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FINE, DECORATIVE ARTS & DESIGN Wednesday 14 & Thursday 15 October 2026

FINE, DECORATIVE ARTS AND DESIGN To be held at: 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ WEDNESDAY 14 & THURSDAY 15 OCTOBER 2026 Viewing Monday 12 October – 10am to 5pm, Tuesday 13 October – 10am to 5pm Wednesday 14 October 9am to 10am & Thursday 15 October 9am to 10am Day of the Sale Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.

SPECIALISTS

George Kingham

John Keightley

Adrian Rathbone

Michael Jeffery

Director

Associate Director Senior Valuer and Cataloguer

Associate Director and Senior Valuer

Associate Director and 20th Century Design Specialist

Mark Oliver

Steven Bruce

Sarah Powel

Claire Cleaver

Eric Belgrave

Consultant Decorative Arts Specialist

Consultant Valuer

Office Administrator

Head of Photography

Photographer

Live internet bidding is available on www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com and www.easyliveauction.com together with a fully illustrated catalogue. Catalogue £10.00 (£14.00 by post)

Kinghams Auctioneers Ltd 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection. 01608 695695 | enquiries@kinghamsauctioneers.com | www.kinghamsauctioneers.com

MAP AND DIRECTIONS Our auction house is located in the historic Cotswold market town of Moreton-in-Marsh By Car We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42. Ample free parking.

By Rail Moreton-in-Marsh’s train station is less than a mile from the auction centre.

By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles.

Accommodation The Howard Arms (10-minute drive from the auction centre) Lower Green, Ilmington, CV36 4LT 01608 682226 www.howardarms.com

DELIVERY SERVICES FOR BUYERS We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation. For Furniture: Tustain Carriers, Fine Art & Antique Carriage 07964 626325 enquiries@tustainclearance.com www.tustaincarriers.com

USEFUL INFORMATION FOR BUYERS Please see full Terms and Conditions at the back of this catalogue.

Buying at Kinghams Auctioneers Ltd:

Condition

There are several ways you can bid at our auctions; by leaving a commission bid, on the telephone and live via the internet.

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

Bidding in Person

Buyer’s Premium

It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

There is a buyer’s premium of 26% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Commission Bids Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Live Internet Bidding Register online via www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com. Various charges apply, please check with your bidding platform.

Payment Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared. Payment Methods - We accept payment by: • Cash - up to £9,000 (subject to money laundering regulations). • Cheques - we do not accept cheques. • Debit cards accepted. We do not accept any credit cards. • Bank transfer to: HSBC Bank, 32 Bridge St., Evesham, WR11 4RU Account No.: 51655345 Account Name: Kinghams Auctioneers Ltd Sort Code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payments.

CONTENTS Day One Designer Jewellery

1 – 65

Silver

66 – 98

Lighting, Design Furnishings and Sculpture

99 – 119

Art Glass

120 – 223

Moorcroft

224 – 291

Art Pottery and Ruskin

292 – 380

Pictures

381 – 554

Day Two Catalogue Available Online www.kinghamsauctioneers.com Asian Art

555 – 586

Antique Jewellery

587 – 652

Metalware and Antique Silver

653 – 686

Works of Art and Taxidermy

687 – 740

Medals and Militaria

741 – 751

Furniture

752 – 780

Clocks

781 – 787

Books, Decorative Pictures and Victorian Watercolours

788 – 856

Antique Glass

857 – 888

European Ceramics

889 – 927

British Ceramics

928 – 976

DAY ONE

DESIGNER JEWELLERY 1. A brilliant-cut diamond and ruby cluster ring, estimated total diamond weight 0.60ct, H-I colour, SI2-P1 clarity, stamped 18ct, ring size O, 5.7g £300 - £400

4. An early 20th century gold, topaz, sapphire and rose-cut diamond drop pendant necklace, with later replacement chain, chain stamped 14K 585, length 45cm, 7.1g £280 - £380 5. An early 20th century 15ct gold suffragette peridot, amethyst and split pearl cluster drop pendant necklace, stamped 15ct, length of pendant 3.5cm, length of chain 39cm, 3.5g £150 - £200

8. An Arts and Crafts silver and enamelled pendant on chain, the campanula shield form plaque with stippled planishing and champleve plaques in turquoise green enamel, suspended from two chains, a trinagular enamel drop below, 6cm long, 8g £40 - £60

2 2. An early 20th century 9ct gold suffragette amethyst, peridot and split pearl pendant, suspended from a later 18ct gold chain, pendant stamped 9ct, chain with 18ct gold hallmarks for Sheffield, length of pendant 4.8cm, length of chain 45cm, weight of pendant 2.7g, weight of chain 2.9g £220 - £320

6. An early 20th century 14ct gold sapphire and brilliant-cut diamond openwork brooch, estimated diamond weight under 0.05ct, clasp stamped 14K, length 3.5cm, 2.1g £100 - £150 7. Charles Horner, an Arts and Crafts silver and purple paste set brooch, Chester 1904, bar form, set with a central heart flanked to each side with three facet cut stones, 4cm long, 3.7g £30 - £50

9. A Jugendstil silver gilt and enamelled brooch, in the form of a winged turquoise coloured cabochon, the cloisonne cells in deep blue to green enamel, bordered in white paste, stamped 930, 4.5cm long, 4.4g £40 - £60 10. A Scottish Modernist silver pendant, Celtic Art Intustries, Edinburgh 1976, the central quartz within an open cast stylised swallow setting, 5cm, 21g £40 - £60 11. Charles Horner, an early 20th century silver purple paste thistle brooch, with maker’s mark, hallmarks for Chester 1912, length 2.4cm, 1.5g £40 - £60

3. An early 20th century 9ct gold suffragette purple and green paste, and split pearl pendant/brooch, suspended from a later 9ct gold chain, pendant stamped 9ct, chain with hallmarks for Sheffield, length of pendant 4.9cm, length of chain 46cm, 8.2g £220 - £320

12 12. Newlyn School, an Arts and Crafts silver and enamelled pendant, in the form of a scallop shell within a heart form knotted tendril setting, basse taille vari hue enamel from green to blue to purple, 4cm long, 4.8g £200 - £300

8 4

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

13. Newlyn, an Arts and Crafts silver, enamel and hardstone necklace, the three scallop shell plaques in turquoise blue basse taille, within knotted wire and beaded cartouches, united on double chains between iridescent abalone type cabochon links, stamped marks Newlyn Enamel, 45cm long, 21.7g £800 - £1,200

14 14. Archibald Knox for Liberty and Co., an Arts and Crafts gold coloured metal and turquoise pendant, the central oval plaque within an organic cartouche pierced and interwoven with wire tendrils, 4cm long, 3.6g £300 - £500

13 19. Murrle Bennett and Co., a Jugendstil silver and opal pendant, the planished foliate ogee shield form plaque with central oval cabochon set in gold, flanked by three ebads to each side and two vertical wire lines, a gold set cabochon drop below, stamped marks, 5cm long, 4.5g £150 - £250 17 17. Jessie M King for Liberty and Co. (attributed), an Arts and Crafts silver and mother of peal brooch, model 1537, the central oval plaque within an open leaf and berry frame with ropetwist border, 2.5cm wide, 2g £50 - £80

15 15. Jessie M King for Liberty and Co., an Arts and Crafts 9 carat gold and amethyst necklace, model 9697, three open tendril and foliate winged cartouches with central facet cut stones, bead berries and articulated drops below, united by trefoil loop and drop suspension links, on a chain, stamped marks L&Co, 9ct, 41cm long, 5.8g £400 - £600

18. A Jugendstil silver and paste necklace, the planished cartouche form pendant with central facet cut green embellishment, applied with coiled wire supports, suspended on two chains, 55cm long, 7.6g £60 - £80

16. An early 20th century 9ct gold amethyst cluster necklace, stamped 375, length 44cm, 11.4g £300 - £400

20. An early 20th century silver suffragette purple and green paste and split pearl pendant/brooch, suspended from a later chain, chain stamped 925, length of pendant 6.7cm, length of chain 45cm, 14.7g £60 - £90 19

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

29. Charles and Gladys Mumford, a silver brooch, set with five stylised leaves and wirework tendrils, another bar brooch similar and a silver and tiger’s eye ring by Charles and Gladys Mumford, brooch stamped silver, 4cm. wide (3) £80 - £120

22 21. Bernard Instone (attributed), an Arts and Crafts silver and amethyst necklace, the central polished bead suspend on two open wire and rosette links with oval cabochons and further bar links, stamped Sterling Silver, 51.5cm long, 7.5g £60 - £80 22. A Scottish Arts and Crafts Iona style amethyst and silver bracelet, eight links of facet cut circular stones within tooled thistle motif frames, 18cm long, 27.8g £40 - £60

24. An Arts and Crafts silver coloured metal and paste set necklace, circa 1900, in the Holbeinesque/Renaissance style, the central panel of open scrolled bars set with blue and white facet cut roundels and studded with floral rosettes, suspended on two chains united by a blue link, a drop below, 44.5cm long £80 - £120 25. William Hair Haseler, an Arts & Crafts silver turquoise openwork brooch, with maker’s mark, stamped 925, length 2.5cm, 3.7g £40 - £60

30 30. An Arts and Crafts silver gilt and citrine ring, stamped PV 925, reticulated floral and foliate scroll design with ropetwist set central facet cut stone, 10.8g £50 - £80 31. A 9ct gold smoky quartz, citrine and diamond dress ring, hallmarks for Birmingham, ring size S1/2, 9.7g £200 - £300

23. An Arts and Crafts silver and turquoise pendant, JW Birmingham 1904, the teardrop cabcohon within a planished and open wing bracketed cabochon interwoven with a wire and studded with beads, 4cm long, 4.7g £80 - £120

26. Bernard Instone (attributed), an Arts and Crafts silver and citrine brooch, circular crescent form with applied leaves and variously cut stones, 3.5cm diameter, 5.5g £80 - £120

32. Ruskin, an Arts and Crafts silver mounted Kingfisher Lustre brooch, A J Pepper and Co, Birmingham 1919, the circular plaque within a tooled setting with clover motifs, 3.8cm diameter £30 - £50

27. Charles and Gladys Mumford, a silver and amethyst cabochon brooch, pierced, circular form with with simple flower motif and wirework tendrils, another wirework broch with central glass cabochon and a silver ring with amber cabochon by Charles and Gladys Mumford, stamped silver, 4cm. diam. (3) £80 - £120

28. Gladys and Charles Mumford, an Arts and Crafts silver and cherry bakelite brooch, the central oval cabochon within a ropetwist, coiled tendril and leaf setting, 5cm long, 12.6g £30 - £50

33. Ruskin for A E Jones, an Arts and Crafts silver and cabochon set pendant, Birmingham 1903, the central turquoise glazed plaque within an incised and pierced circular setting with six pointed star and bead motif, suspended from a chain, 4cm diameter £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

38 34 34. Ruskin, an Arts and Crafts silver coloured metal pendant necklace, the central spear head high fired plaque in blue grey flambe over brown, within knotted wire tendril and ivy leaf frame, impressed marks, suspended on two chains, 6cm long £80 - £120 35. Ruskin, an Arts and Crafts silver mounted brooch, Plantagenet, the lilac and sang de boeuf flambe glazed lozenge plaque within a hand wrought reticulated wire and ropetwist frame, stamped sterling, 8cm long £40 - £60

38. Ruskin, three Arts and Crafts brooches, silver and plate mounted, including a marbled red souffle example in ropetwist frame, another with applied coiled tendril and leaf frame, impressed marks, one with original sales card, 5cm long (3) £40 - £60 39. Ruskin, five Arts and Crafts brooches, circular form, various souffle glazes, three with metal mounts,£30 - £50

42 42. An Arts and Crafts 9 carat gold and mother of pearl bracelet, the closed set naturalistic blister plaques united on double chains, 18cm long, 11.9g £300 - £500 43. A 9ct gold heart and cross bar brooch, hallmarks for Birmingham, length 4.5cm, 3.3g £90 - £120

36. Ruskin, four Arts and Crafts metal mounted brooches, Plantagenet and S&C, the souffle glazed roundels within planished frames, including circular, square and bar forms, stamped marks, 7.5cm long (4) £40 - £60

37 37. Ruskin, four Plantagenet Arts and Crafts silver plated brooches, flambe and souffle glazed roundels within planished oval, circular and diamond form frames, applied with ermine and torque motifs, 5cm diameter (4) £40 - £60

40. Ruskin, two Arts and Crafts Kingfisher Lustre brooches, pewter and white metal mounted, including a circular example in embossed geometirc frame, the other of lozenge form in a ropetwist setting, stamped marks, 8cm long (2) £30 - £50

44. An Arts and Crafts Iona style silver and gem set brooch, circular form, open Celtic knot motifs between facet cut amethysts and a central moonstone cabochon, 3.5cm diameter, 11g £60 - £80

41. Ruskin, six pairs of Arts and Crafts cabochon set clip on earrings, including High Fired and Souffle examples with metal mounts, largest 2.4cm diameter (6) £30 - £50

45. A Scandinavian Skonvirke silver bracelet, alternating panels of planished roundels and relief etched foliate scroll cartouche links, stamped 835, 18.5cm long, 32.7g £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

49. Two Butler & Wilson paste brooches and a Swarovski crystal brooch, to include a dog riding a bicycle, a boy holding a boat toy and a parrot on a perch, each with maker’s mark, lengths 4.6, 4.6 and 5.9cm £40 - £60 50. Two Swarovski crystal and enamel insect brooches, to include a bee and a butterfly, both with maker’s mark, lengths 2.6 and 3.4cm £40 - £60

52. Ruth Markus, a Modernist enamelled silver soloured metal pendant, of oversized form, 1973, embossed multi cartocuhe and beaded form with central double portrait and rose enamel plaques within floral border, signed to the enamel, 14cm long, 51.7g £50 - £80 53. Norman Grant, a Modernist silver and enamelled pendant, stylised floral form with russet blue champleve enamel, 4cm long, 4.1g £50 - £80

46 46. A large Iona style Arts and Crafts silver and agate pendant, the central polished hardstone within an open rectangular and wire butterfly wing form frame with Celtic knot and bead arms, a further cabochon drop below, 8.5cm long, 18.8g £60 - £80 54 51 51. A Danish Modernist silver brooch, N E From, circa 1960, in the form of berried leaves, stamped marks, 8cm long, 10.9g £50 - £80

54. Malcolm Gray, by Pat Cheney, a Scottish 9ct gold freshwater cultured pearl foliate chevron pendant necklace, with maker’s mark, hallmarks for Edinburgh 1990, length 44cm, 3.4g £90 - £140

47 47. An Art Deco silver, cats eye and seed pearl brooch in the form of a flying insect, the body formed of two polished cabochons, the wings and eyes set with split pearls, 4.5cm wide, 10g £80 - £120 48. An early 20th century silver blue enamel butterfly brooch, length 2.4cm, 1.6g £40 - £60

55 55. A Modernist silver and tigers eye pendant, FG, London 1976, the open triangular panel set with a hardstone cabochon, suspended on a chain, 5cm long, 18.8g £60 - £80 49

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

56 56. Geoffrey Bellamy for Ivan Tarratt, a modernist articulated silver brooch, Birmingham 1967, modelled as a branch of ivy leaves, 7.5cm long, 11.7g £40 - £60 57. Michael Bolton a pair of silver Poppy seedhead earrings, textured naturalistic finish, stamped marks, 4.5cm drop (2) £100 - £200 58. A Mid century Italian silver and lapis necklace, A Bianchi, Florence, alternating links of cast and reticulated roses, quatrefoil cartouches and spherical hardstone beads, 40cm long, 35.1g £40 - £60

59. Ivar T. Holth, a mid 20th century Scandinavian white and red enamel starfish brooch, with maker’s mark, stamped 925 Sterling Norway, length 4.2cm, 8.7g £70 - £100

63. Georg Jensen, by Henning Koppel, a mid 20th century Scandinavian silver brooch, with maker’s mark, design number 321, import marks for London 1969, length 4.5cm, 17g £100 - £200

60. Aarre & Krogh Eftf, a Scandinavian fluted cuff bangle, with maker’s mark, stamped Sterling Denmark, inner diameter 5.8cm, width 24mm, 40.9g £70 - £100

64. A Modernist silver bangle, Michael D Hilliar, Dublin 1975, incuse decorated with pictorial motifs of the history of Ireland, 7cm diameter, 54g £80 - £120

61. Nina Breddal, a silver and bloodstone bangle, stamped marks, circa 1974, 6cm wide. £80 - £120 62. Jack Spencer, a Modernist silver penadant, Sheffield 1977, in the form of a Maltese cross constructed from concentric ribbons, 5.5cm long, 6.9g £40 - £60

65. Alexis Bittar, a Modernist lucite and lacquered metal necklace and earrings, hollow ovoids links of iridescent kingfisher blue, united by gunmetal bars, the earrings of domed pyramidal form, 45cm long £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

SILVER 70. Christopher Dresser for Elkington & Co., an Aesthetic Movement electroplated silver sugar bowl, model no.247, dated 1878, the conical bowl with engine turned basket weave band and vacant oval cartouche, on three angled Crow’s Foot legs, stamped marks to outside of top rim including Elkington date code S for 1878, Elkington & Co 1A, 247 to base of foot, 8cm high, 12.8cm diameter Literature: Whiteway, Michael, 2004, Christopher Dresser, A Design Revolution, London: V&A Publications, page 207 fig. 276 and 277, also p.11 fig.2, for a comparable undecorated sugar bowl illustrated, also illustrated on the back cover dust jacket Catalogue notes: this previously unrecorded example of one of Dresser’s classic designs is decorated with a broad band of basket weave or rattan type decoration, typical of Oriental aesthetics. The influence of Japanese design on Dr Christopher Dresser’s designs for Elkington are well documented. £10,000 - £20,000

66 66. Sadajiro Musashiya for Liberty and Co., an Aesthetic Movement silver spoon, import marks for London 1893, realistically modelled as a chrysanthemum flower stem with gilt centre, the naturalistic stalk applied in relief with buds and leaves, 13.5cm long, 0.60ozt £100 - £200 67. Archibald Knox for Liberty and Co., a set of six silver and enamelled coffee spoons, Birmingham 1952, the apple shaped terminals of interlocking tendrils in green and turquoise enamel, in a Liberty box, 9.5cm long, 1.35ozt (6) £150 - £250 68. Dr Christopher Dresser for Hukin and Heath, attributed designer, a wine jug, model no.2922, ovoid glass body with electroplated neck and spout, with hinged flat cover, stamped marks 2922, 16.5cm. high £300 - £400

71 71. An Arts & Crafts silver footed bowl, planished throughout, oval bowl raised on four outswept tendrils, domed base, Goldsmiths & Silversmiths, London 1906, also marked ‘C. Franklin & Hare, Taunton’, 17cm high, 20cm wide, 548g/17.64ozt approx £300 - £500

72 69 69. Dr Christopher Dresser for Hukin & Heath, model no.2655, an electroplated metal letter rack, with articulated dividers, rod and ball construction on arched base, stamped Hukin & Heath marks, 12.5cm. high Literature: Michael Whiteway, Christopher Dresser 1834-1904, Skira,page 84 plate 58 for a comparable example illustrated, design registered 1881. £500 - £700

72. An Arts and Crafts Iona style silver plated twin handled bowl, in the style of the Artificers Guild, twin handled pedestal form, applied with ropetwist borders and pierced handles with Celtic knot motifs, 17cm wide £30 - £50 73. An Edwardian silver ‘Nestor Cup’, conical bowl with gilt interior, twin fretwork strap handles with cast birds, Nathan & Hayes, Chester, 1906, 15cm high, 17cm wide, 320g/10.31ozt approx £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

74. Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled spoon, Birmingham 1902, the terminal of open knotted tendril form with blue green enamel panels, on a slender stem and pear shaped bowl, 12cm long, 0.34ozt £50 - £80

77. Oliver Baker for Liberty and Co., an Arts and Crafts silver and turquoise cabochono set bowl, Birmingham 1906, rounded form with embossed band and everted rim, rusticated texturing, set with four hardstones, 11.5cm diameter, 3.25ozt £200 - £300

75 75. Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled napkin ring, William Hair Haseler, Birmingham 1905, embossed with pairs of stylised knotted but cartouches in blue green enamel, 5.5cm diameter, 1.88ozt £200 - £300 76. Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and gemstone set box, Birmingham 1903, rectangular section, the hinged cover with cast Celtic entrelac panel set with large Opal heart-shaped cabochon, cedarwood lining, stamped marks, L & Co, Cymric, 66, Birmingham, 1903, 14.8cm. wide £2,000 - £3,000

78 78. An Arts and Crafts silver and glass pepper pot, Levi and Salaman, Birmingham 1904, culindrical form, embossed with stylised knotted quatrefoil tendrils to four straps, on three bracket feet, the ogee domed lid pierced with dots and foliate motifs, green glass liner, 9cm high, 26.4g £60 - £100 79. An Arts and Crafts silver mustard pot, Connell, Birmingham 1913, planished splayed conical form applied and embellished with heart leaf tendril motifs below a ropetwist border, the domed and hinged lid with an open strap coronet and ball finial, loop handle, colourless glass liner, 7.5cm high, 2.36ozt £250 - £350

77 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

80. Kate Harris for William Hutton, three-piece Art Nouveau silver-backed brush set, maiden portrait and tendril design (3) £80 - £120 81. An Arts and Crafts silver pedestal bowl, William Hutton and Sons, Birmingham 1909, the shallow bowl with fluted chanels and ball and ring handles, on a sweeping foot, inset with a felted card base, 10cm high, total weight 3.98ozt £120 - £180

86. John Bonnor for the Artificers Guild Ltd., a set of twelve Arts and Crafts silver Zodiac tea and coffee spoons, planished and cast in relief with figurative star sign terminals, in original silklined fitted case, unsigned, the silk lining stamped in gilt The Artificers Guild Ltd, 10.5cm. long (12) £250 - £350

82. An Arts and Crafts silver twin handled cup, Lawson & Co, Glasgow 1905, planished and footed, flaring conical form, with applied foliate whiplash handle and heart shaped shield cartouche, engraved initials the verso 11th May 1907, stamped marks, 9cm high, 15cm wide, 260g £150 - £250

87 87. Manner of Mary Knight, Boston School, a pair of American Arts and Crafts silver and enamel salts, footed vonival ovoid form, champleve enamelled with stylised trees and water (2) £150 - £200 88. Three Arts and Crafts silver spoons, including A E Jones preserve spoon with melon ball finial on a twisted stem, Birmingham 1914, another A E Jones example with planished heart shaped bowl and scrolled tendril handle, Birmingham 2022, and a Norwegian Skonvirke spoon, 14cm long, 2.4ozt £40 - £70 89. A set of six Arts and Crafts silver tea spoons, C J Plucknett, London 1915, planished bowls on twisted square section stems terminating in open coronet pomel finials, 10.5cm long, 48.6g £50 - £80 90. Omar Ramsden, an Art Deco silver spoon, London 1935, the rounded hammered bowl on a ribbed tapering stem with raised initials NF and rat tail back, 19cm long, 2.98ozt £200 - £300

83 83. An Arts and Crafts white metal and gem set box, circa 1920, cuboid form with hinged pagoda lid, planished and applied with ropetwist bands and blind fret foliate scrolls, the side panels set with toirtoiseshell and wire trellis , facet cut amber stones to the corners, on four peg bracket feet, coronet finial, internal cigarette divide, 15cm high, 377g £200 - £400 84. Omar Ramsden, an Arts and Crafts silver milk jug and twin handled sugar basin, London 1903 and 1904, planished, each on stepped, cylindrical foot, stamped marks, London engraved Omar Ramsden Me Fecit to base, 11cm. high (milk-jug) (2) £400 - £600

85. Ruskin Pottery for the Guild Button company, a set of six Arts and Crafts cabochon set silver plated napkin rings, wire construction, applied with cast rosettes with a souffle glazed roundel to each, stamped marks, 4.5cm diameter (6) £60 - £80

91. An Art Deco silver caster, F K Sheldon, Birmingham 1931, of bullet form, the cylindrical body engraved with alternating laddered and foliate bands, the bayonet fixing domed lid pierced with chevron motifs over vertical lined panels, 13cm high, 5.04ozt £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

94. A French Art Deco silver plated jug or coffee pot, Phenix, Lyon circa 1930, the decagonal panelled bulbous body with applied fluted spout and foliate tongue covering, with a hinged conical lid, carved kingwood finial and handle, stamped marks, 18.5cm high £40 - £70 95. Keith Murray for Mappin and Webb, an Art Deco silverplated caster, circa 1935, of tapered cylindrical form on a stepped conical foot, with a domed and concentric stepped pierced lid, marked ‘W27685’, height 17.5cm approx £50 - £100

92 92. William Mair Rolph, The Rapid, an Art Deco silver plated and cut glass cocktail mixer or shaker, circa 1933, the shouldered body with vertical mitre cuts to the lower half, the bayonet fixing lid with a push action mechanical mixing padel and sieved spout, acid etched marks to the glass, 23.5cm high Note: having served in WWI, at some time being associated with MI5, Rolph was a prolific ivnetor and experimentor patenting many mechanical devices from dispensing syringes to metamorphic picnic tables. The Rapid, patented in 1933, became a popular bar accesory at the height of the Art Deco cocktail craze, allowing the vessel to be submerged in ice and the drink mixed and cooled from the exterior, or for ice to be put inside the shakerand spun round. See: Marvel of 1930s Cocktail Technology Institute of Alcoholic Experimentation, Tuesday, 21 April 2015. Online at: instituteforalcoholicexperimentation.blogspot.com/2015/04/amarvel-of-1930s-cocktail-technology.html for an article on this cocktail shaker £80 - £120

96 96. Keith Murray for Mappin and Webb, an Art Deco silver plated cocktail shaker, circa 1930s, conical form with angled handle and cylindrical spout with bayonet cap on chain, stepped domed measuring lid, incised concentric line banding, stamped marks W27795, 23cm high £200 - £400

93. A French canteen of silver plated flatware, Maison Ercuis, circa 1930s, Fiddle and Thread pattern, comprising twelve each of main course forks, tablespoons, teaspoons, a serving spoon and soup ladle, stamped marks to each, length of case 40.5cm approx (38) £50 - £80

97 97. Keith Murray for Mappin and Webb, an Art Deco silver plated dish, circa 1930s, footed form, the stepped rim incised with concentric overlapping chevron band, on a fluted disc foot, stamped marks W28485, 23.5cm diameter £70 - £100 98. An Art Deco silver and glass inkwell, Synyer and Beddoes, Birmingham 1927, coboid form with plain hinged engine turned lid, 6cm wide, 5cm high £50 - £80 94

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

LIGHTING, DESIGN FURNISHINGS AND SCULPTURE

102

99. Muller Freres, an Art Deco frosted glass and wrought iron electrolier, circa 1930's, central light bowl with four suspended hanging lights. £200 - £300 100. Arts and Crafts, a brass three branch ceiling light, the circular frame with three pierced shield panels and scroll arms, with three pink glass shades, flued rim with applied teardrop prunts, unsigned, 71cm high £300 - £500 101. An Arts and Crafts brass and wrought iron wall light, the brass wall plate cast as an Art Nouveau flower stem, scrolling wrought iron arm and frosted glass shade unsigned, 22cm. high £200 - £300 102. Jan Eisenloeffel for J C Stoffels, a Dutch Art Nouveau enamelled copper three piece tea set, circa 1902, conical baluster form with concentric line banding in the Jugendstil style, including a teapot with rattan bound top handle, the lid decorated with a roundel of champleve enamel, radiating geometric pale blue bars between navy blue plaques with yellow circles, central turned ivory finial, the sugar canister or tea caddy lid decorated with similar enamel and copper finial, the milk jug with a riveted beak spout and angled side handle, stamped monogram marks to two, 13cm high, 17cm long (3)

Ivory Exemption Certificate No: WY6ZWTF2 See: Krekel-Aalberse, Annelies, and Raassen-Kruimel, Emke, 1996, Jan Eisenloeffel 1876-1957, Ahrend, p.131, fig.90, for an illustrated example of this tea set from the Frans Lidelmeijer collection, Amsterdam. Note: Having trained at the Rijksnormaalschool voor Teekenonderwijzers in Amsterdam, Eisenloeffel began his apprenticeship with jewellery maker Willem Hoeker, who sent Eisenloffel to Russia to train in the art of enamelling, around 1898. This was a material he began to incorporate into his domestic metalware designs, continuing throughout his working life, using minimal geometric designs and riveted construction techniques, particularly in tea sets. Eisenloeffel’s short lived collaboration with designer and manufacturer Johannes Cornelis Stoffels began in 1902 with Stoffels manufacturing and contributing to Eisenloeffel’s designs. Stoffels later produced his own designs, greatly influenced by Eisenloeffel and made by Onder den Sint Maarten. This tea set is a rare early example of the use of enamelling with riveting and simple design, typical of Eisenloeffel and Stoffels. The monogram appears to be a collaborative monogram containing “S C E o”. £500 - £800

100 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

103 103. Piero Fornasetti, a Fornasetti Workshops Palladina chest of drawers, designed 1958, lacquered, printed and varnished wood, the top with a Arcadian classical garden with Neptune, the curved drawers with Palladian Neoclassical facade, varnished brass door pulls and tapering legs, applied Fornasetti Milano label to drawer, 102cm wide, 84cm high, 56cm deep Provenance: Themes & Variations, London, the sole importer to the UK, purchased by the vendor in 2006.

£6,000 - £10,000

104. Peter Behrens (attributed) for E Bonsmann AEG, a Secessionist enamelled metal advertising paperknife, the handled with geometric panel enamelled black with remains of gilt highlights, with AEG logo to reverse, and an Art Deco bronze paperknife by Pierre Turin, cast with a naked standing maiden, stamped E Bonsmann Solingen to blade, 23cm. long (2) £60 - £100 105. Sudre, an Art Deco enamelled metal and macassar cocktail stick set, circa 1927, modelled as Josephine Baker performing her legendary banana dance, with six black and pink celluloid top hat finial cocktail sticks, 15.5cm wide £200 - £300 106. Robert Mouseman Thompson of Kilburn, an Arts and Crafts carved oak cheese board, oval paddle form with curved handle, modelled with a mouse in relief, 36.5cm long £80 - £120

105

107. Sir William Hamo Thornycroft RA (1850-1925), after Joy, (Joy of Life), 1897 silvered metal, on black slate base signed in the cast and dated 1897, titled to the socle Joy, stamped 18 45cm. high £400 - £600 Note: Ivory Exemption Certificate No.VSURDJXS

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

109

110

111

112. A rare Henry Howell & Co YZ bird clock group, bamboo rhizome, with bakelite feet, and painted glass eyes stamped mark, 24cm. wide £300 - £500 113. Demetre H Chiparus (1886-1947), The Squall, patinated bronze and ivory figure of a woman dressed in fur-lined coat and holding a muff, on alabaster base signed in the cast D H Chiparus to the hem of the coat, 18.5cm. high Provenance: Private collection, London Literature: Alberto Shayo, Chiparus, Master of Art Deco, New York, Abbeville Press, page 71 plate 3 for a comparable example illustrated. Note: Ivory Exemption Certificate No.PRF4B8AZ 108 108. Paul Philippe (French, 1870-1930), Tambourine Dancer, an Art Deco cold-painted bronze and ivory figure of a woman, modelled wearing stylish trouser suit and sash belt, holding a tambourine to her shoulder, on a stepped bronze and veined marble base, signed in the cast to the base P Phillipe, R & M foundry mark, 35cm high. Provenance: Editions Graphiques, (Victor Arwas), purchased by the vendor's mother in 1974. Private collection, London. Note: Ivory Exemption Certificate No.VSURDJXS £3,000 - £5,000 109. Josef Lorenzl (Austrian, 1892-1950), Standing Nude, a patinated bronze model of a standing nude woman, on faceted green onyx base signed R Lor in the casting on the side of her shoe, 15.5cm. high Provenance: Private collection, London

£150 - £250

110. Josef Lorenzl (Austrian, 1892-1950), Lady Standing, a patinated bronze and ivory model of a standing woman in shorts suit and long overcoat, on a faceted, tapering green onyx base, signed R Lor in the casting on the underside of her coat hem, 14cm. high. Provenance: Private collection, London. Note: Ivory Exemption Certificate No.2QLSLY24

£200 - £400

111. Josef Adolph, Dancer, an Art Deco silvered bronze sculpture of a naked female figure balancing on one foot, circa 1925, on veined alabaster base, signed in the cast Adolph, 35.5cm high £400 - £600

113

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£500 - £700

114. Professor Otto Poertzel (1876-1963), Golfer, an Art Deco patinated bronze and ivory figure, circa 1925, on green onyx base, signed in the cast Prof Poertzel, 23.5cm high Literature: Alberto Shayo Statuettes of the Art Deco Period, ACC, page 203 for a comparable figure. Note: Ivory Exemption Certificate No.4F3T53VF

£800 - £1,200

115. Karl Hagenauer (Austrian, 1898-1956), Standing Duck, sculpture in carved wood, brass feet, stamped marks, Edition Hagenauer Werkstatte, 17.5cm high £300 - £500 116. Karl Hagenauer (Austrian, 1898-1956), Bear and Cub, sculpture in carved wood, metal base, stamped marks, Edition Hagenauer Werkstatte, 13.5cm high, 22.5cm wide £1,500 - £2,000

117 117. Sir Eduardo Paolozzi RA (1924-2005), Grasshopper, (cricket), 1993, plaster, printed studio stamp, 27cm wide £150 - £200 118. Chaim Stephenson (British, 1926-2016), Mother & Child, signed, resin/mixed media, 103cm high £150 - £200 119. Nesbert Mukomberanwa (born 1969), Flame Head, springstone, mounted on Portland stone cube plinth, monogram to base of sculpture 58cm. high Provenance: Private collection.

£100 - £200 119

115

116

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

ART GLASS

120

122

125

120. Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts green wine glass, circa 1860, the bulbous doubel ogee rouned bowl on a twisted four stand stem and concial foot, 12.5cm high

123. Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass or goblet, designed circa 1860, optic ribbed ogee bowl on a bisected double twist stem and disc foot, 13cm high

Note: see Jackson, L, 1996, Whitefriars Glass, Richard Dennis, p.97, pl.4 iii, for an illustrated example in the Manchester Museum and Art Gallery, also Rudoe, J, and Coutts, H, 1992, Table Glass Designs of Philip Webb and T G Jackson, in Journal of Decorative Arts Society, vol.16, pp.24-41, p.32 fig.11d £150 - £200

Note: for examples of this glass see the Victoria and Albert Museum, bequest of May Morris, and the Cheltenham Museum and Art Gallery; Carruthers, A. and Greenstead, M., 1999, Simplicity and Splendour, Cheltenham Collections, p.92 and fig.42, for an illustrated example; also Rudoe J & Coutts,1992, Table Glass Designs of Phillip Webb and T. G. Jackson for James Powell & Sons, Whitefriars Glassworks, Decorative Art Society Journal, vol16, p.33, fig.12a (illustrated); Fine Arts Socety, John Scott Collection, number 7 £40 - £70

121. Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts green amber wine glass or goblet, designed circa 1860, optic ribbed ogee bowl on a bisected double twist stem and disc foot, 13cm high Note: for examples of this glass see the Victoria and Albert Museum, bequest of May Morris, and the Cheltenham Museum and Art Gallery; Carruthers, A. and Greenstead, M., 1999, Simplicity and Splendour, Cheltenham Collections, p.92 and fig.42, for an illustrated example; also Rudoe J & Coutts,1992, Table Glass Designs of Phillip Webb and T. G. Jackson for James Powell & Sons, Whitefriars Glassworks, Decorative Art Society Journal, vol16, p.33, fig.12a (illustrated); Fine Arts Socety, John Scott Collection, number 7 £40 - £60 122. Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts brown amber wine glass, designed circa 1860, optic ribbed ogee bowl on a bisected double twist stem and disc foot, 13cm high Note: this is a variation in colour of the other amber wine glass in this auction. For examples of this glass see the Victoria and Albert Museum, bequest of May Morris, and the Cheltenham Museum and Art Gallery; Carruthers, A. and Greenstead, M., 1999, Simplicity and Splendour, Cheltenham Collections, p.92 and fig.42, for an illustrated example; also Rudoe J & Coutts,1992, Table Glass Designs of Phillip Webb and T. G. Jackson for James Powell & Sons, Whitefriars Glassworks, Decorative Art Society Journal, vol16, p.33, fig.12a (illustrated); Fine Arts Socety, John Scott Collection, number 7 £40 - £60

124. Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts liqueur glass, circa 1870, the wrythen ribbed conical trumpet bowl on a slice knopped doubled twisted strand stem and spiral moulded splayed foot, 10.3cm high £40 - £70 125. Philip Webb and Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts green glass beaker, circa 1870, lobed gourd form on a conical foot, 12cm high See: Sparrow, Walter Shaw. 1904, British Home of Today; a Book of Modern Domestic Architecture and Applied Arts, p.210 for an illustrated example of this glass. The design is based on Philip Webb’s wine glass circa 1860, on a four strand twisted stem. £80 - £120 126. T G Jackson for James Powell and Sons, Whitefriars, an Arts and Crafts Champagne glass, model 2002, circa 1870 for William Morris and Company, colourless flint, the double ogee bowl on an inverse baluster stem and conical foot with polished pontil, 12cm high £60 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

130. T G Jackson and Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts straw opal wine glass, model 2101, designed 1870, produced circa 1890, the flared double ogee bowl with optic ribbing, on an inverse baluster stem and conical foot of radiating ribs, with polished pontil, 14.5cm high £70 - £100 131. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts straw opal glass footed beaker, circa 1878, the straight sided rounded bowl on a squat ball knop stem and conical foot, 10cm high Note: this glass design was illustrated in a well known line drawing appearing in Mrs Loftie’s book The Dining Room, 1878, showing contemporary simple table glass in the Arts and Crafts taste pioneered by John Ruskin. £100 - £150

127 127. T G Jackson for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, model 2101, circa 1875, dark amber, the double ogee bowl with straight sided opening, on an inverse baluster stem and conical foot with polished pontil, 14.8cm high £70 - £100 128. T G Jackson for James Powell and Sons, Whitefriars, an Arts and Crafts straw opal port glass, circa 1890, the optic ribbed bulbous shouldered bowl of thistle or poppy head form on a slender inverse baluster stem and conical foot of radiating ribs, 13cm high £60 - £80 129. T G Jackson for James Powell and Sons, Whitefriars, an Arts and Crafts port glass, circa 1870s, the bulbous shouldered thistle form bowl on a slender inverse baluster stem and conical foot, 13cm high £60 - £80

128

132 132. Harry Powell for James Powell and Sons, Whitefriars, a set of four Arts and Crafts monogrammed glass liqueur glasses, circa 1900, the plain rounded bowls engraved with interlaced double L monograms, on plain stems and conical feet, 8.5cm high (4) £40 - £70 133. Harry Powell for James Powell and Sons, Whitefriars, two trios of Arts and Crafts wine glasses, from the Affordable Household Glass range, including two wine, two Champagne and two liqueur glasses, rounded bowls on plain stems and conical feet, 12.5cm high (6) £30 - £50

130

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

131

135. James Powell and Sons, Whitefriars, an Arts and Crafts glass leather bottle carafe, designed circa 1860, model 1434, oval section conical sack form with applied rigaree stitching and a collar, 20.5cm high £40 - £60

136. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts amber glass vase, circa 1900, optic ribbed and dimpled string bag form £40 - £70

137. After Philip Webb for James Powell and Sons, Whitefriars, a large Arts and Crafts amber wine glass, circa 1910, the optic ribbed ogee bowl on a merse and bifurcated twisted stem and radially ribbed conical foot, etched with garland husk swags in the NeoClassical revival style to the bowl, 19cm high £30 - £50

138. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts poppy head wine glass, circa 1880, optic ribbed conical form with four dimples and everted rim, on a tapered stem and conical foot with radiating ribs, 11.2cm high £20 - £40

134 134. Gertrude Jekyll for James Powell and Sons, Whitefriars, a monumental and exceptionally large Arts and Crafts glass Munstead flower vase, circa 1884, waisted conical form with flared neck, large polished lens pontil, 57cm high Note: designed by the influential garden designer, author and horticulturist, for her Surrey estate Munstead Wood (recently acquired by the National Trust), this exhibition vase is perhaps the largest known example from the range. Jekyll commissioned Powell and Sons to manufacture a range of simple and utilitarian vases for arranging flowers from her newly acquired plot of land near Godalming. The house itself was remodelled by Sir Edwin Lutyens in 1896. An advert from The Garden journal, March 29th, 1884, shows the range of commercially produced vases of this design (cf. No.11) sold by James Green and Nephew, London. An optic ribbed example of a slightly smaller size, but same design appeared at auction in Edinburgh in 2021, while another vase of 51cm and of design No.51 was sold in these rooms in July 2023. See: Evans, W, et al. 1995, Whitefriars Glass, Museum of London, p.265, pl.387 and 388 for the illustrated designs. The largest commercially produced vase of this model was 30cm. This was likely an exhibition piece for display in the James Green showrooms; also Jekyll, G, 1884, Munstead Flower Glasses, in ‘Garden: illustrated weekly journal’, vol. 25, 29th March 1884, pp.248-249, for an explanation with illustrations of the vases. £800 - £1,200

139 139. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts amber glass beaker, circa 1880, optic ribbed bulbous form with four dimples, 10.3cm high Note: from an extensive service acquired by John Scott from a private Australian commission. £40 - £70

140. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts amber poppy head wine glass, circa 1880, optic ribbed conical form with four dimples and everted rim, on a tapered stem and conical foot with radiating ribs, 14cm high Note: from an extensive service acquired by John Scott from a private Australian commission. £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

142. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass posy vase, circa 1890, optic ribbed conical form pinched and crimped at the rim, on a merse and radially ribbed conical foot, 11cm high £40 - £70

145. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts straw opal glass vase in wrought iron basket stand, optic moulded flaring fanshaped vaseline glass with metal foot, with wire-work stand four scroll feet and twisted handle, 31.5cm high See: Jackson, L. 1996, Whitefriars Glass the Art of James Powell & Sons, Richard Dennis, p.101, pl.21, for comparable forms illustrated. £200 - £400 146. Harry Powell for James Powell and Sons, Whitefrairs, an Arts and Crafts blue opal glass jar and cover, circa 1880, optic ribbed played cylinder form, the domed lid with an apeture and knopped and mersed finial, 20cm high £100 - £150

141 141. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts historical revival silver mounted amber glass decanter, marked for Aldwinckle and Slater, London 1896, the compressed spherical body with a cylindrical neck applied with raspberry prunts and rigaree bands in the Dutch style, applied with a silver collar with beaded band, 17cm high Note: see McConnell, A, 2009, Decanter, ACC, p. for illustrated examples of this design with different forms of stopper. £100 - £200

143 143. Richardson, an Arts and Crafts threaded glass carafe, circa 1880, opric ribbed conical form, with rigaree collar and applied blue threading to the neck, lower body and base, 17.5cm high £40 - £70 144. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1878, the slightly tapered bucket bowl on plain stem and conical foot, 11.5cm high

147. Harry Powell for James Powell and Sons, Whitefriars, a pair of Arts and Crafts straw opal glass tazza, circa 1890, the shallow crimped dishes supported on open twisted hollow blown stems terminating in merse knops, on radially ribbed concical feet, 15.5cm. high (2) See Evans, W et al, 1995, Whitefriars Glass James Powell & Sons of London, Museum of London, page 80 plate 81, for this shape illustrated in a contemporary photograph of Powell glass shown at the International Louisiana Purchase Exposition, 1904 and also in Walter Sparrow’s 1904 book referenced in other lots here £200 - £400

Note: examples of this service along with glass by T G Jackson, are illustrated in Mrs Loftie’s Dining Room, 1878, as examples of good contemporary glass; reproduced in Jackson, L, 1996, Whitefriars Glass, p.28, fig.71 £30 - £50 142

146

147 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

148 148. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts gilt rimmed wine glass, circa 1880, of plain rounded bowl form, on a slender stem and disc foot, finely gilded to the rim and foot, 10.8cm high Note: Harry Powell’s international outlook and initiative for following trends as well as experimenting, led him to produce simply gilded glassware such as was popular on the Continent in the late 19th century, following the trends of fashionable manufacturers such as J and L Lobmeyr in Vienna, Austria. Several examples of Lobmeyr gilded glasses were purchased by Powell for his factory collection, which he used as inspiration for new designs; see Evans, W et al 1995, Whitefriars Glass, Museum of London, p.78, fig.77 for examples of Powell’s gilt glass ware. An example of a gilt glass by Powell with the cypher of Napoleon III is illustrated in Glass Act IV, Country Seat, fig.191. This glass retains the simplicity, functionality and refinement for which Whitefrairs is known, while making subtle reference to the stylistic trends for more luxurious refinement. £50 - £80 149. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1890, the optic ribbed bell shaped bowl on a plain stem and conical foot of radiating ribs, 12cm high £30 - £50

152

154

152. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts etched glass Champagne flute or wine glass, circa 1900, the flared optic ribbed bowl engraved with a sinuous band of ivy and berries in the Art Nouveau style, above an engraved Latin motto Omnia Bona Bonis, on a plain slender stem and radiating conical foot, 18cm high Note: this glass appears to be from a series of flutes, each with a different sentimental motto or greeting; another example appeared in the Louisiana Purchase Exposition of 1904, in St Louis, illustrated in a contemporary photograph, Evans, W et al. 1995, Whitefriars Glass, p.80, fig.81, showing the same decoration and a different motto; several examples of the engraved glass produced during this period were purchased by Charles Rowley for the Manchester Municipal School of Art, including another example from this service, now in the Manchester Museum collection and illustrated in Jackson, L, 1996, Whitefriars Glass, Manchester City Art Gallery, p.105, pl.34, which has the motto Ut Prosim!. The use of mottos and engraving was a development by Powell in appealing to the growing popularity of Arts and Crafts sentimentality, similar to the metalworkers of the guilds. The use of international languages was an appeal to both the international market and to a Bohemian elite. £150 - £250 153. Harry Powell fo rJames Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1880, the optic ribbed bell shaped bowl on a hollow blown and teisted stem with top merse, an a radially ribbed concial foot, 13cm high

150 150. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts revivalist glass bowl, circa 1900, in the Woodchester Roman style, plain rounded form in dark green with applied alsatian blue threads, 13cm diameter £80 - £120 151. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Champagne glass, circa 1890, the optic ribbed ogee bowl with everted rim, on a plain stem and radially ribbed foot, 11.8cm high £40 - £70

Note: examples of this design were exhibited at the 1904 St Louis Exhibition having previously been illustrated in the Art Jounal of 1889 £60 - £80 154. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts liqueur glass, circa 1900, the Venetian type bell shaped bowl on a bifurcated twisted and plain slender stem and rounded foot, 9.5cm high Note: following Philip Webb’s designs of the 1860s, which featured bifurcated twisted stems similar to this glass, Harry Powell continued to experiment and adapt different design and manufacturing elements to accommodate changing styles and tastes. £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

156

158

155. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1900, the Venetian type bell shaped bowl on a bifurcated twisted and plain slender stem and rounded foot, 15cm high Note: following Philip Webb’s designs of the 1860s, which featured bifurcated twisted stems similar to this glass, Harry Powell continued to experiment and adapt different design and manufacturing elements to accommodate changing styles and tastes. £40 - £70 156. Harry Powell for James Powell and Sons, Whitefrairs, an Arts and Crafts thistle head wine or Champagne glass, circa 1890, the dimpled bowl with spiral optic ribbing, on a plain stem and disc foot, 11.8cm high Note: see Jackson, L, 1996, Whitefriars Glass, Richard Dennis, p.104, pl.33, for an example of this glass £40 - £70

160 158. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts straw yellow liqueur glass, circa 1885, the rounded bowl on a hollow quatrefoil section inverse baluster stem applied with prunts to the shoulder, on a radially ribbed conical foot, 13.5cm high Note: inspired by Facon de Venise glassware, the design of this stem is illustrated in the 1889 Art Journal reproduced in Jackson, L, 1996, Whitefriarrs Glass, Richard Dennis, p.15 fig.30. The colour appears to be the base colour of the straw opal range produced from 1878. £80 - £120 159. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass air twist and controlled bubble port glass, circa 1890, the optic ribbed bell shaped bowl with a spiral band of air bubbles, on a tapered stem of three helix strands, on a radial ribbed conical foot, 12.8cm high Note: from the 1880s Harry Powell experimented with trapped air techniques, in the 18th century manner, re interpreting the traditional methods in a new and innovative way to create contemporary designs. See: Evans, W. et al. 1995, Whitefriars Glass, Museum of London, p.79, pl.78 for an illustrated example of this pattern combination on a champagne flute, possibly from the same service; also the Art Journal, 1889, for an illustration of a goblet, reproduced in Jackson, L, 1996, Whitefriars Glass, p.15, fig.30 £180 - £220 160. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1900, the plain rounded bowl on a hollow reeded barrel form stem applied with melted spiral threading, on a radially ribbed and folded foot applied with the same decoration, polished pontil, 14cm high

157 157. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Minerbi Service glass finger bowl and ice plate or stand, circa 1906, the bulbous bowl in flint with alsatian blue internal pulled threads, the dish similaraly decorated, with everted broad rim, 15.5cm diameter (2)

Note: following Powell’s experimentation with ‘hot’ moulded and applied decoration, this glass combines the Venetian inspired optic detailing with the practicality and durability of lead crystal. £50 - £80 161. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts dark green conical wine glass, circa 1890, optic ribbed on a plain foot, 11.5cm high £40 - £70

Note: designed for the service commissioned by Count Minerbi, an Italian diplomat, consisiting of 400 pieces of table glass. £120 - £180

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

162 162. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts amber glass conical wine glass, circa 1900, optic ribbed on a plain foot, 11.5cm high £40 - £70

165 165. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts silver stoppered decanter, 1904, the reeded onion domed and collared stopper with cork seal, marked for William Hutton, London 1904, modelled in the Dutch Revivalist style, optic ribbed twin handled bulbous globe and shaft bottle form, applied with four rigaree trails to the lower body and a similar collar below two loop handles, polished pontil, 20cm high

163 163. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass beaker, circa 1900, double ogee form with applied teardrop trails, in the Roman revival style, 10cm high

Note: this is a very early and rare example of this design, produced prior to the use of the newly registered JP&S silver mark, which replaced the sponsors marks of firms such as William Hutton, after 1906. The decanter shows Harry’s interest in reviving worldwide historical designs, seen on his travels throughout the museums of Europe, combining the Hispano Dutch designs of 18th century bottles, including a Moorish stopper, with the practicality of modern domestic life, in line with the philosophy of the Arts and Crafts movement. This is likely a liqueur or condiment decanter.

Note: a beaker of this shape by Powell is illustrated in a 1913 photograph of Powell’s exhibit at the Ghent Exhibition of that year, reproduced in Evans, W et al. 1995, Whitefriars Glass, Museum of London, p.94, fig.99 £30 - £50

See: Sparrow, Walter Shaw, 1904, British home of today: a book of modern domestic architecture & the applied arts, London, p.214, G16 for an exactly contemporaty illustrated example of this decanter together with other glassware designed by Harry Powell. Also Jackson, L, 1996, Whitefriars Glass, Richard Dennis, p.110, pl.57 for an illustrated example dated 1909. £500 - £800

164. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Tear wine or sherry glass, circa 1899, flint trumpet form, applied with four sea green vertical trails, on a conical foot, 14cm high £120 - £180

166. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Jacobite revivalist facet stem wine glass, circa 1900, the rounded bucket form bowl cut with a rose, on a plain facet cut stem and conical foot, 14cm high £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

170 167 167. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Jacobite revival wine glass, circa 1900, the conical bowl cut an engraved with a rose, on a pulled and reeded stem, radially ribbed conical foot with folded rim, 13cm high

170. Ludwig Moser for J and L Lobmeyr, an extensive Secessionist gilt etched glass drinking suite, circa 1900, including six large goblets, six Champagne saucers, five wine glasses, a decanter and a claret jug, all of conical ocatagonal section, decorated in the Art Nouveau style with sinuous tendrils of flowering and leafing clover, highlighted in gilt with gilded rims, engraved monograms (19) £200 - £400

Note: see Jackson, L, 1996, Whitefriars Glass, Richard Dennis, p.109, pl.53 for illustrated examples of this glass; the goblet is also illustrated in Sparrow, Walter Shaw. 1904, British Home of Today; a Book of Modern Domestic Architecture and Applied Arts, p.210 £100 - £150 168. Frederick Carder for Stevens and Williams, a rock crystal cut glass Iris goblet, pattern 29006, circa 1890 £50 - £80

171 171. Koloman Moser for E Bakalowitz & Sohne, a set of four Secessionist iridescent liqueur glasses, Meyrs Neff, circa 1900, the amber lustre ovoid bowl on a colourless mersed slender plain stem and conical foot, 15cm high (4) Note: the collections of MAK, Vienna, and the Leopold Museum, Vienna, have several similar examples of this glass, with both iridescent and coloured bowls; see Leopold, E and Kutzenberger, S, 2018, Koloman Moser- Die Sammlung Leopold, Vienna for an example in the same decor pattern. £50 - £80

169 169. Frederick Carder for Stevens and Williams, an Arts and Crafts glass jug, circa 1902, shouldered inverse baluster form optic moulded with teardrop motifs in the Secessionist Art Nouveau style, plain base and polished pontil, 19cm high £40 - £70

172. Emile Galle, an Art Nouveau Landscape cameo glass vase, circa 1900, flattened disc form on flaring stepped foot, carved in relief in purple and blue over yellow pate de verre, with pine trees around a lake, tall mountains in the distance, Cameo Galle signature, 22.5cm. high £2,000 - £2,500 173. Carl Witzmann for Loetz, a Candia Papillon iridescent glass vase, model no.682, cylindrical base with flaring neck, golden iridescence unsigned, 15cm. high, 23cm diam. £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

174

176

174. Louis Comfort Tiffany, an Art Nouveau iridescent Favrile glass vase, model FA1577, shouldered slender gourd form, with pulled feather decoration, in green and golden lustre, etched marks, paper label, 21.5cm high £1,500 - £2,000

175. Johann Oertel, Haida, a Secessionist enamelled glass vase, circa 1920, flaring cylindrical form, decorated with panels of blackbirds perched in a fruit tree, panels of geomertic foliage in colours, above a band of geometric panels in yellow with bell form motifs, signed, 14cm high £800 - £1,200

176. René Lalique, a Monnaie du Pape glass vase, model 897, designed 1914, frosted with sepia staining, incuse mark R Lalique, 23cm high £1,000 - £1,500

175

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

177

180

181

177. René Lalique, a Serpent glass scent bottle and stopper, model no.502, designed 1920, clear and frosted glass with blue staining, moulded Lalique mark, etched number, 8.5cm high, (2) £600 - £800

183. Gordon Russell for Stevens and Williams, a set of six Arts and Crafts Lygon Wrythen wine glasses, circa 1920, modelled in the 18th century style, of conical ale flute form, on ball knop stems and disc feet, 12.5cm high (6) £80 - £120

178. René Lalique, a Charmes glass chandelier or plafonnier pendant light shade, model 2458, designed circa 1924, polished and frosted, moulded mark R. Lalique, France, with four suspension plaques, 34.5cm diameter £800 - £1,200

184. Gordon Russell for Stevens and Williams, Royal Brierley, a pair of Arts and Crafts Lygon type series hock wine glasses, the rounded optic ribbed bowls on bifurcated twisted stems on conical feet, etched marks Brierley, 19.2cm high (2) £40 - £70

179. René Lalique for D’Orsay, a Chypre glass perfume bottle, model D’Orsay Perfume 16, designed circa 1923, moulded marks RL, 6.8cm high £40 - £70

185. Gordon Russell for Stevens and Williams, an Arts and Crafts Lygon wrythen glass beaker, conical form with optic wrythen bands int he 18th century style, 10.5cm high £40 - £60

180. Julien Viard for Lubin perfume, a clear and sepia stained glass Eva scent bottle and stopper, etched marks to base of bottle and stopper, 10cm. high (2) £200 - £400

186. Karl Wiedermann for WMF, an Ikora glass vase, ovoid with collar neck, green fissured glass with aubergine columns, graduating to clear, cased in thick clear glass, a bowl and a lampbase similar, unsigned, 9.5cm. high (3) £120 - £180

181. Julien Viard for Gueldy perfume, a clear glass Ador scent bottle and stopper, swollen form cast with a lotus flower, highlighted in gilt, etched J Viard mark, 9cm. high (2) £150 - £200 182. Simon Gate for Orrefors, a Lunch amethyst glass bowl, Sanvik, designed 1919, flared pedestal form with wrythen twisted stem and conical foot, 20cm diameter £30 - £50

187 187. Charles Graffart and Rene Delvenne for Val St Lambert, a Luxval amethyst glass Art Deco Nymphea bowl, circa 1935, coupe overte form, flared and footed, moulded in relief with radiating bars and stylised cloud motifs, signed to the foot, 38.5cm diameter £50 - £100 188. An Art Deco silver lustre and etched glass galleon vase, probably Czech, circa 1930, bucket form, etched with a ship in full sail on open seas with silver stars, coulds and birds in flight, 21.5cm high £40 - £70

183

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

189

191

189. Barnaby Powell for James Powell and Sons, Whitefriars, an Artic Blue trailed glass vase, circa 1960, model 8886, originally designed circa 1932, flared trumpet form, 21cm high

191. Marriott Powell for James Powell and Sons, Whitefriars, a Cloudy brown and opaque glass beaker vase, circa 1930, tapered conical form, white draining to brown, large polished pontil, 23.5cm high £80 - £120

Note: a rare colour variation of a well known and popular design, Arctic Blue was introduced around 1960 to revitalise a timeless design in contemporary smoky colours influenced by Scandinavian manufacturers; with this particular shape design was eventually discontinued before 1966. £40 - £70

192. Whitefriars, three glass vases including a Sapphire blue optic wave beaker vase by Marriott Powell, a Flint optic wave bowl by William Butler and a Barnaby Powell Sea Green trailed barrel vase, circa 1930s, 20cm high (3) £40 - £60

190

193

190. Whitefriars, James Powell and Sons, an Art Deco cloudy blue lattice bowl, circa 1930, squat ovoid form with inverted rim, similar to model 9099, combed opaque and sanctuary blue internal streaky decoration,polished pontil, 13cm diameter

193. Barnaby Powell and Alan Tubby for James Powell and Sons, Whitefriars, an Art Deco cut Sapphire Blue glass bowl, circa 1932, shallow circular form with pairs of radiating frosted wrythen line and segment bands, on a solid cylindrical drum foot, polished pontil, 22.5cm diameter

Note: for illustrated examples of this technique and colourway, which was only produced in limited quantities for a few years from 1929, see Jackson, L. 1996, Whitefriars Glass, Richard Dennis, p.119, pl.97; Manchester Museum and Art Gallery collection £50 - £80

See: Jackson, L, 1996, Whitefriars Glass, Richard Dennis, p.76, fig.188 for an illustrated example in the Manchester City Art Galleries, also p.127, plate.122 £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

194

197

194. Eric Ravilious (attributed) for Stuart and Sons, an Art Deco cut glass vase, circa 1935, rounded and footed tumbler form, decorated with stylised wrythen feathered palmette fronds, on a plain foot, etched marks, 23cm high

197. Timo Sarpaneva, an Iittala Arkipelago (Archipelago) glass sculptural candlestick, designed in 1981, thick clear glass with raised and impressed vein decoration, incised Timo Sarpaneva and remains of applied manufacturer’s label, 19cm. high

See: Hajdamach, C, 2009, 20th Century British Glass, ACC, p.164 pl.342 and 343 for illustrated examples of a Ravilious vase design of the same shape with similar foliate decoration produced for the Harrods British Art in Industry exhibition, 1934. £80 - £120

Literature: Kaj Kalin, Sarpaneva, Helsinki, pages 268-69 for comparable examples. Jennifer Opie, Scandinavia Ceramics & Glass in the Twentieth Century, Victoria & Albert Museum, page 78, catalogue number 238 for a comparable example illustrated. £150 - £200

195. James Hogan and Tom Hill for James Powell and Sons, Whitefriars, three Sea Green glass bowls, circa 1937-40, including a five sided bowl with folded rim, model 9090, a lobed bowl model 9250 and a square section bowl with folded rim, model 9169, 32.5cm diameter (3) £40 - £70 196. Fulvio Bianconi for Venini, a Modernist Venetian glass bowl, Murano, circa 1950s, clear glass with white opaque and smoky grey bands, etched Venini Italia mark, 11.8cm diameter £100 - £200

198. Tapio Wirkkala for Iittala, a set of five Tapio wine glasses, designed circa 1952, each glass with open air bubble inclusion to the conical stem, 13cm high (5) £40 - £70 199. Bent Severin for Holmegaard, a part suite of Princess glass ware, designed 1957, including five wine and four brandy glasses, each with a conical stem with internal air bubble, 14cm high (9) £50 - £80

199

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

202. Otto Brauer, a Holmegaard Gul vase, white glass cased in red, applied paper label, 36.5cm. high £200 - £300

200

203

200. Per Lutken for Holmegaard, a Modernist glass Martini jug or cocktail pitcher, designed 1956, conical form with sparrow beak and applied tapered loop handle, in smoky green, 24.5cm high £40 - £70

203. Otto Brauer, a Holmegaard Gul vase, white cased in clear glass, a yellow cased white Gul vase and three other ‘Gul vases, remains of paper label to main vase, 25cm. high (5) £100 - £200 204. Geoffrey Baxter for James Powell and Sons, Whitefriars, a pair of Ruby glass Coffin vases, shape no.9686, 13cm high (2) £100 - £200

201

205

201. Edward Hald for Orrefors, a Graal glass aquarium vase, model no.160-67, circa 1960s, teardrop form, internally decorated with brown and green fish swimming amongst seaweed, incised marks Orrefors Graal no.160-67 Edward Hald, 21cm high £350 - £450

205. Geoffrey Baxter for James Powell and Sons, Whitefriars, a pair of Tangerine glass textured range Bark vases, model 9691, and another smaller, paper Whitefriars label to one, 23.5cm. high (3) £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

209. Geoffrey Baxter for James Powell and Sons, Whitefriars, a Pewter glass textured range coffin vase, model 9686, an Indigo bark vase and a Kingfisher Blue bark vase, 13cm. high (3) £120 - £180 210. Geoffrey Baxter for James Powell and Sons, Whitefriars, a Ruby glass Finger vase, model 9729, 16cm high £80 - £120

211 211. Geoffrey Baxter for Whitefriars, a sun spot Suncatcher, amber glass, circa 1969, relief-moulded as a sun mask, 18.5cm diameter. 206 206. Geoffrey Baxter for James Powell and Sons, Whitefriars, a Cinnamon glass Cucumber vase, textured cylindrical form, model 9679, 29.5cm. high £150 - £200

Literature: Wendy Evans, Catherine Ross and Alex Werner Whitefriars Glass, James Powell & Sons Museum of London, page 340 plate 603 for a comparable example illustrated in the 1969 catalogue. £200 - £300

207 207. Geoffrey Baxter for James Powell and Sons, Whitefriars, Lilac glass textured range bark vase, pattern 9689, cylindrical form 15cm high £150 - £200 208. Geoffrey Baxter for James Powell and Sons, Whitefriars, a Ruby glass textured range Bark vase, model 9690, and two other smaller, unsigned, 19.5cm. high (3) £100 - £200

212 212. Geoffrey Baxter for James Powell and Sons, Whitefriars, a Modernist Pewter and Tangerine glass vase, model 9707, circa 1969, tapered conical form with a broad spiral swirl, 22.5cm high £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

213

215

216

213. Ronald Stennett Willson for Kings Lynn, Wedgwood, a Modernist Sheringham glass decanter, model RSW44, circa 1969, spherical form on short stem and disc foot, with a solid ball stopper, etched mark Wedgwood England, 29.5cm high Note: produced bewteen 1967 and 1969 as part of Stennett Willsons iconic Sheringham range of candlesticks, the decanter was difficult and expensive to produce, making its production short lived. This rare example is illustrated in McConnell, A, 2006, Millers 20th Century Glass, p.231 and in Hajdamach, C, 2009, 20th Century British Glass, ACC, p.332, pl.701, from the Graham Cooley collection described as a Sheringham port decanter. £50 - £80

214. Frantisek Vizner for Skrdlovice, a Modernist glass vase, shape no.7411/19, designed 1974, cylindrical colourless cased brown glass, the neck with air bubble band inclusions, unsigned, applied factory label, 18.5cm. high See: Czech Art Glass Designs from Skrdlovice, catalogue number 60 this vase illustrated. £100 - £200 215. Frantisek Vizner for Skrdlovice, a Modernist glass vase, circa 1970s, shape no. 7117, cylindrical pale green with applied prunts, unsigned, 25.5cm.high Literature: Czech Art Glass Designs fromSkrdlovice, catalogue number 39 for a comparable vase, designed in 1971.£150 - £200 216. Ladislav Oliva for Skrdlovice, a Modernist glass vase, shape no.7618/18, colourless, cylindrical form with knopped base, internally decorated with red pulled columns, unsigned, 19cm. high £80 - £120

217 217. Jaroslav Svoboda for Skrdlovice, a Modernist glass vase, circa 1972, shape no.7233/17, ovoid form applied with blue and green prunts, unsigned, 16.5cm. high Literature: Robert Bevan Jones & Jindrich Parik,Beranek & Skrdlovice Legends of Czech Glass, for a vase and bowl in this range illustrated. £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

222 222. Murano, a Merletto glass vase in the manner of ArchimedeSeguso, shouldered form. the thick clear glass internally decorated with threads of tiny air bubbles and aventurine, unsigned, 16cm. high £100 - £200

218 218. Frantisek Vizner for Skrdlovice, a Modernist glass vase, circa 1970s, square section, blue cased in peach, with air inclusions, unsigned, 24.5cm. high Literature: Czech Art Glass Designs from Skrdlovice, this vase illustrated. £200 - £300 219. Frantisek Vizner for Skrdlovice, a Modernist glass vase, circa 1970s, shape no.8020/21, colourless, drum form with collared neck, applied with two textured circular disc panels, unsigned, 20.5cm. high Literature: Czech Art Glass Designs for Skrdlovice, catalogue number 84 this vase illustrated. £150 - £200 220. Carlo Scarpa for Venini, a Corroso glass bowl, Murano circa 1946, elliptical section with lime tinted optics and acid textured finish, etched marks Venini Murano Italia, 23cm wide, 10cm high £800 - £1,200

223 223. Milan Metelak for Harrach, an Evening Blue glass vase, swollen, tapering cylindrical form the blue bowl cased in colourless, together with another glass vase designed by Milan Metelak with pulled trilobed neck, unsigned, 22.5cm. high (2)

221. Finn Lynggaard, a Danish cylindrical glass vase, dated 1980, internally decorated with flowers, and a Patrick Stern etched glass vase, etched FL 80 Danmark, 24.5cm. high (2) £80 - £120

Literature: 300 Years of Harrach Design, edited by Jan Mergl, page 405 the trilobed vase design illustrated. £100 - £200

220 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

MOORCROFT

224 224. Sally Tuffin for Moorcroft, a Blue Gum vase, 1993, shouldered form, F A Joyce and Son stamp, impressed marks, limited edition 283 of 500, 18.5cm high £80 - £120 225. Beverley Wilkes for Moorcroft, a Kerala trial ginger jar and cover, 2000, shoiuldered ovoid form, impressed marks and underglaze signature and date, 15.5cm high £60 - £100

228 228. Walter Moocroft for Moorcroft, a large Poplar Leaves vase, 1965, footed spherical form, teal ground, impressed marks, underglaze signature and date, 33cm high Note: one of only a few known examples of this vase, one was given by Walter Moorcroft to Princess Margaret on her marriage in 1960. Provenance: formerly part of the Moorcroft Family Collection £300 - £500 229. Walter Moorcroft, two plates, including Tiger Lily and Magnolia, one dated 1988, yellow grounds, impressed marks and underglaze signatures, 26.5cm diameter (2) £80 - £120

226 226. Rachel Bishop for Moorcroft, a large Tigris limited edition vase, 1993, shouldered form, impressed marks, signed, dated and numbered 104 of 150, 39.5cm high £150 - £250 227. Walter Moorcroft, a Spring Flowers bowl and cover, circa 1950, squat footed form, impressed facsimile signature and marks, 15cm diameter £40 - £70

230 230. William Moorcroft for James MacIntyre, a Wisteria on white vase, 1913, footed trumpet form, underglaze green signature, 29cm high Provenance: formerly part of the Moorcroft Family Collection £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

231 231. William Moorcroft for James MacIntyre, a Blue Poppy cup and saucer, circa 1903, flared trumpet form with bamboo moulded handle, gilt banding, printed marks and underglaze green signatures, 7cm high Provenance: formerly part of the Moorcroft Family Collection £80 - £120 232. William Moorcroft for James MacIntyre, a Florian Poppy cup and saucer, circa 1900, flared trumpet form with bamboo moulded handle, printed mark and underglaze green signatures, 7cm high Provenance: formerly part of the Moorcroft Family Collection £80 - £120

234 234. William Moorcroft for James MacIntyre, a Wisteria on white vase, 1913, elongated inverse baluster form, underglaze green signature, 22cm high Provenance: formerly part of the Moorcroft Family Collection £600 - £800 235. William Moorcroft for Liberty and Co., a Hazledene landscape cup and saucer, circa 1903, conical form, printed Liberty marks and underglaze green signatures, 6cm high Provenance: formerly part of the Moorcroft Family Collection £100 - £200

233 233. William Moorcroft for Liberty and Co., a Florian Peacock vase and cover, circa 1900, octagonal section shouldered form with cushioned lid, printed mark, underglaze green signature, 14cm high Provenance: formerly part of the Moorcroft Family Collection £400 - £600

236 236. William Moorcroft for James MacIntyre, a Hazledene vase, circa 1903, flared and footed beaker form, printed registration and underglaze green signature, 10cm high Provenance: formerly part of the Moorcroft Family Collection £500 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

237

238

237. William Moorcroft for Liberty and Co., a large Claremont vase, circa 1903, waisted form with open mouth, printed Liberty mark and underglaze green signature, 33cm high Provenance: formerly part of the Moorcroft Family Collection £800 - £1,200 238. William Moorcroft for Liberty and Co., a Hazledene vase, James MacIntyre circa 1903, waisted gourd form, footed and shouldered, printed Liberty marks and underglaze green signature, 23cm high £800 - £1,200

239. William Moorcroft, a Flambe Leaf and Blackerry vase, circa 1935, waisted form, impressed marks and facsimile signature, underglaze blue monogram, 11cm high £50 - £80

240. William Moorcroft, a Leaf and Berry on celadon cup and saucer, circa 1935, flared trumpet form, with strap handle, impressed facsimile signature, 7cm high Provenance: formerly part of the Moorcroft Family Collection £50 - £80 241. William Moorcroft, a Big Poppy on Powder Blue coffee can and saucer, circa 1928, cylindrical form, impressed marks and underglaze blue monograms, 6cm high

239

Provenance: formerly part of the Moorcroft Family Collection £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

246 242. William Moorcroft, a Revived Forget Me Not on Powder Blue coffee can and saucer, circa 1935, cylindrical form, impressed marks and facsimile signature, 6cm high

249. William Moorcroft, a Pansy teapot, circa 1935, spherical footed form with ogee domed lid, impressed marks and facsimile signature, 24cm long £80 - £120

Provenance: formerly part of the Moorcroft Family Collection £50 - £80 243. William Moorcroft, a Pansy on blue tea trio, circa 1935, including cup, saucer and plate all with a single flower, impressed marks and facsimile signatures, 16.5cm diameter (3) £50 - £80 244. William Moorcroft, a Leaf and Berry tea trio, circa 1935, including cup, suacer and plate, green ground, impressed marks and facsimile signatures, 21.5cm diameter (3) £50 - £80 245. William Moorcroft, a Flambe Yacht cup and saucer, circa 1935, rounded and footed form, cream ground, impressed marks and facsimile signature, 6cm high Provenance: formerly part of the Moorcroft Family Collection £30 - £50 246. William Moorcroft, a Peacock Eye tea trio, circa 1935, yellow ochre ground, including cup, saucer and plate, impressed marks and facsimile signature, underglaze blue monograms, 17cm diameter (3) £80 - £120

250 250. William Moorcroft, an Orange and Blossom plate, circa 1935, cream ground, impressed marks and facsimile signature, 25cm diameter See: Atterbury, P. 2008, Moorcroft Pottery, Richard Dennis, p.150, for an iluustrated example of a platter in the same design Provenance: formerly part of the Moorcroft Family Collection £100 - £200

247 247. William Moorcroft, a small Spring Flowers vase, circa 1935, inverse baluster or temple jar form, impressed marks and facsimile signature, 8.5cm high £40 - £70 248. William Moorcroft for Liberty and Co., a Tudric Pewter mounted Pansy tazza, circa 1928, the blue ground circular plate with everted rim on a pkanished pedestal stand with rounded foot, impressed marks and underglaze blue monogram, stamped marks 01313, 22cm diameter £80 - £120

251 251. William Moorcroft, a Dawn Landscape vase, circa 1928, cylindrical form, impressed marks, 7.5cm high £120 - £180 252. William Moorcroft, a small Banded Pomegranate vase, circa 1930, inverse baluster or temple jar form, rope borders, impressed marks and Queen Mary sticker, 8.5cm high £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

253

257

253. William Moorcroft, a Pomegranate coffee pot, 1914, conical form with strap handle, ochre ground, underglaze green signature and date, 16cm high Provenance: formerly part of the Moorcroft Family Collection £200 - £300 254. William Moorcroft, a Pomegranate vase, circa 1914, waisted flared form, impressed Burslem marks and underglaze green signature, 21.5cm high £80 - £120 255. William Moorcroft, a large Pomegranate bowl, circa 1920, shallow footed form, ochre rim, impressed marks M88 and underglaze green signature, 32cm diameter £120 - £180 256. William Moorcroft, a Pomegranate on ochre pedestal bowl, circa 1914, rounded footed form with rolled rim, impressed Burslem marks and underglaze green signature, 24cm diameter £200 - £400 257. William Moorcroft, a Pomegranate twin handled bowl, circa 1914, rounded footed form with loop strap handles, impressed Burslem marks and underglaze green signature, 31cm wide £80 - £120 260 260. William Moorcroft, a Claremont vase, circa 1925, inverse baluster form, impressed marks and underglaze blue signature, 28.5cm high £500 - £800

258 258. William Moorcroft, a small Pomegranate vase, circa 1914, spherical bulbous form with flared elongated neck, impressed Burslem marks and underglaze green signature, 9.5cm high £120 - £180 259. William Moorcroft, a saltglazed Leaf and Berry bowl, circa 1930, footed form, matt glaze, impressed marks and underglaze blue signature, 23.5cm diameter £150 - £250

261 261. William Moorcroft, a small Claremont vase, circa 1925, shouldered form with everted rim, impressed marks and underglaze blue monogram, 9.5cm high £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

262. William Moorcroft, a Claremont octagonal dish, circa 1935, fluted everted rim, impressed marks and facsimile signature, underglaze blue signature, 28cm diameter £150 - £250

263 263. William Moorcroft, a small Claremont vase, circa 1925, inverse baluster form, impressed marks, 10cm high £150 - £250 264. William Moorcroft, a small Claremont vase, circa 1925, squat baluster form, impressed marks M32 and underglaze green signature, 8cm high £400 - £600 265. William Moorcroft, a small Claremont vase, circa 1925, squat ovoid form, impressed marks, 7cm high Provenance: formerly part of the Moorcroft Family Collection £300 - £500

268 268. William Moorcroft, a Big Poppy vase, circa 1925, inverse baluster form, impressed marks and underglaze teal signature, 24.5cm high Provenance: formerly part of the Moorcroft Family Collection £200 - £400

266. William Moorcroft, a Claremont teapot, circa 1918, squat spherical form with demilune top handle and short spout, impressed marks and underglaze green signature, 20cm high Provenance: formerly part of the Moorcroft Family Collection £80 - £120

269

267 267. William Moorcroft, a small Claremont vase, circa 1935, baluster form, impressed marks and facsimile signature, 9.5cm high £200 - £400

269. William Moorcroft, a Moonlit Blue plate, circa 1928, shallow circular form with everted rim, impressed marks and underglaze blue monogram, 19cm diameter £200 - £400 270. William Moorcroft, a Persian vase, circa 1914, flared trumpet form, impressed Burslem marks and underglaze green signature, 24cm high £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

274 274. William Moorcroft, a Cornflower jar and cover, 1914, footed and flared beaker form with heavy sweeping conical lid, underglaze green signature and date, 16cm high Provenance: formerly part of the Moorcroft Family Collection £200 - £300 275. William Moorcroft, a Cornflower cup and saucer, circa 1914, flared trumpet form with bamboo moulded handle, underglaze green signatures, 7cm high 271 271. William Moorcroft, a Persian twin handled vase, circa 1914, double gourd ogee form, green rim border and foot, impressed Burslem marks and underglaze green signature, 24.5cm high

Provenance: formerly part of the Moorcroft Family Collection £100 - £200

Provenance: Albert E Wade Collection; Sotheby’s 2002 £800 - £1,200 272. William Moorcroft, a Pansy box and cover, 1918, cylindrical drum form, impressed Burslem marks, underglaze date and green signature, 18cm diameter Provenance: formerly part of the Moorcroft Family Collection £200 - £400

273 273. William Moorcroft, a Cornflower cup and saucer, circa 1913, flared form with bamboo effect handle, impressed number, underglaze green monogram and signature, 7cm high £100 - £200

276 276. William Moorcroft, a Cornflower vase, circa 1914, slender inverse baluster form, underglaze green signature, 17.5cm high Provenance: formerly part of the Moorcroft Family Collection £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

277

279

277. William Moorcroft, a green and teal Cornflower vase, circa 1920, slender inverse baluster form, impressed marks and underglaze blue signature, 31.5cm high Provenance: formerly part of the Moorcroft Family Collection £400 - £600 278. William Moorcroft, a Revived Cornflower vase, circa 1935, campana urn form, white ground with red banded foot, impressd marks and facsimile signature, underglaze blue signature, 25.5cm high £200 - £300 279. William Moorcroft, a Revived Cornflower Flambe lamp base, circa 1935, bulbous baluster form with knopped neck, central hole, impressed marks and facsimile signature, underglaze green monogram, 32cm high Provenance: formerly part of the Moorcroft Family Collection £200 - £400

285 283. William Moorcroft, an Eventide plate, circa 1930, shallow circular form with everted rim, Landscape design, impressed marks and underglaze blue monogram, 22cm diameter £200 - £400 284. William Moorcroft for Liberty and Co., a Tudric pewter mounted Eventide landscape vase, circa 1925, flared trumpet form with a planished metal foot, stamped marks, 01310, 16.5cm high £300 - £500 285. William Moorcroft, a large Eventide landscape vase, circa 1925, inverse baluster form, impressed marks and underglaze blue signature, 32.5cm high £1,000 - £1,500 286. William Moorcroft, an Eventide landscape vase, circa 1925, shouldered ovoid form, impressed marks 55, underglaze blue monogram, 9.5cm high £300 - £500

280. William Moorcroft, a Leaf and Berry platter, circa 1928, oval form with ochre centre, the rim with blue ground, impressed marks and underglaze blue monogram, 42cm long Provenance: formerly part of the Moorcroft Family Collection £200 - £400 281. William Moorcroft, a large Wisteria vase, circa 1925, shouldered form, blue ground, impressed marks and underglaze blue signature and signed Potter to H M the Queen, 37cm high £200 - £400 282. William Moorcroft, an Eventide landscape jar and cover, circa 1925, footed barrel form with domed lid, impressed marks and underglaze blue monogram, 11.5cm high Provenance: formerly part of the Moorcroft Family Collection £400 - £600

282

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

289. William Moorcroft, a Spanish vase, circa 1914, inverse baluster form, blue ground, impressed Burslem marks and underglaze green siganture, 14cm high Provenance: Albert E Wade Collection; Sotheby’s 2002 £150 - £250 290. William Moorcroft, a Spanish vase, circa 1914, squat flared trumpet form, impressed Burslem marks and underglaze green siganture, 8.5cm high Provenance: formerly part of the Moorcroft Family Collection £150 - £250

287 287. William Moorcroft, an Eventide landscape biscuit barrel, circa 1925, footed barrel form with two angled strap handles, heavy domed lid, impressed marks 102, underglaze blue monogram, 17.5cm high Provenance: formerly part of the Moorcroft Family Collection £300 - £500

288 288. William Moorcroft, an Eventide landscape twin handled biscuit box and cover, circa 1925, square section cuboid form with angled strap handles and cushion lid, impressed marks and underglaze blue monogram, 16cm high Provenance: formerly part of the Moorcroft Family Collection £300 - £500

291 291. William Moorcroft, a large Spanish vase, dated 1914, elongated inverse baluster form, ochre ground, impressed Burslem marks, 1914, and underglaze green siganture, 41cm high Provenance: formerly part of the Moorcroft Family Collection £800 - £1,200 289

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

ART POTTERY AND RUSKIN 293. Christopher Dresser for Watcombe Terracotta, attributed designer, a near pair of terracotta vases, footed, goblet form, the foot with raised band, the body with gilt and enamel decorative bands, impressed factory marks, painted marks 2817 and 2818, 17.5cm. high (2) £150 - £200 294. Christopher Dresser, an original graphite, ink and gouache design for a textile, for Kidderminster carpets, framed, unsigned, 19 x 12cm (image) Provenance: Paul Reeves Private collection. Literature: Michael Whiteway Christopher Dresser1834-1904, Skira, page 37 this design illustrated. This vivid design is included in The Metropolitan Album 1860-1880. The album is held in the Metropolitan Museum of Art, New York, this design listed Object number 1992.1046.7 £1,500 - £2,000

292 292. Christopher Dresser for Watcombe Terracotta, a terracotta twin-handled basin, model no.385, cast band of Greek Key decoration, impressed factory marks, 15cm. wide £100 - £200

295. Minton Hollins & Co, a pottery tile, probably designed by Christopher Dresser, printed with stylised flowers and foliage inside Greek Key border, in colours, impressed factory marks, 20.5cm. square £100 - £200

294

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

296 296. Minton, a Stork pattern mug, cylindrical form, printed in blue with flying storks and clouds printed factory mark, regd diamond, 15.5cm. high £150 - £200

299

297 297. Christopher Dresser for Mintons, a bowl, flaring form, printed in blue with a frieze of birds, bull rush and stylised flowers, in blue on a white ground, with gilt bands, unsigned, 15.5cm. diam. £150 - £200 298. Christopher Dresser for Old Hall, an Aesthetic Movement Eureka jug, circa 1885, chamfered square section baluster form, transfer printed with stylised vases of Persian flowers and foliate scrolls, on a pink ground, the collar with a band of Egyptian fan motifs, whiplash handle, printed marks, 29.5cm high £40 - £70 299. Christopher Dresser (attributed) for Minton, an Aesthetic Movement art pottery vase, 1886, twin handled waisted bulbous form with lobed neck and organic foliate handles, glazed in semi lustrous brown and green over ochre, transfer printed in silver with a Japonseque band of prunus between geometric rosette and wave borders, above floral bud motifs with tendril ears, printed and impressed marks, incised shape number 3309, 27.5cm high Note: following the success of Dresser’s work for Linthorpe Art Pottery and Ault, Minton appears to have adopted the naturalistic and random mottled glazesand organic forms popularised by the art potteries and which it would later use as the basis for its tubelined Sessesionist range. The application of a Dresser designed frieze and foliate motifs, to a shape which was probably also designed by Dresser (who was working with Minton into the 1880s), makes this an unusual example of Minton’s venture into art pottery. £300 - £500

300 300. Christopher Dresser for Minton, a pair of Aesthetic Movement ‘Cloisonne’ vases, 1867, twin handled inverse baluster form with relief moulded integrated bracket bases in the Chinese style, the bleu celeste ground painted with Persian floral design of lotus flowers, palmettes and carnations between ruyi and heart motifs, highlighted in gilt, ribbon and key bands to the neck, impressed marks, 25.5cm high (2) £200 - £400 301. Christopher Dresser for Linthorpe, an art pottery dish, model no.176, with fluted rim, streaked green glaze, impressed mark, facsimile signature and no.176, 21.5cm wide Provenance: John S M Scott Collection Private collection. £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

302. Christopher Dresser for Linthorpe Pottery, a wall charger, cast in low relief with a bird flying before flowers and foliage, in colours on a streaked green ground, impressed facsimile signature, 27cm. diam. Literature: Michael Whiteway Christopher Dresser 1834-1904, Skira, page 134 catalogue number 145 and 146 for two comparable examples illustrated. £300 - £500

303

304

303. Christopher Dresser for Watcombe Pottery, attributed, pattern 5266, a pedestal vase, goblet form printed and enamelled with a band of stylised flowers and splitting pomegranates, in coloured enamels, painted marks, professional restoration to top rim, 21.5cm. high £300 - £400

304. Christopher Dresser for Linthorpe, an art pottery vase, circa 1880, tubular teardrop form with central reticulated relief panel of lotus, Henry Tooth marks and facsimile siganture, 345, 20cm high Literature: Michael Whiteway Christopher Dresser 1834-1904, Skira, page 138 catalogue number 152 for a comparable vase. £1,000 - £1,500

305 305. James Hadley for Royal Worcester, a pair of Aesthetic Movement relief moulded Silkworm moonflask vases, circa 1873, twin handled octagonal form, each side decorated with Japanese Geisha engaged in the manufacture of silk, variously depicting the processes and story of the silkworm, within ruyi and lotus borders, geometric key handles and bracket feet, polychrome decorated and highlighted in gilt with bronzed detailing, impressed and printed puce marks, 26.5cm high (2) Note: an example of this pair of vases is in the British Museum and a single vase is in the collection of the Metropolitan Museum of Art, New York. The design was exhibited at the 1873 Vienna Exhibition and illustrated in the Art Journal, London 1873, 181, p.277; also Rudoe, J. 1994, Decorative Arts 1850-1950; a catalogue of the British Museum Collection, 2nd Edition, no.314 £200 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

307

306. An Aesthetic Movement twin handled faience vase, probably Burmantofts, circa 1880, ovoid bottle form with ribbed and angled handles in the style of Christopher Dresser, decorated with a band of relief moulded rosettes between incised acanthus lappet borders, unmarked, 21cm high £40 - £70

307. William De Morgan, an Arts and Crafts Chelsea Period four tile panel from a frieze, circa 1875, the large, square tiles painted with Renaissance putti figures amongst scrolling foliage and a winged Lion, in shades of blue on a white ground, impressed factory marks to three, 20.6cm. square (each tile), 82cm. wide. (4) Provenance: Acquired from a private collection (circa 2012) Private collection of William De Morgan Literature: Martin Greenwood The Designs of William De Morgan, Richard Dennis, page 169 figure 511 for the original design drawing. Painted in tones of blue with Renaissance style patterns including putti and a winged lion, the set may be from series of frieze designs produced by De Morgan for the interior decoration of ocean liners. This was a lucrative area for him, as commissions included tiling for the decoration of twelve P & O liners between 1882 and 1900. This is for four tiles and shows the three key motifs, which could be repeated as necessary to fit the space available. Elements could also be reversed, to make a set of six. Designs for other De Morgan tile friezes show a similar flexibility. This design illustrated is pricked, and therefore was used to produce the tiles. They may have been made as a sample for the design, but were never produced in quantity. Three of the four tiles have an impressed W DE MORGAN mark, indicating that they were made during De Morgan first production period in Chelsea, 1871-1881. £2,000 - £3,000

308

308. William De Morgan for Merton Abbey, a ruby lustre jug, circa 1885, ovoid with trefoil mouth and high handle after an Ancient Greek oinochoe vessel, painted in the round with stylised hares in a tufted millefleur type ground, the neck with foliate scroll motifs, impressed marks, 12cm high £600 - £800

309. John Pearson, a large Arts and Crafts lustre jug, cylindrical form with angled handle and pulled spout, painted with stylised birds and Persian ogee cartouches of foliate petals within a scrolling tendril ground, silvered lustre rims, 17cm high £200 - £300 311 310. Mark V Marshall for Doulton Lambeth, a silver mounted stoneware figural salt cellar, modelled as a bear straddling a barrel of honey, marked for Joseph Gloster, Brimingham 1895, brown treacle glaze, 7.5cm high £100 - £200

311. Mark V Marshall for Doulton Lambeth, a silver mounted figural stoneware mustard pot, modelled as a bear straddling a honey barrel, with silver mount and lid, marked for Joseph Gloster, Birmingham 1898, treacle glazed, 8.5cm high £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

312. Florence Barlow for Doulton Lambeth, a pate sur pate stoneware jug, bulbous form with trefoil lipped rim, decorated with two birds on a eucalyptus branch, within a slip tubelined foliate and floral ground, 28.5cm high £40 - £70 313. Mary Mitchell for Doulton Lambeth, a stoneware vase, 1880, conical ogee necked shouldered form, sgraffito decorated in the round with women and children in an open field landscape with trees, between trefid leppet borders, the shoulder with a blue prunus motif below foliate scroll collar, impressed marks and incisedmonogram, 33cm high £200 - £400 314. Constance Redford for Doulton Lambeth, a stoneware and silver plate mounted pot and cover, circa 1881, squat ovoid form with sgraffito and slip decorated foliate panels, swing handle, 14cm diameter £50 - £80 315. Two pairs of Fulham stoneware spirit flagons, one stamped Bailey, Fulham, strap handled square section, each of the same design with central rosette betweem foliate lappet corners, applied with inscribed banners to the shoulders for Irish Whisky, Brandy and Scotch Whisky, 20.5cm high (4) £80 - £120

312

316 316. Hannah Barlow for Doulton Lamberth, a stoneware ewer, of Classical Greek oinochoe form, sgraffito decorated with a band of sheep grazing in an open landsape, between lappet and foliate scroll borders and relief moulded tooled bands, impressed marks and incised monograms, 33cm high £300 - £500 313

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

324 324. Ruskin Pottery, a Souffle glazed candlestick, circa 1903, flared cylinder form on a concave disc base, painted underglaze with stylised bluebell plants, treacle glaze over blue, with a curdled turquoise sconce, scissor marks, 17cm high Provenance: Bonhams, Knowle, 8th June 2010, lot 357 £40 - £70

317 317. Hannah Barlow for Doulton Lambeth, a relief moulded pate sur pate stoneware jug, conical gourd form, applied with a dog chasing a cat over a textured field, between sgraffito lappets, impressed amrks and incised monograms, 23cm high £300 - £500 318. Charles Cundall for Pilkington, a Royal Lancastrian lustre bowl, 1909, iridescent sang de boeuf with turquoise curtain band below a geometric border of wave and dot design, the interior in bronzed luster with central roseette and vine leaf banding, impressed and painted marks, 17.5cm diameter £100 - £200

325. Ruskin Pottery, a pair of Souffle glazed door plates, circa 1903, rectangular form with ogee shaped ends, decorated with stencilled foliate motifs on a blue ground, four screw holes to each, stamped mark Taylor, 30.5cm long (2) Provenance: Sotheby’s, 8th November 2002, lot 341

£50 - £80

326. Ruskin Pottery, a Souffle glazed candlestick, 1920, splayed trumpet form with ogee sconce, powdered and curdled blue, with ochre rim, impressed marks, 17cm high £40 - £70

319. Ruskin Pottery, a miniature Crystalline vase, circa 1930, ogee conical gourd form, blue over green ochre, impressed marks, 4cm high £40 - £70 320. Ruskin Pottery, a small lavender Lustre reticulated ginger jar and cover, 1923, ovoid form, pierced with four rosettes of seven heart shaped petals, impressed marks, 9cm high £60 - £80 321. Ruskin Pottery, a Kingfisher Lustre twin handled bowl and cover, 1922, squat footed urn form with loop handles, ogee domed lid with pear finial, iridescent crytalline gloss glaze with fissure leopard spot effect to the lid, impressed marks, 16cm wide £100 - £200

327

322. Ruskin Pottery, two Lustre glazed tea trios, 1930, including cup, saucer and plate, pearlescent with blue and green speckles, impressed marks (6) £40 - £70

327. Ruskin Pottery, a small Souffle glazed vase, 1905, inverse baluster form, grey over brown, impressed marks, 11cm high £50 - £80

323. Ruskin Pottery, a yellow Lustre ginger jar, 1915, stencilled vine motif to the shoulder, impressed, printed and painted scissor mark, 12.5cm high £40 - £60

328. Ruskin Pottery, a Souffle glazed vase, circa 1904, squat bulbous form, mottled tortoiseshell effect blue over brown, impressed WHT monogram mark and printed mark, 9.5cm high £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

329. Ruskin Pottery, a miniature Souffle glazed ginger jar and cover, circa 1930, ovoid form, two shades of marbled pink, impressed marks, 2.8cm high £80 - £120

333. Ruskin Pottery, a small Souffle glazed vase with silver coloured metal stopper, circa 1902, Meiping form, streaky blue glaze, the stopper of melon form, impressed WHT monogram mark, 12cm high £80 - £120

330. Ruskin Pottery, an extensive collection of Souffle glazed and stencilled tea ware, circa 1905, teal green with vine borders, including six saucers, six tea plates, three larger plates, a serving plate, two jugs and a bowl (19) £80 - £120 331. Ruskin Pottery, a Souffle glazed vase, circa 1903, cylindrical beaker formwith bulbous foot and everted rim, painted underglaze with seaweed foliate motifs, on an apple green ground, scissor marks, 30.5cm high Note: see Atterbury, P and Henson, J, 1993, Ruskin Pottery, p.37, for an illustration of this vase Provenance: Sothebys, 8th November 2002, lot 267; Albert E Wade collection £80 - £120

334 334. Ruskin Pottery, a Souffle glazed vase and cover, 1906, of temple jar form, inberse baluster with domed lid, blue green hares fur and curdled glazes, impressed marks, 23cm high £80 - £120 332 332. Ruskin Pottery, a Souffle glazed honey jar and cover, circa 1903, wiasted drum form, decorated in relief with water lily or cyclamen motifs to each side in curdeld blue over a teal green ground, the lid with purple vine border, scissor marks, 16cm diameter Note: see Atterbury, P and Henson, J, 1993, Ruskin Pottery, p.37, for an illustration of this jar and cover Provenance: Sothebys 8th November 2002, lot 266; Albert E Wade Collection £80 - £120

335. Ruskin Pottery, a Souffle glazed vase, circa 1910, shouldered form, curdled lilac over cerise purple, apparently unmarked, 31.5cm high £100 - £200 336. Ruskin Pottery, a Bronzed Lustre lily vase, 1924, flared cylindrical trumpet form, iridescent curdled sang de boeuf type glaze, impressed marks, 24.5cm high Provenance: Sothebys 8th November 2002, lot 331; Albert E Wade Collection £100 - £150

337 333

337. Ruskin Pottery, a Bronzed Lustre vase, 1925, shouldered form, iridescent curdled and streaky glaze, impressed marks, 25.5cm high £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

338. Ruskin Pottery, a Kingfisher Lustre vase, 1925, straight necked shouldered form, matt and gloss iridescent oilslick glaze, impressed marks, 25cm high Provenance: Sotheby’s 8th November 2002, lot 347; Albert E Wade Collection £150 - £250

346. Ruskin Pottery, a Kingfisher Lustre vase, 1921, shouldered Meiping type form with open mouth, matt glazed with reticulated leopard print fissures to one side, impressed marks, 22cm high £200 - £300

339 339. Ruskin Pottery, a miniature Kingfisher Lustre vase, 1915, trumpet necked bulbous form, iridescent matt glaze, impressed marks, 7.5cm high £60 - £80 340. Ruskin Pottery, a Kingfisher Lustre vase, 1915, conical form with everted rim, semi matt iridescent crystalline effect glaze, impressed marks, 24cm high £80 - £120 341. Ruskin Pottery, a miniature Kingfisher Lustre eggshell bowl, circa 1915, footed form, iridescent crystalline gloss glaze, 6cm diameter £40 - £60 342. Ruskin Pottery, a Kingfisher Lustre eggshell teacup and saucer, 1925, rounded with everted rim, iridescent citrus fruit glaze in matt and gloss, impressed marks, 14.7cm diameter (2) £60 - £100

347 347. Ruskin Pottery, a Kingfisher Lustre plate, circa 1915, circular with everted rim, iridescent fissured tiger skin glaze, in matt and gloss, sticker label, 14.7cm diameter £40 - £70 348. Ruskin Pottery, a Kingfisher Lustre reticulated ginger jar and cover, 1914, ovoid form, the body pierced with rosettes of seven heart shaped petals, iridescent matt glaze, impressed marks, 17cm high £200 - £400

343. Ruskin Pottery, a Kingfisher Lustre candlestick, 1922 and an eggshell bowl, circa 1905, the candlestick of flared trumpet form, the bowl ogee form with turquoise souffle interior, impressed and scissor marks, 16cm diameter (2) £50 - £80 344. Ruskin Pottery, a Kingfisher Lustre Lily vase, 1914, flared trumpet form, matt itidescent glaze, impressed marks, 20.5cm high £150 - £250

349 345 345. Ruskin Pottery, a Kingfisher Lustre vase, 1916, squat bulbous form, matt iridescent glaze with crystalline gloss patches, 16cm high £150 - £250

349. Ruskin Pottery, a very large Kingfisher Lustre ginger jar and cover, 1920, shouldered ovoid form, iridescent matt crystalline glase with fissured leopard skin pattern to half, and to the lid, impressed marks, 31.5cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

350

357

350. Ruskin Pottery, a High Fired Lily vase, 1907, flared cylindrical trumpet form, purple blue hares fur with green dribble glaze, sang de boeuf flambe rim and underside, impressed marks, 23.5cm high Provenance: Sotheby’s 2002, Albert E Wade Collection, 165 £300 - £500

358

354. Ruskin Pottery, a small High Fired bowl, 1933, shallow footed form, green oxide speckled over sang de boeuf with lilac curdling, impressed marks, 6cm diameter £60 - £100

355. Ruskin Pottery, a High Fired three piece cruet set, circa 1925, bulbous form salt and peper pots with cushioned tops, cylindrical kustard pot with flared rim and ogee lid with drop finial, glazed in cloudy lilac and sang de boeuf flambe over green ochre, impressed marks, 6.5cm high (3) £100 - £200

356. Ruskin Pottery, a High Fired beaker cup or bowl, circa 1927, rounded tot form, sang de boeuf flambe over curdled dove grey with burnt oxide speckles, 5cm high Provenance: Bonhams, 3rd June 2003, lot 435

351 351. Ruskin Pottery, a miniature High Fired vase, circa 1930, ogee conical gourd form, sang de boeuf over grey and ochre with burn oxide spots, impressed marks, 3.5cm high £100 - £200 352. Ruskin Pottery, a miniature High Fired vase, circa 1930, conical gourd form, green oxide speckled sang de boeuf and lilac hares fur, impressed marks, 4cm high Provenance: Nick Rocke Collection

£100 - £200

353. Ruskin Pottery, a ‘tiny’ miniature High Fired vase, circa 1920s, conical gourd form, sang de boeuf over grey and ochre with turquoise clod and speckles, impressed marks, 2.8cm high £100 - £200

£60 - £80

357. Ruskin Pottery, a High Fired vase, circa 1930, shouldered form with Sterling silver rim, green oxide speckled cream ground with sang de boeuf and lilac feathered glaze, impressed marks and facsimile Howson Taylor signature, 28cm high £150 - £250

358. Ruskin Pottery, a High Fired vase and cover, 1920, Meiping shouldered form, cerise and sang de boeuf with burnt and fissured curtain glaes, patches of leopard skin and fruit peel with hares fur, curdled blue foot rim, the shoulder with an ochre ground, impressed marks, 23cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

363. Ruskin Pottery, a High Fired jug, 1933, conical ovoid form with angled strap handle, green oxide speckled sang de boeuf flambe over a cream ground, impressed marks, 14.5cm high £150 - £250

359 359. Ruskin Pottery, a High Fired vase, 1915, slender necked conical bottle or onion form, green ochre over sang de boeuf flambe with green oxide speckles, impressed marks, 17.5cm high £200 - £400 360. Ruskin Pottery, a large High Fired Lily vase, 1924, flared trumpet form, glazed in dove grey fissured animal skin over clouds of lilac and sang de boeuf flambe, impressed marks, 37.5cm high £200 - £400 361. Ruskin Pottery, a large High Fired vase, 1926, footed and shouldered form, curtain bands of sang de boeuf flambe over fissured dove grey ground, highlighted with lilac accents to the foot and some oxide speckles, impressed marks, original paper label, 37.5cm high £400 - £600

364 364. Ruskin Pottery, a large High Fired pedestal cup or chalice, 1924, the conical bowl on a splayed trumpet foot with fluted edge, streaky lilac over sang de boeuf, curdeled to the foot rim, edged in cream, impressed marks, 20.5cm high £200 - £400 365. Ruskin Pottery, a High Fired bowl, circa 1920s, in the Chinese style, squat shouldered form with everted rim, on three ogee bracket feet, green oxide speckled cream ground with flame bands of lilac and sang de boeuf hares fur, pooled glaze to the centre and underside, impressed marks, 21.5cm diameter £200 - £400

362

366

362. Ruskin Pottery, a High Fired vase, 1909, shouldered form, flambe glazed in mottled lilac over sang de boeuf, speckled with green oxide spots, impressed marks, 21.5cm high

366. Ruskin Pottery, a High Fired vase, 1933, conical baluster form with slightly flared rim, densely speckled with green copper oxide over lilac and sang de boeuf flambe glaze, draining to dove grey, impressed marks, 23.5cm high

Provenance: Sotheby’s 8th Novemebr 2002, lot 315, Albert E Wade Collection See: Atterbbury, P and Henson, J, 1993, Ruskin Pottery, Baxendale Press, p.64 for an illustration of this vase £400 - £600

Provenance: Sotheby’s 8th Novemebr 2002, lot 410, Albert E Wade Collection £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

367

371

367. Ruskin Pottery, a High Fired vase, circa 1904, inverse baluster form, glazed in turquoise speckled green ochre over a semi lustrous hares fur lilac and sang de boeuf flambe, impressed WHT monogram and oval marks, 23cm high £400 - £600

371. Ruskin Pottery, a High Fired vase, circa 1905, conical double gourd form, glazed in green flambe with densely speckled oxide dots and curtain bands, ochre rim, impressed marks, 18cm high £400 - £600

368. Ruskin Pottery, a High Fired jug, 1933, squat ovoid form with wide mouth and strap handle, burnt oxide spotted sang de boeuf flambe over cream, impressed marks, 18.5cm high £200 - £300

372. Ruskin Pottery, a small High Fired vase stand, circa 1926, tricorn form with three inverted bracket feet, burnt oxide speckled patchy sang de boeuf over dove grey flambe, impressed marks, inner ring 4.9-5cm diameter, overall 7cm diameter £200 - £400

369 369. Ruskin Pottery, a High Fired lamp base, circa 1930, of concial necked bulbous vase form, curdled blue edged ochre splashes over sang de boeuf flambe, leopard skin fissured effect to the lower body, central hole to the base, impressed marks, 22cm high £200 - £300 370. Ruskin Pottery, a High Fired vase, circa 1920s, inverse baluster form, curtain bands of sang de bouef flambe over fissured and hares fur textured dove grey ground, impressed marks, with indistinct date, 24.5cm high £200 - £400

373 373. Ruskin Pottery, a High Fired vase, 1906, conical bottle form with elongated neck, decorated with a mottled and clouded turquoise lilac over ochre, draining to a sang de boeuf flambe with flame curtain banding and oxide splashes, impressed marks, 26.5cm high £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

374. Ruskin Pottery, a large High Fired vase, 1926, shouldered ovoid form with short conical mouth, thick curtains of lilac and turquoise tinted sang de boeuf flambe over dove grey, impressed marks, 33cm high Provenance: Sotheby’s November 2002; Albert E Wade Collection; Haslam and Whiteway; Ferneyhough Collection; William Howson Taylor personal collection £400 - £600

375 375. Ruskin Pottery, a High Fired vase, 1906, squat bulb necked shouldered ovoid form, glazed with a thick curtain band of green oxide speckled lilac over sang de boeuf flambe, the shoulder in semi crystalline ochre, the neck with a similar band, impressed marks, 14.5cm high £500 - £800 377 377. Ruskin Pottery, a large High Fired vase, 1932, shouldered form with elongated conical neck, lilac hares fur over sang de boeuf flambe, speckled and curtain glazed with turquoise and burn green oxide splashes, impressed marks, 35.5cm high £500 - £800

376

378

376. Ruskin Pottery, a High Fired vase, circa 1904, open mouthed bulbous form, matt glazed with nads of lilac and ochre, densely speckled with fine turquoise green oxide spots throughout, impressed WHT and oval marks, 15.5cm high £500 - £800

378. Ruskin Pottery, a High Fired vase stand or lamp stand, circa 1925, in the Chinese style, four inverted ogee bracket feet between ruyi head teeth, incised line derotation to the rim, glazed in oxide speckled and lilac clouded sang de boeuf, stamped marks, inner ring diameter 11.5cm, 5cm high £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

379. Ruskin Pottery, an exceptionally large High Fired vase, 1925, bulbous form with elongated trumpet neck and wide flared rim, curdled sang de boeuf flambe over a reticulated dove grey ground, highlighted with lilac misting to the shoulder and inside rim, impressed marks, incised Howson Taylor signature and date, 67.5cm high Provenance: William Howson Taylor personal collection; Ferneyhough Collection; exhibited at the 1998 Ruskin Centenary Exhibition £800 - £1,200

380 380. Ruskin Pottery, a High Fired vase, 1906, bulbous gourd form with elongated neck and ogee conical body, the lower half decorated with a glaze of dense green with dark speckled oxide bands and curtains over a purple sang de boeuf flambe neck, impressed marks, 22.5cm high £500 - £800 379

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

PICTURES 381. Frank Martin (British, 1921-2005), Clara Bow, signed l.r., linocut, 7.5 by 10cm, framed. £30 - £50

Note: Artist Resale Rights apply

382. David Bethel (British, 1923-2006), In the Zoo, Clifton, signed and dated 1957 l.r., titled l.l., lithograph in colours, Ed.3/10, 23 by 33cm, unframed. £50 - £80

Note: Artist Resale Rights apply

383. Oliffe Richmond (Australian, 1919-1977), Pilot (1966), signed and dated l.r., lithograph, Ed.201/250, 64 by 50cm, framed. £60 - £100

Note: Artist Resale Rights apply

391. Jacques Villon (French, 1875-1963), Portrait of an Artist, signed l.r., etching in colours, 23 by 17cm, framed. Note: Artist Resale Rights apply

£100 - £150

392. Elyse Ashe Lord (British, 1900-1971), Phoenix Dancers, signed l.r., colour etching, Ed.89/100, 30 by 45.5cm, framed. Note: Artist Resale Rights apply

£100 - £150

393. Manner of Maria von Uchatius (Vienna Secession), Aztecinspired poster design, lithograph in black and red, printed by Vin Rickard, 40 by 64cm, framed £100 - £150

384. Martin Saull (British, 21st Century), The Commuter, signed l.r., titled l.c., linocut, Ed.21/40, 25.5 by 30cm, with Jane Strother (British, 20th/21st Century), Picnic, signed l.r., titled l.c, blind stamp l.l., screenprint in colours, Ed.22/150, 21 by 15cm, both framed (2) £60 - £100

394. Frank Martin (British, 1921-2005), Greta Garbo, signed l.r., titled l.l., etching, Ed.Colour Trial Proof 1, 45 by 30cm, framed.

385. Brian Bradshaw (British, 1923-2016), Untitled Abstract Composition; Park Gates, two, monochrome etchings, largest 19 by 26.5cm, framed (2).

395. Frank Martin (British, 1921-2005), D.W. Griffith, signed l.r., titled l.l., etching, Ed.15/15, 28.5 by 36cm, framed.

Note: Artist Resale Rights apply

£100 - £150

£60 - £100

Note: Artist Resale Rights apply

386. Richard Ely (American, 1928-2009), Josephine Baker, signed l.r., screenprint in colours, Ed.55/150, 60 by 50cm, framed £80 - £120 387. Dies de Jong (Dutch, 1948), Palmbomen; Untitled, two, one titled verso, both signed l.r., etching, 60 by 45cm, framed (2). £80 - £120

Note: Artist Resale Rights apply

388. Reginald James Lloyd (British, 1926-2020), Screen Series (4), signed and dated 1996, l.r., titled verso, etching, Ed.4/20, 14.8 by 19.8cm, framed. Exhibited: Waterside Gallery, Instow, 1997, No.41. £80 - £120

Note: Artist Resale Rights apply

389. Ian MacIntyre (British, 1958), Driving Home Late, titled verso, linocut, 40 by 60cm, framed £80 - £120

396. Eric Gill ARA (British, 1882-1940), The Skaters, (P.368), copper engraving, published by Douglas Cleverdon, 1929, framed, unsigned, 11.2 x 11.2 9 (plate) £100 - £200 397. Henri Matisse (French, 1869-1954), Florilege des Amours de Ronsard (1948), lithograph, printed by Mourlot Freres, Paris, Ed.115/320, 17 by 26cm, framed £100 - £150 398. John Hassall OBE (British, 1868-1948), The Babes in the Wood - Drury Lane Pantomime, lithograph on paper, printed by Johnson, Riddle & Co, framed signed in the print Hassall 75 x 50cm (image) £100 - £200 399. Allen William Seaby (British, 1867-1953), Cuckoo, wood cut on paper, framed, signed and annotated proof in pencil, 33.5 x 23cm (image) £100 - £200 400. Allen William Seaby (British, 1867-1953), Swans Flying, wood cut on paper, framed, signed and numbered in pencil, monogram in print, 34 x 21.5cm. £100 - £200 401. Maxfield Parrish (American, 1870-1966), after, Daybreak, colour lithograph on paper, framed, 75 x 45cm. £120 - £180 402. Ryohei Tanaka (Japanese, 1933-2019), Field’s Hut, signed and dated 1994 l.r., etching, Ed.63/150, 16.5 by 20cm, and another, parasols outside a hut, signed l.r., etching. Ed.91/100, 9.5 by 9.5cm, with Shigeki Kuroda (Japanese, 1953), Bicycles, signed l.r., etching, Ed.12/100, 19 by 7cm, all framed (3) £150 - £200

390 390. Henry Moore O.M. C.H. F.B.A. (British, 1898-1986), Sculptural Objects (1949), lithograph in colour on cartridge paper, Ed.3000, published by School Prints Ltd, 48 by 73.5cm, framed. Note: Artist Resale Rights apply

403. Paul Jouve (French, 1878-1973), Elephants Bathing in the Perfume River, signed l.r., etching, 43 by 53cm, framed. Note: Artist Resale Rights apply

£80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£150 - £200

409 409. Ursula Fookes (British, 1906-1991), Blue Palm Trees, linocut, 13.3 by 18cm, mounted.

404 404. Edward Bawden R.A. (British, 1903-1989), Indian Elephant (1989), signed l.r., titled l.l., linocut, Ed.16/25, 30 by 29cm, framed. £150 - £200

Note: Artist Resale Rights apply

Note: Fookes studied at The Grosvenor School from 1929-1931 under Claude Flight. She exhibited in the annual British Linocut exhibitions at the Redfern and Ward Galleries in the 1930s, and also showed her work with the Society of Women Artists and the New English Art Club. Provenance: Studio Sale, Bloomsbury, 4th December 2012. £300 - £500

Note: Artist Resale Rights apply

405 405. Paul Nash (British, 1889-1946), Boredom, 1928 (Postan W83), woodcut on Hosho paper, printed in 1985 by Garton and Cooke, framed, unsigned, impressed PNT blind stamp, 13.5 x 9.3cm. Provenance: Sally Hunter Fine Art

£200 - £300

406. Sir Eduardo Paolozzi RA, (Scottish, 1924-2005), Two Heads, 1995, screenprint, framed, signed and numbered 20/30, 25 x 18cm (image) £200 - £300 407. David Jones (British, 1895-1974), Omnes de Saba Venient, engraving on paper, framed signed and dated 26 in pencil, 9.3 x 7.3cm (image) £300 - £400 408. Gertrude Hermes, (British, 1901-1983), The Garden of Careises, 1934, Golden Cockerel Press, signed and dated in pencil, in common mount, 15.5 x 11cm (each image) triptych £300 - £400

410 410. Ursula Fookes (British, 1906-1991), Skaters, circa 1930, linocut, 24 by 15.5cm, unframed. Note: Fookes studied at The Grosvenor School from 1929-1931 under Claude Flight. She exhibited in the annual British Linocut exhibitions at the Redfern and Ward Galleries in the 1930s, and also showed her work with the Society of Women Artists and the New English Art Club. Provenance: Studio Sale, Bloomsbury, 4th December 2012. Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£400 - £600

412 412. Lill Tschudi (Swiss, 1911-2004), Sword Drill, signed and dated 1930, l.r., titled l.l., linocut in colours, Ed.7/50, 15.5 by 19.5cm, framed.

411 411. Ursula Fookes (British, 1906-1991), Rooflines, circa 1930, linocut, 15.5 by 16cm, mounted.

Literature: Coppel LT5

£1,000 - £1,500

413. Feliks Topolski R.A. (Polish/British, 1907-1989), Gray’s Inn, Inner Temple and Middle Temple from Inns of Court Series, set of three, all signed l.r., lithograph in colours, Ed.275, 67 by 52cm, framed (3).

Provenance: Studio Sale, Bloomsbury, 4th December 2012.

Note: Artist Resale Rights apply

£150 - £200

£300 - £500

414 414. Laurence Stephen Lowry R.A. (British, 1887-1976), An Industrial Town, signed l.r., titled l.l., offset lithograph in colours/wove paper, Ed.456/500, published by Peinture, Luton, printed by J.Lin Ltd, 43 by 59cm, framed. Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£500 - £800

415 415. Laurence Stephen Lowry R.A. (British, 1887-1976), The Pond (1974), signed l.r., Fine Art Trade Guild and J.C.H. blind stamp l.l., offset lithograph in colours, Ed.850, printed by Beric Press, Crawley, published by J.H. Mainstone Publications, Birmingham, 43 by 57cm, framed. £1,500 - £2,000

Note: Artist Resale Rights apply

416

417

416. Graham Vivian Sutherland (British, 1903-1980), The Bird (1953), signed l.r., titled verso, lithograph, Ed.60/65, 43 by 44cm, framed.

417. John Piper (British, 1903-1992), The Street Scene in Gloriana (1953), lithograph, 15.5 by 21.7cm, framed. Note: Artist Resale Rights apply

Provenance: with The Redfern Gallery, London; Purchaser J.E.V. Tyzach Esq., 1959. Note: Artist Resale Rights apply

£400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£150 - £200

418 418. Victor Pasmore (British, 1908-1998), Blue Fantasy (1979), signed with initials l.r., screenprint in colours, Ed.70, 80 by 120cm, framed.

420

£500 - £800

Note: Artist Resale Rights apply

419 419. Victor Pasmore (British, 1908-1998), Apollo 1 (1985), signed with initials and dated l.r., blind stamp l.r., Serigraph in colours, Ed.70, printed by Kelpra Studio, 41 by 63cm, framed. Note: Artist Resale Rights apply

£300 - £500

420. Dame Elisabeth Frink R.A. (British, 1930-1993), Hare from the ‘Eight Animal’ series (1970), signed l.r., lithograph in colours, Ed.28/70, 51 by 64cm, framed. Literature: Wiseman 38. Note: Artist Resale Rights apply

£500 - £800 421

421. Dame Elisabeth Frink R.A. (British, 1930-1993), Eagle Owl (1973), signed l.r., lithograph in colours, Ed.223/250, printed at the Curwen Press, published by Christie’s, 75 by 55cm, framed. Literature: Wiseman 87. Note: Artist Resale Rights apply

£1,200 - £1,500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

426. Yayoi Kusama (Japanese, 1929-2026), Orange Tree, , silkscreen printed on cotton, framed, signed in the print, 97 x 41.5cm. £200 - £300 427. Yayoi Kusama (Japanese, 1929-2026), Pumpkins (red), silkscreen printed on cotton, framed, signed in the print, 92cm wide. £200 - £300 428. Yayoi Kusama (Japanese,1929-2026), When Life Boundlessly Flares Up To The Universe, silkscreen printed on cotton, 2014, of Mount Fuji Japan, framed signed and dated in the print, 93 x 38cm (frame) £400 - £600 429. Arthur Berridge (British, 1902-1957), Abstract Landscape, titled verso, coloured crayon, 31 by 47.5cm, framed £60 - £100 422 422. David Hockney R.A. (British, 1937-2026), Bounce for Bradford (1987), titled and dated l.r., photolithograph in colours on newspaper, 38 by 55cm, framed. £100 - £150

Note: Artist Resale Rights apply

430. Soviet Era Propaganda Posters, five poster designs, Constructivist style, gouache, 49 by 37cm, mounted (5)£60 - £100 431. David Howell (British, 1939), Hatherleigh Market, signed l.r, titled verso, watercolour on paper, 18 by 13cm, framed. Note: Artist Resale Rights apply

£80 - £120

432. Ken Howard R.A. (British, 1932-2022), Soldiers in Northern Ireland, signed l.r., titled and dated 1975 verso, pen and ink on paper, 31 by 21cm, framed. Provenance: Gifted by the artist to the previous owner, 2018; with a letter from the artist. Note: Artist Resale Rights apply

£100 - £150

433. Alan Davie (Scottish, 1920-2014), Untitled Compositions, two, both signed, ink on paper, largest 18 by 22cm, one framed, one mounted (2). Provenance: obtained directly from Alan Davie at a jazz festival by fellow artist and jazz enthusiast David Wilde (British, 1918-1974). Note: Artist Resale Rights apply

£100 - £150

434. Reginald William Gammon (British, 1894-1997), The Village Cricket Match, signed l.l., watercolour and pencil, 35 by 51.5cm, framed £150 - £200

423 423. Sara Pope (British, 1973), Lips No.1, signed l.r., lithograph in colours, Ed.68/95, 92 by 89cm, framed. Note: Artist Resale Rights apply

£300 - £500

424. Bambi (British, 1982), Big Girls Need Big Diamonds (Liz Taylor Purple), signed l.r., titled l.c., screenprint in colours/somerset paper, published by Hyde Images Ltd, London, Ed.4/19/50, 61.5 by 51.5cm, framed. Note: Artist Resale Rights apply

£100 - £150

425. Poster Design, Vermine Fasciste, Action Civique, lithograph in colours, depicting an oversized rat in green, 55 by 45cm, framed. Note: poster design used by the Gaullist Government (CDR) in 1968 to evoke calls for civic action with underhanded Fascist tactics £50 - £80

435. Roger Hilton (British, 1911-1975), female nude studies, three, each signed with initials and dated 1973/74, pencil and colour crayon, one inscribed verso by fellow artist David Wilde (British, 1918-1974), largest 46.5 by 32cm, unframed (3). Provenance: from the estate of David Wilde. Note: Roger Hilton was a pioneer in abstract art in post-war Britain and is associated with the ‘middle generation’ of St Ives painters such as Terry Frost, Patrick Heron, Bryan Wynter and Peter Lanyon. Note: Artist Resale Rights apply

£150 - £200

436. Alfred Hoare Powell (Britihs, 1865-1960), Magnolia Tree, 1946 gouache on linen, framed signed Alfred Powell 29.5 x 23.5cm (image) Provenance: A private collection of Alfred & Louise Powell ceramics. £150 - £200 437. Andre Albert Marie Donoyer de Segonzac (French, 18841974), Midday Landscape, signed l.r., titled verso, ink and watercolour, 28 by 38cm, framed. Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£150 - £200

439. Hans Bellmer (German, 1902-1975), Surreal Form, pencil/paper, 26 by 18.5cm, mounted. Provenance: from the collection of fellow artist David Wilde (British, 1918-1974), who met Bellmer in Paris in his latter years. £200 - £300

Note: Artist Resale Rights apply

440. Armand Schonberger (Hungarian, 1885-1974), Family, signed u.r., gouache, 30 by 16cm, gilt frame. £200 - £300

Note: Artist Resale Rights apply

441. Ruskin Spear R.A. (British, 1911-1990), Pub Scene, pencil and watercolour, 26.7 by 26.7cm, framed. Provenance: with the Alton Gallery, London (according to a copy of the original invoice); the Collection of Paul Clarke and thence by descent; also with correspondence from the artist’s wife, Mrs H.M. Spear, dated 1997. £200 - £300

Note: Artist Resale Rights apply

442. Mabel Maugham Beldy (British, 1874-1972), Cafe Scene, signed l.l., textile collage with pencil highlights, on linen, framed, 40 by 29cm, framed. £500 - £700

Note: Artist Resale Rights apply

443. Edmund Dulac (British, 1882-1953), The Arabian Nights, signed and dated 1906 u.r., blind stamp l.l., titled verso, watercolour and ink, 28 by 21.5cm, in an Arts & Crafts gilt frame with quatrefoil roundels to the slip.

438 438. Peter Blake R.A. (British, 1932), portrait of a lady, signed l.r., pencil and coloured chalk, 26 by 18cm, framed. Provenance: from the collection of fellow artist David Wilde (British, 1918-1974).

Note: believed to be a draft book frontispiece. Provenance: Edward Stuart King (blind stamp l.l.,), thence by descent; Walker Bagshawe, London £2,000 - £3,000

£150 - £200

Note: Artist Resale Rights apply

444 444. Paul Lucien Maze (French, 1887-1979), portrait of a redhaired female nude standing beside a bed, signed l.r., pastel, 37 by 31cm, framed. 439

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£400 - £600

445

446

445. Hugo Scheiber (Hungarian, 1873-1950), Sitting Vagabond, signed l.l., gouache, 54 by 47cm, framed.

449. David Carr (British, 1915-1968), Untitled - Studies of Machines, watercolour on paper, framed, unsigned, 22.5 x 13.5cm

Provenance: Kieselbach Gallery, Budapest, 11th October 2005, Lot 212 £1,000 - £1,500

Provenance: Katharine House Gallery

446. Jean Cocteau (French, 1889-1963), Opium Head (1958), oval seal stamp l.r., brown pencil on notepad paper, 31 by 23cm, framed. Provenance: Lot 422, Fine & Decorative Arts, Kingham & Orme, Broadway, 1st March 2019. £1,500 - £2,000

Note: Artist Resale Rights apply

£200 - £300

450. Michael Ayrton (British, 1921-1975), Macbeth -2 Soldier Attendants pencil and gouache on paper, framed annotated in pencil 2 Solider Attendants top left and A top right, 27.5 x 16cm (image) Catalogue notes Ayrton designed the costumes and also the backdrop for Macbeth, performed at Manchester Opera House, January 16th 1942, various original designs for the costumes are held in the collection of the Victoria & Albert Museum.£200 - £300 451. Dorte Clara Dodo Burgner (German, 1907-1998), Woman Adjusting Her Shoe, watercolour and pencil on paper, mounted, unsigned, 43 x 22cm (image) Note: Artists Resale Rights Apply

£250 - £350

452. Dorte Clara Dodo Burgner (German, 1907-1998), The Lamp Light Conversation, 1928, pencil and gouache on card, probably for Jugend magazine, signed Dodo 28 lower right, 40 x 28.5cm (image) Artists Resale Rights Apply £4,000 - £6,000 453. Michael Finn (British, 1921-2002), Diagonal Drift, 1984, wood and mixed media, Estate stamp to back, 49.5 c 47cm. £250 - £350

447 447. Terrick John Williams R.A. (British, 1860-1936), Lake Como from Menaggio, signed l.r., inscribed, titled, No.66 and dated 1937 on Fine Art Society label verso, pastel, 38 by 53.5cm, framed £300 - £500 448. Attributed to Roland Vivian Pitchforth R.A. (British, 18951982), Motorcycle on a country road, watercolour on paper, framed, unsigned 54 x 36.5cm. Note: Artists Resale Rights Apply

£200 - £300

454. Adrian Heath (British, 1920-1992), Figures (untitled), 1965 gouache on board, framed indistinct signature in pencil, dated 65 21 x 20cm (image) 43.5 x 42.5cm (frame) £300 - £500 455. Dorte Clara Dodo Burgner (German, 1907-1998), Woman in a Red Dress and Hat, pencil and watercolour on paper, annotated 13 III 26, 51 x 36cm (sheet) Artists Resale Rights Apply £300 - £400 456. Dorte Clara Dodo Burgner (German, 1907-1998), Still Life -Flowers in a Vase, watercolour on paper, the reverse with pencil sketches of seated figures, mounted, unsigned, 39 x 29cm. Note: Artists Resale Rights Apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£300 - £500

451

452

455

456

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

458. Ceri Richards (Welsh, 1903-1971), Study for Relief Construction, 1932 pencil on paper, framed CR blindstamp, paper gallery label to reverse 16 x 12.5cm (image) 42 x 39cm (frame) Provenance: Collection of Igino Cerastico, Milan Private collection. £500 - £800 459. Circle of Virgilio Tojetti, Allegories of Art, oil on panel, painted circle, 23 by 20cm, gilt frame £50 - £80 460. Follower of Pieter van Avont, the Holy Family with the infant John the Baptist and a lamb, oil on canvas, 34 by 29cm, gilt frame £100 - £150 461. John Frederick Herring (British, 1815-1907), Farmyard Scene, a white horse, pigs and ducks in a stable, signed l.l., titled on Frost & Reed label verso, oil on canvas, 39 by 39cm, gilt frame. Provenance: Private Collection, Cotswolds

£2,000 - £3,000

457 457. Henry Cliffe (British, 1919-1983,) Black Figures on Brown, 1958 gouache on paper, framed estate stamp, annotated title and date reproduced to reverse, 64.5 x 39cm (image) 84.5 x 59cm(frame) Provenance: Katherine House Gallery Note : Artists Resale Rights apply.

£400 - £600

462 462. 19th Century School, a South American Gaucho or Vaquero taming a wild bull, oil on canvas, 48 by 58 cm, gilt frame £150 - £200 463. Thomas Weaver (British, 1774-1843), portrait of a black horse with two white socks in an expansive landscape, signed and dated 1808 l.l., oil on canvas, 51 by 67cm, gilt frame. Note: Thomas Weaver was a Shropshire artist who specialised in the portraiture of prize animals. Among his early patrons was the famous animal breeder Thomas Coke of Holkham and later, the Earl of Leicester. He exhibited at the Royal Academy and also at The Academy in Liverpool, where he died. £1,000 - £1,500 464. Thomas Weaver (British, 1774-1843), portrait of a dapple grey horse in an expansive country house estate landscape, church to the right, mansion in the distance, signed and dated 1820 l.c., oil on canvas, 54 by 66cm, gilt frame. Note: Thomas Weaver was a Shropshire artist who specialised in the portraiture of prize animals. Among his early patrons was the famous animal breeder Thomas Coke of Holkham and later, the Earl of Leicester. He exhibited at the Royal Academy and also at The £1,000 - £1,500 Academy in Liverpool, where he died.

458

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

461

463

464

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

465 465. Carlo Coppini (Italian, 19th Century), duckings on water, a pair, both signed and inscribed ‘Firenze’ l.r., oil on board, oval, 15.5 by 20cm, gilt frames (2) £150 - £250

466

467

466. Charles Fruth (?) (British, act early 20th Century), portrait of Julia Hasty of Stratford-Upon-Avon (British, 1882-1973), halflength nude in profile, seated, sitter details verso, oil on canvas, 50 by 38.5cm, framed £200 - £300

467. British School, circa 1710, portrait of a lady, half-length in a lace bonnet, pearl necklace, an open-neck dress and blue wrap, oil on canvas, painted oval, 76 by 61cm, unframed £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

468. Richard John Pembery (British, 1820-1891), an Italian Lake scene with fishing boats, signed l.r., oil on board, 24 by 34cm, gilt frame £80 - £120

472. Paul Schouten (Paul Henry Shouten) (Belgium, 18601927), Awaiting the Catch, signed l.r., oil on canvas, 38 by 58cm, gilt frame £300 - £500

469. John Frederick Herring (British, 1815-1907), A Winter Farmyard with Horses, Pigs and Chickens; A Rustic Farmyard with Horses, Pigs and Chickens, a pair, both signed, oil on canvas, 40 by 61cm, gilt frames (2) £2,000 - £3,000

470 470. William Henderson (British, 19th Century), The Standoff, geese and donkeys in a pastoral landscape, signed l.r., oil on canvas, 40 by 60cm, gilt frame £200 - £300

473 473. William Shayer (British, 1787-1879), A Gypsy Encampment, apparently signed l.l., (obscured), titled on plaque below, oil on canvas, 52 by 40cm, gilt frame £300 - £500

474 474. Alfred Vickers (British, 1786-1868), A View on the Isle of Wight, signed and dated 1843 l.l., titled verso, oil on canvas, 45 by 80cm, gilt frame. Provenance: with David Messum 471 471. William Mellor (British, 1851-1931), a wooded river landscape with falls, signed l.l., oil on canvas, 90 by 70cm, framed £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£500 - £800

475 475. Alfred de Breanski (British, 1852-1928), Windsor Castle from the Thames at sunset, signed l.l., oil on canvas, 61 by 91.5cm, gilt frame £4,000 - £6,000

478 478. Arthur Severn (British, 1841-1931), Nr Bittaford, Devon, signed with monogram l.l., titled and also signed verso, oil on canvas, 24 by 34.5cm, gilt frame £150 - £200 476 476. James Webb (British, 1825-1895), French Goals and Shipping off the Eddystone Lighthouse, titled verso, oil on panel, 25 by 35cm, framed.

479. Samuel Henry Baker (British, 1824-1909), The Old Mill, Derbyshire, signed with initials l.l., titled and dated 1896 verso, oil on board, 19 by 26.5cm, gilt frame £100 - £150

Note: label verso states that the work has been authenticated by Knight Frank & Rutley and was exhibited at The Royal Academy 1853 - 1888 £500 - £800

480. Gyula Rudnay (Hungarian, 1878-1957), Merrymaking Company, signed l.l., oil on canvas laid down on board, 25 by 32cm, framed.

477. Francis E. Jamieson (B. Davis) (British, 1895-1950), a mountainous river landscape with women gathering flowers; a river landscape with figures making hay, a pair, both signed B.Davis l.r., oil on canvas, 24 by 39cm, gilt frames (2) £80 - £120

Note: Artist Resale Rights apply

£100 - £150

481. Haydn Reynolds Mackey (British, 1883-1979), A Bow Over Farringham, signed l.r., titled verso, oil on board, 27 by 37cm, framed. Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£60 - £100

482. Jack Wright (British, 1919-1994), Trees and Pond, signed and dated 1990 verso, oil on canvas, 40 by 33cm, framed £70 - £100

492. Oliver Clare (British, 1853-1927), still life of a peach, a strawberry and gooseberries on a white marble ledge, signed l.r., oil on board, 18 by 14.5cm, gilt frame £100 - £150

483. Ian Hay (British, 1940-2024), a coastal scene with a boat, signed and dated 1966, l.l., oil on board, 30 by 22.5cm, unframed.

493. Roger Hanier Hampson (British, 1925-1996), Accrington Market, signed l.r., titled verso, oil on board, 9 by 16cm, framed.

£80 - £120

Note: Artist Resale Rights apply

484. Stephen Ernest Kaldor (Hungarian/Australian, 1938), The Balloons (Coogee Beach), signed l.l., oil on board, 60 by 75cm, gilt frame.

Provenance: with Peter Sands Fine Paintings. £100 - £150

Note: Artist Resale Rights apply

£80 - £120

494. Gilbert Adams (British, 1906-1996), Boat Shed, signed with initials l.l., oil on board, titled on Reading Guild of Artists label verso, oil on board, 19 by 23.5cm, gilt frame £100 - £150

485. David Howell (born 1939), Campo dei Mori, Venice oil on board, framed signed lower right, paper title label to reverse, 25 x 18.5cm (image) 35 x 30cm. (frame) £100 - £200

495. Frank Owen Salisbury (British, 1874-1962), Country Lane at Night, signed and dated 1926, l.r., oil on board, 37 by 49cm, framed £100 - £150

Provenance: with The Sydney Art Gallery

486. Stephen Ermest Kaldor (Hungarian/Australian, 1938), Resting (Coogee Beach, Sydney), signed l.r., oil on board, 60 by 75cm, gilt frame. Provenance: with The Sydney Art Gallery

£80 - £120

487. Constance Damaris Pearson (British, 1886-1970), Malham Cove, Yorkshire, signed l.r., oil on canvas, 50 by 60cm, framed £80 - £120 488. Stephen Ernest Kaldor (Hungarian/Australian, 1938), The White House (Moreth, New South Wales), signed l.l., oil on board, 60 by 75cm, gilt frame. Provenance: with The Sydney Art Gallery

£80 - £120

489. Lana Okiro (British, 20th/21st Century), Ruby Port & Cherries III, signed with initials l.l., titled verso, oil on board, 34 by 49cm, framed £100 - £150 490. August Hoffmann von Vestenhof (Austrian, 1849-1922), Woman Carrying Young Child, oil on canvas, framed signed A Hoffmann lower left 86 x 50cm (image) 100 x 63.5cm (frame) £400 - £600 491. Idelbene Lisimberti (born 1927), Still Life vase of Flowers, 1962, oil on canvas, framed, signed Lisimberti dated 1962, annotated to back, 49 x 39cm. £100 - £200

496 496. Ukrainian School, 20th Century, Still Life with Jugs and Lemons, indistinctly signed l.r., also signed, titled and dated 1989 verso, oil on canvas, 51 by 49cm, framed £100 - £150 497. Igor Galan (Ukrainian, 1964), The Cellist, signed and dated 1994, l.r., oil on canvas, 123 by 123cm, framed £150 - £200

498

492

498. Thomas Watt (British, 1920-1989), Mario’s Blue Boat at Margate, titled on Kent County Library Picture Collection label verso, No.462, oil on board, 17 by 25cm, framed £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

501. Reza Samimi (Persian, 1919-1991), still life with a French bread baguette, cheese, and a glass of wine on a white tablecloth, signed l.r., oil on canvas, 32 by 43.5cm, framed £150 - £250

502 499 499. Siegfried Charoux (Austrian, 1896-1967), still life with a green glass bottle, glass of wine, and a vase of flowers, signed and dated 1942 l.r., oil on canvas board, 29.5 by 24.5cm, gilt frame. £150 - £200

Note: Artist Resale Rights apply

502. Archibald Ziegler (British, 1903-1971), Coastal Landscape, signed l.r., artist address to stretcher and incised Haifa, oil on canvas, 76 by 51cm, framed. Catalogue notes: The stretcher is annotated Haifa and possibly relates to an exhibition of the artist’s work held at the Ben Uri Gallery London Landscapes of Israel, 1950. £200 - £400

Note: Artist Resale Rights apply

500 500. Michael Matthews (British, 1933), a moonlit street scene in Warwick with the Lord Leycester Hospital, signed l.r., oil on board, 50 by 75cm, gilt frame. £200 - £300

Note: Artist Resale Rights apply

503 503. Tessa Newcomb (British, 1955), Soft Shade, signed with initials and dated 2022 l.r., titled verso, oil on board, 15 by 20.5cm, framed. Provenance: with Crane Kalman Gallery, London. Note: Artist Resale Rights apply

£150 - £250

504. Mary Martin (British, 1951), still life with sunflowers in a glass vase, signed and dated 1975 l.r., Royal Academy of Arts, London, label verso, oil on canvas, 60 by 51cm, unframed £150 - £200

501

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

509. Michael Matthews (British, 1933), a choppy harbour scene with a galleon and sailing boats, signed l.r., oil on board, 50 by 75cm, gilt frame. £150 - £200

Note: Artist Resale Rights apply

505 505. Francisco Santana (Spanish, 1965), Two Tethered Tenders IV, signed l.r., titled verso, oil on canvas, 80 by 80cm, framed £150 - £200 506. Michael Matthews (British, 1933), a busy estuary scene with sailing boats, signed l.r., oil on board, 54 by 73cm, gilt frame. £150 - £200

Note: Artist Resale Rights apply

510 510. Michael Matthews (British, 1933), Ready for Departure, signed l.r., oil on board, 50 by 75cm, gilt frame. £200 - £300

Note: Artist Resale Rights apply

507

511

507. Michael Matthews (British, 1933), a moonlit beach scene with shipping, signed l.r., oil on board, 50 by 75cm, gilt frame.

511. Michael Matthews (British, 1933), A Maritime Battle, signed l.r., oil on board, 50 by 75cm, gilt frame.

£200 - £300

Note: Artist Resale Rights apply

£200 - £300

Note: Artist Resale Rights apply

508

512

508. Michael Matthews (British, 1933), Lunardi’s Second Balloon Ascending from St George’s Fields, 1785, after Julius Caesar Ibbetson, signed l.r., oil on board, 50 by 75cm, gilt frame.

512. Michael Matthews (British, 1933), a Dutch winter scene with figures conversing and ice skating, signed l.r., oil on board, 50 by 75cm, gilt frame.

Note: Artist Resale Rights apply

£200 - £300

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£200 - £300

513

517

513. Michael Matthews (British, 1933), a moonlit dockside with figures, signed l.r., oil on board, 50 by 75cm, gilt frame. £500 - £800

Note: Artist Resale Rights apply

518 518. John Livesey (British, 1926-1990), The River Mole, signed and dated 1962 l.l., oil on board, 74 by 115cm, framed £200 - £300 519. YH.H. (20th Century), Young Boy playing the Flute, signed with initials l.r., oil on canvas, remains of paper gallery label to verso, 85 by 56.5cm framed £200 - £400

514 514. Lynn Rodgie (British, 1967), Poppies in the Breeze III, signed l.r., titled, inscribed and dated 2019 verso, oil on canvas, 50 by 40cm, framed. Note: Artist Resale Rights apply

£150 - £200

515. Lynn Rodgie (British, 1967), First Snowfall, signed l.r., titled verso, oil on canvas, 50 by 50cm, framed. Note: Artist Resale Rights apply

£150 - £200

516. Lynn Rodgie (British, 1967), Summer Breeze, St Abbs Head, signed l.r., titled verso, oil on canvas, 60 by 60cm, framed. Note: Artist Resale Rights apply

£200 - £300

517. Bernard Gantner (French, 1928-2018), For t en Automne, signed and dated 1968 l.r., titled verso, oil on canvas, 100 by 100cm, framed. Provenance: with Madden Galleries, London. Note: Artist Resale Rights apply

£200 - £300

520 520. Lucien Herve (Hungarian, 1910-2007), still life with orange flowers in a vase, signed l.r, oil on panel, 55 by 42cm, framed. Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£200 - £300

524. Jules Gustave Le Roy (French, 1856-1921), kittens in a basket of flowers on a beach, signed l.l., oil on canvas, 31 by 39.5cm, gilt frame £200 - £300

521 521. Brian Davies (British, 1942-2014), still life with a mandolin, old books, a newspaper, fruit, and a pewter lidded jug on a blue tablecloth, signed l.l., oil on canvas, 50 by 75cm, gilt frame. £200 - £300

Note: Artist Resale Rights apply

525 525. Nina Lugovskaya (Russian, 1918-1993), In the Garden, signed l.r., oil on board, 40 by 59cm, framed, with a copy of ‘I Want to Live, The Diary of a Young Girl in Stalin’s Russia’, translated by Andrew Bromfield (2). Note: Nina Lugovskaya is often referred to as the ‘Anne Frank of Russia’ due to her intimate diaries and observations of life in Stalin’s Russia. Following the discovery of her diaries criticising the regime by the secret police in 1937, Nina, along with her mother and two sisters were sentenced to five years’ hard labour in the Gulag . £300 - £500

522 522. Margaret Green (British, 1925-2003), Lionel Bulmer flying a kite on a beach, signed l.r., oil on board, 25 by 20.5cm, framed. £200 - £300

Note: Artist Resale Rights apply

523. David Smith (British, 1920-1999), A Welsh Hillside, signed and dated 1963, l.r., titled verso, oil on board, 92 by 122cm, framed. £200 - £300

Note: Artist Resale Rights apply

526 526. Leo Pors (Dutch, 1952), still life with plums; still life with tomatoes; still life with strawberries and still life with green plums, set of four, all signed l.r., oil on board, 15 by 15cm, unframed (4) £300 - £500

524

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

530 527 527. Style of Winifred Nicholson, a beach scene with a cliff and palm trees beyond, bears indistinct signature and dated 1947 l.l., Royal Academy and James Bourlet & Sons labels verso, oil on canvas, 40 by 50cm, framed £300 - £500

530. Paul Charavel (French, 1877-1961), still life with a green glass carafe, a cup/saucer, and a plate of oranges on a white tablecloth, signed l.r., oil on board, 17.5 by 22.5cm, gilt frame. £400 - £600

Note: Artist Resale Rights apply

531 531. Ernest Higgins Rigg (Staithes Group) (British, 1868-1947), Two Children of the Rocks, oil on canvas, 29 by 39cm, gilt frame £300 - £500 528 528. Reginald William Gammon (British, 1894-1997), Irish Girl Gathering Kelp, signed l.r., titled verso, oil on board, 19.5 by 26.5cm, framed £400 - £600

529

532

529. Ronald Benham (British, 1915-1993), Countryside Scene, signed with initials and dated 1981 l.r., oil on board, 11.5 by 20cm, framed.

532. John Bentham-Dinsdale (British, 1927-2008), The Privateer, an American Privateer attacking and about to take a British merchantman, signed l.l., titled and inscribed verso, oil on canvas, 70 by 88cm, framed.

Provenance: the Estate of John Stanton Ward (1917-2007) £350 - £450

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£400 - £600

535. Jan Minarik (Czech, 1862-1937), A Paris Market, signed and inscribed ‘Paris’ l.r., titled verso, oil on board, 18 by 23cm, gilt frame £600 - £800

533 533. Michael D’Aguilar (British, 1924-2011), Picnic sur la Plage, signed l.r., titled verso, oil on board, 39.5 by 50cm, gilt frame. Provenance: with The Bruton Street Gallery, London. £400 - £600

Note: Artist Resale Rights apply

536 536. Steven Spurrier (British, 1878-1961), St. Tropez, signed u.r., titled on English Exhibition at The Hague, 1933, label verso, oil on board, 60 by 50cm, framed. £400 - £600

Note: Artist Resale Rights apply

534 534. George William Pilkington (South African, 1879-1958), a South African harbour scene with fishing boats and folk, signed and dated 1947 l.l., oil on board, 15.5 by 23cm, framed £400 - £600

537 537. Brian Bradshaw (British, 1923-2016), Standing Female Nude in an Interior, signed and dated 1957 l.r., oil on panel, 49 by 61cm, framed. Note: Artist Resale Rights apply

535

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£400 - £600

540. Frans (Francois) Smeers (Belgian, 1873-1960), Woman Under a Beach Umbrella on the Beach, signed l.r., titled verso, oil on board, 40 by 50cm, gilt frame. £800 - £1,200

Note: Artist Resale Rights apply

538 538. Brian Bradshaw (British, 1923-2016), Bird on Woman, signed l.r., titled and dated 1969 verso, oil on board, 59 by 84cm, framed. £400 - £600

Note: Artist Resale Rights apply

541 541. Charles Kvapil (Belgian, 1884-1958), A Mon Ami Wethmar (portrait of Norbert Wethmar) oil on canvas, framed signed and annotated bottom left, 51.5 x 43.5cm (image) Catalogue notes Norbert Wethmar was a Belgian musician who formed a trio (as a boradcasting unit) circa 1934 and a quartet to play chamber music the following year. He served in the Belgium army for six years during World War II before coming to England. £500 - £800

539 539. Sara John (British, 1946-2024), Yellow Landscape, signed verso, oil on canvas, 60 by 75cm, framed. Note: granddaughter of the artist Augustus John. £150 - £200

Note: Artist Resale Rights apply

542 542. Doris Clare Zinkeisen (Scottish, 1898-1991), Christmas Morning, signed l.r., titled on a plaque below, oil on canvas, 49.5 by 74.5cm, framed. Provenance: Private Collection, Cotswolds. Note: Artist Resale Rights apply 540

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£700 - £900

545. Jackie Pope (born 1942), Orange Study, 2012, mixed media on board, framed, Kernyk Studio label to reverse, 29.5 x 25cm. (image) £100 - £200

543 543. Ken Howard R.A. (British, 1932-2022), Figures in a Market Square, Italy, signed l.r., titled verso, oil on canvas board, 24 by 28.5cm, framed. Note: Artist Resale Rights apply

546

£800 - £1,200

546. Brian Bradshaw (British, 1923-2016), Zeus, signed l.l., titled and dated 1970 verso, oil on board, 59 by 69cm, framed.

544. Alfred Reth (Hungarian, 1884-1966), Composition of Materials, signed l.c., titled and dated 1952 verso, oil and sand on panel, 34 by 41cm, framed.

Note: Artist Resale Rights apply

Provenance: with Robert Schoelkopf Gallery, New York £800 - £1,200

544

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£400 - £600

547 547. Alfred Reginald Thomson R.A. (British, 1895-1979), The Canny Man’s, Edinburgh, signed and dated 1971, l.r., titled verso, oil on canvas, 51 by 61cm, framed. Exhibited: The Royal Academy, 1972, No.865. Provenance: Lot 210, Modern British and Irish Paintings, Watercolours, Drawings and Sculpture, Christie’s, London, 22nd November 1994. Note: deaf from birth, Alfred Reginald Thomson was an official war artist to the RAF during WWII. The Canny Man’s pub in Morningside is an Edinburgh institution established in 1871 and passed down through generations of the Kerr family. £3,000 - £5,000

Note: Artist Resale Rights apply

548. Alethea Garstin (Newlyn School) (British, 1894-1978), On Bryher, titled verso, oil on board, 19 by 24cm, framed. Exhibited: Royal West of England Academy, 99th Annual Exhibition, 2nd November - 15th December 1951. Note: Artist Resale Rights apply £1,000 - £1,500

548 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

549 549. Donald C. Grant (British, 1930-2001), Charging Rhinoceros, signed l.r, oil on canvas, 70 by 145cm, gilt frame. £1,000 - £1,50

Note: Artist Resale Rights apply

550 550. Jeffrey Kroll (American, 1963), Isola, titled verso, oil on canvas, 62 by 71cm, framed

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£500 - £800

551 551. Oksana Mas (Ukrainian, 1969), Net Against Black Background, signed and dated 2013 l.r., acrylic, collage and lacquer on canvas, 200 by 230cm, unframed. Provenance: Private Collection, London £4,000 - £6,000

552. Oksana Mas (Ukrainian, 1969), Eclipse in Red, signed and dated 2013 l.r., acrylic, collage and lacquer on canvas, 170 by 170cm, unframed. Provenance: Private Collection, London £5,000 - £8,000 552 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

553

553. Oksana Mas (Ukrainian, 1969), Lunar Eclipse against Silver Background, signed and dated 2013, l.r., acrylic, collage and lacquer on canvas, 230 by 200cm, unframed. Provenance: Private Collection, London

£7,000 - £9,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

554

554. Oksana Mas (Ukrainian, 1969), Perspective 3, signed and dated 2013 l.r., acrylic, collage, lacquer on canvas, 200 by 200cm, unframed. £7,000 - £9,000

Provenance: Private Collection, London

END OF DAY ONE For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

DAY TWO 15 OCTOBER AT 10AM Lots 555 to 976 Catalogue & Bid Online at www.kinghamsauctioneers.com

Highlights

Lot 881 Lalique, a large Luxembourg glass bowl, circa 1980s Est. £800-1,200

Lot 859 An Anglo Irish glass turnover rim pedestal bowl, circa 1815 Est. £100-200

Lot 585 An Indian carved white marble figure of a Rishabhanatha, Jain, probably 18th century or earlier Est. £200-400

Lot 974 An English porcelain blue and white octagonal plate, Isleworth, circa 1765-70 Est. £180-220

DAY TWO 15 OCTOBER AT 10AM Lots 555 to 976 Catalogue & Bid Online at www.kinghamsauctioneers.com

Highlights

Lot 740 Taxidermy: a monumental pair of extinct Irish Elk antlers and skull (Megaloceros Giganteus), spanning approximately 238cm Note: The Giant Deer, or 'Irish Elk', lived during the Pleistocene Period. The species probably originated in Siberia but migrated westward at the end of the Last Glacial Period. The largest concentration of remains of the species has been found in Ireland, chiefly in the calcium carbonaterich blue marl soil underlying bogland. From the 16th century onwards, there are records of these mammoth ancient antlers being used to decorate feasting and banqueting halls. Hatfield House, Hertfordshire, holds a set that was sent from Ireland in 1597, and in the 19th century, the taste for 'Baronial' style dining led to a brisk and lucrative trade in amateur and professional excavation and sale of these magnificent antlers.A related pair of antlers presented to Sir Robert Peel by the people of Ireland was sold by the Earl Peel, Christie's London, 6 April 2000, lot 210. Another pair originally from Powerscourt, Co. Wicklow, sold anonymously, Christie's London, 14 June 2001, lot 5. A set, formerly from The Dukes of Westminster, Eaton Hall, Chester, thence by descent until sold and acquired by the late Captain G. Kenneth Whitehead, sold at Sotheby's London, 8 June 2005, lot 79 Est. £30,000-50,000

DAY TWO 15 OCTOBER AT 10AM Lots 555 to 976 Catalogue & Bid Online at www.kinghamsauctioneers.com

Highlights

Lot 719 Taxidermy, framed Huia tail feather (Heteralocha acutirostris), New Zealand (Aotearoa), circa 1900 Est. £1,000-1,500

Lot 729 Claude Langlois, a French silver Butterfield type pocket sundial, Paris, circa 1730 Est. £2,500-3,500

Lot 855 Myles Birket Foster R.W.S. (British, 1825-1899), Killgate Farm on the River Dart, signed with monogram l.l., titled verso, watercolour, 22 by 27.5cm, gilt frame Est. £800-1,200

Lot 966 A London Delft wet drug jar, circa 1640 Est. £1,200-1,500

TERMS & CONDITIONS OF SALE AND BUSINESS These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms. CONDITIONS OF SALE 1. DEFINITION In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’. 2. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for. 3. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment. 4. DESCRIPTIONS AND CONDITION OF LOTS Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot. 5. ATTRIBUTION OF PICTURES (a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist. (b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work. (c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date. (d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist. (e) All other terms are self-explanatory. 6. FORGERIES Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium. 7. THIRD PARTY LIABILITY Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur. 8. DISPUTES Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams. 9. GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting. Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. English law applies to the interpretation of these Conditions. TERMS OF CONSIGNMENT FOR SELLERS 1. INTERPRETATION In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd. 2. WARRANTY The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same. 3. COMMISSION Commission is charged to sellers at a flat rate of 15%, 1.5% insurance, and a £5/10 entry fee per Lot plus VAT. 4. REMOVAL COSTS Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 5. LOSS AND DAMAGE OF GOODS a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold. b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable. 6. ILLUSTRATIONS The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 7. MINIMUM BIDS AND OUR DISCRETION Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

8. RESERVES a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}. b) A reserve once set cannot be changed except with our consent. c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. d) Reserves are not usually accepted for lots expected to realise below £50. 9. ELECTRICAL ITEMS These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 10. SOFT FURNISHINGS The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request. 11. DESCRIPTIONS Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. 12. UNSOLD ITEMS If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. 13. WITHDRAWN AND BOUGHT IN ITEMS These are liable to incur charges on being bought in or withdrawn after being catalogued. 14. CONDITIONS OF SALE You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply. 17. STORAGE We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

18. SETTLEMENT Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale. INFORMATION FOR BUYERS 1. INTRODUCTION The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand. 2. AGENCY As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller. 3. THE BUYER The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid. The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots. 4. REGISTRATION Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately. 5. BUYER’S PREMIUM - COMMISSION CHARGES There is a buyer’s premium of 26% plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001. 6. VALUE ADDED TAX Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon. 7. AUCTIONEERS MARGIN SCHEME This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice. 8. PAYMENT Buyers must pay in full before items can be removed from the premises (please see “payment methods” below). Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.

Payment Methods We accept payment by: Cash - up to £9,000 (subject to money laundering regulations). Cheques - we do not accept cheques. Debit cards accepted - we do not accept any credit cards. Please note that we are unable to accept any card payments where the cardholder is not present. Bank transfer to: HSBC Bank, Bridge St, Evesham WR11 4RU Account no.: 51655345 Account name: Kinghams Auctioneers Ltd Sort code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payment. 9. LIVE INTERNET BIDDING Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com We ask that you register for the sale a minimum of 24 hours before the auction. When you have registered, you can watch the auction in real time; simply click the bid button to place a bid. If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details. 10. TRANSFER OF RISK Each lot is the buyer’s sole responsibility from the fall of the hammer. 11. COMMISSION BIDS If instructed, Kinghams will execute bids and advise prospective buyers. This service is free. Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk. Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name Address Email address Contact telephone numbers The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid. We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis. 12. TELEPHONE BIDS Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.

13. DATA PROTECTION Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information. 14. STORAGE AND COLLECTION Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office. 15. ELECTRICAL GOODS AND SOFT FURNISHINGS These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations. 16. EXPORT OF GOODS Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help. 17. PACKING AND DESPATCH We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office. 18. DROIT DE SUITE ROYALTY CHARGES A picture or work of art by an applicable living artist, or those who have died within the last 70 years, which costs more than £1,000 hammer price will incur a royalty charge paid by the buyer. We pass this payment on to the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments. The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub and can be found on the DACS website. The royalty charge for pictures and works of art that achieve a hammer price of more than £1,000, but less than that of £50,000 is 4%. On pictures and works of art that achieve a hammer price of more than £50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website. The royalty charge is added to invoices and must be paid before purchases are removed. VAT is not paid on royalty charges. 19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

FINE, DECORATIVE ARTS & DESIGN 9 & 10 DECEMBER 2026 Entries invited until 9 November

Bridget Riley (British, 1931) Ra 2 (1981), signed screenprint Provenance: Private Collection, Cotswolds.

SOLD for £20,990

SILVER & OBJECTS OF VIRTU 19 NOVEMBER 2026 Entries invited until 15 October

Robert Garrard II Emu-footed silver goblets, London 1856 Provenance: Deceased Estate, Warwickshire.

SOLD for £5,700 Contact: Matthew Lafite matthew@kinghamsauctioneers.com

Contact: Adrian Rathbone adrian@kinghamsauctioneers.com John Keightley john@kinghamsauctioneers.com Michael Jeffery michael@kinghamsauctioneers.com

CONTACT US KINGHAMS AUCTIONEERS CALL ON 01608 695695 OR EMAIL enquiries@kinghamsauctioneers.com WWW.KINGHAMSAUCTIONEERS.COM