香港管弦樂團
Hong Kong Philharmonic Orchestra
特首獻辭 Chief Executive ’ s Message
二零二六年香港藝術節隆重 舉 行，謹此致賀。
今年藝術節邁進第五十四屆，約 180 場演出涵蓋 音樂、戲曲、歌劇、戲劇、舞蹈、藝術科技及 其他表演藝術創作，精彩多元，引人矚目。
藝術節在二月二十七日以西班牙國家舞劇院著 名舞劇《美麗的奧蒂羅》揭開序幕，在舞台重 現巴黎黃金時代的歌舞昇平，別出心裁。三月 二十七日藝術節閉幕以大型舞劇《牡丹亭》為 壓軸演出，呈獻導演兼編舞黎星對經典愛情劇 目的嶄新演繹。今年的音樂節目陣容強大，匯 聚各傑出鋼琴家獻技，有年輕韓國天才鋼琴家 任奫燦，也有榮獲二零二五年范．克萊本國際 大賽金獎及觀 眾 大獎的本地鋼琴家沈靖韜，實 在不容錯過。
一如既往，藝術節包羅繽紛多彩的外展及教育 活動。今年的「加料節目」着重豐富藝術愛好 者的文化體驗，加深對世界級藝術家的認識， 對於啓發更多人參與藝術活動，以至鞏固香港 作為中外文化藝術交流中心的定位，極為重要。
感謝眾多贊助商及捐款者慷慨支持香港藝術節。
我亦感謝藝術節團隊再接再厲，為本港以至全
球各地觀 眾 呈獻異彩生輝，令人讚嘆的文化藝 術與娛樂盛會。
香港特別行政區行政長官 李家超
I am pleased to congratulate the Hong Kong Arts Festival on the organisation of its 2026 season. This year’s Festival, the 54th edition, features some 180 performances, encompassing music, Chinese and Western opera, theatre, dance, arts technology and a dazzling variety of performing arts productions.
The Festival opens on 27 February with Ballet Nacional de España’s acclaimed operatic ballet La Bella Otero , recreating the glamour of Paris’ golden era on stage. The Festival concludes on 27 March with the large-scale dance theatre production DreaminThePeonyPavilion , directed and choreographed by Li Xing, injecting fresh life into the timeless love classic. This year’s music performances present a number of brilliant pianists, including young Korean piano sensation Yunchan Lim, and Hong Kong-born Aristo Sham, the gold medallist and audience award winner at the 2025 Van Cliburn International Piano Competition.
As ever, the Festival features a diverse range of outreach and educational activities. This year’s PLUS programme focuses on a wide cultural experience for arts lovers and deeper understanding of world-class artists, contributing to promoting engagement in cultural events and consolidating Hong Kong’s positioning as the East-meets-West centre for international cultural exchange.
I am grateful to our many sponsors and donors for their generous support. My thanks also, as always, go to the Hong Kong Arts Festival for once again bringing Hong Kong, and the world, a shining season of arts and culture, entertainment and wonder.
John KC LEE Chief Executive Hong Kong Special Administrative Region
主席獻辭 Chairman ’ s Message
誠摯歡迎閣下蒞臨第 54 屆香港藝術節。作為國際 藝壇中重要的表演藝術盛事，藝術節一直秉持使 命，致力豐富香港的文化生活，並向社會各界推 廣最優質的表演藝術。今年，藝術節匯聚逾 1,100 位本地及國際的頂尖藝術家，為觀 眾 呈獻超過 45 個涵蓋不同藝術領域的多元化節目，合共逾 180 場精釆演出，並 舉 辦約 300 項「加料節目」、外 展及教育活動，為香港注入充沛的文化活力。
我由衷感謝香港特別行政區政府透過康樂及文化事 務署，提供年度恆常撥款及配對資助；感謝香港 賽馬會慈善信託基金、一眾企業贊助機構、慈善基 金會及捐助者的慷慨支持；還有感謝在藝術節舞台 上盡顯才華及創意的享譽國際藝術家，以及在所有
節目背後努力耕耘的香港藝術節團隊——你們每 一分的寶貴捐獻、每一位的投入參與和支持，讓 香港藝術節得以順利舉行，並且成為我們的龐大 動力，使我們能夠持續透過表演藝術回饋社會。
今後，香港藝術節將繼續為觀 眾 呈獻目不暇給的 演出、委約創意無限的新作品，以及致力培育才 華洋溢的本地藝術人才。最後，我要向所有前來
觀賞演出的觀 眾 致以萬分謝意。希望您享受這趟 我們為您精心策劃的藝術之旅，並從中獲得喜 悅、共鳴與啟發。
香港藝術節主席
盧景文
A warm welcome to the 54th Hong Kong Arts Festival. As a leading international performing arts event, the Festival continues to uphold its mission of enriching our city’s cultural life and promoting the best of the performing arts to different sectors of our community. This year, the Festival brings to Hong Kong more than 1,100 distinguished local and international artists from a wide range of artistic disciplines in over 180 performances of more than 45 programmes, as well as about 300 “PLUS”, outreach and education events.
I would like to express my sincere gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention and matching grant. My heartfelt thanks also go out to The Hong Kong Jockey Club Charities Trust, our corporate sponsors, charitable foundations and donors for their generous support. Their invaluable contributions empower us to actively advance the community through the performing arts.
My genuine appreciation goes to all our internationally renowned and most talented artists for their creativity and outstanding performances on stage. Their dedication profoundly motivates us to continue showcasing exceptional productions, commissioning new works and nurturing local talent. I am also deeply grateful to the HKAF team for its commitment and efforts to bring this Festival to life. Finally, I extend my warmest thanks to all audience members. We truly hope you enjoy this artistic journey and discover moments of delight, resonance and inspiration throughout the programmes being presented this year.
Lo Kingman Chairman Hong Kong Arts Festival
支持機構：
Supporting Organisation:
前言 Foreword
第 54 屆香港藝術節雲集眾多大師級藝術家與傑 出團隊，帶來超過 180 場的音樂、舞蹈、戲劇、 歌劇、戲曲、藝術科技與跨界創作節目，展示藝 術家的精湛造詣。
今年的其中一個主題，是對「勇氣與和平」的探 索。當全球都因為戰亂、流離、經濟下行等苦難 感到焦躁不安，藝術家以獨特的視角與語言，在 舞台上交織出對世界的回應，提醒我們抱持堅毅 與希望。
此外，今屆藝術節部分作品採用了簡約的戲劇手 法，讓我們擺脫地域與資源的限制。我們亦繼續 擁抱藝術科技，利用混合實景技術，開拓新的表 演效果。
一如既往，藝術節今年帶來超過 300 項的外展與 教育活動。「加料節目」準備了一系列講座、大師 班、後台參觀、文化深度遊等活動。我們為大、
中、小學生設計的全方位外展及教育活動，則會 帶領數以萬計的年輕觀眾理解作品背後的故事。
衷心感謝您出席這一場演出，願您從中找到愉悅 與共鳴。
The 54th Hong Kong Arts Festival once again brings together great masters and outstanding artists, presenting more than 180 performances across music, dance, theatre, opera, Chinese opera, arts-tech and interdisciplinary creations—showcasing the exceptional craft of leading local and international talent.
One of this year’s themes is an exploration of “Courage and Peace”. At a time when the world is troubled by war, displacement, economic downturns and other hardships, artists respond from their own distinctive perspectives and in their own languages on stage, reminding us of the need to be resilient and hopeful.
Some works in this year’s Festival adopt a minimalistic theatrical approach, enabling us to transcend the constraints of geography and resources. We also continue to embrace arts-tech, using mixed-reality technologies to open up new performance possibilities.
As always, the Festival presents more than 300 outreach and education activities. Our PLUS events feature a curated series of talks, masterclasses, backstage tours and guided cultural walks. Our comprehensive education initiatives tailored for primary, secondary and tertiary students are aimed at enabling students to gain a more in-depth understanding and appreciation of the works we present.
I sincerely thank you for joining us at this performance, and we hope that you find joy and resonance in the experience.
香港藝術節行政總監 余潔儀
香港藝術節的資助來自：
The Hong Kong Arts Festival is made possible with the funding support of:
Flora Yu Executive Director Hong Kong Arts Festival
港藝術節收入目標（包括第 54 屆香港藝術節及 2026 年「無限亮」）約港幣一億五千九百萬，當中香港特 區政府的年度恆常撥款佔總收入約 12%，另外約 24% 需來自票房收入，約 44% 則需依賴來自各大企業、 熱心人士和慈善基金會的贊助和捐款。預計餘下的 約 20% 則來自其他收入，包括政府針對捐款和贊助 收入而提供的配對資助。
香港藝術節 每年呈獻眾多 國際演藝名家 精采多元的 演出，例如 *：
• 歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫 斯科大劇院、聖彼得堡馬林斯基劇院、三藩市歌 劇院、薩翁林納歌劇節
• 中國戲曲： 中國國家京劇院、河北梆子劇院、上 海崑劇團、上海張軍崑曲藝術中心、江蘇省蘇州 崑劇院、浙江小百花越劇團、上海越劇院
• 古典音樂：塞西莉亞．芭托莉、列卡杜 沙爾、趙 成珍、古斯塔沃・杜達美、菲力普・格拉斯、劉曉 禹、馬友友、丹尼斯．馬祖耶夫、安娜 涅翠柯、 詹安德列亞．諾斯達、小澤征爾、湯瑪士 夸斯托 夫、甘拿迪．羅傑斯特汶斯基、譚盾、湯沐海、克 里斯蒂安．泰利曼、安德拉斯．席夫爵士、班貝格 交響樂團、倫敦交響樂團、NHK 交響樂團、皇家阿 姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比 錫聖多馬合唱團、維也納愛樂樂團
• 爵士樂及世界音樂：波比．麥非年、尤蘇・ 恩多 爾、艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼
• 舞蹈：米高・巴里殊尼哥夫、蕭菲・紀蓮、艾甘． 漢、娜塔麗亞 奧斯波娃、美國芭蕾舞劇院、雲 門舞集、漢堡芭蕾舞團—約翰．紐邁亞、紐約市 芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜．包殊烏 珀塔爾舞蹈劇場、米蘭史卡拉歌劇院芭蕾舞團
• 戲劇：彼得・ 布祿克、羅伯特．利柏殊、蜷川幸 雄、羅柏特 威爾遜、柏林劇團、中國國家話劇 院、皇家莎士比亞劇團、英國國家劇院
• 大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊
• 戶外節目：《聲光園》、《幻光動感池》、《聲光頌》
• 音樂劇：《日新》、《雄獅少年》、《咆哮山莊》
• 藝術科技：《超真實》裝置音樂會、《真．幻境 界》、《巴黎舞會》
, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the as well as a diverse range of “PLUS” and in February and March each year.
non-profit organisation. The total income target for FY2025/26 (including the 54th Hong Kong Arts Festival and 2026 “No Limits”) is approximately HK$159 million. Current Government annual baseline funding accounts for around 12% of the Festival's total income. Around 24% of the Festival’s income needs to be generated from the box office, and around 44% from sponsorship and donations made by corporations, individuals and charitable foundations. The remaining 20% is expected to come from other revenue sources including the Government’s matching grant scheme, which matches income generated through private sector sponsorship and donations. The HKAF has presented top international artists and ensembles across multiple genres, such as*:
• Western opera: Bayerische Staatsoper, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre, San Francisco Opera, Savonlinna Opera Festival
• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Kunqu Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe, Shanghai Yue Opera House
• Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Bruce Liu, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, Sir András Schiff, Bamberg Symphony, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra
• Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini
• Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, Natalia Osipova, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet – John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch, Teatro alla Scala Ballet Company
• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company, National Theatre of Great Britain
• Large-scale special events: World of WearableArt, Zingaro
• Outdoor events: Power Plant, Super Pool, Chorus
• Musicals: Yat-sen, I Am What I Am the Musical, Wuthering Heights
• Arts-Tech: Hyperreality—An Installation Concert, Norealitynow , VR Interactive Dance—Le Bal de Paris
The HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, the HKAF has commissioned and produced over 250 local productions across genres including Cantonese opera, theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas.
香港藝術節 積極與 本地演藝人才 合作，並致力為 新
進藝術家 提供展示才華的平台。藝術節至今委約及
製作逾 250 套本地全新創作，包括粵劇、戲劇、室內 歌劇、音樂和舞蹈作品，不少製作更已在香港及海 外多度重演。
香港藝術節多年來與知名國際藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節聯同香港歌德 學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹 窗人》；作為聯合委約機構之一並聯同倫敦老域劇 院、布魯克林音樂學院與尼爾街製作公司製作的「橫 貫計劃」之《暴風雨》及《李察三世》；與上海國際 藝術節聯合委約的《青蛇》；與三藩市歌劇院聯合製 作的《紅樓夢》；與芬蘭國家歌劇院及芭蕾舞團聯合 製作的《拉娜》，以及與中央戲劇學院及 Compagnie Point Fixe 聯合製作的《海底兩萬里》等。
香港藝術節 一直大力投資 下一代的藝術教育。「青 少年之友」成立 33 年來，已為約 849,000 位本地中 學生及大專生提供藝術體驗活動。藝術節近年亦開 展多項針對大、中、小學生的藝術教育活動，包括 由國際及本地藝術家主持的示範講座及工作坊、學 生展演、演前講座、公開彩排、以及欣賞藝術節演 出。同時，通過「學生票捐助計劃」，藝術節每年提 供約 10,000 張半價學生票。
香港藝術節 每年主辦一系列多元化並深入社區的 「加料節目」，例如電影放映、示範講座、大師班、 工作坊、座談會、後台參觀、展覽、藝人談、文化 導賞團等，鼓勵觀眾與藝術家互動接觸。
香港藝術節 亦銳意將共融藝術理念拓展到社區每一 角落。由藝術節與香港賽馬會慈善信託基金聯合呈 獻的「無限亮」計劃於 2019 年正式開展，透過一系 列的演出及多元的教育及社區外展節目，「無限亮」
致力創造共融空間，讓不同能力人士均可以一同欣 賞、參與、擁抱藝術。
香港藝術節協會 2025/26 年度收入目標：
Estimated Target Income for the HKAF in FY2025/26:
港幣一億五千九百萬
The HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced with GoetheInstitut Hong Kong and Tanztheater Wuppertal Pina Bausch; Richard III and TheTempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with the HKAF as a co-commissioning institution; Green Snake co-commissioned with Shanghai International Arts Festival; Dream of the Red Chamber coproduced with San Francisco Opera; Laila , a co-production with Finnish National Opera and Ballet, and 20,000LeaguesUndertheSea , co-produced with The Central Academy of Drama, China, and Compagnie Point Fixe.
The HKAF invests heavily in arts education for young people. Over the past 33 years, our “Young Friends” scheme has reached around 849,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 halfprice student tickets each year.
The HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meetthe-artist sessions and guided cultural tours.
The HKAF actively promotes inclusion via the arts to every corner of the community. The “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, was launched in 2019. Through a series of performances and diverse arts experiences for students and the community, “No Limits” strives to create an inclusive space for people with different abilities to share the joy of the arts together.
政府的年度恒常撥款 Current Government annual baseline funding
HK$159 million 約 Around 44% 約 Around 12% 約 Around 20% 約 Around 24%
其他收入 Other Revenues
（包括按捐款和贊助收入 可望獲得的政府配對資助 including possible Government Matching Grant for Sponsorship and Donation income）
票房收入 Box Office
誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡。
To find out more about sponsorship opportunities and donation details for the Hong Kong Arts Festival, please contact the HKAF Development Department.
電郵 Email: dev@hkaf.org
直綫 Direct lines: (852) 2828 4911/12
網頁 Website: http://go.hkaf.org/give
贊助和捐款 Sponsorship & Donations
*有關香港藝術節的過往節目 Details of past HKAF programmes
華潤集團榮譽贊助「音樂無疆界」系列： 金馬倫．卡彭特 X 王致仁
X 香港管弦樂團
CR Holdings Proudly Sponsors the “Music Without Borders”
Series: Cameron Carpenter, Chiyan Wong and the HK Phil
03.03.2026 / 7:45pm
香港文化中心音樂廳 Concert Hall, Hong Kong Cultural Centre
演出長約1小時35分鐘，包括一節中場休息 Approximately one hour and 35 minutes including one interval
封面照片Cover Photographs Cameron Carpenter © Dovile Sermokas Chiyan Wong © Felix SC Wong
※ 演出期間敬請關掉手提電話及其他電子產品，以免發出聲響或產生光線， 影響表演者及其他觀眾。
Please switch off mobile phones and all electronic devices so they will not emit sound or light during the performance, disturbing the performers and other audience members.
※ 請勿擅自攝影、錄音或錄影。
Unauthorised photography or recording of any kind is strictly prohibited.
※ 演出期間請保持安靜。
Please keep noise to a minimum during the performance.
※ 本場刊採用環保紙張印刷。
This programme is printed on environmentally friendly paper.
※ 如不欲保留本場刊，請於完場後放回演出場地入口。
If you don’t wish to keep this booklet, please return it to the admission point.
所有作品內容均由創作團隊獨立製作，並不代表贊助機構之立場或意見。
The content of all works is independently produced by the creative team, and does not reflect the views or opinions of the Sponsor.
本節目內容及本刊物所載之藝術家／客席撰文者言論屬於個人觀點，並不 代表香港藝術節（「本會」）之立場或意見。
The content of this programme and the opinions featured in this publication are solely those of the artists/guest writers and do not represent the views or opinions of the Hong Kong Arts Festival (“HKAF”).
為免影響演出，持票人士務請準時入場。本會有權不讓於演出開始後或中 場休息後遲到和在演出期間中途離場的觀眾重新入場。
Ticket holders are strongly advised to arrive punctually. The HKAF reserves the right to refuse the (a) admission of latecomers (whether at the beginning of the performance or after the intermission) and (b) re-admission of audience members who leave the auditorium during the performance.
本會有權決定觀眾（包括遲到和中途離場的觀眾）入場和重新入場的可能 性及方式。
The HKAF also reserves the right to determine the possibility of admission and re-admission of audience members (which includes latecomers and audience members who have left the auditorium and are seeking re-admission), as well as the manner in which they are admitted.
在任何情況下，若本會允許遲到者入場，該等遲到者只能在指定的遲到點 入場。持票人士如因遲到而不獲安排入場，本會恕不退票或換票。如有任 何爭議，本會保留最終決定權。
In any case, should the HKAF permit the admission of latecomers, such latecomers shall only be admitted at designated latecomer point(s). No refunds or changes will be offered if ticket holders are refused admission due to late arrival. In the event of any dispute, the HKAF reserves all rights to make the final decision.
Cameron Carpenter © Dovile Sermokas
HK Phil © Keith Hiro Chiyan Wong © K Ng
鋼琴
王致仁
生於香港、現居柏林的鋼琴家王致仁，以 橫跨早期巴羅克到當代音樂的多元曲目， 深受聽眾喜愛。他的首張專輯《李斯特變 奏：歌劇幻想曲》榮獲第40屆李斯特國際 鋼琴大獎。他的第二張專輯則收錄了布梭 尼改編版本的巴赫《哥德堡變奏曲》，他的 第三張專輯與倫敦交響樂團及指揮孔茲一 同錄音，收錄了深受茨伐斯曼與拉威爾影 響的爵士樂作品。
王致仁近期的焦點演出包括首度於柏林音 樂廳、巴黎香榭麗舍劇院亮相，以及分別 於匈牙利及台灣為湯馬士．阿迪斯的鋼琴 協奏曲首演。他與馬庫斯．史坦茲一同為 北京國家大劇院管弦樂團2024年樂季作開 幕演出。
王致仁早年於多個國際音樂節亮相，包括 法國迪納爾國際音樂節、香港藝術節及新 加坡國際鋼琴節，引起國際樂壇關注。他 也是薩爾斯堡莫扎特國際夏季學院的得獎 者，又在倫敦威格摩爾音樂廳進行首次演 出，演奏全李斯特的曲目。
王致仁童年在香港接受音樂教育，十二歲 時移居英國，在倫敦皇家音樂學院師從諾 瑪．費沙和克里斯多夫．艾頓。2021年， 他在利希慎基金會的資助下，完成關於布 梭尼的研究並取得博士學位。
Piano
Chiyan Wong
Born in Hong Kong and based in Berlin, pianist Chiyan Wong has captivated audiences with his repertoire spanning from the early Baroque to contemporary works. His critically acclaimed debut album, Liszt Transfigured:OperaticFantasiesforPiano (LINN Records), won the 40th Franz Liszt International Grand Prix du Disque. His second album was a record of Busoni’s edition of Bach’s GoldbergVariations. His third album, comprising jazz-influenced music by Alexander Tsfasman and Ravel, was recorded with the London Symphony Orchestra and Christoph Koncz.
Wong’s recent career highlights include debuts at the Konzerthaus Berlin and the Théâtre des ChampsElysées, as well as the Hungarian and Taiwanese premieres of Thomas Adès’ Piano Concerto. In 2024, he performed at the season-opening concert of the National Centre of Performing Arts Orchestra in Beijing with Markus Stenz.
Wong gained international recognition at festivals such as the International Music Festival of Dinard, the Hong Kong Arts Festival and the Singapore International Piano Festival. He was a prize winner at the Mozarteum International Summer Academy in Salzburg and debuted at London’s Wigmore Hall with an all-Liszt recital.
He began his musical education in Hong Kong, then moved to England at age 12 to study with Norma Fisher and Christopher Elton at the Royal Academy of Music. In 2021, he completed his doctorate on Busoni, supported by the Lee Hysan Foundation.
© Kurt Chan
管風琴
金馬倫．卡彭特
金馬倫．卡彭特於1981年出生在美國賓夕 法尼亞州泰特斯維爾市，並以融合創新科 技的演奏及獨特的管風琴巡演而聞名。他 童年時接受在家教育，後於1993至1995 年期間入讀美國男童合唱團學校，並在學 校安排下到美國和歐洲公開演出。在接受
額外的在家教育後，他分別入讀北卡羅萊 納大學藝術學院和茱莉亞音樂學院，並先 後獲得音樂學士學位以及管風琴表演碩士 學位。
卡彭特憑藉專輯《革命者》（2008），成 為首位獲提名格林美獎的管風琴家。他於 2010年移居德國，並在2011年於當地為 其首部管風琴與管弦樂團協奏曲作品《醜 聞》舉行首演。卡彭特更是柏林愛樂樂團 的首位駐團管風琴家（2012-13年），並於 2013年與索尼古典唱片公司簽下合約。
2014年，他於紐約林肯中心首次使用其親 自設計的「國際巡演管風琴」來演出，並 展開全球巡演。同年，卡彭特為作曲家特 里． 賴利的管風琴協奏曲《皇家尊耀》首 演擔任表演者。2015年，他憑着《你若知 我心》獲得德國古典回聲獎。卡彭特為拉 赫曼尼諾夫的《帕格尼尼主題狂想曲》創 作了管風琴與管弦樂版本，並於2019年為 索尼古典唱片公司錄製這首作品。
Organ
Cameron Carpenter
Cameron Carpenter, born in 1981 in Titusville, Pennsylvania, is a renowned American organist celebrated for his innovative use of technology and unique touring projects. He was homeschooled until 1992, later attending the American Boychoir School (1993–95) and performing across the USA and Europe. After additional homeschooling, he studied at the University of North Carolina School of the Arts and The Juilliard School, earning both a Bachelor’s and Master’s degree in Music and Organ Performance.
Carpenter made history as the first organist nominated for a Grammy Award for his album Revolutionary (2008). He moved to Germany in 2010, where his first organ and orchestra concerto, The Scandal, premiered in 2011. He became the first Organist-in-Residence at the Philharmonie Berlin (2012–13) and signed with Sony Classical in 2013.
In 2014, he debuted the International Touring Organ at the Lincoln Center in New York and has since toured globally. He premiered Terry Riley’s organ concerto AtTheRoyalMajestic and won the ECHO Klassik Award for IfYouCouldReadMyMind (2015). Carpenter created an organ-and-orchestra version of Rachmaninoff’s RhapsodyonaThemeof Paganini and recorded Rachmaninoff’s Paganini for Sony Classical in 2019.
© Dovile Sermokas
創新向前 共拓新景 請支持 新作捐助計劃
香港藝術節一直致力委約及製作高質素的全新作品，鼓勵藝術創新 和培育演藝人才。您對 新作捐助計劃 的捐款能協助我們把優秀又大 膽創新的作品搬上舞台，讓它們發光發亮。
香港藝術節是香港特區政府的「藝術發展配對資助計劃」受惠機構， 部份籌得的捐款及贊助收入將獲 一元 對 一元 的配對資助。*
無論捐贈數額多少，我們均衷心感謝您的支持！
The Festival is committed to promoting original works, and has commissioned and produced many critically acclaimed productions in the past. Your donation to the New Works Scheme will help us produce more innovative performances and nurture local talent.
The Hong Kong Arts Festival is a recipient of the HKSAR Government’s Art Development Matching Grants Scheme. Part of the Festival’s sponsorship and donation income will benefit from a dollar-for-dollar match by the Government.* Donations of any amount will make a difference, and are greatly appreciated!
網上捐款
ONLINE DONATION http://go.hkaf.org/give
其他捐款方法，請參閱刊於本 冊子尾部之捐款表格 For other donation methods, please refer to the Donation Form near the end of this booklet
指揮家
林大葉
林大葉是一位傑出的指揮家和音樂教育 家，現任深圳交響樂團音樂總監兼首席指
揮、無錫交響樂團藝術總監兼首席指揮以 及中國國家交響樂團特邀指揮，更同時任 職上海音樂學院作曲指揮系教授和香港中 文大學（深圳）音樂學院客座教授。2023
年，林大葉獲任命為深圳市青年音樂家協 會的首位主席，並獲選為「深圳十大傑出 青年」之一。
林大葉曾分別榮獲賀綠汀藝術成果獎，以 及第六屆蘇提爵士國際指揮大賽首獎，成 為歷史上首位問鼎該賽事的中國指揮家。
他早年曾分別在中國和德國學習，並於 2009年獲任命為杭州愛樂樂團駐團指揮， 其後又於2010年擔任廣州交響樂團常任指 揮。林大葉曾帶領深圳交響樂團在歐洲和 北美進行了多次巡迴演出，並獲得國際樂 評界的高度讚賞。
他在2024年的英國巡演中展現了豐富多元 的曲目，在當地贏得廣泛讚譽。他在選曲
上往往融合了傳統和當代作品，亦積極推 動新創作；同時，林大葉亦致力於培育新 秀及拓展觀眾群，並持續啟迪新一代的音 樂人才。
Conductor
Lin Daye
Lin Daye is a prominent conductor and music educator, serving as Music Director and Principal Conductor of the Shenzhen Symphony Orchestra, Artistic Director and Chief Conductor of the Wuxi Symphony Orchestra, and a Guest Conductor for the China National Symphony Orchestra. He is a Professor at the Shanghai Conservatory of Music and the Chinese University of Hong KongShenzhen Conservatory of Music. In 2023, he was appointed as the first Chairman of the Shenzhen Young Musicians Association and recognised as one of Shenzhen’s Top Ten Outstanding Youth.
Lin’s accolades include the He Lüting Art Achievement Award and the first prize at the sixth Sir Georg Solti International Conductors’ Competition in 2012—the first Chinese to win the accolade. His early training involved studying in China and Germany, leading to his role as Resident Conductor of the Hangzhou Philharmonic in 2009 and Permanent Conductor of the Guangzhou Symphony Orchestra in 2010. His leadership of Shenzhen Symphony Orchestra gained international recognition through European and North American tours.
His 2024 UK tour received acclaim for its diverse repertoire. Committed to fostering new talent and expanding audiences, Lin blends traditional and contemporary works and supports new compositions, inspiring the next generation of musicians.
華潤集團榮譽贊助「音樂無疆界」系列： 金馬倫．卡彭特 X 王致仁 X 香港管弦樂團 CR Holdings Proudly Sponsors the “Music Without Borders” Series: Cameron Carpenter, Chiyan Wong and the HK Phil
王丹紅
Wang Danhong (b. 1981)
《粵彩南風》 Southern Radiance
李察 ． 史特勞斯
D小調鋼琴與管弦樂團《滑稽曲》
鋼琴獨奏 王致仁
中場休息
Richard Strauss (1864-1949)
Burleske in D minor for piano and orchestra
Piano Soloist Chiyan Wong
INTERVAL
約瑟夫 ． 容根
管風琴與管弦樂團《交響協奏曲》， 作品81
I. 快板，較為中庸
II. 嬉遊曲。非常活潑
III. 極緩板。神祕的緩板
IV. 觸技曲（恆動曲）。中庸的快板
管風琴獨奏 金馬倫．卡彭特
Joseph Jongen (1873-1953)
SymphonieConcertante for organ and orchestra, Op 81
I. Allegro, molto moderato
II. Divertimento. Molto vivo
III. Molto lento. Lento misterioso
IV. Toccata (Moto perpetuo). Allegro moderato
Organ Soloist Cameron Carpenter
藝術節加料節目
演前講座 Pre-Performance Talk 金馬倫．卡彭特：打破管風琴的界限 Cameron Carpenter: Breaking Boundaries with the Orga n 28.02.2026 （已舉行 Past event）
大師班 Masterclass 金馬倫．卡彭特管風琴大師班 Cameron Carpenter Organ Masterclass 01.03.2026 （已舉行 Past event）
作曲
王丹紅
王丹紅，作曲博士及中央音樂學院作曲教授， 亦是中國當代最具創作活力的青年作曲家之
一，曾榮獲文華獎、華樂論壇青年作曲家民族 管弦樂作品金獎及中國中央電視台全國民族器 樂大賽唯一最佳原創作品獎等獎項。2021年， 她獲選為國家高層次人才支持計劃「青年拔尖 人才」，其作品更入選「時代交響」和「百年百 部」創作計劃重點扶持作品。她的音樂創作以 豐富的音樂情感、優美的旋律和恢弘大氣的曲 風而聞名。其創作涵蓋民樂、交響樂和電影配 樂等各類音樂體裁。
Composer
Wang Danhong
Wang Danhong, a Professor of Composition at the Central Conservatory of Music in Beijing and holder of a doctoral degree, is among China’s most accomplished young composers. She has won the Wenhua Award, the Gold Prize at the Huayue Forum and the Best Original Work Award at the CCTV Traditional Instrument Contest. In 2021, she was selected for the National Young Top-Notch Talent Support Programme, with her works designated for national initiatives such as SymphonyoftheTimes and 100Works for100Years. Her compositions, known for their emotional depth, lyrical melodies and majestic style, span traditional Chinese music, symphonies, ballets and film scores.
曲目介紹 Programme Notes
王丹紅 《粵彩南風》
Wang Danhong (b. 1981)
Southern Radiance
《粵彩南風》以濃郁的嶺南風情為底色，巧妙 融入了《旱天雷》、《平湖秋月》等經典廣東 樂曲素材，並在管弦樂豐富的音色鋪陳中煥發 新意。
這首交響樂作品的音樂語言靈動輕盈，節奏明 快而詼諧，既有粵曲的婉轉悠揚，又透出現代 交響的生動磅礴。作品猶如一張徐徐展開的繪 卷，勾勒出鮮活的南國市井生活圖景——茶 樓的熱鬧、街巷的煙火、水鄉的清雅，皆躍然 耳畔。它既是對傳統廣府音樂的致敬，也是一 次中西交融、雅俗共賞的音樂嘗試，恍若一幅 色彩明麗、聲情並茂的嶺南民俗風情畫。
撰文：王丹紅 英文翻譯：莊琬琛
Rooted in rich melancholic Lingnan aesthetics, the symphonic work SouthernRadiance ingeniously incorporates musical elements from ThunderinaDrought and AutumnMoonOver aPlacidLake, among other classic Cantonese pieces, putting an inventive twist on the layered tapestry of harmonious orchestral playing.
The music is fleetingly nimble and light, and the rhythm is lively and witty, allowing a subtle taste of Cantonese operatic music to shine through without compromising the vibrant grandiosity of the modern orchestral music. The work paints a vivid portrait of the Southern way of life: the bustling teahouse, the busy alleyway, the tranquillity and poignance of villages all come to life through these “scrolls” of music. Paying homage to traditional Cantonese music, it’s a daring musical achievement that combines East and West to synthesise a refined but grounded piece. Enjoy this radiant and dynamic work of art that showcases the beauty of Lingnan folk culture.
Text: Wang Danhong
English translation: Ruby Chong
支持 半價學生票 培育藝術小樹苗
Support our Student Ticket Scheme Help us provide more half-price tickets to young people
學生票捐助計劃
籌得的所有款項，均全數用作資助本地全日制學 生以半價優惠購買藝術節門票。為了讓更多青少年有機會觀賞高質 素的演出，從而培養他們對表演藝術的興趣和認識，我們需要您 的協助！
香港藝術節是香港特區政府的「藝術發展配對資助計劃」受惠機構， 部份籌得的捐款及贊助收入將獲 一元 對 一元 的配對資助。*
無論捐贈數額多少，我們均衷心感謝您的支持！
All donations to the Student Ticket Scheme are used for subsidising full-time local students to attend the Festival’s performances at half price. We need your support to encourage more young people to enjoy and be inspired by the Festival’s high-quality performances.
The Hong Kong Arts Festival is a recipient of the HKSAR Government’s Art Development Matching Grants Scheme. Part of the Festival’s sponsorship and donation income will benefit from a dollar-for-dollar match by the Government.*
Donations of any amount will make a difference, and are greatly appreciated!
網上捐款
ONLINE DONATION http://go.hkaf.org/give
其他捐款方法，請參閱刊於本 冊子尾部之捐款表格
For other donation methods, please refer to the Donation Form near the end of this booklet
查詢 Enquiries: dev@hkaf.org
2828 4911/12
李察．史特勞斯
D小調鋼琴與管弦樂團《滑稽曲》
Richard Strauss (1864-1949)
Burleske in D minor for piano and orchestra
史特勞斯
Richard Strauss (1864-1949)
李察．史特勞斯自幼在父親法蘭茲．史特 勞斯的薰陶下成長。身為慕尼黑宮廷樂團 首席圓號手的法蘭茲培育了兒子早期的創 作熱情，而李察一系列早期作品，很快便 引起指揮家畢羅的注意。雖然畢羅起初也 對他的才華滿有懷疑，但很快就被這位少 年為十三支木管而作的小夜曲俘虜，更稱 之為布拉姆斯的有力繼承人。
1885年，畢羅邀請李察擔任邁寧根樂團的 助理指揮。這支樂團水準極高，甚至引來 布拉姆斯本人親臨排練，並指導樂團首演 其第四交響曲。這段學徒生涯，也令史特 勞斯脫胎換骨，成為同輩當中最傑出的指 揮家之一。
Richard Strauss grew up under the imposing influence of his father, Franz Strauss, the celebrated principal horn of Munich’s Court Orchestra. Franz fostered his son’s early compositional ambitions, which soon drew the attention of conductor Hans von Bülow. Initially sceptical, Bülow was won over by the teenager’s Serenade for 13 Wind Instruments and declared Strauss a worthy successor to Brahms.
In 1885, Bülow invited him to serve as Assistant Conductor with his superb Meiningen Orchestra—an ensemble so refined that Brahms himself appeared to rehearse its premiere of his Fourth Symphony. The apprenticeship transformed Strauss into one of the finest conductors of his generation.
Bülow, also a virtuoso pianist, had premièred Tchaikovsky’s First Piano Concerto in 1875. Strauss conceived what became Burleske as a lively, single-movement work in the spirit of a scherzo—a fast, playful form often used in symphonies—intended to display the pianist’s brilliance and humour as a tribute to his mentor. But the piece’s extravagant technical hurdles— especially its massive chordal stretches— irritated Bülow, who dismissed it as “too bombastic and Lisztian”. Burleske demanded more virtuosity than Strauss could supply himself, and the manuscript from 1885-86 was shelved until the Liszt pupil Eugen d’Albert offered to perform it several years later, in 1890. For that occasion, Strauss revised and retitled the score Burleske—from the Italian burlesco, meaning a parody or farce.
畢羅除了是指揮家，亦是一位鋼琴名家， 曾於1875年負責首演柴可夫斯基的第一鋼 琴協奏曲。《滑稽曲》本是史特勞斯向恩 師致敬之作——在當時這位年輕作曲家的 構想裏，是一首生氣勃勃並帶有諧謔曲風 格的單樂章作品。諧謔曲這種常見於交響 曲的曲式輕快俏皮，正適合展現畢羅的才 華與幽默。然而，這部作品的技術要求極 高，不但樂句繁複，還採用了跨度極大的 和弦。當時畢羅對這部作品看不大上眼， 認為它「過於浮誇而流於『李斯特』風 格」。史特勞斯在1885至1886年間完成作 品手稿，卻意識到此曲甚至超出了自己的 駕馭範圍，唯有將其束之高閣。直至1890 年，李斯特的門生達爾伯特主動請纓，提 出要演奏此曲，此作才得以重見天日。為 此，史特勞斯特地修訂樂譜，並將作品重 新命名為《滑稽曲》。這個標題取自意大利 語中「 burlesco 」一詞，意即戲仿或鬧劇。
《滑稽曲》以鋼琴和定音鼓的熱烈對話開 始，並旋即展現出俏皮而跳脫的氣質。流 竄的半音階樂句與靈動的三音動機交織出 豐富的色彩：獨奏家在調皮炫技與抒情沉 思之間自由切換，蔓生出千變萬化的情 緒。這首單樂章協奏曲由豐富的配器構築 而成，其戲劇張力以及鋼琴與定音鼓在尾 聲的機智角力，都展露了作曲家對於布拉 姆斯的致敬——當中既蘊含深情又帶點戲 謔。這時，史特勞斯已漸漸脫離布拉姆斯 的影響，開始走出自己的路了。
《滑稽曲》原是史特勞斯為恩師畢羅而作 Burleske was originally composed with Hans von Bülow (1830-94), Strauss’ mentor, in mind
Opening with a striking dialogue between piano and timpani, the Burleske soon reveals a teasingly mercurial spirit. Its darting chromatic runs and supple three-note motif trace a kaleidoscope of moods: the soloist veers from impish bravura to lyrical introspection. Rich orchestration frames a single-movement concerto whose high drama and witty final duel between piano and timpani show Strauss paying affectionate, irreverent tribute to the Brahmsian world he was already outgrowing.
約瑟夫．容根
管風琴與管弦樂團《交響協奏曲》，作品81
Joseph Jongen (1873–1953)
SymphonieConcertante for organ and orchestra, Op 81
史特勞斯的《滑稽曲》揭示了鋼琴在十九
世紀音樂史的地位：既是家庭式音樂活動
的核心，在公共場域的交響樂團演出中， 它又是展現獨奏家造詣的絕佳媒介；另一
邊廂，約瑟夫．容根則以一曲《交響協奏 曲》提醒觀眾，鋼琴有一位「兄長」，雖和
鋼琴有着截然不同的歷史傳統，卻在演奏 造詣和格局上有着同樣高的要求和發揮空 間——這款樂器就是管風琴。
這兩部作品展現了西方協奏曲傳統中兩種 截然不同的面貌：史特勞斯以近似諧謔曲 的形式，讓鋼琴與管弦樂團展開一場「巧 舌如簧」的對話；而容根則是透過宏大的 交響樂結構，讓管風琴展現出不遜於管弦 樂團的色彩和力量。
約瑟夫．容根
Joseph Jongen (1873-1953)
容根是一位比利時作曲家、管風琴家與教 育家，大約比史特勞斯年少十歲。他上承 同鄉法朗克在對位創作方面的成就，並在 此基礎上添加一抹法式風情。1897年，容
根遊遍德國、意大利和法國，期間認識了 史特勞斯，並開始從不同音樂思潮中汲取 靈感，當中包括布拉姆斯、德意志傳統音 樂以至法國印象派音樂。
If Strauss’ Burleske reflects the piano’s 19th-century prominence—at once the centrepiece of music-making in the domestic sphere and a brilliant vehicle for solo display within the symphony orchestra’s public realm— Joseph Jongen’s Symphonie Concertante reminds us that the organ, its monumental elder sibling with a formidable heritage of its own, offered a different but equally commanding arena for virtuosity and grandeur.
Together, these two works illustrate strikingly different conceptions of the Western concerto tradition: Strauss sets the piano in quick, witty dialogue with the orchestra in a compact, scherzo-like design, while Jongen expands the idea into a vast symphonic structure in which the organ rivals the orchestra in colour and power.
Jongen was a Belgian composer, organist and pedagogue who combined the solid contrapuntal discipline perfected by compatriot César Franck with an ear for French colour. In 1897, he travelled through Germany, Italy and France, encountering Strauss and absorbing new stylistic currents— from Brahms and the German tradition to French Impressionism.
The Symphonie Concertante was composed in 1926 for the vast Wanamaker Organ in Philadelphia—an instrument originally built in 1904 and recently enlarged into the world’s largest playable pipe organ at the time, with more than 28,000 pipes.
Jongen’s score was commissioned to inaugurate the organ in its restored splendour, with Leopold Stokowski and the Philadelphia Orchestra, but the plan was delayed by several unforeseen circumstances, and the premiere took place instead in Brussels in 1928, with Jongen himself conducting and Charles Courboin as the organ soloist. The long-intended performance on the Wanamaker Organ for which the piece had been envisioned finally took place in 2008.
1926年，容根為一座位於費城沃納梅克百 貨公司內的管風琴創作了這首《交響協奏 曲》。這座管風琴原於1904年建成，於擴 建後擁有超過二萬八千支音管，是當時世 界上最大的可演奏管風琴。
按照原定計劃，費城管弦樂團本應在史托
考夫斯基指揮下首演這首委約創作，作為 管風琴完成擴建後的正式揭幕，可惜被種 種不可預見的狀況推遲了這個計劃。1928 年，此作最終在布魯塞爾完成首演，由容
根親自指揮並由管風琴家查里斯．古邦擔 任獨奏。至於這次委約的初衷——即在 沃納梅克管風琴上奏響這部作品，則到了 2008年才終於實現。
容根這部四樂章作品，可說是二十世紀管 風琴與管弦樂創作的里程碑。同為比利時 人的著名小提琴家伊薩依，便將《交響協 奏曲》中的管風琴聲比擬為「第二樂團」， 意指其存在感直迫一整個樂團。管風琴家 既是獨奏者，又與樂團平分秋色、互相答 和，層層展開浩瀚宏大的宇宙，當中卻又 細膩精妙。第一樂章（快板，較為中庸）的 「呈示部」採用賦格形式寫成頗不常見，原 來是向法朗克的縝密對位創作致敬；第二
樂章則是一首俏皮的嬉遊曲，縱然身處宏 大的編制當中，依然不失輕快靈動。
接下來的樂章（極緩板。神祕的緩板）滲透
出德布西的音樂色彩：不論是印象派的和 聲，抑或是明麗的管弦織體，都彷彿把時間 凝固，並營造出一種延綿不息的旖旎詩意。
容根選擇將最激揚的一些樂思留給了結尾 的恆動曲。作曲家以觸技曲開局，透過這 個管風琴傳統中的招牌炫技曲式，釋放流 淌不止的律動與能量。管弦樂團亦隨之加 入，將《交響協奏曲》推向燦爛的尾聲。
是次演出使用的香港文化中心音樂廳管風 琴，它將成為這次音樂會的「第二樂團」，
在豐沛的管弦樂對話之中，讚頌「樂器之 王」的力量、詩意與音域。
撰文：湯馬士．梅 中文翻譯：瀧澤勳
容根的《交響協奏曲》原為「沃納梅克」管風琴而作，圖為 該管風琴位於1904年聖路易斯世博會的前身
SymphonieConcertante was composed for the Wanamaker organ, which debuted in the 1904 St Louis World’s Fair
This four-movement score stands as a towering 20th-century landmark for organ and orchestra. The organ’s outsize presence in the Symphonie Concertante was likened to a “second orchestra” by the famed violinist Eugène Ysaÿe, a fellow Belgian. The organist acts as both soloist and equal partner, participating in a dialogue with the orchestra that conjures a world of imposing scale yet unexpected delicacy. The first movement (Allegro, molto moderato) opens, unusually, with a fugal exposition—a nod to Franck’s contrapuntal rigour, while a playful Divertimento follows, light on its feet despite the forces involved.
The long slow movement (Molto lento. Lento misterioso) shimmers with Debussyan colour: Impressionist harmonies and luminous orchestral textures create an aura of suspended time and blissfully sustained lyricism.
Jongen reserves some of his most electrifying writing for the perpetual-motion finale. It bursts from the gate with a Toccata—a virtuosic showpiece in the organ tradition, all ceaseless motion and cascading energy. The orchestra joins in exuberant partnership, driving the Symphonie Concertante to a resplendent close.
In this performance, the majestic organ of the Hong Kong Cultural Centre Concert Hall serves as Jongen’s mighty “second orchestra”, completing a programme that celebrates the power, poetry and range of the keyboard in full orchestral dialogue.
Text: Thomas May Chinese translation: Amadeus Cheung
香港管弦樂團
Hong Kong Philharmonic Orchestra
香港管弦樂團（港樂）獲譽為亞洲最頂尖的 管弦樂團之一。樂團經常邀請世界各地的指 揮和演奏家合作，每年演出超過一百五十場 音樂會，並把音樂帶給逾二十萬名觀眾。港 樂積極推廣華裔作曲家的作品，更不斷委約 新作及培育本地新秀，並推行一系列廣泛而 全面的教育及社區推廣計劃，致力將音樂帶
到不同場所。貝托祺於2025 / 26樂季擔任 港樂候任音樂總監，隨後於2026 / 27樂季 起出任港樂音樂總監；余隆由2025 / 26樂
季開始擔任首席客席指揮；廖國敏於2020 年12月正式擔任駐團指揮。沙羅倫則於 2025 / 26樂季擔任駐團作曲家。
過去二十年，港樂在音樂總監梵志登（201224）和藝術總監兼總指揮艾度．迪華特 （2004-12）帶領下屢創高峰。2019年，港 樂榮獲英國著名古典音樂雜誌《留聲機》年 度管弦樂團大獎，成為亞洲首個獲此殊榮的 樂團。近年灌錄的專輯包括華格納全套《指 環》歌劇四部曲、馬勒第十交響曲、蕭斯達 高維契第十交響曲，以及柴可夫斯基第六交 響曲和第一鋼琴協奏曲。
The Hong Kong Philharmonic Orchestra (HK Phil) is regarded as one of the leading orchestras in Asia. Collaborating with internationally renowned conductors and soloists, the orchestra presents more than 150 concerts annually, attracting more than 200,000 music lovers. The HK Phil promotes the work of composers from Hong Kong, the Chinese Mainland and the world, commissions new works, nurtures local talent, and runs extensive education and community programmes. Tarmo Peltokoski is the HK Phil’s Music Director Designate in 2025/26 and will become Music Director in the 2026/27 season. Currently, Long Yu serves as Principal Guest Conductor and Lio Kuokman is Resident Conductor. Esa-Pekka Salonen is Composer-in-Residence.
The HK Phil has flourished during the past two decades under Jaap van Zweden (Music Director, 2012–24) and Edo de Waart (Artistic Director and Chief Conductor, 2004–12). In 2019, the HK Phil won the prestigious Gramophone Orchestra of the Year Award—the first orchestra in Asia to receive the prestigious accolade from the UK classical music magazine. Its notable recent recording projects include Wagner’s complete Ring Cycle, Mahler’s Symphony No 10, Shostakovich’s Symphony No 10, and Tchaikovsky’s Symphony No 6 and Piano Concerto No 1.
香港管弦樂團由香港特別行政區政府資助，亦為香港文化中心場地夥伴 香港管弦樂團首席贊助：太古集團
© Keith Hiro_HK Phil
香港管弦樂團
Hong Kong Philharmonic Orchestra
候任音樂總監
貝托祺
首席客席指揮 余隆
駐團指揮
廖國敏，JP
邱啟楨紀念基金及香港董氏慈善基金會席位贊助
駐團作曲家
沙羅倫
第一小提琴
樂團首席
王敬
新鴻基慈善基金席位贊助
樂團第一副首席
梁建楓
樂團第二副首席
許致雨
樂團第二副首席
王亮
樂團第三副首席
朱蓓
艾瑾
把文晶
程立
桂麗
賈舒晨
李智勝
劉芳希
毛華
梅麗芷
張希
Music Director Designate Tarmo Peltokoski
Principal Guest Conductor Long Yu
Resident Conductor
Lio Kuokman, JP
The C. C. Chiu Memorial Fund & The Tung Foundation Resident Conductor
Composer-in-Residence
Esa-Pekka Salonen
First Violin
Concertmaster
Jing Wang
The Sun Hung Kai & Co. Foundation Chair
First Associate Concertmaster Leung Kin-fung
Second Associate Concertmaster Anders Hui
Second Associate Concertmaster Wang Liang
Third Associate Concertmaster Bei de Gaulle
Ai Jin
Ba Wenjing
Cheng Li
Gui Li
Jia Shuchen
Li Zhisheng
Liu Fangxi
Mao Hua
Rachael Mellado
Zhang Xi
第二小提琴
趙瀅娜
Vincy and Samuel Leung 席位贊助
余思傑
梁文瑄
方潔
何珈樑
劉博軒
冒異國
華嘉蓮
韋鈴木美矢香
田中知子
包陪麗及渡伸一郎伉儷席位贊助
黃嘉怡
張雨辰
周騰飛
中提琴
凌顯祐
萬花筒慈善基金席位贊助
李嘉黎
熊谷佳織
崔宏偉
付水淼
洪依凡
黎明
林慕華
羅舜詩
孫斌
張姝影
大提琴
鮑力卓
邱啟楨紀念基金席位贊助
方曉牧
Barbara and Anthony Rogers 席位贊助
林頴
陳屹洲
陳怡君
霍添
關統安
李希冬
宋泰美
宋亞林
Second Violin
Zhao Yingna
The Vincy and Samuel Leung Chair
Domas Juškys
Leslie Ryang Moonsun
Fang Jie
Gallant Ho Ka-leung
Liu Boxuan
Mao Yiguo
Katrina Rafferty
Miyaka Suzuki Wilson
Tomoko Tanaka
The Cissy Pao and Shin Watari Chair
Christine Wong
Zhang Yuchen
Zhou Tengfei
Viola
Andrew Ling
The Kaleidoscope Charitable Foundation Chair
Li Jiali
Kaori Wilson
Cui Hongwei
Fu Shuimiao
Ethan Heath
Li Ming
Damara Lomdaridze
Alice Rosen
Sun Bin
Zhang Shuying
Cello
Richard Bamping
The C. C. Chiu Memorial Fund Chair
Fang Xiaomu
The Barbara and Anthony Rogers Chair
Dora Lam
Chan Ngat-chau
Chen Yi-chun
Timothy Frank
Anna Kwan Ton-an
Haedeun Lee
Tae-mi Song
Song Yalin
低音大提琴
林達僑
姜馨來
張沛姮
馮榕
費利亞
林傑飛
鮑爾菲
范戴克
長笛
史德琳
邱啟楨紀念基金席位贊助
盧韋歐
浦翱飛
短笛
施家蓮
雙簧管
韋爾遜
王譽博
金勞思
英國管
關尚峰
單簧管
史安祖
史家翰
劉蔚
低音單簧管
艾爾高
巴松管
莫班文
陳劭桐
李浩山
低音巴松管
崔祖斯
圓號
江藺
柏如瑟
周智仲
托多爾
李少霖
麥迪拿
Double Bass
George Lomdaridze
Jiang Xinlai
Chang Pei-heng
Feng Rong
Samuel Ferrer
Jeffrey Lehmberg
Philip Powell
Jonathan Van Dyke
Flute
Megan Sterling
The C. C. Chiu Memorial Fund Chair
Olivier Nowak
Josep Portella Orfila
Piccolo
Linda Stuckey
Oboe
Michael Wilson
Wang Yu-po
Marrie Rose Kim
Cor Anglais
Kwan Sheung-fung
Clarinet
Andrew Simon
John Schertle
Lau Wai
Bass Clarinet
Lorenzo Iosco
Bassoon
Benjamin Moermond
Toby Chan
Vance Lee
Contrabassoon
Adam Treverton Jones
Horn
Lin Jiang
Russell Bonifede
Chow Chi-chung
Todor Popstoyanov
Homer Lee
Jorge Medina
小號
巴力勛
莫思卓
華達德
施樂百 Trumpet
長號
韋雅樂
高基信
湯奇雲
低音長號
區雅隆
大號
雷科斯
定音鼓
龐樂思
敲擊樂器
白亞斯
梁偉華
胡淑徽
豎琴
李愚珍
● 首席 Principal
■ 聯合首席 Co-Principal
◆ 副首席 Associate Principal
▲ 助理首席 Assistant Principal
Nitiphum Bamrungbanthum
Christopher Moyse
Douglas Waterston
Robert Smith
Trombone
Jarod Vermette
Christian Goldsmith
Kevin Thompson
Bass Trombone
Aaron Albert
Tuba
Paul Luxenberg
Timpani
James Boznos
Percussion
Aziz D. Barnard Luce
Raymond Leung Wai-wa
Sophia Woo Shuk-fai
Harp
Woojin Lee
Acknowledgements
香港藝術節衷心感謝下列機構及人士的慷慨支持﹕
The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員 Patron's Club Members
鉑金會員 Platinum Member
嘉里控股有限公司 Kerry Holdings Limited
黃金會員 Gold Member
怡和集團 Jardine Matheson Limited
純銀會員 Silver Member
太古地產 Swire Properties
青銅會員 Bronze Members
諾業基金有限公司 Nathaniel Foundation
胡興正醫生慈善基金有限公司 Dr. Wayne Hu Charitable Foundation Ltd 鳴謝
實物支持機構 In-Kind Supporters
半島酒店 The Peninsula Hotel Limited
藝術節捐助計劃 Festival Donation Scheme
鉑金捐款者 PLATINUM DONOR
HK$140,000 或以上 OR ABOVE
文肇偉 Sebastian Man
鑽石捐款者 DIAMOND DONOR
HK$70,000 - HK$139,999
孫漢明博士 Dr. Stephen Suen
翡翠捐款者 JADE DONORS
HK$30,000 - HK$69,999
無名氏 Anonymous
Chan Yiu Wah Eva
鄒艾狄
洪祖杭 HUNG CHAO HONG
Leung Wai Yee Candice
Wendy Nam
陳智文 Stephen Tan
黃金捐款者 GOLD DONORS
HK$12,000 - HK$29,999
無名氏 Anonymous
Jeffrey and Helen Chan
陳求德醫生 Dr. KT CHAN
周一嶽醫生 Dr. York Chow
何子健先生及廖文軍女士 Mr. Ho Che Kin & Ms. Liu Man Kwan
Huang Xiang Edmond
Kenneth Lau & Anna Ang
Dr. Sabrina TSAO
Dr. & Mrs. TSAO Yen Chow
Mr. & Mrs. YS Wong
通利琴行 Tom Lee Music
純銀捐款者 SILVER DONORS
HK$6,000 - HK$11,999
無名氏 Anonymous
仇少碧 Chow Siu Pik Maria
Ho Man Fung Edith
Joan Leung
Franklin Lee
練紹良先生夫人 Mr. & Mrs. David S L Lin
Dr. Michael Mak
José Manuel Sevilla and Julie Bisaillon
Linda Wang
Wong Yick Kam
姚曼儀女士 Ms. Enoch Yiu
姚昱 Isabel Yiu
青銅捐款者 BRONZE DONORS
HK$3,000 - HK$5,999
無名氏 Anonymous
Mr. Arblaster
Veryan Bradshaw
Cecilia
Jo Chen
Cheung Shuk Mei Cora
Dr. David Fang
Tim Freshwater
何超賢 Angela Ho
孔德朗 Adrian Hung
Dr. Alfred Lau
Lau Pui Wah Gloria
Wendy Leung Wing Shan
Jennie Mak
Barbara and Anthony Rogers
石應瀚
文娛慈善基金 The Elementary Charitable Foundation
朱玉迎 Zhu Yuying
鉑金捐款者 PLATINUM DONORS
HK$140,000 或以上 OR ABOVE
無名氏 Anonymous
馬振玉慈善基金會有限公司 CYMA Charity Fund Limited
The Lanson Foundation
鑽石捐款者 DIAMOND DONORS
HK$70,000 - HK$139,999
Mrs. Purviz R. Shroff, MH and Late Mr. Rusy M. Shroff, BBS, MBE
Dr. and Prof. Anna & Helmut Sohmen
田家炳基金會 Tin Ka Ping Foundation
芝蘭基金會 Zhilan Foundation
翡翠捐款者 JADE DONORS
HK$30,000 - HK$69,999
無名氏 Anonymous
Ophelia Fung
Catherine KC Leung
Li Kristine Keng Yan
Mr. and Mrs. Roger Lui
孫漢明博士 Dr. Stephen Suen
黃金捐款者 GOLD DONORS
HK$12,000 - HK$29,999
無名氏 Anonymous
陳求德醫生 Dr. KT CHAN
周一嶽醫生 Dr. York Chow
徐伯鳴先生與黃碧如女士 Mr. Norman Chui Pak Ming and Ms. Cleresa Wong Pie Yue
CHUNG See Yuen
LY Consultant Limited
C H Mak
Pong Sum-yee Samanta
Teresa Pong
Mr. & Mrs. Kenneth Quinn
孫永輝 施熙德 Stephen Sun and Edith Shih
陳智文 Stephen Tan
新作捐助計劃 New Works Scheme
黃金捐款者 GOLD DONORS
HK$12,000 - HK$29,999
無名氏 Anonymous
劉仰澤 Lau Yeung Chak
凌霄志醫生 Dr Tony Ling
純銀捐款者 SILVER DONORS
HK$6,000 - HK$11,999
無名氏 Anonymous
陳頴儀與黃乃正
純銀捐款者 SILVER DONORS
HK$6,000 - HK$11,999
無名氏 (3) Anonymous (3)
Mr and Mrs Herbert Au-Yeung
Iain Bruce
Cheung Kit Fung
Grace Chiang
Margaret Hamilton
S Hon
劉青薇 Lau Ching Mei Josephine
Franklin Lee
Joan Leung
Dr. Xina Lo
麥禮和醫生 Dr. Mak Lai Wo
Karen and Vernon Moore
Caroline Pang
Dr. Tam Oi Wo Joyce
Christine Tong
Dr. & Mrs. TSAO Yen Chow
青銅捐款者 BRONZE DONORS
HK$3,000 - HK$5,999
無名氏 (5) Anonymous (5)
區燊耀 Au Son Yiu
Susan Basquin
Biz Office Limited
Carthy Limited
Mr. & Mrs. D. Chang
蔣國誠 Chiang Kwok Shing Alan
Community Partner Foundation Limited
Joannes Ming Wai Lee
Savita Leung
Dr. Eddy Li
李芷珊 JANICE RITCHIE
Alan and Penny Smith
Ms. Tai Diana Po Kam
Michelle Tang Yuen Sheung
文娛慈善基金 The Elementary Charitable Foundation
邱偉程 Yau Wai Ching, Jimmy
殷和順先生及劉善萍女仕
Yim Chui Chu
青銅捐款者 BRONZE DONORS
HK$3,000 - HK$5,999
Lexandra Chan
MDB&Star B CHAN
Grace Chiang
Chiu Shui Man Tabitha
Victor Lai
李芸輝博士 Dr. LEE Wan Fai Walter
網上藝術教育捐助計劃 Digital Arts Education Scheme
黃金捐款者 GOLD DONOR
HK$12,000 - HK$29,999
無名氏 Anonymous
青銅捐款者 BRONZE DONOR
HK$3,000 - HK$5,999
HK CT Alumni Association
香港藝術節基金會贊助人
Hong Kong Arts Festival Foundation Patrons
首席創始贊助人 Lead Founding Patrons
陳俊豪先生 Mr Thomas Chan
黃廷方慈善基金 Ng Teng Fong Charitable Foundation
電訊盈科 PCCW
九龍倉集團 The Wharf Group
主要創始贊助人 Major Founding Patrons
萬通保險國際有限公司 YF Life Insurance International Ltd
眾安銀行 ZA BANK
創始贊助人 Founding Patrons
陳煒文博士 , JP Dr Raymond Chan, JP
丹斯里拿督邱達昌 Tan Sri Dato ’ David Chiu
曹其鋒先生 Mr Silas Chou
霍建寧先生及霍何綺華女士 Mr and Mrs Canning and Eliza Fok
馮氏基金有限公司 E.M. Fung Foundation Limited
何超瓊女士 , SBS, JP Ms Pansy Ho, SBS, JP
科勁國際（控股）有限公司 King ’ s Flair International (Holdings) Limited
梁婉玲博士 Dr Elina Leung
孫漢明博士 Dr Stephen Suen
包陪麗女士 , BBS 及渡伸一郎先生 Ms Cissy Pao, BBS and Mr Shinichiro Watari
支持及協助 Support and Co-operation
1Plus1 Production
第三十七屆澳門國際音樂節 37th Macao International Music Festival
史卡拉歌劇院學院 Accademia Teatro alla Scala
Antonieta Fernandes Manhão
Art-mate 網上售票平台 Art-mate
教育局藝術教育組 Arts Education Section, Education Bureau
香港愉景灣酒店 Auberge Discovery Bay Hong Kong
Bettypaige Flamenco
英國駐香港總領事館 British Consulate-General Hong Kong
英國文化協會 British Council
British Film Institute
楊文秀 Camelia Yeung
陳定遠 Chan Ting-yuen, Timothy 中國電影資料館 China Film Archive
城市當代舞蹈團 City Contemporary Dance Company
Clara Ramona Danza Flamenca Limited
西洋會所 Club Lusitano
比利時駐港總領事館 Consulate General of Belgium in Hong Kong
加拿大駐香港及澳門總領事館 Consulate General of Canada in Hong Kong and Macao
法國駐香港及澳門總領事館 Consulate General of France in Hong Kong & Macau
愛爾蘭駐香港及澳門總領事館 Consulate General of Ireland to Hong Kong and Macao
意大利駐香港總領事館 Consulate General of Italy in Hong Kong
葡萄牙駐澳門及香港總領事館 Consulate General of Portugal in Macau and Hong Kong
西班牙駐港總領事館 Consulate General of Spain in Hong Kong
瑞士駐港總領事館 Consulate General of Switzerland in Hong Kong
捷克共和國駐香港總領事館 Consulate General of the Czech Republic in Hong Kong
Culture Ireland
愛爾蘭外交貿易部 Department of Foreign Affairs and Trade, Ireland
Diamond Digital Marketing (HK)
天主教澳門教區 Diocese De Macau
林芍彬博士 Dr Anne Lam Cheuk-bun
盧定彰博士 Dr Daniel Lo Ting Cheung
Dr Elisabeth Berry Drago
林丰博士 Dr Fung Lam
張國雄博士 Dr Stephen Cheung Kwok Hung
黃志淙博士 Dr Wong Chi-chung
東九文化中心 East Kowloon Cultural Centre
Esencia Flamenca HK
誠品書店 Eslite bookstore
楊欣諾 Felix Yeung
翻騰三周半 Fountain de Chopin
藝穗會 Fringe Club
德國駐香港總領事館 German Consulate General Hong Kong
六國酒店 Gloucester Luk Kwok Hong Kong
香港君悅酒店 Grand Hyatt Hong Kong
Habyt Bridges
Hansen Chan
香港藝術行政人員協會 Hong Kong Arts Administrators Association
香港藝術中心 Hong Kong Arts Centre
香港浸會大學 Hong Kong Baptist University
音樂學院 Academy of Music
香港中樂團 Hong Kong Chinese Orchestra
香港大會堂 Hong Kong City Hall
香港文化中心 Hong Kong Cultural Centre
香港旅遊發展局 Hong Kong Tourism Board
香港聯合國教科文組織世界地質公園 Hong Kong UNESCO Global Geopark
悅品海景酒店．觀塘 Hotel COZi Harbour View
宜必思香港中上環 ibis Hong Kong Central & Sheung Wan
入境事務處 Immigration Department
In Black
法國文化中心 Institut français
東方葡萄牙學會 Instituto Português do Oriente
益普索 IPSOS
廖健邦 James Liu
滘西村值理會 Kau Sai Village Office
林欣傑 Keith Lam
梁頌怡 Kitty Leung
駐香港韓國文化院 Korean Cultural Center in Hong Kong
高山劇場 Ko Shan Theatre
Kubrick
葵靑劇院 Kwai Tsing Theatre
光華印務公司 Kwong Wah Printing Company
勞工處 Labour Department
李淑嫻 Lee Suk Han
康樂及文化事務署 Leisure and Cultural Services Department
牧羊少年與他的浮萍 Lemna of the Alchemist
林昕楠 Lin Xinnan
盛薈 @ 莊士敦 Loplus@Johnston LORE Limited
馬志恆 Ma Chi Hang
馬哥孛羅香港酒店 Marco Polo Hongkong Hotel
Margaret Cheung
Mariko Drayton
Maxibit HK/China
MOViE MOViE
Munchkinlands Company
迷音樂 Musikholic
MYKE40 ltd
荃灣西如心酒店 Nina Hotel Tsuen Wan West
北區大會堂 North District Town Hall
香港諾富特世紀酒店 Novotel Century Hong Kong
One Bite Design Studio
Parenthèses
柏斯琴行 Parsons Music Limited
迷離科技有限公司 Practical Magic and Innovation
葉劍豪教授 Professor Ip Kim-ho
瑞士文化基金會 Pro Helvetia – Swiss Arts Council
犇華企業服務有限公司 Primasia Corporate Services Limited
舍區 Quarryside
歐永財魅力弗拉門戈藝術團 Raymond Au & His Flamenco Troupe Los Duende
麗豪酒店 Regal Riverside Hotel
黃日芝芭蕾舞學校 Regine Wong School of Ballet
皇家太平洋酒店 Royal Pacific Hotel
Saul Zaentz Company
沙田大會堂 Sha Tin Town Hall
上環文娛中心 Sheung Wan Civic Centre
Southgate Design
春天芭蕾舞學校 Springtide Ballet School 聯合新零售（香港）有限公司 SUP Retail (Hong Kong) Limited
大館 古蹟及藝術館 Tai Kwun Centre for Heritage and Arts
駐香港臺北經濟文化辦事處 Taipei Economic and Cultural Office in Hong Kong 台灣蘇富比國際房地產 Taiwan Sotheby's International Realty
唐娟 Tang Juan
藝林文具印刷有限公司 The Artland Co. Ltd.
瑞典駐香港及澳門總領事館 The Consulate General of Sweden in Hong Kong and Macau
The Corner Coffee Ltd.
香港教育大學 The Education University of Hong Kong
文化與創意藝術學系 Department of Cultural and Creative Arts
香港演藝學院 The Hong Kong Academy for Performing Arts
舞蹈學院 School of Dance
戲劇學院 School of Drama
音樂學院 School of Music
表演場地管理部 Venue Performance Unit
場地技術部 Venue Technical Unit
香港管弦樂團 The Hong Kong Philharmonic Orchestra
香港朗廷酒店 The Langham, Hong Kong
香港半島酒店 The Peninsula Hotel Limited
港靑 香港基督敎靑年會 The Salisbury – YMCA of Hong Kong
香港大學 The University of Hong Kong
比較文學系 Department of Comparative Literature
音樂系 Department of Music
荃灣大會堂 Tsuen Wan Town Hall
翠華船務（香港）有限公司 Tsui Wah Ferry Service (H.K.) Limited
屯門大會堂 Tuen Mun Town Hall
東華三院東蒲 TWGHs TungPo
美國駐港澳總領事館 U.S. Consulate General HK & Macau
郭慧芸芭蕾舞學校 Vivian Kwok School of Ballet
Vivian Suen
西九文化區管理局 West Kowloon Cultural District Authority
WINK
艾希妮控股有限公司 X Social Group Holdings Limited
高木 Yakitori Takagi
元朗劇院 Yuen Long Theatre
贊助人
李家超先生 , PATRON
GBM SBS PDSM PMSM
永遠名譽會長 邵逸夫爵士（1907-2014）
執行委員會
主席 盧景文教授
副主席 文肇偉先生 義務司庫 范高廉先生 委員 何苗春暉女士
紀文鳳女士 林健忠博士
劉鎮漢先生 李敬恩女士
馬清正先生 薛文熹先生
譚榮邦先生 閻 蘭博士 楊 光先生
節目委員會
主席 譚榮邦先生 委員 白諾信教授
黃 翔先生 羅志力先生 毛俊輝教授
約瑟 施力先生 +
姚 珏教授
財務委員會
主席 范高廉先生 委員 鄭惠貞女士 梁國輝先生
發展委員會
主席 閻 蘭博士
副主席 梁嘉彰女士
委員 張詩樂先生 馮穎詩女士
龐心怡女士 孫林宣雅女士 文 藝女士
顧問 夏佳理先生 鮑 磊先生
查懋成先生
陳祖澤博士
陳達文博士
霍 璽先生
李業廣先生
梁紹榮夫人
李國寶博士
名譽法律顧問 甘乃迪女士 美博香港律師事務所
核數師 羅兵咸永道會計師事務所
Honorary Programme Advisor
電話 TEL （852）2824 3555
傳真 FAX （852）2824 3798、（852）2824 3722
電子郵箱 Email afgen@hkaf.org
節目查詢熱線 （852）2824 2430
Programme Enquiry Hotline
地址 ADDRESS
香港灣仔港灣道二號十二字樓 1205 室 Room 1205, 12/F,2 Harbour Road, Wan Chai, Hong Kong
The Hon. John KC Lee,
GBM SBS PDSM PMSM
HONORARY LIFE PRESIDENT The Hon. Sir Run Run Shaw, GBM CBE（1907-2014）
EXECUTIVE COMMITTEE
Chairman Prof. Lo Kingman, SBS MBE JP
Vice-Chairman
Honorary Treasurer
Members
PROGRAMME COMMITTEE
Chairman
Members
FINANCE COMMITTEE
Chairman
Members
DEVELOPMENT COMMITTEE
Chairperson
Vice-Chairperson
Members
ADVISORS
HONORARY SOLICITOR
AUDITOR
Mr Sebastian Shiu-wai Man
Mr Colin Farrell
Ms Joanna Hotung
Ms Leonie Ki, GBS SBS JP
Sir Lam Kin Chung, KCR
Mr Anthony Lau
Ms Kristine Li
Mr Ma, Ching Cheng
Mr Hugh Simon
Mr Tam Wingpong, SBS
Dr Yan Lan
Mr Sunny Yeung
Mr Tam Wingpong, SBS
Prof. Giorgio Biancorosso
Mr Edmond Huang
Mr Peter C L Lo
Prof. Fredric Mao, BBS
Mr Joseph Seelig, OBE +
Prof. Jue Yao, SBS JP
Mr Colin Farrell
Ms Margaret Cheng, JP
Mr Nelson Leong
Dr Yan Lan
Ms Catherine Leung
Mr Carey Cheung
Ms Ophelia Fung
Ms Samanta Sum-yee Pong
Mrs Helen Lin Sun
Ms Yi Wen
The Hon. Ronald Arculli, GBM CVO GBS OBE JP
Mr Martin Barrow, GBS CBE
Mr Victor Cha
Dr John CC Chan, GBS JP
Dr Darwin Chen, SBS ISO
Mr Angus H Forsyth
The Hon. Charles YK Lee, GBM GBS OBE JP
Mrs Mona Leong, SBS BBS MBE JP
Dr The Hon. Sir David KP Li, GBM GBS OBE JP
Ms Gabriela Kennedy
Mayer Brown Hong Kong LLP
PricewaterhouseCoopers
職員
行政總監 余潔儀
行政總監助理 何丹蓉
節目
節目總監 梁掌瑋、蘇國雲
副節目總監 李冠輝
高級節目經理 蘇雪凌、游慧姿 *
節目經理 鄭佩群 *、廖國穎 *、馬筠婷 *
黃 嵐 *
項目經理 李朗軒 *
節目統籌 陳娟瑜 *、周 翹 *、鍾曉晴 *
容諾行 *
節目主任 黃明儀 #
物流
物流及接待經理 金學忠 *
技術
高級製作經理 梁雅芝 * 製作經理 陳梓衡 *
出版
編輯經理 陳詠恩 *
英文編輯 Adam Wright*
副編輯 陳劭儀 *
助理編輯 干 霖 *
外展
外展經理 林嘉敏 *
外展統籌 陳沅渟 *、李幸凝 *、鄧芷蔚 * 、 黃思婷 *
外展主任 趙家琳 *、郭曉潼 *
外展助理 陳美鳳 *
市場推廣
市場總監 鄭尚榮
副市場總監 盧伯全
市場經理 鄭曉恩 *、張予心 *、黃芷賢 *
市場項目經理 譚懿諾 *
副市場項目經理 李穎軒 *
助理市場經理 朱凱潼 *
市場統籌 梁喬正 *
市場主任 王舒萱 *
票務
高級市場經理（票務） 梁彩雲 票務主任 蔡嘉熹 *
發展
發展總監 簡潤如
特別發展協理 蘇啟泰 *
發展經理 陳寶齋 *、葉巧儀 *、黃珮茵 *
助理發展經理 郭倩珩 *
發展主任 葉涴喬 *
短期發展助理 陳芍穎 *
行政事務
財務總監 鄺敬婷
會計
會計經理 杜詩麗 *
會計及行政主任 麥婕妤 * 人力資源及行政 人力資源及行政經理 楊美君 * 接待員 / 初級秘書 李美娟
資訊科技 資訊科技經理 陳啟明 *
無限亮
項目總監 錢 佑 *
節目及外展經理 鍾美琼 *、高 君 *、吳卓恩 *
助理節目及外展經理 潘詠汶 *
節目及外展統籌 鄭銘柔 *
市場經理 黃嘉欣 *
副市場經理 陳佩鈴 *、吳雪琼 *
助理製作經理 鄭家裕 *
高級會計主任 鍾巧明 *
STAFF
Executive Director
Assistant to Executive Director
PROGRAMME
Programme Directors
Associate Programme Director
Senior Programme Managers
Programme Managers
Project Manager
Programme Coordinators
Programme Officer
LOGISTICS
Logistics Manager
TECHNICAL
Senior Production Manager
Production Manager
PUBLICATIONS
Editorial Manager
English Editor
Associate Editor
Assistant Editor
OUTREACH
Outreach Manager
Outreach Coordinators
Outreach Officers
Flora Yu
Connie Ho
Grace Lang, So Kwok-wan
Kenneth Lee
Shirley So, Janet Yau*
Cathy Cheng*, Sophie Liao*,
Katie Ma*, Neva Wong*
Li Long-hin*
Alice Chan*, Nicole Chow*, Dorothy Chung*, Ryan Yung*
Melissa Wong#
Elvis King*
Shirley Leung*
Jacob Chan*
Eugene Chan*
Adam Wright*
Shao yi Chan*
Lindsey Gan*
Carman Lam*
Olivia Chan*, Giselle Li*, Tina Tang*, Ariel Wong*
Raven Chiu*, Angel Kwok*
Outreach Assistant Christine Chan*
MARKETING
Marketing Director
Associate Marketing Director
Marketing Managers
Project Manager – Marketing
Katy Cheng
Eugene Lo
Vicki Cheng*, Stephanie Cheung*, Effie Wong*
Hades Tam*
Deputy Project Manager - Marketing Hill Li*
Assistant Marketing Manager
Jessica Chu*
Marketing Coordinator Isaac Leung*
Marketing Officer
TICKETING
Senior Marketing Manager (Ticketing)
Ticketing Officer
DEVELOPMENT
Development Director
Special Development Associate
Development Managers
Assistant Development Manager
Development Officer
Nancy Wong*
Eppie Leung
Heidi Choi*
Brenda Kan
Alex So*
Leroy Chan*, Evelyn Ip*, Janice Wong*
Evelyn Kwok*
Jeria Yip*
Temporary Development Assistant Cherry Chan*
CORPORATE SERVICES
Finance Director
ACCOUNTS
Account Manager
Accounting & Administrative Officer
HR & ADMINISTRATION
HR and Admin Manager
Teresa Kwong
Connie To*
Charmaine Mak*
Janet Yeung*
Receptionist/Junior Secretary Virginia Li
INFORMATION TECHNOLOGY
Information Technology Manager
NO LIMITS
Project Director
Derek Chan*
Eddy Zee*
Programme and Outreach Managers Becky Chung*, Tiffany Ko*, Frieda Ng*
Assistant Programme and Outreach Manager Jasmine Poon*
Programme and Outreach Coordinator Taylor Cheng*
Marketing Manager Carly Wong*
Deputy Marketing Managers
Gina Chan*, King Ng*
Assistant Production Manager Dick Cheng*
Senior Accounting Officer Catherine Chung*
藝術家統籌 張晞琳*、朱芷慧*、馮碧琪*、向怡君*、何敬堯*、梁頌怡*、盧悅穎*、羅玲* 、Lucrezia Luxardo*、胡肇婷*、楊曦*、翁蒨懃*
製作主任 魏俊瑩*
技術統籌 張詠宜*、范文恩*、馮舒凝*、李浩賢*、譚學臻*、鄧煒培*、曾以德*
Artist Coordinators Haynes Cheung*, Eleanor Chu*, Betty Fung*, Cassandra Heung*, Kelvin Ho*, Kitty Leung*, Joyce Lo*, Celine Luo*, Lucrezia Luxardo*, Blanche Wu*, Adrien Yeung*, Bonnie Yung*
Production Officer Rita Ngai*
Technical Coordinators Jess Cheung*, Yan Fan*, Cherry Fung*, Lawrence Lee*, Camille Tam*, Billy Tang*, Joyi Tsang*
*合約職員 Contract Staff 按英文姓氏首字母排列 In alphabetical order
# 藝術人才見習配對計劃2025/26由香港藝術發展局資助
# 2025/26 The Arts Talents Internship Matching Programme is supported by the Hong Kong Arts Development Council 2026年2月更新 Updated February 2026
請支持您的藝術節！
Become a Supporter of Your Festival!
香港藝術節是一所非牟利機構，單憑票房收入及政府基本資助，遠遠 未足以應付呈獻及推廣世界各地頂尖表演藝術的成本。藝術節之所以 能持續舉辦，捐助者的慷慨支持實在功不可沒。誠意邀請您捐助藝術 節捐助計劃，協助我們繼續帶來高質素國際及本地藝術家精采的演出， 以及舉辦多元化的外展及教育活動。
香港藝術節是香港特區政府的「藝術發展配對資助計劃」受惠機構， 部份籌得的捐款及贊助收入將獲一元對一元的配對資助。*
無論捐贈數額多少，我們均衷心感謝您的支持！
The Hong Kong Arts Festival is a non-profit organisation. Income from ticket sales and government baseline funding can only partially cover the Festival’s costs for presenting and promoting the best performing arts from around the world. The Festival can only continue its work thanks to the generous support of its donors. Please support the Festival Donation Scheme so we can continue to present world-class international and local artists as well as offering diverse outreach and education activities.
The Hong Kong Arts Festival is a recipient of the HKSAR Government’s Art Development Matching Grants Scheme. Part of the Festival’s sponsorship and donation income will benefit from a dollar-for-dollar match by the Government.* Donations of any amount will make a difference, and are greatly appreciated!
* 須受「藝術發展配對資助計劃」之條款及細則約束。 Subject to conditions of the Government’s Art Development Matching Grants Scheme.
網上捐款
ONLINE DONATION http://go.hkaf.org/give
其他捐款方法，請參閱刊於本 冊子尾部之捐款表格
For other donation methods, please refer to the Donation Form near the end of this booklet
查詢 Enquiries: dev@hkaf.org 2828 4911/12
is amongst the world's
Our home base most promising.
我們位於世界最具潛力的城市之一
1899.Childe Hassam - New England Headlands