
6:30pm Wednesday 12 August 2015
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6:30pm Wednesday 12 August 2015
The highest bidder shall be the buyer. In the event of any dispute as to the bidding in respect of any lot, that lot may be offered again at the discretion of the auctioneer whose decision shall be absolute and final.
The auctioneer has the right -
(i) to refuse any bid;
(ii) to advance the bidding at his absolute discretion;
(iii) to place a reserve on any lot;
(iv) to place a bid or bids on behalf of the seller;
(v) to withdraw any lot from sale;
(vi) to require a successful bidder to pay forthwith the whole or any part of the purchase price.
The auctioneer acts as the agent of the seller and neither he nor the seller shall be responsible for any defects or faults in any lot or for any errors of description or for genuineness or authenticity of any lot and no compensation shall be paid in respect of same.
From the time of lot being sold, such lot will be the responsibility of the buyer. Successful bidders are required to pay for purchases immediately on completion of sale unless otherwise arranged.
All intending buyers are required to register for a bidding number prior to auction commencing. Subscribers can use their permanent bidding number. We reserve the right to ask for identification if you are a first time client of International Art Centre.
Each lot shall be paid for and removed at the buyers expense by no later than 4pm Friday 14 August 2015 unless otherwise arranged failing which the auctioneer and/or the seller shall have the right to forfeit any deposit paid by the buyer and to resell the lot either by public or private sale and any deficiency on costs of resale shall be borne by the defaulting buyer.
No lot may be collected or paid for whilst auction is in progress.
When the auctioneer declares a lot ‘subject’ this means the bid is below the set reserve and is subject to vendor accepting, rejecting or negotiating the bid. International Art Centre will endeavour to make contact with the vendor immediately after sale or the following day. If the bid is accepted, the highest bidder is obligated to make purchase.
Estimates are provided for each entry and act as a guide only. They are prepared well in advance of sale and are subject to revision at any time. Estimates are based on hammer price and do not include our buyers premium.
Absentee bidding arranged - please refer to absentee bidding page in back of catalogue. Fax to (09) 307 3421 or post to PO Box 37 344 Parnell. Please do not be offended if a member of our staff asks for your credit card details as security.
Absentee bids can also be left via our website to registered members. International Art Centre website www.fineartauction. co.nz acts as a useful auxiliary to the catalogue but we recommend inspection or a condition report prior to leaving a bid. Our staff will gladly supply you with a condition report on any lot.
Telephone bidding available to subscribers. There is no charge for this service.
Eftpos: Available for transactions $2,000 or less which is the banks daily limit. For transactions less than $4,000 a 50% deposit on the evening and balance following morning is acceptable as long as the goods remain on our premises until full payment is made.
Bank deposits: Please ask for our bank details to be faxed or emailed if you wish to pay by direct debit. Quote the Lot number(s) Cheques: Accepted by known clients of International Art Centre or at our discretion. When posting cheques please ensure they are sent to the following address. International Art Centre PO Box 37 344 Parnell, Auckland 1151. Make cheque payable to ‘International Art Centre’ Credit cards: Visa & Mastercard accepted with a 2% surcharge. No other credit cards accepted.
As a general rule, anyone exporting New Zealand works over 60 years of age should apply for an export certificate from the Ministry for Culture and Heritage to avoid issues with customs. This does not apply to non New Zealand works. For full details visit www.mch.govt.nz
International Art Centre will gladly arrange in house or professional packing and international, national or local freight at cost. Please arrange insurance on your items prior to them leaving our premises. In some cases, we may be able to arrange delivery ourselves within the Auckland area.
+64 9 379 4010 Toll Free 0800 800 322 info@fineartauction.co.nz www.fineartauction.co.nz
15% Buyers premium plus GST on premium applies to all lots. Total buyers premium is 17.25% including GST


Scarborough Gallery, International Art Centre
Lower Ground Level 272 Parnell Road, Auckland
Thursday 6 August 10:00am - 5:30pm
Friday 7 August 10:00am - 5:00pm
Saturday 8 August 11:00am - 3:00pm
Sunday 9 August 11:00am - 4:00pm
Monday 10 August 9:00am - 5:30pm
Tuesday 11 August 9:00am - 5:30pm
Wednesday 12 August 9:00am - 1:00 pm - Auction 6:30pm
Absentee Bidding Form - page 83 Fax to +64 9 307 3421 or email info@internationalartcentre.co.nz
Conditions of Sale - inside front cover Email bidding instructions info@fineartauction.co.nz
Bid via website www.fineartauction.co.nz
Cover illustration: Lot 27 Dick Frizzell. Inside back cover: Lot 4 Robin White
272 PARNELL ROAD, AUCKLAND PO BOX 37 344 AUCKLAND 1151 TEL +64 9 379 4010 FAX +64 9 307 3421 www.fineartauction.co.nz

now


272 Parnell Road, Auckland
PO Box 37 344, Parnell 1152
Phone 09 379 4010 www.fineartauction.co.nz

Kia Ora
Silkscreen print, edition of 100, 65 x 49
Signed, inscribed & dated 2012
900 - 1,400

Little Things
Oil on canvas 46 x 61
Signed & dated 1997
3,000 - 5,000
Provenance:
Purchased by current owner from Anna Bibby Gallery, Auckland 1997 Original gallery label affxedverso
Sing in a Concert
Watercolour and gouache on paper 60 x 80
Signed, inscribed & dated 6/4/89 - 9/5/89
4,000 - 6,000
Provenance:
Purchased by current owner from Sue Crockford Gallery, Auckland, circa 1995
Private Collection, Auckland



The Black Standard over Victory Beach
Silkscreen print, edition of 25, 75 x 50.5
Signed, inscribed & dated 1971 under matt
2,000 - 3,000

Screenprint 38 x 26.5
Inscribed
500 - 1,000
Etching, edition 25/40, 33 x 52.5
Signed, inscribed & dated 1976
500 - 800


Screenprint, edition of 75, 52 x 50
Signed, inscribed & dated 1979
2,000 - 3,000
White’s Place, Raglan
Silkscreen print, edition of 30, 33 x 52.5
Signed, inscribed & dated 1971 verso and under mount
2,000 - 3,000


Untitled - from the Slump Series
Gouache and pencil on paper 49.5 x 70.5
Signed & 2007 verso
3,000 - 5,000
Provenance:
Private Collection, Christchurch
Exhibited:
Katrina Bush - The Slump Series, Canaday Gallery, 11- 22 July, 2007
This series, composed of gouache and pencil on paper, presents seductive surfaces contrasted by an unsettling narrative. The pyres, ditches, mummies and lethargic stiffened bodies anticipate a wholly foreboding vision, drenched in a longing that requires pacification. Collections of totemic figures echo the hardened corpse like characters, the employment of such totem figures and the use of decorative rugs and garments sets up the familiar adoption of material items used to deflect a deep sense of despondency. Patterned wounds appear on the character’s skins, not simply induced by a psychological anxiety, but in marks suggestive of ritualistic activity. Perhaps this is to appease some incommunicable appetite; for these characters though, the search is beyond what such material objects and rituals can offer. What they yearn for is ineffable and there seems resignation to ‘death in life’. Kushana Bush
Cluster 4
Acrylic on linen 40 x 40
Signed, inscribed & dated 2006 verso
2,700 - 3,200
Private Garden Oil on canvas 77 x 51
Signed & dated 2000
5,000 - 8,000
Provenance:
Purchased by current owner from an Exhibition entitled Private Gardens, 2000 Anna Bibby Gallery, Auckland



12
Definition 6
Vacuum print 21.5 x 21.5
Signed, inscribed & dated 1969 verso
1,500 - 2,500
13
Definition I
Vacuum print 21.5 x 21.5
Signed, inscribed & dated 1969 verso
1,500 - 2,500


14 ROY GOOD
Continuous Line “Rose Madder”
Acrylic on board 90 x 90
Signed & dated 2001 verso
1,000 - 2,000
15 SARA HUGHES Database 2
Acrylic on linen on board 60 x 60
Signed, inscribed & dated 2004 verso
2,000 - 3,000




16 MAX GIMBLETT
“For Allen” A pair Watercolour & ink on paper 97 x 36
Signed, inscribed & dated 1986
4,000 - 6,000
17
Candyland Mini 6
C-Type Photograph, edition of 10, 44 x 44
2,800 - 3,800

18
19
Candyland Mini 7
C-Type Photograph, edition of 10, 44 x 44
2,800 - 3,800
Candyland Mini 714
C-Type Photograph, edition of 10, 44 x 44
2,800 - 3,800

Self Portrait Sculpture
Painted aluminium sculpture
140 x 59.5 x 18
Signed & dated 1980
6,000 - 9,000
Provenance:
Private Collection, Auckland
Purchased from the artist’s private collection by the current owner mid 1990s
Lighthouse
Oil on canvas 66 x 86
Signed, inscribed & dated 18/1/1990
13,000 - 16,000



Buy, Sell, Trade 2
Acrylic on paper 76 x 55
Signed & dated 2009
1,500 - 2,500
Provenance: Gow Langsford Gallery label affxedverso
Design for PineA Poem by Bill Manhire
Watercolour and wood
block print on paper 56 x 42
Signed, inscribed & dated 1974
4,500 - 6,500
Art Is Power (Power Is Money, and Paint Is Love) And I Don’t Do Either Very Well
Acrylic on canvas 200 x 200
Signed, inscribed & dated 2007 verso
2,000 - 5,000



Untitled
Oil on paper 45 x 45
Signed verso
800 - 1,200
Adieu, My Dear Enamel on board 51 x 40
Signed, inscribed & dated 9/77
8,000 - 12,000
Untitled 1
Oil on paper 40.7 x 41.6
Signed, inscribed & dated 1990 - 1991 verso
800 - 1,200




500 - 1,000 29 SYLVIA
Acrylic on board 39.5 x 49.5
Signed
500 - 1,000
Provenance: Private Collection, Auckland
Exhibited: Sylvia Siddell Survey Exhibition: Slaughter of the Innocents, Unruley Practices, Auckland City Art Gallery 1994


The Empty Throne
Acrylic
Signed 800 - 1,200
Cypress Trees, Version II
Watercolour 15 x 10
Signed & dated 2004
1,500 - 2,500
Oils, alkyds & liquin on canvas 33.5 x 25
Signed & dated 1994
2,000 - 3,000

Magic Mountain for Gabrielle Münter
Mixed media on paper 43 x 53
Signed, inscribed & dated 1986
1,000 - 1,500


New Plymouth
Felt tip pen on paper 46 x 59 Signed
800 - 1,200
Lithograph, artist’s proof, 55 x 48
Signed, inscribed & dated 1997
1,000 - 1,500


Table Series
Watercolour 42 x 35
Signed, inscribed & dated 1975
1,000 - 2,000
Provenance:
Private Collection, Auckland since 1975
37 NIGEL
This Small Lemon Tree, Once Nearly Dead
Watercolour and pencil on paper 41 x 30
Signed, inscribed & dated 1977
1,000 - 2,000
Provenance:
Private Collection, Auckland since 1977



38 JOHN REYNOLDS
Because you are so good I will not sin again
Chalk on paper 28 x 22.5
Inscribed
400 - 600
39 RICHARD KILLEEN
From Chance & Inevitability
Acrylic on fabriano paper 77 x 57
Signed, inscribed & dated 1982
3,000 - 4,000
Provenance:
Purchased from Sue Crockford Gallery, Auckland by the current owner, 1982
40 DR RICHARD SHORTLAND
COOPER
Untitled
Cut metal sculpture
36 x 30 x 22
500 - 1,000

Field Study 271
Signed & dated 2014 verso
11,000 - 13,000
Provenance: Property of an Auckland art group

42 TONY LANE
Red Chandelier
Oil, gold leaf and composition ornaments on panel 76 x 205.5
Signed & dated 10-01
6,000 - 8,000
43 ROSEMARY PRITHCARD
In Search of Safe Harbour Oil on canvas 50.3 x 130
Signed & dated 2014 1,400 - 1,800


Signed, inscribed & dated 1992
3,000 - 4,000
Silkscreen print, edition of 15
(12 editions, 3 printers proofs) 54 x 75
Signed, inscribed & dated 2012
1,500 - 2,500




Untitled Oil on board 22 x 39
Signed & dated 1976
1,500 - 2,500


50
Lot 49: I decided to do something in the genre of 'cartoon referenced' painting. The dark figure with chair is Frizell's use of the Phantom. I added a female from a classic Roy Lichenstein piece to give it a conversation. The date of the work is the trough of our economic recession. I used the Phantoms despondent stance to convey a depressed artist who just can't get things happening. Hence the speech bubble - 'Forget it Dick, the recession will soon be over.' JS
The King Country
From the Topograhical Series
Oil on board 30 x 24
Signed 2,000 - 3,000
Forget it Dick, The Recession Will Soon be Over
Acrylic on paper 51 x 41
Signed & dated 2010
3,000 - 4,000
50
Untitled Oil on board 45 x 120
Signed & dated
800 - 1,200
Kipling’s Books
Acrylic on canvas 78 x 153
Signed
7,000 - 10,000





51 ALAN MADDOX
Untitled
Watercolour 48 x 62
Signed & dated 1991
800 - 1,200
52 AGNES WOOD
Lady with Bird Oil on canvas 44 x 44
Signed 2,000 - 3,000
53 VIRGINIA LEONARD
Untitled Oil on canvas 121 x 153
Sigend & dated 2009
800 - 1,200
54 IAN SCOTT
Journey Up the Rakaia Oil and screenprint on canvas 69.5 x 89.5
Signed, inscribed & dated 1990 verso
3,500 - 4,500
55 PETER JAMES-SMITH
The Light of Settings Suns (Wordsworth quote) (Landscape is at Farewill Spit NZ)
Oil on linen 31 x 56
Signed, inscribed & dated 2012 1,800 - 2,500


56 MICHAEL SMITHER
Egmont
Screenprint, edition 1/35/79-184, 44 x 32
Signed & dated 1979
500 - 1,000
57 EION STEVENS
Dutch Horse Oil on paper 31 x 20
Signed & inscribed
400 - 600
58 EVAN JONES
Untitled Tile, circa 1959
Ceramic tile mounted on a wooden panel 10 x 10
Signed
800 - 1,200
59 NIGEL BROWN
Kite Flyer for Thames
Hand-coloured lithograph, edition of 15, 8 handcoloured 55 x 42
Signed, inscribed & dated 1983
800 - 1,200
60 MICHAEL SMITHER
Shoreline
Screenprint, artist’s proof, 46 x 64
Signed & dated 1977
800 - 1,200
61 NIGEL BROWN
Pigeon Mountain
Stone lithograph, edition 2/30
31.5 x 45
Signed, inscribed & dated 1984
400 - 600

58
62 SHONA MCFARLANE
Untitled Tile, circa 1959
Ceramic tile mounted on a wooden panel 10 x 10
Signed
200 - 400
63 EION STEVENS
Red Weather Oil on canvas 74 x 43
Signed & dated verso
800 - 1,200
64 EION STEVENS
Spell Oil on paper 34 x 18
Signed, inscribed & dated 1996
400 - 600
65 PAUL HARTIGAN
Nail Polish
Screenprint, edition of 40, 52 x 50
Signed & dated 1976
500 - 1,000










Untitled II Oil on canvas 61 x 61
Signed, inscribed Pukerau & dated 1977
verso
400 - 600
CHRISTOPHER
Untitled Oil on canvas 61 x 61
Signed, inscribed Pukerau & dated 1977
verso
400 - 600
Water Lilies
Handcoloured silkscreen monoprint, 66 x 95
Signed & dated 1992
800 - 1,200

Acrylic on canvas 85 x 112
Signed, inscribed & dated 2001
4,500 - 6,500


Pregnant Woman
Oil on hemp 107 x 71
Signed & dated 1999
800 - 1,200
Seated Nude
Watercolour 55 x 36.5
Signed & dated 1981
800 - 1,200


Nude Study
Oil on board 56 x 37
Signed & dated 1995
500 - 1,000
Sophie
Acrylic on linen with metallic leaf 91 x 61
Signed 3,000 - 5,000
Provenance: Purchased from Smyth Galleries, Auckland


Signed & dated 2001
2,000 - 3,000






76 SUSAN BADCOCK
Bethan 1- 6
Hand coloured silver gelatin print on six panels 100 x 150
Signed
3,500 - 4,500
Provenance:
Private Collection, Canterbury
Purchased directly from the artist

77 DOUGLAS BADCOCK
Willows and Creek, Speargrass Flat Oil on board 24.4 x 34.5
Signed. Inscribed & dated 1995 verso 1,500 - 2,500
Provenance: Estate of Dr Elizabeth Brosnan, Auckland
78 JOHN BADCOCK
Woman Without Mantlepiece, Indulgement of Character Series Oil on canvas 190 x 90
Signed & dated 1998. Inscribed verso 2,500 - 3,500
Provenance: Private Collection, USA



Colonial Mutual Building, Corner of Fort and Queen Streets
Ink and wash on paper 55 x 71
800 - 1,200
80
Consideration 1
Oil relief print on hand painted paper 79 x 90
Signed, inscribed & dated 2012
1,000 - 1,500
Iwi Representation
Oil and mixed media on canvas 182 x 213
Signed, inscribed & dated 2007
8,000 - 12,000
The Waitangi Tribunal Tamakimakaurau Settlement Report dated 12 June 2007 identifies the artist as a “key player” for Ngai Tai recommending that: as a matter of urgency the Crown shall do all it can to support other tangatawhenua groups in Tamakimakaurau so that they can enter into negotiations with the Crown to conclude their own Treaty settlements as soon as possible.
Recent paintings depict the 111 urgency claims; part of Ngai Tai customary interests that are recorded in the Maori Land Court Hauraki Minute Book III; Ngai Tai made submission to the Auckland Casino Control Authority regarding their waahi tapu interest in the downtown Auckland Railway Station site. Numeric synergy and deja vu.




82 MARGARET ELLIOTT
Mountainous Landscape Oil on canvas 170 x 140
Signed dated 1987 verso 1,000 - 2,000
83 STEVE HARRIS
Peeling Oil on panel 29 x 39
Signed
1,500 - 2,500
84 STEVE HARRIS Red Apples Oil on panel 42 x 55
Signed 2,000 - 3,000
85 JOHN WEEKS
Still Life Oil on canvas 30 x 34
Signed
1,000 - 2,000

Garden Breeze II
Watercolour 56 x 76
Signed & dated 1986
3,000 - 5,000
Provenance:
Purchased from International Art Centre, 1987 by current owner.

Resting Oil on board 87 x 101
Signed & dated 1974 4,000 - 6,000 89
St Clair Salt Water Pool Oil on canvas 85 x 106.5
Signed & dated 1997
6,000 - 8,000

Fire in Frasers Yard Freemans Bay Watercolour 25 x 30
1,000 - 1,500


This was painted at a time when I didn’t have representation for my work. Ironically, it didn’t hold me back on the use of paint. It is literally ‘caked on’ oil, no thickening medium , and in parts squeezed direct from the tube. The lookout from where it was sketched from is now inaccessible due to barbed
wire and the pool itself had had a lavish facelift. This painting is a time capsule of how my neighborhood was in the late 90’s - raw and a touch bohemian. Gentrification has brought a modern hotel on the esplanade corner where the steps in the painting are, and several upmarket cafes. JS

Hawkdun Range
Acrylic on canvas 78 x 120
Signed & dated 1992
2,500 - 3,500
Acrylic on board 104 x 122
Signed & dated 2014
3,000 - 5,000




92 GABRIELLE HOPE
Summers Bounty
Watercolour 55 x 45
Signed & dated 1958
2,000 - 3,000
93 DOUGLAS MACDIARMID
Untitled
Watercolour 33 x 48
Signed
800 - 1,200
94 IDA EISE
Auckland Landscape
Oil on board 28 x 38
Signed
800 - 1,200
95 JUSTIN SUMMERTON
St Clair from my Studio (Suburb)
Oil on canvas 100 x 100
Signed & dated 2010
7,000 - 10,000

When I built my studio, with money from art sales in Auckland, the first thing I painted in it was the panoramic view. I still haven't made another painting from my house. The perspective is directly south, and if you continued over the horizon you'd eventually find yourself in Antarctica. Another heavy impasto
work from that period and even the clouds are heavily layered. I did much experimentation with clouds around this time, realising there was nothing you couldn't do with them to convey subjective aspects of the landscape. JS

Signed
6,000 - 8,000
Signed




Jerusalem Buildings
Pencil on paper 26 x 43
Dated June 25
800 - 1,200





Lake Mahinerangi Being Very Pink Watercolour 55 x 74 Signed & dated 1986



Weary With Age Oil on canvas 20 x 14.5
Signed
2,500 - 3,500
edition of 1/50, 21 x 17.5
Signed & inscribed
800 - 1,500




Four studies of a Girl at Christian Arts
Workshop, 1978 and two portraits of Hugh
McAllum architect - A Pair
Pencil on paper 16 x 17
400 - 600


Landscape Ink on paper 36 x 52
Signed & dated 1991
1,400 - 1,800



111
Patricia
Pencil on paper 33 x 26
Signed, inscribed & dated 1992
1,000 - 1,500

112
Farm Buildings
Pencil on paper 19 x 25
500 - 800
113 TOSS WOOLLASTON
Seated Nude
Pencil on paper 36 x 27
Signed & dated 1977
800 - 1,200
Church Symonds Street, Auckland
Pencil sketch 24 x 17
Signed
400 - 600


Papeete Tahiti
Watercolour 40 x 54
Signed
1,000 - 2,000


Oil on board 45 x 60
Signed
800 - 1,200


Untitled Oil on board 80 x 52
Signed & dated 1990
800 - 1,200
Provenance: Estate of Dr Elizabeth Brosnan
Oil on canvas 54 x 45
Signed
800 - 1,200
700 - 1,200



120 R E OWEN
GOVERNMENT PRINTER
Mt Egmont (8,260 Ft)
Taranaki. Egmont
National Park. New Zealand, 1961
Colour proceess
lithograph 101 x 63
Printed by R E Owen, Government
800 - 1,200
121 R E OWEN
GOVERNMENT PRINTER
Queenstown, Lake
Wakatipu, New Zealand, 1961
Colour proceess
lithograph 101 x 63
Printed by R E Owen, Governent Printer
800 - 1,200
122 R E OWEN
GOVERNMENT PRINTER
Milford Sound, Fiordland
National Park
Colour proceess
lithograph 101 x 63
Printed by R E Owen, Government
800 - 1,200

123 R E OWEN
GOVERNMENT PRINTER
Milford Sound, Fiordland
Mt Cook National Park
Colour proceess
ithograph 101 x 63
Printed by R E Owen, Government
800 - 1,200
124 WILLIAM F SCHEY / HARRY ROGERS
Qantas Travel PosterNew Zealand
Lithographic poster 49 x 37
500 - 1,000



125 CHARLES HAINES
Fun at the Fair - NZ
Centenial Exhibition poster, Wellington, 8th November 1939 to May 1940
Colour lithograph 72 x 48
Printed by Whitcombe and Tombs Ltd
500 - 800
126 LOUIS MACOUILLARD
New Zealand Matson Line Poster
Lithograph 72 x 49
Signed & inscribed 1,000 - 1,500




127 STANLEY PALMER
Poor Knights - Above Maomao
Arch and Urupa Point
Pencil on paper 46 x 65
Signed, inscribed & dated 1989
500 - 1,000
128 GAIL HAFFERN
Organic Machines 99 no”6
Mixed media 88 x 72
Signed, Inscribed & dated 1999 verso
400 - 600
129 STANLEY PALMER
Norfolk Farm
Bamboo engraving, edition
34/60, 35 x 55
Signed, inscribed & dated 1976
300 - 500
130 GRAHAM CORNWELL
Soldiers in the Bush - Von Tempksy Series
Lithograph, edition 11/14, 41 x 53
Signed, inscribed & dated 1985
150 - 250
131 WILLIAM GEORGE BAKER
Catlins River Oil on canvas 66 x 44
Signed & inscribed
800 - 1,200
132 WILLIAM GEORGE BAKER
Wanganui River
Oil on canvas 24 x 20
Signed
800 - 1,200
133 STANLEY PALMER
Motu - Taniwha
Bamboo engraving, edition artist’s proof, 19 x 30
Signed, inscribed & dated 1982
300 - 500
134 DES ROBERTSHAW
Man
Acrylic on canvas 35 x 40
Signed
500 - 800
135 MICHAEL SMITHER
Rock Pool
Screenprint, monoprint, 51 x 51
Signed & dated 1968
300 - 500
136 STANLEY PALMER
From Hell’s Heart I Stab at Thee, Melville, Moby-Dick
Lithographic poster 58 x 86
Signed & dated 2010 ink
200 - 400
137 MARILYN WEBB
Protection Work - Dark
Tulip 2
Lithograph, edition 12/20, 55 x 39
Signed, inscribed & dated 1987
200 - 400
138 WILLIAM JAMES REED
The Denial of Peter Monoprint 43 x 67
Signed
500 - 1,000










140 E MERVYN TAYLOR Elephants
Wood engraving 26 x 25
Signed & inscribed
500 - 800
E MERVYN TAYLOR
Crocodile (Pink)
Wood engraving 23 x 23
Signed & inscribed



142 E MERVYN TAYLOR
Crocodile (Khaki)
Wood engraving 25 x 25
Signed & inscribed
400 - 600
143 GEORGE WOODS Moorish Idol
Linocut, unique, 19 x 14
Signed
500 - 800



144 DICK FRIZZELL
Meat on the Table, Money in the Bank Screenprint, edition of 100, 38 x 44
Signed, inscribed & dated 2008
800 - 1,200
145 DICK FRIZZELL Give it a Whirl
Screenprint, edition of 200, 77 x 55
Signed, inscribed & dated 2007
700 - 1,000
146 DICK FRIZZELL Rock On Screenprint, edition of 200, 77 x 55
Signed, inscribed & dated 2007
700 - 1,000
147 STANLEY PALMER
Low Tide, At the Bay I Monotype, 58 x 84
Signed, inscribed & dated 1984
800 - 1,200
148 DICK FRIZZELL Back And Forth Lithograph, edition of 40, 34 x 33
Signed & dated 1999
400 - 700
149 STANLEY PALMER
Hillside Town - Kohukohu Bamboo engraving, edition of 40, 43 x 58
Signed, inscribed & dated 1977
500 - 1,000






150 ESTHER HOPE
Southern Alps
Watercolour 38 x 55
Signed & dated 1943
800 - 1,200
151 MAY SMITH
Veranda
Watercolour 48 x 30
Signed & dated 1969
400 - 600
152 JONATHAN WHITE
154
WILLIAM JAMES REED
Summer Self Portrait
Mixed media on board 42 x 33
Signed
800 - 1,200
155
WILLIAM JAMES REED
Janet Frame
Mixed media on board 35.5 x 26
Signed
800 - 1,200
156 CARLO MISSAGIA
Makakoere Stream, Urewera
Oil on canvas 70 x 100
Signed & dated 1982
2,000 - 3,000
153 MARION TOWNS
Sky, Land & Sea
Acrylic on paper 49 x 64
Signed & dated 1997
200 - 400
Frutta e vino
Mixed media on canvas 120 x 50
Signed
800 - 1,200
157 ALISON RYDE
Auckland
Watercolour 78 x 120
Signed & dated 1989
500 - 1,000








158
Queen Street
Oil on canvas 62 x 49
Signed & dated 1986
400 - 600
159
Nest
Lithograph 48 x 70
Signed & dated 1994
400 - 600
160
Mayonnaise
Crayon on paper 44 x 59
Signed & dated July 1977
300 - 500
161
Blue Abstract
Acrylic on paper 75 x 55
Sigend & dated 1986
300 - 500
162
PHILIP O’SULLIVAN
Green Abstract
Acrylic on paper 75 x 55
Sigend & dated 1986
300 - 500
163
Lightning Storrm, Hauouki
Oil on board 30 x 40
Signed
400 - 600
164 JOS KIVITS
Fruit Plate
Oil on panel 39.5 x 49.5
Signed
3,000 - 5,000



165 JOHN HALEY Queens Mews, London
Watercolour 14.5 x 17 Signed
400 - 600 166 PETER O’HAGEN Celebrating the Millennium, Sydney Apartment Goauche 25 x 25 Signed
500 - 1,000






167 HENRY WILLIAM KIRKWOOD
Egmont
Oil on board 39 x 28
Signed
800 - 1,200
168 FREDERICK RICE STACK
Views of Auckland, 1862
Five handcoloured lithograph
Each 25 x 42
500 - 1,000
Two of five illustrated below
169 JOHN BARR CLARKE HOYTE
Shag Rock, Sumner
Watercolour 23 x 15
Signed 1,500 - 2,000
Provenance:
Estate of Dr Elizabeth Brosnan
170 HENRY WILLIAM KIRKWOOD
Dusky Sound
Oil on board 22.3 x 15
Signed and inscribed
800 - 1,200
171 LAURENCE WILLIAM WILSON
The Lighthouse Landing
Preservation Inlet
Watercolour on paper 23 x 59
Signed 1,000 - 2,000
172 WILLIAM MENZIES-GIBB
Harvesting, Canterbury
Watercolour 16 x 33
Signed
300 - 600
173 JOHN BARR CLARKE HOYTE
A View of the Sounds
Watercolour 57 x 39
Signed
800 - 1,200
174 HENRY WILLIAM KIRKWOOD
Port Fitzroy
Oil on board 16 x 24
Signed
800 - 1,200
175 JOHN DOUGLAS PERRETT
White Terraces
Pastel on paper 40 x 61
Signed
800 - 1,200
176 WILLIAM MENZIES-GIBB
In the Valley, Akatarawa River
Oil on canvas 48 x 73
Signed & dated 1887
1,000 - 2,000










177 PETER O’HAGAN
Horst P Horst Memories of Hammanet under the Oyster Bay Loggia
Watercolour 78 x 77
Signed
800 - 1,200
178 PAUL JOHNS
Untitled Portrait
Acrylic on canvas 57 x 47
Signed
800 - 1,200
179 REKO ELLIOTT
Noh Mask - Okino (Divinity)
Mixed media 58 x 76
Signed & inscribed
150 - 300
180 REINIS ZUSTERS
1919 - 1999
Bushfire No. 2
Oil on board 54 x 60
Signed
500 - 1,000


181 J H NICHOLSON
Mt Cook, Nelson scenes - five
Watercolour 51 x 38
Signed
800 - 1,500
182 HORACE MOORE-JONES
Sketches Made at Anzac
Six Framed prints 23 x 70
Wth embossed cover
1,000 - 2,000
183 HORACE MOORE-JONES
Simpson & His Donkey
Antique Reproduction with oak frame along with previous owners WWI
Discharge Certificate 23 x 70
800 - 1,200










184
MICHAEL SMITHER
Cabbage Tree with Snow
Screenprint, edition
1/88/77 - 168 50 x 60
Signed & numbered
500 - 1,000
185
EUGENEA
Miramar Wharf
Oil on canvas 48 x 38
Signed & dated 2008 verso
800 - 1,200
186 JILL STEWART
Bicycle
Mixed media 25 x 29
Signed & dated 1978
300 - 500
187 GARRICK TREMAIN
Farm Cottage
Watercolour 36.5 x 56
Signed
300 - 500
188 PEGGY SPICER
East Coast River
Watercolour 47 x 33
Signed
400 - 600

189 WILLIAM MENZIES-GIBB
Valley and Stream
Oil on board 30 x 21
Signed
300 - 600
190 GARRICK TREMAIN
Old Milk Churn
Watercolour 34 x 41
Signed
300 - 500
191 PETER J WALLERS
Mount Aspiring
Oil on canvas board
61 x 85
Signed & dated 1988
200 - 400

192 RICHARD SMITH
Fishing Vessels, Tauranga
Acrylic on canvas 76 x 61
Signed & dated 2006
500 - 1,000
193 RUSSELL HOLLINGS
Auckland Harbour
Oil on board 29 x 40
Signed & dated 2013
400 - 800
194 E MERVYN TAYLOR
No. 17 Giant Kauri
Waipoua
Wood engraving, edition of 25, 18 x 12
Signed & inscribed
800 - 1,200
195 SUZANNE GOLDBERG
Untitled
Mixed media 36 x 54
Signed & dated 1975
350 - 450











196 JAN HENRIK SCHELTEMA
1861 - 1941
Seascape
Oil on board 24 x 34
Signed
800 - 1500
197 ALFRED DUNET
Heights of Montmarte, circa 1925
Gouache 25 x 33
Signed
800 - 1,200
198 J F HERRING
Draft Horses in a Rural Landscape Oil on canvas 24 x 44
Signed
800 - 1,200

199 LANCE O’GORMAN
Blackpool Promenade
Acrylic on board 19 x 49
Signed
800 - 1,000
200 WILLIAM HOUNSON BYLES
Merchant, Tangier
Oil on board 28 x 19
Signed, inscribed & dated January 1901
400 - 700
201 WILLIAM HOUNSON BYLES
A Courtyard, Tangiers
Oil on board 45 x 19
Signed
800 - 1,200
202 TONY BINDER
Cairo the Market Gate Oil on board 44 x 23
Signed
800 - 1,200

203 NELLIE HADDEN
Self Portrait of the Artist with a VIew Of Bombay
City from Cumballa Hill
Watercolour 25 x 47
Signed & dated 1909
800 - 1,200
204 MAX BAUMANN
German Church Interior
Oil on board 36 x 42
Signed
400 - 600
205 JOHN SKINNER PROUT
Porche de L’eglise de Chartres
Watercolour 46 x 36
Signed
800 - 1,200
206 JOCK FRASER
Wood Mill
Watercolour 24 x 34
Signed
200 - 400










207 KARL MAUGHAN
Forest Road
Inkjet print on paper, edition 35/250 23.4 x 42.1
Signed, inscribed & dated 2005
Together with: Box set of 2005
Christensen Estate Merlot balsa wood case containing 6 bottles of 2005 vintage Christensen Estate Merlot, each bottle with oil on canvas label painted by the artist, 1,000 - 1,500
208 VARIOUS ARTISTS


10 Assorted Exhibition Posters, 70s & 80s
Lithographic press and screen printed posters
Stanley Palmer, Nigel Brown, Tony Fomison, Don Binney, Richard Killeen
500 - 1,000
Two Illustrated left
209 SAM MAHON
Untitled Ink and pen 37 x 27
Signed & dated 1981
150 - 300
Thank you - End of Sale
Contemporary, Modern & Collectable Art 12 August 2015
Alternatively, register then bid online www.fineartauction.co.nz
I instruct International Art Centre to bid on my behalf for the following lots up to the prices indicated below. My bids are to be executed at the lowest attainable price level. All bids are subject to Conditions of Sale printed in this catalogue.
Registration Bidding Number
Name
Address
Telephone Home
Lot Number
Artist and Title
Signature........................................................ / / 2015
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International Art Centre is not responsible for error or failure to execute bids. Fax +64 9 307 3421 or post to PO Box 37344 Parnell, Auckland 1151 before 3pm 12 August
ALBRECHT G ...........................................45
ARTISTS V ...............................................208
BADCOCK J 78
BADCOCK D ..........................................77
BADCOCK S ...........................................76
BAKER W G 131, 132
BAUMANN M ........................................204
BINDER T................................................202
BLAIR P 159
BROMLEY D ............................................73
BROWN N ....................... 33, 36, 37, 59, 61
BRYANT M 80
BUSH K .......................................................9
CAREY I .................................................116
CHILCOTT G ..........................................160
CHRISTIE B ...............................................87
CLARK R................................................112
CORNWELL G .......................................130
CUMMINGS V 107
DASHPER J ................................................3
DE VEL G...............................................118
DELL ML 10
DOLEZEL J ...............................................44
DUNET A ................................................197
EUGENE A 185
EISE I ........................................................94
ELLIOTT R ...............................................179
ELLIOTT M 82
EVANS J ............................................86, 88
FEU’U F ....................................................69
FIRTH D 70
FRASER J ...............................................206
FRIZZELL D ........ 21, 27, 144, 145, 146, 148, GIMBLETT M 16
GOLDBERG S ........................................195
GOOD R .................................................14
HADDON N 203
HAFFERN G ...........................................128
HAINES C .............................................125
HALEY J .................................................165
HANLY P ....................................................7
HARRIS S..........................50, 74, 83, 84, 97
HARRY R & WILLIAM F S .......................124
HARTIGAN P 65
HASZARD R ...........................................108
HEMER A .................................................24
HENDERSON L .. 98, 99, 100, 101, 102, 103
HERRING J F..........................................198
HOLLINGS R 72, 193
HOPE G ...................................................92
HOPE E ..................................................150
HOTERE R 23
HOUNSON B W .............................200, 201
HOYTE J B C..................................169, 173
HUGHES S..........................................15, 22
HUNT B ....................................................90
HURLEY C ..........................................66, 67
JAMES R W............................................138
JOHNS P 178
JONES E ..................................................58
KARAKA E ...............................................81
KILLEEN R 39
KING M .................................................105
KIRK G .....................................................91
KIRKWOOD H W 167, 170, 174
KIVITS J ..........................................104, 164
KNIGHT T D......................................79, 114
LANE T 42
LEE H R ........................................ 17, 18, 19
LEONARD V ............................................53
MACDIARMID D 93
MACOUILLARD L ..................................126
MADDOX A ............................................51
MAHON S 117, 209
MAUGHAN K ........................................207
MCFARLANE S ........................................62
MCINTYRE S 47
MENZIES-GIBB W...................172, 176, 189
MILLER P ..................................................48
MISSAGIA C ..........................................156
MOORE-JONES H .........................182, 183
NICHOLSON J H ...................................181
O’GORMAN L ......................................199
O’HAGAN P 166, 177
O’SULLIVAN P ............................... 161, 162
OWEN R E .................... 120, 121, 122, 123
PALMER S T 127, 129, 133, 136, 147, 149
PANKHURST A .........................................75
PEARSON A ..........................................111
PERRETT J D 175
PETRE M ..................................................41
PICK S ..................................................2, 11
POND-EYLEY C ......................................68 PRITHCARD R ..........................................43 PROUT J S..............................................205 PULE J ......................................................35
REED W J.......................................154, 155
REYNOLDS J............................................38
ROBERTSHAW D 134
RYDE A ..................................................157
SCHELTEMA J H ....................................196 SCOTT I 54
SHORTLAND C R ................................... 40
SIDDELL P .......................................... 31, 32 SIDDELL S 28, 29, 30

