Benjamin Bernheim
班傑明．伯恩海姆
男高音演唱會
合作夥伴
特首獻辭 Chief Executive ’ s Message
二零二六年香港藝術節隆重 舉 行，謹此致賀。
今年藝術節邁進第五十四屆，約 180 場演出涵蓋 音樂、戲曲、歌劇、戲劇、舞蹈、藝術科技及 其他表演藝術創作，精彩多元，引人矚目。
藝術節在二月二十七日以西班牙國家舞劇院著 名舞劇《美麗的奧蒂羅》揭開序幕，在舞台重 現巴黎黃金時代的歌舞昇平，別出心裁。三月 二十七日藝術節閉幕以大型舞劇《牡丹亭》為 壓軸演出，呈獻導演兼編舞黎星對經典愛情劇 目的嶄新演繹。今年的音樂節目陣容強大，匯 聚各傑出鋼琴家獻技，有年輕韓國天才鋼琴家 任奫燦，也有榮獲二零二五年范．克萊本國際 大賽金獎及觀 眾 大獎的本地鋼琴家沈靖韜，實 在不容錯過。
一如既往，藝術節包羅繽紛多彩的外展及教育 活動。今年的「加料節目」着重豐富藝術愛好 者的文化體驗，加深對世界級藝術家的認識， 對於啓發更多人參與藝術活動，以至鞏固香港 作為中外文化藝術交流中心的定位，極為重要。
感謝眾多贊助商及捐款者慷慨支持香港藝術節。
我亦感謝藝術節團隊再接再厲，為本港以至全
球各地觀 眾 呈獻異彩生輝，令人讚嘆的文化藝 術與娛樂盛會。
香港特別行政區行政長官 李家超
I am pleased to congratulate the Hong Kong Arts Festival on the organisation of its 2026 season. This year’s Festival, the 54th edition, features some 180 performances, encompassing music, Chinese and Western opera, theatre, dance, arts technology and a dazzling variety of performing arts productions.
The Festival opens on 27 February with Ballet Nacional de España’s acclaimed operatic ballet La Bella Otero , recreating the glamour of Paris’ golden era on stage. The Festival concludes on 27 March with the large-scale dance theatre production DreaminThePeonyPavilion , directed and choreographed by Li Xing, injecting fresh life into the timeless love classic. This year’s music performances present a number of brilliant pianists, including young Korean piano sensation Yunchan Lim, and Hong Kong-born Aristo Sham, the gold medallist and audience award winner at the 2025 Van Cliburn International Piano Competition.
As ever, the Festival features a diverse range of outreach and educational activities. This year’s PLUS programme focuses on a wide cultural experience for arts lovers and deeper understanding of world-class artists, contributing to promoting engagement in cultural events and consolidating Hong Kong’s positioning as the East-meets-West centre for international cultural exchange.
I am grateful to our many sponsors and donors for their generous support. My thanks also, as always, go to the Hong Kong Arts Festival for once again bringing Hong Kong, and the world, a shining season of arts and culture, entertainment and wonder.
John KC LEE Chief Executive Hong Kong Special Administrative Region
主席獻辭 Chairman ’ s Message
誠摯歡迎閣下蒞臨第 54 屆香港藝術節。作為國際 藝壇中重要的表演藝術盛事，藝術節一直秉持使 命，致力豐富香港的文化生活，並向社會各界推 廣最優質的表演藝術。今年，藝術節匯聚逾 1,100 位本地及國際的頂尖藝術家，為觀 眾 呈獻超過 45 個涵蓋不同藝術領域的多元化節目，合共逾 180 場精釆演出，並 舉 辦約 300 項「加料節目」、外 展及教育活動，為香港注入充沛的文化活力。
我由衷感謝香港特別行政區政府透過康樂及文化事 務署，提供年度恆常撥款及配對資助；感謝香港 賽馬會慈善信託基金、一眾企業贊助機構、慈善基 金會及捐助者的慷慨支持；還有感謝在藝術節舞台 上盡顯才華及創意的享譽國際藝術家，以及在所有
節目背後努力耕耘的香港藝術節團隊——你們每 一分的寶貴捐獻、每一位的投入參與和支持，讓 香港藝術節得以順利舉行，並且成為我們的龐大 動力，使我們能夠持續透過表演藝術回饋社會。
今後，香港藝術節將繼續為觀 眾 呈獻目不暇給的 演出、委約創意無限的新作品，以及致力培育才 華洋溢的本地藝術人才。最後，我要向所有前來
觀賞演出的觀 眾 致以萬分謝意。希望您享受這趟 我們為您精心策劃的藝術之旅，並從中獲得喜 悅、共鳴與啟發。
香港藝術節主席
盧景文
A warm welcome to the 54th Hong Kong Arts Festival. As a leading international performing arts event, the Festival continues to uphold its mission of enriching our city’s cultural life and promoting the best of the performing arts to different sectors of our community. This year, the Festival brings to Hong Kong more than 1,100 distinguished local and international artists from a wide range of artistic disciplines in over 180 performances of more than 45 programmes, as well as about 300 “PLUS”, outreach and education events.
I would like to express my sincere gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention and matching grant. My heartfelt thanks also go out to The Hong Kong Jockey Club Charities Trust, our corporate sponsors, charitable foundations and donors for their generous support. Their invaluable contributions empower us to actively advance the community through the performing arts.
My genuine appreciation goes to all our internationally renowned and most talented artists for their creativity and outstanding performances on stage. Their dedication profoundly motivates us to continue showcasing exceptional productions, commissioning new works and nurturing local talent. I am also deeply grateful to the HKAF team for its commitment and efforts to bring this Festival to life. Finally, I extend my warmest thanks to all audience members. We truly hope you enjoy this artistic journey and discover moments of delight, resonance and inspiration throughout the programmes being presented this year.
Lo Kingman Chairman Hong Kong Arts Festival
支持機構：
Supporting Organisation:
前言 Foreword
第 54 屆香港藝術節雲集眾多大師級藝術家與傑 出團隊，帶來超過 180 場的音樂、舞蹈、戲劇、 歌劇、戲曲、藝術科技與跨界創作節目，展示藝 術家的精湛造詣。
今年的其中一個主題，是對「勇氣與和平」的探 索。當全球都因為戰亂、流離、經濟下行等苦難 感到焦躁不安，藝術家以獨特的視角與語言，在 舞台上交織出對世界的回應，提醒我們抱持堅毅 與希望。
此外，今屆藝術節部分作品採用了簡約的戲劇手 法，讓我們擺脫地域與資源的限制。我們亦繼續 擁抱藝術科技，利用混合實景技術，開拓新的表 演效果。
一如既往，藝術節今年帶來超過 300 項的外展與 教育活動。「加料節目」準備了一系列講座、大師 班、後台參觀、文化深度遊等活動。我們為大、
中、小學生設計的全方位外展及教育活動，則會 帶領數以萬計的年輕觀眾理解作品背後的故事。
衷心感謝您出席這一場演出，願您從中找到愉悅 與共鳴。
The 54th Hong Kong Arts Festival once again brings together great masters and outstanding artists, presenting more than 180 performances across music, dance, theatre, opera, Chinese opera, arts-tech and interdisciplinary creations—showcasing the exceptional craft of leading local and international talent.
One of this year’s themes is an exploration of “Courage and Peace”. At a time when the world is troubled by war, displacement, economic downturns and other hardships, artists respond from their own distinctive perspectives and in their own languages on stage, reminding us of the need to be resilient and hopeful.
Some works in this year’s Festival adopt a minimalistic theatrical approach, enabling us to transcend the constraints of geography and resources. We also continue to embrace arts-tech, using mixed-reality technologies to open up new performance possibilities.
As always, the Festival presents more than 300 outreach and education activities. Our PLUS events feature a curated series of talks, masterclasses, backstage tours and guided cultural walks. Our comprehensive education initiatives tailored for primary, secondary and tertiary students are aimed at enabling students to gain a more in-depth understanding and appreciation of the works we present.
I sincerely thank you for joining us at this performance, and we hope that you find joy and resonance in the experience.
香港藝術節行政總監 余潔儀
香港藝術節的資助來自：
The Hong Kong Arts Festival is made possible with the funding support of:
Flora Yu Executive Director Hong Kong Arts Festival
港藝術節收入目標（包括第 54 屆香港藝術節及 2026 年「無限亮」）約港幣一億五千九百萬，當中香港特 區政府的年度恆常撥款佔總收入約 12%，另外約 24% 需來自票房收入，約 44% 則需依賴來自各大企業、 熱心人士和慈善基金會的贊助和捐款。預計餘下的 約 20% 則來自其他收入，包括政府針對捐款和贊助 收入而提供的配對資助。
香港藝術節 每年呈獻眾多 國際演藝名家 精采多元的 演出，例如 *：
• 歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫 斯科大劇院、聖彼得堡馬林斯基劇院、三藩市歌 劇院、薩翁林納歌劇節
• 中國戲曲： 中國國家京劇院、河北梆子劇院、上 海崑劇團、上海張軍崑曲藝術中心、江蘇省蘇州 崑劇院、浙江小百花越劇團、上海越劇院
• 古典音樂：塞西莉亞．芭托莉、列卡杜 沙爾、趙 成珍、古斯塔沃・杜達美、菲力普・格拉斯、劉曉 禹、馬友友、丹尼斯．馬祖耶夫、安娜 涅翠柯、 詹安德列亞．諾斯達、小澤征爾、湯瑪士 夸斯托 夫、甘拿迪．羅傑斯特汶斯基、譚盾、湯沐海、克 里斯蒂安．泰利曼、安德拉斯．席夫爵士、班貝格 交響樂團、倫敦交響樂團、NHK 交響樂團、皇家阿 姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比 錫聖多馬合唱團、維也納愛樂樂團
• 爵士樂及世界音樂：波比．麥非年、尤蘇・ 恩多 爾、艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼
• 舞蹈：米高・巴里殊尼哥夫、蕭菲・紀蓮、艾甘． 漢、娜塔麗亞 奧斯波娃、美國芭蕾舞劇院、雲 門舞集、漢堡芭蕾舞團—約翰．紐邁亞、紐約市 芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜．包殊烏 珀塔爾舞蹈劇場、米蘭史卡拉歌劇院芭蕾舞團
• 戲劇：彼得・ 布祿克、羅伯特．利柏殊、蜷川幸 雄、羅柏特 威爾遜、柏林劇團、中國國家話劇 院、皇家莎士比亞劇團、英國國家劇院
• 大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊
• 戶外節目：《聲光園》、《幻光動感池》、《聲光頌》
• 音樂劇：《日新》、《雄獅少年》、《咆哮山莊》
• 藝術科技：《超真實》裝置音樂會、《真．幻境 界》、《巴黎舞會》
, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the as well as a diverse range of “PLUS” and in February and March each year.
non-profit organisation. The total income target for FY2025/26 (including the 54th Hong Kong Arts Festival and 2026 “No Limits”) is approximately HK$159 million. Current Government annual baseline funding accounts for around 12% of the Festival's total income. Around 24% of the Festival’s income needs to be generated from the box office, and around 44% from sponsorship and donations made by corporations, individuals and charitable foundations. The remaining 20% is expected to come from other revenue sources including the Government’s matching grant scheme, which matches income generated through private sector sponsorship and donations. The HKAF has presented top international artists and ensembles across multiple genres, such as*:
• Western opera: Bayerische Staatsoper, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre, San Francisco Opera, Savonlinna Opera Festival
• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Kunqu Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe, Shanghai Yue Opera House
• Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Bruce Liu, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, Sir András Schiff, Bamberg Symphony, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra
• Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini
• Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, Natalia Osipova, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet – John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch, Teatro alla Scala Ballet Company
• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company, National Theatre of Great Britain
• Large-scale special events: World of WearableArt, Zingaro
• Outdoor events: Power Plant, Super Pool, Chorus
• Musicals: Yat-sen, I Am What I Am the Musical, Wuthering Heights
• Arts-Tech: Hyperreality—An Installation Concert, Norealitynow , VR Interactive Dance—Le Bal de Paris
The HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, the HKAF has commissioned and produced over 250 local productions across genres including Cantonese opera, theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas.
香港藝術節 積極與 本地演藝人才 合作，並致力為 新
進藝術家 提供展示才華的平台。藝術節至今委約及
製作逾 250 套本地全新創作，包括粵劇、戲劇、室內 歌劇、音樂和舞蹈作品，不少製作更已在香港及海 外多度重演。
香港藝術節多年來與知名國際藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節聯同香港歌德 學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹 窗人》；作為聯合委約機構之一並聯同倫敦老域劇 院、布魯克林音樂學院與尼爾街製作公司製作的「橫 貫計劃」之《暴風雨》及《李察三世》；與上海國際 藝術節聯合委約的《青蛇》；與三藩市歌劇院聯合製 作的《紅樓夢》；與芬蘭國家歌劇院及芭蕾舞團聯合 製作的《拉娜》，以及與中央戲劇學院及 Compagnie Point Fixe 聯合製作的《海底兩萬里》等。
香港藝術節 一直大力投資 下一代的藝術教育。「青 少年之友」成立 33 年來，已為約 849,000 位本地中 學生及大專生提供藝術體驗活動。藝術節近年亦開 展多項針對大、中、小學生的藝術教育活動，包括 由國際及本地藝術家主持的示範講座及工作坊、學 生展演、演前講座、公開彩排、以及欣賞藝術節演 出。同時，通過「學生票捐助計劃」，藝術節每年提 供約 10,000 張半價學生票。
香港藝術節 每年主辦一系列多元化並深入社區的 「加料節目」，例如電影放映、示範講座、大師班、 工作坊、座談會、後台參觀、展覽、藝人談、文化 導賞團等，鼓勵觀眾與藝術家互動接觸。
香港藝術節 亦銳意將共融藝術理念拓展到社區每一 角落。由藝術節與香港賽馬會慈善信託基金聯合呈 獻的「無限亮」計劃於 2019 年正式開展，透過一系 列的演出及多元的教育及社區外展節目，「無限亮」
致力創造共融空間，讓不同能力人士均可以一同欣 賞、參與、擁抱藝術。
香港藝術節協會 2025/26 年度收入目標：
Estimated Target Income for the HKAF in FY2025/26:
港幣一億五千九百萬
The HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced with GoetheInstitut Hong Kong and Tanztheater Wuppertal Pina Bausch; Richard III and TheTempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with the HKAF as a co-commissioning institution; Green Snake co-commissioned with Shanghai International Arts Festival; Dream of the Red Chamber coproduced with San Francisco Opera; Laila , a co-production with Finnish National Opera and Ballet, and 20,000LeaguesUndertheSea , co-produced with The Central Academy of Drama, China, and Compagnie Point Fixe.
The HKAF invests heavily in arts education for young people. Over the past 33 years, our “Young Friends” scheme has reached around 849,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 halfprice student tickets each year.
The HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meetthe-artist sessions and guided cultural tours.
The HKAF actively promotes inclusion via the arts to every corner of the community. The “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, was launched in 2019. Through a series of performances and diverse arts experiences for students and the community, “No Limits” strives to create an inclusive space for people with different abilities to share the joy of the arts together.
政府的年度恒常撥款 Current Government annual baseline funding
HK$159 million 約 Around 44% 約 Around 12% 約 Around 20% 約 Around 24%
其他收入 Other Revenues
（包括按捐款和贊助收入 可望獲得的政府配對資助 including possible Government Matching Grant for Sponsorship and Donation income）
票房收入 Box Office
誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡。
To find out more about sponsorship opportunities and donation details for the Hong Kong Arts Festival, please contact the HKAF Development Department.
電郵 Email: dev@hkaf.org
直綫 Direct lines: (852) 2828 4911/12
網頁 Website: http://go.hkaf.org/give
贊助和捐款 Sponsorship & Donations
*有關香港藝術節的過往節目 Details of past HKAF programmes
香港藝術 節
HONG KONG A RT S F ES T I VA L
呈 獻 presents
班傑明 · 伯恩海姆男高音演唱會
Benjamin Bernheim in Concert
合作夥伴 In Partnership With
班傑明．伯恩海姆男高音演唱會
Benjamin Bernheim in Concert
26.03.2026 / 8:00pm
香港大會堂音樂廳
Concert Hall, Hong Kong City Hall
演出長約 1 小時 25 分鐘，包括一節中場休息
Approximately one hour and 25 minutes including one interval
封面照片 Cover Photograph
© Julia Wesely
※ 演出期間敬請關掉手提電話及其他電子產品，以免發出聲響或產生光線， 影響表演者及其他觀眾。
Please switch off mobile phones and all electronic devices so they will not emit sound or light during the performance, disturbing the performers and other audience members.
※ 請勿擅自攝影、錄音或錄影。
Unauthorised photography or recording of any kind is strictly prohibited.
※ 演出期間請保持安靜。
Please keep noise to a minimum during the performance.
※ 本場刊採用環保紙張印刷。
This programme is printed on environmentally friendly paper.
※ 如不欲保留本場刊，請於完場後放回演出場地入口。
If you don't wish to keep this booklet, please return it to the admission point.
所有作品內容均由創作團隊獨立製作，並不代表贊助機構之立場或意見。
The content of all works is independently produced by the creative team, and does not reflect the views or opinions of the Sponsor.
本節目內容及本刊物所載之藝術家 / 客席撰文者言論屬於個人觀點，並不代 表香港藝術節(「本會」)之立場或意見。
The content of this programme and the opinions featured in this publication are solely those of the artists/guest writers and do not represent the views or opinions of the Hong Kong Arts Festival (“HKAF”).
藝術節加料節目
大師班 Masterclass 班傑明．伯恩海姆聲樂大師班 Benjamin Bernheim Vocal Masterclass 27.03.2026 / 1:30pm-3:00pm 香港演藝學院區永熙音樂廳 William Au Concert Hall, The Hong Kong Academy for Performing Arts
登記參與（僅限旁聽） Scan to join (observers only)
為免影響演出，持票人士務請準時入場。本會有權不讓於演出開始後或中 場休息後遲到和在演出期間中途離場的觀眾重新入場。
Ticket holders are strongly advised to arrive punctually. The HKAF reserves the right to refuse the (a) admission of latecomers (whether at the beginning of the performance or after the intermission) and (b) re-admission of audience members who leave the auditorium during the performance.
本會有權決定觀眾（包括遲到和中途離場的觀眾）入場和重新入場的可能性 及方式。
The HKAF also reserves the right to determine the possibility of admission and re-admission of audience members (which includes latecomers and audience members who have left the auditorium and are seeking re-admission), as well as the manner in which they are admitted.
在任何情況下，若本會允許遲到者入場，該等遲到者只能在指定的遲到點 入場。持票人士如因遲到而不獲安排入場，本會恕不退票或換票。如有任 何爭議，本會保留最終決定權。
In any case, should the HKAF permit the admission of latecomers, such latecomers shall only be admitted at designated latecomer point(s). No refunds or changes will be offered if ticket holders are refused admission due to late arrival. In the event of any dispute, the HKAF reserves all rights to make the final decision.
© Julia Wesely
© Julia Wesely
男高音 班傑明．伯恩海姆
法國男高音班傑明．伯恩海姆是全球多個 頂尖歌劇院的常駐客席音樂家，當中包括 巴黎國家歌劇院、紐約大都會歌劇院、維 也納國家歌劇院、柏林國立歌劇院、米蘭 史卡拉歌劇院及倫敦皇家歌劇院。他在這 些歌劇院飾演過浪漫主義歌劇中的主要男 高音角色，亦專精於演繹法國歌劇劇目。
伯恩海姆的演出和錄音專輯都備受讚譽， 《南德意志報》盛讚其為「自巴伐洛堤以來 最美妙的男高音嗓子」，《音叉》雜誌更稱 他為「新一代巨星級男高音」。
在 2024 年巴黎奧運閉幕典禮獻上了震撼人 心的演出後，伯恩海姆隨即推出他的首張 個人專輯《甜蜜法蘭西：韻律與香頌》。
憑藉自己對法語歌曲的長期鑽研及演繹經 驗，他以天馬行空的方式，將十九世紀白 遼士、蕭頌、杜巴克等知名作曲家的古典 旋律，與二十世紀經典香頌音樂家雅克． 布雷爾、約瑟夫．科斯瑪、查爾斯．崔尼 的音樂結合。同年，他獲得國際歌劇大獎 「年度最佳男歌手」，並於巴黎聖母院重啟 儀式上獻唱。
伯恩海姆過往的重點演出包括：在漢堡歌 劇院飾演《霍夫曼的故事》主角霍夫曼； 在巴黎國家歌劇院、芝加哥歌劇院、巴黎
香榭麗舍劇院及拉脫維亞國家歌劇院擔綱 《浮士德》同名主角；以及在巴黎國家歌劇 院、漢堡歌劇院與波爾多國家歌劇院演繹 《曼儂》中的德．格里奧。伯恩海姆亦曾
於世界各地的音樂會獻唱，演出足跡遍佈 薩爾茲堡藝術節、波爾多國家歌劇院、依 雲鎮湖畔音樂廳、蘇黎世歌劇院、韋爾比 亞音樂節、萊茵國家歌劇院、巴黎香榭麗
舍劇院、盧森堡愛樂音樂廳、維也納音樂 廳、法國圖魯茲市政廳劇院、法蘭克福歌 劇院、慕尼黑歌劇節，以及里斯本古本江 管弦樂團音樂主廳。
伯恩海姆曾在瑞士洛桑音樂學院深造，師 從加里．馬格比，後加入蘇黎世歌劇院， 成為青年藝術家暨劇團成員。
Tenor Benjamin Bernheim
French tenor Benjamin Bernheim is a regular guest artist at the world’s leading opera houses, including the Opéra National de Paris, the Metropolitan Opera in New York, the Wiener Staatsoper, Staatsoper Berlin, Teatro alla Scala in Milan and the Royal Opera House in London, where he performs leading tenor roles from the Romantic repertoire and specialises in the French repertoire. Garnering high praise for both his performances and recordings, he has been hailed as “the most beautiful tenor voice since Luciano Pavarotti” by SüddeutscheZeitung and as “the new star tenor” by Diapason
After delivering a spine-tingling performance at the Closing Ceremony of the 2024 Summer Olympics in Paris, Bernheim released his first solo album, Douce France:Mélodies&Chansons. Inspired by his long studies and experience with French song, Bernheim imaginatively pairs famous 19th-century melodies by Berlioz, Amédée-Ernest Chausson and Duparc with classic 20th-century chansons by Jacques Brel, Joseph Kosma and Charles Trenet. Also in 2024 he was named Male Singer of the Year by the International Opera Awards and performed as part of the Notre-Dame de Paris reopening celebrations.
His career highlights include the title role in LesContes d’Hoffmann at the Staatsoper Hamburg; Faust (title role) at the Opéra National de Paris, the Lyric Opera of Chicago, Théâtre des Champs-Élysées and the Latvian National Opera and Des Grieux in Manon at the Opéra National de Paris, Staatsoper Hamburg and Opéra National de Bordeaux. On the concert stage, he has performed recitals at the Salzburg Festival, the Opéra National de Bordeaux, La Grange au Lac in Évian, the Opernhaus Zürich, the Verbier Festival, the Opéra National du Rhin, the Théâtre des ChampsÉlysées, Philharmonie de Luxembourg, the Wiener Konzerthaus, Théâtre du Capitole, Oper Frankfurt, the Munich Opera Festival and the Gulbenkian Orchestra Main Hall in Lisbon.
Bernheim studied with Gary Magby at the Lausanne Conservatory, and was a young artist and troupe member at the Opernhaus Zürich.
指揮
維克多．雅各
維克多．雅各於 2019 年入圍貝桑松國際指 揮比賽決賽，並榮獲特別提名獎，隨後在
2023 年法國音樂之光獎項中獲頒「啟示指 揮家」殊榮。同年，他連續兩季獲任命為巴 黎歌劇院青年管弦樂團的首席指揮。他曾 指揮過包括法國廣播愛樂樂團在內的法國 大部分的管弦樂團，以及來自比利時、委 內瑞拉、德國、奧地利和香港的管弦樂團。
雅各曾參與多部歌劇製作及擔任其指揮， 他合作過的劇院包括蒙地卡羅歌劇院、魯 昂歌劇院、巴黎香榭麗舍劇院及蒙彼利埃 歌劇院。2024 年 12 月，他在蒙彼利埃歌劇 院指揮《月球之旅》，並於 2025 年在凡爾賽 宮皇家歌劇院指揮《巴黎生活》。雅各曾是 一名歌唱家，畢業於倫敦皇家音樂學院指 揮系，師從愛德華斯，隨後前往巴黎國立 高等音樂舞蹈學院深造。
Conductor
Victor Jacob
The finalist and recipient of a Special Mention at the 2019 International Besançon Conducting Competition and named Révélation Conductor at the 2023 Victoires de la Musique Classique awards, Victor Jacob was appointed as the Principal Conductor of the Opéra de Paris’ ADO youth orchestra in 2023 for two consecutive seasons. He has conducted most of the orchestras in his native country, including the Orchestre Philharmonique de Radio France as well as orchestras in Belgium, Venezuela, Germany, Austria and Hong Kong.
Jacob has assisted and conducted operas at the Opéra de Monte-Carlo, the Rouen Opera, Théâtre des Champs-Élysées and the Montpellier Opera in France, where he led the production of Le VoyagedanslaLune in December 2024 and the Versailles Opera for La Vie Parisienne in 2025. A former singer, Jacob graduated as a conductor from the Royal Academy of Music in London, where he studied with Sian Edwards, and from the Conservatoire national supérieur de musique et de danse de Paris.
© Jade Solus
班傑明．伯恩海姆男高音演唱會
Benjamin Bernheim in Concert
萊哈爾
〈我心全屬於你〉，選自《微笑之國》
© Ben Ealovega
唐尼采第
《帕老爺的婚事》序曲
唐尼采第
〈偷灑一滴淚〉，選自《愛情靈藥》
威爾第
《命運之力》序曲
威爾第
〈見鬼！阿美利亞在這裏！〉及〈仁慈的上
天，把她還給我吧〉，選自《父女情深》
馬斯卡尼
《鄉村騎士》間奏曲
普契尼
〈隱藏的和諧〉，選自《托斯卡》
Franz Lehár (1870-1948) “Dein ist mein ganzes Herz” from DasLand desLächelns
Gaetano Donizetti (1797-1848)
Overture from DonPasquale
Gaetano Donizetti “Una furtiva lagrima” from L’Elisird’Amore
Giuseppe Verdi (1813-1901)
Overture from LaForzadelDestino
Giuseppe Verdi
“O inferno! Amelia qui!” and “Cielo pietoso, rendila” from SimonBoccanegra
Pietro Mascagni (1863-1945)
Intermezzo from CavalleriaRusticana
Giacomo Puccini (1858-1924)
“Recondita armonia” from Tosca
中場休息 INTERVAL
馬斯奈
《唐吉訶德》第五幕間奏曲
比才
〈我仍聽見她的聲音〉，選自《採珠人》
Jules Massenet (1842-1912)
Act V Interlude from DonQuichotte
Georges Bizet (1838-75)
“Je crois entendre encore” from LesPêcheurs dePerles
古諾
序曲、第二幕間奏曲及〈愛情啊！升起吧， 太陽〉，選自《羅密歐與茱麗葉》
馬斯奈
前奏曲及〈春天的微風，為何弄醒我？〉， 選自《維特》
Charles Gounod (1818-93)
Overture, Act II Entr’acte and “L'amour, l'amour!... Ah! lève-toi, soleil!” from RoméoetJuliette
Jules Massenet
Prélude and “Pourquoi me réveiller, ô souffle du printemps?” from Werther
男高音
班傑明．伯恩海姆
指揮
維克多．雅各
樂團
香港管弦樂團
Tenor
Benjamin Bernheim
Conductor Victor Jacob
Orchestra Hong Kong Philharmonic Orchestra
曲目介紹
Programme Notes
萊哈爾
〈我心全屬於你〉，選自《微笑之國》
Franz Lehár (1870-1948)
“Dein ist mein ganzes Herz” fromDasLanddes Lächelns
萊哈爾是公認的二十世紀上半葉維也納輕 歌劇大師，他以精緻的配器和深厚的情感 為輕歌劇注入生機和活力，上承史特勞斯 的優雅魅力，下啟現代劇場之典雅風範， 他的作品具有永恆的藝術價值。
萊哈爾 1929 年的作品《微笑之國》講述了中 國王子蘇城與維也納伯爵小姐麗莎一段愛恨 交織的故事。蘇城告訴新娘子麗莎，儘管 深愛着她，但他仍必須依傳統迎娶其他妻
子，麗莎當然無法接受，這段婚姻因此告 吹。雖然此劇不如萊哈爾二十五年前創作 的《風流寡婦》般廣為人知，但當中的男高 音詠嘆調〈我心全屬於你〉卻成為了作曲家 的代表作之一。這首詠嘆調原本是為奧地 利傳奇男高音李察．陶伯爾而作，如今已 是男高音獨唱的經典曲目，而原作的跨文 化脈絡則已漸漸淡化。
The undisputed master of Viennese operetta in the first part of the 20th century, Franz Lehár revitalised light opera with sophisticated orchestration and emotional depth, leaving a lasting legacy that bridged the charm of Strauss with modern theatrical elegance.
DasLanddesLächelns (“The Land of Smiles”) dates from 1929 and tells a bittersweet story of a failed love affair between the Chinese prince Sou-Chong and his Viennese bride, the Countess Lisa. Their marriage fails when Sou-Chong informs Lisa that however much he loves her, he is required to take other wives. While not performed nearly as often as TheMerryWidow from a quarter century earlier, the operetta contains what is perhaps Lehár’s best-known aria: “Dein ist mein ganzes Herz” (“You are my heart's delight”). This Tauberlied, originally written as it was for the great Austrian tenor Richard Tauber, is now (usually shorn of its multicultural context) a staple of the tenor recital repertoire.
唐尼采第
．《帕老爺的婚事》序曲 ．〈偷灑一滴淚〉，選自《愛情靈藥》
Gaetano Donizetti (1797-1848)
． Overture from DonPasquale
“Una furtiva lagrima” from L’Elisird’Amore
繼貝里尼英年早逝及羅西尼早早放棄歌劇 創作後，美聲唱法歌劇作曲家唐尼采第開 始在意大利歌劇界獨領風騷。他創作了數 十齣歌劇作品，包括膾炙人口的《嵐嶺痴 盟》。他為人所津津樂道的作品還有三部喜 歌劇，本場音樂會將演出其中兩部的片段。
《帕老爺的婚事》（1843）是三部喜歌劇中 的最後一部。劇中老富翁帕老爺因為不滿 侄子選中的結婚對象，而決定自己娶妻以 剝奪侄子的繼承權，卻誤入圈套，被設計 與侄子的心上人假結婚。序曲明快活潑， 為故事定調，豐富的銅管與敲擊樂振奮人 心，呼應着歌劇中最令人難忘的音樂主題。
《愛情靈藥》（1832）講述了一個溫馨且令人 捧腹大笑的愛情故事：純樸的農村青年奈 莫利諾苦苦追求村中女神阿蒂娜未果，眼 見她即將嫁給來訪的軍士，他心急如焚， 散盡錢財自江湖郎中處購買實為廉價紅酒 的「愛情靈藥」。奈莫利諾豪飲兩瓶「靈 藥」後醉倒，與此同時村裏的女孩們聽說 奈莫利諾將繼承一大筆遺產以後，開始追 捧他，阿蒂娜看在眼裏，不禁流下一滴眼 淚。奈莫利諾見此景象，唱出〈偷灑一滴 淚〉，兩人最終互訴衷腸。
Bel canto composer Gaetano Donizetti dominated Italian opera after Vincenzo Bellini’s untimely death and Gioachino Rossini’s early retirement from the genre. While Donizetti wrote dozens of dramatic operas (including the celebrated LuciadiLammermoor), his reputation also rests on a trio of comedies, two of which are represented here.
DonPasquale (1843)—the last of the three comedies— tells the story of an elderly man who decides to get married to disinherit his nephew, only to be tricked into a sham marriage with his nephew’s intended, whom he hasn’t met but nonetheless considers unsuitable. The bright and lively overture sets the tone, upbeat with plenty of percussion and brass, echoing some of the most memorable musical themes from the opera itself.
L’Elisird’Amore (1832) is a tender but farcical love story in which country bumpkin Nemorino unsuccessfully courts Adina, the village “it girl”. Driven to despair by Adina’s upcoming nuptials with a visiting sergeant, he buys a “love potion” (in fact a bottle of cheap red wine) from a quack doctor. After falling drunk from downing two full bottles of “love potion” and (unbeknownst to him) becoming newly rich from an unexpected inheritance, the village girls start to pay attention to him. Adina notices and, in “Una furtiva lagrima” (“A furtive tear”), Nemorino realises that Adina loves him after all.
威爾第
．《命運之力》序曲
．〈見鬼！阿美利亞在這裏！〉及〈仁慈的上天，把她 還給我吧〉，選自《父女情深》
Giuseppe Verdi (1813-1901)
Overture from LaForzadelDestino
． “O inferno! Amelia qui!” and “Cielo pietoso, rendila” from SimonBoccanegra
若問誰最能代表意大利歌劇，威爾第當之 無愧。他的歌劇《命運之力》創作於 1862 年，令人意想不到的是此作在沙俄首都聖 彼得堡首演。作品講述了一位擁有印加貴 族血統的士兵，戀上了一位西班牙貴族千 金的悲劇愛情故事。
本場音樂會演出的序曲採用 1869 年米蘭 史卡拉歌劇院的修訂版本，以著名的「命 運主導動機」開始，一系列粗獷的銅管和 弦貫穿整段序曲，然後進入節奏鮮明、戲 劇張力十足且澎湃激盪的快板，接下來的 抒情段落則帶出豐富的情感：有殷切的渴 望、有狂風暴雨般的衝突，又有寧靜的沉
思，音樂預告了歌劇中最搶耳的旋律。
《父女情深》（1857 年寫成， 1881 年修訂） 是一部以歷史人物熱那亞總督西蒙．波卡 涅拉為原型的虛構作品。故事講述加布 埃利．阿多諾的家族與總督波卡涅拉是世 仇，加布埃利愛上阿美利亞，殊不知她正 是總督之女。〈見鬼！阿美利亞在這裏！〉
和〈仁慈的上天，把她還給我吧〉是加布 埃利見到阿美利亞與總督一起時的悲憤詠 嘆，他誤以為總督奪走他之所愛，侮辱他 父親的榮譽，這首詠嘆調表現了角色的痛 苦情感。而故事的結尾真相大白，兩個家 族終於和解。
If any composer could be said to personify Italian opera, it would be Giuseppe Verdi. His 1862 opera LaForza delDestino (“The Force of Destiny”), which premiered in (of all places) the Russian tsarist capital of Saint Petersburg, is a complex story that features a soldier of aristocratic Incan heritage fatally in love with the daughter of a haughty Spanish nobleman.
The overture itself is from the version revised for La Scala in 1869. It opens with the iconic “fate motif”—a series of stark brass chords that recurs throughout the overture—before launching into a rhythmically driven, dramatic and turbulent Allegro, followed by lyrical passages of yearning, stormy outbursts of conflict and moments of serene reflection with music that prefigure some of the opera’s most notable vocal lines.
SimonBoccanegra (1857, revised in 1881) is a fictionalised account of the eponymous historical Genoese Doge. Gabriele Adorno’s family are the Doge’s sworn enemies—Gabriele is in love with Amelia, who unbeknownst him, is in fact Boccanegra’s daughter. “O inferno!... Cielo pietoso, rendila” is Gabriele’s anguished outburst upon discovering Amelia with Boccanegra. Assuming the worst, that Boccanegra has stolen his beloved as well his father’s honour, the aria captures his emotional torment before truth and reconciliation unfold.
馬斯卡尼 《鄉村騎士》間奏曲
Pietro Mascagni (1863-1945)
Intermezzo from CavalleriaRusticana
馬斯卡尼被視為意大利寫實主義歌劇的始 祖，他最為後世所津津樂道的作品卻是 他的首部作品——獨幕歌劇《鄉村騎士》 （1890）。此作講述了一個發生在西西里、 關於激情與復仇的故事。當中的間奏曲廣 為人知，亦是管弦樂曲目的經典，這一曲 位處充斥着澎湃的愛情宣言和衝突的前半 段與書寫悲劇宿命的結尾之間，猶如風暴 之眼。
Considered by many to have written the first verismo opera, Pietro Mascagni is today remembered mostly for that debut work, the one-act CavalleriaRusticana (1890), a tale of passion and revenge in Sicily. The well-known and popular Intermezzo, now a staple of orchestral concerts, acts like the eye of the storm between the passionate declarations of love and conflict in the first part and the fatal drama of the denouement.
歌劇接近尾聲的決鬥場景 Duel scene from near the end of the opera
普契尼
〈隱藏的和諧〉，選自《托斯卡》
Giacomo Puccini (1858-1924)
“Recondita armonia” from Tosca
繼威爾第之後，普契尼成為意大利歌劇的 領袖人物，也是寫實主義歌劇的代表。《托
斯卡》（1900）是他最富有戲劇性的作品， 不過也有人認為其戲劇性過於誇張。故事 發生在 1800 年拿破崙戰爭期間處於政治高 壓下的羅馬，一位革命派畫家與知名歌星 相愛，他們的命運注定悲慘收場。
〈隱藏的和諧〉出自第一幕，畫家卡瓦拉多 希在聖安德肋教堂（此教堂屬真實存在）繪 製一幅抹大拉的馬利亞的畫像。卡瓦拉多 希將自己的戀人弗洛莉亞．托斯卡與之相 比較。當托斯卡到來，見到畫中抹大拉的 馬利亞擁有一頭金髮，以為畫中女子另有 其人，心生嫉妒，引發了之後難以扭轉的 悲劇。
Succeeding Verdi as the doyen of Italian opera, Giacomo Puccini has come to personify the verismo style. Tosca (1900) is the most dramatic (some might say melodramatic) of Puccini’s operas, telling the story of doomed love between a revolutionary painter and a renowned singer in the politically oppressive Rome of 1800.
In “Recondita armonia” (“Hidden harmony”) from Act I, the painter Cavaradossi compares his lover, Floria Tosca, to the blonde woman he is painting as Mary Magdalene in the (very real) church of Sant’Andrea della Valle. Tosca soon arrives and recognises the subject of the painting; her jealousy drives the forthcoming tragedy, which her courage cannot forestall.
馬斯奈
《唐吉訶德》第五幕間奏曲
Jules Massenet (1842-1912)
Act V Interlude from DonQuichotte
馬斯奈是浪漫派作曲家，創作了逾三十部 歌劇。《唐吉訶德》取材自米格爾．德．塞 凡提斯的同名著名小說，但改動頗多。第 五幕間奏曲在終幕前營造出片刻的靜謐沉 思，以輕柔的弦樂與惆悵的木管旋律，溫 和地喚起了這位「身形修長的騎士」彌留 之際漸漸消散的意識。這段短小樂章凝煉 全劇理想與失落的主題，為聽眾與唐吉訶 德的動人告別作鋪墊——夢想終將化於渺 茫，惟有順從命運安排。
Romantic composer Jules Massenet wrote more than 30 operas. DonQuichotte is based (somewhat loosely) on Miguel de Cervantes’ famous novel Don Quixote. The Act V Interlude offers a moment of quiet reflection before the opera’s final scene. Its tender orchestration—soft strings and wistful woodwinds— evokes the fading spirit of “chevalier de la longue figure” as he nears death. This brief passage distils the opera’s themes of idealism and loss, preparing the audience for Don Quichotte’s poignant farewell, where dreams dissolve into gentle resignation.
喬治 羅切戈斯為馬斯奈的《唐吉訶德》在巴黎蓋特歌 劇院的演出所設計的海報，由巴黎德蘭希出版社發行 Georges Rochegrosse ’ s poster for Jules Massenet ’ s Don Quichotte, at the Gaîté-Lyrique, published by Ed Delanchy, Paris
比才
〈我仍聽見她的聲音〉，選自《採珠人》
Georges Bizet (1838-75)
“Je crois entendre encore” from LesPêcheurs dePerles
許多人只知比才的《卡門》，但在《卡門》 之前，他還於 1863 年創作了《採珠人》。故 事發生在極具異國風情的古錫蘭（今斯里蘭 卡），納迪爾與祖爾加兩位好友都愛上年輕 的女祭司萊拉，為了友誼，兩人原本約定 捨棄愛情，但納迪爾最終無法抑制自己的 情感。在〈我仍聽見她的聲音〉中，納迪爾 糾結地獨白，回想自己如何背棄對摯友的 誓言，只希望能與萊拉再見一面。
Before Carmen, for which Georges Bizet is now mostly—if not exclusively—known, there was Les PêcheursdePerles (“The Pearl Fishers”) from 1863, set in a fictionalised (and rather exoticised) ancient Ceylon (Sri Lanka). It tells the story of two friends, Nadir and Zurga, both in love with Leïla, a young priestess. They had agreed to renounce her out of respect for their friendship. In a troubled soliloquy, “Je crois entendre encore” (“I think I can still hear”), Nadir recalls how he broke his vow to his friend and pursued Leïla to meet her again.
第一幕最後一場的萊拉與納迪爾二重唱（1886 年 3 月 20 日 史卡拉歌劇院，米蘭首演） 插圖由安東尼奧．波拿莫繪製
The final scene of Act I (duet of Leïla and Nadir) at La Scala on 20 March 1886, the Milan premiere Illustration by Antonio Bonamore
古諾
序曲、第二幕間奏曲及〈愛情啊！升起吧，太陽〉， 選自《羅密歐與茱麗葉》
Charles Gounod (1818-93)
Overture, Act II Entr’acte and “L’amour, l’amour!... Ah! lève-toi, soleil!” from RoméoetJuliette
古諾是比才早期的導師。繼《卡門》之後， 古諾的《羅密歐與茱麗葉》（1863）可算是 最熱門的法國歌劇之一。序曲營造出戲劇
性與抒情氣氛，預示歌劇的愛情與悲劇主 題。開場緊張的動機引出故事所處的中世 紀時代背景，隨後宏大的旋律象徵着羅密
歐與茱麗葉的激情與命運，濃縮整部歌劇 的情感故事線。
第二幕間奏曲為經典的陽台場景鋪陳——
與原著一樣，陽台場景在這齣歌劇中也處 於核心。間奏曲音樂細膩浪漫，營造夜色 氛圍，柔美的配器宛如月光傾瀉，喚起戀 人的思念之情。在羅密歐的詠嘆調〈愛情
啊！升起吧，太陽〉中，他唱出莎士比亞 的名句「那邊窗子透出的是甚麼光亮？」整 段詠嘆調的歌詞皆呼應莎士比亞的原作。
Charles Gounod was a mentor to the younger Bizet. After Carmen, Gounod’s RoméoetJuliette (1863) is one of the most-performed French operas. The overture sets a dramatic and lyrical tone, foreshadowing the opera’s themes of love and tragedy. It opens with a tense motif evoking the medieval period in which the story is set, followed by sweeping melodies that evoke the passion and fate of the lovers, encapsulating the emotional arc of the entire opera.
The Act II Entr’acte sets up the balcony scene, as central to the opera as it is to the play. Delicate and romantic, the music sets a nocturnal mood, with gentle orchestration that evokes moonlight and longing. In Roméo’s aria “L’amour, l’amour!... Ah! lève-toi, soleil!”, he sings “Mais quelle soudaine clarté resplendit à cette fenêtre?” Or, as we likely know it better—“But what sudden light through yonder window breaks?”
Throughout, the lyrics of the aria echo Shakespeare’s original.
馬斯奈
前奏曲及〈春天的微風，為何弄醒我？〉，選自《維特》
Jules Massenet
Prélude and “Pourquoi me réveiller, ô souffle du printemps?” from Werther
馬斯奈最膾炙人口的兩部歌劇《維特》和 《曼儂》皆改編自十八世紀的經典小說。維 特是一位深情浪漫的詩人，他所癡戀的夏 洛蒂不幸地要遵從亡母遺願，嫁給古板無 趣的艾伯特。但維特並未因此放棄追求； 夏洛蒂要他離開，卻允諾在聖誕再見，只 希望屆時維特的熱情已經冷卻。
〈春天的微風，為何弄醒我？〉是維特與 夏洛蒂重逢、回想二人相處時光後抒發的 痛苦哀嘆。這一曲的歌詞運用了虛構的詩 人莪相的詩句，以春天萬物復甦的生機， 反襯維特內心之絕望，從而表達出他的痛 苦。歌者高亢的聲線與豐富的配器展現了
維特強烈的情感，並預示他在下一幕（即終 幕）中將迎來的悲劇命運。
撰文：Peter Gordon 中文翻譯：黃家慧
Massenet’s two best-performed operas, Werther and Manon, are dramatisations of classic 18th-century novels. The eponymous Werther, a poet of deeply romantic disposition, is obsessively in love with Charlotte who, unfortunately for both of them, has followed through on her deceased mother’s desire that she marry the solid but unromantic Albert. Werther cannot cease his pursuit of Charlotte, and she sends him away, only to say he may return at Christmas, vainly hoping that his ardour will have cooled.
“Pourquoi me réveiller, ô souffle du printemps?” (“Why awaken me, O breath of spring”) is Werther’s anguished aria reminiscing, upon his return, about their time together. Set to a poem by (the fictional) poet Ossian, it expresses his torment as spring’s renewal contrasts with his inner despair. The soaring vocal line and rich orchestration reflect Werther’s emotional intensity and foreshadow his tragic fate which plays out in the next and final act.
Text: Peter Gordon Chinese translation: Gabi Wong
Franz Lehár
“You are my heart’s delight” from The Land of Smiles
You are my heart’s delight! I cannot be where you are not; just as the flower wilts when not kissed by sunshine! You are my sweetest song, for it blooms only from love. Say it once again, my only love, oh, say once again to me: “I love you!”
Wherever I go, I feel your presence near me; I long to drink in your breath and fall at your feet in prayer— to you, to you alone! How wonderful is your shining hair! Dreamlike and full of longing is your radiant gaze! When I hear the sound of your voice, it is like music!
You are my heart’s delight! I cannot be where you are not; just as the flower wilts when not kissed by sunshine! You are my sweetest song, for it blooms only from love. Say it once again, my only love, oh, say once again to me: “I love you!”
Gaetano Donizetti
“A furtive tear” from The Elixir of Love
A furtive tear glistened in her eyes:
She seemed to envy those other happy girls.
What else am I looking for?
What else am I looking for?
She loves me, I can see it.
For a single instant to feel her heart beating, to mix my sighs little by little with hers!
To feel her heart beating, bearing, to mix my sighs with hers...
Heavens! I could die; I ask nothing more, nothing more. Ah, Heavens! I could, I could die; I ask nothing more, nothing more.
Franz Lehár
“Dein Ist Mein Ganzes Herz” from Das Land des Lächelns
Dein ist mein ganzes Herz! Wo du nicht bist, kann ich nicht sein; So, wie die Blume welkt, wenn sie nicht küßt der Sonnenschein! Dein ist mein schönstes Lied, weil es allein aus der Liebe erblüht. Sag’ mir noch einmal, mein einzig Lieb, o sag’ noch einmal mir: Ich hab’ dich lieb!
Wohin ich immer gehe, ich fühle deine Nähe, ich möchte deinen Atem trinken und betend dir zu Füssen sinken, dir, dir allein! Wie wunderbar ist dein leuchtendes Haar! Traumschön und sehnsuchtsbang, ist dein strahlender Blick!
Hör ich der Stimme Klang, ist es so wie Musik!
Dein ist mein ganzes Herz! Wo du nicht bist, kann ich nicht sein; So, wie die Blume welkt, wenn sie nicht küßt der Sonnenschein! Dein ist mein schönstes Lied, weil es allein aus der Liebe erblüht. Sag’ mir noch einmal, mein einzig Lieb, o sag’ noch einmal mir: Ich hab’ dich lieb!
Gaetano Donizetti
“Una furtiva lagrima” from L’Elisir d’Amore
Una furtiva lagrima negli occhi suoi spuntò: Quelle festose giovani invidiar sembrò.
Che più cercando io vo?
Che più cercando io vo?
M’ama! Sì, m’ama, lo vedo, lo vedo.
Un solo instante i palpiti del suo bel cor sentir!
I miei sospir, confondere per poco a’ suoi sospir!
I palpiti, i palpiti sentir, confondere i miei coi suoi sospir...
Cielo! Si può morir; di più non chiedo, non chiedo. Ah, cielo! Si può! Si può morir; di più non chiedo, non chiedo.
我心全屬於你！ 沒有你，我也活不了； 如同沒有陽光親吻的花兒 終將枯萎！ 你是我最甜美的歌， 在愛裏綻放。
再說一遍吧，我唯一的愛人， 啊，再對我說一遍吧： 「我愛你！」
無論我往哪裏去， 都感覺到你在身邊； 我渴望暢飲你的呼吸 跪倒在你腳前禱告— 只是對你、對你一人禱告！ 你閃亮的髮絲是多麼美！ 你的明眸 如夢似幻又多情！ 你的聲音， 宛如天籟！
我心全屬於你！ 沒有你，我也活不了； 如同沒有陽光親吻的花兒 終將枯萎！ 你是我最甜美的歌， 在愛裏綻放。
再說一遍吧，我唯一的愛人， 啊，再對我說一遍吧： 「我愛你！」
唐尼采第
〈偷灑一滴淚〉，選自《愛情靈藥》
她偷灑一滴淚： 好像在羨慕那些快樂的女孩。 我還在找甚麼？ 我還在找甚麼？ 我看得出她愛我。
哪怕只是一瞬間，讓我感受她的心跳， 讓我的嘆息一點一點與她的嘆息交纏！ 讓我感受她的心跳，忍耐着， 讓我們的嘆息交纏… 天哪！我願意為之付出生命； 我別無他求，別無他求。
天哪！我願意為之付出生命； 我別無他求，別無他求。
Giuseppe Verdi
“Oh Hell! Amelia is here!” and “Merciful Heaven, give her back to me” from SimonBoccanegra
Oh Hell! Amelia is here!
The old man loves her! And I am denied the venting of the fury that inflames me! You killed my father...
You stole my beloved. Tremble, villain…
One offence was already too much. A double vengeance’s now upon your head!
I feel furious jealousy blazing in my soul; not even all his blood could extinguish the fire; even if he had a thousand lives that my fury could extinguish all at once, no!
I would still not be sated. What am I saying? Alas! I am raving! Ah! I am weeping, weeping! Have pity, God, on my suffering!
Merciful Heaven, give her back to me, as pure as the angel that watches over her virtue;
But should an impure cloud obscure such purity, depriving me of her virtue, of her virtue, depriving me of her virtue, of her virtue, let me never see her again. Never again; depriving me of her virtue, let me never see her again, never again; let me never see her again.
Giuseppe Verdi
“O inferno! Amelia qui!” and “Cielo pietoso, rendila” from Simon Boccanegra
O inferno! Amelia qui!
L’ama il vegliardo!
E il furor che m'accende m'è conteso sfogar!...
Tu m’uccidesti il padre...
Tu m’involi il mio tesoro. Trema, iniquo...
Già troppa era un’offesa, Doppia vendetta hai sul tuo capo accesa!
Sento avvampar nell’anima furente gelosia;
Tutto il mio sangue spegnerne
L’incendio non potria;
S’ei mille vite avesse e spegnerle potesse
D’un colpo il mio furor, no, no, ah!
Non sarei sazio, non sarei sazio ancor.
Che parlo!... ahime!... deliro!...
Ah! Io piango!... io piango!...
Pietà, pietà, gran Dio, del mio martiro!
Cielo pietoso, rendila, rendila a questo core, pura siccome l’angelo che veglia al suo pudore;
Ma se una nube impura tanto candor m’oscura, priva di sue virtù, di sue virtù, priva di sue, di sue virtù, Che non la vegga, ch’io non la vegga più, ch’io non la vegga più, priva di sue virtù, che non la vegga, ch’io non la vegga, non la vegga più.
威爾第 〈見鬼！阿美利亞在這裏！〉及 〈仁慈的上天，把她還給我吧〉， 選自《父女情深》
見鬼！阿美利亞在這裏！ 那個老頭愛着她！ 我卻無法發洩 心頭的熊熊怒火！ 你殺了我父親… 又奪走了我的摯愛。 顫抖吧，流氓… 一宗罪已經夠多。
雙倍的報復現在要降臨你頭上！ 狂怒的妒火在我靈魂深處燃燒； 他所有的血 也無法澆熄這場火； 即使他有千條命 可讓我的怒火燒滅，也不！ 我依然不會滿足。
我在說甚麼？唉，我在胡言亂語！ 唉！我哭了，哭了！ 上帝，求你憐憫我的痛苦！ 仁慈的上天，把她還給我吧， 保護她的白璧無瑕，如同守護她貞操的 天使一樣；
但若有污雲遮蔽了這份純潔， 從我這兒奪走了她的貞潔，她的貞潔， 從我這兒奪走了她的貞潔，她的貞潔， 就讓我從此再不要見到她。
永遠不要；若是從我這兒奪走了 她的貞潔， 就讓我從此再不要見到她，永遠不要； 讓我從此再不要見到她。
Giacomo Puccini
“Hidden harmony” from Tosca
What a hidden harmony of diverse beauty!
My ardent lover Floria is brunette, And you, unknown blonde beauty, your eyes are blue while Tosca’s are black!
Art in all its mystery blends the different beauties together, but in painting her, my sole thought, Ah! My sole thought, Tosca, is you!
Georges Bizet
“I think I can still hear” from The Pearl Fishers
I think I can still hear, hidden under the palms, her tender, sonorous voice like the song of ringdoves. Oh, enchanting night; Divine rapture!
Oh, charming memory; Mad intoxication, sweet dream! In the starlight,
I think I can still see her, parting her long veils in the warm evening winds. Enchanting night; Divine rapture; Oh, charming memory; Mad intoxication, sweet dream! Charming memory!
Giacomo Puccini
“Recondita armonia” from Tosca
Recondita armonia di bellezze diverse! È bruna Floria, l'ardente amante mia, E te, beltade ignota, cinta di chiome bionde!
Tu azzuro hai l'occhio, Tosca ha l'occhio nero!
L’arte nel suo mistero le diverse belleze insiem confonde: Ma nel ritrar costei il mio solo pensiero, Ah! il mio solo pensier, sei tu! Tosca, sei tu!
Georges Bizet
“Je crois entendre encore” from Les Pêcheurs de Perles
Je crois entendre encore
Caché sous les palmiers
Sa voix tendre et sonore
Comme un chant de ramiers.
O nuit enchanteresse, Divin ravissement!
O souvenir charmant, Folle ivresse, doux rêve!
Aux clartés des étoiles
Je crois encore la voir
Entr’ouvrir ses longs voiles
Aux vents tièdes du soir, Nuit enchanteresse, Divin ravissement,
O souvenir charmant, Folle ivresse, doux rêve!
Charmant souvenir!
普契尼 〈隱藏的和諧〉，選自《托斯卡》
隱藏的和諧，融匯着多元之美！ 我熱情的愛人弗洛莉亞是個棕髮女孩， 而你，不知名的金髮美人， 你的眼睛是藍色的， 托斯卡的雙眸卻是黑色的！ 藝術在它的秘境中 將不同的美混和在一起， 但在描繪她時，我心中唯一所想， 啊！我唯一所想， 是你，托斯卡！
比才 〈我仍聽見她的聲音〉， 選自《採珠人》
我仍聽見她的聲音， 她那渾厚柔和的嗓音， 如隱藏在棕櫚樹下 斑鳩的歌聲。
噢，醉人的夜； 神的狂喜！ 噢，迷人的回憶； 忘情癡醉！美夢成真！ 星光下， 我仍能見到她， 在和煦的晚風中 撩起長長的面紗。 醉人的夜； 神的狂喜； 噢，迷人的回憶； 忘情癡醉！美夢成真！ 迷人的回憶！
Charles Gounod
Overture, Act II Entr’acte and “My love, my love!... Arise, O sun!” from Romeo and Juliet
Love!
Its intensity has disturbed my very being!
But what sudden light through yonder window breaks?
’Tis there that by night her beauty shines!
Ah! Arise, o sun!
Turn pale the stars that unveiled in the azure, do sparkle in the firmament!
Arise! Appear!
Thou pure and enchanting star!
She is dreaming, she loosens a lock of hair which falls to caress her cheek!
Love! Love, carry my vows to her! She is speaking! She is beautiful! Ah, I heard nothing!
But her eyes speak for her and my heart has answered!
Ah! Arise, o sun!
Turn pale the stars that unveiled in the azure, do sparkle in the firmament!
Arise! Appear!
Thou pure and enchanting star! Come! Appear!
Thou pure and enchanting star! Come! Appear! Come! Appear!
Jules Massenet
Prelude and “Why awaken me, O breath of spring?” from Werther
Why awaken me, O breath of spring?
Why wake me?
On my brow, I feel your caresses; And yet, ’tis almost time for storms and sorrows! Why awaken me, O breath of spring?
Tomorrow the traveller will come to the valley, remembering my former glory... And his eyes will seek my splendour in vain, they will find nothing but mourning and misery!
Alas! Why awaken me, O breath of spring?
Charles Gounod
Overture, Act II Entr’acte and “L’amour, l’amour!... Ah! lève-toi, soleil!” from Roméo et Juliette
L’amour!
Oui, son ardeur a troublé tout mon être! Mais quelle soudaine claret resplendit à cette fenêtre?
C'est là que dans la nuit rayonne sa beauté!
Ah! lève-toi, soleil! fais pâlir les étoiles, Qui dans l'azur sans voiles, Brillent aux firmament!
Ah! lève-toi! Ah! lève-toi! parais! parais!
Astre pur et charmant!
Elle rêve! elle dénoue une boucle de cheveux
Qui vient caresse sa joue!
Amour! Amour! porte-lui mes vœux!
Elle parle! Qu'elle est belle!
Ah! je n'ai rien entendu!
Mais ses yeux parlent pour elle, Et mon cœur a répondu!
Ah! lève-toi, soleil!
Fais pâlir les étoiles, qui dans l'azur sans voiles, brillent aux firmament!
Ah! lève-toi! Ah! lève-toi! parais! parais!
Astre pur et charmant!
Viens! Parais!
Astre pur et charmant!
Viens! Parais! Viens! Parais!
Jules Massenet
Prélude and “Pourquoi me réveiller, ô souffle du printemps?” from Werther
Pourquoi me réveiller, ô souffle du printemps?
Pourquoi me réveiller?
Sur mon front, je sens tes caresses; Et pourtant, bien proche est le temps, Des orages et des tristesses!
Pourquoi me réveiller, ô souffle du printemps?
Demain dans le vallon viendra le voyageur, Se souvenant de ma gloire première… Et ses yeux vainement chercheront ma splendeur, Ils ne trouveront plus que deuil et que misère!
Hélas! Pourquoi me réveiller, ô souffle du printemps?
愛情啊！ 它的強烈已經擾亂了我的身心！ 那邊窗子透出的是甚麼光亮？ 那是她的美在照亮黑夜！ 啊！升起吧，太陽！ 讓在穹蒼閃爍、在蔚藍中顯露的 眾星也變得蒼白！ 升起吧！顯現吧！ 你這顆純潔迷人的星星！ 她在做夢，散開一縷秀髮， 任它垂下輕撫她的臉！ 愛情！愛情，把我的誓言帶給她吧！ 她在說話，她真美！ 啊，我甚麼也聽不到！ 但她的眼睛說了一切， 我的心也回答了她！ 啊！升起吧，太陽！ 讓在穹蒼閃爍、 在蔚藍中顯露的 眾星也變得蒼白！ 升起吧！顯現吧！ 你這顆純潔迷人的星星！ 來吧！顯現吧！ 你這顆純潔迷人的星星！ 來吧！顯現吧！來吧！顯現吧！
馬斯奈 前奏曲及〈春天的微風，為何弄醒 我？〉，選自《維特》
噢春天的微風，為何弄醒我？ 為何弄醒我？ 我的額頭感到你的撫慰； 然而，差不多到了迎接 風暴和悲傷的時候！ 噢春天的微風，為何弄醒我？ 旅人明天會來到幽谷， 回想我昔日的榮耀… 他的眼睛將徒勞地尋找我的光輝， 它們看到的只有哀悼和痛苦！ 唉！春天的微風，為何弄醒我？
English translation: Peter Gordon
Chinese translation: Florence Ng
英文翻譯：Peter Gordon 中文翻譯：吳智欣
Hong Kong Philharmonic Orchestra
香港管弦樂團（港樂）獲譽為亞洲最頂尖 的管弦樂團之一。樂團經常邀請世界各 地的指揮和演奏家合作，每年演出超過 一百五十場音樂會，並把音樂帶給逾二十 萬名觀眾。港樂積極推廣華裔作曲家的作 品，更不斷委約新作及培育本地新秀，並 推行一系列廣泛而全面的教育及社區推廣 計劃，致力將音樂帶到不同場所。貝托祺 於 2025 / 26 樂季擔任港樂候任音樂總監， 隨後於 2026 / 27 樂季起出任港樂音樂總 監。余隆由 2025 / 26 樂季開始擔任首席客 席指揮；廖國敏於 2020 年 12 月正式擔任駐 團指揮。沙羅倫則於 2025 / 26 樂季擔任駐 團作曲家。
過去二十年，港樂在音樂總監梵志登（201224）和藝術總監兼總指揮艾度．迪華特 （2004-12）帶領下屢創高峰。2019 年，港 樂榮獲英國著名古典音樂雜誌《留聲機》 年度管弦樂團大獎，成為亞洲首個獲此殊 榮的樂團。港樂近年灌錄的專輯包括華格
納全套《指環》歌劇四部曲、馬勒第十交 響曲、蕭斯達高維契第十交響曲，以及柴 可夫斯基第六交響曲和第一鋼琴協奏曲。
樂團還與德意志留聲機合作，發行由貝托
祺指揮的《指環：管弦樂冒險》（由華格納 作曲、夫利格改編）。
香港管弦樂團由香港特別行政區政府資助，亦
為香港文化中心場地夥伴
香港管弦樂團首席贊助：太古集團
The Hong Kong Philharmonic Orchestra (HK Phil) is regarded as one of the leading orchestras in Asia. Collaborating with internationally renowned conductors and soloists, the orchestra presents more than 150 concerts annually, attracting more than 200,000 music lovers. The HK Phil promotes the work of composers from Hong Kong, the Chinese Mainland and the world, commissions new works, nurtures local talent, and runs extensive education and community programmes. Tarmo Peltokoski is the HK Phil’s Music Director Designate in 2025/26 and will become Music Director in the 2026/27 season. Currently, Long Yu serves as Principal Guest Conductor and Lio Kuokman is Resident Conductor. Esa-Pekka Salonen is Composerin-Residence.
The HK Phil has flourished during the past two decades under Jaap van Zweden (Music Director, 2012–24) and Edo de Waart (Artistic Director and Chief Conductor, 2004–12). In 2019, the HK Phil won the prestigious Gramophone Orchestra of the Year Award—the first orchestra in Asia to receive the prestigious accolade from the UK classical music magazine. Its notable recent recording projects include Wagner’s complete RingCycle, Mahler’s Symphony No 10, Shostakovich’s Symphony No 10, and Tchaikovsky’s Symphony No 6 and Piano Concerto No 1. The HK Phil also collaborated with Deutsche Grammophon to release Wagner’s The Ring:AnOrchestralAdventure, arranged by Henk de Vlieger and conducted by Tarmo Peltokoski.
The HK Phil is financially supported by the Government of the Hong Kong Special Administrative Region and is a venue partner of the Hong Kong Cultural Centre. Swire has been the principal patron of the HK Phil since 2006.
香港管弦樂團
Hong Kong Philharmonic Orchestra
候任音樂總監
貝托祺
首席客席指揮
余隆
駐團指揮
廖國敏，JP
邱啟楨紀念基金及香港董氏慈善基金會席位贊助
駐團作曲家
沙羅倫
第一小提琴
樂團首席
王敬
新鴻基慈善基金席位贊助
樂團第一副首席
梁建楓
樂團第二副首席
許致雨
樂團第二副首席
王亮
樂團第三副首席
朱蓓
艾瑾
把文晶
程立
桂麗
賈舒晨
李智勝
劉芳希
毛華
梅麗芷
張希
Music Director Designate Tarmo Peltokoski
Principal Guest Conductor Long Yu
Resident Conductor
Lio Kuokman, JP
The C. C. Chiu Memorial Fund & The Tung Foundation Resident Conductor
Composer-in-Residence
Esa-Pekka Salonen
First Violin Concertmaster
Jing Wang
The Sun Hung Kai & Co. Foundation Chair
First Associate Concertmaster Leung Kin-fung
Second Associate Concertmaster Anders Hui
Second Associate Concertmaster Wang Liang
Third Associate Concertmaster Bei de Gaulle
Ai Jin
Ba Wenjing
Cheng Li
Gui Li
Jia Shuchen
Li Zhisheng
Liu Fangxi
Mao Hua
Rachael Mellado
Zhang Xi
第二小提琴
趙瀅娜
Vincy and Samuel Leung 席位贊助
余思傑
梁文瑄
方潔
何珈樑
劉博軒
冒異國
華嘉蓮
韋鈴木美矢香
田中知子
包陪麗及渡伸一郎伉儷席位贊助
黃嘉怡
張雨辰
周騰飛
中提琴
凌顯祐
萬花筒慈善基金席位贊助
李嘉黎
熊谷佳織
崔宏偉
付水淼
洪依凡
黎明
林慕華
羅舜詩
孫斌
張姝影
大提琴
鮑力卓
邱啟楨紀念基金席位贊助
方曉牧
Barbara and Anthony Rogers 席位贊助
林頴
陳屹洲
陳怡君
霍添
關統安
李希冬
宋泰美
宋亞林
Second Violin
Zhao Yingna
The Vincy and Samuel Leung Chair
Domas Juškys
Leslie Ryang Moonsun
Fang Jie
Gallant Ho Ka-leung
Liu Boxuan
Mao Yiguo
Katrina Rafferty
Miyaka Suzuki Wilson
Tomoko Tanaka
The Cissy Pao and Shin Watari Chair
Christine Wong
Zhang Yuchen
Zhou Tengfei
Viola
Andrew Ling
The Kaleidoscope Charitable Foundation Chair
Li Jiali
Kaori Wilson
Cui Hongwei
Fu Shuimiao
Ethan Heath
Li Ming
Damara Lomdaridze
Alice Rosen
Sun Bin
Zhang Shuying
Cello
Richard Bamping
The C. C. Chiu Memorial Fund Chair
Fang Xiaomu
The Barbara and Anthony Rogers Chair
Dora Lam
Chan Ngat-chau
Chen Yi-chun
Timothy Frank
Anna Kwan Ton-an
Haedeun Lee
Tae-mi Song
Song Yalin
低音大提琴
林達僑
姜馨來
張沛姮
馮榕
費利亞
林傑飛
鮑爾菲
范戴克
長笛
史德琳
邱啟楨紀念基金席位贊助
盧韋歐
浦翱飛
短笛
施家蓮
雙簧管
韋爾遜
王譽博
金勞思
英國管
關尚峰
單簧管
史安祖
史家翰
劉蔚
低音單簧管
艾爾高
巴松管
莫班文
陳劭桐
李浩山
低音巴松管
崔祖斯
Double Bass
George Lomdaridze
Jiang Xinlai
Chang Pei-heng
Feng Rong
Samuel Ferrer
Jeffrey Lehmberg
Philip Powell
Jonathan Van Dyke
Flute
Megan Sterling
The C. C. Chiu Memorial Fund Chair
Olivier Nowak
Josep Portella Orfila
Piccolo
Linda Stuckey
Oboe
Michael Wilson
Wang Yu-po
Marrie Rose Kim
Cor Anglais
Kwan Sheung-fung
Clarinet
Andrew Simon
John Schertle
Lau Wai
Bass Clarinet
Lorenzo Iosco
Bassoon
Benjamin Moermond
Toby Chan
Vance Lee
Contrabassoon
Adam Treverton Jones
圓號
江藺
柏如瑟
周智仲
托多爾
李少霖
麥迪拿
小號
巴力勛
莫思卓
華達德
施樂百
長號
韋雅樂
高基信
湯奇雲
低音長號
區雅隆
大號
雷科斯
定音鼓
龐樂思
敲擊樂器
白亞斯
梁偉華
胡淑徽
豎琴
李愚珍
特約樂手 Freelance Players
中提琴：楊善衡
Viola: Andy Yeung
薩克管：梁國章
Saxophone: Jacky Leung
豎琴：何靜文
Harp: Judy Ho
Horn
Lin Jiang
Russell Bonifede
Chow Chi-chung
Todor Popstoyanov
Homer Lee
Jorge Medina
Trumpet
Nitiphum Bamrungbanthum
Christopher Moyse
Douglas Waterston
Robert Smith
Trombone
Jarod Vermette
Christian Goldsmith
Kevin Thompson
Bass Trombone
Aaron Albert
Tuba
Paul Luxenberg
Timpani
James Boznos
Percussion
Aziz D. Barnard Luce
Raymond Leung Wai-wa
Sophia Woo Shuk-fai
Harp
Woojin Lee
● 首席 Principal
■ 聯合首席 Co-Principal
◆ 副首席 Associate Principal
▲ 助理首席 Assistant Principal
Acknowledgements
香港藝術節衷心感謝下列機構及人士的慷慨支持﹕
The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員 Patron's Club Members
鉑金會員 Platinum Member
嘉里控股有限公司 Kerry Holdings Limited
黃金會員 Gold Member
怡和集團 Jardine Matheson Limited
純銀會員 Silver Member
太古地產 Swire Properties
青銅會員 Bronze Members
諾業基金有限公司 Nathaniel Foundation
胡興正醫生慈善基金有限公司 Dr. Wayne Hu Charitable Foundation Ltd 鳴謝
實物支持機構 In-Kind Supporters
半島酒店 The Peninsula Hotel Limited
藝術節捐助計劃 Festival Donation Scheme
鉑金捐款者 PLATINUM DONOR
HK$140,000 或以上 OR ABOVE
文肇偉 Sebastian Man
鑽石捐款者 DIAMOND DONOR
HK$70,000 - HK$139,999
孫漢明博士 Dr. Stephen Suen
翡翠捐款者 JADE DONORS
HK$30,000 - HK$69,999
無名氏 Anonymous
Chan Yiu Wah Eva
鄒艾狄
洪祖杭 HUNG CHAO HONG
Leung Wai Yee Candice
Wendy Nam
陳智文 Stephen Tan
黃金捐款者 GOLD DONORS
HK$12,000 - HK$29,999
無名氏 Anonymous
Jeffrey and Helen Chan
陳求德醫生 Dr. KT CHAN
周一嶽醫生 Dr. York Chow
何子健先生及廖文軍女士 Mr. Ho Che Kin & Ms. Liu Man Kwan
Huang Xiang Edmond
Kenneth Lau & Anna Ang
Dr. Sabrina TSAO
Dr. & Mrs. TSAO Yen Chow
Mr. & Mrs. YS Wong
通利琴行 Tom Lee Music
純銀捐款者 SILVER DONORS
HK$6,000 - HK$11,999
無名氏 Anonymous
仇少碧 Chow Siu Pik Maria
Ho Man Fung Edith
Joan Leung
Franklin Lee
練紹良先生夫人 Mr. & Mrs. David S L Lin
Dr. Michael Mak
José Manuel Sevilla and Julie Bisaillon
Linda Wang
Wong Yick Kam
姚曼儀女士 Ms. Enoch Yiu
姚昱 Isabel Yiu
青銅捐款者 BRONZE DONORS
HK$3,000 - HK$5,999
無名氏 Anonymous
Mr. Arblaster
Veryan Bradshaw
Cecilia
Jo Chen
Cheung Shuk Mei Cora
Dr. David Fang
Tim Freshwater
何超賢 Angela Ho
孔德朗 Adrian Hung
Dr. Alfred Lau
Lau Pui Wah Gloria
Wendy Leung Wing Shan
Jennie Mak
Barbara and Anthony Rogers
石應瀚
文娛慈善基金 The Elementary Charitable Foundation
朱玉迎 Zhu Yuying
鉑金捐款者 PLATINUM DONORS
HK$140,000 或以上 OR ABOVE
無名氏 Anonymous
馬振玉慈善基金會有限公司 CYMA Charity Fund Limited
The Lanson Foundation
鑽石捐款者 DIAMOND DONORS
HK$70,000 - HK$139,999
Mrs. Purviz R. Shroff, MH and Late Mr. Rusy M. Shroff, BBS, MBE
Dr. and Prof. Anna & Helmut Sohmen
田家炳基金會 Tin Ka Ping Foundation
芝蘭基金會 Zhilan Foundation
翡翠捐款者 JADE DONORS
HK$30,000 - HK$69,999
無名氏 Anonymous
Ophelia Fung
Catherine KC Leung
Li Kristine Keng Yan
Mr. and Mrs. Roger Lui
孫漢明博士 Dr. Stephen Suen
黃金捐款者 GOLD DONORS
HK$12,000 - HK$29,999
無名氏 Anonymous
陳求德醫生 Dr. KT CHAN
周一嶽醫生 Dr. York Chow
徐伯鳴先生與黃碧如女士 Mr. Norman Chui Pak Ming and Ms. Cleresa Wong Pie Yue
CHUNG See Yuen
LY Consultant Limited
C H Mak
Pong Sum-yee Samanta
Teresa Pong
Mr. & Mrs. Kenneth Quinn
孫永輝 施熙德 Stephen Sun and Edith Shih
陳智文 Stephen Tan
新作捐助計劃 New Works Scheme
黃金捐款者 GOLD DONORS
HK$12,000 - HK$29,999
無名氏 Anonymous
Prof. Gillian Choa
劉仰澤 Lau Yeung Chak
凌霄志醫生 Dr Tony Ling
純銀捐款者 SILVER DONORS
HK$6,000 - HK$11,999
無名氏 Anonymous
陳頴儀與黃乃正
純銀捐款者 SILVER DONORS
HK$6,000 - HK$11,999
無名氏 (3) Anonymous (3)
Mr and Mrs Herbert Au-Yeung
Iain Bruce
Cheung Kit Fung
Grace Chiang
Margaret Hamilton
S Hon
劉青薇 Lau Ching Mei Josephine
Franklin Lee
Joan Leung
Dr. Xina Lo
麥禮和醫生 Dr. Mak Lai Wo
Karen and Vernon Moore
Caroline Pang
Dr. Tam Oi Wo Joyce
Christine Tong
Dr. & Mrs. TSAO Yen Chow
青銅捐款者 BRONZE DONORS
HK$3,000 - HK$5,999
無名氏 (5) Anonymous (5)
區燊耀 Au Son Yiu
Susan Basquin
Biz Office Limited
Carthy Limited
Mr. & Mrs. D. Chang
蔣國誠 Chiang Kwok Shing Alan
Community Partner Foundation Limited
Joannes Ming Wai Lee
Savita Leung
Dr. Eddy Li
李芷珊 JANICE RITCHIE
Alan and Penny Smith
Ms. Tai Diana Po Kam
Michelle Tang Yuen Sheung
文娛慈善基金 The Elementary Charitable Foundation
邱偉程 Yau Wai Ching, Jimmy
殷和順先生及劉善萍女仕
Yim Chui Chu
青銅捐款者 BRONZE DONORS
HK$3,000 - HK$5,999
Lexandra Chan
MDB&Star B CHAN
Grace Chiang
Chiu Shui Man Tabitha
Victor Lai
李芸輝博士 Dr. LEE Wan Fai Walter
網上藝術教育捐助計劃 Digital Arts Education Scheme
黃金捐款者 GOLD DONOR
HK$12,000 - HK$29,999
無名氏 Anonymous
青銅捐款者 BRONZE DONOR
HK$3,000 - HK$5,999
HK CT Alumni Association
香港藝術節基金會贊助人
Hong Kong Arts Festival Foundation Patrons
首席創始贊助人 Lead Founding Patrons
陳俊豪先生 Mr Thomas Chan
黃廷方慈善基金 Ng Teng Fong Charitable Foundation
電訊盈科 PCCW
九龍倉集團 The Wharf Group
主要創始贊助人 Major Founding Patrons
萬通保險國際有限公司 YF Life Insurance International Ltd
眾安銀行 ZA BANK
創始贊助人 Founding Patrons
陳煒文博士 , JP Dr Raymond Chan, JP
丹斯里拿督邱達昌 Tan Sri Dato ’ David Chiu
曹其鋒先生 Mr Silas Chou
霍建寧先生及霍何綺華女士 Mr and Mrs Canning and Eliza Fok
馮氏基金有限公司 E.M. Fung Foundation Limited
何超瓊女士 , SBS, JP Ms Pansy Ho, SBS, JP
科勁國際（控股）有限公司 King ’ s Flair International (Holdings) Limited
梁婉玲博士 Dr Elina Leung
孫漢明博士 Dr Stephen Suen
包陪麗女士 , BBS 及渡伸一郎先生 Ms Cissy Pao, BBS and Mr Shinichiro Watari
支持及協助 Support and Co-operation
1Plus1 Production
第三十七屆澳門國際音樂節 37th Macao International Music Festival
史卡拉歌劇院學院 Accademia Teatro alla Scala
Antonieta Fernandes Manhão
Art-mate 網上售票平台 Art-mate
教育局藝術教育組 Arts Education Section, Education Bureau
香港愉景灣酒店 Auberge Discovery Bay Hong Kong
Bettypaige Flamenco
英國駐香港總領事館 British Consulate-General Hong Kong
英國文化協會 British Council
British Film Institute
楊文秀 Camelia Yeung
陳定遠 Chan Ting-yuen, Timothy 中國電影資料館 China Film Archive
城市當代舞蹈團 City Contemporary Dance Company
Clara Ramona Danza Flamenca Limited
西洋會所 Club Lusitano
比利時駐港總領事館 Consulate General of Belgium in Hong Kong
加拿大駐香港及澳門總領事館 Consulate General of Canada in Hong Kong and Macao
法國駐香港及澳門總領事館 Consulate General of France in Hong Kong & Macau
愛爾蘭駐香港及澳門總領事館 Consulate General of Ireland to Hong Kong and Macao
意大利駐香港總領事館 Consulate General of Italy in Hong Kong
葡萄牙駐澳門及香港總領事館 Consulate General of Portugal in Macau and Hong Kong
西班牙駐港總領事館 Consulate General of Spain in Hong Kong
瑞士駐港總領事館 Consulate General of Switzerland in Hong Kong
捷克共和國駐香港總領事館 Consulate General of the Czech Republic in Hong Kong
Culture Ireland
愛爾蘭外交貿易部 Department of Foreign Affairs and Trade, Ireland
Diamond Digital Marketing (HK)
天主教澳門教區 Diocese De Macau
林芍彬博士 Dr Anne Lam Cheuk-bun
盧定彰博士 Dr Daniel Lo Ting Cheung
Dr Elisabeth Berry Drago
林丰博士 Dr Fung Lam
張國雄博士 Dr Stephen Cheung Kwok Hung
黃志淙博士 Dr Wong Chi-chung
東九文化中心 East Kowloon Cultural Centre
Esencia Flamenca HK
誠品書店 Eslite bookstore
楊欣諾 Felix Yeung
翻騰三周半 Fountain de Chopin
藝穗會 Fringe Club
德國駐香港總領事館 German Consulate General Hong Kong
六國酒店 Gloucester Luk Kwok Hong Kong
香港君悅酒店 Grand Hyatt Hong Kong
Habyt Bridges
Hansen Chan
香港藝術行政人員協會 Hong Kong Arts Administrators Association
香港藝術中心 Hong Kong Arts Centre
香港浸會大學 Hong Kong Baptist University
音樂學院 Academy of Music
香港中樂團 Hong Kong Chinese Orchestra
香港大會堂 Hong Kong City Hall
香港文化中心 Hong Kong Cultural Centre
香港旅遊發展局 Hong Kong Tourism Board
香港聯合國教科文組織世界地質公園 Hong Kong UNESCO Global Geopark
悅品海景酒店．觀塘 Hotel COZi Harbour View
宜必思香港中上環 ibis Hong Kong Central & Sheung Wan
入境事務處 Immigration Department
In Black
法國文化中心 Institut français
東方葡萄牙學會 Instituto Português do Oriente
益普索 IPSOS
廖健邦 James Liu
滘西村值理會 Kau Sai Village Office
林欣傑 Keith Lam
梁頌怡 Kitty Leung
駐香港韓國文化院 Korean Cultural Center in Hong Kong
高山劇場 Ko Shan Theatre
Kubrick
葵靑劇院 Kwai Tsing Theatre
光華印務公司 Kwong Wah Printing Company
勞工處 Labour Department
李淑嫻 Lee Suk Han
康樂及文化事務署 Leisure and Cultural Services Department
牧羊少年與他的浮萍 Lemna of the Alchemist
林昕楠 Lin Xinnan
盛薈 @ 莊士敦 Loplus@Johnston LORE Limited
馬志恆 Ma Chi Hang
馬哥孛羅香港酒店 Marco Polo Hongkong Hotel
Margaret Cheung
Mariko Drayton
Maxibit HK/China
MOViE MOViE
Munchkinlands Company
迷音樂 Musikholic
MYKE40 ltd
荃灣西如心酒店 Nina Hotel Tsuen Wan West
北區大會堂 North District Town Hall
香港諾富特世紀酒店 Novotel Century Hong Kong
One Bite Design Studio
Parenthèses
柏斯琴行 Parsons Music Limited
迷離科技有限公司 Practical Magic and Innovation
葉劍豪教授 Professor Ip Kim-ho
瑞士文化基金會 Pro Helvetia – Swiss Arts Council
犇華企業服務有限公司 Primasia Corporate Services Limited
舍區 Quarryside
歐永財魅力弗拉門戈藝術團 Raymond Au & His Flamenco Troupe Los Duende
麗豪酒店 Regal Riverside Hotel
黃日芝芭蕾舞學校 Regine Wong School of Ballet
皇家太平洋酒店 Royal Pacific Hotel
Saul Zaentz Company
沙田大會堂 Sha Tin Town Hall
上環文娛中心 Sheung Wan Civic Centre
Southgate Design
春天芭蕾舞學校 Springtide Ballet School 聯合新零售（香港）有限公司 SUP Retail (Hong Kong) Limited
大館 古蹟及藝術館 Tai Kwun Centre for Heritage and Arts
駐香港臺北經濟文化辦事處 Taipei Economic and Cultural Office in Hong Kong 台灣蘇富比國際房地產 Taiwan Sotheby's International Realty
唐娟 Tang Juan
藝林文具印刷有限公司 The Artland Co. Ltd.
瑞典駐香港及澳門總領事館 The Consulate General of Sweden in Hong Kong and Macau
The Corner Coffee Ltd.
香港教育大學 The Education University of Hong Kong
文化與創意藝術學系 Department of Cultural and Creative Arts
香港演藝學院 The Hong Kong Academy for Performing Arts
舞蹈學院 School of Dance
戲劇學院 School of Drama
音樂學院 School of Music
表演場地管理部 Venue Performance Unit
場地技術部 Venue Technical Unit
香港管弦樂團 The Hong Kong Philharmonic Orchestra
香港朗廷酒店 The Langham, Hong Kong
香港半島酒店 The Peninsula Hotel Limited
港靑 香港基督敎靑年會 The Salisbury – YMCA of Hong Kong
香港大學 The University of Hong Kong
比較文學系 Department of Comparative Literature
音樂系 Department of Music
荃灣大會堂 Tsuen Wan Town Hall
翠華船務（香港）有限公司 Tsui Wah Ferry Service (H.K.) Limited
屯門大會堂 Tuen Mun Town Hall
東華三院東蒲 TWGHs TungPo
美國駐港澳總領事館 U.S. Consulate General HK & Macau
郭慧芸芭蕾舞學校 Vivian Kwok School of Ballet
Vivian Suen
西九文化區管理局 West Kowloon Cultural District Authority
WINK
艾希妮控股有限公司 X Social Group Holdings Limited
高木 Yakitori Takagi
元朗劇院 Yuen Long Theatre
贊助人
李家超先生 , PATRON
GBM SBS PDSM PMSM
永遠名譽會長 邵逸夫爵士（1907-2014）
執行委員會
主席 盧景文教授
副主席 文肇偉先生 義務司庫 范高廉先生 委員 何苗春暉女士
紀文鳳女士 林健忠博士
劉鎮漢先生 李敬恩女士
馬清正先生 薛文熹先生
譚榮邦先生 閻 蘭博士 楊 光先生
節目委員會
主席 譚榮邦先生 委員 白諾信教授
黃 翔先生 羅志力先生 毛俊輝教授
約瑟 施力先生 +
姚 珏教授
財務委員會
主席 范高廉先生 委員 鄭惠貞女士 梁國輝先生
發展委員會
主席 閻 蘭博士
副主席 梁嘉彰女士
委員 張詩樂先生 馮穎詩女士
龐心怡女士 孫林宣雅女士 文 藝女士
顧問 夏佳理先生 鮑 磊先生
查懋成先生
陳祖澤博士
陳達文博士
霍 璽先生
李業廣先生
梁紹榮夫人
李國寶博士
名譽法律顧問 甘乃迪女士 美博香港律師事務所
核數師 羅兵咸永道會計師事務所
Honorary Programme Advisor
電話 TEL （852）2824 3555
傳真 FAX （852）2824 3798、（852）2824 3722
電子郵箱 Email afgen@hkaf.org
節目查詢熱線 （852）2824 2430
Programme Enquiry Hotline
地址 ADDRESS
香港灣仔港灣道二號十二字樓 1205 室 Room 1205, 12/F,2 Harbour Road, Wan Chai, Hong Kong
The Hon. John KC Lee,
GBM SBS PDSM PMSM
HONORARY LIFE PRESIDENT The Hon. Sir Run Run Shaw, GBM CBE（1907-2014）
EXECUTIVE COMMITTEE
Chairman Prof. Lo Kingman, SBS MBE JP
Vice-Chairman
Honorary Treasurer
Members
PROGRAMME COMMITTEE
Chairman
Members
FINANCE COMMITTEE
Chairman
Members
DEVELOPMENT COMMITTEE
Chairperson
Vice-Chairperson
Members
ADVISORS
HONORARY SOLICITOR
AUDITOR
Mr Sebastian Shiu-wai Man
Mr Colin Farrell
Ms Joanna Hotung
Ms Leonie Ki, GBS SBS JP
Sir Lam Kin Chung, KCR
Mr Anthony Lau
Ms Kristine Li
Mr Ma, Ching Cheng
Mr Hugh Simon
Mr Tam Wingpong, SBS
Dr Yan Lan
Mr Sunny Yeung
Mr Tam Wingpong, SBS
Prof. Giorgio Biancorosso
Mr Edmond Huang
Mr Peter C L Lo
Prof. Fredric Mao, BBS
Mr Joseph Seelig, OBE +
Prof. Jue Yao, SBS JP
Mr Colin Farrell
Ms Margaret Cheng, JP
Mr Nelson Leong
Dr Yan Lan
Ms Catherine Leung
Mr Carey Cheung
Ms Ophelia Fung
Ms Samanta Sum-yee Pong
Mrs Helen Lin Sun
Ms Yi Wen
The Hon. Ronald Arculli, GBM CVO GBS OBE JP
Mr Martin Barrow, GBS CBE
Mr Victor Cha
Dr John CC Chan, GBS JP
Dr Darwin Chen, SBS ISO
Mr Angus H Forsyth
The Hon. Charles YK Lee, GBM GBS OBE JP
Mrs Mona Leong, SBS BBS MBE JP
Dr The Hon. Sir David KP Li, GBM GBS OBE JP
Ms Gabriela Kennedy
Mayer Brown Hong Kong LLP
PricewaterhouseCoopers
職員
行政總監 余潔儀
行政總監助理 何丹蓉
節目
節目總監 梁掌瑋、蘇國雲
副節目總監 李冠輝
高級節目經理 蘇雪凌、游慧姿 *
節目經理 鄭佩群 *、廖國穎 *、馬筠婷 * 、
黃 嵐 *
項目經理 李朗軒 *
節目統籌 陳娟瑜 *、周 翹 *、鍾曉晴 * 、
容諾行 *
節目主任 黃明儀 #
物流
物流及接待經理 金學忠 *
技術
高級製作經理 梁雅芝 * 製作經理 陳梓衡 *
出版
編輯經理 陳詠恩 *
英文編輯 Adam Wright*
副編輯 陳劭儀 *
助理編輯 干 霖 *
外展
外展經理 林嘉敏 *
外展統籌 陳沅渟 *、李幸凝 *、鄧芷蔚 * 、 黃思婷 *
外展主任 趙家琳 *、郭曉潼 *
外展助理 陳美鳳 *
市場推廣
市場總監 鄭尚榮
副市場總監 盧伯全
市場經理 鄭曉恩 *、張予心 *、黃芷賢 *
市場項目經理 譚懿諾 *
副市場項目經理 李穎軒 *
助理市場經理 朱凱潼 *
市場統籌 梁喬正 *
市場主任 王舒萱 *
票務
高級市場經理（票務） 梁彩雲
票務主任 蔡嘉熹 *
發展
發展總監 簡潤如
特別發展協理 蘇啟泰 *
發展經理 陳寶齋 *、葉巧儀 *、黃珮茵 *
助理發展經理 郭倩珩 *
發展主任 葉涴喬 *
短期發展助理 陳芍穎 *
行政事務
財務總監 鄺敬婷
會計
會計經理 杜詩麗 * 會計及行政主任 麥婕妤 * 人力資源及行政 人力資源及行政經理 楊美君 * 接待員 / 初級秘書 李美娟
資訊科技
資訊科技經理 陳啟明 *
無限亮
項目總監 錢 佑 *
節目及外展經理 鍾美琼 *、高 君 *、吳卓恩 *
助理節目及外展經理 潘詠汶 *
節目及外展統籌 鄭銘柔 *
市場經理 黃嘉欣 *
副市場經理 陳佩鈴 *、吳雪琼 *
助理製作經理 鄭家裕 *
高級會計主任 鍾巧明 *
STAFF
Executive Director
Assistant to Executive Director
PROGRAMME
Programme Directors
Associate Programme Director
Senior Programme Managers
Programme Managers
Project Manager
Programme Coordinators
Programme Officer
LOGISTICS
Logistics Manager
TECHNICAL
Senior Production Manager
Production Manager
PUBLICATIONS
Editorial Manager
English Editor
Associate Editor
Assistant Editor
OUTREACH
Outreach Manager
Outreach Coordinators
Outreach Officers
Flora Yu
Connie Ho
Grace Lang, So Kwok-wan
Kenneth Lee
Shirley So, Janet Yau*
Cathy Cheng*, Sophie Liao*, Katie Ma*, Neva Wong*
Li Long-hin*
Alice Chan*, Nicole Chow*, Dorothy Chung*, Ryan Yung*
Melissa Wong#
Elvis King*
Shirley Leung*
Jacob Chan*
Eugene Chan*
Adam Wright*
Shao yi Chan*
Lindsey Gan*
Carman Lam*
Olivia Chan*, Giselle Li*, Tina Tang*, Ariel Wong*
Raven Chiu*, Angel Kwok*
Outreach Assistant Christine Chan*
MARKETING
Marketing Director
Associate Marketing Director
Marketing Managers
Project Manager – Marketing
Katy Cheng
Eugene Lo
Vicki Cheng*, Stephanie Cheung*, Effie Wong*
Hades Tam*
Deputy Project Manager - Marketing Hill Li*
Assistant Marketing Manager
Jessica Chu*
Marketing Coordinator Isaac Leung*
Marketing Officer
TICKETING
Senior Marketing Manager (Ticketing)
Ticketing Officer
DEVELOPMENT
Development Director
Nancy Wong*
Eppie Leung
Heidi Choi*
Brenda Kan
Special Development Associate Alex So*
Development Managers
Assistant Development Manager
Development Officer
Leroy Chan*, Evelyn Ip*, Janice Wong*
Evelyn Kwok*
Jeria Yip*
Temporary Development Assistant Cherry Chan*
CORPORATE SERVICES
Finance Director
ACCOUNTS
Account Manager
Accounting & Administrative Officer
HR & ADMINISTRATION
HR and Admin Manager
Teresa Kwong
Connie To*
Charmaine Mak*
Janet Yeung*
Receptionist/Junior Secretary Virginia Li
INFORMATION TECHNOLOGY
Information Technology Manager
NO LIMITS
Project Director
Derek Chan*
Eddy Zee*
Programme and Outreach Managers Becky Chung*, Tiffany Ko*, Frieda Ng*
Assistant Programme and Outreach Manager Jasmine Poon*
Programme and Outreach Coordinator
Marketing Manager
Deputy Marketing Managers
Assistant Production Manager
Taylor Cheng*
Carly Wong*
Gina Chan*, King Ng*
Dick Cheng*
Senior Accounting Officer Catherine Chung*
藝術家統籌 張晞琳*、朱芷慧*、馮碧琪*、向怡君*、何敬堯*、梁頌怡*、盧悅穎*、羅玲* 、Lucrezia Luxardo*、胡肇婷*、楊曦*、翁蒨懃*
製作主任 魏俊瑩* 技術統籌 張詠宜*、范文恩*、馮舒凝*、李浩賢*、譚學臻*、鄧煒培*、曾以德*
Artist Coordinators Haynes Cheung*, Eleanor Chu*, Betty Fung*, Cassandra Heung*, Kelvin Ho*, Kitty Leung*, Joyce Lo*, Celine Luo*, Lucrezia Luxardo*, Blanche Wu*, Adrien Yeung*, Bonnie Yung*
Production Officer Rita Ngai*
Technical Coordinators Jess Cheung*, Yan Fan*, Cherry Fung*, Lawrence Lee*, Camille Tam*, Billy Tang*, Joyi Tsang*
*合約職員 Contract Staff 按英文姓氏首字母排列 In alphabetical order
# 藝術人才見習配對計劃2025/26由香港藝術發展局資助
# 2025/26 The Arts Talents Internship Matching Programme is supported by the Hong Kong Arts Development Council 2026年2月更新 Updated February 2026
請支持您的藝術節！
Become a Supporter of Your Festival!
香港藝術節是一所非牟利機構，單憑票房收入及政府基本資助，遠遠 未足以應付呈獻及推廣世界各地頂尖表演藝術的成本。藝術節之所以 能持續舉辦，捐助者的慷慨支持實在功不可沒。誠意邀請您捐助藝術 節捐助計劃，協助我們繼續帶來高質素國際及本地藝術家精采的演出， 以及舉辦多元化的外展及教育活動。
香港藝術節是香港特區政府的「藝術發展配對資助計劃」受惠機構， 部份籌得的捐款及贊助收入將獲一元對一元的配對資助。*
無論捐贈數額多少，我們均衷心感謝您的支持！
The Hong Kong Arts Festival is a non-profit organisation. Income from ticket sales and government baseline funding can only partially cover the Festival’s costs for presenting and promoting the best performing arts from around the world. The Festival can only continue its work thanks to the generous support of its donors. Please support the Festival Donation Scheme so we can continue to present world-class international and local artists as well as offering diverse outreach and education activities.
The Hong Kong Arts Festival is a recipient of the HKSAR Government’s Art Development Matching Grants Scheme. Part of the Festival’s sponsorship and donation income will benefit from a dollar-for-dollar match by the Government.* Donations of any amount will make a difference, and are greatly appreciated!
* 須受「藝術發展配對資助計劃」之條款及細則約束。 Subject to conditions of the Government’s Art Development Matching Grants Scheme.
網上捐款
ONLINE DONATION http://go.hkaf.org/give
其他捐款方法，請參閱刊於本 冊子尾部之捐款表格
For other donation methods, please refer to the Donation Form near the end of this booklet
查詢 Enquiries: dev@hkaf.org 2828 4911/12
is amongst the world's
Our home base most promising.
我們位於世界最具潛力的城市之一
1899.Childe Hassam - New England Headlands