SPRING FALL
2024 2026
FALL
2026
A F R E S H A P P ROAC H TO H O M E & L I F E
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ON STRESSLESS® ADAM RECLINERS*
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- new STRESSLESS® ADAM WITH Z E R O G R AV I T Y P O S I T I O N Shown in Velaro Chocolate / Oak
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CONTENTS
FALL
2026 6ADDITIONS Musings ISSUE 3
8
Contributors
FEATURE 38 SHOWCASE
Most recognize the haunting wail of the common loon wafting across still waters at dusk and dawn. Meet Ashley Martel, AIA and VPArchitect for Widseth, who, along with her colleagues, takes the life of the Minnesota loon very seriously. Experience the National Loon Center in Crosslake, Minnesota, a premier research and education facility, opening in Spring 2027.
DEPARTMENTS 12 ELEMENTS
There’s something innately comforting about a wall that is claimed by books. In a society dominated by smartphones and constant notifications, a library is a quiet retreat to escape and recharge. Being surrounded by books sparks creativity, focus and productivity. You don’t need a mansion to create a stunning library space- read how!
4 | FALL 2026
20 KITCHENS
The messages from across the design world are consistent– earthy is not a seasonal moment. It is a sustained design direction with deep roots heading into the future. Warm minimalism is leaning into organic textures, mudtoned earth hues and deeply saturated colors that treat the kitchen like an extension of the entire space.
32 TRENDS
Walls used to be treated as simply a background, but that approach no longer applies in modern interiors. The resurgence in wallpaper reflects more intentional design choices that add texture, pattern and visual structure without cluttering the room. Wallpaper continues to play an important role in personalizing today’s homes.
46 ART
The word obstacle has never been a part of Jessica Woods’s vocabulary, yet she is living with a permanent disability, a fully fused spine. Though her challenges are not immediately noticeable, she has carved out a life that has profoundly shaped her appreciation for her work as an artist. This artist’s work is personal.
52 TRAVEL
Learning a European Old-World craft mentored by Northern European master craftsmen– sounds intriguing? Meet Fargoan Brett Johnson, who traveled over 4,500 miles on a journey of a lifetime, not just in miles, but in wisdom and appreciation gained for the Latvian people. Read Latvia, Pride of the North to learn more.
60 INGREDIENTS
For this Fargo couple, raising a family created a “shift” in the title of head chef, but “all’s well that ends well.” Dad got busy cooking in the kitchen, honed his skills and enjoys the new role as cook. Mom is still a great baker, but the title of bread maker is still up for grabs. Enjoy this simple and delicious “Good Bread”, made by Dad! INSPIREDHOMEMAGAZINE.COM
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musings
Inspired Home Associate Publisher Terri Ferragut Phone: 701.866.4405 Email: terri@inspiredhomemagazine.com terri.ferragut@gmail.com Find us on
(Inspired Home Magazine)
Riga, Latvia | Photography by Samanta Smelena
F
all – one of my favorite seasons. It is time to settle back into that again familiar span of time that brings invigorating coolness to the air and nature’s colorful array to the trees that surround us. For me, cool morning walks with wood smoke in the air signal a welcomed change. Autumn also signals a comfortable migration indoors for a season of holidays and special gatherings with family and friends. Our kitchens hum with the business of life. Fresh, crisp apples become a part of a luscious pie and late-summer garden bounties make their delicious way into a hearty soup on a brisk day. Our kitchens are vital spaces in our lives–ones that represent time-honored traditions, comforting meals and lasting memories. In this issue, Inspired Home, with the help of area experts, will explore innovative ways to add beauty and exceptional functionality to this hallowed part of your home. Discover another important area of the home that can be practical and nook-like or quite extravagant–a home library. Read why a designated area for reading and contemplation is becoming a quiet and comforting necessity for many homeowners, whether reading an exciting novel or historical anthology. Excitement is synonymous with travel, and new adventures are always fun to share with our readers; this issue is no exception. Experience with us the extraordinary beauty of a land and the humble gratitude of its people as we travel to Latvia, the Baltic gem. Learning an Old -World Norse skill taught by masters is definitely exciting! And there is so much more… Enjoy reading cover-to-cover! Enjoy reading our Fall issue!
Editorial Director Terri Ferragut Creative Director Terri Ferragut Art Director Kaitlyn Iezzi Director of Operations Scott Drzewiecki Contributing Photographers Jill Ockhardt Blaufuss Lauren Ferragut Carlson Sarah Olson Kinsey Wallace Gabriel Ferragut Contributing Writers Lauren Ferragut Carlson Terri Ferragut Ashley Ferragut Johnson Granville Wood Copy Editor Keri Guten Cohen
Production representative
Terri Ferragut
Associate Publisher Editorial Director terri.ferragut@gmail.com terri@inspiredhomemagazine.com
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contributors
JILL OCKHARDT BLAUFUSS Jill Ockhardt Blaufuss is a photographer for architecture and interior design. Her clients range from designers and builders, both commercial and residential. When she's not working she enjoys spending time with her family and friends, cooking, traveling and entertaining.
LAUREN F. CARLSON After spending eight years in Upstate New York at Cornell University researching hemp and willow for bioenergy, Carlson, her husband and daughter moved back to Fargo, North Dakota, where they were born and raised. She is currently employed by the USDA in sunflower improvement research. She loves hiking with her family, knitting, running, cross-stitching and Scandinavian baking.
TERRI FERRAGUT Every issue, we take great pride in presenting this beautiful local home and lifestyle guide we call Inspired Home. From design to great food our goal is to provide you with relevant information you value. Truth of the matter is, without the heart and dedication of this talented and professional team, this publication would not be possible. Issue after issue, their creativity brings Inspired Home to your doorstep or area business. They inspire me.
SARAH OLSON A career in the interior design world, along with a genuine passion for connection, led Sarah here to Inspired Home magazine. She loves date nights (or days) with her husband, walks with her dog, nature photography and time with her sweet and comical cats – always entertaining! She also enjoys listening to podcasts, reading, yoga/ Pilates, antiquing, traveling, watching a captivating television show, and a good citrusy IPA.
ASHLEY F. JOHNSON Ashley Johnson loves her home city of Fargo. She works as a registered nurse at Sanford Medical Center and shares her happy home with her husband, two teenage children and a rescue cat. She loves traveling with her family, cooking, entertaining and good wine. She can’t wait to show her children the world.
KINSEY WALLACE Kinsey is a seasoned real estate photographer and agent with over 5 years of experience in capturing properties and helping clients find their dream homes. Kinsey also serves as the exclusive sales representative and designer for Red Leaf Custom Homes. An avid DIY enthusiast, she often spends her free time working on home improvement projects. She loves exploring new destinations, traveling to unique places and enjoys the great outdoors through gardening and camping.
GRANVILLE WOOD Wood is an international chef who worked in London, Stockholm, Toronto, Vancouver, Palm Beach and Houston before moving to Fargo with wife Susie, a doctor with Sanford Health. Most recently he operated The Blue Goose Café in the Plains Art Museum.
8 | SUMMER 2026
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elements
12 | FALL 2026
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tell your story BY TERRI FERRAGUT
A
vid reader or not, there is something innately comforting about the presence of a wall that is claimed by books. In today’s screen-saturated, hyper-connected world, building a home library creates a dedicated sanctuary. In a society dominated by smartphones and constant notifications, a library is a quiet retreat to escape, learn and recharge. It is a tactile release from digital noise that INSPIREDHOMEMAGAZINE.COM
encourages lifelong learning, creates architectural character, and, as a bonus, adds financial value to your property. CONSIDER HOME LIBRARY AMENITIES An escape from burnout for the entire family A dedicated reading space establishes a space of solace away from algorithms. It provides a much-needed digital-detox INSPIRED HOME | 13
elements
experience away from all screens, which actively lowers stress levels and promotes mental clarity for everyone. Intellectual Focus Being surrounded by books creates an environment that naturally sparks creativity, focus, and productivity – the ideal setting for working from home, studying, or journaling. Fosters Family Connection A library serves as a shared gathering place for family reading nights or quiet study. This encourages children to appreciate a culture of lifelong learning. Exposure to books outside of school promotes a student’s reading achievement and is a powerful contributor to academic skills. Books foster community Avid readers love to discuss, debate, and recommend books. A personal library makes you a part of a larger community of book lovers, opening the door to sharing books and conversations. Books reflect your identity The books you choose to fill your shelves say a lot about who you are, what you value and what interests you. A personal library becomes an extension of your personality.
A library, no matter the size, brings life to any room. Natural light floods the space, perfect for reading or for quiet study.
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LIBRARY INSPIRATION Every library tells a story, not just through the books on its shelves but also through how you define the space. When designing your library’s aesthetic, remember that you are creating a certain feeling. Earthy tones like deep greens and ochres lend a sense of grounded calm. In a modern theme, neutrals read as soft sophistication. Biophilic design, the use of natural materials like wood grains, live edges and plants, creates depth and brings elements of nature in.
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A cozy space opportunity to combine your favorite books with treasured mementos. Settle into this corner of comfort surrounded by Benjamin Moore, Forest Green. Color pops from the white, including a colorful array of books.
Quiet is key in a library. Consider how sound travels in your space and how it might affect you. Is the room adjacent to a busy kitchen or shared hallway? Soft textiles in curtains, rugs and upholstered furniture will help absorb sound. Books themselves act as natural insulators. If the space is meant to double as a guest room or home office, acoustics become even more important for restful sleep or focused work. There should be a natural place for everything, whether reading, working, or perhaps hosting. A successful home library layout strikes a balance between form and function, ensuring the space adapts as your routines shift.
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INSPIRED HOME | 15
elements
This library sets the comforting tone for this unique space and reflects the personalities and interests of those who live there.
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A large amount of space is not required to create a private area for reading, conversation or study. Warm, earthy colors define the room.
Natural light is a powerful asset. Observe how it shifts throughout the day when determining your layout. Morning light might lend an energizing start to a work session, while the later golden sun-hours can make for a serene evening reading ritual. Quality shelving such as built-in bookshelves adds elegance and permanence, while freestanding units offer flexibility. Adjustable shelves will allow space for books of all sizes and create display space for art or keepsakes. Make room for more than books as an opportunity to showcase a thoughtful mix of treasured art pieces, heirlooms or decorative objects that reflect your personality and your family’s history. From generational, inherited décor to ceramic pieces and framed photos, these additions lend interesting texture and storytelling to your library. The best home libraries are quietly intuitive. You don’t need a mansion to create a stunning home library. With a little creativity, any space can become a book lover’s space for quiet reflection and rejuvenation. From a single shelving unit in a small room with great natural light to a deep and richly dark-shaded room that smells of old leather and ancient books, tranquility will soon follow. INSPIREDHOMEMAGAZINE.COM
Practical shelving shines with a plethora of cherished books and added comfort is dialed in with a Scandinavian Ekornes Stressless recliner.
INSPIRED HOME | 17
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kitchens
Kitchen Culture back down to earth BY TERRI FERRAGUT
W
hile following trends may feel like a fleeting endeavor, in kitchen design, they often stand the test of time. From millwork to backsplashes, color palettes to design styles, something important is shifting in the world of kitchen and interior design. After more than a decade dominated by bright whites, cool grays, and the polished precision of minimalist surfaces, a warmer, richer, more grounded aesthetic is emerging. The messages from across the design world are consistent– earthy is not a seasonal moment. It is a sustained design direction with deep roots heading into the future. Kitchen designs for today embrace "warm minimalism," moving away from sterile spaces. The aesthetic now focuses on natural wood or earthy-toned cabinets, two-tone color palettes, seamless built-in storage areas and bold, high-contrast stone surfaces to create inviting, personality-driven, sophisticated kitchen spaces. COLOR PALETTES Kitchen color palettes mark a definitive departure from cool colored and white spaces. Instead, interior design is shifting toward "warm minimalism" and a quiet luxury, leaning into organic textures, mud-toned earth hues, and deeply saturated, sophisticated colors that treat the kitchen like an extension of the living space. Earthy, mood-boosting tones like soft hues of sage, forest green, mushroom, and sunbaked clays are adding pleasing sophistication to the kitchen.
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kitchens
22 | FALL 2026
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Brazen and beautiful, this kitchen “star” shines bright with its stunning veining. Nero Portoro is considered one of the most luxurious, rare and costly natural black-and-gold marbles in the world. Kitchen drama plays out beautifully with these three natural stones. Full height backsplash: Citrine Quartzite, backlit; Island: Titanium Gold Granite, leathered; Kitchen perimeter: Negresco Granite, honed. This Midwest home brought a mixture of transitional design with a dramatic deep mood to the space. Featuring different textures, materials, backlit translucent quartzite and mitered stone around the windows.
Images courtesy Northern Stone
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BACKLIT STONE, WARM WOODS Stone: Citrine - Quartzite, backlit Stunning veining in LED-backlit quartzite is establishing a "warm sophistication" in kitchens. Quartzite, as hard as granite, is a favorite for backlighting. It has a highly crystalline natural composition with glowing, glass-like quartz pockets. In both wood and stone, the focus is on warm, highly textured designs. Rich natural wood grains, rift-cut white oak, lacquered walnut, and larch wood all offer organic, beautiful finishes. Pictured: Citrine-Quartzite and Larch Wood. northernstone.com STATEMENT COUNTERTOPS Full-height stone-slab countertops and backsplashes are coming on strong. They make their "statement" by using full slabs in a design approach that features large, continuous pieces of natural or engineered stone for the counter, islands, and wall. Unbroken full natural stone or quartz slabs create a continuous, dramatic visual with no grout lines, which highlight the raw, interrupted beauty of the veining. Extending vertically from the counter to the upper cabinets or ceiling, it reveals nature’s best.
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kitchens
A baker’s dream – a dedicated and beautiful, built-in kitchen cabinet area that hides mixers, ingredients, and counter clutter. Recipe and cookbook storage, yes, please!
Now you see it, now you don’t! Hidden behind classic beauty lies the answer to everyday clutter in a busy kitchen. The secret? Everything in its place and a place for everything.
Off to work and what better way than this to start your day? Keeping clutter beautifully hidden–this trend underscores the desire for efficiency, aesthetics, and organization.
24 | FALL 2026
CONCEALED AND INTEGRATED STORAGE Seamless integration is vital. The design philosophy of an "invisible kitchen" focuses on blending high-utility workspace into the home's architecture. Walk-in and custom-organized pantries are being integrated directly into the cabinetry layout. Specialty pantries, larders, pull-out shelves, and cleverly hidden dedicated baking and beverage stations all add up to one thing – keeping clutter beautifully hidden. This trend underscores the desire for efficiency, aesthetics, and personalized organization, as homeowners seek kitchens that complement their lifestyles. durasupreme.com
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Designated workspaces incorporating different surfaces best for the type of work to be done are visually pleasing and highly functional.
MIXED COUNTERTOP MATERIALS Designated, sophisticated surfaces for different work zones are essential. Mixing countertop materials by the work area is highly functional and visually striking. Match specific surfaces to your daily tasks. Use non-porous materials like quartz for heavy-use perimeters and prep zones, butcher block for chopping and casual dining and cool marble slabs for dedicated prep and baking areas.
INTEGRATED APPLIANCES Concealed appliances integrated into the cabinetry are the gold standard. Flush-recessed refrigerators that blend with cabinetry are popular for a high-end look. Integrated appliances and other built-in kitchen components are designed to sit flush with your cabinetry, often accepting custom cabinet front panels that blend invisibly with the surrounding millwork design. Kitchens feel larger and more cohesive, with an uncluttered look.
Fully integrated appliances create a clean, seamless look that reduces clutter, adds organization, and creates a softer, more architectural feel.
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kitchens
Choosing colored appliances creates an opportunity to inject personal style and warmth. They create a distinct focal point and stunning anchor for the room. KitchenAid colors range from Avocado Cream and Juniper to Ore, a metallic black. Range hoods today are transitioning to becoming a design anchor for the kitchen. Statement textures created by tile, plaster, wood, wood-trimmed, mixed metals, rich colors…all are becoming beautiful design options.
26 | FALL 2026
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Tiled range hoods are gaining popularity for their ability to blend functionality with artistry. Whether your project leans towards bold and maximalist or signals quiet luxury, the artisan characteristics of tile will add depth and character. Designers are treating the vent hood as a seamless, sculpted architectural element rather than an appliance. By using materials like Venetian plaster over a custom frame, these hoods bring texture, soft geometry, and a lived-in European feel to modern organic, transitional, and classic spaces.
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NEVER RULE OUT COLOR Stainless steel remains a timeless classic, but it is increasingly paired with mixed-metal hardware such as brass or gold to add elegance and sophistication. Never rule out color – Blue Star, KitchenAid, SMEG, and others are driving an appliance trend toward saturated jewel-toned colors in deep shades of navy blue, forest green, burgundy, and juniper. bluestarcooking.com RANGE HOODS Custom, furniture-style range hoods are taking on new forms in the kitchen to bring softer architectural definition and movement. Tile-wrapped, stucco, and colored stainless with brass, as well as wood-trimmed paneled options, are blending seamlessly with cabinetry or wall finishes — all are becoming popular design options for range hoods in today's kitchens.
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kitchens
Timeless design and waterfalls, synonymous in their nature, are an intentional design statement. Premium surfaces that deserve to be showcased, such as natural quartzite featuring deep, organic veining and honed finishes, are increasingly popular.
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WATERFALLS APLENTY The waterfall edge has become a beautiful kitchen design staple. It is used not just on kitchen islands, but also on side counters and even dining tables. The continuous flow of stone down the sides isn’t just sleek—it communicates architectural craftsmanship and ingenuity. sapienstone.com
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Architectural design in today’s home is encountering a staple in elegance and functionality that continues to endure–tile. Evolving into a bold tool for personal expression, its stunning new textures and durability for any room in the home are experiencing a continued design demand.
The Ruvati workstation concept bridges the gap between home cooking and restaurant-style efficiency by built-in horizontal tracks that allow custom accessories—such as colanders, solid mahogany cutting boards, mixing bowls, and rolling drying racks—to slide seamlessly across the top of the basin.
TEXTURAL TILE The relevance of tile in today’s kitchens as an architectural design tool plays an important role in lending artisanal beauty. Portobella America specializes in translating architectural trends into tile – highly tactile textures, high-definition stone graphics and large-format porcelain slabs. From woven-inspired textures and wood-look planks to the fluidity of impressionist watercolor brush strokes – sophistication is defined. syversontile.com SINK BOUTIQUES Efficient work systems are largely replacing the traditional doublebowl kitchen sink. Kitchen sinks are shifting away from standalone utility basins into highly integrated, multifunctional culinary workstations. As open-concept home designs demand less visual clutter, sinks are evolving to seamlessly blend with the surrounding architecture while working harder at tasks behind the scenes. northernstone.com
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INSPIRED HOME | 29
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trends
Fall Walls BY TERRI FERRAGUT
32 | FALL 2026
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W
alls used to be treated as simply a background, something you paint and move on from. That approach no longer applies in modern interiors. As spaces shift toward more personality and depth, blank walls can often feel unfinished or lacking direction. The resurgence in wallpaper is steeped in a more intentional design choice that adds texture, pattern, and visual structure without cluttering the room. This doesn’t mean going bold everywhere, but introducing just enough variation to keep things visually engaging. Wallpaper helps achieve that by adding subtle layers that change how light interacts with the wall. Blending linear geometric designs with botanical inspiration creates a beautiful rhythm that transforms walls into expressive surfaces. spaghettiwall.it Botanical patterns bring warmth and calmness in any room without changing the overall design direction; Magnifica Collection. spaghettiwall.it
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trends
An impressive presentation of a statement wall using a repeating pattern wallpaper within the dining room’s recessed niche. spaghettiwall.it Texture wallpaper is subtle yet still adds depth. This quiet variation adds layered depth, which adds movement throughout the room. spaghettiwall.it
KEEPING SURROUNDING ELEMENTS SIMPLE AND SUPPORTIVE Wallpaper works well because it adds detail without adding physical objects. Styling the room becomes easier because you don’t need to rely on furniture pieces to make it feel complete. Instead of filled shelves or décor, the wall itself carries the visual interest. The space feels open while still having depth and character. Wallpaper can express a certain mood or style without overwhelming everything around it. The space feels more intentional, even with fewer elements. Once wallpaper is in place, everything around it should feel like it belongs to the same idea rather than competing with it. Furniture, decor, and finishes don’t need to do much when the wall already has visual interest. In fact, keeping those elements simple often makes the wallpaper stand out more naturally. You’ll find that
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The subtle texture and depth of this wallpaper are a delightful contrast to the smooth feel of the vanity. A work reprieve only nature can provide. The gentle beauty of birch soothes and calms. A geometric delight, providing stability and comfort.
clean lines and restrained shapes help the space feel calmer and easier to take in. When everything works together, the design feels more cohesive and that’s when the space starts to feel effortless. ONE STATEMENT WALL OFTEN WORKS BETTER THAN MANY Using wallpaper on one wall often creates a stronger impact than the entire room. It gives the design a clear direction. When multiple walls compete for attention, the room feels less focused. A single wall, on the other hand, keeps things grounded and easy to understand. It also gives you more flexibility with the rest of the space, since everything doesn’t have to match or compete. This approach feels relaxed while still making an impact. Often, holding back a little is what makes the design feel complete.
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trends
This botanical pattern softens this space, yet adds positive energy to begin the day. spaghettiwall.it
36 | FALL 2026
PICK PATTERNS THAT WORK Botanical patterns are the easiest way to soften a modern space. They bring a natural element that makes the room feel more relaxed and lived-in. You’ll often see leaf or floral motifs that aren’t overly detailed, which keeps things from feeling too traditional. They work well to temper spaces that feel structured or sharp. It’s a simple way to introduce warmth and calmness without changing the overall design direction. Geometric designs are structured, which fits naturally
into modern interiors. The repetition of shapes creates a rhythm that guides your eye across the wall. It is interesting in a way that still feels controlled and organized, yet even subtle patterns can have that effect. The space feels more defined without extra furniture or decor. If you like clean lines, this is a natural fit. Textured wallpaper is subtle yet still adds depth. The quiet variation helps the wall feel layered without drawing too much attention. Useful in spaces where you want things simple, they interact with light throughout the
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This watery pebble-type pattern creates a calming rhythm that defines this bedroom. spaghettiwall.com The patterned texture-like feel of this frosty wall is artistry at its best.
day, which adds movement to the room. This makes the space feel more complete and is a subtle way to add character. Mural-style wallpapers feel bolder and more intentional because the pattern creates a continuous visual flow across the entire wall. This works well on larger walls where smaller designs might feel lost. It instantly becomes the focal point, so you don’t need much else around it and it can still feel refined if the design is balanced. A mural can change the entire mood of the room, not just the wall. Wallpaper continues to have a place in modern interiors because it adds depth, personality, and intention without overwhelming the space. When used thoughtfully, it supports the overall design rather than competing with it, allowing each element of the area to feel more connected. The key is not just choosing a design that looks good, but one that fits how your space functions and evolves with time. Happy wallpapering!
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INSPIRED HOME | 37
showcase
By combining science, education, and engaging experiences, the National Loon Center will work to protect the iconic loon, safeguard northern lakes, and celebrate the wild spirit captured in the loon’s haunting, unforgettable call. – National Loon Center
The Call of the M
ost recognize the haunting wail of the common loon wafting across still waters at dusk and dawn. For centuries, First PeoplesOjibwe and Lakota Sioux believed the loon was the spirit of the wild north that represented harmony, generosity, and peace. Archaeologists have uncovered loon fossils that date back more than 35 million years. Loons have been making their calls across Minnesota waters of the north since before this land’s ancestors first arrived.
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BY TERRIinterest FERRAGUTmost | PHOTOGRAPHY WIDSETH As a young girl, Ashley Martel’s beautiful attireCOURTESY was secondary. She in building houses for her dolls was not a adds, “I would spend most of my time using “breakout” moment in her life. That was my tables and chairs to create multilevel yet to come. Yet you could call her early houses for my dolls with the first level being years an invaluable apprenticeship. And under the chairs and second level on the while unintentional, it all started with seat of the chair.” On long car trips from her Martel’s parents. Martel shares, “My Dad home in South Dakota to Minneapolis-St. is one of those people who can build and fix Paul, Minnesota, she would redesign floor anything. So, when I wanted a doll bed, we plans she found in magazines or spend built it together. My mom also always put so time dreaming about the home tours she much thought into décor, from our house attended with her mom. Looking back, there to our table settings.” Playing Barbies was was never a doubt in Martel’s mind that serious business. Dressing her dolls in the she would someday become an architect.
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EXTERIOR SITE, INTERIOR CONFERENCE RENDERINGS B Y A S H L E Y M A RT E L
North Meet Ashley Martel, NCARB, AIA, VP-Architect for Widseth, a full-service architecture, engineering, environmental, and surveying team headquartered in Baxter, Minnesota. The perfect job for Martel: “I love problem-solving, the “Tetris-like” aspect of taking the needs for a client’s space and listening to them and understanding their priorities to create something beautiful.” Martel especially enjoys the rendering process of a project– being able to help clients visualize an outcome.
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INSPIRED HOME | 39
showcase
It’s more important than ever for us to remember our connections with the larger-than-human world, and to celebrate the never-ending music of this miraculous planet that is our only home. — John Luther Adams, acclaimed composer and environmental activist, Pulitzer Prize and Grammy Award winner.
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This high-tech exhibit showcases a loon’s life. They are master underwater hunters built more like a submarine than typical waterfowl. Their dense bones (not hollow like most birds) allow them to sink underwater to hunt for long periods. On a starry Minnesota night in September, adult loons take flight to begin their 1,170 to 1,600-mile migration to the southern marine coasts from North Carolina to Florida (often resting on the Great Lakes).
Raised in a South Dakota farming region, she had never experienced the loon’s iconic call until she moved to northern Minnesota. “It is truly something special to hear and see, on quiet mornings and evenings as the sun rises and sets on the still lake.” Loon populations, however, are experiencing difficulties. Jon Mobeck, executive director of the National Loon Center, notes, “While the population of breeding loons in Minnesota has remained stable for the past two decades, juvenile loon survival rates and annual chick ratios have been declining steadily.” Degrading water clarity, vanishing nesting habitat due to shoreland development, the impacts of human recreation, climate change, and environmental poisoning from toxins such as lead fishing tackle – all are threats. Martel says, “We as humans play a big part in the livelihood of loons.” The common loon was about to take on a special meaning for Martel and many others. Share the shoreline. Landscape your property for loons by planting native shrubs and plants and maintaining a natural shoreline. Use lead-free tackle to protect loons and other wildlife, and be respectful — keep your distance. Young loons linger a little longer to grow stronger and gain more fat, then migrate in late October to midNovember. Loons can fly 75 miles per hour at altitudes of 3,000-5,000 feet.
E C O S Y S T E M R E N D E R I N G S B Y D I M E N S I O N A L I N N O VAT I O N S
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INSPIRED HOME | 41
showcase
The parking lot, shaped like a loon with its “head” as the entrance roundabout and its “body” as the parking area, can be seen on a starry Minnesota night, above the National Loon Center, by satellites passing at high altitudes.
Martel surveys the building progress with Director of Operations for the National Loon Center, David Nielsen. This 20,000-square-foot campus is scheduled to open to the public in spring 2027.
Here, Martel and Nielsen discuss parking lot plans. When complete, the loon-shaped lot will feature a “bill” shape made of pavers, solar panels that resemble a loon’s wing, and sidewalk markings inspired by distinct loon plumage.
Using the distinct colors and patterns of the loon’s unique feathers, the National Loon Center’s flex conference room is creatively inspired by the loon.
Ashley Martel, vice president and project architect at the multidisciplinary design firm Widseth in Crosslake, Minnesota, has been central in the project’s evolution for nearly a decade. Martel is the lead architectural visionary and public face of the National Loon Center.
Resembling the wings of a loon, solar canopies, the elevated, parking lot roof-like structures above the cars, generate renewable electricity, while offering shade and weather protection.
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Project Contributors • Widseth • Nor-Son Construction • Dimensional Innovations • McKinstry (solar and geothermal) • Minnesota Design Team INSPIREDHOMEMAGAZINE.COM
The Minnesota Design Team (MDT), a volunteer program of the American Institute of Architects Minnesota, brings together design experts and residents of rural and small towns to address community planning and physical improvements. Together, in 2016, with over 150 volunteer participants, they began reimagining the heart of the city of Crosslake and its relationship with Cross Lake. Through this process, the idea for a National Loon Center was born, and support grew for placing it in Crosslake. The University of Minnesota provided a master plan for the project. Martel shares, “I was lucky to be involved early on to help with visuals for local and state support and funding and work with some truly inspirational individuals. It was like a dream to be presented with this amazing idea and think about its meaning and purpose with a parti (visual design inspiration), the loon, to bring to life many of its unique characteristics through form and function of the facility, in a sustainable, thoughtful way.” The anticipated National Loon Center, which will open next year, will have an important impact on its community and beyond. This three-story, state-of-the-art facility will showcase sustainable building practices and renewable energy sources, incorporating geothermal and solar energy,
along with heavy timber construction–all elements Martel is proud of. Notable features include the thermally modified wood siding, with a charred look reminiscent of feathers, and a loon-shaped parking lot visible to passing satellites high above the center on a starry night. A family-friendly center, it will feature highly immersive, interactive exhibits like the “Ecosystem Experience.” Imagine a threestory cylinder-like space where it actually looks and feels like you are underwater with the loons, then you transition with them to rest in their nest by a dock, and lastly, join a loon migratory flight. Attendees will also be able to see and interact with research dedicated to freshwater conservation, shoreland habitats, and the vast air and migration routes that loons depend on throughout their lives. Martel’s wish is that those who visit the National Loon Center will leave with a better understanding of everyone’s role in preserving the “never-ending music of our miraculous planet,” and with a greater appreciation for the Minnesota state bird. And in Martel’s words, “I cannot wait to personally experience it along with all the visitors of the National Loon Center!” To donate or for more information about the National Loon Center, please visit www.nationallooncenter.org INSPIRED HOME | 43
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Architect 218.560.7165 Trevor.Guck@Widseth.com INSPIRED HOME | 45
art
Canvas
without limits BY TERRI FERRAGUT PHOTOGRAPHY BY JESSICA WOODS
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T
he word “obstacle” has never been a part of artist Jessica Woods’s daily life. Living with a permanent disability, including a fully fused spine and recent hip replacements, has profoundly shaped her appreciation for purposeful, impactful creative work. Although these challenges are not immediately visible, they serve as a reminder to all of us that everyone faces unique circumstances and challenges in their own lives. This perspective brings “emotional and nuanced depth” to her art and reinforces her belief that creative expression is adaptable and possible for all. For Woods, painting is personal and a means of liberation. She “encourages others to find fulfillment through creativity” regardless of the public recognition they might or might not achieve. Her interest in art began at an early age and developed academically, attending the Art Institutes International Minnesota, Minneapolis, MN, where she earned her Bachelor of Science in Interior Design. She received additional coursework at North Dakota State University. Woods adds, “Professionally, I have gained experience in multiple roles, including cake decorator and interior designer.” Woods focuses on exploring light, movement, and depth through the complex layering of color and texture. “It is gratifying to witness viewers connecting with my work, often discovering perspectives and meanings beyond my initial intentions,” she adds. “My approach to painting relies on intuition and authenticity, rather than strict adherence to traditional techniques learned in art school. I am dedicated to producing layered, sincere, and vibrant works that invite interpretation and resonate with both me and my audience.”
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Woods, Jessica. Acrylic on canvas. 36 in. x 48 in.
Woods, seated in her studio, portrays depth of emotion with motion in her art and encourages others to find fulfillment through creativity.
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art
Woods, Jessica. Acrylic on canvas. 48 in. x 48 in. Woods, Jessica. Gracie. Acrylic on canvas. 48 in. x 48 in.
Woods, Jessica. Acrylic on canvas. 36 in. x 48 in. Woods, Jessica. Acrylic on canvas. 36 in. x 48 in. Woods, Jessica. Acrylic on canvas. 36 in. x 48 in.
Woods, Jessica. Acrylic on canvas. 36 in. x 48 in.
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Woods regards her limitations as opportunities for growth, fostering patience and resilience. Each canvas reflects a dialogue between perseverance and potential. “My children are important sources of inspiration, exemplifying the values of diligence and determination that I strive to convey through my art and daily life.” Woods is appreciative of her family’s steadfast support. She adds, “Each family member demonstrates commitment and resilience. “My husband manages operations at an agricultural bean facility in St. Hillaire, MN. My eldest daughter, Cassandra, works as a Medical Laboratory Assistant at Essentia Health in West Fargo, and her partner, Johny LaPole, owns Next Gen Remodeling. Charlotte, my middle daughter, holds a master’s degree in mathematics and currently serves as a Special Education Strategist in Grand Forks. Jack Woods, my youngest, is an Operator for Cass County Rural Water District, and his partner, Gabby, is pursuing further education following participation as a Division I collegiate athlete.
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art
As an abstract artist based in Grand Forks, North Dakota, Woods plans to relocate to Fargo within the year. Currently, she is partnering with Media Shack in Fargo on a new design adventure. She has created a collection of wallpaper and murals, expanding the reach of her artwork to enrich and enhance residential and commercial spaces. She is excited about these new opportunities and enthusiastic about showcasing how her art will transform homes and businesses. For more information, contact: Jessica Woods Abstracts 701-403-3986 jessicawoodsartist@gmail.com www.instagram.com/jessicawoodsabstracts Commissioned Art | Commercial | Residential
Woods, Jessica. Acrylic on canvas. 48 in. x 60 in.
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travel
Latvia,
Baltic Pride of the North
52 | FALL 2026
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Johnson, sitting at a workbench in Ligatne, Latvia, eyes his blade to ensure exact measurements for the upcoming steps in the process. Riga is the capital and the largest city in Latvia. A major cultural and political hub, it is also a UNESCO World Heritage Site, known for its medieval and iconic Art Nouveau architecture.
BY TERRI FERRAGUT PHOTOGRAPHY BY SAMANTA SMELĒNA
L
atvia is a sovereign nation in Northern Europe on the eastern shores of the Baltic Sea, sharing land borders with Estonia, Lithuania, Russia, and Belarus. Its landscape is defined by pristine, low-lying terrain, dense untamed forests, thousands of lakes, and sandy, white Baltic coastlines. Latvians are known for their deep-rooted connection to nature, rich musical heritage, and a resilient, reserved demeanor. Deeply loyal, calm, and stoic, they are proudly self-sufficient, raising their own food and enjoying traditional wood-fired saunas. Latvia’s capital and largest city, Riga, is known for its medieval charm and untouched natural beauty. Its preserved medieval and stunning Art Nouveau architecture is celebrated worldwide as a UNESCO World Heritage site. In Riga, Fargoan Brett Johnson completed a journey not just in miles but in wisdom and appreciation for the Latvian people and their culture. Enjoy his journey as he studies the Old-World craft of Nordic bladesmithing with The Northmen Guild masters, using historical metallurgical techniques deeply rooted in Norse tradition.
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INSPIRED HOME | 53
travel
54 | FALL 2026
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This sword replica, made by Johnson based on historical findings, was made using traditional 12th-century Norse and medieval forging techniques. A wooden mallet is used to flatten the blade without creating dents.
Once the steel is heated to 2100-2300˚, blades are shaped-forged using power hammers and hydraulic presses to initiate shaping and refining on the anvil. Soeren Uhlmann, a master blacksmith and member of the Northern Guild, is using iron hammer strikes to ensure the steel is flattened evenly, while Johnson looks for any obvious imperfections or twisting in the blade.
IH: You embarked on a journey of a lifetime, a trip to Latvia, for a specific purpose — to learn an Old-World skill taught by Northmen Guild masters. What is the “guild” and what countries are involved? BJ: The Northmen Guild is a society of master craftsmen. They focus on
traditional craftsmanship, including timber framing, furniture making, tool making, and blacksmithing, with an emphasis on quality. This is achieved through teamwork, traditional hand tools, and precision over speed. Members are scattered throughout the world, with the majority located in Northern Europe. The application process is difficult. If your initial application and examples of your work appear worthy, you then create pieces for them to assess (whether woodworking, blacksmithing, leatherworking, etc.). I was told that they had 30 applicants last year, with three advancing to the next round and none becoming official members of the guild. IH: Why Latvia? BJ: I wanted a real-world experience. In the Spring of 2025, the Northmen
Guild announced a 10-day intensive sword-making course. This was my ultimate dream. Nothing seemed cooler to me than learning how to blacksmith. When I told my wife, she encouraged me to book it. They accept only two people for each course (as opposed to 20-plus for timber framing courses), so I just pulled the trigger. I secured my spot a year in advance and ended up being part of their first sword-making course in April 2026. IH: How long was your stay? BJ: The course was ten days long, which didn’t account for travel, so
actually, about two weeks. The Northern Blacksmith Association is located in Ligatne, Latvia. I was mentored and worked alongside Soeren Uhlmann, a master blacksmith who founded the association and is a member of the Northmen Guild, and another 3rd-generation master blacksmith, Kaspars Bambis, who also taught the course. They are some of the top bladesmiths in Europe. INSPIREDHOMEMAGAZINE.COM
INSPIRED HOME | 55
travel
Team striking is a traditional, synchronized forging technique. The lead blacksmith holds the workpiece with tongs as rapid sledgehammer strikes shape the hot steel. After an 800+ grit, the blade is thoroughly degreased with acetone, then immersed in an acid solution. The guild teaches a progressive grit sequence from coarse and refinement to the finishing phase.
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The wood handle, whittled by Johnson, is wrapped in leather, and then applied with green and gold dye for coloration. After 13-hour work days – the finished blade, Johnson’s most cherished possession. At the National Archives, this 12th-century sword, found at the bottom of a river near Riga, inspired Johnson to create his.
IH: Describe a typical day that you experienced. BJ: Our first day was spent in Riga, the capital of Latvia, where
we visited the Latvian National Archives for inspiration. We viewed and learned about different types of ancient old-world swords so we could begin designing our own. I ultimately based my sword on a 12th-century Northern European sword retrieved from rivers near the Baltic Sea. From that point forward, we began each day with Latvian pastries and coffee in the workshop, discussing the day ahead. Our days were long. We spent 10 to 13 hours daily crafting our swords. The time flew by as we really enjoyed being in the workshop. The blacksmith’s apprentice cooked our meals in the workshop – all delicious.
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IH: What elements of Latvia and its people surprised you the most? How would you compare the lifestyle differences to those of Americans? BJ: From my time in Latvia, it seems very much like many
Northern European countries; it includes a lot of very interesting history. The people there are very humble – nothing flashy or fancy, which was great. In the small village I stayed in, everyone was very helpful to one another. People offered anything they had to others in need, whether it was items or just physical labor. It seemed like everyone was watching out for one another. True happiness seemed to come before wealth, which may be the biggest difference between Latvians and Americans.
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travel After hard physical labor, the meals cooked and served on site were hearty and delicious–pork, potatoes, fresh dill, beans, and dense rye breads.
IH: Describe the old-world skills that you were immersed in. What were the lessons you learned? BJ: I wanted to understand the process
of making a sword, learn the ways of blacksmithing, and ultimately come home with what is now the most cherished thing I own. I learned that taking time to make something of quality gives it so much more meaning and value. So often I would do DIY projects and try to get it done in the cheapest and fastest way possible. If you want something worth having, it takes time and patience. At the end of the day, you will appreciate it more, and it will last a lifetime. IH: What were the most memorable experiences related to the Latvian everyday culture — music, food? BJ: It seemed like Latvian culture is one
of camaraderie. They are also heavy into music. A lot of heavy rock, hip hop, and dance music. Each day in the workshop, we would take turns playing our own music from our phones. I heard music from Africa, everywhere in Europe, South America, and Asia. It was cool to hear bands from all genres all over the world. The food was also very Scandinavian with some Russian influences. Rye bread and dairy products were very common. Kvass, a rye bread drink, is very big there. They love their cottage cheese, sauerkraut, and sour cream. I’ve learned that you can put sour cream on anything and it tastes pretty good. Then, of course, there were the Karums. I encourage anyone reading this to research Karums and try them if you get your hands on them. They are a refrigerated, chocolate-covered treat with a cottage cheese-based filling. I probably ate fifty while I was there. IH: Any last thoughts? BJ: Thanks, Latvia – for friendships, the
sword…and the Karums!
Nordic in nature with Russian influences, pictured is the traditional pink auksta zupa (cold beet soup), piragi (crescent-shaped yeast rolls), and a bowl of delicious Karums.
58 | FALL 2026
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ingredients
60 | FALL 2026
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Good Bread STORY AND PHOTOGRAPHY BY LAUREN CARLSON
“Good Bread” with Kalamata olives is a family favorite.
F
or years, I had been the baker-in-chief in our Carlson household. Pastries, cakes, pies, cookies, bread — anything with yeast was my domain. I bake for fun. I sometimes bake for no reason other than wanting to, and then I give the baked goods to friends, neighbors, and co-workers. This is how our kitchen life carried on for the first 15 years we’ve been together. On the night I told my husband, Craig, that I was pregnant, he began helping in the kitchen by
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cooking dinner every night. And that is exactly what he did. I rather assumed this arrangement would be temporary and end after I had the baby. Nine months is a long time to be the head and exclusive cook. Cooking was something we did together, our hobby. But to my appreciative surprise, after the baby came, he just kept right on cooking. This was about the same time in his newfound kitchen career that he began his foray into yeasted food adventures.
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ingredients One evening he made steamed bao buns, a traditional Chinese bread steamed in a bamboo steamer basket, rather than baked. He stuffed them with tender pork loin, but chicken or red bean paste are also used. Unlike traditional Asian dumplings, bao are yeasted and their rise is a result of the steam. He made eighteen bao, but still had quite a bit of dough left over. He decided to shape the remaining dough into a small loaf and bake it like bread. The result was the best homemade sandwich bread I have ever tasted. For years, he had been asking me to figure out how to make really great sandwich bread and despite trying dozens of different recipes, I never quite found one that we liked. And, the truth be told, he accomplished it on a whim — and in one try! To this day, he calls it “Good Bread” and makes it at least once a week. Good bread is a slight misnomer. I think it is superior bread. I never grew up with Wonder Bread™, but I’ve heard about its legacy. I think my husband’s “good bread” is something quite similar. It is soft, moist and spongy — the quintessential sandwich bread. To change it up a bit, he adds Kalamata olives, which ups his sandwich bread game quite a bit. A toasted slice of it with some ricotta, tomatoes and fresh basil is the perfect quick and healthy lunch, packed with nutrition. So, for now and the foreseeable future, I am quite pleased with our expanded “kitchenstaff ” arrangement at the Carlson household. “Enjoy Good Bread”!
GOOD BREAD WITH K A L A M ATA O L I V E S The quintessential sandwich bread, soft, moist and delicious. WET INGREDIENTS: ½
cup whole milk
1/3
cup warm water
1
Tbsp. active dry yeast
2
Tbsp. melted butter
1
Tbsp. olive oil
2
Tbsp. sugar
¼
tsp. salt
DRY INGREDIENTS:
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2½
cups bread flour + more for dusting
2
Tbsp. sugar
1
tsp. baking powder
¼
tsp. kosher salt
1
cup Kalamata olives, drained, pitted and coarsely chopped
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Pastries, cakes, cookies, bread — anything with yeast was my domain.
METHOD: Use a stand mixer with a dough hook. Warm the milk in the microwave for 30 seconds, then add it to the stand mixer bowl along with the rest of the wet ingredients. Briefly hand mix with a whisk. Let stand for 7 minutes, until the yeast shows you it is alive and frothy. Mix all the dry ingredients in a separate bowl. Put the dough hook on the stand mixer and set it to the lowest speed. Slowly add the dry ingredients to the wet. When the dough comes together, mix until somewhat smooth, usually 5 or so minutes. Add the chopped olives. A bit of manual mixing with your hands will help incorporate the olives. Take the dough out of the mixing bowl and place it on a floured surface. The dough will be wet and may need up to ¼ cup of additional flour. Knead by hand for a few minutes and add a little flour sparingly, until the dough stops sticking to your hands. Form the dough into a ball and place in a clean, lightly oiled bowl. Cover with plastic wrap and let rise in a warm spot for 1 hour until doubled in size. Punch down the dough and knead for another minute. Shape into a ball, then form it into a “loaf” shape and place in a buttered 9- by 5-inch pan. Bake at 375˚ for 40-50 minutes, until the top of the loaf is a nice dark brown. Let rest. As tempting as it is to cut into warm bread, doing so releases all the moisture. I typically make bread at night and let it cool overnight. Enjoy!
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ingredients
64 | FALL 2026
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