Issuu

INSIDE S E MC The Newsletter of the Southeastern Museums Conference

summer 2026 | www.semcdirect.net

ON THE FRONT COVER

Depot Street, Winston-Salem, North Carolina.

Reynolda House Museum of American Art, at twilight, Winston-Salem, North Carolina.

SEMC Officers & Directors

Executive Director’s Notes Zinnia Willits President’s Address Calinda Lee

Membership Corner Connections That Matter: How SEMC Membership Opens Doors Carla Phillips Celebrating 75 Years of SEMC Honoring Our Past, Shaping Our Future

Programs Corner Introducing the “SEMC Through the Decades” Expo Hall Booth Heather Nowak Register Now for SEMC2026: September 28–30, 2026, Winston-Salem, North Carolina Welcome to Winston-Salem, North Carolina Tina Smith, Local Arrangements Chair and Museum Educator at Lam Museum of Anthropology, Wake Forest University

ON THE BACK COVER

Reynolda Gardens, Winston-Salem, North Carolina.

The Blue Ridge Parkway’s Linn Cove Viaduct around Grandfather Mountain. SEMC2026’s “Blue Ridge Mountain Excursion” includes the Turchin Center for the Visual Arts, the Blowing Rock Art & History Museum, and the Hickory Museum of Art.

Experience Winston-Salem Beyond the Conference

Handumy Jean Tahan Museums Fund: 2025 Success Stories

A Special Thanks Endowment and Membership Contributions

Georgia Museum of Art Hosts Ceramic Workshops: Inspired by Julie Green’s “The Last Supper” 79 History Heard: Alabama Quilters Bring Community Histories to a National Podcast Audience 83 Marian Allen: Preserving the Past, Inspiring the Future Historic Mitchelville Freedom Park: The Heartbeat of the Lowcountry Important Dates Get Social

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SEMC Job Forum

Membership Form

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semc Alabama Arkansas Florida Georgia Kentucky Louisiana Mississippi

North Carolina South Carolina Tennessee Virginia West Virginia U.S. Virgin Islands Puerto Rico

staff Zinnia Willits Executive Director Carla Phillips Manager of Communications and Member Services Heather Nowak Program Administrator

contact semc SEMC | P.O. Box 550746 Atlanta, GA 30355-3246 T: 404.814.2048 or 404.814.2047 F: 404.814.2031 W: www.SEMCdirect.net E: membershipservices@SEMCdirect.net

semc officers Dr. Calinda Lee President sources.lee@gmail.com Principal, Sources Cultural Resources Management, LLC, Atlanta, GA

Ahmad Ward Vice President award@exploremitchelville.org Executive Director, Historic Mitchelville Freedom Park, Hilton Head Island, SC

Deborah Rose Van Horn Secretary Deborah.vanhorn@gmail.com Senior Curator, Walt Disney Imagineering, Lake Buena Vista, FL Scott Alvey Treasurer Scott.Alvey@ky.gov Director, Kentucky Historical Society,

Inside SEMC is published twice a year by SEMC. Annual subscription is included in membership dues.

Frankfort, KY

Matthew S. Davis Past President

Design: Nathan Moehlmann, Goosepen Studio & Press

mdavis4@wlu.edu Director of Institutional History Museum, Washington and Lee University, Lexington, VA

The deadline for the Winter 2027 newsletter is November 1, 2026. To submit information for the newsletter, please contact Zinnia Willits (zwillits@semcdirect.net) or Carla Phillips (cphillips@ semcdirect.net).

semc directors

Tamara Herring tamara@themissionsteward.com Founder/Principal Consultant, The Mission Steward, Ridgeland, SC

Eboni Belton eab714@gmail.com

Felicia Knise

Lead Gallery Attendant, Center for

Felicia.Ingram@dncr.nc.gov

Civil Rights History and Research at the

Director of Interpretive Strategies,

University of South Carolina,Columbia, SC

North Carolina Museum of Art, Raleigh, NC

Tafeni English-Relf tafeni.english@splcenter.org

Brigette Janea Jones

Director, Alabama State Office,

Brigette@arabiaalliance.org

Southern Poverty Law Center/Civil

Assistant Executive Director,

Rights Memorial, Montgomery, AL

Arabia Mountain National Heritage Area, Stonecrest, GA

Katie Ericson-Baskin kericso@emory.edu

Katy Malone

Director of Education,

kmalon15@utk.edu

Michael C. Carlos Museum,

Manager of Education and Community

Atlanta, GA

Engagement, McClung Museum of Natural History and Culture, Knoxville, TN

Matt Farah Matt.Farah@hnoc.org

Michelle Schulte

Exhibition Coordinator,

mschulte@lsu.edu

Historic New Orleans Collection,

Chief Curator of Exhibitions and Collections,

New Orleans, LA

LSU Museum of Art, Baton Rouge, LA

Alicia Franck Alicia.franck@nationalww2museum.org

John Spann

Vice President and Chief Development

jspann@mhc.state.ms.us

Officer, The National World War II

Program and Outreach Officer,

Museum, New Orleans, LA

Mississippi Humanities, Jackson, MS Scott Warren Scott.warren@dncr.nc.gov Director, President James K. Polk Historic Site, Pineville, NC

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semc executive director’s notes SEMC IS ABOUT PEOPLE Throughout SEMC’s 75th anniversary year, I have found myself returning to one simple idea: SEMC is about people. Yes, we are an organization that supports museums. We create professional development programs, host conferences, provide resources, and build networks across the Southeast. But at the heart of all that work are the people who make museums matter. It is the curator uncovering a story that has waited generations to be told. The educator creating a moment of discovery for a student. The collections professional carefully preserving objects that connect us to our past. The administrator finding creative solutions behind the scenes. The emerging professional discovering their path. The mentor who takes the time to open a door for someone else. For 75 years, SEMC has been shaped by thousands of museum professionals who believed in the power of coming together to learn, share, and support one an-

other. As we look back on our history, what stands out most are not just the programs created or milestones reached, but the relationships formed along the way. This summer edition of Inside SEMC is a reflection of that spirit. You will read stories of museums and museum professionals across our region preserving important histories, strengthening communities, and creating opportunities for connection. These stories remind us that museums are not static places. They are living, evolving spaces shaped by the passion, creativity, and dedication of the people who care for them. That same energy will be at the center of SEMC2026 as we gather in Winston-Salem, North Carolina, September 28–30, for our 75th Annual Meeting. Our theme, “Forged in Culture – Focused on the Future,” could not be a more fitting reflection of both our host city and this milestone moment for SEMC. Winston-Salem is a place where history and innovation exist side by side. From its deep Moravian roots and rich cultural heritage to its thriving arts community and reimagined historic spaces, the city reminds

SEMC staff: Zinnia Willits, Heather Nowak, and Carla Phillips.

us that honoring the past and imagining the future are not separate efforts. They are deeply connected. At SEMC2026, we will celebrate where we have been while focusing on where we are going. We will gather for meaningful conversations, explore new ideas, experience incredible museums and cultural sites, reconnect with long-term colleagues, and welcome new voices into the SEMC community. We will also take time to celebrate 75 years of memories through special anniversary experiences, including the SEMC Through the Decades booth in the Expo Hall. We invite you to bring your stories, your photographs, and your memories as we honor the people and moments that built this organization. SEMC’s legacy is not just a timeline of events. It is a collection of people.

People who volunteer. People who lead. People who show up. People who share what they know. People who believe that our field is stronger when we work together. As we celebrate 75 years, I am deeply grateful for everyone who has been part of SEMC’s story and excited for all those who will help write the next chapter. I cannot wait to see you in Winston-Salem. With gratitude, Zinnia Willits, Executive Director Southeastern Museums Conference

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semc president’s address

Dear SEMC Family: It is hard to believe that I am writing my final message to you as your president. When I began this term, I knew that I was stepping into a role shaped by colleagues who believed deeply in the power of museums to tell the truth, to build community, and to serve the public good. What I could not have fully anticipated was how much this community would give back to me — in wisdom, in candor, in laughter shared across hotel lobbies and session rooms, and in the quiet, steady encouragement that has carried us through challenging seasons for our field. And what a fitting moment to pass the torch. This year, SEMC celebrates seventy-five years of honoring our history and building our future. In September, we will gather in Winston-Salem, North Carolina — a city where art, history, and industry have long been intertwined — for SEMC2026, September 28–30. Our theme, “Forged in

Culture – Focused on the Future”, could not be more apt for this milestone year. I am genuinely excited about what our Local Arrangements and Program Committees have planned: sessions that will challenge and equip us, tours that will introduce us to remarkable institutions and colleagues, and the annual joy of a reunion that always feels like coming home. If you have not yet registered, I hope you will make plans to join us. WinstonSalem is ready to welcome us, and I cannot wait to celebrate this anniversary with you in person. As I reflect on my term, I find myself returning to a simple conviction: we must stay the course. These are not easy days for museums. Our institutions face pressures — political, financial, and cultural — that can tempt us to shrink from our commitments or soften our voices. I want to encourage you, with all the affection and confidence I have in this community, to do neither. The work we have done together to build an organization where every colleague is welcomed, where every 15

story matters, and where all of our neighbors can see themselves reflected in our galleries and programs is not a trend to be abandoned. It is the very heart of what museums are for. I am equally proud that ours is a reflective and accountable community. We ask hard questions of ourselves. We examine our histories honestly, acknowledge where we have fallen short, and commit, again and again, to doing better. That willingness to hold ourselves to account is not a weakness; it is the source of our credibility and our strength. The public trusts museums precisely because we are willing to tell the whole story, including our own. Stay proud of that. Protect it. Pass it on. Serving as your president has been one of the great honors of my professional life. I am grateful to our

Council, our extraordinary staff, our committee volunteers, and every member who has shared an idea, raised a concern, or simply shown up for one another. I leave this role confident in our incoming leadership and certain that SEMC’s next seventy-five years will be even brighter than the first. Thank you for the privilege of serving you. I will see you in Winston-Salem. With gratitude and hope, Calinda N. Lee, SEMC President and Principal, Sources Cultural Resources Management, LLC, Atlanta, GA

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Connections That Matter: How SEMC Membership Opens Doors In the museum field, success is rarely achieved alone. Whether you’re seeking advice on a challenging project, looking for professional development opportunities to strengthen your skills, exploring a new career path, or simply seeking connections with colleagues who understand the unique rewards and challenges of museum work, having a strong professional network can make all the difference. That is where SEMC membership comes in. For 50+ years, SEMC has connected museum professionals across the region, creating opportunities for collaboration, learning, and growth. While members join SEMC for many reasons, one benefit consistently rises to the top: the community. SEMC brings together professionals from museums, historic sites, cultural institutions, related organizations, and museum-adjacent organizations throughout the Southeast. Through the annual meeting, the many

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affinity groups, committees, workshops, and informal networking opportunities, SEMC members build relationships that often extend far beyond the conference. These connections frequently lead to meaningful professional opportunities. Members find mentors, discover new career paths, collaborate on exhibitions and programs, exchange ideas and resources, and learn from colleagues facing similar challenges. In a field where budgets, staffing, and resources can vary widely, having a network of trusted peers is invaluable. Glenna Barlow, Curator of Education at the Columbia Museum of Art and former SEMC Council Member describes her experience with SEMC, “For me, SEMC was the jumping off point between working in a museum and becoming a museum professional. Early into my career I was fortunate enough to attend a conference and was introduced to a whole community of like-minded, collaborative “museum people” eager to share their ideas and expertise. I immediately felt welcomed into the fold and ever since this network of people and the experiences SEMC has afforded me have been a continual source of inspiration, knowledge, and of course tons of fun. I honestly can’t imagine what my museum 19

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career would look like without SEMC in it; it has helped to shape so many aspects of my work and career as a whole.” Membership also provides opportunities to develop leadership skills and expand professional experience. Participating in the Jekyll Island Management Institute or the Leadership Institute has created pipelines for growth and helps develop the skills to project a career forward. Serving on a committee, volunteering at the conference, contributing to a project, or participating in an affinity group allows members to gain new skills while helping strengthen the museum community. It is no surprise that many of SEMC’s current leaders began their involvement through volunteer service and committee work. Stacey Thompson is a Leadership Institute graduate and shares, “I was introduced to SEMC through participation in the Leadership Institute. It became clear that this close-knit group of professionals would support and enhance my career for years to come. I am so proud to be a member of SEMC, as I continue my professional journey.” For students and emerging professionals, SEMC offers an especially welcoming environment. Programs such as the Student Work in Museums (SWIM) initiative,

the Black Voices, Shared Futures program, and networking opportunities through specific affinity groups throughout the year help connect the next generation of museum professionals with experienced colleagues who can offer guidance, support, and encouragement. SEMC membership is an investment in relationships. The knowledge shared, partnerships formed, and friendships developed through SEMC often become some of the most valuable resources museum professionals have throughout their careers. As we look ahead to SEMC 2026 in Winston-Salem, we encourage members to take full advantage of the opportunities available through the organization. Attend a meet-up, join a committee, volunteer at the conference, participate in an affinity group, or simply introduce yourself to someone new. You never know which conversation might lead to your next collaboration, mentor, job opportunity, or lifelong professional connection. SEMC membership is more than a benefit—it is a community. Carla Phillips, SEMC Membership & Communications Manager cphillilps@semcdirect.net

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Celebrating 75 Years of SEMC: Honoring Our Past, Shaping Our Future

On May 29, 1951, a meeting was called by Mr. John Davis in Norfolk, Virginia, to establish the Southeastern Museums Conference. It was agreed that the organization should include the entire area within the United States south of the Potomac and Ohio Rivers east of the Mississippi, which is the states of Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, West Virginia, and Virginia. The next meeting was held in Philadelphia, Pennsylvania on May 31, 1951. After the officers and dues were established, the first order of business was to appoint a committee to work toward having the Southeast be part of a movement underway in Congress to appropriate money to provide places of safekeeping for museum objects in case of war. The Southeast had not been included in the original bill. As we look ahead into 2026, SEMC is honored to celebrate a remarkable milestone, our 75th anniversary. Since 1951, the Southeastern Museums Conference

has grown from a small network of dedicated museum professionals into a dynamic, region-wide community committed to collaboration, learning, advocacy, and innovation. This anniversary year offers us a moment to reflect on the people, partnerships, and shared values that have shaped SEMC for three-quarters of a century, and to envision the future we are building together. Throughout 2026, we will honor our history, spotlight the many contributions of our member institutions and colleagues, and celebrate the impact museums continue to have across the Southeast. We look forward to commemorating this milestone with you, culminating at the SEMC2026 Annual Meeting, where we will gather as a community to recognize our past, celebrate our present, and chart an exciting path forward for the next 75 years. 23

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Introducing the “SEMC Through the Decades” Expo Hall Booth As part of SEMC’s 75th Anniversary celebration, attendees at SEMC2026 will have the opportunity to experience a special addition to the Industry Partner Expo Hall: the “SEMC Through the Decades” booth. Designed as an interactive journey through the Conference’s history, this commemorative space will invite attendees to reflect on SEMC’s legacy, reconnect with familiar faces and memories, and contribute their own stories to our ongoing history. By honoring the past while looking toward the future, the booth celebrates the people and experiences that have shaped SEMC over the last 75 years, and those who will help define the next 75.

WHAT YOU’LL DISCOVER Photos Through the Decades Browse a collection of photographs spanning 75 years of SEMC history and see if you can spot yourself or perhaps a few familiar faces. Help us continue preserving our shared history by adding your own memories. Scan the QR code to share photos from your SEMC experiences and make sure your story becomes part of the collection.

Games and Interactive Activities Test your knowledge with rounds of Coffee Break Trivia, with anniversary prize swag up for grabs. Also, lend a hand in assembling a special SEMC jigsaw puzzle. Memory Catalog Record your favorite conference memories and reflect on the impact SEMC has had on your career and institution. A video station will be available for attendees to share their stories in person. Time Capsule Contribute a small item, note, photograph, sticker, prediction, or memento that represents your museum work, conference experience, or life in 2026. Future generations of SEMC members will one day open the 27

capsule and discover what museum professionals were creating, discussing, and imagining during this milestone year.

grounded in collaboration, professional excellence, and a shared commitment to museums and the communities they serve.

Be sure to visit this special space throughout the conference and become part of SEMC history. And don’t worry, we are bringing back some attendee favorites from last year! Join in the Sticker Matching Game and the Expo Hall Passport Challenge for even more opportunities to connect with colleagues, explore the Expo Hall, and win fun prizes along the way. We also have one more surprise in store. An opportunity to share a little kindness (and something sweet) with fellow attendees. Stay tuned for details in the coming weeks.

This anniversary year is both a celebration and an invitation. As museums continue to navigate new challenges and opportunities, SEMC remains committed to supporting professionals at every stage of their careers and ensuring that museums remain relevant, resilient, and impactful.

WHY 75 MATTERS For 75 years, the Southeastern Museums Conference has connected museum professionals, strengthened institutions, and championed the value of museums across the Southeast. SEMC has grown alongside the field it serves, adapting to change while remaining

SUPPORT THE FUTURE As we celebrate this milestone, we invite you to participate in the 75 for 75 Campaign and help ensure that SEMC’s legacy of education, connection, and leadership continues for generations to come. We can’t wait to see you in Winston-Salem! Heather Nowak, SEMC Program Administrator hnowak@semcdirect.net

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Get ready to celebrate SEMC’s 75th anniversary in Winston-Salem, North Carolina, a city that embodies the spirit of creativity, collaboration, and community that has defined the Southeastern Museums Conference for decades. Known as the “City of Arts and Innovation,” Winston-Salem offers a vibrant blend of historic charm and irresistible cultural energy, making it the perfect home for this upcoming milestone year. From its deep Moravian roots and rich history of industry and philanthropy to its nationally recognized arts institutions, dynamic makers’ scene, and welcoming downtown, Winston-Salem sets the stage for an unforgettable SEMC2026. As we gather to learn, connect, and honor 75 years of Southeastern museum leadership, the city invites you to explore inspiring museums, bold contemporary art, distinctive historic sites, and a lively culinary and cultural landscape.

Centered around the theme, Forged in Culture – Focused on the Future, SEMC2026 will celebrate the deep cultural and artistic roots that have shaped Winston-Salem and the Southeast, while also looking ahead to how museums and cultural institutions can evolve with purpose, creativity, and resilience. This theme invites us to honor the cultural legacies that define our communities, strengthen connections between art, history, and innovation and envision the future of museums as inclusive, adaptive spaces that lead with intention. We invite you to celebrate 75 years of SEMC in Winston-Salem — a city where art, history, and industry have long intertwined — to explore how collaboration, creativity, and cultural identity can forge a shared future for museums across the Southeast!

Reynolda Gardens, Winston-Salem, North Carolina.

THE HOST CITY COMPANION

SEMC 2026 · WINSTON-SALEM, NORTH CAROLINA

FORGED IN CULTURE FOCUSED ON THE FUTURE Discover the museums, neighborhoods, flavors, and stories that make Winston-Salem one of the South’s most distinctive cultural destinations.

Welcome to Winston-Salem There’s a city in the Carolina Piedmont where you can walk from a 270-year-old bakery still using its original recipe to a nationally recognized innovation district in about ten minutes — and somehow, neither feels out of place. Winston-Salem doesn’t just preserve its past and build its future. It does both at the same time, without making a fuss about it. It is a city shaped by craftspeople and innovators, by Moravian settlers and tobacco barons, by artists and educators and chefs who genuinely love where they live. The result is a downtown that Forbes named one of America’s Top 10, a food scene earning James Beard attention, and a cultural life deep enough that a long weekend still leaves you with a list of things you didn’t get to. For SEMC 2026, Winston-Salem couldn’t feel more right. The conference theme — Forged in Culture, Focused on the Future — is essentially the city’s biography. From Old Salem’s living history to the Innovation Quarter’s converted tobacco warehouses, buzzing with startups and breweries and public art, the city has been quietly perfecting the balance between honoring where it came from and building toward something better. Come ready to be surprised. Come ready to explore. And come ready to discover that everything here really is twice as nice.

Tina Smith Local Arrangements Chair Museum Educator, Lam Museum of Anthropology Wake Forest University

Winston-Salem doesn’t just preserve its past and build its future. It does both at the same time. FORGED IN CULTURE, FOCUSED ON THE FUTURE

335

The City That Balances Past and Future Winston-Salem’s story begins in 1753, when fifteen Moravian brethren walked from Pennsylvania into the Piedmont wilderness and founded a settlement they called Bethabara — “House of Passage.” With painstaking intention, they laid out the central congregation town of Salem (“peace” in Hebrew) on a precise grid, with designated spaces for trades, worship, and community life. The Moravian chapter gave way to an industrial one. Winston and Salem merged in 1913, and the R.J. Reynolds tobacco empire and the Hanes textile dynasty transformed the Twin City into a boomtown. The Reynolds Building — completed in 1929 — served as the prototype for the Empire State Building. Old tobacco warehouses became the Innovation Quarter; the former Hanes Mill became the Sawtooth School and the nation’s first arts council. The city’s African American heritage is equally central. The Historic Depot Street neighborhood, once a thriving Black business district, is honored through public art and walking tours. Opening in 2027, MUSE Winston-Salem will weave together the narratives that shaped Forsyth County — from 1960s lunch-counter sit-ins to the gospel-blues of the 5 Royales.

A TIMELINE

1753

Bethabara founded — Moravian brethren settle the Wachovia tract.

1766

Salem laid out on a precise grid for trades and worship.

1800

Winkler Bakery opens — still baking today.

1849

Winston established as the Forsyth County seat across from Salem.

1913

Winston + Salem merge into one industrial Twin City.

1929

Reynolds Building completed — the Empire State’s prototype.

2027

MUSE Winston-Salem opens as the city’s community history museum.

History doesn’t become a ruin here — it innovates into something even better. 4

SEMC 2026 · WINSTON-SALEM 36

H E R ITAG E

Where History Still Lives Living history isn’t a metaphor in Winston-Salem. On the same streets where George Washington once lodged, costumed interpreters still practice period trades.

HISTORIC BETHABARA PARK Founded in 1753, Bethabara was the first Moravian settlement in North Carolina and the beginning of the Wachovia story. Explore the reconstructed fort, the 1788 Gemeinhaus, and scenic trails that connect visitors to the people, landscapes, and traditions that shaped the region.

OLD SALEM Wander original 18th-century buildings, watch Moravian crafts demonstrated, and explore MESDA’s extraordinary collection. The Single Sisters House tells the story of sixteen unmarried women who built their own educational community in 1766 — teaching one another math, science, and music when women’s education was rarely considered.

MUSEUM OF SOUTHERN DECORATIVE ARTS (MESDA) Explore one of the nation’s most significant collections of Southern decorative arts, featuring furniture, ceramics, textiles, paintings, and metalwork. Through beautifully preserved objects and immersive exhibits, MESDA offers a deeper understanding of the people, craftsmanship, and culture that shaped the early American South.

WINKLER BAKERY Operating continuously since 1800, Winkler Bakery remains one of America’s oldest bakeries. Visitors can watch traditional baking methods in action while enjoying Moravian sugar cake, cookies, and other beloved recipes that have been passed down through generations.

HERITAGE

Culture Around Every Corner CULTURE & ART

Winston-Salem’s cultural landscape stretches far beyond its museums. Art, performance, creativity, and community are woven into everyday life, creating a city where historic institutions, contemporary galleries, public art, and educational experiences exist side by side. Whether you’re exploring a nationally recognized museum, discovering a local artist’s work, or attending a live performance, you’ll quickly find that culture isn’t confined to a single district. It’s everywhere.

REYNOLDA HOUSE

KÖRNER’S FOLLY

Built in 1917 by R.J. and Katharine Reynolds, this historic estate is home to one of the Southeast’s premier collections of American art, featuring works by Georgia O’Keeffe, Grant Wood, Andy Warhol, and more.

This whimsical 22-room Victorian home, built in 1880 by artist Jule Gilmer Körner, remains one of North Carolina’s most unique architectural treasures.

NORTH CAROLINA MUSEUM OF ART WS Contemporary exhibitions, artist-focused programming, and community engagement make this downtown outpost a vibrant hub for creativity and conversation.

KALEIDEUM A hands-on museum and science center where interactive exhibits blend creativity, technology, and experiential learning for visitors of all ages.

DOWNTOWN ARTS DISTRICT Galleries, artist studios, boutiques, and locally owned businesses line Trade Street, creating one of the most vibrant creative neighborhoods in North Carolina.

ARTIVITY ON THE GREEN Winston-Salem’s first public art park transforms open space into an outdoor gallery filled with large-scale murals, sculpture, and community-driven artistic expression.

CULTURE & ART 38

FOOD & DRINK

The Flavor of Winston-Salem HERITAGE ON A PLATE Winston-Salem’s culinary identity mirrors the city itself: rooted in tradition while constantly evolving. Moravian recipes dating back to the 18th century live alongside a nationally recognized dining scene where James Beard recognition has become increasingly familiar. Here, food is less about trends and more about craftsmanship, community, and a strong sense of place.

MORAVIAN ROOTS Start with the local classic: the Moravian cookie. Paper-thin, delicately spiced, and unlike anything else, it’s best experienced at Winkler Bakery in Old Salem. Then head to Bobby Boy Bakeshop, a James Beard semifinalist and one of Southern Living’s Top 16 Bakeries in the South, with locations in Reynolda Road and Salem Bottleworks.

DOWNTOWN FAVORITES Mission Pizza Napoletana, Heff’s Burger Club, and The Katharine Brasserie & Bar

FOOD & DRINK

showcase the city’s range, from nationally recognized pizza and smashburgers to refined Frenchinspired dining inside the historic Kimpton Cardinal Hotel. Nearby, Young Cardinal Café earned a place among Yelp’s Top 100 Brunch Spots in America.

INNOVATION QUARTER

HEFF’S BURGER CLUB

At Bailey Power Plant, Cugino Forno serves wood-fired pizza while Alma Mexicana’s popular Let’s Dance Monday salsa nights bring the district to life.

RAISE A GLASS Downtown’s breweries, led by Foothills Brewing and Wise Man Brewing, are just the beginning. Winston-Salem also serves as the gateway to the Yadkin Valley Wine Region, while Sage & Salt Bistro boasts the Triad’s largest wine selection and a Wine Spectator Best of Award of Excellence. Whether you’re grabbing a Moravian cookie, enjoying a memorable dinner, or discovering your next favorite brewery, Winston-Salem rewards curiosity one bite at a time.

MOZELLE’S

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City of Arts and Innovation ART & INNOVATION Winston-Salem didn’t adopt the tagline “City of Arts and Innovation” by accident. It earned it through generations of investment in culture, education, entrepreneurship, and community. Today, artists, educators, performers, researchers, and innovators continue to shape a city where creativity isn’t simply celebrated. It’s part of everyday life.

CULTURAL ANCHORS

The city is home to Wake Forest University, Winston-Salem State University, Salem College, the University of North Carolina School of the Arts, and a thriving network of cultural organizations that enrich the region year-round. From the Lam Museum of Anthropology and Diggs Gallery to festivals, theaters, and public art installations, Winston-Salem offers a cultural experience that rivals cities many times its size. DON’T MISS

International Black Theatre Festival July 27-August 1, 2026

The world’s largest celebration of Black theatre.

ALWAYS BUILDING TOWARD SOMETHING

University of North Carolina School of the Arts A leading conservatory for the performing and visual arts. Sawtooth School for Visual Art A community arts center offering classes, exhibitions, and workshops. Arts Council of Winston-Salem & Forsyth County The nation’s first arts council and a pillar of the local arts community. NC Black Repertory Company An acclaimed theater company dedicated to Black stories and artists. RiverRun International Film Festival A recognized festival celebrating independent and international cinema.

$25M Amphitheater

The Grounds

Peter Oliver Pavilion

MUSE Winston-Salem

A new downtown entertainment venue bringing major concerts and events to the city.

100-acre entertainment district transforming the area surrounding Joel Coliseum.

A downtown landmark honoring a remarkable journey from slavery to freedom.

A new community history museum preserving and sharing local stories.

ARTS & INNOVATION 40

PL A N YOU R V I S IT

A Top-10 Downtown, Easy to Reach Forbes named Winston-Salem’s downtown one of America’s Top 10 Best Downtowns, and spending an afternoon here makes it easy to understand why. More than $2 billion has been invested in downtown development, creating a walkable city center filled with restaurants, galleries, breweries, boutiques, and public spaces that invite exploration. From Old Salem to Innovation Quarter, every neighborhood offers its own distinct character while remaining connected by a compact downtown core. The result is a city that feels both easy to navigate and endlessly rewarding to explore.

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FROM PIEDMONT TRIAD INTERNATIONAL AIRPORT

GETTING HERE BY AIR Piedmont Triad International Airport (GSO) is just 25 minutes from downtown Winston-Salem and offers convenient service through American, Delta, and United. Charlotte Douglas International Airport (CLT) is approximately 90 minutes away and provides access to more than 170 destinations worldwide. Raleigh-Durham International Airport (RDU) is about two hours east and offers additional nonstop options. BY CAR Located at the intersection of I-40 and US-421, Winston-Salem is easily accessible from across the Southeast. Downtown parking is plentiful, affordable, and conveniently located near hotels, restaurants, and conference venues. SEMC 2026 · WINSTON-SALEM, NORTH CAROLINA

Arrive early, stay late, and experience a city that is truly twice as nice. 41

Innovation Quarter, Winston-Salem, North Carolina.

EXPERINCE WINTSON-SALEM

BEYOND THE CONFERENCE As SEMC gathers in Winston-Salem for its 75th Annual Meeting, attendees will have the opportunity to explore a city where art, history, innovation, and community intersect. From preserved Moravian settlements and African American heritage sites to mountain art museums and revitalized industrial districts, Winston-Salem offers a rich cultural landscape that reflects both its storied past and dynamic future. Whether you arrive early, extend your stay, or carve out time during the conference, SEMC2026 features a variety of tour experiences designed to deepen your understanding of the region and connect you with the people, places, and stories that have shaped it.

ARRIVE EARLY AND EXPLORE Pre-conference tours on Sunday, September 27, offer something for every interest. The Blue Ridge Mountain Excursion 8:30 am – 5:00 pm Art enthusiasts can experience the beauty of the Blue Ridge Mountains in early fall while visiting three outstanding art museums in Western North Carolina. This curated day trip includes guided tours, lunch, and time to enjoy the charming mountain town of Blowing Rock. Beginning at the Turchin Center for the Visual Arts in Boone, Appalachian State University’s premier visual arts venue, presents dynamic regional, national, and international exhibitions. After a stop at the beloved Stick Boy Bread Co., experience the Blowing Rock Art & History Museum (BRAHM). After, enjoy free time to explore the walkable downtown, local shops, and seasonal mountain scenery. The day concludes

at the recently renovated Hickory Museum of Art in Hickory, one of North Carolina’s leading regional art museums. Following a guided tour and afternoon refreshment, attendees will return to Winston-Salem inspired by the region’s rich artistic and cultural landscape. Pre-Registration Required, $80. Transportation and lunch are included. Delta Arts Center/Diggs Gallery Tour 1:00 pm – 3:30 pm Those interested in African American art and culture can enjoy a two-stop experience that highlights the Diggs Gallery on the campus of Winston-Salem State University and the Delta Arts Center in East Winston. Attendees will learn about the longstanding connection between these two historic institutions. At Delta Arts Center, participants will experience PARTED, curated by Davita Galloway and Nadia Meadows. This immersive, multisensory exhibition honors the art, history, and evolution of Black hair, from the intricacy of cornrows to the symbolism of the afro, from hot combs to lace fronts, exploring how Black hair tells stories of identity, innovation, resistance, and beauty. Pre-Registration Required, $35. Transportation included. Wake Forest University Tour 1:00 pm – 3:00 pm Explore the beautiful campus of Wake Forest University on this guided walking tour. Participants will visit several notable campus landmarks, including Hanes Art Gallery, the Lam Museum of Anthropology, Hearn Plaza, and Wait Chapel, while learning about the university’s history, architecture, and cultural resources. The tour also includes time to browse the campus bookstore and pick up a souvenir featuring the beloved Wake Forest mascot, the Demon Deacon.Pre-Registration Required, $35. Transportation included. 43

Old Salem.

Walking Tour: Old Salem, a Walk Back in Time 2:00 pm – 3:00 pm History enthusiasts can step back in time with a visit to Old Salem, one of America’s most remarkable restored historic communities. Beginning at the Museum of Early Southern Decorative Arts (MESDA), this tour explores the 18th-century Moravian settlement that shaped Winston-Salem. Participants will learn about Moravian life and faith, the community’s unique theocratic beginnings, the founding of the nation’s oldest women’s college, and the preservation efforts that have safeguarded this architectural treasure for future generations. Pre-Registration Required, $25. Transportation to MESDA is on your own. MESDA is a short 2.3 mile/6minute drive from the Marriott Hotel. Several Winston-Salem organizations will also welcome visitors for on your own, self-guided exploration throughout the day from 8:00 am – 5:00 pm. Be sure to check out their websites for specific pricing, hours, and directions.

DISCOVER THE CITY DURING THE CONFERENCE On Tuesday, September 29, attendees can step outside the convention center and into Winston-Salem’s streets, neighborhoods, and stories. Downtown Winston-Salem Architecture and History Tour 7:30 am – 8:30 am Enjoy a fascinating walking tour through downtown Winston-Salem, where history, architecture, and preservation come together. Discover the city’s rich industrial heritage, including its connections to tobacco, wagons, textiles, furniture manufacturing, and other influential 44

industries. Along the way, learn about local preservation efforts and programs, including historic markers, Local Historic Landmarks, and the National Register of Historic Places. Pre-Registration Required, $25 Winston-Salem African American Heritage Tour 2:00 pm – 4:00 pm Explore how Winston-Salem’s Black history has been preserved, interpreted, and shared through the efforts of community advocates, cultural organizations, and local storytellers. This tour examines how public history is shaped, whose stories are remembered, and how communities work to reclaim overlooked narratives. Participants will visit sites including the Shotgun House Legacy Site, the George Black House and Brickyard, the Malloy/Jordan Heritage Center, and the Innovation Quarter, while exploring themes of

community-based preservation, public storytelling, and the enduring role of historic places in shaping identity and belonging. Along the way, murals, historic markers, and local narratives will reveal the lasting impact of community memory on Winston-Salem’s cultural landscape. Pre-Registration Required, $45. Transportation included. Winston-Salem 5K Fun Run 7:00 am – 8:00 am Looking for something more active? Lace up your running shoes for the Winston-Salem 5K Fun Run with downtown sights along the way. Participants will receive a commemorative SEMC2026 T-shirt and a special 75th Anniversary finisher medal, with proceeds supporting Annual Meeting travel scholarships. Pre-Registration Required, $45

Depot Street.

Moravian Archives.

STAY A LITTLE LONGER The learning does not end when the conference concludes. Industrial History: Winston-Salem’s Innovation Quarter Walking Tour 2:00 pm – 4:00 pm Begin at the Bailey Power Plant Smokestack and explore Winston-Salem’s transformation from industrial powerhouse to innovation hub. This walking tour traces the legacy of R. J. Reynolds’ tobacco empire and the historic Hanes and Nissen Wagon buildings, many of which have been thoughtfully adaptively reused. Today, this former industrial center is home to Innovation Quarter, a thriving 330-acre district filled with research facilities, startups, educational institutions, trails, restaurants, and public gathering spaces. Pre-Registration Required, $25. Transportation to the Bailing Power Plant

Smokestack is not provided. It is a short, 8-minute walk (.4 miles) from the Marriott Hotel. Moravian Archives & Moravian Music Foundation Vault Tours 2:00 pm – 4:00 pm Go behind-the-scenes for a look at the Moravian Archives Vault and the Moravian Music Foundation Vault for a rare look at the remarkable collections housed within the Archie K. Davis Center. As the official repository of the Moravian Church in America, Southern Province, the Archives preserve centuries of records documenting the region’s religious, cultural, and community history. Participants will explore selected materials from collections spanning local, regional, and national history, including personal papers, industrial records, maps, photographs, and audiovisual resources, while archivists share insights into Salem’s rich past and the stories preserved within these unique holdings. Pre-Registration Required, $35. Transportation included. 46

Southeastern Registrars Association (SERA) Behind-the-Scenes Tour: Wake Forest University Collections Storage Tour 2:00 pm – 3:30 pm Explore Wake Forest University’s offsite collections facilities, including holdings from the Lam Museum of Anthropology, University Art Collections, and Z. Smith Reynolds Library Special Collections & Archives. This behind-the-scenes tour offers a look at diverse storage approaches for a range of material types, highlights best practices in collections care, and showcases recent updates and expansions to collection storage spaces. This tour is free but limited to the first 30 registrants. Transportation included.

MAKE THE MOST OF YOUR SEMC2026 EXPERIENCE These tours offer more than sightseeing; they provide opportunities to engage with the people, places, and stories that make Winston-Salem unique. Whether your interests lie in art, architecture, preservation, history, collections, or community engagement, there is an experience waiting for you beyond the conference sessions. Be sure to explore the SEMC2026 Preliminary Program and register by the July 31 Early Bird deadline to secure the best rates and reserve your place on these popular tours.

Wake Forest University.

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Handumy Jean Tahan Museums Fund: 2025 Success Stories One of the most meaningful ways SEMC invests in the future of the museum field is through the Handumy Jean Tahan Museums Fund. Established in 2022 through the generosity of Joy Tahan Ruddell in honor of her late mother, the Fund provides stipends to help small museums and historic sites offer paid internships, creating opportunities that might not otherwise be possible. By reducing financial barriers and supporting hands-on professional experience, the Fund helps cultivate the next generation of museum professionals while strengthening the institutions that mentor them. We are pleased to share the reflections below from the recipients of the 2025 internship stipends, whose stories illustrate the lasting impact that these experiences have on both interns and the museums they serve.

Rachel Hudson

During the Fall of 2025, the Eleanor D. Wilson Museum was proud to work with Rachel Hudson, a junior studio art major at Hollins University, for the Handumy Jean Tahan Internship. For ten weeks, Hudson collaborated closely with Director Jessica Ambler on a curatorial studies internship. During the first few weeks Hudson learned art handling, storage, and how to catalogue the permanent collection using the museum’s CMS, Collector Systems. The second phase of the internship focused on curatorial methods and techniques. Hudson learned about different types of exhibitions, how to write an exhibition proposal with a checklist, conduct curatorial research, and write didactic wall labels. The final few weeks culminated in Hudson crafting a digital exhibition. Hudson’s exhibition, The Sublime Landscape: Nature and Man, is permanently available on the Eleanor D. Wilson Museum’s guide on the Bloomberg Connects app. Combing through the museum’s collection of over 1,700 objects, Hudson’s exhibition spans the mid1800s to the present and includes prints, photographs, paintings, and experimental drawings. Each work has an extended label written by Hudson. Of the internship Hudson says, “During my time with the EDW Museum, I was thrilled to receive the opportunity to curate an online exhibition from the permanent collection, to be displayed on Bloomberg Connects. During my research, I was able to learn about many different areas of art history at once. My exhibition research also led me to learning more about the study of Aesthetics, which has strengthened my understanding of what makes a strong exhibit, visually.”

The Eleanor D. Wilson Museum is an academic art museum belonging to Hollins University in Roanoke, VA, dedicated to exhibiting the work of local, regional, and international artists, and providing experiential learning opportunities for all our students.

As recipients of the Handumy Jean Tahan Internship Fund, the Oconee History Museum was privileged to have C. J. Garland as our intern for collections management. C. J. is a graduate student at Clemson University in Clemson, South Carolina. Through his undergraduate work at Radford University in Virginia, C. J. brought with him a wealth of knowledge in archives and collections care. The objective of this internship was to organize, box, and catalog artifacts in the Oconee History Museum basement after years of staff not being able to dedicate time to the collection. C. J. worked well with museum staff to help begin the work in the basement. He dedicated many hours to tediously document hundreds of artifacts in the museum’s collection. C. J. went above and beyond his internship description. He even helped with several school field trips.

C. J. Garland

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A SPECIAL THANKS SEMC Endowment Contributions Many thanks to our endowment contributors for investing in the future of SEMC! When you are thinking of honoring or remembering someone, please consider a contribution to the SEMC endowment. For more information, contact Executive Director Zinnia Willits at 404.814.2048 or zwillits@semcdirect.net.

THE PAST PRESIDENTS CIRCLE Members of the Past Presidents Circle contribute $150 annually for at least two years to the endowment fund: George Bassi Sharon Bennett David Butler Charles “Tom” Butler Tamra Sindler Carboni Matt Davis Micheal A. Hudson Darcie MacMahon Douglas Noble Robert Rathburn Graig D. Shaak Robert Sullivan Heather Marie Wells

Zinnia Willits Kristen Miller Zohn

THE WILLIAM T. AND SYLVIA F. ALDERSON ENDOWMENT FELLOWS Many SEMC supporters have made commitments of distinction as Alderson Fellows. Their investment of at least $1,000 each is a significant leadership gift, reflective of a personal commitment to the professional association that has meant so much to each of them. Platinum Alderson Fellows (minimum $5,000) Sylvia F. Alderson David Butler Bob Rathburn Thomas Rhodes Graig D. Shaak Nancy & Robert Sullivan Medallion Alderson Fellows (minimum $2,500) George Bassi Sharon Bennett David Butler Tamra Sindler Carboni William U. Eiland Martha Battle Jackson Pamela Meister Richard Waterhouse

The current SEMC Vice President Ahmad Ward and Past President Matthew Davis at the 2024 annual meeting.

Alderson Fellows (minimum $1,000) Alexander Benitez T. Patrick Brennan Michael Brothers W. James Burns Matthew Davis Alicia Franck Horace Harmon Brian Hicks Pamela Hisey Deborah Van Horn Micheal Hudson Kathleen Hutton Rick Jackson Andrew Ladis John Lancaster Elise LeCompte Allyn Lord Michael Anne Lynn R. Andrew Maass Darcie MacMahon Rosalind Martin Nathan Moehlmann Susan Perry Robin Seage Person Robin Reed Allison Reid Steve Rucker Michelle Schulte Ahmad Ward Michael Scott Warren Heather Marie Wells Zinnia Willits Kristen Miller Zohn

SEMC Contributions (January 1, 2026 – July 15, 2026)

SEMC ENDOWMENT Juliette Bianco Tom Butler and Marilyn Laufer Andy Finch Mike Hudson Holly Koons Christa McCay Douglas Noble in memory of Graig Shaak Susan and Mike Perry Alexandra Pizza Carolyn Reams Thomas Rhodes Bob and Nancy Sullivan Zinnia Willits

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SEMC Active Memberships SEMC thanks all our active members, including those who have recently joined (in bold). Without your support and participation, we could not provide region wide services such as our awards, and scholarship programs, as well as our outstanding Annual Meetings and nationally acclaimed Jekyll Island Management Institute. If you are an individual member and your museum is not an institutional member, please encourage them to join. For information on memberships and benefits visit semcdirect.net, email memberservices@semcdirect.net, or call 404.814.2047. For your convenience, the last page of this newsletter is a membership application.

STUDENT ($35) Halie Beard Jessica Brooks, Atlanta, GA Noah Broude Camara Brown, Atlanta, GA Sarah Campbell, Greensboro, NC Kelly Conway, Richmond, VA Catherine Duffy, Savannah, GA Cassandra Erb, New Orleans, LA Zacara Foster, East Point, GA Anita Funston, Asheville, NC Desara Grant, Little Rock, AR Ronald Grisson, Austell, GA Robin Hall Erica Hall Parker Hilley, Decatur, GA Lillian Hipp Zoe Hume, Tallahassee, FL Kailey Jones

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Bernadette Floresca, New Orleans, LA Meghan Forest, Asheville, NC Mandy Gibson, Hendersonville, NC Sabra Gossett, Anniston, AL Carolyn Grosch, Asheville, NC Dawn Hammatt, Abilene, KS Jason Harris, Norman, OK Jill Harris, Martinsville, VA Miranda Helton, Houston, TX Kirk Henderson, Atlanta, GA CJ Idol, Kernersville, NC Marian Inabinett, High Point, NC Laura Jowdy, Mount Pleasant, SC Diane Karlson, Little Rock, AR Rachel Katz, New York, NY Martha Katz-Hyman, Newport News, VA Brooke Keller, Sarasota, FL Julie Kemper Valarie Kinkade, Fort Lauderdale, FL Lindsay Lambert, Randleman, NC Ashley Latta Post, Durham, NC Karol Lawson, Lynchburg, VA Elise LeCompte, Gainesville, FL 62

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Keith Post, St. Mary’s, GA Fiona Rainwater, Powder Springs, GA Akela Reason, Watkinsville, GA Damon Reaves, Washington, DC A.J. Rhodes, Arden, NC Phillip Rhodes, Birmingham, AL Corrinne Roth, Atlanta, GA Tania Sammons, Savannah, GA Melissa Schreck, Louisville, KY Darcy Schuller, St. Petersburg, FL Marsha Semmel, Arlington, VA Bonnie Showfety, Asheville, NC Christy Sinksen, Athens, GA Jodi Skipper, Oxford, MS Amanda Smith, Sandy Springs, GA Laura Smith, Huntsville, AL Sarah Soleim, Wake Forest, NC Dorothy Svgdik, Cordova, TN Deitrah Taylor, Perry, GA Misty Taylor, Lafayette, LA Alice Taylor-Colbert, Greenwood, SC

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Kimberly Terbush, Greensboro, NC Cole Thomas, Charleston, SC Nina Thomas, Atlanta, GA Johan Trimnal Austin Vallejos-Coleman, Atlanta, GA Maria Vann, Raleigh, NC Robin von Seldeneck, Staunton, VA Heather Waldroup, Boone, NC Dave Walker, New Orleans, LA Andrea Wellnitz, Athens, GA John Wetenhall, Washington, DC Tifferney White, New Orleans, LA

INDIVIDUAL PREMIUM ($120) Felicia Abrams, Williamsburg, VA Mary Battle, Centreville, MD Donna Beisel, Montgomery, AL Alex Brown, Kernserville, NC Jamie Credle, Savannah, GA Angie Dodson, Montgomery, AL Shatavia Elder, Chandler, AZ Meredith Evans, Decatur, GA Jennifer Foster, Lexington, KY Rachel Gibson, Nashville, TN Claudio Gomez, Knoxville, TN Ronald Harrell, Kentwood, LA Tamara Herring, Ridgeland, SC

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Georgia Museum of Art Hosts Ceramic Workshops Inspired by Julie Green’s “The Last Supper” Paige Carter ,

Publics Relations Intern, Georgia Museum of Art Exploring the intersection of art and activism, the Georgia Museum of Art hosted a series of workshops anchored by Julie Green’s “The Last Supper” this past summer. Through these workshops, which were supported by a grant from Art Bridges, the museum provided a space for conversation around justice, ritual, and empathy. “We are deeply grateful to Art Bridges for their generous support of our learning and engagement programming around Julie Green’s ‘The Last Supper,’” said David Odo, the museum’s director and chief curator. “This grant has allowed us to bring meaningful conversations about justice, empathy and shared humanity to a wide range of participants — from university students to individuals in carceral institutions — and to extend the reach and impact of this powerful work well beyond the gallery walls.” “The Last Supper” is a collection of secondhand ceramic plates, each painted with the last meal of an incarcerated person on death row. Green, who died in

Workshop participants discussed Julie Green’s “The Last Supper” before heading to the classroom to paint their own ceramic plates.

2021, began the series in 2000, inspired by a death row order from Oklahoma: six tacos, six glazed donuts and a cherry Coke. This meal puzzled Green due to its specificity and the irrationality of the tradition of last meals. They said, “Food is sustenance, food is community, food is sharing ideas with friends and family, it is a celebration, it is joy, and even if it is eaten alone, it is still a ritual. I have much gratitude for the good food in my life, and this death row meal just stood in such contrast to that.” Green added 50 plates per year, with the goal to stop at 1,000 painted plates, or until the U.S. abolishes capital punishment, whichever came first. The 1,000th plate was completed in September 2021, one month before their death. To broaden the impact of the installation, the museum hosted a series of workshops led by Callan Steinmann, the museum’s director of learning and engagement, and teaching artist Kristen Bach. These workshops began with careful viewing of the exhibition, which includes 377 plates representing the Southeast region, and discussion of its themes. Then each participant painted a ceramic plate to explore their views on justice, rituals, and connection. The museum transported the painted 79

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plates to R. Wood Ceramics, in Athens, for firing, before returning them either to the artists or to their families. The museum hosted workshops for a variety of groups, with several University of Georgia classes and two carceral institutions participating. Georgia has a particularly interesting relationship with incarceration and capital punishment, as a state with one of the highest incarceration and execution rates in the country. Though the museum was unable to physically bring the ceramic plates from the gallery to inmates, Steinmann said the conversations at participating carceral institutions were powerful. Whether with students or incarcerated individuals, the goal of the discussions remained the same, she said: “to invite participants to learn about Green’s work, share their perspectives with others in the group, discover their own meaning, and find connection to the art and one another. Green’s series acts as a catalyst, giving us an opportunity to engage in deep thinking and conversation about some difficult topics.” The workshops left participants with a deeper understanding of both artmaking and museums can help

navigate complex topics. Through thoughtful conversations and engagement with the work, participants developed an expanded understanding of art’s capacity to communicate sensitive social and political issues. One participant said, “Our conversations around the artwork prompted reflections on brandings of people, and how those labels enmesh people within dispassionate, dehumanizing systems. For me, it highlighted the humanizing potential of art and affirmed the use of dialogic methods and visual arts.” The workshops created a unique space to engage with the themes of Green’s work and explore the intersection of art and activism. Steinmann said, “I’ve been struck by the openness, thoughtfulness and care that participants bring to both the gallery conversations and the artmaking.” Navigating their own interpretations of the work, participants were invited to consider these issues from different perspectives. Steinmann said, “For me, Green’s work is fundamentally about empathy and helping us tap into our shared humanity, and so getting to experience firsthand the depth of responses from visitors from all walks of life has been very meaningful.”

An installation of plates from Julie Green’s series “The Last Supper” at the Georgia Museum of Art.

History Heard: Alabama Quilters Bring Community Histories to a National Podcast Audience AUBURN, Ala — On a chilly weekend in early February, the first thing visitors to The Jule Collins Smith Museum of Fine Art at Auburn University noticed was the sound. The soft pull of thread through fabric, the murmur of concentration, and then, slowly, song. Sunlight, shining through the windows, illuminated colorful swatches and thread spread across tables, inviting fingers to join in the rhythm of voices. Hands, young and old, experienced and beginner, wove carefully. Names began to emerge, stitched letter by letter, line by line, returning lives once nearly erased to something that can be seen, touched and shared. On this morning, quilting transformed from a meditative craft to a hallowed act of remembrance. The gathering was part of the Auburn Forum for Southern Art and Culture, now in its third year, and centered on the exhibition, Sew Their Names: Quilting, Creativity and Activism. Launched in 2024, the Forum is dedicated to institutionalizing object-based learning and museum-enhanced pedagogy through the artistic and scholarly investigation

Charlie Lucas poses with his quilt, “I Can Hear Their Voices,” at The Jule Collins Smith Museum of Fine Art at Auburn University.

of the American South. Together, the exhibition and 2026 Forum traced how a collaborative quilting initiative rooted in Lowndes County, Alabama, grew into a powerful act of memorialization that connects archival fragments to living communities, stemming from a history of activism unique to the area. That story is now reaching far beyond Alabama, as the Sew Their Names project is the focus of a recent episode of The Kitchen Sisters Present, part of the Radiotopia Network and created by Peabody Awardwinning producers Nikki Silva and Davis Nelson, whose work has long appeared on NPR programs such as Morning Edition and All Things Considered. Known for documenting overlooked histories and everyday acts of creativity, The Kitchen Sisters frame Sew Their Names within a larger American tradition of quiltmaking and storytelling and monument-making. The episode is available at kitchensisters.org, Radiotopia, Apple Podcasts, Spotify, and other podcast platforms. “Quilts as monuments, memorials, large and small, stretch far back into our American story,” said Nikki Silva, narrator of the “Quilts as Monuments: Sew Their Names” episode and Auburn Forum moderator. “The Sew Their Names project…[is] bringing unlikely 83

Installation view of Sew Their Names: Quilting, Creativity and Activism, on view at The Jule Collins Smith Museum of Fine Art at Auburn University through July 2, 2026.

collaborations together to embroider the names of hundreds of forgotten people who were once enslaved.” At the project’s center are the quilters of Mt. Willing, a small, unincorporated community in Lowndes County. During the Forum workshops, they sat shoulder to shoulder with students, families, and first-time quilters, guiding them through the deliberate act of stitching names into fabric. The names themselves come from discovered archival records, offering rare documentation of individuals whose identities were lost during slavery. In many cases, those names are all that remain. Sew Their Names began as a response to that absence. In the years following the murder of George Floyd and the resurgence of the Black Lives Matter movement,

Judge Susan Walker, learning of a family connection to the 19th-century Hopewell Church, reached out to Reverend Dale Braxton of Snow Hill Christian Church, which had acquired the Hopewell property and registered it for listing on the Alabama Register of Landmarks and Heritage. Braxton and Walker’s partnership blossomed, and they began restoring the antebellum building to tell its story, leading Walker to conduct research in the Alabama Baptist Association archives housed at Samford University. Here, Walker discovered something astonishing: hundreds of names of formerly enslaved people, recorded and awaiting acknowledgement. Judge Walker brought these names to Reverend Braxton, who then brought them to the Mt. Willing quilters. The quilters transformed this archival discovery into an act of care, stitching names into quilts that restore both presence and dignity, creating memorials for those once lost. 85

Reverend Dale Braxton leads a sewing workshop during the Auburn Forum for Southern Art and Culture.

“I loved the idea of Sew Their Names,” said artist Wini McQueen, whose work Somebody’s Calling My Name is included in the exhibition. “I felt like whatever energy that went into it would grow and be very meaningful.” That sense of growth shapes the project’s trajectory— from a local act of remembrance into a statewide and now national conversation. The exhibition and Forum are part of “Museum in Motion,” a multiyear partnership that has carried the quilts, workshops, and stories across Alabama, expanding participation and deepening engagement. “At their cores, university art museums are places where learning and lived experience meet,” said Cindi Malinick, The Jule’s executive director. “The Sew Their Names project makes that intersection visible, and it

being spotlighted by The Kitchen Sisters extends the impact of that conversation. It reminds us that the histories we engage with here can travel, connect, and endure. Throughout the day, the Forum moved between making and reflection. Morning workshops gave way to panel discussions tracing the artistic and political legacy of Lowndes County—a region whose influence extends well beyond its geography. Artists including Mercedes Braxton, Charlie Lucas and Yvonne Wells joined scholars and curators Darby English, Leslie Umberger and Es-pranza Humphrey to examine the intersection of creativity and activism, from the Lowndes County Freedom Organization to the work of artists like Noah Purifoy and Bill Traylor. 86

Humphrey emphasized how these histories resonate across regions and generations. “You have to tap into this dark but informative and, in some ways, celebratory history,” Humphrey said, “because it really sheds light on everywhere else and where people are taking inspiration from.” For Braxton, the connection between past and present is deeply personal. Reflecting on her work Oh Freedom, she spoke of the individuals whose names now appear in stitches. “These people who lived so long ago and worked so very hard and endured so many things that we can only imagine,” Braxton said. “They wanted better for their children. So, if they could not get freedom, they still longed for freedom to come.” At the Jule, that longing becomes visible—each quilt a collective act of naming, each thread a gesture toward remembering what history did not fully preserve.

“The creativity and activism that emerged from Lowndes County had an enormous impact on the history of modern American art,” said Chris Molinski, the museum’s Janet L. Nolan Director of Curatorial and Educational Affairs. “Having the Kitchen Sisters explore this project further, bringing it to their national audience, amplifies that impact in a powerful way.” The Kitchen Sisters episode extends that conversation outward, placing the voices of Mt. Willing quilters alongside a broader history of American storytelling—where materials as humble as cloth carry meaning across time. It is, as their work often suggests, a reminder that history is not only written in archives or carved in stone, but stitched, sung and shared. Back at the table in Auburn, the work continues: fabric in hand, names carefully rendered, and a quiet understanding that even the smallest act of making can hold the weight of memory.

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Marian Allen: Preserving the Past, Inspiring the Future In the heart of Laurel, Mississippi, a powerful story of preservation, education, and community engagement is unfolding through the work of Marian Allen. As founder and director of the Laurel–Jones County Black History Museum and Arts, Allen has dedicated her life to ensuring that the rich history of African Americans in Jones County and beyond is documented, preserved, and shared with future generations. Located at 820 West 5th Street in Laurel, Mississippi, the museum serves as a cultural and educational center that celebrates Black history, arts, civil rights, and community achievement. Operating as a nonprofit 501c3 organization, the museum continues to seek funding, grants, donations, and community partnerships to strengthen its mission and establish a permanent foundation for future growth. From a Mobile Museum to a Community Institution Long before the museum had a permanent home, Marian Allen carried history in the trunk of her car. Beginning in 1999, she traveled throughout Mississippi with a mobile Black history exhibit, sharing artifacts, photographs, documents, and stories with schools, churches, and community organizations. Her passion for preserving local history eventually led to the creation of a permanent museum dedicated to telling stories that are often overlooked in traditional historical narratives. [Mississippi Free Press]

The Dr. Joseph Proli Collection at the Laurel–Jones County Black History Museum and Arts.

Today, the Laurel–Jones County Black History Museum and Arts houses collections that highlight the contributions, struggles, and achievements of African Americans throughout Jones County and Mississippi. Honoring John Hartfield’s Legacy One of Allen’s most significant accomplishments has been her leadership in securing a historical marker commemorating the lynching of John Hartfield, a Black man who was brutally murdered by a mob in Ellisville, Mississippi, in 1919. Through years of research, advocacy, and community engagement, Allen helped bring public recognition to a painful chapter of local history. The marker was unveiled in January 2023 and serves as a place of reflection, remembrance, and education. For Allen, acknowledging difficult history is essential to healing and understanding. The marker stands as a testament to her commitment to truth-telling and historical preservation. Celebrating Arts and Culture The museum’s programming extends beyond historical exhibits. Through partnerships and community events, the organization promotes African American culture through music, literature, and the arts. Among its featured programs are appearances by Mississippi musician Rashad the Blues Kid, book reviews and author discussions, educational workshops, and cultural celebrations that bring together people of all ages. The museum also collaborates with the Laurel–Jones County Library System to present educational programs 91

Marian Allen and Rashad the Blues Kid at Juneteenth 2026.

that encourage literacy, historical awareness, and lifelong learning. Preserving Civil Rights History Allen’s preservation efforts extend beyond museum walls. She has worked to save and protect a historic Freedom Summer home in Laurel connected to the Civil Rights Movement. Her advocacy ensures that future generations will have tangible connections to the brave individuals who fought for voting rights, equality, and social justice during Mississippi’s Freedom Summer movement. Her work reflects a broader commitment to safeguarding sites that tell the story of African American resilience and activism. Juneteenth and Community Engagement Each year, the museum sponsors Juneteenth celebrations that educate the public about the significance of June 19, 1865, when enslaved African Americans in Texas learned of their freedom. These events bring together residents, educators, artists, historians, and community leaders to celebrate freedom, culture, and progress. Under Allen’s leadership, the museum has become a gathering place where history is not only remembered but experienced.

Marian Allen was instrumental in the John Hartfield marker, erected by the Mississippi Department of Archives and History in 2022.

A Voice of History Across the Nation Marian Allen’s expertise and dedication have made her a sought-after speaker at workshops, conferences, museums, schools, and community events. She has presented programs on African American history, civil rights, historical preservation, museum development, and community engagement. Her presentations inspire audiences to recognize the importance of preserving local history and ensuring that untold stories are brought into the public record. Building for the Future While the Laurel–Jones County Black History Museum and Arts has achieved remarkable success, its future depends on continued financial support. As a nonprofit organization, the museum seeks grants, sponsorships, memberships, and donations to expand exhibits, preserve collections, develop educational programming, and maintain its historic facility. For Marian Allen, the mission is clear: preserve history, educate the public, and inspire future generations. “The stories of our ancestors matter,” Allen often emphasizes. Through her tireless work, those stories continue to be told. As the museum grows, it stands as a beacon of remembrance, education, and hope—a place where history lives and where the community can come together to honor the past while building a brighter future. 92

At Alexander Haas, we know that transformation starts with one person with a big idea.

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cortinaproductions.com Creating engaging and innovative media experiences for visitors to explore, reflect, and learn.

Offering Museum Fundraising Services Across the Region - Campaign Strategy Studies - Campaign Counsel - Annual Giving - Fundraising Assessments Comprehensive Fundraising Counsel www.fundraisingcounsel.com • 404-525-7575

Historic Mitchelville Freedom Park: The Heartbeat of the Lowcountry Evelyne Del

Tucked away in a small corner of Hilton Head Island is a community that served as a blueprint for Freedom. A hidden gem that laid the foundation for generations of cultural influence, which flows seamlessly into the Gullah Geechee Corridor. It is a pleasant surprise that piques the interest of visitors to the island looking for something off the beaten path. But for most first-time visitors, the surprise lingers way beyond its physical attributes. Visitors to Historic Mitchelville Freedom Park enter as tourists and leave as family.

Coming Home to the Lowcountry When you walk down Beach City Road, you can still see oyster shells embedded in the soil. It is a reminder that the citizens of Mitchelville cemented their presence in the Lowcountry, even when the rest of the world often refused to acknowledge them. Once a thriving community, Mitchelville, much like many other indigenous communities, slowly started to decline in population and visibility. What was once a thriving community in the Sea Islands, Mitchelville, eventually became a quiet corner of the island with much of its population declining due to changes in infrastructure, employment, and

Dr. Marlena Smalls and the Hallelujah Singers.

access to opportunities. Because the island itself is remote and isolated, much of the history of Historic Mitchelville is shared with stories of life “before the bridge” and “after the bridge.” Before the completion of the first bridge to Hilton Head in 1956, the only way on or off the island was by boat or ferry. Access to the island allowed connection to other communities, some of which had generational ties to the once-thriving Gullah Geechee community. In 2005, a group of Hilton Head Island citizens decided to come together for the cause of preserving and promoting the heritage of Mitchelville. In 2010, the Historic Mitchelville Freedom Park (HMFP) was officially organized. Over the next couple of years, HMFP created by-laws, developed an initial land architectural design of the site, and obtained 501(c)3 status. That initiative has now opened the door to a thriving community of citizens, visitors, and supporters who are “coming home” to a place in the Lowcountry where time often stands still. Mitchelville, unlike other museums, is an immersive experience where visitors become part of living history and connect to a cause that truly feels like they are “coming home.” Visitors are surprised at the many layers of history on the 36-acre property. A visit to the park not only uncovers the way of life for citizens of Mitchelville but also the footprint of wellknown historical figures such as Harriet Tubman and Clara Barton. Today, the park is frequented by families 95

Families attending Juneteenth.

across the world — with many sharing that they discovered Mitchelville by word of mouth; a testament to the true community that the region is known for. The park itself is a living cultural landscape, with a balance of natural elements and structural exhibits. This year, the park will have its very first building on the property, the Archaeological Research Facility and Auditorium, which will allow staff and volunteers to share more of the work behind the scenes of developing this historical site. Visitors will be able to see archaeological finds and attend classes and workshops focused on educating the community about the Gullah Geechee corridor and the contributions made by the citizens of Historic Mitchelville. They have also added a community garden where heirloom seeds have grown into fresh vegetables reminiscent of the same crops harvested by the ancestors who once lived there. These new elements make it a prime attraction for families looking to reconnect with history, culture, and community. The vision behind the park is to preserve the culture in a way that is truly authentic but also appeals to those seeking unique culturally immersive experiences.

Come to Learn, Leave Feeling Empowered Historic Mitchelville has a unique position in today’s museum landscape. Its physical location is a rare asset in the museum world, especially in an area where many

of the original citizens were divested in their interest in the land. Although many of the Freedmen in the town had saved enough money to purchase land after the Civil War, much of their land was eventually returned to their Southern owners, leaving families tasked with having to start over and work for generations to fill the gap of what was lost. Across the globe, we are seeing similar movements where descendants are not only encouraged to return to their ancestors’ homes but also to take an active role in the future of said regions. Countries like Ghana have initiated campaigns like the “Year of Return,” creating a ripple effect for connection to culture and community. As visibility grows, the resurgence of a natural talent pool tends to follow, with locals highlighting unique skills that make their regions unique. Historic Mitchelville is no different, with local indigenous families tending to the Heritage Garden and Architects designing interactive art installations based on their connection to the Lowcountry and their ancestral lineage. These global initiatives are creating ecosystems of culture that allow visitors to remain connected long after their visit is over. It is a way of reclaiming our shared lived experiences and transforming cultural heritage sites into platforms for belonging, not just education. It is a return home, in the heartbeat of the Lowcountry. For more information on Historic Mitchelville Freedom Park, visit www.exploremitchelville.org 96

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Winterthur Institute

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April 4–16, 2027 • winterthur.org/Institute 60 hours of professional development for cultural heritage management and study of decorative arts A two-week immersive experience includes: • lectures, hands-on workshops, research opportunities, and collections care training • small group study in the historic buildings, museum conservation labs, library, and classrooms • access to the staff specialists and guest lecturers

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Scholarship opportunities and travel stipends available! Applications open January 11, 2027.

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www.callforentry.org Emergence. By Alene Nitzky. Courtesy: Alene Nitzky

art2art offers enriching photography exhibits that appeal to art enthusiasts and cultural institutions alike. We present works by renowned masters of the medium, as well as contemporary sensations. Visit art2art.org today.

STUDIO & PRESS

Goosepen creates distinctive publications for museums, artists, publishers, and collectors upcoming titles include TO BI K A HN quest for the essence by Ena Giurescu Heller for the Boca Raton Museum of Art RE VO L UT I O NA RY OYST E R BAY by Katie Cynkar

275 years at raynham hall museum

TH E R E & HE R E / A L L Á & AQ UÍ new perspectives of the permanent collection / nuevas perspectivas de l a colección permanente artis—naples, the baker museum by Dianne Brás-Feliciano G E N E R AT I O N S sixty years of art, design, and scholarship from unc charlotte’s department of art and art history by James F. D. Frakes

l e t ’s m a k e a b o o k w w w. g o o s e p e n p r e s s . c o m

IMPORTANT DATES The deadline for the Winter edition of Inside SEMC is November 1, 2026. To submit information for the newsletter, please contact Zinnia Willits (zwillits@semcdirect.net) or Carla Phillips (cphillips@semcdirect.net). SEMC Southeastern Museums Conference Annual Meeting ................. September 28-30, 2026, Winston-Salem, NC Inside SEMC Winter 2027 submissions deadline............................. November 1, 2026 State South Carolina Federation of Museums Annual Meeting............. September 9–11, 2026, Aiken, SC Florida Association of Museums Annual Meeting......................... September 22–25, 2026, West Palm Beach, FL Louisiana Association of Museums Annual Meeting..................... October 11–13, 2026, Alexandria, LA Georgia Association of Museums Annual Meeting........................ February 3–5, 2027, Augusta, GA West Virginia Association of Museums Annual Meeting.............. April 1–3, 2027, Jackson’s Mill, WV Regional Western Museums Association Annual Meeting........................... September 23–26, 2026, Salt Lake City, UT Mid-Atlantic Museums Association Annual Meeting................... October 6–8, 2026, New Brunswick, NJ Mountain Plains Museum Association Annual Meeting............... October 15–17, 2026, Colorado Springs, CO New England Museum Association Annual Meeting.................... November 4–6, 2026, Mystic, CT National American Association for State and Local History Annual Meeting................................................................................ September 16–19, 2026, Providence, RI International Conference of Indigenous Archives, Libraries, and Museums Annual Meeting.................................... September 21–24, 2026, Spokane, WA National Association for Interpretation Annual Meeting............. November 10–13, 2026, Oakland, CA Small Museums Association Annual Meeting................................. February 21–24, 2027, Rochester, NY

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