HIROYUKI SANADA, Los Angeles October/November 2025

HIROYUKI SANADA

A LIFE IN FULL

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A Ballad of Fire

OUR NEWEST ICON, AN EXTRAORDINARY SPIRIT born from the transformative power that fire exerts upon agave.

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THE COVER Hiroyuki Sanada is wearing FULL

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Hiroyuki Sanada is wearing

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SHIRT: Brioni

GLASSES: Jacques Marie Mage

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THE MAN WHO HAS DIED A THOUSAND DEATHS AND LIVED WITHOUT REGRET

HIROYUKI SANADA HAS SPENT HALF A CENTURY ON SCREEN, FROM SHAKESPEARE’S FOOL TO SCORPION IN MORTAL KOMBAT, AS WELL AS TORANAGA IN FX’S RECORDSHATTERING SHŌGUN. AND WITH EVERY FALL, HE’S BUILT A LEGACY — NOT OF ENDINGS, BUT OF RESILIENCE, JOY, AND ZERO REGRETS.

iroyuki Sanada has been shot, stabbed, beheaded, and burned — all before lunch.

When I ask how many times he’s died onscreen (I mean, he is famous for it, after all), he chuckles: “Too many!”

And while it’s true that the characters he plays — whether they’re assassins, samurai, or even the vengeful Scorpion in Mortal Kombat — seem to have a brief shelf life, the same can’t be said for Sanada himself. With more than 70 films and almost 60 years as a professional actor under his belt and a body of work that stretches from intimate Japanese dramas like The Twilight Samurai to epic period dramas like The Last Samurai (his Hollywood breakthrough, opposite Tom Cruise, in 2003) to blockbusters like Avengers: Endgame and John Wick: Chapter 4, it’s safe to say that Sanada isn’t going anywhere.

And yet, death not only seems to follow him — but, in truth, it becomes him.

By now, audiences know the rhythm of his falls: the sudden clash, the pause, the intake of breath before the inevitable cut to silence. On Reddit, fans joke that he “never makes it out alive,” pointing to his roles in The Last Samurai, The Wolverine, 47 Ronin, Westworld, and Mortal Kombat. That gasp from audiences is almost Pavlovian by now — proof of how deeply his sacrifices land.

Perhaps the most indelible of those deaths came as Scorpion, the vengeful warrior in 2021’s Mortal Kombat, whose story begins — and ends — in fire. For longtime fans of the video game franchise, Scorpion is both a cult hero and a tragic figure, his entire mythology built on loss and vengeance.

When Sanada was initially cast in the film, he had no idea just how iconic the role was. “I never played the game before I got the offer,” he admits. “I was a little nervous to play that famous character.” Nervous, but not intimidated. With Scorpion, he did what he has always done. He studied. He practiced. And, in this case, he picked up a controller. “I tried to play, but I had never done it before, so I was a loser again and again,” he laughs. Still, he kept at it. And over time, the character’s world — the secret weapons, the coded moves, the history — came into focus. “Playing helped me understand Scorpion’s world on set. I got a bit of a new hobby,” he admits.

But the true appeal of tackling such a role wasn’t just in the fight choreography, visual effects, or the ability to brush up on his video game skills, but in the story itself. He understood immediately that his own task was not just to embody the fighter, but to ground him in humanity.

Which is why, in the first film, he relished the chance to play Hanzo Hasashi, the man before the mask — a grieving husband and father whose humanity lent weight to the supernatural vengeance that followed as he transformed into Scorpion. “That human story helped me respect the original and then create something new,” he says, noting, “Finding that balance is my mission as an actor.”

Sanada understands the responsibility that comes with such casting, which is why the vengeanace he initially brought to Scorpion is still alive (ironically) and strong in the upcoming Mortal Kombat II. “My revenge is the most important theme for my character, same as part one,” he explains.

But as one of the few Japanese-born actors to break through in the West, authenticity is the most important element for Sanada. He has been entrusted to carry cultural integrity into roles that might otherwise have been flattened into stereotype. His collaborators often speak of the gravitas he brings to even the briefest of appearances — the way his physical precision and quiet authority elevate his films into something weightier. Audiences, too, respond to that gravitas. A Sanada warrior is never generic; he is flesh and spirit, carrying centuries of discipline in the flick of a wrist.

It is this reputation that has made him both indispensable and symbolic. Directors lean on Sanada not only for precision in choreography, but for the way he elevates what might otherwise be dismissed as genre spectacle. Every cut of the blade, every fall to the ground carries centuries of history in his movement. In the silence that follows his characters’ deaths, audiences often feel they are mourning more than fiction. They are mourning the warrior itself — a figure Sanada embodies with almost mythic resonance.

But then, he knows the stakes: stepping into a character beloved by millions of fans can be treacherous — especially when it comes to characters like Scorpion. “Of course, I felt a lot of pressure. But I didn’t mimic the game completely. I respected the original but added my own originality.”

That pressure hasn’t gone unnoticed by audiences. The appetite for Sanada’s Scorpion is stronger than ever. When the red-band trailer for Mortal Kombat II dropped, it shattered expectations, notching 107 million global views and becoming one of the most watched trailers in franchise history. Though the premiere date was set for October 24 of this year, fans will have to wait (impatiently) a little longer. Well, maybe more than a little: in late August (after this interview was done, in fact), Warner Bros. and New Line shifted the sequel’s release from a crowded late-October slot to mid-May next year — a move designed to capture summer’s box-office heat, just as Final Destination: Bloodlines did with record numbers last season. To date, the three Mortal Kombat films have grossed more than $250 million worldwide, proof that Scorpion’s sting — and the gravity Sanada brings to him — remain irresistible to fans.

But back to death (because really, can he avoid it?). In Mortal Kombat II, Sanada’s fate is sealed once again: by the time the sequel opens, Scorpion is already gone — a ghost, a legend, a presence rather than a man. The irony isn’t lost on Sanada that one of his most popular roles is defined by absence. Nor is it accidental that this absence resonates now, at a time when international casting in blockbuster franchises faces sharper scrutiny than ever. These roles carry the weight of representation and responsibility — not tokenism, but testament. In an industry often criticized for sidelining Asian actors, Sanada has managed to seize center stage by imbuing them with emotional truth.

This is, in part, is what made Shōgun such a success — and which, simultaneously, turned Sanada himself into a global phenomenon, with a collection of accolades that few actors of any nationality can claim.

FX’s lavish adaptation of James Clavell’s novel became one of the most acclaimed television series in years, hailed for its visual splendour, dramatic scope, and cultural authenticity. It wasn’t just a critical darling; it was a juggernaut. Not only did it shatter records once thought untouchable, even dethroning Game of Thrones for the most wins in history, but it also collected a treasure trove of well-deserved Golden Globes, Critics’ Choice, and SAG Awards. As Sanada became the first Japanese actor to ever win these accolades — his first outing as producer even earning the Producers Guild’s Norman Felton Award — he also reframed how Hollywood — and the world — viewed Japanese actors and storytelling.

For Sanada, who plays protagonist Lord Yoshii Toranaga, the brilliant strategist caught between duty, betrayal, and ambition, the role carried deep personal significance. “Lord Toranaga was my hero since I was a kid,” he admits. That reverence, however, came with pressure. How does one play his hero? His solution was simple. “I tried to forget the original, then create my own version. Once I decided [on that], I felt free.”

“AFTER I DIE, THE MOVIES REMAIN ALIVE FOREVER. THAT’S WHY I GIVE MY BEST EVERY TIME. I DON’T WANT TO REGRET IT.”

In building the character from scratch, Sanada landed upon something special. In his hands, Shōgun became transformative: no longer a story told solely through foreign eyes, but one anchored in lived cultural truth. For Western audiences, Lord Toranaga was a revelation, embodying the complexity of leadership without exoticism. Critics praised his “commanding subtlety,” marveling at how he could alter the mood of a scene with the smallest shift in gaze. This dual resonance — authenticity at home, authority abroad — is what elevated Shōgun from adaptation to phenomenon. And luckily, the saga isn’t over. FX has officially greenlit a second season, with Sanada heading to Vancouver (where the majority of the series is actually filmed) to begin shooting later this year. For him, it’s not just a continuation of Toranaga’s journey, but another opportunity to shape the way Japanese history is portrayed on a global stage.

Still, Sanada downplays the idea that he alone is the sole cultural bridge between Japan and the West. Critics and collaborators often point to him as the rare actor able to bring Japanese authenticity into Hollywood stories without compromise, but Sanada resists being cast in that singular role.

“Maybe half and half,” he says, meaning he is proud to champion Japanese stories, yet refuses to be defined only by them. “I want to support others. But not just Japanese stories — I want to work on all kinds of international projects; that is one of my missions as a producer. International projects are important, but not necessarily all the time. It depends on the project.”

One thing is for certain though: Sanada is content to keep dying onscreen for as long as he needs to. It’s part of his legacy, after all. And so, what begins as a joke quickly turns into something deeper. “After I die, the movies remain alive forever,” he says. “That’s why I give my best every time: I never want to regret it.”

BUBBLES OVER BATTLES

Onscreen, death is Hiroyuki Sanada’s constant companion. Off screen, though, he insists on life. “I always open the bubbles,” he says with a smile, referring to his love of champagne and prosecco. Where death defines his roles, celebration defines the man himself — a reminder, a quiet insistence, that what lasts is not sacrifice, but joy. It’s a philosophy that has carried him through a career of more than half a century, one that has made Sanada — who turns 65 on October 12 — an industry legend, an international star, and one of the most celebrated actors of his generation.

In an industry where roles are fleeting and stardom fragile, Sanada has survived for decades by pouring everything he’s got into each and every performance, whether it lasts for twelve minutes of screen time or twelve weeks on stage.

“I just follow my instincts. They are all good footsteps in my life,” he says. That instinct has carried him from child actor in Japan to one of Hollywood’s most respected and sought-after stars. Along the way, he has been honored at every level — from lifetime achievement awards in Japan to Hollywood’s highest accolades — yet he measures success less in trophies than in integrity.

That philosophy came into sharp focus when Sanada took on what he calls the scariest role of his life: the Fool in the Royal Shakespeare Company’s King Lear. It was a test not only of skill, but of the very instincts and integrity he prizes most. He had to perform in English for the first time — and not just any English, but the dense, archaic cadences of Shakespeare. “I was so scared, speaking English on stage — especially Shakespearean English,” he recalls. “I thought, if I fail, I cannot go back to Japan. I cannot survive in the Western world.”

SOCKS: London Sock Co.

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GLASSES: Sanada’s own

Failure meant more than a bad review. To Sanada, it felt like the difference between international credibility and permanent limitation; the stakes were that high. In that crucible, guidance mattered and he found it in Nigel Hawthorne, the veteran British actor playing Lear. “He taught me Shakespeare’s rhythm and punchlines,” Sanada says. “Without him, without his help, I couldn’t have survived on stage. I cannot thank him enough.”

The audience, too, became part of his transformation. “Every single day they gave me strength,” he says. “They were laughing at my jokes as a fool, and I thought London people laughing at my jokes?” He pauses before admitting, “But honestly, I could only have fun and feel free for the last two months.”

Even though it may have taken time, this warm reception translated into more than confidence for Sanada. It led to acclaim beyond the stage, culminating in an honorary MBE Member of the Most Excellent Order of the British Empire, one of Britain’s highest honors, that recognizes individuals for outstanding achievement or significant service to the community marking him as a rare artist equally respected in Japanese and British theater traditions.

Said accolade was more than ceremonial; it crystallized the magnitude of the moment. To walk onto the RSC stage as a Japanese actor in the late 1990s was itself a risk. To walk off with standing ovations? That was transformative. For Sanada, it proved that courage in vulnerability could be as powerful as the fiercest sword fight.

That revelation that risk breeds freedom became a compass for the decades that followed. Sanada describes this as the moment when fear gave way to liberation, when he realized that risk and vulnerability could unlock freedom, not diminish it. “Let’s keep doing this challenge in my life,” he remembers thinking. That mindset carried him forward, from stage to screen, from East to West.

It also shaped how he approached the roles Hollywood offered him, never content to be confined to a single archetype. “Fighting skills are just one of my skills as an actor,” he says. “Action is just like dancing or singing. For me, it’s not special. I don’t care if it is comedy or musical or warrior.”

In many ways, that single declaration reframes the arc of his career. Audiences may remember him most vividly in armor, but to Sanada, action is just another instrument in his toolkit. The true craft is inhabiting characters

fully whether through fight choreography or comic timing. That’s why, if the right script came along, he’d gladly trade sword fights for screwball banter. For Sanada, it isn’t about chasing a particular genre but embracing the unknown. “Just a role I have never done before,” he says when asked what genre he secretly longs to try. For him, freshness is the only wish with the audience’s surprise being the reward. [And they would be surprised to see him right now, brandishing a cocktail shaker in favor of a sword as he playfully steps behind the bar of The Velvet Lounge at The Culver Hotel during his Haute Living cover shoot goofily giving it his all.]

This appetite for freshness explains why his filmography stretches from Shakespeare to Marvel, from Kurosawa-influenced samurai epics to zombie blockbusters. He has never stopped searching for the unexpected role, the new angle, the untested challenge. To Sanada, the only true failure is repetition. And just as he refuses to repeat himself on screen, he resists chasing the predictable trappings of success off of it.

Ask most actors of his stature what luxury means, and you’ll hear of sprawling homes, exotic cars, or couture wardrobes. Sanada’s definition is starkly different. “Luxury is a mental thing. Not a mansion or jewels. Working with a great crew and cast is a luxury. Even a small glass of champagne is very luxurious for me,” he admits.

It’s a striking statement from an actor whose résumé reads like a “Who’s Who of Hollywood” with projects that define big-budget spectacle. But it is even in the smallest moments of artistry with his collaborators that matters most, just as it is the smallest of rituals that matter most: raising a glass with castmates at the end of a shoot, watching the sun sink after a brutal day on set, hearing laughter ripple through a theater during a Shakespearean punchline. These are the luxuries that endure, long after the spotlight fades.

Which is why, after more than fifty years in the business, he chooses to measure life not in sacrifice, but in savoring sometimes with nothing more than a glass of champagne in hand. Not reserved for red carpets or gilded milestones, it can be a modest half-bottle to mark an intimate moment, or a magnum shared only among friends. “It’s for a party, for bringing people together,” he insists. “Never for myself alone.” Even the smallest glass is enough for Hiroyuki Sanada proof that what matters isn’t how much you pour, but how deeply you taste it.

DANISH SUPERMODEL NINA AGDAL IS WELCOMING HER NEW NORMAL AS SHE NAVIGATES HER CAREER, HER EVOLVING IDENTITY, AND HER NEW FAMILY — PROVING THAT LIFE’S GREATEST MOMENTS OFTEN ARRIVE ALL AT ONCE, READY FOR A FULL EMBRACE.

BY ADRIENNE FAUROTE PHOTOGRAPHY CALEB & GLADYS

STYLING ANNA KATSANIS

HAIR RIAD AZAR

MAKEUP NADIA TAYEH AT A-FRAME AGENCY

PRODUCTION SHELBY COMROE

STYLIST ASSISTANT SERENA ORLANDO

THERE IS SOMETHING TO BE SAID ABOUT LIFE’S MAJOR milestones converging in a single year. Perhaps it’s about trusting the universe’s timing or embracing the saying, When it rains, it pours, but sometimes, life’s defining moments arrive all at once... and it’s safe to say the past year has been Nina Agdal’s year.

Agdal’s pivotal year began last September when she and her husband, Logan Paul, welcomed their first child, Esmé, into the world. Nearly a year later, on August 15, Agdal and Paul celebrated the wedding of the summer at the iconic Villa d’Este on Lake Como — two life-changing moments that Agdal is still buzzing about.

On the heels of the iconic wedding, we captured Agdal’s post-wedding glow. For the Danish supermodel, she continues to discover special moments from her wedding. “I think that on the actual day, if I take myself back, I was trying really hard to stay present,” Agdal reflects. “We hosted our wedding over three days, and so much happened during that time that I’m still uncovering memories and little chapters I haven’t fully processed.”

This wedding was true to Agdal and Paul’s essence as a couple — it was joyful, vibrant, and full of energy. With 275 guests, the three-day celebration brought their vision to life in a way that felt deeply meaningful, surrounded by the people they love most.

“There were so many people and so much energy that I was just on the go — going with the chaos,” Agdal laughs. “It felt so rock’n’roll,” she

continues. “The [wedding] ended up becoming three full days because, during our actual wedding night dinner, this crazy thunderstorm — completely unexpected and not on the radar — forced us to move the entire event indoors, which is an entire chapter in itself. Lake Como can be unpredictable. So, we hosted a final dinner on the third evening, followed by a separate after-party. Instead of trying to force it into something it wasn’t, I told myself to go with the energy. Everyone was there to celebrate us and party, so I leaned into that.”

Agdal keeps coming back to the term “rock’n’roll” to describe her wedding, which perfectly captures her approach: learning to let go of control and enjoy the ride. “We were in this grand destination, bringing a new vibe into the elegant setting of Villa d’Este — no judgment, no rules. Guests could relax and enjoy themselves freely, even sharing pasta on the staircase,” she says, highlighting the balance of youthful spontaneity and timeless elegance.

“Looking back, I don’t think I realized how intense planning the wedding was. But being there, seeing all my visions come to fruition, surrounded by everyone we love — and watching them come together — was everything I had dreamed of and planned. It felt like a weight had been lifted off my shoulders,” Agdal admits.

Yet she never lost sight of the purpose: her husband. “Logan and I had conversations before the wedding to ensure that, while everyone was there

to celebrate us, we remembered we were there to celebrate our love and our relationship. Spending time with my husband and soaking in those moments with him was the one thing I wanted to be fully present for. Everything else, I let go of; I let the wedding planners do their job. I was able to let my hair down and have a good time,” she shares, smiling.

The Agdal-Paul wedding captivated social media this August, with Agdal’s fashion taking center stage — no surprise, given her renown as a model for over 15 years. “I knew fashion would be a major element of the wedding,” she admits. “When I attend weddings, I’m most excited to see the bride and what she’s wearing. It’s truly the bride’s moment to wear whatever makes her feel most beautiful.”

Agdal decided her wedding wasn’t the time to be understated. “I know my personality, and I’m not usually one to command attention, but for my wedding, I wanted to feel my absolute best. Each of my looks ended up being fully custom, which made them incredibly personal and special.”

For her wedding look, Agdal wore a custom Galia Lahav dress, having long felt drawn to the designer. “I did a campaign with them seven years ago, and I absolutely love their head designer, Sharon Sever. I admire how he dresses and celebrates women through his designs. So, as soon as I got engaged, I knew it would be a Galia Lahav dress.”

Like many brides, Agdal’s vision evolved during fittings. “I initially thought I’d choose a modern, lace-less look, but when I tried on the classic A-line lace gown, I immediately envisioned myself at Villa d’Este. To me, it was classic and timeless, which was the number one thing I wanted for all my looks — especially my wedding dress. I wanted a dress that would still feel beautiful and classic in 50 years.”

Another standout moment was her welcome party dress by House of Gilles, adorned with over 37,000 hand-sewn crystals. “I even told the designer I hoped the dress could live on and be worn again, because the craftsmanship was too beautiful to stay hidden away,” Agdal says, to which I suggest she save it for her daughter.

Laughing, Agdal replies, “Esmé has to do her own thing — what if she doesn’t like sparkles?” Touché.

Agdal is one of those people with whom you feel an instant bond — her personality radiates. She is passionate, full of life, and animated in a way that immediately captivates you.

Perhaps I expected a more ‘reserved Nina’ after watching Paul American, the family reality TV show that aired in March, starring her husband, Logan Paul, alongside his brother, Jake Paul.

In Paul American, Agdal shows a quieter side of herself, which, after speaking with her and being in my final week of pregnancy as I write this interview — I now understand. “It was an interesting time for me to be filming a reality TV show,” she admits. “I was pregnant throughout the entire show, and after giving birth, that was the end of it. Any woman who has been pregnant knows that pregnancy feels like a little bubble. So, I was very protective of my energy — from what I did and consumed to what I ate. I was so specific about everything I did.

“I’m a big believer that what you surround yourself with affects everything — every organ in your body, every atom. I was consumed with creating life inside of me, and I had to protect everything I could, all while filming this reality TV show,” Agdal adds.

While her priority is always to protect her peace, the slight chaos of filming and navigating an entirely new experience was still unforgettable, in the best way. “It was a really cool thing that I could document my entire pregnancy journey and see the clarity I had about so many things. Looking back on the show, it’s interesting to see how my pregnancy shifted the dynamics of my relationship and the dynamics of the family. It’s like I now have the bestedited home video — eight episodes — that I can share with Esmé one day.” She wasn’t performing for the cameras; she was simply living one of the most vulnerable chapters of her life: becoming a mother.

NINA,THE MOTHER

Agdal is a multifaceted person. She is dynamic, revealing new layers as we speak. The latest role that she has stepped into, motherhood, has been the one that has forced her to evolve the most.

“[Motherhood] has definitely been an ongoing transition,” Agdal reveals, further confirming the perfect timing of this interview, my last before becoming a mother. A coincidence? I think not. The universe’s energy gracefully intervening? Absolutely.

“Everyone has their own journey,” she continues. “I don’t think I was prepared for how big the change of having a baby is for a woman. You definitely hear about it, and people say you can’t prepare for it and that’s the truest statement of all time. You simply cannot prepare for what happens when your baby enters the world — in the most magical, positive, and out-of-body-experience way.”

She pauses for a moment. “But there’s another side to motherhood. For me, the transition to not being able to do whatever I wanted, whenever I wanted, was really challenging,” Agdal shares — a hard truth that some women find difficult to admit.

Agdal naturally thrives in chaos, from her work as a global model to traveling the world with her husband. Now, her ‘chaos’ looks different as she focuses on what’s best for Esmé.

“I don’t think I fully realized how my role on this planet would change instantly after having a baby. I was never formally diagnosed with postpartum depression, but I definitely think I was going through it, having dealt with depression in the past. Transitioning from my previous lifestyle to my entire existence revolving around caring for this baby wasn’t easy. Yet, at the same time, it’s one of life’s most rewarding and incredible experiences. You don’t realize the capacity your heart has to love someone so deeply — it’s like your heart beats outside of you.

“It’s beautiful and magical, but at the same time, it’s a rollercoaster. This ‘new normal’ has challenging aspects, which makes it so incredible — you evolve so much as a person so quickly,” she continues.

In this moment, I can tell that Agdal is a deep human, and motherhood has introduced a complex duality that pushes and pulls her daily.

“Being vulnerable, open, and honest with yourself and your support system about how you’re feeling — even if it may not feel right — is key. I remember moments when I thought I should be so happy and grateful, yet I still felt shame or guilt. These feelings are very common, and instead of pretending you’re in a fairytale, it’s important to talk about how you feel and lean on those around you. It’s all so up and down!”

It’s no secret that Agdal and Paul lead a highly public life, so I can’t help but wonder how she’s approaching this as a new, protective mother. “It’s a big conversation for us,” Agdal confides. “We live a nontraditional life, blessed with abundance and experiences, so we ask ourselves, how do we balance raising our child in this lifestyle? It’s not her fault she was born into this crazy world she is in.”

She continues, “I think it’s important for us to model and teach strong morals and values to Esmé. The classic advice parents often give is to be kind and treat others as you’d want to be treated, which is essential.”

Perhaps one of Agdal’s primary focuses is modeling the value of goal setting. “It’s also extremely important to instill a work ethic and goals,” she begins. “Even though we live a lavish life filled with blessings, we are still going to make her do the things we did as kids, like earning 50 cents for emptying the dishwasher. There is value in working for something and feeling accomplished. Reaching goals is extremely important, no matter where you are in life.”

Agdal makes a compelling point that achieving a goal builds confidence, which leads me to yet another facet of her character.

NINA,THE MODEL

As one of this generation’s most renowned supermodels, Agdal has achieved remarkable success in the industry. She started at the age of 16 and has now been modeling for 17 years, first appearing in the iconic Sports Illustrated Swimsuit Issue in 2012. She was then featured in multiple issues, gaining widespread recognition in 2014 when she co-starred on the magazine’s 50th anniversary cover alongside Chrissy Teigen and Lily Aldridge. Her impressive modeling portfolio includes campaigns for major brands such as Victoria’s Secret, Chanel, Billabong, and more.

Agdal has accomplished modeling career highs that most only dream of, which is ironic since modeling wasn’t Agdal’s dream per se, but rather a mechanism to get to her dreams. “Modeling was actually more of my grandmother’s dream for me,” she laughs, “My dream was always about wanting more.

“I grew up in Denmark with a very different lifestyle from the one I have now,” she continues, confessing, “I always knew I wanted more. While I’m deeply grateful for my upbringing there, I knew it was too ‘small town’ for me. I wanted bigger, more chaos, more crazy. In fact, the stability bored me,” Agdal shares.

Modeling became Agdal’s one-way ticket to America, where she could fulfill her dream of being part of New York City’s colorful chaos and build the life she envisioned for herself — an achievement that forever altered her trajectory. But let’s keep in mind that seventeen years ago, the modeling industry was also completely different.

“When I first started modeling, it revolved around a specific stereotype: 5’10”, size double zero, and lanky limbs. Being different wasn’t celebrated,” Agdal reflects. “Social media didn’t exist then either. Modeling was like scenes from old movies — you went to castings with your portfolio and competed for jobs. Now, it’s a different industry. There are no limits anymore. As long as you’re passionate, creative, and disciplined, you can find ways to succeed. It’s beautiful that we’re expanding beyond that narrow image.”

THE FUTURE NINA

Finally, we turn to the future Nina.

For now, she’s focusing on what’s right in front of her. “I’m enjoying being married and moving past the chapter of wedding planning. As incredible as it was, now we can enjoy being husband and wife with our beautiful baby girl,” she says — a joy she fully deserves. “I am soaking in this time with Esmé as she turns one and becomes a toddler. I get to watch her take her first steps and say her first words. Time truly flies during these early years of family life, so I’m making sure to soak it all in.”

Professionally, too, Agdal is still finding her balance. “I want to return to work, but I’m figuring out what that looks like and the best way to do it, especially since I do want more kids. I’ve been in the fitness and wellness industry for a long time, so I’m exploring how to dive back into work while spending time with my daughter and trying to get pregnant again,” she reveals, and we both laugh at the ongoing juggle of it all. Agdal has definitely been focused on building her family and creating a new life for herself, but her true passions — for social media and modeling — aren’t far away. They’re still waiting for her, ready to embrace her next step as the new Nina.

WHERE TO DINE DURING THE LAS VEGAS GRAND PRIX

These newly opened restaurants should be on your hit list come November. But take note: there are many good things to come, including Kwame Onwuachi’s Maroon, Scott Sartiano’s eponymous Sartiano’s, Mario Carbone’s Carbone Riviera, the Vegas outpost of London’s two-Michelin star Gymkhana, and the arrival of the lauded NYC members club Zero Bond.

BAZAAR MEAT

Just in time for the F1 spotlight, José Andrés has brought his award-winning Bazaar Meat back to the Strip in spectacular fashion. Now spanning more than 20,000 square feet, this is Vegas turned up to eleven. On the menu: icons like cotton candy foie gras, caviar cones, and Stemple Creek Black Angus vaca vieja, joined by new showstoppers such as live scallop ceviche and beef tenderloin rossini. Even dessert plays to the Strip’s drama: Sphere Graffiti, a chocolate dome cracked open with a mallet, winks at the city’s new landmark arena. With immersive design inspired by Spain’s Feria de Jerez, plus a beverage program built for spectacle (tableside magic mojitos, anyone?), Bazaar Meat is Vegas at full throttle. 3325 S Las Vegas Blvd, 89109

STUBBORN SEED

Stubborn Seed, the Michelin-starred Miami hotspot from Top Chef winner Jeremy Ford, has made its long-awaited Las Vegas debut at Resorts World. Expect dishes, served à la carte or as six-or-eight-course tasting menus (“short stories” and “long stories”), that read like works of art: foie gras tart with Fuji apple gelée, citrus-cured yellowtail with passion fruit buttermilk, and wagyu tartare cannelloni with papaya kimchi. The Vegas outpost channels South Beach glamour through an Art Deco lens, with a glass-fronted kitchen, a lush outdoor patio, and a moody chandeliered lounge — a great place to sip on classic cocktails that have Ford’s signature flair, such as mezcal negronis and sage-butter bourbon sours. 3000 S Las Vegas Blvd, 89109

COTE VEGAS

COTE, the Michelin-starred Korean steakhouse that redefined dining in New York and Miami, now calls Las Vegas home — and it’s arrived with all the theater the Strip demands. At its heart, the restaurant stays true to founder Simon Kim’s vision: the convivial energy of Korean BBQ paired with the precision of an American steakhouse. Signature staples like the Butcher’s Feast are returning, supported by a 1,200-label wine program and cocktails that lean classic with a twist. Designed by the Rockwell Group, the space plays like a Vegas fever dream: a theater-in-the-round dining room with private skybox suites, in-table smokeless grills, a DJ booth, and dramatic lighting. 3355 S Las Vegas Blvd, 89109

GJELINA

Gjelina has officially brought the soul of Southern California to Sin City. Designed by Bishop Pass, its dining room has a Cali-meets-Vegas sensibility: reclaimed woods, natural stone, glowing light, and handcrafted details that make the space feel both modern and timeless. A 20-seat bar anchors the room, serving up market-driven cocktails like the Toma Loma Tequila with tomato, watermelon, and lime, while a charcuterie counter and wine room showcase a dedication to conviviality. The menu celebrates bold flavors via woodfired pizzas with toppings like house-made chorizo and fennel chili, as well as vegetable-forward plates, pastas, meats, and seafood that reflect the same balance of comfort and refinement. 3355 S Las Vegas Blvd, 89113

LOUIS VUITTON OFFICIALLY ENTERS THE COSMETICS INDUSTRY WITH THE

LAUNCH OF LA BEAUTÉ LOUIS VUITTON.

BY ADRIENNE FAUROTE PHOTOGRAPHY COURTESY OF LOUIS VUITTON

Louis Vuitton practically broke the internet this summer as the Maison announced its foray into cosmetics with the introduction of La Beauté Louis Vuitton — a collection that transcends mere pigments and powders, elevating makeup to the realm of heirloom artistry. Drawing from its 170-year legacy of wanderlust and exquisite craftsmanship, this debut line reimagines beauty through the Louis Vuitton lens.

At the helm of this transformative chapter is none other than Dame Pat McGrath, DBE, the undisputed queen of modern makeup. Appointed as creative director for cosmetics, McGrath infuses her three decades of groundbreaking work — from runway revolutions to editorial masterpieces — into Louis Vuitton’s avant-garde ethos. Her longstanding synergy with the Maison, seen in past fashion collaborations, now blooms into a permanent beauty narrative. “Beauty is about identity and emotion,” McGrath has often mused, and here, she crafts products that feel like extensions of the self: objects of desire meant to be cherished, not discarded.

For those of us immersed in the world of luxury beauty, Louis Vuitton’s entrance feels like a long-awaited homecoming. In true Louis Vuitton fashion, the new beauty line is a nod to the Maison’s travel trunks that continues to be intricately woven into its story. In fact, the early flat-topped cases, engineered for the jetsetters of yesteryear, often included secret nooks for precious perfumes and grooming essentials, ensuring that sophistication accompanied every adventure.

By the 1920s, Louis Vuitton designed bespoke vanity cases — opulent sanctuaries for brushes, compacts, and elixirs. Treasures from the archives, like the ornate vanity crafted for opera diva Marthe Chenal or the refined toiletry set for composer Jan Paderewski, both from 1925, underscore this hidden heritage. Now, La Beauté Louis Vuitton revives that spirit, blending archival inspiration with contemporary flair to create a beauty lexicon that’s as timeless as the Monogram canvas itself.

The collection’s debut focuses on the essentials that define expression — lips and eyes — each piece a testament to meticulous detail. Leading the collection is LV Rouge, a symphony of 55 lipsticks, a clever homage to the Roman numerals for “LV.” McGrath’s curation spans 27 luminous satin finishes that impart a silky glow and 28 plush mattes for sculptural depth. These aren’t your average bullets: they’re formulated with an 85 percent skincare-infused base, harnessing upcycled waxes from rose, jasmine, and mimosa — blooms synonymous with Louis Vuitton’s olfactory world — alongside shea butter and hyaluronic acid. Universally flattering yet boldly innovative, these shades invite endless personalization, turning a simple application into a ritual of self-celebration.

Complementing the rouges are the LV Baumes, a collection of 10 sheer tints that deliver a lightweight veil of radiance, buildable for subtle enhancement or everyday polish. Enriched with the same nourishing duo of shea butter and hyaluronic acid, they promise 48 hours of hydration, round-the-clock comfort, and progressive lip revitalization.

For the eyes, LV Ombres offers eight palettes, each a quartet of shadows designed for versatility. Three versatile neutrals anchor the set, while a wildcard hue — be it a shimmering glitter or a daring pop — unleashes McGrath’s signature drama. Spanning six textures from matte to metallic, the formulas feature pure pigments for vivid payoff, light-reflecting gels for unparalleled sparkle, and skin-mimicking ingredients like plant-derived squalane and camelina oil extract.

What sets La Beauté Louis Vuitton apart is its multisensory allure, a first-of-its-kind fusion where fragrance dances with color. In a cross-disciplinary triumph, McGrath collaborated with Louis Vuitton’s master perfumer, Jacques Cavallier-Belletrud, to scent the products. Drawing from the Grasse ateliers’ bounty, the lipsticks evoke a delicate bouquet of mimosa, jasmine, and rose, while the balms tantalize with mint and raspberry notes. This olfactory layer adds an invisible veil of indulgence, making every touch-up a moment of pure escapism.

And finally, the packaging. Masterminded by industrial design virtuoso Konstantin Grcic, the packaging of each product further elevates the collection. Known for his minimalist furniture, Grcic’s touch turns lipsticks and compacts into sculptural keepsakes — sleek, ergonomic, and eternally chic. Sustainability isn’t an afterthought;it’s woven in. Refillable mechanisms feature engraved shade names, peek-a-boo windows for easy identification, and a proprietary floral lock that ensures only La Beauté Louis Vuitton elements fit, making replenishment as luxurious as the initial unboxing.

True to its travel roots, La Beauté Louis Vuitton extends beyond the vanity with companion pieces that honor travel. A bespoke vanity trunk reinterprets 1920s designs by Gaston-Louis Vuitton and Art Deco pioneer Pierre-Émile Legrain, evolving into a modern makeup station — a portable atelier for the discerning aesthete. Small leather goods, clad in iconic Monogram, include brush holders, blotting paper cases, and lipstick vanities, merging utility with heritage. For the launch, limited-edition lipstick pouches and Nice beauty cases arrive in three evocative hues: Monogram Rouge, Rouge Louis, and Tender Bliss — collectibles that fuse form, function, and forever appeal.

MECCA THE BEAUTY

INSIDE THE FIRST PERMANENT DIOR SPA IN THE UNITED STATES:THE DIOR SPA NEW YORK.

BY ADRIENNE FAUROTE

It’s safe to say it was a Dior summer this August in Manhattan as the Maison opened the doors to the newly reimagined — and highly anticipated — House of Dior flagship boutique at East 57 th St. and Madison Ave. And while the House of Dior flagship is already a major moment for the brand, it doesn’t stop there. As a part of the New York City expansion, Dior has also revealed its first-ever permanent Dior Spa in the United States, nestled within the House of Dior flagship, dedicating an entire floor to wellness for the first time in its U.S. history.

This luxurious wellness haven, perched on the top floor of the boutique, is a testament to the House’s commitment to redefining beauty through cutting-edge science and timeless French sophistication. Designed by the visionary Peter Marino, the Dior Spa New York is a sanctuary where bespoke treatments and advanced technology converge to deliver an unparalleled experience of rejuvenation and indulgence.

The spa is a culmination of a state-of-the-art haven, New York’s unparalleled energy, and a celebration of Christian Dior’s legacy, inspired by his belief that true beauty radiates from meticulous care and an impeccable appearance. And if you’ve ever visited the Dior spas in Paris, the Dior Spa New York feels like a little piece of Paris in the heart of Manhattan.

The Dior Spa New York introduces a curated menu of face and body treatments that marry scientific innovation with the House’s signature savoir-faire. The standout is the Haute Couture Treatment, a 90-minute facial exclusive to this location, co-created with renowned American master esthetician Sarah Akram. This transformative protocol combines technologies like cold-laser, ultrasound, micro-current, cryotherapy, and oxygen infusion. Paired with Dior’s premium skincare products and masterful massage techniques, the treatment lifts, tones, and revitalizes the skin, leaving it luminous and visibly rejuvenated. This bespoke experience is a pinnacle of luxury wellness.

The spa’s facial offerings also include three signature rituals: the Golden Aura, which imparts a radiant glow through oxygen therapy; Dior Powered by Hydrafacial, delivering intense cleansing and hydration;and the Kobi-Dior, a sculpting treatment that plumps and lifts via micro-aspiration and stimulation. For the body, four iconic treatments focus on enhancing contours and skin vitality. The star among them, the New Look treatment, reimagines Dior’s iconic silhouette through a lymphatic drainage protocol enhanced by Icoone technology. This advanced machine boosts micro-circulation, stimulates collagen and elastin production, and promotes lipolysis, resulting in firmer, smoother skin and refined curves.

Dior’s exploration of light therapy takes center stage in the exclusive Dior Light Suite, a treatment room designed to harness the emotional and physical benefits of light. Four unique protocols — Recharge, Recover, Rest, and the New York-exclusive Happiness — rebalance energies, enhance mood, and even resynchronize sleep cycles. The Happiness ritual, developed in collaboration with sleep specialist Dr. François Duforez, stimulates serotonin and dopamine production over 90 minutes, fostering emotional balance and a profound sense of well-being. These treatments, performed in four distinct light ambiance tailored to New York’s dynamic lifestyle, elevate the spa experience to a holistic journey.

The spa has four treatment rooms — three single and one double — designed as tranquil havens. Infrared mattresses, weighted antistress blankets, and cryo-effect sleep masks enhance every session, enveloping guests in comfort and calm. The sensory experience is further elevated by an ambient fragrance crafted by Francis Kurkdjian, the perfume creation director at Christian Dior Parfums.

Beyond treatments, a dedicated beauty room offers custom makeup looks inspired by creative and image director for Dior Makeup, Peter Philips, while a boutique showcases Dior’s finest fragrances, including La Collection Privée, and exclusive pieces like Rouge Premier, L’Or de J’adore by Jean-Michel Othoniel, and Miss Dior by Eva Jospin.

Christian Dior once said, “I dreamed of making women not only more beautiful, but also happier.” The Dior Spa New York embodies this vision, blending cutting-edge technology with the artistry of French luxury to create a sanctuary of bespoke wellness. From the precision of its treatments to the elegance of its design, this new destination redefines what it means to indulge in beauty.

BRIGHT EYES

DIOR CAPTURE INTRODUCES PRO-COLLAGEN SHOT AND EYE CRÈME — THE MAISON’S MOST ADVANCED EYE TREATMENTS TO DATE.

BY SHELBY COMROE

Dior Beauty is taking its anti-aging expertise to the next level with the debut of Dior Capture Pro-Collagen Shot and Eye Crème, a duo designed to visibly lift, firm, and brighten the most delicate part of the face.

Backed by over five decades of research and the expertise of the Dior Reverse Aging Board, these treatments target one of the earliest and most visible signs of aging: collagen loss around the eyes. Dior Science reveals that eyelid collagen density can decrease by nearly half between ages 25 and 75, resulting in sagging, dark circles, and a fatigued appearance.

Both formulas are powered by Dior Capture’s exclusive OX-C Treatment technology with revitalizing and replenishing powers helps visibly rejuvenate skin lacking collagen. The Pro-Collagen Shot takes inspiration from next-generation collagen treatments used in esthetic medicine, incorporating a bioengineered collagen fragment 27 times smaller than traditional marine collagen to penetrate deeply and reactivate four major collagen types that make up 90 percent of the skin’s support network. The result: eyelids that appear 57 percent more lifted right away, with eye contour definition doubling in just four weeks. Its cooling gel texture, dual-polymer tightening complex, and patented metal applicator deliver a precision treatment with a spa-like feel.

The Eye Crème completes the ritual by focusing on radiance and fatigue. Enriched with Dior’s Eye Network Complex, chaga mushroom extract to reinforce the skin’s microvascular network, and caffeine to decongest puffiness, it visibly brightens and refreshes. Light-diffusing pigments catch the light for instant luminosity, while two patented hyaluronic acids provide lasting hydration. After four weeks, dermal thickness increases by 31 percent, radiance multiplies fivefold, and the entire eye area appears smoother, firmer, and more awake. Together, this next-generation duo redefines eye care, delivering results that are as visible as they are luxurious.

WHERE MEETS DESTINATION ON EVERY CONTINENT DESIGN

THESE DESIGN-DRIVEN HOTELS BRING SERENE PALETTES, SLEEK LINES, A ND ENDLESS GLAMOUR TO EVERY CORNER OF THE GLOBE.

BY LAURA SCHREFFLER

ASIA BULGARI HOTEL TOKYO

The Bulgari Hotel Tokyo doesn’t just rise above the city — it redefines it. Located on the top floors of Tokyo Midtown Yaesu, this jewel-box of a property feels like stepping into a sanctuary suspended in the sky. What makes it exceptional isn’t only its vantage point, with sweeping views of the Imperial Palace Gardens and Mount Fuji on clear days, but the way Italian design heritage is seamlessly married to Japanese sensibility. The interiors, imagined by the powerhouse Milanese studio Antonio Citterio Patricia Viel, radiate understated glamour: with its travertine marble, custom-crafted furniture, shimmering glass and bronze accents, every detail is a deliberate expression of Bulgari’s codes of timeless luxury. Light pours in from floor-to-ceiling windows, refracting off lacquered surfaces and drawing your eye out toward the city skyline. Then, there are the experiences layered into the design itself: an intimate eight-seat omakase counter at Sushi Hōseki, Il Ristorante curated by Niko Romito, and a Bulgari Bar that feels like a stage set for Tokyo’s most stylish nights. Even the Bulgari Spa is an architectural marvel — a temple of marble and onyx, anchored by an 82-foot pool that seems to float above the city. This is Tokyo as Bulgari sees it: dazzling, meticulous, and unforgettable.

2 Chome-2-1 Yaesu, Chuo City, Tokyo 104-0028, Japan

EUROPE

ARCTIC BATH

Located just south of the Arctic Circle, Arctic Bath is a floating sanctuary inspired by the region’s timber-floating era. Its striking circular main building, designed by Johan Kauppi and Bertil Harström, resembles a sculptural cluster of logs adrift on water. Inside the floating ring, you’ll find the spa, reception, lounge, and restaurant, while sleek water cabins drift nearby, linked to shore by wooden gangways. On land, minimalist Scandinavian-style cabins rise among the birch trees. The spa embraces its northern roots with saunas, an icy river plunge, and outdoor hot tubs, complemented by treatments steeped in local wellness rituals. Beyond the water, guided hikes, snowshoeing, Sámi cultural tours, and fishing expeditions are on offer. Dining is intimate and theatrical — native, northern fare has been reimagined via multi-course tasting menus. Ramdalsvägen 10, 961 78 Harads, Sweden

EUROPE

CHÂTEAU DE LA MESSARDIÈRE

Perched high above the Bay of Pampelonne resides Airelles’ Saint-Tropez maison, Château de La Messardière, a 19th-century aristocratic residence that balances Provençal charm with the glamour of the Côte d’Azur. Christophe Tollemer’s interiors are a masterclass in detail thanks to clay tiles burnished by sunlight, mineral-hued lava stone, and golden wood. Each window frames a living canvas — sea, gardens, or pine forest — transforming the 86 roomand-suite château, which is set over 30 acres, into an ever-changing gallery. Beyond the interiors, there are five dazzling pools — including the Belvédère, whose 82-foot swim lane points directly at the Bay of Pampelonne. Wellness is an elevated affair in the Airelles Spa by Valmont, while dining brings in a culinary constellation courtesy of Jean-François Piège, Nobu Matsuhisa, and Cedric Grolet. 2 Rte de Tahiti, 83990 Saint-Tropez, France

EUROPE

REID’S PALACE, A BELMOND HOTEL

Belmond Reid’s Palace is a clifftop icon that sets the standard for Madeiran glamour. With its sweeping ocean views, framed by subtropical gardens, it’s the kind of hotel that has always lured great names, including Winston Churchill and George Bernard Shaw. Here, design is a story in itself: Edwardian-inspired dining rooms glowing under Murano chandeliers, airy terraces at Villa Cipriani where handmade pasta arrives with the sound of the ocean, and manicured gardens bursting with bougainvillea, orchids, and palms. Even afternoon tea feels like theater — a signature ritual that seems like a scene out of a bygone era. Add in dinner at the Michelin-starred William Restaurant and luxurious afternoon tea in the 1891 Bar 1891 Reid’s Palace & Tea Library, and it’s easy to see why Reid’s remains Madeira’s crown jewel. Monumental 139, São Martinho, 9000-098 Funchal, Portugal

EUROPE

ROSEWOOD AMSTERDAM

Rosewood Amsterdam, the brand’s highly anticipated debut in the Netherlands, is a masterpiece. Set within the city’s historic Palace of Justice — leaving its mark as the last hotel ever permitted in a monumental building in Amsterdam — the design is pure Dutch sophistication, with interiors by Studio Piet Boon layering historic grandeur and modern restraint. Outside, landscape architect Piet Oudolf has transformed the grounds into a living artwork, framing the canals with an almost painterly quality. Inside, every detail is deliberate, from the property’s more than one thousand artworks to the culinary program that highlights seasonality and story. At Eeuwen, chef David Ordóñez builds menus around the rhythm of nature, while its cocktail bar, Advocatuur, playfully nods to the building’s legal past. Prinsengracht 432436, 1017 KE Amsterdam, Netherlands

NORTH AMERICA

WALDORF ASTORIA NEW YORK

The Waldorf Astoria New York has always been a legend — but with its longawaited restoration, it feels more like a reinvention. The Park Avenue icon hasn’t just preserved its Art Deco heart, it’s elevated it, layering in modern touches that feel both glamorous and distinctly New York. Interiors by PierreYves Rochon strike that elusive balance between timeless and fresh, with custom furnishings, marble-clad bathrooms, and soaring public spaces that still hum with history. Of course, design here doesn’t stop at the guest rooms. The culinary program is as transportive as the architecture itself — from chef Michael Anthony’s Lex Yard, with its brasserie-chic esthetic, to Yoshoku’s artful Japanese plates set against neoclassical murals, to a revived Peacock Alley that feels like sipping a cocktail inside New York’s own mythology. Add in the debut of the Guerlain Spa and a Grand Ballroom reimagined for a new century, and the Waldorf Astoria isn’t just reopening — it’s reminding the world why it’s the blueprint for design-forward luxury hotels everywhere. 301 Park Ave, New York, NY 10022, United States

NORTH AMERICA

ONE&ONLY MOONLIGHT BASIN

In the heart of Big Sky, Montana, One&Only Moonlight Basin feels like an architectural love letter to the wilderness. Designed by Olson Kundig, every detail is shaped by its alpine setting — bold yet warm, with local stone, wood, and glass framing the drama of Lone Peak and the sweep of Montana skies. The 73 rooms, 19 freestanding cabins, and expansive private homes are cocooned in cozy textiles and anchored by floor-toceiling windows, fireplaces, and terraces that dissolve the line between inside and out. The design is deliberately elemental: roaring fires and daybeds piled high with wool throws, and outdoor hot tubs that offer views of snow-dusted pines. Cabins and multi-bedroom homes feel as if they’ve grown from the land itself, balancing rugged authenticity with refined luxury. Public spaces echo the same ethos — the Sky Lodge with its cinematic views, the speakeasy-style Moon Shack hidden among evergreens, and the Prohibition-style Dear Josephine Lounge shimmering in copper tones. This is mountain living reimagined with contemporary artistry, an alpine retreat where design is inseparable from the landscape it inhabits. 77 Roosevelt Rd, Big Sky, MT 59716, United States

SOUTH AMERICA

EXPLORA TORRES DEL PAINE

At the very heart of Torres del Paine National Park — not at its edge like so many others — sits Explora Torres del Paine, the Explora brand’s original lodge that still remains its most iconic. Gleaming white against the southern sky, the design is strikingly modern yet purposefully restrained, a frame for the granite towers, turquoise lakes, and glaciers that surround it. Each of the 49 rooms is pared back to essentials so that nature itself becomes the artwork on display, with vast windows pulling Patagonia’s drama inside. Adventure radiates in every direction here: horseback rides across wide pampas, catamaran crossings on Lake Pehoé, or hikes to Grey Glacier and the valleys of Cuernos and Francés. The lodge’s own stables, cared for by resident gauchos and supervised by a veterinarian, add authenticity to the experience. After days in the elements, Casa de Baños del Ona offers relaxation via heated pools and saunas with mountain views, while the restaurant plates flavors rooted in the region, paired with Chile’s celebrated wines. Torres del Paine National Park, Torres de Paine, Magallanes y la Antártica Chilena, Chile

SOUTH AMERICA

SB WINEMAKER’S HOUSE

SB Winemaker’s House in Mendoza feels like stepping into someone’s private estate — because in many ways, it is. Created by Argentina’s pioneering female winemaker Susana Balbo and her daughter Ana Lovaglio Balbo, the property is deeply personal. Each of its seven suites is outfitted with a private steam room, massage table, curated wine fridge, terrace, and garden with firepits and heated loungers, wrapped in natural materials like llama wool and local stone. Food and wine are, naturally, at the heart of the house. La VidA celebrates Argentina’s bold flavors with menus designed to pair seamlessly with Susana’s award-winning vintages, while the Chef’s Table brings guests into an open-flame kitchen. Wellness is a priority here as well, best showcased via grape-seed therapies and the attentions of a dedicated wellness butler. Artworks by leading Argentine and Brazilian artists tie the story together, while curated excursions — from vineyard horseback rides to rafting the Mendoza River — extend the spirit of the house into the valley itself. Viamonte 5022, M5505 Luján de Cuyo, Mendoza, Argentina

AFRICA THE SILO HOTEL

Cape Town’s Silo Hotel is a living piece of art, a hotel where industrial heritage meets cutting-edge design. Rising above the V&A Waterfront in a transformed grain silo building, its striking pillowed-glass windows by Heatherwick Studio make the entire structure glow like a lantern over the harbor. Inside, every surface feels like a dialogue between history and modernity, from concrete bones and soaring ceilings to bold, contemporary African art that fills both private and public spaces. Design here isn’t decoration — it’s experience. This is found at the sky terrace, with its heated infinity pool that frames 360-degree views from Table Mountain to Robben Island, as well as at the Granary Café, Willaston Bar, and Silo Rooftop, which layer gastronomy into the esthetic narrative. Here is a hotel where luxury is defined by creativity. Silo Square, Victoria & Alfred Waterfront, Cape Town, 8001, South Africa

AFRICA CAPE GRACE, A FAIRMONT-MANAGED HOTEL

Cape Grace has long held its place as one of Cape Town’s crown jewels, and following a sweeping nine-month transformation, the property, now managed by Fairmont, is shining brighter than ever. Perched on the city’s iconic V&A Waterfront, the hotel has been reimagined by 1508 London with interiors that weave South Africa’s story into every detail: locally sourced materials, hand-picked works by emerging and established artists, and a contemporary esthetic that mirrors Cape Town’s natural beauty. Each of the 112 rooms and suites offers uninterrupted views — whether of Table Mountain or the harbor — while the Fairmont Spa and a bold culinary program led by Wesli Jacobs offer pure indulgence. V&A Waterfront, W Quay Rd, Victoria & Alfred Waterfront, Cape Town, 8001, South Africa

ASIA

CONRAD SINGAPORE ORCHARD

Conrad Singapore Orchard reimagines one of the city’s most distinctive architectural icons with a design story that is as bold as it is botanical. Originally envisioned by legendary architect John Portman, the 12-story atrium stuns, flooded with natural light and threaded with contemporary works by local and regional artists that reflect Singapore’s garden city identity. Statement pieces like Stephanie Scuris’ Harmony Fountain and Michio Ihara’s Singapore Shower anchor the space with timeless gravitas, while a curated collection of prints and installations by Singaporean creatives nod to the lush flora outside its walls. The 445 guest rooms take cues from refined residential living, layered with tropical accents, serene sand-and-cream palettes, and floor-toceiling windows framed by plantation shutters. Suites extend this sense of sanctuary, with terraces that blur indoors and out. Beyond the rooms, guests can linger in leafy alcoves by the pool, sip Cantonese tea at the Michelin-starred Summer Palace, or descend into the Golden Age glamour of Manhattan, one of the world’s most celebrated bars. 1 Cuscaden Rd, Singapore 249715

AFRICA

SOFITEL WINTER PALACE

Sofitel Winter Palace in Luxor is an architectural jewel where French elegance meets Egyptian soul, set in a prime location just steps away from Luxor Temple, overlooking the Nile River and the Valley of Kings. Its sweeping terraces and manicured gardens create a stage where past and present intermingle; its ornate Belle Époque details, soaring ceilings, and gilded cornices set the tone for an atmosphere that is both regal and welcoming. Here, history is layered with quiet luxury: suites and guestrooms combine antique furnishings with signature modern comforts, while outlets like the Victorian Lounge, famed for its afternoon tea, or La Corniche restaurant, with its daily breakfast buffet and international cuisine, reflect both French and Egyptian artistry. Guests may also indulge in French fine dining at 1886 Restaurant. 17 Cornish El Nile St, Luxor, 11432, Egypt

ASIA

COMO UMA PARO

COMO Uma Paro feels like a secret whispered by the Himalayas. Perched on a pine-covered hill with sweeping views of the Paro Valley, the retreat is a masterclass in balance: traditional Bhutanese craftsmanship — carved wood, hand-painted motifs, flickering butter lamps — paired seamlessly with COMO’s contemporary design. Its location — minutes from Bhutan’s most celebrated cultural landmarks — serves as the perfect gateway to experiences that range from a contemplative butter lamp ceremony to the legendary hike up to Taktsang Monastery (the Tiger’s Nest). Don’t miss the spa, COMO Shambhala Uma Paro, which features two private Bhutanese hot-stone bathhouses, the award-winning Bukhari restaurant, or Uma Bar for enjoying a fireside toast, Bhutanese style. Paro Valley Paro, 00000, Bhutan

IL SERENO

ll Sereno Lago di Como isn’t your typical Lake Como retreat — it’s a modernist jewel box where design and setting collide in the most spectacular way. Patricia Urquiola stripped away the faux-Renaissance nostalgia so often seen along the shoreline and instead, gave us something bold, sleek, and entirely of the moment. With just 40 suites, each opening onto a private lakefront terrace, the drama of Como is never just outside your window — it’s part of your room. Natural stone, wood, and silk are paired with clean, contemporary lines that echo both the timeless beauty of the lake and the forward-thinking edge of nearby Milan. Here, you’ll arrive in style on one of the hotel’s custom Ernesto Riva boats, linger over an afternoon in the infinity pool that seems to spill directly into the lake, or toast the sunset at the two-Michelin-starred Il Sereno al Lago, where chef Raffaele Lenzi’s seasonal menus are as artful as Urquiola’s interiors. From the Valmont spa carved into a historic boathouse to Patrick Blanc’s soaring vertical gardens, every detail has been considered and reimagined. Via Torrazza, 10, 22020 Torno CO, Italy

TECHNICAL TRIUMPS

The A. Lange & Söhne Richard Lange Jumping Seconds and 1815 Tourbillon return with ravishing new dials.

BY ANDRE FROIS

FEW WATCH MANUFACTURERS ARE AS ADMIRED AND DISCUSSED today as A. Lange & Söhne. Recently, Haute Time has been tracing the brand’s remarkable trajectory — shaped by inventive watchmaking and punctuated by extraordinary milestones.

Now, with the unveiling of two new timepieces, we have the perfect opportunity to revisit some of Lange’s most ingenious technical achievements, including the stop-seconds, zero-reset, jumping seconds, and remontoir mechanisms.

The first is the 1815 Tourbillon, limited to 50 pieces. It returns with a white-gold dial that has been painstakingly enameled black and housed in a 39.5 mm platinum case. Named after founder Ferdinand Adolph Lange’s birth year, the 1815 collection debuted in 1995 following the brand’s revival, while the collection’s first tourbillon appeared in 2014 in platinum and pink gold versions. This latest release marks the fifth 1815 Tourbillon and the 12th Lange timepiece to feature an enamel dial.

The enameling of this watch is a tip of the hat to enameled A. Lange & Söhne pocket watches of the 19th and 20th centuries. Enameling is a delicate craft prone to failure, and the name Grand Feu literally translates to “big fire.” Each dial requires around 30 layers of enamel, applied and fired at high

temperatures in a dust-free workshop over the course of several days. These details are framed by the collection’s signature railway-track minute scale.

The dramatic black dial is matched by the meticulously black-polished finish on the tourbillon bridge and cage. This technique, which involves sliding a component against a tin plate with fine paste until it achieves a mirror-like gloss, produces one of the most unforgiving yet beautiful surface treatments in haute horlogerie

For this enamel dial iteration of the 1815 Tourbillon, careful handchamfering is required to prepare the throne of the tourbillon — one misstep can forsake days of enamel work. This process contributes to the hundred-plus individual steps required for each dial, often stretching into weeks of work.

Inside beats the manual-winding caliber L102.1, offering a 72-hour power reserve. Like its predecessors, it features Lange’s in-house balance spring and is adjusted in five positions to meet the brand’s exacting chronometric standards. True to Lange’s codes, untreated German silver plates and bridges are decorated by hand, while the tourbillon is anchored with a diamond endstone in a screwed gold chaton.

The watch also incorporates two historic Lange patents that are cornerstones of the manufacture. First off, the stop-seconds mechanism, which was debuted in the relaunched brand’s first collection in 1994, halts the tourbillon for precise time setting. Secondly, the zero-reset function, which was first introduced in the 1997 Langematik, sends the seconds hand back to zero when the crown is pulled, and also turns this watch into a chronograph of sorts. Together, they facilitate the easy and precise setting of the 1815 Tourbillon.

The second release is the Richard Lange Jumping Seconds, limited to 100 pieces, with a pink gold dial inside a 39.9 mm white gold case. This collection pays tribute to Richard Lange — Adolph’s eldest son and a key innovator in watch spring alloys — and draws inspiration from Johann Heinrich Seyffert’s celebrated Chronometer No. 93.

Its defining feature is a jumping seconds display, where the seconds hand advances in precise one-second steps rather than sweeping. A mechanical watch’s seconds hand usually tells time through a sweeping motion, but a star-shaped gear, in this instance, converts the natural oscillation of the escapement into 60 discrete jumps per minute.

The seconds register dominates the dial at 12 o’clock, overlapping the smaller hours and minutes subdials. At their intersection sits a clever triangular indicator that turns red ten hours before the power reserve runs out, reminding the wearer to wind the movement.

Powering the watch is the in-house caliber L094.1, equipped with both stop-seconds and zero-reset functions, as well as a constant-force escapement with remontoir spring. In simple terms, the remontoir acts like a pacemaker: it evens out the delivery of energy to the balance, keeping the “heart rate” of the movement uniform. The principle of resonance states that two coupled oscillating systems will synchronize to the same frequency, so it’s akin to two runners trying to keep pace — if one sprints or slows, the other helps correct the rhythm.

First unveiled in 2016, this is the fourth Richard Lange Jumping Seconds and also the fourth Lange watch to feature a pink gold dial. As always with Lange, every element is finished to the highest standard, right down to the engraved balance cock — arguably the house’s most recognizable flourish, and a signature of German horological artistry.

BRONZED

Bvlgari unveils the Bronzo GMT and Chronograph at Geneva Watch Days 2025, introducing bronze to the iconic Aluminum collection.

BY ADRIENNE FAUROTE

FOR GENEVA WATCH DAYS 2025, BVLGARI EMBRACES BRONZE, debuting its first-ever use in the Bvlgari Aluminum collection. The brand has introduced Bvlgari Bronzo, a thoughtful dialogue between heritage, innovation, and the inevitable passage of time, all wrapped in Bvlgari’s signature Italian elegance. This isn’t merely a material change.

The Bvlgari Aluminum story began as a rebellious offspring of the original Bvlgari Bvlgari watch, launched in 1975 with its distinctive engraved bezel that spelled out the brand’s name 14 times. By 1998, the Aluminum model redefined luxury by pairing lightweight aluminum with durable rubber, blending sporty chic with graphic simplicity. Its 2020 revival added an automatic mechanical movement, solidifying its place among modern icons. Now, in 2025, bronze steps into the spotlight, evoking ancient alloys while embracing the collection’s ethos of unexpected materiality.

As Jonathan Brinbaum, managing director of Bvlgari Watches, eloquently puts it: “The essence of the Bvlgari Bvlgari lies in the alloy of materials. Initially designed in aluminum and rubber, the model here explores bronze, an association of historical significance in watchmaking, rarely used by Bvlgari. This material is not only resistant but, above all, alive. Over time, its patina will evolve, making each watch unique and personal. Its raw appearance, both masculine and elegant, as well as the exceptional work on the metal, already gives it an iconic aura.”

First up is the Bvlgari Bronzo GMT, a 40 mm traveler’s dream measuring 9.70 mm thick. Its design prioritizes functionality with a dualtime complication that’s as intuitive as it is stylish. The black dial features a central 24-hour GMT disc with a day-night indicator, allowing effortless tracking of a second time zone. White indices punctuate the face, while the sandblasted rose gold-plated hands — hours, minutes, and GMT — add

warmth against the cool bronze tones. A date window sits at three o’clock, and the central seconds hand ends in a crisp white lacquer tip. Powering this is the in-house automatic calibre B192, a 4.10 mm-thick movement vibrating at 28,800 VpH (4Hz) with a generous 50-hour power reserve. The case back and crown, crafted from sandblasted titanium with black DLC treatment, underscore Bvlgari’s commitment to durability and contrast.

For those who crave speed and precision, the Bvlgari Bronzo Chronograph offers a more dynamic temperament in a slightly larger 41 mm case (12.35 mm thick). This model transforms the base design into a performance-oriented piece, with a matte black dial featuring azuréfinished chronograph counters for added texture and depth. A tachymeter scale encircles the dial, perfect for measuring velocities, while the rose gold-plated hands — again with Super-LumiNova — include a central chronograph seconds hand with a white lacquered tip. The date appears between four and five o’clock, and small seconds add to the chronograph’s utility. At its heart beats the automatic calibre B381, 6.90 mm thick, with a 42-hour power reserve and the same 4Hz frequency. Like its GMT sibling, the chronograph employs sandblasted titanium elements with black DLC for the crown, pushers, and case back, enhancing the overall robustness.

A NEW FREAK

Ulysse Nardin unveils a new Freak during Geneva Watch Days 2025: the Freak [X Crystalium].

BY ADRIENNE FAUROTE

IN 2001, ULYSSE NARDIN REDEFINED WATCHMAKING WITH the launch of the Freak, a timepiece that shattered every convention of traditional horology. Eschewing hands, dial, and crown, it featured a movement that directly told the time — ultimately becoming a hero watch for the brand that continues to evolve. At Geneva Watch Days 2025 this September, Ulysse Nardin pushed boundaries further with the Freak [X Crystalium], a masterpiece blending cutting-edge mechanics with hightech decorative artistry — limited to just 50 pieces worldwide.

The Freak’s story began in the 1980s under the visionary guidance of Dr. Ludwig Oechslin. While the watchmaking industry embraced quartz technology, Ulysse Nardin charted a different course, creating the Astrolabium Galileo Galilei — a mechanical marvel capable of mapping the night sky, earning a place in the Guinness World Records as the most complicated watch ever made. This spirit of bold innovation culminated in the 2001 debut of the Freak, the most intricate time-only watch in history and the first to incorporate silicon technology. With over 20 patents, the Freak sparked a revolution in 21st-century horology, introducing highperformance, ultra-precise timekeeping that transformed the industry.

Introduced in 2019, the Freak X brought this maverick DNA into a more accessible form, incorporating a crown for winding and setting while retaining the iconic one-hour flying orbital carousel. The Freak [X Crystalium] builds on this legacy, blending avant-garde mechanics with a groundbreaking material innovation: the Crystalium rotating hour disc.

At the heart of the Freak [X Crystalium] lies its most striking feature — a rotating hour disc crafted from Crystalium, a material that

redefines decorative artistry in watchmaking. The process begins with ruthenium, a platinum-group metal ten times rarer than platinum, prized for its durability and luster. Through a meticulous, multi-day vapor-deposition crystallization process — akin to frost forming on glass — ruthenium transforms into a fractal-like crystal structure. Each disc is unique, displaying shimmering textures and microscopic complexity that cannot be replicated.

To enhance its visual impact, the Crystalium disc is finished with a warm rose gold PVD coating and hand-applied black varnish for subtle shading, creating a dynamic interplay of light and depth. This is not mere decoration, but a bold leap into next-generation craftsmanship, merging scientific precision with raw esthetic expression.

The Freak [X Crystalium] is powered by the in-house automatic calibre UN-230, featuring a silicon balance wheel and escapement crafted at Ulysse Nardin’s dedicated SIGATEC silicon lab. The movement is a mechanical theater, with a flying carousel where the bridge serves as the minute hand, completing a full rotation every hour. The Crystalium disc, acting as the hour hand, rotates once every 12 hours, with its pointer positioned beneath the movement. This seamless integration of engineering and esthetics creates a mesmerizing display of time in motion.

Housed in a black DLC-coated titanium case with a matching bezel, black hour indicator, and minute bridge, the watch exudes a bold, modern presence. A ballistic-textured black rubber strap complements the design, providing a perfect backdrop for the radiant Crystalium disc, which glows with rose gold hues and intricate visual depth.

Louis Vuitton Fine Jewelry Le Damier de Louis Vuitton pendant in yellow gold and diamonds, $6,350 and Le Damier de Louis Vuitton pendant in rose gold and diamonds, $6,350

OPPOSITE:

Louis Vuitton Fine Jewelry Le Damier de Louis Vuitton small ring in yellow gold and diamonds, $4,350; Le Damier de Louis Vuitton small bracelet in rose gold and diamonds, $14,800;Le Damier de Louis Vuitton medium bracelet in yellow gold and diamonds, $20,700;and Le Damier de Louis Vuitton large bracelet in white gold and diamonds, $30,500

This season, the Le Damier de Louis Vuitton collection, which launched in 2024, introduces a vibrant pink gold finish, expanding its unisex jewelry line with new rings, bracelets, necklaces, pendants, and earrings, all designed for stacking and personal expression — ultimately becoming a second skin.

Featuring hand-crafted links and diamond-set Damier patterns, the collection emphasizes fluidity, tactility, and a modern esthetic, with pieces in yellow, white, and pink gold that blend softness with sharp geometric designs. Each jewel, meticulously engineered with haute precision, offers versatile styling options, inviting wearers to create their own jewelry story.

BY ADRIENNE FAUROTE

Louis Vuitton Fine Jewelry Le Damier de Louis Vuitton medium ring in rose gold and diamonds, $7,250;Le Damier de Louis Vuitton medium ring in yellow gold and diamonds, $7,250; Le Damier de Louis Vuitton medium ring in white gold and diamonds, $7,550;Le Damier de Louis Vuitton small bracelet in rose gold and diamonds, $14,800;Le Damier de Louis Vuitton medium bracelet in yellow gold and diamonds, $20,700;and Le Damier de Louis Vuitton large bracelet, white gold and diamonds, $30,500

Louis Vuitton Fine Jewelry Le Damier

de Louis Vuitton small ring in white gold and diamonds, $4,550;Le Damier

de Louis Vuitton medium ring in rose gold and diamonds, $7,250;and Le Damier de Louis Vuitton large ring in yellow gold and diamonds, $9,700

OPPOSITE:

Louis Vuitton Fine Jewelry Le Damier

de Louis Vuitton small necklace in rose gold and diamonds, $33,500; Le Damier de Louis Vuitton medium necklace in yellow gold and diamonds, $53,000;and Le Damier de Louis Vuitton large necklace in white gold and diamonds, $85,500

Louis Vuitton Fine Jewelry Le Damier de Louis Vuitton small ring in yellow gold and diamonds, $4,350;Le Damier de Louis Vuitton medium ring in yellow gold and diamonds, $7,250;Le Damier de Louis Vuitton large ring in yellow gold and diamonds, $9,700;Le Damier de Louis Vuitton double ring in yellow gold and diamonds, $12,500;Le Damier de Louis Vuitton medium ring in white gold and diamonds, $7,550;Le Damier de Louis Vuitton large ring in white gold and diamonds, $10,200;and Le Damier de Louis Vuitton medium ring in rose gold and diamonds, $7,250

OPPOSITE: Louis Vuitton Fine Jewelry Le Damier de Louis Vuitton pendant in yellow gold and diamonds, $6,350;Le Damier de Louis Vuitton pendant in rose gold and diamonds, $6,350;and Le Damier de Louis Vuitton pendant in white gold and diamonds, $6,650

DETAILS IN THE

CHANEL’s Fine Jewelry collections reimagine the house’s most enduring codes, carrying forward Gabrielle “Coco” Chanel’s vision with modern energy. The Chance de Chanel collection transforms good-luck charms into contemporary medallions, echoing Mademoiselle’s belief that luck is made, not found. Coco Crush draws on the house’s iconic quilted motif, while the Première Galon watch refines the octagonal silhouette first introduced in 1987 and inspired by the N°5 fragrance stopper. Together, these creations weave past and future, honoring CHANEL’s heritage while shaping the next chapter of its fine jewelry story.

BY SHELBY COMROE

AND STYLING HORACIO SALINAS

PHOTOGRAPHY

DIRECTOR ADRIENNE FAUROTE

FASHION

CHANEL Fine Jewelry Coco Crush ring quilted motif, small version, 18K beige gold and diamonds, $5,750;Coco Crush Toi et Moi ring quilted motif, large version, 18K white and beige gold and diamonds, $6,000;Coco Crush ring quilted motif, small version, 18K white gold and diamonds, price upon request, Coco Crush ring quilted motif, large version, 18K beige gold and diamonds, price upon request, Coco Crush ring quilted motif, small version, 18K yellow gold and diamonds, price upon request, Coco Crush ring quilted motif, mini version, 18K yellow gold and diamonds, $4,300;Coco Crush ring quilted motif, large version, 18K white gold and diamonds, price upon request;Coco Crush ring quilted motif, small version, 18K beige gold and diamonds, $5,750;and Coco Crush ring quilted motif, mini version, 18K beige gold and diamonds, $4,400

Piaget Shapes of Extraleganza High Jewelry ring, price upon request; available at piaget.com

and diamonds, price upon request; available at Gucci

Pomellato High Jewelry

Aquamarine Dream necklace, $414,300; available at 929-667-1967

HIGH SEASON

THIS YEAR USHERED IN A NEW SEASON OF HIGH JEWELRY DURING PARIS HAUTE COUTURE WEEK, WHERE RENOWNED JEWELRY HOUSES UNVEILED THEIR LATEST HAUTE JOAILLERIE MASTERPIECES. DISCOVER THE HAUTEST INNOVATIONS FROM THE NEW HIGH JEWELRY SEASON AHEAD.

BY ADRIENNE FAUROTE

Chanel High Jewelry

Embrace Your Destiny ring in 18K white gold, diamonds, and one pearshaped diamond, price upon request;available at select Chanel boutiques nationwide and 800-550-0005

and

request; available at Graff salons and graff.com

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CUOMO CHRIS

THE JOURNALIST WHO LIKES TO GET AFTER IT.

BY TIM LAPPEN

I WAS EXPECTING HIM TO BE AFFABLE, ESPECIALLY SINCE I’VE “KNOWN” him for so long through his extended run on television. Of course, he’s a comfortable conversationalist — Chris Cuomo has been an on-screen journalist for well over two decades, with stints at Fox, ABC, CNN, and now NewsNation, and he’s been one-on-one with some of the most impressive people on the planet. We connected initially through a mutual love of cars and, it turned out, we both have classic Pontiacs (he a 1969 Firebird convertible, me a 1957 Bonneville convertible). I guess it’s true — gearheads of a feather really do stick together.

Haute Living: Chris, your style has morphed from a guy in suits on network TV to a less-formal but still a very well-spoken broadcast journalist who’s as comfortable in the trenches as being behind the desk.

Chris Cuomo: I think that one still can be a professional no matter what he’s wearing. When I was on assignment in Iraq, I was reporting while full battleready, in helmet and all. That’s what viewers want from us — real, truthful information delivered in a way that everyone can understand.

HL: Our interview was via Zoom, while you were at sea, returning from an ocean fishing trip, so it was like seeing you in your native habitat.

CC: I love the water, and I love fishing. Maybe it’s my Italian heritage coming through but there’s nothing better for me than to be on the ocean.

HL: Do you ever slow down?

CC: Not in the traditional sense. I like being a man in motion. I love great conversations and delivering the news, with my perspective, which I’ve done to a degree most of my broadcast career and even more so during the last decade.

HL: What shines through on your reporting is your interest in and great love for humanity. Where did that come from?

CC: My grandparents, Andrea and Immaculata Cuomo and Carmelo and Maria Raffa, emigrated from Italy to New York in the early 1900s. My paternal grandparents raised a family while running a grocery store. Growing up, I was steeped in humanitarianism and being supportive of others as well as embracing tolerance, enlightened thinking and liberal politics. My parents, Mario and Matilda, both grew up in the same general area of New York (Queens and Brooklyn), where they aspired to greater things. My father’s challenges during an intolerant time and his incredible successes clearly motivated my drive and my desire to help make the world a better and more accepting place.

HL: There are lots of high achievers in your family. With those to look up to, what was your childhood dream?

CC: I held various jobs growing up but my childhood dream was to play in a band.

HL: How did that turn out?

CC: I’ve had a lifelong love of music but, luckily, I did focus on academic pursuits. I received my undergraduate degree at Yale and then earned my law degree from Fordham University in 1995. However, my true career love was and is broadcast journalism, which I have been very happily doing since shortly after graduating from law school.

HL: When did you see your career reach the heights that you enjoy today?

CC: My work with ABC, as the network’s chief law and justice correspondent and co-anchor of the show 20/20, followed by my 2006 move to serving as the news anchor for ABC’s Good Morning America, greatly elevated my journalistic visibility. Moving to CNN in 2013, I was proud to co-host of the network’s New Day before helming my own show, Cuomo Prime Time, in 2018. I then joined NewsNation (Nextstar) in 2022, where I am hosting Cuomo — the network’s most-watched program.

HL: This has been a very interesting and enjoyable conversation. I sorry that our time is ending. Any closing comments?

CC: I love what I do and am very happing to be doing it. My wonderful wife, Cristina, and I have been married since 2001. We live in East Hampton and we have three great kids. Aside from fishing, I love tinkering with old cars, a hobby I picked up from my older brother, Andrew, and which today mostly manifests in the pure joy I experience when driving my cherry Firebird. I truly am a very lucky guy — I have a great life and a terrific family, a job that I love, time for the hobbies that recharge me, and I live in a country that I love.

For the Louis Vuitton Fall/Winter 2025 collection, Nicolas Ghesquière uses the power of silhouettes and autumnal textures to redefine modern femininity. With bold eclecticism, the collection blends technical outerwear, ruffled gowns, and iconic bags, featuring neutral tones and graphic prints to reimagine today’s contemporary woman.

OPPOSITE: Long sleeve quarter zip dress, $6,950;and LV Script rectangle sunglasses, $670

METAMORPHOSIS MENSWEAR

Kim Jones, Dior Men’s previous artistic director, drew inspiration from Christian Dior’s 1954-55 Ligne H collection for the new Dior Men’s Winter 2025-26 collection, blurring the graphic and angular elements of menswear history with modern couture. The collection reimagines style through a metamorphosis of ornate 18th-century influences and utilitarian 19th-century forms, blending masculine and feminine esthetics with transformative garments, luxurious silks and satins, and chiaroscuroinspired drapery for a balance of extravagance and rigor.

BY ADRIENNE FAUROTE

PHOTOGRAPHY CASPER SEJERSEN

GROOMING BY DIOR ALL CLOTHING AND ACCESSORIES BY DIOR MEN

METAMORPHOSIS

OPPOSITE:

OPPOSITE:

the paddock CLUB

The Chanel Cruise 2025-26 collection invites us to be guided by the joy of getting dressed up to be noticed. Therefore, the collection travels to beyond the pastures to capture the easy-going cruise silhouettes, like the black taffeta bustier dress and matching trouser sets that were meant to be seen.

PHOTOGRAPHY CODY LIDTKE

STYLING ANATOLLI SMITH

FASHION DIRECTOR ADRIENNE FAUROTE

MAKEUP AIMI OSADA

HAIR JASON MURILLO AT DE FACTO INC.

MODEL NAOMY GARCIA AT FUSION MODELS NYC

PRODUCTION SHELBY COMROE

DP KENNY MARTELL

1

STYLIST ASSISTANT CYNAMIEN HUDSON

SHOT

Mercedes-Benz G-Class

Let’s take a quick look at the G family. Mercedes currently offers the G-Wagon in three different models:

G 550 SUV (a three-liter six-cylinder turbo with hybrid assist) with 443 HP, 413 pound-feet of torque and a 0-60 mph time of 5.3 seconds, arriving with a base price of just over $148,000

G 580 with EQ Technology SUV (with four electric motors) with a combined 579 HP, 859 pound-feet of torque and a 0-60 mph time of 4.6 seconds, with a base price of over $161,000

AMG G 63 SUV (an eight-cylinder twin-turbo V-8) with 577 HP, 627 pound-feet of torque and a 0-60 mph time of 4.2 seconds, with a base price of over $186,000

The G-Wagon I test drove was of the electron type as I was most interested in how similar to or different from its ancestors the big e-ute was. Spoiler alert — I was very pleasantly surprised.

First impressions: it is more luxurious than the previous models I’d driven. Not surprisingly, it is quieter than its forebears as there is little sound emanating from the propulsion system. The wind noise is about the same as with earlier versions, no doubt because the concept of “aerodynamics” is hardly applicable to a vehicle with such a high profile, an upright front clip and a vertical windshield. Twenty-inch wheels with off-road tires add to the roadway sound but the cabin is nicely insulated and the music from the excellent sound system adds further aural pleasures.

My G 580 was Polar White with Sage Gray leather interior, a very nice, subdued combination. With a number of quality touches — highly-detailed leather seats, wooden accents, satin-finished metal on many surfaces and a number of interior upgrades — the SUV was quite elegant, equally at home offroading and cruising downtown.

BY TIM LAPPEN

Mercedes purportedly created the “Geländewagen” (the German word for “all-terrain,” or “cross-country vehicle”) in response to a suggestion of the Shah of Iran in the early 1970s. The Shah apparently wanted a higher-quality military vehicle and Mercedes presciently decided that there was a market for it. Not long thereafter, Mercedes realized that there could be a civilian market for the “G-Wagon” but, due to a variety of reasons, it only was available in the U.S. for many years through a grey-market importer, not via the American Mercedes-Benz dealer network. The G-Wagon joined the official North America Mercedes family in 2002, and it’s been a hit ever since.

Now, some many decades years later, that SUV (with an emphasis on “utility”) is still highly recognizable as the shape basically has remained the same. Squared-off, with little attention given to aerodynamics but with amazing ground clearance, and the purpose-built look of an off-road warrior combine nicely to announce this SUV’s arrival. However, a “kinder and gentler” aura now surrounds the car since, in place of the well-known performance-sounding burble, one G-Wagon variant now emits more of a hum since it has gone completely — wait for it — electric. But don’t let the relative quiet of this SUV fool you as it is every bit a performer as its petrolholic relatives.

Though it may just be a rumor, I have heard that some owners actually take their G-Wagons off-roading. That would make sense since, the portal axles (which allow the rear differential to be much higher above the ground) give the vehicle an amazing amount of ground clearance, almost ten inches. And with its sealed electric motor and battery packs, the G-Wagon is not as susceptible to a mid-river failure.

Any story on the G-Wagon would not be complete without the mention of the famous “tank turn” (denoted the “G-Turn” in Mercedes parlance). Of dubious utility for most drivers, it nevertheless is quite fun and is the trick that onlookers request most often. With the proper drivetrain settings (preferably on soft dirt or a wet surface), the front and rear wheels on one side go forward and both wheels on the other side go backwards, which gives the big SUV the ability to pivot pretty much on its own axis.

Added to the base price on “my” G 580 were ash trim in the interior, 20” 10-spoke aerodynamic alloy wheels, the “night package” (which provides a blackout of various trim pieces), and a few other niceties, all of which together added approximately $17,050 to the total cost.

If a utilitarian luxury vehicle (or luxurious utility vehicle — reader’s choice) is of interest to you, this is a good option as the quality, fit, finish, performance, and drivability are excellent. Though carpool stickers are joining the buggy whip in the annals of motor vehicle lore, it still is nice to show one’s enviro-cred with a plug instead of a gas filler and the absence of an exhaust pipe.

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Dr. Steven Victor

212.249.3050 svictor@regenmedicalpc.com victorregenerativemedicinecenters.com

Market: New York, NY Specialty: Body

Dr. Anna Avaliani

212.673.8888 dravaliani@dravaliani.com dravaliani.com

Market: Long Island, NY Specialty: Face

Dr. Stephen T. Greenberg

516.364.4200 inquiry@greenbergcosmeticsurgery.com greenbergcosmeticsurgery.com

Market: Midtown, NY Specialty: Smile

Marianna Farber DDS

212.588.1500 info@mymidtowndentist.com mymidtowndentist.com

Market: Gloucester County, NJ Specialty: Medical Spa

Dr. Pooja Malik

856.478.4700 tina@malikmedicalaesthetics malikmedicalaesthetics.com

Market: Philadelphia, PA Specialty: Skin

Victoria A. CirilloHyland, MD, FAAD

610.525.5029

Appointments@CirilloCosmetic.com cirilloinstitute.com

Market: New York Specialty: Body, Face

Dr. Sachin M. Shridharani

212.508.0000 staff@luxurgery.com luxurgerynyc.com/

Market: Manhattan, NY Specialty: Face

Dr. Sam Rizk

212.452.3362 office@drsamrizk.com drsamrizk.com

Market: Brooklyn, NY Specialty: Medical Spa

Aesthetic Island NYC

917.438.4185 aestheticislandnyc@gmail.com aestheticislandnyc.com

Market: Paramus, NJ

Specialty: Body and Face

Dr. Michael Gartner

201.546.1890 drg@gartnerplasticsurgery.com gartnerplasticsurgery.com

Market: Scottsdale, AZ Specialty: Vision

Dr. Jay Arora

480.991.8888 info@aroraeye.com aroraeye.com

Market: Philadelphia, PA Specialty: Face

Dr. Jason Bloom

610.762.5666 drjbloom@bloomfps.com bloomfacialplastics.com

Market: Lancaster, PA Specialty: Eye

Dr. Nora Siegal

717.819.9011 norasiegalmd@lncoculoplastics.com lncoculoplastics.com

Market: Fort Collins, CO Specialty: Medical Spa

Market: Boston, MA Specialty: Nose

Dr. Samuel Lin

617.632.7827 esjlin@bidmc.harvard.edu linplasticsurgery.com

Xanadu Med Spa

970.482.1889 info@xanadumedspa.com xanadumedspa.com

Market: San Diego, CA

Specialty: Internal Medicine

Dr. Kern Brar

858.209.3717

admin@apersonalphysician.com apersonalphysician.com

Market: New York, NY

Specialty: Allergy and Immunology

Purvi Parikh, MD, FACP, FACAAI

212.685.4225

pparikh@allergyasthmanyc.com allergyasthmanyc.com

Market: New York, NY

Specialty: Fertility

Dr. Brian A. Levine

212.290.8100

nationalpsc@colocrm.com ccrmivf.com/new-york

Market: Miami, FL

Specialty: Skin

Marissa Dalla Rizza

305.848.3801

mdrskin@mdrskinstudio.com mdrskinstudio.com

Haute Lawyer

Haute Lawyer is an exclusive, partnership-driven, invitation-only network of select lawyers from top markets in the U.S. At Haute Lawyer, we recognize these leading experts in law and seek to further their success by driving unmatched digital and print exposure.

Market: Chicago Specialty: Immigration

Christopher Helt, Esq.

312.266.0531 Christopher@heltlawgroup.com heltlawgroup.com

Market: New York City Specialty: Private Wealth Law

Michael Kosnitzky

212.858.1002(NYc) | 786.913.4885(Miami) Michael.Kosnitzky@Pillsburylaw.com pillsburylaw.com

Market: South Florida Specialty: Real Estate

Robert Elias

305.823.2300 relias@eliaslaw.net eliaslaw.net

Market: South Florida Specialty: Business/Commercial Litigation

Gavin Tudor Elliot

754.332.2101 gelliot@elliotlegal.com elliotlegal.com

Market: Chicago Specialty: Family, Personal Injury

Adeena Weiss

773.498.4498 aweiss@weissortizlaw.com weissortizlaw.com

Market: Miami Specialty: Corporate

John Haley

john.haley@nelsonmullins.com nelsonmullins.com

Market: South Florida Specialty: Commercial, Franchise

Robert Zarco

305.374.5418 rzarco@zarcolaw.com zarcolaw.com

Christine Hong

Market: Bel Air, Los Angeles, CA Hilton & Hyland | Forbes Global Properties

310.433.5590 christine@christinehong.com christinehong.net

Valia Properties

Market: Corona Del Mar, CA

949.673.0789 info@valiaOC.com valiaOC.com

Myra Nourmand

Market: Los Angeles, CA Nourmand & Associates

310.888.3333 urmand@nourmand.com myranourmand.com

Gary Goldberg

Market: Montecito, CA Coastal Properties

805.455.8910 gary@coastalrealty.com garygoldberg.net

Rachel and Reid Hansen

Market: Aspen/Snowmass, Snowmass Village, Woody Creek, Basalt, Carbondale, CO

970.456.2464 | 970.948.7028 rachel.hansen@christiesaspenre.com reid@christiesaspenre.com

Joyce Rey

Market: Beverly Hills, CA Coldwell Banker Global Luxury

310.285.7529 joyce@joycerey.com joycerey.com

Giovanna Guzman

Market: Brickell, FL International Realty Group

786.879.3814 Giovanna@internationalrg.com Internationalrg.com

Lanna Parker

Market: Downtown San Diego, CA Compass

619.909.7552 lanna@sandiegoh.com sandiegoh.com

Jeff Chertow

Market: Malibu, CA Pinnacle Estate Properties

310.456.3469 jeffchertow@gmail.com malibudreamhomes.com

Riskin Partners Estate Group

Market: Santa Barbara, CA Village Properties

805.565.8600 team@riskinpartners.com riskinpartners.com

Tadia Silva

Market: Bal Harbour, FL Charles Rutenberg Realty

305.439.1286 emailtadia@gmail.com

Margarita Sanclemente

Market: Brickell, FL

Douglas Elliman Real Estate

margarita@sanclementegroup.com sanclementegroup.com

Leah & Alex Sajovits

Market: Boca Raton, Florida Douglas Elliman Real Estate team@leahandalexs.com leahandalexs.com

Destin Lowery

Market: Destin, FL Home Town Realty Partners LLC

850.225.5009

destinsellsdestinfla@gmail.com southeastluxuryagents.com

Debbie Wysocki

Market: Harbor Beach/East Lauderdale, Lauderdale By The Sea, Hillsboro Beach/Hillsboro Shores, Deerfield Beach, FL Florida Luxury Homes Group - Keller Williams Realty Professionals

954.579.5720

debbie@floridaluxuryhomesgroup.com floridaluxuryhomesgroup.com

Chris Sullivan

Market: Marco Island, FL RE/MAX Alliance Group

239.404.5548

chris@marcoluxuryhomes.com marcoluxuryhomes.com

Priscilla Haisley

Market: Miami Shores, FL Luxe Properties

305.322.3665 priscilla@luxeknows.com miamidreamcasa.com

Wesley Ulloa and Bianca Guevara

Market: Pinecrest, FL

LUXE PROPERTIES

Bianca: 786-632-2640 / Wesley: 305-986-7041 bianca@luxeknows.com / wesley@luxeknows.com

Mauricio J. Barba

Market: Coral Gables, FL Compass

305.439.8311

mauricio@miamisignaturehomes.com miamisignaturehomes.com

Carsa Craighton & Romaello D’Franco

Market: Fort Lauderdale, FL ONE Sotheby’s International Realty

718.791.5420 ccraighton@onesothebysrealty.com carsacraighton.onesothebysrealty.com

Eric Woodward

Market: Key Largo, FL Sotheby’s International Realty

305.394.4461

eric.woodward@sothebysrealty.com

Bozana Cavar

Market: Miami Beach, FL Bozana Cavar, Broker Associate Exp Realty

323.605.1056 Bo@bocavar.com

Dante Disabato

Market: Naples, FL William Raveis Real Estate

239.537.5351 dante.disabato@raveis.com DanteDiSabato.com

Stefano Balli

Market: Ponce-Davis, FL Compass

305.915.2572 stefano.balli@compass.com compass.com/agents/stefano-balli

Gwinn Volen

Market: Ponte Vedra Beach, FL

The Volen Group, Keller Williams Luxury International

904.314.5188

thevolengroup@gmail.com pontevedrafocus.com

Melissa Barragan

Market: Sunny Isles Beach, FL Dezer Platinum Realty

305.988.4351

melissa@dezer.com melissabarragan.com

Debra Johnston

Market: Atlanta, GA Coldwell Banker Realty

404.312.1959

debra.johnston@cbrealty.com debraajohnston.com

Neal Norman

Market: Kauai Island, HI Hawaii Life

808.651.1777 neal@hawaiilife.com nealnorman.com

Vicki Gaily

Market: Bergen County, NJ Special Properties div. of Brook Hollow Group

Office 201.934.7111

Cell 201.390.5880

vgaily@specialproperties.com specialproperties.com

Frank D. Isoldi

Market: Westfield, NJ Coldwell Banker Global Luxury

Office direct 908.301.2038

Cell 908.787.5990

frankisoldi@gmail.com theisoldicollection.com

Anca Mirescu

Market: South Beach, Miami, FL Douglas Elliman Real Estate 646.707.1498

anca.mirescu@elliman.com elliman.com/ancamirescu

Jennifer Zales

Market: Tampa Bay, FL Coldwell Banker Global Luxury

813.758.3443

jennifer@jenniferzales.com jenniferzales.com

Carrie Nicholson

Market: Hawaii Island, HI Kohanaiki Realty, LLC

808.896.9749

cnicholson@kohanaiki.com www.kohanaiki.com

Charlene M. Hamiwka

Market: Maine Harcourts Waterfront & Fine Properties

207.671.0085

charlene@harcourtswfp.com waterfrontandfineproperties.harcourtsna.com

Johnny A. Caruso

Market: Somerset County and Jersey Shore, NJ Christie’s International Real Estate

908.227.3252

jcaruso@christiesrealestategroup.com christiesrealestate.com

Rich Robledo

Market: Las Vegas, NV Virtue Real Estate

702.525.7618

rich@therobledogroup.com www.therobledogroup.com

Sylvia Woods

Market: Rochelle, NY

Weichert Realtors, Heritage Properties

914.523.5624

sylvia@sylviawoodsrealty.com wrheritageproperties.com

Eugenia C. Foxworth

Market: Uptown, New York Foxworth Realty

212.368.4902

eugenia@foxworthrealtyonline.com foxworthrealtyonline.com

Moira E. Holley

Market: Seattle, WA

Realogics | Sotheby’s International Realty

206.612.5771

moira@moirapresents.com moirapresents.com

Robert F. Davey

Market: Costa Rica / Nicaragua Christie’s International Real Estate Costa Rica

506.8870.8870 bob@bdavey.com costaricachristiesrealestate.com

Jorge A. Guillén

Market: Puerto Vallarta, Mexico Tropicasa Realty

322.306.0535

jorge@tropicasa.com tropicasa.com

Leslie S. Modell

Market: Midtown East, NY

Sotheby’s International Realty

212.606.7668

leslies.modell@sothebys.realty modellteam.com

LUXE Forbes Global Properties

Market: Lake Oswego / Portland / West Linn / Bend, OR

503.389.2112

info@luxeoregon.com luxeoregon.com

Ryan Knowles

Market: Bahamas MAISON Bahamas | Forbes Global Properties

242.376.7731

ryan@maisonbahamas.com maisonbahamas.com

Blue Zone Realty

International - Tim Fenton

Market: Utiva Puntarenas, Costa Rica

415.251.2332

tim@bluezonerealty.com bluezonerealty.com

The premier list of the world’s most exclusive properties by some of the most renowned real estate development companies.

Group

305.669.5160 | theballigroup.com info@theballigroup.com

Binst Architects, Luc

+32.3.213.61.61 mail@binstarchitects.be

954.609.7113 | dawn@dawneliseinteriors.com dawneliseinteriors.com

917.309.4354 | karen@aspreastudio.com aspreastudio.com

AND GET READY FOR THE THIRD ITERATION OF THE LAS VEGAS GRAND PRIX

BY LAURA SCHREFFLER

NOW IN ITS THIRD YEAR, THE LAS VEGAS GRAND PRIX HAS FIRMLY established itself as more than a race — it’s a spectacle of speed, luxury, and hospitality that only Las Vegas could stage. Each November, the Strip transforms into the ultimate theater of motorsport, where adrenaline collides with indulgence and every vantage point feels like a once-in-alifetime invitation.

There is an endless stream of parties and afterparties, private soirees, chef experiences, and, back for its second year, the return of the ultimate elegant charity gala, amfAR Las Vegas, hosted, fittingly, at The Wynn. Additional highlights of race weekend — which runs from November 20 to November 22 — include a brightly shining culinary spotlight on Ramsay’s Garage, where Gordon Ramsay himself reimagines an F1 garage as an epicurean playground. Across three days, guests will experience gourmet menus, VIP access to the Paddock, and panoramic views from

the Paddock Club. Add in pit lane walks, podium celebrations, and intimate meet-and-greets with F1 legends, and it’s a trackside immersion in both flavor and fandom.

Then, for those chasing the pulse of the race, the Paddock Club Rooftop commands some of the most coveted views in motorsport: the start-finish straight, pit stops, and a sweeping rooftop angle overlooking Turns 1–4 and Turn 17. Elevated dining, premium pours, and exclusive experiences — driver interviews, autograph sessions, pit access — ensure it’s as decadent as it is electric. The Bellagio Fountain Club remains a jewel in the crown, perched at the heart of the Strip with unmatched sightlines of the Fountains of Bellagio and the Winner’s Stage. From its private indoor and rooftop hospitality decks, guests will toast victories and indulge in unlimited food and beverages across the weekend, in a setting as quintessentially Las Vegas as it gets.

For the ultimate insiders, the Wynn Grid Club raises the curtain on an experience usually reserved for a rare few. Nestled within the Paddock Club, this hospitality suite boasts 360-degree views — including a front-row perch at the start/finish line and prime access to Turns 1 and 2. Elevated cuisine, bespoke cocktails, and Wynn’s legendary service define the space, creating an oasis of calm in the heart of the action.

Style and nostalgia collide in the Skybox, positioned directly above the Heineken Main Grandstand. Here, the vibe shifts to Rat Pack chic, with an indoor lounge, outdoor terrace, and roaming entertainment that nods to Vegas’ golden age. And for the purists, the Turn 3 Club delivers drama where it counts: with prime sightlines of Turns 3 and 4, where strategies are tested before drivers unleash down the Koval Straightaway. All-inclusive food, beer, wine, and spirits keep the energy high, while access to activations and live performances — from Zedd and T-Pain to Jess Glynne and Sofi Tukker — ensures there’s never a dull moment off the track.

Together, these experiences transform the Las Vegas Grand Prix into something far greater than a race. It’s theater, it’s pageantry, it’s Las Vegas in overdrive — where the roar of engines meets the sparkle of champagne, and the city once again proves it knows how to turn sport into spectacle.

The Science of Beauty: How Dr. Agha’s Innovations Are Redefining Plastic Surgery

BY DR. SIAMAK AGHA, MD, PHD, FACS — THE AESTHETIC CENTERS

As a graduate of one of the top Medical Schools in the world, the University of Cambridge, Dr. Siamak Agha was selected into the highly exceptional physician scientist program (integrated MD / PhD) on a scholarship funded by The Wellcome Trust. During this time, Dr. Agha’s research in Gene Therapy resulted in 2 international patents that were filed by Cambridge University. Dr. Agha then completed 7 years of residency in Plastic and Reconstructive Surgery at the University of Pittsburgh Medical Center, one of the most respected and comprehensive Plastic Surgery training programs in the United States. Dr. Agha is a Board-Certified plastic surgeon and a member of the American Society of Plastic Surgeons. He has spent the last 20+ years perfecting the art of aesthetic facial surgery, breast reshaping, and body contouring. During this time, he has pioneered new techniques in the field of plastic surgery, such as his signature Three-Dimensional Facelift, High-Definition Tummy Tuck™, High-Definition Mommy Makeover, Spiral Thigh Lift, Internal Dermal Bra Breast Lift, and High-Definition Lower Body Lift™.

A SUCCESSFUL PLASTIC SURGERY REQUIRES BOTH INNOVATION and artistry. For me, redefining beauty isn’t about chasing trends but about developing techniques that honor the complexity of the human form.

Over the past decades, I’ve worked to elevate the field of aesthetic surgery through a philosophy I call three-dimensional enhancement, because the human body isn’t flat, and our solutions shouldn’t be either.

Plastic surgery, when done thoughtfully, is equal parts science and sculpture. It’s not enough to tighten skin or remove volume. You have to understand how tissues behave over time, how structure supports form, and how each adjustment affects the body as a whole. That’s where innovation matters most.

FROM FLAT TO FULL: REIMAGINING THE FACELIFT

Traditional facelifts often focused on pulling the skin taut, with little attention to deeper structural changes. But aging doesn’t just happen on the surface. It’s a layered process that involves fast descent, muscle laxity, and volume loss.

My signature three-dimensional facelift addresses all these elements. Instead of simply lifting, I reposition fat compartments, restore cheek fullness, tighten underlying muscles, and sculpt the neck and jawline — all in one harmonized procedure. The result? Natural-looking youthfulness that moves with the face, not against it.

I don’t erase character. I softly and intentionally redefine it with a respect for the individuality of every face.

INNOVATION ROOTED IN FUNCTION

One of the most impactful advancements I’ve developed is the Internal Dermal Bra Breast Lift. Breast implants can enhance volume, but they can’t compensate for lax tissue or lack of support. That’s where this technique makes the difference.

By reinforcing the lower breast with your own biologic support bra and internal suturing technique, I create a long-lasting internal foundation — what I refer to as a “hammock” — that holds the breast in position and maintains the shape of the breast. It’s particularly effective for patients who’ve experienced weight loss, pregnancy, or poor outcomes from previous surgeries.

Innovation like this doesn’t just improve aesthetics. It improves function, longevity, and patient satisfaction.

A HOLISTIC APPROACH TO BODY CONTOURING

One of the most overlooked areas in aesthetic surgery is the thighs. They age like the rest of the body — sagging skin, loss of shape, stubborn cellulite — but few surgeons address this area comprehensively. With my 360-degree Spiral Thigh Lift, I don’t just remove excess skin. I reshape, lift, and recontour the thighs to complement the hips, buttocks, and abdomen.

Each patient’s body is treated like a sculptural whole. Every procedure — a thigh lift, tummy tuck, or buttock augmentation — is designed to enhance the patient’s full silhouette, not just a segment.

That’s why I coined the term “naked beauty.” It’s not about what you look like in clothes. It’s about balance, projection, and proportion when there’s nothing left to hide behind.

MORE INFORMATION: www.theoneplasticsurgery.com 949.644.2442

AND GRAND SEIKO CELEBRATE HIROYUKI SANADA AT AVRA BEVERLY HILLS

ON SEPTEMBER 29, HAUTE LIVING AND GRAND SEIKO celebrated the 60-year legacy of legendary actor Hiroyuki Sanada and his Haute Living Los Angeles October 2025 cover. An exclusive circle of tastemakers, Hollywood insiders, and cultural leaders gathered for a celebratory dinner at Avra Beverly Hills for a celebratory dinner. Guests were transported to the islands of Greece with flavorful Mediterranean dishes, including lavraki ceviche with grapes, radicchio, cucumber, citrus, jalapeño, and sesame oil alongside a refreshing Greek salad of tomato, cucumber, onion, peppers, and feta. For the main course, guests savored Faroe Island salmon, grilled lavraki, and Avra potatoes. During the celebratory evening, guests toasted with Champagne Telmont to Hiroyuki Sanada, whose career bridges Japanese cinema and Hollywood blockbusters. The actor was celebrated not only for his on-screen achievements but also for his influence as a cultural ambassador for Japan. He has earned a Medal of Honor with Purple from the Japanese government for introducing the Western world to Japanese history, lifestyle, samurai culture, and much more.

3. Grand Seiko

4. April Donelson and Sanada

5. Sanada and Laura Schreffler

6. Sanada, Sakamoto, and Kirk