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PUBLISHER'S LETTER Welcome Book Enthusiasts, This month, we announce the NYC Big Book Award winners and distinguished favorites. Whether you are looking for contemporary fiction, groundbreaking poetry, or inspiring children's literature, this issue highlights voices that bridge worlds and broaden our literary horizons. See page 9, for a complete list of the 2026 awardees. Featured on this month’s issue, Terence Ang, a Singaporean author, artist, and stroke survivor whose life changed dramatically after suffering a hemorrhagic stroke in August 2020 that left him living with aphasia. Though aphasia severely disrupted his ability to speak fluently and ended his long corporate career, he turned to writing and illustrating as a powerful lifeline to process trauma and rebuild his identity. His creative journey reached a historic international milestone when his project, Brokenness Becomes Beautiful: Inspiring Pieces Of Poetry, won the 2026 NYC Big Book Award in the Audiobook: Poetry/ Memoir category. Central to Terence's mission as an advocate is raising global aphasia awareness and demonstrating how modern technology can empower those with speech impairments. To bring Brokenness Becomes Beautiful to life. Using ElevenLabs technology, with support from Stroke Onward, Ang created narration through an AI-generated version of his own voice. His pioneering work and advocacy are being brought to the global stage around World Stroke Day 2026, highlighted by a feature on a massive NYC Times Square billboard that showcases his story of resilience, accessibility, and reclaiming one's voice to millions. Next, with New York Comic Con turning 20 this year, it’s an opportune moment to revisit the important work of two independents. The Lab Press has quickly established itself on high-concept storytelling, creator-driven original IP, and collectible physical book production. Mad Cave Studios adds to its late summer line-up by introducing a key title to the underserved Indigenous readership. For independent presses and authors, our Independent Press Award program is accepting book applications for the next 75 days at www.independentpressaward.com. See page two. Until next time, keep on reading,
Ted Olczak TED OLCZAK
Publisher, Printed Word Reviews
Super Science Vol. 2 by N. Alessandro K. Graphic Novels / Sci-fi / Fantasy ISBN: 978-1964226347 • The Lab Press Welcome back to the world of Super Science, where the conspiracies run deep and the superpowered are still workshopping their brands. The battle for the future has never been this absurd. Super Science, Vol. 2 is a fast-paced sci-fi comedy following two LAPD officers navigating corporate conspiracies, absurd villains, and high-stakes battles.
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Callisto
TABLE of CONTENTS 2
Independent Press Award Call for Entries
3
Publisher’s Letter
4
Table of Contents / Disclaimer
5
Featured Author Terence Ang
9
2026 NYC Big Book Award Announcements
17
New York ComicCon Celebrates its 20th Year
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How The Lab Press Blends High-concept Storytelling
by Steve Niles
Graphic Novel • ISBN: 978-1964226255 Callisto fuses cosmic horror and detective noir into a tense sci-fi story about corporate greed, cult fanaticism, and the tragic vanity of human expansion. (Pub date: October 6, 2026) The drive to reach the cosmos has always been framed as a quest for human progress. In Callisto, horror legend Steve Niles (30 Days of Night, Criminal Macabre) offers a far bleaker proposition: wherever humanity goes, its worst instincts inevitably follow.
with Collectible, Gallery-quality Design 19
Mad Cave Studios Unveils Socially Conscious Graphic
Brought to vivid life by artists Andrea Mutti (DNAction) and Lee Loughridge (Scalped, Somna), Callisto is a taut neo-noir sci-fi thriller. It fuses galactic colonization with occult horror and religious existentialism into a haunting meditation on humanity’s inability to escape itself.
Novel Lineup 20
Current GAB TALKS Podcast Guests
On Callisto, Jupiter’s second-largest moon, the story unfolds in Elm City, a colony beneath a synthetic dome. Detective Becca Ramos investigates a series of mysterious disappearances. Her investigation uncovers a dark web of corporate greed, doomsday fanaticism, and an ancient supernatural threat lurking deep below. Steve Niles turns this gritty investigation into an indictment of human expansion, proving that technological progress can’t outpace our rawest vices. Niles presents moral decay as a systemic disease. The citizens of Elm City fled a dying Earth for a fresh start, only to rebuild the exact corporate systems that doomed their homeworld. That irony is built into the city’s very foundation: artificial trees and fluorescent-lit streets line cheekily named neighborhoods like “Walnut Terrace” and “Magnolia Park,” mocking the natural world left behind. Even the architecture reinforces deep inequality, as sleek corporate high-rises tower over the cramped, container-style housing assigned to the working police force. Through these details, Callisto expands its dystopian sci-fi mystery into a biting critique of capitalism, environmental collapse, and our tragic habit of bringing old hierarchies to new frontiers.
DISCLAIMER: The Printed Word Reviews magazine has been issued the following ISSNs by the U.S. ISSN Center, Library of Congress, Washington, D.C.: Format: Online Format: ISSN 3067-011X and is published 10 times per year. The title was previously published under the Independent Press Award and NYC Big Book Award Present with the following ISSNs by the U.S. ISSN Center, Library of Congress, Washington, D.C.: Format: Online Format: ISSN 2836-9157; and the Print Format: ISSN 2836-9149.
Mutti and Loughridge’s art elevates the novel’s core themes. Mutti’s high-contrast shadows drown characters in darkness, turning routine conversations into ominous encounters where motives remain hidden. In one standout panel, a religious widow claims, “I know evil when I see it,” as shadow consumes her features, collapsing the distance between faith and fanaticism. Loughridge amplifies the dread by contrasting the frozen exterior’s glacial blues with Elm City’s “dirty neon” purples and sickly yellows; a striking visual reminder that humanity conquered space only to imprison itself in its own flaws.
Any questions or comments, please contact the Publisher Ted Olczak at Ted@GabbyBookAwards.com or Ted@PrintedWordReviews.com. No portion of this magazine may be reproduced without express permission from the publisher. All rights reserved. No part of this magazine may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by an information storage and retrieval system - except by a reviewer who may quote brief passages in a review to be printed in a magazine or newspaper - without permission in writing from the publisher. To submit your book for review, send to: Printed Word Reviews, 63 Clinton Rd, Glen Ridge, NJ 07028. Allow 8 -12 weeks. Unpaid reviews are not guaranteed. More details available on our website at www.printedwordreviews.com
Notably, the novel draws a subtle connection to its mythological namesake. In Greek mythology, Callisto was a nymph devoted to Artemis who was transformed into a beast after becoming entangled in forces beyond her control. Similarly, the moon of Callisto becomes a stage where unseen powers reshape human lives and expose their deepest vulnerabilities. The corruptive tendencies of religion led astray and the downfall of powerful archetypal figures in society (like business moguls, priests, police officers) reveal how quickly desperation can give way to fanaticism when survival and faith become inseparable. Overarching this, Niles argues that civilization itself creates the perilous conditions in which monsters, otherworldly or not, can thrive. By the final page, Callisto leaves readers contemplating: No matter how vast humanity’s conquests become across the cosmos, can it ever truly escape the self-destructive impulses that prevent it from building a better world?
To submit your book for our award programs, visit the websites: Fall 2026: https://www.nycbigbookaward.com/ (More consumer focused; different judging; allows for all authors and publishers to participate; closes every August 15th, winners announced in October of every year.)
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Spring 2027: https://www.independentpressaward.com/ (Independent press and authors consideration; does not permit the big 5 publishing houses to participate; closes December 15th every year, winners announced in March of every year.)
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S P OT L IGH T www.PrintedWordReviews.com
Terence Ang AN D T HE
Power of Being Heard World Stroke Day 2026 Cover Story for Printed Word Reviews
There are many ways to lose a voice.
F
or Terence Ang, it happened suddenly. On 25 August 2020, a haemorrhagic stroke changed the course of his life. Before that day, words had been part of his everyday confidence. He had spent almost three decades in marketing and communications, where ideas, presentation and connection shaped his working life. After the stroke, language was no longer something he could simply reach for. Aphasia changed the way he spoke, read, wrote and responded. His body also had to relearn strength and movement. But beyond the physical recovery, there was another quieter struggle: how to remain himself when the words did not always come. For World Stroke Day on 29 October, Ang’s story is not only about survival. It is about what happens after survival, when the emergency has passed but the rebuilding continues. It is about learning to live with the distance between the person he had been and the person he was becoming. Aphasia can be difficult for others to understand because it is often invisible until a person tries to speak. The thought may be clear, but the word may come out wrong. Ang once recalled wanting strawberry ice cream but asking
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for chocolate. When his partner returned with chocolate, the mistake
tion often demanded speed. Writing gave him time. He could pause.
was small on the outside but painful on the inside. His mind knew
He could search for a word. He could return to a sentence later. In
what he wanted. His speech had betrayed him.
another interview, he described writing as his therapy, his outlet, and then his lifestyle.
That kind of moment can happen in ordinary places: at home, in a shop, during a conversation, while answering a simple question. For
That does not mean writing became easy. Aphasia made every sen-
someone living with aphasia, communication can become unpre-
tence an act of reconstruction. Ang relied on notes, digital tools, quiet
dictable. A sentence may begin with certainty and end in frustration.
space and trusted editors. The page did not remove the struggle, but
A familiar name may disappear. A conversation may move on before
it gave the struggle somewhere to go.
the person has found the words. “Writing with aphasia is a meticulous and deliberate process,” he has The emotional impact reached far beyond speech. Ang had to leave behind the career he knew. He faced anger, grief, loneliness and depression. Recovery was not a neat path of steady improvement. It was uneven, tiring and deeply personal.
said.
His mind knew what he wanted. His speech had betrayed him.
In that process, each finished page became a kind of proof. Not proof that life had returned to what it was before, but proof that expression was still possible. Over time, that private act be-
But he was not alone. His partner
came a body of work. Emerging
and family stood by him through
from the Dark gathered the voic-
the difficult early years. Doctors,
es of survivors and caregivers.
therapists, friends and commu-
Strength in Motion explored
nity groups also became part
rehabilitation. THE BOY & THE
of his recovery. The Singapore
MAN used graphic storytelling to
National Stroke Association and
express what words alone could
Aphasia SG gave him connection
not always carry. With Thunder-
with people who understood that
stroke, poetry became central,
recovery is not only medical. It is
offering a sharper and more emo-
emotional, social and human.
tional language for the impact of stroke.
Writing as Therapy
What began as a way to survive One of the turning points came
the silence became a public re-
through a suggestion from re-
cord of living with change.
habilitation physician Dr Moses
A Voice on a World Stage
Koh, who encouraged Ang to illustrate his own book. At first, Ang doubted himself. He did not think he could draw. His right hand had not fully recovered. But he tried.
In 2022, Ang was invited into a space he had never imagined entering after his stroke: the World Stroke Congress.
Those drawings became part of A Cry in the Dark. They gave shape to emotions he could not easily explain aloud. On the page, pain could
Associate Professor Shamala Thilarajah, then president of the Singa-
become image. Fear could become line. Silence could become some-
pore National Stroke Association, nominated him to speak at the 14th
thing visible.
World Stroke Congress in Singapore. “Your voice can be powerful,” she told him.
Writing soon became more than a creative project. It became therapy.
Ang was reluctant. Public speaking is difficult for many people. For someone living with aphasia, it can feel frightening. It asked him to
“I began writing, looking to place my fear, anger, confusion and lone-
stand in front of an international medical audience using the very
liness somewhere outside my mind,” he later wrote. Spoken conversa-
ability the stroke had disrupted.
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His speech-language therapist, Evelyn Khoo, founder of Aphasia SG,
recent work. It is not only a question for stroke survivors. It is a ques-
encouraged him to take the risk. Even recording a one-minute pro-
tion for anyone whose life has been interrupted by illness, grief, loss
motional message took hours. Still, on 28 October 2022, on the eve of
or change.
World Stroke Day, Ang spoke in the congress session “The breadth of nursing in stroke care.”
Brokenness Becomes Beautiful
His topic was the lived experience of the stroke journey and how
Ang’s latest collection, Brokenness Becomes Beautiful: Inspiring
nurses made a difference. He spoke about their patience, thoughtful-
Pieces of Poetry, turns toward that question with tenderness and
ness and presence during treatment. The World Stroke Organization
honesty.
later noted that people with lived experience, including Ang, had made their mark on the programme.
The book moves through eight themes: self-discovery, self-awareness, self-acceptance, self-love, self-healing, self-care, self-growth
The importance of that moment was not simply that he gave a
and self-empowerment. Where Thunderstroke carried the shock and
speech. It was that he stood there at all.
struggle of stroke, Brokenness Becomes Beautiful gives more space to acceptance and becoming.
A man who could not always trust what would happen when he opened his mouth addressed clinicians
The collection pairs short poems with
from around the world. He did it for him-
personal reflections. Reviewers have
self, but also for other survivors, to show
highlighted images drawn from everyday
that effort still matters after language
life and nature, including a cracked vase
changes.
holding flowers and a seed growing underground. These images give readers a
That same belief continued through his
gentle language for grief, self-worth and
books, his advocacy and his work on
renewal.
screen. Ang later starred in the short film Can You Hear Me? explaining, “I
Released in June 2026, the audiobook
wanted to show what aphasia feels like,
added another deeply personal layer.
not merely explain it.” Film gave him
Using ElevenLabs technology, Ang cre-
another language: movement, silence,
ated narration through an AI-generated
expression, emotion.
version of his own voice. He learned the software, experimented and adjusted
Who Can I Become Now?
the results while continuing to manage aphasia.
Six years after the stroke, on 25 August
“Thank you, Terence, for creating this audiobook. You so beautifully capture the experience of millions of stroke survivors living with aphasia—frustration, opportunity, hope, beauty and so much more. By using AI voice-cloning technology to narrate the audiobook in a digital version of your own voice, you have created a powerful impact by not letting aphasia silence your voice.”
2026, Ang marked his sixth stroke anniversary with a personal video, Aphasia. Six Years On. Who Can I Become Now? It was not a celebration in the simple sense. It was a reckoning. In the video, Ang reflects on a life divided into before and after. Early in recovery, he thought healing meant getting the old self back. Six years later, he had begun to understand that recovery might not mean returning at all. It might mean becoming someone new. The video returns to the World Stroke Congress as a turning point in that longer journey: the year he was invited to speak, and the realisa-
-Debra Meyerson, PhD, and Steve Zuckerman Co-authors of Identity Theft: Rediscovering Ourselves After Stroke Co-founders and Co-Chairs of Stroke Onward
tion that being heard did not require the voice he had in 2019. “Aphasia changed my voice,” the video concludes. “It did not silence me.”
For Ang, the project was never just about technology. After the stroke, writing had become therapy. The audiobook became another way of
That question, Who can I become now?, sits at the heart of Ang’s www.PrintedWordReviews.com
reclaiming part of his voice.
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Every Minute, and Every Year After
Printed Word Reviews has described Ang’s use of his own AI-cloned voice to narrate the poetry audiobook as a world-first achievement for a stroke survivor with aphasia. Brokenness Becomes Beautiful
The World Stroke Organization’s 2026 campaign, “Every M1nute
also won the 2026 NYC Big Book Award in the Audiobook: Poetry/
Counts,” reminds people to recognise stroke symptoms quickly and
Memoir category.
seek emergency care without delay. That message is urgent and necessary.
That recognition matters because it gives public visibility to an experience that is often hidden. It shows that innovation can be deeply
Ang’s journey brings another timescale into view: the months and
human when it helps someone communi-
years after stroke, when survivors continue
cate, participate and be heard.
to need rehabilitation, emotional support, understanding and opportunities to belong.
Ang keeps the technology in perspective. A stroke may happen in minutes. Recovery “AI did not cure my aphasia or restore my
can take years.
voice,” he wrote. “It just gave me another way for my words to be heard.”
For Ang, writing gave him time when conversation could not. The World Stroke Congress
His natural speech still requires effort. The
gave clinicians a patient’s view of care. Film
technology does not erase aphasia. It does
and video gave him new ways to express
not replace the person. It simply opens an-
what aphasia feels like. His audiobook gave
other door.
his words another way to reach listeners.
A Story Beyond Singapore
For readers, his story offers a quiet but powerful invitation. Give someone time to respond. Speak to them
Ang’s books have travelled
directly. Ask before supplying
beyond Singapore. In 2026,
a missing word. Accept other
Thunderstroke and Bro-
ways of communicating. Lis-
kenness Becomes Beautiful
ten beyond fluency.
were showcased at the 2026 American Library Association
Because a broken sentence is
Annual Conference & Exhi-
not an empty one.
bition in Chicago, the 15th Annual New York City Poetry
Behind it may be a person
Festival in New York, and the
still thinking, still feeling, still
International Dublin Writers’
shaping meaning, still trying
Festival 2026 in Dublin.
to be heard.
A Chinese edition of Thunderstroke has also extended his poetry to new readers. Each new format, language and platform creates another opening for people to encounter a survivor’s perspective on life after
Terence Ang
stroke. But at the centre of the story is not only international recognition. It is the simple, difficult, beautiful act of continuing.
AND THE
Power of Being Heard
Continuing to write. Continuing to speak. Continuing to try again when words come slowly. Continuing to make something meaningful from a life that did not go as planned. www.PrintedWordReviews.com
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