衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝 術節陣容鼎盛，共有超過1700名來自香港和世 界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。 今年藝術節的節目多姿多彩，當代及古典音 樂、舞蹈、戲劇等不同形式的藝術表演共冶一 爐。每個節目從幕後製作到台前演出，均盡顯 精湛的藝術造詣和超凡的想像力。 我很高興知道最近完成活化的中區警署建築 群，即現在的大館古蹟及藝術館，會在兩個周 末呈獻約5 0場舞蹈表演，供公眾免費入場觀 賞。大家更有機會一起參與在大館的檢閱廣 場、監獄操場，甚至是監獄囚室進行的表演節 目。牛棚藝術村亦會打造為藝術共生創造社， 首度成為藝術節發展作品的平台，場內設有不 同創意領域的工作坊，觀眾並可以欣賞一些創 作中的作品，感受藝術家的多元創意。 除了精彩表演，藝術節亦一如以往，悉心籌備 各項教育和外展活動，致力培育本地藝術人 才。「香港藝術節青少年之友」計劃讓本地學 生有機會觀賞世界級的表演和參與各式各樣的 藝術活動。此外，藝術節亦透過後台參觀和大 師班等「加料節目」，讓觀眾與國際頂尖藝術 家互動接觸，了解節目的幕後製作過程。 衷心感謝香港藝術節團隊一直致力推動本港的 藝術發展，成績斐然。我亦感謝贊助商和捐款 者的大力支持，令每年的藝術節圓滿成功，大 獲好評。 謹祝二零一九年香港藝術節所有觀眾、參加者 和表演者可以盡情享受這次藝術之旅，留下愉 快難忘的回憶。
林鄭月娥 香港特別行政區行政長官
I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world. This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination. I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines. Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more. I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success. I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.
Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region
歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場 演出。感謝您與我們一起歌頌表演藝術在舞 台上的不同季節和階段。 我們要感謝香港特別行政區政府透過康樂及 文化事務署的年度恆常撥款。這項資助對香 港藝術節每年得以成功舉辦，至關重要。多 謝香港賽馬會慈善信託基金持續的支持，為 我們致力豐富城中文化生活，打下根基。另 外要感謝眾多企業贊助商、慈善基金會以至 個人捐助者。他們的慷慨捐助，讓我們能夠 呈獻世界各地的優秀藝術家、發展新作、培 育年青觀眾，並在國際舞台上引薦本地人 才。 最重要的是感謝您前來欣賞今天的表演。香 港藝術節的成功，正是有賴觀眾的熱情和參 與。謹祝您享受藝術節今天這場演出，渡過 難忘的時光。
查懋成 香港藝術節主席
I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts. I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage. Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.
Victor Cha Chairman, Hong Kong Arts Festival
衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演 出。 今屆藝術節以「一步一舞台」為主題。舞台， 不僅是我們呈獻新穎及經典表演的地方，更是 藝術轉化向前的關鍵。頂尖藝術家及明日之星 於舞台相遇，各展姿彩；透過忠實致敬及大膽 改編，經典劇目得以重現觀眾眼前；嶄新作品 以原創設計、技術及敍事方法，挑戰傳統舞台 的極限。 無論於哪個舞台表演，我們會繼續想像藝術世 界的無限可能，亦期望今屆表演能為閣下帶來 啟發和歡愉。另外，誠邀您參加「加料節目」 的各項活動，深入了解重點表演，令藝術節體 驗更全面。 謹代表藝術節團隊，感謝您參與香港藝術節， 支持我們的使命，為香港締造一個世界級藝術 節。
It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival. This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage. I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes. Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.
何嘉坤 香港藝術節行政總監
Tisa Ho Executive Director, Hong Kong Arts Festival
香港藝術節 扎根香港的國際藝壇盛事 香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的 文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。 香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節 的年度預算約港幣一億三千六百萬，當中香港特區政 府的基本撥款佔總收入的近 13%，接近 6% 來自政府 新增加的五年限期額外撥款，另外約 28% 需來自票房 收入，逾 33% 則需依賴來自各大企業、熱心人士和慈 善基金會的贊助和捐款。預計餘下的大約 20% 則來自 其他收入，包括政府針對捐款和贊助收入而提供的配 對資助。 香港藝術節每年呈獻眾多國際演藝名家精采多元的演 出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯 科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙 成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、 丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞． 諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克 里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、 皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、 萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、 艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、 美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰． 紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩 娜．包殊烏珀塔爾舞蹈劇場
2019 年藝術節預計收入來源 （約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)
贊助和捐款 Sponsorship & Donations
over 逾
•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、 柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝 坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》 香港藝術節積極與本地演藝人才合作，並致力為新晉 藝術家提供展示才華的平台。藝術節至今委約及製作 逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂 和舞蹈作品，近年開始同步出版新作劇本，不少製作 更已在香港及海外多度重演。近年的藝術節新製作包 括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀． 香港》音樂會、《論語》、《炫舞場》、《大同》、《金 蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。 香港藝術節多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的「橫 貫計劃」之《暴風雨》及《李察三世》、由香港藝術 節及上海國際藝術節聯合委約的《青蛇》、三藩市歌 劇院與香港藝術節聯合製作的《紅樓夢》等。 香港藝術節大力投資下一代的藝術教育。「青少年之 友」成立 27 年來，已為逾 750,000 位本地中學生及大 專生提供藝術體驗活動。藝術節近年亦開展多項針對 大、中、小學生的藝術教育活動，包括由國際及本地 藝術家主持的示範講座及工作坊、學生展演、演前講 座、公開彩排、以及欣賞藝術節演出。同時，通過「學 生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學 生票。 香港藝術節每年主辦一系列多元化並深入社區的「加 料節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。
33% around 約
20% nearly 近 6% nearly 近 13%
around 約
28%
票房收入 Box Office （2019 年 1 月更新 Updated January 2019）
其他收入（包括按捐款和贊助 收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)
政府的基本撥款 Government Baseline Funding
Hong Kong Arts Festival A Major International Arts FestivaI ln, Of and For Hong Kong HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company
• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.
誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:
dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us
* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html
Presents
粵劇越洋半世紀 名伶花旦展演話當年
A Long Passion – Talk, Demonstration and Performance 15-17 3 月 MAR
油麻地戲院劇院 Theatre, Yau Ma Tei Theatre 長約 2 小時 15 分鐘，包括一節中場休息 Approximately 2 hours and 15 minutes including one interval 粵語主講 Conducted in Cantonese
「古巴花旦」何秋蘭及黃美玉乘坐第 47 屆香港藝術節指定航空公司芬蘭航空來回香港 "Havana Divas" Caridad Amaran and Georgina Wong Guitierrez flew to and from Hong Kong on Finnair, Official Airline of the 47th Hong Kong Arts Festival
敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on
請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.
HKartsfestival
本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.
www.hk.artsfestival.org
名伶花旦展演話當年
A Long Passion – Talk, Demonstration and Performance 主講嘉賓
Guests Speakers Danny Li Chi-kei Choy Him-heong Caridad Amaran Georgina Wong Gutierrez
李奇峰 蔡艷香 何秋蘭 黃美玉
主持 Moderators 岑金倩
Alisa Shum Kam-sin Lau Pok-chi
劉博智 「配馬」示範
"Assisting Horse" Demonstration Cheng Wing-mui
鄭詠梅 擊樂領導
Percussion Leaders Ko Yun-kuen (15 Mar) Zhao Riwei (16-17 Mar)
高潤權（3 月 15 日） 招日威（3 月 16 至 17 日） 音樂領導
Music Leaders Ko Yun-hung (15 Mar) Ho Ka-yee (16-17 Mar)
高潤鴻（3 月 15 日） 何嘉儀（3 月 16 至 17 日） 舞台監督
Stage Manager Lau Tsz-yan
劉芷恩
服裝 Costumes 金儀粵劇服裝公司
Kam Yee Costumes Co.
佈景道具
Set and Props Kwong Hing Stage Scene Production Company
廣興舞台佈景製作公司
鳴謝 魏時煜提供短片及羅卡紀錄何秋蘭之曲譜
Acknowledgements Film clips courtesy of S. Louisa Wei, documentation of Caridad Amaran's music scores courtesy of Law Kar
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粵劇，又稱「大戲」或「廣東戲」，歷 史價值豐厚，是中國傳統文化的瑰寶。 在電影並未普及的年代，粵劇是市民大 眾的主要娛樂之一，當時的發展可謂百 花齊放。經歷戰亂動盪，不少粵劇傳統 散落各地，其中香港是最能完整保存粵 劇文化的城市。經過多年的發展，香港 孕育了許多著名的老倌伶人，他們更將 粵劇帶到世界各地，例如越南、馬來西 亞，甚至遠達澳洲、美加、古巴等地， 為海外華人帶來故鄉的樂聲，以及耳熟 能詳的故事。 香港藝術節自 1974 年起舉辦粵劇演出， 徐徐邁向半世紀，為觀眾精選及製作傳 統及創新粵劇，例如「百年回顧八和鳴」 （2010）、「粵劇戲寶傳承篇」（2015）、 《漢武東方》（2 0 1 7）等，一眾粵劇前 輩與新秀都在為粵劇的傳承出一分力。
2 0 1 9 年，藝術節以「粵劇越洋半世紀」 為題，將粵劇名伶走埠時的名作重現舞 台；更特別邀請了著名粵劇前輩李奇峰 和羅家英擔任藝術總監，率領一眾名伶 以及多位梨園新一代於 3 月 9 至 11 日在 油麻地戲院劇院演出粵洋半世紀三套經 典劇目，包括《紅了櫻桃碎了心》、白 玉堂折子戲和《胡不歸》。另一節目「名 伶花旦展演話當年」則有來自古巴的何 秋蘭和黃美玉，以及攝影師劉博智分享 四十年代古巴的粵劇發展，何、黃則將 展演《王寶釧》折子；來自馬來西亞的 蔡艷香，則聯同香港花旦鄭詠梅展演南 派粵劇的功架，而香港粵劇伶人李奇峰 亦會分享 1970 年代及 1980 年代紐約和 三藩市的粵劇發展。 粵劇箇中蘊含了不少民間傳說、歷史故 事、道德觀念等，在欣賞演出時，也可 加強對中國文化和歷史的認識。
With its rich historical value, Cantonese opera—also known as daai hei or Guangdong daai hei—is a treasure of traditional Chinese culture. Before cinemas became popular, Cantonese opera flourished as the primary source of mass entertainment. Having endured the upheavals of war, many Cantonese opera traditions dispersed to locations outside their native Guangdong; among these, Hong Kong has proved most capable of preserving the traditions of Cantonese operatic culture. Through years of development, the city has nurtured many renowned artists who went on to tour Cantonese operas abroad to Vietnam, Malaysia, and even further afield to Australia, the United States, Canada and Cuba, thus bringing the music and stories of home to overseas Chinese communities. HKAF selects and produces various Cantonese opera programmes to be staged in Hong Kong: from traditional to innovative, from classical to avant-garde. These have included Cantonese Opera Treasures (2010), Classics Revisited: Cantonese Opera Treasures (2015) and Emperor Wu of Han and His Jester Strategist (2017). For its 2019 Cantonese opera programme, the HKAF presents works performed by Cantonese opera artists worldwide. Under the guidance of Artistic Directors Danny Li Chi-kei and Law Kar-ying, established actors and new talents perform in three classics in Yau Ma Tei Theatre from 9-11 March: Red Cherries and a Broken Heart, Vignettes of Pak Yuk-tong’s “Three Big Trials” and Why Don't You Return. An additional programme, “A Long Passion – Talk, Demonstration and Performance” features the “Havana divas” Caridad Amaran and Georgina Wong Gutierrez, joined by documentary photographer Lau Pok-chi, who will share the developments of Cantonese opera in Cuba since the 1940s; their talk will be accompanied by Amaran and Gutierrez's performance from the opera Wang Baochuan. In the same programme, Choy Him-heong from Malaysia and Hong Kong’s own huadan Cheng Wing-mui will showcase highlights from the Southern school of Cantonese opera. Danny Li Chi-kei will also share the art form's development in New York and San Francisco during the 1970s and 1980s. Cantonese operas contain within them a wealth of folktales, history and morals. Through watching these performances, we might open the doors to learning more about Chinese culture and history.
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節目
Programme 追憶馬來西亞及北美粵劇風華
The Golden Era of Cantonese Opera in Malaysia and North America
主講嘉賓：蔡艷香、李奇峰
Guest Speakers: Choy Him-heong, Danny Li Chi-kei
藝術指導：蔡艷香
Artistic Instructor: Choy Him-heong "Assisting Horse" Demonstration: Cheng Wing-mui
「配馬」示範：鄭詠梅
Moderator: Alisa Shum Kam-sin
主持：岑金倩
— 中場休息 Interval —
古巴花旦唱說古巴粵劇興衰
The Havana Divas on Cuba's Cantonese Opera
主講嘉賓及展演：何秋蘭、黃美玉
Guest Speakers and Performers: Caridad Amaran, Georgina Wong Gutierrez
主持：劉博智
Moderator: Lau Pok-chi
藝術節加料節目
蔡艷香粵劇南派工作坊
12.3（二 Tue）2:15–5:15pm （已舉行 Past Event） Southern School of Cantonese Opera Workshop with Choy Him-heong
12.3（二 Tue）7:30–9:45pm （已舉行 Past Event） Havana Divas (2019 Director’s Cut) Premiere and Post-screening Talk
《古巴花旦》（2019 導演版）首映及映後分享會
更多加料節目詳情 More Festival PLUS
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1 9 6 0 年代，戲院時常印刷海報宣傳 演出的名伶花旦及戲碼，李奇峰及蔡 艷香被形容為「文武泰斗」及「女武 狀元」。 In the 1960s, posters were printed to promote Cantonese opera performers and their shows. Danny Li was hailed as a "Wenwu Master" and Choy Him-heong a "Wu Champion".
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追憶馬來西亞及北美粵劇風華
The Golden Era of Cantonese Opera in Malaysia and North America 蔡艷香與香港藝術節分享馬來西亞的粵劇發展及她走埠巡演的經歷。 Choy Him-heong speaks with the HKAF on the development of Cantonese opera in Malaysia and her experiences touring abroad. 可否分享馬來西亞以往的粵劇情況？
Could you share with us the past golden age of Cantonese opera in Malaysia?
在上世紀六十年代，馬來西亞的粵劇發展蓬 勃，當時李奇峰和何文煥先生在馬來西亞的 粵劇演出很受當地人支持及歡迎，尤其是居 住在吉隆坡茨廠街及蘇丹街等華人街內之華 僑。 很多香港及中國的大老倌都曾到馬來西亞登 台演出。早年有肖麗章、陳非儂；到五十年 代，薛覺先、桂名揚、陳艷儂、黃千歲、秦 小梨等人都曾到吉隆坡的中華遊藝場（今金 河廣場 ）登台。直至後期因為電影業發展 興旺，不少大老倌都會藉去馬來西亞拍電影 之機會，抽空檔時間登台演出。譬如芳艷芬 在拍攝《檳城艷》時，便於拍攝前後登台唱 幾支粵曲。任劍輝、白雪仙到馬來西亞宣傳 新電影《李後主》，亦到吉隆坡光藝戲院登 台演出。 在馬來西亞，有哪些經常上演的著名戲碼？ 各個粵劇團都有自己的特色及招牌戲碼，當 然一些受觀眾歡迎的劇目是不同的粵劇團 都會演出，例如《漢武帝夢會衛夫人》及 《橫霸長江血芙蓉》；武戲有《枇杷山上英 雄血》；文戲則有《燕子樓》；另外亦有一 些較為輕鬆幽默的劇目，如《金鳳銀龍迎新 歲》。而我在艷陽天粵劇團的招牌劇目則有 《十三妹大鬧能仁寺》及《刁蠻女夜狩景陽 宮》，並會在當中表演「踩砂煲」和「紮腳 坐車」等功架。
The 1960s saw a vigorous development of Cantonese opera in Malaysia. The plays by Danny Li Chi-kei and Ho Man-wun were widely enjoyed by Malaysian Chinese, especially the communities in Chinatown around Jalan Petaling and Jalan Sultan. Malaysia was a popular performance site for many overseas Cantonese opera veteran artists. In the early years, there were Siu Lai-cheung and Chan Fei-nung; later in the 1950s, Sit Kok-sin, Kwai Ming-yang, Chan Yim-nung, Wong Chin-sui and Chun Siu-lei came to perform in the China Amusement Park (the current Sungei Wang Plaza). The film industry began to flourish, providing great performance opportunities for experienced artists while shooting scenes in Malaysia. When they were shooting the film Belle of Penang, Fong Yim-fun would sing a few Cantonese opera songs in her spare time. Later, when Yam Kim-fai and Pak Suetsin arrived in Malaysia for the promotion of the film Tragedy of the Poet King, the two famous artists also performed in Pavilion Cinema in Kuala Lumpur. In Malaysia, which Cantonese operas are most frequently performed? Different troupes have their own specialties and scripts. Of course, some well-received plays would be shared and performed by various troupes, like Meeting Lady Wei in a Dream, The Overbearing and The Bloody Hibiscus in the Yangtze River, the wuxi (martial arts play) The Hero's Blood on Mount Pipa, the wenxi (poetry and cultural play) The Tower of the Swallows, and other comedic plays like Golden Phoenix and Silver Dragon Celebrating
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蔡艷香於《昭君出塞》的造型 Choy Him-heong in Lady Zhaojun Departs the Frontier 蔡艷香表演「踩砂煲」功架，高仲奇攝影 Choy Him-heong performing the "clay pot hopping" technique, photographed by Wintson Kao
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你曾與羅家英和李奇峰到馬來西亞走埠，對 他們的印象如何？ 我與羅家英在年少時已經認識，並且曾在吉 隆坡的中華遊藝場合作演出。羅家英年輕 時非常好動，有一次與新劍郎及譚少佳做 《枇杷山上英雄血》消耗了大量體力，而這 套戲亦剛好有大量武戲，對體力的負擔十分 大，但他在台上依舊魄力十足，確實是年少 有為。羅家英很活潑，但相反李奇峰則很謹 慎，特別是看曲方面。 在馬來西亞發展或推廣粵劇有甚麼困難？ 困難當然有，觀眾越來越少，而我們粵劇團 的演員也越來越少，例如上年度有六位同事 離開了，但沒有一位新同事加入，即使有新 人亦需要時間學習。所以我在馬來西亞八和 會館開辦了一個訓練班，新生首三個月不收 學費，希望可以為馬來西亞的粵劇團訓練人 材。 為甚麼你這麼喜歡粵劇？ 我一聽到打響鑼鼓，知道有戲做便會很開 心，母親常笑我：「我的女兒有戲做便甚麼 都 不 記 得 了， 家 裏 沒 有 米 煮 都 不 擔 心。」 因為我從小到大也在劇團長大，雙親都是班 主，戲台有甚麼困難也好，大家也會合力解 決。我覺得在戲班圍着一班人，好像大家庭 一樣。到了現在的年紀，我覺得能接到一台 戲，大家可以一同演出，已是一件快樂的 事。
the New Year, too. As for me and the Sunny Cantonese Opera Troupe, we have The Thirteen Girls' Adventure in Nengren Temple and The Unruly Girl Hunts in the Palace of the Great Brilliance at Night in our repertoire. We would perform the “clay pot hopping”, “foot binding” and “on the carriage” techniques as well. When you performed with Law Kar-ying and Danny Li Chi-kei in Malaysia, what was your impression to both of them? Law Kar-ying has been a good friend of mine since we were young. We had performances together at the China Amusement Park in Kuala Lumpur. He was such an outgoing and talented young man back then. I remember one time, when he was performing The Hero's Blood on Mount Pipa with Sun Kim-long and Tam Siu-kai. There were a lot of movements and action scenes in the work, but in the morning before the show he went swimming with his friends and exhausted himself. But when he was on stage that night, he was still very energetic. In contrast to Law, Danny was more meticulous and serious about rehearsing the scripts. Are there any difficulties performing Cantonese opera in Malaysia? Surely there are difficulties. The number of audience members is dropping and so is the number of new members in troupes. Last year, we had six members leaving with none coming to replace them. Even if there are newcomers, they need time to pick up the art form. That’s why Pat Woh Association Malaysia and I have started a training programme that allows newcomers to study free of charge for the first three months; I hope that can help recruit some talents for the Cantonese opera troupes in Malaysia. Why did you fall in love with Cantonese opera? Whenever I heard the gongs and drums as a kid, I’d get so excited, as I knew there would be a song or a performance. My mother used to tease me, saying, “Look at my sweetheart! I bet a performance will suffice better for you than a good meal!” My parents were troupe owners, and I literally grew up on the stage. The troupe would face and solve any problems together. It’s like a big family. Even at my age now, I’m still thankful to go on stage and perform with my troupe.
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跨越半世紀的粵劇路
Cantonese Opera Through the Years 李奇峰，人稱「奇哥」，是香港著名的粵劇 前輩，演過的劇目數之不盡，走埠的地方也 多不勝數。奇哥生於粵劇世家，小時候便與 粵劇結緣，父親李鑑潮是白玉堂興中華劇團 的編劇，母親呂小紅亦曾為小武演員，他是 在戲班、劇場長大的孩子，順理成章踏上粵 劇之路。 五六十年代，大量中國人於戰後流落異鄉。 人離鄉賤，故土的一曲楚歌帶來無限鄉愁， 各地華裔為了一解愁緒，都出資邀請香港 或中國的粵劇老倌到當地登台。奇哥正是 當中的一位代表人物，曾與多位前輩在越南 演出，包括薛覺先、馬師曾及桂名揚等大前 輩。六十年代，他到星馬一帶（檳城、吉隆
Danny Li Chi-kei, or Kei Gor (Brother Kei) to some, is a well-known Hong Kong Cantonese opera veteran who has performed countless works locally and globally. Born into a Cantonese opera family, Li was introduced to the art form at an early age: his father, Li Jianqiao, was a writer for Pak Yuk-tong and the New China Cantonese Opera Troupe, while his mother, Lu Xiaohong, was a wu (martial) actress. Having grown up alongside a troupe and on the stage, Li seemed destined to embark on the path of a Cantonese opera artist as a young man. During the 1950s and 1960s, a great number of Chinese lived overseas, having fled from the turmoil of WWII. Due to political factors, many had no true place to call home. In this difficult position abroad, a song from home had the power to fill overseas Chinese with nostalgia. Many would thus spare no expense to invite
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坡、怡保、北婆羅洲、砂勞越）走埠，當年 他到馬來西亞登台時更帶來一個精心設計的 旋轉舞台，在當地引起了一陣熱潮。1963 年走埠結束後，奇哥應蔡艷香的邀請，到曼 谷與她及梁少松「隨片登台」，即指粵劇名 伶在電影院播放戲曲電影的前後，現場演出 約十五至二十分鐘，將粵劇結合電影故事， 娛樂性倍增。這種做法在星馬泰極受歡迎， 讓他們既可宣傳電影亦借此見見觀眾。 奇哥在東南亞四處演出了一段長時間，直至
1 9 6 7 年的「六七暴動」，不但震撼了香港 人，也為奇哥帶來重大改變。當年社會陷入 混亂，不少粵劇演出暫停，伶人為了生計而 須要出外走埠，奇哥因而有機會跨出亞洲，
famous Cantonese opera singers from Hong Kong and China to perform. Danny Li is representative of that era: he performed in Vietnam alongside leading figures like Sit Kok-sin, Ma Si-tsang and Kwai Ming-yang, and in the 1960s, toured to Singapore and Malaysia (to the cities of Penang, Kuala Lumpur, Ipoh, North Borneo and Sarawak). During a 1964 tour to Malaysia, he brought with him an elaborate revolving stage for his performances, which would become the talk of the town. Li also accompanied Choy Him-heong and Liang Hsiao-sung to Bangkok to participate in “cinema performances”, during which the Cantonese opera stars appeared before or after the screening of a film to expand upon its plotlines in a short 15–20-minute performance. Such a heightened entertainment practice allowed actors to promote their films whilst meeting their fans and was immensely popular in Singapore, Malaysia and Thailand.
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首次到美國三藩市登台，與林家聲、任劍輝 合作。及至八十年代，勵群劇團成立，奇哥 帶領劇團遠赴美加及歐洲巡演，所到之處包 括美國三藩市、洛杉磯、紐約、波士頓，加 拿大多倫多、艾門頓、溫哥華，以及多個歐 洲城市如巴黎、荷蘭、丹麥。他將粵劇帶到 世界各地，一方面娛樂當地華人，另一方面 則擴闊粵劇的藝術地位，也開創香港粵劇在 歐洲公演的先河。他們一般的走埠時間長， 一演便十多天，甚至一個月，常演的都是在 香港十分流行的《帝女花》、《紫釵記》等 戲寶，也會演出不少傳統戲。 奇哥不但深愛粵劇，在粵劇傳承之上更是不 遺餘力，更希望推廣粵劇文化。早於六十年 代，他已為雛鳳鳴劇團培育後輩，亦與尤聲 普創辦香港實驗劇團，藉以研究更多粵劇演 出的可能性並進行實驗創作。1980 年，奇
Li toured around Southeast Asia until the 1967 Riots in Hong Kong—an event that not only shook Hong Kong, but brought many changes to Li’s life. As the riots caused the suspension of many shows, more Cantonese opera actors and singers were forced to perform overseas to make ends meet; because of this, new opportunities arose for Li to leave Asia, including a US debut in San Francisco with Lam Kar-sing and Yam Kim-fai. In the 1980s, after the establishment of the Lai Kwan Cantonese Opera Troupe, Li led the company leader to San Francisco, Los Angeles, New York, Boston, Toronto, Edmonton, Vancouver and Paris, with stops in the Netherlands and Denmark. The tour—the first of its kind for a Hong Kong opera troupe—brought Cantonese opera to the world stage. On one hand, their performances provided sensational entertainment for overseas Chinese; on the other, they helped Cantonese opera reach a wider audience, thereby boosting the art form's profile abroad. Despite the challenges of performing overseas, Li was impressed by the warmth of his audiences. A single stop on the tour might take
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哥藉由早年到美國演出的經驗，與羅家英、 李寶瑩等合作成立勵群粵劇團，寓意粵劇伶 人須互相勉勵、群策群力。他一直為粵劇奉 獻自己，「承諾了，便得全力以赴，做到最 好」是其座右銘，如此勞心勞力，只希望將 粵劇傳承下去，除了親自教授，亦會到學校 演出，他強調不能強迫學生參與，由心而發 才能發掘出他們真正的興趣。現時，奇哥偶 爾會擔任顧問或指導，但卻不會再踏台板， 「我現在戲癮不大，不過依舊喜歡看戲，或 閒時在家聽聽粵曲，便已足夠。」他笑說。 黎家欣
two weeks or even a month, giving the troupe time to perform the most popular operas, such as Princess Chang Ping and The Legend of the Purple Hairpin, alongside older works. Beyond his deep affection for Cantonese opera, Li also hopes to promote its culture. Early in the 1960s, he founded Chor Fung Ming Cantonese Opera Troupe and set up the Art of Cantonese Opera Association Limited with Yau Sing-po to conduct research and explore new possibilities in performance. With his experiences performing in the US, Li also co-founded Lai Kwan Cantonese Opera Troupe with Law Karying and Lee Bo-ying in 1980. The name Lai (meaning to encourage) Kwan (meaning collective effort) was intended to remind all Cantonese opera artists that they should work with collective wisdom and concerted efforts. Living by the motto, “Don’t promise when you can’t deliver; keep your word and do your best”, Li has persisted in his vision of furthering the traditions and culture of Cantonese opera. Whenever available, he conducts school shows, though he emphasises that students should never be forced to perform; only when they are willing to sing and play on their own can they be wholeheartedly engaged. Although Li continues to work as a consultant and director, he seldom performs onstage today. The Cantonese opera veteran teasingly divulges, “I have become less addicted to performing, but still enjoy viewing opera; sometimes even listening to a song or two at home will suffice.” Melody Lai
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示範：南派粵劇—配馬 Demonstration: "Horse Assisting" from the
Southern School of Cantonese Opera
「配馬」是著名的南派粵劇排場，由演員表 演出門上馬之前的一系列動作，包括取出鎖 鏈、打開馬廐、與馬交流、套上馬鞍與馬 繩，然後上馬出門。只手握一條馬鞭，通過 肢體語言和想像，展現與「馬」的互動。今 晚將由花旦鄭詠梅展演。
“Horse assisting” is a popular stage technique. A series of acts relating to horse-riding are performed by a single artist, including removing the chains, unbolting the stable door, communicating with the horse, saddling and bridling the horse, and finally mounting and riding. The only physical prop related to a horse is the whip in the artist’s hand. The technique’s effect all comes down to using the right body language to communicate with the imaginary horse. Tonight, huadan Cheng Wing-mui will demonstrate this technique.
關於南派粵劇
About the Southern School of Cantonese Opera
在武術界經常有「南拳北腿」之說，而
Chinese martial arts can be categorized by location, such as the Southern Fist (focusing on fist work and short movements) versus the Northern Foot (focusing on legwork and jumping moves). This may also apply to Chinese opera too. A typical representative of the Northern school would be Beijing opera, while Cantonese opera would illustrate the Southern school. Southern School of Cantonese Opera focuses on moves and actions based on the Shaolin martial arts: techniques like “bridge” (hand and fist movements), “horse” (pretending as if riding a horse), “flip” (tossing and turning the body) and “gallop” (small gaits and quick footwork) are wellestablished. Southern School of Cantonese Opera is characterised by its exquisite fist work and agile tossing and turning, securing a huge fan base over the years.
戲曲中武打也有南北之分。「北派」的 代表是京劇，而「南派」則以粵劇為代 表。南派粵劇注重武打功夫，並且以少 林武技為基礎，發展出「橋」、「馬」、 「翻」、「騰」等技巧。在表演過程中， 南派粵劇以拳法精湛、翻騰敏捷為特色， 深受廣大粵劇戲迷的喜愛。
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李奇峰 主講嘉賓
Danny Li Chi-kei Guest Speaker 資深粵劇演員，工生角，啟蒙老師為馮俠魂及楚岫雲。父親李鑑潮乃戰前興中華劇團 的編劇，母親呂少紅亦曾為全女班的小武演員。年僅八歲的他參加神童班擔演折子戲 《胡不歸之慰妻》及參與其他大型劇團，曾與薛覺先、馬師曾及白玉堂等名伶同台演 出。李氏演出粵劇經驗豐富，曾赴美國、泰國及越南各地演出，除為大龍鳳劇團、頌 新聲劇團、碧雲天劇團、慶紅佳劇團作幕前演出外，又參與雛鳳鳴劇團的幕後工作。 曾與梁漢威、阮兆輝、尤聲普成立香港實驗粵劇團，又與羅家英、李寶瑩組織勵群粵 劇團。李氏除幕前演出外，亦帶領粵劇團遠赴北美洲及歐洲演出。 A veteran Cantonese opera performer, Li Chi-kei specialises in playing sheng (leading male) roles. His first mentors included Fung Hap-wang and Cho Yau-wan. Li’s father Li Kam-Chiu was a playwright for the New China Troupe and his mother Liu Siu-Hung performed wu (military) roles in an all-female group. Attending a class for opera prodigies, the eight-year-old Li performed in the operatic excerpt “Consoling Wife” from Why Don’t You Return? He also performed in major troupes and with many maestros, including Sit Kok-sin, Ma Sze-tsang and Pak Yuk-tong. Li has toured extensively to the US, Thailand and Vietnam. In addition to onstage performances with Tai Lung Fung Opera Troupe, Chung San Sing Opera Cantonese Opera Troupe, Bik Wan Tin Opera Troupe and Hing Hung Kai Opera Troupe, he has also been involved in productions with Chor Fung Ming Cantonese Opera Troupe. He co-founded the Group of Hong Kong Experimental Cantonese Opera with Leung Hon-wai, Yuen Siu-fai and Yau Sing-po, and the Lai Kwan Cantonese Opera Troupe with Law Kar-ying and Lee Po-ying. Li has taken many Cantonese opera troupes on tour to North America and Europe.
蔡艷香 主講嘉賓及藝術指導
Choy Him-heong Guest Speaker & Artistic Instructor 蔡艷香原名蔡麗鶯，「蔡艷香」是後來改的藝名。1933 年出生於馬來西亞森美蘭州， 父親蔡金球是粵劇班的樂器手，母親則是名花旦林巧粧。她年僅七歲踏入粵劇界， 十三歲正式擔演正印花旦。她曾與父親到北婆羅洲大小城市演出。1950 年末，她加入 香港鳳來儀粵劇班，曾在香港著名古老戲院高陞戲院演出《刁蠻公主伏楚霸》，《十三 妹大鬧能仁寺》也是她的首本戲。她眾多的招牌功夫之中，以「四踩砂煲」最受歡迎， 在其《女霸王三氣脂粉盜》便能欣賞到這項絕活。1956 年蔡艷香創辦艷陽天粵劇團。 劇團以「踩砂煲」、「蹻工戲」、「紮腳功夫」等獨門絕技與南北派武術而聞名於新 加坡、香港、馬來西亞梨園界，並獲電影前輩馮峰賜予「女武狀元」的雅號。 Originally named Choy Lai-ngang, the Malaysian Cantonese opera veteran adopted “Choy Him-heong” as her stage name. Born in 1933 in Negeri Sembilan, Malaysia to Choy Kum-kau, a troupe instrumentalist, and Lam Hau-chong, an acclaimed Cantonese opera artist, Choy first got involved in Cantonese opera at the age of seven; her debut in a leading role was at the age of 13. Choy performed in many cities in North Borneo with her father. In the late 1950s, Choy joined the Phoenix Opera Troupe in Hong Kong, where she performed The Unruly Princess Overpowers Conqueror Chu—the jewel of her Malaysian repertoire—at Ko Shing Theatre in Sheung Wan, Hong Kong. The Thirteen Girls’ Adventure in Nengren Temple is the work that Choy most takes pride in. Choy’s highly-praised “Quadruple Steps on Clay Pots” is a breath-taking stage technique seen in Female Overlord Tricks the Powdered Thieves. Choy founded Sunny Cantonese Opera Troupe in 1956. The troupe enjoyed great popularity and earned a strong reputation in the industry in Singapore, Hong Kong and Malaysia during the 1960s and 1970s for their unique stage techniques, such as “clay pot hopping”, “stilting”, “foot binding” and their Southern and Northern martial arts. Choy was bestowed the title of female wuzhuangyuan by Mr. Fung Fung, a veteran in the Hong Kong film industry.
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鄭詠梅 「配馬」示範
Cheng Wing-mui ”Assisting Horse” Demonstration 專工粵劇花旦，師承名伶羅家英、李寶瑩及掌板大師姜志良學習粵劇舞台功架及鑼 鼓，後隨多位京劇老師學習北派及身段，又跟吳聿光、劉建榮等學習粵劇唱腔，是位 文武兼備的粵劇演員。1988 年自組金玉堂粵劇團。活躍於港、澳粵劇舞台，亦經常 到新加坡、馬來西亞、美加等地演出。2001 年遠赴柏林參加中國節演出。 Cheng Wing-mui is a well-rounded actress specialising in huadan (young leading female) roles. She received dramatic posture and percussion training from Cantonese opera stars Law Karying and Lee Po-ying and ensemble leader Keung Chi-leung. She further studied Cantonese operatic singing under Ng Lut-kwong and Lau Kin-wing. In 1988, she formed the Kam Yuk Tong Cantonese Opera Troupe. Cheng gives regular performances not only in Hong Kong, but also in Macau, Singapore, Malaysia and the US. In 2001, she was invited to perform at the China Festival in Berlin.
岑金倩 主持
Alisa Shum Kam-sin Moderator 香港大學哲學碩士，主修中國文學及戲劇，並持有香港大學心理學深造文憑。自 1998 年起，岑金倩曾服務多個香港文化藝術機構，包括香港藝術發展局、香港藝術中心、 香港國際電影節等，負責行政、推廣、發展及籌款等工作。2 0 1 1 年 6 月加入香港八 和會館任總幹事，除了負責會館及八和粵劇學院的行政工作外，亦籌劃重點承傳計劃 「油麻地戲院場地伙伴計劃：粵劇新秀演出系列」，策劃每年超過一百場演出及多樣 化的推廣活動。在藝術教育方面，推行不同形式的試驗計劃，例如將粵劇引入中學成 為初中藝術課程、籌辦大學粵劇藝術學分課程等。 Alisa Shum received her Master of Philosophy in Modern Drama from the University of Hong Kong and holds a Postgraduate Certificate in Creative Psychology. Since 1998, Shum has served various cultural and arts organisations, including the Hong Kong Arts Development Council, Hong Kong Arts Centre and Hong Kong International Film Festival Society Limited, gaining experience in organising arts and cultural activities, festivals and publicity events. Shum joined the Chinese Artists Association of Hong Kong and has been its Chief Executive since June 2011. Apart from managing the association, its education arm, the Cantonese Opera Academy of Hong Kong and various education programs, Shum launched the Cantonese Opera Young Talent Showcase under LCSD’s Yau Ma Tei Theatre Venue Partnership Scheme; since 2012, the scheme has staged over 100 Cantonese opera performances each year.
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古巴的粵劇興衰
The Ups and Downs of Cantonese Opera in Cuba
位於夏灣拿的中華音樂研究社推動了古巴粵劇的發展 The Chinese Music and Cultural Club at Havana played a key role in the development of Cantonese opera in Cuba.
二十世紀初的古巴得以成為西半球粵劇的集中
街的上海、金鷹、新民等幾間戲院每星期皆有
地之一，有賴於自美國舊金山遷居而至的華人
粵劇上演，戲班亦會到古巴不同城市走埠巡演。
移民，於古巴各地興建戲院，成立戲班。1875 年，在港口城市西恩富戈斯，便有一座戲院落 成，首齣劇碼為《王寶釧》，連演十五天，吸 引附近多個城鎮的華僑來欣賞首映。
1940 年代，奧地利指揮家埃里希·克萊伯於夏 灣拿欣賞粵劇後曾寫道：「在那些打扮華麗的 演員左邊，有一隊七人的樂師，伴隨演員動作 奏樂，銅鑼、銅鈸、五弦琴、二胡、木製小號
在 首 都 夏 灣 拿， 華 僑 社 團 例 如 中 華 總 會 館
⋯⋯演員高聲唱戲，跳舞，戴着鐵面具的老虎
（1882）、洪門民治黨（1887）等，辦學辦報，
在雪山奔跑⋯⋯刀光劍影，驚喜不斷。這是我
教武術，凝聚華人社群，推動中華文化，因而
們一直夢寐以求的『魔毯劇場』！他們都是專業
帶動粵劇發展。當時便有中華音樂研究社，提
演員，更有趣是，於古巴出生的中國人女兒。」
供地方讓華人唱曲、玩音樂，後漸發展成戲班， 名中華歌劇，續又衍生關天樂、國聲、國光等 至少六個戲班。每個皆有完整的樂師團隊，掌 板、琵琶、揚琴、二胡等俱全，戲服也從當地 裁縫訂製，毋須從海外訂購。全盛時期，唐人
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戲班營運至 1950 年代，時維古巴革命火熱年代， 不少華僑離開古巴，亦愈來愈少本地演員學戲 唱戲。直至 1959 年，古巴成為共產主義國家， 社團運作停頓，粵劇以至華人文化自此消沉。
Cuba was one of many destinations in the Western Hemisphere that attracted Cantonese opera audiences in the early 20th century. Thanks to Chinese immigrants from San Francisco, a number of theatres and troupes were established across Cuba. In 1875, a theatre was completed in the coastal city of Cienfuegos. Wang Baochuan, the first play in the theatre, was performed for 15 days in a row. The debut attracted many Chinese audiences from neighbouring towns. In the capital city of Havana, several Chinese associations, such as the Casino Chung Hwa (established in 1882) and the Chinese Freemasons (established in 1887), founded schools, newspaper agencies and kungfu centres for the promotion of Chinese culture in the community, consequently contributing to the development of local Cantonese opera. Club Cultural de Música China was one of the venues where Chinese people could meet up for singing and making music. The club later became the troupe Opera Chung Hwa, which would give birth to at least six other troupes: among them, Kwan Tim-lok, Kwok Shing and Kwok Kwong. Their musical ensembles were wellequipped with the essential instruments, including the zhangban (percussion), pipa (a four-stringed plucked lute), yangqin (a hammered dulcimer) and the erhu (a two-stringed bowed instrument). Stage costumes were all locally tailored-made. In their heyday, a bounty of Cantonese operas was
performed every week in the theatres and cinemas of Chinatown: at the Shanghai Cinema, Golden Eagle Cinema or Xinmin Cinema, for example. Troupes toured to different cities across Cuba at that time, too. Austrian conductor Erich Kleiber visited Havana in the 1940s and commented after watching a Cantonese opera performance: “On the left side of those gracefully spruced up actors was a band of seven who would play their musical instruments, including gongs, cymbals, pentachord, erhu, wooden trumpet...The actors were singing melodically and dancing enticingly; some were playing tigers running in snowy mountains with metal masks on. The glinting swords and blades were captivatingly thrilling. Isn’t it the Magic Carpet Theatre I have been dreaming of? These Chinese actors are simply professional; interestingly enough, they were all born in Cuba.” Many troupes operated until the 1950s. It was during the Cuban Revolution that many Chinese started to flee, leaving a handful of people behind to learn the art form, gradually sending Cantonese opera into decline. In 1959, Cuba became a fully communist country, and the operation of organisations was suspended. The prominence of Cantonese opera and the Chinese culture in Cuba have since gradually dissipated.
何秋蘭（右一）及黃美玉（中）於夏灣拿專門播放華語電影的金鷹戲院留影 Caridad (right) and Georgina (centre) at Golden Eagle Cinema, a theatre dedicated to Chinese films.
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©Lau Pok-chi
《王寶釧》選段
Excerpts from Wang Baochuan 《王寶釧》是走埠常演劇目之一。今晚將由 何秋蘭飾演王寶釧、黃美玉飾演薛平貴，為 觀眾帶來三場折子：〈拋球招親〉、〈三擊 掌〉及〈平貴別窰〉。 《王寶釧》本事 宰相王允有三女，以幼女王寶釧才貌最高。 王允為女舉行繡球選婿，謂「得繡球者不論 貧富招為女婿」。繡球落在薛平貴手中， 王允見平貴落拓寒微反悔前言。寶釧不從 父命，認定平貴為婿，堂前擊掌與父決裂明 志。寶釧與平貴在武家坡的舊窯過着清苦的 日子。 及後皇榜招才降服貢馬，平貴奉詔一舉功 成，天子賜封官職，卻因王允參奏只落得一 名小吏。平貴奉命隨軍出征西涼，言道不為 將帥不歸，此去十八年音信杳然。父母幾番 勸說寶釧改嫁，仍決意守節。平貴失蹤卻原 來是魏虎灌酒行兇，幸為西遼代戰公主所救 並招為駙馬。 及後西遼王薨逝，平貴襲位為王，重返破 窯，親迎寶釧至西遼與代戰公主並為兩宮王 妃。平貴並封贈往日恩義友好，申斥王允。 摘至香港中文大學戲曲資料中心 經中心允准刊載
© S. Louisa Wei
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Wang Baochuan is one of the many Cantonese opera plays performed overseas. Tonight, with Caridad Amaran as Wang Baochuan and Georgina Wong Gutierrez as Xue Pinggui, the Havana Divas will perform three excerpts: "Throwing an Embroidered Ball for the Groom", "Estrangement between Father and Daughter", and "Farewell at the Cavern". Wang Baochuan Synopsis Prime Minister Wang Yun has three daughters, of whom Baochuan is the youngest, most talented, and prettiest. Wang Yun holds a party to choose a husband for Baochuan, and promises that his daughter will marry whichever man—rich or poor—who can catch a silk ball. When Xue Pinggui captures the ball, Wang Yun sees his poverty and humble origins and wants to go back on his word, but Baochuan insists on marrying him. At her insistence, Wang Yun disowns Baochuan, and the couple goes to a cave to live in poverty. When the emperor seeks a person with the ability to tame a horse, Pinggui volunteers and accomplishes the task. The emperor intends to assign Pinggui to a government post, but finally makes him a petty official because Wang Yun speaks ill of him. Ordered to go on an expedition to Xiliang with the army, Pinggui vows that he will not return until he becomes a general or marshal. For 18 years nothing is heard from him. Despite Baochuan’s parents’ repeated entreaties for her to remarry, Baochuan is determined to wait for her husband. In truth, Pinggui was actually rescued from death by a Xiliao princess, and the two are now married. When the king of Xiliao dies, Pinggui takes over the throne. He returns to the rundown cave dwelling to find Baochuan and takes her to Xiliao, where both Baochuan and Princess Daizhan are made his wives. From Chinese Opera Information Centre, Music Department, Chinese University of Hong Kong. Republished with permission from the centre.
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何秋蘭 主講嘉賓及展演
Caridad Amaran Guest speaker and Performer 何秋蘭是 1931 年出生的古巴人，生父在她出生不久病逝，幸得來自開平的方標收養， 並照顧她們母女二人，所以她能操開平話及書寫中文。方標於 1939 年開辦「國光劇團」， 秋蘭因而從他身上學習粵劇知識，年輕時隨戲班登台，並到古巴其他城市巡迴演出。 何秋蘭於四歲時開始學習台山話和粵劇，曾入讀華文學校；八歲時開始踏台板；九歲 自備戲服登台；十五歲當上劇團花旦，更曾與當年不少知名粵劇花旦小生如小燕飛、 牡丹蘇及蘇州麗等人一同演出。但 1 9 5 9 年後，古巴粵劇逐漸凋零，她後來到光華報 當印刷執字員，於九十年代在夏灣拿與黃美玉重聚，嘗試重拾粵劇的演出。何秋蘭擅 唱委婉訴怨的戲場如〈平貴別窰〉、〈回窰〉、《胡不歸之慰妻》及小調《賣花女》。 Caridad Amaran was born in Cuba in 1931. Her father died soon after she was born, and her mother remarried the Chinese immigrant Fang Biao. Under her step-father's influence, Amaran learned to write Chinese, speak the Kaiping dialect of Cantonese and come to love Cantonese opera. During her youth, she performed with an opera troupe several times per week, and toured to cities across Cuba. Fang had been a contemporary of renowned Cantonese opera performer Kwan Tak-hing and was adept at martial arts performances; he founded Kwok Kwong Opera Company in Cuba in 1939. Amaran had begun studying the Taishan dialect and Cantonese operas at the age of four; she’d also studied at a Chinese school. Having been on stage since the age of eight and preparing her own costumes since the age of nine, Amaran began touring Cuban Chinatowns as the troupe’s female lead at the age 15. During that time, she performed with a number of renowned Chinese opera actors, including Siu Yin-fei, Mu Dansu and Su Zhouli. However, Cantonese opera in Cuba began to decline in 1959, and she took up work as a typographer for The Chinese Journal. She was reunited with Georgina Wong Gutierrez in Havana in the 1990s, and returned to Cantonese opera performances. Amaran's voice is filled with power and emotion when she sings, particularly about despair in scenes like "Farewell at the Cavern", "Returning to Cavern", and “Consoling Wife” from Why Don’t You Return, or in one of her favourite songs, The Flower Girl.
黃美玉 主講嘉賓及展演
Georgina Wong Gutierrez Guest speaker and Performer 黃美玉於 1929 年在古巴出生，父親是開平人，而母親則是古巴人。她與何秋蘭是小 學同學，一同在古巴唐人街長大，加入「國光劇團」後便一起學戲。黃美玉多演武生 和鬚生的角色，雖然擁有華人血統，但不懂寫中文，只懂以拼音牢記戲曲歌詞，而何 秋蘭亦會以西班牙文為她寫下拼音。大學畢業後，黃美玉便離開劇團，其後成為外交 官員。 Georgina Wong Gutierrez was born in Cuba in 1929. Her father was from Kaiping, and her mother from Cuba. She was Caridad Amaran’s classmate in primary school, and they grew up together in a Cuban Chinatown, where they joined Kwo Kwong Opera Company and studied Cantonese opera together. Wong Gutierrez primarily plays wusheng and xusheng roles. Despite her Chinese heritage, she never learned to write in Chinese; she thus learned her lyrics by memorising the phonetics which Amaran helped her adapt into Spanish. After graduating from university, she left the opera troupe to become a diplomat.
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劉博智 主持
Lau Pok-chi Moderator 劉博智周遊列國到三十六個國家釣魚，但收穫竟然是相片比魚多。多年來，他發覺從 1700 年至 1950 年的中國歷史上，中國沿海的漁民都散居於世界各地，特別是東南亞。 他在 1950 年生於香港。自 1967 年便從事紀實攝影，並專注於華人到美國、古巴、馬 來西亞及緬甸的遷徙。十年以來曾記錄那些在中國沿海城市工廠工作的鄉村移民。 劉博智是美國堪薩斯大學美術學院設計系教授，這份教職給予他多個國際研究的機 會，並廣泛展示和印發其作品。除了紀實攝影的工作，他也是位詩人和散文家，與多 個從事東亞研究、新聞學、民族研究、人類學和社會科學的專家合作。最近的紀實作 品是關於古巴華人。 Lau Pok-chi has travelled to 36 countries to go fishing, but has ended up catching far more photographs than fish. Over the years, he has come to realise that from 1700 to 1950, poor Chinese coastal fishing villagers scattered to settle in different parts of the world, particularly in Southeast Asia. Lau was born in Hong Kong in 1950. Since 1967, he has been a documentary photographer. His work on migration focuses on the Chinese diaspora in the Americas, Cuba, Malaysia and Myanmar. For a decade, he also documented migrant groups within China—those rural citizens who move to China's urban coastal regions to seek factory work. Lau is Professor Emeritus of Photo Media in the Department of Design at the University of Kansas, which has provided him with numerous international research opportunities, and through which his work has been exhibited and published broadly. Besides his work as a documentary photographer, Lau's work as a poet and essayist has led him to collaborate with professionals in East Asian studies, journalism, ethnic studies, anthropology and social science. His most recent documentary project was on the Cuban-Chinese diaspora.
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鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members
嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited
黃金會員 Gold Member
怡和集團 The Jardine Matheson Group
純銀會員 Silver Members
銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust
青銅會員 Bronze Members
鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited
其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council
•British Council •Canada Council for the Arts •HEED
實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •香港國際機場 Hong Kong International Airport •In Technical Productions Limited
•香港德迅貨運代理有限公司 Kuehne & Nagel Limited •立信專業顧問 Lap Shun Professional Consultant •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza
藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer
•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Bethan and Tim Clark •Dr David Fang •HUI Silvia •Ms Khoo Li Lian
•Legrand Jewellery •Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching
•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷
學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •C H Mak •麥禮和醫生 Dr Mak Lai Wo •無名氏 (2) Anonymous (2) •Vernon & Karen Moore •Burger Collection •Mrs A M Peyer •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Dr Poon Yee Ling Eligina •恒生銀行 Hang Seng Bank •Mr & Mrs Kenneth Quinn 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •法國巴黎銀行 BNP Paribas •Martin Rogers & Janet Cheng •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •黃乃正教授及陳頴儀醫生 •田家炳基金會 Tin Ka Ping Foundation •Mr Wong Yick Kam •芝蘭基金會 Zhilan Foundation 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999
青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999
•林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen
•無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Maya & Dirk 4ever •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮
黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund
新作捐助計劃 New Works Scheme 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •Ms Sun Tien Chen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •Ms Winnie W Ho
•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Michael and Jennifer Barth •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong
支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church
•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong
•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive! •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs
節目時間表 Programme Calendar 歌劇 戲 音樂 /曲 OPERA / CHINESE OPERA MUSIC
萊比錫歌劇院 華格納《唐懷瑟》
CCGT
1/3 2/3
7pm 6pm
Madame White Snake by Zhou Long and Cerise Lim Jacobs
APAL
8-9/3
7:30pm
粵劇《百花亭贈劍》 毛俊輝導演作品（更新版）
Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)
STTHAUD
1-2/3
8pm
粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年
Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return? - A Long Passion – Talk, Demonstration and Performance
9/3 10/3 11/3 15-17/3
7:30pm 2:30pm 7:30pm 7:30pm
香港小交響樂團 小號巨星納卡里亞科夫
Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet
CHCH
16/2
8pm
瑪琳．艾爾梭與聖保羅交響樂團
Marin Alsop with the São Paulo Symphony Orchestra
CCCH
21-22/2
8pm
Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time
CHCH
22/2
8pm
鮮于睿權鋼琴獨奏會
Yekwon Sunwoo Piano Recital
CHCH
23/2
8pm
帕佛．約菲與 NHK 交響樂團
Paavo Järvi with the NHK Symphony Orchestra, Tokyo
CCCH
28/2
8pm
法國世紀樂團：白遼士 150 指揮：麥森．帕斯高
Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal
CCCH
2/3 3/3
8pm 4:30pm
萊比錫歌劇院合唱團 《歌劇合唱盛會》
Chor der Oper Leipzig Opera Chorus Concert
CCCH
3/3
8:15pm
馬祖耶夫鋼琴獨奏會
Denis Matsuev Piano Recital
CHCH
7/3
8pm
馬祖耶夫與得獎新晉鋼琴家匯演
Matsuev and Young Laureates Piano Gala
CHCH
8/3
8pm
Quondam Spanish Renaissance Choral Masterpieces
CHCH
9/3 10/3
8pm 4pm
Li Biao Percussion Group - From Baroque to Tango
CCCH
15/3
8pm
P is for PERCUSSION! Family Concert by Li Biao Percussion Group
CCCH
16/3
8pm
洪儷僖管風琴獨奏會
Riyehee Hong Organ Recital
CCCH
18/3
8pm
克雷莫納弦樂四重奏
Quartetto di Cremona
CHCH
21-22/3
8pm
爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》
Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams
APAD 22/2 23/2 23/2 23/2
8pm 7:30pm 4pm 9:30pm
2-3/3 2/3 3/3
4:30pm 8pm 8pm
《白蛇傳》 作曲：周龍 | 編劇：林曉英
香港中樂團 《九千年的邂逅》
時光之音 《西班牙文藝復興合唱代表作》 李飈打擊樂團《巴羅克．探戈》 《好！擊！動！》親子音樂會 李飈打擊樂團
爵士樂 世 / 界音樂 JAzz / WOrLD MUSIC
- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會
Oper Leipzig Wagner’s Tannhäuser
- Marco Mezquida Piano Solo - Jorge da Rocha Solo
世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》
World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go
HKAC-ST
馬祖耶夫爵士樂隊
DANCE
舞蹈
Matsuev and Friends Play Jazz
CCCH
9/3
8pm
湯瑪士．夸斯托夫四重奏 《Nice 'N' Easy》
Thomas Quasthoff Quartet Nice 'N' Easy
CCCH
14/3
8pm
希薇雅．佩瑞茲．克露絲 《夜妝》
Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)
CCCH
22/3
8pm
香港藝術節 @ 大館
HKartsFestival@TaiKwun
TK
2-3/3 9-10/3
雲門舞集 45 週年 林懷民舞作精選
Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works
CCGT
21-23/2 24/2
8:15pm 2pm
Euripides Laskaridis / Osmosis TITANS
APAD
26-27/2
8:15pm
歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊 《泰坦 – 諸神之舞》
CCGT CCCH CCST CHCH
香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall
CHT APAL APADT HKAC-ST
香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre
DANCE
舞蹈
香港賽馬會當代舞蹈平台 -《舞鬥》 -《雙篇雙人舞》 -「兩地書」-《沒有大象》 亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》
The Hong Kong Jockey Club Contemporary Dance Series - Dance Off
CCST
- Double Bubble
CCST
- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA
CCST
28/2, 1/3 2/3 15/3 16/3 20-21/3
8:15pm 3pm 8:15pm 2:45pm 8:15pm
KTT-BBT APA-DT
12-13/3 1-2/3
8pm 8:15pm
THEATrE
戲劇
漢堡芭蕾舞團 – 約翰．紐邁亞 《胡桃夾子》
The Hamburg Ballet - John Neumeier The Nutcracker
CCGT
13-15/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《貝多芬計劃》
The Hamburg Ballet - John Neumeier Beethoven Project
CCGT
19-20/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《約翰．紐邁亞的世界》
The Hamburg Ballet - John Neumeier The World of John Neumeier
CCGT
23/3 24/3
7:30pm 2:30pm
重新劇團 《追憶消逝的人生》
Theatre Re The Nature of Forgetting
CCST
21-24/2 23-24/2
8:30pm 4:30pm
瑞士默劇團 《百變樂園》
Mummenschanz Reloaded
APAL YLT-AUD
21-22/2 24/2 24/2
7:30pm 1pm 5pm
倫敦燃料劇團、布里斯托爾老域劇團、 愛丁堡皇家蘭心劇院與北安普敦皇家及 德蓋特劇院聯合製作 《攀越冰峰》
A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void
CHT
21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm
機器神製作 羅伯特．利柏殊創作及演出 《887》
Ex Machina Created and performed by Robert Lepage 887
APAL
27-28/2, 1-2/3 8pm 2/3 3pm
賽馬會本地菁英創作系列 《陪着你走》
Jockey Club Local Creative Talents Series Always by Your Side
KTT-AUD
2,6-9/3 3,9-10/3
8pm 3pm
正點劇團 《哈姆尼特─莎士比亞之子》
Dead Centre Hamnet
CCST
4-5/3
8:15pm
正點劇團 《契訶夫處女作》
Dead Centre Chekhov's First Play
CCST
8-9/3 9-10/3
8:15pm 3pm
北京李六乙戲劇工作室 《哈姆雷特》
Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark
CCGT
7-8/3 9/3
7:30pm 2:30pm
《九江》
Gangsters of Hong Kong
CHTH
8-9,13-16, 20-23/3 10, 17, 24/3
8pm
Ontroerend Goed 《金錢世界》( 英語版 )
Ontroerend Goed - £¥€$ (LIES) (English Version)
TK-F Hall
《金錢世界》( 粵語版 )
- £¥€$ (LIES) (Cantonese Version)
12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3
6pm 9pm 3pm 6pm 9pm 3pm
離奇作業劇團 《蛙人》
curious directive Frogman
CDAV
12-15/3 12-15/3 16-17/3 16-17/3
7pm 9pm 3pm 5pm
傑夫．索貝爾 《家》
Geoff Sobelle Home
APAL
14-16/3 16/3
8pm 3pm
皮普．德爾邦諾劇團 《快樂大本營》
Compagnia Pippo Delbono La Gioia (Joy)
APAL
22-23/3
8pm
馬里安諾．潘恩索廸及瑪利亞劇團 《三個女人搞革命》
Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night
CCST
23/3 24/3
8:15pm 5pm
3pm
資料截至 Information as of: Jan 2019
KTT-BBT KTT-AUD YLT-AUD STTH-AUD
葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall
YMTT TK CDAV
油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village
香港藝術節@牛棚 - 藝術共生創造社 HKAF@Cattle Depot Creative Hub
報名及登記 Booking and registration: www.hkartsfestivalplus.org
藝術節加料節目 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic
特備節目 SpecialS 25/1/2019
26/1/2019
樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas 《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital
20/2/2019
聖保羅交響樂團四重奏 SPSO String Quartet
22/2/2019
香港藝術節傑出文化領袖講座系列 講者︰葉 芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)
20/2/2019
公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團 與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras
22/2/2019
聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭 細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career
22/2/2019
馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop
28/2/2019
NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance
22/2/2019 24/2/2019
《舞城遊蹤》 Choreography Walk
26/2/2019 3/3/2019
《家常便飯》 Family Dinner
2/3/2019
2/3/2019
《歌劇探秘同樂日》Opera Adventure Day
2/3/2019
28/2 - 3/3/ 2019
「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition
《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert
2/3/2019
《一齊玩》戲劇工作坊 We PLAY Theatre Workshop
16/3/2019
《好！擊！動！》同樂日 P is for Percussion! Family Day
2/3/2019
法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique
3/3/2019
萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig
3/3/2019
法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz
3/3/2019
萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert
21/3/2019
藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier
舞蹈 DaNce 19, 23/2/2019
雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop
1/3/2019
公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble
11/3/2019
藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing
13/3/2019
漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking
15/3/2019
漢堡芭蕾舞團早課參觀 Observing Company Class
15/3/2019
《胡桃夾子》後台參觀 Backstage at The Nutcracker
4/3/2019
《白蛇傳》歌劇創作講座 Madame White Snake Reimagined
9, 11/3/2019
時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell
9/3/2019
馬祖耶夫爵士樂隊演前導賞講座︰ 古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz
16, 24/3/2019
漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass
17/3/2019
漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids
13/3/2019
湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass
19/3/2019
漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project
14/3/2019
23/3/2019
漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier
湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II
13, 14/3/2019
李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group
15/3/2019
李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango
16, 17/3/2019
洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass
歌劇／戲曲 OpeRa 1, 2/3/2019
萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser
2/3/2019
萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour
12/3/2019
蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong
戲劇 THeaTRe
16/3/2019
《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition
16/3/2019
拇指琴 及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance
28/2/2019
藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage
16/3/2019
9/3/2019
藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare
20/3/2019
克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration
22/3/2019
希薇雅．佩瑞茲．克露絲 演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible
電影 FilM 27/2/2019 2, 24, 30/3/ 2019
《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema
贊助人
林鄭月娥女士
PATrON
永遠名譽會長 執行委員會 主席 副主席 義務司庫 委員
邵逸夫爵士
HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members
節目委員會 主席 委員
財務委員會 主席 委員 發展委員會 主席 副主席 委員
顧問
名譽法律顧問 核數師
查懋成先生 盧景文教授 李錦榮先生 鄭維新先生 鄭惠貞女士 劉鎮漢先生 梁靳羽珊女士 梁卓偉教授 姚潔莉女士 楊 光先生 盧景文教授 白諾信先生 紀大衛教授 羅志力先生 毛俊輝先生 李 義法官 約瑟．施力先生 + 譚榮邦先生 姚 珏女士 李錦榮先生 鄭惠貞女士 梁國輝先生 梁靳羽珊女士 雍景欣女士 鄭阮培恩女士 邱詠筠女士 龐建貽先生 孫林宣雅女士 姚祖輝先生 夏佳理先生 鮑 磊先生 李業廣先生 梁紹榮夫人 李國寶博士 孖士打律師行 羅兵咸永道 會計師事務所
香港藝術節基金會 主席 霍 璽先生 管理人 陳祖澤博士 陳達文先生 梁紹榮夫人 +
PrOGrAMME COMMITTEE Chairman Members
FINANCE COMMITTEE Chairman Members
HONOrArY SOLICITOr AUDITOr
Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong
DEVELOPMENT COMMITTEE Chairman Vice Chairman Members
ADVISOrS
The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)
Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers
HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP
榮譽節目顧問 Honorary Programme Advisor
地址 : 香港灣仔港灣道 2 號 12 樓 1205 室 電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430
電子郵箱 : afgen@hkaf.org
Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430
職員 行政總監 行政總監助理 節目 節目總監 副節目總監 節目經理 節目經理（行政） 助理節目經理 節目統籌 節目主任（行政） 物流及接待經理 •技術 製作經理 助理製作經理 •出版 英文編輯 中文編輯 助理編輯 •外展 高級外展經理 助理外展經理 外展統籌 外展助理 藝術行政見習員 市場推廣 市場總監 副市場總監 市場經理 副市場經理 助理市場經理 數碼營銷專員 市場主任 藝術行政見習員 市場經理（票務） 客戶服務主任 發展 發展總監 發展經理 副發展經理 助理發展經理 發展統籌 發展助理 會計 會計主管 助理會計經理 會計主任 人力資源及行政 人力資源及行政經理 人力資源及行政主任 接待員 / 初級秘書 助理 無限亮 高級項目經理 助理節目及製作經理 助理外展經理 助理技術經理 市場統籌 高級會計主任 項目主任 香港藝術節 @ 大館 製作人 技術統籌
STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers
何嘉坤 何丹蓉 梁掌瑋 蘇國雲 葉健鈴 余瑞婷 * 蘇雪凌 黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *
陳韻妍 林淦鈞 * 胡鎮華 *
梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝 張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮 胡銘堯 周 怡 楊 璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲 黃煒城 * 余潔儀 張慧芝 * 譚樂瑤 蘇寶蓮 * 莫穎哲 * 袁愷晴 *
黎家欣 *
林嘉敏 *
鍾玉如 *
張嘉麟 *
楊恆怡 *
麥紫琴 *
鄺敬婷 杜詩麗 * 蘇永恆 * 馮紹昌 簡凱彤 * 李美娟 黃國愛 楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周 怡 *
陳穎業 *
Tisa Ho Connie Ho
Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Officer (Administration) Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators
技術統籌 * Technical Coordinators*
歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、 許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu
藝術家統籌 * Artist Coordinators*
鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、 何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、 樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff