Works of2017-2022Eunbin
&ArchitectureInteriorarchitecture
Ambience
82)janekwon97@gmail.com010-6548-6965
Eunbin Kwon
Simplex architecture studio _ September , 2019 - December , 2019
Beebreaders Skyhive Contest _ June , 2022 Shortlisted Project
SKM arhictecture studio _ August , 2021 -Experience Hongik University
Sketch Up RhinoModeling
SoftwareSkills LumionEnscapeVrayRendering
Activities HSA collection of works_ January , 2022 -
Joined the company as an architecture and interior designer and participated in libraries, hotels, housing complexes, and hospitals projects.
Hongik Univ. graduation exhibition committee _ June, 2020 - July , 2020 Design of graduation exhibition website and upload of exhibition works, 2020
Student council _ March , 2020 - March , 2021
Dynagram architecture and deisgn studio _ September , 2020 - April, 2021
DA architecture and engineering March, 2020 - April, 2020
Worked as a member of PR department, producing promotional posters, making schedules, suggesting and implementing ideas for in-school events, and managing school websites.
Worked as a design intern creating pysical model and resident mass model
UCC Cheonan Waterside Culture Space Contest _ Feburary , 2020 Encouragement Award division in concept and branding
Entered as a design intern and was in charge of house renovation, houses construction, interior design of shared kitchens, furniture design and production.
ExelPowerpointWord
In charge of the exhibition, I presented and implemented ideas for the arrangement of various exhibits and exhibition methods, starting with the actual survey of the exhibition hall.
As the chief editor of Hongik University's College of Architecture, I led the team to design the layout of the collection, and even completed the production of printed materials.
MCM exhibition deisgn September , 2019 - December ,2019
AutocadIndesignillustratorPhotoshopVisual
Bs in Interior architecture
Worked as a design intern creating pysical model, detail model.
HonorsEducation
Post Covid New Normal Architecuture Contest _November , 2020 Special Award division in Architecuture Hongik Univ. School of Architecture _ June , 2020 Distinguished service award
Archilecture _ June, 2020 - July , 2020
Worked as a member of the video team of the lecture planning club related to architecture and design and was in charge of filming and editing videos.
Co-working office renovation project
Pop up store design project
Contents
03
Urban Recycling Factory- Type Office
MCM Everywhere 20 Museum design project
Time Line 08
Design Merge 37
04
Piccasso Museum 45
05
02
01
Urban regeneration project
Up-cycling Tree 33
75 10
interior
Work 85 09 Artificial objects Object 79
AL Majalis/
53 07
CO STACK Your Life
New normal culture the covid-19
space in
65 08
Light pavillion competition project
Dior
time of
Seeing the Invisible
The Heritage/ PET Design
Proffessional
Brand flagship store design project Flagship Store
06
Time
Line Following the footstep of the past Ambience
Year Spring, 2020 Typology Urban regeneration Project TotalFloorsProgramArea 230 ㎡ Location Bupyeong-gu, Incheon, South Korea Studio Chung Whan Park, Seuk Hoon Kim
This project has its meaning in keeping railways to accommodate people's time while at the same time addressing these practical problems. We want to create a park with historical meaning that can accumulate the traces of the past and present moments . It overcomes the past and present conflicts that had been cut off, and creates a
The theme of the graduation exhibition was instantaneous and permanent. It was the task of graduation exhibition to explore the moment and permanence of a building and to apply its meaning to the subject of my building.Instant is momentary, and frozen, that such moments accumulate and flow, that it continues to move, everything is instant, but when remembered by someone and valued, memories flow and become permanent. After all, permanent is a value created by accumulating instant moments, which continues to change and move. During the 1939 Japanese colonial era, a military railroad built to connect a munitions factory in Samneung, Bupyeong, was not visited by any people because of its military use.This land, where people's moments do not exist, eventually stopped without being contained in anyone's memory. The Bupyeong military railway still retains the modern and contemporary curves of the Korean Peninsula, whose owners have changed several times due to the waves of history for more than 80 years. But now, this vestige of the past and an important historical legacy is only perceived as a rusty railway blocking the heart of the city. In 2020, the actual use of the railways was suspended with the relocation of U.S. military units, sparking controversy over the existence of the railways. The reason was that the railroad undermines the landscape of the city and hinders the passage of residents. in people's
memories. to accommodate people's time while at the same time addressing these practical problems. I wanted to create a park with historical meaning that can accumulate the traces of the past and present moments . It gradually overcomes the past and present conflicts that had been cut off, and creates a Permanent value in people's memories. The topography of this land has a step difference from the residential area, making it difficult to access topographically. Although the terrain was built by Japan to build this railroad in the past, it has since remained across the residence due to the inability to demolish the railroad. In terms of reality, there should be railroads that connect major points to emergency wartime situations, and it was necessary to maintain these topography and railroads without demolishing them in design. Considering practical problems, the main point of design was how to capture Korea's history and give people lasting value.
Timeline01 01
History of Korea and Bupyeong
10
Urban Regeneration Project 11
A.
E F G
The upper part of the access mass at the residential level. The water space was set to provide a resting place for residents. A bridge to connect the void space at the lower part of the park, which was created to connect the detached residence in the site area. Waterways were provided along the railroad tracks to keep the flow of the park from being cut off.
12
Program Placement Library B. Lounge
A B
C. Exhibition D. View Point D E. Cafe F. Gym G. Water Bridge
Urban Regeneration Project 13
C
Floor Plan
Ground Level 1 Water Bridge 2 Railway Trail 3 Cafe 4 Veiwpoint 5 Square Park 6 Stand 1 2 3 4 5 6 0 2 5 10
14
Basement Plan Gym Locker/ Shower room Exhibition Exhibition Lounge
7 Library 8 Storage
East Elevation West Elevation 1 2 3 4 5 6 7 8 0 2 5 10
2
3
1
The program attempted to use the fact that the site crossing between housing and housing has a level difference of 5m. We thought about which programs have advantages when they are directly connected to the housing level, and which programs are linked to the park area so that residents and tourists can use them more actively. The core point of the land, which connects the level difference of 5m, is connected to the top and bottom and both sides by holding three points so that residents do not feel uncomfortable.
Urban Regeneration Project 15
4 Media
5 Waiting Zone 6 Access
Buildings around the site have a small scale mainly for residential purposes. While there are many apartments in the northern part of the site, mass is mainly villas and small shops in the south. In consideration of this, the building of the site was assimilated with the surrounding context and arranged a mass of a size that could be easily read.
0 2 5 10
16 Site plan
As a result of examining the site, it was determined that if the site was developed, the floating population to tourism would mainly come from the south. Therefore, public facilities such as libraries and water garden museums were arranged from the south, and more public facilities were planned for residents as they walked north.
Urban Regeneration Project 17
The practical problem that demolition is impossible was considered because railroad tracks must be used in preparation for the actual exhibition situation. The building was set back so that trains could travel at any time on the site so that they could always use it when the exhibition situation comes. The most important thing was what kind of scenery you could see if you walked along the railroad tracks and what kind of scenery you wanted to show.
Park For Residents
When designing a park, foreign high-line renovation was referenced as an element of the park’s landscape or program. I applied the part that connects the vertices that can be connected to the city through an overpass as an element of my site. The site crossing the residential area along the railroad had a crisis of demolition, but was stopped in the sense that it had historical significance. It is hoped that the land with historical and bad memories can be filled with the warmth of the residents and new memories.
When designing a park, foreign high-line renovation was referenced as an element of the park’s landscape or program. I applied the part that connects the vertices that can be connected to the city through an overpass as an element of my site. The site crossing the residential area along the railroad had a crisis of demolition, but was stopped in the sense that it had historical significance. It is hoped that the land with historical and bad memories can be filled with the warmth of the residents and new memories.
The practical problem that demolition is impossible was considered because railroad tracks must be used in preparation for the actual exhibition situation. The building was set back so that trains could travel at any time on the site so that they could always use it when the exhibition situation comes. The most important thing was what kind of scenery you could see if you walked along the railroad tracks and what kind of scenery you wanted to show.
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The structure existing to support the railroad of the site is a symbolic element that connects the spaces used by residents. In places where many steps come and go on a daily basis, it will naturally permeate the memories of the residents. The library is connected to two parts of the lounge and the park on the ground, and the lower library gave a bright atmosphere through skylight. The library is a core point that connects the steps between the park and the residence and becomes a community space where people can gather. Passing through the library, you will find the lounge, an access point that connects all programs, and the exhibition space will appear through it. The exhibition space becomes a space where residents come and go on a daily basis, connecting the past and the present that were cut off. Walking along a series of spaces like this leads to the end of the railroad site.
Urban Regeneration Project 19
ReinforcedFoundationStructure
On the site, railroads had to be preserved in case of emergency. Preserving railroads with historical significance and practical limitations was the main focus of the project. The military railroad, which was placed on a 5m hill, was supported using structures at the bottom and a space was created underground.
The lower structure is coupled to the fastening device of the rail and the rail to support the railway, and the walls and pillars become structures along a predetermined interval. Here, the concrete wall, which becomes a structure, does not come down vertically but bends down diagonally to dramatically express the painful history of the time.
Existing Railroad
Colums were used to support railroads that were previously fixed on the ground. The columns serving as structures were iconically exposed in the middle of the media exhibition hall to show the existence of the past railroad.
The wall was tilted and used as a structure to further highlight the railroad and the light entering between them. At this time, the light comes down the inclined wall, giving it a dramatic effect.
Wall Structure
Structure of Exhibition Space
20
Preserving the railroads of the past was the basic concept. I considered whether the shape of the exhibition hall could be transformed according to the structure under the ground to support the railroad and the memories of the past could be felt in it.
Column Structure
Year Fall, 2019 Typology Academic Cooperation with MCM Program Pop Up Store Floors 3 Story Total Area 300 ㎡ LocationStudio HyunHo Lee, Nomura Chika Ambience MCM Everywhere Academic Cooperation with MCM
This project was planned to be designed and displayed in the MCM flagship store. The exhibition was held at MCM Bauhaus in Cheongdamdong for about two weeks, and the videos, sketches, and models to be used for the exhibition were studied together and displayed.
Global nomads, who are free and strong in personality, move forward with the flag of "Everywhere." Graffiti longing for freedom can be found everywhere. As long as there is a wall that can be drawn, freedom can be anywhere there. MCM's Vicetos pattern, which represents this freedom, is in line with graffiti. The element of MCM graffiti is divided into different locations and gives one identity to existing spaces. Letters and pictures trapped in the wall protrude into a three-dimensional world and intertwine with each other to create Graffiti Architecture. These spaces are woven together to form MCM WORLD.
The theme of this project is graffiti. MCM's fw concept for that year was global nomad. In this collection, I came up with the keyword "free, bold, moving forward." The brand MCM quickly took the lead in constant challenges, changes, and trends, and wanted to include this boldness in the pop-up project. Graffiti becomes a work that seems to have a meaning by drawing a picture on the letters left by someone in one place, placing them again, repeating them. I tried to give a feeling when these elements became spatialized. I thought it could be a popup like a topicif I experienced it when letters overlapped and piled up like graffiti. According to the theme of pop-up, this design can be anywhere regardless of location. It can be located in all spaces, such as parks, boardgrounds, in the middle of the city, between buildings, and so on, giving people fun elements.
Architecture is a mirror of the culture and spirit of the time, so it is said to be a record of history. At the forefront of modern society, where trends change and overflow in the real world and cyberspace, and networking at the same time around the world, the fashion industry is playing the role of leading and recording our spirit and culture best today. If architecture is a long record as a style, fashion is timeless as a change. This project is the sixth project of MCM and Hongik University, and the theme of the exhibition is Pop-Up. Pop Up is obsessed with the most differentiated time, reflecting the popular preference of this moment, and is engraved and disappeared in public memory in a time-independent manner.
EverywhereMCM02 02
MCM Hongdae Facade Design
The professor suddenly came to school and saw the MCM store in Hongdae. The professor, who saw the store facade, designed the facade according to the concept, and that’s how it was created. I thought graffiti was an interesting work created by overlapping writings, paintings, and traces of time, and used it as an element of the building facade. MCM’s Vicetos patterns, letters, and decorations are layered in layers, and I thought the facade of the actual building had as interesting an effect as graffiti painted on the wall. And the shadows that were all overlapped and deformed would be also an interesting scene.
24
The first is the mcm pop-up store installed on the street. Here, the letters were intended to be structurally supported by relying on each other, giving the letters a tangled feeling like graffiti when viewed from the outside. It also tried to create an interesting sense of space inside by distorting letters. The letter M is pressed by the letter c in the form of a hemisphere, and again the last letter M is leaning against C, cut off by a diagonal wall. The display cases entering here consist of embossed and intaglio parts, giving you fun and dynamic when looking at the product.
Street Pop Up!
model, the letters made earlier are tangled and piled up. Each letter has programs of bag boutique, clothes boutique, tattoo shop, and vip lounge according to its shape and size, and letters gather to create a center in the flagship store. Visitors can relax in the middle and experience space in graffiti. Each space is open from the outside and can be located anywhere in the city in a structure that supports each other and is self-reliant. The color was a combination of mcm’s main color and mcm Heritage
The second work is when MCM became a street furniture. Among the furniture on the street, I thought of a program that fits the concept of a free nomad. It contains programs such as skateboarding and busking that you can enjoy with people on the street. The letter M gave the curve of the skateboard field.M is connected to C, a terraced stand where people sit and watch or rest, so if there are no people, the letter M connected to C can be used continuously. The last letter M acts like a gate and gives the furniture a Inboundary.thethird
city, mcm graffiti attached to the roof, and the noticeable letter MCM in the middle were created with the idea of a larger scale of pop-up. How about a pop-up on the city’s scale from a distance while passing through the liberation village in Seoul? Wouldn’t a different scale and color that could not be experienced in the city attract people from afar?
MCM Everywhere 25
Thecolor.gray-painted
Pop up on the street using MCM letters. What kind of spatial feeling will occur when letters are spatialized? What ingredients and colors can attract attention? What kind of program should it be?
VIP Lounge
The boutique is designed for a variety of mcm products such as clothes, bags, shoes, and accessories. Various display modules were manufactured according to the size and display method of the product to give diversity to the boutique modules.
The vip lounge is designed as a movement line that allows you to choose items from the store and move to the lounge by placing them directly aboveboutique.the
Cafe with
MainTattooBoutiqueShopReceptionEntranceBuskingArea
Bag Boutique
MCM Everywhere 27 Section Plan Floor Plan 1 Bag Boutique 2 Reception 3 Boutique 4 Busking Area 5 Graffiti Tunnel 6 Piercing Shop 7 Cafe 8 Bag & Acc Boutique 9 Boutique 10 Entrance 11 Tattoo Shop 12 Courtyard 1 2 11 3 45 6 7 8 9 10 12 G.L+12200G.L+4000G.L+7500G.L+11500G.L+ 4000 G.L+ G.L+10000G.L+120008000 3 4 5 6 7 9 10 11 1 2 0 2 5 10
The exhibition site was the mcm Bauhaus flagship store located in Cheongdam-dong. Located on the 4th floor, the top floor of the flagship store, it was used as a banquet hall for artists and celebrities. The exhibition hall was a simple and minimal place with white walls, concrete floors and exposed ceilings. Since the sizes, shapes, and colors of the students’ works exhibited together under the theme of pop-up were all diverse, the minimal tone of the exhibition hall was utilized to make the work stand out. The exhibition is largely divided into three sections.
28
When the first elevator door opens, you can see the various courses and small pop-up models that students studied. The letters used by the mcm brand were placed on the large white exhibition building, and various models such as side and top were placed to attract attention. Beyond the first section, you can see posters, pamphlets, and letters on exhibition topics. Moving on to the next section, facade models that used to design Hongdae mcm facade to suit their concept are hung on the wall like frames. And in the main exhibition hall, nine models with various themes of graffiti, overscale, instagram, recycling, torornado, Chilgok, Aurora, wormhole, and factory fill the exhibition hall, revealing their own identity. Behind the nine models, students’ sketches, drawings, and rendering images decorate the walls with various sizes and heights, and after viewing the previous exhibition, visitors match the models and images one by one.
MCM Everywhere 29
Collaborator EunBin , Yi Hui, Dukho, Yoons
Urban Recycling Factory-
Typology Skyscraper Competition
Floors 98 Floors
Total Area 8200 ㎡
Up- Cycling Tree
Type Office
Year Summer, 2022
Location Yeouido, South Korea
Program Factory Type Office
03
However, the recycling plant is mainly located in the suburb for occupying a large area and is a facility that people avoid. Instead, the factory's suburban location causes an overload of logistics, causing a burden on the environment. In addition, occupying and developing a large land area only for mechanical equipment facilities puts a burden on the environment and reduces the land area used by humanity. Therefore, Project UpCycling Tree propose a factory-type office that collects waste paper directly in the city, recycles it, and produces pulp again as an urban tower space. Since it is collected and recycled now from the city, it can reduce the burden on the environment by preventing the overload of logistics.
Project 'Up-Cycling Tree' is an urban factory-type office that can recycle paper. Unlike existing widely constructed recycling plants, the plant stacks up the facilities like a tree that upcycled paper waste on its own. Through this, recycling factory type offices will create a virtuous cycle in the city and natural environment and establish a new relationship with the city. The discovery of paper has influenced the development of human civilization and is a favorite recording tool for a human to date. However, as the industry develops, the work structure changes to office work. And the consumption of paper has increased. In the eco-friendly era, most papers obtained recycled from paper waste (not from trees). In other words, as we enter the eco-friendly era, paper recycling factories are essential facilities for environmental problems.
It aims to provide a unique spatial atmosphere by combining mechanical devices like an art objects in the new green space. The paper recycling plant is composed of a paper theme park combined with offices and cultural facilities, so it is possible to establish relationships with the city. And the space consisting of public gardens and paper theme parks can change
Floor Plan Typical Floor Level
Woven Spaces under the theme of paper
Furthermore, it aims to provide a unique spatial atmosphere by combining mechanical devices like an art objects in the new green space. In addition, the paper recycling plant is composed of a paper theme park combined with offices and cultural facilities, so it is possible to establish relationships with the city. As such, the Project Up-Cycling Tree can reduce the burdenon the natural environment and solve the problem of urban abolition. And the space consisting of public gardens and paper theme parks can change the perception of recycling plants and eco-friendly industries as people in the city use recycling factories, which are harmful facilities.
In other words, the Project Up-Cycling Tree aims to provide a good influence on the city, the natural environment, and humanity, such as trees that upcycle urban waste on their own.
CO STACK Your Life 33
Paper recycling plants that occupy a large area of land can be stacked in the form of towers to minimize the land area. Through this, the land usage by humans can maximize, and the land usage by mechanical facilities can mitigate. In addition, waste generated during the paper recycling process can convert into fertilizer in the lab. Using fertilizers, the building is organized like a hanging garden to provide a good influence on the urban atmospheric environment.
Design Merge
Year Summer, 2019 Typology Office Renovation Project Program Coworking Office Floors 2 Floors Total Area 200 ㎡ Location Sinsa, South Korea Studio Seung Hyun Woo
Following the footstep of the past Ambience
MergeDesign03 04
The site is located in Garosu-gil, which has a large floating population, and the west is a commercial area where various flagship stores are located, and the east is a residential area with different characteristics on both sides. Taking advantage of these characteristics, the west side made it possible to communicate visually inside and outside, and the east side made natural access possible through the garden. This building serves as a bridge between commercial and residential areas. The lower floor is a public space for users, and the upper floor is planned as a working space for designers.
The overall tone was white and wood tone, making furniture designers' furniture more prominent. Due to the nature of the office, flooring used carpet tile textures, and point textures were added to the space that became points. The curved curve from the entrance extends to the working zone inside, attracting visitors inside.
As startup start-ups increase and corporate culture that values work flexibility spreads, a system called "sharing offices" is spreading. In the case of existing shared offices, communication between users is possible inside the office, but it is often closed outside, so I thought this was something to overcome in the office for designers who value contact and continuous communication with clients. The project was to design a shared office where clients could naturally access designers' works and communicate with each other closer.
The furniture showroom you encounter for the first time after entering the building consists of a space where you can visually communicate with designer workspaces such as fabrication space, hot desk space, and material library, where users can see the designer's work process and check the users' reactions.Designers' workspaces along the client's path are open to the client, and there are spaces everywhere where designers can check their workpieces. The workspace is divided into a hot desk space where you can communicate with each other as it is open and a private office space where you can focus more on your work, so designers can use the workspace suitable for the situation.
It is located in Seoul, Garosu-gil, Sinsa-dong. Since commercial spaces are relatively concentrated compared to other regions, buildings were placed on Garosu-gil, where building programs rotate faster, providing visitors with a place to rest, and designers with a showroom where they can show their furniture. This project began by renovating the existing building and placing it at an appropriate site.
Distribution of Commercial areas
Site Analysis
The renovation building had a long horizontal shape and a floor level on the second floor. Such a long-shaped building was divided by considering the external entry sequence. According to the main flow direction of Garosu-gil, the first section attempted to attract the attention of passers-by by arranging an open fabrication space. After passing this section, you can see a high-rise merging lounge and furniture showroom, and a cool curved hotdesk is located at the end of the building, so you can see the designers’ work processes.
Traffic Conditions
36
Floating Population
Pin-Up Area Lecture Hall Office Lounge Maker
Zoning
The site is located in the part that connects commerce and housing. There are several showrooms and flagship stores in the front, and villas and apartment residential spaces are located in the rear.
Design Merge 37
Fabrication
Work & Design
Furniture Showroom Library Garden Pantry
Hotdesk Area Meeting Room Material Library Private Office
Program Zoning
The front of this area faces Garosu-gil, where commercial buildings are concentrated and distributed, and the back faces a residential environment where villas and residential areas are concentrated. It focused on the fact that buildings for different purposes are distributed
Merge
Fabrication Photo Studio Storage & Unloading deck Assembly Room
Rest
Site Context
ProgramSpace
The building's program is divided into a total of three sections Merging area where visitors and designers share their works together, a fabrication area where designers process furniture, and a working area where they can work on computers and meetings.
38 Floor Plan Ground Level 1 Merge Hall 2 Furniture Showroom & Library 3 Reception & Waiting zone 4 Hotdesk Area 5 Pin Up Area 6 Conferece 7 Model Room 8 Locker 9 Fabrication 1 10 Fabrication 2 11 Fabrication 3 13 14413 5 6 1 2 11 3 4 5 6 7 8 9 10
Design Merge 39 Second Level 12 Office Loung 13 Private Offcie 14 Material Library 15 Lecture Hall 16 Meeting Room 17 Photo Studio 1 2 9 17 12 13 15 16 14 17 0 2 5 10 0 2 5 10
It is located in Seoul, Garosu-gil, Sinsa-dong. Since commercial spaces are relatively concentrated compared to other regions, buildings were placed on Garosu-gil, where building programs rotate faster, providing visitors with a place to rest, and designers with a showroom where they can show their furniture.
40
Exploded Axonometric
Design Merge 41
programs include a meeting with clients, a meeting between designers, a material library where clients can see and choose the type and color of wood or fabric themselves, a model room where they can test before making real-scale furniture using model materials, and a photo studio where they can shoot completed furniture. Currently, these places are not gathered in one place but scattered, so I heard designers are struggling and tried to create an environment where I can focus more on design by adding essential programs through the shared office.
Finally, the program for rest includes a garden that can be connected from the entrance to the residential part of the building, a showroom and a library, which are communication and relaxation spaces available to visitors, clients, and designers. And in the middle of the private office, there are office lounges and pantry where designers can relax.
Programs that need to be entered into the office for furniture designers and programs that can be added because they are shared offices. In fabrication, there are places where trees are unloaded and stored, places where large and noisy machines are used, places where sandpaper and taka are assembled, places where oilings are finished, and places where finished furniture is stored. This place is open, so you can see how designers conceive and make
furniture.Anddesign-related
Coworking Office For Designers
Total
Area 230 ㎡ Location Jongno-gu, Seoul, South Korea Studio Mijung Lim, Narae Yang Ambience
Based on Picasso's phenomenological experience Year Spring, 2018 Typology Museum Design Project Program Museum Floors 3 Story
Museum of Piccasso
The feelings I felt while looking at Picasso's paintings were applied to the composition of the exhibition space. The exhibition space is formed by disassembling and combining three modules according to the size of Picasso's work. In this public space, the part where the work is hung is made of walls, and the part of the visitor's movement is made of thin pillars. These thin pillars have the effect of framed spaces beyond them. When the audience first looks at the Overlapped spaces, the exhibition space looks confusing with overlapping pillars, but through a set sequence, visitors feel like peeling off layers of space like peeling off Picasso's paintings.When you peel off the layers of the space and look at the spaces that have passed from the last exhibition space, you can ventilate the space that has passed. There are chunks divided on top of great neutrality, so you can experience layers made by overlapping exhibition hall modules. Each exhibition hall module has a difference in level, giving it a feeling of transition when passing through each module, and this difference in level forms a high side window, where the light entering the gap makes each exhibition hall look different
MuseumPiccasso04 05
This project was a project to create a museum for artists by selecting artists and spatializing the characteristics revealed in the artist's work. Picasso, the artist I chose, is known as a pioneer in Cubism. Cubism is an art innovation movement that rejected the "perspective" and "light and shade law," which have become the absolute traditions of Western painting since the Renaissance. A unique method of reconstructing the results of the artist's view of the object from various angles into a geometric shape was used. That's why one eye is on top, the other eye is on the bottom, the mouth is on the right, and the nose is on the left. As the artist moved the eyes from each direction to one screen, both eyes were located in different places.In order to give a three-dimensional feeling to the two-dimensional canvas, he sculpted and combined three-dimensional objects so that the artist could feel the vitality of the object by drawing the object he felt and experienced at various points of view and angles. As such, Picasso's painting looks complicated and confusing at first, but when you find a cross section of an object and peel off the overlapping cross section one by one, you can see the shape of the object.
Picasso made the three-dimensional feeling richer on the two-dimensional canvas by carving out a three-dimensional object and combining its cross-section. He can be said to be a pioneer in Cubism. He rejected all of the traditional techniques such as perspective, reduction, and modeling of the past at the time, decomposed the object into a geometric simple plane, combined it from his own perspective, and reorganized these decomposed planes to cross and penetrate various angles. His paintings seem confusing at first, but by discovering cross-sections of objects, they are layered in their positions.
Picasso's paintings are not well recognized, but they look assimilated with similar colors or broken into divided pieces. Picasso makes people who appreciate the image of the object containing his interpretation continue to look and explore. When viewed closely, the layers of the work are peeled off one by one, and the shape of the object's eyes, nose, mouth, and hands begins to be seen. He recombined certain parts to maximize what he wanted to express. This element was also intended to be applied to Picasso's gallery space. The gallery space is designed with a concept that allows visitors to peel off the layers of the space one by one as if they were walking in Picasso's work. At first, exhibition spaces overlapped with several layers confuse visitors, but after that, they were able to walk around the exhibition space and get to know the shape of the space one by one.
Recombine
Cut into PiecesBasic Mass
Interpretation of Picasso’s work
44
Overlap recombined pieces
form
Set back the entrance to the building to further emphasize the mass above.
It places a divided mass and enters and exits the inside and outside to create an interesting exterior from the inside and outside.
EntranceArea open view
Construction Typology
and
A void is created in the middle space of the mass to attract visitors inside of the museum entrance.
The building is planned to be three stories high so that there is no sense of difference in the height of the surrounding building.
GeometricCourtyard
DivideExtrude
Just as Picasso decomposed and recombined his interpretation of the object in the painting, Picasso Gallery also designed it with an interpretation of what space he would like Picasso's work to feel in. Picasso's work is largely divided into the period of African-infused, blue and rose, and protocubism. The size of the work varies from a small size of a hand to a large size that fills the wall of a large exhibition space, and has works of painting, drawing, and texture genres. Considering this, the size of an exhibition hall module was set to 3m*3m, 4m*4m, and 5m*5m, and combined or decomposed to create spaces for the work. The hall and lobby of the exhibition hall were also designed using the design typology of the exhibition spaces.
Piccasso Museum 45
The site is located facing Gyeongbokgung Palace, is among many cultural spaces around it.
Dividing mass according to the size of the planned exhibition hall and make view opened for elevation.
Site
the concept of “Phenomenon” comes from a word in Greek that means “something becomes clear as it is.” The ‘phenomenon’ to be dealt with in an architectural space means ‘to be revealed’ by changing in space and time, and is an object of experience. Direct consciousness of the world made up of phenomena is given through ‘perception’. In terms of ‘sense’, it is none other than the ‘body’ that is targeted at the same time as the subject. And it is based on the ‘body’ that defines the fundamental nature of humans experiencing space. Phenomenality in an architectural space is ‘looking’ through spatial sensibility within a perceptual experience. Phenomenality can be understood as a dimension of nature change and the sense of the ‘body’ that accepts it.
Originally,character.
When seeing the work of Piccasso, his work is as if it were a painting of phenomenological theory. He expresses the figure from various angles in one plane. The figures in his work, whose nose is facing sideways and his eyes are facing the front, are bizarre that is not understood by common sense, but from a phenomenological point of view, it can be seen as the most realistic painting of the
46
The elements of the phenomenon were captured in Picasso’s gallery. A certain step was placed in each of the divided exhibition spaces so that visitors could perceive the space with their body’s senses as they passed through each space. It allows visitors to perceive the identity of each space by continuing to cross the boundaries between spaces beyond the visual perception, and when they last look back, the spaces that passed by look overlapped and recognize all the spaces that passed by.
Phenomenological experience
Piccasso Museum 47 Floor Plan Ground Level Second Level Third Level 1 Luggage 2 Reception 3 Ticketing Area 4 Lounge 5 Square Park 6 Hallway 7 Rest Area 8 Painting Exhibition 1 Entrance Hall 2 Drawing Exhibition 3 Hallway 4 Sculpture Exhibition 1 Multipurpose Area 2 F&B Area 3 Cafe 0 1 2 5 1 2 34 56 7 8 4 2 3 11 2 3
48
Museum 49
Piccasso
Picasso’s painting exhibition space. Visitors can experience differences in floor levels existing in each exhibition room and feel phenomenological changes in space. People who appreciate Picasso’s work tried to give them a feeling of walking in Picasso’s work. The material of the space was intended to maximize the perceptual effect by using only exposed concrete materials as a space of simple materials and complex composition. Due to the difference in floor level, there is a high side window where natural light can enter between the ceiling and the wall. Light entering different spaces makes each exhibition space diverse. Exhibition spaces are largely divided into painting, drawing, and texture spaces. The works are displayed along the life history of Picasso’s work, so visitors can feel the change in Picasso’s style as they pass through the space. Unlike the painting exhibition hall, the sculpture was designed with a high floor height of 10m. Visitors experience a distinctly different sense of space from the painting exhibition hall.
Co Stack Your Life Culture space in the time of covid-19 Year Fall, 2020 Typology Architecuture Competition for New normal culture space Floors 4 Story Total Area 600 ㎡ Location Nakseongdae-ro, Gwanak-gu, Seoul, Republic of Korea Collaborator Eun Bin Kwon, Yi Hui Lee, Se Young Han Ambience
LifeYourSTACKCO05
The project was an architectural contest that required the use and definition of the environment changed by the coronavirus in a new normal way. Starting with the outbreak of COVID-19 in 2020, the global pandemic situation calls for the emergence of a new type of normal. In New Normal communication such as non-contact, non-face-to-face, social distance, and voluntary isolation, the demand for a healthier, more beautiful, ecofriendly and more creative way of life is stronger than ever.
This project aims to present a new normal for cultural spaces and experiences that could have been lost in this era. Culture is no longer limited to the category where art activities such as museums and movie theaters are carried out and displayed. The existing natural daily behavior of listening to music and cooking is also accepted as a culture that deviates from the frustration caused by isolation. Accordingly, it proposes a new normal cultural space as another "home" where you can leave the house and enjoy staycation. This building is designed to be used for various purposes after COVID-19, while presenting a new normal cultural space.
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The building is made of reinforced wood frames. It is easy to recycle and can be expanded and transferred to eco-friendly materials. The building is largely divided into four buildings, which are open to visually share with each other, giving the impression of enjoying culture with others even though they are separated from the Corona era. Programs are largely classified into three categories depending on the degree of movement, which include cooking, yoga, games, billiards, movies, table tennis, fitness, music appreciation, and reading programs. We found the happiest floor space for people, set it to the size of one module, and planned each plane for the program. In addition, units were combined according to who could be used with, such as when two men went out to play, when mother and child used together. These combined units are terraced and all units allow users to use the interior and exterior spaces in conjunction. In the COVID-19 era, many people are afraid of going outside the house, and they cannot enjoy cultural activities with people outside, and have depressing feelings. We hope that visitors will communicate visually with each other at a certain distance in this cultural space planned for this project.
Proportion of young people in Gwanak-gu
Gwanak-gu accounted for 57.7% of all households (158,200 households) as of the end of last month. Single-person households are the largest in the country, and the proportion of single-person households is also increasing every year. In particular, the proportion of young households ranks first in the country with 40%, and the number of young people living in poor residential environments such as single rooms, underground rooms, rooftop rooms, and Gosiwon is increasing. This residential environment may satisfy the basic physiological requirements of food, clothing, and shelter, but it is a very poor situation in terms of quality of life and comfort.
Gwanak-gu sites have significantly fewer community facilities for cultural activities than residential areas, and there is also a lack of green facilities for residents to use together. In consideration of these problems, the site of the residents' playground was converted into a cultural activity space so that it
Proportion of single-person households in Gwanak-gu
The playground site, which was previously used as a playground for residents, is a site that is virtually rarely used due to the decrease in the frequency of
21.9%
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HousingCommunity
42% Households that do not meet the minimum housing standard in Gwanak-gu
Through this project, the site will be actively used by residents again. It is hoped that single-person households will be able to recognize this space as another "home" and experience various cultural
SITE 40 residents' playground in Nakseong-daero, Gwanak-gu, Seoul.
40.2%
Minimum residential area for a single person
Design Strategy
Intypes.order
Through the segmentation of mass, a system that can be effectively ventilated according to the COVID-19 era was created, while visual exchange between segmented mass was possible, and a core for vertical connection was placed for each mass.
Vertical CoreMass
ModuleDivisionSystem
14㎡/ 1.2PY
YOGA MOVIE COOKING FITNESS MUSIC READING
Horizontal Path
Cultural activities that live in the existing poor residential environment and are not satisfied were mainly carried out in the form of sharing a program in a large space with many people. However, due to COVID-19, the use of these public facilities has been suspended and this has also become difficult. Therefore, for young people who are socially isolated in the present era, we propose a new normal cultural space where they can pursue individual lifestyles while communicating non-physical.
Mass Evolution
CO STACK Your Life 53
The core separated according to the characteristics of each mass was made available, so that many people could not gather in one space, and various cultural spaces were modularized and inserted into the mass according to the characteristics of cultural activities. Various types of modules were mixed into the mass, creating interesting visual exchanges, and forming a way to connect modules on each floor. Like the vertical core, the road connecting the modules was also connected to the minimum road
The minimum area that provides happiness
The residents' playground, which has not been used due to the influence of COVID-19, was selected as a site and a program that can be transformed into a cultural space for young people was inserted.
Module System
BILLIARDS TABLE TENNIS E-GAME
One module accommodates one or up to two people, and one module has a size of 25㎡, about 7.5 pyeong. This was based on 7 pyeong, the minimum size of space for one person to feel happy. Each module contains one program and is combined according to each lifestyle, and is largely divided into a dynamic type, an intermediate type, and a static type, and is composed of two, three, and four combined
14㎡/ 1.2PY
to be recognized as another "home" by various people, it is necessary to accommodate the lifestyle of various people. Accordingly, programs according to various lifestyles are proposed, from programs where you can enjoy static lifestyles to programs where you can
Existing Site Buildable Area
The types of modules are largely divided into quiet, middle, and active. It is divided into four dongs according to the programs classified in this way. The reason for this classification of modules is that they thought synergy would occur when people who share similar hobbies gathered. Each program is classified according to the concept, which is the concept of who uses it with whom. For example, what if three girlfriends of your age come? What if two high school guys come? I thought of something realistic about first.
Movie+Terrace Dining+Yoga+Terrace Dining+Reading+Terrace Dining+Movie+Yoga+Terrace
Yoga+Music Movie
Health +
E-game+Terrace Health+T-tennis+Terrace Billiards+T-tennis+Terrace Health+T-tennis+E-game+Terrace
Module System
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Dining+Health+Terrace Dining+Movie+Terrace Dining+Movie+Health+Terrace
Health+Terrace
"Quiet""Middle""Active"
When these programs are combined, terrace modules are attached one by one. The terrace connects programs, and the program is more vibrant in connection with the terrace.Due to the sudden coronavirus, people are learning about what culture they can lead at home. These programs consist of programs that can be enjoyed at home. This place presents a prototype on what cultural activities you can enjoy at home.
Yoga+Terrace
CO STACK Your Life 55 Dining+Movie+Yoga+Terrace Reading+Movie+Yoga+Terrace Dining+Movie+Health+Terrace Dining+E-game+Movie+Terrace Health+T-tennis+E-game+Terrace Dining+E-game+Billiards+Terrace
One module accommodates one or up to two people, and one module has a size of 25 m^2, about 7.5 pyeong. This was based on 7 pyeong, the minimum size of space for one person to feel happy. Each module contains one program and is combined according to each lifestyle, and is largely divided into a dynamic type, an intermediate type, and a static type, and is composed of two, three, and four combined types.
Module System
58 Floor Plan Ground Level Second LevelFirst Level
CO STACK Your Life 59 Third Level
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CO STACK Your Life 61
The model was made using Basswood. In order to emphasize the geometry of the work, the program and terrace parts were expressed differently with solid wood and linear columns, and details other than the opening were excluded. The module continued to express the grid to the elements of landscaping, and the site located in the playground of Gwanak-gu was expressed as landscaping on the outside of the building.
Collaborator Seyoung Han, Sojeong Kim
Ambience
Floors 2 Floors
The project was to design a flagship store that could show the identity of each brand by selecting a brand. The identity of Dior was thought to be created by annual S/S and F/W season collections, and accordingly, we designed Dior flagship store stores to match the concepts of the 2019 s/s and F/W
Location Paris, France
Total Area 30 ㎡
using elements such as a flower-patterned glass block tile, rose gold metal, and thin pillars on the floor using the keyword flower dance, which is the concept of the store's first floor and s/s collection. On the other hand, the second floor used a Gen-style keyword to use cold metal and concrete while giving a soft feeling with velvet curtains and furniture. The stores on the first and second floors were designed with different concepts, but the composition of the space and each point material were used the same to give a sense of unity. The exterior of the building is curved to preserve the characteristics of the brand Dior, and the facade was designed using the symbolic pattern of Dior.
Program Flagship store
Typology Flagship store interior design project
Year Spring, 2020
Itcollection.wasdesigned
FlagshipDIOR Store
07 06StoreFlagshipDior
64 Facade Design
The women’s store is located on the first floor of the store, inspired by Dior’s ss collection concept, and has a flower dance concept that brings the feeling of spring when flowers dance.
1F Women Collection
2F Men Collection
The facade of the building overlaps the pattern layer of the Dior , allowing lighting of patterns layered with external light to brightly fill the space inside the flagship store.
The men’s collection exhibition space is located on the second floor of the store and features Dior’s fw concept, Zen Style and Cyber Style.
The Dior flap store is located on the corner of Champs-Elysees Street in Paris. The front of the store faces various luxury flagship stores. The store’s facade maximizes the splendor inside and outside by layering the signature patterns of the whole window and Dior. We thought there was a rich beauty of Dior and a restrained sophistication in it, trying to realize Dior’s identity by using repeated patterns, material unity, and simple display cases rather than splendor using many materials or designs.
Identitiy Of Dior
Dior Flagship Store 65
Flower Dance
Interior Concept of S/S collection
Steel pipes were placed in the part where exhibition halls and display cases were divided as elements that connect men and women stores in a unified manner. The steel pipe, which acts as a design element of the store and distinguishes boundaries, is produced in rose gold tone along with the flower pattern on the floor. These pipes were also used to display clothes in this exhibition space so that the design language could continue. The ceiling looks extended above the space by inserting a mirror and line lights between them, maximizing color and pattern. The changing room of the store was located behind the spiral stairs to make it private. A small lounge was built in front of the changing room. Furniture is a solid blue, orange, and yellow fabric that makes it feel cozy
When entering the building, the first thing you can see is a curved space and colorful display cases on it. The mannequin was placed in front of a curved display case to attract external visitors from the front of the building. I thought the store would look more lively when the mannequin stood like a person in the store. The floor of the store was created by raising the signature pattern of the diors collection and a square glass block above it. Glass block subtly reveals the dl flower pattern and gently reflects the space in the store to create a brilliant atmosphere. The display space was divided by a small step. The step is made wide and can be used as a display space for shoes and carrier bags. The front of this display staircase was finished with rose gold metal material.
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If you follow the stairs to the second floor, you will find a male store. The concept of the Dior pre-fall 2019 collection combines the classical concept of gray with the soft gestures of Japan. The collection, which brought black leather boots, rainbow prints and metallic finishes in men’s clothing, captured a fragment of Japanese culture inspired by kimono.
InteriorContrastConcept of F/W collection
Based on this, we devised a design on the second floor. Concrete texture, metal finish, and fabric furniture and curtains that give them a warm atmosphere are placed together to create a cold and minimal Zen style, and a cozy and warm feeling like cherry blossoms in the middle. Minimal elements can be found not only in Texture but also in display furniture. A glass display case was created by combining the railing and the display case. Products such as shoes, glasses, perfume, etc. can be displayed, which can also be seen on the first floor. In order to have uniformity with the first floor, the steel pipe on the first floor was also placed on the display section on the second floor. A thin fabric curtain can also be attached to this pipe to create an atmosphere that emphasizes warmth. The changing room made an arch-shaped opening so that it could fit well with the curved space, and a black fabric curtain was attached. The second floor also used the same mirror panel ceiling finish as the first floor, and the space that may look low on the second floor is further expanded. The line lighting between the panels further maximizes the cyber atmosphere on the second floor, and the light falling onto the concrete wall illuminates the displays on the wall.
Since the location of this project was Champs-Elysees Street in Paris, rather than designing the flagship store large and high, I tried to contain many design elements in a compact space. The structure, finish, lighting, display method, and movement of the store space were designed and planned one by one, and the details of the high-andbrand store were explored in more depth.
Dior Flagship Store 67
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The theme of ss collection is Flower Kaleidiorscopic . in the woman’s store design, the same pattern used by Dior was used and sandwhiched between the glass tiles. This way, the floor will look different from different angles. The ceiling made of mirrors is surrounded by a kaleidiorscopic, creating a space where you can see the feast of light. Rose glod metal and rose marble were used as the point material.
Dior Flagship Store 69
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As in the concept, the men’s wear store wanted to create a soft space with cold and static material such as concrete and steel. The overall space is made of concrete to give a static atmosphere, and the curtain and velvet furniture are intended to provide a soft feeling. Steel and mirrors were used as point material to maintain the consistency of the store.
Dior Flagship Store 71
Seeing the Invisible
Following the footstep of the past Year Spring, 2018 Typology Light Pavillion Project Program Museum, Sightseeing FloorsTotal AreaLocation JeJu Island Collaborator Habin Bae, Jiyeon Yoo Ambience
08
We look at the world where the light shines. The space where the light casts is clear and bright. Light makes the world we see, but is the world where light shines, the world we see all that we see? This contest was a project to create a light Pavilion. We tried to re-examine a different invisible space with different lights. The world of perception (invisible) that perceives what is seen is different from the real object world, but exists at the same time. What is seen and what is invisible, existence and nothing is a world of infinite, void, and transcendent thought. Being empty can further promote our thoughts and consciousness because it is invisible. We tried to express the importance of invisible things and the freedom of infinity through empty things. Furthermore, a deeper exploration of the inner world is thought to be the most original owner and a world that can be shared together in a unified society. The moment I leave numerous myself formed from numerous external stimuli, I look at myself in my consciousness. The consciousness rises by finding a new me in nothing empty. Being shown, I can only be explained by others and felt as a phenomenon that can be seen with the eyes. However, my consciousness and mental world are invisible, but they must exist and give me a new perspective.
Through this exploration of the invisible and invisible world, the phenomenon of the past and the phenomenon I see now appear in different dimensions.The skin of an object illuminated by light cannot illuminate the years, materials, and processes that have made it look like it. It is necessary to get out of the superficial shell of an object and draw light into the space behind it that reveals the essence of the object and re-illuminate it. This attempt to re-examine an invisible space will enlighten people that perception is not everything, and stimulate their imagination to explore the nature of something in the future. We applied the theme of re-examination of invisible spaces to a place called Oreum. Oreum is a dialect of Jeju Island, which means a small mountain, and refers to Sohwasan Mountain, where each crater is located. What kind of space exists in this mysterious place called the place where the dragon stayed? I asked a question about. In it, I thought there would be light falling between the layers of time that had passed until the formation of Oreum, and the surfaces of those layers. And created a flow of space so that they could feel the essence of Oreum. Visitors experience walking inside the oreum and getting closer to the nature of the oreum little by little by little.
InvisibleTheSeeing 07
Making a hole to reveal the appearance beneath the solid shell.
Oreum, invisible to our eyes, has the shape of a hill from the outside.
Bringing the light into the hole and illuminates the inside.
Experiencing and recognizing the another part in oreum, not just a hill.
We tried to express the importance of invisible things and the freedom of infinity through empty things. Furthermore, a deeper exploration of the inner world is thought to be the most original owner and a world that can be shared together in a unified society. The moment I leave numerous myself formed from numerous external stimuli, I look at myself in my consciousness. The consciousness rises by finding a new me in nothing empty. Being shown, I can only be explained by others and felt as a phenomenon that can be seen with the eyes. However, my consciousness and mental world are invisible, but they must exist and give me a new perspective.
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Reasoning about Invisible things
Seeing the Invisible 75
Floor Plan Section 1 Exhibition 1 2 Exhibition 2 3 Transition Hall StratumWalkwayStratumand light holes Rigid cover Skin 1 5 10 30 +3250 Level 1 2 3 +1000 Level 1 2 1 3 2 0 5 10 30
Oreum, which is distributed at the foot of a mountain in Jeju Island, is a type of monolithic volcano and mostly corresponds to volcanic debris, and as a parasitic volcano of Hallasan Mountain, it is mainly composed of basalt scoria. There are more than 360 volcanic cones in Jeju Island alone, and the crater is funnel-shaped or horseshoe-shaped. Jeju Island is inseparable from Jeju Island because it is Hwasam Island. This place, where we can explore the parasitic cone that we have made, has the same appearance as other parasitic cones when viewed from the outside. However, you can go inside between them and see the time, time, and environment that Oreum has gone through. I think it can be an interesting experience to find an oreum that can enter the interior between the oreum Volcanic Cone, which has the same appearance and is distributed.
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Artificial lighting shines on the floor, highlighting the texture of the floor in the oreum. The sunlight that came through a layer of floor lights up the interior of Space 2. Visitors cannot see the sunlight directly even here. Sunlight shines on the inner wall of the oreum, emphasizing that the oreum is a stratum. This is the slope from exhibition 2 to exhibition 3. The invisible sunlight begins to be visible, and the sunlight forms a shape of light on the wall of the round dome, clearly revealing the stratum of the oreum. The sunlight that came through a layer of floor lights up the interior of Space 2. Visitors cannot see the sunlight directly even here. Sunlight shines on the inner wall of the oreum, emphasizing that the oreum is a stratum.
Seeing the Invisible 77
Pavillion using the principle of artifact
Space of Metronome
Program Flagship store
Ambience
ABOUT
It was a project to create a pavilion by finding the principles of light and shadow in a building of a favorite architect. I created a pavilion using the principle of Ando Dao dividing the mass of the building and the light that A in layers between the mass and the shadow that would fall accordingly. Similar but consistent layers were formed to create a silhouette of trees that were passed through the Korean paper through the materials of wood and hanji. This pavilion has minimal material composition, making it as focused as
Year Spring, 2020
Typology Flagship store interior design project
Object 2 79
It was a project to create a pavilion by finding the principles of light and shadow in a building of a favorite architect. I created a pavilion using the principle of Ando Dao dividing the mass of the building and the light that A in layers between the mass and the shadow that would fall accordingly
It was a project to create a pavilion by finding the principles of light and shadow in a building of a favorite architect. I created a pavilion using the principle of Ando Dao dividing the mass of the building and the light that A in layers between the mass and the shadow that would fall accordingly
It was a project to create a pavilion by finding the principles of light and shadow in a building of a favorite architect. I created a pavilion using the principle of Ando Dao dividing the mass of the building and the light that A in layers between the mass and the shadow that would fall accordingly
SectionContinousElevationDecomposed A-A' B-B' C-C'
Finding the Principle of Metronome
081Object
Isometric View
Scale of the space
It was a project to create a pavilion by finding the principles of light and shadow in a building of a favorite architect. I created a pavilion using the principle of Ando Dao dividing the mass of the building and the light that A in layers between the mass and the shadow that would fall accordingly. Similar but consistent layers were formed to create a silhouette of trees that were passed through the Korean paper through the materials
80 Top View
It was a project to create a pavilion by finding the principles of light and shadow in a building of a favorite architect. I created a pavilion using the principle of Ando Dao dividing the mass of the building and the light that A in layers between the mass and the shadow that would fall accordingly. Similar but consistent layers were formed to create a silhouette of trees that were passed through the Korean paper through the materials of wood and hanji. This pavilion has minimal material composition, making it as focused as
Typology House Renovation Project Program House
Location Yeon-hee dong, Seoul, South Korea
Studio DYNAGRAM
1 Mini bar 2 Meeting & Lounge 3 Master bed 4 Master bath 5 Terrace
nature of the space provided as a warehouse, it had a not-so-wide floor space of about 10 pyeong. The place currently arranged as a work space was in a position to view the mountain behind, and there was a demand from the owner that it would be a good space to spend time looking at nature. Therefore, the pipe of the toilet in the current work space was moved toward the entrance to create a toilet, thereby maximiz ing the utilization of the inner space.
Collaborator Byoung Woo, HanJae, Seyoung
0 5 10 30 82
AL MAJALIS House
Floors 3 Story
Duearchitects.tothe
Total Area -㎡
Year Spring, 2021
Professional Work
The project was conducted to use the warehouse space provid ed in the townhouse located in Geumgok-dong, Bundang-gu, Seongnam-si as a personal workspace for clients, creating a space in which architect’s tastes and the owner’s tastes are harmonized. This multi-story building has a kitchen, dining space, toilets, work spaces, and private spaces for study and
Ambience
1 Foyer 2 Shoe closet 3 Living 4 Office 5 Dining 6 Kitchen 7 Storage Ground level First level 6 7 1 1 23 4 5 2 3 4 5
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WorksProfessional Dynagram
The first floor consists of a living room, an office, a kitchen and dining room. Walls between living and dining room were demolished to make spaced more opened and connected. By removing only the minimum part, it was possible to remind the structure of the house in the past for client.
Living and Dining
2nd Floor Lounge
84
The living room, the office, and the dining room were designed to capture the outside scenery through the large window opened to terrace. The interior are mainly consist of graytones according to the needs of the architect who wanted a luxurious and modern atmosphere. One wall of the living room was highlighted with large pattern tiles, while the other walls highlighted the modern feel with solid colors.
The living room, the office, and the dining room were designed to capture the outside scenery through the large window opened to terrace. The interior are mainly consist of graytones according to the needs of the architect who wanted a luxurious and modern atmosphere. One wall of the living room was highlighted with large pattern tiles, while the other walls highlighted the modern feel with solid colors. The line lighting were used for a minimal and modern atmosphere, and various tone of furnitures were placed to highlight each spaces.
A cabinet for displaying collections for client. The cabinet was made by layering a 12mm pet panel. Red and gray panels were stacked alternately, and the stacked arches are differed in dimensions, allowing both colors to be clearly visible.A cabinet for displaying collections for client. The cabinet was made by layering a 12mm pet panel. Red and gray panels were stacked alternately, and the stacked arches are differed in dimensions, allowing both colors to be clearly visible.
Lounge Collection Cabinet
A cabinet for displaying collections for client. The cabinet was made by layering a 12mm pet panel. Red and gray panels were stacked alternately, and the stacked arches are differed in dimensions, allowing both colors to be clearly visible.A cabinet for displaying collections for client. The cabinet was made by layering a 12mm pet panel. Red and gray panels were stacked alternately, and the stacked arches are differed in dimensions, allowing both colors to be clearly visible.
85
Duearchitects.tothe
The project was conducted to use the warehouse space provid ed in the townhouse located in Geumgok-dong, Bundang-gu, Seongnam-si as a personal workspace for clients, creating a space in which architect’s tastes and the owner’s tastes are harmonized. This multi-story building has a kitchen, dining space, toilets, work spaces, and private spaces for study and
THE ProfessionalHERITAGEWork 3 4 6521 1 Foyer 2 Kitchen 3 Dining 4 Working Space 5 Bathroom 6 Stiarcase Floor Plan 4
Location Seongnam-si, Gyeonggi-do, South Korea Collaborator Han Jae, Byoung woo, Se young
nature of the space provided as a warehouse, it had a not-so-wide floor space of about 10 pyeong. The place currently arranged as a work space was in a position to view the mountain behind, and there was a demand from the owner that it would be a good space to spend time looking at nature. Therefore, the pipe of the toilet in the current work space was moved toward the entrance to create a toilet, thereby maximiz ing the utilization of the inner space.
Studio DYNAGRAM
86
Total Area -㎡
Ambience
Year Spring, 2021
Typology Storage Renovation Project Program Library
Floors 1 Floor
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WorksProfessional
Dynagram
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Cheese Cattower
DynagramDesignPET
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City Of Cat ; Caty
Cheese Cattower
