Reflections in Design Magazine Winter 2026

Editor-in-Chief

EditorReflectionsMagazine@ifdane net

Managing Editor ifda nec@gmail com

Publisher ifda nec@gmail com

Reflections in Design is a subscription magazine that is distributed at no charge to all IFDA-NE chapter members and subscribers.

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Jennifer Driscoll

Megan Whipple

ART DIRECTION CONTRIBUTORS

EVELYN DOW

Photography is Ev’s passion because it allows her to capture and preserve special moments for posterity She enjoys chronicling her own family’s life through photographs and finds great joy in

ge consultant es, and Boston, nd style, and ision.

TREVOR FULMER

An award-winning interior and product designer who believes in the power of collaboration. His bias toward graphic interiors and sculptural silhouettes can be spotted in his Five Fab Finds

GEORGIA ZIKAS

With two decades of expertise, Georgia has earned a celebrated reputation for her innate ability to design, renovate, and build family properties that are classically inspired yet personality-driven

Notable

Benjamin

Bridging

THE FINER DETAILS

Exhibits worth exploring

FIVE FAB FINDS

Designer Trevor Fulmer shares his favorites

BEYOND THE BORDERS

DesignintheCzechRepublic,Italy,France,&Spain

RIDDING THE DESIGN WORLD OF PFAS

Why true forever-chemical-free matters

A MAN ON A MISSION

Discover Jim Gauthier’s mission to raise the bar

Design scholarship and grant opportunities

and US designers

F R O M T H E E D I T O RI NC H I E F

In 2025, the Board of Directors of the New England Chapter asked me to serve as Editor-in-Chief of our new magazine, Reflections in Design. With deep gratitude and giddy excitement, I accepted. I have been an active member of IFDA since 1996, serving in many positions on the board; most notably as chapter president in 2002. This, as editor, affords me the pleasure and privilege of helping to promote the creativity of our members by showcasing designs, writing stories about their innovations, Finding the Light Solution, and accomplishments like Nicole Hogarty, Designer of the Year, as well as sharing important information for their professional development, Jim Gauthier, A Man on a Mission

Our New England Chapter has grown to include all disciplines, including fashion design, floral design, art, and industrial design We are creative creatures, including our industry partners and building trades Reflections in Design will reach all IFDA members in our international network We aim to grow our membership far and wide and to share the valuable benefits of membership

I’m personally inviting you to reach out with your best designs, your exciting news, and your accomplishments We will publish four issues a year Just drop me an email United, we are stronger and bolder than we’ve ever been

Cheers! R P

OUR MISSION

At IFDA, our mission is to inspire collaboration within the furnishings and design industry to support its people, their products and services.

F R O M T H E M A N A G I N G E D I T O R

Design has always been personal to me. It’s how we live, how we connect, and how ideas come to life through collaboration, craftsmanship, and curiosity. was born from a desire to slow down and really look at what’s shaping our industry and the people behind it.

My path has taken me through some incredible corners of the design world, from Waterworks, Ann Sacks, and Holly Hunt to my current role as Showroom Director at Minotti Boston. Along the way, being involved with organizations like IFDA New England and ASID New England has shown me just how powerful our design community can be when we share ideas and support one another

As Managing Editor, I’m excited to use this platform to highlight thoughtful work, fresh perspectives, and meaningful conversations across interiors, architecture, art, and design culture This first issue is just the beginning, and I’m glad you’re here to experience it with us

Warm regards,

John Trifone

JOHN TRIFONE

“Congratulations to John Trifone on a successful term as IFDA President, and best wishes to Eunice Weckesser as she steps into her incoming role as President!”

F R O M T H E P U B L I S H E R

As Publisher of Reflections in Design, I’m incredibly proud to welcome you to the very first issue of IFDA New England’s magazine This publication has been a long-held vision, one rooted in the belief that design is more than what we create; it’s how we connect, collaborate, and evolve together Reflections in Design was born out of a desire to spotlight the people, ideas, and stories that shape our community, not just the finished spaces, but the journeys behind them.

As designers, creatives, makers, and industry leaders, we are constantly reflecting on where we’ve been, what inspires us now, and where we’re boldly headed next. This magazine is a platform for those reflections. A place to celebrate creativity, honor growth, and amplify voices across all corners of the design world

This first issue represents collaboration at its best. It exists because of the passion, talent, and generosity of our members, partners, contributors, and supporters who, as I do, believe community is the heartbeat of great design As I step into my role as Incoming President of IFDA New England, my mantra is simple and intentional: collaboration is the new competition When we share ideas, support one another, and build together, we all rise, and our industry becomes stronger for it

This launch reflects our collective momentum and our shared commitment to elevating design through connection, education, and opportunity Together, we are building something that feels fresh, inclusive, and forward-thinking, while staying grounded in the values that make IFDA New England so special.

Thank you for being part of this moment, for supporting one another, and for continuing to push our industry forward. I hope Reflections in Design inspires you as much as it has inspired me

With gratitude and excitement for what’s ahead,

Eunice Weckesser

EUNICE WECKESSER

REFLECTIONS IN DESIGN LAUNCH

6:00 - 9:00 PM

CBS Exotic Stones Winchester, MA Website

Design takes center stage! Join us in celebrating the magazine’s debut with an evening of creativity, cocktails, and conversation.

23

DESIGNTO FESTIVAL

January 23–February 1

Toronto, Ontario

Website

27

COPENHAGEN FASHION WEEK

January 27–30

Copenhagen, Denmark

Website

MAISON & OBJET

15 January 15-19

Nord Villepinte Exhibition Centre Paris, France

Website

28

ALIS DESIGN+ January 28-29

IMM COLOGNE

20 January 20-23

Koelnmesse Hall Cologne, Germany

Website

DESIGN CALENDAR

JW Marriott/Ritz-Carlton Los Angeles, CA Website

29

MIDNIGHT MARCH EXHIBIT OPENING WITH ARTIST MASAKO MIKI

January 29 - May 31

MassArt Art Museum (MAAM) Boston, MA

Website

FEBRUARY/2026

03

SURFACE DESIGN SHOW

February 3-5

London, UK

Website

06

TOKYO DESIGN FORUM

February 16-18

Tokyo, Japan

Website

10

JAMIE DIAMOND: MONSTRA TE ESSE MATREM

February 10 – July 28

Boston, MA

Website

11

NEW YORK FASHION WEEK

February 11-16

New York, NY

Website

DESIGN & CONSTRUCTIO WEEK 17

February 17-19

Orange County Convention Center

Orlando, Florida

Website

A combination of the International Builders' Show (IBS) and the Kitchen & Bath Industry Show (KBIS), for North America's largest industry gathering, with one pass accessing both huge trade shows.

ROOTED: 2026 PHS PHILADELPHIA FLOWER SHOW 28

February 28 - March 8

Pennsylvania Convention Center

Philadelphia, PA

Website

COLLECTIBLE

BRUSSELS

March 12-15

Brussels, Belgium

Website

CAR // DESIGN EVENT 2026

02 March 2-4

Drivers and Business Club

Munich, Germany

Website

Experimental in its approach, COLLECTIBLE is a one-of-a-kind platform for the showcase and discovery of the best in contemporary collectible design. The fair brings together established and emerging galleries, design studios, independent makers and brands in a dynamic integrated space, while collaborating with leading curators, design institutions and foundations to deliver groundbreaking commissions and curated projects.

06

GLOBAL DESIGN THINKING WORKSHOP

March 6-18

Potsdam, Germany

Website

DESIGN CALENDAR

16

SXSW DESIGN TRACK

March 16-18

Austin, TX

Website

19

DESIGN SHANGHAI

March 19-22

Shanghai Exhibition Centre

Shanghai, China

Website

O F B O S T O N esign r raperies

YOUR TRADE WORKROOM

AN ENCHANTED EVENING IN FULL BLOOM: IFDA NEW ENGLAND’S 2025 AWARDS GALA

From immersive installations to meaningful recognition, the IFDA New England 2025 Awards Gala delivered a night of elevated design, purposeful celebration, and enduring impact, where luxury and legacy met in full bloom

BY JOHN TRIFONE / PHOTOGRAPHER: EV DOW PHOTOGRAPHY

On October 3, 2025, the International Furnishings and Design Association New England Chapter (IFDA-NE) transformed the historic Hilton Park Plaza Boston into a refined escape with its annual gala, themed Secret Garden. The evening unfolded as an immersive celebration of design excellence, creative leadership, and the future of the industry, bringing together the region’s most influential voices in architecture and interiors.

Benefiting the IFDA Educational Foundation, the gala underscored its deeper purpose in supporting the next generation of design talent. Each year, the foundation awards nine scholarships for education and five grants to support students and professionals in their design careers. The focus on education and continued learning opportunities reinforces IFDA’s ongoing commitment to mentorship and innovation within the design community.

The evening began with an exclusive VIP reception at the Minotti Boston showroom, followed by guests' arrival at the Park Plaza for a cocktail reception, silent auction, and an elegant seated dinner. Awards presentations and a lively after party completed the evening, blending sophistication with celebratory energy. The Park Plaza ballroom was transformed into a lush, magical garden with a delicate palette of soft whites and gentle greens.

A NIGHT TO REMEMBER

Floral installations flowed effortlessly across the room, thoughtfully designed by Winston’s Florist, creating depth and movement without overwhelming the setting. Outdoor lighting fixtures were artfully repurposed indoors and paired with candles set in clear glass cylinders, casting a warm, ambient glow that softened the room and blurred the boundary between interior and exterior bringing the Secret Garden vision fully to life.

One of the evening’s most talked-about moments was an immersive installation featuring a central fountain and live models transformed into florals and living trees. The experience, enveloping equal parts art, nature, and performance, was brought to life by OLuxe Design in collaboration with Stone Showcase, creating a striking visual statement and a true sense of wonder

The Secret Garden concept and déco IFDA-NE Vice Presidents of Specia Pearce and Isabelle Yabe of LeBla they crafted an environment that ba restraint, resulting in a setting that felt impeccably curated.

Project awards were evaluated by an esteemed panel of judges, including Katy Lynn Retzbach, International President of IFDA; David Santiago, award-winning designer and founder of Casa Santi Interior Design; and Michael Mitchell, the creative force behind his Charleston-based design firm and retail destination

Three premier honors defined the night. Nicole Hogarty was named Interior Designer of the Year Her designs originate from the inside out, starting with clients’ daily lives and emotional connection to their home Her aesthetic blends serenity with layered texture and carefully considered proportion. Clients praise Nicole’s ability to translate their needs into functional, stylish homes Her blend of heartfelt collaboration, artisanal finesse, design leadership, and documented excellence makes Nicole the top contender for Designer of the Year.

Architect of the Year was awarded to Nicholas Paolucci, who has earned numerous accreditations, demonstrating his expertise. His portfolio features green building practices, high-performance materials, tight building envelopes, and renewable technologies He’s praised for collaborative, design-build execution, ensuring smooth coordination with builders and engineers for seamless project delivery His resilient entrepreneurial path, shaped by personal milestones, reflects a deep passion, adaptability, and commitment.

The Lifetime Achievement Award was given to Kathy Bush-Dutton, recognizing her enduring influence on design media, industry development, and the design culture Named one of Folio’s Top Women in Media in 2016, she has championed initiatives such as the New England Design Hall of Fame, the 5 Under 40 Awards, and the Luxury Home Design Summit. Colleagues describe her as someone who skillfully balances editorial direction with revenue goals, forging genuine relationships and fostering a work culture of loyalty and connection. She has supported charitable programs, including scholarship funds and Habitat partnerships Kathy has dedicated over four decades to empowering professionals and elevating the design culture, which makes her exceptionally qualified for the Lifetime Achievement Award

2025 IFDA-NE Design Award Recipients

INTERIOR DESIGN (TRADITIONAL)

Best Traditional Living Room

Robin Gannon Interiors

Best Traditional Home Office

Digs Design Company

Best Traditional Dining Room

Michael Ferzoco, Eleven Interiors

Best Traditional Kitchen

Lisa Lally

Best Traditional Bath

Sarah Scales Design Studio

INTERIOR DESIGN (TRANSITIONAL)

Best Transitional Living Room

Dennis Duffy

Best Transitional Bedroom

SV Design

Best Transitional Dining Room

Kelley Elizabeth Interiors

Best Transitional Kitchen

Rosemary Porto

Best Transitional Bath

Sage Conti

INTERIOR DESIGN (MODERN)

Best Modern Living Room

Trevor Fulmer

Best Modern Bedroom

Leslie Fine Interiors

Best Modern Kitchen

FBN Construction

Best Modern Bath

Didi Interiors + Architecture

INTERIOR DESIGN (SPECIALTY)

Best Smart Home Technology

Patti Watson, Taste Design Inc.

Best Specialty Project

Tiffany LeBlanc, LeBlanc Design

Best Showroom

Newton Kitchens and Design, Tricia Matta

Best Design Restaurant

Taniya Nayak Design

Best Design Retail

Eunice Weckesser

Best Interior Design Student Project

Caroline Raber

ARCHITECTURE DESIGN (RESIDENTIAL):

Best Traditional Residential Architecture

SV Design

Best Transitional Residential Architecture

SKA

Best Modern Residential Architecture

Pavlides Studio

Best Residential Specialty Architecture Project

LDa Architecture & Interiors

Best Residential Student Architecture Project

Troy Rudolph

ARCHITECTURE DESIGN (COMMERCIAL):

Best Restaurant Design

MKA Architecture, LLC

Best Commercial Student Project

Troy Rudolph

“The gala isn’t just about celebrating design, it’s about honoring the people and the passion that drives our industry forward.”

Vineet

Malik Stone Showcase

2025 IFDA-NE Design Award Recipients

ENVIRONMENTAL DESIGN:

Best Residential Landscape Design

LeBlanc Jones Landscape Architects

Best Commercial Residential Landscape Design

LeBlanc Jones Landscape Architects

INDUSTRIAL DESIGN:

Best Sustainable Industrial Design

Top Notch Contracting and Traverse Architects

Best Industrial Design Product

Lawless Upholstery and Furnishings

GRAPHIC DESIGN:

Best Graphic Design Branding

Ellekin Cabinetry & Millwork

Best Graphic Design Multimedia

Manejah Terzi, Makkas Workroom

FASHION DESIGN:

Best Fashion Design Accessory

Vineet Malik, Stone Showcase NE

FLORAL DESIGN:

Best Abstract/Creative Floral Design

Jamie Mitri, Moss Pure

Best Floral Event Design

Erica Jones

EXCELLENCE FOR INDIVIDUAL CONTRIBUTIONS:

Designer to Watch

Kristen Apicerno

Spotlight Award

Julie Dalton

Community Spirit

Kyle Tripp

Industry Partner of The Year

New Dimensions

Excellence in Building

Jim Foscaldo

Excellence in Landscape Architecture

Doug Jones

Excellence in Photography

Jessica Delaney

Excellence in Fashion Design

Meichi Peng

N O T E W O R T H Y DESIGN

BY ROSEMARY PORTO

Boston interior designer Sarah Scales feels rooted in architectural details Her recent project in Concord, MA, is a fine example of her skill in blending historical bones with clean modern elements She chose a classic combination for her color scheme: black and white with textured neutrals Add restored naturalwood cabinets and a sleek dining room table, and the room is ready for an elegant dinner party The plaster ceiling medallion crowns a chic hand-blown-globes modern chandelier Its burnished finish is reminiscent of the industrial design of years past Sarah’s skillful restraint created a modern interior with an enduring respect for history

finding the LIGHT SOLUTION

BY ROSEMARY PORTO

Problem-solving is the beating heart of every design process Sure, we can make our clients’ environments more beautiful, functional, and uniquely theirs, but executing the best way to arrive at a happy ending can leave us in the dark Two long-time IFDA members, Dawn Carroll and Lucy Dearborn, collaborated with Rodrigo Silva at CBS Exotic Stone in Winchester on one such challenge He jumped at the opportunity to support this collaboration by installing this innovation in his extensive stone showroom They designed and installed The Wall of Light using the latest lighting technology to backlight stone slabs: Onyx, Marble, Quartzite, and some Granites Their method can be used for vertical and horizontal surfaces

During Dawn’s many years working with stone, which she calls “archaeology wonders” for designers, architects, and builders, she knows first-hand how unpredictable natural stone can be when back-lit She has a list of failed tries

“When light is added to stone, its imperfections and variations in the intrinsic minerals hijack a successful installation.” Dawn joked, “Don’t trust your cell phone light for help.”

Urgency and necessity fueled the team’s pursuit of a stable, successful way to help their clients backlight their stone designs Rodrigo Silva at CBS Exotic Stone in Winchester was eager for this display to live in his showroom and to offer this unique learning opportunity

Enter Lucy Dearborn, owner of Lucia Lighting, who has spent her celebrated career lighting projects for the trade and consumers. Together, they found the ideal invention using the latest LED lighting and advanced control technology.

When light is added to stone, its imperfections and variations in the intrinsic minerals hijack a successful installation.

A simple yet effective lighting solution for a precise look or mood with translucent stone.

Stepping Stone Series

INSIDE THE MIND OF A VISIONARY

NICOLE HOGARTY

BY ROSEMARY PORTO / PHOTOGRAPHY: READ MCKENDREE / JBSA

In the heart of Boston’s design scene, Nicole In the heart of Boston’s design scene, Nicole Hogarty has carved out a reputation for Hogarty has carved out a reputation for creating spaces that are as timeless as they creating spaces that are as timeless as they are tailored Known for her ability to blend are tailored. Known for her ability to blend classic New England charm with modern classic New England charm with modern sophistication, Hogarty approaches every sophistication, Hogarty approaches every project with an eye for detail and a deep project with an eye for detail and a deep understanding of how interiors shape the understanding of how interiors shape the way we live From historic brownstones to way we live From historic brownstones to contemporary urban lofts, her work reflects a contemporary urban lofts, her work reflects a commitment to craftsmanship and a passion commitment to craftsmanship and a passion for storytelling through design We sat down for storytelling through design We sat down with Nicole to explore her creative process, with Nicole to explore her process, her inspirations, and what it takes to bring a her inspirations, and what it takes to bring a client’s vision to life in today’s ever-evolving client’s vision to life in today’s ever-evolving design landscape design landscape

RP: Congratulations on being named Designer of the Year at the IFDA 2025 Awards Gala. Looking back on that evening, what did this recognition mean to you personally and professionally?

NH: So honored and grateful. Having served as IFDA President in 2013, this recognition feels like a beautiful full-circle moment with a community that has been such an important part of my journey

RP: The gala’s Secret Garden theme celebrated discovery, beauty, and transformation all qualities reflected in your work How did that theme resonate with your design philosophy?

NH: Certainly, transformation resonated, as an interior designer who believes in embracing new ideas, learning from each project, and allowing experiences, both personal and professional, to shape a deeper, more authentic creative voice

RP: Which recent project do you feel best embodies your creative vision and approach to design?

NH: The Beacon Street Brownstone project embodies our present design philosophy, quiet luxury, intentional beauty, comfort, and enduring style Every detail reflects a sense of ease and refinement, a space designed to feel both timeless and deeply personal Now in our fourth collaboration with this family, the project celebrates the trust, shared language, and lasting friendship that have grown over years of creating together, a true reflection of the harmony between designer and client

RP: How has your design aesthetic evolved over time, and what experiences or influences have shaped that evolution?

NH: My design aesthetic has evolved and been shaped by travel, diverse experiences, and a curiosity for new ideas Each project and every place I’ve encountered has left an imprint, encouraging me to experiment, embrace discovery, and refine my approach I draw inspiration from our clients’ stories and visions, which challenge me to see spaces through fresh perspectives Above all, my team’s creativity, insight, and daily dedication continually inspire me, helping shape a collaborative vision that is ever-evolving, thoughtful, and deeply personal

INSIDE THE MIND OF A VISIONARY

RP: Balancing creativity with the realities of client expectations and budgets can be challenging. How do you maintain that equilibrium?

NH: Interior designers are creative problem solvers at heart Balancing budget, client expectations, my own standards, along with time constraints, requires clear communication, thoughtful planning, and the ability to pivot We strive for each project to unfold smoothly, allowing life to happen and leaning into change as it comes, while finding solutions that honor the client’s vision and maintain design integrity and quality The result is a space that is not only beautiful and functional but also meaningful and true to our collective vision

RP: Collaboration plays such an essential role in design. Who have been some of your most influential partners, mentors, or collaborators?

NH: Some of the most meaningful lessons in my career have come from the incredible people I’ve collaborated with Immediately, I think of our metal fabricator, an owner’s representative, and a showroom representative who have profoundly helped me throughout my career. They’ve inspired me, challenged me, and taught me to see design, craft, and business in entirely new ways It’s through these types of collaborations that the work truly comes alive. When creativity, expertise, and shared passion intersect, the result is always richer than anything I could achieve alone. These experiences continue to shape not just my projects, but the way I approach design itself

RP: As you look toward the future, what design trends or movements are you most inspired to explore?

NH: As I look toward the future, my focus is on deepening relationships with inspired clients, talented artisans, and trusted partners, who share a passion for meaningful design While I stay aware of broader movements in design, I’m more interested in creating spaces that resonate on a personal level and spaces that reflect a client’s individuality rather than a moment in time. I want to continue building on the creative synergy that comes from true collaboration, while nurturing the relationships that have shaped my journey so far I’m also committed to developing as a leader, one who inspires confidence and makes my team proud Equally important to me is being a champion for other designers and the next generation, creating opportunities, sharing knowledge, and nurturing their growth in this ever-evolving industry I see this t

next chapter as a time for growth: taking on new challenges, pushing creative boundaries, and exploring just how far I can strengthen and evolve our studio It’s about continuing to refine not only the work we create, but also the culture and values that define us.

RP: What advice would you offer to emerging designers who aspire to one day earn this level of recognition?

NH: The best advice I can give to the next generation of interior designers is to surround yourself with the right team and seek out mentors who challenge and inspire you. Ask questions, remain humble, and be open to feedback; these are the tools that help you grow. Always lean into learning, embrace curiosity, and approach each project as an opportunity to expand your perspective Be willing to put in the work, recognize your value, and understand that success is not linear

BEHIND THE SCENES

Benjamin Moore’s Color of the Year

BY ROSEMARY PORTO

How does Benjamin Moore decide which color in their extensive array of over three thousand five hundred paint colors is the WINNER?

Every October, the interior design community eagerly awaits Benjamin Moore’s Color of the Year IFDA NE annually hosts a meeting to announce the color at the Ethan Allen Design Center in Natick This year, at a lovely luncheon, I nibbled on sushi while listening to our rep, IFDA member Marion Beaulieu, present an excellent CEU program A question poked me over and over How does Benjamin Moore decide which color in their extensive array of over three thousand five hundred paint colors is the winner? I expressed my nagging curiosity to Marion, who jumped to it and introduced me to Andrea Magno, Benjamin Moore’s Director of Color and Design, who shared the inside scoop on their meticulous process

The Color of the Year for 2026: Silhouette, AF-655, is a rich espresso with burnt-ember hues and truffle notes Warm and moody, like a room filled with old books, rich leather, and a crackling fire “Silhouette is a drenching color, with a deep saturation of many pigments,” Andrea explained

In October 2024, the process for 2026 began, with Andrea leading a team of six colleagues in brainstorming trends in textiles, furniture, art, and fashion Next, recent sales patterns were studied for consumer buying trends, such as a popular violet with a cool blue base morphing into a warm pinkish lilac in sales figures Hence, Batik AF-610 arrived as one of eight colors in the complementary 2026 palette

Then it was a boots-on-the-ground research strategy Andrea hit the road for Paris Fashion Week, the Salone di Mobile in Milan, and London Design Week The overwhelming trend she found was a return to tailored classics in fashion and furniture Bespoke details like carved millwork and rich fabrics emerged as a common theme She suggested looking at Jack Lenor Larsen’s textile legacy as an example

After months of team meetings and further research, classic design becamethebenchmarkfor2026,andSilhouettewasthewinningcolor

Every year, controversy about the chosen color palette circulates, yays and neighs abound But with Benjamin Moore’s well-marketed announcement, The Color of the Year gives us design professionals something to think about, to reconsider our tried-and-true go-to whites and accents Andrea and her cohorts give us a springboard for change, a way to look at our color choices with a global rather than a local perspective

Since October 2025, Andrea and her team have been back at their research process for The Color of the Year 2027 Now that we know how they do it, we gratefully look forward to seeing what color and trends they come up with next

COLOR OF THE YEAR 2026

WHAT HAPPENS WHEN...

FASHIO NAND INTERIO RS SPEAK THE SAME LANGU AGE

BY JULIE MATOS

PHOTOGRAPHY: COURTESY OF JULIE MATOS

The most compelling fashion stories don’t exist in isolation; they live within spaces In Paris, where architecture carries as much cultural weight as clothing, the relationship between interiors and fashion becomes undeniable. This fashion editorial moment illustrates how the two disciplines work best when they are in conversation rather than competition Both rely on proportion, texture, restraint, and, above all, quality.

Fashion and interiors share the same foundation: materials matter

A well-cut garment and a thoughtfully designed room are built on structure before decoration In this story, the historic interior, layered with stone, plaster, and tapestry, offers a tactile richness that mirrors the craftsmanship of the clothing The softness of fabric against hard architectural surfaces creates contrast, allowing each element to enhance the other. This balance is what makes the image feel timeless rather than trend driven.

Texture.

"Texture is the common language. In fashion, texture adds depth to a silhouette; in interiors, it creates warmth and dimension."

The dress’s fluid drape feels intentional against the aged walls and worn floors, much like a silk or wool piece grounding a minimalist wardrobe. Gloves and metal accents introduce a sharper edge, echoing the way contemporary interiors often pair antique elements with modern materials, steel beside stone, leather against linen. It’s not about matching; it’s about tension.

Current trends in both fashion and interiors point toward this thoughtful layering. We’re seeing a return to heritage references, classical proportions, artisanal finishes, balanced by modern styling. In interiors, that translates to rooms that feel collected rather than designed: vintage furniture mixed with sculptural lighting, patina embraced instead of erased. In fashion, it’s the same philosophy: fewer pieces, better made, styled with intention.

This shift speaks directly to the growing emphasis on quality over quantity. Consumers are moving away from excess and toward investment pieces that hold meaning, age beautifully, and remain relevant beyond a season. A well-made garment, like a welldesigned space, doesn’t rely on trends to feel current. Its relevance comes from craftsmanship, fit, and material integrity.

Paris has always championed this approach. Its interiors are not constantly reinvented; they are refined over time. Fashion, when done well, follows the same rhythm. Lanvin's design language especially reflects this sensibility, clean lines, considered volume, and an understanding that restraint often makes the strongest statement. The clothing doesn’t overpower the space, and the space doesn’t overshadow the clothing. They coexist.

There’s also an emotional connection at play. Spaces shape how we feel, just as clothes do. When both are thoughtfully curated, they create confidence and presence rather than noise. This is why editorial fashion works so well within strong interiors; the environment adds context, grounding the look in a lifestyle rather than a moment.

Ultimately, the relationship between fashion and interiors is about intention. Both ask the same questions: How does this piece live? How does it age? How does it make you feel? When quality leads the conversation, the result is something enduring.

True style isn’t about accumulation, it's about curation. Whether dressing a room or a body, the most powerful statement is knowing when to choose less and choosing it well.

The Finer Details EXHIBITS WORTH EXPLORING

Masako Miki: Midnight March

January 29 – May 31, 2026

On Thursday, January 29, Boston's only free contemporary art museum, MassArt Art Museum (MAAM), will celebrate the opening of Artist Masako Miki’s largest exhibition of Midnight March on the East Coast from 6-9 pm Miki will be present

This experiential world is populated by semiabstracted felted wool sculptures set within a galaxy Referencing nature, Japanese yōkai (supernatural beings), and Shintoism, Miki creates new mythologies that reflect the complexity of multicultural identities and worlds.

Miki’s practice is rooted in the belief that art can generate new, inclusive narratives to counter harmful lore. The artist seeks to bridge cultural divides and foster shared understanding.

MassArt Art Museum (MAAM) 621 Huntington Ave., Boston, MA maam.massart.edu

Press & Pull: Two Decades at the Robert Blackburn Printmaking Workshop

January 22 – May 31, 2026

Opening on January 22, 2026, Press & Pull: Two Decades at the Robert Blackburn Printmaking Workshop traces the Workshop’s early foundations, culture of innovation, and ongoing role as a hub for collaboration and mentorship.

F artists, the exhibition celebrates the impact of Robert Blackburn (1920–2003) and his enduring vision of equity, experimentation, and community in American printmaking.

MassArt Art Museum (MAAM) 621 Huntington Ave., Boston, MA maam.massart.edu

Step into a season of art that explores identity, persona, a reflection The Isabella Stewart Gardner Museum’s upcoming ex invite you to see photography and portraiture in new ways

Jamie Diamond: Monstra Te Esse Matrem, 2

February 10 – July 28, 2026

Artist-in-Residence Jamie Diamond transforms the museum’s façad striking work that asks: What does it mean to be a mother?

Unidentified photographer, A Piatt

and

Picturing Isabella

February 19 – June 21, 2026

Claude Cahun (French, 1894–1954)

I am in training don't kiss me, 1927 Gelatin silver print Courtesy of the Jersey Heritage Collections

Persona: Photography and the Re-Imagined Self

February 19 – May 10, 2026

Discover how artists since the 1920s have used photography to create alter egos playful, political, and aspirational that challenge cultural norms and stereotypes

Explore rare photographs that reveal the elusive image of Isabella Stewart Gardner, who famously avoided the camera as her fame grew

The Isabella Stewart Gardner Museum 25 Evans Way, Boston, MA gardnermuseum.org

5

FIVE FAB FINDS

TREVOR FULMER

In the world of design, inspiration often comes from the details, and few people have an eye for standout pieces like Trevor Fulmer Known for his impeccable taste and trend-savvy approach, Trevor curates five fabulous finds that reflect the latest in style, innovation, and artistry His selections don’t just elevate spaces; they spark creativity, connect readers with emerging brands, and showcase the kind of thoughtful design that defines his work Whether you’re a seasoned designer or a passionate enthusiast, these picks promise to refresh your perspective and keep you ahead of the curve

Take a journey starting in the Czech Republic, extending through Northern Italy, and into France and Spain

WANDERLUST

BY ANN MAKOFSKI

In October of last year, a group of designers, architects, and builders emerged from their rooms overlooking the streets leading to Old Town in Prague They converged at a cafe where they met for the first time, between carafes of freshly squeezed orange juice and homemade lemonade, platters of breads, pastries, pies, fruits, yogurt, and, of course, espresso After a few handshakes and polite introductions, the creative tthe

collective from New England, the Midwest, New York, and even France embarked on a five-day exploration of various cultures, designs, and manufacturers in the Czech Republic and Italy’s Lombardy and Veneto regions During their journey, they exchanged valuable insights on creative processes and industry challenges, ultimately fostering a close-knit community of diverse cosmopolitan designers

gan in Prague, exploring historic streets ng the landmark Cubist Diamond House, where BOMMA’s Atelier displays its striking crystal DAY 1

DAY 3

lored Tooy’s innovative ed standard collection s, and DCWéditions’ ights inside a beautiful palazzo in Montichiari, s, antique floors, and

In the countryside of Valpolicella, the group joined a cooking class with Cookbook Author and Chef Davide Bonaldi, then toured Antolini’s stone factory to admire acres and acres of exotic stones and gemstones. The day ended with dinner and an overnight stay in a castle, high in the Prosecco Dolomites, creating a fairy-tale experience.

DAY 4

At the start of the day, Falmec, a manufacturer of advanced kitchen ventilation systems, opened its doors to guests awestruck by its quiet technology (NRS®) for silent kitchen comfort and by advanced features like the No-Drop™ System to prevent condensation Next, Fulgor Milano took the designers through the process of fabricating luxury appliances. Most notable were the clever outdoor grills and oven options for the luxe city dweller.

DAY 5

In Venice, the group traveled by mahogany cigar boats to Murano, visiting Barovier & Toso’s historic glass factory and viewing impressive chandeliers and installations The trip ended at the Biennale, with everyone departing inspired for 2026 projects on the boards

Now It's Your Turn To Explore:

Designers who dream of immersing themselves in this world of artistry and innovation should apply now for the upcoming June tour spaces are limited, and the experience is truly one-of-a-kind.

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INSIGHTS AND INSPIRATION FROM M A D R I D

A Design Excursion BY

GEORGIA ZIKAS

There are certain trips that leave you buzzing long after the wheels touch down at home, and my recent journey to Madrid with the Design Leadership Network is one of them. From the time we arrived, the city unfolded as a rich backdrop for connection, creativity, and cultural exchange. Madrid, timeless yet ever-evolving, proved a perfect host for a gathering of design minds from around the globe.

Our opening night set the tone beautifully. We stepped into

La Imprenta, once a historic printing house and now a strikingly reimagined event space. Its soaring volumes, preserved industrial bones, and thoughtful modern interventions made it an ideal venue for our welcome dinner.

Surrounded by colleagues and new friends, we toasted to the days ahead while taking in the layered history etched into the building’s walls, a reminder of how design can honor the past while embracing the future.

Day two brought a full slate of general sessions that inspired, challenged, and awed us Santiago Calatrava, the visionary architect behind the World Trade Center Transportation Hub in New York, shared insights into his sculptural approach to form and movement.

Pablo López Navarro and Adam Lowe of the Factum Foundation illuminated the power of advanced technologies in art preservation and replication an especially resonant topic in a city so deeply tied to its artistic legacy. Fashion designer Ágatha Ruiz de la Prada dazzled with her signature exuberance, showing us that color and whimsy can be as serious as they are joyful. And interior designer Michael S. Smith recounted his experience transforming the U S Embassy in Madrid, transporting us into his world of diplomacy and design

The result was a day rich with ideas, spanning architecture, art, fashion, and global interiors all united by a desire to elevate the human experience through design.

On day three, the momentum continued. Madrid-based Francisco Javier López Navarrete, who divides his time between the city and MIT, offered sharp, future-focused reflections on leadership and innovation. Isabel LópezQuesada charmed the room with stories from her design studio, weaving humor and authenticity into her philosophy. She reminded us that levity can soften challenges and reveal unexpected creativity Across the lineup of esteemed voices, the programming balanced substance with storytelling

Afternoons were reserved for small-group Behind-the- tl

Scenes Tours highlights, in their own right One of my most memorable visits was to the private apartment and gallery of Marta de la Rica. We entered a jewel box of art and personality, where Picassos hung alongside works by leading contemporary Spanish artists. Marta’s curatorial eye and personal warmth created an intimate glimpse into Madrid’s vibrant art world. Another standout tour was the home of Ágatha Ruiz de la Prada. True to form, every inch was saturated with color, pattern, and bold expression a living extension of her fashion identity. Both visits offered unparalleled insight into how design is lived, collected, and celebrated in this grand city

Evenings were equally extraordinary We enjoyed small gatherings with chef-driven dinners in the magnificent Liria Palace, home to one of Spain’s most historic ll

aristocratic families, and at Club Matador, a discreet members-only haven in the chic Salamanca district Club Matador’s refined atmosphere and impeccable architecture captured the elegance of Madrid’s contemporary social scene, making it the perfect place to unwind and reflect

As the trip came to a close, I was filled with gratitude for the beauty of Madrid, for the conversations, the shared experiences, and the reminder of why our design community is necessary. The city welcomed us with open arms, and in return, we left with renewed, inspired creativity, deeper connections, and countless stories.

BY ROSEMARY PORTO AND ANTHONY MIKLASZEWSKI

Fabric protection has long been essential in luxury residential work, preserving bespoke upholstery, rugs, and drapery from the realities of daily living But as “PFAS-free” treatments become more common, many designers are discovering that the term isn’t as straightforward or as trustworthy as it sounds.

THE PFAS PROBLEM IN PERFORMANCE TEXTILES

Per and Polyfluoroalkyl substances (PFAS) are synthetic compounds used to repel water, oil, stains, and dirt For decades, they’ve been embedded in performance fabrics, rug backings, and upholstery treatments because they work exceptionally well. The concern is that PFAS do not work

degrade they persist in the environment and can accumulate in the body; research has shown that exposure to PFAS is linked to developmental issues, immune suppression, metabolic disruption, and certain cancers This is significant for designers who specify materials in family homes, nurseries, and wellness-driven spaces

THE PFAS-FREE LOOPHOLE

As awareness grows, many products claim to be PFASfree, but manufacturers often interpret that claim narrowly They exclude regulated PFAS while using newer fluorinated compounds or PFAS precursors that eventually break down into the same dangerous chemicals

Bottom line: PFAS-free treatments still contain dangerous fluorinated chemistry

THE PATH FORWARD

Designers are uniquely positioned to lead a shift towards improving textile protection While major manufacturers are phasing out of PFAS, and states are increasing restrictions, designers can ask better questions, audit product libraries, and educate their clients Knowledge is power, and it will help interior designers define the next level of safety standards in luxury interiors

HOW DESIGNERS CAN VET PRODUCTS

Scrutinize permanent protection claims; Long-lasting Repellency signals fluorinated technology

Request ingredient transparency and push vendors for full disclosure, rather than marketing language.

Review Safety Data Sheets (SDS) These documents can reveal inconsistencies between claims and actual contents

Confirm certifications that address PFAS; not all programs test for fluorinated compounds.

A new wave of PFAS-free solutions, such as nanotechnology barriers, plant-based treatments, and material-first approaches using naturally resilient fibers, offer meaningful protections without relying on forever chemicals These options may require more frequent maintenance, but they align better with wellness-minded design

jim gauthier

BY ROSEMARY PORTO

“I want to push our talented design community to new levels of success. Take more risks and be more creative to raise the bar for interior design on the national stage.”

On a late September sunny morning, I sat at a table in Tatte on Harrison Avenue sipping a mocha-latte with Jim Gauthier. All it took was five minutes, and I fell under the spell of his exuberant charm Jim and I have known each other for years, being active members of our vibrant Boston Design community, but this was the first time I had him all to myself We didn’t need to review his accomplishments his years at the lauded design firm, Bierly-Drake Associates, his twenty-six-year partnership with Susan Stacy, his awards, and his publications. All this is public knowledge. I needed to know what Jim was up to now.

After taking some time to think about his next chapter, Jim realized he was ready to step into a role he had longed for: mentoring other design professionals. He told me, “I want to push our talented design community to new levels of success Take more risks and be more creative to raise the bar for interior design on the national stage.”

To do so, Jim established Jim Gauthier and Company, a fullservice Interior Design and Industry Advisory Services firm

After spending thirty-five years in the industry, seeing the good, the bad, and the ugly of our profession, he’s in a rare position to share his knowledge and experience as a coach to designers and design firms

“Design isn’t just my profession,” Jim said, “It’s my way of life” His goal for his new venture is to help other designers problem-solve, fine-tune their practices, and advise them to make more money and grow their businesses

He offers consulting packages, ranging from a ninety-minute session to focus on a specific challenge to a three-month intensive program geared toward large firms Each level includes recordings of the sessions, written strategic action plans, and recommendations His mission is simply stated on his website “Kindness is my compass”

Jim Gauthier, energetic and dynamic, with an easy sense of humor, is destined for his new role as coach, advisor, and mentor.

NURTURING TALENT ADVANCING DESIGN

Did you know that since the International Furnishings and Design Association’s founding, the IFDA Educational Foundation (IFDA-EF), a separate philanthropic entity, has awarded almost $1 million in scholarships to deserving students nationwide and grantstotalentedprofessionals? In 2025 alone, the total funds awardedequaled$30,800.

For scholarships, applications are accepted each year between March1andMarch31. The scholarships are for undergraduate and graduate students and 1

generally require a major in interior design or a related design/furnishings program, unless otherwise noted. Applicants need not be U.S. citizens, but must attend schoolintheUS

Grant applications are accepted in June for professionals working in the interior design or furnishingsrelatedfields,notforundergraduatestudents.

This year’s winners undertook challenges related to universal design, historic preservation, advancing interior design programs, and professional development through research initiatives and expandinghorizons

2025 GRANT & SCHOLARSHIP RECIPIENTS

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oster Relationships: IFDA

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