Paradise
Film Project Fundraiser Lots 1 - 13
The following 13 lots are being offered by auction to assist funding for an upcoming film project by Morag Brownlie - working title Paradise. Morag’s artist friends have kindly gifted or will share proceeds of their artworks to be offered in this auction. Funds raised will assist Paradise get to the next stages of scripting and promotion, for pitching it here and abroad.
Sir David Attenborough is one of the inspirations of the film. He is aware of the project and has given his approval. Artist Fatu Feu’u has signed Morag and David Fundraising on the back of his work Palauli, Samoa Rainforest Series.
Unique, romantic, humorous, visual and very moving… Paradise will certainly be one to watch out for in the future.
Thank you to all the artists and collectors for supporting this fundraising effort.
Brownlie has a unique vision both celebratory and profound.
NZ HERALD
Lead by Visionary Auteur Morag Brownlie. THEATREVIEW
Morag Brownlie is one of NZ’s most innovative and expressive creatives. She has propelled her imaginative spirit and choreographic skills into the creation of high octane, exhilarating filmic and performance experiences for the enjoyment of a wide range of enthusiastically appreciative audiences, over many years.
Dianne Blomfield (AK Museum Event programmer)
Brownlie was a major contributor to the World of Wearable Art for well over a decade, as artistic director, visuals director, choreographer, and performer. She has created many performance and filmic experiences - from intimate duets at weddings to large entertainment concepts for the likes of Team New Zealand’s Americas Cup balls and Sky-City’s New Year’s Eve extravaganzas.
Morag’s first short film Mes Mer… played at A-list international film festivals, she was nominated in the Nokia NZ film awards as best director. More experimental by nature, Morag’s Short films can be viewed here http://kisstheground.co.nz/ shortfilms-1/
Paradise will be her first feature, in collaboration with top film artists and technicians.
1 HEATHER STRAKA
Untitled Oil on panel 23 x 35 Signed 3,000 - 5,000
2 GENNIE DE LANGE
She’s Over Dressed
Glazed ceramic tile
30 x 30 Signed
800 - 1,200
3 GENNIE DE LANGE A DiffcultDecision
Glazed ceramic tile
30 x 30 Signed
800 - 1,200
Palauli, Samoa Rainforest Series
Acrylic on canvas 110 x 76
Signed, inscribed & dated 2016
Inscribed To Morag & David fundraising
verso
2,500 - 3,500
5 JOHN PULE
In the Evening, 2012
Lithograph on BFK rives 300g paper, edition of 30, 73 x 63.5
Signed, inscribed & dated 2012
1,600 - 2,000
4 FATU FEU’U
Woodblock print, edition13/25, 30 x 21
Signed & dated 2003
300 - 500
Woodblock print, edition of 4/25, 30 x 21
Signed & dated 2005
300 - 500
Skull Lion
Woodblock print, edition 3/25, 30 x 21
Signed & dated 2006
300 - 500
Signed
300 - 500
TONY DE LAUTOUR
Placebo, 2005
9 BODHI VINCENT Dancer Oil on board 42 x 29.7
6 TONY DE LAUTOUR
NZ Snake
7 TONY DE LAUTOUR
Maria Angelica Barbuto - Diptych
Oil on two canvas 177.5 x 290
Signed
8,000 - 10,000
Nearby
Mixed media on road sign 89 x 74
Signed & dated 2015 verso 1,800 - 2,500
Road-signs are warning symbols of our world. They have been transformed into Navigational Markers. Light reflections of the ephemeral moment and of the natural world. Reflections of self and of the other. A state of Here Today…. DS
RAEWYN TURNER
11
DELICIA SAMPERO
DELICIA
Little Bird from Conference of the Birds
Cut out reflective road sign, 35 x 33
Signed 180 - 280 13
Little Bird from Conference of the Birds
Cut out reflective road sign, 37 x 33
Signed
180 - 280
12
SAMPERO
DELICIA SAMPERO
14
EVEREST BASE CAMP STONE
Rock Collected from Everest Base Camp to commemorate the 50th Anniversary of the first ascent of Mt Everest by Sir Edmund Hillary and Tenzing Norgay, May 29th, 1953
9 x 3 cm approx
Framed and mounted - with the signatures of Sir Edmund Hillary, his son Peter Hillary and Tashi Norzay on the mount 20,000 - 30,000
Provenance: Private Collection, Otago
In 2003 a coordinated group trekked to Everest base camp to commemorate the 50th anniversary of The First Ascent, arriving at base camp on the 28th of May which was the day before the original ascent 29th of May. Peter Hillary joined for parts of the trip and he also hosted the celebrations.
While at base camp a series of three rocks were collected that resembled mountains and they were subsequently returned to New Zealand. The signatures are Ed’s, Peter’s and Tashi Tenzing who is Tenzing Norgay’s grandson. Tenzing was Hillary’s Sherpa and climbing companion on the ascent. Peter and Tashi were patrons of the 50k Charity Ski Race of Coronet, which raised $1m over five years and established the Chair of Paediatric Research at Otago University. One of the rocks fetched $27,000 at the gala dinner in 2003. The third belongs to a climber from the trip and will not be sold.
The Beekeeper - Edmund Hillary, circa 1952
Original unique photograph 24 x 18.5
Signed and inscribed verso 800 - 1,200
Provenance: Howard Family Collection.
Photo taken in the early 1950s when my father lived in Papakura. Ed and his brother Rex owned the adjacent house at the time. This is the only image in existence as the negatives were destroyed in a flood at the our property in the 1960s. Frank Howard, artist’s son. Des Howard was a professional photographer from Auckland.
15 DES HOWARD
16 NIGEL BROWN
Small Hillary Icon Oil on plywood
37 x 32
Signed, inscribed & dated 1999
5,000 - 8,000
Provenance:
Part of a series of works created after Nigel Browns Antarctica Residency in 1998
17 NIGEL BROWN
To Be Or Not To Be I Am Oil on plywood
51 x 34
Signed, inscribed & dated 2001
5,500 - 8,500
18
DON BINNEY
Swoop of the Kotare, Waimanu
Screenprint, edition 158/175, 66 x 48
Signed, inscribed & dated 1980
5,000 - 7,000
19 PAT HANLY
Untitled
Screenprint, edition of 101, 56 x 76
Signed & dated 1995
2,500 - 3,500
20 PETER SIDDELL
Red Glass
Watercolour 22.5 x 16.5
Signed & dated 1983
2,500 - 3,500
Oil on board 31.5 x 22
Signed
1,000 - 1,600
Oil on board 31.5 x 22
Signed
1,000 - 1,600
22
AGNES WOOD
Mondrian II
21 AGNES WOOD
Mondrian I
To Turner Oil on board 42 x 63
4,000 - 6,000
Provenance: Artist’s Estate Collection
The artist admired the work of English romanticist Joseph Mallord William Turner. In this rare work the artist pays homage to Turner in a panorama of an Auckland Western view
23
PETER SIDDELL
An Art Political Statement
Pencil and oil applied to Xerox photograph 37 x 42
Signed, inscribed & dated X’89
2,000 - 3,000
Provenance:
Collection of a New Zealand artist, friend of Ralph Hotere
An Art Political Statement is part of a series of works based on xerox copies of photographs courtesy of the Alexander Turnbull Library. this one being a 19th century view titled Old Port Chalmers.
They were protest pieces - with this work being Ralph’s protest at the loss of his own studio and the general character of Port Chalmers during and intense period of re-development in the 1980s.
RALPH HOTERE
IAN KINGSTONE
The Girl at the End of the Bar Oil on canvas 75 x 74
Signed & dated 2010 1,200 - 1,600
IAN KINGSTONE
The Driver Oil on canvas 45 x 45
Signed 800 - 1,200
PETER MADDEN
It Comes From the Heart
Mixed media collage 35 x 36
Signed & dated 2008 verso
800 - 1,500
Fern
Archival inkjet print, 90 x 90
Signed & inscribed verso 2,000 - 3,000
Lithograph, edition 10/30, 43.5 x 50
Signed, inscribed & dated 2000
1,800 - 2,500 30
Watercolour and pencil 36.8 x 33.5
Signed & dated 1970
800 - 1,200
28 ANS WESTRA
29 GRETCHEN ALBRECHT
Coral Reef
JAN NIGRO
Iris and Torso
An Artweek Auckland Event
Teresa H R Lane
B(v)=(n01/1)v The theorem of how to harness auction fever
31 TERESA H R LANE
B(v)=(n01/1)v
The theorem how to harness auction fever
Acrylic ink, archival digital ink on watercolour paper & collage on canvas 100 x 200
Signed & dated 2016
The visual story Teresa HR Lane presents, directly references her living experiences. Whilst she is an active participant, she also plays the role of observer, documenting the human form, celebrating the ordinary, and recognising the humorous and often perverse ways we interact with others.
B(v) = (n-1/1)v The theorem of how to harness auction fever delves into the swirling emotions of the art auction floor – a passionate marketplace where the joy of the buyer’s elation is juxtaposed with the lament of those that missed out. Lane’s work examines the inflammatory nature of desire and captures the scent of competitive arousal.
As she questions, Am I important?, this emerging artist has decided – in the spirit of auction fever – to let the audience arbitrate the value of her work. She encourages bidders to examine their motives, asking them to consider whether the purchase is driven by taste, trend, risk, or simply a desire to own something unique that other people want. Her work will be go under the hammer unreserved, a ‘market is never wrong’ approach that encourages a direct value comparison with the work of the other New Zealand artists in the auction against significant New Zealand artists, as she encourages the buyer to decide value.
This work will be exhibited in the window of International Art Centre during Artweek Auckland. We request the buyer leave it on show until the completion of Artweek.
32 JOHN WALSH
Untitled
Oil on board 11 x 50.5
Signed
1,000 - 2,000
33 PAT HANLY
Torso: Adventurer
Etching, edtion 17/30, 66 x 48
Signed, inscribed & dated 1978
1,000 - 1,500
34 MICHEL TUFFERY
Taranaki Landscape
Acrylic on board 8.5 x 48.5
Signed
1,000 - 1,500
La Picador II
Lithograph 20 x 25
Dated 16.3.61/II and 21.4.61 on plate
5,000 - 7,000
La Picador II is the only 24 colour lithograph that was ever produced by the artist.
Reference: no. 1017, Picasso, Volume I, Catalogue of the printed graphic work 19041967, George Bloche
35 PABLO PICASSO
36 MERVYN WILLIAMS
Vista (Red)
Acrylic on canvas 80.5 x 46.5
Signed, inscribed & dated 2004 verso
5,000 - 7,000
37 MAX GIMBLETT
Portrait
Acrylic and vinyl polymers on canvas 212.5 x 213.0
Signed, inscribed & dated 2005 verso
35,000 - 45,000
Provenance:
Private Collection, Auckland
Purchased from Gow Langsford Gallery
38 IAN SCOTT
Small Lattice No. 345
Acrylic on canvas 90.5 x 90.5
Signed & inscribed verso
3,000 - 5,000
Provenance:
Private Collection, Auckland
Purchased from International Art Centre, 2001
39 ROY GOOD Segment Series No.5
Acrylic on jute 160 x 92
Signed & dated 1982 verso
6,000 - 8,000
Provenance:
Private Collection, Auckland
Exhibited New Vision Gallery, 1982
Four
Acrylic on canvas 87 x 71
Mixed media canvas 173 x 210
Signed & dated 1999-2002
10,000 - 15,000
Signed, inscribed & dated 1997 verso
6,000 - 8,000
40 JAMES ROBINSON
41 MERVYN WILLIAMS Falling
Untitled Oil on canvas 122 x 151
Signed & dated 1990
6,000 - 8,000
Provenance:
Private Collection, Wellington
42
JOHN S PARKER
Splendid Music Announces the Opening of the Show. Purcell’s Christmas Music for Queen Mary
Acrylic on canvas 137 x 167
Signed & dated 2004
7,000 - 10,000
Provenance: Private Collection, Auckland Purchased from SOCA, 2004
Exhibited: Christmas Fairy - SOCA, 2004
43 PIERA MCARTHUR
44
JOHN S PARKER
Plain Song - 4 Songs for Winter
Winter Light
Oil stick on paper 120 x 80
Signed, inscribed & dated 1997
3,500 - 4,500
Provenance:
Private Collection, Wellington
45
JOHN S PARKER
Plain Song - 4 Songs for Winter
Oil stick on paper 120 x 80
Signed, inscribed & dated 1998
3,500 - 4,500
Provenance:
Private Collection, Wellington
Signed
12,000 - 16,000
46 STEVE HARRIS
Highland Tent (3 Lights), 2010
Acrylic on canvas 72 x 118
Moonlight Hemisphere
Acrylic on canvas 152 x 303
Signed, inscribed & dated 1987 verso
7,000 - 12,000
Bee Lady Oil on canvas 182 x 182
Signed, inscribed & dated 2000 verso
10,000 - 15,000
Provenance: Private Collection, Auckland
Exhibited:
The Cloak, Milford Galleries, Auckland, November 2002
Cat no. 12
48
JOANNA BRAITHWAITE
47 GRETCHEN ALBRECHT
King George III from Restrike in a Landscape Oil on paper on board 57.2 x 70
Signed & dated 1984
15,000 - 18,000
Provenance:
Purchased at International Art Centre 2003, by current owner
Huia Variations - Pink Ladies Oil on canvas 100 x 100
Signed, inscribed & dated 1978 verso
22,000 - 28,000
Provenance:
Elva Bett Gallery stamp verso
Brooke Gifford Gallery stamp verso
49 DON BINNEY
50 ALAN PEARSON
Untitled Oil on canvas 152 x 188
2,000 - 4,000
Provenance:
Private Collection, Auckland
51 DENYS WATKINS
Signed & dated 1980
2,500 - 3,500
Provenance:
Private Collection, Auckland
Purchased directly from the artist, 1980
Signed & dated 1995
3,000 - 5,000
Provenance:
Private Collection, Auckland
53 NIGEL BROWN Moon Creation Flower Oil on canvas 89 x 59
52 ROBERT ELLIS Tiheru
Mixed media collage on paper 77 x 58
Fibre-based silver bromide print, edition 1 of 5, 95 x 136
Signed & dated 2013
2,500 - 3,500
Provenance:
Private Collection, Auckland
Purchased from FHE Galleries
54 CASEY MOORE
Puriri Moth
55 CASEY MOORE
Giant Bush Dragonfly
Fibre-based silver bromide print,
edition 1 of 5, 95 x 136
Signed & dated 2013
2,500 - 3,500
Provenance:
Private Collection, Auckland
Purchased from FHE Galleries
56 CASEY MOORE
Giant Weta
Fibre-based
silver bromide print, edition 1 of 5, 136 x 95
Signed & dated 2013
2,500 - 3,500
Provenance:
Private Collection, Auckland
Purchased from FHE Galleries
Headland 2
Acrylic on canvas
150 x 101
Signed, inscribed & dated 2013 verso
Provenance:
Purchased from Orexart, Auckland
2,000 - 3,000
57 ROSS LEWIS
58 ROY GOOD Golden Mean from Diamond Series Acrylic and gouache on board 70 x 120
Signed & dated 2004
3,500 - 4,500
59 PETER SIDDELL Girl at the Gate Also known as Girl with House Oil on board 51 x 40
Signed & dated 1970
3,000 - 5,000
Provenance:
Private Collection, Auckland since 1970
60 PETER SIDDELL
Houses at Taipa
Oil on board 20 x 60
Signed & dated 1970 2,500 - 3,500
Provenance:
Artist’s Estate Collection
Records found in the artist’s studio and archives indicate this work was painted at the estuary in Taipa near Mangonui, Northland in the summer of 1970.
61 ANNA DUNSHEATH
Star Turn
Acrylic on board with stainless steel 80 x 140
Signed, inscribed & dated 2010 verso 1,500 - 2,500
Provenance:
Purchased from Sanderson Gallery, Auckland, 2010
62 ANNA DUNSHEATH
Suspended Animation
Acrylic on board with stainless steel 140 x 80
Signed, inscribed & dated 2010 verso 1,500 - 2,500
Provenance:
Purchased from Sanderson Gallery, Auckland, 2010
63 MARK CROSS
Morning Piha
Oil on board 38 x 59
Signed
2,500 - 3,500
64 MARK CROSS
Slope (Stratus)
Oil on board 29 x 100
Signed
2,800 - 3,800
65 MARK CROSS
Tracks Towards Te Ari
Watercolour 22 x 35
Signed
800 - 1,500
66 MARK CROSS
Te Henga North
Watercolour 22 x 35
Signed
800 - 1,500
67 MARK CROSS
Towards the Kaipara
Watercolour 23 x 35
Signed
800 - 1,500
68 LEO BENSEMANN
After Rain, Takaka, 1971
Oil on canvas board 65 x 79
15,000 - 20,000
Provenance: Private collection, Marlborough Purchased in 1982 by the vendor’s parents
Illustrated: p. 69 Leo Bensemann Landscapes & Studies
Caroline Otto, Nikau Press 2004
Exhibited:
Retrospective Exhibition, Rue Pompallier Gallery, Akaroa, 1972
Cat. no 30
‘In his landscapes Mr Bensemann strips away the irrelevant, he selects forms and isolates features that give the landscape of Takaka…a character essential to the location, and he combines this with a very personal and expressive selection
of colour that is a register of his own mood and response to the land. His Takaka paintings, for example, painted as they are with heavy greens, greys and clacks are full of dark foreboding’ Exhibition Review in Christchurch Press, 1972
Following Tapper's 1980 exhibition The Law and It's People his legal series has become increasingly popular and sought-after. The series commenced with a commission received from the Auckland Law Society commemorating its centennial year. The Llb's, a stylish work, features four Auckland University law graduates in cap and gowns, about to make their mark on the
world. During this period Tapper produced his largest lithograph, The Crown Prosecutor. Pleased with the finished work, the artist says: Although its image was sketchily drawn, it was nevertheless full of the incidental of courtroom drama; beautifully drawn, without any hesitation. From text attached verso
69 GARTH TAPPER
The LLB’s Oil on board 31.5 x 38.5
Signed & dated 1984
8,000 - 12,000
70 GARTH TAPPER
The Wrestlers Oil on board 22 x 29
Signed 2,000 - 3,000
71 GARTH TAPPER
Puhoi Farmer
Acrylic on paper 12 x 12
Signed, inscribed & dated 1985
400 - 800
72 GARTH TAPPER
Courtroom Sketch
Pencil on paper 24 x 18.5
Signed 600 - 1,000
73 GARTH TAPPER
Ponsonby Pencil on paper 11.5 x 10.5
Signed & dated 1986
400 - 600
74 A AUSTEN DEANS
Boundary Creek (Looking Downstream towards Rangitata River)
Watercolour 25 x 33
Signed & dated 1952 1,500 - 2,000
75 COLIN V WHEELER
Near the Rink, Tekapo
Watercolour 25 x 35
Signed 1,000 - 1,500
Watercolour 44 x 56
Signed
4,000 - 6,000
76 OLIVIA SPENCER BOWER
Waimakariri River
77
78
Maori Boy
Charcoal drawing on paper 48.5 x 14.5
Signed
4,000 - 6,000
Facade Reflections
Oil on canvas board 30 x 40
Certificate of Authenticity signed by Allan Swinton & Hilda O’Connor
affxedverso
2,500 - 3,500
PETER MCINTYRE
JOHN WEEKS
79 ERIC LEE JOHNSON
T’was Brillag, from Alice Through the Looking Glass
Watercolour 46 x 57
Signed & dated 1946
2,000 - 3,000
80 A LOIS WHITE
Ex Vida Steinert Collection
500 - 1,000
81 A LOIS WHITE
Figure Study
Ex Vida Steinert Collection
500 - 1,000
Dancing Lady
Woodcut 11 x 8
Woodcut, 15.5 x 10
Oil on canvas 122 x 167
Signed & dated 2011
4,000 - 6,000
This is a local headland where I spend a lot of time surfing when the swell comes in from the north or easterly direction. It’s arguably the most famous surfing point in New Zealand. Whareakeake translates to ‘House of the land of hop bush’. For the local iwi it was a greenstone manufacturing centre. When the ‘Sofia’ - a sealing and whaling boat was anchored in the bay, a man named Tucker went ashore to barter for potatoes. He got a little more than he
bargained for. A year earlier he had bartered for a ‘baked head’ or a preserved maori head which he later sold in Sydney. On this new visit he was recognised by Te Matahaere (ancestor of Taiaroa) and attacked by the local tribe. He was bludgeoned to death. A battle ensued between the sofia crew and the local iwi which resulted in many deaths. This is why the Dunedin locals call the bay Murdering Bay. JS 2011
82
JUSTIN SUMMERTON
Whareakeake
84
Motueka
Watercolour 26 x 35
Signed 4,000 - 6,000
Untitled
Watercolour 54 x 75
400 - 600
83 TOSS WOOLLASTON
ANNA CASELBERG
Signed & dated 1999
4,000 - 6,000
85 PIERA MCARTHUR Orchestra Oil on canvas 120 x 100
86
PHILIPPA BLAIR
Las Senderas (Pathways/Tracks)
Oil on canvas 100 x 152
Signed, inscribed & dated 1998 verso
1,500 - 2,500
87 ROBIN KAHUKIWA
Tangata Whenua (Still Here)
Oil on canvas 121 x 121
Signed, inscribed & dated 2015
5,000 - 7,000
89
Curtain Mirror
Mirror with painted wood surrounds with ribbons of copper wire 93 x 88.5
Provenance:
Purchased from Aberhart North Gallery, September 1990
800 - 1,200
90
Hot Buttered
Screenprint, edition of 80, A/P, 74 x 53
Signed, inscribed & dated 2007
800 - 1,200
Late Summer Oil on canvas 101 x 76
Signed 3,000 - 5,000
DICK FRIZZELL
JUSTIN SUMMERTON
88 MARK PERRY
Lake Te Anau is in the southwestern corner of the South Island of New Zealand. The lake covers an area of 344 km², making it the second-largest lake by surface area in New Zealand and the largest in the South Island. It is the largest lake in Australasia by fresh water volume.
The main body of the lake runs north-south, and is 65 km in length. Three large fiords form arms to the lake on its western flank: North Fiord, Middle Fiord and South Fiord. These are the only inland fiords that New Zealand has, the other 14 are out on the coast. Several small islands lie in the entrance to Middle Fiord, which forks partway along its length into northwest and southwest arms. The surface of the lake is at an altitude of 210 m. It has a maximum depth of 417 m, so much of its bed lies below sea level, with the deepest part of the lake being 226 metres below sea level.
Several rivers feed the lake, of which the most important is the Eglinton River, which joins the lake from the east, opposite the entrance to North Fiord. The outflow is the Waiau River, which flows south for several kilometres into Lake Manapouri. The town of Te Anau lies at the south-eastern corner of the lake, close to the outflow.shore, where the Kepler and Murchison Mountains rise 1,400 m above the surface of the lake.
Lake Te Anau was important for the Ngai Tahu iw in pre-European times as the area was a traditional stopping point on their trails between the east and west coasts of the South Island of New Zealand, where they obtained food and resources. The lake was first discovered by European explorers Charles Naim and William Stephen in 1852.
91 TIM WILSON
Te Anau NZ
Oil on Belgian linen 60 x 120
Signed & dated 6/2007
12,000 - 16,000
All proceeds from the sale of this lot go to Otago Community Hospice
92 TIM WILSON
Te Anau Impression II
Oil on Belgian linen 60 x 120
Signed & dated 2003
12,000 - 16,000
Provenance:
Private Collection, South Island
Purchased from Fishers Fine Arts
Label affxedverso
Signed
3,000 - 5,000
93 JUSTIN SUMMERTON Castle Hill Oil on canvas 76 x 91
94 TONY LANE
Untitled
Oil on six panels 53 x 168
800 - 1,200
95 ANDREA DU CHATENIER
Body 2005 from Autopsy series:
Felt sculpture 120 x 40
Dated 2008 -2011
800 - 1,200
Provenance:
Private Collection, Auckland
Exhibited:
Autopsy, Hastings City Art Gallery
2 December - 6 February 2012
The Blind Date lithograph, edition 16/20, 41 x 42
Signed, inscribed & dated 1987
500 - 800
97
JENNY DOLEZEL
Dancing with a Stranger
Lithograph, edition 20, artist’s proof IV, 56 x 65
Signed, inscribed & dated 1987
800 - 1,200 98
Screenprint, edition 25/100, 36 x 60
Signed, inscribed & dated 2010
800 - 1,200
Bamboo engraving, 39/60, 40.5 x 53
Signed, inscribed & dated 1974
800 - 1,200
JENNY DOLEZEL
STANLEY PALMER Harataonga
STANLEY PALMER Inlet
100 FATU FEU’U
101 PAUL HARTIGAN
Olympia
C Type print, 1/1, 44 x 56
Signed, inscribed Live Model & Slave, Claybrook Gallery & dated 1992
1,200 - 1,600
Olympia was a staged gallery tableau at Anna Bibby’s Claybrook Gallery in 1992, conceptually mimicking the famous Manet painting. Using real life models the naked Olympia and her black slave were successfully recreated, and from this setting I created my unique image complete with Rococo frame. She’s remained an obsession since. Paul Hartigan
102 PAUL HARTIGAN
Speller 2003, Pigment print,edition of 19/20, 41 x 118
Signed, inscribed & dated 2003
1,500 - 2,500
103 PAUL HARTIGAN
Tattoo Classiques
Acrylic on paper 31 x 48
Signed, inscribed & dated 1980
1,000 - 2,000
104 MATT MCLEAN
Untitled
Terracotta sculpture 66 x 37
Approximately 15 kg
Indoor, outdoor usage
1,500 - 2,500
105 DALLAS SECOMBE YOUNG
Fish Face
Wooden relief sculpture 80 x 80
Signed & inscribed
800 - 1,200
106 KEN KENDALL
Mother and Child
Unique terracotta sculpture 35 x 20
Signed, inscribed & dated 1991
800 - 1,200
Georgics - Sunrise / Sunset
Macrocarpa and Kauri, 60 x 44
Signed & dated 2009 on base
2,000 - 3,000
Link Series ( Double Sided)
Bronze sculpture, edition of 10, 20 x 20
Signed & inscribed verso
1,400 - 1,800
107 WARREN VISCOE
108 VIRGINIA KING
109 GRANT CORBISHLEY
N.1018-S.I.D.01
Farmhouse Memories Wairarapa
Oil on canvas 150 x 121
Signed, inscribed & dated 2002
1,000 - 2,000
110 GRANT CORBISHLEY
N/1022-S.I.D.02
Farmhouse Memories with Fireplace
Oil on canvas 150 x 121
Signed, inscribed & dated 2002
1,000 - 2,000
111 AUBREY DE LISLE
Reflections in No 1 Queen Street
Watercolour 34 x 24.5
Signed & dated 1989
800 - 1,200
109 110
Kara
Oil on canvas 85 x 75
Signed & dated 2005 - 2010 verso
1,500 - 2,500
113
Study ‘Summer Boat’
Pencil on paper 23.5 x 23.5
Signed, inscribed & dated 1991
500 - 1,000
112 MARK OLSEN
STEVE HARRIS
112 113
Islands
Boxed set of eight lithographs, Edition 3/60, Each 28 x 40
Signed, inscribed & dated 1976
1,000 - 2,000
Whangaroa Township, 1961
Watercolour 44 x 50
Signed
800 - 1,200
115 ARTHUR THOMPSON
114 STANLEY PALMER
Inside the Square
Ultrachrome, edition of 37/75, 65 x 65
Signed, inscribed & dated 2005
800 - 1,200
117
Broom of Doom, Don’t Cry Death
Defy series,2008
Photographic print 92 x 77
Dated 2008 -2011
800 - 1,200
Hopa
Screenprint, edition 24/25 52.5 x 75
Signed, inscribed & dated 1998
1,000 - 1,500
116 PAUL HARTIGAN
JAMES K LOWE
118 SHANE COTTON
117
116
119
ERIC LEE JOHNSON
Lion Rock, Piha
Watercolour 48 x 57
Signed 1,000 - 2,000
120 GARTH TAPPER
Prof’s Wife, 1965
Oil on board 28 x 23
Signed 1,500 - 2,500
121
GENNIE DE LANGE
Farewell Virgin Moon and Stars, from Environmental series 1975 - 1976
Glazed ceramic on 12 tiles 47 x 61.5
Signed
1,000 - 1,500
122
GENNIE DE LANGE
High Summer
Glazed ceramic tile 20 x 20
Signed & dated 1992
200 - 400
123
GENNIE DE LANGE
Plums though a Window
Glazed ceramic on six tiles 30 x 46
Signed & dated 1977
700 - 1,000
124 GENNIE DE LANGE
Rites of Spring
Glazed ceramic on four tiles 31 x 31
Signed & dated 1977
500 - 1,000
125
GENNIE DE LANGE
Summer
Glazed ceramic on nine tiles 46 x 46
Signed
800 - 1,200
126
MICHAEL SMITHER
Taranaki 2
Screenprint, edition of 50, 19 x 56
Signed, inscribed & dated 1974
500 - 1,000
127 PRO HART
Oil Can Harry
Edition 83/250, 70 x 46
Signed
500 - 1,000
128
MICHAEL SMITHER
Dolphins and Lovers IV
Screenprint, edition 10/44, 61 x 90
Signed & dated 2006
700 - 1,000
129 GRAHAME SYDNEY
Robin White
Etching, edition 17/25, 25 x 24
Signed & dated November 1983
2,000 - 3,000
Provenance:
Ex Collection Les & Milly Paris, Wellington - label affxedverso
130 HENRYK SZYDLOWSKI
The Frogs Concert Oil on canvas 30 x 41
Signed & dated 1989
1,000 - 2,000
131 HENRYK SZYDLOWSKI
Orchestral Still Life
Oil on canvas 99.5 x 70
Signed & dated 1984
2,500 - 3,500
132 GARTH TAPPER
Anne Oil on board 24 x 27
Signed & dated 1984
2,500 - 3,500
133 SYLVIA SIDDELL
Mirror
Coloured pencil on paper 50 x 38
Signed, inscribed & dated 1983
400 - 600
134 KEN BEATSON
Figs and Twigs Oil on canvas 27.5 x 35
Signed
600 - 1,000
135 ROSEMARY PRITCHARD
The Last Shelter, Kiritehere Beach , West Coast Oil on canvas 70 x 100
Signed & dated 2016
800 - 1,200
136 ERIC LEE JOHNSON
Waikino
Ink on paper 35 x 53
Signed & dated 1971
800 - 1,200
137 PETER SIDDELL
Renown Avenue
Screenprint, edition of 6/20, 37 x 35
Signed, inscribed & dated 2009
1,200 - 1,400
138 MARK WOOLLER
Karaka Crown Oil on canvas 92 x 115
Signed & dated 2001
2,000 - 3,000
137
138
139 HENRYK
Canterbury Landscapes - A Pair
Acrylic on board 40 x 33
Signed & dated 1996
800 - 1,200
Marina No. 1
Acrylic on board 40 x 58
Signed
500 - 1,000
STRUYK
140 ARTHUR DAGLEY
141 SYLVIA SIDDELL
An Angel at my Table
Graphite on paper 70 x 53
Signed & dated 1988
750 - 1,250
Provenance:
Private Collection, Auckland
Purchased directly from the artist, 1988
142 SYLVIA SIDDELL
Morning After Rain
Acrylic on canvas 76 x 50
Signed
500 - 1,000
143 SYLVIA SIDDELL
The Insect
Graphite on paper 37 x 28
Signed & dated 18/3/1980
400 - 600
Provenance:
Private Collection, Auckland
Purchased directly from the artist, 1980
144 FATU FEU’U
Viiga Poula
Lithograph, edition 6/40, 60 x 120
Signed & dated 2001
1,000 - 1,500
145 STANLEY PALMER
Creek, Punga and flood Karamatura
Bamboo engraving, 41/60 60 x 45
Signed, inscribed & dated 1971
800 - 1,200
146 TED DUTCH
Two Figures
Screenprint, edition 10/25, 49 x 66
Signed & dated 1970
800 - 1,200
147 STANLEY PALMER
Harataonga - Pohutukawa
Etching, edition 50/100, 41 x 65
Signed, inscribed & dated 1991
1,000 - 1,500
148 STANLEY PALMER
Trees Waiheke
Bamboo engraving, 20/60 41 x 58
Signed, inscribed & dated 1991
1,000 - 1,500
149 TED DUTCH
War Game
Screenprint, edition 8/28, 38 x 53
Signed & dated 1967
300 - 600
150 STANLEY PALMER
Old Pohutakawa, Mahurangi
Bamboo engraving, 41/80, 63 x 49
Signed, inscribed & dated 1972
800 - 1,200
152
Untitled Diptych Acrylic on paper 39 x 92
800 - 1,200
White Vision Oil on canvas 164 x 134
Signed, inscribed & dated August 2004
verso
2,500 - 3,500
151 GAVIN CHILCOTT
IAN SCOTT
153 EMILY KARAKA
Nuclear Free - Akitai
Mixed media on canvas 76 x 76
Signed & dated 3/16 verso
1,500 - 2,000
Reflecting radioactive nuclear material as it radiates off humans encased in chainmail -like suits, where the rays can’t penetrate, even though babies glow orange in the daylight. Emily Karaka
154 EMILY KARAKA
Nuclear Free - Akitai
Mixed media on canvas 76 x 76
Signed & dated 3/16 verso
1,500 - 2,000
In the golden glow and at the crossroads of their treaty claims settlement Ngai Tai of Tamaki gather their young, and regroup to return to traditional territories and knowledge. Emily Karaka
153
154
155 K BLAKE
Carnival Clowns
Four mounted pottery heads, edition 4/12, 38 x 74
Signed
200 - 400
156 STANLEY PALMER
Hillside
Bamboo engraving, edition 2/60, 50 x 40
Signed, inscribed & dated 1979
300 - 500
157 PHILIPPA BLAIR
200 - 400 155
Rattlesnake
Lithograph, edition 6/24, 51 x 75
Signed, inscribed & dated 1992
158 LIAM DAVIDSON
Landscape VII
Oil and resin on panel 40 x 68
Signed & dated 1999
400 - 700
159
TOM BURNETT
Tern
Screenprint, edition of 30, 73.5 x 47
Signed, inscribed & dated 1985
300 - 500
160 ALLEN MADDOX
Untitled
Oil on card 20 x 20
800 - 1,400
161 RON STENBERG
Nude
Charcoal on paper 46 x 20
Signed
400 - 600
Absentee Bid Form
Modern & Contemporary Art 12 October 2016
Alternatively, register then bid online www.fineartauction.co.nz
I instruct International Art Centre to bid on my behalf for the following lots up to the prices indicated below. My bids are to be executed at the lowest attainable price level. All bids are subject to Conditions of Sale printed in this catalogue.
Registration Bidding Number
Name
Address
Telephone Home
Lot Number Bid $NZ (excl. premium) Artist and Title
Signature........................................................ / / 2016
International Art Centre offers this service to clients unable to attend sale.
International Art Centre is not responsible for error or failure to execute bids.
Fax +64 9 307 3421 or post to PO Box 37344 Parnell, Auckland 1151, before 2pm 12 October
Index
ALBRECHT G ............................ 29, 47
BEATSON K 134
BENSMANN L ................................. 68
BINNEY D 18, 49
BLAIR P ................................... 86, 157
BLAKE K 155
BRAITHWAITE J ............................... 48
BROWN N ...........................16, 17, 53
BURNETT T ..................................... 159
CAMP STONE E B........................... 14
CASELBERG A................................ 84
CHILCOTT G ................................. 151
CORBISHLEY G .................... 109, 110
COTTON S .................................... 118
CROSS M ............... 63, 64, 65, 66, 67
DAGLEY A .................................... 140
DAVIDSON L ................................ 158
DE LANGE G............... 2, 3, 121, 122, ...................................... 123, 124, 125
DE LAUTOUR T...........................6, 7, 8
DE LISLE A .................................... 111
DEANS A A .................................... 74
DOLEZEL J ................................ 96, 97
DU CHATENIER A ........................... 95
DUNSHEATH A ......................... 61, 62
DUTCH T ............................... 146, 149
ELLIS R ............................................ 52
FEU’U FATU ....................... 4, 100, 144
FRIZZELL D 89
GIMBLETT M ................................... 37
GOOD R 39, 58
HANLY P ................................... 19, 33
HARRIS S................................. 46, 113
HART P.......................................... 127
HARTIGAN P ........ 101, 102, 103, 116
HOTERE R ....................................... 24
HOWARD D ................................... 15
KAHUKIWA R .................................. 87
KARAKA E ............................ 153, 154
KENDALL K 106
KING V ......................................... 108
KINGSTONE I 25, 26
LANE T ............................................ 94
LANE T H R 31
LEE J E ............................ 79, 119, 136
LEWIS R 57
LOWE J S K ................................... 117
MADDEN P 27
MADDOX A ................................. 160
MCARTHUR P 42, 85
MCINTYRE P ................................... 77
MCLEAN M 104
MOORE C .......................... 54, 55, 56
NIGRO J 30
OLSEN M ...................................... 112
PALMER S ................ 98, 99, 114, 148, ..............................145, 147, 150, 156, PARKER J S ......................... 42, 44, 45
PEARSON A ................................... 50
PERRY M ......................................... 88
PICASSO P ..................................... 35
PRITCHARD R ............................... 135
PULE J ............................................... 5
ROBINSON J .................................. 40
SAMPERO D 11, 12, 13
SCOTT I ................................... 38, 152
SECOMBE Y D 105
SIDDELL S ...............141, 133, 142,143
SIDDELL P ............. 20, 23, 59, 60, 137
SMITHER M ........................... 126, 128
SPENCER B O ................................. 76
STENBERG R ................................. 161
STRAKA H ......................................... 1
STRUYK H ...................................... 139
SUMMERTON J ................... 82, 90, 93
SYDNEY G .................................... 129
SZYDLOWSKI H ..................... 130, 131
TAPPER G .................... 69, 70, 71, 72, ........................................ 73, 120, 132
THOMPSON A .............................. 115
TUFFERY ML .................................... 34
TURNER R ....................................... 10
VINCENT B ....................................... 9
VISCOE W .................................... 107 WALSH J ......................................... 32
WATKINS D ..................................... 51 WEEKS J.......................................... 78
WESTRA A 28
WHEELER C V ................................ 75
WHITE A L 80, 81
WILLIAMS M ............................. 36, 41
WILSON T 91, 92
WOOD A.................................. 21, 22
WOOLLASTON T 83
WOOLLER M ................................ 138
KermitHeading Down South, 2016 Acrylic on board 122 x 91 cm $10,000
