Jockey Club InnoArts Series: KAGAMI by Ryuichi Sakamoto & Tin Drum - 54th Hong Kong Arts Festival

Jockey Club InnoArts Series KAGAMI

by Ryuichi Sakamoto & Tin Drum

賽馬會創藝科媒系列 坂本龍一與「鐵皮鼓」

特首獻辭 Chief Executive ’ s Message

二零二六年香港藝術節隆重 舉 行，謹此致賀。

今年藝術節邁進第五十四屆，約 180 場演出涵蓋 音樂、戲曲、歌劇、戲劇、舞蹈、藝術科技及 其他表演藝術創作，精彩多元，引人矚目。

藝術節在二月二十七日以西班牙國家舞劇院著 名舞劇《美麗的奧蒂羅》揭開序幕，在舞台重 現巴黎黃金時代的歌舞昇平，別出心裁。三月 二十七日藝術節閉幕以大型舞劇《牡丹亭》為 壓軸演出，呈獻導演兼編舞黎星對經典愛情劇 目的嶄新演繹。今年的音樂節目陣容強大，匯 聚各傑出鋼琴家獻技，有年輕韓國天才鋼琴家 任奫燦，也有榮獲二零二五年范．克萊本國際 大賽金獎及觀 眾 大獎的本地鋼琴家沈靖韜，實 在不容錯過。

一如既往，藝術節包羅繽紛多彩的外展及教育 活動。今年的「加料節目」着重豐富藝術愛好 者的文化體驗，加深對世界級藝術家的認識， 對於啓發更多人參與藝術活動，以至鞏固香港 作為中外文化藝術交流中心的定位，極為重要。

感謝眾多贊助商及捐款者慷慨支持香港藝術節。

我亦感謝藝術節團隊再接再厲，為本港以至全

球各地觀 眾 呈獻異彩生輝，令人讚嘆的文化藝 術與娛樂盛會。

香港特別行政區行政長官 李家超

I am pleased to congratulate the Hong Kong Arts Festival on the organisation of its 2026 season. This year’s Festival, the 54th edition, features some 180 performances, encompassing music, Chinese and Western opera, theatre, dance, arts technology and a dazzling variety of performing arts productions.

The Festival opens on 27 February with Ballet Nacional de España’s acclaimed operatic ballet La Bella Otero , recreating the glamour of Paris’ golden era on stage. The Festival concludes on 27 March with the large-scale dance theatre production DreaminThePeonyPavilion , directed and choreographed by Li Xing, injecting fresh life into the timeless love classic. This year’s music performances present a number of brilliant pianists, including young Korean piano sensation Yunchan Lim, and Hong Kong-born Aristo Sham, the gold medallist and audience award winner at the 2025 Van Cliburn International Piano Competition.

As ever, the Festival features a diverse range of outreach and educational activities. This year’s PLUS programme focuses on a wide cultural experience for arts lovers and deeper understanding of world-class artists, contributing to promoting engagement in cultural events and consolidating Hong Kong’s positioning as the East-meets-West centre for international cultural exchange.

I am grateful to our many sponsors and donors for their generous support. My thanks also, as always, go to the Hong Kong Arts Festival for once again bringing Hong Kong, and the world, a shining season of arts and culture, entertainment and wonder.

John KC LEE Chief Executive Hong Kong Special Administrative Region

主席獻辭 Chairman ’ s Message

誠摯歡迎閣下蒞臨第 54 屆香港藝術節。作為國際 藝壇中重要的表演藝術盛事，藝術節一直秉持使 命，致力豐富香港的文化生活，並向社會各界推 廣最優質的表演藝術。今年，藝術節匯聚逾 1,100 位本地及國際的頂尖藝術家，為觀 眾 呈獻超過 45 個涵蓋不同藝術領域的多元化節目，合共逾 180 場精釆演出，並 舉 辦約 300 項「加料節目」、外 展及教育活動，為香港注入充沛的文化活力。

我由衷感謝香港特別行政區政府透過康樂及文化事 務署，提供年度恆常撥款及配對資助；感謝香港 賽馬會慈善信託基金、一眾企業贊助機構、慈善基 金會及捐助者的慷慨支持；還有感謝在藝術節舞台 上盡顯才華及創意的享譽國際藝術家，以及在所有

節目背後努力耕耘的香港藝術節團隊——你們每 一分的寶貴捐獻、每一位的投入參與和支持，讓 香港藝術節得以順利舉行，並且成為我們的龐大 動力，使我們能夠持續透過表演藝術回饋社會。

今後，香港藝術節將繼續為觀 眾 呈獻目不暇給的 演出、委約創意無限的新作品，以及致力培育才 華洋溢的本地藝術人才。最後，我要向所有前來

觀賞演出的觀 眾 致以萬分謝意。希望您享受這趟 我們為您精心策劃的藝術之旅，並從中獲得喜 悅、共鳴與啟發。

香港藝術節主席

盧景文

A warm welcome to the 54th Hong Kong Arts Festival. As a leading international performing arts event, the Festival continues to uphold its mission of enriching our city’s cultural life and promoting the best of the performing arts to different sectors of our community. This year, the Festival brings to Hong Kong more than 1,100 distinguished local and international artists from a wide range of artistic disciplines in over 180 performances of more than 45 programmes, as well as about 300 “PLUS”, outreach and education events.

I would like to express my sincere gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention and matching grant. My heartfelt thanks also go out to The Hong Kong Jockey Club Charities Trust, our corporate sponsors, charitable foundations and donors for their generous support. Their invaluable contributions empower us to actively advance the community through the performing arts.

My genuine appreciation goes to all our internationally renowned and most talented artists for their creativity and outstanding performances on stage. Their dedication profoundly motivates us to continue showcasing exceptional productions, commissioning new works and nurturing local talent. I am also deeply grateful to the HKAF team for its commitment and efforts to bring this Festival to life. Finally, I extend my warmest thanks to all audience members. We truly hope you enjoy this artistic journey and discover moments of delight, resonance and inspiration throughout the programmes being presented this year.

Lo Kingman Chairman Hong Kong Arts Festival

支持機構：

Supporting Organisation:

前言 Foreword

第 54 屆香港藝術節雲集眾多大師級藝術家與傑 出團隊，帶來超過 180 場的音樂、舞蹈、戲劇、 歌劇、戲曲、藝術科技與跨界創作節目，展示藝 術家的精湛造詣。

今年的其中一個主題，是對「勇氣與和平」的探 索。當全球都因為戰亂、流離、經濟下行等苦難 感到焦躁不安，藝術家以獨特的視角與語言，在 舞台上交織出對世界的回應，提醒我們抱持堅毅 與希望。

此外，今屆藝術節部分作品採用了簡約的戲劇手 法，讓我們擺脫地域與資源的限制。我們亦繼續 擁抱藝術科技，利用混合實景技術，開拓新的表 演效果。

一如既往，藝術節今年帶來超過 300 項的外展與 教育活動。「加料節目」準備了一系列講座、大師 班、後台參觀、文化深度遊等活動。我們為大、

中、小學生設計的全方位外展及教育活動，則會 帶領數以萬計的年輕觀眾理解作品背後的故事。

衷心感謝您出席這一場演出，願您從中找到愉悅 與共鳴。

The 54th Hong Kong Arts Festival once again brings together great masters and outstanding artists, presenting more than 180 performances across music, dance, theatre, opera, Chinese opera, arts-tech and interdisciplinary creations—showcasing the exceptional craft of leading local and international talent.

One of this year’s themes is an exploration of “Courage and Peace”. At a time when the world is troubled by war, displacement, economic downturns and other hardships, artists respond from their own distinctive perspectives and in their own languages on stage, reminding us of the need to be resilient and hopeful.

Some works in this year’s Festival adopt a minimalistic theatrical approach, enabling us to transcend the constraints of geography and resources. We also continue to embrace arts-tech, using mixed-reality technologies to open up new performance possibilities.

As always, the Festival presents more than 300 outreach and education activities. Our PLUS events feature a curated series of talks, masterclasses, backstage tours and guided cultural walks. Our comprehensive education initiatives tailored for primary, secondary and tertiary students are aimed at enabling students to gain a more in-depth understanding and appreciation of the works we present.

I sincerely thank you for joining us at this performance, and we hope that you find joy and resonance in the experience.

香港藝術節行政總監 余潔儀

香港藝術節的資助來自：

The Hong Kong Arts Festival is made possible with the funding support of:

Flora Yu Executive Director Hong Kong Arts Festival

港藝術節收入目標（包括第 54 屆香港藝術節及 2026 年「無限亮」）約港幣一億五千九百萬，當中香港特 區政府的年度恆常撥款佔總收入約 12%，另外約 24% 需來自票房收入，約 44% 則需依賴來自各大企業、 熱心人士和慈善基金會的贊助和捐款。預計餘下的 約 20% 則來自其他收入，包括政府針對捐款和贊助 收入而提供的配對資助。

香港藝術節 每年呈獻眾多 國際演藝名家 精采多元的 演出，例如 *：

• 歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫 斯科大劇院、聖彼得堡馬林斯基劇院、三藩市歌 劇院、薩翁林納歌劇節

• 中國戲曲： 中國國家京劇院、河北梆子劇院、上 海崑劇團、上海張軍崑曲藝術中心、江蘇省蘇州 崑劇院、浙江小百花越劇團、上海越劇院

• 古典音樂：塞西莉亞．芭托莉、列卡杜 沙爾、趙 成珍、古斯塔沃・杜達美、菲力普・格拉斯、劉曉 禹、馬友友、丹尼斯．馬祖耶夫、安娜 涅翠柯、 詹安德列亞．諾斯達、小澤征爾、湯瑪士 夸斯托 夫、甘拿迪．羅傑斯特汶斯基、譚盾、湯沐海、克 里斯蒂安．泰利曼、安德拉斯．席夫爵士、班貝格 交響樂團、倫敦交響樂團、NHK 交響樂團、皇家阿 姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比 錫聖多馬合唱團、維也納愛樂樂團

• 爵士樂及世界音樂：波比．麥非年、尤蘇・ 恩多 爾、艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼

• 舞蹈：米高・巴里殊尼哥夫、蕭菲・紀蓮、艾甘． 漢、娜塔麗亞 奧斯波娃、美國芭蕾舞劇院、雲 門舞集、漢堡芭蕾舞團—約翰．紐邁亞、紐約市 芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜．包殊烏 珀塔爾舞蹈劇場、米蘭史卡拉歌劇院芭蕾舞團

• 戲劇：彼得・ 布祿克、羅伯特．利柏殊、蜷川幸 雄、羅柏特 威爾遜、柏林劇團、中國國家話劇 院、皇家莎士比亞劇團、英國國家劇院

• 大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊

• 戶外節目：《聲光園》、《幻光動感池》、《聲光頌》

• 音樂劇：《日新》、《雄獅少年》、《咆哮山莊》

• 藝術科技：《超真實》裝置音樂會、《真．幻境 界》、《巴黎舞會》

, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the as well as a diverse range of “PLUS” and in February and March each year.

non-profit organisation. The total income target for FY2025/26 (including the 54th Hong Kong Arts Festival and 2026 “No Limits”) is approximately HK$159 million. Current Government annual baseline funding accounts for around 12% of the Festival's total income. Around 24% of the Festival’s income needs to be generated from the box office, and around 44% from sponsorship and donations made by corporations, individuals and charitable foundations. The remaining 20% is expected to come from other revenue sources including the Government’s matching grant scheme, which matches income generated through private sector sponsorship and donations. The HKAF has presented top international artists and ensembles across multiple genres, such as*:

• Western opera: Bayerische Staatsoper, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre, San Francisco Opera, Savonlinna Opera Festival

• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Kunqu Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe, Shanghai Yue Opera House

• Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Bruce Liu, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, Sir András Schiff, Bamberg Symphony, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra

• Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini

• Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, Natalia Osipova, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet – John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch, Teatro alla Scala Ballet Company

• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company, National Theatre of Great Britain

• Large-scale special events: World of WearableArt, Zingaro

• Outdoor events: Power Plant, Super Pool, Chorus

• Musicals: Yat-sen, I Am What I Am the Musical, Wuthering Heights

• Arts-Tech: Hyperreality—An Installation Concert, Norealitynow , VR Interactive Dance—Le Bal de Paris

The HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, the HKAF has commissioned and produced over 250 local productions across genres including Cantonese opera, theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas.

香港藝術節 積極與 本地演藝人才 合作，並致力為 新

進藝術家 提供展示才華的平台。藝術節至今委約及

製作逾 250 套本地全新創作，包括粵劇、戲劇、室內 歌劇、音樂和舞蹈作品，不少製作更已在香港及海 外多度重演。

香港藝術節多年來與知名國際藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節聯同香港歌德 學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹 窗人》；作為聯合委約機構之一並聯同倫敦老域劇 院、布魯克林音樂學院與尼爾街製作公司製作的「橫 貫計劃」之《暴風雨》及《李察三世》；與上海國際 藝術節聯合委約的《青蛇》；與三藩市歌劇院聯合製 作的《紅樓夢》；與芬蘭國家歌劇院及芭蕾舞團聯合 製作的《拉娜》，以及與中央戲劇學院及 Compagnie Point Fixe 聯合製作的《海底兩萬里》等。

香港藝術節 一直大力投資 下一代的藝術教育。「青 少年之友」成立 33 年來，已為約 849,000 位本地中 學生及大專生提供藝術體驗活動。藝術節近年亦開 展多項針對大、中、小學生的藝術教育活動，包括 由國際及本地藝術家主持的示範講座及工作坊、學 生展演、演前講座、公開彩排、以及欣賞藝術節演 出。同時，通過「學生票捐助計劃」，藝術節每年提 供約 10,000 張半價學生票。

香港藝術節 每年主辦一系列多元化並深入社區的 「加料節目」，例如電影放映、示範講座、大師班、 工作坊、座談會、後台參觀、展覽、藝人談、文化 導賞團等，鼓勵觀眾與藝術家互動接觸。

香港藝術節 亦銳意將共融藝術理念拓展到社區每一 角落。由藝術節與香港賽馬會慈善信託基金聯合呈 獻的「無限亮」計劃於 2019 年正式開展，透過一系 列的演出及多元的教育及社區外展節目，「無限亮」

致力創造共融空間，讓不同能力人士均可以一同欣 賞、參與、擁抱藝術。

香港藝術節協會 2025/26 年度收入目標：

Estimated Target Income for the HKAF in FY2025/26:

港幣一億五千九百萬

The HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced with GoetheInstitut Hong Kong and Tanztheater Wuppertal Pina Bausch; Richard III and TheTempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with the HKAF as a co-commissioning institution; Green Snake co-commissioned with Shanghai International Arts Festival; Dream of the Red Chamber coproduced with San Francisco Opera; Laila , a co-production with Finnish National Opera and Ballet, and 20,000LeaguesUndertheSea , co-produced with The Central Academy of Drama, China, and Compagnie Point Fixe.

The HKAF invests heavily in arts education for young people. Over the past 33 years, our “Young Friends” scheme has reached around 849,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 halfprice student tickets each year.

The HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meetthe-artist sessions and guided cultural tours.

The HKAF actively promotes inclusion via the arts to every corner of the community. The “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, was launched in 2019. Through a series of performances and diverse arts experiences for students and the community, “No Limits” strives to create an inclusive space for people with different abilities to share the joy of the arts together.

政府的年度恒常撥款 Current Government annual baseline funding

HK$159 million 約 Around 44% 約 Around 12% 約 Around 20% 約 Around 24%

其他收入 Other Revenues

（包括按捐款和贊助收入 可望獲得的政府配對資助 including possible Government Matching Grant for Sponsorship and Donation income）

票房收入 Box Office

誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡。

To find out more about sponsorship opportunities and donation details for the Hong Kong Arts Festival, please contact the HKAF Development Department.

電郵 Email: dev@hkaf.org

直綫 Direct lines: (852) 2828 4911/12

網頁 Website: http://go.hkaf.org/give

贊助和捐款 Sponsorship & Donations

*有關香港藝術節的過往節目 Details of past HKAF programmes

香港賽馬會主席 廖長江先生 GBM GBS JP

The Hon Martin Liao , GBM GBS JP

香港賽馬會主席廖長江先生獻辭

Message

by The Hon Martin Liao Chairman of The Hong Kong Jockey Club

自 1973 年香港藝術節創辦初期，香港賽馬會與旗下的慈善信託基金便一 直支持這項文化盛事。

藝術文化是馬會慈善工作的重點策略範疇之一。我們透過支持香港故宮 博物院、大館，還有世界級的展覽、活動和表演等等，致力豐富市民生 活，並將香港打造成為文化交流中心。

今年的香港藝術節精采紛呈。「香港賽馬會藝粹系列」今年載譽歸來， 呈獻世界級的精采演出，包括西班牙國家舞劇院為本屆藝術節揭幕的 《美麗的奧蒂羅》、由約翰．艾略特．加德納爵士聯同星宿合唱團及管弦

樂團演繹的合唱鉅作，以及捷克布爾諾國家歌劇院帶來的柴可夫斯基歌 劇《尤金．奧尼金》。

一如既往，我們將透過「賽馬會創藝科媒系列」，推動藝術與科技的跨 界融合。今屆的焦點節目為坂本龍一與「鐵皮鼓」共同創作的鋼琴獨奏 會《鏡：KAGAMI 》，以混合實境形式，讓觀眾穿梭於實體與數碼實境交織 的藝術空間。

此外，「賽馬會藝貫中西系列」將獻上亞里斯多芬筆下《利西翠妲》的中 文改編版演出，彰顯香港作為中外文化藝術交流中心的優勢，促進來自 海外、中國內地和香港的藝術家之間的跨文化協作。

「香港賽馬會學生專享節目」亦將為超過 3,000 名來自不同背景的年輕 人提供免費門票，讓其欣賞七指雜技團上演的《決鬥》。作品以競技運 動場為背景，糅合令人歎為觀止的編舞與雜技，重新演繹《羅密歐與茱 麗葉》的經典故事。

馬會能夠捐助不同的慈善與社區項目，包括對香港藝術節的長期支持， 有賴我們的獨特綜合營運模式。本會藉此提供世界級賽馬運動和有節 制體育博彩，帶來稅款、慈善捐款及就業機會，建設更美好的社會。

本人謹向香港藝術節協會致以誠摯祝賀，並祝各位表演者演出成功， 觀眾滿載而歸。

The Hong Kong Jockey Club and its Charities Trust are proud to have supported the Hong Kong Arts Festival since its inception in 1973.

Arts and culture is a key charity strategic focus of the Club. Through our support for the Hong Kong Palace Museum, for Tai Kwun, as well as for world-class exhibitions, events and performances, we seek to enrich quality of life and to promote Hong Kong as a hub for cultural exchange.

This year’s Hong Kong Arts Festival is no exception. The Hong Kong Jockey Club Series will once again be a major highlight, featuring La Bella Otero by the Ballet Nacional de España; choral masterpieces from The Constellation Choir and Orchestra led by Sir John Eliot Gardiner; and Tchaikovsky’s Eugene Onegin by the National Theatre Brno.

We will continue to support the fusion of arts and technology through the Jockey Club InnoArts Series. Taking centre stage will be piano recital KAGAMI by Ryuichi Sakamoto & Tin Drum, which blends physical and digital reality.

There will also be a Chinese-language adaptation of Aristophanes’ Lysistrata under the Jockey Club East-meets-West Series, which seeks to leverage Hong Kong’s strengths as a melting pot of Chinese and Western cultures to promote collaboration between artists from overseas, the Chinese Mainland and Hong Kong.

The Hong Kong Jockey Club Student Matinée Programme will present Duel Reality by The 7 Fingers, reimagining Romeo and Juliet in a sports arena featuring high-energy choreography and acrobatics. To enable young people from varied backgrounds to enjoy this unique production, we will also provide over 3,000 free tickets.

Like all our donations, the Club’s support for the Hong Kong Arts Festival is made possible by its unique integrated business model, through which it provides racing and sports entertainment and channels wagering demand into tax contributions, charity donations and employment opportunities.

With my warmest congratulations to the Hong Kong Arts Festival Society, and my very best wishes to performers and audiences for yet another memorable celebration of the arts.

賽馬會創藝科媒系列：坂本龍一與「鐵皮鼓」《鏡：KAGAMI》

Jockey Club InnoArts Series

KAGAMI by Ryuichi Sakamoto & Tin Drum

27.02, 03-06 & 10-13.03.2026 / 8:00pm & 9:30pm 28.02, 01 & 14.03.2026 / 12:15pm, 3:30pm, 5:00pm, 8:00pm & 9:30pm 07-08.03.2026 / 10:45am, 12:15pm, 3:30pm, 5:00pm, 8:00pm & 9:30pm 15.03.2026 / 12:15pm, 3:30pm & 5:00pm

西九文化區自由空間大盒

The Box, Freespace, WestK

節目長約1小時，包括展覽參觀及約45分鐘的混合實境體驗

The entire programme lasts about one hour, including an exhibition and a 45-minute mixed reality experience 本節目只適合14歲或以上觀眾欣賞

This programme is for ages 14 and above only 不設劃位

Free seating

請提前15分鐘到達場地，遲到者不得進場，中途離場者亦不能再次進場

Participants are advised to arrive 15 minutes before the programme begins.

Latecomers will not be admitted and participants who leave during the programme will not be re-admitted.

本節目有特別氣味效果

This production contains natural scent effects.

「鐵皮鼓」《鏡：KAGAMI》成員乘坐第54屆香港藝術節指定航空公司國泰航空來回香港 Members of Tin Drum flew to and from Hong Kong on Cathay Pacific Airways, the Official Airline of the 54th Hong Kong Arts Festival

※ 演出期間敬請關掉手提電話及其他電子產品，以免發出聲響或產生光線， 影響表演者及其他觀眾。

Please switch off mobile phones and all electronic devices so they will not emit sound or light during the performance, disturbing the performers and other audience members.

※ 請勿擅自攝影、錄音或錄影。

Unauthorised photography or recording of any kind is strictly prohibited.

※ 演出期間請保持安靜。

Please keep noise to a minimum during the performance.

※ 本場刊採用環保紙張印刷。

This programme is printed on environmentally friendly paper.

※ 如不欲保留本場刊，請於完場後放回演出場地入口。

If you don’t wish to keep this booklet, please return it to the admission point.

香港賽馬會慈善信託基金、香港賽馬會、其各自關聯公司或任何參與彙編 此載內容或與彙編此載內容有關的第三方（統稱「馬會各方」）皆無就內容 是否準確、適時或完整或使用內容所得之結果作任何明示或隱含的保證或聲 明。任何情況下，馬會各方皆不會對任何人或法律實體因此載內容而作出或 沒有作出的任何行為負上任何法律責任。

封面照片Cover Photograph © Luigi & Iango

None of The Hong Kong Jockey Club Charities Trust, The Hong Kong Jockey Club, their respective affiliates or any other person involved in or related to the compilation of the contents herein (collectively, “the HKJC Parties”) makes any express or implied warranties or representations with respect to the accuracy, timeliness or completeness of the contents or as to the results that may be obtained by the use thereof. In no event shall any HKJC Party have any liability of any kind to any person or entity arising from or related to any actions taken or not taken as a result of any of the contents herein.

本節目內容及本刊物所載之藝術家/客席撰文者言論屬於個人觀點，並不代 表香港藝術節（「本會」）之立場或意見。

The content of this programme and the opinions featured in this publication are solely those of the artists/guest writers and do not represent the views or opinions of the Hong Kong Arts Festival (“HKAF”).

為免影響演出，持票人士務請準時入場。

Ticket holders are strongly advised to arrive punctually.

持票人士如因遲到而不獲安排入場，本會恕不退票或換票。如有任何爭 議，本會保留最終決定權。

No refunds or changes will be offered if ticket holders are refused admission due to late arrival. In the event of any dispute, the HKAF reserves all rights to make the final decision.

賽馬會創藝科媒系列：坂本龍一與「鐵皮鼓」《鏡：KAGAMI》

Jockey Club InnoArts Series

KAGAMI by Ryuichi Sakamoto & Tin Drum

由坂本龍一及「鐵皮鼓」創作 2023年6及7月於美國紐約The Shed文化中心， 以及2023年7月於英國曼徹斯特國際藝術節首演

By Ryuichi Sakamoto and Tin Drum

First presented at The Shed, New York, USA, in June and July 2023, and the Manchester International Festival, England, in July 2023

作曲及表演者： 坂本龍一

Composer & Performer: Ryuichi Sakamoto 導演、監製及藝術總監： 托德．埃克特

Director, Producer & Art Director: Todd Eckert

監製： 空里香 Producer: Norika Sora

創意監製： 瑪利．希克森

技術監製： 托馬索．卡里博尼

執行監製： 奧雷利安．西蒙

製作經理： 羅伊．侯臣

音響主管： 羅拔．柏金遜

製作舞台經理：安格斯．古德爾、哈莫尼．霍尼格

Creative Producer: Mary Hickson

Technical Producer: Tomaso Cariboni

Executive Producer: Aurelien Simon

Production Manager: Rory Howson

Head of Sound: Rob Parkinson

Stage Managers: Angus Goodearl, Harmony Honig

若在體驗過程中有任何不適，請立即除下頭戴裝置並告知工作 人員

If you feel any discomfort during the experience, please remove the headset and inform our staff immediately.

由於該裝置無法佩戴於眼鏡之上，需要視力矯正之參加者應配 戴隱形眼鏡。現場將提供有限數量的特殊矯正鏡片，但矯正效 果因人而異，無法保證完全理想

The headsets will not fit over prescription eyewear. Participants who require vision correction are advised to wear contact lenses. A limited number of special corrective lenses will be available for the headsets, but these do not guarantee perfect vision correction.

建議參加者穿着方便活動的衣服及鞋履 Participants are advised to wear clothing suitable for moving around.

參加者須遵從工作人員指示，否則可能被要求離開 Participants must follow all instructions provided by staff. Noncompliance may result in the participant being asked to leave the venue.

Thank you for supporting the Patron’s Club

感謝支持「贊助舍」計劃

2026 贊助舍計劃會員 Patron’s Club Members

Platinum Member 鉑金會員 Kerry Holdings Limited

嘉里控股有限公司

Gold Member 黃金會員 Jardine Matheson Limited

怡和集團

Silver Member 純銀會員 Swire Properties

太古地產

Bronze Members 青銅會員 Nathaniel Foundation

諾業基金有限公司

Dr. Wayne Hu Charitable Foundation Ltd.

胡興正醫生慈善基金有限公司

Join the Festival’s Patron’s Club today and contribute to the development of the arts in Hong Kong!

請參加贊助舍會員計劃，齊為香港的藝術發展作出貢獻！

For details about the Patron’s Club, please contact 欲知贊助舍詳情，請聯絡：

HKAF Development Department 藝術節發展部

Tel 電話：(852) 2828 4913

Email 電郵：dev@hkaf.org

賽馬會創藝科媒系列：坂本龍一與「鐵皮鼓」《鏡：KAGAMI》

Jockey Club InnoArts Series

KAGAMI by Ryuichi Sakamoto & Tin Drum

《不久》

《藍貓的身驅》

《逝去》

《能量流》

《MUJI2020》

《種子與播種者》

《戰場上的快樂聖誕》

《水》

《末代皇帝》

《BB》

藝術節加料節目

電影 Movie

BeforeLong Aoneko no Torso Andata EnergyFlow

MUJI2020

The Seed and The Sower MerryChristmas,Mr.Lawrence

Aqua

TheLastEmperor

BB

賽馬會創藝科媒系列電影放映及嘉賓對談——《坂本龍一：東京旋律（4K修復版）》

Jockey Club InnoArts Series Screening and Artists’ Talk—TokyoMelody:AFilmaboutRyuichiSakamoto (4K Restoration) 13.02.2026（已舉行 Past event）

賽馬會創藝科媒系列電影放映及嘉賓對談——《怪物》

Jockey Club InnoArts Series Screening and Artists’ Talk—Monster 21.02.2026（已舉行 Past event）

展覽 Exhibition

賽馬會創藝科媒系列：坂本龍一與「鐵皮鼓」《鏡：KAGAMI》製作特展

Jockey Club InnoArts Series: Ryuichi Sakamoto & The Making of KAGAMI

24.02-14.03.2026

香港文化中心大堂展覽場地E1

Foyer Exhibition Area E1, Hong Kong Cultural Centre

工作坊 Workshop

賽馬會創藝科媒系列：坂本龍一與「鐵皮鼓」《鏡：KAGAMI》——藝術科技工作坊 托德．埃克特：藝術科技與創作實踐 Jockey Club InnoArts Series: KAGAMI by Ryuichi Sakamoto & Tin Drum—Arts Technology Workshop “Todd Eckert on Arts Technology: Real-World Insights into the Creative Process” 28.02.2026 / 2:00pm-5:00pm 西九文化區戲曲中心排演室3

Studio 3, Xiqu Centre, WestK 詳見香港藝術節網站資訊 Please refer to the HKAF website for more details

講座 Talk

賽馬會創藝科媒系列：坂本龍一與「鐵皮鼓」《鏡：KAGAMI》——與托德．埃克特對談 從舞台到無限：混合實境重塑表演藝術新可能

Jockey Club InnoArts Series: KAGAMI by Ryuichi Sakamoto & Tin Drum—In Conversation with Todd Eckert “Transcending Boundaries: The Future of Performing Arts in Mixed Reality” 01.03.2026 / 3:00pm-4:30pm

西九文化區戲曲中心香港友好協進會演講廳 FHKA Seminar Hall, Xiqu Centre, WestK

詳見香港藝術節網站資訊 Please refer to the

創新向前　共拓新景 請支持 新作捐助計劃

香港藝術節一直致力委約及製作高質素的全新作品，鼓勵藝術創新 和培育演藝人才。您對 新作捐助計劃 的捐款能協助我們把優秀又大 膽創新的作品搬上舞台，讓它們發光發亮。

香港藝術節是香港特區政府的「藝術發展配對資助計劃」受惠機構， 部份籌得的捐款及贊助收入將獲 一元 對 一元 的配對資助。*

無論捐贈數額多少，我們均衷心感謝您的支持！

The Festival is committed to promoting original works, and has commissioned and produced many critically acclaimed productions in the past. Your donation to the New Works Scheme will help us produce more innovative performances and nurture local talent.

The Hong Kong Arts Festival is a recipient of the HKSAR Government’s Art Development Matching Grants Scheme. Part of the Festival’s sponsorship and donation income will benefit from a dollar-for-dollar match by the Government.* Donations of any amount will make a difference, and are greatly appreciated!

網上捐款

ONLINE DONATION http://go.hkaf.org/give

其他捐款方法，請參閱刊於本 冊子尾部之捐款表格 For other donation methods, please refer to the Donation Form near the end of this booklet

創作人的話

Creative Note

我創辦「鐵皮鼓」的初衷，是渴望以更真實 的方式連結藝術家與觀眾，並彌補我認為 傳統電影在音樂表達上無法做到的部分。

這並非易事，我們首先必須拆解現場體驗 的本質，了解其獨特性。這表示我們要瓦 解對錄製表演的一切既有認知。

自從年少時第一次接觸坂本龍一的音樂， 他的作品對我來說便意義非凡。他的旋律 融合了難以置信的三重境界——美感、真 誠和迫切性，是我前所未聞的。

1990年代，經音樂製作人大衛．羅便臣的 介紹，我終於首次見到了龍一，我為此雀 躍不已。自從我成功摸索出利用混合實境 （MR）創作後，龍一便一直是我最想合作的 藝術家。我們有次在我紐約的住所會面， 我們嘗試在科技應用與藝術願景之間找到 平衡。我的目標是創造一個親密而真實的 作品，它並非虛幻，也無需華麗。即使在 新冠疫情期間受制於各種防疫措施，我們 最終仍然順利達成了目標。

由於從未有人利用混合實境呈現音樂表 演，既然沒有既定規限，我便能隨心所欲 地執導這部作品。我選擇了可能是最困難 的一條路：捕捉龍一表演時的真實感受。

他與鋼琴之間如此親密，甚至雋永，因此 我不需額外的戲劇效果，也能把觀眾吸引 到場。

我們只須盡力還原真實的畫面，同時添 上適度的藝術修飾，幫助那些初次接觸 其作品的觀眾，慢慢進入他的世界。因 為《鏡：KAGAMI》不只為他的樂迷而創 作，我希望把他的作品，推廣至那些尚未 知自己會被他感動的人心中。這正正是音 樂的魅力：它永恆不朽，而每一次發現， 都是新的開始。

我希望透過我們這個作品，觀眾能與龍一 建立更個人的連結，畢竟這才是我們由始 至終的目的。

撰文：托德．埃克特

I founded Tin Drum with the explicit desire to connect artists with audiences more authentically; to overcome where I felt traditional film had failed with music. This wasn’t easy. We had to break down what made the live experience so vital in the first place, which in many ways meant pulling apart everything we thought we knew about recorded performance.

Ryuichi Sakamoto’s work meant the world to me from pretty much the very first time I heard him as a teenager. His melodies reflected an impossible trifecta of beauty, sincerity and urgency that I had never heard in one place before.

So I was thrilled to finally meet Ryuichi in the 1990s through music producer David Rubinson. Ryuchi was always at the forefront of my mind for a collaboration in mixed reality as soon as I figured out how to make it work. During a meeting at my apartment in New York, we assembled a reasonable intersection of technology with the artistic intention of the work—my desire was to make something intimate and authentic rather than false or explosive. And despite the restrictions of Covid and health, we managed to succeed in our goal.

Because no-one had ever presented a musical performance in MR, there were no rules and I was free to direct the piece as I saw fit. And I chose what was perhaps the hardest path: to capture how Ryuichi authentically felt in performance. Because his relationship with the piano was so intimate— eternal, really—I didn’t feel we needed excessive theatricality to bring attention to the event.

We just needed to do our best to present it as real, with enough artistic embellishment to give the uninitiated in our audiences something to look at as they were acclimating themselves with his work. Because KAGAMI was not created for his fans alone, I wanted to extend his work to people who didn’t know they loved him yet. That’s the wonderful thing about music: it lasts forever— and every discovery is a new beginning.

I hope that because of our work, the ongoing relationship with Ryuichi is more personal because of the steps we took to present it that way. After all, that was the point in the first place. Text: Todd Eckert

關於《鏡：KAGAMI》

Introduction to KAGAMI

《鏡：KAGAMI》是一個史無前例的混合

實景（MR）體驗，通過擴增實境（AR）儀 器完美融合現實世界及已故大師坂本龍一 的動態三維鋼琴獨奏。該作品由混合實景

技術先鋒「鐵皮鼓」工作室研發，它將觀 眾帶入音樂會場景：坂本的投影在舞台中 央，透過同步動態攝影和環繞立體聲技術 呈現演出。《鏡：KAGAMI》跨越時間和 空間的限制，將坂本的藝術造詣展現得淋 漓盡致。

KAGAMI (“mirror” in Japanese) is a groundbreaking mixed reality (MR) experience that seamlessly blends the real world with a dynamic three-dimensional solo piano performance by the late, great Sakamoto through augmented reality (AR) devices.

Developed by the pioneering MR studio Tin Drum, KAGAMI transports the audience into a concert where a virtual Sakamoto takes centre stage and performs alongside synchronised moving photography in surround sound. It transcends the constraints of time and space, perpetuating Sakamoto’s artistry.

為時一小時的體驗鼓勵觀 眾 自由探索劇場 空間，並仔細觀察及欣賞表演，細味坂本 輕盈的彈奏以至他微細的面部神情。在大 師彈奏十首獨具特色的作品期間，觀眾能 與他親密互動。《鏡：KAGAMI》既是個 人也是群體的體驗，觀 眾 能夠全權決定自 己置身演出的方式，同時可以在真實的劇 場環境中與其他觀 眾交流。

2020年12月，坂本與鐵皮鼓的監製托德． 埃克特從紐約飛到東京，東京是當時世界 上唯二有所需製作技術的城市其一。在三

天的製作期中，坂本面部及手上均佩戴了 微型動作感應器，於四十八支鏡頭、無數 麥克風和燈箱下進行了演奏。由於患病，

坂本經常俯着身，以致鏡頭不能完整捕捉 他，鐵皮鼓於是透過參考一段段的數據， 數碼重塑坂本的頭髮、眼鏡和面部表情。

《鏡：KAGAMI》於2023年6月於紐約的

The Shed文化中心首演，隨後於曼徹斯特 國際藝術節演出，獲得一致好評。表演得 到《衛報》五星評分，更獲其讚賞為「超 凡、動人、開創先河的體驗」。

During the hour-long experience, the audience is encouraged to wander around the theatre space freely to appreciate and observe the performance up close, from Sakamoto’s delicate keystrokes to his facial expressions, engaging intimately with the spectral composer as he plays 10 of his most personal works. KAGAMI offers both an individual and a collective experience, as audience members have full control over how they engage with the performance while also gathering and connecting with one another in a real theatre setting.

In December 2020, Sakamoto and Todd Eckert, Director of Tin Drum, travelled from New York to Tokyo, one of the only two cities in the world that had the necessary technology at the time of production. Across three days, Sakamoto performed with tiny motion sensors attached to his face and hands under the scrutiny of 48 cameras, various microphones and lightboxes. Tin Drum then digitally reconstructed Sakamoto’s hair, glasses and facial expressions by referencing segments of complete data, as he was often hunched over due to his illness and parts of his body were blocked from the cameras.

KAGAMI premiered in June 2023 at The Shed in New York and the Manchester International Festival to critical acclaim. The show received five stars from The Guardian, which called it “an otherworldly, strangely moving, even groundbreaking experience”.

坂本龍一的引言

A Quote from Ryuichi

Sakamoto

在現實中，存在着虛擬的我。

這個虛擬的我不會老去， 將繼續彈奏鋼琴 數年、數十年、數百年。

那時人類仍在嗎？

魷魚在征服地球取代人類後 會細聽我的演奏嗎？

對牠們來說鋼琴是甚麼？

音樂又是甚麼？

同理心猶存嗎？

同理心跨越成千上萬年。

啊，但電池不會撐得那麼久。

——坂本龍一，2023年

There is, in reality, a virtual me. This virtual me will not age, and will continue to play the piano for years, decades, centuries.

Will there be humans then?

Will the squids that will conquer the earth after humanity listen to me?

What will pianos be to them?

What about music?

Will there be empathy there?

Empathy that spans hundreds of thousands of years.

Ah, but the batteries won’t last that long.

— Ryuichi Sakamoto, 2023

坂本龍一：超越、生命、反照

Ryuichi Sakamoto: Eternal Life in Mixed Reality

2025 年，香港藝術節把坂本龍一和高谷 史郎的《 TIME 》帶到香港舞台，看過的 朋友無不為之動容。在那個舞台上，坂本 的遺作橫跨時間與空間、夢境與現實、 生命與死亡的界線。2026 年，香港藝術 節將再度帶來坂本龍一的科技遺作《鏡： KAGAMI 》。

作品名稱「KAGAMI」正是日文「鏡子」 的意思，不僅映照坂本的靈魂，同時刺激 觀眾的感官，帶來心與靈的交流和互動。

這次與「教授」合作的是來自美國的科技 藝術團隊「鐵皮鼓」。團隊運用混合實境 技術結合真實與虛擬，無需屏幕便能創造 前所未有的沉浸式體驗。他們花了四年時 間，用4Dviews公司發明的先進系統進

Everyone in attendance was visibly moved when the Hong Kong Arts Festival brought Ryuichi Sakamoto and Shiro Takatani’s TIME to Hong Kong in 2025. On stage, Sakamoto’s posthumous work crossed time and space, and explored dreamscapes and reality, and life and death. In 2026, the HKAF will again present the timeless art of the Japanese composer in the hi-tech piece KAGAMI.

Titled after the Japanese word for “mirror”, the show not only reflects the soul of the late maestro, but also immerses the participants in a rich, sensory experience, bringing about a marriage between the heart and the soul.

KAGAMI was created in collaboration with American technology collective Tin Drum, a studio that employs mixed reality technology to merge the real and virtual, creating unprecedented immersive experiences. Sakamoto was volumetrically

行立體拍攝，系統配備了四十八個攝錄鏡 頭，多角度多鏡頭拍攝坂本彈奏鋼琴的每 個瞬間。在特製的混合實境眼鏡幫助下，

觀 眾 可以近距離凝視坂本的手指在琴鍵上 飛舞，彷彿置身於宇宙中不同的維度與空 間，感受他音樂中自由而深邃的靈魂。

在他離世前幾年，坂本已無法再現場演 出，不管是單場音樂會還是規模龐大的全 球巡演，也會使他精疲力盡。儘管如此，

在2022年末，他仍竭力以最後的一場演出 向世界告別，這是一部2023年上映的鋼琴 獨奏音樂會電影——《Opus》，由他的兒 子空音央執導。《鏡：KAGAMI》也會令 你聯想到坂本人生中的某個獨特時期、某 首曲目，甚至某部鋼琴。比如2001年，他 隻身遠赴巴西，在作曲大師安東尼奧．卡 洛斯．荷比的家中，利用電腦流動錄音設 備，演奏荷比創作的巴薩諾瓦音樂，灌錄 為經典專輯《Casa》；2011年，日本311 大地震後，他為災後飽歴風霜的鋼琴裝上 自動彈奏系統，並與高谷史郎合作裝置藝 術作品《IS YOUR TIME》；2015年，他 將一台夏威夷百年鋼琴運送到紐約家中的 露天庭院，讓它順其自然地朽壞，成為一 種藝術、哲學及人生的實驗。

2023年，我離開東京飛往成都，再回到 東京，經歷了教授由病癒到復發，再到 病逝。世界由未爆發新冠疫情到隔離到 復常，百般滋味在心頭。回想當初《鏡： KAGAMI》在海外上演時，自己的心情依 然十分沉重，所以都沒有打算前往參與， 可能有些朋友也有相似的情況。因此，得 知2026年在香港有機會欣賞，實在很期 待。沉澱了差不多三年，準備與教授在另 一維度再遇……

撰文：黃志淙

英文翻譯：DTo

原文刊載於2025年12月香港藝術節之線上雜誌 《News & Features》

captured using a 48-camera system invented by 4DViews. The production represented a four-year process unprecedented in the medium, which ultimately became KAGAMI. After putting on specially made mixed reality glasses, audience members are able to observe Sakamoto’s fingers dancing over the keyboard, and feel the free yet profound soul of his music as though they are transported into a different world beyond the land of the living.

In the years leading up to his death, Sakamoto could no longer perform live. Despite this, in late 2022, Sakamoto mustered all of his energy to leave the world with one final performance: a concert film featuring just him and his piano. The 2023 solo piano concert film Opus was directed by his son, Neo Sora. While experiencing KAGAMI, you may also connect to a specific time in your life—or even a particular piano used by Sakamoto. In 2001, for example, Sakamoto travelled to Brazil to record the master composer Antônio Carlos Jobim’s bossa nova music for his album Casa, using mobile equipment to record in maestro Jobim’s home, performing on his piano. In 2011, after Japan’s catastrophic Tōhoku earthquake, he installed an automated system on a damaged piano that had survived the disaster, creating the art installation IsYourTime with artist Shiro Takatani. And in 2015, he had a century-old piano from Hawaii hauled into the garden of his New York home and allowed it to disintegrate naturally, turning it into an experiment in art, philosophy and life.

I left Tokyo for Chengdu then returned to Tokyo in 2023, having witnessed the "Professor" going from recovery to relapse and then to death. The world had gone from the isolation of Covid back to some kind of normalcy, injecting even more mixed feelings into an already emotional journey. When KAGAMI was first staged overseas, I was still feeling weighed down and didn’t feel ready to take part; perhaps many others were in a similar situation. But since learning there would be an opportunity to experience it in Hong Kong in 2026, I have been steeped in anticipation. After missing him for almost three years, I am now looking forward to meeting the Professor once again, this time in a completely different dimension.

Text: Wong Chi-chung

English translation: DTo

This article was

作曲及演出

坂本龍一

坂本龍一，1952年出生於東京，是作曲 家、製作人暨藝術家。他涉獵領域廣泛， 不僅是傳奇電子音樂組合黃色魔術交響樂 團的成員，還創作了多張流行專輯、多首 古典音樂作品以及兩齣歌劇；他還曾為包 括貝南杜．貝托魯奇、貝德羅．艾慕杜 華、白賴仁．狄龐馬、艾力謝路．依拿力 圖在內的多位知名導演製作了近四十五首 原創電影或電視劇配樂。坂本的電影配樂

屢獲殊榮，曾勇奪奧斯卡金像獎和兩次金 球獎。

除了音樂創作，坂本的個人與合作裝置作 品也在全球各大畫廊與博物館展出，對當 代藝術發展影響深遠。

2023年1月17日，正值他七十一歲生日， 坂本發行了第十五張個人專輯《12》。這張 專輯收錄了他在兩年半抗癌期間作為聲音 日記創作及灌錄的十二首曲目。儘管坂本 在晚年已難以在現場演奏，他仍在2022年 底挑戰身體極限，為世人留下絕響——音 樂電影《坂本龍一：OPUS》。

坂本於2023年3月逝世，享年七十一歲。

東京都現代美術館於2024年12月至2025

年3月舉辦了迄今為止最全面的坂本龍一

藝術作品回顧展出，成為創館三十年來入 場人次最高的展覽。

Composer & Performer

Ryuichi Sakamoto (1952–2023)

Ryuichi Sakamoto was a composer, producer and artist born in Tokyo in 1952. His diverse résumé spanned pioneering works with the legendary electronic group Yellow Magic Orchestra, pop albums, numerous classical compositions, two operas, and nearly 45 original film and TV scores for directors including Bernardo Bertolucci, Pedro Almodóvar, Brian De Palma and Alejandro González Iñárritu. His film soundtracks earned prestigious awards including an Academy Award, two Golden Globes and many others.

Sakamoto also made significant contributions to the art world through solo and collaborative installations, and exhibitions in galleries and museums across the globe.

On 17 January 2023, his 71st birthday, Sakamoto released 12, his 15th solo album. This collection of 12 songs came from musical sketches he recorded like a sound diary during his two-and-a-half-year battle with cancer. Unable to perform live in his final years, he gathered his energy in late 2022 for one final performance: RyuichiSakamoto | Opus

Sakamoto passed away in March 2023 at the age of 71. The most comprehensive survey of his artworks was exhibited at the Museum of Contemporary Art Tokyo from December 2024 to March 2025, becoming the most visited exhibition in the museum’s 30-year history.

導演、監製及藝術總監

托德．埃克特

托德．埃克特十四歲便以記者身份撰文， 年僅十七歲成為美國雜誌《OnlyMusic》 的編輯。往後三十年間，他活躍於傳統 電影及媒體界，並參與製作了安東．寇 班的《控制》。該部獲獎長篇電影追溯了

搖滾樂隊Joy Division主唱伊恩．寇蒂 斯的生平，於2007年康城影展首映。他 亦擔任英國遊戲製作公司Eutechnyx（現 ZeroLight）的北美區總監。

在混合實境硬件技術領頭公司Magic Leap擔任內容開發總監期間，埃克特開 始探索不同媒體中的維度應用。他在2012 年加入該公司時，這項技術的早期形態便 令他確信應當重點發展更人性化的錄影體 驗，以釋放技術的無限潛能。

除了塑造「鐵皮鼓」的企業及藝術發展， 埃克特亦執導了旗下兩部作品：《生命之 體》及《鏡：KAGAMI》。他深信藝術家 與觀眾之間的連結是神聖的，並致力消除 時間對這些聯繫的限制。

Director, Producer & Art Director

Todd Eckert

Todd Eckert was first published as a journalist at 14 and became editor of the national OnlyMusic magazine when he was 17. He worked throughout traditional film and media for the next 30 years, and produced Control, Anton Corbijn’s awardwinning feature film about Joy Division’s Ian Curtis, which premiered at the Cannes Film Festival in 2007. He also served as Director of North America for Eutechnyx (now ZeroLight), a British video game development company.

He first started exploring dimension in media as the Director of Content Development for Magic Leap, a pioneer in mixed reality (MR) hardware. He joined the company in 2012 when an early presentation of the technology convinced him to focus solely on the unlimited potential of a more human recorded experience.

Besides shaping Tin Drum’s corporate and artistic development, Eckert has directed two of the company’s works, The Life and KAGAMI. He believes that the connection between artist and audience is sacred, and is obsessed with diminishing the limitations of time in these relationships.

「鐵皮鼓」

「鐵皮鼓」是以紐約為基地並活躍於全球的 合作社群，它聚集了各地藝術家、技術專家

及設計師，以混合實境媒介創作及呈現作 品。他們的重點不在於科技，而是藉此實現 其他技術無法達成的效果。所有作品的核心 都是藝術家與觀眾之間神聖的連結。

托德．埃克特於2016年創立鐵皮鼓，這間 公司擁有音樂、電影以及電子遊戲創作的 背景。鐵皮鼓並不着眼於虛擬現實，而是 聚焦無熒幕的混合實境硬件，這項技術能 夠將錄製表演真實地呈現出來，就像發生 在此時此地一樣。

《生命之體》是鐵皮鼓與傳奇表演藝術家瑪 麗娜．阿布拉莫維奇的合作項目，也是世 界首個公開展示的大型混合實境展覽。該

公司另一件大型作品《美杜莎》融合設計與 生成演算法軟件，於倫敦維多利亞與艾伯 特（V&A）博物館展出時門票全數售罄，隨 後於布魯克林Pioneer Works再度創下破 紀錄盛況。

《鏡：KAGAMI》由奧斯卡金像獎得主、作 曲家兼鋼琴家坂本龍一領銜，堪稱最大膽 的全維度影片作品試驗，將混合實境的體 驗提升至全新水平。該作迄今已於七座城 市巡演，亦會在未來數月繼續上演。

鐵皮鼓的作品累積觀賞人次已超過十萬。

Tin Drum is a New York-based, globally active collection of artists, technologists and designers working to create and present work through the medium of mixed reality (MR). Our focus is never the tech, but rather what the tech can achieve that is not otherwise possible. At the centre of everything we do is the sacred relationship between artist and audience.

Todd Eckert founded the company in 2016, coming from a background of music, film and some video game development. Tin Drum does not work in virtual reality, but instead concentrates exclusively on screenless MR hardware, which is capable of presenting recorded performance as an event happening as part of the world in real time.

TheLife, a collaboration with legendary performance artist Marina Abramović, was the world’s first publicly presented large-scale mixed reality exhibition. Medusa, a large-scale work blending design with generative algorithmic software, had a sold-out run at London’s Victoria and Albert Museum, and was followed by a record-setting presentation at Brooklyn’s Pioneer Works.

KAGAMI, featuring Academy Award-winning composer and pianist Ryuichi Sakamoto, is the most ambitious full-dimensional film piece ever attempted, and has set the bar for MR experiences. It has been presented in seven cities to date, with new shows coming over the next several months.

Tin Drum’s work has now been seen by more than 100,000 people.

香港工作人員名單

Hong Kong Crew List

香港藝術節

項目經理： 陳娟瑜

節目統籌： 楊曦

周翹

節目主任： 張晞琳

製作經理： 魏婉意

外展統籌： 李幸凝

藝術家統籌：Giacomo Matelloni

創作及製作團隊

Creative & Production Team

主科學家及模型網格處理

Lead Scientist & Mesh Surgeon

Yoyo Munk

主 3D 設計師 Lead 3-D Designer

Matt Hermans

主開發者及方案率領

Lead Developer & Ship’s Captain

Laurentiu Fenes

副監製 Associate Producer

Alec Fellman

製作統籌 Production Coordinators

Mai Yuda, Maria Takeuchi

資料統籌 Archive Coordinator

Yuichuro Unosawa

製作經理 Production Manager

Rory Howson

燈光設計 Lighting Designer

Seth Reiser

音響主管 Head of Sound

Rob Parkinson

音響體驗科技 Sound Experience Technology

d&b Soundscape

建築及空間設計

Architecture & Spatial Design

Miguel Quismodo, Juan Carlos Bragado and Gloria Saa Garcia for MQ Architects

QA 及 UX 導演 Director of QA & UX

Flave de Oliveira

製作舞台經理及技術主管

Production Stage Managers & Technical Supervisors

Angus Goodearl, Sam Harris

展覽經理 Exhibitions Manager

David Viecelli

The Hong Kong Arts Festival

Project Manager: Alice Chan

Programme Coordinators: Adrien Yeung

Nicole Chow

Programme Officer: Haynes Cheung

Production Manager: Gloria Ngai

Outreach Coordinator: Giselle Li

Artist Coordinator: Giacomo Matelloni

訂票代理 Booking Agency

Billions Agency

社交媒體經理 Social Media Manager

Rebecca Roche

網頁 Website

Shane O’Neill

公關 PR

Bread and Butter PR

原創平面設計及觀眾編舞

Original Graphic Design & Audience Choreography

Alysha Naples

展覽 Exhibitions

Eliza Ryan

技術

Technical Team

技術主管 Technical Lead

Martin Smith

伺服器開發 Server Developer

Ben Winstone

Unity 開發 Unity Developer

Quincy Campbell

IT 專家 IT Specialists

O’Donnell

監製 Producer

Pete Short

音響

Audio

音響設計 Audio Designer

Kazuyuki “zAK” Matsumura

音響系統設計 Audio System Designer

Ayumi Hanano

回放工程師 Playback Engineer

Satoshi Hama

音響雛型 Audio Prototyping

Reese Donohue

創作

Creative Team

科技藝術 Tech Artist

Koki Ibukuro

3D 藝術 3-D Artist

Sophie Langohr

影片剪接 Video Editors

Julia Hendrickson, Sara Melvin, Peadar Gill

相片編輯 Photo Editor

Dagon James

相片修飾 Photo Retouching

Mori Arany

藝術家，其作《巨型劇場的銘文》（2018）部分見於

《末代皇帝》

Artist, Creator of InscriptionsofanImmense Theatre (2018), elements of which feature in The LastEmperor

Aibhe Ni Bhriain

藝術技巧 Artistry

George Fuentes

雛型 Prototyper

David “Scooter” Naney

引介

Induction Credits

CODA 導演及編輯 Director & Editor of CODA

Stephen Schible

《機場巴赫》母帶製作

Masterer of BachForAirports

Taylor Deupree

影像

Images

VISITING NY, 1987, from All Star Video by

Nam June Paik

Photo by Yukihiro Yoshihara

RECORDING SESSION, 1987 Studio Miraval, France

Photo by Yuka Fuji © Yuka Fuji

ALBUM “OUT OF NOISE”, 2008

Photo by Kazunali Tajima © Kab Inc

RECORDING SESSION, 1986 Using Fairlight CMI

Photo by Hideki Namai. Courtesy of Nippon Columbia Co., Ltd

ACADEMY AWARD, 1988 Best Original Score for The LastEmperor

© Kyodo/Kyodo News

Yoka KAGAMI 香氣

Yoka KAGAMI Scent

開發 Developed by

坂本龍一 Ryuichi Sakamoto

作曲、導演、製作

Composed, Directed & Produced by Shinichiro Ogata, Designer/Founder of SIMPLICITY

統籌 Coordinators

Inez Westerhausen, Yuiko Yoshida

坂本龍一方面：

For Sakamoto:

KAB America

Norika Sora, Alec Fellman, Maria Takeuchi

「鐵皮鼓」方面：

For Tin Drum:

「鐵皮鼓」法律諮詢、合夥人，Fox Rothschild

Tin Drum Counsel, Partner, Fox Rothschild

James Singer

「鐵皮鼓」法律諮詢，Fox Rothschild Counsel, Fox Rothschild

Terrence Kerwin

財務經理 Finance Manager

Louisa Michaels

The Shed 方面：

For The Shed:

藝術總監 Artistic Director

Alex Poots

總製作人 Chief Executive Producer

Madani Younis

監製 Producer

Laura Aswad

製作指導 Director of Production

Frank Butler

製作經理 Production Manager

Sarah Pier

曼徹斯特國際藝術節方面：

For Manchester International Festival:

高級監製 Senior Producer

Ric Watts

監製 Producer

Mike Pony

製作行政 Production Administrator

Rebecca Burgess

Factory International 技術主管

Factory International Technical Lead

Chris Clay

製作經理 Production Manager

Rory Howson

攝錄團隊（2020）：

Capture Credits (2020):

Gunpowder 系統工程師

Systems Engineers, Gunpowder

Tom Gentry, Tom Taylor

「鐵皮鼓」製作統籌

Production Coordination, Tin Drum

Hisashi Itoh

製作主管 Production Lead

Daito Manabe

工作室主管 Studio Head

Hajime Kotani (Crescent)

工作室工程師：

Studio Engineers:

Tadayuki Suzuki (Crescent)

Takayuki Ochiai (Crescent)

Fumiaki Kudo (Crescent)

Yoshitaka Homma (Crescent)

Rinta Ito (Crescent)

Kenju Amauchi (Crescent)

監製 Producer

Takao Inoue (Rhizomatiks)

經理： Managers:

Naoki Ishizuka (Rhizomatiks)

Shintaro Kamijo (Rhizomatiks)

Muryo Homma (Rhizomatiks)

軟件工程師：

Software Engineers:

Yuya Hanai (Rhizomatiks)

Tatsuya Ishii (Rhizomatiks)

Satoshi Horii (Rhizomatiks)

Yuta Okuyama

視覺藝術家：

Visual Artists:

Toshihiko Sakata (+Ring)

Kenta Katsuno (+Ring)

Takeshi Ozaki (+Ring)

Tsukasa Iwaki (+Ring)

Hiroki Miura (+Ring)

Go Takahashi (+Ring)

Toru Ehara

Mitobe Satoshi

Junichi Ebe

Iwaikawa Yuji (Cai)

MIDI 數據調整專家

MIDI Data Adjustment Specialist

Kyoko Koyama

測試攝影參與者：

Test Shoot Participants:

鋼琴家 Pianist

Tatsuki Hayashi

鋼琴家經理 Pianist Manager

Gen Teria (KAJIMOTO)

雛型製作工作室設計師

Prototyping Studio Designer

Kenichi Togawa (Burri)

Muji2020 舞蹈動作捕捉製作：

Dance Motion Capture Production for Muji2020:

編舞 Choreographer

MIKIKO (ELEVENPLAY)

舞者 Dancers

KOHMEN (ELEVENPLAY)

SAYA (ELEVENPLAY)

KAORI (ELEVENPLAY)

NANAKO (ELEVENPLAY)

EMMY (ELEVENPLAY)

SARA (ELEVENPLAY)

KAi MiWA (ELEVENPLAY)

動作捕捉工程師 Motion Capture Engineer

Keisuke Kikuch

經理 Manager

Yoko Shiraiwa (ELEVENPLAY)

Acknowledgements

香港藝術節衷心感謝下列機構及人士的慷慨支持﹕

The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron's Club Members

鉑金會員 Platinum Member

嘉里控股有限公司 Kerry Holdings Limited

黃金會員 Gold Member

怡和集團 Jardine Matheson Limited

純銀會員 Silver Member

太古地產 Swire Properties

青銅會員 Bronze Members

諾業基金有限公司 Nathaniel Foundation

胡興正醫生慈善基金有限公司 Dr. Wayne Hu Charitable Foundation Ltd 鳴謝

實物支持機構 In-Kind Supporters

半島酒店 The Peninsula Hotel Limited

藝術節捐助計劃 Festival Donation Scheme

鉑金捐款者 PLATINUM DONOR

HK$140,000 或以上 OR ABOVE

文肇偉 Sebastian Man

鑽石捐款者 DIAMOND DONOR

HK$70,000 - HK$139,999

孫漢明博士 Dr. Stephen Suen

翡翠捐款者 JADE DONORS

HK$30,000 - HK$69,999

無名氏 Anonymous

Chan Yiu Wah Eva

鄒艾狄

洪祖杭 HUNG CHAO HONG

Leung Wai Yee Candice

Wendy Nam

陳智文 Stephen Tan

黃金捐款者 GOLD DONORS

HK$12,000 - HK$29,999

無名氏 Anonymous

Jeffrey and Helen Chan

陳求德醫生 Dr. KT CHAN

周一嶽醫生 Dr. York Chow

何子健先生及廖文軍女士 Mr. Ho Che Kin & Ms. Liu Man Kwan

Huang Xiang Edmond

Kenneth Lau & Anna Ang

Dr. Sabrina TSAO

Dr. & Mrs. TSAO Yen Chow

Mr. & Mrs. YS Wong

通利琴行 Tom Lee Music

純銀捐款者 SILVER DONORS

HK$6,000 - HK$11,999

無名氏 Anonymous

仇少碧 Chow Siu Pik Maria

Ho Man Fung Edith

Joan Leung

Franklin Lee

練紹良先生夫人 Mr. & Mrs. David S L Lin

Dr. Michael Mak

José Manuel Sevilla and Julie Bisaillon

Linda Wang

Wong Yick Kam

姚曼儀女士 Ms. Enoch Yiu

姚昱 Isabel Yiu

青銅捐款者 BRONZE DONORS

HK$3,000 - HK$5,999

無名氏 Anonymous

Mr. Arblaster

Veryan Bradshaw

Cecilia

Jo Chen

Cheung Shuk Mei Cora

Dr. David Fang

Tim Freshwater

何超賢 Angela Ho

孔德朗 Adrian Hung

Dr. Alfred Lau

Lau Pui Wah Gloria

Wendy Leung Wing Shan

Jennie Mak

Barbara and Anthony Rogers

石應瀚

文娛慈善基金 The Elementary Charitable Foundation

朱玉迎 Zhu Yuying

鉑金捐款者 PLATINUM DONORS

HK$140,000 或以上 OR ABOVE

無名氏 Anonymous

馬振玉慈善基金會有限公司 CYMA Charity Fund Limited

The Lanson Foundation

鑽石捐款者 DIAMOND DONORS

HK$70,000 - HK$139,999

Mrs. Purviz R. Shroff, MH and Late Mr. Rusy M. Shroff, BBS, MBE

Dr. and Prof. Anna & Helmut Sohmen

田家炳基金會 Tin Ka Ping Foundation

芝蘭基金會 Zhilan Foundation

翡翠捐款者 JADE DONORS

HK$30,000 - HK$69,999

無名氏 Anonymous

Ophelia Fung

Catherine KC Leung

Li Kristine Keng Yan

Mr. and Mrs. Roger Lui

孫漢明博士 Dr. Stephen Suen

黃金捐款者 GOLD DONORS

HK$12,000 - HK$29,999

無名氏 Anonymous

陳求德醫生 Dr. KT CHAN

周一嶽醫生 Dr. York Chow

徐伯鳴先生與黃碧如女士 Mr. Norman Chui Pak Ming and Ms. Cleresa Wong Pie Yue

CHUNG See Yuen

LY Consultant Limited

C H Mak

Pong Sum-yee Samanta

Teresa Pong

Mr. & Mrs. Kenneth Quinn

孫永輝 施熙德 Stephen Sun and Edith Shih

陳智文 Stephen Tan

新作捐助計劃 New Works Scheme

黃金捐款者 GOLD DONORS

HK$12,000 - HK$29,999

無名氏 Anonymous

劉仰澤 Lau Yeung Chak

凌霄志醫生 Dr Tony Ling

純銀捐款者 SILVER DONORS

HK$6,000 - HK$11,999

無名氏 Anonymous

陳頴儀與黃乃正

純銀捐款者 SILVER DONORS

HK$6,000 - HK$11,999

無名氏 (3) Anonymous (3)

Mr and Mrs Herbert Au-Yeung

Iain Bruce

Cheung Kit Fung

Grace Chiang

Margaret Hamilton

S Hon

劉青薇 Lau Ching Mei Josephine

Franklin Lee

Joan Leung

Dr. Xina Lo

麥禮和醫生 Dr. Mak Lai Wo

Karen and Vernon Moore

Caroline Pang

Dr. Tam Oi Wo Joyce

Christine Tong

Dr. & Mrs. TSAO Yen Chow

青銅捐款者 BRONZE DONORS

HK$3,000 - HK$5,999

無名氏 (5) Anonymous (5)

區燊耀 Au Son Yiu

Susan Basquin

Biz Office Limited

Carthy Limited

Mr. & Mrs. D. Chang

蔣國誠 Chiang Kwok Shing Alan

Community Partner Foundation Limited

Joannes Ming Wai Lee

Savita Leung

Dr. Eddy Li

李芷珊 JANICE RITCHIE

Alan and Penny Smith

Ms. Tai Diana Po Kam

Michelle Tang Yuen Sheung

文娛慈善基金 The Elementary Charitable Foundation

邱偉程 Yau Wai Ching, Jimmy

殷和順先生及劉善萍女仕

Yim Chui Chu

青銅捐款者 BRONZE DONORS

HK$3,000 - HK$5,999

Lexandra Chan

MDB&Star B CHAN

Grace Chiang

Chiu Shui Man Tabitha

Victor Lai

李芸輝博士 Dr. LEE Wan Fai Walter

網上藝術教育捐助計劃 Digital Arts Education Scheme

黃金捐款者 GOLD DONOR

HK$12,000 - HK$29,999

無名氏 Anonymous

青銅捐款者 BRONZE DONOR

HK$3,000 - HK$5,999

HK CT Alumni Association

香港藝術節基金會贊助人

Hong Kong Arts Festival Foundation Patrons

首席創始贊助人 Lead Founding Patrons

陳俊豪先生 Mr Thomas Chan

黃廷方慈善基金 Ng Teng Fong Charitable Foundation

電訊盈科 PCCW

九龍倉集團 The Wharf Group

主要創始贊助人 Major Founding Patrons

萬通保險國際有限公司 YF Life Insurance International Ltd

眾安銀行 ZA BANK

創始贊助人 Founding Patrons

陳煒文博士 , JP Dr Raymond Chan, JP

丹斯里拿督邱達昌 Tan Sri Dato ’ David Chiu

曹其鋒先生 Mr Silas Chou

霍建寧先生及霍何綺華女士 Mr and Mrs Canning and Eliza Fok

馮氏基金有限公司 E.M. Fung Foundation Limited

何超瓊女士 , SBS, JP Ms Pansy Ho, SBS, JP

科勁國際（控股）有限公司 King ’ s Flair International (Holdings) Limited

梁婉玲博士 Dr Elina Leung

孫漢明博士 Dr Stephen Suen

包陪麗女士 , BBS 及渡伸一郎先生 Ms Cissy Pao, BBS and Mr Shinichiro Watari

支持及協助 Support and Co-operation

1Plus1 Production

第三十七屆澳門國際音樂節 37th Macao International Music Festival

史卡拉歌劇院學院 Accademia Teatro alla Scala

Antonieta Fernandes Manhão

Art-mate 網上售票平台 Art-mate

教育局藝術教育組 Arts Education Section, Education Bureau

香港愉景灣酒店 Auberge Discovery Bay Hong Kong

Bettypaige Flamenco

英國駐香港總領事館 British Consulate-General Hong Kong

英國文化協會 British Council

British Film Institute

楊文秀 Camelia Yeung

陳定遠 Chan Ting-yuen, Timothy 中國電影資料館 China Film Archive

城市當代舞蹈團 City Contemporary Dance Company

Clara Ramona Danza Flamenca Limited

西洋會所 Club Lusitano

比利時駐港總領事館 Consulate General of Belgium in Hong Kong

加拿大駐香港及澳門總領事館 Consulate General of Canada in Hong Kong and Macao

法國駐香港及澳門總領事館 Consulate General of France in Hong Kong & Macau

愛爾蘭駐香港及澳門總領事館 Consulate General of Ireland to Hong Kong and Macao

意大利駐香港總領事館 Consulate General of Italy in Hong Kong

葡萄牙駐澳門及香港總領事館 Consulate General of Portugal in Macau and Hong Kong

西班牙駐港總領事館 Consulate General of Spain in Hong Kong

瑞士駐港總領事館 Consulate General of Switzerland in Hong Kong

捷克共和國駐香港總領事館 Consulate General of the Czech Republic in Hong Kong

Culture Ireland

愛爾蘭外交貿易部 Department of Foreign Affairs and Trade, Ireland

Diamond Digital Marketing (HK)

天主教澳門教區 Diocese De Macau

林芍彬博士 Dr Anne Lam Cheuk-bun

盧定彰博士 Dr Daniel Lo Ting Cheung

Dr Elisabeth Berry Drago

林丰博士 Dr Fung Lam

張國雄博士 Dr Stephen Cheung Kwok Hung

黃志淙博士 Dr Wong Chi-chung

東九文化中心 East Kowloon Cultural Centre

Esencia Flamenca HK

誠品書店 Eslite bookstore

楊欣諾 Felix Yeung

翻騰三周半 Fountain de Chopin

藝穗會 Fringe Club

德國駐香港總領事館 German Consulate General Hong Kong

六國酒店 Gloucester Luk Kwok Hong Kong

香港君悅酒店 Grand Hyatt Hong Kong

Habyt Bridges

Hansen Chan

香港藝術行政人員協會 Hong Kong Arts Administrators Association

香港藝術中心 Hong Kong Arts Centre

香港浸會大學 Hong Kong Baptist University

音樂學院 Academy of Music

香港中樂團 Hong Kong Chinese Orchestra

香港大會堂 Hong Kong City Hall

香港文化中心 Hong Kong Cultural Centre

香港旅遊發展局 Hong Kong Tourism Board

香港聯合國教科文組織世界地質公園 Hong Kong UNESCO Global Geopark

悅品海景酒店．觀塘 Hotel COZi Harbour View

宜必思香港中上環 ibis Hong Kong Central & Sheung Wan

入境事務處 Immigration Department

In Black

法國文化中心 Institut français

東方葡萄牙學會 Instituto Português do Oriente

益普索 IPSOS

廖健邦 James Liu

滘西村值理會 Kau Sai Village Office

林欣傑 Keith Lam

梁頌怡 Kitty Leung

駐香港韓國文化院 Korean Cultural Center in Hong Kong

高山劇場 Ko Shan Theatre

Kubrick

葵靑劇院 Kwai Tsing Theatre

光華印務公司 Kwong Wah Printing Company

勞工處 Labour Department

李淑嫻 Lee Suk Han

康樂及文化事務署 Leisure and Cultural Services Department

牧羊少年與他的浮萍 Lemna of the Alchemist

林昕楠 Lin Xinnan

盛薈 @ 莊士敦 Loplus@Johnston LORE Limited

馬志恆 Ma Chi Hang

馬哥孛羅香港酒店 Marco Polo Hongkong Hotel

Margaret Cheung

Mariko Drayton

Maxibit HK/China

MOViE MOViE

Munchkinlands Company

迷音樂 Musikholic

MYKE40 ltd

荃灣西如心酒店 Nina Hotel Tsuen Wan West

北區大會堂 North District Town Hall

香港諾富特世紀酒店 Novotel Century Hong Kong

One Bite Design Studio

Parenthèses

柏斯琴行 Parsons Music Limited

迷離科技有限公司 Practical Magic and Innovation

葉劍豪教授 Professor Ip Kim-ho

瑞士文化基金會 Pro Helvetia – Swiss Arts Council

犇華企業服務有限公司 Primasia Corporate Services Limited

舍區 Quarryside

歐永財魅力弗拉門戈藝術團 Raymond Au & His Flamenco Troupe Los Duende

麗豪酒店 Regal Riverside Hotel

黃日芝芭蕾舞學校 Regine Wong School of Ballet

皇家太平洋酒店 Royal Pacific Hotel

Saul Zaentz Company

沙田大會堂 Sha Tin Town Hall

上環文娛中心 Sheung Wan Civic Centre

Southgate Design

春天芭蕾舞學校 Springtide Ballet School 聯合新零售（香港）有限公司 SUP Retail (Hong Kong) Limited

大館 古蹟及藝術館 Tai Kwun Centre for Heritage and Arts

駐香港臺北經濟文化辦事處 Taipei Economic and Cultural Office in Hong Kong 台灣蘇富比國際房地產 Taiwan Sotheby's International Realty

唐娟 Tang Juan

藝林文具印刷有限公司 The Artland Co. Ltd.

瑞典駐香港及澳門總領事館 The Consulate General of Sweden in Hong Kong and Macau

The Corner Coffee Ltd.

香港教育大學 The Education University of Hong Kong

文化與創意藝術學系 Department of Cultural and Creative Arts

香港演藝學院 The Hong Kong Academy for Performing Arts

舞蹈學院 School of Dance

戲劇學院 School of Drama

音樂學院 School of Music

表演場地管理部 Venue Performance Unit

場地技術部 Venue Technical Unit

香港管弦樂團 The Hong Kong Philharmonic Orchestra

香港朗廷酒店 The Langham, Hong Kong

香港半島酒店 The Peninsula Hotel Limited

港靑 香港基督敎靑年會 The Salisbury – YMCA of Hong Kong

香港大學 The University of Hong Kong

比較文學系 Department of Comparative Literature

音樂系 Department of Music

荃灣大會堂 Tsuen Wan Town Hall

翠華船務（香港）有限公司 Tsui Wah Ferry Service (H.K.) Limited

屯門大會堂 Tuen Mun Town Hall

東華三院東蒲 TWGHs TungPo

美國駐港澳總領事館 U.S. Consulate General HK & Macau

郭慧芸芭蕾舞學校 Vivian Kwok School of Ballet

Vivian Suen

西九文化區管理局 West Kowloon Cultural District Authority

WINK

艾希妮控股有限公司 X Social Group Holdings Limited

高木 Yakitori Takagi

元朗劇院 Yuen Long Theatre

贊助人

李家超先生 , PATRON

GBM SBS PDSM PMSM

永遠名譽會長 邵逸夫爵士（1907-2014）

執行委員會

主席 盧景文教授

副主席 文肇偉先生 義務司庫 范高廉先生 委員 何苗春暉女士

紀文鳳女士 林健忠博士

劉鎮漢先生 李敬恩女士

馬清正先生 薛文熹先生

譚榮邦先生 閻　蘭博士 楊　光先生

節目委員會

主席 譚榮邦先生 委員 白諾信教授

黃　翔先生 羅志力先生 毛俊輝教授

約瑟 施力先生 +

姚　珏教授

財務委員會

主席 范高廉先生 委員 鄭惠貞女士 梁國輝先生

發展委員會

主席 閻　蘭博士

副主席 梁嘉彰女士

委員 張詩樂先生 馮穎詩女士

龐心怡女士 孫林宣雅女士 文 藝女士

顧問 夏佳理先生 鮑　磊先生

查懋成先生

陳祖澤博士

陳達文博士

霍　璽先生

李業廣先生

梁紹榮夫人

李國寶博士

名譽法律顧問 甘乃迪女士 美博香港律師事務所

核數師 羅兵咸永道會計師事務所

Honorary Programme Advisor

電話 TEL （852）2824 3555

傳真 FAX （852）2824 3798、（852）2824 3722

電子郵箱 Email afgen@hkaf.org

節目查詢熱線 （852）2824 2430

Programme Enquiry Hotline

地址 ADDRESS

香港灣仔港灣道二號十二字樓 1205 室 Room 1205, 12/F,2 Harbour Road, Wan Chai, Hong Kong

The Hon. John KC Lee,

GBM SBS PDSM PMSM

HONORARY LIFE PRESIDENT The Hon. Sir Run Run Shaw, GBM CBE（1907-2014）

EXECUTIVE COMMITTEE

Chairman Prof. Lo Kingman, SBS MBE JP

Vice-Chairman

Honorary Treasurer

Members

PROGRAMME COMMITTEE

Chairman

Members

FINANCE COMMITTEE

Chairman

Members

DEVELOPMENT COMMITTEE

Chairperson

Vice-Chairperson

Members

ADVISORS

HONORARY SOLICITOR

AUDITOR

Mr Sebastian Shiu-wai Man

Mr Colin Farrell

Ms Joanna Hotung

Ms Leonie Ki, GBS SBS JP

Sir Lam Kin Chung, KCR

Mr Anthony Lau

Ms Kristine Li

Mr Ma, Ching Cheng

Mr Hugh Simon

Mr Tam Wingpong, SBS

Dr Yan Lan

Mr Sunny Yeung

Mr Tam Wingpong, SBS

Prof. Giorgio Biancorosso

Mr Edmond Huang

Mr Peter C L Lo

Prof. Fredric Mao, BBS

Mr Joseph Seelig, OBE +

Prof. Jue Yao, SBS JP

Mr Colin Farrell

Ms Margaret Cheng, JP

Mr Nelson Leong

Dr Yan Lan

Ms Catherine Leung

Mr Carey Cheung

Ms Ophelia Fung

Ms Samanta Sum-yee Pong

Mrs Helen Lin Sun

Ms Yi Wen

The Hon. Ronald Arculli, GBM CVO GBS OBE JP

Mr Martin Barrow, GBS CBE

Mr Victor Cha

Dr John CC Chan, GBS JP

Dr Darwin Chen, SBS ISO

Mr Angus H Forsyth

The Hon. Charles YK Lee, GBM GBS OBE JP

Mrs Mona Leong, SBS BBS MBE JP

Dr The Hon. Sir David KP Li, GBM GBS OBE JP

Ms Gabriela Kennedy

Mayer Brown Hong Kong LLP

PricewaterhouseCoopers

職員

行政總監 余潔儀

行政總監助理 何丹蓉

節目

節目總監 梁掌瑋、蘇國雲

副節目總監 李冠輝

高級節目經理 蘇雪凌、游慧姿 *

節目經理 鄭佩群 *、廖國穎 *、馬筠婷 *

黃　嵐 *

項目經理 李朗軒 *

節目統籌 陳娟瑜 *、周　翹 *、鍾曉晴 *

容諾行 *

節目主任 黃明儀 #

物流

物流及接待經理 金學忠 *

技術

高級製作經理 梁雅芝 * 製作經理 陳梓衡 *

出版

編輯經理 陳詠恩 *

英文編輯 Adam Wright*

副編輯 陳劭儀 *

助理編輯 干　霖 *

外展

外展經理 林嘉敏 *

外展統籌 陳沅渟 *、李幸凝 *、鄧芷蔚 * 、 黃思婷 *

外展主任 趙家琳 *、郭曉潼 *

外展助理 陳美鳳 *

市場推廣

市場總監 鄭尚榮

副市場總監 盧伯全

市場經理 鄭曉恩 *、張予心 *、黃芷賢 *

市場項目經理 譚懿諾 *

副市場項目經理 李穎軒 *

助理市場經理 朱凱潼 *

市場統籌 梁喬正 *

市場主任 王舒萱 *

票務

高級市場經理（票務） 梁彩雲 票務主任 蔡嘉熹 *

發展

發展總監 簡潤如

特別發展協理 蘇啟泰 *

發展經理 陳寶齋 *、葉巧儀 *、黃珮茵 *

助理發展經理 郭倩珩 *

發展主任 葉涴喬 *

短期發展助理 陳芍穎 *

行政事務

財務總監 鄺敬婷

會計

會計經理 杜詩麗 *

會計及行政主任 麥婕妤 * 人力資源及行政 人力資源及行政經理 楊美君 * 接待員 / 初級秘書 李美娟

資訊科技 資訊科技經理 陳啟明 *

無限亮

項目總監 錢 佑 *

節目及外展經理 鍾美琼 *、高　君 *、吳卓恩 *

助理節目及外展經理 潘詠汶 *

節目及外展統籌 鄭銘柔 *

市場經理 黃嘉欣 *

副市場經理 陳佩鈴 *、吳雪琼 *

助理製作經理 鄭家裕 *

高級會計主任 鍾巧明 *

STAFF

Executive Director

Assistant to Executive Director

PROGRAMME

Programme Directors

Associate Programme Director

Senior Programme Managers

Programme Managers

Project Manager

Programme Coordinators

Programme Officer

LOGISTICS

Logistics Manager

TECHNICAL

Senior Production Manager

Production Manager

PUBLICATIONS

Editorial Manager

English Editor

Associate Editor

Assistant Editor

OUTREACH

Outreach Manager

Outreach Coordinators

Outreach Officers

Flora Yu

Connie Ho

Grace Lang, So Kwok-wan

Kenneth Lee

Shirley So, Janet Yau*

Cathy Cheng*, Sophie Liao*,

Katie Ma*, Neva Wong*

Li Long-hin*

Alice Chan*, Nicole Chow*, Dorothy Chung*, Ryan Yung*

Melissa Wong#

Elvis King*

Shirley Leung*

Jacob Chan*

Eugene Chan*

Adam Wright*

Shao yi Chan*

Lindsey Gan*

Carman Lam*

Olivia Chan*, Giselle Li*, Tina Tang*, Ariel Wong*

Raven Chiu*, Angel Kwok*

Outreach Assistant Christine Chan*

MARKETING

Marketing Director

Associate Marketing Director

Marketing Managers

Project Manager – Marketing

Katy Cheng

Eugene Lo

Vicki Cheng*, Stephanie Cheung*, Effie Wong*

Hades Tam*

Deputy Project Manager - Marketing Hill Li*

Assistant Marketing Manager

Jessica Chu*

Marketing Coordinator Isaac Leung*

Marketing Officer

TICKETING

Senior Marketing Manager (Ticketing)

Ticketing Officer

DEVELOPMENT

Development Director

Special Development Associate

Development Managers

Assistant Development Manager

Development Officer

Nancy Wong*

Eppie Leung

Heidi Choi*

Brenda Kan

Alex So*

Leroy Chan*, Evelyn Ip*, Janice Wong*

Evelyn Kwok*

Jeria Yip*

Temporary Development Assistant Cherry Chan*

CORPORATE SERVICES

Finance Director

ACCOUNTS

Account Manager

Accounting & Administrative Officer

HR & ADMINISTRATION

HR and Admin Manager

Teresa Kwong

Connie To*

Charmaine Mak*

Janet Yeung*

Receptionist/Junior Secretary Virginia Li

INFORMATION TECHNOLOGY

Information Technology Manager

NO LIMITS

Project Director

Derek Chan*

Eddy Zee*

Programme and Outreach Managers Becky Chung*, Tiffany Ko*, Frieda Ng*

Assistant Programme and Outreach Manager Jasmine Poon*

Programme and Outreach Coordinator Taylor Cheng*

Marketing Manager Carly Wong*

Deputy Marketing Managers

Gina Chan*, King Ng*

Assistant Production Manager Dick Cheng*

Senior Accounting Officer Catherine Chung*

藝術家統籌 張晞琳*、朱芷慧*、馮碧琪*、向怡君*、何敬堯*、梁頌怡*、盧悅穎*、羅玲* 、Lucrezia Luxardo*、胡肇婷*、楊曦*、翁蒨懃*

製作主任 魏俊瑩*

技術統籌 張詠宜*、范文恩*、馮舒凝*、李浩賢*、譚學臻*、鄧煒培*、曾以德*

Artist Coordinators Haynes Cheung*, Eleanor Chu*, Betty Fung*, Cassandra Heung*, Kelvin Ho*, Kitty Leung*, Joyce Lo*, Celine Luo*, Lucrezia Luxardo*, Blanche Wu*, Adrien Yeung*, Bonnie Yung*

Production Officer Rita Ngai*

Technical Coordinators Jess Cheung*, Yan Fan*, Cherry Fung*, Lawrence Lee*, Camille Tam*, Billy Tang*, Joyi Tsang*

*合約職員 Contract Staff 按英文姓氏首字母排列 In alphabetical order

# 藝術人才見習配對計劃2025/26由香港藝術發展局資助

# 2025/26 The Arts Talents Internship Matching Programme is supported by the Hong Kong Arts Development Council 2026年2月更新 Updated February 2026

請支持您的藝術節！

Become a Supporter of Your Festival!

香港藝術節是一所非牟利機構，單憑票房收入及政府基本資助，遠遠 未足以應付呈獻及推廣世界各地頂尖表演藝術的成本。藝術節之所以 能持續舉辦，捐助者的慷慨支持實在功不可沒。誠意邀請您捐助藝術 節捐助計劃，協助我們繼續帶來高質素國際及本地藝術家精采的演出， 以及舉辦多元化的外展及教育活動。

香港藝術節是香港特區政府的「藝術發展配對資助計劃」受惠機構， 部份籌得的捐款及贊助收入將獲一元對一元的配對資助。*

無論捐贈數額多少，我們均衷心感謝您的支持！

The Hong Kong Arts Festival is a non-profit organisation. Income from ticket sales and government baseline funding can only partially cover the Festival’s costs for presenting and promoting the best performing arts from around the world. The Festival can only continue its work thanks to the generous support of its donors. Please support the Festival Donation Scheme so we can continue to present world-class international and local artists as well as offering diverse outreach and education activities.

The Hong Kong Arts Festival is a recipient of the HKSAR Government’s Art Development Matching Grants Scheme. Part of the Festival’s sponsorship and donation income will benefit from a dollar-for-dollar match by the Government.* Donations of any amount will make a difference, and are greatly appreciated!

* 須受「藝術發展配對資助計劃」之條款及細則約束。 Subject to conditions of the Government’s Art Development Matching Grants Scheme.

網上捐款

ONLINE DONATION http://go.hkaf.org/give

其他捐款方法，請參閱刊於本 冊子尾部之捐款表格

For other donation methods, please refer to the Donation Form near the end of this booklet

查詢 Enquiries: dev@hkaf.org 2828 4911/12

is amongst the world's

Our home base most promising.

我們位於世界最具潛力的城市之一