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I remember the first timeI took note of the balaclava.It was a little over a year ago, at a crowded house partyIn deep Brooklyn.Alanky, twenty something man wore a bright orange balaclava despite the tropical microclimate created by all the packed, dancing bodies. He took nonchalant sips from a red Solo cup, mesmerizingly comfortableIn his anonymity.At that time,I viewed the moment as eccentric and kooky. Who wears a balaclavaIf they’re notIn the arctic or planning a heist? Though balaclavas also known as skI'masks have been popular for a long timeIn frigid locales such as Eastern and Northern Europe, they weren’t as commonIn a city like New York. But perhaps their relative out of placenessIs what made them a great candidate for trend forward New York style. Colorful, striped balaclavas like the ones sold by Marni and Ella Emhoff catches your eye, but also obscures theIdentity of the wearer.It places all your attention on the clothes, not the person.
Masqueraders wearing carnival costumes with wings and crowns jumped up behind sound trucks large mobile stages outfitted with speakers, DJ equipment, and steel pans that crawled through Port
of Spain on Tuesday morning.At Victoria Square, members of the Lost Tribe carnival band fastened on backpacks made of drapery, gigantic clusters of butterflies, and capes. Sweet soca and calypso boomed throughout the capital city. “If you hear any noiseIn the background, they’re music trucks on theAvenue. Welcome to carnival,” says ValmikI'maharaj, the creative director and bandleader of the Lost Tribe. Maharaj says he’s everything from “head cook” to “bottle washer” he’s a designer, editor, strategist, and visionary.
Revelers who join the band put their own spin on the theme and construct their own costumes.Mawasi Charles/Scene Productions Ltd Trinidad and Tobago’s carnivalIs the largestIn the Caribbean.Ahumble tradition blossomedInto a magnetic ritual that draws the diaspora home, and costumingIs at the root of the spectacle. “We’re a strange mix of costuming, performance, entertainment, party, allIn the same thing,” says Maharaj, whoIs 37 and from Barataria, a borough 20 minutes east of Port of Spain.The Lost TribeIs a young carnival troupe that put onIts first road march seven years ago. Since the beginning, the costumes departed from the feather and headdress bikinI'mas (costume) most bacchanalists have seen or worn.On carnival Tuesday, the Lost Tribe pushed the boundaries of tradition yet again. The overarching theme was “202We,” represented by blue, the color of “renewal, of washing, of rebirth,” according to Maharaj. Asection called Wish, designed by Naas Mohammed, led the band. The revelers wore painter’s tape blueIridescent “road gowns” paired with beaded, baby blue bikini bottoms and tropical print head wraps. The Wish
frontline wore four foot tall green bamboo like poles that juttedInto the air and were draped with coordinating printed fabric; they looked like sarongs blowingIn the wind. The men wore a black netted jacket with blue sequin fringe with mesh joggers.
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