Issuu

JAPANESE ART GERMAN AND EUROPEAN PRIVATE COLLECTIONS Auction 148 | 12 June 2025

AUKTION 148 | AUCTION 148

JAPANISCHE KUNST

12. JUNI 2025 | 10.00 UHR

JAPANESE ART

12 JUNE 2025 | 10.00 AM CET

Ihre Auktionsexpertin Your auction expert

Yixuan Wang, Kunsthistorikerin M.A. Asiatische Kunst | Asian Art

Vorbesichtigung 5.-10. Juni

Viewing Time 5-10 June

Donnerstag, Freitag, Dienstag 10.00-18.30 Uhr Samstag | Montag 10.00-17.00 Uhr

Thursday, Friday, Tuesday 10 am-6.30 pm CET Saturday | Monday 10 am-5 pm CET

LIVE BIETEN: LIVE BIDDING: Friedrich-Ebert-Straße 11+12 | D - 40210 Düsseldorf Tel.: +49 (0) 211 / 30 200 10 | Fax: +49 (0) 211 / 30 200 119 info@h-auktion.de | www.kunstauktionen-duesseldorf.de

A PRIVATE NETSUKE COLLECTION FROM SOUTHERN NORTH RHINE-WESTPHALIA

Japanese Art

1 | A FINE IVORY CARVED NETSUKE OF A RECUMBENT OX WITH BOY * Japan, 18th/19th century Ivory. L. 6.1 cm. The netsuke is carved as a reclining ox with inlaid eyes, its head turned to the right. A boy is holding the rope halter as he tries to climb onto the ox‘s back. The ox‘s spine is prominently carved, and there is a small basket on its left side. With traces of age and use, partially damaged.

€ 500,-

2 | TWO FINE IVORY CARVED OKIMONO OF MONKEY * Japan, 19th century Ivory. L. ca. 6.5 cm. Including an okimono carved as a running monkey with its mouth open, and another okimono carved with two monkeys and two rats on leaves. Next to them is a small basket filled with fruit. With traces of age and use.

€ 300,-

4 Hargesheimer | Auktion 148

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

3 | A FINE IVORY CARVED NETSUKE OF A GROUP OF MONKEYS * Japan, 19th century Ivory. H. 4.2 cm. The netsuke is carved as a mother monkey holding a young monkey in her arms, turning her head as if lecturing it, with her other hand holding a monkey mask. The young monkey, with its palm up, reaches out for the monkey mask in the mother‘s hand. Below them, another young monkey curiously points at the mask. With traces of age and use, partially damaged and restored.

4 | A FINE IVORY CARVED NETSUKE OF A MONKEY WITH A MANDARIN * Japan, 19th century Ivory. H. 4 cm. The netsuke is carved as a monkey sitting on a mandarin, with both hands peeling back a slice of the mandarin peel, revealing part of the segments inside. Signed in an oval reserve ‚Eigyoku‘ or ‚Yeigyoku‘ on the back. With traces of age and use.

€ 180,-

€ 200,-

5 | AN IVORY NETSUKE OF AN EMACIATED WOLF WITH A MONKEY * Japan, 18th/19th century Ivory. H. 3.2 cm. The netsuke is carved as an emaciated wolf sitting on the ground with its mouth open in a roar, head turned to one side, with one paw pinning down a monkey in a pleading posture. Signed ‚Mitsuharu‘ in an oval reserve on the back. With traces of age and use, slightly cracked.

6 | AN IVORY NETSUKE OF DOG * Japan, 19th century Ivory. L. Ca. 3 cm. With traces of age and use, partially cracked.

€ 120,-

€ 450,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 148

Japanese Art

7 | A FINE TUSK CARVED NETSUKE OF THREE QUAILS ON MILLET Japan, 19th century Walrus tusk. H. 3.1 cm. The netsuke is carved as three quails perched on leafy millet, facing in different directions. The eyes are inlaid with brown glass. Signed in a rectangular reserve ‚Okatomo‘. With traces of age and use, slightly damaged and restored.

€ 600,-

6 Hargesheimer | Auktion 148

Japanese Art

8 | AN IVORY CARVED NETSUKE OF A KIRIN WITH A MUKUGYO * Japan, 19th century Ivory. L. 7.8 cm. The netsuke is carved as a kirin holding a mukugyo, with a small phoenix-shaped ball on its side. The bottom of the mukugyo is signed ‚Masayuki‘. With traces of age and use.

€ 360,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 148

Japanese Art

9 | A FINE IVORY CARVED NETSUKE OF A SHISHI * Japan, 19th century Ivory. H. 3.8 cm. The netsuke is carved as a shishi in a half-crouching position, standing on a rock with its mouth open. The bottom is signed ‚Kazushige Kachosai. With traces of age and use, partially cracked.

€ 360,-

10 | A FINE IVORY CARVED NETSUKE OF A SHISHI WITH A BALL * Japan, 18th/19th century Ivory. H. 3.3 cm. The netsuke is carved as a creature sitting on its hind legs, holding a large ball with his paws. It has a movable ball in its open mouth, with the strands of its mane and beard curling into spirals. The patterns of its spine are visible on its back. With traces of age and use, partially cracked.

€ 300,-

8 Hargesheimer | Auktion 148

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

11 | TWO IVORY CARVED NETSUKE OF SHISHI * Japan, 18th/19th century Ivory. H. 2.5-3 cm. Including two netsuke, both depicting shishi with open mouths, holding a ball. With traces of age and use, partially cracked.

€ 200,-

12 | THREE STAG ANTLER NETSUKE OF ANIMALS Japan, 18th/19th century Antler. H. 1.7-3.2 cm. Including a netsuke of a recumbent ox, and two netsuke of shishi. With traces of age and use, partially abraded.

€ 200,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 148

Japanese Art

13 | AN IVORY NETSUKE OF RAKAN AND ONI ARM-WRESTLING * Japan, 19th century Ivory. H. 2.8 cm. The netsuke is carved as a rakan and an oni playing arm-wrestling on a lotus leaf, with a tiny snail beneath the leaf. The lotus stem is signed ‘Masatsugu’. With traces of age and use. Literature: Compare a related ivory netsuke of a Rakan with an Oni, illustrated in: Frieder Aichele and Gert Nagel, Netsuke, Munich 1975, p. 84.

€ 420,-

14 | AN IVORY CARVED NETSUKE OF A RESTING ACTOR * Japan, 19th century Ivory. H. 3 cm. The netsuke is carved as a seated, resting actor holding a bowl, after having pushed his mask to the side. Signed ‚Masatsugu‘ on the bottom. With traces of age and use.

€ 390,-

10 Hargesheimer | Auktion 148

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

15 | A TOOTH CARVED NETSUKE OF TWO SENNIN Japan, 19th century Walrus tooth. H. 6.8 cm. The netsuke is carved as two sennin, one standing in front of a rock, with his left hand holding a vase and his right hand raised holding a small bundle. Below him, another sennin crouches, supporting the vase and the bundle with both hands. Signed ‚Tokoku‘ on the bottom. With traces of age and use.

16 | A FINE IVORY CARVED NETSUKE OF A SAGE * Japan, 19th century Ivory. H. 3.5 cm. The netsuke is carved as a sage sitting on a crane soaring through a swirl of clouds, with his mouth open in joy as he unfurls a handscroll, signed probably ‚Minko‘ on it. With traces of age and use, partially damaged and restored.

€ 150,-

€ 300,-

17 | AN IVORY CARVED NETSUKE OF A TSUITATE Japan, 19th century Ivory. H. 4.5 cm. The netsuke is carved as a tsuitate, with an old Dutchman hoeing the ground under a pine tree. With traces of age and use, partially cracked, possibly with one area of damage.

18 | AN IVORY CARVED NETSUKE OF A DANCER Japan, 19th century Ivory. H. 4.3 cm. The netsuke is carved as a dancer, signed ‚Hidemasa‘ on the back. With traces of age and use, partially damaged.

€ 150,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 148

Japanese Art

19 | A WALRUS TUSK CARVED NETSUKE OF KIYOHIME Japan, 19th century Walrus tusk/Wood. H. 4 cm. The netsuke is carved as Kiyohime, her serpentine body wrapped around the temple bell of Dojo-ji, inside which the priest Anchin is hiding-his face visible through an opening on one side. The handle of the bell can be turned to alternate between three expressions: two different faces of Anchin and a skull. Signed on the bottom. With traces of age and use, partially cracked.

€ 240,-

20 | AN IVORY CARVED NETSUKE OF A ASHINAGA AND A MASK * Japan, 19th century Ivory. H. 6.4 cm. The netsuke is carved as an ashinaga sitting on a long nose of a large mask, holding a fan in his hand, with his feet resting on the mask. Signed ‚Masayuki‘ on the bottom. With traces of age and use, slightly cracked.

€ 300,-

12 Hargesheimer | Auktion 148

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

21 | A FINE IVORY CARVED OKIMONO OF TWO ONI * Japan, 19th century Ivory. H. 6.7 cm. The okimono is carved as two oni with inlaid eyes; one is sitting on the ground playing a drum, while the other is standing, leaning against the first oni, holding a fan. Signed ‚Kaigyoku‘ in an oval reserve at the bottom of the drum. With traces of use and age, partially cracked.

22 | AN IVORY CARVED NETSUKE OF TWO BOYS * Japan, 19th century Ivory. H. 4.2 cm. The netsuke is carved as two boys holding a scroll. Signed ‚Yositomo‘ in an oval reserve on the bottom. With traces of age and use, partially cracked and damaged.

€ 120,-

€ 280,-

23 | AN IVORY CARVED NETSUKE OF A TALL CHINESE TABLE WITH SHOKI AND ONI * Japan, 19th century Ivory. H. 7.6 cm. The netsuke is carved as Shoki, reclining on his side atop a Chinese table with four slender, curved legs. The legs are elegantly shaped and intricately adorned with carved patterns. An oni clings to the edge of the table above. With traces of age and use.

€ 450,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 148

Japanese Art

24 | TWO RARE IVORY CAVED NETSUKE * Japan, 19th century Ivory. L. 3.5-4.1 cm. Including one netsuke depicting three boys playing around a screen - one side of the screen is painted with a landscape, the other with a dragon. Another netsuke is carved in the shape of a whistle. Both are signed ‚Tomochika‘. With traces of age and use.

€ 500,-

25 | AN IVORY CARVED NETSUKE OF A TEMPLE BELL WITH TWO MONKS * Japan, 19th century Ivory. L. 4.6 cm. The netsuke is carved as a temple bell lying on its side, with the mouth facing outward. Two monks are sitting on either side covering their ears, one of them holding the rope attached to the bell. Signed ‚Shounsai‘ on the bottom. With traces of age and use, partially cracked.

€ 390,-

14 Hargesheimer | Auktion 148

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

26 | A FINE IVORY CARVED NETSUKE OF A KAN‘U * Japan, 19th century Ivory. H. 5.3 cm. The netsuke is carved as a fierce-looking Kan‘u with his mouth open. He is standing, with his upper body turned to the right, holding a long-handled sword in his right hand and resting his left hand on his waist. Signed ‚Gyokuzan‘ on the back. With traces of age and use.

€ 220,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 148

Japanese Art

27 | A FINE IVORY CARVED NETSUKE OF A MOSO * Japan, 19th century Ivory. H. 4.5 cm. The netsuke is carved as a squatting Moso; he is wearing a straw hat and a mino, with his mouth open, tying up a bundle of bamboo shoots. With traces of age and use.

€ 240,-

28 | AN IVORY CARVED NETSUKE OF A SAMURAI * Japan, 19th/20th century Ivory. H. 6.5 cm. The netsuke is carved as a samurai wearing an O-yoroi armor, signed ‚Munemitsu‘ on the back of his right thigh. With traces of age and use, partially cracked, with one inlay missing from the armor.

€ 260,-

16 Hargesheimer | Auktion 148

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

29 | A WOOD NETSUKE OF SHOKI AND ONI Japan, 19th century Wood. H. 5.3 cm. The netsuke is carved as Shoki grasping the oni‘s writhing wrists with one hand, his right hand resting on the hilt of his sword. Signed ‚Masatsugu‘ within an oval reserve on the back. With traces of age and use.

€ 360,-

30 | A WOOD NETSUKE OF CHORYO AND KOSEKIKO Japan, 19th century Wood/Bone/coral. H. 4.8 cm. The netsuke is finely carved with Choryo handing the recovered shoe to Kosekiko atop his horse, the horse‘s saddlecloth adorned with inlaid bone and coral. Signed ‚Yuichi‘ in a rectangular inlaid mother-of-pearl on the bottom. With traces of age and use, partially cracked.

€ 150,-

Hargesheimer | Auktion 148

Japanese Art

31 | A WOOD NETSUKE OF KAN‘U Japan, 19th century Wood. H. 5.1 cm. The netsuke is carved as the Chinese general Guan Yu. With traces of age and use.

€ 180,-

32 | A WOOD NETSUKE OF RECUMBENT OX Japan, 19th century Wood. L. 5.4 cm. The netsuke is carved as a recumbent ox with inlaid eyes. Signed ‚Masatoshi‘ in a reserve on the lower right thigh. With traces of age and use, partially abraded.

€ 300,-

33 | A WOOD NETSUKE OF KAN‘U Japan, 19th century Wood/Bone/Coral. H. 4.8 cm. The netsuke is carved as the Chinese general Guan Yu on horseback, holding his naginata in one hand and the reins in the other. The horse‘s back is inlaid with bone and coral decorations. With traces of age and use.

34 | TWO WOOD NETSUKE OF EMACIATED WOLF Japan, 18th/19th century Wood. H. 3.1-3.8 cm. Including a netsuke of an emaciated wolf with inlaid eyes, and a netsuke of an emaciated wolf with inlaid eyes, one paw pressed against a skull while the mouth is open, biting onto the skull. With traces of age and use, partially abraded.

€ 180,-

18 Hargesheimer | Auktion 148

Japanese Art

35 | A WOOD NETSUKE OF AN EMACIATED WOLF WITH A CRAB Japan, 18th century Wood/bone. H. 3.4 cm. The netsuke is carved as an emaciated wolf with ivory-inlaid eyes, seated with its mouth open and forepaws pressing down on a crab, whose eyes are also inlaid with bone. Signed ‚Masanao‘ in a rectangular reserve on the bottom. With traces of age and use.

€ 500,-

Hargesheimer | Auktion 148

Japanese Art

36 | A WOOD MINIATURE OKIMONO NETSUKE OF A BUNBUKU CHAGAMA Japan, 19th century Wood. H. 3.1 cm. The squat globular vessel turning into a takuni, the bowl of the kettle already bearing a head, legs and tail, the eye pupils are inlaid. Signed ‚Masanao‘ on the bottom of the tail of the takuni. With traces of age and use, partially abraded.

€ 500,-

20 Hargesheimer | Auktion 148

Japanese Art

37 | A FINE WOOD NETSUKE OF HOTEI AND CARP Japan, 19th century Wood. H. 3.7 cm. The netsuke is finely carved as Hotei standing behind a large carp with inlaid eyes, leaning against it with both hands while laughing with his mouth wide open. Signed ‚Masanao‘ on the bottom. With traces of age and use.

€ 390,-

Hargesheimer | Auktion 148

Japanese Art

38 | A WOOD CARVED NETSUKE OF A DRUMMING SHISHI Japan, 18th/19th century Wood/bone. H. 2.5 cm. The ivory is carved as a clothed shishi seated while playing a drum. Signed ‚Miwa‘ on the bottom. With traces of age and use.

€ 200,-

40 | A WOOD NETSUKE OF TWO SHISHIMAI PERFORMERS Japan, 19th century Wood. H. 2.7 cm. The netsuke is carved as two shishimai performers, one sitting upright in the back, holding an Okame mask at the side of his head. The other performer is hidden within the shishimai costume, with one foot exposed. Signed ‚Miwa‘ with kakihan on the bottom. With traces of age and use.

€ 360,-

22 Hargesheimer | Auktion 148

39 | A WOOD NETSUKE OF A MEDITATING DARUMA Japan, 19th century Boxwood. H. 3.8 cm. The netsuke is carved as a meditating Daruma, with ivory-inlaid earrings and large, asymmetrical himotoshi ringed in bone. Signed ‚Shumin‘ on the underside. With traces of age and use.

€ 420,-

41 | A WOOD NETSUKE OF A MEDITATING DARUMA Japan, 19th century Wood. H. 3.6 cm. The netsuke is carved as a meditating Daruma. With traces of age and use.

€ 120,-

Japanese Art

42 | A WOOD NETSUKE OF A PROFESSIONAL SNEEZER Japan, 19th century Wood/bone. H. 3.9 cm. The netsuke is carved as a seated professional sneezer, wearing long robes and holding a small bone poker in one hand. His mouth is wide open, captured in the moment just before a sneeze. Signed ‚Gyokkei‘ on an inset bone tablet on the bottom. With traces of age and use.

43 | A RARE WOOD NETSUKE OF A SENNIN Japan, 18th century Wood. L. 4.9 cm. The netsuke is carved as a sennin sitting on a tree stump, holding a hat and a cane while resting. Signed ‚Hachigyoku‘ on the back of the stump. With traces of age and use, partially abraded.

€ 420,-

€ 200,-

44 | A WOOD NETSUKE OF BENKEI Japan, 19th century Wood. L. 6.2 cm. The netsuke is carved as Benkei with inlaid eyes, wearing the garb of a Yamabushi warrior-priest, seated in a large conch shell and blowing a smaller conch horn. With traces of age and use, partially abraded.

€ 180,-

45 | A WOOD NETSUKE OF KINKO Japan, 19th century Wood. H. 3.9 cm. The netsuke is carved as a kinko seated on the back of a huge carp. Signed ‚Ikko‘ with a kao in an oval reserve on the bottom. With traces of age and use.

€ 420,-

Hargesheimer | Auktion 148

Japanese Art

46 | A WOOD NETSUKE OF A CLUSTER OF MUSHROOMS Japan, 18th/19th century Wood. H. 2.2 cm. The netsuke is carved as a cluster of mushrooms, signed ‚Minko‘ with a kakihan. With traces of age and use, partially abraded.

€ 390,-

47 | A WOOD NETSUKE OF A DRAGON IN A MIKAN (TANGERINE) Japan, 19th century Wood. H. 3 cm. The netsuke is finely carved, depicting a dragon winding through and around stippled mikan, with the leafy stem forming the himotoshi. The eye is inlaid, and it is signed in an incised oval reserve ‚Tomomitsu‘. With traces of age and use. Literature: This netsuke can be compared to Lot 34, which was sold at Bonhams in the auction held in November 2023.

€ 420,-

24 Hargesheimer | Auktion 148

Japanese Art

48 | A WOOD NETSUKE OF A DRAGON IN A MIKAN (TANGERINE) Japan, 19th century Wood. H. 4.1 cm. The netsuke is finely carved, depicting a dragon winding through and around stippled mikan, with the leafy stem forming the himotoshi. The eye is inlaid. With traces of age and use. Literature: This netsuke can be compared to Lot 34, which was sold at Bonhams in the auction held in November 2023.

€ 200,-

50 | A WOOD NETSUKE OF A LOTUS POD Japan, 19th century Wood. H. 4.4 cm. The netsuke is finely carved as a lotus pod with movable seeds. With traces of age and use.

€ 150,-

49 | A WOOD NETSUKE OF THE CLAM‘S DREAM Japan, 19th century Wood. H. 3.5 cm. The netsuke is carved as a clam opening to reveal finely detailed pavilions with detailed structures, with two figures positioned in front. Signed ‚Mitsunobu‘ on the bottom. With traces of age and use.

€ 200,-

51 | TWO WOOD NETSUKE OF THE CLAM‘S DREAM Japan, 19th century Wood. H. 2.2-3.4 cm. With traces of age and use, partially abraded.

€ 180,-

Hargesheimer | Auktion 148

Japanese Art

52 | A WOOD NETSUKE OF THREE PEOPLE IN A BOAT Japan, 19th century Wood. L. 5.5 cm. The netsuke is finely carved as three people in a boat. Signed ‚Ryumin‘ on the bottom. With traces of age and use.

53 | A WOOD NETSUKE OF SHOKI AND ONI Japan, 19th century Wood/bone. H. 7.2 cm. The netsuke is carved as a standing Shoki with an oni on his head, the oni‘s horns inlaid with bone. With traces of age and use.

€ 180,-

€ 150,-

54 | A WOOD NETSUKE OF TWO ACTORS Japan, 19th century or later Wood. H. 3 cm. The netsuke is carved as two actors in the midst of a performance-one dancing with a fan, the other playing a drum. Signed on the bottom. With traces of age and use.

€ 120,-

26 Hargesheimer | Auktion 148

55 | A WOOD NETSUKE OF A SARUMAWASHI (MONKEY TRAINER) Japan, 19th century or later Wood. H. 10.7 cm. The netsuke is carved as a sarumawashi with a monkey on his shoulder, signed on the back. With traces of age and use.

€ 150,-

Japanese Art

56 | TWO WOOD NETSUKE OF HUMAN FIGURES Japan, 19th century Wood. H. 4.6-7.8 cm. Including a netsuke of a man under a huge umbrella, holding a square lamp inlaid with mother-of-pearl in his hand, and another netsuke of a Shinto priest holding an umbrella. With traces of age and use, partially abraded and damaged.

€ 100,-

58 | A WOOD NETSUKE OF A MAN Japan, 19th century Wood. H. 4.3 cm. Signed ‚Shunkosai‘ on the back. With traces of age and use.

€ 150,-

57 | A WOOD NETSUKE OF ONI Japan, 19th century Wood. H. 2.8 cm. The netsuke is carved as an oni sitting on rocks, with black lacquer spots applied to the surface of the rocks. Signed ‚Hoichi‘ with kao in an inlaid rectangular reserve on the bottom. With traces of age and use, partially abraded.

€ 260,-

59 | A WOOD NETSUKE OF MONKEY AND TORTOISE Japan, 19th century Wood. H. 3.7 cm. The netsuke is carved as a monkey standing on the back of a tortoise, gazing down at it with a gentle expression. Signed ‚Goro‘ on the bottom. With traces of age and use, partially abraded.

€ 150,-

Hargesheimer | Auktion 148

Japanese Art

60 | A WOOD NETSUKE OF A SHOJO Japan, 19th century Wood. H. 3.6 cm. Signed on the bottom. With traces of age and use, partially abraded.

61 | A WOOD NETSUKE OF SHIBA ONKO Japan, 19th century Wood. H. 4.2 cm. Signed ‚Tsuneharu‘ on the bottom. With traces of age and use, partially abraded.

€ 120,-

62 | A WOOD NETSUKE OF OKAME Japan, 19th century Wood. H. 2.7 cm. The netsuke is carved as an Okame with long hair in a square container, with an oni hidden on the side. Signed ‚Minkoku‘ on the bottom. With traces of age and use, partially abraded and damaged.

63 | A WOOD NETSUKE OF SHOKI‘S CAP Japan, 19th century Wood. H. 5.6 cm. Shoki has laid his cap on a small table. A mischievous oni, hiding beneath it, is waiting for the moment to snatch it. There is a signature in an oval reserve on the bottom. With traces of age and use, partially abraded and damaged.

€ 300,-

28 Hargesheimer | Auktion 148

€ 200,-

Japanese Art

64 | A WOOD NETSUKE OF A SEATED COURTIER Japan, 19th century Wood. H. 4.5 cm. Signed ‚Masayuki‘ on the bottom. With traces of age and use, partially cracked and damaged.

65 | A WOOD NETSUKE OF A MASK CARVER Japan, 19th century Wood. H. 4 cm. The netsuke is carved as a mask carver, with one hand holding a mask and the other holding a carving knife, signed ‚Gyokkei‘ within an inlaid plaque. With traces of age and use, partially abraded.

€ 300,-

€ 150,-

66 | A WOOD NETSUKE OF SARUMAWASHI Japan, 19th century Wood. H. 6.3 cm. The netsuke is carved as a monkey trainer carrying a bag on his back, with a monkey seated atop the bag. Signed on the back right side. With traces of age and use, partially abraded.

67 | A FINE WOOD NETSUKE OF A SNAKE AND A BIRD Japan, 19th century Wood. H. 3.8 cm. The netsuke is finely carved as a snake coiled around an eggshell, nibbling on a leaf. The underside of the eggshell is intricately carved with the head of a small bird. Signed ‚Einen‘ on the eggshell. With traces of age and use.

€ 180,-

Hargesheimer | Auktion 148

Japanese Art

68 | A WOOD NETSUKE OF A NOH MASK Japan, 19th century Wood. H. 4.7 cm. The netsuke is carved as a Noh mask depicting Usume, signed ‚Deme‘ on the back. With traces of age and use.

€ 200,-

69 | A WOOD NETSUKE OF CHOKARO SENNIN Japan, 19th century Wood. H. 6 cm. The netsuke is carved as a chokaro sennin, with one hand holding a cane and the other grasping a gourd hanging from his shoulder. Signed ‚Deme‘ in a reserve on the bottom. With traces of age and use, partially abraded.

€ 200,-

30 Hargesheimer | Auktion 148

Japanese Art

70 | A WOOD NETSUKE AND A WOOD OKIMONO Japan, 19th century Wood. H. 3.4-4.2 cm. Including a netsuke of a samurai with inlaid eyes and an okimono of a group of rakan, both signed ‚Chikusen‘ on the bottom. With traces of age and use.

€ 180,-

72 | A WOOD OKIMONO OF THREE MONKS Japan, 19th century Wood. H. 6.3 cm. The okimono is carved as three monks playfully wrestling with each other. Signed ‚Masatami to‘ in an oval reserve on the bottom. With traces of age and use.

71 | A WOOD NETSUKE OF AN ONI TRAPPED IN A BOX Japan, 19th century Wood. H. 2.4 cm. Signed ‚Masajo‘ in a rectangular reserve on the bottom. With traces of age and use.

€ 280,-

73 | A WOOD NETSUKE OF AN ONI TRAPPED IN A BOX Japan, 19th century Wood. H. 3 cm. With traces of age and use.

€ 150,-

€ 390,-

Hargesheimer | Auktion 148

Japanese Art

74 | A WOOD-CARVED NETSUKE OF A SPIDER ON A PINECONE Japan, 19th century Wood/Metal. L. 4.4 cm. The netsuke is finely carved as a spider on a pinecone. Signed ‚Gyokuzan‘ in an inlaid rectangular reserve on the bottom. With traces of age and use.

€ 280,-

75 | A WALRUS TUSK NETSUKE OF A GROUP OF GOURDS Japan, 19th century Walrus tusk. L. 3.8 cm. Signed ‚Tomonobu‘ with a kao in a rectangular reserve on the side. With traces of age and use.

€ 260,-

32 Hargesheimer | Auktion 148

76 | A RARE YAKIMONO NETSUKE OF A PINECONE Japan, 19th century or later Porcelain. H. 5.7 cm (7.8 cm with base). The netsuke is finely carved as a pinecone, with a hole opened in the center, revealing two miniature figures inside. With traces of age and use.

€ 180,-

Japanese Art

77 | SIX WOOD NETSUKE OF BUDDHIST AND TAOIST FIGURES Japan, 18th/19th century Wood. H. 4.8-7.6 cm. With traces of age and use, partially abraded.

€ 180,-

79 | FIVE WOOD NETSUKE OF TAOIST FIGURES Japan, 19th century Wood. H. 5.2-5.7 cm. With traces of age and use, partially abraded and damaged.

€ 120,-

78 | THREE WOOD NETSUKE OF MASK Japan, 19th century Wood. H. 3.4-5.3 cm. With traces of age and use, partially abraded and damaged.

€ 100,-

80 | THREE WOOD NETSUKE OF TEMPLE BELL Japan, 19th century or later Wood. H. 2.6-4.9 cm. With traces of age and use, partially abraded.

€ 120,.

Hargesheimer | Auktion 148

Japanese Art

81 | FIVE WOOD NETSUKE OF VEGETABLES Japan, 19th century Wood. L. 4-6 cm. One of the netsuke is signed ‚Hokutei‘, and the other is signed ‚Akimasa‘. With traces of age and use, partially abraded.

€ 220,-

82 | THREE WOOD CARVED NETSUKE Japan, 19th century Wood. H. 2.9-3.1 cm. Including a netsuke of Hotei and a karako inside a takarabukuro (treasure bag), a netsuke of a drum with an inlaid oni, and an ashtray-netsuke depicting peaches and flowers. With traces of age and use.

€ 200,-

83 | THREE RYUSA-MANJU NETSUKE Japan, 19th century Wood/walnut. L. 3.4-4.8 cm. Including a miniature netsuke of a group of figures in a small boat beneath a pine tree, a kagamibuta netsuke, and a netsuke of four people resting in a boat. With traces of age and use.

€ 150,-

84 | THREE WOOD NETSUKE OF DOG Japan, 19th century Wood. L. 4-4.3 cm. With traces of age and use, partially abraded.

€ 150,-

34 Hargesheimer | Auktion 148

Japanese Art

85 | THREE WOOD NETSUKE OF MONKEY Japan, 19th and later Wood. H. 3.2-3.8 cm. Including a netsuke of a monkey lying on top of a sleeping dog, a netsuke of three monkeys with inlaid eyes, and a netsuke of a monkey sitting beneath three legs of an octopus. With traces of age and use.

€ 150,-

86 | FOUR WOOD NETSUKE OF ONI AND SKELETON Japan, 19th century Wood/Negoro. H. 2.8-3.4 cm. Including a netsuke of two oni, a netsuke of shoki and oni and a netsuke of a skeleton. With traces of age and use, partially abraded.

€ 150,-

87 | FOUR WOOD NETSUKE OF HUMAN FIGURES Japan, 19th century Wood/Negoro. H. 2.6-4.4 cm. Including a netsuke of a sarumawashi, a netsuke of a man carrying a Daruma on his back, and two netsuke depicting shishimai. With traces of age and use, partially abraded.

€ 180,-

88 | FOUR WOOD NETSUKE OF HUMAN FIGURE Japan, 19th century Wood. H. 2.7-3 cm. Including a netsuke of a karako playing a drum, a netsuke of a ningyo, a netsuke of a mother with her child, and a netsuke of a napping monk. With traces of age and use, partially cracked and abraded.

€ 180,-

Hargesheimer | Auktion 148

Japanese Art

89 | SIX WOOD NETSUKE OF HUMAN FIGURE Japan, 19th century Wood. H. 2.9-4.4 cm. With traces of age and use, partially cracked, damaged and abraded.

€ 200,-

91 | A GROUP OF SIX NETSUKE AND OKIMONO Japan, 19th/20th century Wood/Lacquerware. L. 3.9-6.6 cm. With traces of age and use, partially abraded and damaged.

€ 180,-

36 Hargesheimer | Auktion 148

90 | A WOOD OKIMONO OF A CHOKARO SENNIN Japan, 19th century or later Wood. H. 10.3 cm. The okimono is carved as an emaciated sennin with a fierce expression, mouth open and head turned to one side, holding a vessel in both hands. With traces of age and use.

€ 120,-

92 | A WOOD OKIMONO OF A HUMAN FIGURE Japan, 19th century Wood. H. 7.5 cm. The okimono is carved as a man with inlaid eyes, bound hand and foot to a bundle of firewood, his eyes wide open and head tilted back, with a snake coiled below. With traces of age and use, partially abraded.

€ 150,-

Japanese Art

93 | AN IVORY CARVED MINIATURE NETSUKE OF A GROUP OF FIGURES * Japan, 19th century Ivory. L. 3.3 cm. Signed ‚Ikkosai‘ on the bottom. With traces of age and use, partially damaged.

€ 200,-

94 | AN IVORY CARVED NETSUKE OF A MAN WITH A BOY * Japan, 19th century or later Ivory. H. 3.4 cm. Signed ‚Kogyoku‘ on the bottom. With traces of age and use, partially cracked.

€ 120,-

95 | TWO IVORY NETSUKE OF CARP * Japan, 18th/19th century Ivory. L. 3.8-4.4 cm. Including a netsuke of a kinko sennin on a carp, and another netsuke of a carp in waves. With traces of age and use, slightly cracked.

96 | AN IVORY CARVED NETSUKE OF A FARMER * Japan, 19th century Ivory. H. 3.5 cm. With traces of age and use, partially cracked. With a signature ‚Tomonobu‘ on the bottom.

€ 280,-

€ 120,-

97 | AN IVORY CARVED NETSUKE OF A SKELETON WITH A SKULL * Japan, 19th century Ivory. H. 3.2 cm. The netsuke is carved as a skeleton holding a skull, signed ‚Yugyoku‘ on the bottom. With traces of age and use.

98 | TWO IVORY CARVED NETSUKE OF MOSO * Japan, 19th century Ivory. H. 4.9-5.1 cm. Including two netsuke, both depicting a moso under a snow-covered bamboo grove. With traces of age and use.

€ 240,-

€ 280,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 148

Japanese Art

99 | TWO IVORY CARVED NETSUKE * Japan, 19th century Ivory. H. 3.7-4.1 cm. Including a netsuke of a tsuitate with a oni and two karako and a netsuke of a shiba onko. With traces of age and use, partially cracked.

100 | FOUR IVORY CARVED NETSUKE OF ONI * Japan, 19th century Ivory. H. 3.1-3.8 cm. One netsuke signed ‚Hidekazu‘. With traces of age and use, partially cracked.

€ 200,-

€ 240,-

101 | AN IVORY CARVED NETSUKE OF A TIGER * Japan, 19th/20th century Ivory. H. 4.1 cm. The netsuke is carved as a tiger sitting on a tree trunk, signed on the bottom. With traces of age and use.

102 | TWO FINE TUSK NETSUKE OF ONI AND SENNIN * Japan, 19th century Tusk. H. 2.7-3.1 cm. Including a walrus tusk netsuke of an oni, signed ‚Gyokko‘ with a kao on the back, and a narwhal tusk netsuke of a sennin with his toad. With traces of age and use.

€ 100,-

103 | TWO IVORY CARVED NETSUKE OF ONI * Japan, 19th century Ivory. H. 3.3-4.6 cm. Both are signed ‚Gyokuzan‘ on the bottom. With traces of age and use.

€ 200,-

38 Hargesheimer | Auktion 148

€ 180,-

104 | TWO IVORY CARVED NETSUKE OF FISH AND OCTOPUS * Japan, 19th century Ivory. L. 4-5 cm. Including an okimono netsuke carved as two fish with a bunch of flowers on them, signed ‚Tomokazu‘ on the bottom, and another netsuke carved as an octopus, signed ‚Tomoyuki‘ on the side. With traces of age and use.

€ 330,-

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

105 | AN IVORY CARVED NETSUKE OF A TEMPLE BELL Japan, 19th century Ivory. H. 4.5 cm. The netsuke is carved in the shape of a temple bell, with a dragon wrapped around it, signed ‚Tadakuni‘. With traces of use.

€ 220,-

106 | FOUR NETSUKE OF ANIMALS Japan, 19th century Antler/tusk. H. 2.3-4.6 cm. Including a netsuke of two shishi in the mountains, a netsuke of a toad, a netsuke of two monkeys sitting on a huge mandarin, and a netsuke of a dog sitting on a Chinese table. With traces of age and use, partially abraded, damaged and cracked.

€ 120,-

107 | FOUR IVORY CARVED NETSUKE VON SHISHI * Japan, 18th/19th century Ivory. H. 2.5-4.5 cm. With traces of age and use, partially cracked.

€ 240,-

108 | TWO IVORY CARVED NETSUKE AND A BOX * Japan, 19th century Ivory. H. 3.4-5 cm. Including a netsuke of a shishi head; a netsuke of a dragon among clouds; and a cylindrical box with a threaded lid carved with a dragon. With traces of age and use, partially cracked.

€ 220,-

109 | FOUR IVORY CARVED NETSUKE OF SHISHI ON A BASE * Japan, 18th/19th century Ivory. H. 3.2-5.6 cm. Including four netsuke depicting shishi on a base. With traces of age and use, partially cracked.

110 | THREE IVORY CARVED NETSUKE OF BOY AND COW * Japan, 18th/19th century Ivory. H. 2.4-4.4 cm. Including three netsuke depicting a boy with a cow. With traces of age and use, partially cracked.

€ 280,-

€ 180,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 148

Japanese Art

111 | TWO IVORY CARVED NETSUKE * Japan, 19th century Ivory. L. 3-4 cm. Including one netsuke of fukura suzume with a signature and a netsuke of a shishi with a seal. With traces of age and use, partially cracked.

112 | FOUR TUSK NETSUKE OF MASK Japan, 19th/20th century Walrus tusk. L. 2-3.6 cm. Two signed ‚Tamayuki‘, one signed ‚Koichi‘. With traces of age and use, partially abraded.

€ 120,-

€ 100,-

113 | TWO IVORY CARVED NETSUKE AND OKIMONO * Japan, 19th century Ivory. H. 2.1-6 cm. Including a ryusa manju netsuke depicting five Noh and Kyogen masks, and an okimono depicting a huge elephant with many people climbing on it. Both are signed ‚Gyokuzan‘ on the bottom. With traces of age and use.

114 | A FINE IVORY CARVED NETSUKE * Japan, 19th century Ivory. H. 4.1 cm. The okimono-netsuke depicting an eagle standing on a rock with a small dog by its side. With traces of age and use, slightly cracked.

€ 200,-

115 | AN IVORY CARVED RYUSA MANJU NETSUKE OF NINE MASKS * Japan, 19th century Ivory. L. ca. 4.4 cm. The netsuke depicts nine Noh and Kyogen masks, signed probably ‚Yoshiyuki‘. With traces of age and use.

€ 240,-

40 Hargesheimer | Auktion 148

€ 160,-

116 | A TUSK CARVED HEAD WITH FIVE-LEAF RITUAL CROWN China/Japan, 19th/20th century Walrus tusk. H. 4.4 cm. The head is carved as a head of Bodhisattva, wearing a five-leaf ritual crown, with the signature ‚Qianlongwang Zhi‘ on the bottom. With traces of age, partially cracked.

€ 80,-

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

117 | TWO IVORY CARVED NETSUKE AND TWO IVORY CARVED OKIMONO * Japan, 19th century or later Ivory. H. 2.8-4.5 cm. Including two netsuke of human figures both with a signature and two okimono of human figures. With traces of age and use, slightly cracked.

€ 200,-

118 | FOUR IVORY CARVED NETSUKE OF HUMAN FIGURES * Japan, 19th century or later Ivory. H. 4-5 cm. Including a netsuke of a sennin with a karako; a netsuke of a Dutchman with a karako; a netsuke of a farmer; and a netsuke of a man playing a drum. With traces of age and use.

€ 180,-

119 | FOUR IVORY CARVED MINIATURE OKIMONO NETSUKE * Japan, 19th century Ivory. H. 2.5-3.5 cm. Including a netsuke of Jurojin with a deer and a karako; a netsuke of a seated man beating a drum; a netsuke of a karako and a man beating a drum; and a netsuke of Shoki riding a donkey, accompanied by three oni, signed on the bottom. With traces of age and use.

€ 200,-

120 | FOUR IVORY CARVED NETSUKE OF HUMAN FIGURES * Japan, 19th century Ivory. H. 3.1-5.1 cm. Including a netsuke of Moso, signed on the bottom; a netsuke of Daruma and a geisha, also signed on the bottom; a netsuke of a laughing sennin holding a hut; and a netsuke of Jurojin with karakos. With traces of age and use, one of them has been restored.

€ 200,-

121 | FOUR IVORY CARVED NETSUKE OF HUMAN FIGURES Japan, 18th/19th century Ivory. H. 3.9-5.1 cm. One netsuke is signed ‚Tadakazu‘. With traces of age and use, partially cracked and damaged.

€ 180,-

122 | FOUR IVORY CARVED NETSUKE OF HUMAN FIGURES * Japan, 19th century or later Ivory. H. 3.1-4 cm. Including a netsuke depicting three men fighting each other, signed probably ‚Tsuguyuki‘ on the bottom; a netsuke of sambo kojin, signed ‚Norishige‘ on the bottom; a netsuke depicting a family, signed ‚Ono Komin‘ on the bottom; as well as another netsuke depicting a family with two chicks, unsigned. With traces of age and use.

€ 220,* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 148

Japanese Art

123 | FOUR IVORY CARVED NETSUKE OF HUMAN FIGURES * Japan, 19th century or later Ivory. H. 2.8-5.7 cm. Including a netsuke of a okame, a netsuke of a komuso monk with a signature on the back, a netsuke of a shoki with oni and a netsuke of a fukurokuju. With traces of age and use.

€ 180,-

125 | SEVEN STAG ANTLER NETSUKE OF MYTHOLOGICAL FIGURES Japan, 19th century Antler. H. 4.2-7.5 cm. With traces of age and use, partially abraded and damaged.

€ 120,-

127 | FOUR TUSK NETSUKE OF HUMAN FIGURES Japan, 19th/20th century Walrus tusk. H. 3.1-4.3 cm. Three of the netsuke are signed. With traces of age and use, partially abraded.

€ 120,-

42 Hargesheimer | Auktion 148

124 | THREE FINE IVORY CARVED NETSUKE OF HUMAN FIGURES * Japan, 19th century Ivory. H. 3.7-5 cm. Including a netsuke of a rakan and an oni with a signature on the bottom, a netsuke of a nio with a signature on the bottom, and a netsuke of a nio with eight tiny figures. With traces of age and use, one netsuke is damaged.

€ 200,-

126 | FOUR IVORY CARVED NETSUKE OF HUMAN FIGURES * Japan, 19th century Ivory. H. 2.9-3.9 cm. Including two netsuke of karako, one of which is signed; a netsuke of a man; and a netsuke of a mother with a child. With traces of age and use, partially cracked and slightly damaged.

€ 220,-

128 | THREE IVORY CARVED NETSUKE OF HUMAN FIGURES * Japan, 19th century Ivory. H. 2.9-4.6 cm. Two netsuke are signed. With traces of age and use.

€ 180,-

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

129 | A GROUP OF THREE NETSUKE Japan, 19th century Antler/tusk. L. 6.1-9 cm. With traces of age and use, partially abraded, damaged and cracked.

€ 120,-

130 | THREE IVORY CARVED NETSUKE * Japan, 19th century Ivory. L. 3.7-5.7 cm. Including a netsuke of a snail on fruit and a bamboo rod, a netsuke of two fish on a basket, and a netsuke of a rat on a basket with millet sticks inside. With traces of age and use.

€ 200,-

€ 120,-

132 | FIVE IVORY CARVED NETSUKE * Japan, 19th century Ivory. L. 3.4-5.5 cm. Including a netsuke of a group of fruits with a signature, a netsuke of a group of eggplants with a signature, a netsuke of a group of peanuts, a netsuke of a lotus seed pod with a signature, and a netsuke of a group of peaches with a signature. With traces of age and use, partially cracked.

133 | FIVE IVORY CARVED NETSUKE * Japan, 19th century Ivory. L. 4-7.3 cm. Including two netsuke of a turtle on a group of shells, a netsuke of two dogs resting on a broom, a netsuke of a rat on two white radishes and a netsuke of a section of tree trunk. With traces of age and use, partially cracked.

134 | FOUR IVORY CARVED NETSUKE OF FIGURES * Japan, 18th/19th century Ivory. L. 3.4-6.1 cm. Including a netsuke of a woman with a signature on the bottom, a netsuke of a sage lying on a carpet, a netsuke of a sennin lying on leaves, and a netsuke of Shoki and an oni. With traces of age and use, partially cracked and damaged.

€ 180,-

€ 200,-

131 | TWO IVORY CARVED RYUSA NETSUKE * Japan, 19th century Ivory. L. 3.4-4.2 cm. Including a netsuke of a man playing a flute under a pine tree, signed on the bottom, and a netsuke of a string of double-gourds. With traces of age and use, partially cracked.

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

€ 200,-

Hargesheimer | Auktion 148

Japanese Art

135 | A GROUP OF FIVE NETSUKE Japan, 19th century Antler/walrus tusk. L. 3.8-4.9 cm. Including three ryusa manju netsuke depicting animals, vegetables, and flowers, and a netsuke of a rat lying on an abalone as well as a netsuke of temple bell. With traces of age and use, partially abraded and cracked, one restored.

€ 200,-

137 | TWO IVORY CARVED NETSUKE OF MUKUGYO * Japan, 19th century Ivory. H. 3.1-4.2 cm. With traces of age and use, partially cracked.

€ 160,-

139 | FIVE IVORY CARVED NETSUKE * Japan, 19th century Ivory. L. 2.3-3.5 cm. Including three miniature netsuke, two of which are signed, a netsuke of a seal, and a Ryusa-style netsuke. With traces of age and use, partially cracked.

€ 160,-

44 Hargesheimer | Auktion 148

136 | THREE IVORY CARVED RYUSA-MANJU NETSUKE * Japan, 19th century Ivory. L. 4-4.8 cm. Including a netsuke of an oni within clouds, a netsuke of flowers and a butterfly, as well as a netsuke of flowers and a phoenix. With traces of age and use, partially cracked.

€ 260,-

138 | A GROUP OF FIVE NETSUKE Japan, 19th century or later Antler/walrus tusk. L. 3.6-4.9 cm. With traces of age and use, partially abraded and cracked.

€ 120,-

140 | THREE IVORY CARVED NETSUKE OF DRUM * Japan, 19th century Ivory. H. 3.4-4.8 cm. Including a netsuke of an oni with a drum, a Ryusa-style netsuke of a drum with Raijin inside, featuring inlaid eyes and signed on the back, as well as a netsuke of a cockerel on a war drum. With traces of age and use, partially cracked, and a few inlaid elements missing.

€ 280,-

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

141 | AN IVORY CARVED RECTANGULAR KAGAMIBUTA NETSUKE * Japan, 19th century Ivory/metal. L. 5.5 cm. The netsuke is carved in a rectangular form, depicting a samurai and a mythological figure. With traces of age and use, partially cracked, damaged.

142 | FOUR IVORY KAGAMIBUTA NETSUKE * Japan, 19th century Ivory/metal. L. 5.1-5.3 cm. Including four kagamibuta netsuke: one depicting a rider, one depicting a lobster, one depicting two tigers, and one depicting a kirin or shishi. With traces of age and use, partially cracked, damaged and restored.

€ 100,-

€ 260,-

143 | THREE IVORY KAGAMIBUTA NETSUKE AND AN IVORY MANJUNETSUKE * Japan, 19th century Ivory/metal. L. 3.5-3.9 cm. Including three kagamibuta netsuke, one signed ‚Koju‘, and a manju netsuke depicting the face of a shishi. With traces of age and use, partially cracked and damaged.

144 | FIVE IVORY KAGAMIBUTA NETSUKE * Japan, 19th century Ivory/metal. L. 4.2-4.8 cm. With traces of age and use, partially cracked and damaged.

€ 240,-

€ 200,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 148

Japanese Art

145 | A GROUP OF FIVE NETSUKE IN DIFFERENT KINDS Japan, 19th or later Wood/bone/metal. D. 3.7-4.6 cm. Including a manju netsuke, and four kagamibuta netsuke. With traces of age and use, partially abraded and damaged.

€ 180,-

146 | A GROUP OF SEVEN NETSUKE IN DIFFERENT KINDS Japan, 19th or later Antler/tusk/metal. D. 3.9-4.4 cm. Including four ryusa manju netsuke, two kagamibuta netsuke and a ashtray netsuke. With traces of age and use, partially abraded and damaged.

€ 260,-

147 | A GROUP OF THIRTEEN ASSORTED OJIME * Japan, 19th century and later Ivory/metal etc.. H. 1.8-3.4 cm; L. 23 cm (length of the entire strand). With traces of age and use, partially cracked and abraded.

€ 80,-

46 Hargesheimer | Auktion 148

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

148 | AN IVORY OKIMONO OF MONKEY * Japan, 19th century Ivory. H. 4.5 cm. Signed on the bottom in a reserve ‚Gyokumin‘. With traces of age and use, partially abraded.

€ 200,-

149 | A FINE IVORY CARVED OKIMONO OF A SAMURAI ON HORSEBACK * Japan, 19th century Ivory. H. 7.6 cm. The okimono is carved as a samurai in a battle stance on horseback, pressing down on two struggling figures beneath the horse while wielding a long staff and thrusting downward. With traces of use and age, partially cracked and damaged.

150 | A FINE IVORY CARVED OKIMONO OF SHOKI UND ONI * Japan, 19th century Ivory. H. 10.8 cm. The okimono is carved as Shoki with a drawn sword, the scabbard fastened to his back, with the right part of his cloak billowing upward and his long beard flowing. With his left foot, he steps on the defeated Oni, who screams in pain. With traces of use and age, partially damaged.

€ 390,-

€ 280,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 148

Japanese Art

151 | TWO IVORY CARVED OKIMONO NETSUKE Japan, 19th century Ivory. H. ca. 3.8-5 cm, L. ca. 3.1-9.5 cm. Including a netsuke depicting the scene of Nitta no Shiro slaying a wild boar, signed on the bottom, and another netsuke carved as a man lying on his side, with an oni by his side, both holding an open scroll together. With traces of age and use, partially cracked.

€ 280,-

152 | THREE FINE IVORY AND TUSK CARVED OKIMONO AND NETSUKE Japan, 19th century or later Ivory/Walrus tusk. H. 3.8-12.3 cm. Including an okimono carved as two monkeys with an open drawer box beside them, and a signature ‚Mingyoku‘ at the base; an okimono carved as a Daruma standing on a rock, with a dragon coiled around its body, and a signature, probably ‚Raimin‘, at the bottom; as well as an okimono-netsuke carved as a fisher sitting on a rock with three children around it, and a signature, probably ‚Kimiteru‘, at the bottom. With traces of use and age, partially cracked.

€ 330,-

153 | A FINE IVORY CARVED OKIMONO OF THE SEVEN SAGES OF THE BAMBOO GROVE Japan, 19th century Ivory. H. 4.7 cm. The okimono is carved as the scene of ‚seven sages of the bamboo grove‘, signed within a scroll-shaped reserve ‚Gyokko‘ on the bottom. With traces of use and age.

€ 300,-

48 Hargesheimer | Auktion 148

154 | A FINE WALRUS TUSK CARVED OKIMONO OF AN EAGLE AND A TIGER Japan, 19th century Walrus tusk. H. 16.4 cm. The okimono is carved as an eagle standing atop a cluster of rocks within a bamboo grove, with a tiger positioned below it on the rocks. Beneath the rocks, turbulent waves are depicted. With traces of use and age, partially cracked and probably restored.

€ 390,-

Japanese Art

155 | A WOOD CARVED INRO WITH A NETSUKE Japan, 19th century or later Wood. H. 10.5 cm of inro, H. 7.5 cm of netsuke. The one-case inro is carved in the form of Fukurokuju, with an inscription on the bottom. The netsuke is also carved as Fukurokuju. With traces of age and use.

€ 150,-

156 | A GROUP OF FOUR LACQUER INRO Japan, 19th century or later Lacquerware. H. 5.3-9.5 cm. Including a gold lacquer three-case inro with a metal ojime and an ivory mixed-metal kagamibuta netsuke, a gold lacquer four-case inro depicting a figure, a gold lacquer four-case inro depicting plants with a carved ojime in the shape of a head, and a gold lacquer five-case inro depicting birds and flowers. With traces of use and age, partially abraded and damaged.

€ 390,-

Hargesheimer | Auktion 148

Japanese Art

157 | A LACQUERED STAG-ANTLER KISERUZUTSU (PIPECASE) Japan, 19th century Stag-antler/lacquerware. L. 21.2 cm. The kiseruzutsu is of the muso-zutsu type, carved in relief with pavilions and landscapes. The body is painted with black lacquer. With traces of use and age, partially abraded.

158 | A STAG-ANTLER KISERUZUTSU (PIPECASE) Japan, 19th century Stag-antler. L. 23.4 cm. The kiseruzutsu is of the muso-zutsu type, carved in relief with the scene of warriors in action. With traces of use and age, partially abraded and cracked.

€ 180,-

159 | A STAG-ANTLER KISERUZUTSU (PIPECASE) Japan, 19th century Stag-antler. L. 21.7 cm. The kiseruzutsu is of the muso-zutsu type, carved in relief with pavilions and landscapes. With traces of use and age, partially abraded, damaged and cracked.

160 | A FINE STAG-ANTLER KISERUZUTSU DEPICTING SHISHI Japan, 19th century Stag-antler. L. 21.3 cm. The kiseruzutsu is of the muso-zutsu form, carved in relief with shishi and landscape. With traces of use and age, partially abraded.

€ 150,-

50 Hargesheimer | Auktion 148

€ 300,-

Japanese Art

161 | A GROUP OF THREE KISERUZUTSU Japan, 19th/20th century Stag-antler/bamboo. L. 13.5-20.8 cm. One of them is signed. With traces of use and age, partially abraded, damaged and cracked.

€ 330,-

162 | A GROUP OF THREE SMOKING ACCESSORIES Japan, 19th century Metal etc. L. of kiseru 19.8-20.5 cm; H. of tonkotsu 6.5 cm. Including a tonkotsu decorated in the shape of a woven basket, with inlaid insects and fruits, a kiseruzutsu depicting insects, engraved with writing and a signature and a kiseru. With traces of use and age, partially abraded, the cover of kiseruzutsu is missing.

€ 390,-

163 | A GROUP OF THREE STAG-ANTLER KISERUZUTSU Japan, 19th century Stag-antler. L. 20.5-21 cm. Including a kiseruzutsu depicting bamboos, a kiseruzutsu depicting birds and a pine tree, signed ‚Mitsunaga‘, and a kiseruzutsu depicting a lotus pond, a turtle, and a frog. With traces of use and age, partially abraded.

164 | THREE YATATE AND TWO TRAVEL ACCESSORIES Japan, 19th/20th century Metal/antler. L. of yatate 16.7-18 cm; L. of travel accessories 16.2-19.7 cm. Including a stag yatate depicting the twelve zodiac animals, two metal yatate, a travel set, and a pair of chopsticks. With traces of use and age, partially abraded, damaged and restored.

€ 500,-

€ 180,-

Hargesheimer | Auktion 148

52 Hargesheimer | Auktion 148

OTHER GERMAN AND EUROPEAN PRIVATE COLLECTIONS

Japanese Art

165 | AN IVORY CARVED NETSUKE OF A TARTAR ACHER (DATTANJIN) * Japan, 18th/19th century Ivory. H. 8.7 cm. The netsuke is carved as a standing Tartar archer (Dattanjin), wearing an elaborately patterned robe and carrying a quiver of arrows on his back. He holds a rope in both hands, with a round shield hanging from his waist. His head is turned up and sideways. With traces of age and use, partially cracked, feet are missing.

€ 800,-

166 | AN IVORY CARVED ROSHI AND OX * Japan, late 18th century Ivory. H. 6.8 cm. The netsuke is carved as a Roshi seated on an ox. With traces of use and age, partially cracked.

€ 500,-

54 Hargesheimer | Auktion 148

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

167 | AN IVORY CARVED NETSUKE OF FIVE RATS * Japan, probably 19th century Ivory. L. 3.8 cm. The netsuke is carved as five rats with inlaid eyes. Signed probably ‚Yoshiyuki‘ or ‚Kishi‘ on the bottom. With traces of use.

€ 100,-

168 | AN IVORY CARVED NETSUKE OF A HORSE * Japan, mid-19th century Ivory. H. 6.3 cm. The netsuke is carved as a horse standing with its head lowered to the ground. With traces of age and use, partially cracked and abraded.

169 | AN IVORY CARVED NETSUKE OF A HORSE * Japan, mid-19th century Ivory. H. 5.5 cm. The netsuke is carved as a horse standing with its head lowered to the ground. With traces of use, partially cracked and restored.

€ 300,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 148

Japanese Art

170 | A FINE IVORY CARVED NETSUKE OF A MONKEY * Japan, late 18th century Ivory. H. 2.5 cm. The netsuke is finely carved as a seated monkey with inlaid eyes, one hand holding a persimmon and the other grasping a persimmon branch. It is signed ‚Ranichi‘ within an oblong reserve on the bottom. With traces of age and use, slightly damaged.

€ 360,-

171 | A WALRUS TUSK CARVED NETSUKE OF A MONKEY Japan, early 19th century Walrus tusk. H. 4.4 cm. The netsuke is carved as a seated monkey wearing a vest, holding an inro with both hands. It is signed ‚Hidekazu‘ on the bottom. With traces of age and use.

€ 360,-

56 Hargesheimer | Auktion 148

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

172 | A WALRUS TUSK CARVED NETSUKE OF A DANCER WITH A DRUM Japan, 19th century Walrus tusk. H. 5.5 cm. The netsuke is carved as a standing dancer holding a drum on his shoulder. With traces of age and use, partially damaged.

€ 100,-

174 | A FINE TUSK CARVED NETSUKE OF A BOAR Japan, 19th century Walrus tusk. H. 2.6 cm. The netsuke is carved as boar, signed „Shigehisa“ on the bottom. With traces of use and age.

€ 200,-

173 | A WOOD NETSUKE OF A GAMA SENNIN Japan, 18th/19th century Wood. H. 10cm. With traces of age and use, partially abraded.

€ 200,-

175 | A FINE WOOD CARVED KARAKURI NETSUKE Japan, 19th century Wood. H. 5 cm. The exterior is carved from dark wood in the shape of a peach, which opens in half to reveal a finely carved figure of Kan‘u. There are two signatures „Masatsune“, one on the bottom and the other on the side. With traces of use and age, partially abraded and damaged.

€ 300,-

Hargesheimer | Auktion 148

Japanese Art

176 | A FINE WOOD CARVED NETSUKE OF OKINA DANCER Japan, 19th century Wood. H. 5 cm. The netsuke is carved as an Okina dancer with one foot on the ground and the other raised, one hand held up and the other holding a fan, signed „Kokusai“ on the back. With traces of use and age.

177 | A WOOD NETSUKE OF A TIGER Japan, 18th/19th century Wood. H. 3.7 cm. The netsuke is carved as a tiger with inlaid eyes. With traces of age and use, partially cracked.

€ 180,-

€ 260,-

178 | A WOOD CARVED NETSUKE OF DARUMA Japan, 19th century Wood. H. 3.5 cm. The netsuke is carved as a seated daruma, signed „Shumin“ on the bottom. With traces of use and age.

179 | A WOOD NETSUKE OF SHISHI ON A LOTUS BASE Japan, 18th/19th century Wood. H. 5.7 cm. The netsuke is carved as a shishi holding a ball, crouching on a lotus base. With traces of age and use, partially cracked.

€ 420,-

€ 180,-

58 Hargesheimer | Auktion 148

Japanese Art

180 | A FINE WOOD CARVED NETSUKE OF TWO DOGS Japan, 18/19th century Wood/ Bone/ Antler/ Metal. L. 7.5 cm. This netsuke is carved as two dogs with inlaid eyes, one of which has a gold neck collar with „taikin“ signed on it. The bottom of the other dog features a signature. Additionally, a small carved plate made of bone or antler is pasted on the other side of the netsuke. With traces of use and age.

181 | A WOOD CARVED NETSUKE OF A KARAKO WITH A CARP Japan, 18/19th century Wood. L. 5.8 cm. The netsuke is carved as a karako with inlaid odango holding a carp with inlaid eyes. With traces of use and glue, partially abraded.

€ 300,-

€ 420,-

182 | THREE WOOD CARVED NETSUKE Japan, 19th century Wood. H. 3.9-5.4 cm. Including a netsuke of a tiger signed ‚Kawashima‘ with inlaid eyes, a netsuke of an egg tester signed ‚Mitsuyuki‘, and a netsuke of a shishi with one paw resting on a ball, featuring inlaid eyes. With traces of use and age, the egg from the egg tester is missing, one inlaid eye of the tiger is missing.

183 | A FINE WOOD CARVED NETSUKE OF A MONKEY WITH AN OCTOPUS Japan, 19th century Wood. H. 4.5 cm. This netsuke is carved as a seated monkey holding an octopus, with their eyes inlaid. With traces of use, partially abraded.

€ 350,-

€ 200,-

184 | TWO WOOD MASK NETSUKE OF OKAME AND HANNYA Japan, 19th century and later Wood. H. 5.3-6.4 cm. With two signatures on each netsuke, ‚Shuzan‘ and ‚Nagasada‘. With traces of use and age, partially abraded and cracked.

€ 240,-

185 | TWO FINE WOOD CARVED NETSUKE OF PLAYFUL DOGS Japan, 19th century Wood. Ca. 3.2 cm. Including a netsuke carved as a puppy playing with a ball, signed „Tomokazu“ on the bottom as well as another piece carved as a group of four playful puppies, signed „Yuichi or Tomokazu“ on the bottom. With traces of use and age.

€ 420,-

Hargesheimer | Auktion 148

Japanese Art

186 | THREE WOOD NETSUKE OF ANIMALS Japan, 18th/19th century Wood. H. 1.8-3.3 cm. Including two netsuke depicting an ox, and a netsuke of a monkey carrying a mushroom. With traces of age and use, partially abraded.

187 | A GROUP OF FIVE NETSUKE AND OKIMONO Japan, 19th/20th century Wood/stone. H. 1.7-5.3 cm. With traces of age and use, partially abraded and cracked.

€ 200,-

€ 100,-

188 | A GROUP OF FOUR NETSUKE Japan, 19th/20th century Wood/tusk etc.. L. 3.8-4.5 cm. One netsuke signed. With traces of age and use, partially abraded and cracked.

€ 120,-

189 | THREE WOOD CARVED NETSUKE Japan, 19th century Wood. H. 4.2-5.2 cm. Including a netsuke of a skeleton with a drum, a netsuke of an old man with a fan, and a netsuke of a dancing woman. With traces of age and use.

190 | SEVEN WOOD NETSUKE OF HUMAN FIGURES Japan, 18th/19th century Wood. H. 3.3-6.4 cm. With traces of age and use, partially abraded and cracked.

191 | A CARVED OKIMONO OF A SHISHI Japan, 19th/20th century Wood. H. 3.6 cm. With traces of use and age,partially abraded.

€ 240,-

€ 80,-

60 Hargesheimer | Auktion 148

€ 220,-

Japanese Art

192 | AN IVORY CARVED NETSUKE OF A HOTEI * Japan, late 18th century Ivory. H. 7.7 cm. The netsuke is carved as a laughing Hotei standing on one foot and carrying a bag on his back. With traces of use and age, partially cracked.

€ 220,-

193 | AN IVORY CARVED NETSUKE OF A FUKURUKUJU WITH TWO KARAKO * Japan, 19th century Ivory. H. 3.7 cm. The netsuke is carved as a Fukurokuju with two Karako. With traces of age and use, partially cracked.

194 | AN IVORY CARVED NETSUKE OF A SENNIN WITH A FISH * Japan, early 19th century Ivory. H. 6.6 cm. This netsuke is carved with a sennin, holding a fish over his shoulder in one hand and a sickle at his waist in the other. With traces of use and age, partially cracked.

195 | A FINE IVORY CARVED NETSUKE OF A HOTEI WITH THREE KARAKO * Japan, 2nd half of the 19th century Ivory. H. 2.9 cm. The netsuke is carve as a Hotei with three karako, signed on the bottom „Gyokkosai“. With traces of use and age, partially cracked and abraded.

€ 260,-

€ 280,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

€ 100,-

Hargesheimer | Auktion 148

Japanese Art

196 | THREE BONE CARVED NETSUKE AND OJIME * Japan, 19th century Bone. H. 1.8-4.2 cm. Including a fine carved ojime of a bird with inlaid eyes, a carved netsuke of three karako and a carved netsuke of an old woman. With traces of age and use, partially cracked.

197 | FOUR IVORY CARVED NETSUKE * Japan, 19th century Ivory. H. 3.2-5.9 cm. With traces of age and use, partially cracked.

€ 100,-

€ 240,-

198 | A GROUP OF FOUR NETSUKE Japan, 19th/20th century Antler/tusk. H. ca. 4-6 cm. With traces of age and use, partially abraded and cracked.

€ 120,-

199 | A GROUP OF FOUR NETSUKE AND OJIME Japan, 19th century Ivory/Antler. H. 2.1-4.8 cm. Including a mask netsuke signed ‚Sho‘, an ojime decorated with a horse and signed ‚Yukimasa‘, a gourd-form netsuke, and a netsuke carved as a sennin holding a gourd on his shoulder. With traces of use and age, partially abraded and cracked as well as damaged, one restored.

€ 300,-

200 | A STAG ANTLER CARVED KISERUZUTSU OF AN ONI ON A PAIR OF TONGS Japan, 19th century Antler. H. 20.1 cm. The kiseruzutsu is carved as an oni on a pair of tongs, with a signature on the underside. With traces of use and age, partially damaged.

€ 140,-

62 Hargesheimer | Auktion 148

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Japanese Art

201 | SHORYUSAI KOGYOKU, A GOLD LACQUER FIVE-CASE INRO Japan, early 19th century Lacquerware. H. 8.3 cm. The inro is decorated with flowers and butterflies, signed „Shoryusai“ on the bottom, and painted by Hoitsu and Buneho. With traces of use and age.

€ 390,-

202 | A BLACK AND GOLD LACQUER FOUR-CASE INRO Japan, 18th/19th century Lacquerware/Wood. H. of inro 7.4 cm; H. of netsuke 4.2 cm. The rounded rectangular body is decorated in gold and silver togidashi maki-e, featuring a tree and birds on one side, with the tree grove in the distance continuing to the other side, where a monk is depicted below. The interior of the inro is lacquered in black and gold. The inro is accompanied by a two-part manju netsuke, of which one part is missing. With traces of use.

203 | A GOLD LACQUER AND INLAID FOUR-CASE INRO Japan, 19th century Lacquerware. H. 7.7 cm. This inro is decorated with a landscape in takamaki-e on a mura-nashiji ground and inlaid cranes in mother-of-pearl. The interior of the inro is of nashiji. With traces of use, partially cracked and abraded.

€ 300,-

€ 200,-

Hargesheimer | Auktion 148

Japanese Art

204 | A GOLD LACQUER FOUR-CASE INRO Japan, 19th/20th century Lacquerware/Antler. H. of inro 8.6 cm; H. of netsuke 3.4 cm. This inro is decorated with a landscape and inlaid with mother-of-pearl on one side, the interior is of nashiji and is accompanied by a netsuke depicting a seated sennin with a basket. With traces of use, partially abraded.

€ 200,-

205 | A GOLD LACQUER FOUR-CASE INRO Japan, 19th century Lacquerware. H. 7.3 cm. The inro is decorated in takamaki-e, hiramaki-e, and kirikane on a kinji ground, depicting figures under a tree on one side and a crane on the other. The interior of the inro is of nashiji. With traces of use.

€ 200,-

206 | A GOLD LACQUER FOUR-CASE INRO Japan, probably 19th century Lacquerware. H. 8.5 cm. The inro is decorated in takamaki-e, hiramaki-e, and kirikane on a fine gold kinji ground, depicting fruits and vegetables on both sides. The interior of the inro is finished in nashiji. The interior of the inro is of nashiji. With traces of use.

207 | A TWO-CASE CARVED CINNABAR LACQUER INRO WITH NETSUKE AND OJIME Japan, 19th century Lacquerware. H. of inro 5.5 cm; D. of netsuke 3.5 cm. The inro is decorated with figures, and its interior is of nashiji. It is accompanied by a cinnabar lacquer twopart manju netsuke, depicting figures with instruments. With traces of use.

€ 400,-

€ 600,-

64 Hargesheimer | Auktion 148

Japanese Art

208 | TWO MOUNTED WAKIZASHI Japan, probably 19th century Bone/antler. L. 63-66 cm. Including two wakizashi, both with handle, scabbard, and tsuba composed of segments of bone and stag antler, finely carved in relief with warriors in battle scenes and other activities. With traces of use, partially cracked and scratched. Provenance: From an old private collection in the southern part of North Rhine-Westphalia. € 500,-

209 | A GROUP OF ELEVEN VARIOUS MENUKI Japan, 18th/19th century Iron/Copper alloy. L. ca. 2.5-4.1 cm. Including three pairs of menuki and five various menuki, all partially gilt. With traces of age. Provenance: From an old private collection in the southern part of North Rhine-Westphalia. € 420,-

210 | A GROUP OF NINE SWORD ACCESSORIES Japan, 19th century or later Iron/copper alloy. L. 3.4-8.8 cm. Including fuchi, kashira, and so on. With traces of age. Provenance: From an old private collection in the southern part of North Rhine-Westphalia. € 180,-

211 | TWELVE VARIOUS KOZUKA (KNIFE HANDLE) Japan, 18th/19th century Copper alloy. L. ca. 9.4-9.7 cm. Including twelve kozuka inlaid with figures, animals, plants, and landscapes. One kozuka is signed ‚Yasumasa‘ with a kao. With traces of use and age, partially scratched, damaged and deformed. Provenance: From an old private collection in the southern part of North Rhine-Westphalia. € 420,-

212 | FIVE IRON SUKASHI TSUBA (SWORD GUARDS) Japan, 18th/19th century Iron. H. 6.3-7.2 cm. Including four tsuba in marugata form and one in otafukugata form. One is signed ‚Kofu-ju Tatsutoshi‘, another is signed ‚Yasuchika‘ and ‚Umetada‘, and one has an indistinct signature. With traces of age. Provenance: From an old private collection in the southern part of North Rhine-Westphalia. € 300,-

213 | TWELVE VARIOUS TSUBA (SWORD GUARDS) Japan, 18th/19th century Iron. H. 5.4-8.7 cm. With traces of age. Provenance: From an old private collection in the southern part of North Rhine-Westphalia. € 390,-

Hargesheimer | Auktion 148

Japanese Art

214 | A GILT COPPER SUKASHI TSUBA WITH DRAGONS Japan, Edo Period Copper. H. 7.5 cm. This tsuba is in the marugata form and is decorated with dragons and clouds. With traces of age, partially abraded.

€ 200,-

215 | THREE IRON TSUBA (SWORD GUARDS) Japan, 18th/19th century Iron. H. 7.5-8.8 cm. Including a tsuba in maru-gata form decorated with a landscape, a tsuba in mokko-gata form decorated with a figure under a tree, and a tsuba in mokko-gata form decorated with flowers and signed ‚Umetada Shichiza‘. With traces of age.

216 | THREE INLAID TSUBA (SWORD GUARDS) Japan, 18th/19th century Iron. H. 6.9-8.2 cm. Including two tsuba in mokkogata form: one decorated with Bishamonten and a centipede, and signed; the other featuring a buffalo and two cowboys. Additionally, a tsuba in nagamarugata form, decorated with a phoenix. With traces of age.

€ 390,-

66 Hargesheimer | Auktion 148

Japanese Art

217 | THREE VARIOUS TSUBA (SWORD GUARDS) Japan, 18th/19th century Iron. H. 7.5-8.5 cm. Including a sukashi tsuba in marugata form depicting a dragon, an iron tsuba in mokkogata form with a signature, and an iron tsuba in aorigata form. With traces of age.

€ 390,-

219 | THREE IRON TSUBA (SWORD GUARDS) Japan, 18th/19th century Iron. H. 7-8.5 cm. Including two tsuba in maru-gata form, and a tsuba in kiku-gata form. With traces of age.

€ 390,-

218 | THREE INLAID TSUBA (SWORD GUARDS) Japan, 18th/19th century Iron. H. 7-8.3 cm. Including a shakudo nanako tsuba in marugata form decorated with flowers and lions, a shakudo nanako tsuba in mokkogata form decorated with insects, and a tsuba in mokkogata form decorated with figures. With traces of age.

€ 390,-

220 | THREE VARIOUS TSUBA (SWORD GUARDS) Japan, 18th/19th century Iron/Brass. H. 6-7.6 cm. Including a sentoku tsuba in nagamarugata form depicting a figure, an iron tsuba in nagamarugata form decorated with a landscape and signed ‚Yoshimitsu‘, as well as an inlaid tsuba in aorigata form depicting a bird. With traces of age.

€ 390,-

Hargesheimer | Auktion 148

Japanese Art

221 | A BRONZE OKIMONO OF A MAN ON THE BACK OF A WATER BUFFALO Japan, Meiji-Periord Bronze. H. 32.7 cm. With traces of age, partially abraded and slightly damaged.

€ 500,-

222 | A PAIR OF BRONZE OKIMONO OF SHISHI Japan, Meiji-Period Bronze. H. 15.6 cm. With traces of age, partially abraded and damaged.

€ 400,-

223 | A BRONZE KORO AND COVER Japan, Meiji-period Bronze. H. 17.8 cm. The four-legged koro is decorated with two panels on the body, depicting a qilin and a tortoise. Each side of the body features a lion‘s head. The handle is attached in an arched shape to the body. The lid is adorned with a seated shishi, its head thrown back in a roar. The bottom is signed. With traces of age and use, slightly abraded. Provenance: From an old private collection in the southern part of North Rhine-Westphalia, acquired in 1989 from the auction house Bödiger. € 280,-

224 | A BRONZE ‚PHOENIX AND TREE‘ BRUSHPOT Japan, Meiji-period Bronze. H. 30.5 cm. The brushpot is decorated with high-relief carvings of three flying phoenixes and a tree over engraved waves, partially painted with gold. With traces of age and use, slightly abraded. Provenance: From an old private collection in the southern part of North Rhine-Westphalia, acquired in 1983 from the auction house Lempertz. € 390,-

225 | A FINE INLAID BRONZE TRIPOD PLANT WITH EAGLE AND FIGURE Japan, Meiji-Period Bronze. H. 8.3 cm. With traces of use and age, partially abraded.

226 | A LARGE BRONZE TETRAPOD CENSER AND COVER Japan, Meiji-Period Bronze. H. 57 cm. With traces of use, partially abraded and slightly damaged.

€ 200,-

€ 1.200,-

68 Hargesheimer | Auktion 148

Japanese Art

227 | A BRONZE FIGURE OF AMIDA NYORAI Japan, Edo-Period Bronze. H. 21.5 cm. With traces of age, partially damaged and restored. Provenance: From an old private collection in North Rhine-Westphalia. € 100,-

229 | A BRONZE SEATED AMIDA BUDDHA Japan, Meiji Period Bronze. H. 16.8 cm. With traces of age and gilding.

€ 220,-

228 | A LACQUERED WOOD ZUSHI CONTAINING A GILT WOOD FIGURE OF AMIDA NYORAI Japan, probably late Edo-Period Wood. H. 41 cm. With traces of age, partially abraded and cracked.

€ 650,-

230 | A BRONZE FIGURE OF BUDDHA China Bronze. H. ca. 26cm. The buddha is seated in dhyanasana on a double lotus base, with the right hand in shuni mudra and left hand in dhyana mudra. With traces of age, partially damaged.

€ 650,-

Hargesheimer | Auktion 148

Japanese Art

231 | A GILT BRONZE SEATED FIGURE OF KANNON Japan, 18th/19th century Bronze. H. 19 cm. With traces of age, partially abraded.

232 | A BRONZE FIGURE OF KANNON Japan, Meiji-period Bronze. H. 21 cm. With traces of age, partially abraded.

€ 200,-

€ 180,-

233 | A GILT-BRONZE FIGURE OF KANNON Japan, probably Meiji-Period Bronze. H. 40.5 cm. With traces of age, partially abraded.

234 | AN IVORY CARVED OKIMONO OF A GROUP OF FIGURES Japan, 19th/20th century Ivory. H. 13.5 cm (15.3 cm with base). The okimono is carved as a Oiwa emerging from a skull, with three men struggling on the ground, their faces contorted in agony. On the ground beside the Oiwa, the inscription „Namo Amitabha“ is visible. There is a signature on the bottom. With traces of use and age, partially abraded and damaged.

€ 500,-

€ 1.200,-

70 Hargesheimer | Auktion 148

Japanese Art

235 | A SMALL JEWELRY BOX WITH THREE DRAWERS Japan, Meiji-Period Silver/plastic etc.. 11.7x10x13 cm. With traces of use, partially abraded.

€ 600,-

236 | A MOTHER-OF-PEARL LACQUER BOX AND A SMALL MOTHER OF PEARL BOX Japan, Meiji-Period Lacquerware/metal. L. 4.4-13.3 cm. Including a lacquer box with mother-of-pearl inlay on the lid and bottom, depicting peacocks and flowers. The interior features inscriptions and the date 1852. Another small metal box has a mother-of-pearl inlaid exterior. With traces of age and use, slightly abraded. Provenance: From an old private collection in the southern part of North Rhine-Westphalia. € 390,-

Hargesheimer | Auktion 148

Japanese Art

237 | A LARGE CLOISONNÉ ENAMEL VASE Japan, Edo or Meiji period Cloisonné. H. 65.5 cm. With traces of age and use, partially abraded and slightly damaged on the rim.

238 | WO OCTAGON IMARI DISHES Japan, 19th/20th century Porcelain. D. ca. 24 cm. With traces of use, partially abraded and one with hairline crack.

€ 10

239 | A POLYCHROME ENAMELED PORCELAIN PIPE Japan, 20th century Porcelain. L. ca. 17 cm. With traces of use, partially abraded.

240 | LACQUERED ‚BIRD AND FLORAL‘ BOX AND COVER Japan, probably Meiji period Metal/Silver, etc.. Ca. 16.5x9x4.4 cm. The box is decorated with a bird and flowers on the cover, with the bird‘s eye inlaid with mother-of-pearl. The interior and the bottom of the box are decorated in gold Hiramaki-e. With traces of use, partially abraded and damaged.

€ 10

241 | TWO PAINTED WOOD-CARVED NOH MASKS Japan, 18th century or later Wood. H. 16.5-17 cm. With traces of age, partially damaged and cracked.

€ 120,-

72 Hargesheimer | Auktion 148

242 | A FOUR-PANEL SCREEN Japan, probably Meiji-Period Ink, color and gold on paper. Ca. 253x171 cm. The screen is finely painted with birds within a bamboo grove. With traces of use, partially damaged.

€ 500,-

Japanese Art

243 | KAWASE HASUI, SAKURADAMON Japan, 1928 Woodblock print. 26x39 cm. This print is titled along the left margin „Sakuradamon“, dated 1928, signed lower right „Hasui“ with a red artist‘s seal, and published by Shozaburo Watanabe. With slight traces of age and minor staining on the margin.

€ 1.000,-

Hargesheimer | Auktion 148

Japanese Art

244 | KAWASE HASUI, ZENTSUJI TEMPLE IN RAIN Japan, 1937 Woodblock print. 40x26 cm. This print is titled along the left margin „Tentsuji Temple in Rain“, dated 1937, signed lower left „Hasui“ with a red artist‘s seal, and published by Shozaburo Watanabe with the Watanabe publisher‘s seal at the lower right. With slight traces of age.

€ 650,-

74 Hargesheimer | Auktion 148

Japanese Art

245 | KAWASE HASUI, KINZAN HARUNA AND UTAGAWA YOSHITORA, THREE WOODBLOCK PRINTS Japan, 19th/20th century Woodblock print, one framed under glass. 20x14.5-26.5x39.5 cm. Including a ukiyo-e titled „Spring Rain - Gokokuji“ by Kawase Hasui, signed and with the artist‘s seal upper right, published by Tokyodo; a small woodblock by Kinzan Haruna, and a woodblock print by Utagawa Yoshitora. With traces of age. Provenance: From a private collection in North Rhine-Westphalia. € 500,-

246 | CHIUSHINGURA OR THE LOYAL LEAGUE - A JAPANESE ROMANCE New York, 1876 Print on paper. 22.5x15.5 cm. Translated by Frederick V. Dickins. Embossed coloured boards with ex-libris ink stamp on the decorative pastedown and endpaper. Illustrated with 31 fine, unbacked colour woodblock prints. Published by G.P. Putnam‘s Sons, New York, 1876. With traces of age, slightly damaged.

€ 280,-

Hargesheimer | Auktion 148

Japanese Art

247 | UTAMARO KITAGAWA, A UKIYO-E Japan, end 18th century Woodblock print. Ca. 23x17 cm. With traces of age, partially damaged.

€ 100,-

248 | UTAGAWA KUNISADA (‚GOTOTEI, TOYOKUNI GA, UTAGAWA TOYOKUNI III‘) 1786 Honjo - 1865 Edo (Tokyo) UKIYO-E ‚KABUKI SCENE OF KUNISADA AND GENGYO‘ Japan, around 1856 Woodblock print, framed under glass. Ca. 36 x 25 cm. Signed lower left. From the series, ‚Vergleiche mit 36 ausgewählten Gedichten (Mitate sanjurokku-sen), Kabuki Szene von Kunisada und Gengyo, inscribed Ichiyosai Toyokuni hitsu, 11th month. Min. rubbed and creased, leaf cracked.

249 | TORII KIYOMITSU, TWO UKIYO-E Japan, 18th century Woodblock print, framed under glass. 33x2230X15 cm (52.5x38.5-57X43 cm with frame). Including one depicting a scene of Tofuku-ji Temple and another titled „The Actor Ichikawa Raizo as the Ghost of Shiragiku“. With traces of age, partially damaged and stained.

€ 100,-

€ 120,-

250 | THREE UKIYO-E Japan, Edo / Meiji period Woodblock print. 23 - 25.2 x 27.4 - 35.5 cm /37.5 x 25 cm. Including one by Utagawa Hiroshige from the series ‚Tokaido gojusan tsugi no uchi‘ (The 53 Stations of the Tokaido, Hoeido edition), depicting the station Sumidagawa; one binjinga (portrait of a beauty); one by Toyohara Kunichika, right sheet of a diptych titled ‚Kokogu gosei shoka‘ (Song Composed by the Empress), signed Toyohara Kunichika hitsu, published by Kodama Yakichi, dated 1898; and one winter landscape by an unidentified artist. With traces of age, partially stained.

€ 150,-

76 Hargesheimer | Auktion 148

251 | UTAGAWA KUNITSUNA, THE BATTLE OF SAEDA INUCHIYO Japan, 1862 Woodblock print, framed under glass. 36x73.5 cm (46x84.5 cm with frame). With traces of age, partially stained; frame damaged.

€ 200,-

Japanese Art

252 | KITAGAWA UTAMARO, BEAUTY WITH MIRROR Japan, circa 1800 Woodblock print, framed under glass. Ca. 26x36.5 cm (52x38 cm with frame). From the series „Eight Views of Famous Teahouses“, depicting a teahouse waitress checking her makeup, appearing to wipe off excess red lip color with a cloth, the upper part of her face concealed by a bamboo blind (sudare). With traces of age.

253 | UTAGAWA KUNISADA, A WOMAN AND A CAT Japan, 19th century Woodblock print, framed under glass. 38.2x26.7 cm. With traces of age.

254 | UTAGAWA TOYOKUNI III, SETTSU PROVICE: DANCER (MAIKO) SANKATSU Japan, 1845 Woodblock print, framed under glass. 39x28 cm. With traces of age, partially stained.

€ 50,-

€ 100,-

255 | KEISAI EISEN, A BIJIN-GA Japan, 19th century Woodblock print. 35x22 cm. With traces of age, partially damaged and stained.

256 | UTAGAWA KUNISADA, THREE UKIYO-E Japan, 19th century Woodblock print, framed under glass. 38.3x27.3-37.3-75.3 cm. With traces od age, partially damaged and stained.

€ 80,-

€ 300,-

Hargesheimer | Auktion 148

Japanese Art

257 | KITAGAWA UTAMARO, TWO OBAN TATE-E Japan, circa 1800 Woodblock print, framed under glass. Ca. 24x37-25x37 cm (52.5x39.5 cm with frame). Including one from Act II of the series Chushingura (Treasury of the Loyal Retainers), depicting Oboshi Rikiya meeting his sweetheart Konami and handing over a sword, with Honzo watching from behind a sliding door, signed Utamaro hitsu, publisher: Nishimuraya Cho, with censor‘s seal kiwame; another attributed to Utamaro, depicting two bijin, one wearing a hat and the other holding an umbrella. With traces of age, faded colours and slight staining.

258 | THREE UKIYO-E DEPICTING GEISHA Japan Woodblock print, framed under glass. Visible size 24x37-25x38 cm (37.5x54 cm with frame). Including an Ukiyo-e by Eishosai Nagayoshi, an Ukiyo-e by Torii Kiyonaga and an Ukiyo-e by Utagawa Toyiokuni. With traces of age, partially creased.

€ 100,-

259 | KATSUKAWA SHUNCHO, WOMEN IN A ROOM Japan, 18th/19th century Woodblock print, framed under glass. 36.6x24 cm (48.3x34 cm with frame). With traces of age.

€ 50,-

260 | UTAGAWA KUNISADA, A BIJIN-GA Japan, early to mid-19th century Woodblock print, framed under glass. 36x24 cm (36.5x33.5 cm with frame). With traces of age, partially damaged and stained.

€ 100,-

261 | NINE BIJIN-GA Japan, 18th and 19th century Woodblock print. Ca. 24x34.5-27x39 cm. Including „Ehon uta yomidori“ by Suzuki Rinsho; „Hara, Station #14“ by Eisen Ikeda; „Konryuzan Temple at Asakusa“ by Utagawa Kunisaa; „Three woman preparing food outside“ by Utagawa Toyokuni; „Mother and daughter play hanetsuke“; a Bijinga from the series „Furyu setsugekka no uchi“ by Utagawa Kunisada; a Bijinga by Utagawa Kunisada; a „Garden of snow, from the series ‚Inaka Genji‘“ by Utagawa Kunisada; „Physiognomy of Aburaya Osome“ by Utamoro Kitagawa. With traces of age, partially damaged and stained.

€ 500,-

78 Hargesheimer | Auktion 148

Japanese Art

262 | A GROUP OF WOODBLOCK PRINTS Japan, 19th/20th century Woodblock print. Ca. 23.5x18-28x22 cm. Including sixteen albums of woodblock prints, such as Shonen Sansuigafu and Kanyo Seyu-chi Kuno Jojikatsu Seiku Kuno, as well as one small illustrated booklet. With traces of age, partially damaged.

€ 400,-

264 | KATSUSHIKA HOKUSAI, UTAGAWA HIROSHIGE, TEN UKIYO-E Japan, 18th/19th century Woodblock print. Ca. 26.2x19-37.3x25.3 cm. With traces of age, partially damaged and stained.

€ 500,-

263 | EIGHTEEN PIECES OF UKIYO-E Japan, 19th century Woodblock print. Ca. 38x25 cm. Including one ukiyo-e by Inoue Yasuji (Tankei), depicting the Review of Troops by His Imperial Majesty (Kanpeishiki miyuki zu); one by Toyohara Chikanobu, depicting Scene of a Meeting of the Privy Council; as well as fifteen additional ukiyo-e prints depicting various figure scenes. With traces of age.

€ 300,-

265 | SEVEN WOODBLOCK PRINTS AND TWO PAINTINGS Japan and china, 19th/20th century Woodblock print, ink and color on silk, and print; framed under glass. Ca. 27.7x24.8-41.7x34 cm (ca. 27.7x24.8-49x34 cm with frame). Comprising three ukiyo-e prints by Utagawa Hiroshige, one bijin-ga by Hyakusai Hisanobu, one ukiyo-e by Miyagawa Shuntei, one bijin-ga by Keisai Eisen, one unidentified bijin-ga, one Chinese painting depicting a boy with a buffalo, and one print. With traces of age and use, partially damaged and stained.

€ 500,-

Hargesheimer | Auktion 148

Japanese Art

266 | A PAINTING DEPICTING CARP AND FLOWERS Japan Ink and color on silk, framed under glass. 105x39 cm. Signed and with seals upper left. Slightly stained. Provenance: Küppers & Bödiger, Bonn, 1956, lot 455 (from the collection of H.R.H. Barbara Duchess Christian-Ludwig of Mecklenburg, Princess of Prussia); thereafter in a private German collection. € 400,-

267 | A PAINTING DEPICTING A PAIR OF MANDARIN DUCKS IN A SNOWY LANDSCAPE Japan Ink and color on silk, framed under glass. 105x39 cm. Signed and with seals lower right. Slightly stained. Provenance: Küppers & Bödiger, Bonn, 1956, lot 455 (from the collection of H.R.H. Barbara Duchess Christian-Ludwig of Mecklenburg, Princess of Prussia); thereafter in a private German collection. € 400,-

268 | UTAGAWA TOYOKUNI II (TOYOSHIGE), A KACHO-GA Japan, 18th/19th century Woodblock print, framed under glass. Ca. 22.5x64 cm (55.5x88.5 cm with frame). The kacho-ga depicting an eagle standing on a pine tree, with its head turned to the side. With traces of age and creasing, slightly damaged.

269 | A PAINTING DEPICTING FISH Probably Japan Ink and color on paper, framed. Visible size 31x25 cm (50x42 cm with frame). Partially damaged.

270 | A KAKEMONO DEPICTING A CAT WITH FLOWERS Japan, probably Meiji-Period Ink and color on silk, mounted as hanging scroll. 84x33.5 cm. Signed and sealed at lower right. With traces of age, partially damaged and stained.

271 | KANO TANSHIN MORIMICHI A LANDSCAPE PAINTING Japan, 18th/19th century Ink and colours with gold on silk, mounted as hanging scroll. 96x38 cm. Signed and with a seal on the upper right. With traces of age, partially damaged and stained.

€ 100,-

€ 200,-

€ 300,-

€ 150,-

80 Hargesheimer | Auktion 148

Japanese Art

272 | A KAKEMONO DEPICTING A HAWK ON BRANCH Japan, Meiji-Period Ink and color on silk, mounted as hanging scroll. 121x44 cm. Signed and sealed at lower right. With signs of age; partially creased and stained.

€ 200,-

275 | HASHIMOTO GAHO (WITH SIGNATURE OF), LANDSCAPE PAINTING Japan, 19th/20th century Ink and color on silk, mounted as hanging scroll. Ca. 53x200 cm. Signed and with a seal at lower right. With traces of age, sliightly stained. Provenance: From an old private collection in North Rhine-Westphalia. € 200,-

273 | KI BAITEI (WITH SIGNATURE OF), LANDSCAPE PAINTING Japan, 18th/19th century Ink and color on paper, mounted as hanging scroll. Ca. 40x177 cm. With one seal. With traces of age and creasing, partially stained. Provenance: From an old private collection in North Rhine-Westphalia. € 150,-

274 | OKAMOTO TOYOHIKO (WITH SIGNATURE OF), LANDSCAPE PAINTING Japan, 18th/19th century Ink and color on paper, mounted as hanging scroll. Ca. 42x199 cm. Signed and with a seal at lower right. With traces of age and creasing, partially stained. Provenance: From an old private collection in North Rhine-Westphalia. € 100,-

276 | ODA KAISEN (1785-1862), LANDSCAPE PAINTING Japan, 1836 Ink and color on silk, mounted as hanging scroll. Ca. 45x194 cm. Signed and with seals upper left. With traces of age, slightly stained. Provenance: From an old private collection in North Rhine-Westphalia. € 100,-

277 | NAGASAW ROSHU (WITH SIGNATURE OF), LANDSCAPE PAINTING Japan, 19th century or later Ink and color on paper, mounted as hanging scroll. Ca. 38x156 cm. Signed and with seals. With traces of age and creasing, slightly stained. Provenance: From an old private collection in North Rhine-Westphalia. € 100,-

Hargesheimer | Auktion 148

Japanese Art

278 | YOKOYAMA SHUNKEI (1901-1979), HORAISAN Japan, 20th century Ink and color on silk, mounted as hanging scroll. Ca. 55x199 cm. The scroll depicts a landscape, signed and with seals. Housed in an inscribed tomobako (storage box). With traces of age, slightly stained. Provenance: From an old private collection in North Rhine-Westphalia. € 200,-

279 | NAKABAYASHI CHIKKEI (WITH SIGNATURE OF), LANDSCAPE PAINTING Japan, 19th century Ink and color on paper, mounted as hanging scroll. Ca. 43x195 cm. Signed and with seals. With traces of age and creasing, slightly stained. Provenance: From an old private collection in North Rhine-Westphalia. € 300,-

281 | TSUBAKI CHINZAN (1801-1854), FLOWERS AND BIRDS Japan, 1849 Ink and color on paper, mounted as hanging scroll. Ca. 61x185 cm. The Kakemono (hanging scroll) depicts tall flowers growing amid garden rocks, with three birds hovering in the air. Signed, with two seals at the upper left. Housed in an inscribed tomobako (storage box). With traces of age and creasing, slightly stained and damaged. Provenance: From an old private collection in North Rhine-Westphalia. € 500,-

82 Hargesheimer | Auktion 148

280 | MORI KANSAI (WITH SIGNATURE OF), LANDSCAPE PAINTING Japan, 19th century Ink and color on silk, mounted as hanging scroll. Ca. 62x180 cm. Signed and with a seal at lower left. With traces of age and creasing, partially stained. Provenance: From an old private collection in North Rhine-Westphalia. € 200,-

Japanese Art

282 | KANO TSUNENOBU (WITH SIGNATURE OF), TWO LANDSCAPE PAINTINGS Japan, probably Edo Period Ink on paper and, mounted as hanging scroll. Ca. 54x175-62x197 cm. With traces of age and creasing, partially damaged. Provenance: From an old private collection in North Rhine-Westphalia. € 200,-

284 | KANO MICHINOBU (WITH SIGNATURE OF), FUKUROKUJU Japan, probably Edo Period Ink on paper, mounted as hanging scroll. Ca. 32.5x150 cm. Signed and with a seal at the lower right. With traces of age and creasing, slightly stained and damaged. Provenance: From an old private collection in North Rhine-Westphalia. € 100,-

283 | KANO TANSHIN MORIMICHI (WITH SIGNATURE OF), A FIGURATIVE PAINTING Japan, Edo Period Ink and color on paper, mounted as hanging scroll. Ca. 60.5x192 cm. Signed and with a seal at the lower left. With traces of age and creasing, partially stained and damaged. Provenance: From an old private collection in North Rhine-Westphalia € 100,-

285 | KANO TAN‘YU (WITH SIGNATURE OF), TWO KAKEMONO (HANGING SCROLL) Japan, probably Edo Period Ink and color on paper and silk, mounted as hanging scroll. Ca. 42x155-61x197 cm. One scroll shows a landscape scene on silk, the other a figure on paper. Both are signed at the lower right and have a seal. With traces of age, slightly stained and damaged. Provenance: From an old private collection in North Rhine-Westphalia. € 300,-

Hargesheimer | Auktion 148

Japanese Art

286 | KANO CHIKANOBU (WITH SIGNATURE OF), TWO FIGURATIVE PAINTINGS Japan Ink and color on paper, mounted as hanging scroll. Ca. 40x168-51x107 cm. Both paintings are signed and bear a seal at the lower left. One depicts Shoki and is housed in an inscribed tomobako (storage box), while the other features Daikokuten. With traces of age and creasing, partially stained and damaged. Provenance: From an old private collection in North Rhine-Westphalia. € 260,-

287 | A GROUP OF NINE ‚KANO-SCHOOL‘ PAINTINGS Japan Ink or ink and color on paper or silk, mounted as hanging scroll. Ca. 32x182-59.5x196 cm. With traces of age and creasing, partially damaged and stained. Provenance: From an old private collection in North Rhine-Westphalia. € 390,-

84 Hargesheimer | Auktion 148

Japanese Art

288 | A KAKEMONO DEPICTING A LADY Japan Ink and color on paper. Ca. 27x109 cm. With traces of age, slightly stained.

€ 100,-

289 | TANKE GESSEN (1741-1809) A FIGURATIVE PAINTING Japan, 18th/19th century Ink and color on paper, mounted as hanging scroll. Ca. 33.5x169 cm. Signed and with seals. With traces of age and creasing, slightly stained and damaged. Provenance: From an old private collection in North Rhine-Westphalia. € 100,-

290 | ANONYMOUS A KAKEMONO DEPICTING SIX ARTISTS Japan, 19th/20th century Ink on paper, mounted as hanging scroll. Ca. 41.5x190 cm. The kakemono (hanging scroll) depicts six artists, including Kakizaki Hakyo, Katsukawa Shuntei, Kawamura Kiho, Matsukawa Ryochin, Kishi Gantai, and Yano Yacho, all signed and with seals. With traces of age and creasing, partially stained. Provenance: From an old private collection in North Rhine-Westphalia. € 100,-

291 | A GROUP OF THREE KAKEMONO (HANGING SCROLL) Japan, 18th/19th century Ink and color on paper, mounted as hanging scroll. Ca. 32x196-56x205 cm. Including a kakemono by Nishimura Nantei depicting figure and landscape, a kakemono by Hogen Yoshimura Shuzan depicting birds and flowers, and a kakemono by Unkoku-ha depicting Kannon. With traces of age and creasing, partially stained and damaged. Provenance: From an old private collection in North Rhine-Westphalia. € 180,-

Hargesheimer | Auktion 148

Japanese Art

292 | FUKADA CHOKUJO (WITH SIGNATURE OF), A RAKAN (ARHAT) Japan, Meiji-Period Ink and color on paper, mounted as hanging scroll. Ca. 50x172 cm. Signed and with a seal at lower right. With traces of age and creasing, partially stained. Provenance: From an old private collection in North Rhine-Westphalia. € 100,-

293 | SHIOKAWA BUNRIN (WITH SIGNATURE OF), A KAKEMONO DEPICTING FIGURES Japan, probably 19th century Ink and color on paper, mounted as hanging scroll. Ca. 59.5x164 cm. Signed and with a seal at lower right. With traces of age and creasing, partially damaged and stained. Provenance: From an old private collection in North Rhine-Westphalia. € 100,-

294 | HASEGAWA SETTAN (WITH SIGNATURE OF), TWO KAKEMONO (HANGING SCROLL) Japan, 18th/19th century Ink and color on paper and silk, mounted as hanging scroll. Ca. 31x172-47x178 cm. Including one kakemono depicting birds and flowers, signed and with a seal at the lower right; and another kakemono depicting Kanzan and Jittoku, signed and with a seal at the lower left. With traces of age and creasing, partially stained. Provenance: From an old private collection in North Rhine-Westphalia. € 240,-

295 | SOGA SHOHAKU (WITH SIGNATURE OF), A KAKEMONO DEPICTING FIGURES Japan, 18th or later Ink on paper, mounted as hanging scroll. Ca. 69x188 cm. The scroll depicts kanzan and sage. Signed and with seal. With traces of age and creasing, partially damaged and stained. Provenance: From an old private collection in North Rhine-Westphalia. € 200,-

296 | SHUGETSU (WITH SIGNATURE OF), DAIKOKUTEN Japan, 18th/19th century Ink and color on paper, mounted as hanging scroll. Ca. 66.5x194 cm. Signed and with seal. With traces of age and creasing, partially damaged. Provenance: From an old private collection in North Rhine-Westphalia. € 100,-

297 | TANI BUNCHO (WITH SIGNATURE OF), DAIKOKUTEN Japan, 18th/19th century Ink on paper, mounted as hanging scroll. Ca. 64x193 cm. Signed and with a seal at lower right. With traces of age and creasing, partially damaged and stained. Provenance: From an old private collection in North Rhine-Westphalia. € 200,-

86 Hargesheimer | Auktion 148

Japanese Art

298 | TOSA MITSUSADA (WITH SIGNATURE OF), A KAKEMONO DEPICTING FIGURES Japan, 18th/19th century Ink and color on paper, mounted as hanging scroll. Ca. 47.7x178 cm. Signed and with a seal at lower right. With traces of age and creasing, partially stained. Provenance: From an old private collection in North Rhine-Westphalia. € 100,-

299 | ANONYMOUS, SIXTEEN RAKANS Japan, 19th/20th century Ink and color on silk, mounted as hanging scroll. Ca. 55x189 cm. With traces of age and creasing, partially damaged. Provenance: From an old private collection in North Rhine-Westphalia. € 100,-

300 | ANONYMOUS, A PAINTING DEPICTING TWO SCHOLARS China/Japan, around 1900 Ink and color on paper, mounted as hanging scroll. 109x42.5 cm. With traces of age, partially damaged and stained, probably restored.

301 | A KAKEMONO DEPICTING A MAN WEARING A HAT AND A YOUNG GIRL Japan, 20th century Ink and color on silk, mounted as hanging scroll. 105x41 cm. With traces of use.

€ 200,-

Hargesheimer | Auktion 148

Japanese Art

302 | ANONYMOUS, ONE HUNDRED RAKANS Japan, probably Meiji-Period Ink and color on paper, mounted as hanging scroll. Ca. 721x72 cm. The kakemono (hanging scroll) depicts one hundred rakans, each with their name. With traces of age and creasing, partially stained and damaged. Provenance: From an old private collection in North Rhine-Westphalia. € 150,-

88 Hargesheimer | Auktion 148

VERSTEIGERUNGSB EDINGUNGEN Hargesheimer Kunstauktionen Düsseldorf GmbH (im Nachfolgenden als Hargesheimer Kunstauktionen bezeichnet) versteigert in einer öffentlichen Versteigerung gemäß §§ 474 Abs.1 Satz 2, 383 Abs. 3 Satz 1 BGB als Kommissionärin im eigenen Namen und für Rechnung ihrer Auftraggeber:innen (Kommittent:innen), die unbenannt bleiben.

BESCHAFFENHEIT / GEWÄHRLEISTUNG

DURCHFÜHRUNG DER VERSTEIGERUNG / GEBOTE

1.1. Sämtliche zur Versteigerung kommenden Gegenstände können vor der Versteigerung besichtigt und geprüft werden. Dabei haften Interessent:innen für von ihnen verursachte Schäden an den ausgestellten Objekten. 1.2. Die zur Versteigerung gelangenden Kunstwerke sind ausnahmslos gebraucht. Sie haben einen ihrem Alter und ihrer Provenienz entsprechenden Erhaltungszustand. Die Zustandsbeschreibungen im Katalog beinhalten nur Anhaltspunkte für wesentliche und wichtige Beschädigungen, die nach Auffassung von Hargesheimer Kunstauktionen den optischen Gesamteindruck des Gegenstandes beeinträchtigen oder stören. Das Fehlen eines solchen Hinweises besagt nicht, dass sich der Gegenstand in einem guten Erhaltungszustand befindet oder frei von Mängeln ist. Interessent:innen können vor der Auktion einen Zustandsbericht für jedes Kunstwerk anfordern. Dieser Bericht, mündlich oder in Schriftform, enthält keine abweichende Individualabrede und bringt lediglich eine subjektive Einschätzung von Hargesheimer Kunstauktionen zum Ausdruck. Die Angaben im Zustandsbericht werden nach bestem Wissen und Gewissen erteilt. Sie sind keine Garantien oder Beschaffenheitsvereinbarungen, sie dienen ausschließlich der unverbindlichen Information. Gleiches gilt für Auskünfte jedweder Art, sei es mündlich oder schriftlich. In allen Fällen ist der tatsächliche Erhaltungszustand des Kunstwerkes zum Zeitpunkt seines Zuschlages vereinbarte Beschaffenheit im Sinne der gesetzlichen Bestimmungen (§§ 434ff BGB). 1.3. Die Katalogbeschreibungen sind keine Garantien im Rechtssinne. Alle Angaben im Katalog beruhen auf den bis zum Zeitpunkt der Drucklegung veröffentlichten oder sonst allgemein zugänglichen wissenschaftlichen Erkenntnissen. Hargesheimer Kunstauktionen behält sich vor, Katalogangaben über die zu versteigernden Gegenstände zu berichtigen. Diese Berichtigung erfolgt schriftlich am Ort der Versteigerung und mündlich durch den Auktionator unmittelbar vor der Versteigerung. Die berichtigten Angaben treten an die Stelle der Katalogbeschreibung. 1.4. Eine Haftung von Hargesheimer wegen etwaiger Mängel wird ausgeschlossen, sofern Hargesheimer seine Sorgfaltspflicht erfüllt hat. Die Haftung für Leben, Körper- und Gesundheitsschäden bleibt davon unberührt. 1.5. Der Versteigerer bzw. die Versteigerin verpflichtet sich jedoch, wegen rechtzeitig vorgetragener, begründeter Sachmängel, die die Echtheit der Gegenstände betreffen, innerhalb der Verjährungsfrist von zwölf Monaten, bei sonstigen Mängeln innerhalb der Verjährungsfrist von sechs Monaten vom Zeitpunkt des Zuschlags an seine Ansprüche gegenüber dem Einlieferer bzw. der Einlieferin (Auftraggeber:in) – nötigenfalls auch gerichtlich – geltend zu machen. Im Falle erfolgreicher Inanspruchnahme des Einlieferers bzw. der Einlieferin erstattet der Versteigerer bzw. die Versteigerin dem Erwerber bzw. der Erwerberin den Kaufpreis samt Aufgeld, jedoch keine sonstigen dem Käufer bzw. der Käuferin entstandenen Kosten und Aufwendungen. Voraussetzung ist jeweils, dass keine Ansprüche Dritter an dem Kunstwerk bestehen und das Kunstwerk am Sitz von Hargesheimer Kunstauktionen in unverändertem Zustand zurückgegeben wird. 1.6. Ansprüche auf Schadenersatz gegen Hargesheimer Kunstauktionen wegen Rechts- oder Sachmängel sowie aus sonstigen Rechtsgründen (inkl. Ersatz vergeblicher Aufwendungen sowie Ersatz von Gutachterkosten), sind ausgeschlossen, soweit sie nicht auf vorsätzlichem oder grob fahrlässigem Handeln von Hargesheimer Kunstauktionen oder auf der Verletzung wesentlicher Vertragspflichten durch Hargesheimer Kunstauktionen beruhen.

2.1. Die im Katalog angegebenen Preise sind Limitpreise. 2.2. Hargesheimer Kunstauktionen behält sich das Recht vor, während der Versteigerung Nummern des Katalogs zu vereinen, zu trennen, außerhalb der Reihenfolge auszubieten oder zurückzuziehen. 2.3. Alle Gebote gelten als vom Bieter bzw. von der Bieterin im eigenen Namen und für eigene Rechnung abgegeben. Will ein:e Bieter:in Gebote im Namen eines Dritten abgeben, so hat er bzw. sie dies 24 Stunden vor Versteigerungsbeginn unter Nennung von Namen und Anschrift des bzw. der Vertretenen und unter Vorlage einer schriftlichen Vollmacht mitzuteilen. Andernfalls kommt der Kaufvertrag bei Zuschlag mit dem Bieter bzw. der Bieterin zustande. 2.4. Jeder Bieter bzw. jede Bieterin erhält nach Vorlage eines gültigen Personaldokuments und Zulassung zur Auktion von Hargesheimer Kunstauktionen eine Bieternummer. Nur unter dieser Nummer abgegebene Gebote werden auf der Auktion berücksichtigt. Von Bieter:innen, die noch unbekannt sind, benötigt Hargesheimer Kunstauktionen spätestens 24 Stunden vor Beginn der Auktion eine schriftliche Anmeldung mit gültigem Personalausweis. Hargesheimer Kunstauktionen behält sich das Recht vor, eine zeitnahe Bankauskunft, Referenzen oder ein Bardepot für die Zulassung zur Auktion anzufordern. Es liegt im Ermessen von Hargesheimer Kunstauktionen eine Person von der Auktion auszuschließen. 2.5. Der Preis bei Aufruf wird vom Versteigerer bzw. von der Versteigerin festgelegt; gesteigert wird im Regelfall um circa 10% des vorangegangenen Gebotes in Euro. Gebote können während der Auktion persönlich im Auktionssaal sowie bei Abwesenheit vorab schriftlich, telefonisch oder mittels Internet über den Online-Katalog auf der Website von Hargesheimer Kunstauktionen oder einer von Hargesheimer Kunstauktionen zugelassenen Plattform abgegeben werden.

2.6. Alle Gebote beziehen sich auf den Zuschlag und erhöhen sich um das Aufgeld, Mehrwertsteuer sowie ggf. Folgerecht und Zollumlage. 2.7. Bei gleich hohen Geboten, unabhängig ob im Auktionssaal, telefonisch, schriftlich oder per Internet abgegeben, entscheidet das Los. Schriftliche Gebote oder Gebote per Internet werden von Hargesheimer Kunstauktionen nur mit dem Betrag in Anspruch genommen, der erforderlich ist, um ein anderes abgegebenes Gebot zu überbieten. 2.8. Gebote in Abwesenheit werden in der Regel zugelassen, wenn diese mindestens 24 Stunden vor Beginn der Versteigerung bei Hargesheimer Kunstauktionen eingehen und, sofern erforderlich, die weiteren Informationen gemäß Ziff. 2.4. vorliegen. Das Gebot muss das Kunstwerk unter Aufführung von Katalognummer und Katalogbezeichnung benennen. Im Zweifel ist die Katalognummer maßgeblich; Unklarheiten gehen zu Lasten des Bieters bzw. der Bieterin. 2.9. Die Bearbeitung der Gebote in Abwesenheit ist ein zusätzlicher und kostenloser Service von Hargesheimer Kunstauktionen, daher kann keine Zusicherung für deren Ausführung bzw. fehlerfreie Durchführung gegeben werden. Die in Abwesenheit abgegebenen Gebote sind den unter Anwesenden in der Versteigerung abgegebenen Geboten bei Zuschlag gleichgestellt. 2.10. Das schriftliche Gebot muss vom Bieter bzw. von der Bieterin unterzeichnet sein. Bei schriftlichen Geboten beauftragt der Interessent bzw. die Interessentin Hargesheimer Kunstauktionen, für ihn bzw. sie Gebote abzugeben. 2.11. Telefonische Gebote können von Hargesheimer Kunstauktionen aufgezeichnet werden. Mit dem Antrag zum telefonischen Bieten erklärt sich der Antragsteller bzw. die Antragstellerin mit der Aufzeichnung von Telefongesprächen einverstanden. Hargesheimer Kunstauktionen haftet nicht für das Zustandekommen und die Aufrechterhaltung von Telekommunikationsverbindungen oder Übermittlungsfehlern. 2.12. Internet-Gebote können sowohl als sog. „Vor-Gebote“ vor Beginn einer Versteigerung als auch als sog. „Live-Gebote“ während einer im Internet live übertragenen Versteigerung sowie als sog. „Nach-Gebote“ nach Beendigung der Versteigerung nach Maßgabe der nachstehenden Regelungen abgegeben werden. Gebote, die bei Hargesheimer Kunstauktionen während einer laufenden Versteigerung via Internet eingehen, werden im Rahmen der laufenden Versteigerung nur dann berücksichtigt, wenn es sich um eine live im Internet übertragene Versteigerung handelt. Im Übrigen sind Internet-Gebote nur dann zulässig, wenn der Bieter bzw. die Bieterin von Hargesheimer Kunstauktionen zum Bieten über das Internet durch Zusendung eines Benutzer:innennamens und eines Passwortes zugelassen worden ist. Sie stellen nur dann gültige Gebote dar, wenn sie durch den Benutzer:innennamen und das Passwort zweifelsfrei dem Bieter bzw. der Bieterin zuzuordnen sind. Die über das Internet übertragenen Gebote werden elektronisch protokolliert. Die Richtigkeit der Protokolle wird vom Bieter/ Käufer bzw. von der Bieterin/Käuferin anerkannt, dem jedoch der Nachweis ihrer Unrichtigkeit offen steht. Live-Gebote werden wie Gebote aus dem Versteigerungssaal berücksichtigt. Auch bei Internet-Geboten haftet Hargesheimer Kunstauktionen nicht für das Zustandekommen der technischen Verbindung oder für Übertragungsfehler. 2.13. Der Nachverkauf ist Teil der Versteigerung. Bei Nachgeboten kommt ein Vertrag erst dann zustande, wenn Hargesheimer Kunstauktionen das Gebot annimmt. 2.14. Die Abgabe eines Gebotes in jeglicher Form bedeutet die Anerkennung dieser Versteigerungsbedingungen. Der Versteigerer bzw. die Versteigerin nimmt Gebote nur aufgrund der vorstehenden Versteigerungsbedingungen entgegen und erteilt dementsprechend Zuschläge. 2.15. Das Widerrufs- und Rückgaberecht bei Fernabsatzverträgen (§§ 312 b ff BGB) findet auf Schrift-, Telefon- und Internetgebote keine Anwendung.

ZUSCHLAG

3.1. Der Zuschlag erfolgt nach dreimaligem Aufruf an den Höchstbietenden bzw. die Höchstbietende. Mit dem Zuschlag kommt zwischen Hargesheimer Kunstauktionen und dem Bieter bzw. der Bieterin, dem bzw. der der Zuschlag erteilt wird, ein Kaufvertrag zustande. Der Zuschlag verpflichtet zur Abnahme und Zahlung. 3.2. Der Versteigerer bzw. die Versteigerin kann den Zuschlag zurücknehmen und die Sachen erneut ausbieten, wenn irrtümlich ein rechtzeitig abgegebenes höheres Gebot übersehen worden ist oder wenn der bzw. die Höchstbietende sein bzw. ihr Gebot nicht gelten lassen will oder sonst Zweifel über den Zuschlag bestehen. Der Versteigerer bzw. die Versteigerin kann den Zuschlag unter Vorbehalt erteilen oder verweigern, wenn ein besonderer Grund vorliegt. Wenn trotz abgegebenen Gebots ein Zuschlag nicht erteilt wird, haftet Hargesheimer Kunstauktionen dem Bieter bzw. der Bieterin nur bei Vorsatz oder grober Fahrlässigkeit. 3.3. Bei einem unter Vorbehalt erteilten Zuschlag bleibt der Bieter bzw. die Bieterin einen Monat an sein Gebot gebunden. Ein unter Vorbehalt erteilter Zuschlag wird nur wirksam, wenn Hargesheimer Kunstauktionen das Gebot innerhalb eines Monats nach dem Tag der Versteigerung schriftlich bestätigt.

www.kunstauktionen-duesseldorf.de

VERSTEIGERUNGSB EDINGUNGEN

KAUFPREIS UND ZAHLUNG

4.1. Neben der Zuschlagssumme ist vom Käufer bzw. von der Käuferin ein Aufgeld von 28% zu zahlen. Hierin ist die gesetzliche Umsatzsteuer bereits enthalten, welche jedoch wegen Differenzbesteuerung nach § 25a UStG nicht ausgewiesen wird. Bei Objekten, die durch einen Stern (*) als regelbesteuert vermerkt sind, wird auf den Zuschlag ein Aufgeld von 24% berechnet. Auf die Summe von Zuschlag und Aufgeld wird die gesetzliche Umsatzsteuer von z.Zt. 19% erhoben. 4.2. Von der Mehrwertsteuer befreit sind Ausfuhrlieferungen in Drittländer (außerhalb der EU) und – bei Angabe ihrer Ust.-Identifikations-Nr. als Nachweis der Berechtigung zum Bezug steuerfreier innergemeinschaftlicher Lieferungen – auch an Unternehmen in anderen EU-Mitgliedsstaaten, unter der Voraussetzung, dass sie für gewerblichen Gebrauch einkaufen. Alle anderen Käufer:innen aus EU-Ländern unterliegen der Mehrwertsteuer. Ausländischen Käufer:innen außerhalb der Europäischen Union wird die Mehrwertsteuer erstattet, wenn der deutsche zollamtliche Ausfuhrnachweis erbracht wird. Bei Versand durch Hargesheimer gilt der Ausfuhrnachweis als gegeben. 4.3. Für Katalogpositionen, die mit zwei Sternen (**) gekennzeichnet sind, ist wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagspreis zu entrichten. 4.4. Während oder unmittelbar nach der Auktion ausgestellte Rechnungen bedürfen der Nachprüfung; Irrtum bleibt insoweit vorbehalten. 4.5. Die Zahlung des mit dem Zuschlag fälligen Gesamtbetrages ist in bar, per Banküberweisung oder per Kreditkarte (zuzüglich 3% bezüglich anfallender Spesen) zu entrichten. Schecks werden nur erfüllungshalber angenommen. Alle Steuern, Kosten, Gebühren der Überweisung oder der Scheckeinlösung (inklusive der Hargesheimer Kunstauktionen in Abzug gebrachten Bankspesen) gehen zu Lasten des Käufers bzw. der Käuferin. Persönlich an der Versteigerung teilnehmende Käufer:innen haben den Kaufpreis sofort nach erfolgtem Zuschlag an Hargesheimer Kunstauktionen zu bezahlen und in Empfang zu nehmen. 4.6. Bei Geboten in Abwesenheit gilt unbeschadet der sofortigen Fälligkeit die Zahlung binnen 10 Tagen nach Rechnungsdatum noch nicht als verspätet. 4.7. Die Gegenstände werden grundsätzlich erst nach vollständiger Bezahlung aller vom Käufer bzw. von der Käuferin geschuldeten Beträge ausgehändigt.

ABHOLUNG UND GEFAHRTRAGUNG

5.1. Der Zuschlag verpflichtet zur Abnahme. Abwesende Erwerber:innen sind verpflichtet, die Gegenstände unverzüglich nach Mitteilung des Zuschlages bei Hargesheimer Kunstauktionen abzuholen. Hargesheimer Kunstauktionen organisiert die Versicherung und den Transport der versteigerten Gegenstände zum Käufer bzw. zur Käuferin nur auf dessen schriftliche Anweisung hin und auf seine Kosten und Gefahr. Übersteigen die tatsächlichen Versandkosten die vorab berechnete Pauschale, so wird die Differenz dem Käufer bzw. der Käuferin nachträglich in Rechnung gestellt. 5.2. Mit dem Zuschlag geht die Gefahr an dem ersteigerten Gegenstand auf den Käufer bzw. die Käuferin über, das Eigentum wird jedoch erst bei vollständiger Bezahlung an den Käufer bzw. die Käuferin übertragen. 5.3. Hat der Erwerber bzw. die Erwerberin die Gegenstände nicht spätestens drei Wochen nach erfolgtem Zuschlag bzw. nach Mitteilung bei Hargesheimer Kunstauktionen abgeholt, wird Hargesheimer Kunstauktionen den Erwerber bzw. die Erwerberin zur Abholung der Gegenstände binnen einer Woche auffordern. Nach Ablauf dieser Frist hat Hargesheimer Kunstauktionen das Recht, die Gegenstände auf Kosten und Gefahr des Erwerbers bzw. der Erwerberin bei einer Spedition aufbewahren zu lassen. Vor einer Aufbewahrung unterrichtet Hargesheimer Kunstauktionen den Erwerber bzw. die Erwerberin. Für die Lagerkosten wird 1 Euro zzgl. Umsatzsteuer pro Tag und Objekt berechnet. Unabhängig davon kann Hargesheimer Kunstauktionen wahlweise Erfüllung des Vertrages verlangen oder die gesetzlichen Rechte wegen Pflichtverletzung geltend machen. Zur Berechnung eines eventuellen Schadens wird auf Ziff. 4 und 7 dieser Bedingungen verwiesen. 5.4. Hargesheimer Kunstauktionen trägt in keinem Fall eine Haftung für Verlust oder Beschädigung nicht abgeholter oder mangels Bezahlung nicht übergebener Gegenstände, es sei denn, Hargesheimer Kunstauktionen fiele Vorsatz oder grobe Fahrlässigkeit zur Last.

6. EIGENTUMSVORBEHALT, AUFRECHNUNG, ZURÜCKBEHALTUNGSRECHT

6.1. Das Eigentum am ersteigerten Gegenstand geht erst mit vollständigem Eingang aller nach Ziff. 4 und 7 geschuldeten Zahlungen auf den Käufer bzw. die Käuferin über. 6.2. Der Käufer bzw. die Käuferin kann gegenüber Hargesheimer Kunstauktionen nur mit unbestrittenen oder rechtskräftig festgestellten Forderungen aufrechnen. 6.3. Soweit der Käufer bzw. die Käuferin Kaufmann bzw. Kauffrau ist, verzichtet er bzw. sie auf seine bzw. ihre Rechte aus §§ 273, 320 BGB.

www.kunstauktionen-duesseldorf.de

VERZUG

EINWILLIGUNGSERKLÄRUNG DATENSCHUTZ

SONSTIGE BESTIMMUNGEN

7.1. Der Kaufpreis ist mit dem Zuschlag fällig. Zahlungsverzug tritt 14 Tage nach Vertragsschluss, also Zuschlagserteilung oder Annahme des Nachgebotes ein. Zahlungen sind in Euro an Hargesheimer Kunstauktionen zu leisten. 7.2. Bei Zahlungsverzug werden Verzugszinsen in Höhe von 1% pro Monat berechnet. Der Erwerber bzw. die Erwerberin hat das Recht zum Nachweis eines geringeren oder keines Schadens. Im Übrigen kann Hargesheimer Kunstauktionen bei Zahlungsverzug wahlweise Erfüllung des Kaufvertrages verlangen oder nach angemessener Fristsetzung vom Vertrag zurücktreten. Im Fall des Rücktritts erlöschen alle Rechte des Käufers bzw. der Käuferin am ersteigerten Gegenstand und Hargesheimer Kunstauktionen ist berechtigt, Schadensersatz in Höhe des entgangenen Entgelts auf das Kunstwerk (Einliefererkommission und Aufgeld) zu verlangen. Wird der Gegenstand in einer neuen Auktion nochmals versteigert, so haftet der säumige Käufer bzw. die säumige Käuferin außerdem für jeglichen Mindererlös gegenüber der früheren Versteigerung sowie für die Kosten der wiederholten Versteigerung; auf einen etwaigen Mehrerlös hat er keinen Anspruch. Hargesheimer Kunstauktionen hat das Recht, ihn bzw. sie von weiteren Geboten in Versteigerungen auszuschließen. 7.3. Einen Monat nach Eintritt des Verzuges ist Hargesheimer Kunstauktionen berechtigt und auf Verlangen des Einlieferers bzw. der Einlieferin verpflichtet, diesem Namen und Adressdaten des Käufers bzw. der Käuferin zu nennen.

8.1. Der Bieter bzw. die Bieterin ist damit einverstanden, dass sein bzw. ihr Name, seine bzw. ihre Adresse und Käufe für Zwecke der Durchführung und Abwicklung des Vertragsverhältnisses sowie zum Zwecke der Information über zukünftige Auktionen und Angebote elektronisch von Hargesheimer Kunstauktionen gespeichert und verarbeitet werden. Sollte der Bieter bzw. die Bieterin im Rahmen der Durchführung und Abwicklung dieses Vertragsverhältnisses seinen bzw. ihren vertraglichen Pflichten nicht nachkommen, stimmt der Bieter bzw. die Bieterin zu, dass diese Tatsache in eine Sperrdatei, die allen Auktionshäusern zugänglich ist, aufgenommen werden kann. Der Datenerhebung und weiteren Nutzung kann durch Streichen dieser Klausel oder jederzeit durch spätere Erklärung gegenüber Hargesheimer Kunstauktionen mit Wirkung für die Zukunft widersprochen werden. Informationen zu Datenschutz finden Sie auf unserer Internetseite: https://kunstauktionen-duesseldorf.de/datenschutzerklaerung

9.1. Politisch exponierte Personen sowie ihre unmittelbaren Familienmitglieder unterliegen der Auskunftspflicht im Sinne des Geldwäschegesetzes (GwG). Aufgrund der neuen Richtlinien für das GwG sind wir verpflichtet, bei schriftlichen Geboten über 7.500,- € sowie bei Saal-, Live- und Telefongeboten eine Ausweiskopie des Bieters zu hinterlegen. Bei juristischen Personen (z.B. GmbHs) benötigen wir zusätzlich den Handelsregisterauszug oder einen vergleichbaren amtlichen Registerauszug. 9.2. Diese Versteigerungsbedingungen regeln sämtliche Beziehungen zwischen dem Käufer bzw. der Käuferin und Hargesheimer Kunstauktionen. Allgemeine Geschäftsbedingungen des Käufers bzw. der Käuferin haben keine Geltung. Mündliche Nebenabreden bestehen nicht. Änderungen bedürfen zu ihrer Gültigkeit der Schriftform. 9.3. Erfüllungsort und Gerichtsstand für den kaufmännischen Verkehr ist ausschließlich Düsseldorf. Es gilt deutsches Recht; das UN-Abkommen über Verträge des internationalen Warenkaufs (CISG) findet keine Anwendung. 9.4. Vorstehende Bestimmungen gelten sinngemäß auch für den freihändigen Verkauf der zur Auktion eingelieferten Gegenstände und insbesondere für den Nachverkauf, auf den, da er Teil der Versteigerung ist, die Bestimmungen über Käufe im Fernabsatz keine Anwendung finden. 9.5. Sollte eine der vorstehenden Bestimmungen ganz oder teilweise unwirksam sein, wird die Gültigkeit der übrigen davon nicht berührt. Die unwirksame Bestimmung ist durch eine wirksame zu ersetzen, die in ihrem wirtschaftlichen Gehalt der unwirksamen Bestimmung am nächsten kommt. Entsprechendes gilt, wenn der Vertrag eine ergänzungsbedürftige Lücke aufweist. In Zweifelsfällen ist die deutsche Fassung der Versteigerungsbedingungen maßgeblich. Übersetzungen in andere Sprachen dienen nur der inhaltlichen Orientierung.

Frank Hargesheimer | Susanne Hargesheimer (Versteigerer | öffentlich bestellte und vereidigte Versteigerin für Kunst und Antiquitäten) Stand 4. Mai 2022

GENERAL TERMS AND CONDITIONS Hargesheimer Kunstauktionen Düsseldorf GmbH (hereinafter referred to as „Hargesheimer Kunstauktionen“) conducts auctions in a public auction in terms of Section § 474, Para.1 Line 2 and Section § 383 Para. 3 Line 1 of the German Civil Code (BGB) as a commissioner on his own behalf and on account of the clients (the „consigner”), who remain anonymous.

CONDITION, WARRANTY

CONDUCT OF AUCTIONS, BIDS

1.1. The items to be auctioned may be viewed and examined prior to the auction, potential buyers being liable for any damage caused by them to the items exhibited. 1.2. The works of art that are up for auction are, without exception, used items and sold as is. They are in a state of repair that corresponds to their age and provenance. Objections to the state of repair are only mentioned in the catalogue if, in the opinion of Hargesheimer Kunstauktionen, they adversely affect the visual impression of the work of art as a whole. Lack of information regarding the state of repair does therefore not justify any claims based on a guarantee or agreement on the condition. Potential buyers may request a condition report for every work of art. This report, be it verbal or written, does not contain any differing, individually negotiated terms, and expresses Hargesheimer Kunstauktionen subjective assessment only. The information contained in the condition report is provided to the best of our knowledge and belief. It does not constitute any guarantee or agreement on the condition and serves the purpose of the provision of nonbinding information only. The same applies to general information of any kind, be it verbal or written. In all cases the actual state of repair of the work of art at the time of the acceptance of the bid is the agreed condition in terms of statutory provisions (Sections § 434 et seq. of the German Civil Code (BGB) 1.3. All information contained in the catalogue is based on knowledge published until the date on the auction and on other general scientific knowledge available to the public. Hargesheimer Kunstauktionen reserves the right to correct catalogue information on the works of art that are to be auctioned. Said correction is made by written notice at the location of the auction and/or orally by the auctioneer immediately before the specific work of art is auctioned. The corrected information will replace the description in the catalogue. 1.4. Hargesheimer Kunstauktionen expressly excludes any liability for potential defects, provided that Hargesheimer has complied with its duty of care obligations. 1.5. Irrespective of the provisions of Clause 1.2., the information in the catalogue relating to authorship of the work of art shall form part of the condition that is agreed with the buyer. The auctioneer assumes no liability for defects as far as he has fulfilled his duty of diligence. But he commits himself to assert complaints which have been brought forward in due time within the limitation period to the consigner. Thereby, the limitation period regarding the authenticity is set at twelve months, for any other defects six months after the sale. In the event of successfully taking recourse to the consigner, the auctioneer will refund the purchasing price including the commission to the buyer. 1.6. Damages claims against Hargesheimer Kunstauktionen for legal and material defects and on other legal grounds (including compensation for futile expenses or cost for expert opinions) are excluded unless they are due to intentional or grossly negligent conduct by Hargesheimer Kunstauktionen or to the breach of significant contractual duties by Hargesheimer Kunstauktionen or are caused by injury to life or limb or damage to heal.

2.1. The estimates stated in the catalogue are reserve prices. 2.2. Hargesheimer Kunstauktionen reserves the right to combine, separate, offer out of sequence or withdraw numbered lots during an auction. 2.3. All bids are considered as submitted by the bidder on his own behalf and for his own account. If a bidder wishes to bid on behalf of a third party he must notify this 24 hours prior to the start of the auction, stating name and address of the party he is representing and submitting a written power of attorney. Otherwise the purchase contract is concluded with the bidder when the bid is accepted. 2.4. After presentation of a legal personal-document and admission to the auction, each bidder will be given a bidder’s number by Hargesheimer Kunstauktionen. Only bids using this number will be included in the auction. Bidders, so far unknown to Hargesheimer Kunstauktionen, have to submit a written application no later than 24 hours before the auction, together with a document of identification. Hargesheimer Kunstauktionen may ask for a recent bank reference or other references for the admission to the auction. 2.5. The initial bid price is determined by the auctioneer; bids are generally submitted in Euros at maximum 10% above the previous bid. Bids may be made in person in the auction room or via the live auction during the sale. In absentia bids may be made in writing, by phone or over the internet or via a platform that has been approved by Hargesheimer Kunstauktionen.

2.6. All offers are based on the so-called hammer price and increase with premium, VAT and customs charges where applicable. 2.7. When there are equal bids, irrespective of whether they were submitted in the auction hall, by phone, in writing or over the internet, a decision shall be made by drawing lots. Written bids or bids submitted via the internet shall only be taken into consideration by Hargesheimer Kunstauktionen to that amount that is required to outbid another bid. 2.8. Absentee bids are generally permitted if the bidder has applied to Hargesheimer Kunstauktionen for permission at least 24 hours prior to the start of the auction and has, as far as possible, provided additional information pursuant to fig. 2.4. The application must specify the work of art, along with its catalogue number and catalogue description. In case of doubt, the catalogue number is decisive; the bidder shall bear the consequences of any uncertainties. 2.9. Hargesheimer Kunstauktionen provides the service of executing absentee bids for the convenience of clients free of charge. Hargesheimer Kunstauktionen therefore provides no guarantee for the effectuation or flawless execution of bids. This does not apply where Hargesheimer Kunstauktionen is responsible for a mistake made intentionally or through gross negligence. Absentee bids shall be equivalent to bids made in the auction. 2.10. The written bid must be signed by the bidder. In the event of written bids, the interested party authorises the auctioneer to submit bids on his behalf. 2.11. Telephone bids may be recorded by Hargesheimer Kunstauktionen. By applying for telephone bidding, the applicant declares that he agrees to the recording of telephone conversations. Hargesheimer Kunstauktionen is not liable for setting up and maintaining telecommunications connections or for transmission errors. 2.12. Bids via the internet can be submitted as “pre-bids” prior to the beginning of the auction, as “live bids” during a live web-cast auction, or as “post-bids” after conclusion of the auction according to the provisions stated hereinafter. Bids received by Hargesheimer Kunstauktionen via internet during an auction will only be taken into account for the respective auction if it is a live, web-cast auction. Furthermore, bids via internet are only admissible if the bidder has been authorised by Hargesheimer Kunstauktionen to bid over the internet by providing him with a user name and password. They only represent valid bids if they can be unequivocally matched to the bidder by means of such user name and password. Bids via internet are recorded electronically. The accuracy of the corresponding transcripts is accepted by the bidder/buyer, who is nevertheless free to furnish evidence that the transcript is inaccurate. Live bids are considered equivalent to bids submitted in the auction hall during the auction. 2.13. The after sale is part of the auction. In the event of post-bids, a contract is concluded only after Hargesheimer Kunstauktionen accepts the bid. 2.14. By making a bid, either verbally in the auction, by telephone, written by letter, by fax, or through the internet the bidder confirms that he has taken notice of these terms of sale by auction and accepts them. 2.15. With distance contracts, the right of return and rescission shall not apply to written, phone or internet bids unless the bid was made in the after sale.

THE AUCTION

3.1. A bid is accepted after the auctioneer has called the highest bidder’s bid three times. When a bid is accepted a purchase contract is concluded between Hargesheimer Kunstauktionen and the bidder whose bid was accepted. A purchaser is obliged to fulfill his obligations to pay for the item and to collect the purchased item. 3.2. Hargesheimer Kunstauktionen may refuse to accept the bid or accept it subject to reservation. If a bid is refused, the previous bid remains valid. If several individuals place the same bid and there is no higher bid after three calls, the decision will be made by drawing lots. Hargesheimer Kunstauktionen may revoke acceptance of the bid and re-offer the item if a higher bid that was made in due time has been overlooked by accident, if the highest bidder does not want his bid to stand, or if there are other doubts as to the acceptance. If no bid is successful even though several bids were submitted, Hargesheimer Kunstauktionen is liable to the bidder only for intent or gross negligence. 3.3. A bidder remains bound to a bid that has been accepted subject to reservation for a period of one month. A bid accepted subject to reservation only becomes valid if Hargesheimer Kunstauktionen confirms the bid in writing within one month after the date of the auction by submitting a corresponding invoice.

www.kunstauktionen-duesseldorf.de

GENERAL TERMS AND CONDITIONS

PURCHASE PRICE AND PAYMENT

4.1. In addition to the bid award, the buyer must pay a premium of 28%. This includes statutory VAT, which will however not be stated due to the margin scheme in terms of Section § 25a of German Turnover Tax Law. An exception are lots with an asterisk (*) before the catalogue number. They are to be sold with V.A.T. and are calculated in line with Statutory VAT of currently 19% respectively will be levied on the sum of bid award and premium. 4.2. For buyers who have a right to deduct input tax, the invoice may, if desired, (after prior notification) be made out in line with standard taxation. VAT is not charged on shipments to foreign countries (i.e. outside the EU) nor – when the VAT-ID no. is stated – to companies in EU member states. If parties participating in an auction take purchased items into foreign countries themselves, they will be reimbursed the turnover tax as soon as Hargesheimer Kunstauktionen has the export and acquirer certificate. 4.3. For items marked with two asterisk (**), a flat-rated charge of 2% of the hammer price will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG). 4.4. Invoices issued during or immediately after the auction must be verified; errors remain reserved to this extent. 4.5. Payment of the total amount due upon acceptance of a bid must be made in cash, by bank transfer or by credit card (plus 3% in respect of any charges incurred). All taxes, costs, transfer or encashment fees (including the bank charges deducted by Hargesheimer Kunstauktionen) are to be borne by the buyer. Purchasers who participate in person at the auction must pay Hargesheimer Kunstauktionen the purchase price immediately after the bid is accepted. Without prejudice to the fact payment is due immediately, bids made in absentia may be paid within 14 days of the invoice date without being considered delayed. Default in payment commences two weeks after the date of the invoice. 4.6. The auctioned items are generally only handed over after full payment of all amount owed by the buyer has been received.

COLLECTION AND ASSUMPTION OF RISK

5.1. Acceptance of a bid imposes an obligation to collect the item. Buyers who are not present must collect their items immediately after Hargesheimer Kunstauktionen has advised them that the bid has been successful. Hargesheimer Kunstauktionen shall organise the insurance and shipment of the work of art to the buyer only upon the latter’s written instructions and at his cost and risk. Since the purchase price is due immediately and the buyer is obliged to promptly collect his items, he will find himself in default of acceptance no later than two weeks after acceptance of the bid or post-bid, so that then at the very latest, and irrespective of the still undelivered items, the risk will be passed on the buyer. Each lot is at the sole risk of the buyer from the fall of the hammer. 5.2. If the buyer has not collected the items from Hargesheimer Kunstauktionen at the latest three weeks after his bid has been accepted and/or after he has been notified, Hargesheimer Kunstauktionen will call upon the buyer to collect the items within one week. At the end of said period Hargesheimer is entitled to have the items kept in a warehouse at the cost and risk of the buyer. Hargesheimer Kunstauktionen shall inform the buyer prior to storage. Any purchases that have not been collected within three weeks from the date of the invoice will be subject to handling and storage charge at 1 Euro + 19 % VAT per lot per day. Irrespective of this, Hargesheimer Kunstauktionen may demand performance of the contract or assert statutory rights for breach of duties. For the purpose of calculating any loss, reference is made to fig. 4 and 7 of these terms and conditions. 5.3. Hargesheimer Kunstauktionen shall under no circumstances be liable for loss of or damage to items that have not been collected or not handed over due to non-payment, unless Hargesheimer Kunstauktionen acted intentionally or with gross negligence.

6. RETENTION OF TITLE, OFFSET, RIGHT OF RETENTION

6.1. Title to the work of art passes to the buyer only upon receipt of all payments owed under fig. 4 and 7 in full. 6.2. Against claims by Hargesheimer Kunstauktionen, the buyer can only offset claims that are undisputed or that have been legally and finally determined. 6.3. Insofar as the buyer is a merchant registered in the commercial register, he waives his rights under Sections §§ 273, 320 of the German Civil Code (BGB).

www.kunstauktionen-duesseldorf.de

DEFAULT

DATA PRIVACY DECLARATION

MISCELLANEOUS PROVISIONS

7.1. The purchase price is due upon acceptance of the bid. If payment is made in a foreign currency, any exchange rate losses and bank charges will be borne by the buyer. 7.2. In the event of default in payment, default interest of 1% per month is charged. The buyer is entitled to provide evidence that the loss is less or that there is no loss. In addition, in case of default in payment, Hargesheimer Kunstauktionen may elect to demand performance of the purchase contract or may rescind the contract after setting a suitable period for performance. In the event of rescission, all of the buyer’s rights to the purchased work of art shall lapse and Hargesheimer Kunstauktionen shall be entitled to demand damages amounting to the lost fee for the work of art (consignor commission and premium). If the item is re-auctioned at a new auction, then the defaulting buyer is additionally liable for any shortfall in proceeds compared with the earlier auction and for the costs of the repeat auction; he is not entitled to any excess proceeds. Hargesheimer Kunstauktionen has the right to exclude him from further bids in auctions. 7.3. One month after default has occurred, Hargesheimer Kunstauktionen is entitled to and, if the consigner demands it, required to provide the latter with details of the name and address of the buyer.

8.1. The buyer agrees that his name, address and any consignments being stored electronically and processed by Hargesheimer Kunstauktionen for the purpose of fulfilling and performing the contractual relationship, as well as to provide information about future auctions and offers. Should the buyer not meet the contractual obligations, within the scope of fulfilling and performing this contractual relationship, then he consents to this fact being added to a list which will be accessible to German auction houses. The buyer is entitled to object to the future collection and use of data by removing the said clause or by submitting notice to Hargesheimer Kunstauktionen at a later date. Information on data protection can be found on our website: https://kunstauktionen-duesseldorf.de/datenschutzerklaerung

9.1. Persons with political exposure and their immediate family members are subject to the obligation to provide information within the meaning of the Money Laundering Act (MLA). According to the new guidelines for the MLA, we are obliged to deposit a copy of the bidder’s identity card in the case of written bids over € 7,500 as well as auction hall, live and telephone bids. In the case of legal entities (e.g. GmbHs), we also require an extract from the commercial register or a comparable official register. 9.2. These Auction Terms and Conditions shall govern all relations between the buyer and Hargesheimer Kunstauktionen. The buyer’s General Commercial Terms and Conditions shall not apply. There are no verbal ancillary agreements. Amendments must be made in writing to be valid. 9.3. Insofar as it is possible to agree, Düsseldorf shall be the place of performance and jurisdiction. The law of the Federal Republic of Germany shall apply exclusively. The UN Convention on Contracts for the International Sale of Goods (CISG) shall not apply. 9.4. The aforementioned provisions apply mutatis mutandis to the private sale of items consigned for auction. 9.5. If any of the above provisions are invalid in whole or in part, the validity of the remaining provisions shall be unaffected. The invalid provision shall be replaced by a valid regulation which most closely resembles the commercial content of the provision which was invalid. The same applies if the contract reveals a loophole in need of amendment. In cases of doubt the German version of the Consignment Conditions shall prevail.

Frank Hargesheimer | Susanne Hargesheimer (Auctioneer | publicly appointed and sworn auctioneer for arts and antiques) Date: 4 May 2022

Schrittfolge der Steigerung | Bid Increments

Abkürzungsverzeichnis | List of abbreviations

220

1.100

5.500

24.000

130.000

240

1.200

6.000

26.000

140.000

260

1.300

6.500

28.000

150.000

280

1.400

7.000

30.000

160.000

300

1.500

7.500

33.000

170.000

330

1.600

8.000

36.000

180.000

360

1.700

8.500

39.000

190.000

390

1.800

9.000

42.000

200.000

420

1.900

9.500

45.000

220.000

450

2.000

10.000

50.000

240.000

100

500

2.200

11.000

55.000

260.000

110

550

2.400

12.000

60.000

280.000

120

600

2.600

13.000

65.000

300.000

130

650

2.800

14.000

70.000

330.000

140

700

3.000

15.000

75.000

360.000

150

750

3.300

16.000

80.000

390.000

160

800

3.600

17.000

85.000

420.000

170

850

3.900

18.000

90.000

450.000

180

900

4.200

19.000

100.000

500.000

190

950

4.500

20.000

110.000

550.000

200

1.000

5.000

22.000

120.000

600.000

Bitte beachten Sie, dass der / die Auktionator:in die Schrittfolgen nach eigenem Ermessen auch variieren kann. Please note that the auctioneer may vary the bidding increments at his / her discretion.

Zeitplan | Schedule Pro Stunde werden ca. 100 Positonen aufgerufen. Approximately 100 lots are auctioned per hour.

Mitglied im

All lots in this catalogue with a reserve price of min. 1.500 € have been searched against the Art Loss Register’s database.

Druckfehler, Irrtümer und Änderungen vorbehalten.

All errors and misprints reserved.

Abb. Abbildung Ag Silber attr. attributed B. Breite Bd. Band ber. berieben besch. beschädigt best. bestoßen bez. bezeichnet BM Blattmaß bzw. beziehungsweise ca. circa D. Durchmesser deutl. deutlich(e) DM Druckmaß doubl. doubliert E. A. Epreuve d‘artiste ehem. ehemals erg. ergänzt g Gramm Ges.- Gew. Gesamtgewicht GG Gelbgold Ges.-H. Gesamthöhe Ges.-L. Gesamtlänge gest. gestempelt G. Gewicht H. Höhe handschriftl. handschriftlich hrsg. herausgegeben insg. insgesamt jew. jeweils Jh. Jahrhundert L. Länge Lit. Literatur maroufl. maroufliert min. minimal Nr. Nummer num. nummeriert ortsbez. ortsbezeichnet part. partiell Pt Platin rest. restauriert RG Roségold sign. signiert SM Sichtmaß Sitz-H. Sitzhöhe T. Tiefe teilw. teilweise tlg. teilig u. und unbed.w unbedeutend vgl. vergleiche WG Weißgold zugesch. zugeschrieben zus. zusammen z. T. zum Teil

www.kunstauktionen-duesseldorf.de

IMPRESSUM HARGESHEIMER Kunstauktionen Düsseldorf GmbH Friedrich-Ebert-Straße 11+12 D - 40210 Düsseldorf

Steuernummer: 133 5832 1587 Finanzamt Düsseldorf-Mitte Amtsgericht/Registergericht Düsseldorf 88 HRB 57157 Firmensitz Düsseldorf

Telefon: Fax:

Deutsche Bank BIC: DEUT DE DDXXX IBAN: DE46 3007 0010 0614 9900 00

+49 (0) 211 / 30 200 10 +49 (0) 211 / 30 200 119

info@kunstauktionen-duesseldorf.de www.kunstauktionen-duesseldorf.de

Sparkasse Düsseldorf BIC: DUSS DE DDXXX IBAN: DE98 3005 0110 1007 8379 56

GESCHÄFTSFÜHRUNG Frank Hargesheimer (Kunsthistoriker M.A.) Telefon: +49 (0) 211 / 30 200 112 E-Mail: fh@kunstauktionen-duesseldorf.de Auktionator Altmeistergemälde | Handzeichnungen

Susanne Hargesheimer (Kunsthistorikerin M.A.) Telefon: +49 (0) 211 / 30 200 111 E-Mail: sh@kunstauktionen-duesseldorf.de Öffentlich bestellte und vereidigte Auktionatorin Ikonen | Russische Kunst

MITARBEITER:INNEN Janine Kauermann (Kunsthistorikerin M.A.) Telefon: +49 (0) 211 / 30 200 110 E-Mail: jk@kunstauktionen-duesseldorf.de Assistenz der Geschäftsleitung | Public Relations | Rechnungswesen | Zollabwicklung Ulrike Bednarski Telefon: +49 (0) 211 / 30 200 116 E-Mail: ub@kunstauktionen-duesseldorf.de Empfangsassistenz | Rechnungswesen | Zollabwicklung Mareike Thye (Kunsthistorikerin M.A.) Telefon: +49 (0) 211 / 30 200 12 63 E-Mail: mt@kunstauktionen-duesseldorf.de Empfangsassistenz | Rechnungswesen | Zollabwicklung Elaine Breidenstein (Kunsthistorikerin B.A.) Telefon: +49 (0) 211 / 30 200 12 62 E-Mail: eb@kunstauktionen-duesseldorf.de Moderne & Zeitgenössische Kunst Sofya Efanova (Dipl.-Kunstwiss.) Telefon: +49 (0) 211 / 30 200 113 E-Mail: se@kunstauktionen-duesseldorf.de Gemälde des 19. Jahrhunderts Kathrin Fischer (Kunsthistorikerin M.A.) Telefon: +49 (0) 211 / 30 200 118 E-Mail: kf@kunstauktionen-duesseldorf.de Alte Grafik | Kunsthandwerk | Dosen | Miniaturen | Uhren Spazierstöcke Elena Grjaznov Telefon: +49 (0) 211 / 30 200 124 E-Mail: eg@kunstauktionen-duesseldorf.de Assistenz Russische Kunst & Ikonen Luisa Knoben (Kulturwissenschaftlerin M.A.) Telefon: +49 (0) 211 / 30 200 12 67 E-Mail: lk@kunstauktionen-duesseldorf.de Moderne & Zeitgenössische Kunst (Volontärin) Anna Kantor (Gemmologin) Telefon: +49 (0) 211/30 200 114 E-Mail: ak@kunstauktionen-duesseldorf.de Schmuck | Juwelen | Armband- und Taschenuhren Mariia Kozlova (Kunsthistorikerin B.A.) Telefon: +49 (0) 211 / 30 200 123 E-Mail: mk@kunstauktionen-duesseldorf.de Assistenz Russische Kunst & Ikonen | Vintage Geza Lévi (Kunsthistoriker M.A.| Musikwissenschaftler B.A.) Telefon: +49 (0) 211 / 30 200 122 E-Mail: gl@kunstauktionen-duesseldorf.de Hist. Musikinstrumente | Skulpturen | Bronzeplastiken | Möbel

Yulia Orlova (Kunsthistorikerin M.A.) Telefon: +49 (0) 211 / 30 200 115 E-Mail: yo@kunstauktionen-duesseldorf.de Porzellan | Glas | Keramik | Jugendstil | Silber Emily Rosenberg (Junior Specialist ) Telefon: +49 (0) 211 / 30 200 12 70 E-Mail: er@kunstauktionen-duesseldorf.de Schmuck | Juwelen | Armband- und Taschenuhren Yixuan Wang (Kunsthistorikerin M.A.) Telefon: +49 (0) 211 / 30 200 117 E-Mail: yw@kunstauktionen-duesseldorf.de Asiatische Kunst Laura Weber (Kunsthistorikerin M.A.) Telefon: +49 (0) 211 / 30 200 125 E-Mail: lw@kunstauktionen-duesseldorf.de Moderne & Zeitgenössische Kunst Janna Zerhusen Telefon: +49 (0) 211 / 30 200 120 E-Mail: jz@kunstauktionen-duesseldorf.de Assistenz Gemälde Alter Meister Henner Paul Hink (Dipl.-Designer) Telefon: +49 (0) 211 / 30 200 12 60 E-Mail: hph@kunstauktionen-duesseldorf.de Design Dietmar Hillmann Telefon: +49 (0) 211 / 30 200 10 E-Mail: info@kunstauktionen-duesseldorf.de Antike Teppiche | Versand | Logistik Udo Fischer Telefon: +49 (0) 211 / 30 200 121 E-Mail: uf@kunstauktionen-duesseldorf.de Fotografie | Bildbearbeitung Sebastian Maaß Telefon: +49 (0) 211 / 30 200 121 E-Mail: sm@kunstauktionen-duesseldorf.de Fotografie | Bildbearbeitung | Social media Jürgen Bennemann (Dipl.-Designer) Telefon: +49 (0) 211 / 30 200 121 E-Mail: jb@kunstauktionen-duesseldorf.de Grafikdesign | Bildbearbeitung | Satz Hans Weyers Telefon: +49 (0) 211 / 30 200 12 61 E-Mail: hw@kunstauktionen-duesseldorf.de Versand | Logistik Emanuel Becker Telefon: +49 (0) 211 / 30 200 12 66 Logistik

FREIE MITARBEITER:INNEN Chantal Hüben Fotografie

www.kunstauktionen-duesseldorf.de

Diana Huste (dgraphix) Satz

Wichtiger Hinweis! Die 5. EU Geldwäscherichtlinie verpflichtet uns dazu, Sie bei Geboten über 7.500 € um eine Kopie Ihres Personalausweises zu bitten. Andernfalls dürfen wir Sie nicht als Bieter:in registrieren. Bitte beachten Sie, dass aufgrund der neuen Geldwäscherichtlinie der Rechnungsname mit dem Zahlungsabsender bzw. der Zahlungsabsenderin übereinstimmen muss. Weitere Informationen zu unseren und Ihren Pflichten nach dem Geldwäschegesetz sowie zur Verarbeitung Ihrer personenbezogenen Daten finden Sie auf unserer Webseite unter www.kunstauktionen-duesseldorf.de. Bitte beachten Sie, dass Bargeldzahlungen in unserem Haus gemäß der Richtlinien zur Geldwäscheprävention auf maximal 10.000 Euro begrenzt sind. Wir danken Ihnen für Ihr Verständnis und Ihre Kooperation.

Important note! The 5th EU Money Laundering Directive obliges us to ask you for a copy of your identity card for bids over €7,500. Otherwise we are not allowed to register you as a bidder. Please be advised that due to the new EU Money Laundering Directive payments must be sent from the invoiced party, rather than from a third party. Further information on our and your obligations under the Money Laundering Act and on the processing of your personal data can be found on our website at www.kunstauktionen-duesseldorf.de. Please note that cash payments are limited to a maximum of 10.000 Euro in accordance with our money laundering prevention guidelines. Thank you for your understanding and co-operation.

Важно! 5-я Директива ЕС об отмывании денег обязывает нас запрашивать у вас копию удостоверения личности при ставках свыше 7 500 евро.. В противном случае, мы не сможем зарегистрировать Вас на торгах. Обращаем Ваше внимание на то, что в связи с новой Директивой по борьбе с отмыванием денег, указанное в счёте имя должно совпадать с именем владельца счёта, с которого производится оплата. Дополнительную информацию об обоюдных обязательствах в соостветствии с действующим Законом по борьбе с отмыванием денег, а также об обработке Ваших персональных данных Вы можете получить на нашем сайте www.kunstauktionen-duesseldorf. de. Обращаем Ваше внимание, что в соответствии с рекомендациями по борьбе с отмыванием денег, наш Аукционный Дом не принимает наличные платежи суммой выше 10 000 евро. Благодарим вас за понимание и сотрудничество.

重要提示：

欧盟第 5 号反洗钱指令规定，对于超过 7500 欧元的投标，我们必须要求您提供身份证复印件。否则您将不能作为竞拍者在我公司注册，进而参加我们的拍卖。请您注意，根据欧盟最新反洗钱指令，您如果在我公司购买货品，账单上的姓名必须和付款人的姓名一致（汇款人或信用卡的持有者的姓名必须和账单上的姓名一致)。更多关于此反洗钱法规所要求的条款信息以及对您个人信息的处理方法，可详见我们的主页: www.kunstauktionen-duesseldorf.de. 请注意，根据防止洗钱的指导方针，在我们银行的现金支付上限为 10,000 欧元。

Aspetti importanti per gli nostri clienti! La quinta direttiva UE sul riciclaggio di denaro ci obbliga a chiedervi una copia della vostra carta d‘identità per le offerte superiori a 7.500 euro. Ci riferiamo all’adempimento obbligo di legge comprese la nuova quinta direttiva EU sul riciclaggio di denaro . Altrimenti non possiamo registrarLe come offerente.Si fa notare che a causa di quelle norme nuove antiriciclaggio il nome sul conto e il nome del speditore del pagamento devono essere gli stessi. Potete trovare ulteriori informazioni sui nostri e sui vostri obblighi ai sensi della legge sul riciclaggio di denaro e sul trattamento dei vostri dati personali sul nostro sito web all‘indirizzo www.kunstauktionen-duesseldorf.de. Si prega di notare che i pagamenti in contanti nella nostra banca sono limitati a un massimo di 10.000 euro in conformità con le linee guida per la prevenzione del riciclaggio di denaro. Vi ringraziamo per la vostra comprensione e collaborazione.

Avis important! La 5e directive européenne sur le blanchiment de capitaux nous oblige à vous demander une copie de votre carte d‘identité pour les offres supérieures à 7 500 euros. Autrement nous ne pouvons pas vous enregistrer comme enchérisseur/enchérisseuse.S’il vous plaît prenez en considération que – dû aux nouveaux directives concernant le blanchiment d’argent – au cas de règlement par virement le nom sur la facture doit correspondre avec l’expéditeur du versement. Vous trouverez de plus amples informations sur nos obligations et les vôtres en vertu de la loi sur le blanchiment d‘argent et sur le traitement de vos données personnelles sur notre site web à l‘adresse www.kunstauktionen-duesseldorf.de.

10.24

Veuillez noter que les paiements en espèces dans notre établissement sont limités à un maximum de 10.000 euros, conformément aux directives sur la prévention du blanchiment d‘argent. Nous vous remercions de votre compréhension et de votre coopération.

BIDDING FORM

E-MAIL: INFO@H-AUKTION.DE Have you registered with us before? Yes

FAX: +49 (0) 211/30 200 119

No Client No

New clients will be asked to complete our Bidder Registration Form

Telephone daytime Telephone evening

Last name, first name Mobile Company Fax Address Email City

For trade buyers only (extract from the commercial register):

Country Important note! The 5th EU Money Laundering Directive obliges us to ask you for a copy of your identity card for bids over €7,500. Otherwise we are not allowed to register you as a bidder. Please note that cash payments are limited to a maximum of € 10.000 in accordance with our money laundering prevention guidelines. Thank you for your understanding and co-operation.

Lot-No

P lease tick if you are requiring an invoice under the normal VAT rules (instead of a margin scheme invoice). If registered for VAT in the EU please enter your registration here:

Will you export your purchases to a Non-EU-Country: Yes

Please be advised that due to the new EU Money Laundering Directive payments must be sent from the invoiced party, rather than from a third party.

Maximum Bid €

Brief description

Bids must be received at least 24 hours before the auction begins. All bids are binding and irrevocable, the listed catalogue numbers are valid. A buyer‘s premium of 28 % (including VAT) will be added to the hammer price and is payable by the buyer as part of the total purchase price. Absentee written bids: We will attempt to execute an absentee bid at the lowest possible price taking into account the reserve price. If identical absentee bids are received for the same lot, the written bid received first will take the precedence. We cannot accept liability for any reasonable error or failure to place such bids.

(excluding buyer‘s premium)

Telephone bids: We will endeavour to excute these bids on your behalf but we will not be liable for any errors. Telephone bids may be recorded. Each telephone bid is already a bid at the level of the catalogue price, even if the bidder is unavailable at the time of sale, or the connection should be lost during bidding.

Phone Bid

Information on data protection and prevention of money laundering in our company can be found on our website www.kunstauktionen-duesseldorf.de

Conditions of Sale: By signing this form you agree that you have read and understand our conditions of sale and wish to be bound by them. You should ask any questions you have about the conditions of the sale before signing this form.

Place, date

Your signature

05.24

Post/ZIP Code

Friedrich-Ebert-Straße 11 + 12 40210 Düsseldorf Tel.: + 49 (0) 2 11 / 30 200 10 WhatsApp: + 49 (0) 160 / 30 200 10 Fax: + 49 (0) 2 11 / 30 200 119 info@kunstauktionen-duesseldorf.de www.kunstauktionen-duesseldorf.de