century Marked for Meissen [Blue Crossed Swords underglaze]; Further marked: 2841 / 49 After the 18th century model by Johann Joachim Kandler (1706-1775), the porcelain figure in the form of a Bolonese Terrier with light brown and white fur 9.5” H x 10.5” W x 5.5” D $4,000-6,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

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1005

Joé Descomps-Cormier

(1869-1950, French) Nude fan dancer Glazed porcelain Signed in underglaze: Joe Descomps; Inscribed to interior underside: Ed. R Meynial 20” H x 14.5” W x 7.25” D $800-1,200 Notes: Some crackle to glazed finish Minor chips on base

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1006

Two Meissen-style porcelain lions

Late 19th/early 20th Century Each with spurious mark to base Comprising a recumbent lion and lioness with gaping mouths, 2 pieces Larger: 7” H x 12.5” W x 5” D; Smaller: 7.5” H x 13” W x 5.5” D $600-800

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1007

Henri-Emile Allouard

(1844-1929, French) Two Pierrot clowns Patinated bronze Signed: H. Allouard; Further marked: hors concours / Tiffany & Co. 16” x 6” x 6” $1,000-1,500 Notes: Retailed by Tiffany & Co.

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

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1008

Paul Emile Lecomte

(1877-1950, French) “La Ferme du Breuil,” 1937 Oil on canvas Signed lower right: Paul Emile Lecomte, titled and dated verso 24” H x 30” W $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1009

Paul Emile Lecomte

(1877-1950, French) “Le moulin au cieu,” 1936 Oil on canvas Signed lower right: Paul Emile Lecomte, titled and dated verso: January 1936 24.25” H x 30.25” W $1,500-2,500

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1010

1011

Circa 1978 or later Signed: Lalique ® France / Lalique Paris [label]; Model number: 12200 Designed 1927 by Rene Lalique, the frosted crystal vase with tapered body depicting the priestesses of Bacchus 9.5” H x 8.75” Dia.

Circa 1978 or later Signed: Lalique ® France Further marked: 356 Designed 1951 by Marc L body in the form of stylize Champs-Elysees in Paris 7.5” H x 18” W x 10” D

A Lalique “Bacchantes” crystal vase

$800-1,200

A Lalique “Champs-Ély

$800-1,200

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

ysées” crystal bowl / Lalique Paris [label]; Model number 11213;

Lalique, the frosted crystal bowl with an ovoid ed trees inspired by the rows of trees lining the

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The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1012

A Gorham Martelé silver cup

Circa 1899 Marked for Gorham Martele / 950 silver; Numbered: 8630; Date mark: 1899 [sickle] The hand-raised and hammered repousee silver cup decorated with undulating stylized floral motifs with a bulbous body, pinched and flared neck, and zoomorphic eagle handle, personalized 3.625” H x 4.125” W x 3.125” D 7.125 oz. troy approximately $1,000-1,500

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1013

A French figural bronze tazza

Fourth-quarter 19th Century Signed: TT The patinated bronze tazza with wide shallow dish centering a portrait roundel of Pan atop a figural pedestal, likely Bacchus, adorned with gilt grapevines raised on a circular foot with foliate and floral motifs set on a rouge marble base 12.625” H x 14.625” Dia. $1,200-1,800

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

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1014

Francesco Berg

(1851-1900, Italia “Return to the Co Oil on canvas Signed and inscr Bergamini / Rom frame plaque 32.5” H x 20.25” $1,000-1,500

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

gamini

an) onvent”

ribed lower right: ma, titled on the

”W

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The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1015

A Tiffany & Co “Shell & Thread” sterling silver flatware service

First-quarter 20th Century Marked: Tiffany & Co. / Sterling / Pat. 1903 / C Designed 1905, comprising 12 hollow-handled blunt blade dinner knives (10.25”), 12 hollow-handled blunt blade luncheon knives (9”), 3 butter spreaders (5.75”), 2 serving forks (8.5”), 12 place forks (7.5”), 12 luncheon forks (6.875”), 12 salad forks (6.75”), 1 master serving spoon (9”), 4 tablespoons (8.625”), 12 place spoons (7.125”), 23 teaspoons (5.875”), 6 demitasse spoons (4”), personalized, 111 pieces Weighable sterling: 157.775 oz. troy approximately $3,000-5,000

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1016

A Gorham sterling silver tea and coffee service with tray

1908-1909 Each marked for sterling; Six marked for Gorham; Further numbered Each with foliate motif handles, comprising a tilting warming kettle with burner (13” H x 9.25” W x 6” D), a coffee pot (10.5” H x 4.5” W x 9.5” D), a teapot (9” H x 4.25” W x 9.25” D), a creamer (6.125” H x 2.75” W x 5.25” D), a covered sugar bowl (6.75” H x 5.75” W x 4.25” D), a waste bowl (4.5” H x 7.5” W x 4.25” D), and an associated serving tray (2” H x 22” W x 14” D), personalized, 7 pieces 158.16 oz. troy approximately $800-1,200

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

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The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1017

Lilian Cheviot

(1884-1932, English) A pair of English Cocker Spaniels (Simon and Sarah) Oil on canvas Signed lower right: Lilian Chevoit 24” H x 30” W $800-1,200

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1018

Three Reed & Barton “Love Disarmed” sterling silver serving pieces

Late 19/early 20th century Marked for Reed & Barton; Further marked: Sterling Designed 1899 by Charles A. Bennett, comprising a salad serving fork (10.5”), a salad serving spoon (10.5”), and a waffle knife (11.5”), 3 pieces 22.96 oz. troy approximately $600-800

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

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1019

Four H.P. Sinclaire & Company etched crystal candlesticks Circa 1904-1927; Corning, New York Each signed: Sinclaire; Further numbered: 96 / 97 / 98 / 99 Each crystal candlestick with columnar stem, octagonal flared foot, and etched floral motif throughout, 4 pieces Each: 12.25” Hx 6.25” Dia. $800-1,200

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

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George A Carroll was chief instrument engineer of Lockheed Aircraft Corporation. His line

of Carroll telescopes was backed by his radiant reputation as a skilled designer of precision instruments. Carroll’s passion for astronomy extended beyond his work and into his personal life as evident by the many specialized groups that he belonged to. He was a member of the Association of the Lunar and Planetary Observers, the Astronomical Society of the Pacific, and the British Astronomical Society. In 1953 Carroll was president of the Los Angeles Astronomical Society (LAAS) which is one of the oldest and largest amateur astronomical societies in the United States. His most notable membership is as one of fifteen founding members of Stony Ridge Observatory located in the heart of the breathtaking Angeles National Forest. Carroll was the designer and principal builder of the 30-inch telescope (0.76-m Cassegrain/Newtonian reflector) made specifically for Stony Ridge Observatory. It was the largest telescope he had ever built and was responsible for the discovery of an asteroid in March of 2004 by Stony Ridge which they in turn named after him (144633 Georgecarroll). He also contributed telescopes and precision instruments to several educational organizations. Ruth Kerr was the founder of Westmont College in Santa Barbara, California. George Carroll and Kerr attended the same church, and it was at one of their social gatherings that Carroll approached her with a proposition. He would design and construct not one, but two telescopes for Westmont College if she could ensure that a building would be constructed to accommodate them. Kerr accepted and George Carroll was honored with a key at the dedication of the Westmont Observatory in the summer of 1957. The 1958 Carroll Refracting Telescope is an outstanding example of 1950s technology, and it was entrusted to Moran’s directly from the Carroll family. We are excited to give collectors this once in a blue moon opportunity to be linked to Carroll’s legacy and the ability to gaze into the heavens with intimate accuracy.

T he Tr ad it io n a l C o l l e c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1020

A Carroll refracting telescope

1958 Marked: Carroll / Astronomical Insts. / Made by Geo. Carroll / Tujunga CAL. / 1953 Objective: 6” diameter lens, F-15, approximately 2300 mm., marked: Carroll / Tujunga / Cal. / 1958 Optical tube assembly: Aluminum with textured and faded green enamel finish; including spoting scope with mount, rack and pinion focuser; signed “Carroll” in several places; machined aluminum and brass; approximately 96” L, includes eyepeices Equitorial mount/tripod: Machined and cast aluminum finished in faded blue enamel, wheels for right ascension and declination, motorized in both axes, counter-weight, cast and machined aluminum tripod head with wooden legs Overall: 112” H x 45” W approximately $10,000-15,000

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1021

1022

20th Century The kidney-form top with bookmatch parquetry and floral marquetry with fitted glass top and openwork gilt-bronze gallery rail over a tessellated apron and raised on four slightly out-swept legs with parcel gilt details, containing two conformingly decorated nesting tables, 3 pieces Largest: 26.5” H x 27.25” W x 15.5” D; Smallest: 23.25” H x 13.75” W x 12.5” D

Mid-Century Each armchair with carved giltwo rosette motifs atop pink floral sil pieces Each: 37” H x 28” W x 23” D

A set of Italian marquetry and gilt-bronze mounted nesting tables

$800-1,200

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

A pair of Louis XVI-style car

$1,500-2,500

rved giltwood armchairs

ood frame with curved crest rail, pointed finials, and acanthus leaf and lk upholstery and elbow pads, raised overall on four tapered fluted legs, 2

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1023

A French Louis XVI-style carved giltwood daybed

Late 19th/early 20th Century The daybed with parcel gilt and polychromed wood carcass with yellow silk upholstery, centering an urn-form crest with floral festoons, trimmed with a guilloche border, and surmounted by pinecone finials raised on five scrolled acanthus feet 38.5” H x 62.5” W x 30” D $1,000-2,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1024

A pair of Regency-style carved giltwood plant stands

First-half 20th Century Each carved giltwood tripod pedestal with fluted border and laurel leaf trim over an openwork apron supported on three legs with a ram’s head mask capitals and raised on hoof-form feet joined by a round undershelf with a bead and spindle border, 2 pieces Each: 46” H x 21” Dia. $1,000-2,000

1025

A pair of Louis XVI-style carved giltwood fauteuils

First-half 20th Century Each with parcel gilt and polychromed wood carcass with green silk upholstery, issuing a square-form upholstered backrest with carved laurel leaf trim surmounted by a floral crest, over two scrolled acanthus arms with elbow pads and an upholstered seat atop laurel leaf seat rail with rosette pateras, raised on four fluted pole legs, 2 pieces Each: 41.5” H x 27” W x 24” D $800-1,200

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1026

A large French Aubusson carpet

Second-half 19th Century The wool Aubusson carpet with central medallion and polychrome floral motifs on a cream and mauve field 190” L x162” W $4,000-6,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1027

A rock crystal and cut glass chandelier

20th Century The gilt-metal chandelier with scrolled frame issuing six undulating arms, each terminating in a candle sleeve light socket, decorated with rock crystal and cut glass pendalogues and acrylic rosettes, electrified 34” H x 34.75” Dia. $1,500-2,000

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1028

Lionel Floch

(1895-1972, French) A Breton Fishing Village, 1927 Oil on canvas under glass Signed and dated lower right: L. Floch 25.5” H x 36” W $4,000-6,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1029

Paul Emile Lecomte

(1877-1950, French) A French canal scene Oil on canvas Signed lower right: Paul Emile Lecompte 25” H x 30” W $1,000-2,000

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1030

A Reed & Barton “French Renaissance” sterling silver flatware service

Second-half 20th Century Each marked for Reed & Barton; Further marked: Sterling Designed 1941 by George L. Turner, comprising 12 hollow-handled table knives (9.75”), 2 hollow-handled butter spreaders (6.125”), 12 table forks (7.75”), 12 salad forks (6”), 12 cocktail forks (5.625”), 1 lemon fork (5.5”), 1 olive fork (5.5”), 3 tablespoons (8.25”), 12 teaspoons (5.875”), 12 cream soup spoons (5.875”), 79 pieces Weighable sterling: 90.605 oz. troy approximately $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1031

A set of Baccarat “Nancy” cut crystal stemware

Fourth-quarter 20th Century Each signed: Baccarat / France Designed 1909, each with a geometric latticework band and cut radiating lines, comprising 12 champagne flutes (7”), 12 sherry glasses (4.375”), 12 water goblets (6.125”), and 12 tall water goblets (6.75”), 48 pieces $800-1,200

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1032

A set of four Baccarat crystal candlesticks

Second-half 20th Century Each signed: Baccarat / France; Edition of 500 Each candlestick with floriform capital over a faceted column with floral motifs raised on a lobbed base, 4 pieces Each: 10.5” H x 5.5” Dia. $800-1,200

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1033

Three Continental cobalt blue cut glass table items

Second-quarter 20th Century Punch bowl engraved: Meissen Each cobalt blue acid-cut to clear glass with floral motifs, comprising one punch bowl with sawtooth scalloped edge and hobnail motif, one bowl with sawtooth scalloped edge and fluted underside, and one bowl with sawtooth edge and diamond cuts, 3 pieces Larger: 9” H x 11.5” Dia.; Smaller: 3.5” H x 9” Dia. $600-800

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1034

A Wallace “Grand Baroque” sterling silver flatware service

Mid-20th Century Each marked for Wallace Designed 1941 by William S. Warren, comprising 31 hollow-handled New French knives (9”), 8 hollow-handled butter spreaders (6.25”), 8 flat-handled butter spreaders (6.375”), 7 hollow-handled child’s knives ( 6.125”), 28 place forks (7.5”), 24 salad forks (6.5”), 1 large lemon fork (5.625”), 1 small lemon fork (5.375”), 8 cocktail forks (5.375”), 8 strawberry forks ( 5.125”), 1 tablespoon (8.75”), 2 place spoons (6.875”), 45 teaspoons (6.25”), 14 cream soup spoons (6.125”), 2 sugar spoons (6.25”), 8 salt spoons (2.375”), 1 hollow-handled cake knife (12.75”), 3 hollow-handled cake and pie servers (11”), 1 hollow-handled pie server (10.75”), 1 hollow-handled servering fork (11.125”), 1 hollow-handled casserole server (10.25”), 2 medium cold meat serving forks (8.125”), 3 jelly serving spoons (6.75”), 1 gravy ladle (6.625”), and 1 serving tongs (8.875”), 210 pieces Weighable sterling: 216.505 oz. troy approximately $3,000-5,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1035

A collection of William Yeoward crystal stemware

Second-half 20th Century Each signed: William Yeoward Comprising 5 “Adriana” Old Fashioned glasses with flat cuts and engraved garlands (4.75”), 8 “Bunny” claret wine glasses with rosette motif (6.875”), 10 “Gloria” large wine glasses with Georgian thumb cut rim (5.75”), 12 “Pearl” champagne flutes with string-of-pearls motif and starburst wheels (7.25”), and 8 cordial glasses with oval banded rim and flat cuts (4”), 43 pieces $800-1,000

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1036

An International “Prelude” sterling silver flatware service

Second-quarter 20th Century Each marked: International / Sterling / Prelude Designed 1939 by Alfred G. Kintz, comprising 12 hollow-handled New French table knives (9.5”), 11 hollow-handled New French place knives (9.25”), 6 butter spreaders (5.75”), 12 table forks (8”), 12 place forks (7.25”), 12 salad forks (6.5”), 12 cream soup spoons (6.5”), 11 teaspoons (6”), and 10 demitasse spoons (4”), 98 pieces Weighable sterling: 90.565 oz. troy approximately $1,500-2,500

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1037

A pair of giltwood-framed reversepainted glass panels Two works Figures strolling on the formal grounds Reverse-painted oil on glass Sight: 14.5” H x 17” W Appears unsigned Figures strolling on the formal grounds Reverse-painted oil on glass Sight: 14.5” H x 17.5” W Appears unsigned $2,000-3,000

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1038

Lodewijk Johannes Kleyn (1817-1897, Dutch) Fishing boats on the beach Oil on canvas laid to panel Signed lower left: L. J. Kleyn 19.75” H x 27.5” W $1,500-2,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1039

Jaroslav Friedrich Julius Vesin

(1859-1915, Czech/Bulgarian) “Trebiz,” circa 1880 Watercolor on paper under glass Signed lower left: J. Vesin, titled lower right, dated on the backing paper Sight: 9.5” H x 16” W $800-1,200

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1040

A pair of French Louis XVI-style gilt-bronze and marble urns

Second-half 19th Century Each with rocaille and acanthus leaf lid over a wavescroll border flanked by opposed putti demi-figure handles joined by laurel swags enclosing a carved marble body raised on a square plinth, 2 pieces Each: 18” H x 8.5” W x 8” D $3,000-5,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

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1041

A pair of Louis XVI-style gilt-bronze and marble garniture urns

Late 19th/early 20th Century Each closed urn topped with a bouquet finial over a spherical carved marble body with a beaded egg and dart rim finished with a pinecone lower final, raised on a tripod base with ram’s head masks and hoof-form feet atop a tri-form support raised overall on toupie feet, 2 pieces Each: 19” H x 8” Dia. $3,000-5,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1042

A François Linke gilt-bronze mounted marble urn

Fourth-quarter 19th Century Signed to mount: F. Linke The gilt-bronze mounted carved purple fleur de pecher marble urn with radial foliate trim, flower bud finial, and two scolling cattail handles raised on a square stepped pedestal with foliate border 25” H x 19” W x 12” D $8,000-12,000

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1043

Alfred Edouard Agenor Bylandt (1829-1890, Belgian) Loading the Wagon on Dutch Shore Oil on canvas Signed lower left: A. de Bylandt 39.75” H x 52.5” W $1,000-2,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1044

Wladyslaw T. Chmielinski

(1911-1979, Polish) “A Race in the Country” Oil on canvas Signed lower right: W.T. Chmielinski, titled verso 16” H x 20” W $1,200-1,800

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1045

A pair of Maison Cardeilhac French sterling silver platters

First-quarter 20th Century; Paris, France Each marked for Maison Cardeilhac / Paris 950 silver; Further marked: Cardeilhac / Paris / L Each lozenge-shaped platter with raised rim and low relief scrolling foliate border, personalized, 2 pieces Each: 1” H x 18.125” W x 12.5” D 96.77 oz. troy approximately $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1046

A Maison Odiot French sterling silver charger

Fourth-quarter 19th Century; Paris, France Marked for Maison Odiot [oil lamp] / Paris 950 silver; Further marked: Odiot a Paris / 355 The round charger with gently scalloped raised rim and low relief sweeping foliate border, personalized 1.375” H x 12.125” Dia. 25.955 oz. troy approximately $600-800

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1047

A French patinated bronze model after Paul Dubois’ “Le Courage Militaire”

Fourth-quarter 19th Century Signed: P. Dubois / F. Barbedienne [Ferdinand Barbedienne] / Fondeur / Reduction Mecanique A. Collas Brevete [Achille Collas] Cast by Ferdinand Barbedienne after a model by Paul Dubois (1827-1905, French) 27” H x 11” W x 12.5” D $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1048

Antoine Bofill

(b. 1875, Spanish) Boy fishing Patinated bronze on marble base Signed and number: A. Bofill / 3255; Foundry mark: Bronze Garanti Au Titre L.V. Deposee 15” H x 5.75” W x 6” D; Overall: 16.25” H X 6.125” Dia. $600-900

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1049

After Claude Michel

(1738-1814, French) Figural group of putti riding a goat Patinated bronze Signed: d’apres Clodion / [artist’s cipher] 15.5” H x 16” W x 11” D $2,500-3,500

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1050

A Samuel Marti French gilt-bronze and marble mantel clock

Second-half 19th Century Movement signed: S. Marti et Cie / Medaille de Bronze / Made in France / 15; Dial signed: Gille L’aine a Paris The clock with a white glazed ceramic dial with black Roman numeral hour markers, Arabic numeral outer minute track, gilt hands, and two train movement set in a gilt-bronze bezel with scroll border and enclosed in a gilt-bronze mounted white marble urn-form case with opposed lion head handles and egg and dart border surmounted by a pinecone final and raised on a flared foot with laurel leaf trim atop a square flared base with oak festoons with four toupie feet 23.5” H x 11.75” W x 10.25” D $4,500-5,500

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1051

Attributed to Giovanni Benedetto Castiglione (1616-1670, Italian) Peasants in a lush countryside Oil on canvas laid to canvas Appears unsigned 36.5” H x 50.5” W $3,000-5,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1052

Dirk Maes

(1659-1717, Dutch) Riders and dogs on a road Oil on canvas laid to canvas Appears unsigned 26.25” H x 33.5” W $2,000-3,000 Notes: Dirk Maes was born in the city of Haarlem, Netherlands, in 1659. Haarlem is a city outside of Amsterdam in the northwest Netherlands.

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1053

A Maison Odiot French sterling silver serving dish

Fourth-quarter 19th Century; Paris, France Marked for Maison Odiot [oil lamp] / Paris 950 silver; Further marked: Odiot a Paris / 1487 The oblong covered serving dish with rocaille foliate motifs, two reeded handles, and guilloche border surmounted by an attached lobster knob to the lid and raised on four scrolled feet, personalized 10.5” H x 19” W x 10.5” D 130.14 oz. troy approximately $3,000-5,000 Provenance: Gifted to Herbert J. Yates from John Wayne, by repute. Notes: Herbert John Yates (1880-1966) was the founder and president of the Los Angeles-based motion picture production and distribution corporation Republic Pictures, which specialized in Western films. Yates maintained contracts with notable Western actors, including John Wayne, Gene Autry, and Roy Rogers.

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

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The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1054

A French Louis XVI-style carved giltwood sofa

Late 18th/early 19th Century The sofa with parcel gilt and polychromed wood carcass with green silk brocade upholstery, trimmed in guilloche and coin molding with rosette pateras, and surmounted by pinecone finials over scrolled arms and raised on tapering fluted legs 37” H x 80” W x 28” D $3,000-5,000 Provenance: From the private collection of Lady Churchill, by repute.

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1055

1056

First-half 20th Century Each with parcel gilt and polychromed wood carcass with green silk damask upholstery, issuing an oval upholstered backrest with carved bead and spindle trim surmounted by a rose crest, over two scrolled arms with elbow pads and an upholstered seat raised on four fluted pole legs, 2 pieces Each: 38.375” H x 24” W x 26” D

Mid-20th Century The oblong coffee ta on conformingly deco Overall: 15.875” H x

A pair of Louis XVI-style carved giltwood fauteuils

$800-1,200

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

A Hollywood Rege

$2,000-3,000

ency-style mirrored and gilt-bronze coffee table

able in three segments with a mirrored top and a foliate-style gilt-bronze frame raised orated legs, 3 pieces 48.25” W x 19” D

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1057

A French gilt-bronze figural mantle clock

Second-quarter 19th Century Dial signed: A Paris The gilt-bronze clock depicting a Grecian woman with a putto and doves centering a white porcelain dial with black Roman numeral hour markers, black Arabic numeral outer minute track, openwork gilt hands, and two train movement over a rectangular base with bellflower border and swags supported by paw feet atop a red marble plinth raised on four gilt-bronze feet 15” H x 13.125” W x 5.125” D $2,000-4,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1058

A pair of French Empire gilt-bronze candlesticks

First-quarter 19th Century Each gilt-bronze candlestick with molded urn-form capital and removable bobeche over a ribbed columnar stem raised on a rounded base with foliate motifs, 2 pieces Each: 11.75” H x 5” Dia. $800-1,200

1059

An Italian carved marble figural group bust

Late 19th/first-quarter 20th Century Signed: G. Biagiotti Depicting three children’s busts with one playing the accordion and two reading sheet music 15” H x 18.5” W x 11” D $1,200-1,800

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1060

In the style of Peter Paul Rubens

(1577-1640, German/Belgian) The Holy Family with Saints in a landscape Oil on copper Appears unsigned 27.5” H x 34.5” W $2,000-3,000 Notes: Presented in a Richard Tobey frame.

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1061

Figures and Putti in an interior 18th Century Italian School Oil on canvas laid to waxed canvas Illegibly signed in the center 57.75” H x 43.5” W $1,000-2,000 Notes: Presented in a Richard Tobey frame.

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The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1062

A German painted porcelain plaque

Fourth-quarter 19th Century Plaque signed indistinctly to lower left; Verso marked: 107 Possibly KPM “Lady by the Pool,” the painted porcelain plaque depicting a Classical woman with a mirror enclosed in an openwork carved giltwood frame Plaque approximately: 5.875” H x 4” W; Frame: 13.5” H x 11” W x 3.25” D $1,000-1,500 Literature: Sean Shakrovski and Vera Rininberg, “KPM Plaques: Gaining an Insight into the Art of Painting on Porcelain,” 2005, p. 110, fig. 032.

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1063

A Christofle silver plate pastry cart

Mid-20th Century Drum marked: Orfevrerie / Christofle / Paris / France The silver plate pastry cart with an adjustable acrylic cloche covering two shelf compartments over a mahogany base with two undertrays, one with an inset silver plate tray, raise overall on four turned feet 36” H x 37.5” W x 19.375” D $5,000-7,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

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1064

A pair of Christofle “Trianon” silver plate candelabra

Fourth-quarter 20th century Each marked for Christofle Each silver plate candelabrum with a convertible candlestick column with knopped stem on a swirled rocaille base issuing five radial spiral arms, each terminating in a foliate-style capital and bobeche with a central foliate finial, 2 pieces Each: 15” H x 12.5” Dia. $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

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1065

A Neoclassical-style gilt-bronze and malachite compote

20th Century The malachite-veneered oval bowl with central rosette raised aloft by two winged putti and acanthus support with pinecone finial atop a square malachite-veneered base raised on four gilt-bronze feet 9.75” H x 15.375” W x 10.375” D $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1066

A pair of French Louis XV-style gilt-bronze wall sconces

Late 19th/early 20th Century Each gilt-bronze wall sconce in the form of scrolling foliage issuing three twisting arms, each terminating in a floriform capital with radial bobeche, 2 pieces Each: 18” H x 13” W x 8” D $800-1,200

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1067

A pair of gilt-bronze and porcelain shell candlesticks

Late 19th/early 20th Century Each with indistinct blue glaze mark to underside; One further numbered: 3307 Each candlestick with a cream and mauve glazed porcelain conch shell issuing three naturalistic gilt-bronze foliate arms terminating in a floriform capital, raised overall on a gilt-bronze base with four feet in the form of rock with a sea flower set atop a quatrefoil glazed porcelain foundation decorated with sea creatures, 2 pieces Each: 15.375” H x 11.375” W x 6” D $1,800-2,200

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1068

A French Samuel Marti and Barbedienne champlevé mantel clock

Fourth-quarter 19th Century Case signed: F. Barbedienne; Movement signed: Made in France / Medaille d’Argent S. Marti et Cie 1889 / A 1 / 681 5 8 The clock with white enamel dial, blue Roman numeral hour markers, black Arabic numeral minute markers and outer minutre track, polychrome floral festoons, two train movement, and black hands set in a gilt-bronze medallion with star motif enclosed in a glazed gilt-bronze architectural case with blue-toned enamel chapmleve columns, bezel, and banding throughout, surmounted by four acorn finials, centering an urn with opposed figural masks, and with pendulum depicting a portrait of a veiled woman with red foil inclusions trimmed with simulated gems 16.75” H x 11” W x 6” D $2,500-3,500

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1069

Attributed to Pierre Mignard (1640-1725, French) Portrait of a lady dressed in lace Oil on canvas laid to canvas Appears unsigned 31.25” H x 26” W $3,000-5,000 Provenance: Sir George Chetwynd, Staffordshire Gooden & Fox, London Notes: A paper label with the coat of arms of George Chetwynd affixed verso. A paper label from Gooden and Fox, London affixed to the stretcher. A paper label bearing the name P. Mignard affixed to the stretcher.

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1070

Portrait of a lady with Diana attributes 19th Century Continental School Oil on canvas laid to canvas Appears unsigned 45.75” H x 35” W $2,000-3,000 Provenance: Private Collection, Rancho Palos Verdes, CA Sale: John Moran Auctioneers, Monrovia, CA, “Decorative Art Auction,” November 17, 2015, Lot 1017

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1071

A pair of Maison Cardeilhac French sterling silver platters

First-quarter 20th Century; Paris, France Each marked for Maison Cardeilhac / Paris 950 silver; Further marked: Cardeilhac / Paris Each oval platter with raised rim and low relief foliate border, personalized, 2 pieces Each: 1” H x 16.375” W x 12.75” D 78.365 oz. troy approximately $1,500-2,500

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1072

A Maison Cardeilhac French sterling silver charger

First-quarter 20th Century; Paris, France Marked for Maison Cardeilhac / Paris 950 silver; Further marked: Cardeilhac / Paris / E The pentagonal-form charger with raised rim and low relief scrolled foliate border, personalized .875” H x 12” Dia. 28.115 oz. troy approximately $600-800

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1073

Edme Antony Paul NoÎl

(1845-1909, French) Odalisque Gilt bronze Signed: Tony Noel; Foundry mark: Siot Decauville / Fondeur / Paris 17.25” H x 6.125” W x 4.75” D $1,500-2,500

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1074

Justin Chrysotome Sanson (1833-1910, French) Le Danseur de Saltarello Patinated bronze Signed: J. Sanson / Roma 15.5” H x 7” Dia. $700-900

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The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1075

A Kirk-Stieff “Rose” sterling silver flatware service

Late 19th/early 20th Century Each marked: Sterling-Stieff Designed 1892, comprising 12 hollow-handled New French place knives (8.75”), 12 butter spreaders (5.875”), 2 butter picks (5.625”), 11 lunch/dessert forks (6.875”), 1 salad fork (6”), 1 pickle fork (6”), 12 cocktail forks (5.75”), 2 lemon forks (4.75”), 3 tablespoons (7.75”), 5 place spoons ( 7”), 7 five o’clock teaspoons (5.625”), 1 fruit spoon ( 6”), 12 bouillon spoons (5.625”), 12 ice cream forks (5.75”), 7 chocolate spoons (4.125”), 1 jelly server (6.125”), 1 bon bon spoon (5.375”), and 1 sugar tongs (4.125”), some personalized, 103 pieces Weighable sterling: 93.605 oz. troy approximately $2,000-2,500

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1076

Ten Kirk-Stieff “Rose” sterling silver serving pieces

Late 19th/early 20th Century Each marked: Sterling-Stieff Designed 1892, comprising 1 hollow-handled cake knife (10”), 1 hollow-handled pie knife (10”), 1 hollow-handled cheese knife (6.25”), 1 cold meat serving fork (8.625”), 1 serving spoon (12.75”), 1 gravy ladle (6”), 1 repousse fruit spoon (9”), 1 pireced pea serving spoon (9”), 1 tomato server (9.125”), and 1 asparagus server (9.125’), personalized, 10 pieces Weighable sterling: 27.44 oz. troy approximately $1,000-1,500

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

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1077

George Riecke

(1848-1930, American) Landscape with sheep Oil on canvas laid to waxed canvas Signed lower left: Geo. Riecke 20” H x 30” W $1,000-2,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1078

Thomas Jones Barker

(1815-1882, British) Highland cattle, 1887 Oil on canvas Signed, dated and inscribed lower left: T.J. Barker / pinx 32” H x 48” W $1,000-1,500 Notes: Presented in a Richard Tobey frame.

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The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1079

A Russian silver tea and coffee service

1842-1846 Each marked for Dimitry Ilyich Tverskoy / St. Petersburg / .875 silver; Various makers Each with bulbous lobbed body decorated with scrolling foliate motifs and floral knobs raised on a slightly domed foot, comprising a coffee pot (8.25”H x10.75” W x 4.75” D), a teapot (7” H x 11” W x 6” D), a covered sugar bowl (5” H x 8.75” W x 4.5” D), and a creamer (4.5” H x 5.5” W x 3.625” D), some personalized, 4 pieces 70.41 oz. troy approximately $3,000-5,000

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1080

A Russian silver centerpiece

Fourth-quarter 19th Century Marked for St. Petersburg / .875 silver The ovoid centerpiece with repousse rocaille motifs, reticulated accents, and two centered cartouches fitted with a shaped brass liner, issuing two scrolled handles, and raised on four rocaille feet 7.5” H x 18.5” W x 9” D Weighable silver: 53.43 oz. troy approximately $1,500-2,500

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

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1081

A two piece lot of framed Russian icons

First-quarter 20th Century One marked for .875 silver and with kokshnik import mark for Moscow Comprising one frame with an oval-shaped icon of the Madonna and Child with painted portrait under an embossed silver ritza and one frame with two metal and champleve enamel icons, one of Saint Nicholas and one of Saints Cyricus and Julitta with attendants, 2 pieces Larger overall: 10.25” H x 7.25” W; Smaller overall: 8.75” H x 7.375” W $600-900

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1082

An antique map of Paris and its faubourgs

18th Century Etching on paper under glass Blindstamped for The Chalcographie du Louvre Musee lower center, numbered in pencil lower right: 371.2 Sheet: 29” H x 41” W; Image: 23.5 H x 34” W $500-700 Notes: JIS0433

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1083

A Nicole Frères Geneve Swiss music box

Fourth-quarter 19th Century Marked: Nicole Freres / Geneve / 46637 or 46632; Comb further marked twice: Nicole Freres The spring driven mechanism plays one of eight airs with a fixed winding lever on the left, on the right there are the two operating levers, the lid of the box with floral marquetry veneer and music motif, the music box together with corresponding table that hold the additional airs on either side of a sliding writing drawer, 2 items Overall: 41” H x 56” W x 30.5” D $15,000-20,000

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1084

A tabletop Columbia Swiss cylinder music box

Fourth-quarter 19th Century Marked to Columbia label inside with song list: No. 75804 The music box with a marquetry inlaid wood case enclosing one 13.5” cylinder playing twelve airs with hand crank and repeat/change switch 7.75” H x 26.75” W x 11.25” D $2,000-3,000

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1085

Giuseppe Boschetto

(1841-1918, Italian) “Il Minuetto” Oil on canvas Signed lower left: G. Boschetto, titled on the frame plaque 24” H x 27.75” W $3,000-5,000

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1086

Attributed to Pompeo Girolamo Batoni

(1708-1787, Italian) Portrait of Pope Pius VI (Giovanni Angelico Braschi) (1717-1799) Oil on canvas laid to waxed canvas Appears unsigned 48” H x 35” W $800-1,200

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1087

A French Louis XVI-style gilt-bronze and marble mantel clock

Second-half 19th Century Movement numbered: 735 / 6 9 / C The clock with a white enamel dial with blue Roman numeral hour markers, black Arabic numeral outer minute track, gilt hands, and two train movement enclosed in an architectural gilt-bronze case with all-over scrolling foliate motifs, floral festoons, and S-scrolls surmounted by two allegorical putti representing the arts of sculpture and painting, raised overall on a rouge marble base 22” H x 25.75” W x 7.75” D; Dial: 4.25” Dia. $8,000-12,000

1089

A pair of Louis XVI-style gilt-bronze table lamps

First-quarter 20th Century Each gilt-bronze lamp with a fluted and knopped stem over an urn centering a portrait roundel and supported by two putti demi-figures with bifurcated tails joined by floral swags and issuing five arms terminating in urn-form capitals atop a stepped base with bellflower border and rosette patera raised on four toupie feet, all surmounted by two electrical light sockets and a silk shade, electrified, 2 pieces Overall: 31” H x 16.5” Dia. $2,000-3,000

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1088

A French Louis XVI-style vitrine cabinet

Fourth-quarter 19th Century The gilt-bronze mounted vitrine cabinet with baluster-form gallery rail topped with plume finials over inset wavescroll and foliate borders atop a single-door glazed cabinet with beveled glass, applied gilt-bronze foliate scrolls, rosette pateras, and a mirror-backed fitted interior with one shelf, raised overall on eight tapering fluted legs on toupie feet joined by two rectangular undershelves 58.75” H x 41.125” W x 13.75” D $6,000-8,000

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1090

A François Linke marquetry flip-top game table

Fourth-quarter 19th Century Signed to one bronze mount: F. Linke The flip-top game table with floral marquetry inlay, green felt interior surface, and gilt-bronze mounts raised on four cabriole legs with sabots to the feet Open: 29.25” H x 33.25” W x 25.625” D; Closed: 30.375” H x 26.375” W x 16.75” D $5,000-7,000

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1091

1092

20th Century Each with inset malachite veneer on a beige marble tiered pedestal base, 2 pieces Each: 20” H x 3.75” W x 3.75” D

Second-quarter 20th Centu Possibly Maison Bagues, ea bobeches from a carved urn flower points, and pendalog Each: 29” H x 16” W x 8.5”

A pair of marble and malachite obelisks

$1,500-2,500

A pair of gilt-bronze an

$3,000-5,000

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nd rock crystal sconces

ury ach sconce issuing three scrolling arms terminating in foliate capitals and n-form rock crystal support with all-over floral motifs, flower finial, leaf and gues, 2 pieces ”D

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1093

A Persian Kashan Rug

Mid-20th Century Wool on cotton foundation, with a Shah Abbas center medallion and polychrome floral motif on a cream field 189” L x 128” W $2,000-3,000

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1094

A Persian Heriz Rug

Second-quarter 20th Century Wool on cotton foundation, with central medallion and polychrome floral motif on red and cream fields 136” L x 98” W $1,000-1,500

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1095

Attributed to James B. Pyne (1800-1870, English) Boats in a harbor Oil on canvas laid to canvas Appears unsigned 23.25” H x 36” W $2,000-3,000

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1096

Charles Edward Dixon

(1872-1934, British) “Outward Bound,” 1900 Watercolor on paper laid to card under glass Signed, dated, and titled lower left: Charles Dixon Sheet: 22.25” H x 15.5” W; Sight: 21.25” H x 15” W $600-800

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1097

An English Renaissance Revival burlwood Étagère

Third-quarter 19th Century The breakfront-form demi lune etagere with three foliate marquetry inlaid burlwood shelves with key pattern banding, turned and carved risers, and fretwork back rail and back panels raised on four toupie feet with porcelain castors 39.25” H x 38” W x 15” D $500-700

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1098

An English barometer

Late 19th/early 20th Century Dial signed: W. Aronsberg & Co./ Manchester The burlwood veneer banjo case enclosing a Fahrenheit temperature gauge and silvered metal forecast dial 45” x 14.5” W x 2.75” D $500-700

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1099

1100

19th Century The glazed fire screen with petit point depicting a floral arrangement in an urn enclosed in an oval carved wood frame with scrolling foliate crest atop a turned pedestal with carved floal motifs raised overall on a tripod base with scrolled legs 51.75” H x 23.875” W x 17” D

Second-half 19th Century Movement signed: Vincenti et Cie The clock with a brass dial with bla black openwork hands set in a boo case with anthemion trim and scrol two low relief figural panels, center a wavescroll frieze, two opposed g masks, raised overall on four brack 30” H x 15.25” W x 11.875” D

An English fire screen with floral petit point

$700-900

A French gilt-bronze mounted

$3,000-5,000

1 1 7 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

d wood mantel clock

/ Medaille d’Argent / 1855 / 1089 / 9 2 ack Arabic numeral hour markers and okmatch parquetry veneered wood lling acanthus leaf motifs, flanked by ring a cartouche, and surmounted by griffins, and urn-form finial with figural ket feet

1101

A Scottish mahogany longcase clock

Second-quarter 19th Century Signed: J. A. Paterson / Edenburgh The clock with a white painted iron dial, black Roman numeral hour markers, sub-seconds dial, and calendar dial, two train fusee movement, gongs on the hour and the half, set in a glazed bezel and enclosed in a carved mahogany case with scrolled crest surmounted by a gilt-bronze eagle finial over reeded column supports and raised on four bracket feet 88” H x 18” W x 9.5” D $800-1,200

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1102

A group of memorabilia from the Duke and Duchess of Windsor

Mid-20th Century Each photograph signed: Jerome Perle The memorabilia of the Duke and Duchess of Windsor, Edward VIII and Wallis Simpson, comprising two Christmas greeting cards and two black and white photographs by photographer Jerome Perle, 4 pieces Largest: 17.25” H x 13.25” W x 1” D; Smallest: 10” H x 8” W $600-900

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1103

An Adie Bros. English sterling silver coffee and tea service

Circa 1945-1947 Each marked for Adie Bros. Ltd., Birmingham; Further marked: Made in England / Sterling Each pumpkin-form with embossed rocaille motifs raised on a banded foot, comprising a coffee pot with wooden handle and fin (7.5” H x 9” W x 45” D), a tea pot with wooden handle and finial (5.5” H x 10.5” W x 6” D), a creamer (4.5” H x 5.25” W x 3.5” D a covered sugar bowl (3.75” H x 6” W x 4.25” D), and a waste bowl (3” H x 4.25” Dia.), 5 pieces 92.655 gross oz. troy approximately $1,000-2,000

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nial D),

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1104

An English sterling silver tilting kettle

1870 With London assay marks; Maker’s mark: JK [John Kilpatrick] The ovoid tilting kettle with scrolling foliate motifs throughout, scallopedged banding, bead trim, shaped handle, and personalized cartouche atop accompanying stand with burner, inverted triangle supports, and matching ornamentation raised overall on four feet Overall: 15.125” H x 12” W x 7.375” D 95.88 oz. troy approximately $1,000-1,500

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1105

Two silver teapots

19th Century Each with maker’s marks Comprising one Scottish sterling silver teapot with chased rocaille motifs, opposed cartouches, flattened ball finial, and scrolled handle and one Lameyer German silver teapot with flared and ribbed body, oak branch rim and finial, and heraldic device to the side, 2 pieces Larger 9” H x 12” W x 6.625” D; Smaller: 7” H x 9.375” W x 6.125” D 46.09 oz. troy approximately $600-800

1106

An Edwardian marquetry vitrine

First-quarter 20th Century The serpentine vitrine with mahogany and fruitwood marquetry bandwork and floral swags, with a mirrored interior fitted with two glass shelves, raised on four tapered feet 48” H x 48” W x 15.75” D $800-1,200

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1107

An English fire screen with figural petit point

Mid-19th Century The glazed fire screen with petit point depicting a figural scene enclosed in a square carved walnut frame with scrolling foliate crest raised on four scrolled legs joined by a turned stretcher 34.75” H x 21.5” W x 14.25” D $400-600

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1108

An English wood case clock

Mid-19th Century The clock with a white painted metal dial with black Roman numeral hour markers and outer minute track, black hands, and two train movement set in a brass bezel and enclosed in an architectural wood case with applied carved foliate motifs, fretwork side panels, a ribbed top, and two ring handles, and surmounted by a ball finial 19.75” H x 12.25” W x 7.125” D $600-800

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1109

A pair of English armchairs

Late 19th/early 20th Century Each fruitwood finished mahogany armchair with carved openwork radiating shield back, scrolled crest rail, parcel gilt acanthus leaf and rosette motifs, and mauve silk damask upholstered seat raised on four cabriole legs with ball and claw feet, 2 pieces Each: 38.5” H x 27.5” W x 24” D $300-500

1110

An English Rococo-style flip-top game table

Mid-19th Century The walnut flip-top game table with serpentine bookmatch burlwood veneer top and green felt interior surface raised on a baluster-form pedestal base with four scrolled legs on castors Open: 28.125” H x 36.5” W x 35.25” D; Closed: 29.125” H x 36.5” W x 17.75” D $500-700

1 3 1 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1111

An English wine cooler

Mid-19th Century The wine cooler with octagonal body, hinged lid, and brass hardware raised on four tapered straight legs with brass sabots on castors 27” H x 19.75” Dia. $400-600

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1112

Juan de Valdes-Leal

(1630-1691, Spanish) “Don Juan” Oil on canvas laid to canvas Appears unsigned, titled in an exhibition catalog 28.5” H x 37.5” W $8,000-12,000 Provenance: The Collection of the Rt. Hon. Viscount D’Abernon Exhibitions: The Galleries of Thomas Harris Ltd., London, “Old Masters by Spanish Artists,” June, 1931

Literature: Dr. August L. Mayer’s Article in “Heft 3, Jahrgang xxv (Neue Folge) der Zeitschrift fur Bildende Kunst,” p. 7 Paul Lafond’s, “Juan de Valdes Leal,” p. 70 Dr. August L Mayer’s, “Die Sevillaner Malerschule,” Leipzig, 1911, pp. 194-195 Notes: A copy of the exhibition catalog from Thomas Harris Galleries, 1931, accompanies this lot.

Valdes-Leal’s picture of Manard, the great Don Juan, patron of art and public benefactor, was carried out whilst he wa employed by Manara in decorating the interior of the Church of Caridad in Seville, and it is in this Church that Valdes famous paintings are to be found - his “Allegories of Death and Corruption.”

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1113

Antonio Maria Esquivel

(1806-1857, Spanish) Portrait of General Baldomero Espartero (1793-1879) Oil on canvas Appears unsigned 38” H x 27” W $3,000-5,000 Notes: Baldomero Espartero was a Spanish marshal and statesman. He served as the Regent of the Realm as well as three times as Prime Minister.

74.

as being s-Leal’s most

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1114

A Gorham “Décor” sterling silver flatware service

Second-half 20th Century Each signed: Gorham Designed 1953, comprising 1 hollow-handled Modern dinner knife (9.625”), 8 hollow-handled Modern place knives (8.875”), 3 hollow-handled New French place knives (8.875’), 11 hollow-handled butter spreaders (6.125”), 1 dinner fork (7.625”), 23 place forks (7.25”), 12 salad forks (6.5”), 1 teaspoon (6”), 27 cream soup spoons (6.5”), and 1 hollow-handled pie server (10”), 88 pieces Weighable sterling: 111.77 oz. troy approximately $2,000-3,000

1 3 5 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1115

A Gorham “King Edward” sterling silver flatware service

20th Century Each signed: Gorham Designed 1936 by J. Russell Price, comprising 12 hollow-handled New French place knives (8.875”), 10 hollow-handled butter spreaders (6.125”), 11 flat butter spreaders (5.75”), 12 place forks (7.125”), 12 salad fork (6.25”), 11 teaspoons (5.875”), 5 cream soup spoons (6.25”), 11 iced tea spoons (7.5”), and 1 tablespoon (8.5”), 85 pieces Weighable sterling: 71.93 oz. troy approximately $2,000-3,000

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1116

A French Charpentier figural bronze mantel clock

Fourth-quarter 19th Century Movement signed: Charpentier Ft de Bronzes a Paris / 473 The clock with a patinated bronze dial with gilt Roman numeral hour markers and two train movement enclosed in a patinated bronze architectural column case surrounded by laurel branches and surmounted by a Greco-Roman warrior, raised overall on a pedestal base 26.75” H x 14” W x 12” D $5,000-7,000

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1 3 9 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1117

A gilt-bronze mounted Chinese export Famille Rose covered urn 19th Century The Famille Rose enameled porcelain covered urn depicting figural scenes and mounted with a pinecone finial to the lid, set into an openwork and beaded rim over a bowl with opposed lion’s mask handles raised on a gadrooned and fluted support with laurel leaf border atop a squared base with bracket feet 14.5” H x 11” W x 10.25” D $2,000-3,000

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1118

A pair of French gilt-bronze and opaline glass candle lamps

First-quarter 20th Century Each gilt-bronze lamp with a tapered and ribbed opaline column raised on three scrolled foliate feet atop a tri-form stepped pedestal base with egg and dart border and issuing five candle arms with a central standard terminating in two electrical light sockets with pull chains, electrified, 2 pieces Each: 29” H x 9.5” Dia. $1,800-2,200

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1119

A Continental painted porcelain plaque

Second-half 19th Century Plaque signed indistinctly to corner The portrait plaque depicting young girl in traditional costume holding a tambourine enclosed in a giltmetal and carved giltwood frame topped with crossed torches motif Plaque approximately: 6.75” H x 4.75” W; Frame: 12.75” H x 9.625” W x 1.25” D $1,000-1,500

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1120

A pair of French Sèvres-style porcelain and champlevé urns

19th Century Each porcelain signed: Luigi Each brass mounted baluster-form urn with lid and polychrome champlevé enamel neck atop a tapered painted porcelain body decorated with pastoral courting scenes and gilt highlights mounted with two scrolled foliate handles over a flared polychrome champleve enamel column with laurel leaf border raised on an octagonal foot, 2 pieces Each: 11.5” H x 4” W x 3.5” D $1,800-2,200

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1121

A Royal Doulton floral porcelain urn

1886-1902; Burslem, England Marked for Royal Doulton; Signed: L. Bilton; Further marked: 6214 The baluster-form urn with a bulbous tapering body decorated with polychrome flowers and gilt enamel details against a light pink ground and finished with a flared neck and foot, each decorated with gilt enamel floral motifs and beading against a pale yellow ground 17.25” H x 8.5” Dia. $300-500

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1122

A pair of French Louis XV-style gilt-bronze wall sconces

19th Century Each gilt-bronze sconce with all-over acanthus leaf motif and issuing five scrolled arms with suspended rock crystal drops, 2 pieces Each: 23” H x 19.5” W x 9.5” D $1,500-2,500

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1123

A gilt-bronze figural chandelier

Late 19th/early 20th Century The gilt-bronze chandelier with knopped central column decorated with floral and foliate motifs issuing four arms with scrolled armbacks and a figural standard, each further issuing three branches with acanthus leaf capitals and candle sleeve light sockets, electrified 25” H x 21” Dia. $1,200-1,800

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1 4 7 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1124

A framed KPM portrait plaque

19th Century Marked: KPM / A The rectangular portrait plaque depicting an aristocratic woman in profile posed with a chair and fan enclosed in a giltwood passe-partout frame with a purple velvet molding Sight: 9” H x 6.25” W $1,500-2,500

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1125

Gustave Clarence Rodolphe Boulanger (1824-1888, French) Arcadian figures near hall entrance, 1869 Oil on canvas Signed and dated lower left: G. Bovlanger 23” H x 15.5” W $4,000-6,000

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1127

A François Linke ladies bureau plat

First-quarter 20th Century Signed to one bronze mount: F. Linke The parquetry bureau plat with inset gilt foil stamped leather writing surface and fitted glass top over a gilt-bronze mounted apron with Vernis Martin painted figural scenes and three frieze drawers raised on four cabriole legs with sabots to the feet 30” H x 36” W x 22.25” D $7,000-9,000

1126

A French Louis XVI-style gilt-bronze cartel wall clock

Second-half 19th Century Movement numbered: 14043 The clock with white painted metal dial with black Roman numeral hour markers, Arabic numeral outer minute track, gilt hands, and two train movement set in a bead trimmed bezel enclosed in a gilt-bronze case in the form of a lyre with laurel branch swags and floral motifs surmounted by opposed eagle heads and ribbon bow 42” H x 18” W x 5” D; Dial: 7.75” Dia. $4,000-6,000

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1128

A French gilt-bronze mounted Japanese lacquer encrier

Meiji period (1868-1912) Signed for MB Millet With two gilt-bronze lidded inkwells with lacquered exteriors and a scrolling foliate gilt-bronze pen rest set on a lacquered tray featuring an architectural scene with a gilt-bronze foliate base 5.25” H x 8.25” W x 8.5” D $1,200-1,800

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1129

A Louis XVI-style marble-topped gueridon table

First-half 20th Century The circular white marble top framed by a reticulated gilt-bronze gallery rail over a gilt-bronze mounted apron with scrolling foliate bandwork centering a rosette and one frieze drawer, raised on four fluted tapered legs with inset rope-style mounts and sabots to the feet 30.5” H x 21.375” Dia. $2,000-3,000

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1130

A pair of Continental carved giltwood benches

First-quarter 20th Century Each bench with a cowhide upholstered seat with nailhead trim over a carved giltwood apron and four cabriole legs with all-over acanthus leaf motif and stippled texture, 2 pieces Each: 18” H x 22” W x 17” D $1,000-1,500

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1131

A Persian Kerman room-sized rug

Mid-20th Century Wool on cotton foundation, with central medallion and floral motif with geometric foliate border on a cream field 179.5” L x 117” W $1,200-1,800

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1132

A pair of French Louis XVI-style gilt-bronze sconces

First-quarter 20th Century Each gilt-bronze sconce with an architectural central column decorated with a cartouche and drapery festoons issuing five curving arms with acanthus leaf armbacks and gadrooned bobeches terminating in a faux candle light socket and surmounted by a ribbon bow, 2 pieces Each: 42” H x 15.75” W x 7” D $1,200-1,800

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1133

A pair of French Louis XVI-style gilt-bronze figural chenets

Second-half 19th Century Each gilt-bronze chenet surmounted by a reclining putto, one grasping fruit and one grasping wheat sheaves, atop an architectural base with a sweeping scrolled foliate motif and floral festoon, 2 pieces Each: 12” H x 13.5” W x 14.5” D $600-800

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1134

A pair of gilt-bronze candelabra

Late 19th/early 20th Century Each four-light gilt-bronze candelabrum with figural column in the form of a seated putto holding aloft a floral spray issuing four arms terminating in floral-style capitals and raised on a footed base with floral motifs, acanthus leaves, and fluted patterning, 2 pieces Each: 17.5” H x 9” W x 7” D $1,200-1,800

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1135

Attributed to Gaspar Mascagni (19th Century, Italian) Figures in an Italian court scene Oil on canvas Signed lower right: G. Mascagni 30.25” H x 50” W $1,000-1,500

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1136

After Paul Delaroche

(1797-1856, French) “The Execution of Lady Jane Grey” Oil on canvas laid to panel Signed indistinctly lower left 21.75” H x 27” W $500-700 Notes: “The Execution of Lady Jane Grey” is an oil painting by Paul Delaroche, completed in 1833, which has been in the National Gallery in London since 1902.

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1137

A pair of monumental malachite urns on stands

Mid-20th Century; Continental Each typical form monumental malachite veneer and gilt-bronze footed urn set with giltbronze scrolled and floral swag handles flanking an ornate frame enclosing a neoclassical scene raised on a gadrooned and scrolled support on an associated glass-topped Corinthian columnar pedestal, 2 pieces Each overall: 88” H x 26” W x 21” D $35,000-55,000

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1138

An Italian carved giltwood wall mirror

19th Century The carved crest with birds among rocaille and ribbon motifs surmounted by a floral cluster atop a carved rectangular giltwood frame adorned with rope-style trim and inset engraved mirror segments surrounding a central mirror 69.25” H x 39” W x 4.5” D $2,000-3,000

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1139

A Louis XVI-style gilt-bronze mounted commode

First-quarter 20th Century The white marble top over a rosewood parquetry veneered commode issuing three long drawers with laurel leaf swag handles and lock plates raised on four tapered legs with sabots to the feet 36.5” H x 57.5” W x 23.375” D $1,500-2,500

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1140

A French Samuel Marti gilt-bronze mantel clock with candelabra

First-quarter 20th Century Dial signed: H. Luppens & Cie / Bruxelles; Movement signed: Samuel Marti Medaille d’Or Paris 1900 / 5990 / 4 8 The clock with white painted metal dial, black Arabic numeral hour markers and outer minute track, polychrome floral festoons, two train movement, and gilt hands set in a gilt-bronze bezel trimmed with colorless simulated gems, enclosed in a glazed gilt-bronze Neoclassical-style case with floral garlands and musical motifs surmounted by a white marble urn with opposed ram’s head handles and flowers, atop a rectangular white marble base with inset foliate borders raised overall on four toupie feet, with two matching candelabra, 3 pieces Clock: 18” H x 9.25” W x 6.25” D; Each candelabrum: 17” H x 8” Dia. $2,000-3,000

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1141

A pair of French-style carved giltwood curule seats

20th Century Each carved giltwood and polychromed seat with ribbed X-frame support centering a rosette and terminating in scrolled acanthus leaf arms with fabric tassels over a silk upholstered seat and gilt-bronze sabots to the feet, 2 pieces Each: 23.5” H x 30” W x 20.25” D $1,000-1,500

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1142

A Persian Kerman carpet

Second-quarter 20th Century Wool on cotton foundation, with polychrome floral and geometric motifs on a cream and pink field 206” L x 107” W $1,000-2,000

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1143

Louis Tocque

(1696-1772, French) Portrait of a lady gathering flowers Oil on canvas Signed lower right: pinxit L. Tocque 39.75” H x 32” W $15,000-20,000

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1144

Henri Detrixhe

(1715-1775, French) Floral Still life, 1745 Oil on canvas laid to canvas Signed, dated, and inscribed lower left: H. Detrixhe / “fait par” 42” H x 51” W $3,000-5,000

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1145

A M. Fred Hirsch sterling silver tea and coffee service

Second-quarter 20th Century; Jersey City, New Jersey Each marked for M. Fred Hirsch; Further marked: Sterling / 500 Comprising a tilting warming kettle with burner (13.75” H x 9.5” W x 6.5” D), a coffee pot (10” H x 10.5” W x 5.125” D), a teapot (8.5” H x 9.5” W x 5.375” D), a creamer (4.75” H x 5.125” W x 3.25” D), a covered sugar bowl (6.5” H x 7” W x 4” D), a waste bowl (3.875” H x 4” Dia.), and a serving tray (1.875” H x 27.25” W x 18.5” D), 7 pieces 228.85 oz. troy approximately $1,500-2,000

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1146

An International Silver Co. “Royal Danish” sterling silver flatware service

Second-quarter 20th Century Each marked: International / Sterling / Royal Danish / U.S.A. Designed 1939 by Alfred G. Kintz, comprising 12 hollow-handled New French dinner knives (9.875”), 8 hollow-handled butter spreaders (6”), 10 place forks (7.625”), 22 salad forks (6.375”), 11 cocktail forks (5.625”), 2 tablespoons (8.5”), 9 cream soup spoons (6.5”), 7 teaspoons (6”), 11 demitasse spoons (4.25”), 1 cream ladle (6”), 2 salad serving spoons (9.125”), 1 salad serving fork (9.125”), 1 hollow-handled carving knife (13.25”), 1 hollow-handled carving fork (11”), 98 pieces Weighable sterling: 109.375 oz. troy approximately $1,000-1,500

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1147

An American Regency-style sofa

Mid-19th Century The sofa with straight crest rail atop Grecian-style lyre arms with lion masks, reupholstered with green striped velvet fabric and nailhead trim, raised overall on winged hairy paw feet 32.25” H x 93.5” W x 27” D $1,000-1,500

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1148

A Renaissance Revival carved walnut library table

Fourth-quarter 19th Century Interior stamped: Antiquarian Traders The carved walnut library table with dark green marble top over a fluted border and basketweave motif apron with ram’s head corners atop carved slat sides decorated with heraldic devices on scrolled escutcheons and terminated by zoomorphic lion’s mask feet on castors and joined by a carved stretcher with acanthus leaves and a rosette 32.75” H x 63” W x 30” D $1,000-1,500 Notes: The table was previously retailed by Antiquarian Traders of Los Angeles.

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1149

A Baroque-style carved wood hall chair

Late 19th/early 20th Century The carved walnut chair with scrolled acanthus leaf motifs, foliate bandwork, and acorn finials, with a pierced splat over scrolled arms and red upholstered seat with nailhead trim atop four turned legs joined by a turned H-stretcher and an openwork front stretcher, raised overall on bun feet 61” H x 29” W x 27” D $700-900

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1150

An American Empire mahogany flip-top game table

Mid-19th Century The mahogany flip-top game table with pedestal base on an X-form foundation raised on four paw feet with castors Open: 28” H x 48” W x 45” D; Closed: 29” H x 48” W x 22.5” D $400-600

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1151

A Frederick Marquand silver tea service

Second-quarter 19th Century Each signed: F. Marquand Each Rococo Revival-style with floral banding, gadrooned bodies, and C-scroll handles raised on an ovoid foot, comprising a tea pot ( 10” H x 12” W x 5.5” D), a lidded sugar bowl (9.5” x 8.5” W x 5.25” D), and a creamer (7.75” H x 7” W x 4” D), 3 pieces 78.99 oz. troy approximately $3,000-4,000

1153

A Westmoreland “George and Martha” sterling silver flatware service

Circa 1940-2001 Each marked: Westmoreland / Sterling Originally designed 1900 by Henry L. Wallace for Wallace Silversmiths, later produced in 1940 by Westmoreland, comprising 1 hollow-handled Modern dinner knife (9.5”), 3 hollow-handled New French place knives (8.75”), 3 hollow-handled Modern place knives (9”), 1 master butter knife (7”), 4 butter spreaders (6”), 1 place fork (7.125”), 10 salad forks (6”), 3 cocktail forks (5.625”), 1 cold meat serving fork (8.375”), 1 baked potato fork (7.125”), 3 place spoons (7.125”), 9 teaspoons (5.875”), 12 cream soup spoons (6”), 10 iced tea spoons (7.5”), 3 demitasse spoons ( 4”), 65 pieces Weighable sterling: 58.945 oz. troy approximately $1,200-1,800

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1152

An American burlwood dressing table

Third-quarter 20th Century The Eastlake transitional dressing table with bookmatch burlwood flip top with an interior drop-down felt table and inset mirror over a pull-out fitted tray raised on four curved legs with castors to the feet joined by stretchers with urn-form finials and a central X-stretcher with ball finial, with all-over incised gilt decoration 29.5” H x 25” W x 18.25” D $600-800

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1154

A Falick Novick Arts and Crafts sterling silver pitcher with tray

Circa 1909-1957; Chicago, IL Each marked: F. Novick / Chicago / Sterling / Handwrought Each hand-wrought sterling silver with hammered surface, comprising a wideshouldered pitcher raised on a banded foot with incised linear decoration and a coformingly decorated circular tray, personalized, 2 pieces Pitcher: 11.25” H x 8.5” W x 5.5” D; Tray: 1” H x 15.25” Dia. 68.785 oz. troy approximately $1,800-2,200

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1155

Four Anna Eicher Arts a

First-quarter 20th Century; P Marked for Anna Eicher; Fur The hand-wrought sterling s personalized, 4 pieces Each: 3.75” H x 3” Dia. 17.640 oz. troy approximate $600-900

1157

A Bailey, Banks, Biddle & Co. sterling silver tea set

20th Century Each stamped with maker’s mark: Bailey Banks Biddle & Co / Sterling / 48; Some further stamped Comprising a coffee pot (8.25” H x 8.25” W x 7.75” D), a tea pot (6” H x 9.25” W x 5.375” D), a cream jug (4” H (4.625” H x 6.875” W x 4.5” D), and a waste bowl (3” H x 4.375” Dia.), the coffee and tea pots with an applied e 51.130 oz. troy approximately $1,000-2,000

1 7 9 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

and Crafts sterling silver highballs

Park Ridge, IL rther marked: Sterling / Hand Wrought / 966 silver highballs with hammered surface,

ely

H x 6.375” W x 4.25” D), a sugar bowl eagle to body marked: 1919, 5 pieces

1156

A Westmoreland “George and Martha” sterling silver flatware service Circa 1940-2001 Each marked: Westmoreland / Sterling Originally designed 1900 by Henry L. Wallace for Wallace Silversmiths, later produced in 1940 by Westmoreland, comprising 11 hollow-handled New French place knives (9”), 8 butter spreaders (6.125”), 1 master butter knife (6.75”), 12 place forks (7.125”), 10 salad forks (6”), 4 round bowl soup spoons (7.125”), 16 teaspoons (6”), 1 sugar spoon (6”), 1 berry/casserole spoon (9.125”), 1 pie server (9.75”), and 1 ladle (6.75”), 57 pieces Weighable sterling: 64.605 oz. troy approximately $1,200-1,800

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1158

Floral still life with bird

18th Century Dutch/Flemish School Oil on paper laid to canvas Indistinctly signed lower right 43.5” H x 31.5” W $1,000-2,000

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1159

Lucien Dasselborne

(1873-1952, Belgian) Floral still life Oil on canvas Signed lower left: L. Dasselborne 36” H x 24” W $300-500

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1160

A William Spratling “Jaguar” sterling silver tea and coffee service

1964-1965, Third Design Period; Taxco, Mexico Each marked for William Spratling; Further marked: Eagle 30 Each topped with a jaguar finial over a smooth silver body issuing an ebony handle, comprising a coffee pot (8.5” H x 10.5” (5.875” H x 8” W x 3” D), a cream jug (3.25” H x 5.625” W x 2.875” D), and a covered sugar bowl (3.25” H x 6.125” W x 2.87 52.435 gross oz. troy approximately $3,000-5,000

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W x 3.5” D), a teapot 75” D), 4 pieces

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1161

A Patrick Mavros large sterling silver cheetah

Late 20th Century/early 21st Century; Zimbabwe, Africa Marked for Patrick Mavros [sable antelope head]; Further marked: 958 Depicting a hunting cheetah sprinting after prey 3.25” H x 7.875” W x 2.125” D 41.475 oz. troy approximately $1,500-1,800

1162

Pierre Jules Mêne

(1810-1879, French) Hounds and Hare Patinated bronze Signed: P.J. Mene 8” H x 14.625” W x 7.25” D $600-800

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1163

A Sèvres-style French Empire bisque porcelain figural mantle clock

Circa 1810 Dial signed: Levol a Paris The blue and white bisque porcelain clock with applied gilt-bronze elements surmounted by Grecian figure holding a spindle and thread, possibly Lachesis, sitting atop a fountain flanked by a lamb and two planter urns over floral swags centering a white porcelain dial with black Roman numeral hour markers, black Arabic numeral outer minute track, openwork gilt hands, and two train movement framed by an octagon over a gilt-bronze anthemion frieze with birds and raised on toupie feet 16.25” H x 10” W x 4.125” D $3,000-5,000

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1164

A pair of Théodore Millet bronze figural chenets

Late 19th/early 20th Century One signed: Millet a Paris Each gilt-bronze chenet with a patinated bronze recumbent figure atop a rocky ground framed by scrolling foliage, 2 pieces Each: 13.75” H x 17” W x 5” D $3,500-4,500

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1165

A pair of French Empire-style bronze figural candelabra

Mid-19th Century Each marked: Amet a Paris Each gilt-bronze candelabrum in the form of a patinated bronze putto balancing atop a globe raised on a columnar plinth and issuing three scrolled arms terminating in an urn-form capital and one central flaming torch, 2 pieces Each: 21.5” H x 6.25” Dia. $1,800-2,200

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1166

A gilt-bronze chandelier

First-quarter 20th Century The gilt-bronze chandelier with reeded central column and three downward flared branches with floliate motifs and drapery festoons surmounted by ribbon bows and terminating in rams heads, further issuing three upward-facing uncovered light sockets at the base of the column and six drooping arms, each with floral sockets and frosted clear glass floriform shades, electrified 37” H x 27” Dia. approximately $800-1,200

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1167

A French trumeau mirror

Mid-19th Century Appears unsigned The square trumeau mirror with a painted figural landscape panel atop a mirror enclosed in a carved giltwood frame Overall: 42.75” H x 42.5” W x 1.75” D; Canvas: 15.75” H x 38” W $800-1,200

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1168

A Continental Biedermeier commode

19th Century The bookmatch parquetry veneered Biedermeier commode with rectangular top over three long drawers with brass drop handles and lock plates raised on four tapered legs 34” H x 48.125” W x 22” D $1,200-1,800

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1169

A James Pradier French figural mantel clock

Late 19th/early 20th Century Bronze signed: J. Pradier / Susse / ED; Dial signed: Susse Freres a Paris; Movement signed: Susse Fres. a Paris / 580 The clock with white painted metal dial with blue Roman numeral hour markers and outer minute track, Breguet hands, and two train movement set in a gilt-bronze bezel with bead trim enclosed in a polished slate case flanked by gilt-bronze bas-relief panels depicting Greco-Roman figures, surmounted by a patinated bronze Sappho seated with her lyre, and finished with gilt-bronze foliate borders raised overall on five flattened disc feet 17.5” H x 15.5” W x 7.5” D $500-700

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1170

A pair of French Neoclassical-style granite gueridons

20th Century Each tripod gueridon with circular black Belgian granite top enclosed in a gilt-metal frame atop three out-swept ribbed legs surmounted by eagle head terminals over a conforming undertray, raised overall on claw feet joined by a stretcher centering a rosette, 2 pieces Each: 29.125” H x 29” Dia. $2,000-3,000

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1171

A pair of French Bouillotte-style table lamps

First-half 20th Century Each Bouillotte-style lamp with a black lacquered metal tole shade atop a gilt-bronze base with rocaille motifs fitted with two light sockets and surmounted by a torch finial, electrified, 2 pieces Each overall: 26.5” H x 15.125” Dia. $1,000-1,500

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1172

A pair of gilt-bronze and malachite candlesticks

First-quarter 20th Century Each gilt-bronze candlestick issuing three capitals in the form of thuribles over an architectural column with inset malachite veneered cabochons and dome surmounted by figural finials in the form of a knight bearing a heraldic standard, raised overall on a circular base decorated with heraldic devices with arms atop three columnar feet, 2 pieces Each: 15” H x 5.5” Dia. $800-1,200

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1173

A large French Aubusson area rug

First-half 20th Century The wool Aubusson rug with floral cartouches and floral border on a cream, black, and red field 277” L x 154” W $1,000-2,000

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1174

Alfred Arthur Brunel de Neuville (1852-1941, French) Three kittens at milk bowl Oil on canvas laid to canvas Signed lower left: Brunel Neuville 21.5” H x 25.5” W $1,000-2,000

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1175

Alfred Arthur Brunel de Neuville

(1852-1941, French) “Kittens’ Entertainment” Oil on canvas laid to waxed canvas Signed lower right: Brunel Neuville, titled on a gallery label affixed to the backing paper 13.5” H x 9.25” W $500-700 Provenance: Sale: Butterfield & Butterfield, Los Angeles, CA, November 9, 1988, Lot 2804 Guarisco Gallery Ltd., Washington D.C. Notes: An original sales receipt from Butterfield & Butterfield and an appraisal from Cat Antiques and Victorian Paintings accompanies this lot.

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1176

A French Louis XVI-style cartel wall clock retailed by Tiffany & Co.

Late 19th/early 20th Century Dial signed: Tiffany & Co. / New York; Bronze signed: EM; Pastille to movement: AD Mougin Deux Medailles; Further marked: 492 / 5 / 2 The scrolling foliate and floral gilt-bronze case with fabric-lined Moroccan trellis openwork panels enclosing a painted porcelain dial with floral ring, black Roman numeral hour markers, black Arabic numeral outer minute track, openwork gilt hands, and two train movement 20” H x 10.5” W x 4.75” D $2,000-4,000

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1177

A Classical marble sculpture fragment

Classical antiquity or later The marble fragment depicting a draped male figure, possibly the shepherd Daphnis, holding a Pan flute and shepherd’s staff mounted on a custom wrought iron stand 33.25” H x 10.5” W x 4.5” D $2,000-3,000

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1178

A plaster cast of a Classical-style portrait bust 20th Century Depicting the bust of a Classical-style male figure 13” H x 15” W x 11” D $1,200-1,800 Provenance: The M. H. de Young Memorial Museum Sale: Bonhams, San Francisco, CA, de Young Museum Sale, June 25, 2001, Lot 1062 Purchased by present owner from the above

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1179

The veneration of the birth of Jesus 19th Century Continental School Oil on copper Appears unsigned 27.5” H x 34.5” W $2,000-3,000 Notes: Presented in a Richard Tobey frame.

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1180

The Last Supper

19th Century Italian School Oil on canvas Appears unsigned 43” H x 36” W $1,000-1,500 Provenance: The Collection of Tom & Christie Accatino, Palm Springs, CA The Estate of Tom Accatino

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1181

1182

Second-half 20th Century Each glazed porcelain garden stool decorated with openwork medallions, raised buttons, and various floral and geometric patterns centering two friezes of dragons against a red and yellow geometric ground, 2 pieces Each: 18” H x 14” Dia.

Late Qing Period (1644-1912) The carved wood cabinet with floral frieze one interior shelf over three drawers with m cabinet, raised overall on four straight legs openwork stretchers to the sides, the uppe relief carved and polychromed architectura with gilt highlights, each door fitted with m 71” H x 64” W x 24.25” D

A pair of Chinese Famille Rose-style porcelain garden stools

$700-900

A Chinese carved wood cabinet

$1,000-2,000

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atop an upper two-door cabinet fitted with metal drop bail handles over a lower two-door s with openwork brackets to the front and er doors and each drawer decorated with basal landscape scenes and emblematic cartouches metal medallion plate and pull handles

1183

A large Chinese porcelain floor vase

Late Qing Period (1644-1912) The large polychrome baluster-form porcelain floor vase with a figural scene enclosed by all-over floral, avian, and geometric motifs with gilt highlights 36” H x 17” Dia. $1,000-1,500

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1184

A Chinese carved wood water buffalo

Late Qing Period (1644-1912) The recumbent water buffalo with a child riding on its back, each with inset eyes and teeth, atop an openwork carved wood stand 7.25” H x 12” W x 5.25” D $500-700

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1185

A Chinese carved stone tiger

Late Qing Period (1644-1912) The carved roaring tiger in ochre-colored stone with a pink vein running through the head, engraved tiger stripes, and painted yellow eyes 3.75” H x 5.125” W x 2.875” D $700-900

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1186

A Chinese carved cinnabar censer

20th Century The carved cinnabar censer with wide-shouldered body fitted with two free-form handles surmounted by a fu dog finial to the lid, raised on three shaped legs and set atop a tri-form carved wood stand 14.25” H x 11.5” W x 9.25” D $500-700

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1187

Three Chinese table objects

20th Century Comprising a patinated bronze censer with a square body decorated with low relief motifs and two fixed loop handles raised on four shaped feet, a carved hardstone Hotei figure with a basket of food, and a diminuative carved wood cup with figural scenes, 3 pieces Largest: 7” H x 6” W x 5.5” D; Smallest: 1.5” H x 2.125” Dia. $700-900

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1188

1189

(1856-1941, United Kingdom) “Portrait of Doctor John MacPherson” Oil on canvas Signed and titled verso: J. Lavery 44” H x 34” W

19th Century Continental School Oil on canvas laid to canvas Appears unsigned 49.25” H x 41” W

John Lavery

$4,000-6,000

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Portrait of a gentleman

$1,200-1,800

1190

Portrait of a young lady

19th Century Continental School Oil on canvas Appears unsigned 29.75” H x 24.25” W $1,200-1,800

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1191

A Swedish silver centerpiece by Christian Hammer

1862; Stockholm, Sweden Marked for Sweden [three crowns] / Stockholm / 1862 [H5] / Chrisitan Hammer [CH] The three-tier centerpiece with openwork grapevine supports and borders raised on four shell feet 21” H x 13” Dia. 92.185 oz. troy approximately $4,000-6,000

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1194

A pair of Louis XVI-sty

Second-quarter 20th Cent Each with parcel gilt and p yellow silk upholstery, issu with carved ribbon trim ov pads and an upholstered s legs with fluted spirals, 2 p Each: 38.5” H x 22.5” W x $800-1,200

1192

A pair of Louis XVI-style carved giltwood fauteuils with ottomans

Second-quarter 20th Century Each chair with chintz-style silk upholstery and parcel gilt polychromed wood carcass, issuing a square-form upholstered backrest centering a carved rocaille crest over two scrolled arms with elbows pads and an upholstered seat atop a rocaille apron raised on four cabriole legs, with conformingly decorated ottomans, 4 pieces Each chair: 38.25” H x 27” W x 25” D; Each ottoman: 10” H x 15.5” W x 12.625” D $800-1,200

1193

A pair of French-Louis-XV-style marquetry lamp tables

Mid-20th Century Each French-style with a squared top with marquetry inlay depicting a crossed torch and quiver with an arrow framed by strapwork on a tessellated ground, enclosed by an openwork gilt-bronze gallery rail over a conformingly decorated apron and a single drawer, raised on slightly out-swept legs with sabots to the feet and joined by an undershelf, 2 pieces Each: 26.5” H x 18.125” W x 14.125” D $1,000-1,500

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yle carved giltwood fauteuils

tury polychromed wood carcass with uing an oval upholstered backrest ver two scrolled arms with elbow seat raised on four tapered pole pieces x 20” D

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1195

Attributed to Maria Verelst

(1680-1744, Dutch) “The Pet Spaniel” (young girl with Squirrel Spaniel) Oil on canvas laid to canvas Appears unsigned, titled on a gallery receipt 30” H x 25” W $3,000-5,000 Provenance: Marie Whitney Antiques, Tolland, MA, June 10, 1988 Notes: An original receipt from Marie Whitney Antiques accompanies this lot.

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1196

1197

20th Century Each with Russian inscription to underside Each three-light girandole issuing a cut glass and gilt-bronze stem surmounted by a crescent moon finial and issuing cut glass hanging pendalogues, prisms, and swags over a figural columnar support atop an urn-form malachite-veneered column raised on a conforming stepped base, 2 pieces Each: 31” H x 13” Dia.

First-quarter 19th Century or earlier The wall tapestry depicting a pastoral hunting enclosed in a floral border with a linen backing 129.5” L x 98” W

A pair of Russian gilt-bronze and malachite girandoles

$3,000-5,000

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A French wall tapestry

$1,500-2,500

scene g

1198

A Persian Kerman area rug

Circa 1950s Wool on cotton foundation, with central medallion and all-over floral motif on a green and red field 160.25” L x 119.5” W $1,000-1,500

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1199

In the manner of Sir Godfrey Kneller

(1646-1723, United Kingdom) Portrait of a Lady in green dress and crimson scarf Oil on canvas Appears unsigned 30.25” H x 25.25” W $5,000-7,000 Provenance: The Collection of Charles Lock Eastlake, Director, National Gallery, London, 1843 Notes: There is a note affixed verso stating that the piece was bought at the Christie’s auction March 23, 1912.

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1200

After Louis-Leopold Boilly

(1761-1845, French) “Portrait of Marat” Oil on panel Appears unsigned, titled on a gum label affixed verso 10” H x 8” W $1,000-2,000

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1201

A French gilt-bronze figural mantel clock

Second-half 19th Century Movement signed: Vincenti et Cie / Medaille d’Argent / 1855 / 20 The clock with a white enameled dial with black Roman numeral hour markers, Brueget hands, and two train movement set in a bead trimmed bezel enclosed in a gilt-bronze case with inset white marble panels, scrolling foliage, floral festoons, wavescroll border, and openwork scalloped bottom surmounted by two Classical female figures with the attributes of a scroll and basket of flowers, raised overall on a floral motif base 26” H x 27” W x 11” D $6,000-8,000

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1202

A pair of Louis XVI-style gilt-bronze and marble candelabra

19th Century Each candelabrum in the form of a putto holding aloft a bouquet of naturalistic rose stems issuing five candle arms terminating in floriform capitals raised overall on a rouge marble pedestal with inset figural bas-relief panels and foliate borders atop four toupie feet, 2 pieces 31.25” H x 14” Dia. $4,000-6,000

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1203

1204

(1850-1917, French) Liberté Patinated bronze Signed: Auguste Paris 30.875” H x 15” W x 10” D

(1841-1887, Belgian) Study of a seated Neapolitan fisherman wit Patinated bronze Signed: C. Brunin / Roma 23.75” H x 10” W x 11.5” D

Auguste Paris

$1,200-1,800

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Charles Brunin

$1,500-2,500

th bird

1205

A pair of Continental Bouillotte table lamps

Fourth-quarter 19th Century Each Bouillotte lamp with a gilt-bronze base with four flared scrolled legs atop an X-form foundation issuing two arms with urnform capitals and one central standard with an adjustable black lacquered metal tole shade surmounted by a pinecone finial, 2 pieces Each: 20.5” H x 10” W x 6.5” D $800-1,200

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1206

1207

(19th Century) “The Explorers” Oil on canvas Signed lower left: K. Vollmark, titled on the frame plaque 27” H x 22” W

(1882-1959, French) Hunter with dog and elk Oil on canvas laid to board Signed lower right: M. Dupuis 39.5” H x 59” W

K. Vollmark

$1,000-2,000

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Maurice Dupuis

$2,000-3,000

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1209

A pair of Italian

19th Century Each carved giltwo and flared base ce medallions, termin pricket, and raised Taller: 29” H x 8” $800-1,200

1208

A pair of large Italian giltwood alter candle lamps

Late 19th/early 20th Century Each carved giltwood candle lamp with knopped column atop a tri-form base raised on three scrolled feet with foliate motifs and black painted trim throughout topped with associated tan linen drum shades, electrifed, 2 pieces Each overall: 47” H x 16.25” Dia. $1,200-1,800

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n giltwood pricket candlesticks

ood candlestick with knopped column entering applied giltwood foliate nating in a foliate metal bobeche with d on three scrolled feet, 2 pieces Dia.

1210

A Japy Frères figural porcelain mantle clock

Second-half 19th Century Movement signed: Japy Freres et Cie / Med. D’Honnuer / 57452; Porcelain signed: E. Jammes; marked indistinctly to underside and numbered: 1627 The clock with a white painted metal dial, black Arabic numeral hour markers and outer minute track, polychrome floral festoons, gilt hands, and two train movement set in a gilt-bronze bezel with bead trim enclosed in a figural porcelain case with three putti atop stylized clouds surrounded by flowers and doves, atop an oblong base with relief floral festoons and gilt scrolling foliage raised overall on four toupie feet 12.25” H x 12” W x 5.5” D; Dial: 3.125” Dia. $1,200-1,800

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1211

A pair of Louis XVI-style gilt-bronze figural chenets

Second-half 19th Century Each gilt-bronze chenet in the form of sweeping rocaille-style scrolled foliage centering a putto, 2 pieces Each: 19” H x 14.5” W x 17.5” D $800-1,200

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1212

A Sèvres-style gilt-bronze chandelier

Late 19th/early 20th Century The eight-light celeste blue porcelain chandelier dropping from an acanthus leaf top with gilt-bronze arms and mounts, electrified 27.5” H x 29” Dia. $1,000-2,000

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1213

Dead game diptych

18th Century Dutch School Oil on canvas laid to canvas Appears unsigned Each: 66” H x 37” W $3,000-5,000

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1214

Constant Troyon

(1810-1865, French) Shepherd and his flock with cows on a road Oil on canvas laid to canvas Signed lower right: C. Troyon 19.25” H x 26.5” W $2,000-4,000 Notes: Presented in a Richard Tobey frame.

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1215

A pair of Early 20th Century Chinese painted panels

Two works Two birds in a flowering tree Watercolor on paper laid to masonite 74.5” H x 40.5” W Signed with the artist’s chop marks upper right Eight birds in a flowering tree Watercolor on paper laid to masonite 74.5” H x 40.5” W Signed with the artist’s chop marks and inscribed with Chinese characters upper right $2,000-3,000

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1216

A Chinese hongmu wood center table

19th Century Hongmu wood construction, the circular top centering a round inset marble panel and radiating six fan-shaped marble panels enclosed in a carved wood frame with meandering design over six fluted legs joined by a knotted stretcher terminating on fluted slightly outswept feet 32.5” H x 45” Dia. $5,000-7,000

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1217

1218

17th Century or later Likely in the style of the 17th century, the medallion depicting a Buddhist figure in prayer atop a floral platform surrounded by stylized clouds, with holes for possible attachment to a garment, mounted in a giltwood frame Overall: 8.375” H x 7.75” W

20th Century With four small drawers w drawer, each with polychro with peacocks and floral a with metal handles 37.5” H x 81.5” W x 17.5”

A framed 14K gold Chinese medallion of a Buddhist figure

$1,000-2,000

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A Chinese carved and

$800-1,200

polychromed wood credenza

with low relief key patterned border flanking one large ome floral sprays, over three two-door cabinets decorated arrangements and the interior fitted with one shelf, each

”D

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1219

Three Chinese carved hardwood occasional tables

Late Qing Period (1644-1912) Each circular table with various carved floral and decorative motifs, inset pink marble top, and openwork apron raised on four legs, two with an undertray and one with an openwork stretcher, 3 pieces Largest: 32” H x 27” Dia.; Smallest: 26” H x 23” Dia. $1,000-1,500

1220

A pair of large Chinese carved stone “Shishi” guardian lions

20th Century Each large guardian lion carved in green stone atop a rectangular base with ornamental motifs, 2 pieces 28” H x 13.75” W x 10.875” D $1,200-1,800

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1221

A pair of 19th Century Chinese framed paintings

Two works Butterfly with pink and yellow flowers Watercolor on silk under glass Signed with Chinese characters and the artist’s chop mark upper right Sight: 11.5” H x 14” W Butterfly with white and red flowers Watercolor on silk under glass Signed with Chinese characters and the artist’s chop mark upper right Sight: 11.5” H x 14” W $600-800

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1222

A patinated bronze Buddha

20th Century The patinated bronze Buddha meditating in karana mudra sitting cross-legged atop a lotus 15.5” H x 9.375” W x 8.75” D $600-800

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1223

A gilt-bronze Buddha

20th Century The patinated bronze Buddha dressed in gilt-bronze robes and meditating in the vajrasana position holding a lotus 11.5” H x 8.125” W x 6.375” D $500-700

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1224

Petitions of the Vassals

1860 Oil on canvas Signed and dated lower right: W. Harsewinkel 41” H x 52” W $2,500-3,500

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1225

Coronation of a Spanish Duke 1865 Oil on canvas Signed lower left: W. Harsewinkel 31” H x 43” W $1,800-2,500

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1226

Knighting of the Nobleman

1865 Oil on canvas laid to board Signed and dated lower right: W. Harsewinkel 43” H x 51” W $2,500-3,500

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1227

A Continental carved oak coffer

17th/18th Century The carved oak coffer with a rectangular hinged lid atop a frieze of rosettes and two drawers with metal drop handles over four front panels with portrait roundels and foliate garlands partitioned by coin and foliate moldings and four side panels with linenfold parchemin plisse carvings, centering an openwork filigree lock plate with portrait heads, raised overall on a pedestal base 35” H x 47.5” W x 26” D $1,000-2,000

2 4 9 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1228

A Continental carved wood hall bench

18th Century The carved wood hall bench with fluted crest rail atop two inset figural back panels depicting Archangels Michael and Gabriel enclosed in an arched surround with lozenge border and putti masks over two straight arms and floral upholstered seat, raised overall on four straight legs joined by a box stretcher 43.5” H x 32.5” W x 25” D $1,000-1,500

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1229

Virgin Mary and Child

19th Century Continental School Oil on canvas Appears unsigned 20.5” H x 15.75” W $600-800

2 5 1 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1230

A Persian Sarouk area rug

First-quarter 20th Century Wool on cotton foundation, with polychrome floral motif on a red field 140” L x 108” W $1,000-2,000

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1231

A Persian Heriz rug

First-quarter 20th Century Wool on cotton foundation, with central medallion and polychrome floral and geometric motif on a red and cream field 195” L x 120” W $800-1,200

2 5 3 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1232

An English flatweave rug

1895 Signed to corner: MD 1895 Wool on cotton foundation, with floral patterning on ivory and orange field 158” L x 113” W $5,000-8,000 Provenance: Sotheby’s Lot 333, 22 February 1999

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1233

The Lovers

18th Century Spanish School Oil on canvas Appears unsigned 77.5” H x 50” W $2,500-3,500

2 5 5 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1234

La Schiava (The Slave)

18th Century Italian School Oil on canvas laid to waxed canvas Appears unsigned 41” H x 35.5” W $2,500-3,500

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1235

1236

19th Century Each krater-form urn topped with a putto finial over a banded lid with a repousse body adorned with a bas-relief bacchanal frieze flanked by grape cluster handles over a gadrooned base with a laurel leaf foot, 2 pieces Each: 13.75” H x 8.5” W x 5.5” D

20th Century Each gilt-bronze mounted pedestal of red square stepped top over a column adorne swags, and foliate and geometric borders decorated base, 2 pieces Each: 47.5” H x 11.75” W x 11.75” D

A pair of Renaissance Revival gilt-bronze urns

$800-1,200

2 5 7 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

A pair of gilt-bronze and marble ped

$1,200-1,800

destals

and grey marble with a ed with gilt-bronze urns, raised on a conformingly

1237

A French bronze and brass mantel clock

Fourth-quarter 19th Century Movement signed: ND / 1794 In the form of Atlas holding the world, the spherical brass clock with raised Roman numeral hour markers and black openwork hands atop a patinated bronze standing figure raised on a rouge marble plinth 18.75” H x 5.25” Dia. $800-1,200

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1238

A pair of Louis XVI-style carved giltwood demi lune console tables

Mid-20th Century Each breakfront-form table with a fitted white marble top over a carved giltwood and white painted structure with rosette guilloche apron raised on two fluted columnar legs, 2 pieces Each: 29.75” H x 50.5” W x 13.25” D $800-1,200

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1239

A La Barge Rococo-style carved giltwood wall mirror

Second-half 20th Century With La Barge label The carved giltwood frame with rocaille and floral motifs enclosing a rectangular beveled glass mirror 53.75” H x 37.5” W x 3” D $700-900

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1240

1241

(1834-1910, German) Young woman knitting Oil on canvas Signed lower right: R. Epp 29.25” H x 21.75” W

(1838-1907, German) “Entree du port d’Oste Oil on canvas Signed lower right: Th. 24.5” H x 36” W

Rudolf Epp

$2,000-3,000

Thomas Weber

$800-1,200

Notes: A Prinz Brothers

2 6 1 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

ende” (Belgium) Weber, titled on the frame plaque

s Art Importers label is affixed to the stretcher.

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1242

A pair of German silver three-light candelabra

Circa 1891-1906, Hanau Each with pseudomarks to base for George Roth Each on shaped base supporting three winged putto-form monopodiae, supporting a knopped column with figure of Cupid supporting three leaf-clad branches with vaseform sockets Each: 27” H x 8.5” Dia. 233.07 oz. troy approximately $4,000-6,000

2 6 3 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

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1243

A German Baroque-style marquetry chest

Late 18th/early 19th Century The Baroque-style chest with bow-front top over three conforming drawers with lined interiors and gilt-metal drop handles and lock plates raised on four tapered legs, with all-over bookmatch parquetry veneer and geometric marquetry bandwork 31” H x 29.5” W x 222” D $1,500-2,500

1244

A French Neoclassical-styl

19th Century The tripod gueridon with circu a bronze frame with ring pulls by a circular stretcher raised o 28.25” H x 31.75” Dia. $1,200-1,800

2 6 5 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1245

A set of French Louis XVI-style gilt-bronze chenets

Second-half 19th Century Each with an urn decorated with ram’s head masks joined by a laurel leaf swag raised on a columnar-form base with drapery swags and issuing a balustrade with a portrait roundel joined to a flaming urn atop a baluster support with acanthus leaf motif, 2 pieces Each: 15” x 15.5” W x 6” D $1,500-2,500

le gueridon table

ular black granite top enclosed in atop three out-swept legs joined overall on brass hoof-form feet

w w w. j o h n m o r a n . c o m 2 6 6

1246

1247

Mid-20th Century Wool on cotton foundationwith central medallian and polychrome floral motif on a cream field with light blue border 191” L x 141.5” W

(1855-1906, German) “Monks at the table” Oil on canvas Signed and inscribed upper right: Max Scholz / titled by repute 14.75” H x 18” W

A Persian Kerman area rug

$3,000-5,000

Max Scholz

$800-1,200

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1248

Otto Eichinger

“Munchen”,

(1922-2004, Austrian) Portrait of a Rabbi Oil on masonite Signed upper right: O. Eichinger 10.5” H x 8.5” W $600-800

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1249

125

Late Meiji Period (1868-1912) With chop mark to base The large bronze jardiniere with a circular lobbed body decorated with repousse silvered dragons, pheasants, and horses raised on three tapered feet 12.5” H x 23” Dia.

Mid-20 Each in Each w cylindri Each: 1

A large Japanese bronze footed jardinière

$2,000-3,000

Two Ja

$500-7

Proven Notes:

2 6 9 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

apanese Ikebana baskets

0th Century; Japan nscribed signature to underside woven bamboo with tapered bulbous body and stirrup handle, one with ical bamboo insert for water, 2 pieces 17” H x 9.5” Dia. approximately

700

nance: Oriental Art Sekisen, Kyoto, Japan This lot is accompanied by the Oriental Art Sekisen invoice.

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1251

Three Japanese Ikebana baskets

Mid-20th Century; Japan One with inscribed signature to underside Each woven bamboo, comprising one flared circular basket with stirrup handle and hammered copper liner, one low circular footed basket with stirrup handle, and one tubular hanging basket with oval opening to the side and wooden liner, 3 pieces Largest: 15” H x 15.75” Dia.; Smaller: 16.5” H x 3.25” Dia. $400-600

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1252

A large Japanese Sumida Gawa figural vase

Meiji period (1868-1912) The large red and black glazed vase with applied raised figures 30” H x 17” Dia. $1,500-2,500

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1253

A Japanese Miyamoto Shoko sterling silver jewelry chest

Late Meiji Period (1868-1912) Signed: Miyamoto Shoko; Marked: Sterling Silver The diminutive cube-shaped two-door sterling silver chest with chased stylized fan motifs depicting birds, flowers, and foliage and a fitted interior with four drawers, topped with a loop handle and orange braided tassels 6” H x 5.125” W x 4.75” D 42.93 gross oz. troy approximately $800-1,200

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1254

Two Japanese Ikebana baskets

Mid-20th Century; Japan One with inscribed signature to underside Each woven bamboo, comprising one cylindrical basket with a carved keyed tenon handle and a drop handle to the side and one gourd-form basket with tall neck, opposed tubular handles, and ceramic liner, 2 pieces Larger: 17.25” H x 9.625” W x 7.75” D; Smaller: 12” H x 7.75” Dia. $500-700

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1255

Two Japanese Ikebana baskets

Mid-20th Century; Japan One with inscribed signature to underside Each woven bamboo, comprising one wide circular basket with a bamboo shaft stirrup handle and hammered copper liner and one urn-form basket with star motif weave, wide flared lip issuing two looped woven handles, and a glazed ceramic liner, 2 pieces Larger: 11” H x 15.75” W x 15.25” D; Smaller: 8.5” H x 12” W x 6.34” D $500-700 Provenance: Oriental Art Sekisen, Kyoto, Japan Notes: This lot is accompanied by Oriental Art Sekisen invoice.

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1256

A Japanese Maruki bronze okimono of a chin dog

Meiji Period (1868-1912) Signed to base with seal for Maruki The verdigiris patinated bronze okimono depicting a chin dog 7.25” H x 11” W x 4.5” D $4,000-6,000

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1257

Andre Vignoles

(1920-2017, French) “Vallee de L’Eure” Oil on canvas laid to canvas Signed lower left: A. Vignoles, titled verso 51” H x 38.5” W $3,000-5,000

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1258

Miles Evergood Blashki

(1871-1939, Australian/American) Figures under a tree Oil on board Signed lower left: M. Evergood 12” H x 16” W $1,000-2,000 Notes: Miles Blashki was born in Australia in 1871 and at the advent of WWI, he changed his name to Miles Evergood.

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1259

A Sévres French Empire-style bisque porcelain figural mantle clock

1878 Movement signed: L.P. Japy et Cie / 1878 / 4231 52; Dial signed: Cauch[...] / Paris; Porcelain bears incised Sevres mark; Further marked: 16 / r The clock flanked with white bisque porcelain Greco-Roman figures holding flowers and surmounted by Cupid with bow and quiver standing among floral garlands centering a white painted metal dial with black Arabic numeral hour markers and outer minute track, openwork gilt hands, and two train movement set in a gilt-bronze bezel with bead trim surrounded by applied gilt-bronze foliate elements, over a glazed porcelain base with painted floral motifs and raised overall on six gilt-bronze toupie feet 17” H x 14” W x 6.125” D $2,500-3,500 Literature: James David Draper, “New Terracottas by Boizot and Julien,” Metropolitan Museum Journal, v. 12, 1977, p.143, fig. 2. Notes: This design is after the figural group “Le Larcin de la rose” by Simon-Louis Boizot, completed in 1788.

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1260

A Venetian carved giltwood wall mirror

19th Century With central crest enclosing a diminutive mirror with engraved figural scene over a rectangular frame surrounding a rectangular mirror, with all-over openwork rocaille motifs 67” H x 45” W x 10.5” D $3,500-4,500

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19 Ea ho ca pu w Ea

1261

A François Linke marquetry commode

Fourth-quarter 19th Century Signed to one mount: F. Linke The puddingstone marble top over two long drawers with floral marquetry veneer and gilt-bronze mounts raised on slightly outswept legs 35.75” H x 46” W x 20” D $8,000-12,000

1263

A pair of French-style carved giltwood benches

20th Century Each rectangular bench with a blue and grey upholstered seat raised on four carved giltwood cabriole legs with acanthus leaf motif, 2 pieces Each: 17.5” H x 18” W x 17” D $800-1,200

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1262

A pair of French bronze figural candelabra

9th Century ach candelabrum in the form of a patinated bronze Bacchante olding aloft a gilt-bronze standard issuing five grapevine andle arms atop a gilt-bronze pedestal with a bas-relief utti frieze and raised overall on a grey stone base with inset wavescroll borders over four toupie feet, 2 pieces ach: 30” H x 10” Dia.

7,000-9,000

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1264

A large French Aubusson carpet

Mid-19th Century The wool Aubusson rug with alternating polychrome with medallions and floral motifs on a red field 174” L x 181” W $5,000-7,000

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1265

Jean-Jacques Henner

(1829-1905, French) Reclining nude Oil on canvas Signed lower left: Henner 17.75” H x 22” W $6,000-8,000

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1266

George Capon

(1890-1980, French) Reclining nude Oil on canvas Signed lower right: Capon 13” H x 16.25” W $1,000-1,500 Provenance: Private Collection, Tarzana, CA Notes: Presented in a Mayen Olson frame.

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1267

Sepia toned reclining nude

20th Century Lithograph on paper under glass Edition 6/15, Illegibly signed in pencil lower right, numbered in pencil lower left Sight: 5.5” H x 8.5” W $600-900

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1268

1269

20th Century With Iranian hallmark; Marked for .875 silver to base The repousse and chased silver punch bowl with sawtooth scalloped rim in the form of floral festoons and decorated with cartouches depicting figural genre scenes joined by banners of inscribed text and foliate ornament against a ground of flowers and birds atop a pinched knopped column raised on a domed circular foot, with matching figural decorations 14.5 x 13.875” Dia. 60.465 oz. troy approximately

20th Century With Iranian hallmark; Marked for .875 silver The repousse and chased rectangular tray center of scrolling flower and birds with floral detail to e .375” H x 16.25” W x 11.5” D 40.315 oz. troy approximately

A Persian repoussé silver punch bowl

$2,000-3,000

2 9 1 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

A Persian repoussé silver tray

$1,000-1,500

ring a rosette against a ground each corner

1270

A pair of Persian silver candlesticks

20th Century Each with Iranian hallmark to base Likely .875 silver, each candlestick with a scrolling foliate openwork capital with flared rim and chased decoration over a matching openwork bobeche with a surround of silver drop points raised on a tapered column and circular foot with repousse foliate ornament atop an octagonal base, 2 pieces Each: 14.5” H x 4.75” Dia. 52.355 oz. troy approximately $1,200-1,800

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1271

A pair of Persian Qum hanging rugs

Third-quarter 20th Century Each silk on cotton foundation, centering a hunting scene surrounded by couplets about hunting, 2 pieces Each: 61.75” H x 43” W $2,000-3,000

2 9 3 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1272

A Turkish Yahyali prayer rug

First-quarter 20th Century Wool on wool foundation, with stepped triangular design and rosette motifs on a red and yellow field 56” L x 44” W $700-900

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1273

John Whitworth Robson

(1881-1946, Los Angeles, CA) Polo Match Gouache on board under Plexiglas Signed lower right: J. W. Robson 30.5” H x 22.5” W $2,000-3,000

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1274

Mafer Kopenhofer

(20th Century, German) Hay bales in a summer landscape Oil on canvas Signed lower right: M. Kopenhofer, signed again and inscribed verso: “Mundelfingen (Schwarzwald)” 17.5” H x 21.25” W $600-800 Provenance: St. Anna-Galerie, Zurich, Switzerland

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1275

A Guyerdet Aine gilt-bronze clock

Mid-19th Century Signed to dial: Guyerdet Aine Paris With a white porcelain dial with black Roman numeral hour markers and minute track, two train movement, surmounted by a gilt-bronze putto finial with scrolling foliage forming two handles on a metal urn-form body, upon an ornamental gilt-bronze base with floral motifs and two putto figures, raised on toupie feet 22” H x 19” W x 7” D; Dial: 4” Dia. $2,000-3,000

1276

A French marquetry dressing table

Mid-19th Century The dressing table with all-over bookmatch parquetry and tessellated marquetry, with locking flip-top cabinet fitted with a mirror flanked by two fliptop compartments, each with fabric lined interior, raised on four tapered legs with sabots to the feet and finished with gilt-metal handles and lock plate 28.25” H x 27.75” W x 20.5” D $800-1,200

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1277

A set of French Louis XVI chairs

Late 18th/early 19th Century Each chair with green floral silk upholstery with nailhead trim and carved polychromed wood carcass, issuing a square-form upholstered backrest over an upholstered seat raised on four fluted tapering pole legs topped by rosette pateras, 4 pieces Each: 34” H x 18” W x 19.75” D $600-800

2 9 9 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1278

A French Aubusson area rug

Fourth-quarter 19th Century The wool Aubusson rug with all-over polychrome floral and ribbon motif on cream field with conforming patterned border on pink field enclosed by a blue trim 121.25” L x 119” W $1,000-1,500

w w w. j o h n m o r a n . c o m 3 0 0

1279

A pair of large Continental painted wood pricket candlesticks

Late 19th/early 20th Century Each carved and turned polychromed wood candlestick with knopped column, scrolled buttress supports to the base, and raised on three scrolled feet, 2 pieces Each: 48.5” H x 12.5” Dia. $800-1,200

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1280

A pair of petit hanging chandeliers

First-quarter 20th Century Each petit chandelier draped with strands of facet-cut crystal spheres joined to a gallery of cut glass squares issuing a lower basket and terminating in a facet-cut ball finial, 2 pieces Each: 15.5” H x 8” Dia. $800-1,200

w w w. j o h n m o r a n . c o m 3 0 2

1281

A French Empire-style gilt-bronze centerpiece bowl

Fourth-quarter 19th Century The gilt-bronze centerpiece with a magenta glazed porcelain bowl fitted with an openwork laurel leaf trim and raised on three flared paw feet over a burning flame atop a circular base with incised scrolling foliate motifs 13.25” H x 11.5” Dia. $1,800-2,200

3 0 3 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1282

A French polished brass gueridon table

First-quarter 20th Century The onyx top over a beaded and fluted apron raised on columnar legs joined by a glass-lined undershelf and knot stretcher 32.125” H x 18.75” Dia. $1,200-1,800

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1283

A French patinated bronze model after Alfred Boucher’s “Le Terrassier”

Circa 1890 Signed: A. Boucher / F. Barbedienne [Ferdinand Barbedienne] Cast by Ferdinand Barbedienne after a model by Alfred Boucher (1850ñ1934, French) 22” H x 18” W 10” D $1,500-2,500

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1284

Charles Courtney Curran N.A.

(1861-1942, New York, NY) Girl holding bird by window, 1892 Oil on canvas Signed and dated lower left: Charles C. Curran 12.25” H x 9.25” W $1,000-2,000

3 0 7 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1285

Figures in an interior

18th Century Dutch School Oil on board Appears unsigned 9.5” H x 13.5” W $600-800

1286

Jean Albert Pougny

(1892-1956, Russian / French) Still life with “LE MI” Oil on canvas laid to panel with applied newsprint Signed lower left: Jean Pougni 13.75” H x 25.75” W $2,000-4,000

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3 0 9 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, A p ril 2 8 , 2 0 2 1

1287

Eduard Wiiralt

(1898-1954, Estonian) “Poolakt (Astrid),” 1943 Drypoint etching on paper under glass Signed in pencil lower right: Eduard Wiiralt, inscribed and dated in pencil lower left: “Pointe-seche” (Dry Point), signed and dated in the plate Sheet: 27” H x 20” W; Plate: 19.25” H x 12.5” W $1,500-2,000 Literature: Kangilaski

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Condition Reports

w w w. j o h n m o r a n . c o m 3 1 2

1001 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Slight darkening to gilt surface throughout. Back glass panel with cips to two corners and left side glass panel with a 1.25” area of chipping to one corner. Light rubbed wear to black hour markers. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1002 Overall good condition with tarnishing, light scratches, and minor indentations commensurate with age. Personalized inscription reads: Presented to / Herbert J. Yates / from / Hnon. De Lesseps Morrison / Mayor / City of New Orleans / on the occasion of / The World Premier / “Jubilee Trail” / Saenger Theatre / New Orleans / Jan. 15, 1954. 1003 Overall good condition with minor shelf wear, light scratches, and rubbing to the gilt and enamel decorations commensurate with age.

Condition Reports

1004 Overall good condition with shelf wear and light scratches commensurate with age. Issues and repairs include, but are not limited to: painted repairs to the dogs fur above the nose on the right and over the right eye; scattered minor chips to the glazed surface throughout; loss to a tendril of fur on the dog’s back; possible repair to back right paw; and two crack-like surface imperfections to the lower verso.

313

1005 Overall good condition with shelf wear, light scratches, and minor chips commensurate with age. Issues include, but are not limited to: a .5” area of chipped glaze to the face, a 1.5” loss to the fingers on one hand, minor chip to flower on verso, minor nicks and chips to the corners and edges of the base with a heavier chip to the front lower left. With applied label to verso and label residue to front of base. Adhesive felts pads to underside. 1006 Each overall good condition with shelf wear and light scratches commensurate with age. Issues and repairs include, but are not limited to: lion with loss to one tooth, surface imperfections to the side, nicked abrasion to one paw, and adhesvie felt pad and residue to underside; lioness with surface imperfections to the side and imperfections to the glaze on the verso.

1007 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Missing one post in jumping figure’s arm. 1008 Visual: Generally good condition. Two tiny chips of paint loss upper center. Minor surface dirt throughout. Blacklight: No evidence of restoration under blacklight. Frame: 29.5” H x 35.75” W x 2.5” D 1009 Visual: Craquelure and paint shrinkage throughout. The canvas is rippled in the upper left corner. A dime-sized indentation in the canvas upper right. Tiny flecks of paint loss scattered throughout, concentrated mostly along the lower edge. Blacklight: No evidence of restoration under blacklight. Frame: 29.5” H x 35.75” W x 2.5” D 1010 Overall good condition with minor shelf wear and light scratches commensurate with age. Minor nick to rim. With model number label to underside. 1011 Overall good condition with minor shelf wear and light scratches commensurate with age. Minor nick to underside of one outermost point. With model number label and adhesive felt pads to underside. Includes original box. 1012 Overall good condition with tarnishing and light scratches commensurate with age. With personalized device to the front. 1013 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Marble with repaired cracks to the base and scattered minor chips to edge. Bronze sits off-center on marble base.

1014 Visual: Generally good condition. The canvas is slightly loose and rippled. A .25” gouge to the canvas upper right corner. A 6” scattered frame abrasion along the upper right edge. Craquelure scattered throughout, including the majority of the lower half.

1020 Overall good condition. Light oxidation to brass finishes. Wear to the electrical cord. Minor surface abrasions, scratches, and scuffs throughout. Motorized functions non-operational. Wiring shold be checked by a qualified electrician prior to use.

Blacklight: No evidence of restoration under blacklight.

1021 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Each with chipped losses to parcel gilt details. Slight bending to gallery rail.

1015 Each overall good condition with tarnishing and light scratches commensurate with age. One teaspoons with maceration to tip of bowl. Each monogrammed: VHR. Weight does not include hollow-handled items. 1016 Each overall good condition with tarnishing and light scratches commensurate with age. Warming kettle height measurement is with the handle up. Warming kettle with an indented abrasion to front and loosening to the handle. The coffee pot with loosening to the handle and minor indentations to the front. The teapot with a minor indentation to front above spout. The coverd sugar bowl’s lid fits tightly. Each monogramed: GF. 1017 Visual: Generally good condition. Stable craquelure scattered throughout. Drips of yellow varnish scattered throughout the lower and left center. Blacklight: A .5” x 2” area of touch-up upper center. A quarter-sized spot of touch-up in the center. A small spot of touch-up lower right. Frame: 30” H x 36” W x 2.25” D 1018 Each overall good condition with tarnishing and light scratches commensurate with age. 1019 Each overall good condition with minor shelf wear and light scratches commensurate with age and wax residue commensurate with use. One with minor nick to base. One with minor nick to rim and a .5” chip to base. One with minor nicks to top of base to corners.

1022 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age. Each refinished and reupholstered. Each with wear and chipped losses to gilt surface. 1023 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age. Has been refinished and reupholstered. Upholstery with soiling and staining commensurate with use. Wear and chipped losses to gilt and painted surface throughout, with heavier wear to the feet. 1024 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Each with prominent shirnkage cracks and prior glued repairs to openwork apron. One with a repair to one leg. 1025 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age. Each refinished and reupholstered. Each with wear and chipped losses to gilt surface. 1026 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized wear to foundation, scattered staining and soiling, and areas of repair, reweaving, and restitching throughout.

Condition Reports

Frame: 44” H x 31.25” W x 3” D

314

1027 Overall good condition with minor scuffs and oxidation to metal commensurate with age. Stones with scattered abrasions and surface-reaching fractures. Wear to gilt surface throughout. Wiring should be checked by a qualified electrician prior to use.

1033 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Punch bowl with scattered minor chips to the foot and light filming along the upper rim. Each bowl with scattered minor chips to the sawtooth edge and heavier scratching to the underside.

1028 Visual: Generally good condition. The canvas is slightly rippled along the upper edge. Minor surface dirt throughout.

1034 Each overall good condition with tarnishing and light scratches commensurate with age. One teaspoon with minor maceration to the tip of the bowl. Includes storage chest. Weight does not include hollow-handled items.

Blacklight: No evidence of restoration under blacklight. Frame: 29.25” H x 40” W x 1.75” D 1029 Visual: Generally good condition. Frame abrasion along the upper and left edges. Small areas of paint shrinkage scattered throughout. Blacklight: No evidence of restoration under blacklight. Frame: 33.5” H x 38” W x 3” D 1030 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. Includes storage chest.

Condition Reports

1031 Each overall good condition with minor shelf wear and light scratches commensurate with age and use. One champagne flute with minor surface abrasion to foot. Two water goblets with minot nicks to rim. Includes original packaging.

315

1032 Each overall good condition with minor shelf wear and light scratches commensurate with age. With wax residue commensurate with use. Each with minor nicks to points on lobbed base. One with a small chip to the rim of the sconce on the capital and a small chip to the base. One with a 1” H x .75” W chip to the base. Edition numbers: 95, 96, 107, and 108.

1035 Each overall good condition with minor shelf wear and light scratches commensurate with age. One cordial glass with minor nick/fleabite to rim. 1036 Each overall good condition with tarnishing and light scratches commensurate with age. Holllow-handled knives with scattered minor indentations to handles. One butter spreader with light maceration. One table fork with one bent tine. One salad fork with bent handle. One cream soup spoon with light maceration. Weight does not include hollow-handled items. Includes storage chest. 1037 Each: Spots of light yellow and dark staining scattered throughout. This is more pronounced in the first example. Frame of each: 20” H x 23” W x 1.75” D 1038 Visual: Generally good condition. Fine craquelure throughout. Two small chips of paint loss right edge cener. Varnish discoloration throughout. Minor surface dirt and grime throughout. Blacklight: No evidence of restoration under blacklight. Frame: 27.5” H x 35.25” W x 2.5” D

Frame: 17” H x 24” W x 1” D 1040 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each with inherent surface-reaching fractures to marble and adhesive felt pads to underside. 1041 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Urns do not open. Each urn with a minor chip to the faux-lid’s rim. 1042 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. A 2” area of minor chipping to the urn foot. Two chips to the urn foot underthe edge of one bronze mount. Scattered areas of minor rubbed surface abrasion to the marble. One side of bronze pedestal with inward indentation. Visible inherent surface-reaching fractures in stone. 1043 Visual: Fine craquelure throughout. Frame abrasion scattered along the upper edge. Isolated spots of instability and flaking scattered throughout. A .75” stable tear in the canvas lower right. Surface dirt and grime throughout. Blacklight: No evidence of restoration under blacklight. Frame: 40.5” H x 63.5” W x 4” D 1044 Visual: Generally good condition. Fine craquelure scattered throughout. Surface dirt throughout. Blacklight: Certain pigments fluoresce under blacklight, likely in the hand of the artist. Frame: 25.75” H x 29.75” W x 3.5” D

1045 Each overall good condition with tarnishing and light scratches commensurate with age. Each with engraved personalized device to rim. 1046 Overall good condition with tarnishing and light scratches commensurate with age. Heavier scratches to the interior of the plate. Personalized with heraldicstyle device to rim. 1047 Overall good condition with minor scuffs, scratches, and darkening to bronze commensurate with age. 1048 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Scattered minor chips to marble base. Areas of light scratches to bronze patina. Lacking figure’s fishing spear. 1049 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. 1050 Overall good condition with shelf wear, minor scuffs, and oxidation to bronze commensurate with age. Minor crazing a rubbed wear to dial. Possible reapirs to glass bezel. Areas of loosening to gilt-bronze mounts throughout. The marble with scattered minor nicked abbrasions and chips, heaviest to the corners and lower edge, and a 1.5” x 1.5” area of possible repair to verso. Lacking key, includes pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1051 Visual: Fine craquelure throughout. Tiny flecks of paint loss scattered throughout. A small chip of paint loss upper left corner. A .5” x 1” inpainted repair upper left edge. A quarter-sized inpainted repair upper center. Surface dirt and grime throughout. Blacklight: Spots of touch-up scattered throughout. Frame: 43.75” H x 57.5” W x 2.5” D

Condition Reports

1039 Areas of flaking and paint loss scattered throughout the darker pigments of the lower half of the paper, the most prominent lower right under the cow and left center in the tree. Small scuffs to the paper scattered throughout, concentrated mostly running down the right side. A few small spots of staining upper left.

316

1052 Visual: Craquelure throughout. Touched-up tiny chips of paint loss scattered throughout. Varnish discoloration throughout. A 2.5” scratch lower left. Surface dirt and grime throughout. Blacklight: Spots of touch-up scattered throughout. The largest, a quarter-sized spot left center. Frame: 34.25” H x 41.5” W x 3” D 1053 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor indentations throughout. Lid flange with slight warping. Lid with personalized heraldic device with garter, crown, and German proverb. 1054 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age. Has been refinished, reupholstered, and with modern reinforcements. Modern webbing to underside has blown out. Wear and chipped losses to gilt and painted surface throughout, with areas of regilding. Evidence of wood worm. 1055 Each good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age. Each refinished and reupholstered. Each with wear and chipped losses to gilt surface. One with 3” tear to seat.

Condition Reports

1056 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Mirror top with desilvering. One semicircle with loosening of top from frame.

317

1057 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Crazing and minor losses to dial. Lacking back cover. Losses to the putto’s hand with possible missing bow and arrow element. Scattered chips to marble plinth with chipping to each corner, a .75” loss to back right corner, and repairs to underside. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1058 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. With wax residue commensurate with use. One base not level and wobbles slightly. 1059 Overall good condition with scattered scuffs, scratches, nicks, and chips to the marble commensurate with age. Break to accordion player’s pinky finger. Signed to back as stated. 1060 Visual: Minor frame abrasion scattered along the four edges. The surface is slightly dented and rippled inherent to the medium. A series of small chips of paint loss lower left. Surface dirt and grime throughout. Blacklight: A series of small spots of touch-up lower center. Difficult to read under heavy uneven varnish. Frame: 34.5” H x 41.5” W x 2.5” D 1061 Visual: Fine craquelure throughout. A 20” ridge of craquelure down the upper center. A 10” inpainted horizontal scratch lower left. A 1” inpainted gouge to the canvas upper center. Tiny flecks of paint loss scattered throughout. Blacklight: Spots of touch-up scattered throughout, concentrated heavily on the female figure. Difficult to read under heavy varnish. Frame: 67.25” H x 53.25” W x 3” D 1062 Overall good condition with scuffs and light scratches commensurate with age. Plaque verso with remnants of “Made in Germany” paper label. Issues include, but are not limited to: giltwood frame with evidence of regilding throughout, scattered losses and repairs to carved details, and separation at joints on verso. 1063 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Light tarnishing to the silver plate. Minor indentations to the legs and feet. Lacking the two upper trays. Acrylic cloche with two dents to the rotating mechanism, opens stiffly with slight sticking.

1065 Overall good condition with scuffs, light scratches, and oxidation to bronze commensurate with age. Scattered minor losses and imperfections to malachite veneer. Small chips to two corners of the base. Lossening of bowl from supports. 1066 Each overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Each with areas of possible regilding to capitals. 1067 Each overall good condition with minor scuffs, light scratches, dust accumulation, and oxidation to bronze commensurate with age. Issues include, but are not limited to: one with minor chip to glaze along opening rim of shell. 1068 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Slight darkening to gilt surface throughout. Back glass panel with minor chips to three corners and left glass panel with chips to sides and corners. Lower front-left foot with holes to bronze casting. Dial mechanism lacking left screw holding it to the case. Crazing to the dial. Includes key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1069 Visual: The tacking edge of the original canvas has been flattened and laid to a backing canvas. Craquelure throughout. Lines of varnish separation across the subject’s forehead. A series of small chips of paint loss to the subject’s dÈcolletage. A 1” tear in the canvas with minor paint loss lower center. Surface dirt and grime throughout. Blacklight: A 1” band of restoration around the perimeter of the top of the oval. Difficult to read under heavy varnish. Frame: 40” H x 34.5” W x 3.5” D

1070 Visual: Generally good condition. Craquelure throughout. Blacklight: Areas of touch-up throughout, concentrated mainly in the woman’s face and in the background. Difficult to read under heavy varnish. Frame: 52” H x 41.5” W x 2.75” D 1071 Each overall good condition with tarnishing, light scratches, and minor indentations commensurate with age. Each monogrammed “DW” to the underside. 1072 Overall good condition with tarnishing and light scratches commensurate with age. Heavier scratches to the interior of the plate. With engraved personalized device to rim. 1073 Overall good condition with shelf wear, minor scuffs, and oxidation to bronze commensurate with age. With adhevise foam pad to uderside. 1074 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Tambourine missing one jingle. With prior retail label to underside. 1075 Each overall good condition with tarnishing and light scratches commensurate with age. Some monogrammed: H. Weight does not include hollowhandled items. 1076 Each overall good condition with tarnishing and light scratches commensurate with age. Each monogrammed: H. Weight does not include hollowhandled items. 1077 Visual: Generally good condition. Fine craquelure throughout. Blacklight: An 8” x 10” scattered area of touch-ups upper center. Frame: 33.5” H x 43.5” W x 4.75” D

Condition Reports

1064 Each overall good condition with tarnishing and light scratches commensurate with age. With wax residue commensurate with use. Includes original packaging and boxes.

318

1078 Visual: Generally good condition. Fine craquelure throughout. Stretcher bar creases along the four edges. A 1” repaired tear with a 3” diameter circle of touch-up upper left. Blacklight: Small spots of touch-up scattered throughout, concentrated along the lower portion with the largest concentration along the upper edge and upper left. Frame: 41” H x 57” W x 2.75” D 1079 Each overall good condition with tarnishing and light scratches commensurate with age. Each with minor indentations throughout. The coffee pot with loosening to the handle at the insulators. The teapot monogrammed: MD. The covered sugar bowl monogrammed: ER. The creamer with more prominent indentation to the side.

Condition Reports

1085 Visual: The canvas is loose. Frame abrasion along the four edges. A .5” hole in the canvas in the upper right corner. A .25” hole in the canvas upper left edge. A tiny fleck of paint loss upper left. A pinhole in the canvas right edge center. Two tiny flecks of paint loss right center. Two tiny flecks of paint loss left center. Fine craquelure scattered throughout the lower left corner. The lower right corner has a 2” area of unstretched canvas with scattered paint loss. Blacklight: Touch-up along the upper edge. Difficult to ready under varnish. Frame: 34” H x 38” W x 4.5” D

1080 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor indentations to liner. Weight does not include liner.

1086 Visual: Craquelure throughout. Frame abrasion scattered along the upper edge. A 3.25” scratch lower center. Tiny flecks of paint loss lightly scattered throughout. Minor surface dirt and grime throughout.

1081 Each overall good condition with wear commensurate with age. Minor losses to enameled surface and oxidation to silver. Each icon mounted in a modern frame. Icons not examined out of frame.

Blacklight: Spots, dots, crackfill, and small areas of touch-up scattered throughout. The largest a 8” x 3” area lower center.

1082 Toning to the paper. The paper has creases scattered throughout affecting both the margin and the image. Tiny dots of staining and smudging scattered throughout. Not examined out of the frame.

1087 Overall good condition with scuffs, scratches, and oxidation to bronze commensurate with age. Two chipped cracks to the dial. Two minor splits in the bronze casing to verso. Possible areas of regilding. Minor chip to back edge of marble base.

Frame: 29.75” H x 41.75” W x 1” D

319

1084 Overall good condition with scattered scuffs, scratches, nicks, indentations, shrinkage cracks, and separation at joints commensurate with age. Repairs to inlaid veneer at front. Lacking key.

1083 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear to the finish, slight buckling to wood veneers. Scattered surface scratches, largest approximately 4”. Music box: 11” H x 41” W x 15.5” D Table: 31.5” H x 56” W x 30.5” D

Frame: 53” H x 41” W x 2.5” D

1088 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered minor lifting of bronze mounts throughout.

1089 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each with wax residue commensurate with use. First with loosening of applied elements, of reverse panel on base, and of one candle arm. Second with loosening of one candle arm and repair to one candle arm. Possibly earlier candelabra later converted to electric. Each silk shade with lifting of piping and trim. One shade with an L-shaped tear and minor circular tear to lining. Wiring should be checked by a qualified electrician before use.

1095 Visual: Generally good condition. Craquelure throughout. Tiny flecks of paint loss lightly scattered throughout. Minor surface dirt throughout.

1090 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Typical signs of soiling and use to the interior felt surface. Evidence of repair to shrinkage cracks at the hinges. A 2.25” area of wear to the finish on the apron. Scattered areas of deterioration and chipping to varnish around the marquetry.

1096 Generally good condition. The paper with deckled edges. Artist’s pinholes in the four corners. Mat burn along the four edges. The paper is laid down, as stated.

1092 Each overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Each with wax residue commensurate with use and minor abrasions and nicks to rock crystals throughout. Each arm with section intentionally lacking hanging crystal. First with repair to branch with leaf point at center top. 1093 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered soiling and fading with a 9’ x 16” area of heavier uneven staining, soiling, and fading to selvage edge. 1094 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: light soiling throughout and light wear to selvage edge cords and fringe edges.

Frame: 34.75” H x 47” W x 4.75” D

Frame: 30” H x 23.5” W x 1” D 1097 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. The top shelf with one loss and minor buckling to veneer and spots of wear to the finish. More prominent shrinkage crack to lower right corner. A splintered break to the right side of the back rail. Heavier nicked abrasions and wear to the feet. 1098 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Loosening of applied temperature gauge. Missing applied element to the center bottom under dial. Care should be taken when shipping items that contain mercury, please consult your preferred shipper for more information. 1099 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. With prior British Antique Dealers Association sticker label to side. Areas of white paint smudges to pedestal and feet. Scattered indentations to feet commensurate with use. Prior taped repairs to the backing paper.

Condition Reports

1091 Each overall good condition with shelf wear, light scratches, and scuffs commensurate with age. Each with scattered chips along edges and corners, visible inherent surface-reaching fractures, and adhesive felt pads to the underside. One with two possible repairs to horizontal cracks running around the perimeter.

Blacklight: A .75” x 5.5” area of touch-up lower right corner. Touch-up scattered along the four edges. A 1” x 3” area of touch-up lower left. A small area of touch-up in the fisherman’s hat. A series of small dots of touch-up in the upper right quadrant.

320

1100 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and oxidation to metal commensurate with age. Minor chipped losses to the veneer on verso around back opening. A 3” chipped loss to the cornice and a 2” loss to the upper molding. Slight loosening of the cartouche mount. Possible glued repairs to numerals seven and twelve. Mounting putty residue to feet. Includes pendulum. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1101 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Rubbed wear to painted dial. A 1” loss to the veneer at the lock plate on the case door. Case door lock replaced. Lacking winding key. Includes door key, pendulum, and weights. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1102 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Three framed, one photograph unframed. None examined out of frame. Unframed photograph with two creases and light riplling to the top edge. 1103 Each overall good condition with tarnishing and light scratches commensurate with age.

Condition Reports

1104 Overall good condition with tarnishing and light scratches commensurate with age. Indentation to lower edge of burner canister. Monogrammed: RMC.

321

1105 Each overall good condition with tarnishing and light scratches commensurate with age. The first with minor indentations to one side. The second with one missing screw post to the handle with subsequent loosening and adhesive residue to the underside.

1106 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered minor repairs to the veneer. More prominent shrinkage crack to the top and to bottom of interior. Heavier wear and scuffs to the feet. Interior with prior residue and applied velcro. Includes key. 1107 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Fading to the petit point. Heavier wear and scuffs to the legs. Replacement glass. 1108 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Crazing and light rubbed wear to the dial. Scattered shrinkage cracks radiating from bezel. A glued repair to the veneer on one side panel. Adhesive felt pads to underside. Includes key and pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1109 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age. Each has been refinished and reupholstered. Each with heavier wear, scratches, and buckling to veneer at the apron. With antiqued fruitwood finish. 1110 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. A 6” repair to veneer with subsequent buckling to the back right corner. Areas of wear to the finish on top. A 2.75” shrinkage crack to interior top. Loosening to one leg casuing the table to have a slight wobble. Sun fading to top. With prior British Antique Dealers Association label. 1111 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Areas of raised grain, buckling, and warping to veneer due to shrinkage of secondary wood. Heavier wear, indentations, and nicked abrasions to legs. Losses and peeling to finished interior commensurate with use. Lacking key.

Blacklight: Dots, spots and small areas of touch-up scattered throughout. Frame: 45.5” H x 36.75” W x 2.25” D 1113 Visual: Craquelure throughout. Stretcher bar creases along the four edges and across the center. Minor frame abrasion scattered along the four edges. The canvas is loose. Blacklight: No evidence of restoration under blacklight. Difficult to read under uneven varnish. Frame: 41.75” H x 31” W x 2” D 1114 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. 1115 Each overall good condition with tarnishing and light scratches commensurate with age. Three salad forks with bent tines. One teaspoon with maceration. Weight does not include hollow-handled items. 1116 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Light verdigris patination throughout. Minor scratching to bezel glass. Includes pendulum. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1117 Overall good condition with rubbed wear, light scratches, oxidation to bronze commensurate with age. Issues include, but are not limited to: rubbed wear to gilt and enamel decoration throughout, loosening of gilt-bronze mounts, and wear and surface abrasions around one handle. Lid with adhesive felt pads to underside.

1118 Each overall good condition with shelf wear, minor scuffs and oxidation to bronze commensurate with age. Each with evidence of conversion to electricity with later-added lower platform. Each with adhesive felt pads to underside and wear to gilded surface of lower platform. Lamps have likely been rewired. Wiring should be checked by a qualified electrician prior to use. 1119 Overall good condition with scuffs and light scratches commensurate with age. Plaque not examined out of frame. Issues include, but are not limited to: scattered nicked abrasions, chips, and minor losses to giltwood surface and slight darkening to gilt-metal. Mounted for hanging. 1120 Each overall good condition with shelf wear, scuffs, light scratches, and oxidation to brass commensurate with age. Issues include, but are not limited to: one with heavier grime and discoloration to champleve enamel. 1121 Overall good condition with shelf wear and light scuffs commensurate with age. Lacking lid to urn. 1122 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each with scattered areas of possible regilding throughout. Rock crystals with scattered abrasions and surfacereaching fractures. 1123 Overall good condition with minor scuffs and darkening and oxidation to bronze commensurate with age. Lamp has been rewired. Wiring should be checked by a qualified electrician prior to use. 1124 Overall good condition with wear and light scratches commensurate with age. Giltwood frame with scattered scuffs, scratches, nicks, and cracks throughout and with wear to the vevlet molding. Plaque not examined out of frame. Frame: 19.25” H x 16.5” W

Condition Reports

1112 Visual: Generally good condition. Craquelure throughout. Minor surface dirt throughout.

322

1125 Visual: Generally good condition. Fine craquelure throughout. A few tiny flecks of paint loss in the golden robe center and one lower center. Minor surface dirt throughout. Blacklight: Tiny spot of touch-up in the center. Difficult to read under varnish.

1132 Each overall good condition with scuffs and darkening/oxidation to bronze commensurate with age. One with loosening of joined lower segment and cracks to one faux candle sleeve. One with a .5” loss to one faux candle sleeve. Sconces have been rewired. Wiring should be checked by a qualified electrician prior to use.

Frame: 29.5” H x 22.25” W x 2.5” D 1126 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Includes pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1127 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear, craquelure, and possible toning to the varnish on the painted scenes. Minor chip to back left corner of glass top. Leather top with visible areas of wear. Scattered minor chips and abrasions to veneer. Lacking key. 1128 Overall good condition with tarnishing and wear commensurate with age. Minor cracks to lacquer surface. Minor loosening to bronze mounts.

Condition Reports

1129 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Light tarnishing to mounts. Minor lifting and loosening to mounts on legs. Marble top with visible inherent surfacereaching fractures.

323

1130 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Upholstery slightly differs, one all cowhide and one cowhide and leather. Each with scattered chipped losses to gilt gessoed surface throughout. 1131 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: light surface soiling, losses to fringe and selvage edges, and localized areas of sun fading.

1133 Each overall good condition with minor scuffs and darkening to bronze commensurate with age. Each with wear and fading to gilt surface throughout, possible regilding to the festoons, and updates to hardware. 1134 Overall good condition with minor scuffs and oxidation and darkening to bronze commensurate with age. With wax residue commensurate with use. One candelabrum with one missing sconce to capital. One candelabrum with loosening of attached floral spray and one missing applied flower. 1135 Visual: Generally good condition. Craquelure throughout. Stretcher bar creases to along the four edges and down the center. A dime-sized inpainted repair upper right. Blacklight: A dime-sized spot of touch-up upper right. A series of dots and a small area of touch-up right center. A small spot of touch-up lower edge right. A quarter-sized area of touch-up upper edge left. A small spot and small area of touch-up in the center. Frame: 43” H x 63.5” W x 4” D 1136 Visual: Craquelure throughout. A 1.5” x 1.5” square hole with visible restoration upper left. Tiny flecks of paint loss lightly scattered throughout. White frame overpaint scattered along the upper edge right and in the upper left corner. Blacklight: The patch upper left fluoresces under blacklight. Difficult to read under heavy varnish. Frame: 28.75” H x 34” W x 2.75” D

Each urn: 39” H x 26” W x 21” D Each pedestal: 49” H x 19” W x 19” D 1138 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered chipped losses and wear to the gilt surface throughout. Spots of desilvering to the mirror. 1139 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Possible replacement marble top and legs. Marble top with minor chipped abrasions to edges and corners. More prominent shrinkage crack to lower drawer interior. Lacking key. 1140 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. With original retail label remnants to verso and underside. With a mercury pendulum. Includes key. Clock has been restored. Restoration label to underside. Clock with loosening of bezel glass, light crazing to dial, and repaired chip to verso of marble urn finial. Candelabra with wax residue commensurate with use, mismatched applied rosettes, loosening to applied borders, and minor nicked abrasions to corners. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. Care should be taken when shipping items that contain mercury, please consult your preferred shipper for more information. 1141 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Has been refinished and seats have been reupholstered. 1142 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized areas of fading and scattered areas of soiling.

1143 Visual: Generally good condition. Minor frame abrasion along the upper edge. Isolated areas of fine craquelure scattered throughout. A 3” crease to the canvas lower left corner. A repaired tear lower center with corresponding patch verso. A tiny chip of paint loss lower right edge. An area of rubbed wear surrounding the subject’s right hand. Minor surface dirt throughout. Blacklight: Small spots, dots and lines of touch-up scattered throughout. The largest, a 3” line lower center in the spot of the repaired tear. Frame: 50” H x 43” W x 4.5” D 1144 Visual: Fine craquelure throughout. Frame abrasion along the four edges. Tiny drip of light blue paint upper center. A quarter-sized spot of scattered paint loss left center. A .5” gouge with paint loss in the center. A .5” scratch lower left. Blacklight: Touch-up along the four edges. A 4” x 3” area of touch-up lower center. Difficult to read under heavy varnish. Frame: 47.5” H x 56.75” W x 2.25” D 1145 Each overall good condition with tarnishing and light scratches commensurate with age. Heavier scratching to tray. Warming kettle, teapot, and coffee pot with loosening to the handles at the insulators. Warming kettle and coffee pot lids do not close fully. Waste bowl with minor indentation to the side. 1146 Each overall good condition with tarnishing and light scratches commensurate with age. One cream soup spoon and one teaspoons with slightly bent handles. Weight does not include hollow-handled items. 1147 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Newly reupholstered. Feet with possible refinishing, nicked losses, and evidence of wood worm.

Condition Reports

1137 Each in overall good condition with minor scuffs and chips to malachite with some oxidation, denting, and visible seams to bronze elements commensurate with age.

324

1148 Overall good condition with scattered scuffs, scratches, nicks, indentations, shrinkage cracks, and separation at joints commensurate with age. With extensive modern reinforcements and restoriations. Marble top with minor chipped abrasions to edges and corners commensurate with use, natural surfacereaching fractures, and one pitted nick. 1149 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Sun fading to the upholstery. Scattered areas of rubbed wear to the finish and indentations commensurate with use throughout. Lacking two nailheads to the seat verso. More prominent shrinkage crack to back splat. Filled repair to back left leg and regluing to creast rail. 1150 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Has been refinished. Table top with scattered minor indentations commensurate with use, circular imperfections to the finish, and moisture rings. Minor nicked losses to two feet. 1151 Each overall good condition with tarnishing and light scratches commensurate with age. Each monogrammed: EHR.

Condition Reports

1152 Overall good condition with scattered scuffs, scratches, nicks, indentations, shrinkage cracks, and separation at joints commensurate with age. Interior drop-down top with horizontal shrinkage crack. Soiling to the felt surface. Missing partition to fitted tray. Filled nick to the X-stretcher. Lacking key.

325

1153 Each overall good condition with tarnishing and light scratches commensurate with age. One teaspoon with bent handle. Weight does not include hollowhandled items. 1154 Each overall good condition with tarnishing and light scratches commensurate with age. Visible solder mark to upper handle joint likely dating to time of manufacture. Each monogrammed: W.

1155 Each overall good condition with tarnishing and light scratches commensurate with age. Each with minor indentations to lower edge. Each monogrammed: JMA. 1156 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. Include storage chest. 1157 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered small dents to the bodies of the cream jug, sugar bowl, and waste bowl. One dent to the rim of sugar bowl. 1158 Visual: Stretcher bar creases along the four edges. Craquelure and paint shrinkage throughout. Frame abrasion with paper loss scattered along the four edges, most severely along the lower edge. Three repaired tears with corresponding patches verso upper center, in the center and lower left. Surface dirt throughout. Blacklight: Spots of touch-up and crackfill throughout. Unframed. 1159 Visual: Generally good condition. Isolated areas of fine craquelure scattered throughout. Isolated areas of minor paint shrinkage in the red pigment along the right edge. Minor surface dirt throughout. Blacklight: No evidence of restoration under blacklight. Frame: 47” H x 35” W x 3” D 1160 Each in overall good condition with tarnishing, minor indentations, and scratches commensurate with age. Teapot with glued repair to the handle. 1161 Overall good condition with tarnishing and light scratches commensurate with age. Base plate with slight raise along one edge.

1163 Overall good condition with shelf wear, light scratches, scuffs, and oxidation to bronze commensurate with age. Issues include, but are not limited to: loosening of applied elements, scattered chips to edges and corners throughout, losses to floral swags, a .5” loss to top of octagonal frame, feet with added adhesive, and one foot detachable. 1164 Each overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Each with rubbed wear to patination on figure. 1165 Each overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. One candelabrum with one missing bobeche. 1166 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each shade with coarse and abraded fitter rim, one with minor hairline crack to fitter rim. Wiring not in functional condition. Wiring should be checked by a qualified electrician prior to use. 1167 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Painting with craquelure throughout. Stretcher bar creases along the fore edges. A .75” tear at right-center. Surface grime and dirt throughout. With replacement mirror.

1168 Overall fair to good condition with scattered scuffs, scratches, nicks, indentations, shrinkage cracks, and separation at joints commensurate with age. Heavier scuffs and wear to the lower drawer and legs. Scattered areas of chipped losses throughout, including to the legs as well as corners of drawers and top. Evidence of wood worm and possible moisture spots to the verso. Rear left leg with modern reinforcements. Scattered areas of lifting/buckling to the veneer. More prominent shrinkage cracks to drawer interiors. Second drawer with splintered loss to interior above lock plate. Lacking key. 1169 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Sappho figure not securely attached and evidence of missing decorative element to top slate. Crazing to dial. Scattered nicked abrasions and chips to slate throughout with a .5” loss to the front right corner. Bas-relief panels have been regilded. Includes key and pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1170 Each overall good condition with minor scuffs, scratches, and oxidation to metal commensurate with age. Granite tops with inherent surface-reaching fractures. One top with moisture/discoloration ring. One top with scuffs. 1171 Each overall good condition with shelf wear, minor scuffs, scratches, and oxidation to bronze commensurate with age. Wiring should be checked by a qualified electrician prior to use. 1172 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each with light loosening of applied gilt-bronze pieces and one capital that sits slightly off center. One with cracks to two malachite cabochons and one leg is turned inward. One with crack and chips to two malachite cabochons and chips to the malachite dome. 1173 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: extensive soiling, spotting, and staining; areas of moth damage throughout.

Condition Reports

1162 Overall good condition with minor scuffs, dust accumulation, and oxidation to bronze commensurate with age.

326

1174 Visual: Generally good condition. Fine craquelure throughout. A small indentation to the canvas and a .5” scuff upper left. A tiny fleck of paint loss lower center. Blacklight: A quarter-sized area of touch-up lower center. Frame: 28.75” H x 33” W x 2.75” D

1179 Visual: Generally good condition. Minor frame abrasion scattered along the four edges. The surface is slightly dented and rippled inherent to the medium. A nailhole in the copper upper edge center. Two dime-sized areas of varnish loss upper left. Areas of varnish oxidation in the lower corners. Blacklight: No evidence of restoration under blacklight. Difficult to read under heavy uneven varnish. Frame: 34” H x 41” W x 2.5” D

1175 Visual: Generally good condition. Fine craquelure throughout. A tiny chip of paint loss left center. Two tiny dots of varnish separation upper center and lower center. Blacklight: A quarter-sized spot of touch-up upper right. Two small spots of touch-up left center and one lower left. Difficult to read under varnish. Frame: 17.75” H x 14.25” W x 1.5” D 1176 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Loosening of applied gilt-bronze floral elements. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

Condition Reports

1177 Overall good condition with wear, scuffs, weathering, and rubbed and chipped lossses to stone commensurate with age. Later-added plaster remnants to the sides. Wrought iron stand with rust patina.

327

1178 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Scattered minor nicked surface abrasions and chips throughout.

1180 Visual: The canvas has been strip-lined along the left and right edges. There are twelve repaired perforations in the canvas with corresponding patches verso. Craquelure throughout. Stretcher bar creases along the four edges and across the center. Tiny flecks of paint loss scattered along the lower edge. Blacklight: Dots, spots and areas of touch-up scattered throughout. The largest concentration along the upper edge. Frame: 52.5” H x 45.5” W x 3” D 1181 Each overall good condition with rubbed wear and light scratches commensurate with age. Issues include, but are not limited to: one with chipped abrasions to top rim and chip to opening on underside. 1182 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear to the surface finish throughout. Scattered areas of paint scuffs. Scattered surface repairs and patched nicks/ scratches. Nicked abrasions and chipped losses to the cornice with heavier wear and chipped losses to the feet. Moisture rings and spots to the interior upper cabinet. Interior drawers with remnants of prior use, in need of cleaning. 1183 Overall good condition with wear, scuffs, and scratches commensurate with use. Issues include, but are not limited to: scattered areas of pinholing and surface imperfections to glaze dating to the time of manufacture; minor areas of rubbed wear to overglaze decoration and gilt highlights; minor spots of oxidation to glaze visible.

1185 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. One eye with crack in glaze. Inherent surface-reaching fractures in the stone. Repaired break to the front foot and repair to the verso. 1186 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Scattered areas of wear and cracking to lacquer throughout. Minor crack to the upper rim and crack to the top of one leg. Bending to one side of the metal rim. 1187 Each overall good condition with wear, minor scuffs, and scratches commensurate with age. The censer with darkening and oxidation to bronze and loosening of two legs. The hardstone figure with inherent surface-reaching fractures and applied label with wax seal to verso. The cup with a small schrinkage crack to rim and loosening to metal foot. 1188 Visual: Generally good condition. The canvas is loose. Stretcher bar creases along the four edges and across the center with associated scattered craquelure. A 3” scattered line of rubbed wear left center. A pinhole in the canvas right edge center. Blacklight: Small dots of touch-up scattered in and around the man’s face. A quarter-sized area of touchup in the lower right corner. A 3” scattered line of touch-up left center. A series of small dots of touchup lower center and lower right. Difficult to read under heavy varnish. Frame: 50.25” H x 40.25” W x 1.75” D

1189 Visual: Generally good condition. Fine craquelure throughout. Surface dirt throughout and spots of grime scattered along the lower portion. Blacklight: Isolated small dots of touch-up scattered throughout. A quarter-sized spot of touch-up upper left. Difficult to read under heavy varnish. Frame: 59.75” H x 56.5” W x 2.75” D 1190 Visual: Generally good condition. Frame abrasion to the oval presentation not affecting the image. Very fine craquelure throughout. Surface dirt and spots of grime throughout. Blacklight: No evidence of restoration under blacklight. Difficult to read under varnish. Frame: 40.75” H x 35” W x 2” D 1191 Overall good condition with tarnishing and light scratches commensurate with age. Adhesive label residue to the underside of one tier. 1192 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age. Have been refinished and reupholstered. Each with wear and chipped losses to gilt and painted surface throughout. 1193 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Each with raised grain and buckling to the veneer, loosening of mounts, slight bending to gallery rail, and chipped losses to the veneer at the legs. One with evidence of sun fading to one side. 1194 Each good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age. Each refinished and reupholstered. Each with wear and chipped losses to the gilt and painted surface. Each with light soiling to the elbow pads. One with a .5” x .5” loss to the backrest frame verso.

Condition Reports

1184 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Shrinkage crack to boy’s head. Loss to the tip of one horn. The stand with shrinkage cracks and repaired breaks.

328

1195 Visual: Generally good condition. Stable craquelure throughout. Minor frame abrasion along the four edges. Two tiny chips of touched up paint loss upper left. Tiny fleck of paint loss lower right. Blacklight: Small dots and lines of touch-up scattered throughout, concentrated mostly on the face, chest and arm of the subject. Frame: 38” H x 33” W x 2.5” D 1196 Each overall good condition with scuffs, light scratches, oxidation to bronze, and shelf wear commensurate with age. First with two areas of wire breakage to cut glass swags, cut glass and gilt-bronze stem sits unevenly, one corner of base with chip, a .75” repair to lower base, and loosening of gilt-bronze trim to base. Second with two areas of wire breakage to cut glass swags and one corner of base with chip. Each with wear to prism points throughout, adhesive felt pads to underside, and wax residue commensurate with use. 1197 Overall fair condition with typical signs of wear commensurate with age and use. Mounted for hanging. Issues include, but not limited to: extensive repairs and restitching; staining and soiling to the tapestry and backing; prominent fraying, loss to stiches, and areas of tears/separation throughout, including the corners and selvage edges; scattered areas of prior repairs and reweaving throughout; and sun fading to the pigment.

Condition Reports

1198 Overall good condition with low pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: areas of staining and soiling to throughout, predominantly to edges, and scattered moth damage to fringe edges.

329

1199 Visual: Generally good condition. Craquelure throughout. Frame abrasion scattered along the four edges. A light stretcher bar crease across the center. A .5” scattered line of tiny dots of white paint left center and upper left. Minor surface dirt throughout. Blacklight: Evidence of crackfill scattered throughout. Difficult to read under varnish. Frame: 37.25” H x 32.25” W x 2.5” D

1200 Visual: Generally good condition. Fine craquelure throughout. Minor frame abrasion lightly scattered along the four edges. A tiny chip of paint loss upper right. The panel has moved down in the frame exposing the upper edge. Blacklight: No evidence of restoration under blacklight. Difficult to read under heavy uneven varnish. Frame: 18.25” H x 16.25” W x 2.5” D 1201 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Possible areas of regilding. Light crazing to dial. Includes key and pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1202 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each with scattered minor chips, repaired chips to the marble, and possible areas of regilding. One with loosening of floral bouquet segment from base and one repaired corner to the marble. One with loosening of putto from base. 1203 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Slight loosening of joined segments at the figure’s upper body. Missing cross to the Globus Cruciger in the right hand, tops of branches in the left hand, and screw to the base. 1204 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Slight loosening of joined segments at the figure’s upper body. 1205 Each overall good condition with shelf wear, minor scuffs, scratches, and oxidation to bronze commensurate with age. Each with rusting to central standard, missing links to decorative chains on base, and loosening of each candle arm. One with indentation to metal shade. Each with adhesive felt pads to underside.

Blacklight: The aforementioned 4.5” repaired tear is visible under blacklight. Frame: 39” H x 34” W x 4” D 1207 Visual: Craquelure throughout. Frame abrasion along the four edges. The edge of the original canvas is visible along the left edge. Stretcher bar crease along the left edge. A 1” tear to the canvas upper right. A network of heavy unstable craquelure upper right. Two small chips of paint loss lower left corner. Surface dirt and grime throughout. Blacklight: Large areas of touch-up throughout the right side of the painting. The largest a 12” x 18” area right center. Touch-up scattered along the lower edge. Touch-up to the eye of the elk. Frame: 54.5” H x 74.5” W x 5.5” D 1208 Each overall fair condition with scattered scuffs, scratches, nicks, and shrinkage cracks commensurate with age. One with prominent shrinkage crack to the bobeche. Each with chipped losses to the painted surface throughout, with heavier wear and losses to the bottom and feet. Each with repairs to the feet. Wiring should be checked by a qualified electrician prior to use. 1209 Each overall fair condition with scattered scuffs, scratches, nicks, and shrinkage cracks commensurate with age. Each with prominent fading of gilt surface and loss of painted surface throughout, heavier wear to the feet and bottom, rust and oxidation to metal bobeche, loosening and splintered losses to feet, and evidence of wood worm throughout. One with reinforcement added to one foot and one missing medallion. Each inscribed indistinctly along base.

1210 Overall good condition with shelf wear and light scratches commensurate with age. Issues include, but are not limited to: light crazing to dial, lower putto with chip to fingers, rubbed wear to gilt decoration, and repair to flowers on lower left. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1211 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each with possible regilding and updates to hardware. 1212 Overall good condition with rubbed wear and light scratches commensurate with age. Three of eight gold chains detached from arms. Wiring should be checked by a qualified electrician prior to use. 1213 Visual: Generally good condition. Craquelure throughout. The second with paint loss along the lower edge and an area of lifting and instability upper left. Blacklight: Touch-up throughout. The first with a 3” x 3.25” area of touch-up with corresponding patch verso. Each unframed. 1214 Visual: Generally good condition. Stretcher bar creases along three edges. Fine craquelure throughout. Craquelure scattered throughout. Varnish discoloration throughout. Areas of rubbed wear and thin paint scattered throughout. Minor surface dirt and grime throughout. Blacklight: A 2.25” x 2.25” area of touch-up upper left. Difficult to read under heavy uneven varnish. Frame: 27.5” H x 34.5” W x 3” D 1215 Each: Creases to the paper and areas of skimming scattered throughout. Frame of each: 78” H x 44” W x 1” D

Condition Reports

1206 Visual: A 4.5” repaired U-shaped tear left center with corresponding patch verso. Frame abrasion with paint loss along the right edge. A few tiny chips of paint loss lower center. Varnish discoloration scattered throughout. Minor surface dirt throughout with a few spots of grime along the lower edge.

330

1216 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Bowing to top. Losses to brass inlay and surface-reaching fractures in marble. 1217 Overall good condition with wear and oxidation commensurate with age. Mounted in a modern giltwood frame. Medallion approximately 1.75” H x 2” W. Medallion not examined out of frame. 1218 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear and losses to the painted surface throughout. More prominent shrinkage cracks to the door panels, interior cabinets, and top. 1219 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Medium table with prominent shrinkage crack to one leg. Modern glue residue and joint repair. 1220 Each overall good condition with wear, scratches, and scuffs commensurate with age. Each with scattered chips, surface abrasions, and inherent surfacereaching fractures throughout. 1221 Each: Generally good condition.

Condition Reports

Frame of each: 19.25” H x 21.75” W x 1.25” D

331

1222 Overall good condition with minor scuffs and darkening and oxidation to bronze commensurate with age. Imperfections in the casting at the headdress. Adhesive felt pads to underside. 1223 Overall good condition with minor scuffs and darkening and oxidation to bronze commensurate with age. Indentations to base plate. Adhesive felt pads to the underside.

1224 Visual: Frame abrasion along the left and right edges. Fine craquelure throughout. Three chips of paint loss with some instability in the upper right corner. Minor surface dirt. Blacklight: A 12” x 21” area of restoration in the upper left corner. Areas of touch-up scattered throughout the rest of the painting. Frame: 47” H x 58” W x 2.75” D 1225 Visual: Frame abrasion along the upper edge. Fine craquelure throughout. A series of small chips of paint loss lower center. Minor surface dirt and grime. Blacklight: Touch-up throughout. The largest, a 12” x 12” irregular shape in the upper left corner. Frame: 37” H x 49” W x 2.5” D 1226 Visual: Fine craquelure throughout. A .5” scratch in the center. A series of small scratches/gouges in the lower left corner. A 4” scratch with scattered paint loss lower right. A series of small chips of paint loss lower right. Two .25” scratches upper left. The edge of the canvas is visible for 16” along the upper edge left. Blacklight: Touch-up scattered throughout. The most extensive is in the draperies upper right. Frame: 48.75” H x 56.25” W x 2.75” D 1227 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. With modern reinforcements. Bottom pedestal possibly a replacement or later addition. Hinged lid discontected from hinges. Scattered losses to front panels and top. Top with spots of discoloration and wear marks/indentations commensurate with use. Evidence of wood worm. Lacking key. 1228 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. With restorations throughout with modern reinforcements. Seat reupholstered. Prominent shrinkage cracks running through the carved panels and bench seat. Nicked abrasions and splintered loses throughout, heavier wear to the feet and stretchers. Fading and rubbed wear to the arms. Evidence of wood worm.

Blacklight: No evidence of restoration under blacklight. Difficult to read under varnish. Frame: 31.25” H x 26.25” W x 1.75” D 1230 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: evenly worn to foundation; localized areas of knot pull; a 1” x 12” loss to fringe edge; and even soiling. 1231 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized area of uneven pile-wear; localized area of sun fading; scattered selvage cord wear and wear to fringe edges; localized areas of knot pulling; and even soiling throughout. 1232 Overall fair condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of unweaving to foundation. 1233 Visual: Very fine craquelure througout. Repaired tears upper left, upper right and two lower center with corresponding patches verso. Frame abrasion along the upper edge. Spots of flaking and instability with paint loss upper center. A .75” line of paint loss upper right. Two punctures center right with tape verso. Two small spots of paint loss in the center. A 1” tear lower left. Small area of separation of the varnish layer in the center. Surface dirt and grime. Blacklight: Repaired punctures are visible under blacklight. Touch-up around the perimeter of the woman’s face as well as the fingertips of both of her hands. Difficult to read under varnish. Frame: 82.5” H x 55” W x 3.25” D

1234 Visual: Generally good condition. Fine craquelure and crazing throughout. Small area of varnish layer separation in the upper right corner. Two small spots of paint loss lower left. Blacklight: A few small spots of touch-up scattered throughout the lower portion. Very hard to read under heavy varnish. Frame: 49.5” H x 44.25” W x 3.5” D 1235 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. One with possible repaired crack to base. 1236 Each overall good condition with scuffs, scratches, and tarnishing commensurate with age. Each with minor chipped abrasions to marble corners and edges and with inherent surface-reaching fractures. 1237 Overall good condition with shelf wear, minor scuffs, and darkening to bronze commensurate with age. Brass clock with scattered indentations, nicks, and scuffs, with larger indentation to top. Marble base with minor chip to upper rim, a 1.5” chip and subsequent loss to the foot and underside, possible small painted repair to the side, and visible inherent surface-reaching fractures. Adhesive felt pads to underside. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1238 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Has been refinished. Minor chips and wear to painted surface throughout. Chipped abrasions to edges of marble tops commensurate with use. Updates to hardware. 1239 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

Condition Reports

1229 Visual: Generally good condition. Craquelure throughout. Small gouges scattered along the lower edge. Surface dirt and grime throughout.

332

1240 Visual: Frame abrasion scattered along the four edges. Isolated areas of craquelure across the center. A .5” scratch upper edge center. Scattered areas of paint loss scattered along the extreme right edge. A small chip of paint loss upper left. A small puncture in the canvas left edge center. An area of scattered surface scratches reaching from the lower right corner to the right edge center. Minor surface dirt.

1247 Visual: Generally good condition. Fine craquelure throughout. Minor surface dirt.

Blacklight: No evidence of restoration under blacklight.

1248 Visual: Generally good condition. Small fleck of paint loss upper right.

Frame: 41.5” H x 34” W x 4.25” D 1241 Visual: Generally good condition. A tiny fleck of paint loss upper right. Minor surface dirt throughout. Blacklight: No evidence of restoration under blacklight. Frame: 33.5” H x 45.5” W x 3.5” D

Condition Reports

1242 Each in overall good condition with tarnishing and light scratches commensurate with age.

333

Blacklight: Tiny dots of touch-up lightly scattered throughout. Frame: 26.5” H x 30” W x 4” D

Blacklight: No evidence of restoration under blacklight. Frame: 13.75” H x 11.75” W x 2” D 1249 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. With adhesive felt pads to feet. 1250 Each overall good condition with shelf wear commensurate with age. One with areas of minor loosening to weave. Scattered losses to the interior of the bamboo cylinder due to use.

1243 Overall good condition with scattered scuffs, scratches, nicks, indentations, shrinkage cracks, and separation at joints commensurate with age. Fading and loosening to gilt-metal hardware. Scattered areas of buckling/lifting to the veneer. Each drawer with soiling, wear, and losses to interior lining. Evidence of wood worm throughout. Includes key.

1251 Each overall good condition with shelf wear commensurate with age. The first with tarnishing, oxidation, and light scratches to the copper. The third with shrinkage crack to wood liner and possibly later-added hanging ribbon.

1244 Overall good condition with minor scuffs, scratches, abrasions, and oxidation to bronze commensurate with age.

1252 Overall good condition with some scattered losses, minor scuffs, and inherent firing flaws commensurate with age.

1245 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Losses to gilt surface throughout. One with updates to hardware.

1253 Overall good condition with tarnishing and light scratches commensurate with age. Scattered indentations to the top. Repairs, cracking, and losses to the veneer on one drawer. Includes key.

1246 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: areas of soiling and staining commensurate with use, a 2’ area of soiling to fringe edge and scattered areas to underside with fragments of joint compound.

1254 Each overall good condition with shelf wear commensurate with age. The second with loosening and possible repair to one tubular handle.

1256 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. 1257 Visual: Generally good condition. Small spot of grime upper edge left. Blacklight: No evidence of restoration under blacklight. Frame: 59” H x 46.25” W x 2.75” D 1258 Visual: Generally good condition. Small losses to the upper right corner of the board. Minor surface dirt and tiny spots of grime scattered throughout. Blacklight: No evidence of restoration under blacklight. Frame: 20.75” H x 24.75” W x 2.5” D 1259 Overall good condition with shelf wear, light scratches, scuffs, and oxidation to bronze commensurate with age. Issues include, but are not limited to: loosening of one foot, verso glass panel loose, rubbed wear and .75” area of two scratches to the painted dial, scattered areas of scuffs and discoloration to the bisque porcelain, rubbed wear and losses to the gilt decoration, and repairs to Cupid’s bow, wings, and drapery. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1260 Overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Original glass with desilvering. Prominent losses and repairs to carved wood frame throughout. Fading to gilt surface.

1261 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. A 1.25” x .75” gouge to the marble top. 1262 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each with scattered chips and nicked abrasions to stone base and possible glued repairs to verso stone panel. 1263 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age and use. Each has been reupholstered. Each with wear and chipped losses to gilt surface and evidence of wood worm throughout. 1264 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: extensive repairs and restitching, spots of fading and soiling. 1265 Visual: Generally good condition. Craquelure scattered throughout. Tiny hole in the canvas along the right edge center. Tiny fleck of paint loss right center. The canvas is slightly loose in the upper left corner. Blacklight: A 1” x 2” area of touch-up near the woman’s neck and left shoulder. Frame: 27.5” H x 33.5” W x 4” D 1266 Visual: Generally good condition. A small area of paint shrinkage in the woman’s hair. Blacklight: A few spots of touch-up on the woman, the largest a 1” line along her right hip. A few spots of touch-up upper right. Spots of touch-up all four edges, including an 8” line in the lower center. Frame: 18” H x 21.25” W x 2.25” D 1267 Generally good condition. Frame: 12” H x 15” W x 1” D

Condition Reports

1255 Each overall good condition with shelf wear commensurate with age. The first shrinkage cracks to bamboo shaft handle and tarnishing, scratches, and minor indentations to copper liner. The second with area of loose weaving to the inner lip and possible repairs to liner; the liner rim fluoresces under blacklight.

334

1268 Overall good condition with tarnishing and light scratches commensurate with age. The upper portion of the column with surface imperfections to the silver and evidence of possible soldered repairs. 1269 Overall good condition with tarnishing and light scratches commensurate with age. A .375” spot of discoloration to the interior top and green oxidation to one corner. 1270 Overall good condition with tarnishing and light scratches commensurate with age. Each with wax residue to the interior commensurate with use. One bobeche and capital sit slightly off-center. 1271 Each overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: one rug with an area of loss to the fringe. 1272 Overall good condition with even pile-wear and typical signs of wear and soiling commensurate with age and use. Issues include, but not limited to: wear and repairs to selvage edges with a 5” loss to one corner; a 1” patched repair to one corner; a 3” woven repair to one border edge; and and a 1” woven repair to another border edge. Rug is mounted with on reverse for hanging. 1273 Visual: Generally good condition. Fine craquelure scattered mostly throughout the lighter pigments.

Condition Reports

Blacklight: No evidence of restoration under blacklight.

335

Frame: 35” H x 27” W x 1.5” D 1274 Visual: Generally good condition. Craquelure scattered throughout. A pinhole in the canvas upper left. Minor surface dirt throughout. Blacklight: No evidence of restoration under blacklight. Frame: 23” H x 26.75” W x 3.25” D

1275 Overall good condition with wear to gilt commensurate with age. Working condition unknown. Minor loosening to bronze mounts. Moran’s does not guarantee the working condition of clocks and watches. 1276 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Raised grain, buckling, and chipped losses to veneer throughout. More prominent 6.5” loss to veneer on front left leg. Scattered filled indentations to the top. Slight loosening of lockplate. Includes key. 1277 Each overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age and use. Each with wear and chipped losses to painted surface, evidence of wood worm throughout, and soiling/staining and worn corners to the upholstery. Three chairs with blown-out webbing. Two chairs with scattered missing nailheads. 1278 Overall fair condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: staining and soiling throughout and to backing; minor L-shaped tear to backing along edge; scattered areas of fraying and loose stitches throuhgout, including to selvage edges; possible areas of repair or reweaving; minor area of separation of blue border to rug body; and sun fading throughout. 1279 Each overall fair condition with scattered scuffs, scratches, nicks, and shrinkage cracks commensurate with age. Each with more prominent shrinkage cracks to the top and one with cracks to the knop. Each with chipped losses to the painted surface throughout, with heavier wear and losses to the bottom and feet. One with one loose foot. 1280 Each overall good condition with wear, scuffs, light scratches, and tarnishing to metal commensurate with age. Each with dust accumulation, scattered nicks and abrasions to crystals throughout, loosening of original hardware, and rusting to sockets. One with cracked crystal sphere and missing screw to lower basket. Each with fraying and wear to the cord. Wiring should be checked by a qualified electrician prior to use.

1281 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Scattered minor dark spots to interior of bowl. 1282 Overall good condition with tarnishing and wear commensurate with age.

1287 Toning to the paper. The paper is gently rippled. Minor handling creases scattered throughout. Tiny dots of yellow staining lightly scattered throughout. Frame: 28.25” H x 21.25” W x .75” D

1283 Overall good condition with minor scuffs and darkening and oxidation to bronze commensurate with age. 1284 Visual: Generally good condition. Two small scratches upper left corner. Very fine craquelure scattered throughout, visible on the subjects face with minute flecks of paint loss. A small bulge in the canvas lower edge left with associated craquelure from an object between the canvas and the stretcher. Minor surface dirt throughout. Blacklight: A .5” line of touch up to the subject’s upper lip. Frame: 17” H x 14” W x 2.25” D 1285 Visual: Generally good condition. Very fine craquelure throughout. Varnish discoloration scattered throughout. A .5” x 1.5” area of board delamination lower edge center. Blacklight: A 1.5” x 1.5” square fluoresces under blacklight upper left corner, possibly a removed sticker. Areas of touch up to the main figures back and shoulder. Difficult to read under varnish.

1286 Visual: Generally good condition. Minor frame abrasion along the four edges. A 1” scratch lower edge right. A quarter-sized spot of varnish discoloration lower right. Minor surface dirt. Blacklight: No evidence of restoration under blacklight. Spots of uneven varnish fluoresce under blacklight. Frame: 19” H x 31” W x 1.5” D

Condition Reports

Frame: 14.25” H x 18.25” W x 1.5” D

336

Consign Today

Fine Jewelry & Timepieces An Art Deco natural Ceylon sapphire and diamond pendant necklace

Price Realized: $53,125 Consignment and Auction Inquiries: mollie@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833

Consign Today

Made In Mexico | September 1, 2021

Alfredo Ramos Martinez (1871-1946, Los Angeles, CA) “Madonna & Son” Pastel on paper under glass, 48.5” H x 38” W $30,000-50,000 Consignment and Auction Inquiries: marandam@johnmoran.com

bid in person - a bsentee - telephone - live online

145 East Walnut Avenue, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale, Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz Senior Vice President, Fine Art Director Morgana Blackwelder Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Furniture & Decorative Arts Cataloguer Shannon Dailey Fine Art Cataloguer Mike Hook 20th Century Furniture and Decorative Arts Specialist John Simon Taylor Specialist Maranda Moran Post War & Contemporary Fine Art Specialist Bree Hughes Jewelry Director Mollie Burns Keith, G.J.G.

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Consignment Coordinator Julia Hamilton Operations Coordinator Ian Anderson Art Handler Joe Miranda Art Handler Richard Corral Art Handler Mars Ford

MARKETING

Advertising & Marketing Director, Art Design Nathan Martinez Graphic Designer Brian Olivas

Photography

Photographer Keith Berson Photographer Madison Torres

TRUSTS & ESTATES

Department Manager Noelle Valentino Department Administrator Angela Bryant

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

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protected?

Do you need a formal appraisal for insurance scheduling, estate tax ﬁling, gift or charitable donation? Moran’s team of USPAP compliant appraisers is here to meet your needs. • USPAP

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art - jewelry - decorative objects - furnishings and more Sold at John Moran Auctioneers: Jessie Arms Botke White cockatoos in an avocado tree

Price Realized: $87,500

145 East Walnut Avenue, Monrovia, CA 91016 | www.johnmoran.com · trustsandestates@johnmoran.com · (626) 793-1833

Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the nal bid, plus uyer s Premium on the nal bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided. Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid. New bidders will be asked to provide financ al accoun nforma on as a reference All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance. UYER S PRE IU : P s calcula ed a on e firs $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.

uyers outside of the United States must submit payment via wire transfer Credit cards are not an accepted form of payment for buyers outside of the United States

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and re uested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank. Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In e e en of a e b d e e s ra on Form rece ed firs ll be reco n ed as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

State:

Postal Code:

European Art

Country:

Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

Telephone (primary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

How did you hear about our services?

Sellers permit info: Contact of ce for veri cation State: I agree that I have read Signature:

Native American Objects Prints & Multiples

Telephone (secondary):

Permit #

Modern & Contemporary Art

Turn of the Century Design / Arts + Crafts Western Art a e a s ec fic y e of em you are n eres ed n let us know:

Exp: oran s Conditions of Sale and shall be bound by them This affects my legal rights Date:

rev. 7/2018

Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] FOR OFFICE USE ONLY

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyer’s Premium) Absentee only

FOR OFFICE USE ONLY

Y/N

Last Bid $

PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 7/2018

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The Traditional Collector — April 28, 2021 | John Moran Auctioneers