Contemporary & Collectable Art Auction

Contemporary, Modern, & Collectable End of Season Art Auction

6:00pm Thursday 9th December 2010

Conditions of Sale & A Guide to Buyers

The highest bidder shall be the buyer. In the event of any dispute as to the bidding in respect of any lot, that lot may be offered again at the discretion of the auctioneer whose decision shall be absolute and final.

The auctioneer has the right -

(i) to refuse any bid;

(ii) to advance the bidding at his absolute discretion;

(iii) to place a reserve on any lot;

(iv) to place a bid or bids on behalf of the seller; (v) to withdraw any lot from sale; (vi) to require a successful bidder to pay forthwith the whole or any part of the purchase price.

The auctioneer acts as the agent of the seller and neither he nor the seller shall be responsible for any defects or faults in any lot or for any errors of description or for genuineness or authenticity of any lot and no compensation shall be paid in respect of same.

From the time of lot being sold, such lot will be the responsibility of the buyer.

Successful bidders are required to pay for purchases immediately on completion of sale unless otherwise arranged.

All intending buyers are required to register for a bidding number prior to auction commencing. Subscribers can use their permanent bidding number. We reserve the right to ask for identification if you are a first time client of International Art Centre.

Each lot shall be paid for and removed at the buyers expense by no later than 4pm Friday 10th December 2010 unless otherwise arranged failing which the auctioneer and/or the seller shall have the right to forfeit any deposit paid by the buyer and to resell the lot either by public or private sale and any deficiency on costs of resale shall be borne by the defaulting buyer.

No lot may be collected or paid for whilst auction is in progress. Please uplift purchases prior to weekend as auction division closed Saturday 11th & Sunday 12th December.

SUBJECT BIDS

When the auctioneer declares a lot ‘subject’ this means the bid is below the set reserve and is subject to vendor accepting, rejecting or negotiating the bid. International Art Centre will endeavour to make contact with the vendor immediately after sale or the following day. If the bid is accepted, the highest bidder is obligated to make purchase.

ESTIMATES

Estimates are provided for each entry and act as a guide only. They are prepared well in advance of sale and are subject to revision at any time. Estimates are based on hammer price and do not include our buyers premium.

ABSENTEE BIDS

Absentee bidding arranged - please refer to absentee bidding page in back of catalogue. Fax to (09) 307 3421 or post to PO Box 37 344 Parnell. Please do not be offended if a member of our staff ask for your credit card details as security.

Absentee bids can also be left via our website to registered members. Our website www.fineartauction. co.nz acts as a useful auxiliary to the catalogue but we recommend inspection or a condition report prior to leaving a bid. Our staff will gladly supply you with a condition report on any lot.

TELEPHONE BIDS

Telephone bidding available to subscribers. There is no charge for this service.

PAYMENT FACILITIES

Eftpos: Available for transactions $2,000 or less which is the banks daily limit. For transactions less than $4,000 a 50% deposit on the evening and balance following morning is acceptable as long as the goods remain on our premises.

Bank deposits: Please ask for our bank details to be faxed or emailed if you wish to pay by direct debit. Quote the Lot number(s)

Cheques: Accepted by known clients of International Art Centre or at our discretion. When posting cheques please ensure they are sent to the following address. International Art Centre PO Box 37 344 Parnell, Auckland 1151. Make cheque payable to ‘International Art Centre’

Credit cards: Visa & Mastercard accepted with a 2% surcharge. No other credit cards accepted.

EXPORTING

As a general rule, anyone exporting New Zealand works over 60 years of age should apply for an export certificate from the Ministry for Culture and Heritage to avoid issues with customs. This does not apply to non New Zealand works. For full details visit www.mch.govt.nz

FREIGHT & PACKING

International Art Centre will gladly arrange in house or professional packing and international, national or local freight at cost. Please arrange insurance on your items prior to them leaving our premises. In some cases, we may be able to arrange delivery ourselves within the Auckland area.

OTHER ENQUIRIES

+64 9 379 4010 Toll Free 0800 800 322 info@fineartauction.co.nz www.fineartauction.co.nz

BUYERS PREMIUM

13.5% Buyers premium plus GST on premium applies to all lots. Total buyers premium is 15.53% including GST

Auction Date & Time

6:00pm Thursday 9th December 2010

Auction Venue

Scarborough Gallery, International Art Centre

Lower Ground Level 272 Parnell Road, Auckland

Viewing Times

Friday 3rd December 9:00am - 5:00pm

Sunday 5th December 11:00am - 4:00pm

Monday 6th December 9:00am - 5:00pm

Tuesday 7th December 9:00am - 5:00pm

Wednesday 8th December 9:00am - 5:00pm

Thursday 9th December 9:00am - 12:00 noon

Other times by appointment

Absentee Bids

Absentee Bidding Form - Page 79 Fax to (09) 307 3421

Send bidding instructions info@fineartauction.co.nz or Bid via website www.fineartauction.co.nz

Illustrated this page: Lot 208 (detail)

Illustrated front cover: Lot 56

Illustrated back cover: Lot 74

Illustrated inside back cover: Lot 71

Important, Early& Rare

19th & 20th Century New Zealand Paintings - March 2011

Confidence in the market, combined with experience, integrity, realistic estimates and quality catalogues confirm International Art Centre as the leading auction house for works of this genre.

Entries Now Invited

For a no obligation appraisal contact Richard Thomson Toll Free 0800 800 322 Telephone +64 9 379 4010 info@fineartauction.co.nz www.fineartauction.co.nz

www.fineartauction.co.nz

6:00pm Thursday 9th December 2010

1 JEFFREY HARRIS

Untitled

Mixed media on paper 44 x 69

3,000 - 5,000

2 MICHAEL SMITHER

Pukekura Park Oil on board 36 x 40.5

Signed & dated 1966

3,000 - 5,000

3 MARK LANDER

Canterbury Landscape with Vessel Clay pigment on handmade flax paper 66.5 x 239

Signed & dated 10/11/1997

The Bend in the River Acrylic on board 61 x 91.5

Signed & dated 1978

2,000 - 3,000

Lithograph edition of 18, 72 x 53

Signed, inscribed & dated 1992

4,500 - 6,500

GEOFF WILLIAMS

Hot Rod, 2004

Acrylic on board 92 x 152

Signed 8,000 - 12,000

Provenance: Private Collection, Dunedin

Whilst Hot Rod at first glance may appear very retro, it is, indeed, a painting of our time. The ‘gas-guzzling’ Dodge, much loved and cherished by its owner, the chip shop (one of the most popular in Dunedin) directly opposite a multinational fast-food chain are anachronisms... Geoff Williams, text affixed verso

800 - 1,200

How Green Was My Valley, 2004 Oil on canvas 83.8 x 91

Signed 5,500 - 6,500

All Square in Love and War Screenprint edition of 80 22.5 x 28.5

Signed, inscribed & dated 2010

1,400 - 1,600

16 PARATENE MATCHITT

Huakina (1986)

Silkscreen print on paper

53.3 x 81

Signed 1,100 - 1,400

17 MICHAEL SMITHER

Sound Study

Acrylic on paper 89.5 x 62

Signed, inscribed & dated 1981

1,500 - 2,000

Provenance: Collection of the artist

18 JEFFREY HARRIS

Girl in the Window

Acrylic on paper 76 x 63

2,500 - 3,500

Provenance:

Collection of Michael Smither, acquired directly from the artist

19 NIGEL BROWN

The Care of Women

Mixed media on paper 60 x 53.8

Signed, inscribed & dated 2008

4,000 - 5,000

Auckland City

Oil on board 90 x 120

Signed

2,500 - 3,500

PHILLIPA BLAIR

Wild Dream

Pastel on paper 84 x 60

Signed & dated 1987

600 - 1,000

PHILLIPA BLAIR

Talking Head

Pastel on paper 84 x 60

Signed & dated 1986

600 - 1,000

23

HARRY WONG

No.7 Flightplan (Kaipara Plane)

Acrylic on perspex 101 x 101

Signed & dated 1987

800 - 1,200 24 DES ROBERTSHAW

Figures and Waterfall

Acrylic on board 78 x 60

Signed 1,000 - 1,500 25 DES ROBERTSHAW

Musical Composition

Acrylic on board 45 x 65

Signed

800 - 1,200

The Circus from The Marionette Series Oil on canvas 141 x 124

Signed & dated 1996

3,000 - 5,000

Fire

Acrylic on canvas 76 x 76

Signed. Inscribed & dated 1996 verso 1,000 - 2,000

Screenprint edition of 100 64 x 107.5

Signed & inscribed 1,700 - 2,200

Meniscus (Tears for Ophelia)

Oil on linen 76.6 x 61

Signed, inscribed Tears for Ophelia & dated 2004 verso 6,000 - 8,000

31

LOUISE HENDERSON

Abstract

Pastel on paper 26.5 x 21.5

Signed & dated 1985

300 - 500

32

PAT HANLY

Untitled

Screenprint edition of 101, 57.3 x 77.6

Signed & dated 1995

2,750 - 3,500 33

FATU FEU’U

Le Emo

Silkscreen print edition of 47, 75 x 55

Signed, inscribed & dated 2009

400 - 600 34

FATU FEU’U

Mata Palapala

Silkscreen print edition of 65, 75 x 55

Signed, inscribed & dated 2009

400 - 600

35

MICHAEL SMITHER

Dream Boats

Screenprint edition of 90, 82 x 78

Signed & dated 2007

500 - 900

36

DICK FRIZZELL

Portugal - South Coast

Lithograph edition of 38, 55 x 73

Signed, inscribed & dated 1989

1,400 - 1,800

37

STANLEY PALMER

J’accuse!

Screenprint 55 x 80

Signed, inscribed & dated 1985

300 - 500 38

ROBYN KAHUKIWA

Untitled

Screenprint edition of 245, 40 x 30

Signed & dated 2000

300 - 500

FATU FEU’U

Moe Pea

Lithograph Artist’s Proof, 61 x 49

Signed, inscribed & dated 1990

450 - 650 40

MICHEL TUFFERY

Self Portrait

Lithograph 34 x 30

Signed, inscribed & dated 1990

150 - 250 41

FATU FEU’U

Lolotai

Lithograph Artist’s Proof 61 x 49

Signed, inscribed & dated 1990

450 - 650

PHILIP TRUSTTUM

In the Garden Oil on hessian 61 x 38

Signed 800 - 1,200 44

MURRAY GRIMSDALE Warrior

Acrylic on paper 76.5 x 56

Signed 400 - 600

SUSAN WILSON Untitled Oil on canvas 100 x 74

Signed & dated 1986

800 - 1,200

Pub Party Oil on canvas 61 x 91 Signed 2,500 - 3,500

The Hairway to Steven Oil on canvas 55 x 46

Signed & dated 1996

600 - 800

The Remains of the Eye Oil on canvas 59 x 49.5

Signed, inscribed & dated 1999

600 - 800

GARTH TAPPER

Reclining Nude

Oil on canvas 47 x 60

Signed & dated 1991

3,500 - 5,500 50

ANNA CASELBERG

Nelson Landscape

Acrylic on board 44 x 48

Signed

800 - 1,200 51

WILLIAM JAMES REED

Duck Shooter

Watercolour 38 x 49

Signed

1,000 - 2,000

ANTHONY STONES

Frank Sargeson

Watercolour 50 x 37

Signed & dated 15/4/69

400 - 600

53

LOUISE HENDERSON

Engine Room, Southern Cross

Lithograph 38 x 60

Signed & dated 1952

800 - 1,200

54 DORIS LUSK

Standing Nude

Watercolour 54 x 36

Signed

2,500 - 3,500

55

GRAHAME SYDNEY

Pisa Woolshed

Etching edition of 50, 14 x 17

Signed, inscribed & dated Dec 1979

1,000 - 1,500

56

JOHN F BUCKLEY

Supplicant & Aftermath

Alkyd resin on canvas 132.5 x 100

Signed, inscribed & dated 1997

15,000 - 20,000

Provenance:

Murray and Faye Woodham Collection, Auckland

Exhibited A World Away

The Art of John Buckley

International Art Centre, 2003

57 DEAN BUCHANAN

Taupo Landscape No. 2

Oil on canvas 70 x 103

Signed & dated 1999

3,000 - 4,000

John Buckley 1942 - 2005

Born in Wellington, Buckley painted from earliest childhood. He recalled schooldays spent in various art rooms learning to draw, paint and channel a vivid imagination. In 1960 the young Buckley moved to Auckland, achieving success over the next twenty years in the world of advertising.

During a visit to the United Sates in 1980 Buckley was approached by an agent wishing to handle his work internationally. The result of this partnership was representation in private collections through out the UK, France, Germany, Hong Kong, Japan and Australia. John Buckley’s 1983 solo exhibition at International Art Centre, was a sellout.

Buckley depicted sometimes haunting subject matter with a skillful intensity. Of his distinctive style he said the application technique is very similar to that of the 18th century Dutch School. Colour particles are suspended in a clear medium and numerous glazes applied. The advantage of this, is that light is able to shine though the final thickness of the glazes and reflect back from the white canvas. Consequently more brilliance is achieved, even in shadowed areas.

ELIZABETH REES

Time-Frame II

Oil on linen 76.2 x 83.6

Signed & dated 2005

7,000 - 10,000

59

60

STANLEY PALMER Island - Rakitu

Engraving edition of 100, 47 x 84

Signed, inscribed & dated 1988

1,800 - 2,200

STANLEY PALMER

Eastward - Aotea

Engraving edition of 100, 39.5 x 71.6

Signed, inscribed & dated 2004

1,500 - 2,000

61

STANLEY PALMER

Nikau - Late Afternoon - Karamea

Engraving edition of 50, 39.5 x 71.5

Signed, inscribed & dated 2000

1,500 - 2,000

62

STANLEY PALMER

Ohaururu - Whangaroa

Engraving edition of 100, 37.3 x 68.8

Signed, inscribed & dated 2004

1,500 - 2,000

63

Acrylic and screenprint on canvas 140 x 120

Signed 5,000 - 8,000

Bread and Roses

Alkyd resin on canvas 150 x 120

Signed 10,000 - 15,000

Provenance: Private Collection, Auckland

Exhibited: The Fantasy Realism of John Buckley International Art Centre, 1993

It is my belief that the role of the painter is that of the initiator of a relationship between the picture and the viewer. When a picture is complete, it is then handed on to the viewer to contribute to the process by bringing to it their own unique view point. Many people have commented that these pictures ‘brood’ . . . however, it is my belief that the darkness declares the glory of the light. John F Buckley, 1993

PETER ALOYSIUS MORIARTY 1918 – 1985

Peter Moriarty first exhibited at the New Zealand Academy of Fine Arts in 1947. Later becoming the Elected Artist Member of the Academy in 1965. Moriarty exhibited at the Pan Pacific Arts Festival, Christchurch, 1968 and later won the Caltex Art Award.

At this time Moriarty also exhibited in Japan working extensively in oils, watercolours and tempera. He is best known in New Zealand for his urban scenes.

Moriarty worked with fellow Wellington artists Thomas Arthur McCormack (1883 - 1973), Stewart Bell McLennan (1903 - 1973) and Nugent Herman Welch (1881 - 1970).

These works from the artist’s Estate have never before been offered for sale.

65 PETER MORIARTY No. 2 The Red Shed Oil on board 56 x 73 Signed. Inscribed verso 1,400 - 1,800

MORIARTY Near Queenstown Oil on board 45 x 60 Signed 1,200 - 1,600 67 PETER MORIARTY

Farm Cottage, Queenstown Oil on board 59 x 88 Signed 1,200 - 1,600 68 TOM ESPLIN Southern Beach Oil on board 55 x 80 Signed

Otago Art Society label affixed verso 1,500 - 2,500

69 IAN SCOTT

Lattice No. 245

Acrylic on canvas 91 x 91

Signed, inscribed & dated 1991 verso 3,000 - 5,000

ALAN

12 Mile, The Rocks

Oil on canvas 75 x 98

Signed & dated 1993

18,000 - 22,000

Alan Pearson travelled to the Buller region of the West Coast of the South Island in the winter of 1993. At 12 Mile, north of Greymouth, the surf landlocked the artist between the waves and the forest and he focused on the tidal energy, that pounding West Coast surf which is a relentless force of creation. Works are illustrations of the human condition, a wistful yearning, a whispered hope for the survival in the midst of this relentless force, symphonic depictions of energy.

Acrylic on board 82 x 54

Signed & dated 1997

2,500 - 3,500

Sea Bride Oil on board 52 x 73

Signed & dated 1971

3,500 - 5,500

board

Signed & dated 1951

5,000 - 6,500

Signed

76

JOHN WEEKS

Abstract Composition

Oil and tempera on paper 40.5 x 51

Weeks O’Connor stamp verso

3,500 - 4,500

77 OWEN R LEE

Haystacks, Governors Bay Oil on board 25 x 27

Signed 450 - 650

78 IAN SCOTT

Tawharanui Oil on board 68.5 x 88.5

Signed 2,500 - 3,500

79

ARTHUR DAGLEY

Port Theme

Acrylic on board 45 x 75

Signed

800 - 1,200

Signed 3,000 - 5,000

Signed & dated 1987

400 - 600

ARTIST UNKNOWN

82 DON PACKWOOD

Fangio’s Greatest Drive Oil on canvas 38 x 75

Signed & dated 2002 1,500 - 2,500

83 DON PACKWOOD

Moss Magic Oil on canvas 38 x 75

Signed & dated 2002 1,500 - 2,500

84 EDWARD BULLMORE

Seated Nude

Charcoal on paper 53.5 x 36

800 - 1,200

Artifacts

Watercolour 28.5 x 35.5

800 - 1,200

MINNIE F WHITE

View Across Harbour

Watercolour 32.5 x 43

Signed

700 - 1,000

87 TIM WILSON

Tribute to Monet Oil on board 82.5 x 105

Signed & dated 1995

3,500 - 5,500

88 TIM WILSON Trees

Oil on canvas 89 x 89

Signed & dated 1995

3,000 - 4,000

Signed & dated 1996

3,500 - 5,500

Signed & dated 1985

1,000 - 1,500

Signed 1,000 - 2,000

Old Barn, North Island Oil on board 45 x 60

Signed & dated 1968

2,000 - 3,000

Walter Peak from Queenstown Oil on board 44 x 55.5

Signed

1,500 - 2,500

Signed & dated 1888

Inscribed verso 2,000 - 3,000

- 2,000

96

RUDOLPH GOPAS

Burns Statue

Watercolour 40.5 x 50.6

Signed & dated 1952

7,000 - 9,000

97 ERNEST WILLIAM CHRISTMAS

Sailboat, Lake Te Anau Oil on board 24 x 34

Signed

300 - 500

98 ARTIST UNKNOWN

Pink & White Terraces - A Pair Oil on canvas 31 x 41

800 - 1,200

99 JOHN DOUGLAS PERRETT

Island Bay, Wellington Oil on board 18.5 x 24.7

Signed

600 - 900

100 JOHN DOUGLAS PERRETT

Pastural Scene with Cattle Oil on canvas 29 x 44

Signed

800 - 1,200

101 WILLIAM HENRY RAWORTH

River Reflections

Watercolour 34 x 51.5

Signed

800 - 1,200

104

N W BARKER

Lake Rotorua Oil on board 50 x 100

Signed & dated 1913

500 - 1,000

105

HENRY WILLIAM KIRKWOOD

Southern River Oil on board 19.5 x 17

Signed

400 - 600

106

N W BARKER

Near Queenstown Oil on board 28.5 x 59.3

Signed & dated 1912

400 - 600

107

CHARLES HENRY HOWORTH

Wanganui River Oil on board 22 x 29

Signed

800 - 1,200

108

JOHN DOUGLAS PERRETT

Lake Tekapo Oil on board 37 x 47

Signed

800 - 1,200

109

HENRI BASTINGS

Lawyers Head, Dunedin

Watercolour 29 x 40.5

Signed, inscribed & dated 1907

300 - 500

110

ARTIST UNKNOWN

Milford Sound Circa 1860

Watercolour 27.5 x 37

Inscribed

800 - 1,200

111

112

JOHN BARR CLARKE HOYTE ATTRIBUTED

Rural Scene with Felled Tree

Watercolour 16.5 x 28

Signed

800 - 1,200

WILLIAM GEORGE BAKER

Lake Kanerie Oil on canvas 39 x 59

Signed & inscribed 1,400 - 1,800

113

LAURENCE WILLIAM WILSON

Near the Acheron Passage, Dusky Sound

Watercolour 22 x 57

Signed & inscribed

800 - 1,400

114 VERA CUMMINGS

Ena Te Papatahi, A Ngapuhi Chieftainess Oil on canvas 37 x 24

Signed and inscribed verso 1,500 - 2,500

115

116

JOHN BARR CLARKE HOYTE ATTRIBUTED

Sydney Heads

Watercolour 21.5 x 12.5

Signed 800 - 1,200

HENRY WILLIAM KIRKWOOD

Sailing Boat at Sunset Oil on board 14.2 x 27.3

Signed

800 - 1,200

117

LAURENCE WILLIAM WILSON

Coal Creek, Westport Oil on board 19 x 28.8

Signed & inscribed 1,000 - 2,000

118

HENRY WILLIAM KIRKWOOD

Great Barrier Island Oil on board 27 x 37

Signed

800 - 1,200

119

120

121

TOM PEERLESS Fiordland

Watercolour 35 x 51.5

Signed

500 - 1,000

LAURENCE WILLIAM WILSON

George Sound Oil on board 22.5 x 32

Signed & inscribed 1,000 - 1,500

LAURENCE WILLIAM WILSON

Lake Mintara, Clinton Valley Oil on board 33 x 43

Signed & inscribed 1,500 - 2,500

122

WILLIAM HENRY RAWORTH

On the Leith

Watercolour 20.3 x 37.5

Signed, inscribed & dated 1903

500 - 1,000

123 TOM PEERLESS

Lake Scene

Watercolour 28 x 47.7

Signed

300 - 500

124 TIM WILSON

Fiordland

Oil on canvas 90 x 60

Signed 3,000 - 4,000

125 TIM WILSON

Mist in the Alps Oil on canvas 63 x 43

Signed & dated 1995

3,000 - 4,000

126

GRETA GRAEZIER

Old Tree in Bloom Mixed media on paper 54 x 76

Signed

600 - 800

127

MARCUS KING

Lyttleton

Oil on board 24.5 x 30

Signed

600 - 1,000

128

RANDALL FROUDE

Lake Mapourika Oil on canvas 98 x 152.4

Signed 1,500 - 3,000

129 LOUIS JOHN STEELE

Beauly Firth

Oil on board 20 x 33.5

Inscribed & dated 1877

Signed verso

400 - 600

130 MARGARET RHODES

Kawerau Gorge

Watercolour 52 x 73.5

Signed 1,000 - 1,500

131 JOHN WEEKS

Pale Landscape

Acrylic on paper 23.5 x 18.5

Signed. Inscribed verso

800 - 1,200

132 IDA H CAREY

Te Mamae Kohitu Oil on board 76 x 60 1,000 - 1,500

133 IDA H CAREY

Maori Elder with Pipe Oil on board 60 x 67

800 - 1,200

134 ANNA STICHBURY

Growth Triptych

Mixed media on three canvas panels 90 x 100 Signed 1,500 - 2,000

The works of popular Waikato artist and teacher Ida Carey 1891 - 1982 have received increased market attention over recent years. During the 1920s whilst based in Sydney, Ida studied with Italian artist Anthony Dattilo Rubbo 1870 - 1955. Best known as a portrait painter, in the 1960s she began a series featuring Maori women with Moko. A versatile artist, Ida was also a competent painter of interiors, landscapes, still life and a series of ballet scenes.

She was a founding member of the Waikato Society of Arts, becoming President in 1934. She succeeded fellow artist Ivy Copeland (1895 - 1961) as a lecturer at Auckland College of Education and taught art in several Hamilton schools. Represented: Christchurch Art Gallery, Rotorua Museum, Waikato Museum. A collection of her paintings are on permanent exhibition at Puke Ariki, New Plymouth.

The Islander Oil on board 112 x 54

800 - 1,200

Old Coach Road in Snow Watercolour 37.5 x 27.5

Signed & dated 1926 1,200 - 1,800

Riverbank and Fisherman, Tongariro Oil on board 49 x 34

Signed 1,000 - 1,500

138 JOHN GULLY

Rocks, Dun Mountain

Watercolour 21.5 x 31.5

Inscribed 1,500 - 2,500

139

ROBERT HERDMAN-SMITH

Entrance to Arab Bazaar, Cairo

Watercolour 37 x 31

Signed

2,500 - 3,500 140 ELISE MOURANT

A Northland Trek

Watercolour & charcoal on paper 33 x 48

Signed

600 - 800

141 PEGGY SPICER

Gundry Street, Randolph Street from Cedric Street

Watercolour 43 x 38

Signed Inscribed verso

300 - 500

142 BLYTHE FLETCHER

Middle Eastern Archway

Gouache on board 20 x 13

Signed

800 - 1,200

143 MICHAEL BLOW

Indonesian Girl

Pastel on board 19 x 14

Signed

500 - 800

151 ASTON GREATHEAD

Mt Cook, Tasman Valley, Mackenzie Country Oil on board 60 x 90

Signed & dated 1971

800 - 1,200

152 ASTON GREATHEAD

Omeoeroa River near Franz Josef, Westland Oil on board 60 x 90

Signed & dated 1971

800 - 1,200

153 LANCE O’GORMAN

Tolaga Bay

Acrylic on board 43.5 x 60

Signed

500 - 1,000

154 HANS BRUTCH

King Country Oil on board 44 x 59

Signed

400 - 600

155 ASTON GREATHEAD

Near the Outlet, Lake Wanaka Oil on board 26.5 x 39.3

400 - 600

156 ALLAN CROMBIE

Shenandoah Valley, Near Murchison Oil on board 59.5 x 79.5

Signed

300 - 500

157 ALLAN CROMBIE

Autumn, Central Otago Oil on board 59.5 x 79.5

Signed

300 - 500

158 JONATHAN WHITE

Ellery Stream, Jackson Bay Oil on canvas 64.5 x 85.2

Signed

Inscribed & dated 1979 on stretcher verso

800 - 1,600

159 JOHN CLIFFORD

Learning to Sail, Kohimarama Acrylic on board 46.5 x 66

Signed

400 - 600

160 GRAHAM BRADDOCK

Beside the Tawa Road Oil on board 54.5 x 75.3

Signed

Inscribed & dated March 1978 on label affixed verso

800 - 1,200

161 ASTON GREATHEAD

Walter Peak, Lake Wakatipu, Road to Glenorchy, Queenstown Oil on board 37.8 x 53.5

Signed & dated 1971

400 - 600

162

GREATHEAD

Lake Wanaka, Central Otago Oil on board 37.8 x 53.5

Signed & dated 1971

400 - 600

163 LESLIE A CAMPBELL

The Arrow River, Arrowtown Oil on board 33.5 x 44

Signed

350 - 450

164 ASTON GREATHEAD

Coromandel Peninsula Oil on board 53.5 x 37.8

Signed & dated 1969

400 - 600

165

ASTON GREATHEAD

Hauraki Gulf from Coromandel Peninsula Oil on board 53.5 x 37.8

Signed & dated 1969

400 - 600

166

Signed & dated 1971 400 - 600

167 PICCOLI PIETRO

Composition with Boats Oil on canvas 40 x 60

Signed

Inscribed Composizione Con Barche verso

800 - 1,200

168 ARTIST UNKNOWN Fruit & Flowers Still Life Oil on canvas 32 x 23

800 - 1,200

169 ARTIST UNKNOWN

Fruit Still Life

Oil on canvas 25.5 x 20

800 - 1,200

170 ABEL PFEFFERMANN PANN

European 1883 - 1963

Etude

Pastel on paper 32 x 44

Signed, inscribed & dated 1952

10,000 - 14,000

171 ARTIST UNKNOWN

Vegetable Market, Naples

Gouache 26 x 36

500 - 800

172 W KNOX

Fishing Boats

Watercolour 25 x 27

Signed

800 - 1,200

173

ARTIST UNKNOWN

European 19th Century

Venus with Cupid Oil on canvas 74 x 48

Signed indistinctly

1,500 - 2,500

174 H N LEEUWEN

Dutch 19th Century

Interior - Family Scene Oil on canvas 81 x 59

Signed 1,000 - 2,000

175 CHARLES LESLIE

Highland Landscape Oil on canvas 29 x 59

Signed & dated 1883

400 - 600

176

OCTAVIOUS CLARK

English Rural Scene Oil on canvas 49.5 x 75

Signed

800 - 1,200

Mediterranean Harbour Scene Oil on canvas 47.5 x 37

Signed 2,000 - 3,000

Cattle Resting by a Stream Oil on canvas 100 x 80

Signed & dated 1882

800 - 1,200

179 ARTIST UNKNOWN

Framed Original Recruiting Poster

Boys Come Over Here You’re Wanted

Original poster 102.5 x 127.2

600 - 800

180 CLASSIC MOVIE POSTER

Barbed Wire’, 1927, starring Pola Negri, Directed by Lee Rowland

Original poster 51.5 x 65

Framed 600 - 800

181 KORENY J NOWOSIOLKA

An Officer

Oil on canvas 34 x 47

Signed & dated 1916

Indecipherable inscription verso

1,400 - 1,800

182 ARTIST UNKNOWN

The Mole, Dunkirk Oil on board 24 x 37

Inscribed 1,500 - 2,000

183 KORENY J NOWOSIOLKA

Odaye

Oil on canvas 34 x 47

Signed & dated 1916

Indecipherable inscription verso

1,400 - 1,800

184 KORENY J NOWOSIOLKA

World War I Bunker

Oil on canvas 34 x 47

Signed & dated 1916

Indecipherable inscription verso

1,400 - 1,800

185 LUIGI BELLO

Fiori

Oil on board 80 x 60

Signed

800 - 1,200

186 WILLIAM E CHAPMAN

The Harvest Oil on board 37 x 46

Signed

800 - 1,200

187 ARTIST UNKNOWN

French and British Ships, Bay of Naples

Gouache on paper 43 x 62

Inscribed Euizone & dated 1862

800 - 1,200

188

ARTIST UNKNOWN

Sunset

Watercolour 13 x 37

Signed GM & inscribed

200 - 400

189

LEOPALD RIVERS

British 1852 - 1905

Old Cottage, Witley, Surrey - A Pair

Watercolour 18 x 27

Signed

800 - 1,200

190 ARTIST UNKNOWN

European Sunset Oil on panel 9 x 12

300 - 500

191 W RICHARDS

River Teith, Scotland

Oil on canvas 50 x 74

Signed

800 - 1,200

192 W RICHARDS

Pass at Dunkeld Oil on canvas 50 x 74

Signed

800 - 1,200

193 ARTIST UNKNOWN

European 19th Century

European Landscapes - A Pair

Oil on canvas 12.5 x 20

500 - 1,000

194

ARTIST UNKNOWN

Harbour Scene Oil on board 44 x 66

2,500 - 3,500

195 J N STREETKERK

Country Road

Oil on canvas 37.5 x 30

Signed & dated 1909

200 - 400

196 C HUNT

Rural Bliss Oil on board 19 x 24

Signed

200 - 400

197 ARTIST UNKNOWN

Sailing Ship at Sea Oil on canvas 29 x 39

300 - 500

198 GRESHAM

Haystor & Sheepstor - A Pair

Gouache on paper 43 x 26

Signed & inscribed

300 - 500

199 R WEEHLIN

St Tropez Oil on panel 18.5 x 26.5

Signed & inscribed 400 - 600

200 ARTIST UNKNOWN

Sole Bay Oil on tray 61 x 77

400 - 600

201 ARTIST UNKNOWN

A Quiet Moment Oil on canvas 55 x 40

600 - 900

202 H HALL

Highway to the Port Oil on canvas 36 x 54

Signed & inscribed

300 - 500

203 A M WAINDSTER

At the Beach Oil on panel 22.5 x 28.5

Signed

300 - 500

204 VALERIE BEARE

A Quiet Moment

Oil on board 28 x 38

Signed

300 - 400

205 KOPPENEL

Homeward Bound Oil on board 24 x 39

Signed

200 - 400

206 MAX BOUVER

Mediterranean Fishing Village Oil on panel 32 x 40.5

Signed 400 - 600

207 TOBY E ROSENTHAL

The Cardinal’s Portrait

Framed reproduction 47 x 60

Signed & dated Munich 1896

200 - 400

208

208 GWYNETH RICHARDSON

Mission Bay

Gouache on paper 38.7 x 53.8

Signed

800 - 1,200

209 K AIRINI VANE

Southern Alps

Gouache on paper 35 x 52.4

Signed

500 - 800

210 BASIL HONOUR

Matauri Bay

Watercolour 24.5 x 33.5

Signed & dated 1927

200 - 400

211 K AIRINI VANE

Farmhouse at the Foothills

Gouache 27 x 37

Signed & inscribed

500 - 800

212 DIANA STEWART

Hills Near Hikuai, Coromandel

Oil on board 28.8 x 59.3

Signed

400 - 600 to be sold with Cynthia Taylor ‘Pohutukawa Study, Coromandel’ Oil on board 50 x 39.5

Signed

213 PETER J WALLERS

Takatu Point, North Auckland

A Pair

Pastel on paper 19.5 x 19.5

Signed & dated 1980

300 - 500

214 VAL RAYMOND

Two Views of Tongariro Mountain A Pair Oil on board 18.6 x 24.6

Signed

Inscribed & dated 1993 on labels affixed verso

200 - 400

215 PEGGY SPICER

Old School House Bay, Kawau Island

Watercolour 35.5 x 47

Signed

500 - 1,000

216

PEGGY SPICER

Parnell

Watercolour 33.5 x 32.5

Signed

500 - 1,000

217 BERNARD ARIS

Mt Egmont Oil on board 50 x 60

Signed, inscribed & dated 1958

400 - 600

218 BIRCHNELL DELPH

Whangarei Heads

Watercolour 33 x 44.7

Signed

200 - 400

219

CYRIL WHITEOAK

Acropolis, Roman Theatre

Watercolour 50 x 68

Signed & dated 1970

400 - 600

220

CYRIL WHITEOAK

Boathouse, Northland

Watercolour 36 x 51.5

Signed

400 - 600

221

CYRIL WHITEOAK

Dannevirke Park

Watercolour 36 x 54

Signed & dated 2003

400 - 600

222 D R NEILSON

Leading the Team, Fairlie Oil on board 39.5 x 49.5

Signed

400 - 600

223

PETER J WALLERS

Lion Rock, Piha Beach Oil on board 37 x 54.4

Signed & dated 1980

400 - 600

224

PETER J WALLERS

Mathesons Bay Oil on board 29.1 x 44.2

Signed & dated 1979

300 - 500

225

PETER J WALLERS

Mangaweka Gorge, Taihape Oil on board 29.1 x 44.2

Signed & dated 1978

300 - 500

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Contemporary & Collectable Art Auction 6:00pm 9th December 2010

Please bid on my behalf for the following lots up to the price recorded below Bids are to be executed as cheaply as is permitted by other bids or reserves, if any, and subject to conditions of sale printed in this catalogue.

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