This article examines the fact that after the independence of Uzbekistan, the works of modern literature began to be reevaluated on the basis of new approaches. Literary scholar Ilhom Ganiev's monograph "Poetics of Fitrat dramas" is analyzed
and the poetic world of the playwright is covered. The article is based on the analysis of the physicist's focus on Fitrat's
character creation skills, the symbolic and figurative motives used in dramas, and the use of artistic language.