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ISSUE 15
THE DIVINE MISS ‘M’
WE CHAT WITH KYLIE MINOGUE
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WELCOME TO CITYLIFE Welcome to our City’s very own lifestyle and business magazines. For the past five years, we’ve devoted the pages of City Life to getting deeper into the heart of where thousands of our readers live and work, uncovering the stories of the day and finding out more about the people and places that make Portsmouth great.
to know more about Portsmouth and what is has to offer, talk to City Life and really get your message across! We look forward to talking to you. Duncan Williams Editor editor@portsmouthcitylife.com www.portsmouthcitylife.com
From the latest business reports, motor industry news and sports coverage to reviews of fashion, food and our exciting social scene, we’ve got it covered. A full diary of events and comprehensive round-up of the names and faces making waves in the City are carried in every issue. There really is something for everyone. Duncan Williams
So, if you want to stay ahead of the news and reach the readers who want
CITYLIFE PORTSMOUTH MAGAZINE www.PortsmouthCityLife.com PUBLISHERS: Big Spark Publishing Ltd. for and on behalf of Ozone Marketing Ltd. Publishing House, 3 Bridgebank, Industrial Estate, Taylor Street, Horwich, Bolton, BL6 7PD
EDITOR: Duncan Williams Duncan@PortsmouthCityLife.com T: 07960 829615 DEPUTY EDITOR: Jennifer Anne Sutcliffe Jennifer@PortsmouthCityLife.com RESEARCH & FEATURES James Murphy James@PortsmouthCityLife.com GRAPHIC DESIGN: Michael Marijeanne T: 07859 891747 citylifemagazine@hotmail.com MEDIA SALES CONSULTANT: Duncan Williams ozone.marketing@yahoo.com T: 07960 829615 MEDIA SALES CONSULTANT Annabel Knatchford Sales@PortsmouthCityLife.com MEDIA SALES CONSULTANT Andrew Pescud Andrew@PortsmouthCityLife.com
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CITYLIFE
CONTENTS SUMMER BRIGHTS
PAGE 04
MISS ENGLAND FINALS
PAGE 12
INTERVIEW: KYLIE MINOGUE
PAGE 14
FERRARI
PAGE 16
CANNES FILM FESTIVAL
PAGE 24
FILMS THIS SUMMER
PAGE 26
SCARPINI
PAGE 32
CITY PROPERTY
PAGE 34
THE FISH HOUSE
PAGE 38
MICHELLE GIBBS
PAGE 40
DAVID BRIMS
PAGE 42
RED BULL
PAGE 46
DENBIES WINE ESTATE
PAGE 48
CITYLIFE 3
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THE DIVINE
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Everyone, it seems, loves Kylie. After an enforced break through ill-health she talks health and love and takes us through the recording process of new album ‘Aphrodite’ with Executive Producer Stuart Price.
14 CITYLIFE
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working with Stuart. I think that feeling comes through on the album. SP: Love is always a great muse for writing songs, but better a muse for being up and down and not plain sailing and I think that gives you ideas, or you have things that you learn over your life that start coming back out in lyrics. I think also you realise that if you’ve felt something then someone else has probably felt it too, and they may have felt it in a different way but there’s a connection there. So it’s a great way of exorcising demons but it’s also a really great way of celebrating stuff as well; more than anything all of the songs on this record in their various guises of love are about a celebration.
Everyone, it seems, loves Kylie. After an enforced break through ill-health she talks health and love and takes us through the recording process of new album ‘Aphrodite’ with Executive Producer Stuart Price. As household names go they don’t get much bigger than Kylie Minogue. She’s been part of the cultural furniture since the 80s. It’s quite a cv. There’s Charlene Kylie from her days in ‘Neighbours’. Teenthrob Kylie when she hooked up with co-star Jason Donovan. Poptastic Kylie – essentially all her hits with Stock, Aitken and Waterman. Goth Kylie from her duet with fellow Australian Nick Cave. There was even an Indie Kylie with her experimental ‘Deconstruction’ album that featured songs penned by members of the Manic Street Preachers. And, of course, there’s Electro Kylie on ‘Can’t Get You Out Of My Head’ and a memorable pair of gold lamé hot pants. Gigantic arena-sized tours followed. Our desire to see Ms K in concert was seemingly insatiable. Then illness hit. But now she’s back with a new album and perhaps next year some opportunities to enjoy the Kylie concert experience. K: Kylie Minogue SP: Stuart Price Q: Congratulations Kylie, this is studio album number 11. How does that make you feel? K: It is kind of unbelievable. I thought the tenth album, ‘X’, was a benchmark but this one has just been amazing. I wouldn’t care what number you called it. It’s been the most amazing experience. Q: What was the recording process like for you this time? K: Well for me this was a first in that I had an Executive Producer. It was just the best experience, and funnily enough I think it’s the most cohesive album I’ve had since the beginning of my career, back in the PWL days, which by its very nature made it cohesive. There’s a lot to be said for working with different
producers and trying different stuff that has worked really well for me in the past, but I definitely wanted someone to tie this together as Stuart (Price) has done so beautifully. Q: What was it about this album and this project that made you want to do it differently to before? K: The idea {to do it differently} was at the forefront of my mind on this album because I’d had a little niggle with the previous two albums. But the added reason that all of this came around was because of our {Executive Producer Stuart Price} dear friend Jake Shears from the Scissor Sisters, who was working in this very studio, as I had started recording my album in various studios around the world. He praised Stuart highly and loves me dearly, and basically pestered me and said “You’ve got to do this, it’ll be so amazing!”. So I’ve got much to thank Jake for. Q: This is a much lighter album than some before. Is that some sort of reaction to the darker times that you had been through? K: I think a lot of what I do now is, in some way, coloured by the experience I had with illness. I guess I was just feeling like expressing joy at this point, I’d written songs more about that period in my life either on or for the last album, so I didn’t feel like going through those again; this was about this moment, this time, and what a happy experience this has been for me. Q: After speaking about a theme, what’s your relationship with love at the moment? K: Jeez! (Pauses) That’s a massive question! A lot of people question why so many pop songs are about love, why operas are so written, why paintings are painted, why we cry during really silly commercials. Love in all its various forms challenges us all the time and I guess you could say this was a little love affair with this album. I loved coming to work and I loved
Q: What were the best moments when recording? SP: Well, what you probably can’t see is that by Kylie’s feet and mine there’s a little six-foot square area that was designated the ‘dance zone’. K: You guys are right in it! You feel some kind of movement? SP: That was when you knew a song was right, and you knew that it was saying what we wanted to say K: We’d both be listening in our own world and there’d be the point in the song when the hands would go up! Hands up meant good reaction. And, of course, there was the ‘Dolly Parton Litmus Test’ which I’ve got to tell you has travelled. I’ve been asked so much about that. Shall we tell that little story? SP: You should yeah. That came from New York as well. K: It did! The soon to be trademarked and copyrighted ‘Dolly Parton Litmus Test’ is a way of testing a song’s viability as a song without production. He’d (Stuart) get his acoustic guitar out and we’d sing. SP: Well it wasn’t quite singing it was more of a performance. K: True. SP: Kylie does the best Dolly Parton impersonation there is on the planet ever! We figured out that if that worked for any song, and we could see Dolly doing it then on top of that we could sit down with a guitar and do it like that as well – the song was probably destined for good things. It became, as you say, a sort of litmus test for each song on the record. And destined Kylie to do it at every dinner party she goes to from this point onwards to the end of time. K: Then as a celebration when it was my last day to wrap up a couple of things, I took it upon myself to get two of the cheapest, gnarliest, got-nothing-to-dowith-a-natural-fibre-at-all outfits – cowboy and cowgirl. One was couriered with a message – I can’t remember what I wrote – but just reading it you could tell it was in ‘that accent y’all!’ (adopts Southern belle accent). SP: It mentioned grits in it somewhere as well. K: It did mention grits. I did a quick change at the entrance and walked in to find my ‘cowboy’ with Kenny Rogers blasting out of the stereo. Then I came in and punched out a good old rendition of ‘Yeeeeeha!’ on ‘All The Lowers’ (recent single) in ‘Dolly Parton Litmus Test’-style. SP: We got the baked beans on the fire for that one! K: That was one of our most fun moments. Q: Is this one of the most fun albums you’ve ever made then? K: Yep. Without a doubt! ‘Aphrodite’ is out now.
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7 YEAR SWITCH
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Fuel consumption ďŹ gures in mpg (l/100 km) for the Kia Venga range are : Urban: 31.4 (9.0) – 54.3 (5.2), Extra Urban: 48.7 (5.8) – 70.6 (4.0), Combined: 40.4 (7.0) – 62.8 (4.5). C02 emissions are 164 – 117 g/km. 7 year / 100,000 mile manufacturer’s warranty. See your local dealer or visit www.kia.co.uk for full warranty terms and conditions. Price correct at time of going to press and speciďŹ cation is subject to change without notice. Model shown is 1.4 Venga 1 @ ÂŁ9,995 On The Road (OTR) including ÂŁ1,500 trade in allowance. OTR price includes VAT, number plates, delivery, 12 months’ Government Vehicle Excise Duty (VED) and Vehicle First Registration Fee. Metallic / mica paint is available for an extra ÂŁ395 charge. Retail customers only. Subject to availability on vehicles registered between 01 April 2010 and 31 July 2010. Offer not available in conjunction with any other offer. Terms and conditions apply – please see your local dealer for full details. Authorised and regulated by the Financial Services Authority for the purpose of insurance mediation activity. FSA register No. 311625.
20 CITYLIFE ') 8>INA>;:
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Set on 225 wooded acres in the rolling countryside on England’s southern coast, Meon Valley, a Marriott Hotel & Country Club enjoys a secluded environment near the motorway just over 1 hour from London. With a commitment to superior service and amenities, this 4-star Southampton hotel lends itself beautifully to leisure and business pursuits. For entertaining clients or hosting corporate events, there is A championship golf course and A PGA Rated 9-hole Golf course, a golf academy with covered driving range, team-building activities and a comprehensive meeting and conference facility. To unwind, there’s a heated indoor pool, fitness centre, tennis court and indulgent beauty and health spa. At the end of a memorable day, retreat to a luxuriously appointed guest room offering wireless highspeed Internet access, 32 inch flat screen TV and mini bars. The Zest is a stylish lounge bar and eatery serving restaurant-quality food in a relaxed environment. Enjoy upscale, casual dining in Broadstreet Restaurant.
Sandy Lane | Shedfield | Southampton | England | SO32 2HQ | United Kingdom
Phone: 44 1329 833 455 | Fax: 44 1329 834 411 22 CITYLIFE
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CITYLIFE 29 8>INA>;: ((
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SCARPINI
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Report by Jennifer Anne Sutcliffe
AT SCARPINI SHOES WE STOCK SHOES BY TODAY’S MOST TALENTED DESIGNERS…. 32 CITYLIFE (+ 8>INA>;:
RUPERT SANDERSON
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34 CITYLIFE (- 8>INA>;:
Life is sweet
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AT THE TOP
CITYLIFE 35 8>INA>;: (.
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SUGAR HOUSE, LONDON E1 –
CONTEMPORARY LIVING IN A HISTORICAL GEM
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THE FLAVOUR OF SOUTH DOWNS TOWNS - TASTY RECIPE CARDS FOR KEEN COOKS
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CITYLIFE 45 8>INA>;: ).
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