
COLLECTABLE ART 6:30pm Tuesday 30 June 2020

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COLLECTABLE ART 6:30pm Tuesday 30 June 2020

6:30pm Tuesday 30 June 2020

Viewing times
International Art Centre, 202 Parnell Road, Auckland
Thursday 25 June 9:00am - 5:30pm
Friday 26 June 9:00am - 5:00pm
Saturday 27 June 10:00am - 4:00pm
Sunday 28 June 11:00am - 4:00pm
Monday 29 June 9:00am - 5:30pm
Tuesday 30 June 9:00am - 6:30pm
Parking during viewing:
Allocated car parks located directly behind International Art Centre
Parking during auction:
Upper and lower car parks at rear of International Art Centre
Further parking at St John’s Car Park, entry at 244 Parnell Road, 40 metres up from International Art Centre
Front cover illustration: Lot 3 Gordon Walters
Back cover illustration: Lot 2 Michael Parekowhai

Sale contacts
Richard Thomson
Ph +64 9 379 4010 richard@artcntr.co.nz
Mobile 0274 751 071
Maggie Skelton
Ph +64 9 379 4010 maggie@artcntr.co.nz
Luke Davies
Ph +64 9 379 4010 luke@artcntr.co.nz
Internet bidding via invaluable.com
Auction streams live on Facebook
Conditions of Sale p. 103
Absentee bids p. 99
Telephone bid form p. 99
















During April’s nationwide lockdown we stayed connected to our clients, keeping them close to our art. We partnered with the world’s most secure, reliable and trusted online bidding platform Invaluable.com successfully auctioning works of art with no exhibition viewing, no printed catalogue, while using state-of-the-art twentyfirst-century technology. All transactions were contactless and we reduced our carbon footprint along the way. While the personal service, excitement and atmosphere of our famous live Parnell Road auctions remain and will continue to grow, the success of this online only platform has encouraged us to introduce this as an exclusive and permanent sale category.
Held 19 May 2020 (Postponed from 1 April)
Our first post lock-down live auction confirmed nationwide interest in the New Zealand art market. Determined bidding reassuringly achieved solid results. Several record prices included $15,000 for Len Castle’s Crater Lake Bowl from the Ron Sang Collection and $54,054 for a Felix Kelly. Philip Clairmont’s Still Life sold for $180,180, the second highest price at auction for a work by this artist while Grahame Sydney’s Rock of Ages realised $168,000. An exceptional pair of Charles Blomfield paintings of


Len Castle realised $18,018 (Record)
the Pink & White Terraces sold for $134,534 against an estimate of $40,000 - 60,000. A memorable evening indeed. Coupled with the introduction of our ART at HOME online only auctions transactions of close to $2 million were made during the Covid-19 pandemic. Lively post sale negotiations along with numerous private treaty sales yielded good results reflecting both confidence and optimism in the New Zealand Art market.











Supply
Oil on board 28 x 30.5
Signed letter from artist to owners affixed verso
$4,000 - 6,000
The Bosom of Abraham Screenprinted vinyl on fluorescent light housing 130 x 20
$15,000 - 20,000


4
Screenprint edition of 50, 68 x 50
Signed, inscribed Tama, numbered 1/50 & dated 1977
$10,000 - 15,000
PROVENANCE
Purchased by Frank Hoffey c. 1977
Private Collection, Sydney
1995)
Screenprint edition of 25, 83 x 38.5
Signed & inscribed Amoka
$10,000 - 15,000
PROVENANCE
Purchased by Frank Hoffey c. 1977
Private Collection, Sydney



Corrugated iron sculpture 140 x 72
$2,000 - 3,000

Works by Len Castle from the Ron Sang Collection

10
Vessel Wall Hanging
Stoneware 35 x 16
$800 - 1,200
Bowl
Earthenware 22 x 22
Artist’s initials impressed on base
$800 - 1,200
9
- 2011)
Small Incense Vase
Stoneware 16 x 13
$600 - 800
Vase
Earthenware 22 x 20
Artist’s initials impressed on base
$600 - 800
11
Platter
Ceramic 39 x 35
Artist’s stamp impressed on base
$800 - 1,200


Silk-screenprint 90 x 64
$1,000 - 1,500




13
Back Beach Islands
Silk-screenprint 45 x 64
Signed & dated 1984
$800 - 1,200
14
Back Beach Islands (Green)
Silk-screenprint edition of 60, 86 x 61
Signed & dated 1983
$1,000 - 1,500
15 BILL SMITHER
Boats 1974
Silk-screenprint edition of 50, 64 x 78
Signed & dated 1974
$1,000 - 1,500
16
Back Beach
Silk-screenprint edition of 30, 45 x 30
Signed & dated 1975
$800 - 1,200
17
Pencil drawing 30 x 21
Signed
$300 - 500


18 ROBIN WHITE (b. 1946)
Hokianga Sandhills
Screenprint edtion of 50, 65 x 53.4
Signed, inscribed Hokianga Sandhills & dated 1977
$5,000 - 8,000
19 ROY GOOD (b. 1945)
Duodecagon Study No. 4
Acrylic on board 50 x 50
Signed, inscribed Duodecagon Study No. 4 & dated 2011 verso
$2,000 - 3,000

20 KARL MAUGHAN (b. 1964)
Aorangi
Oil on canvas 100 x 90
Signed, inscribed Aorangi & dated 7 October, 2007
$20,000 - 30,000
PROVENANCE:
Private Collection, Waikato Purchased from Page Blackie Gallery Wellington 7/10/2007

Untitled
Mixed media on 24 wooden panels 244 x 15
Signed & dated 1991 - 92 verso
$6,000 - 8,000
Planes Bisect - Braque’s Prism
Acrylic on oval board 99 x 80
Signed, inscribed Planes Bisect - Braque’s
Prism & dated 2016 verso
$6,000 - 8,000
23 HEATHER STRAKA (b. 1972)
Love
Giclee print edition of 50, 69 x 49.5
Signed & inscribed Love verso
$2,500 - 3,500
24 HEATHER STRAKA (b. 1972)
Virgin of Seven Sorrows
Giclee print edition of 50, 59.5 x 42
Signed & inscribed Virgin of Seven
Sorrows verso
$2,500 - 3,500



The Order of Things
(Goodbye Earnestness, Hello Antigravity)
Acrylic on canvas 168 x 169
Signed & inscribed The Order of Things (Goodbye Earnestness, Hello Antigravity) verso
$12,000 - 18,000

Signed & dated 1992
$75,000 - 100,000

27
Singer Songwriter II
Lithograph edition of 100, 69 x 84
Signed, inscribed Singer Songwriter II & dated 2001
$3,000 - 5,000
28
BILL HAMMOND (b. 1947)
Fish Finder 3
Screenprint edition of 45, 57 x 46
Signed, inscribed Fish Finder & dated 2003
$7,000 - 9,000


$7,000 - 10,000
30 PHILIP CLAIRMONT (1949 - 84)
Portrait of Viki
Woodcut edition of 5, 67 x 25.5
Signed, inscribed Portrait of Viki & dated 1967
$4,000 - 6,000
Philip Clairmont is commonly associated with vibrantly coloured, textural canvases, but his stark and challenging prints also represent an essential part of his oeuvre. His works are an uncompromising and intricate portrayal of his emotional and subjective experience, regardless of their medium. Clairmont is New Zealand’s fundamental expressionist and Portrait of Viki is fundamental Clairmont.
The portrait is a brutally graphic rendering, composed of hasty, jagged edges. It pays careful stylistic homage to some of Clairmont’s early artistic heroes - the German Expressionists Max Beckmann and Ludwig Kirchner. It remains, however, primarily a tribute to his partner Viki and a totem to their shared experience. While Viki wears a disquieting gaze, she still possesses a reticent tenderness and humanity. Any formality imposed by the use of strict geometry is in contention with the abundance of emotion that emanates from the work. These conflicts culminate in a portrait that demonstrates an intense physical presence.
Portrait of Viki was completed in 1969. The same year saw Clairmont married to Viki, and the birth of their daughter. This deeply personal work allows the audience an insight into the ardent passion and tumultuous intimacy shared by artist and muse. Amidst drastic personal changes 1969 was also monumental in Clairmont’s professional development. Martin Edmond suggests it is “the year in which Clairmont’s mature work really begins”. Though only 19 when the print was produced, the human sensitivity that would continue to envelope his future works is strikingly present.
Portrait of Viki was exhibited in Clairmont’s first solo show which took place in 1970 when he was in his honours year of Art School at Ilam. Notably, two of his tutors purchased work from the show - Bill Sutton and Doris Lusk. From an edition of only five (of which it is doubtful all have survived) this is an early, intimate and exceedingly rare Clairmont work.

31 BANKSY (British b. 1974)
Golf Sale 2003
Screenprint edition of 750
32 x 47
Numbered 363/750 in pencil
$15,000 - 20,000
PROVENANCE
Private Collection, Auckland
Purchased from Pictures on Walls, London, 2005 by current owner
Golf Sale was one of the first Banksy prints to be officially released. It was printed by Pictures on Walls of London as an edition of 750, comprising 150 signed and 600 unsigned prints.
Golf Sale is almost identical to the Tiananmen Square Tank Man photograph taken by Jeff Widener in 1989. Sometimes called the Unknown Protester, the incident took place in the aftermath of the Chinese military’s violent suppression of the ’89 Democracy Movement. A man stood directly and defiantly in front of Chinese military tanks attempting to block their path through Beijing. It is widely considered one of the most notable acts of non-violent intervention and is an iconic image of the 20th century.
In his interpretation, Banksy recreates the scene in black and white, as is typical of his style, the protester stands in front of three imposing tanks, and into his hand, Banksy has placed a sign, simply reading GOLF SALE.
In Banky’s 2001 publication Banging Your Head Against A Brick Wall, the artist said “We can’t do anything to change the world until capitalism crumbles. In the meantime, we should all go shopping to console ourselves.”


32
BANKSY (British b. 1974)
Weston Super Mare 2003
Screenprint edition 446/750
35 x 99.5
$15,000 - 20,000
PROVENANCE
Private Collection, Auckland
Purchased from Pictures on Walls London 2005 by current owner

33 BANKSY (British b. 1974)
Soup Can
Screenprint edition of 250
50 x 35.2
Numbered 12/250 with publishers Pictures on Walls blindstamp
$15,000 - 20,000
PROVENANCE
Private Collection, Auckland
Purchased from Pictures on Walls, London
2005 by current owner
Banksy’s original four-colour screenprint Soup Cans, is a play on Andy Warhols now infamous Pop Art Campbell’s Soup Cans. Banksy has taken the idea that commercial products can be art, as is the Pop Art ethos, but has rendered it in his tongue-in-cheek style with Tesco Value cans of cream of tomato soup.
This limited edition screenprint is one of Banksy’s most iconic. Four different variations were released. The number of cans featured on the print and their colours vary.


34
PABLO PICASSO (Spanish 1881 - 1973)
Three Women
Lithographic reproduction from the One block ochre, coffee-brown, black linocut
27 x 32.5
$2,000 - 3,000
PROVENANCE
Private Collection, Bay of Plenty
Reproduced by Verlag Gerd Hatje, 1962

35
PABLO PICASSO (Spanish 1881 - 1973)
Mother & Child with Dancer & Flute
Player
Lithographic reproduction from the One block ochre, coffee-brown, black linocut
27 x 22
$2,000 - 3,000
PROVENANCE
Private Collection, Bay of Plenty
Reproduced by Verlag Gerd Hatje, 1962
36
PABLO PICASSO (Spanish 1881 - 1973)
Exposition Vallauris 1963
Linocut edition of 170, 75 x 62
Signed, inscribed Exposition Vallauris & dated 5.7.63
$8,000 - 12,000


Signed & dated 1961
$2,000 - 3,000
Private Collection, Bay of Plenty since 1970

38 TOSS WOOLLASTON (1910 - 98)
Landscape with Bayly’s Hill Oil on board 60 x 79.5
Signed
$15,000 - 25,000
PROVENANACE
Private Collection, Bay of Plenty since 1979





Graphite study on paper
20.5 x 15
Signed $800 - 1,200


Portrait of Edith
Pencil on paper 20 x 15
Signed
$600 - 1,000

Lithograph & pencil 19 x 28.5 Inscribed
$400 - 600
Grey River
Ink on paper 14 x 18
Signed & inscribed Grey River
$500 - 800 43
(1910 - 98) Baby Ink on paper 18 x 14.5
$500 - 800
44
TOSS WOOLLASTON (1910 - 98)
Portrait
Ink on paper 18.5 x 13.5
Signed & dated 1969
$800 - 1,200
45 TOSS
Portrait of a Man
$400 - 700
(1910 - 1998)
46 JOHN WEEKS (1886 - 1965)
Moroccan Market Place
Oil on board 65 x 76 Signed
$7,500 - 9,500

Signed
$4,000 - 6,000

ANDY WARHOL (American 1928 - 87)
Sunday B. Morning silkscreen print 91.5 x 91.5
Fill in your own signature and Published by Sunday B. Morning stamped verso
$2,000 - 3,000



49 WU GUANZHONG (Chinese 1919 - 2010)
Landscape
Print on rice paper 69 x 69
Signed & dated 2002
$1,000 - 2,000

Presented unframed and folded. Includes a red hard cover booklet with goldfoil script and seal that illustrates work.
50 ALEXANDER CALDER (American 1898 - 1976)
Illustration 1997
Framed offset lithographic poster
60 x 80
$200 - 300
Illustration was an open edition published in 1997. The original work dates back to c. 1950
51 FENG ZHENGJIE (Chinese b. 1968)
Chinese Portrait Series #38
Screenprint edition of 200, 81 x 81
Signed & dated 2008
$1,500 - 2,000

52 FRIEDRICH
(Austrian 1928 - 2000)
Conservation Week 1974, New Zealand
Offset lithograph with green foil insets
fine art poster print 59 x 42
Signed in plate
$800 - 1,200

53 AFTER
(Japanese 1798 - 1861)
Untitled - two works
Woodblock print & one other
35.5 x 24 & 66 x 98
$500 - 1,000


54 ANDY WARHOL (American 1928 - 87)
Chanel Poster
Framed poster 170 x 117
$2,000 - 3,000
55 ARTIST UNKNOWN
Temple
Etching edition of 50, 68 x 48
Signed indistinctly & dated 1973
$400 - 600
56 JOAN MIRO (Spanish 1893 - 1983)
Untitled
Lithograph 56 x 76
$800 - 1,200
57 JOAN MIRO (Spanish 1893 - 1983)
Esculptures
Lithograph 56 x 76
$800 - 1,200
58 JULIAN TREVELYAN (English 1910 - 88)
Self Portrait
Etching edition of 100, 51 x 37
Signed
$400 - 600





Peonies Detail
Oil on canvas 90 x 90
Signed, inscribed Peonies Detail & dated 2013 verso
$4,000 - 6,000

118 x 118
Signed, inscribed & dated 2003
$8,000 - 12,000


Wrestling Boys
Oilstick on canvas 55 x 55
Signed, inscribed Wrestling Boys & dated 20/1/2008
$7,000 - 10,000
Elizabeth Taylor
Oilstick on fabric 30 x 30
Signed & dated 11.06.2003
$500 - 1,000

63 JAN DE VLIEGHER
(Belgium b. 1964)
Cleopatra 2012
Oil on canvas 200 x 200
Signed, inscribed Cleopatra & dated 2012 verso
$15,000 - 20,000
64 JACQUELINE FRASER (b. 1956)
The Clear Lone Cowboy Stumbling Oilstick on fabric 30 x 30
Signed & dated 22.05.2003
$500 - 1,000




67 JOHN DRAWBRIDGE (1930 - 2005)
Lambton Quay
Watercolour & chalk 29 x 38
Signed, inscribed Lambton Quay & dated 1956
$1,500 - 2,500
ARTHUR DAGLEY (1919 - 98)
Marina No. 1
Acrylic on board 41 x 55
Signed
$800 - 1,200
66 THOMAS ARTHUR MCCORMACK (1883 - 1973)
Autumn, Moonshine Valley
Watercolour 34 x 43
Signed
$500 - 1,000

68
69

RICK LAND (Working 1990s)
Natalie
Bronze edition of 100, 25 x 14
Signed
$1,000 - 2,000
RICK LAND (Working 1990s)
Gretchen
Bronze edition of 25, 10 x 26
Signed
$1,000 - 2,000
70 ANDY LELEISI’UAO (b. 1969)
$4,000 - 6,000 65
Obsolete People Part I 2014
Acrylic on canvas 91.1 x 70.9
Signed


71 JENNA PACKER
Signatories 2013
Acrylic on canvas 56 x 71.3
Signed
$4,000 - 5,000

72 ANDY LELEISI’UAO (b. 1969)
Waking up to the Obscurity PeoplePart III, 2014
Acrylic on canvas 76 x 152.1
Signed
$8,000 - 10,000
73 MERVYN WILLIAMS (b. 1940)
Pearl
Acrylic on canvas 90 x 90
Signed, inscribed Pearl & dated 2005 verso
$4,000 - 6,000
PROVENANCE
Private Collection, Wellington




74 STANLEY PALMER (b. 1936)
Zig Zag in Blue & Pink - Flag
Watercolour 53 x 74
Signed, inscribed Zig Zag in Blue & PinkFlag & dated 1984
$500 - 1,000
75 JAMES ROBINSON (b. 1972)
Open
Mixed media 140 x 70
Signed
$4,000 - 6,000
76 SHANE COTTON (b. 1964)
Kikorangi
Lithograph edition of 40, 56 x 76
Signed, inscribed Kikorangi & dated 2004
$1,000 - 1,500

77 JULIA MORISON (b. 1952)
Wedge 5
Acrylic on canvas on board 58.5 x 121.5
Signed & inscribed Wedge 5 verso
$5,000 - 8,000
78 KIM FISHER (b. 1973)
Untitled
Acrylic on shaped canvas 73.5 x 73.5
Signed, inscribed Elam School New Zealand & dated 2006 verso
$800 - 1,200

79 ROY GOOD (b. 1945)
Polygon Study
Screenprint edition of 3, 31 x 31
Signed, inscribed “Polygon Study” & dated 1971
$800 - 1,200



80
RAYMOND CHING (b. 1939)
Figure Study
Pencil on paper 49 x 35
Signed
$2,200 - 2,800
81
RAYMOND CHING (b. 1939)
Figure Study
Pencil on paper 41 x 39
$2,200 - 2,800
82
RAYMOND CHING (b. 1939)
Nude Study
Pencil on paper 31.5 x 49.5
Signed & dated 1965
$2,200 - 2,800
83
JANE EVANS (1946 - 2012)
Lady in a Fur Coat
Gouache on paper 57 x 38
Signed & dated 1980
$4,000 - 6,000

84
JANE EVANS (1946 - 2012)
Still Life
Watercolour & gouache 80 x 60.5
Signed & dated 2010
$6,000 - 8,000
PROVENANCE:
Ron Sang Collection, Auckland
85
JANE EVANS (1946 - 2012)
Rooster III
Goauche 55 x 64.5
Signed & dated 1986
$3,000 - 5,000





$3,000 - 5,000 87
The Finish Oil on canvas 73 x 54
Signed & dated 1981
Signed
$18,000 - 26,000

88 JOHN COLEY (b. 1935)
Townscape with Pedestrians Oil on canvas 49 x 89
Signed & dated 1981
$800 - 1,200

89
MERVYN WILLIAMS (b. 1940)
Vista (Red)
Acrylic on canvas 80 x 47
Signed, inscribed Vista (Red) & dated 2004 verso
$4,500 - 6,500
90
MICHAEL MOORE (b. 1956)
Southern Wairarapa Tikouka Forest, Triptych No. II
Acrylic on canvas 153 x 151.5
Signed, inscribed Southern Wairarapa Tikouka Forest, Triptych No. II & dated 19/01/10 verso
$1,500 - 2,500



91 BEN WEBB (1976 - 2014)
Untitled Pigment ink print & watercolour
78.5 x 111
Signed & dated 2010
$3,000 - 4,000
92 BEN WEBB (1976 - 2014)
Untitled Pigment ink print & watercolour
46 x 32.5
Signed & dated 2009
$400 - 600

Study
Mixed media on etching paper
92 x 70 cm
Signed & dated 2007
$1,000 - 1,500


94
MICHAEL SMITHER (b. 1939)
Experiment in Sound and Colour
Mixed media on photographic paper
50.5 x 35
$800 - 1,200

95
ALLEN MADDOX (1948 - 2000)
Untitled
Pastel and crayon on paper 28 x 19
Signed & dated 1976
$1,000 - 1,500
96
MICHAEL SMITHER (b. 1939)
Experimental Clouds, 1989
Acrylic on paper 64 x 47
$2,000 - 2,500


97 REUBEN PATERSON (b. 1973)
Down by the Banks of the Hanky Panky XVII
Glitter & synthetic polymer on linen
33.5 x 33.5
Signed & dated 2014 verso
$1,800 - 2,500
98 DAVID BLACK
Mystery Boy
Acrylic & sequins on canvas 90 x 90
$700 - 1,000
99 MICHAEL SMITHER (b. 1939)
Coastal Sketch, New Plymouth Oil on board 26 x 57.5
$1,500 - 2,500




100 MARTI FRIEDLANDER (1928 - 2016)
Group from Turangawaewae Marae
From the series: The Moko Suite
Silver, photographic gelatin on paper 20.2 x 25.8
$3,000 - 5,000
101
BRETT BRIMMER
Untitled
Coloured photograph 33 x 50
$1,000 - 1,500
102
ANS WESTRA (b. 1936)
Trip – on the Verandah at Ratana
Fujicolour Crysal archive paper 33 x 41
$1,500 - 2,500
103
JOANNA BRAITHWAITE (b. 1962)
Girl Next Door
Oil on canvas 20 x 25.2
Signed, inscribed Girl Next Door & dated 1996 verso
$2,000 - 3,000
104
JOANNA BRAITHWAITE (b. 1962)
Bather Boy
Oil on canvas 20.5 x 30.5
Signed, inscribed Bather Boy & dated 1996 verso
$2,000 - 3,000
105
JEFFREY HARRIS (b. 1949)
The Window 1
Ink on paper 17 x 9
Signed & dated 1974 on paper affixed verso
$1,200 - 1,600
106
JEFFREY HARRIS (b. 1949)
Holiday May 14th
Ink on paper 17 x 9
Signed & dated 1974 on paper affixed verso
$1,200 - 1,600





107 GARTH TAPPER (1927 - 99)
Peter Reid in Manet’s Cafe!!! Oil on canvas 47 x 57
Signed & dated 1986
$5,000 - 7,000
108 DENIS KNIGHT TURNER (1924 - 2011)
Animal Series No. 5 - Set A
Watercolour & pen on paper 50 x 37.5
Signed, inscribed No 5 - Set A & dated 26-11-86
$1,500 - 2,000
109 DENIS KNIGHT TURNER (1924 - 2011)
Birds
Watercolour on paper 56 x 37.5
Signed, inscribed Birds & dated 6-9-92
$1,500 - 2,000
110 JAN NIGRO (1920 - 2012)
Nude in Woodland
Mixed media on paper 76 x 53
Signed & dated 2005
$1,000 - 2,000



111 JAN NIGRO (1920 - 2012)
Lady Chatterley
Mixed media on paper 55.5 x 48.5
Signed & dated 2011
$1,000 - 2,000


112
RALPH HOTERE (1931 - 2013)
Untitled
Watercolour & acrylic on paper 40 x 66
Signed & dated 1964
$2,000 - 4,000
113 KEN KENDALL (1928 - 2012)
Footballers
Bronze unique sculpture 36 x 32
Signed
$800 - 1,200


114 KEN KENDALL (1928 - 2012)
Winter Herding
Terracotta sculpture 43 x 28.5
Signed on base
$800 - 1,200

Mining
Oil on board 43 x 60
Signed
$6,000 - 8,000

Hawkes Bay Landscape
Watercolour 43 x 56
Signed
$3,000 - 4,000

Abstract Landscape
Oil on board 20 x 25
Signed
$500 - 1,000




118 RUSSELL CLARK (1905 - 66)
Untitled Watercolour 25 x 36
Signed
$1,500 - 2,500
119 GARTH TAPPER (1927 - 99)
Nancy Oil on board 28 x 33.5
Signed
$1,000 - 1,500
120 GARTH TAPPER (1927 - 99)
The Stadium from the Volcanic Mountain Acrylic on board 27 x 36.5
Signed & dated 1993
$1,500 - 2,500
121 GARTH TAPPER (1927 - 99)
The Wrestlers Oil on board 22 x 29
Signed
$1,000 - 2,000
122 TIM WILSON (b. 1954)
Morning Glow, Lake Te Anau
Oil on Belgian linen 122 x 182
Signed & dated 2004 - 05
$25,000 - 35,000




McKenzie
Signed
$8,000 - 12,000
Lindis Pass Oil on board 19 x 30
Signed
$800 - 1,200

Musterer, Glentanner Station
Tasman Valley, Mt Cook Oil on canvas board 60 x 90
Signed
$7,000 - 10,000
Majestic Mountain Scene Oil on canvas 75 x 58
Signed
$2,500 - 3,500



127 MARCUS KING (1891 - 1984)
Lake Matheson Oil on board 65 x 84
Signed
$1,000 - 2,000
128 MARCUS KING (1891 - 1984)
Buller Gorge Oil on board 84 x 65
Signed
$800 - 1,200


129
MARCUS KING (1891 - 1984)
Lake Wakatipu Oil on board 39 x 49
Signed
$800 - 1,500
130
MARCUS KING (1891 - 1984)
Wellington From Top of Khandallah Hills Overlooking Kaiwarra Oil on board 28 x 38.5
Signed
$1,200 - 1,800
131
TOM ESPLIN (1915 - 2005)
The Hamlet- Provence Oil on board 26 x 48
Signed
$3,000 - 5,000
132
TOM ESPLIN (1915 - 2005)
Fishing Village Cornwall Oil on board 23 x 34
Signed
$2,500 - 3,500



133 CHARLES HENRY HOWARTH
(1856 - 1945)
Steam Clouds, Echo Crater, Waimangu
Watercolour 22 x 59.5
Signed
$1,200 - 1,800
134
GEORGE WOODS (1898 - 1963)
Marine Pattern
Coloured linocut 21 x 17.5
Signed & inscribed Marine Pattern on mount
$1,000 - 1,500

135 TOM ESPLIN (1915 - 2005)
Le Puy, France
Oil on board 32 x 43
Signed
$3,000 - 5,000
136 TOM ESPLIN (1915 - 2005)
Near Perpignan, France
Oil on board 25 x 44
Signed
$3,000 - 5,000



137 WALTER EINBECK
(German 1890 - 1968))
A Bavarian Picnic Oil on canvas 87.5 x 111.5 Signed
$2,500 - 3,500
Walter Einbeck was a German oil painter renowned for his figure paintings. These were often of mythological and theosophical subjects such as Allegorie der Schonheit and Traumreise.
Einbeck studied painting at the Kunstgewerbeschule (Arts and Crafts) School in Magdeburg; the Munich Art Academy from 1908 to 1910; and the Weimar Art School under Max Thedy and Ludwig von Hoffmann.
His style is closely associated to the German Sezessionen movement, a group of artists that rebelled against the Salon system in the late nineteenth century and explored the ideas of various modern movements such as the Impressionists.
In 1919 Einbeck resettled in Munich where he studied with Franz von Stuck. As his career progressed, he set up his own studio in 1921.

139
East Coast
Acrylic on board 43 x 75
Signed & dated 1984
$1,000 - 1,500
Great Barrier Island
Acylic on board 60 x 90
Signed & dated 1973
$800 - 1,200


Watercolour, pencil, gouache & acrylic on paper 55 x 87
Signed, inscribed & dated 2010
$2,500 - 3,500
Graphite on paper 28 x 56
Signed & dated 2008
$1,000 - 1,500


142
Untitled
Watercolour 34 x 54
Signed & dated 1971
$400 - 800
143 TERRY WILLIAMS
Untitled
Watercolour & acrylic on paper 44.5 x 30
Signed & dated 1983
$600- 1,000


144 MICHEL TUFFERY (b. 1966)
Tautu
Lithograph artist’s proof 88 x 57
Signed & inscribed Tautu
$400 - 800
145 GAVIN CHILCOTT (b. 1950)
Rain Forest - Pots + Rain
Acrylic on paper 55 x 76
Signed, inscribed & dated Jan 1990
$1,000 - 2,000


146 GABRIELLE HOPE (1916 - 62)
Landscape
Watercolour 52 x 72
$1,200 - 1,800
147 GABRIELLE HOPE (1916 - 62)
Garden
Watercolour 39 x 58
Signed $800 - 1,200

148 E MERVYN TAYLOR (1906 - 64)
Giraffes
Coloured linocut 21 x 21
Signed & inscribed Giraffes
$1,500 - 2,000
149 PETER MCINTYRE (1910 - 95)
Florence - Piazza della Signoria
Watercolour 51 x 74
Signed
$6,000 - 8,000



Acrylic on canvas 150 x 185
Signed
$5,000 - 8,000
Untitled Oil on canvas 61 x 151
Signed verso
$1,000 - 2,000


152 CHARLES F GOLDIE (1870 - 1947)
A Good Joke
Chromolithograph 39 x 30.5
Machine signed & dated 1905
$2,000 - 4,000
153 IDA G EISE (1894 - 1978)
Putiki Bay Oil on board 30 x 36
Signed & dated 1932
$800 - 1,200
154 IDA G EISE (1894 - 1978)
Still Life with Seedling Lillies Oil on board 52 x 43
Signed
$800 - 1,200
155 CATHERINE BROUGH
Untitled (Hillscape) Oil on paper 54 x 72
Signed
$1,500 - 2,000




MAUDE BURGE (1865 - 1957)
Portrait of a Boy Watercolour 36.5 x 31
Signed
- 1,200


157 JAMES W CHAPMAN-TAYLOR (1878 - 1958)
Garden Corner
Gelatin silver print 35.5 x 24.5
Signed & inscribed Garden Corner on mount
$300 - 500
158
DAVID BARKER (b. 1941)
Cavalli Islands, Northland
Watercolour 22 x 26
Signed & inscribed Cavalli Islands, Northland
$200 - 400
159
DICK FRIZZELL (b. 1941)
Five Star (2015)
Screenprint, edition of 100, 54.5 x 64.5
Signed, inscribed Five Star & dated 2015
$1,500 - 2,000
160 DICK FRIZZELL (b. 1941)
Overnight Success
Screenprint, edition of 150, 42.9 x 33.4
Signed, inscribed Overnight Success & dated 2009
$1,400 - 1,600
161 DICK FRIZZELL (b. 1941)
Old Boots
Screenprint, edition of 300 44.8 x 58
Signed, inscribed & dated 2011
$1,400 - 1,600

162 MICHEL TUFFERY (b. 1966)
Lithograph edition of 126, 66.8 x 46.3
Signed, inscribed & dated 1995
$1,500 - 2,000
163 RIDUAN TOMKINS (1941 - 2009)
Untitled (Blue / Green)
Lithograph edition of 14, 30.5 x 60
$800 - 1,200











170
164
PETER O’HAGAN (1942 - 2013)
Still Life Flowers & Fruit
Gouache on paper 62 x 56
Signed & dated 1990
$800 - 1,200
165 JOHN CRUMP (b. 1943)
Mt Talbot, On the Road to Milford Oil on board 32 x 44.5
Signed
$500 - 800
166 ALISON RYDE (b. 1945)
The Mews
Watercolour 59 x 78
Signed & dated 1989
$500 - 1,000
167 PETER O’HAGAN (1942 - 2013)
Quinces by My Plate
Gouache 44 x 37
Signed & dated 1992
$500 - 1,000

171
168 BLAKE TWIGDEN (b. 1945)
Prince Ruspoli’s Turaco Oil on board 54 x 74
Signed & dated 1990
$1,000 - 2,000
169
SIMON PAYTON ( b. 1950)
Harmonic Landscape
Acrylic on canvas 90 x 110
Signed & dated 1998
$800 - 1,200
170 JANE KELLAHAN (b. 1971)
Untitled
Mixed media on canvas 130 x 100
Signed
$1,000 - 1,500
171
GARTH TAPPER (b. 1971)
Mr Eric Winkel - Senior Crown Prosecutor, Bradley trial, Auckland High Court 1980
Pencil on paper 25 x 20
Signed
$800 - 1,200


Signed & inscribed


Moon
Collagraph edition, of 20 48 x 45.5
Signed & inscribed Moon
$300 - 500
174
(1905 - 82)
The Waimakariri River
Watercolour 36 x 54
Signed & dated 1976
$1,000 - 1,500
175
(1905 - 82)
Untitled - Logging Scene
Watercolour 31 x 38
Signed
$1,000 - 1,500
www.internationalartcentre.co.nz
International Art Centre provides formal valuations for insurance purposes, specialising in the preparation of catalogued and photographed inventories. Written valuations can be arranged by appointment. We provide free informal, verbal estimates for any of the works in your collection.

Colin McCahon (1919 - 87) Pangatotara, 1875 Oil on paper on board 38 x 47.5cm
Reproduced courtesy of The Fletcher Trust Collection
International Art Centre
Appointed Valuers of The Fletcher Trust Collection
For valuation enquiries & quotes contact Maggie Skelton maggie@artcntr.co.nz
202 Parnell Road, Auckland,

Important & Rare auctions are the proven, preeminent sale category for major works of art offered for sale in New Zealand. These auctions take place three times annually. As we fast approach our 50th year in business, experience continues to equal results. 2014 saw Important & Rare auctions realise five of New Zealand’s top ten auction prices. The following year saw new records set with the two top prices in Auckland achieved. With the addition of the record $1.377 million paid for a C F Goldie in April’s 2016 sale, International Art Centre achieved the three highest art auction prices in New Zealand’s history. Due to an appreciative, and greatly valued clientele of nationwide and international buyers and sellers we look forward to breaking new ground.
The buzz generated by our Collectable Art auctions reflects the popularity of these sales: an event at which seasoned connoisseurs and budding collectors alike converge to appreciate one of the most eclectic and diverse offerings available to the market. Works span the vital period from mid-century modernism through to the cutting-edge of today’s Contemporary art in New Zealand.
This sale category is an increasingly significant event in our auction calendar. Offering a number of lowerpriced works from highly-sought after artists in print and edition form, as well as quality works from artists whose presence on the secondary market is just beginning to crystallise.
From time to time, the secondary market is fortunate enough to be exposed to one of those rare collections which transcends the value of its individual works of art, and stands to represent something iconic in its entirety. Our team is well-versed in the process of offering single-owner collections for sale, and take pride in the process of curating a single-owner sale when the opportunity arises. We offer a targeted marketing campaign and maximise the use of both electronic and print-based collateral to effectively showcase such collections to maximum effect. The strong networks we have established locally and internationally are reflected in some of the private collections which have been entrusted to us in recent years.
A quick, easy and reliable solution to larger low value consignments. During April 2020 nationwide lockdown we stayed connected to our clients, keeping them close to our art. We partnered with the world’s most secure, reliable and trusted online bidding platform Invaluable.com, successfully auctioning works of art with no exhibition viewing, no printed catalogue, while using state-of-the-art twenty-firstcentury technology. All transactions were contactless and we reduced our carbon footprint along the way. While the personal service, excitement and atmosphere of our famous live Parnell Road auctions remain and will continue to grow, the success of this online only platform has encouraged us to introduce this as an exclusive and permanent sale category.
Richard Thomson
Ph +64 9 379 4010
M. 0274 751 071
E. richard@artcntr.co.nz
Maggie Skelton
Ph +64 9 379 4010
E. maggie@artcntr.co.nz
Luke Davies
Ph +64 9 379 4010
E. luke@artcntr.co.nz
www.fineartauction.co.nz
202 Parnell Road, Auckland
BANKSY 31, 32, 33
BARKER D 138, 139, 158
BEADLE P 123, 125
BEASLEY M 172
BENSEMANN L................................ 87
BLACK D ........................................... 98
BRAITHWAITE J ................... 103, 104
BRIMMER B .................................... 101
BROUGH CA ................................... 155
BURGE M ........................................156
CALDER A ........................................ 50
CASTLE L 7, 8, 9, 10, 11
CHAPMAN-TAYLOR J W 157
CHILCOTT G 145
CHING R 80, 81, 82
CLAIRMONT P 30
CLARK R 118
CLARKE I 126
COATES A 124
COLEY J ............................................ 88
COTTON S ................................... 21, 76
CRUMP J .........................................165
DAGLEY A ........................................ 65
DALGARNO R ................................. 173
DE VLIEGHER J .............................. 63
DRAWBRIDGE J .............................. 67
EINBECK W 137
EISE I G 153, 154
ESPLIN T 131, 132, 135, 136
EVANS J 83, 84, 85
FEU’U F 60
FISHER K 78
FRASER J 62, 64
FRIEDLANDER M ......................... 100
FRIZZELL D ............... 61, 159, 160, 161
GOLDIE C F .....................................152
GOOD R 19, 22, 79
GUANZHONG W 49
HAMMOND B 27, 28
HARRIS J ................................105, 106
HART P ............................................ 115
HEMER A ......................................... 25
HENDERSON L................................ 37
HONOUR B ........................................ 6
HOPE G ................................... 146, 147
HOTERE R....................................... 112
HOWARTH C H 133
HUNDERTWASSER F 52
JOHNSON R 142
KELLAHAN J 170
KENDALL K 113, 114
KING M 127, 128, 129, 130
KUNIYOSHI UT 53
LAND R ....................................... 68, 69
LELEISI’UAO A .......................... 70, 72
MACDIARMID D.............................. 86
MADDOX A ...................................... 95
MARTINSON P............................... 140
MAUGHAN K ................................... 20
MCCORMACK T A............................ 66
MCINTYRE P 116, 149
MIRO J 56, 57
MOORE M 90
MORISON J 77
NIGRO J 110, 111
O’HAGAN P 164, 167
PACKER J 71
PALMER S 74
PAREKOWHAI M............................... 2
PATERSON R ................................... 97
PAYTON S ....................................... 169
PETERSON N T ............................... 151
Tuesday 30 June 2020
PICASSO P 34, 35, 36
ROBINSON J .................................... 75
ROBINSON P.................................... 29
ROWLAND M ................................. 150
RYDE A ........................................... 166
SCHATTNER G & M ......................... 47
SMITHER M ................ 1, 12, 13, 14, 16, ..........................................17, 94, 96, 99
SMITHER B 15
SPENCER B O 174, 175
STRAKA H 23, 24
SYDNEY G 26
TAPPER G 107, 119, 120, 119, 121, 171
TAYLOR E M 148
THOMSON J 5 TOMKINS R.....................................163
TREVELYAN J .................................. 58 TUFFERY M ............................ 144, 162 TURNER D K .......................... 108, 109
ARTIST ........................ 55
G ................................... 3, 4 WARHOL A ................................ 48, 54
WEBB B 91, 92, 93 WEEKS J 46, 117 WESTRA A 102 WHITE R 18
WILLIAMS M 73, 89 WILLIAMS G 141
WILLIAMS T 143
WILSON T .......................................122
WOLFE P .......................................... 59
WOODS G ........................................134
WOOLLASTON T .......... 38, 39, 40, 41, ......................................... 42, 43, 44, 45
ZHENGJIE F ..................................... 51
6:30pm Tuesday 30 June
I instruct International Art Centre to bid on my behalf for the following lots up to the prices indicated below. I understand my bids are to be executed at the lowest attainable price level. All bids are subject to Conditions of Sale printed in this catalogue.
REGISTRATION NUMBER
NAME
ADDRESS
TELEPHONE
Signature ........................................................................................... / / 2020
International Art Centre offers this service to clients unable to attend sale and is not responsible for error or failure to execute bids.
Email to info@internationalartcentre.co.nz before 3pm day of sale
Alternatively, register as a member on our webiste then leave bids online www.fineartauction.co.nz
202 Parnell Road, Auckland, New Zealand Tel + 64 9 379 4010 email info@internationalartcentre.co.nz www.fineartauction.co.nz



The highest bidder shall be the buyer. In the event of any dispute as to the bidding in respect of any lot, that lot may be offered again at the discretion of the auctioneer whose decision shall be absolute and final.
The auctioneer has the right -
(i) to refuse any bid;
(ii) to advance the bidding at his absolute discretion;
(iii) to place a reserve on any lot;
(iv) to place a bid or bids on behalf of the seller;
(v) to withdraw any lot from sale;
(vi) to require a successful bidder to pay forthwith the whole or any part of the purchase price.
The auctioneer acts as the agent of the seller and neither he nor the seller shall be responsible for any defects or faults in any lot or for any errors of description or for genuineness or authenticity of any lot and no compensation shall be paid in respect of same.
From the time of lot being sold, such lot will be the responsibility of the buyer.
Successful bidders are required to pay for purchases immediately on completion of sale unless otherwise arranged.
All intending buyers are required to register for a bidding number prior to auction commencing. Subscribers can use their permanent bidding number. We reserve the right to ask for identification if you are a first time client of International Art Centre.
Each lot shall be paid for and removed at the buyers expense by no later than 5:00pm Friday 3 July 2020 unless otherwise arranged failing which the auctioneer and/or the seller shall have the right to forfeit any deposit paid by the buyer and to resell the lot either by public or private sale and any deficiency on costs of resale shall be borne by the defaulting buyer.
No lot may be collected whilst auction is in progress. Payment can also not be made until completion of auction.
When the auctioneer declares a lot ‘subject’ this means the bid is below the set reserve and is subject to vendor accepting, rejecting or negotiating the bid. International Art Centre will endeavour to make contact with the vendor immediately after sale or the following day. If the bid is accepted, the highest bidder is obligated to make purchase.
Estimates are provided for each entry and act as a guide only. They are prepared well in advance of sale and are subject to revision at any time. Estimates are based on hammer price and do not include buyers premium.
Absentee bidding arranged - please refer to absentee bidding in back of catalogue Fax to (09) 307 3421 or post to PO Box 37 344 Parnell before 3pm day of sale. Please do not be offended if a member of our staff ask for your credit card details as security.
Absentee bids can also be left via our website to registered members. Our website www.fineartauction.co.nz acts as a useful auxiliary to the catalogue but we recommend inspection or a condition report prior to leaving a bid. Our staff will gladly supply you with a condition report on any lot.
Telephone bidding available to subscribers and registered bidders. There is no charge for this service.
Eftpos: Available for transactions depending on your daily limit.
Bank deposits: Bank instructions on invoice if paying by direct debit.
Quote the Lot number(s) purchased and Surname as reference. International Art Centre no longer accepts cheque or cash payments in excess of NZ$10,000.
Credit cards: Visa and Mastercard accepted - 2% surcharge.
Art objects over 50 years old made by an artist or maker born in or related to New Zealand may be protected New Zealand objects, and therefore require permission from the Ministry for Culture and Heritage in order to be exported. Applications for permission to export can be made at https://mch.govt.nz/ nz-identity-heritage/protected-objects/exporting
International Art Centre arrange door to door delivery both nationally and internationally. Please arrange insurance on your items prior to them leaving our premises.
Should you have any questions relating to the sale or if we can be of any other assistance please contact us during business hours on (09) 379 4010, Toll Free 0800 800 322 or email info@internationalartcentre.co.nz
17.5% Buyers premium plus GST on premium applies to all lots. (Total buyers premium is 20.12% including GST)


