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Isi_Project 2: Design

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Poster Poster 1 | 3Design | EVALUATE Concept The poster correspondence between music between scores, terminology andtermicase studies. Theshows posterthe mainly shows the correspondence music scores,

nologyand and(6) case studies. Articulation 6) Rhythm are (2) reflected (1) Articulation Rhythm are(1) reflected in the and distinct elements. Shape in is the embodied in distinct elements. (2) Sharpness is embodied in tension-filled architectural tension-filled architectural shapes. and (4) pertain to material These shapes. (3) Texture and (3) (4) Texture Color pertain toColor material selection. Theseselection. principles can be referenced across all cases without specific connections. principles can be referenced across all cases without specific connections. The (7) Repetation (7) Repetation element is extensively employed in doors and element isThe extensively employed in doors and windows. (5) Proportion is windows. evident in(5) the spacing Proportion is evident in the spacing between columns, supports, and stairs. between(8) columns, supports, (8) Variation is often for architectural decorative effects in Variation is often and usedstairs. for decorative effects in the used external outline. (9) Cluster refers(9) to the grouping buildings. (10) Imitation the external architectural outline. Cluster refersoftomultiple the grouping of multiple buildings. (10) is manifested in the internal hierarchy of the architecture. Imitation is manifested in the internal hierarchy of the architecture. Student Name | Yuan Xu Student ID | 102847827

Architectural Design Studio 1 Studio leader: Linus Tan


No. 1 - Shape / Variation

No. 2 - Variation

No. 5 - Proportion / Sharp/ Repetation / Rhythm

No. 6 - Rhythm / Articulation / Imitation

No. 9 - Proportion / ShFUJ/Repetation

No. 13 - ShaUJ/ Variation

No. 3 - Shape / Variation

No. 4 - ShaUJ

No. 7 - Shape / Variation

No. 8 Cluster / Imitation

No.10 - Articulation / Shape

No.11 - Proportion / Repetation

No.12 - Articulation / ShFUJ

No.14 - Repetation / Variation

No.15 - Shape / Variation /

No.16 - Articulation / Imitation

Poster Poster 2 | Exploration 1: Section 4 | DESIGN In the process of conceptualizing my sketches, I deliberately integrated all In the process of conceptualizing my sketches, I deliberately integrated all the design embodies a harmonious theanalyzed analyzedterminologies, terminologies,ensuring ensuringthat thateach each design embodies a harmoniousblend blend these diverse elements. Throughout design phase, I also ofof these diverse elements. Throughout thethe design phase, I also commenced preliminary considerations regarding the application of matericommenced considerations regarding the application of materials, als,preliminary color palettes, and the interplay of light and shadow. palettes, and the interplay of light andas shadow. Ultimately,color I have opted to proceed with Design No.3 my final choice. Ultimately, I have opted to proceed with Design No.3 as my final choice.

Student Name | Yuan Xu Student ID | 102847827

Architectural Design Studio 1 Studio leader: Linus Tan


Station 1: Variation + Articulation

Station 2: Repetaiton + Propotion

Station 3: Imitation + Cluster

Poster 3 | Exploration 2: physical modelling Referencing the characteristics of my chosen song, I have designed a walk path for my site with three stations. For each station, I have selected two terms, incorporating my vision for the (2) Shape, (3) Texture, and (4) Color inspired by the song. The (4) Color palette will feature low saturation or invisible tones, the (3) Texture will consist of tile-able materials like stone, and the (2) Shape will be triangular or angular. At this stage, it is evident how I have integrated the concept of shape into the design. Student Name | Yuan Xu Student ID | 102847827

Architectural Design Studio 1 Studio leader: Linus Tan


4:00AM

5:00AM

7:00AM

9:00AM

11:00PM

1:00PM

3:00PM

5:00PM

6:00PM

Poster 4 | Exploration 3: light study The sun rises and sets from a fixed direction every day, with its position constantly changing. In this poster, I chose to simulate sunlight inside Station 3, which has light sources from four directions, providing a thorough observation of the sun's illumination. In the end, I obtained a fascinating set of light and shadow variations, confirming that the architectural orientation I established, based on the study of the site and sun direction, is exciting.

Student Name | Yuan Xu Student ID | 102847827

Architectural Design Studio 1 Studio leader: Linus Tan


Poster 5 |Exploration 4: material collage "Is she with you?" is a high-energy, rhythmically intense piece that exhilarates and sets a vigilant mood. Its strong articulation conveys urgency. The rhythmic intensity suggests angular architecture, cool color tones, and a concealed, stone-textured interior. Reading the score, I find proportional gaps in clustered notes, repeated main melodies, and percussion for repetition. Varied note groupings and imitated phrases add depth.

Student Name | Yuan Xu Student ID | 102847827

Architectural Design Studio 1 Studio leader: Linus Tan


LEGEND Mountain

Station 3

Soil Water Waterfall Road Bridge View line Trees Station 2

Station 1

Poster 6 | Exploration 5: circulation diagram My diagram depicts a walking route from Station 1 to Sitation 3, reflecting actual topography. Water features are highlighted as essential elements. Varied line styles and shapes illustrate materials, differentiating materials that are distant or less significant along the walking route using grayscale. A clear legend ensures viewers understand them distinctly.

Student Name | Yuan Xu Student ID | 102847827

Architectural Design Studio 1 Studio leader: Linus Tan


Poster 7 | Design: Micro-infrastructure #1 1:50 section Station 1: Variation + Articulation My first micro-infrastructure begins with a powerful passage, constructed from seven angular steel bars undergoing various transformations. The tension in the design symbolizes my understanding of music and the vocabulary of (1) Articulation.' Additionally, there are (8) variations between each steel bar, and the rounded and angular design of the ground surface also creates a distinct contrast. Student Name | Yuan Xu Student ID | 102847827

Architectural Design Studio 1 Studio leader: Linus Tan


Poster 8 | Design: Micro-infrastructure #1 1:50 floor plan Station 1: Variation + Articulation My first micro-infrastructure begins with a powerful passage, constructed from seven angular steel bars undergoing various transformations. The tension in the design symbolizes my understanding of music and the vocabulary of (1) Articulation.' Additionally, there are (8) variations between each steel bar, and the rounded and angular design of the ground surface also creates a distinct contrast. Student Name | Yuan Xu Student ID | 102847827

Architectural Design Studio 1 Studio leader: Linus Tan


Poster 9 | Design: Micro-infrastructure #2 1:100 Section Station 2: Repetaiton + Propotion My second station keywords are (5) Proportion and (7) Repetation, continuing my interpretation of the song's shape with the use of triangles in the design. Comprising three proportional triangles. The uppermost and lowest stairs connect the walkway, the bottom is made of cement board, and there are platforms between the three triangles, so people can walk outside and watch the scenery. Student Name | Yuan Xu Student ID | 102847827

Architectural Design Studio 1 Studio leader: Linus Tan


Poster 10 | Design: Micro-infrastructure #2, one-point section perspective collage Station 2: Repetaiton + Propotion My second station stands upright by the waterfall, accessible to people through the cliff path. this station extensively incorporates my anticipated (4) Color scheme for the song: miirror materials that don't obstruct the scenic view. The lighting at this station will be excellent, connecting to the cliff path and allowing visitors to traverse through three levels to explore the landscape. From the top, one can proceed to our next station. Student Name | Yuan Xu Student ID | 102847827

Architectural Design Studio 1 Studio leader: Linus Tan


Poster 11 | Design: Micro-infrastructure #3 1:50 section Station 3: Imitation + Cluster At this station, I continued to use triangles in the design, drawing inspiration from the concepts of (9) Cluster and (10) Imitation that I learned in the present study. I formed a (9) Cluster using three similar triangles. Because it is backed by a high mountain, I installed glass in different directions to ensure ample natural light. The interior materials, as showcased in poster 5, include a floor made of slate and (10) Imitation stone blocks. Student Name | Yuan Xu Student ID | 102847827

Architectural Design Studio 1 Studio leader: Linus Tan


1100

1000

Poster 12 | Design: Micro-infrastructure #3 1:50 Roof plan Station 3: Imitation + Cluster The features I portrayed for this station are Imitation and Cluster, aligning with my interpretation of the song's angular shape. The entrance to this station will be on the left, and in the middle, I left a gap facing the lake and waterfall, capturing the beautiful scenery. The station faces north, so the sun will rise from the entrance side and set on the opposite, with openings on both sides allowing natural light to illuminate the station. Student Name | Yuan Xu Student ID | 102847827

Architectural Design Studio 1 Studio leader: Linus Tan


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