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ASIAN ART Auction 143 | 12 December 2024

AUKTION 143 | AUCTION 143

ASIATISCHE KUNST

12. DEZEMBER 2024 | 10.00 UHR

ASIAN ART

12 DECEMBER 2024 | 10.00 AM CET

Ihre Auktionsexpertin Your auction expert

Yixuan Wang, Kunsthistorikerin M.A. Asiatische Kunst | Asian Art

Vorbesichtigung 6. – 10. Dezember

Exhibition Time 6 – 10 Dezember

Freitag, Montag, Dienstag 10.00 – 18.30 Uhr Samstag | Sonntag 10.00 – 17.00 Uhr

Friday, Monday, Tuesday 10 am – 6.30 pm CET Saturday | Sunday 10 am – 5 pm CET

LIVE BIETEN: LIVE BIDDING: Friedrich-Ebert-Straße 11+12 | D - 40210 Düsseldorf Tel.: +49 (0) 211 / 30 200 10 | Fax: +49 (0) 211 / 30 200 119 info@h-auktion.de | www.kunstauktionen-duesseldorf.de

Asian Art

1 | A BLUE AND WHITE ‘FIGURAL AND PHOENIX’ GU-VASE China Porcelain. H. 48 cm. With traces of use.

€ 850,-

2 | A BLUE AND WHITE ‘DRAGON’ ROULEAU VASE China Porcelain. H. 64.5 cm. The rouleau vase is decorated with five-clawed dragons in various postures playing with flaming pearls among clouds, all above a band of waves. On the bottom is a six-character mark ‘Da Qing Guang Xu Nian Zhi’. With traces of use.

€ 400,-

3 | A PAIR OF LARGE GE-STYLE BLUE AND WHITE ‘BATTLE SCENE’ ROULEAU VASE China, late Qing Dynasty Porcelain. H. 58.7-59.2 cm. Both vases are painted with battle scenes. Small crackles can be found on the beige glaze. With traces of use, partially abraded, damaged and one restored.

€ 800,-

4 Hargesheimer | Auktion 143

4 | A LARGE BLUE AND WHITE ‘QILIN’ DISH China Porcelain. D. 36.8 cm. The dish is decorated with a Qinlin, with mark ‘De Xin Tang Zhi’ on the bottom. With traces of use.

€ 550,-

Asian Art

5 | A BLUE AND WHITE ‘FLORAL’ VESSEL China Porcelain. D. 36 cm. With mark ‘Da Qing Kang Xi Nian Zhi’ on the bottom. With traces of use, partially abraded.

€ 800,-

7 | A PAIR OF BLUE AND WHITE ‘FIGURAL’ CUPS China, Qing Dynasty Porcelain. H. 4.5 cm. The pair of cups is decorated with ladies playing musical instruments, with a mark ‘Cheng Hua Nian Zhi’ on the bottom. With traces of use, slightly abraded.

6 | A BLUE AND WHITE ‘MYTHICAL BEASTS’ BOWL China, Qing Dynasty Porcelain. H. 9.5 cm. With traces of use, partially abraded.

€ 350,-

8 | A BLUE AND WHITE ‘LANDSCAPE’ BRUSH WASHER China Porcelain. H. 9 cm. With traces of use, slightly abraded.

€ 150,-

€ 350,-

9 | A BLUE AND WHITE ‘BAT’ BRUSH WASHER China, 19th century Porcelain. H. 9.5 cm. The brush washer is decorated with bats among clouds, with mark ‘da qing kang xi nian zhi’ on the bottom. With traces of use.

10 | A BLUE AND WHITE TRIPOD CENSER China, Qing Dynasty Porcelain. H. 7.3 cm. The censer is decorated with landscape. With traces of use, partially abraded and slightly chipped.

€ 350,-

€ 200,-

Hargesheimer | Auktion 143

Asian Art

11 | A BLUE AND WHITE ‘DRAGON’ BRUSH WASHER China, late Qing Dynasty Porcelain. H. 14 cm. The brush washer is decorated with two dragons playing with a flaming pearl and has a double-ring mark on the bottom. With traces of use, partially abraded.

12 | A BLUE AND WHITE ‘LANDSCAPE’ JAR China Porcelain. H. 18 cm. With double-ring mark on the bottom. With traces of use, partially damaged or drilled.

€ 550,-

€ 400,-

14 | A BLUE AND WHITE ANHUA-DECORATED ‘PHOENIX AND PEONY’ BRUSH POT China, Qing Dynasty Porcelain. H. 21 cm. The brush pot is decorated with phoenixes and peonies, with two anhua-decorated bands adorning the top and bottom. With traces of use.

€ 5.000,-

6 Hargesheimer | Auktion 143

13 | A BLUE AND WHITE ‘XI XIANG JI’ BRUSH POT China Porcelain. H. 15.6 cm. The brush pot is decorated with a scene from ‘Xi Xiang Ji’ and inscribed with a poem by Liu Kezhuang within the scene. With a mark ‘Da Qing Kang Xi Nian Zhi’ on the bottom. With traces of use.

€ 350,-

15 | A BLUE AND WHITE ‘ANTIQUES AND FLORAL’ JAR China Porcelain. H. 25 cm. With traces of use.

€ 450,-

16 | A BLUE AND WHITE ‘DRAGON’ VASE China Porcelain. H. 30 cm. With traces of use.

€ 1.200,-

Asian Art

17 | A GUI STYLE BLUE AND WHITE ‘FLORAL’ CENSER China Porcelain. H.13.3cm. The censer is painted with Floral patterns, and flanked by twin loop handles. With traces of use, partially abraded.

18 | A BLUE AND WHITE KENDI China, Qing Dynasty Porcelain. H. 27.5 cm. The Kendi is decorated with landscape. With traces of use, chipped at the rim.

€ 200,-

€ 500,-

20 | A BLUE AND WHITE ‘DOUBLE DUCK’ WATER DROPPER AND COVER China, Ming Dynasty Porcelain. L. ca. 13 cm. The vessel is modelled as a pair of Mandarin ducks side-by-side with heads turned to the left carrying a lotus leaf as cover. With traces of age and use, partially damaged or restored. Provenance: From an old private collection in Düsseldorf. € 1.400,-

19 | A BLUE AND WHITE ‘FIGURAL’ CIRCULAR PLAQUE China, Qing Dynasty Porcelain. D. 21 cm. The plaque is painted with immortal in accompanied with attendant offering birthday congratulation. With traces of use, partially damaged.

€ 1.100,-

21 | A BLUE AND WHITE ‘FLORAL’ GINGER JAR China, 19th/20th century Porcelain. H. 21.3 cm. With traces of use, partially chipped and abraded.

€ 100,-

22 | A GROUP OF FIVE BLUE AND WHITE PORCELAIN China, 19th/20th century Porcelain. H. 14.7-17.7 cm of vases, D. 11-19 cm of bowl and dishes. Including a ‘dragon’ bowl marked ‘nei fu’ on the bottom; a dish decorated with a dragon and marked ‘wan yu’ on the bottom; a dish decorated with Lingzhi and with a minyao mark on the bottom; and two double gourd-shaped vases, each decorated with a phoenix and antiques. With traces of use and age, partially abraded and chipped.

€ 120,-

Hargesheimer | Auktion 143

Asian Art

23 | A GROUP OF FIVE BLUE AND WHITE DISHES China, Qing Dynasty Porcelain. Ca. 23-35 cm. Including three dishes decorated with flowers, one dish decorated with lotus flowers, and a rectangular dish featuring a cowherd boy riding a bull amid a landscape. With traces of use, slightly chipped and abraded.

€ 250,-

24 | A GROUP OF TWELVE BLUE AND WHITE ‘FLORAL’ DISHES China, Qing Dynasty Porcelain. D. ca. 23 cm. With traces of use, slightly chipped and cracked.

€ 300,-

25 | A GROUP OF THREE BLUE AND WHITE DISHES China, Qing dynasty Porcelain. D. 22.5-27.5 cm. Including a larger dish decorated with a dragon, whose tail extends to the back of the plate, as well as two other plates with floral patterns. With traces of use, partially damaged and cracked.

€ 200,-

26 | THREE BLUE AND WHITE DISHES China/Japan, 18th/19th century Porcelain. D. ca. 32-36.7 cm. Including a chinese ‘deers and landscape’ dish, a chinese ‘birds and flowers’ dish and a japanese ‘peacock and flowers’ dish with Genshou mark. With traces of use and age, partially abraded, cracked and chipped.

€ 250,-

27 | TWO PORCELAIN DISHES China Porcelain. D. ca. 15.5 cm. Including a celadon-glazed dish and a blue and white dish. With traces of use, partially abraded and cracked.

€ 350,-

28 | THREE UNDERGLAZE-BLUE AND COPPER-RED-DECORATED CUPS China Porcelain. D. 7.8 cm. The interior and exterior are decorated with landscapes and feature the poem ‘Wang Tian Men Shan’ by Li Bai. The bottom is marked with ‘Mei Yu Zhi Zhen.’ With traces of use.

€ 950,-

8 Hargesheimer | Auktion 143

Asian Art

29 | A GILT-DECORATED BLUE-GLAZED ‘DRAGON’ BOWL China, late Qing Dynasty Porcelain. D. 17.8 cm. With mark ‘Da Qing Qian Long Nian Zhi’ on the bottom. With traces of use, partially abraded.

€ 150,-

31 | A GILT-DECORATED BLUE-GLAZED ‘FLOWER-BALL’ VASE China, late Qing Dynasty Porcelain. H. 39 cm. With mark ‘da qing tong zhi nian zhi’ on the bottom. With traces of use, partially abraded.

€ 2.200,-

30 | A GILT-DECORATED BLUE-GLAZED ‘FLORAL’ KENDI China, late Qing Dynasty Porcelain. H. 28.5 cm. With traces of use, partially abraded and slightly chipped.

€ 1.300,-

32 | A GILT-DECORATED BLUE-GLAZED ‘DRAGON’ JARDINIÈRE China, late Qing Dynasty Porcelain. H. 17.5 cm, D. 25.5 cm. With traces of use, partially abraded.

€ 500,-

Hargesheimer | Auktion 143

Asian Art

33 | AN IRON-RED AND UNDERGLAZE-BLUE ‘DRAGON’ BOWL China Porcelain. D. 18 cm. The exterior of the bowl is decorated with three imposing, open-mouthed dragons amid clouds, while the interior features an open-mouthed dragon between clouds alongside a flaming pearl. With a mark ‘Da Qing Kang Xi Nian Zhi’ on the bottom. With traces of use.

34 | AN IRON-RED ENAMELLED ‘DRAGON’ DISH China Porcelain. D. 34.2 cm. The dish is decorated with two dragons in pursuit of the flaming pearl, amidst cloud formations, while the exterior is similarly decorated with two striding dragons. With mark ‘Da Qing Guang Xu Nian Zhi’ on the bottom. With traces of use.

€ 800,-

€ 6.000,-

35 | AN IRON RED AND GILT-DECORATED ‘DRAGON’ BOWL China Porcelain. D. 11.5cm H. 5.2cm. The bowl is decorated with two five-clawed dragons chasing flaming pearls amidst clouds and flames. The interior is decorated with five bats. On the bottom is a six-character mark ‘da qing guang xu nian zhi’. With traces of use.

€ 500,-

10 Hargesheimer | Auktion 143

36 | AN IRON-RED ‘DRAGON’ BOTTLE VASE China Porcelain. H. 25.5 cm. The vase is decorated with a dragon motif and bears the mark ‘Da Qing Kangxi Nian Zhi’ on the bottom. With traces of use.

€ 650,-

Asian Art

37 | A CELADON-GLAZED RIBBED VASE China Porcelain. H. 10.3cm. With traces of use.

38 | A TURQUOISE-GLAZED RELIEFDECORATED CIRCULAR BOX AND COVER China, 20th Porcelain. D. 9cm H. ca. 4.5cm. The cover is decorated with a stylized flower head and branches. On the bottom of the box is a seal mark ‘qian long nian zhi‘. With traces of use.

39 | AN ANHUA-DECORATED YELLOWGLAZED‘DRAGON’ CUP China Porcelain. H. 5.1cm D. 8.4cm. The exterior incised with a pair of dragons chasing flaming pearls. On the bottom is a six-character mark ‘da qing tong zhi nian zhi’. With traces of use, partially abraded.

€ 300,-

€ 400,-

40 | A GREEN GLAZED GE-TYPE YUHUCHUN VASE China Porcelain. H. 29.5cm. With traces of use, slightly abraded.

41 | A TEADUST-GLAZED BOTTLE VASE China, late Qing dynasty or later Porcelain. H. 32.5 cm. With mark ‘da qing guang xu nian zhi’ on the bottom. With traces of use, partially abraded.

€ 600,-

€ 300,-

42 | A FLAMBÉ-GLAZED BOTTLE VASE China, 19/20th Century Porcelain. H. 40.5 cm. The vase is covered in a deep crushed-strawberry-red tone. The bottom is covered in a purple-tone glazed and with slight crackles, some chipping to the foot rim. The interior with an uneven glaze dripping down the neck. With traces of use, partially damaged and abraded.

€ 300,-

€ 200,-

Hargesheimer | Auktion 143

Asian Art

43 | A POWDER-BLUE GLAZED GINGER JAR AND A FAMILLE ROSE BOWL China, republic period Porcelain. H. 4.5-12.4 cm (4.5-17.6 cm with base and cover). Including a powder-blue glazed ginger jar with base and cover as well as a famille rose bowl decorated butterflies. With traces of use, partially damaged and abraded as well as cracked.

44 | A GE-STYLE CRACKLE GLAZED DRAGON VASE China, late qing dynasty Porcelain. H. 46.4 cm. The vase is decorated with dragon reliefs. With mark ‘Cheng Hua Nian Zhi’ on the bottom. With traces of use, partially chipped.

€ 180,-

€ 150,-

45 | A YELLOW-GROUND FAMILLE VERTE ‘MYTHICAL BEASTS’ JAR China Porcelain. H. 27.3 cm. With double-ring mark on the bottom. With traces of use, partially cracked on the bottom.

€ 200,-

12 Hargesheimer | Auktion 143

46 | A SHIWAN WARE FIGURE OF A GUARDIAN LION China, Qing Dynasty Porcelain. H. ca. 44.5 cm. With traces of age, partially damaged and stained. Provenance: From a private collection in North Rhine-Westphalia. € 300,-

Asian Art

47 | A FINE FAMILLE VERTE ‘ROSE BLOSSOM’ CUP China Porcelain. H. 5.1cm D. 6.6cm. The rose is growing beside low rockwork. The reverse inscribed in underglaze blue with a poem followed by a seal mark reading shang (appreciation), the base inscribed in underglaze blue with a six-character mark ‘da qing kang xi nian zhi’ within a double circle. With traces of use.

48 | A DOUCAI ‘LINGZHI AND CRANE’ BOWL China, Qing Dynasty Porcelain. D. 15.8 cm. The dish is decorated with Lingzhi and cranes. With traces of use.

€ 500,-

€ 700,-

49 | A WUCAI DRAGON AND PHOENIX BOWL China Porcelain. D. 13 cm. The bowl is decorated on the exterior with two descending phoenixes between green and iron-red dragons chasing the flaming pearl on a flower spray ground, with a band of Buddhist emblems and ruyi heads below the rim. The interior features a central medallion enclosing an iron-red dragon. With a mark ‘Da Qing Kang Xi Nian Zhi’ on the bottom. With traces of use, slightly abraded.

50 | A WUCAI ‘FIGURAL’ GU-FORM VASE China, probably Kangxi Period Porcelain. H. 46 cm. The vase is decorated with the scene of ‘Wen Wang Fang Xian,’ along with flowers and fruits. With traces of use and age as well as probably restored.

€ 2.000,-

€ 800,-

Hargesheimer | Auktion 143

Asian Art

51 | A FAMILLE VERTE ‘FIGURAL’ ROULEAU VASE China Porcelain. H. 45.5 cm. The lower body of the vase is decorated with a figural scene from the ‘Romance of the Three Kingdoms,’ while the upper neck features the scene of ‘San Niang Jiao Zi’. With mark ‘Da Qing Kangxi Nian Zhi’ on the bottom. With traces of use, partially abraded.

52 | A FAMILLE VERTE GU-FORM ‘FIGURAL’ VASE China, Qing Dynasty Porcelain. H. 45 cm. The vase is decorated with figures of the Eight Immortals on the upper section, while the lower section depicts a battle scene from ‘the Romance of the Three Kingdoms’. With mark ‘Da Qing Kang Xi Nian Zhi’ on the bottom. With traces of use, partially abraded.

€ 950,-

€ 650,-

53 | A WUCAI ‘FLORAL AND ANTIQUES’ JAR China, late Qing Dynasty Porcelain. H. 24 cm. The jar is decorated with four panels enclosing antiques, birds and flowers. With a double ring mark in underglaze blue on the bottom. With traces of use, partially chipped and cracked on the bottom.

54 | A SQUARE FAMILLE ROSE ‘ANTIQUES’ TEA CADDY AND COVER China, late Qing Dynasty Porcelain. H. 17.3 cm. With traces of use, partially abraded and chipped.

€ 650,-

14 Hargesheimer | Auktion 143

€ 200,-

Asian Art

55 | A FINE PAIR OF FAMILLE ROSE ‘FLORAL AND BIRDS’ VASES AND COVERS China, late Qing Dynasty Porcelain. H. 34 cm (45 cm with base and cover). Both vases are finely decorated with flowers and birds, with a double ring mark on the bottom. With traces of use and age, partially abraded; one piece has a hairline crack, and one cover is damaged. Provenance: From an old private collection in northern Germany. € 5.000,-

56 | A FAMILLE-ROSE ‘HUNDRED DEER’ VASE China, late Qing Dynasty Porcelain. H. 45 cm. With mark ‘da qing qian long nian zhi’ on the bottom. With traces of use and age.

€ 4.000,-

Hargesheimer | Auktion 143

Asian Art

57 | A FAMILLE ROSE DOUBLE GOURD VASE WITH A RIBBON China, late Qing Dynasty or later Porcelain. H. 43 cm. The famille rose vase is decorated with pomegranates, flowers and birds, in the shape of a double gourd, with an elaborate yellow ribbon tied around the waist. With traces of use, partially abraded, damaged and restored.

€ 1.000,-

59 | A FAMILLE ROSE ‘FLORAL’ CHRYSANTHEMUM DISH China, Yongzheng Style Porcelain. D. 18 cm. With mark ‘da qing yong zheng nian zhi’ on the bottom. With traces of use.

€ 500,-

16 Hargesheimer | Auktion 143

58 | AN ROUGE-RED-GLAZED FAMILLE ROSE ‘FIGURAL’ DISH China Porcelain. D. 22.3 cm. The dish is decorated on the interior with He Xiangu riding a deer, looking back at Lan Caihe, who is holding a flower basket. With traces of use, partially abraded.

€ 500,-

60 | A FAMILLE ROSE ARMORIAL SAUCER WITH VOC COAT OF ARMS China Porcelain. D. 23 cm. This plate is associated with customized export porcelain from the Dutch East India Company (Verenigde Oost Indische Compagnie). With traces of use, partially abraded and slightly chipped.

€ 600,-

Asian Art

61 | A FAMILLE ROSE ‘FLORAL’ BRUSH WASHER China, late Qing Dynasty Porcelain. H. 14 cm. The brush washer is decorated with flowers and birds, with mark ‘Da Qing Guang Xu Nian Zhi’ on the bottom. With traces of use, partially abraded.

62 | A PAIR OF QIANJIANG CAI CONG-FORM VASES China, late Qing to republic period Porcelain. H. 24 cm. The pair of vases is painted with birds, flowers, and Chinese characters, with the mark ‘Guan Yao Nei Zao’ on the bottom. With traces of use, slightly abraded.

€ 800,-

€ 550,-

64 | A CANTONESE FAMILLE ROSE ‘DRAGON’ BALUSTER JAR AND COVER China, late Qing Dynasty or republic period Porcelain. H. ca. 62 cm (74 cm with base). The vase is adorned with two dragons soaring among flowers and clouds, while the cover is decorated with birds, butterflies and flowers. With traces of use and age, partially abraded and damaged as well as restored.

65 | A FAMILLE ROSE ‘ROMANCE OF THE THREE KINGDOMS’ VASE China, late Qing Dynasty Porcelain. H. 34 cm. The vase is decorated with a scene from ‘Romance of the Three Kingdoms’. With traces of use, partially abraded, cracked and damaged, one hairline on the bottom.

€ 300,-

63 | TWO QIANJIANG ENAMELED ‘FIGURAL’ VASES China, late Qing Dynasty and republic period Porcelain. H. 23.6-23.8 cm. Including a vase painted with a scholar and a boy, marked on the bottom, as well as another vase painted with two ladies, with the mark ‘Zha Ren Yu Zao’ on the bottom. With traces of use, partially abraded and chipped.

€ 200,-

66 | A PAIR OF FAMILLE ROSE PORCELAIN PLAQUES China, Republic-Period Porcelain. Ca. 78.5x26 cm. The pair of plaques are decorated with scenes of children at play. With traces of use.

€ 200,-

€ 2.000,-

Hargesheimer | Auktion 143

Asian Art

67 | A LARGE FAMILLE ROSE ‘FLORAL’ DISH China, 19th/20th century Porcelain. D. 41.5 cm. The dish painted with two birds perched on blossoming peonies, the exterior decorated with four bats. With traces of use, partially chipped and abraded. Provenance: From a private collection in North Rhine-Westphalia.. € 200,-

69 | A FAMILLE ROSE ‘DRAGON AND PHOENIX’ DISH China, late Qing Dynasty Porcelain. D. 26 cm. The dish is decorated with a dragon, a phoenix, and flowers, with mark ‘Shen De Tang Zhi’ on the bottom. With traces of use, partially abraded.

€ 150,-

71 | A DOUCAI BOWL AND A BLUE AND WHITE DISH China, late Qing Dynasty Porcelain. D. 13.2-13.6 cm. Including a doucai bowl decorated with bats and clouds, featuring the Chinese character ‘fu’ at the center of the interior, with cloud motifs on the exterior and the mark ‘da qing yong zheng nian zhi’ on the bottom. Additionally, a blue and white dish decorated with figures and with a mark on the bottom. With traces of use and age. The dish has a small hairline crack and slightly damaged.

€ 100,-

18 Hargesheimer | Auktion 143

68 | A FAMILLE ROSE ‘MANDARIN’ DISH China, Qing Dynasty Porcelain. D. ca. 20 cm. The dish is painted with a mandarin in accompany with ladies and a child. With traces of use, partially abraded and chipped, probably restored.

€ 300,-

70 | THREE FAMILLE ROSE ‘DRAGON AND PHOENIX’ DISHES China, Guangxu-Period Porcelain. D. 20.2-20.4 cm. One dish is decorated with a dragon, a phoenix, and flowers, while two dishes are decorated with two dragons and various auspicious patterns. All of them have the mark ‘Shen De Tang Zhi’ on the bottom. With traces of use, partially abraded and cracked.

€ 400,-

72 | FOUR IMARI ‘FLORAL’ DISHES China, 18th century Porcelain. D. 22.7 cm. With traces of use, partially chipped and cracked, one restored.

€ 120,-

Asian Art

73 | TWO FAMILLE ROSE ‘FLORAL’ DISHES China, late Qing Dynasty Porcelain. D. 23 cm. With traces of use, partially abraded and slightly chipped.

74 | TWO FAMILLE ROSE ‘FLORAL’ DISHES China, Qing Dynasty Porcelain. D. 22-23 cm. With traces of use, partially abraded and chipped.

€ 120,-

€ 100,-

75 | TWO CANTONESE FAMILLE ROSE DISHES AND A JAR WITH COVER China, late Qing Dynasty Porcelain. D. of dishes ca. 20 cm, H. of the jar 11.8 cm. With traces of use, partially abraded and chipped.

76 | TWO FAMILLE ROSE ‘FLORAL’ TEAPOTS China, Republic Period Porcelain. H. 8.4-13 cm. With traces of use, partially abraded and slightly chipped.

€ 120,-

€ 150,-

77 | A SEVEN-PIECE CHINESE FAMILLE ROSE AND GILT PARTIAL TEA SERVICE China, late Qing Dynasty Porcelain. D. ca. 12 cm of the dish, H. ca. 4-15 cm of the others. With traces of use, partially damaged, chipped and cracked.

78 | A GROUP OF NINETEEN PORCELAIN PIECES China, Republic period Porcelain. D. of dishes and bowl 8-11.2 cm, H. of the rest 3.8-12.7 cm. With traces of use, partially chipped and abraded. Provenance: From a private collection in North Rhine-Westphalia. € 180,-

€ 120,-

Hargesheimer | Auktion 143

Asian Art

79 | THREE BLUE AND WHITE SNUFF BOTTLES China, late Qing Dynasty Porcelain. H.8.4-8.8 cm. Including a blue and white bottle painted with court figures on horsebacks in front of the gate of a crenellated wall with a sign reading ‘Desheng Men‘; A blue and white ‘Romance of the Three Kingdoms’ bottle; A blue and white bottle with an angler in a landscape. With traces of use and glue, partially damaged, abraded and stained. Provenance: From a private collection in North Rhine-Westphalia. € 150,-

80 | A FINE UNDERGLAZE-BLUE AND COPPER-RED ‘FIGURAL’ SNUFF BOTTLE China, Qing Dynasty Porcelain. H. 10.1 cm. The snuff bottle is finely painted with the scene from ‘Journey to the West‘, with mark ‘Daqing Yongzheng Nianzhi’ on the bottom. With traces of use and age, partially damaged, abraded and stained. Provenance: From a private collection in North Rhine-Westphalia. € 240,-

81 | A FINE UNDERGLAZE-BLUE AND COPPER-RED ‘FIGURAL’ SNUFF BOTTLE China, Qing Dynasty Porcelain. H. 9.1 cm. The snuff bottle is finely painted with the scene of ‘Tanhua Ji‘, with mark ‘Daqing Yongzheng Nianzhi’ on the bottom. With traces of use and age, partially abraded and stained. Provenance: From a private collection in North Rhine-Westphalia. € 180,-

20 Hargesheimer | Auktion 143

Asian Art

82 | A FINE FAMILLE ROSE ‘ANIMALS’ SNUFF BOTTLE China, late Qing Dynasty Porcelain. H. 6.7 cm. This flattened globular snuff bottle is finely painted with scenes of animals and nature on both main sides, while both narrow sides are painted with nature. The stopper is inlaid with a halfpearl and the recessed base is marked with an ironred four-character mark ‘Dao Guang Nian Zhi’. With traces of use and age. Provenance: From a private collection in North Rhine-Westphalia. € 300,-

83 | A FINE FAMILLE ROSE ‘FIGURAL’ SNUFF BOTTLE China, late Qing Dynasty Porcelain. H. 6.6 cm. This snuff bottle is of flattened globular form, painted on each side with scenes of figures. The recessed base is marked with an iron-red four-character ‘Dao Guang Nian Zhi’. With traces of use and age. Provenance: From a private collection in North Rhine-Westphalia. € 300,-

84 | A FINE FAMILLE ROSE ‘ANIMALS’ SNUFF BOTTLE China, late Qing Dynasty Porcelain. H. 7.2 cm. This flattened rectangular snuff bottle has rounded shoulders set with animal-mask handles and is finely painted with scenes of animals on both main sides: one side depicts two dogs, while the other side features two birds. The recessed base is marked with an iron-red four-character mark ‘Dao Guang Nian Zhi’. With traces of use and age. Provenance: From a private collection in North Rhine-Westphalia. € 300,-

85 | A FINE FAMILLE ROSE ‘MONKEYS’ SNUFF BOTTLE China, late Qing Dynasty Porcelain. H. 7 cm. This flattened rectangular snuff bottle has rounded shoulders and is finely painted with scenes of monkeys and nature scenes on both main sides. The recessed base with an iron-red four-character mark ‘Dao Guang Nian Zhi’. With traces of use and age. Provenance: From a private collection in North Rhine-Westphalia. € 240,-

Hargesheimer | Auktion 143

Asian Art

86 | SIX PORCELAIN SNUFF BOTTLES China, Qing Dynasty and republic period Porcelain. H. 6.3-9.4 cm. Including a blue and white ‘figural’ snuff bottle, two underglaze-blue and coper-red ‘figural’ snuff bottles, a underglaze-blue and coper-red ‘buddhist lion’ snuff bottle, an iron-red-decorated ‘dragon’ snuff bottle and an iron-red-decorated ‘buddhist lion’ snuff bottle with mark ‘Qianlong Nianzhi’. With traces of use and age, partially abraded, one snuff bottle is repaired and one has small chip on the bottom.

€ 550,-

87 | SEVEN PORCELAIN SNUFF BOTTLES China, Qing dynasty or later Porcelain. H. 7.5-10.6 cm. Including three Famille Rose snuff bottles decorated with dragons, three Famille Rose snuff bottles marked ‘Qian Long Nian Zhi’ on the bottom and a Susancai-glazed ‘figural’ snuff bottle. With traces of use and age, partially chipped, abraded and stained. Provenance: From a private collection in North Rhine-Westphalia. € 800,-

88 | SIX PORCELAIN SNUFF BOTTLES China, Qing dynasty or later Porcelain. H. 5.8-8.5cm. Including four Famille Rose snuff bottles decorated with animals, one marked with ‘Guang Xu Nian Zhi“; two Famille Rose ‘figural’ snuff bottles marked ‘Gu Yue Xuan’. With traces of use and age, partially abraded and stained. Provenance: From a private collection in North Rhine-Westphalia. € 550,-

89 | A FAMILLE ROSE MOLDED AND ENAMELED PORCELAIN ‘FIGURAL’ SNUFF BOTTLE China, 19th century Porcelain. H. 8.9 cm. The snuff bottle is molded and painted in Famille Rose enamels with gilt, depicting a battle scene. The recessed base with an iron-red four-character seal mark ‘Qian Long Nian Zhi’. With traces of use and age. Provenance: From a private collection in North Rhine-Westphalia. € 240,-

90 | EIGHT PORCELAIN SNUFF BOTTLES China, 19th/20th century Porcelain. H. 5.7-12 cm. Two of these bottles have marks. With traces of use, slightly chipped.

91 | FIVE PORCELAIN SNUFF BOTTLES China, 19th century and later Porcelain. H. 6.1-8 cm. Two of these bottles have marks. With traces of use, slightly chipped, one without stopper.

€ 300,-

€ 400,-

22 Hargesheimer | Auktion 143

Asian Art

92 | A GROUP OF SIX SNUFF BOTTLES China, 19th/20th century Porcelain/Glass/Clay/Wood. H. 6.2-7.8 cm. Including three porcelain snuff bottles, a zisha snuff bottle, a stone snuff bottle and a wood snuff bottle. With traces of use, slightly chipped, one without stopper.

€ 200,-

93 | A FAMILLE ROSE-ENAMELED PORCELAIN SNUFF BOTTLE China, 19th/20th century Porcelain. H. 8.7 cm. The bottle is decorated with two panels, one depicting an erotic scene and the other featuring a poem, with four-character mark ‘Qian Long Nian Zhi’ on the bottom. With traces of use.

95 | A CLOISONNÉ ENAMEL SNUFF BOTTLE China, Qing Dynasty Cloisonné. H. 6.9 cm. This bottle depicts eight bats in cloud patterns on a yellow ground, with mark ‘Qian Long Nian Zhi’ on the bottom. With traces of use and age. Provenance: From a private collection in North Rhine-Westphalia. € 200,-

96 | A CLOISONNÉ ENAMEL SNUFF BOTTLE China, Qing Dynasty Cloisonné. H. 6.7 cm. This bottle depicts two dragons in cloud patterns on a white ground, with mark ‘Qian Long Nian Zhi’ on the bottom. With traces of use and age. Provenance: From a private collection in North Rhine-Westphalia. € 200,-

€ 240,-

94 | A LAC BURGAUTÉ SNUFF BOTTLE China, 19th/20th century Laquerware. H. 7 cm. The bottle is decorated with a continuous geometric pattern of inlaid shell and gold centered with a chrysanthemum on both sides. With traces of use, slightly damaged. Provenance: From a private collection in North Rhine-Westphalia. € 120,-

97 | A GROUP OF FIVE DRAGON CLOISONNÉ SNUFF BOTTLES China, Qing Dynasty Cloisonné. H. 6.2-6.7 cm. With traces of use and age, partially stained. Provenance: From a private collection in North Rhine-Westphalia. € 350,-

Hargesheimer | Auktion 143

Asian Art

98 | A GROUP OF SEVEN PHOENIX CLOISONNÉ SNUFF BOTTLES China, Qing Dynasty Cloisonné. H. 5.8-7 cm. One has a four-character mark ‘Qian Long Nian Zhi’ on the bottom. With traces of use and age, partially damaged and stained. Provenance: From a private collection in North Rhine-Westphalia. € 480,-

99 | A GROUP OF SIX CLOISONNÉ SNUFF BOTTLES China, Qing Dynasty Cloisonné. H. 6.7-7.9 cm. Including three snuff bottles depicting cranes and pine tree, one with a four-character mark ‘Qian Long Nian Zhi’ on the bottom, and three ‘antiques’ snuff bottles. With traces of use and age, partially stained. Provenance: From a private collection in North Rhine-Westphalia. € 400,-

100 | A GROUP OF NINE CLOISONNÉ ‘FLORAL’ SNUFF BOTTLES China, Qing Dynasty and later Cloisonné. H. 4.5-7.6 cm. One has a mark ‘Qian Long Nian Zhi’ on the bottom. With traces of use and age, partially stained. Provenance: From a private collection in North Rhine-Westphalia. € 450,-

101 | A HARDSTONE CARVED SNUFF BOTTLE China, 19th century or later Hardstone. H. 7.8 cm. The bottle is carved in low relief on one side, utilizing the russet-brown skin to depict two seated scholars engrossed in a game of weiqi (go) beneath a pine tree by the riverside. With traces of use and age. Provenance: From a private collection in North Rhine-Westphalia. € 200,-

102 | A GROUP OF TWO HARDSTONE CARVED SNUFF BOTTLES China, 19th century or later Hardstone. H. 7.4-7.9 cm. One of the bottles is carved with a low relief of a scholar under a tree, while the back features a qilin. The other bottle has a low relief of a dragon on the front, with a leopard carved on the back. With traces of use, slightly chipped. Provenance: From a private collection in North Rhine-Westphalia. € 360,-

103 | FOUR JADE AND JADEITE SNUFF BOTTLES China, 19th/20th century Jade/Jadeite. H. 5.5-7.1 cm. Including two celadon and russet jade bottles, a white jade bottle and a jadeite bottle. With traces of use, partially chipped, abraded and stained. Provenance: From a private collection in North Rhine-Westphalia. € 650,-

24 Hargesheimer | Auktion 143

104

Asian Art

A GROUP OF SNUFF BOTTLES OF DIFFERENT MATERIALS | China, 19th/20th century Various minerals. H. 6-8.9 cm. Including twelve snuff bottles made of glass, crystal and agate etc.. With traces of use, partially damaged, abraded and stained.

€ 500,-

106 | A GROUP OF ELEVEN SNUFF BOTTLES Tibet, 19th/20th century Silver/Jade/Horn/Amber/Turquoise etc.. H. ca. 7-8.5 cm. With traces of use and age, partially damaged, abraded and stained.

€ 550,-

105 | A GROUP OF OVERLAY GLASS SNUFF BOTTLES China, 19th/20th century Glass. H. 5.7-10.1 cm. Including twelve overlay snuff bottles in different size and form. The bottles are decorated with overlay depicting dragon, phoenix, flowers, antiques, figures as well as birds and bats. With traces of use, partially abraded and stained.

€ 400,-

107 | SIX FINELY CARVED CINNABAR LACQUER SNUFF BOTTLES China, 19th/20th century Lacquerware. H. 5.4-7.9 cm. The bottles are carved with horses, eighteen Luohan, landscapes, as well as birds and flowers. Four of the bottles have mark ‘qian long nian zhi’. With traces of use and age, partially damaged and stained, one without stopper.

€ 500,-

108 | A FINELY CARVED CINNABAR LACQUER SNUFF BOTTLE China, 19th century or later Lacquerware. H. 9.5 cm. Both sides finely carved in high relief with scholar and his attendant under gnarled pine trees, the foot with a band of lotus petals. With traces of use and age, partially damaged. Provenance: From a private collection in North Rhine-Westphalia. € 180,-

109 | A GROUP OF FIVE SNUFF BOTTLES China, 19th/20th century Resin/Ceramic. H. 7-7.8 cm. Including four resin-carved bottles, three of them marked ‘Qian Long Nian Zhi,’ and one ceramic-carved bottle. With traces of use, partially damaged and stained.

€ 150,-

Hargesheimer | Auktion 143

Asian Art

110 | A GROUP OF TWO ARCHAIC JADE TUBULAR ORNAMENTS China, Spring and Autumn Period Jade. H. 5-5.5 cm. With traces of age, slightly chipped.

€ 400,-

111 | A JADE CARVED ‘FIGURAL’ PLAQUE China, eastern Zhou Dynasty style Jade. L. 6.7 cm. With traces of age.

€ 1.000,-

26 Hargesheimer | Auktion 143

Asian Art

112 | TWO WHITE JADE CARVED THUMB RINGS AND A WHITE JADE BELT HOOK China, Qing Dynasty Jade. L. of belt hook 13 cm, D. of rings 3-3.1 cm. Including a fine thumb ring carved with an elder standing in front of a pavilion under a huge pine tree and mark ‘Zigang“, another thumb ring and a belt hook with undecorated shaft terminating at an upturned dragon head. With traces of use, minimally damaged. Provenance: From an important private collection in Westphalia. € 600,-

113 | TWO JADE CARVED RABBITS China, Qing Dynasty Jade. L. 4.2-7 cm. Including a recumbent rabbit carved with pale green jade and a recumbent rabbit carved with black and white jade. With traces of use, probably partially damaged. Provenance: From an important private collection in Westphalia. € 2.200,-

114 | A GRAY-BEIGE JADE CARVING OF A RECLINING MYTHICAL BEAST China Mineral/Jade. L. 5.7 cm. With traces of age.

115 | A PAIR OF JADE LOCKS China, early 20th century Jade. W. 6.6-6.8 cm. With traces of use.

€ 200,-

€ 360,-

Hargesheimer | Auktion 143

Asian Art

116 | A HAND MIRROR WITH WHITE JADE China, 19th/20th century Jade/Metal. L. 22.5 cm. The mirror is mounted with metal, the back adorned with raised relief of flowers and a light jade belt hook with a ‘dragon and chilong’ as the handle. With traces of use.

€ 240,-

118 | A PAIR OF WOODEN TABLE SCREENS WITH JADE PANELS China, late Qing Dynasty or Republic Period Wood/Jade/Stone. H. ca. 45 cm. The pair of screens are decorated with stone. With traces of use, partially damaged, and some missing stones.

€ 1.000,-

117 | A GROUP OF FIVE JADE OR STONE CARVINGS China, 19/20th century Jade / Stone. W. ca. 2.8-5.2 cm, L. ca. 3.5-5 cm. With traces of use, partially damaged and abraded. Provenance: From a private collection in North Rhine-Westphalia. € 120,-

119 | A WHITE JADE OF A GROUP OF TWO CATS AND FOUR SOAPSTONE CARVED FIGURES China, Qing dynasty Jade/Soapstone. H. ca. 4.4-18.6cm. Including a white jade of a group of two cats with wooden base, a figure of a standing fisherman on an rocky base, a figure of a sitting boy with mythical beast in form of ‘ruishou’ on an rocky base, a figure of a sitting immortal, a figure of an standing immortal on an rocky plinth. With traces of age, partially abraded and damaged.

€ 1.000,-

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Asian Art

120 | A WHITE NEPHRITE CARVED FISH China, 19th/20th century Minerals. L. 9 cm. With traces of use, partially damaged.

€ 100,-

123 | TWO SOAPSTONE SEALS WITH BUDDHIST LIONS China, probably 20th century Soapstone. H. 8.4 cm; base 4.7 x 5 cm. The finials of both seals are carved with a Buddhist lion and its cubs. The seal face is uncut. With traces of age, partially abraded.

€ 120,-

121 | A SOAPSTONE CARVING BRUSHREST China, 20th century Soapstone. H. 6.5 cm. The brushrest is carved with Shoulao seated between trees and rocks. With traces of use, partially abraded.

122 | A STONE CARVED FIGURE OF BUDDHIST LION China Stone. H. 13.5 cm. With traces of use and age, partially damaged and chipped.

€ 120,-

€ 200,-

124 | THREE CARVED SOAPSTONE SEALS China, 19th/20th century Stone. H. 3.7-10.5 cm. Including three carved soapstone seals with inscriptions. With traces of use, partially abraded and cracked.

125 | A CHINESE STONE ‘LION’ INK STONE China, Probably Qing Dynasty Stone. ca. 14.5x10.5x6.6 cm. The rectangular body carved above the ink well with a reclining lion. With traces of use, partially damaged and abraded. Slightly stained with a little red paint.

€ 300,-

Hargesheimer | Auktion 143

Asian Art

126 | A BROOCH IN CARVED IVORY FRAMED WITH GILT FILIGREE * China, late Qing Dynasty Ivory/Bronze. D. 5.8 cm. The middle of the brooch is an ivory carving of figures from the story of the Western Chamber, surrounded by fine gilt filigree crafting in the form of dragons, and above it is a Buddhist lion with a coral inlay. The back is marked ‘Xian Ji (Mandarin) /Hin Kee (Cantonese)’ and ‘Y’. With traces of use, slightly stained and abraded.

€ 1.200,-

127 | TWO IVORY CARVED CARD CASES * China, around 1890 Ivory. H. ca. 9.5 cm. Both card cases are carved with figural scenes. With traces of use, partially damaged, one restored.

€ 120,-

30 Hargesheimer | Auktion 143

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Asian Art

128 | A CARVED WOOD CARD CASE AND A CARVED BAMBOO MINIATURE RELIEF China, 19th century Wood/Bamboo. H. 4-11.5 cm. The case is decorated with figures and pavilions in a wooded landscape. The miniature plate is decorated with river landscape. With traces of use, partially damaged and abraded. Provenance: From a private collection in North Rhine-Westphalia. € 100,-

129 | TWO BAMBOO CARVED SEVEN SAGES OF THE BAMBOO GROVE BRUSH HOLDERS China, 19th/20th century Bamboo. H. 33 cm. Each cylinder carved with the scene of ‘seven sages of the bamboo grove’. With traces of use and age, damaged and cracked.

130 | A WOOD CARVED FIGURE OF A BOY AND A BUFFALO China, 19th/20th century Wood. H. 42.5 cm (47 cm with base). This wood carving depicts a shepherd boy sitting on a tree branch, eyes closed and head resting in his hand as he relaxes, with a buffalo lying beneath the branch. With traces of age, partially damaged and cracked.

131 | A PAIR OF POLYCHROME PAINTED WOOD CARVED GUARDIAN LIONS China, 19th/20th century Wood. H. ca. 45 cm. With traces of age, partially damaged and cracked.

€ 200,-

€ 1.200,-

Hargesheimer | Auktion 143

Asian Art

132 | A GOLD LACQUERED WOOD ‘FIGURAL’ RELIEF China, 19th/20th century Wood. 63x39 cm. The relief depicts figural scenes in three vertical parts. With traces of age.

€ 200,-

135 | A GROUP OF FIVE GOLD-LACQUERED WOOD RELIEF PANELS China, 19/20th century Wood. L. ca. 32.7-116 cm. The panels are carved with figural scenes, florals or depictions of a hundred antiques, the surface is painted with gold lacquer. Part. Damaged, with traces of use and cracks.

€ 150,-

32 Hargesheimer | Auktion 143

133 | A GROUP OF FOUR GOLD LACQUERED WOOD RELIEFS China, 19th/20th century Wood. Ca. 17.5x13-53x17.5 cm. With traces of use and age, partially damaged. Provenance: From an old private collection in Düsseldorf. € 150,-

134 | A GROUP OF SIX GOLD-LACQUERED WOOD RELIEF PANELS AND WOOD CARVINGS China, 19/20th century Wood. L. of wood carvings 19.3-131 cm. Including six different wood carvings in various sizes, some painted gold and some just lacquered. Part. Damaged, with traces of use and cracks.

136 | A GOLD LACQUERED WOO RELIEF China, 19th/20th century Wood. L. 50 cm. The relief depicts two Buddhist lions playing under a tree. With traces of use and age, partially damaged and stained.

137 | A GOLD LACQUERED WOOD MEMORIAL TABLET WITH RELIEF China, late Qing-Dynasty or later Wood. H. 56 cm. With traces of use, partially abraded and cracked.

€ 80,-

€ 180,-

Asian Art

138 | AN ALTAR INLAID WITH GOLD LACQUERED WOOD RELIEF PANELS China, 20th Century or later Wood. Ca. 43.5x19x32.5 cm. The altar is decorated with inlaid relief panels of flora and phoenixes. The interior, framed in red, is painted with phoenixes and floral in gold. With traces of use and cracks, partially damaged and abraded.

€ 150,-

139 | A PAIR OF CABINETS WITH GOLD LACQUERED WOOD RELIEF PANELS China, 19/20th century Wood. Ca. 37.4x71.1cmx37.9 cm. Both cabinets are inlaid with gold lacquer wood carvings depicting the Eight Immortals, chess-playing figures, and other scenes. One cabinet is carved with landscape scenes on the sides and upper portion, while the other is carved with the Hundred Antiques decorative on the sides and upper portion. With traces of use and cracks, partially damaged and abraded.

€ 300,-

140 | A SMALL RED LACQUER ‘FIGURAL’ CABINET China Lacquerware. Ca. 27x16x17 cm. Inside drawer with 32 figure-form chess pieces. With traces of use, partially abraded, cracked and damaged.

€ 300,-

141 | FOUR MARBLE-INSET WOODEN STANDS China, 19th/20th century Wood/Marble. H. ca. 70-81.5 cm. With traces of use, partially damaged.

€ 300,-

Hargesheimer | Auktion 143

Asian Art

142 | A WOODEN STAND China, 19th/20th century Wood. H. 79.4 cm. With traces of use, partially abraded.

€ 500,-

143 | A MASSIVE WOOD ‘CHI DRAGON’ COMPOUND CABINET China, Qing Dynasty Wood. 187.8x82x38 cm. The cabinet is divided into two sections, decorated with chi dragon motifs, and featuring ‘Xi’ character-shaped circular brass fittings. With traces of use and age, partially damaged, abraded and cracked.

€ 6.500,-

34 Hargesheimer | Auktion 143

Asian Art

144 | A GOLD-THREAD-EMBROIDERED SILK PANEL WITH AN IMPERIAL DRAGON China, 19th century Embroidery. Ca. 83x103 cm. With traces of age, partially damaged. Provenance: From a private collection in North Rhine-Westphalia. € 200,-

145 | THREE SILK EMBROIDERIES IN K‘O-SSU (KE SI) TECHNIQUE China, late 19th century or later Embroidery. L. ca. 85-158 cm. Including three silk embroideries with depictions of figures. With traces of use and age, slightly stained and damaged.

€ 200,-

Hargesheimer | Auktion 143

Asian Art

146 | WU FU, BIRD-AND-FLOWER PAINTING China, 19/20th century Ink and color on paper, framed and underglass. Ca. 42.5x164 cm (ca. 62x185.5 cm with frame). The painting depicts four white egrets standing in the water under the flowers and rocks. Signed ‘Shiqing Wufu Xieyi’ with a seal ‘Shiqing Huapi’. Wu Fu (1880-1950), who styled himself as Shiqing, was born in Xiamen, Fujian Province. In his early years, he studied Yun Shouping and Ren Bonian‘s painting style. In his twilight years, he studied Wang Zhen‘s painting style. With traces of age, browned and creases, slightly stained, damaged and restored.

€ 800,-

36 Hargesheimer | Auktion 143

147 | PU RU, A PAINTING DEPICTING LADY China, 19th/20th century Ink and color on paper, mounted as hanging scroll. 127 x 35 cm. The painting depicts a lady seated on a rock. Signed and with seals. With traces of age, partially creased.

€ 5.000,-

Asian Art

148 | CAI HETING (WITH SIGNATURE OF), A LADY China Ink and color on paper, mounted as hanging scroll. Ca. 92x34.5 cm. Signed ‘gui chou sui mu cai he ting’ and with two seals ‘heting’ ‘cai’. With tracs of age, partially creased and stained.

€ 500,-

150 | QI BAISHI (WITH SIGNATURE OF), SHRIMPS China Ink and color on paper, mounted as hanging scroll. Ca. 87x43 cm. Signed and with a seal in the lower left. With traces of age, partially creased and stained.

€ 500,-

149 | SHUPING WANG 1955 Shandong DIALOGUE China, 20th/21th century Ink and color on paper, mounted as hanging scroll. Ca. 89x188 cm. Entitled and signed upper left, with a seal of the artist.. With traces of age, slightly creased. € 500,-

151 | PAN TIANSHOU (WITH SIGNATURE OF), FLOWERS China Ink and color on paper, mounted as a hanging scroll. 68x137 cm. Inscribed with title ‘Bai Hua Qi Fang (A hundred flowers blossom)’ and signed, with seals. With traces of age, slightly stained.

€ 8.000,-

Hargesheimer | Auktion 143

Asian Art

152 | LIN FENGMIAN (WITH SIGNATURE OF), THREE LADIES China Ink and color on paper. Ca. 69x69 cm. Entitled and with a seal in the lower left. With traces of age.

153 | ZHANG DAQIAN (WITH SIGNATURE OF), A SCHOLAR China Ink and color on paper. Ca. 56x65.5 cm. Signed and with two seals in the lower right. With traces of age, slightly stained.

€ 500,-

154 | LIU DANZHAI (WITH SIGNATURE OF), A LADY AND A CAMEL China Ink and color on paper, mounted as hanging scroll. Ca. 67x46 cm. Signed and with a seal in the upper right. With traces of age, slightly stained.

155 | CHEN YUNZHANG (WITH SIGNATURE OF), A LADY China Ink and color on paper, mounted as hanging scroll. Ca. 90x40 cm. Signed and with a seal in the upper left and lower right. With traces of age, slightly stained.

€ 400,-

€ 300,-

38 Hargesheimer | Auktion 143

Asian Art

156 | A CARVED CINNABAR LACQUER RUYI SCEPTER China, Qing Dynasty Lacquerware. L. 43 cm. The scepter is finely carved with auspicious animals such as bats and deer, as well as peaches, pine trees, and lotus flowers, adorning the ruyi-shaped head, arched terminal, and end panel. The reverse side is delicately carved with swastika patterns. With traces of age, partially damaged and restored.

€ 800,-

158 | A CARVED CINNABAR LACQUER PLATE China Lacquerware. L. 30 cm. With traces of use, partially abrade and slightly damaged.

€ 350,-

157 | A CARVED CINNABAR LACQUER BOX AND COVER China, 19/20th century Lacquerware. H. 9.8 cm; W. 18.4 cm. This box carved with a mountain landscape depicting a Shou Lao riding on a deer and two Tong Zi walking under trees. The sides carved with flowers. The Interior is painted with flowers in gold and covered in black lacquer. With traces of use, partially damaged.

€ 120,-

159 | A CARVED CINNABAR LACQUER CUP WITH A STAND China, Qing Dynasty Lacquerware. D. 7 cm (11 cm with stand). This cup is carved with designs symbolizing good fortune. The small stand beneath the cup is inscribed with the characters ‘Fu Shou“, meaning ‘Fortune and Longevity.’ With traces of age, partially damaged.

€ 180,-

Hargesheimer | Auktion 143

Asian Art

160 | A MOUNTED CLOISONNÉ ENAMEL VASE WITH SURROUNDING BUTTERFLY AND FLORAL DECORATION China Cloisonné/Bronze. H. 35.8cm (with mounting). This mounted Cloisonne enamel vase is decorated with surrounding butterfly and floral, flanked by two dragon handles and stands on four feet in form of beast head. With traces of use, partially damaged and abraded.

€ 300,-

163 | A CLOISONNÉ ‘DRAGON’ BOX China, late Qing Dynasty Cloisonné. L. 8.8 cm. The box is decorated with two dragons chasing a flaming pearl on each side, with the inscription ‘Max Coenen Heinrich Wölfges. Peking, Juli 1908’ inside. With traces of use, partially abraded.

€ 300,-

40 Hargesheimer | Auktion 143

161 | A CLOISONNÉ ENAMELED BOTTLE VASE WITH SURROUNDING BUTTERFLY AND FLORAL DECORATION China, Qing Dynasty Cloisonné. H. 26.2 cm. The neck encircled by a classic lotus flower and leaf scroll pattern, the body is decorated with surrounding butterfly and floral. With traces of use, partially damaged, abraded and stained.

162 | A WHITE GROUND CLOISONNÉ ENAMELED BOTTLE VASE China, late Qing-Dynasty Cloisonné. H. 23cm. The vase is decorated with dragons chasing a flaming pearl amid cloudshaped wires. With traces of use, partially damaged and abraded.

€ 300,-

€ 200,-

164 | A DRAGON AND FIGURAL SILVER BOX China, late 19th to early 20th century Silver. L. 10.8 cm, 94 g. The box is of rectangular shape, with one side decorated with a dragon motif and the other featuring a figure, executed in fine repousse. With traces of use, partially abraded.

€ 180,-

165 | A SMALL SILVER ‘DRAGON’ BOX China Silver. L. 7.7 cm. With traces of use, partially abraded.

€ 120,-

Asian Art

167

166 166 | A GILT BRONZE ‘DRAGON AND ELEPHANT’ TRIPOD CENSER AND COVER China, 19th/20th century Bronze. H. ca. 38 cm. The censer is decorated in relief with lotus scrolls, flanked by a pair of handles. It is supported on three elephant heads, whose curved trunks form the legs. The top of the cover is shaped as a dragon. With Qianlong mark. With traces of use, partially abraded.

167 | A BRONZE CENSER WITH TWO ELEPHANT-HEADED HANDLES China Bronze. H. 7.1 cm, D. 12-21.3 cm. The Gui-Shaped censer has a pair of elephant-headed handles. The shoulders slope into a drooping abdominal which is slightly flattened. On the bottom is a mark ‘Qian Long Nian Zhi’. With traces of use, partially abraded and stained.

€ 3.000,-

€ 300,-

169 | A BRONZE HANDWARMER China, Qing Dynasty Bronze. H. 10 cm. The handwarmer is two-handled and features silver inlay, with an open-worked cover decorated with dragon. With traces of age, partially abraded.

170 | A BRONZE BRAZIER China, late Ming Dynasty Bronze. H. 20.6 cm. The brazier is decorated with two dragons playing with a flaming pearl, two mandarin ducks playing in the water on the back of the brazier, as well as eight animals below. With traces of age, partially abraded.

€ 400,-

168 168 | A GROUP OF A BRASS TRIPOD CENSER AND TWO JADE CARVINGS China, Qing Dynasty or later Brass/Jade. W. ca. 3.5-10.8 cm. Including a small brass tripod censer with mark ‘daming xuande nianzhi’ on the bottom, and two jade carvings. With traces of use and age, partially abraded and slightly damaged.

€ 390,-

171 | A BRONZE POURING YI-FORM VESSEL China, Ming Dynasty Bronze. L. 14 cm. With traces of age, partially abraded.

€ 600,-

€ 2.000,-

Hargesheimer | Auktion 143

Asian Art

172 | A BRONZE ‘FLORAL’ GU-SHAPED VASE China, late Qing Dynasty Bronze. H. 23 cm. The vase is pear-shaped, engraved, and adorned with a hanging pearl belt and flowers. The handles are in the shape of elephants, and it rests on a square stand, which likely symbolizes the round sky and square earth. With traces of use, partially abraded.

173 | A FINE BRONZE HU-FORM VASE China, Ming Dynasty Bronze. H. 21.2 cm. The vase is cast in the form of a hu and is decorated with taotie motifs. With traces of age, slightly damaged.

€ 200,-

€ 900,-

174 | A BRONZE BELL WITH MEANDER MOTIFS China Bronze. H. 18.5 cm. With traces of age, partially abraded and slightly damaged.

€ 200,-

175 | A FINE BRONZE LUDUAN-FORM CENSER AND COVER China, Ming Dynasty Bronze. H. 18 cm. The censer is cast in the form of a luduan, with its head functioning as the hinged cover. It features a scrolling mane and a horn protruding from the top of its head, while its mouth is wide open, revealing teeth, sharp fangs, and a tongue. Its finely detailed tail stands upright. With traces of age, partially abraded.

€ 500,-

42 Hargesheimer | Auktion 143

Asian Art

176 | A BRONZE CENSER OF A ROOSTER China, Qing Dynasty Bronze. H. 20.5 cm. The censer is in the shape of a rooster with a detachable and open-worked tail. With traces of age.

€ 800,-

177 | A FINE BRONZE SCULPTURE OF PHOENIX AND BUDDHIST LION China, Ming Dynasty Bronze. H. 39 cm. The sculpture is finely cast as a phoenix standing on a pine tree, with a branch held in its beak. Below the tree is a Buddhist lion with its mouth open. The phoenix‘s feathers, the texture of the pine tree, the pine needles, and the lion are all sculpted with exquisite detail. With traces of age, partially abraded.

€ 1.000,-

178 | A BRONZE SCULPTURE OF PHOENIX China, Ming Dynasty Bronze. H. 31 cm. This statue is cast in the form of a phoenix holding a peach on its back, with a horse positioned below. With traces of age, partially damaged.

€ 600,-

Hargesheimer | Auktion 143

Asian Art

179 | A BRONZE ‘SHOULAO AND DEER’ CENSER China, Ming Dynasty Bronze. H. ca. 37.7 cm. The God of Longevity Shoulao is seated on the back of a recumbent deer, holding a scroll in one hand and a staff in the other. He has a high forehead, a smiling expression, gently arched eyebrows and eyes, and a long beard. The deer holds a leafy branch in its mouth. With trace of age, partially damaged.

180 | A BRONZE STATUE OF LIU HAI AND THE THREE-LEGGED TOAD China, probably Qing Dynasty Bronze. H. 18.5 cm. Liu Hai sits on a rock with a three-legged toad perched on his leg, the toad‘s body covered with raised nodular warts. The entire statue exudes a sense of dynamic movement. With traces of age, partially abraded.

181 | A BRONZE SEATED FIGURE OF A DAOIST IMMORTAL China, Ming Dynasty Bronze. H. 22 cm. The sage is cast seated as a dignitary, wearing an elaborately decorated official cap, with a long beard flowing down his chest and his hands holding a scepter. With traces of age, partially damaged and restored.

€ 1.200,-

183 | A BRONZE FIGURE OF A BARBARIAN China, 19th century or later Bronze. H. 17.7 cm. With traces of age, partially abraded.

184 | A BRONZE FIGURE OF BUDDHA SHAKYAMUNI China Bronze. H. ca. 26cm. The buddha is seated in dhyanasana on a double lotus base, with the right hand in shuni mudra and left hand in dhyana mudra. With traces of age, partially damaged.

€ 500,-

182 | A BRONZE SEATED FIGURE OF A DAOIST IMMORTAL China, Ming Dynasty Bronze. H. 12.5 cm. The sage cast seated as a dignitary wearing an elaborately decorated office cap, her hands holding a scepter. With traces of age, slightly damaged.

€ 600,-

44 Hargesheimer | Auktion 143

€ 1.000,-

€ 1.500,-

Asian Art

185 | A GILT-LACQUERED WOOD FIGURE OF SEATED GUANYIN China, Ming style Wood. H. 19.7cm. The guanyin is seated on a lotus pedestal base with hands in dhyana mudra, typically dressed in a long hooded robe falling in ample folds, her face set in a benevolent expression. With traces of age, partially damaged and abraded.

186 | A GILT-LACQUERED WOOD FIGURE OF SEATED BUDDHA China, Ming style Wood. H. 13cm. The buddha is seated with hands in dhyana mudra. With traces of age, partially damaged and abraded.

€ 350,-

€ 500,-

Hargesheimer | Auktion 143

Asian Art

187 | A GILT-BRONZE FIGURE OF AVALOKITESHVARA China, probably Tang Dynasty Bronze. H. 14.4 cm. Literatur: This figure can be compared with lot 49 sold at Sotheby‘s in auction in April 2023.

Provenance: Collection of Dr J.H. Zeeman, chargé d‘affaires at the embassy of the Netherlands in Beijing between 1954 and 1957. € 3.500,-

188 | A GILT-BRONZE FIGURE OF BODHISATTVA China, Ming Dynasty Bronze. H. 25.5 cm. The bodhisattva is seated in dhyanasana on a double lotus base, wearing a crown, with the left hand in vitarka mudra and the right hand in varada mudra. With traces of age, partially damaged.

€ 1.200,-

189 | A BRONZE SEATED STATUE OF GUANYIN China, Ming dynasty Bronze. H. 27.2 cm. Guanyin sits in dhyanasana wearing an elaborate pierced crown and beaded jewelry on a lotus base. With traces of age, partially damaged and restored.

190 | A GILT BRONZE FIGURE OF A LUOHAN China, 17th/18th century Bronze. H. 22 cm. The Luohan sits on a lotus base. The robe is held together with an agraffe on the left shoulder. With traces of use, partially damaged and abraded.

€ 180,-

€ 800,-

46 Hargesheimer | Auktion 143

Asian Art

191 | A BRONZE FIGURE OF YAMANTAKA China (Tibet), 18th/19th century Bronze. H. 13.2 cm (14.8 cm with base). With traces of age, partially abraded, one skull is missing from the crown.

€ 600,-

192 | A SINO-TIBETAN GILT BRONZE FIGURE OF SHAKYAMUNI BUDDHA IN YAB-YUM China (Tibet), 18th/19th century Bronze. H. 17.7 cm. The buddha seated in dhyana sana atop a double lotus base whilst holding a vajra and a ghanta in each hand, the consort sat atop him in yab-yum whilst holding a bowl and a Kartika. With traces of age, partially abraded and damaged.

€ 200,-

194 | A GILT BRONZE SEATED FIGURE OF AMITAYUS Sino Tibet, 19th/20th century Bronze. H. 17 cm. Amitayus seated in dhyanasana on a lotus base, holding a vase, adorned with armbands, necklaces, and earrings, the face bearing a meditative expression. With traces of age, partially abraded and damaged.

€ 600,-

195 | A BRONZE SEATED FIGURE OF GREEN TARA China (Tibet), Ming Dynasty Bronze. H. 11.7 cm. The crowned and richly adorned green tara sits in lalitasana on a lotus throne, with the right foot resting on a lotus flower, the right hand in Varada mudra, and the left hand in vitarka mudra. With traces of age, partially damaged.

193 | A BRONZE SEATED FIGURE OF SHAKYAMUNI China (Tibet), 18th/19th century Bronze. Ca. 16.7 cm. Shakyamuni is seated in dhayanasana on a lotus base with the hands in bhumisparsa mudra. With traces of age, partially abraded.

€ 800,-

196 | A BRONZE FIGURE OF BUDDHA AMITAYUS China (Tibet) Bronze. H. 16 cm. With traces of age, partially abraded.

€ 120,-

€ 600,-

Hargesheimer | Auktion 143

Asian Art

197 | A GILT BRONZE SEATED FIGURE OF ACALA Sino Tibet, 19th/20th century Bronze. H. 14.1 cm. The Acala is seated in dhyanasana on a lotus base, with the right hand holding the wisdom sword and the left hand holding a rope. The facial expression is ferocious. With traces of age, partially abraded.

198 | A BRONZE SEATED FIGURE OF SHAKYAMUNI China (Tibet), 17th/18th century Bronze. H. 13.7 cm. Shakyamuni is seated in dhayanasana on a lotus base with the hands in bhumisparsa mudra. There is a scroll of scripture inside the bronze statue. With traces of age, partially abraded and damaged.

€ 600,-

€ 800,-

48 Hargesheimer | Auktion 143

199 | A FIRE-GILT BRONZE FIGURE OF SHADBHUJA MAHAKALA Tibet, 18th century Bronze/Turquoise. H. 27.5 cm. The Mahakala stands on two prone figures with elephant heads and human bodies atop a lotus base, with six arms. He wears a skull crown, his flame-shaped hair raised and bristling, and large ear ornaments. His eyes are wide open and his image is quite ferocious. He holds a kapala bowl, a curved knife, and other attributes. With his upper body uncovered and a large belly, he is adorned with jewelry, including a necklace and armlets. A flaming aureole rises behind him. With traces of age, partially abraded and damaged, some of the gems are missing.

200 | A GILT BRONZE SEATED FIGURE OF WHITE TARA Nepal/Tibet, 19th/20th century Bronze. H. 28.3 cm. Tara is seated in dhyanasana on a lotus throne with a base, her right hand is open downwards in varadamudra, the left hand points upwards in abhyamudra, one eye each on the soles of the feet, the palm of the hand and the forehead. She is backed by a flaming nimbus. With traces of age, partially abraded.

€ 1.200,-

€ 3.000,-

Hargesheimer | Auktion 143

Asian Art

201 | A BRONZE FIGURE OF AMITAYUS Sino Tibet, Qianlong-Period Bronze. H. 18.4 cm. Amitayus is seated in dhyanasana on a square throne, with hands in dhyanamudra originally holding a kalasha. The Buddha is adorned. With traces of age, partially abraded and damaged; the kalasha and possibly the flaming nimbus are missing.

€ 1.600,-

50 Hargesheimer | Auktion 143

202 | A GILT-BRONZE FIGURE OF BUDDHA SHAKYAMUNI Nepal, probably 19th century Bronze. H. 21 cm. The Buddha is seated in dhyanasana on a double lotus base, wearing a robe with dragon motifs. His right hand is in bhumisparsa mudra, while his left rests on his lap. With traces of age, partially abraded and stained.

€ 800,-

Asian Art

203 | A GILT COPPER BRONZE SEATED FIGURE OF TARA Mongolia, 18th/19th century Copper bronze. H. 16.7 cm. Tara is seated in lalitasana on a double-lotus base, with her left hand raised in vitarka mudra and her right hand lowered in prithvi mudra. With traces of age, partially abraded and damaged.

€ 800,-

204 | A POLYCHROME WOOD FIGURE OF A BODHISATTVA Nepal, probably 18th century Wood/Gemstone. H. ca. 80.3 cm (H. ca. 87.5 cm with stand). This bodhisattva stands in an abhanga posture, with both hands resting by his sides, the right hand in varada mudra. He is dressed in a dhoti, with a sash tied around his hips. His crown, chest, and girdle are adorned with gemstones. With traces of age, partially abraded and slightly damaged, with missing gemstones and possible restoration. Literatur: This figure can be compared to lot 16 from the Dani & Anna Ghigo Collection, which was sold at Christie‘s live auction 13482 in May 2016.

€ 3.900,-

Hargesheimer | Auktion 143

Asian Art

205 | TWO WATER AND LAND RITUAL PAINTINGS OF SAMANTABHADRA AND GUANYIN China, 18th/19th century Ink and color on cloth, hanging scroll. Ca. 68x131 cm. Including a painting depicting Samantabhadra seated on a white elephant, holding a Ruyi in his hand, with ‘Puxian Pusa’ written at the top of the canvas and the name of a believer written in the lower left of the canvas. As well as a painting of the eight-armed Guanyin, with ‘Dabei Pusa’ written at the top of the canvas and the name of a believer written in the lower left side. With traces of age, partially damaged and stained, one restored. Provenance: From a private collection in North Rhine-Westphalia. € 1.500,-

206 | A THANGKA DEPICTING AMITABHA China (Tibet), 18th/19th century Distemper and gilt on cloth, framed and under glass. Ca. 62x46 cm (ca. 129x78 cm with frame). Amitabha is seated on a lotus pedestal with his hands in dhyana mudra holding an alms bowl, wearing a monk‘s robe. With traces of age, partially damaged and slightly stained.

208 | A THANGKA OF SHAKYAMUNI China (Tibet), 19th/20th century Distemper on cloth, framed and under glass. 31.3x41 cm (50.5x60 cm with frame). The thangka depicts Shakyamuni seated in dhyanasana on a lotus throne, with his right hand in bhumisparsha mudra and his left in dhyana mudra. With traces of age, partially damaged and with loss of colors, with a leaf under glass.

209 | A MINIATURE THANGKA DEPICTING VAJRAPANI China, 17th century Distemper on cloth, mounted under glass. 13.5x11 cm (29x25 cm with frame). With traces of age, partially damaged and with loss of colors.

€ 200,-

52 Hargesheimer | Auktion 143

€ 800,-

€ 200,-

207 | A THANGKA OF BUDDHA SHAKYAMUNI China (Tibet), 19th/20th century Distemper on cloth, framed under glass. 82.5x58.5 cm. The thangka depicts buddha seated in dhyanasana on a lotus throne, backed by a mandorla. With traces of age, partially damaged and stained.

€ 500,-

210 | A POLYCHROMED TERRACOTTA STELE OF AMOGHASIDDHI China (Tibet) Terracotta. H. ca. 35 cm. With traces of age, partially damaged and abraded.

€ 400,-

Asian Art

211 | A BLACK STONE STELE OF SHIVA AND PARVATI China (Tibet)/Nepal, wohl 19th century Stone. H. 21.5 cm. The stele depicts Shiva and Parvati seated on a lotus throne. With traces of age, partially abraded and damaged.

€ 360,-

212 | A STONE STELE OF SHIVA Nepal, 17th/18th century Stone. H. 15 cm. Shiva is shown here in Asthadasabuja form with 8 hands, 6 of which holding various attributes. The central image is atop a lotus throne and within an aureole with flaming border. With traces of age, partially damaged. Provenance: From a private collection in Rheinland-Pfalz. € 400,-

213 | A GREY SCHIST HEAD OF BUDDHA Ancient region of Gandhara, 2nd-3rd century Schist. H. ca. 15 cm. His face has a calm and peaceful expression, with heavy-lidded, almond-shaped eyes gently cast downward in meditation. The lips are slightly concave and gently raised, while the hair is arranged in wavy curls, drawn up into a domed ushnisha. With traces of age, nose, right ear and hair partially damaged. Literatur: This head of buddha can be compared with lot 356 sold at Sotheby‘s in auction in September 2024.

€ 1.200,-

214 | A SANDSTONE STELE DEPICTING SHIVA AND PARVATI India Sandstone. H. 52.5 cm. With traces of age, partially damaged.

€ 600,-

215 | A STONE HEAD OF VISHNU Nordwest-Indien, probably 17th century Stone. H. 20.8 cm. With traces of age, partially damaged and abraded.

€ 700,-

216 | A LARGE INDIAN STONE LINGAM India Stone. H. ca. 30 (ca. 67 with metal stand). One side is red and brown. Lingams are ancient sacred objects. As symbols of Shiva, they are believed to impart powers of fertility. According to local belief, lingams were marked by a meteoric impact and, therefore, represent the union between heaven and earth. Shaped naturally in an elongated ovoid form. With traces of age. Provenance: From a private collection in North Rhine-Westphalia. € 150,-

Hargesheimer | Auktion 143

Asian Art

217 | A BRONZE FIGURE OF KRISHNA THE BUTTER THIEF TAMIL NADU India, 14th-16th century Bronze. H. 8 cm. The figure is depicted as a crawling infant, with his right hand raised, holding a ball of butter in front. With traces of age, partially abraded.

218 | A JAIN-ALTAR India, probably 18th century Copper bronze. H. 20.5 cm. With traces of age, partially abraded and damaged.

€ 250,-

219 | A BRONZE FIGURE OF KARTIKEYA India, 19th/20th century Bronze. H. 18.8 cm. With traces of age.

€ 300,-

€ 1.000,-

220 | A LARGE GILT BRONZE SEATED FIGURE OF BUDDHA Thailand, 18th/19th century Bronze. H. 58 cm. The buddha is seated in vajrasana on a lotus base placed on a stepped pedestal, with right hand in bhumisparsa mudra and left hand originally holding a cup. With traces of age, partially abraded and damaged, cup lost. Provenance: From a private collection in Rhineland. € 700,-

54 Hargesheimer | Auktion 143

221 | A LARGE GILT BRONZE SEATED FIGURE OF BUDDHA Thailand, 18th/19th century Bronze. H. 50 cm. The buddha is seated in vajrasana on a lotus base placed on a stepped pedestal, with the hands in Bhumisparsha Mudra. With traces of age, partially abraded and damaged.

222 | A GILT BRONZE SEATED FIGURE OF BUDDHA Thailand, 18th/19th century Bronze. H. 14.1 cm. The buddha is seated in vajrasana on a lotus base placed on a stepped pedestal, with the hands in Bhumisparsha Mudra. With traces of age, partially damaged.

€ 2.000,-

€ 420,-

Asian Art

223 | A KHMER BRONZE FIGURE OF BUDDHA Thailand, 12th century Bronze. H. 36.5 cm (42 cm with base). The Buddha stands with both hands in the abhaya mudra, adorned with a diadem, pointed ear ornaments, and a necklace of pointed pendants. He wears a robe and a broad, decorative belt fastened around his waist. The figure displays a rough, green patina. With traces of age, partially damaged. Provenance: From a private collection in Rheinland-Pfalz. € 2.000,-

224 | A KHMER BRONZE FIGURE OF BUDDHA Thailand/Cambodia, 13th century Bronze. H. 17.1 cm (22.4 cm with base). This Buddha statue is in a standing posture, draped in a robe that covers both shoulders, with both hands raised in the Vitarka Mudra. With traces of age, partially damaged and abraded.

€ 240,-

Hargesheimer | Auktion 143

Asian Art

225 | A LARGE BRONZE SEATED FIGURE OF BUDDHA Laos/Thailand Bronze. H. ca. 111 cm. The buddha is seated in vajrasana, with the right hand in bhumisparsha mudra and the other hand resting on lap. With traces of age, partially damaged. The flame Ushnisha is probably not original.

226 | A LARGE GILT-LACQUER WOOD STATUE OF BUDDHA Vietnam, 17th/18th century Wood. H. 82 cm (92 cm with base). The buddha seated in dhyanasana, wearing a robe opening at the chest, the serene face with heavy-lidded downcast eyes and full lips forming a subtle smile. With traces of age, partially damaged.

€ 10.000,-

€ 4.000,-

56 Hargesheimer | Auktion 143

Asian Art

227 | A LARGE GOLD LACQUERED WOOD STANDING FIGURE OF BUDDHA Burma, early 20th century Wood. H. ca. 106 cm (ca. 112 cm with base). With traces of age, partially abraded and damaged.

€ 800,-

228 | A GOLD LACQUERED WOOD SEATED FIGURE OF BUDDHA Thailand/Burma, 19th/20th century Wood. H. ca. 43.5 cm. The buddha is seated in vajrasana on base, with the hands in Bhumisparsha Mudra. With traces of age, partially abraded and cracked.

€ 1.200,-

Hargesheimer | Auktion 143

Asian Art

229 | A GOLD LACQUERED WOOD SEATED FIGURE OF BUDDHA Burma, 19th/20th century Wood. H. ca. 36 cm. The buddha is seated in vajrasana on a lotus base, with the hands in Bhumisparsha Mudra. With traces of age, partially abraded and cracked.

230 | A GOLD LACQUERED WOOD SEATED FIGURE OF MONK Burma, 19th/20th century Wood. H. ca. 16.6 cm. With traces of age, partially abraded and damaged.

€ 200,-

€ 600,-

231 | A GOLD LACQUERED WOOD SEATED FIGURE OF MONK Burma, 19th/20th century Wood. H. ca. 16.6 cm. With traces of age, partially abraded, chipped and damaged.

€ 200,-

58 Hargesheimer | Auktion 143

232 | A WOOD LACQUERED SEATED FIGURE OF BUDDHA Burma, 19th century Wood. H. ca. 52.5 cm. The shan buddha is seated on a raised base, with right hand in bhumisparsha mudra and the left resting on lap. With traces of age, damaged and cracked. Provenance: From an old private collection in Rhineland. € 150,-

Asian Art

233 | A BRONZE SEATED FIGURE OF BUDDHA Laos/Thailand Bronze. H. ca. 11.5 cm. The buddha is seated in vajrasana on a stepped pedestal, with the right hand in bhumisparsha mudra and the other hand resting on lap. With traces of age, partially damaged.

234 | A GILT BRONZE SEATED FIGURE OF BUDDHA Burma, 17th/18th century Bronze. H. 11.4 cm (17.5 with base). The buddha seated in vajrasana on a base with his hands in bhumisparsa mudra. With traces of age, partially damaged and abraded.

€ 200,-

€ 100,-

236 | A RED-LACQUERED WOOD FIGURE OF BUDDHA Burma, early 20th century Wood/Glass stone. H. 39 cm. The Mandalay-style Buddha is seated on a flat pedestal, with right hand in bhumisparsha mudra and the left resting on lap. With traces of age, damaged and cracked.

237 | AN ANCIENT NAGA STYLE METAL SKULL MASK Burma, probably 19th century Metal. H. ca. 8 cm. With traces of use and age, partially damaged.

€ 800,-

235 | A BRONZE AVA-STYLE HEAD OF BUDDHA Burma, late 18th / early 19th century Bronze. H. ca. 30 cm (ca. 45 cm with pedestal). With traces of age, partially damaged.

€ 200,-

238 | A PERSIAN SHIELD, SEPAR Persia/Iran, 19th century Brass. D. 27 cm. With traces of use, partially abraded.

€ 100,-

€ 120,-

Hargesheimer | Auktion 143

Asian Art

239 | A GROUP OF TWO PERSIAN MINIATURE PAINTINGS Central or south Asia, probably 19th/20th century Ink and color on paper, framed and under glass. Ca. 17x26.4 cm (ca. 28.8x38.5 cm with frame). With traces of age, partially stained and damaged.

€ 180,-

240 | FIVE MINIATURE PAINTINGS India/Persia, 19th century and later Ink and color on paper, framed and under glass. 9.3x18-20x33 cm (17.3x2625.2x39.1 cm with frame). Including two Mughal paintings and three persian miniature paintings. With traces of age, partially damaged, creased and stained.

241 | AN INDO-PERSIAN MINIATURE PAINTING India/Persia, 19th/20th century Ink and color on paper, framed and under glass. 20x29.5 cm (28.5x38 cm with frame). With traces of age.

242 | AN INDO-PERSIAN MINIATURE PAINTING India/Persia, 19th/20th century Ink and color on paper, framed and under glass. 25x19 cm (31.5x26 cm with frame). With traces of age.

€ 80,-

60 Hargesheimer | Auktion 143

€ 350,-

Asian Art

243 | A TAJWID MANUSCRIPT Middle East, 1760 Manuscript on paper. 16.5x11 cm. The Tajwid is in Naskh script, featuring two miniatures and a small ornamental miniature in gold and colors, bound in leather. With traces of use and age, partially damaged and stained.

€ 2.000,-

244 | A QURAN MANUSCRIPT Middle East, early 19th century Manuscript on paper. 14.5x8.5 cm. The Quran is in Naskh script, featuring approximately seven small ornamental miniatures in gold and colors, bound in leather. With traces of use and age, partially damaged and stained.

€ 2.000,-

Hargesheimer | Auktion 143

Asian Art

245 | A PAINTING OF JATAKA Thailand, 19th century Distemper on cloth. Ca. 119x76 cm (ca. 136x92 with frame). The painting depicts a scene from the Life of the Buddha (Jataka). With traces of age and creases, partially stained and damaged.

€ 800,-

246 | A PAINTING OF CHAPTER 9 (MADDI) OF THE VESSANTARA JATAKA Thailand, 19th/20th century Color on cloth, framed and under glass. Visible size 40x61.5 cm (48.5x69.7 cm with frame). The painting depicts a scene from Chapter 9 of the Vessantara Jataka, in which divine beings in the forms of a lion, tiger, and leopard block Maddi‘s path as she collects food in the forest, preventing her from returning home while Vessantara gives their children to Jujaka. With traces of age, partially damaged and with loss of colors.

€ 150,-

247 | THREE WOMAN PORTRAITS Vietnam, 20th century Watercolor on paper , framed and under glass. Ca. 23.5x17.5-32x24 cm (ca. 35.5x29.5-41.5x33.5 cm with frame). Two are signed in the lower right corner. With slight traces of age.

248 | TWO PAINTINGS DEPICTING FISH Korea Ink and color on paper, framed and under glass. Ca. 69x33 cm (93x47 cm with frame). The style is similar to the works of Hyong Yoon (1549-1614). With traces of age, partially yellowed.

€ 300,-

€ 200,-

62 Hargesheimer | Auktion 143

Asian Art

249 | KATSUSHIKA HOKUSAI, WAKAN EHON SAKIGAKE Japan, 1836 Woodblock print. 22.9x15.8 cm. This is the opening volume of a series of three books devoted to famous warriors, depicted in the characteristic line drawings which appear in the books of the 1830s, such as the T‘ang poems, the ehron kokyo and the hundred views of fuji. With three seals by Hayashi Tadamasa on the first and last pages, as well as on the lower side of the book. With traces of age, partially damaged and creased. Literatur: This book can be compared with a collection with number 2013.733 in the metropolitan Museum of Art.

Provenance: From a private collection in North Rhine-Westphalia, previously Herbert Egenolf. € 800,-

250 | A GROUP OF FOUR JAPANESE OBJEKTS Japan, 19th/20th century Woodblock print. 31.9x22.6 and 23.9x36 cm of books, 47x34.2 cm of Woodblock prints. Including a Kyuko gafu by Takashima Chiharu, a Hanaikada by Furutani Korin, and two abstract woodblock prints by an unknown artist. With traces of age, partially damaged and creased.

€ 250,-

Hargesheimer | Auktion 143

Asian Art

251 | THIRTEEN JAPANESE RARE AND ANTIQUARIAN BOOKS OF TSUUZOKUKANSOGUNDAN Japan, 1881 Woodblock print. 24x17 cm. With traces of use and age, partially damaged and stained.

€ 180,-

252 | KAWANABE KYOSAI, AN UKIYO-E LEPORELLO Japan, late 19th century Woodblock print. Ca. 18x12.3 cm. Including 48 pages of ukiyo-e. With traces of use, partially damaged.

€ 100,-

64 Hargesheimer | Auktion 143

Asian Art

253 | YASHIMA GAKUTEI, RAIKO Japan, ca. 1821 Woodblock print. 20.6x18 cm. The surimono is from the series ‘Katsushika Nijushiko,’ depicting Raiko reading and Jie Hua presenting him with her father‘s bow. It is signed ‘Gakutei,’ with a seal by ‘Sadaoka.’ With traces of age, partially damaged. Provenance: From a private collection in North Rhine-Westphalia. € 900,-

Hargesheimer | Auktion 143

Asian Art

254 | A GROUP OF SEVEN WOODBLOCK PRINTS Japan, 19th century Woodblock print. 14,6x9 cm - 24x36 cm. Including three Surimono by Ryuryukyo, an Ukiyo-e by Toen, an Ukiyo-e by Tsukioka Yoshitoshi, an Ukiyo-e by Ogata Gekko and an Egoyomi by Eishin Hidenobu Horai. Teilw. besch., mit Altersspuren.

€ 500,-

256 | UTAGAWA HIROSHIGE AND KEISAI EISEN, TWO UKIYO-E Japan, Edo-Period Woodblock print, framed and under glass. Visible size 33.5x22-36x25 cm (47.5x33 cm). Including a ‘Warabi’ and a ‘Magome’ by Keisai Eisen from the series ‘The Sixty-nine Stations of the Kiso Kaido’. With traces of age, partially yellowed and creased.

€ 200,-

66 Hargesheimer | Auktion 143

255 | YOSHIDA HIROSHI, HIMEJI CASTLE IN THE EVENING Japan, 1928 Woodblock print, framed and under glass. Ca. 38.5x29 cm. Signed ‘Yoshida’ in block with a seal. With traces of age, partially yellowed, and some circular marks probably from the woodblock.

€ 390,-

257 | A JAPANESE WOODBLOCK PRINT BOOK AND THREE UKIYO-E Japan, 19th century Woodblock print. Ca. 25.5x17.5 of book, ca. 24.538 cm of Ukiyo-e. Including a woodblock print book ‘Picture Album of Senryudo, Flower and Bird Part’ by Takizawa Kiyoshi, two Ukiyo-e by Utagawa Kunisada and an Ukiyo-e by Keisai Eisen. With traces of age, partially damaged.

€ 300,-

258 | UTAGAWA KUNISATO, A UKIYO-E Japan, ca. 1857 Woodblock print, framed under glass. Ca. 31x21.5 cm (56.5x40.5 cm with frame). The print depicts the scenes of a sumo tournament around 1857, from the series ‘Edo Ryogoku Kaisoin Dai Sumo no Zu“, probably published by Wakasaya Yoichi. With traces of age, partially yellowed and slightly creased. Provenance: From a private collection in North Rhine-Westphalia. € 100,-

Asian Art

259 | UTAGAWA HIROSHIGE AND UTAGAWA KUNITERU II, FOUR UKIYO-E Japan, 19th century Woodblock print, framed and under glass. Ca. 35.5x22-37x24.5 cm (ca. 47x36 cm with frame). Including three Ukiyo-E by Hiroshige and one by Kuniteru II. With traces of age, partially damaged and stained.

€ 300,-

262 | KUNISADA UTAGAWA, TWO UKIYO-E Japan, 1852 Woodblock print, framed and under glass. 36x25.5 cm (54x41.5 cm with frame). Including a print from the series ‘Witty Matchings of the Thirty-Six Poets (mitate sanjurokkasen no uchi)’ and a print from the series ‘Nazorae gogyu no uchi mitsu’. With traces of age.

€ 120,-

260 | UTAGAWA KUNISADA AND SHIBA RINSAI, THREE UKIYO-E Japan, 19th century Woodblock print, framed and under glass. Ca. 35x23-37x25.5 cm (ca. 40x30 cm with frame). Including two Ukiyo-e by Kunisada and one by Rinsai. With traces of age, partially creased.

€ 360,-

263 | UTAGAWA KUNISADA AND UTAGAWA KUNIYOSHI, THREE UKIYO-E Japan, 19th century Woodblock print, framed and under glass. Ca. 33x23-35x24 cm (ca. 53.5x42.5 cm with frame). Including two Ukiyo-e by Kunisada and one by Kuniyoshi. With traces of age, partially creased.

261 | TWO UKIYO-E AND A MODERN WOODCUT Japan, 1863 and modern Woodblock print, framed and under glass. 37x26 cm of Ukiyo-e, 31x20 cm of modern print (43x31 cm with frame). Including an ukiyo-e ‘zeze castle’ by Toyohara Kunichika, an ukiyo-e ‘the banner’ by Utagawa Hiroshige II and a modern print by unknown artist. With traces of age.

€ 180,-

264 | A PAINTING OF A HAWK Japan, 19th/20th century Ink and color on silk, mounted as hanging scroll. Ca. 115x41 cm. Signed and with a seal in the lower right. With traces of age, slightly stained.

€ 100,-

€ 200,-

Hargesheimer | Auktion 143

Asian Art

265 | AN IVORY CARVED ROSHI AND OX * Japan, late 18th century Ivory. H. 6.8 cm. The netsuke is carved as a Roshi seated on an ox. With traces of use and age, partially cracked.

€ 500,-

68 Hargesheimer | Auktion 143

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Asian Art

266 | AN IVORY CARVED NETSUKE OF A HOTEI * Japan, late 18th century Ivory. H. 7.7 cm. The netsuke is carved as a laughing Hotei standing on one foot and carrying a bag on his back. With traces of use and age, partially cracked.

267 | AN IVORY CARVED NETSUKE OF GAMA SENNIN * Japan, late 18th century Ivory. H. 7.8 cm. The netsuke is carved as Gama sennin smiling and looking up, with a toad on his left shoulder. With traces of use, slightly abraded and cracked.

€ 360,-

€ 200,-

268 | AN IVORY CARVED NETSUKE OF A SENNIN WITH A FISH * Japan, early 19th century Ivory. H. 6.6 cm. This netsuke is carved with a sennin, holding a fish over his shoulder in one hand and a sickle at his waist in the other. With traces of use and age, partially cracked.

269 | AN IVORY CARVED NETSUKE OF A SENNIN WITH AN OCTOPUS * Japan, early 19th century Ivory. H. 8.4 cm. This netsuke is carved as a laughing Sennin with one hand holding an octopus and the other hand raised in the air. With traces of use and age, partially cracked and abraded.

€ 420,-

€ 200,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 143

Asian Art

270 | AN IVORY CARVED NETSUKE OF TIGER * Japan, early 19th century Ivory. H. 3.4 cm. The netsuke is carved as a tiger looking back and sitting on a tree trunk, signed ‘Tomomasa’ on the side of the trunk. With traces of age and use, partially cracked.

€ 600,-

271 | A FINE IVORY CARVED NETSUKE OF A SHISHI WITH BALL * Japan, early 19th century Ivory. H. 3.8 cm. This netsuke is carved as a shishi standing on its hind legs resting its upper body on a ball, holding the ball in its four paws. The spine is strongly developed. The curling mane, beard, and tail are all finely carved. With traces of age and use, partially cracked. Literatur: This netsuke can be compared with a collection ‘Trumpf; 3174e’ in the Linden-Museum Stuttgart.

€ 300,-

70 Hargesheimer | Auktion 143

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Asian Art

272 | AN IVORY CARVED NETSUKE OF GAMA SENNIN * Japan, early 19th century Ivory. H. 4.7 cm. This netsuke is carved as a seated and smiling Gama sennin holding a toad in both hands. With traces of age and use, partially cracked.

€ 200,-

273 | AN IVORY CARVED RYUSA MANJU NETSUKE OF SEVEN NOH AND KYOGEN MASKS * Japan, mid-19th century Ivory. L. 4.3 cm. The netsuke depicts seven noh and kyogen masks, with a signature ‘Raku-o with a Kao’ on the back. With traces of use, partially cracked.

274 | AN IVORY CARVED GAMA SENNIN * Japan, mid-19th century Ivory. H. 6.5 cm. The netsuke is carved as Gama sennin with a toad on his shoulder. With traces of use and age, partially cracked.

275 | AN IVORY CARVED NETSUKE OF A GROUP OF KARAKO * Japan, mid-19th century Ivory. H. 2.9 cm. This netsuke is carved as a group of Karako, signed on the bottom ‘Masatomo’. With traces of use and age.

€ 300,-

€ 420,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

€ 240,-

Hargesheimer | Auktion 143

Asian Art

276 | AN IVORY CARVED NETSUKE OF A HORSE * Japan, mid-19th century Ivory. H. 5.5 cm. The netsuke is carved as a horse standing with its head lowered to the ground. With traces of use, partially cracked and restored.

€ 450,-

277 | A FINE IVORY CARVED NETSUKE OF A RAT * Japan, mid-19th century Ivory. H. 2.8 cm. The netsuke is carved as a rat carrying the tip of its own tail in its mouth, with a signature on the bottom. With traces of age and use, partially cracked, one ear missing.

€ 150,-

72 Hargesheimer | Auktion 143

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Asian Art

278 | AN IVORY CARVED NETSUKE OF A FUKUROKUJU WITH A KARAKO * Japan, mid-19th century Ivory. H. 3.3 cm. This netsuke is carved as a Fukurokuju sitting on his knees with a Karako, the Fukurokuju laughing with a leaf fan in his hand, and the Karako holding up Fukurokuju‘s crooked head with one hand. With traces of use and age.

279 | A FINE IVORY CARVED NETSUKE OF A HOTEI WITH THREE KARAKO * Japan, 2nd half of the 19th century Ivory. H. 2.9 cm. The netsuke is carve as a Hotei with three karako, signed on the bottom ‘Gyokkosai’. With traces of use and age, partially cracked and abraded.

€ 200,-

€ 500,-

280 | TWO FINE IVORY CARVED NETSUKE OF ANIMALS AND MUSHROOMS * Japan, mid-19th century Ivory. L. ca. 3.8 cm. Including a netsuke of a toad lying on a large mushroom and a snail on a group of two mushrooms. With traces of use and age, partially cracked and abraded.

281 | AN IVORY CARVED NETSUKE OF A GROUP OF PUPPIES * Japan, late 19th century Ivory. L. 5.8 cm. This netsuke is carved with a group of puppies gathered on a straw mat. With traces of use and age, partially cracked.

€ 150,-

€ 300,-

282 | A FINE IVORY CARVED NETSUKE OF A RAT WITH A SHELL * Japan, mid-19th century Ivory. H. 2.4 cm. This netsuke is carved with a rat lying on a shell. With traces of use and age, partially cracked.

€ 150,-

283 | A FINE IVORY CARVED NETSUKE OF A MONKEY AND A LARGE CHESTNUT * Japan, 2nd half of the 19th century Ivory. L. 4 cm. This netsuke is carved as a monkey lying on a chestnut with a little peeled skin with the signature ‘Kosen’ on the bottom. With traces of use and age, partially cracked, abraded and damaged.

€ 200,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 143

Asian Art

284 | TWO IVORY CARVED NETSUKE * Japan, 19th century Ivory. H. 2.3-3.2 cm. Including a netsuke of fukura Suzume with inlaid eyes and a netsuke of three karako with a large ball. With traces of use and age, partially cracked and abraded.

285 | A FINE IVORY CARVED NETSUKE OF SHISHI WITH SEAL * Japan, mid-19th century Ivory. L. ca. 3.5 cm. This netsuke is carved as a shishi and a partial pumpkin surrounded by five seals. With traces of age and use, partially cracked and abraded.

€ 220,-

€ 180,-

286 | AN IVORY CARVED RYUSA MANJU NETSUKE OF FIGURE GROUP * Japan, late 19th century Ivory. L. 4.1 cm. The ryusa manju netsuke is carved with a group of figures under the bamboo forest. With traces of use and age.

287 | AN IVORY CARVED NETSUKE OF A NOH MASK, KO-OMOTE * Japan, late 19th century Ivory. H. 4.1 cm. The netsuke is carved as a mask of a young woman with almond-shaped eyes and slender lips forming a subtle smile. With traces of age and use, partially cracked.

€ 120,-

74 Hargesheimer | Auktion 143

€ 240,-

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Asian Art

289 | AN IVORY CARVED NETSUKE OF A GROUP OF SHELLS * Japan, late 19th century Ivory. H. 2.6 cm. This netsuke is carved as a group of eight openwork clam shells, five on the bottom and three on top, with eight famous landscape views of Omi Province (Ômi Hakkei) depicted inside the shells, and signed ‘Nagamitsu’ on the bottom. With traces of use, slightly abraded. Literatur: This netsuke can be compared with lot 444 sold at Lempertz in auction in June 2019 and a collection with number A.16-1918 in the Victoria and Albert Museum in London.

€ 300,-

288 | A IVORY CARVED NETSUKE OF ASHINAGA AND MONKEY * Japan, late 19th century Ivory. H. 9.3 cm. The netsuke is carved as Ashinaga holding a monkey on his hands, with detailed facial expression and body muscle lines. With traces of use and age.

€ 420,-

290 | AN IVORY CARVED NETSUKE OF A MONKEY WITH AN OCTOPUS * Japan, 19th century Ivory. H. 8.4 cm. The netsuke is carved as a monkey fighting with an octopus, signed on the back of the octopus’ head probably ‘carved by student of Gyokuzan’. With traces of use and age, partially cracked and abraded.

€ 240,* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 143

Asian Art

291 | A VERY FINE WOOD CARVED NETSUKE OF KIKUJIDO Japan, 19th century Wood. H. 3.3 cm. The netsuke is carved as a seated Kikujido, with long hair falling down his back and his right hand resting against his face, signed ‘Masanaga’ on the bottom. With traces of use and age.

€ 800,-

76 Hargesheimer | Auktion 143

Asian Art

292 | A WOOD CARVED NETSUKE OF DARUMA Japan, 19th century Wood. H. 3.5 cm. The netsuke is carved as a seated daruma, signed ‘Shumin’ on the bottom. With traces of use and age.

€ 800,-

Hargesheimer | Auktion 143

Asian Art

293 | A FINE WOOD CARVED NETSUKE OF A TOAD ON A BUCKET Japan, 19th century Wood. H. 3.4 cm. The netsuke is carved as a toad on a bucket, with one leg hanging down, signed ‘Masanao’ on the bottom. With traces of use and age.

€ 800,-

294 | A FINE WOOD CARVED NETSUKE OF A TANUKI Japan, 19th century Wood. H. 2.7 cm. The netsuke is carved as a tanuki priest wearing a sleeveless jacket, its belly protruding. With traces of use and age. Literatur: This netsuke can be compared with lot 145 sold at Galerie Zacke in auction in October 2021 and a collection with number 10.211.2015 in the metropolitan Museum of Art.

€ 600,-

78 Hargesheimer | Auktion 143

Asian Art

295 | A FINE WOOD CARVED NETSUKE OF A RABBIT Japan, 19th century Wood. H. 3.7 cm. The netsuke is carved as a seated rabbit, with one hand slightly raised and its head turned to the side, signed ‘Tomotada’ on the bottom. With traces of use and age.

€ 200,-

296 | A WOOD CARVED NOH MASK NETSUKE Japan, 19th century Wood. H. 5.2 cm. The netsuke is carved as a noh mask of a smiling young woman, signed ‘Kogetsu’ on the backside. With traces of use and age.

€ 500,-

Hargesheimer | Auktion 143

Asian Art

297 | A FINE WOOD CARVED NETSUKE OF OKINA DANCER Japan, 19th century Wood. H. 5 cm. The netsuke is carved as an Okina dancer with one foot on the ground and the other raised, one hand held up and the other holding a fan, signed ‘Kokusai’ on the back. With traces of use and age.

€ 420,-

298 | A FINE WOOD CARVED KARAKURI NETSUKE Japan, 19th century Wood. H. 5 cm. The exterior is carved from dark wood in the shape of a peach, which opens in half to reveal a finely carved figure of Kan‘u. There are two signatures ‘Masatsune“, one on the bottom and the other on the side. With traces of use and age, partially abraded and damaged.

€ 450,-

80 Hargesheimer | Auktion 143

Asian Art

299 | A FINE WOOD CARVED NETSUKE OF A RAT Japan, 19th century Wood. H. 2.2 cm. The netsuke is carved as a seated rat with inlaid eyes. With traces of use, partially abraded.

300 | A FINE WOOD CARVED NETSUKE OF A RAT Japan, 19th century Wood. H. 3.4 cm. The netsuke is carved as a seated rat with inlaid eyes. With traces of use, slightly abraded.

€ 180,-

€ 220,-

301 | A FINE WOOD CARVED NETSUKE OF A MONKEY WITH AN OCTOPUS Japan, 19th century Wood. H. 4.5 cm. This netsuke is carved as a seated monkey holding an octopus, with their eyes inlaid. With traces of use, partially abraded.

302 | A FINE WOOD CARVED NETSUKE OF THREE RATS Japan, 19th century Wood. H. 4.2 cm. The netsuke is carved as three rats with inlaid eyes. With traces of use and age.

€ 350,-

Hargesheimer | Auktion 143

Asian Art

303 | A STAG ANTLER CARVED NETSUKE OF A MONKEY CARRING A MUSHROOM AND TWO CHESTNUTS Japan, 18th/19th century Antler. H. 6.5 cm. The netsuke is carved as a small monkey carrying a gigantic mushroom with two chestnuts. With traces of age and use, partially damaged.

€ 240,-

304 | A FINE BONE CARVED NETSUKE OF A BOAR Japan, 19th century Bone. H. 2.6 cm. The netsuke is carved as boar, signed ‘Shigehisa’ on the bottom. With traces of use and age.

€ 200,-

305 | TWO MASK NETSUKE OF USOFUKI Japan, 19th century Wood/Antler. H. 3.5-5.2 cm. Both netsuke are carved as Usofuki, with one signed ‘Masaharu’ on the back. With traces of use and age, slightly abraded.

€ 240,-

82 Hargesheimer | Auktion 143

306 | A FINE WOOD CARVED NETSUKE OF TWO DOGS Japan, 18/19th century Wood/ Bone/ Antler/ Metal. L. 7.5 cm. This netsuke is carved as two dogs with inlaid eyes, one of which has a gold neck collar with ‘taikin’ signed on it. The bottom of the other dog features a signature. Additionally, a small carved plate made of bone or antler is pasted on the other side of the netsuke. With traces of use and age.

€ 420,-

Asian Art

307 | AN ANTLER CARVED NETSUKE OF A RAT Japan, 18th/19th century Antler. L. 3.9 cm. The netsuke is carved as a rat that is huddled. With traces of age and use, partially cracked.

308 | A STAG ANTLER CARVED SASHI NETSUKE OF A DRIED SALMON Japan, 18th/19th century Antler. L. 10.5 cm. This netsuke is carved as a dried salmon with its mouth open and sharp rows of teeth. With traces of use and age, partially abraded.

€ 200,-

€ 180,-

309 | A WALRUS TUSK CARVED NETSUKE OF A DARUMA Japan, 19th century Walrus tusk. H. 6.2 cm. The netsuke is carved as a standing daruma. With traces of use, partially cracked.

310 | A WOOD CARVED NETSUKE OF A KARAKO WITH A CARP Japan, 18/19th century Wood. L. 5.8 cm. The netsuke is carved as a karako with inlaid odango holding a carp with inlaid eyes. With traces of use and glue, partially abraded.

€ 240,-

€ 300,-

311 | A WOOD CARVED NETSUKE OF A CAT WITH FISH Japan, 19th century or later Wood. L. 5.9 cm. This netsuke is carved as a cat holding a half-bodied fish. With traces of use and age.

312 | A WOOD CARVED NETSUKE OF TWO BATS Japan, probably 19th century Wood. L. 5 cm. The netsuke is carved as two bats and sighed on the bottom probably ‘carved by meijitsu’. With traces of use and age.

€ 150,-

€ 120,-

Hargesheimer | Auktion 143

Asian Art

313 | A FINE WOOD CARVED NETSUKE OF TWO MONKEYS AND A MUSHROOM Japan, 18th/19th century Wood. H. 3.3 cm. This netsuke is carved with two small monkeys playing on a large mushroom. With traces of use and age.

€ 120,-

315 | TWO WOOD CARVED ‘FIGURAL’ NETSUKE Japan, 19th century Wood. H. 4-5 cm. Including a netsuke carved in the form of a man with a monkey standing on his shoulder, holding a peach in his hand, with a signature probably ‘Saiko’ on the bottom, as well as another netsuke carved in the form of an oni with inlaid eyes hitting a Mokugyo. With traces of use and age.

€ 360,-

317 | THREE WOOD CARVED NETSUKE Japan, 19th century Wood/Bone. L. 4.4-5 cm. Including a netsuke of a group of chestnuts with inlaid ants, a netsuke of an mandarin orange, and an inlaid netsuke of an nasubi with a fly on it. With traces of use and age.

€ 240,-

314 | TWO FINE WOOD CARVED NETSUKE OF PLAYFUL DOGS Japan, 19th century Wood. Ca. 3.2 cm. Including a netsuke carved as a puppy playing with a ball, signed ‘Tomokazu’ on the bottom as well as another piece carved as a group of four playful puppies, signed ‘Yuichi or Tomokazu’ on the bottom. With traces of use and age.

€ 800,-

316 | TREE WOOD CARVED ‘ANIMAL’ NETSUKE Japan, 18th/19th century Wood. L. 4-5.3 cm. Including a netsuke carved as a frog rolled up in a leaf, a mouse lying on a wood pile and a curled up dog. With traces of use, partially abraded.

€ 240,-

318 | A GROUP OF THREE NETSUKE Japan, late 19th century Wood/Ivory/Antler. H. 3-3.9 cm. Including a wood carved netsuke of a Karako with a Shishi and a signature on the bottom, a brown-painted ivory carved Oni with a signature ‘Ryoichi’ on the bottom, and a antler carved mask of the thunder god Raijin with a signature ‘Hoyoku’. With traces of use and age, partially abraded.

€ 220,-

84 Hargesheimer | Auktion 143

Asian Art

319 | NOMURA CHOHEISAI, A GOLD LACQUER AND INLAID FIVE-CASE INRO Japan, 19th century Lacquerware. H. 8.2 cm. The inro is decorated with various ‘antiques‘, signed ‘Chohei’ on the bottom. With traces of use and age.

€ 650,-

320 | SHORYUSAI KOGYOKU, A GOLD LACQUER FIVE-CASE INRO Japan, early 19th century Lacquerware. H. 8.3 cm. The inro is decorated with flowers and butterflies, signed ‘Shoryusai’ on the bottom, and painted by Hoitsu and Buneho. With traces of use and age.

€ 650,-

Hargesheimer | Auktion 143

Asian Art

321 | A GOLD LACQUER FIVE-CASE INRO Japan, 19th century Lacquerware. H. of inro 8.7 cm, D. of netsuke 4.5 cm. The inro is decorated with a landscape in gold mura-nashiji, as well as taka- and hira-maki-e. The inro is accompanied by a wooden manju netsuke carved in the form of a group of masks from Noh and Kyogen theater. With traces of use and age.

€ 300,-

322 | AN IVORY CARVED OKIMONO OF A MONKEY FIGHTING TWO TOADS * Japan, 19th century Ivory. L. 13.2 cm. The Okimono is carved as a monkey fighting with two toads. With traces of use and age.

€ 240,-

86 Hargesheimer | Auktion 143

323 | A FINE STAG ANTLER CARVED NETSUKE OF A RAT ON A BAMBOO SHOOT Japan, 19th century Antler. L. 8.9 cm. With traces of use, partially chipped, abraded and damaged.

€ 200,-

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Asian Art

324 | A STAG ANTLER CARVED KISERUZUTSU OF AN OCTOPUS Japan, 19th century Antler. H. 20.4 cm. The Kiseruzutsu is carved as an octopus, with a signature probably ‘Ouichi’ on the back. With traces of use and age.

€ 220,-

325 | A STAG ANTLER CARVED KISERUZUTSU OF AN ONI ON A PAIR OF TONGS Japan, 19th century Antler. H. 20.1 cm. The kiseruzutsu is carved as an oni on a pair of tongs, with a signature on the underside. With traces of use and age, partially damaged.

€ 240,-

326 | TWO NETSUKE OF ANIMALS Japan, 19th century Ivory/Walrus tusk. H. 3-3.7 cm. Including a netsuke of a dog holding a bag and a netsuke of a cat holding a ball. With traces of use, partially chipped, abraded and damaged.

327 | THREE IVORY UND ANTLER CARVED NETSUKE Japan, 19th century Ivory/Antler. H. 3.9-8.1 cm. Including a netsuke of Tengo No Tamago with a signature ‘Chugei’ on the backside and two netsuke of sennin. With traces of use and age, partially cracked and abraded.

€ 100,-

€ 180,-

328 | FOUR IVORY CARVED NETSUKE Japan, 19th century Ivory. H. 2-4 cm. The group netsuke includes a Karako riding on the back of a wild boar, a Sennin or monk eating, a Jurojin with deer, and a boy lying on the ground playing with a ball with ‘Isshin’ signed on the bottom. With traces of use and age, partially cracked.

329 | A GROUP OF THREE IVORY CARVED RYUSA-MANJU NETSUKE Japan, 19th century or later Ivory/Walrus tusk. H. 2.1-2.5 cm. Including an ivory netsuke carved with a group of vegetables, an ivory netsuke carved with a group of rats as well as another ivory netsuke carved with two turtles lying on a lotus leaf. With traces of use and age, partially cracked.

€ 250,-

€ 200,* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 143

Asian Art

330 | TWO IVORY CARVED NETSUKE *Japan, 19th century Ivory. H. 1.9-2.2 cm. Including a netsuke of a group of shells with signature ‘Chokusai“, a netsuke of two almonds with ginkgo leaf. With traces of use and age.

€ 100,-

331 | TWO WOOD CARVED ‘ANIMAL’ NETSUKE Japan, 19th century Wood. H. 6.6-7.2 cm. Including a netsuke carved as a cicada on a piece of wood and another ebony netsuke as two rats lying on sacks of rice. With traces of age and use, partially damaged. Provenance: From the important collection of the Chemnitz entrepreneur and manufacturer Fritz Niescher (1889-1974). € 150,-

332 | THREE WOOD CARVED ‘ANIMAL’ NETSUKE Japan, 19th century or later Wood. L. 5-8.2 cm. Including a netsuke carved as an octopus, a netsuke as a recumbent ox and a netsuke as tanuki priest with signature ‘Sanraku’. With traces of age and use, slightly damaged or abraded. Provenance: From the important collection of the Chemnitz entrepreneur and manufacturer Fritz Niescher (1889-1974). € 240,-

333 | A WALRUS TUSK CARVED NETSUKE OF A SNAKE Japan, 19th/20th century Walrus tusk. H. 4.7 cm. The netsuke is carved in the form of a serpent emerging from an egg. With traces of age and use.

334 | AN ANTLER CARVED NETSUKE Japan, 19th century Antler. L. 4,2 cm. The netsuke is carved as two men with a large hamaguri clam with signature ‘Gyokusui’ on the bottom. With traces of use and age, partially cracked, abraded and damaged.

335 | AN IVORY CARVED OKIMONO OF A FIGURAL GROUP * Japan, late 19th century Ivory. H. 4 cm. This okimono is carved as an old woman sitting around eating with two children. With traces of use and age.

€ 80,-

88 Hargesheimer | Auktion 143

€ 180,-

€ 120,-

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Asian Art

336 | A RARE CHRYSOPRASE STONE CARVED OKIMONO OF A GROUP OF TWO FROGS Japan, 19th century or later Stone/Gemstone. H. 4 cm, L. 6 cm. The Okimono is carved as a larger frog with a smaller frog on its back. With traces of age, partially abraded, one of the eyes appears to be restored. Provenance: From a private collection in North Rhine-Westphalia. € 200,-

338 | A GROUP OF TWO NETSUKE AND A CARVING Japan, 19th century or later Wood/ Ceramic/ Coral. H. 1.6-4.2 cm. Including a netsuke of a daruma, a netsuke of a man carrying a child, a carving of a turtle. With traces of use, partially damaged.

337 | A STAG ANTLER CARVED NETSUKE Japan, 19th century or later Antler. H. 3,7 cm. With traces of use and age, partially cracked.

€ 60,-

€ 120,-

339 | A GROUP OF FIVE NETSUKE AND OKIMONO * Japan, 19th century and later Ceramic/Ivory etc.. H. 2.4-7.2 cm. Including a netsuke of Hotei lying on his stomach, a netsuke of a monkey holding a large peach, a netsuke of a monkey as a manzai dancer, a netsuke of a Sennin, and an okimono of Jurojin. With traces of use and age, partially abraded and damaged.

340 | A GROUP OF FIVE WOOD CARVED RYUSA MANJU NETSUKE OF ANIMALS Japan, 19/20th century Wood. H. ca. 2.2-3.8 cm (without base). With traces of use and age.

341 | A GROUP OF TWENTY-FOUR ASSORTED OJIME * Japan, 19th century and later Wood/Ivory/Ceramic/Bronze etc.. H. 1.4-4.1 cm. With traces of use, partially damaged and abraded.

€ 120,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

€ 180,-

Hargesheimer | Auktion 143

Asian Art

342 | AN IVORY CARVED OKIMONO OF A FARMER * Japan, around 1910 Ivory/Antler. H. 18 cm. With traces of age, partially abraded and cracked.

€ 800,-

343 | AN OKIMONO OF A FISHERMAN WITH A CHILD Japan, 19th/20th century Walrus tusk. H. 28.8 cm. The okimono is carved as a fisherman with a child, signed ‘Sangyoku’ or ‘Gyokuzan’ on the bottom. With traces of age, partially abraded and cracked.

€ 500,-

344 | A WALRUS IVORY CARVED OKIMONO OF A MAN WITH THREE CHILDREN Japan, early 20th century Walrus tusk. H. 26.3 cm (29.6 cm with base). With traces of use and age, partially damaged and restored.

€ 200,-

90 Hargesheimer | Auktion 143

345 | A PAIR OF BONE CARVED VASES Japan, 19th century Bone. H. ca. 43 cm (48 cm with base). Both vases are finely carved and decorated with geometric motifs and relief scenes depicting the Eight Immortals Crossing the Sea Flanking the neck are two fishes, while on either side of the body are two masks, each holding a ring. The lids are surmounted by shishi. With traces of use, partially damaged and abraded.

€ 1.500,-

*T his lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Asian Art

346 | A FINE IVORY AND SILVER SHIBAYAMA VASE WITH COVER * Japan, around 1900 Silver/ Ivory /Enamel. H. 19.8 cm. The ivory-carved body of this vase, signed ‘Okatomi“, depicts a group of figures doing farm work in a field. The vase is flanked by finely detailed dragon-shaped handles on both sides, and the lid features a carved eagle with outstretched wings. Additionally, both the upper and lower silver parts of the vase are decorated with delicate enamel patterns. The bottom of the vase is signed ‘Komyo’. With traces of use, slightly abraded.

€ 2.800,-

347 | A MOUNTED KATANA Japan, 18th century or later Steel etc.. L. with kashira-e ca. 105 cm. With traces of use, partially damaged.

€ 500,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 143

Asian Art

348 | A JAPANESE KOMAI STYLE GILT-DAMASCENED BOX BY ABE SHOTEN Japan, Meji-Period Metal. Ca. 10x13.7x4.5 cm. The box is decorated with peacocks, butterflies and flowers. The interior is painted with gold lacquer. The bottom of the box features a signature with the kanji ‘kei’ at the top and ‘Nagasaki ju Abe saku’ at the bottom, which translates to ‘Made by Abe from Nagasaki.’ With traces of use, slightly abraded.

349 | A WOODEN TANSU Japan, 19th/20th century Wood. 49.9 x 59 x 28 cm. With traces of use, partially abraded and damaged.

€ 300,-

350 | A BONE AND MOTHER-OF-PEARL INLAID LACQUERED WOOD CABINET IN THE STYLE OF RITSUO Japan, Meiji period Lacquerware. H. ca. 27 cm with base. The wide, rectangular cabinet is decorated on the exterior with birds, flowers, and landscape scenes. It features two side-hung doors that open to reveal an interior fitted with three drawers, each adorned with floral motifs. The top of the cabinet is fitted with a handle for easy carrying. With traces of use and age, partially abraded and slightly cracked, some of the decorations are missing.

€ 1.200,-

92 Hargesheimer | Auktion 143

Asian Art

351 | A SATSUMA OVOID VASE Japan, Meiji-Period Porcelain. H. 18.8 cm. With mark ‘Dai Nihon Ryokuzan zo’ on the bottom. With traces of use.

€ 200,-

352 | THREE SATSUMA VASES DECORATED WITH ARHATS AND DRAGONS Japan, early 20th century Porcelain. H. 14.7-17 cm. At the bottom with mark ‘Dai Nippon Satsuma Kuni ??? Nishikitani Tsunenobu’ and another Satsuma Yaki mark. With traces of use, partially abraded and one chipped at the rim.

353 | A PAIR OF SATSUMA VASES Japan, Meiji period Porcelain. H. 31.5 cm. Both are decorated with figural scenes and signed ‘Hakuzan’ on the bottom. With traces of use, partially abraded.

€ 120,-

€ 300,-

354 | TWO OCTAGONAL IMARI VASES WITH COVER Japan, late Edo period Porcelain. H. 34.4-34.8 cm. The vases are decorated with flowers and landscapes. Both vases have lids with Shishi holding balls as handles. Both lids glued to vases. With traces of use, one lid with glued cracks.

355 | A LARGE JAPANESE IMARI ‘FLORAL AND LANDSCAPE’ VASE Japan, Meiji Period Porcelain. H. 67.2 cm. With traces of age, partially abraded.

€ 280,-

356 | A LARGE IMARI DISH Japan, probably 20th century Porcelain. D. 45 cm. The dish is decorated with female figures under cherry blossoms, and the exterior with cobalt blue ground patterns. With traces of use, slightly abraded.

€ 150,-

€ 300,-

Hargesheimer | Auktion 143

Asian Art

357 | A CLOISONNÉ ENAMEL KORO AND COVER Japan, 19th/20th century Cloisonné. H. 15 cm. With traces of use, partially damaged and abraded.

€ 300,-

358 | A PAIR OF CLOISONNÉ BRONZE VASES Japan, 19/20th century Cloisonné. H. ca. 17.6 cm. The vases are decorated with colored cloisonné enamel, and the handles are in the form of Tao Tie masks and articulated with rings. With traces of use, partially damaged and abraded.

359 | A CLOISONNÉ ENAMEL ‘FLORAL’ VASE Japan, Meiji period Cloisonné. H. 14.1 cm. With mark on the bottom. With traces of use, partially abraded.

€ 80,-

€ 100,-

360 | A CYLINDRICAL MINIATURE BRONZE BRUSH POT Japan, Meiji Period Bronze. H. 8.7cm. With traces of use, partially abraded.

€ 100,-

361 | A FINE INLAID BRONZE VASE Japan, Meiji-Period Bronze. H. 18.5 cm. With traces of use, partially abraded and damaged.

€ 100,-

362 | A COPPER BRONZE ‘DRAGON’ JARDINIÈRE Japan, Meiji-Period Bronze. H. 20.8 cm. The jardinière is decorated with dragons and the inscription ‘Fuku-Roku-Ju’. With a mark ‘Yoshimasa’ on the bottom. With traces of use, partially abraded.

€ 200,-

94 Hargesheimer | Auktion 143

Asian Art

363 | A BRONZE DRAGON CANDLESTICK Japan, Meiji period Bronze. H. 63.5 cm. With traces of use, partially abraded and damaged.

364 | TWO BRONZE DRAGON CANDLESTICKS Japan, Meiji period Bronze. H. 29-76.5 cm. With traces of use, partially abraded and damaged.

365 | A BRONZE ‘SHISHI’ LAMP Japan, Meiji period Bronze. H. 68 cm. The lamp is decorated with a shishi. With traces of use, partially abraded.

€ 300,-

€ 600,-

€ 200,-

366 | A LARGE BRONZE OKIMONO OF TWO ROARING LIONS Japan, Meiji period Bronze. H. 47 cm. The okimono features two massive and naturalistically cast lions, striding and roaring, with luxurious manes and long tails, poised on a rocky base, showcasing realistic musculature and bone structure on their backs. With traces of use and age, partially abraded.

€ 3.000,-

367 | A BRONZE OKIMONO OF A RAT Japan, Meiji-Period Bronze. H. 9.9 cm. The okimono is carved with a rat holding a chestnut in both hands, with a signature on the bottom. With traces of age, partially abraded and slightly damaged.

€ 240,-

Hargesheimer | Auktion 143

Asian Art

368 | A BRONZE FIGURE OF AMIDA BUDDHA Japan, 19th century Bronze. Ca. 31.5 cm. The Buddha is seated in dhyanasana, with hands in dhyana mudra in front. He wears a robe, and his face displays a serene expression, characterized by downcast eyes and an urna in the center of his forehead. His hair is arranged in tight curls, topped by an ushnisha. With traces of age, partially abraded, damaged and cracked.

369 | A GILT BRONZE FIGURE OF KANNON BOSATSU Japan, probably Meiji-Period Bronze. H. 38 cm. The Kannon Bosatsu stehend auf einem doppelten Lotos, über einem achteckigen Sockel, in der angehobenen linken Hand hält die Figur Lotosknospe und -blatt, die linke hängt in varadamudra herab. Am Rücken ist ein Nimbus eingesteckt. With traces of age, partially abraded and damaged.

€ 500,-

€ 800,-

371 | A BRONZE HEAD OF ‘FOUR FACES OF BUDDHA’ Japan, 20th century Bronze. H. ca. 13 cm. With traces of use, partially abraded.

372 | A PATINATED BRONZE FIGURE OF BODHIDHARMA Japan, Meji Period Bronze. H. 6.1cm. The Bodhidharma is seated with one leg propped up and both hands on his knee, and draped in a long robe that opens at the chest, exposing his ribcage. With traces of age, partially damaged and abraded.

€ 100,-

96 Hargesheimer | Auktion 143

370 | A GILT WOOD FIGURE OF AMIDA NYORAI Japan, Edo-period or later Wood. H. 56 cm. Buddha Amida stands on a lotus base, with the right hand raised in the raigo-in (vitarka mudra) gesture and the left hand lowered, both palms facing outward. With traces of age, partially damaged.

€ 200,-

373 | A PAIR OF BRONZE NIO FIGURES Japan, 19th/20th century Bronze. H. ca. 34-37 cm (ca. 43-45 cm with base). With traces of use, partially abraded.

€ 3.300,-

Asian Art

374 | A THANGKA OF A BODHISATTVA China, 19th/20th century Distemper on cloth, framed under glass. 37.5x25.5 cm (50x40 cm with frame). With traces of age.

€ 150,-

375 | A THANGKA DEPICTING SHAKYAMUNI China (Tibet), 20th century Distemper on cloth. 78x51 cm. Shakyamuni sits on a lotus seat, with his left hand in the dhyana mudra holding a bowl, and his right hand in the bhumisparsha mudra. He is surrounded by various Buddhas and deities. With traces of age, partially abraded and with loss of colors.

€ 120,-

376 | A GAU BOX China (Tibet), 19th/20th century Metal/silver, repoussé, textile, etc.. 12.5x15.5x5 cm. A rectangular amulet container with a glass-covered, leaf-shaped altar window on the front, flanked by two repoussé dragons facing each other, with a Mahakala head and a Lakshmi emblem in between. Inside is a bas-relief of Buddha Akshobhya. Comes in a colorful fabric pouch with carrying straps. With traces of use, partially abraded and damaged.

€ 300,-

377 | A SILVER MOUNTED WOOD ‘BAJIXIANG’ OFFERING BOWL China (Tibet), 19th/20th century Wood/Silver. D. 13 cm. The bowl is decorated with the ‘Eight Auspicious Symbols’. With traces of use, partially damaged.

€ 150,-

378 | A BRONZE GHANTA China (Tibet), 19th century Bronze. H. 18 cm. The handle of the bell consists of the head of Vairocana and half a vajra. The body of the bell, cast in shiny silver bronze, is decorated in relief with monster masks, a vajra band and an eight-petalled lotus containing the seed syllables of four of the five transcendent Buddhas and their partners. With traces of use and age, partially damaged.

379 | A BRONZE VAJRA China (Tibet), 18th/19th century Bronze. L. 13.2 cm. With traces of age. Provenance: From a private collection in North Rhine-Westphalia. € 80,-

€ 180,-

Hargesheimer | Auktion 143

Asian Art

380 | A BRONZE HAYAGRIVA KARTIKA China (Tibet), 19th/20th century Bronze. H. ca. 28.3 cm. With traces of use, partially abraded and damaged.

€ 120,-

383 | A LARGE SILVER BUTTER LAMP AND COVER China (Tibet), 18th/19th century Silver. H. 32.8 cm (with cover 40.3 cm, 1356 g in total). The butter lamp is fully engraved with ‘eight auspicious signs’ among scrolling tendrils. With traces of use. Provenance: From an old private collection in Düsseldorf. € 900,-

98 Hargesheimer | Auktion 143

381 | A LARGE GILT BRONZE VAJRA AND A BRONZE PHURBA China (Tibet), 18th/19th century Bronze. H. 20.5-35 cm. With traces of age, partially damaged.

€ 300,-

382 | TWO BRONZE STUPAS China (Tibet), 18th century and later Bronze. H. 15.4-17.8 cm. One of both is partially gilt. With traces of age, partially damaged. Provenance: From an old private collection in Düsseldorf. € 120,-

384 | A GROUP OF FIVE SILVER SNUFFBOTTLES WITH TURQUOISE AND CORAL INLAYS Tibet, 19/20th century Silver/Gemstone. H. 7.8-8.9 cm. With traces of use, partially damaged and abraded, partially stones missing.

385 | A PAIR OF SNUFFBOTTLES China, 19th/20th century Silver. H. ca. 7.8 (29.5x29.5 with frame). One is decorated with flowers and the character for longevity (shou), and the other is decorated with a phoenix. With traces of use and age, partially abraded.

€ 150,-

Asian Art

386 | AN AMULET GHAU-BOX IN GOLD-PLATED SILVER Tibet/Nepal, 20th century Silver/Metal/Gemstone. Ca. 6x7 cm. This amulet Ghau-Box is decorated with Garuda on the front of the cover, the figure is made of turquoise, coral and probably lapis. The inside of the cover with the mantra ‘Namchu Wangden,’ a symbol from the Tibetan Buddhist text ‘Kalachakra Tantra.’ The inside of the box with a seated Bodhisattva Kshitigarbha, partly consisting of turquoise and coral. The back of the pendant shows Tibetan mantras ‘aum ah hum‘. With traces of use, partially damaged and abraded.

387 | A LARGE GROUP OF VARIOUS TIBETAN ACCESSORIES China (Tibet), 19th/20th century Silver/Metal/Gemstone/Jade etc.. L. ca. 3-60 cm. With traces of use, partially abraded and damaged.

€ 150,-

388 | A GROUP OF VARIOUS TIBETAN AND OTTOMAN ACCESSORIES China (Tibet)/Ottoman Empire, 19th/20th century Silver/Metal/Gemstone etc.. W. ca. 7-15.5 cm. Including three silver bracelets, a pair of afghan earrings and three ottoman headdresses. With traces of use, partially abraded and damaged.

€ 120,-

€ 360,-

389 | A SMALL HEAD OF BUDDHA China, northern Qi style Stone. H. 10.5 cm. With traces of age, partially damaged.

€ 250,-

390 | A TERRACOTTA HEAD OF BODHISATTVA Probably China Terracotta. Ca. 38 cm. The bodhisattva wears carved tiara, the face with a serene expression, downcast eyes and a third eye - Urna. With traces of age, partially damaged and abraded.

€ 500,-

391 | A BRONZE BUST OF BUDDHA SHAKYAMUNI China Bronze. H. ca. 39 cm (ca. 48 cm with the pedestal). The bust of Shakyamuni depicts a serene, meditative expression with downcast eyes under arched eyebrows that merge into the bridge of the nose, beneath gently smiling lips and elongated earlobes. His hair is in curls that merge into the ushnisha. With traces of age, part. damaged.

€ 300,-

Hargesheimer | Auktion 143

Asian Art

392 | TWO HEADS OF BUDDHA Nepal/India/China Bronze/Wood. H. 11.7-18.7 cm. With traces of age, partially damaged.

393 | A LACQUERED WOOD SEATED FIGURE OF BUDDHA Laos, 18th/19th century Wood. H. 17.6 cm (19.9 cm with base). With traces of age, partially damaged.

€ 150,-

€ 80,-

394 | A BRONZE SEATED FIGURE OF VAIROCANA AND A SOUPSTONE CARVED FIGURE OF KUI XING China, Qing Dynasty and later Bronze/soupstone. H. 10.4-10.6 cm. With traces of age, damaged and partially restored. Provenance: From an important private collection in Westphalia. € 200,-

395 | A GROUP OF TWO BRONZE BUDDIST FIGURE Tibet/India Bronze. H. 11.4-13.5 cm. Including a bronze figure of Yama Dharmaraja and a bronze figure of Ganesha. With traces of age, partially damaged.

396 | A GROUP OF THREE MINIATURES India Bronze. H. 9.5-10.5 cm. With traces of use and age, partially abraded.

397 | A GROUP OF NINE MINIATURE BRONZES AND WOODS OF THE BUDDHA China/Tibet/India Bronze/Wood. H. 2.4-5.7 cm. The group includes Amitayus, Amitabha, Ganesha, Maitreya a. o. With traces of age. Provenance: From a private collection in North Rhine-Westphalia. € 120,-

€ 400,-

100 Hargesheimer | Auktion 143

€ 120,-

Asian Art

398 | A BRONZE FIGURE OF NANDI India Bronze. H. 10 cm. With traces of age, partially abraded.

€ 120,-

399 | A BRONZE INDIAN PAGODA-FORM INK POT India, 19/20th century Bronze. H. 18.1 cm. Two-part body in the shape of a pagoda on three short pointed feet, suspended from a cord band. With traces of use, partially damaged and abraded.

€ 150,-

401 | A PAIR OF CHARAN PADUKA AND A BOX WITH FLORAL MOTIFS India, probably late 19th century Silver. L. 9-23 cm. With traces of use, partially abraded.

€ 300,-

400 | A MUGHAL STYLE DAMASCENED IRON PLATE India, 17th/18th century Brass/Metal. L. ca. 24 cm. The plate is inlaid with gold tendrils and foliage. With traces of use and age, partially abraded and stained.

€ 300,-

402 | A PERSIAN SILVER ‘FLORAL’ VASE Persia, early 20th century Silver. H. 27.8 cm, 364 g. With traces of use, partially abraded.

403 | A PERSIAN SILVER ‘FLORAL’ VASE Persia, early 20th century Silver. H. 33.5 cm; 582 g. With signature on the bottom. With traces of use, slightly abraded.

€ 180,-

€ 300,-

Hargesheimer | Auktion 143

101

Asian Art

404 | THIRTEEN-PIECE SILVER SERVICE WITH FLORAL MOTIFS Persia, 19th/20th century Silver/Glas. H. of glass holders and glasses ca. 8cm, L. of the spoons and plate ca. 13.8-36 cm; 1252 g in total. Including six tea glass holders with glasses, six spoons and a tray. With traces of use, partially stained and slightly abraded.

405 | A TEN-PIECE SET OF TEA GLASS HOLDERS Persia, 19th/20th century Silver/Glas. H. ca. 8 cm. With traces of use.

€ 800,-

€ 650,-

406 | SEVEN-PIECE SILVER SERVICE WITH FLORAL MOTIFS Persia, 19th/20th century Silver. D. 5-21.2 cm, 702 g in total. Including six silver goblets and one silver tray. With traces of use, partially stained and slightly abraded.

407 | SEVEN-PIECE SILVER SERVICE WITH FLORAL MOTIFS Persia, 19th/20th century Silver. D. 5.8-29.7 cm, 1084 g in total. Including six cups and one plate. With traces of use, partially stained and slightly abraded.

€ 390,-

€ 650,-

408 | A SEVEN-PIECE SET OF SILVER TEA GLASS HOLDERS Persia, 19th/20th century Silver. H. ca. 7.7 cm, 588 g in total. All are decorated with floral motifs and have a handle. With traces of use, partially stained and slightly abraded.

409 | A GROUP OF THREE PIECES OF ‘FLORAL’ SILVERWARE Persia, early 20th century Silver. D. of plate ca. 30.5 cm, H. of vassels 6.1-9.2 cm; 652 g in total. Including a milk jug with signature ‘VARTAN“, a censer with signature ‘VARTAN’ and a tray. With traces of use, partially abraded.

€ 280,-

102 Hargesheimer | Auktion 143

€ 330,-

Asian Art

410 | A PERSIAN SILVER ‘FLORAL AND FIGURAL’ TRAY Persia, 19th century Silver. L. 37.8 cm, 1020 g. With traces of use, partially abraded.

€ 1.000,-

411 | A SILVER TWIN HANDLED SUGAR BOWL WITH COVER Persia, 19th century Silver. H. 9.5 cm, 276 g. The bowl is decorated with floral and figural motifs. Hallmarked with maker‘s marks and fineness ‘84‘. With traces of use, partially abraded.

€ 360,-

412 | A GROUP OF FOUR PIECES OF ‘FLORAL’ SILVERWARE Persia, early 20th century Silver. D. of plate ca. 17 cm, H. of vases 9.5-13 cm; 612 g in total. Including three small vases and a tray with signature. With traces of use, partially abraded.

413 | A GROUP OF FIVE PIECES OF SILVERWARE Persia/Iran, early 20th century Silver. D. ca. 7-21 cm, 748 g in total. Including three small coin bowl, a vessel and a tray. Some of them have signatures. With traces of use, partially abraded.

€ 650,-

€ 360,-

414 | A ‘BIRDS AND FLORAL’ WINE BARREL AND A ‘FLORAL’ PLATE Persia, early 20th century Silver. H. of barrel 15.4 cm, D. of plate 29 cm; 1174 g in total. Signed ‘VARTAN.A.O’ on the bottom of the wine barrel. With traces of use, partially abraded and stained.

415 | THREE PERSIAN SILVER ‘FLORAL’ VASES Persia, early 20th century Silver. H. 11.5-18 cm; 842 g. With signature on the bottom. With traces of use, partially abraded.

€ 550,-

€ 400,-

Hargesheimer | Auktion 143

103

Asian Art

416 | A CHINESE BELT WITH ‘DRAGON AND TIGER’ RELIEF TONDI China, 19th/20th century Silver. L. ca. 4.7-56 cm, 134 g. With traces of use, partially damaged, some of the accessories are missing.

417 | A SMALL SILVER BOX China, 19th/20th century Silver. L. 7 cm. The box is decorated with dragon, birds, flowers, grapes and animals. With traces of use, partially abraded.

€ 120,-

€ 80,-

418 | A GE-STYLE CRACKLED-GLAZED DISH China, Qing Dynasty Stoneware. D. 27.5 cm. With traces of use.

419 | A KOREAN CELADON ‘OIL’ BOTTLE Korea Ceramic. H. 6.5 cm. The bottle is decorated with flowers. With traces of use.

€ 350,-

€ 100,-

104 Hargesheimer | Auktion 143

Asian Art

420 | A LARGE BLUE AND WHITE ‘SHOU’ CENSER China, Qing Dynasty Porcelain. D. 25 cm. The censer is decorated with characters ‘Shou“, separated by different kinds of flowers, between brown decorative borders. With traces of use.

€ 200,-

422 | A SMALL FAMILLE NOIRE ‘FLORAL’ VASE AND A SMALL BLUE AND WHITE ‘FLORAL’ BEAKER VASE China, late Qing Dynasty or later Porcelain. H. 11-14 cm. With traces of use and age, partially abraded, one with a hairline.

€ 100,-

424 | A WUCAI ‘IMMORTLAS’ DISH China Porcelain. D. 30.5 cm. With traces of use, partially abraded.

€ 450,-

421 | A GE-TYPE GLAZED BLUE AND WHITE ‘DRAGON’ BOX AND COVER China Ceramic. H. 8.4 cm, D. 12.8 cm. With mark ‘cheng hua nian zhi’ on the bottom. With traces of usem partially damaged.

€ 100,-

423 | A DOUCAI ‘LOTUS’ BOWL China Porcelain. D. 13.3 cm. With mark ‘Daqing Qianlong Nianzhi’ on the bottom. With slight traces of use.

€ 300,-

425 | A WUCAI ‘FIGURAL’ BOWL China, late Qing Dynasty Porcelain. D. 18.5 cm. The exterior is decorated with a scene of Liu Bang, the founder of the Han Dynasty, slaying a snake. With traces of use, partially abraded.

€ 320,-

Hargesheimer | Auktion 143

105

Asian Art

426 | A WUCAI ‘SU WU’ JAR China Porcelain. H. 25.2 cm. With traces of use.

€ 650,-

427 | A FAMILLE ROSE GE-STYLE CRACKLEDGLAZED VASE WITH COVER China, late Qing Dynasty Porcelain. H. 32.5 cm. The vase is painted with battle scenes. There are brown decorative borders with ornamentation in relief on the shoulder and foot. With mark ‘Chenghua Nianzhi’ on the bottom. With traces of use, partially abraded.

€ 120,-

428 | AN IMITATION BRONZE-GLAZED ARCHAISTIC ‘TAOTIE’ ZUN VASE China Porcelain. H. 15.3cm. The shoulders of this vase are flanked with four taotie handles, which are connected by a circle of chi-dragons. Finely decorated to the body with taotie masks. The form is modeled after Shang and Zhou period bronzes. The vessel are covered with an inmitation bronzed-glazed. On the bottom is a mark ‘Qianlong nian zhi’. With traces of use.

€ 500,-

429 | A PAIR OF BRONZE-MOUNTED WHITEGLAZED BOTTLE VASES China, late Qing Dynasty Porcelain/bronze. H. ca. 31 cm, H. with mounting 43.8 cm. Both vases have a crackled surface, mounted with bronze in bamboo form. With traces of use, partially damaged.

€ 600,-

106 Hargesheimer | Auktion 143

430 | A PURPLE-GROUND DAYAZHAI STYLE ‘FLORAL’ BOTTLE VASE China Porcelain. H. 33.9 cm. With mark ‘Yongqing Changchun’ on the bottom. With traces of use, partially abraded.

€ 650,-

431 | A FAMILLE ROSE ‘BUTTERFLIES’ VASE China, 19th/20th century Porcelain. H. 35.7 cm. With traces of use, partially abraded.

€ 850,-

Asian Art

432 | TWO FAMILLE ROSE ‘FIGURAL’ JARS WITH COVER China, 20th century Porcelain. H. 28.8 cm. With traces of use, partially damaged or abraded. Provenance: From an important private collection in Westphalia. € 120,-

434 | A FAMILLE ROSE ‘ANTIQUES’ VASE China Porcelain. H. 28.3 cm. With mark ‘Shendetang Zhi’ on the bottom. With traces of use.

€ 600,-

433 | A FAMILLE ROSE ‘FIGURAL’ BRUSH POT China Porcelain. H. 14.4 cm, D. 11.1 cm. With mark ‘Youtang Xiyan Shuwu’ on the bottom. With traces of use.

€ 450,-

435 | A RUBY-GROUND FAMILLE ROSE ‘LANDSCAPE’ BELL-SHAPED BOWL China Porcelain. H. 8.9 cm, D. 13 cm. The bowl is decorated with four medallions containing landscapes in reserve on a ruby ground painted with scrolling tendrils and gourds, with mark ‘Daqing Guangxu Nianzhi’ on the bottom. With traces of use.

€ 580,-

436 | A QIANJIANGCAI ‘FIGURAL’ BOWL China, 1922 Porcelain. D. 12.5 cm. The bowl is painted with ladies on the exterior, with mark ‘Renxuqiuyue Tianjin Yusheng Gongsichupin’ on the bottom. With traces of use, partially abraded.

€ 50,-

437 | A GROUP OP FIVE PORCELAIN PIECES China, republic period Porcelain. H. 3-42 cm. Including four ‘figural’ vases and a small ‘dragon’ pot. Some have marks on the bottom. With traces of use.

€ 150,-

Hargesheimer | Auktion 143

107

Asian Art

438 | TWO QIANJIANG ENAMELED ‘FIGURAL’ VASES China, republic period Porcelain. H. ca. 58.5 cm. Including a vase painted with nine elders with signature of Mao Zirong as well as a vase painted with lady with children with signature of Zhang Heshun. With traces of use, partially chipped and cracked.

€ 400,-

439 | TWO FAMILLE ROSE ‘ANTIQUES’ VASES AS LAMP China, late Qing Dynasty or republic period Porcelain. H. of vases ca. 43.5 cm (ca. 86 cm with mounting). With traces of use, partially abraded.

€ 580,-

440 | A GROUP OF SIX PORCELAIN DISHES China, 18th century Porcelain. D. 21.5-24 cm. Including four blue and white dishes decorated with flowers and antiques, one of which has a mark on the bottom, as well as a famille rose dish and an export dish. With traces of use, partially chipped and cracked, one restored.

441 | A SOAPSTONE CARVING DEPICTING BIRDS IN A WATER LANDSCAPE China Soapstone. H. 9.7 cm, W. ca. 12 cm. With traces of use, slightly chipped.

€ 600,-

€ 390,-

108 Hargesheimer | Auktion 143

Asian Art

442 | A SHIWAN GLAZED FIGURE OF A FARMER AND A GLAZED POTTERY FIGURE OF AN OPERA CHARACTER China, 19th/20th century Ceramic. H. 16.5-27.8 cm. With traces of age, damaged and restored in places. Provenance: From an important private collection in Westphalia. € 120,-

444 | A SANCAI-GLAZED POTTERY FIGURE China, Ming style Pottery. H. 40.5 cm. The figure depicts a standing man with one hand raised. With traces of age, partially damaged.

443 | A SANCAI-GLAZED POTTERY FIGURE China, Ming style Pottery. H. 25 cm. The figure depicts a woman holding a rabbit with both hands. With traces of age, partially damaged.

€ 100,-

445 | A GROUP OF FOUR FIGURES AND A SEDAN CHAIR China, Ming style Pottery. H. ca. 29-41 cm. Including four sedan chair bearers and a sedan chair. With traces of age, partially damaged.

€ 800,-

€ 120,-

Hargesheimer | Auktion 143

109

Asian Art

446 | A GROUP OF THIRTEEN ‘1967 POEMS OF MAO’ STAMPS China, 1967 Printed on paper. Ca. 2.7x6.2 cm, 2x8.2 cm, 5.2x3.1cm, 4x5.5cm, 4x5cm. In very good condition; one of the fourteen pieces in the series is missing. Provenance: From a private collection in Krefeld. € 1.200,-

447 | A GROUP OF TWENTY ‘THOUGHTS OF MAO’ STAMPS China, 1967 Printed on paper. Ca. 3x4 cm, 15.5x5 cm. Including right sheet margin se-tenant strips of five in a set of two, as well as other stamps featuring Mao. In very good condition. Provenance: From a private collection in Krefeld. € 500,-

448 | A GROUP OF FIVE ‘1968 DIRECTIVES OF CHAIRMAN MAO’ STAMPS China, 1968 Printed on paper. Ca. 5.3x3.2 cm. Se-tenant strip of five stamps. In very good condition. Provenance: From a private collection in Krefeld. € 1.200,-

449 | A GROUP OF TWO ‘PORTRAIT OF YOUNG A MAO’ STAMPS China, 20th century Printed on paper. 6x4 cm. The stamps feature a young Mao, and at the bottom of each stamp, it is written ‘Mao Zhu Xi Qu An Yuan.’ In very good condition. Provenance: From a private collection in Krefeld. € 150,-

450 | A GROUP OF ELEVEN ‘GALLOPING HORSE BY XU BEIHONG’ STAMPS China, 1978 Printed on paper. Ca. 14.8x10 cm, 3x4 cm. Including 10 stamps from the ‘Galloping Horses by Xu Beihong’ series and one T28M ‘Galloping Horse by Xu Beihong’ stamp. In very good condition. Provenance: From a private collection in Krefeld. € 300,-

110 Hargesheimer | Auktion 143

Asian Art

451 | A CLOISONNÉ EMAIL OPIUM PIPE China, early 20th century Cloisonné. H. 36.2 cm. With traces of use, partially damaged.

452 | A PAIR OF ‘FLORAL’ CLOISONNÉ VASES China/Japan, 19th/20th century Cloisonné. H. 15.2 cm. With traces of use, partially abraded and chipped.

€ 100,-

€ 180,-

453 | A TRAVEL CUTLERY SET * China, around 1900 Metal/ray skin/ivory etc.. L. 46.5 cm. The set contains a knife with a single-sided blade and two chopsticks, which fit into a metal scabbard edged with ray skin. With traces of use, partially damaged.

€ 100,-

454 | A CORK DIORAMA OF A LANDSCAPE China, 20th century Cork diorama, framed and under glass. 49.2x24 cm. With traces of age, partially damaged.

€ 120,-

455 | A CHINESE REVERSE GLASS PAINTING China Ink and color on glass, framed. 43x58 cm with frame. With traces of use, partially abraded.

456 | A CHINESE REVERSE GLASS PAINTING China Ink and color on glass, framed. 44.5x60 cm with frame. With traces of use, partially abraded.

€ 100,-

€ 200,-

* This lot contains materials that require a CITES permit when exported to countries outside the EU. Certificate for intra-EU trade is issued.

Hargesheimer | Auktion 143

111

Asian Art

457 | SIX BRONZE MINIATURE FIGURES China Bronze. H. 6.9-11.2 cm. With traces of age, partially damaged and abraded.

458 | A GROUP OF SIXTEEN DALLAH COFFEE POTS Middle East, 19th/20th century Brass. H. 15.7-39 cm. With traces of use, partially damaged and abraded.

€ 100,-

€ 420,-

459 | A GROUP OF ELEVEN OBJECTS India/Near East Brass/Ceramic/Bronze. H. of the bowls and pots 3.4-20 cm; W. of the scale ca. 18.5 cm. Including seven indie brass dhokra bowl, an Islamic coffee pot, a ceramic pot, a small bronze pot and a brass balance scale. With traces of use, partially damaged.

460 | A GROUP OF THREE BRASS PEN CASE WITH INKWELL Ottoman Empire/China, 19./20. Jahrhundert Brass. L. ca. 21.5-25.5 cm. Including two ottoman pen cases with inkwells and a chinese pen case with an inkwell. With traces of use.

€ 120,-

€ 150,-

461 | A FIVE- PIECE COLLECTION Japan, 20th century Bronze/wood. L. 6.5-7.8 cm of tsuba, h. 2.5-2.7 of opium weights and wood carving. Including two tsuba, two opium weights and a wood carving. With traces of use.

€ 120,-

112 Hargesheimer | Auktion 143

462 | TWO SOAPSTONE CARVED FIGURES OF IMMORTALS China/Japan Soapstone. H. ca. 23 cm. With traces of age, partially damaged.

€ 200,-

VERSTEIGERUNGSB EDINGUNGEN Hargesheimer Kunstauktionen Düsseldorf GmbH (im Nachfolgenden als Hargesheimer Kunstauktionen bezeichnet) versteigert in einer öffentlichen Versteigerung gemäß §§ 474 Abs.1 Satz 2, 383 Abs. 3 Satz 1 BGB als Kommissionärin im eigenen Namen und für Rechnung ihrer Auftraggeber:innen (Kommittent:innen), die unbenannt bleiben.

BESCHAFFENHEIT / GEWÄHRLEISTUNG

DURCHFÜHRUNG DER VERSTEIGERUNG / GEBOTE

1.1. Sämtliche zur Versteigerung kommenden Gegenstände können vor der Versteigerung besichtigt und geprüft werden. Dabei haften Interessent:innen für von ihnen verursachte Schäden an den ausgestellten Objekten. 1.2. Die zur Versteigerung gelangenden Kunstwerke sind ausnahmslos gebraucht. Sie haben einen ihrem Alter und ihrer Provenienz entsprechenden Erhaltungszustand. Die Zustandsbeschreibungen im Katalog beinhalten nur Anhaltspunkte für wesentliche und wichtige Beschädigungen, die nach Auffassung von Hargesheimer Kunstauktionen den optischen Gesamteindruck des Gegenstandes beeinträchtigen oder stören. Das Fehlen eines solchen Hinweises besagt nicht, dass sich der Gegenstand in einem guten Erhaltungszustand befindet oder frei von Mängeln ist. Interessent:innen können vor der Auktion einen Zustandsbericht für jedes Kunstwerk anfordern. Dieser Bericht, mündlich oder in Schriftform, enthält keine abweichende Individualabrede und bringt lediglich eine subjektive Einschätzung von Hargesheimer Kunstauktionen zum Ausdruck. Die Angaben im Zustandsbericht werden nach bestem Wissen und Gewissen erteilt. Sie sind keine Garantien oder Beschaffenheitsvereinbarungen, sie dienen ausschließlich der unverbindlichen Information. Gleiches gilt für Auskünfte jedweder Art, sei es mündlich oder schriftlich. In allen Fällen ist der tatsächliche Erhaltungszustand des Kunstwerkes zum Zeitpunkt seines Zuschlages vereinbarte Beschaffenheit im Sinne der gesetzlichen Bestimmungen (§§ 434ff BGB). 1.3. Die Katalogbeschreibungen sind keine Garantien im Rechtssinne. Alle Angaben im Katalog beruhen auf den bis zum Zeitpunkt der Drucklegung veröffentlichten oder sonst allgemein zugänglichen wissenschaftlichen Erkenntnissen. Hargesheimer Kunstauktionen behält sich vor, Katalogangaben über die zu versteigernden Gegenstände zu berichtigen. Diese Berichtigung erfolgt schriftlich am Ort der Versteigerung und mündlich durch den Auktionator unmittelbar vor der Versteigerung. Die berichtigten Angaben treten an die Stelle der Katalogbeschreibung. 1.4. Eine Haftung von Hargesheimer wegen etwaiger Mängel wird ausgeschlossen, sofern Hargesheimer seine Sorgfaltspflicht erfüllt hat. Die Haftung für Leben, Körper- und Gesundheitsschäden bleibt davon unberührt. 1.5. Der Versteigerer bzw. die Versteigerin verpflichtet sich jedoch, wegen rechtzeitig vorgetragener, begründeter Sachmängel, die die Echtheit der Gegenstände betreffen, innerhalb der Verjährungsfrist von zwölf Monaten, bei sonstigen Mängeln innerhalb der Verjährungsfrist von sechs Monaten vom Zeitpunkt des Zuschlags an seine Ansprüche gegenüber dem Einlieferer bzw. der Einlieferin (Auftraggeber:in) – nötigenfalls auch gerichtlich – geltend zu machen. Im Falle erfolgreicher Inanspruchnahme des Einlieferers bzw. der Einlieferin erstattet der Versteigerer bzw. die Versteigerin dem Erwerber bzw. der Erwerberin den Kaufpreis samt Aufgeld, jedoch keine sonstigen dem Käufer bzw. der Käuferin entstandenen Kosten und Aufwendungen. Voraussetzung ist jeweils, dass keine Ansprüche Dritter an dem Kunstwerk bestehen und das Kunstwerk am Sitz von Hargesheimer Kunstauktionen in unverändertem Zustand zurückgegeben wird. 1.6. Ansprüche auf Schadenersatz gegen Hargesheimer Kunstauktionen wegen Rechts- oder Sachmängel sowie aus sonstigen Rechtsgründen (inkl. Ersatz vergeblicher Aufwendungen sowie Ersatz von Gutachterkosten), sind ausgeschlossen, soweit sie nicht auf vorsätzlichem oder grob fahrlässigem Handeln von Hargesheimer Kunstauktionen oder auf der Verletzung wesentlicher Vertragspflichten durch Hargesheimer Kunstauktionen beruhen.

2.1. Die im Katalog angegebenen Preise sind Limitpreise. 2.2. Hargesheimer Kunstauktionen behält sich das Recht vor, während der Versteigerung Nummern des Katalogs zu vereinen, zu trennen, außerhalb der Reihenfolge auszubieten oder zurückzuziehen. 2.3. Alle Gebote gelten als vom Bieter bzw. von der Bieterin im eigenen Namen und für eigene Rechnung abgegeben. Will ein:e Bieter:in Gebote im Namen eines Dritten abgeben, so hat er bzw. sie dies 24 Stunden vor Versteigerungsbeginn unter Nennung von Namen und Anschrift des bzw. der Vertretenen und unter Vorlage einer schriftlichen Vollmacht mitzuteilen. Andernfalls kommt der Kaufvertrag bei Zuschlag mit dem Bieter bzw. der Bieterin zustande. 2.4. Jeder Bieter bzw. jede Bieterin erhält nach Vorlage eines gültigen Personaldokuments und Zulassung zur Auktion von Hargesheimer Kunstauktionen eine Bieternummer. Nur unter dieser Nummer abgegebene Gebote werden auf der Auktion berücksichtigt. Von Bieter:innen, die noch unbekannt sind, benötigt Hargesheimer Kunstauktionen spätestens 24 Stunden vor Beginn der Auktion eine schriftliche Anmeldung mit gültigem Personalausweis. Hargesheimer Kunstauktionen behält sich das Recht vor, eine zeitnahe Bankauskunft, Referenzen oder ein Bardepot für die Zulassung zur Auktion anzufordern. Es liegt im Ermessen von Hargesheimer Kunstauktionen eine Person von der Auktion auszuschließen. 2.5. Der Preis bei Aufruf wird vom Versteigerer bzw. von der Versteigerin festgelegt; gesteigert wird im Regelfall um circa 10% des vorangegangenen Gebotes in Euro. Gebote können während der Auktion persönlich im Auktionssaal sowie bei Abwesenheit vorab schriftlich, telefonisch oder mittels Internet über den Online-Katalog auf der Website von Hargesheimer Kunstauktionen oder einer von Hargesheimer Kunstauktionen zugelassenen Plattform abgegeben werden.

2.6. Alle Gebote beziehen sich auf den Zuschlag und erhöhen sich um das Aufgeld, Mehrwertsteuer sowie ggf. Folgerecht und Zollumlage. 2.7. Bei gleich hohen Geboten, unabhängig ob im Auktionssaal, telefonisch, schriftlich oder per Internet abgegeben, entscheidet das Los. Schriftliche Gebote oder Gebote per Internet werden von Hargesheimer Kunstauktionen nur mit dem Betrag in Anspruch genommen, der erforderlich ist, um ein anderes abgegebenes Gebot zu überbieten. 2.8. Gebote in Abwesenheit werden in der Regel zugelassen, wenn diese mindestens 24 Stunden vor Beginn der Versteigerung bei Hargesheimer Kunstauktionen eingehen und, sofern erforderlich, die weiteren Informationen gemäß Ziff. 2.4. vorliegen. Das Gebot muss das Kunstwerk unter Aufführung von Katalognummer und Katalogbezeichnung benennen. Im Zweifel ist die Katalognummer maßgeblich; Unklarheiten gehen zu Lasten des Bieters bzw. der Bieterin. 2.9. Die Bearbeitung der Gebote in Abwesenheit ist ein zusätzlicher und kostenloser Service von Hargesheimer Kunstauktionen, daher kann keine Zusicherung für deren Ausführung bzw. fehlerfreie Durchführung gegeben werden. Die in Abwesenheit abgegebenen Gebote sind den unter Anwesenden in der Versteigerung abgegebenen Geboten bei Zuschlag gleichgestellt. 2.10. Das schriftliche Gebot muss vom Bieter bzw. von der Bieterin unterzeichnet sein. Bei schriftlichen Geboten beauftragt der Interessent bzw. die Interessentin Hargesheimer Kunstauktionen, für ihn bzw. sie Gebote abzugeben. 2.11. Telefonische Gebote können von Hargesheimer Kunstauktionen aufgezeichnet werden. Mit dem Antrag zum telefonischen Bieten erklärt sich der Antragsteller bzw. die Antragstellerin mit der Aufzeichnung von Telefongesprächen einverstanden. Hargesheimer Kunstauktionen haftet nicht für das Zustandekommen und die Aufrechterhaltung von Telekommunikationsverbindungen oder Übermittlungsfehlern. 2.12. Internet-Gebote können sowohl als sog. „Vor-Gebote“ vor Beginn einer Versteigerung als auch als sog. „Live-Gebote“ während einer im Internet live übertragenen Versteigerung sowie als sog. „Nach-Gebote“ nach Beendigung der Versteigerung nach Maßgabe der nachstehenden Regelungen abgegeben werden. Gebote, die bei Hargesheimer Kunstauktionen während einer laufenden Versteigerung via Internet eingehen, werden im Rahmen der laufenden Versteigerung nur dann berücksichtigt, wenn es sich um eine live im Internet übertragene Versteigerung handelt. Im Übrigen sind Internet-Gebote nur dann zulässig, wenn der Bieter bzw. die Bieterin von Hargesheimer Kunstauktionen zum Bieten über das Internet durch Zusendung eines Benutzer:innennamens und eines Passwortes zugelassen worden ist. Sie stellen nur dann gültige Gebote dar, wenn sie durch den Benutzer:innennamen und das Passwort zweifelsfrei dem Bieter bzw. der Bieterin zuzuordnen sind. Die über das Internet übertragenen Gebote werden elektronisch protokolliert. Die Richtigkeit der Protokolle wird vom Bieter/ Käufer bzw. von der Bieterin/Käuferin anerkannt, dem jedoch der Nachweis ihrer Unrichtigkeit offen steht. Live-Gebote werden wie Gebote aus dem Versteigerungssaal berücksichtigt. Auch bei Internet-Geboten haftet Hargesheimer Kunstauktionen nicht für das Zustandekommen der technischen Verbindung oder für Übertragungsfehler. 2.13. Der Nachverkauf ist Teil der Versteigerung. Bei Nachgeboten kommt ein Vertrag erst dann zustande, wenn Hargesheimer Kunstauktionen das Gebot annimmt. 2.14. Die Abgabe eines Gebotes in jeglicher Form bedeutet die Anerkennung dieser Versteigerungsbedingungen. Der Versteigerer bzw. die Versteigerin nimmt Gebote nur aufgrund der vorstehenden Versteigerungsbedingungen entgegen und erteilt dementsprechend Zuschläge. 2.15. Das Widerrufs- und Rückgaberecht bei Fernabsatzverträgen (§§ 312 b ff BGB) findet auf Schrift-, Telefon- und Internetgebote keine Anwendung.

ZUSCHLAG

3.1. Der Zuschlag erfolgt nach dreimaligem Aufruf an den Höchstbietenden bzw. die Höchstbietende. Mit dem Zuschlag kommt zwischen Hargesheimer Kunstauktionen und dem Bieter bzw. der Bieterin, dem bzw. der der Zuschlag erteilt wird, ein Kaufvertrag zustande. Der Zuschlag verpflichtet zur Abnahme und Zahlung. 3.2. Der Versteigerer bzw. die Versteigerin kann den Zuschlag zurücknehmen und die Sachen erneut ausbieten, wenn irrtümlich ein rechtzeitig abgegebenes höheres Gebot übersehen worden ist oder wenn der bzw. die Höchstbietende sein bzw. ihr Gebot nicht gelten lassen will oder sonst Zweifel über den Zuschlag bestehen. Der Versteigerer bzw. die Versteigerin kann den Zuschlag unter Vorbehalt erteilen oder verweigern, wenn ein besonderer Grund vorliegt. Wenn trotz abgegebenen Gebots ein Zuschlag nicht erteilt wird, haftet Hargesheimer Kunstauktionen dem Bieter bzw. der Bieterin nur bei Vorsatz oder grober Fahrlässigkeit. 3.3. Bei einem unter Vorbehalt erteilten Zuschlag bleibt der Bieter bzw. die Bieterin einen Monat an sein Gebot gebunden. Ein unter Vorbehalt erteilter Zuschlag wird nur wirksam, wenn Hargesheimer Kunstauktionen das Gebot innerhalb eines Monats nach dem Tag der Versteigerung schriftlich bestätigt.

www.kunstauktionen-duesseldorf.de

VERSTEIGERUNGSB EDINGUNGEN

KAUFPREIS UND ZAHLUNG

4.1. Neben der Zuschlagssumme ist vom Käufer bzw. von der Käuferin ein Aufgeld von 28% zu zahlen. Hierin ist die gesetzliche Umsatzsteuer bereits enthalten, welche jedoch wegen Differenzbesteuerung nach § 25a UStG nicht ausgewiesen wird. Bei Objekten, die durch einen Stern (*) als regelbesteuert vermerkt sind, wird auf den Zuschlag ein Aufgeld von 24% berechnet. Auf die Summe von Zuschlag und Aufgeld wird die gesetzliche Umsatzsteuer von z.Zt. 19% erhoben. 4.2. Von der Mehrwertsteuer befreit sind Ausfuhrlieferungen in Drittländer (außerhalb der EU) und – bei Angabe ihrer Ust.-Identifikations-Nr. als Nachweis der Berechtigung zum Bezug steuerfreier innergemeinschaftlicher Lieferungen – auch an Unternehmen in anderen EU-Mitgliedsstaaten, unter der Voraussetzung, dass sie für gewerblichen Gebrauch einkaufen. Alle anderen Käufer:innen aus EU-Ländern unterliegen der Mehrwertsteuer. Ausländischen Käufer:innen außerhalb der Europäischen Union wird die Mehrwertsteuer erstattet, wenn der deutsche zollamtliche Ausfuhrnachweis erbracht wird. Bei Versand durch Hargesheimer gilt der Ausfuhrnachweis als gegeben. 4.3. Für Katalogpositionen, die mit zwei Sternen (**) gekennzeichnet sind, ist wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagspreis zu entrichten. 4.4. Während oder unmittelbar nach der Auktion ausgestellte Rechnungen bedürfen der Nachprüfung; Irrtum bleibt insoweit vorbehalten. 4.5. Die Zahlung des mit dem Zuschlag fälligen Gesamtbetrages ist in bar, per Banküberweisung oder per Kreditkarte (zuzüglich 3% bezüglich anfallender Spesen) zu entrichten. Schecks werden nur erfüllungshalber angenommen. Alle Steuern, Kosten, Gebühren der Überweisung oder der Scheckeinlösung (inklusive der Hargesheimer Kunstauktionen in Abzug gebrachten Bankspesen) gehen zu Lasten des Käufers bzw. der Käuferin. Persönlich an der Versteigerung teilnehmende Käufer:innen haben den Kaufpreis sofort nach erfolgtem Zuschlag an Hargesheimer Kunstauktionen zu bezahlen und in Empfang zu nehmen. 4.6. Bei Geboten in Abwesenheit gilt unbeschadet der sofortigen Fälligkeit die Zahlung binnen 10 Tagen nach Rechnungsdatum noch nicht als verspätet. 4.7. Die Gegenstände werden grundsätzlich erst nach vollständiger Bezahlung aller vom Käufer bzw. von der Käuferin geschuldeten Beträge ausgehändigt.

ABHOLUNG UND GEFAHRTRAGUNG

5.1. Der Zuschlag verpflichtet zur Abnahme. Abwesende Erwerber:innen sind verpflichtet, die Gegenstände unverzüglich nach Mitteilung des Zuschlages bei Hargesheimer Kunstauktionen abzuholen. Hargesheimer Kunstauktionen organisiert die Versicherung und den Transport der versteigerten Gegenstände zum Käufer bzw. zur Käuferin nur auf dessen schriftliche Anweisung hin und auf seine Kosten und Gefahr. Übersteigen die tatsächlichen Versandkosten die vorab berechnete Pauschale, so wird die Differenz dem Käufer bzw. der Käuferin nachträglich in Rechnung gestellt. 5.2. Mit dem Zuschlag geht die Gefahr an dem ersteigerten Gegenstand auf den Käufer bzw. die Käuferin über, das Eigentum wird jedoch erst bei vollständiger Bezahlung an den Käufer bzw. die Käuferin übertragen. 5.3. Hat der Erwerber bzw. die Erwerberin die Gegenstände nicht spätestens drei Wochen nach erfolgtem Zuschlag bzw. nach Mitteilung bei Hargesheimer Kunstauktionen abgeholt, wird Hargesheimer Kunstauktionen den Erwerber bzw. die Erwerberin zur Abholung der Gegenstände binnen einer Woche auffordern. Nach Ablauf dieser Frist hat Hargesheimer Kunstauktionen das Recht, die Gegenstände auf Kosten und Gefahr des Erwerbers bzw. der Erwerberin bei einer Spedition aufbewahren zu lassen. Vor einer Aufbewahrung unterrichtet Hargesheimer Kunstauktionen den Erwerber bzw. die Erwerberin. Für die Lagerkosten wird 1 Euro zzgl. Umsatzsteuer pro Tag und Objekt berechnet. Unabhängig davon kann Hargesheimer Kunstauktionen wahlweise Erfüllung des Vertrages verlangen oder die gesetzlichen Rechte wegen Pflichtverletzung geltend machen. Zur Berechnung eines eventuellen Schadens wird auf Ziff. 4 und 7 dieser Bedingungen verwiesen. 5.4. Hargesheimer Kunstauktionen trägt in keinem Fall eine Haftung für Verlust oder Beschädigung nicht abgeholter oder mangels Bezahlung nicht übergebener Gegenstände, es sei denn, Hargesheimer Kunstauktionen fiele Vorsatz oder grobe Fahrlässigkeit zur Last.

6. EIGENTUMSVORBEHALT, AUFRECHNUNG, ZURÜCKBEHALTUNGSRECHT

6.1. Das Eigentum am ersteigerten Gegenstand geht erst mit vollständigem Eingang aller nach Ziff. 4 und 7 geschuldeten Zahlungen auf den Käufer bzw. die Käuferin über. 6.2. Der Käufer bzw. die Käuferin kann gegenüber Hargesheimer Kunstauktionen nur mit unbestrittenen oder rechtskräftig festgestellten Forderungen aufrechnen. 6.3. Soweit der Käufer bzw. die Käuferin Kaufmann bzw. Kauffrau ist, verzichtet er bzw. sie auf seine bzw. ihre Rechte aus §§ 273, 320 BGB.

www.kunstauktionen-duesseldorf.de

VERZUG

EINWILLIGUNGSERKLÄRUNG DATENSCHUTZ

SONSTIGE BESTIMMUNGEN

7.1. Der Kaufpreis ist mit dem Zuschlag fällig. Zahlungsverzug tritt 14 Tage nach Vertragsschluss, also Zuschlagserteilung oder Annahme des Nachgebotes ein. Zahlungen sind in Euro an Hargesheimer Kunstauktionen zu leisten. 7.2. Bei Zahlungsverzug werden Verzugszinsen in Höhe von 1% pro Monat berechnet. Der Erwerber bzw. die Erwerberin hat das Recht zum Nachweis eines geringeren oder keines Schadens. Im Übrigen kann Hargesheimer Kunstauktionen bei Zahlungsverzug wahlweise Erfüllung des Kaufvertrages verlangen oder nach angemessener Fristsetzung vom Vertrag zurücktreten. Im Fall des Rücktritts erlöschen alle Rechte des Käufers bzw. der Käuferin am ersteigerten Gegenstand und Hargesheimer Kunstauktionen ist berechtigt, Schadensersatz in Höhe des entgangenen Entgelts auf das Kunstwerk (Einliefererkommission und Aufgeld) zu verlangen. Wird der Gegenstand in einer neuen Auktion nochmals versteigert, so haftet der säumige Käufer bzw. die säumige Käuferin außerdem für jeglichen Mindererlös gegenüber der früheren Versteigerung sowie für die Kosten der wiederholten Versteigerung; auf einen etwaigen Mehrerlös hat er keinen Anspruch. Hargesheimer Kunstauktionen hat das Recht, ihn bzw. sie von weiteren Geboten in Versteigerungen auszuschließen. 7.3. Einen Monat nach Eintritt des Verzuges ist Hargesheimer Kunstauktionen berechtigt und auf Verlangen des Einlieferers bzw. der Einlieferin verpflichtet, diesem Namen und Adressdaten des Käufers bzw. der Käuferin zu nennen.

8.1. Der Bieter bzw. die Bieterin ist damit einverstanden, dass sein bzw. ihr Name, seine bzw. ihre Adresse und Käufe für Zwecke der Durchführung und Abwicklung des Vertragsverhältnisses sowie zum Zwecke der Information über zukünftige Auktionen und Angebote elektronisch von Hargesheimer Kunstauktionen gespeichert und verarbeitet werden. Sollte der Bieter bzw. die Bieterin im Rahmen der Durchführung und Abwicklung dieses Vertragsverhältnisses seinen bzw. ihren vertraglichen Pflichten nicht nachkommen, stimmt der Bieter bzw. die Bieterin zu, dass diese Tatsache in eine Sperrdatei, die allen Auktionshäusern zugänglich ist, aufgenommen werden kann. Der Datenerhebung und weiteren Nutzung kann durch Streichen dieser Klausel oder jederzeit durch spätere Erklärung gegenüber Hargesheimer Kunstauktionen mit Wirkung für die Zukunft widersprochen werden. Informationen zu Datenschutz finden Sie auf unserer Internetseite: https://kunstauktionen-duesseldorf.de/datenschutzerklaerung

9.1. Politisch exponierte Personen sowie ihre unmittelbaren Familienmitglieder unterliegen der Auskunftspflicht im Sinne des Geldwäschegesetzes (GwG). Aufgrund der neuen Richtlinien für das GwG sind wir verpflichtet, bei schriftlichen Geboten über 7.500,- € sowie bei Saal-, Live- und Telefongeboten eine Ausweiskopie des Bieters zu hinterlegen. Bei juristischen Personen (z.B. GmbHs) benötigen wir zusätzlich den Handelsregisterauszug oder einen vergleichbaren amtlichen Registerauszug. 9.2. Diese Versteigerungsbedingungen regeln sämtliche Beziehungen zwischen dem Käufer bzw. der Käuferin und Hargesheimer Kunstauktionen. Allgemeine Geschäftsbedingungen des Käufers bzw. der Käuferin haben keine Geltung. Mündliche Nebenabreden bestehen nicht. Änderungen bedürfen zu ihrer Gültigkeit der Schriftform. 9.3. Erfüllungsort und Gerichtsstand für den kaufmännischen Verkehr ist ausschließlich Düsseldorf. Es gilt deutsches Recht; das UN-Abkommen über Verträge des internationalen Warenkaufs (CISG) findet keine Anwendung. 9.4. Vorstehende Bestimmungen gelten sinngemäß auch für den freihändigen Verkauf der zur Auktion eingelieferten Gegenstände und insbesondere für den Nachverkauf, auf den, da er Teil der Versteigerung ist, die Bestimmungen über Käufe im Fernabsatz keine Anwendung finden. 9.5. Sollte eine der vorstehenden Bestimmungen ganz oder teilweise unwirksam sein, wird die Gültigkeit der übrigen davon nicht berührt. Die unwirksame Bestimmung ist durch eine wirksame zu ersetzen, die in ihrem wirtschaftlichen Gehalt der unwirksamen Bestimmung am nächsten kommt. Entsprechendes gilt, wenn der Vertrag eine ergänzungsbedürftige Lücke aufweist. In Zweifelsfällen ist die deutsche Fassung der Versteigerungsbedingungen maßgeblich. Übersetzungen in andere Sprachen dienen nur der inhaltlichen Orientierung.

Frank Hargesheimer | Susanne Hargesheimer (Versteigerer | öffentlich bestellte und vereidigte Versteigerin für Kunst und Antiquitäten) Stand 4. Mai 2022

GENERAL TERMS AND CONDITIONS Hargesheimer Kunstauktionen Düsseldorf GmbH (hereinafter referred to as „Hargesheimer Kunstauktionen“) conducts auctions in a public auction in terms of Section § 474, Para.1 Line 2 and Section § 383 Para. 3 Line 1 of the German Civil Code (BGB) as a commissioner on his own behalf and on account of the clients (the „consigner”), who remain anonymous.

CONDITION, WARRANTY

CONDUCT OF AUCTIONS, BIDS

1.1. The items to be auctioned may be viewed and examined prior to the auction, potential buyers being liable for any damage caused by them to the items exhibited. 1.2. The works of art that are up for auction are, without exception, used items and sold as is. They are in a state of repair that corresponds to their age and provenance. Objections to the state of repair are only mentioned in the catalogue if, in the opinion of Hargesheimer Kunstauktionen, they adversely affect the visual impression of the work of art as a whole. Lack of information regarding the state of repair does therefore not justify any claims based on a guarantee or agreement on the condition. Potential buyers may request a condition report for every work of art. This report, be it verbal or written, does not contain any differing, individually negotiated terms, and expresses Hargesheimer Kunstauktionen subjective assessment only. The information contained in the condition report is provided to the best of our knowledge and belief. It does not constitute any guarantee or agreement on the condition and serves the purpose of the provision of nonbinding information only. The same applies to general information of any kind, be it verbal or written. In all cases the actual state of repair of the work of art at the time of the acceptance of the bid is the agreed condition in terms of statutory provisions (Sections § 434 et seq. of the German Civil Code (BGB) 1.3. All information contained in the catalogue is based on knowledge published until the date on the auction and on other general scientific knowledge available to the public. Hargesheimer Kunstauktionen reserves the right to correct catalogue information on the works of art that are to be auctioned. Said correction is made by written notice at the location of the auction and/or orally by the auctioneer immediately before the specific work of art is auctioned. The corrected information will replace the description in the catalogue. 1.4. Hargesheimer Kunstauktionen expressly excludes any liability for potential defects, provided that Hargesheimer has complied with its duty of care obligations. 1.5. Irrespective of the provisions of Clause 1.2., the information in the catalogue relating to authorship of the work of art shall form part of the condition that is agreed with the buyer. The auctioneer assumes no liability for defects as far as he has fulfilled his duty of diligence. But he commits himself to assert complaints which have been brought forward in due time within the limitation period to the consigner. Thereby, the limitation period regarding the authenticity is set at twelve months, for any other defects six months after the sale. In the event of successfully taking recourse to the consigner, the auctioneer will refund the purchasing price including the commission to the buyer. 1.6. Damages claims against Hargesheimer Kunstauktionen for legal and material defects and on other legal grounds (including compensation for futile expenses or cost for expert opinions) are excluded unless they are due to intentional or grossly negligent conduct by Hargesheimer Kunstauktionen or to the breach of significant contractual duties by Hargesheimer Kunstauktionen or are caused by injury to life or limb or damage to heal.

2.1. The estimates stated in the catalogue are reserve prices. 2.2. Hargesheimer Kunstauktionen reserves the right to combine, separate, offer out of sequence or withdraw numbered lots during an auction. 2.3. All bids are considered as submitted by the bidder on his own behalf and for his own account. If a bidder wishes to bid on behalf of a third party he must notify this 24 hours prior to the start of the auction, stating name and address of the party he is representing and submitting a written power of attorney. Otherwise the purchase contract is concluded with the bidder when the bid is accepted. 2.4. After presentation of a legal personal-document and admission to the auction, each bidder will be given a bidder’s number by Hargesheimer Kunstauktionen. Only bids using this number will be included in the auction. Bidders, so far unknown to Hargesheimer Kunstauktionen, have to submit a written application no later than 24 hours before the auction, together with a document of identification. Hargesheimer Kunstauktionen may ask for a recent bank reference or other references for the admission to the auction. 2.5. The initial bid price is determined by the auctioneer; bids are generally submitted in Euros at maximum 10% above the previous bid. Bids may be made in person in the auction room or via the live auction during the sale. In absentia bids may be made in writing, by phone or over the internet or via a platform that has been approved by Hargesheimer Kunstauktionen.

2.6. All offers are based on the so-called hammer price and increase with premium, VAT and customs charges where applicable. 2.7. When there are equal bids, irrespective of whether they were submitted in the auction hall, by phone, in writing or over the internet, a decision shall be made by drawing lots. Written bids or bids submitted via the internet shall only be taken into consideration by Hargesheimer Kunstauktionen to that amount that is required to outbid another bid. 2.8. Absentee bids are generally permitted if the bidder has applied to Hargesheimer Kunstauktionen for permission at least 24 hours prior to the start of the auction and has, as far as possible, provided additional information pursuant to fig. 2.4. The application must specify the work of art, along with its catalogue number and catalogue description. In case of doubt, the catalogue number is decisive; the bidder shall bear the consequences of any uncertainties. 2.9. Hargesheimer Kunstauktionen provides the service of executing absentee bids for the convenience of clients free of charge. Hargesheimer Kunstauktionen therefore provides no guarantee for the effectuation or flawless execution of bids. This does not apply where Hargesheimer Kunstauktionen is responsible for a mistake made intentionally or through gross negligence. Absentee bids shall be equivalent to bids made in the auction. 2.10. The written bid must be signed by the bidder. In the event of written bids, the interested party authorises the auctioneer to submit bids on his behalf. 2.11. Telephone bids may be recorded by Hargesheimer Kunstauktionen. By applying for telephone bidding, the applicant declares that he agrees to the recording of telephone conversations. Hargesheimer Kunstauktionen is not liable for setting up and maintaining telecommunications connections or for transmission errors. 2.12. Bids via the internet can be submitted as “pre-bids” prior to the beginning of the auction, as “live bids” during a live web-cast auction, or as “post-bids” after conclusion of the auction according to the provisions stated hereinafter. Bids received by Hargesheimer Kunstauktionen via internet during an auction will only be taken into account for the respective auction if it is a live, web-cast auction. Furthermore, bids via internet are only admissible if the bidder has been authorised by Hargesheimer Kunstauktionen to bid over the internet by providing him with a user name and password. They only represent valid bids if they can be unequivocally matched to the bidder by means of such user name and password. Bids via internet are recorded electronically. The accuracy of the corresponding transcripts is accepted by the bidder/buyer, who is nevertheless free to furnish evidence that the transcript is inaccurate. Live bids are considered equivalent to bids submitted in the auction hall during the auction. 2.13. The after sale is part of the auction. In the event of post-bids, a contract is concluded only after Hargesheimer Kunstauktionen accepts the bid. 2.14. By making a bid, either verbally in the auction, by telephone, written by letter, by fax, or through the internet the bidder confirms that he has taken notice of these terms of sale by auction and accepts them. 2.15. With distance contracts, the right of return and rescission shall not apply to written, phone or internet bids unless the bid was made in the after sale.

THE AUCTION

3.1. A bid is accepted after the auctioneer has called the highest bidder’s bid three times. When a bid is accepted a purchase contract is concluded between Hargesheimer Kunstauktionen and the bidder whose bid was accepted. A purchaser is obliged to fulfill his obligations to pay for the item and to collect the purchased item. 3.2. Hargesheimer Kunstauktionen may refuse to accept the bid or accept it subject to reservation. If a bid is refused, the previous bid remains valid. If several individuals place the same bid and there is no higher bid after three calls, the decision will be made by drawing lots. Hargesheimer Kunstauktionen may revoke acceptance of the bid and re-offer the item if a higher bid that was made in due time has been overlooked by accident, if the highest bidder does not want his bid to stand, or if there are other doubts as to the acceptance. If no bid is successful even though several bids were submitted, Hargesheimer Kunstauktionen is liable to the bidder only for intent or gross negligence. 3.3. A bidder remains bound to a bid that has been accepted subject to reservation for a period of one month. A bid accepted subject to reservation only becomes valid if Hargesheimer Kunstauktionen confirms the bid in writing within one month after the date of the auction by submitting a corresponding invoice.

www.kunstauktionen-duesseldorf.de

GENERAL TERMS AND CONDITIONS

PURCHASE PRICE AND PAYMENT

4.1. In addition to the bid award, the buyer must pay a premium of 28%. This includes statutory VAT, which will however not be stated due to the margin scheme in terms of Section § 25a of German Turnover Tax Law. An exception are lots with an asterisk (*) before the catalogue number. They are to be sold with V.A.T. and are calculated in line with Statutory VAT of currently 19% respectively will be levied on the sum of bid award and premium. 4.2. For buyers who have a right to deduct input tax, the invoice may, if desired, (after prior notification) be made out in line with standard taxation. VAT is not charged on shipments to foreign countries (i.e. outside the EU) nor – when the VAT-ID no. is stated – to companies in EU member states. If parties participating in an auction take purchased items into foreign countries themselves, they will be reimbursed the turnover tax as soon as Hargesheimer Kunstauktionen has the export and acquirer certificate. 4.3. For items marked with two asterisk (**), a flat-rated charge of 2% of the hammer price will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG). 4.4. Invoices issued during or immediately after the auction must be verified; errors remain reserved to this extent. 4.5. Payment of the total amount due upon acceptance of a bid must be made in cash, by bank transfer or by credit card (plus 3% in respect of any charges incurred). All taxes, costs, transfer or encashment fees (including the bank charges deducted by Hargesheimer Kunstauktionen) are to be borne by the buyer. Purchasers who participate in person at the auction must pay Hargesheimer Kunstauktionen the purchase price immediately after the bid is accepted. Without prejudice to the fact payment is due immediately, bids made in absentia may be paid within 14 days of the invoice date without being considered delayed. Default in payment commences two weeks after the date of the invoice. 4.6. The auctioned items are generally only handed over after full payment of all amount owed by the buyer has been received.

COLLECTION AND ASSUMPTION OF RISK

5.1. Acceptance of a bid imposes an obligation to collect the item. Buyers who are not present must collect their items immediately after Hargesheimer Kunstauktionen has advised them that the bid has been successful. Hargesheimer Kunstauktionen shall organise the insurance and shipment of the work of art to the buyer only upon the latter’s written instructions and at his cost and risk. Since the purchase price is due immediately and the buyer is obliged to promptly collect his items, he will find himself in default of acceptance no later than two weeks after acceptance of the bid or post-bid, so that then at the very latest, and irrespective of the still undelivered items, the risk will be passed on the buyer. Each lot is at the sole risk of the buyer from the fall of the hammer. 5.2. If the buyer has not collected the items from Hargesheimer Kunstauktionen at the latest three weeks after his bid has been accepted and/or after he has been notified, Hargesheimer Kunstauktionen will call upon the buyer to collect the items within one week. At the end of said period Hargesheimer is entitled to have the items kept in a warehouse at the cost and risk of the buyer. Hargesheimer Kunstauktionen shall inform the buyer prior to storage. Any purchases that have not been collected within three weeks from the date of the invoice will be subject to handling and storage charge at 1 Euro + 19 % VAT per lot per day. Irrespective of this, Hargesheimer Kunstauktionen may demand performance of the contract or assert statutory rights for breach of duties. For the purpose of calculating any loss, reference is made to fig. 4 and 7 of these terms and conditions. 5.3. Hargesheimer Kunstauktionen shall under no circumstances be liable for loss of or damage to items that have not been collected or not handed over due to non-payment, unless Hargesheimer Kunstauktionen acted intentionally or with gross negligence.

6. RETENTION OF TITLE, OFFSET, RIGHT OF RETENTION

6.1. Title to the work of art passes to the buyer only upon receipt of all payments owed under fig. 4 and 7 in full. 6.2. Against claims by Hargesheimer Kunstauktionen, the buyer can only offset claims that are undisputed or that have been legally and finally determined. 6.3. Insofar as the buyer is a merchant registered in the commercial register, he waives his rights under Sections §§ 273, 320 of the German Civil Code (BGB).

www.kunstauktionen-duesseldorf.de

DEFAULT

DATA PRIVACY DECLARATION

MISCELLANEOUS PROVISIONS

7.1. The purchase price is due upon acceptance of the bid. If payment is made in a foreign currency, any exchange rate losses and bank charges will be borne by the buyer. 7.2. In the event of default in payment, default interest of 1% per month is charged. The buyer is entitled to provide evidence that the loss is less or that there is no loss. In addition, in case of default in payment, Hargesheimer Kunstauktionen may elect to demand performance of the purchase contract or may rescind the contract after setting a suitable period for performance. In the event of rescission, all of the buyer’s rights to the purchased work of art shall lapse and Hargesheimer Kunstauktionen shall be entitled to demand damages amounting to the lost fee for the work of art (consignor commission and premium). If the item is re-auctioned at a new auction, then the defaulting buyer is additionally liable for any shortfall in proceeds compared with the earlier auction and for the costs of the repeat auction; he is not entitled to any excess proceeds. Hargesheimer Kunstauktionen has the right to exclude him from further bids in auctions. 7.3. One month after default has occurred, Hargesheimer Kunstauktionen is entitled to and, if the consigner demands it, required to provide the latter with details of the name and address of the buyer.

8.1. The buyer agrees that his name, address and any consignments being stored electronically and processed by Hargesheimer Kunstauktionen for the purpose of fulfilling and performing the contractual relationship, as well as to provide information about future auctions and offers. Should the buyer not meet the contractual obligations, within the scope of fulfilling and performing this contractual relationship, then he consents to this fact being added to a list which will be accessible to German auction houses. The buyer is entitled to object to the future collection and use of data by removing the said clause or by submitting notice to Hargesheimer Kunstauktionen at a later date. Information on data protection can be found on our website: https://kunstauktionen-duesseldorf.de/datenschutzerklaerung

9.1. Persons with political exposure and their immediate family members are subject to the obligation to provide information within the meaning of the Money Laundering Act (MLA). According to the new guidelines for the MLA, we are obliged to deposit a copy of the bidder’s identity card in the case of written bids over € 7,500 as well as auction hall, live and telephone bids. In the case of legal entities (e.g. GmbHs), we also require an extract from the commercial register or a comparable official register. 9.2. These Auction Terms and Conditions shall govern all relations between the buyer and Hargesheimer Kunstauktionen. The buyer’s General Commercial Terms and Conditions shall not apply. There are no verbal ancillary agreements. Amendments must be made in writing to be valid. 9.3. Insofar as it is possible to agree, Düsseldorf shall be the place of performance and jurisdiction. The law of the Federal Republic of Germany shall apply exclusively. The UN Convention on Contracts for the International Sale of Goods (CISG) shall not apply. 9.4. The aforementioned provisions apply mutatis mutandis to the private sale of items consigned for auction. 9.5. If any of the above provisions are invalid in whole or in part, the validity of the remaining provisions shall be unaffected. The invalid provision shall be replaced by a valid regulation which most closely resembles the commercial content of the provision which was invalid. The same applies if the contract reveals a loophole in need of amendment. In cases of doubt the German version of the Consignment Conditions shall prevail.

Frank Hargesheimer | Susanne Hargesheimer (Auctioneer | publicly appointed and sworn auctioneer for arts and antiques) Date: 4 May 2022

Schrittfolge der Steigerung | Bid Increments

Abkürzungsverzeichnis | List of abbreviations

220

1.100

5.500

24.000

130.000

240

1.200

6.000

26.000

140.000

260

1.300

6.500

28.000

150.000

280

1.400

7.000

30.000

160.000

300

1.500

7.500

33.000

170.000

330

1.600

8.000

36.000

180.000

360

1.700

8.500

39.000

190.000

390

1.800

9.000

42.000

200.000

420

1.900

9.500

45.000

220.000

450

2.000

10.000

50.000

240.000

100

500

2.200

11.000

55.000

260.000

110

550

2.400

12.000

60.000

280.000

120

600

2.600

13.000

65.000

300.000

130

650

2.800

14.000

70.000

330.000

140

700

3.000

15.000

75.000

360.000

150

750

3.300

16.000

80.000

390.000

160

800

3.600

17.000

85.000

420.000

170

850

3.900

18.000

90.000

450.000

180

900

4.200

19.000

100.000

500.000

190

950

4.500

20.000

110.000

550.000

200

1.000

5.000

22.000

120.000

600.000

Bitte beachten Sie, dass der / die Auktionator:in die Schrittfolgen nach eigenem Ermessen auch variieren kann. Please note that the auctioneer may vary the bidding increments at his / her discretion.

Zeitplan | Schedule Pro Stunde werden ca. 100 Positonen aufgerufen. Approximately 100 lots are auctioned per hour.

Mitglied im

All lots in this catalogue with a reserve price of min. 1.500 € have been searched against the Art Loss Register’s database.

Druckfehler, Irrtümer und Änderungen vorbehalten.

All errors and misprints reserved.

Abb. Abbildung Ag Silber attr. attributed B. Breite Bd. Band ber. berieben besch. beschädigt best. bestoßen bez. bezeichnet BM Blattmaß bzw. beziehungsweise ca. circa D. Durchmesser deutl. deutlich(e) DM Druckmaß doubl. doubliert E. A. Epreuve d‘artiste ehem. ehemals erg. ergänzt g Gramm Ges.- Gew. Gesamtgewicht GG Gelbgold Ges.-H. Gesamthöhe Ges.-L. Gesamtlänge gest. gestempelt G. Gewicht H. Höhe handschriftl. handschriftlich hrsg. herausgegeben insg. insgesamt jew. jeweils Jh. Jahrhundert L. Länge Lit. Literatur maroufl. maroufliert min. minimal Nr. Nummer num. nummeriert ortsbez. ortsbezeichnet part. partiell Pt Platin rest. restauriert RG Roségold sign. signiert SM Sichtmaß Sitz-H. Sitzhöhe T. Tiefe teilw. teilweise tlg. teilig u. und unbed.w unbedeutend vgl. vergleiche WG Weißgold zugesch. zugeschrieben zus. zusammen z. T. zum Teil

www.kunstauktionen-duesseldorf.de

IMPRESSUM HARGESHEIMER Kunstauktionen Düsseldorf GmbH Friedrich-Ebert-Straße 11+12 D - 40210 Düsseldorf

Steuernummer: 133 5832 1587 Finanzamt Düsseldorf-Mitte Amtsgericht/Registergericht Düsseldorf 88 HRB 57157 Firmensitz Düsseldorf

Telefon: Fax:

Deutsche Bank BIC: DEUT DE DDXXX IBAN: DE46 3007 0010 0614 9900 00

+49 (0) 211 / 30 200 10 +49 (0) 211 / 30 200 119

info@kunstauktionen-duesseldorf.de www.kunstauktionen-duesseldorf.de

Sparkasse Düsseldorf BIC: DUSS DE DDXXX IBAN: DE98 3005 0110 1007 8379 56

GESCHÄFTSFÜHRUNG Frank Hargesheimer (Kunsthistoriker M.A.)

Telefon: +49 (0) 211 / 30 200 120 E-Mail: fh@kunstauktionen-duesseldorf.de Auktionator Altmeistergemälde | Handzeichnungen

Susanne Hargesheimer (Kunsthistorikerin M.A.) Telefon: +49 (0) 211 / 30 200 111 E-Mail: sh@kunstauktionen-duesseldorf.de Öffentlich bestellte und vereidigte Auktionatorin Ikonen | Russische Kunst

MITARBEITER:INNEN Janine Kauermann (Kunsthistorikerin M.A.)

Telefon: +49 (0) 211 / 30 200 10 E-Mail: jk@kunstauktionen-duesseldorf.de Assistenz der Geschäftsleitung | Public Relations | Rechnungswesen | Zollabwicklung

Ulrike Bednarski

Telefon: +49 (0) 211 / 30 200 16 E-Mail: ub@kunstauktionen-duesseldorf.de Empfangsassistenz | Rechnungswesen | Zollabwicklung

Elaine Breidenstein (Kunsthistorikerin B.A.) Telefon: +49 (0) 211 / 30 200 12 62 E-Mail: eb@kunstauktionen-duesseldorf.de Silber | Online-Auktionen

Sofya Efanova (Dipl.-Kunstwiss.)

Telefon: +49 (0) 211 / 30 200 113 E-Mail: se@kunstauktionen-duesseldorf.de Gemälde des 19. Jahrhunderts

Kathrin Fischer (Kunsthistorikerin M.A.)

Telefon: +49 (0) 211 / 30 200 118 E-Mail: kf@kunstauktionen-duesseldorf.de Alte Grafik | Kunsthandwerk | Dosen | Miniaturen | Uhren Spazierstöcke

Elena Grjaznov

Telefon: +49 (0) 211 / 30 200 123 E-Mail: eg@kunstauktionen-duesseldorf.de Assistenz Russische Kunst & Ikonen

Anna Kantor (Gemmologin)

Telefon: +49 (0) 211/30 200 114 E-Mail: ak@kunstauktionen-duesseldorf.de Schmuck | Juwelen | Armband- und Taschenuhren

Luisa Knoben (Kulturwissenschaftlerin M.A.)

Telefon: +49 (0) 211 / 30 200 12 67 E-Mail: lk@kunstauktionen-duesseldorf.de Moderne & Zeitgenössische Kunst

Mariia Kozlova (Kunsthistorikerin B.A.)

Telefon: +49 (0) 211 / 30 200 123 E-Mail: mk@kunstauktionen-duesseldorf.de Assistenz Russische Kunst & Ikonen | Vintage

Geza Lévi (Kunsthistoriker M.A.| Musikwissenschaftler B.A.) Telefon: +49 (0) 211 / 30 200 122 E-Mail: gl@kunstauktionen-duesseldorf.de Hist. Musikinstrumente | Skulpturen | Bronzeplastiken | Möbel

Olga Syngaivska (Kulturwissenschaftlerin M.A.) Telefon: +49 (0) 211 / 30 200 115 E-Mail: os@kunstauktionen-duesseldorf.de Porzellan | Glas | Keramik | Jugendstil

www.kunstauktionen-duesseldorf.de

Yixuan Wang (Kunsthistorikerin M.A.)

Telefon: +49 (0) 211 / 30 200 117 E-Mail: yw@kunstauktionen-duesseldorf.de Asiatische Kunst

Laura Weber (Kunsthistorikerin M.A.)

Telefon: +49 (0) 211 / 30 200 125 E-Mail: lw@kunstauktionen-duesseldorf.de Moderne & Zeitgenössische Kunst

Henner Paul Hink (Dipl.-Designer) Telefon: +49 (0) 211 / 30 200 12 60 E-Mail: hph@kunstauktionen-duesseldorf.de Design Dietmar Hillmann

Telefon: +49 (0) 211 / 30 200 12 68 E-Mail: info@kunstauktionen-duesseldorf.de Antike Teppiche | Versand | Logistik

Udo Fischer

Telefon: +49 (0) 211 / 30 200 121 E-Mail: uf@kunstauktionen-duesseldorf.de Fotografie | Bildbearbeitung

Sebastian Maaß

Telefon: +49 (0) 211 / 30 200 121 E-Mail: sm@kunstauktionen-duesseldorf.de Fotografie | Bildbearbeitung | Social media

Jürgen Bennemann (Dipl.-Designer)

Telefon: +49 (0) 211 / 30 200 121 E-Mail: jb@kunstauktionen-duesseldorf.de Grafikdesign | Bildbearbeitung | Satz

Hans Weyers

Telefon: +49 (0) 211 / 30 200 12 61 E-Mail: hw@kunstauktionen-duesseldorf.de Versand | Logistik

Emanuel Becker

Telefon: +49 (0) 211 / 30 200 12 66 E-Mail: emb@kunstauktionen-duesseldorf.de

FREIE MITARBEITER:INNEN Chantal Hüben Fotografie

Daniel Pietzsch Fotografie

www.kunstauktionen-duesseldorf.de

Wichtiger Hinweis! Die 5. EU Geldwäscherichtlinie verpflichtet uns dazu, Sie bei Geboten über 7.500 € um eine Kopie Ihres Personalausweises zu bitten. Andernfalls dürfen wir Sie nicht als Bieter:in registrieren. Bitte beachten Sie, dass aufgrund der neuen Geldwäscherichtlinie der Rechnungsname mit dem Zahlungsabsender bzw. der Zahlungsabsenderin übereinstimmen muss. Weitere Informationen zu unseren und Ihren Pflichten nach dem Geldwäschegesetz sowie zur Verarbeitung Ihrer personenbezogenen Daten finden Sie auf unserer Webseite unter www.kunstauktionen-duesseldorf.de. Bitte beachten Sie, dass Bargeldzahlungen in unserem Haus gemäß der Richtlinien zur Geldwäscheprävention auf maximal 10.000 Euro begrenzt sind. Wir danken Ihnen für Ihr Verständnis und Ihre Kooperation.

Important note! The 5th EU Money Laundering Directive obliges us to ask you for a copy of your identity card for bids over €7,500. Otherwise we are not allowed to register you as a bidder. Please be advised that due to the new EU Money Laundering Directive payments must be sent from the invoiced party, rather than from a third party. Further information on our and your obligations under the Money Laundering Act and on the processing of your personal data can be found on our website at www.kunstauktionen-duesseldorf.de. Please note that cash payments are limited to a maximum of 10.000 Euro in accordance with our money laundering prevention guidelines. Thank you for your understanding and co-operation.

Важно! 5-я Директива ЕС об отмывании денег обязывает нас запрашивать у вас копию удостоверения личности при ставках свыше 7 500 евро.. В противном случае, мы не сможем зарегистрировать Вас на торгах. Обращаем Ваше внимание на то, что в связи с новой Директивой по борьбе с отмыванием денег, указанное в счёте имя должно совпадать с именем владельца счёта, с которого производится оплата. Дополнительную информацию об обоюдных обязательствах в соостветствии с действующим Законом по борьбе с отмыванием денег, а также об обработке Ваших персональных данных Вы можете получить на нашем сайте www.kunstauktionen-duesseldorf. de. Обращаем Ваше внимание, что в соответствии с рекомендациями по борьбе с отмыванием денег, наш Аукционный Дом не принимает наличные платежи суммой выше 10 000 евро. Благодарим вас за понимание и сотрудничество.

重要提示：

欧盟第 5 号反洗钱指令规定，对于超过 7500 欧元的投标，我们必须要求您提供身份证复印件。否则您将不能作为竞拍者在我公司注册，进而参加我们的拍卖。请您注意，根据欧盟最新反洗钱指令，您如果在我公司购买货品，账单上的姓名必须和付款人的姓名一致（汇款人或信用卡的持有者的姓名必须和账单上的姓名一致)。更多关于此反洗钱法规所要求的条款信息以及对您个人信息的处理方法，可详见我们的主页: www.kunstauktionen-duesseldorf.de. 请注意，根据防止洗钱的指导方针，在我们银行的现金支付上限为 10,000 欧元。

Aspetti importanti per gli nostri clienti! La quinta direttiva UE sul riciclaggio di denaro ci obbliga a chiedervi una copia della vostra carta d‘identità per le offerte superiori a 7.500 euro. Ci riferiamo all’adempimento obbligo di legge comprese la nuova quinta direttiva EU sul riciclaggio di denaro . Altrimenti non possiamo registrarLe come offerente.Si fa notare che a causa di quelle norme nuove antiriciclaggio il nome sul conto e il nome del speditore del pagamento devono essere gli stessi. Potete trovare ulteriori informazioni sui nostri e sui vostri obblighi ai sensi della legge sul riciclaggio di denaro e sul trattamento dei vostri dati personali sul nostro sito web all‘indirizzo www.kunstauktionen-duesseldorf.de. Si prega di notare che i pagamenti in contanti nella nostra banca sono limitati a un massimo di 10.000 euro in conformità con le linee guida per la prevenzione del riciclaggio di denaro. Vi ringraziamo per la vostra comprensione e collaborazione.

Avis important! La 5e directive européenne sur le blanchiment de capitaux nous oblige à vous demander une copie de votre carte d‘identité pour les offres supérieures à 7 500 euros. Autrement nous ne pouvons pas vous enregistrer comme enchérisseur/enchérisseuse.S’il vous plaît prenez en considération que – dû aux nouveaux directives concernant le blanchiment d’argent – au cas de règlement par virement le nom sur la facture doit correspondre avec l’expéditeur du versement. Vous trouverez de plus amples informations sur nos obligations et les vôtres en vertu de la loi sur le blanchiment d‘argent et sur le traitement de vos données personnelles sur notre site web à l‘adresse www.kunstauktionen-duesseldorf.de.

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Veuillez noter que les paiements en espèces dans notre établissement sont limités à un maximum de 10.000 euros, conformément aux directives sur la prévention du blanchiment d‘argent. Nous vous remercions de votre compréhension et de votre coopération.

GEBOTSFORMULAR

E-MAIL: INFO@H-AUKTION.DE

FAX: +49 (0) 211/30 200 119

Sind Sie bereits Kunde:in Ja

1. Telefon

Kund:innennummer

Neukund:innen bitten wir zusätzlich die Bieter:innenregistrierung auszufüllen

2. Telefon

Nachname, Vorname

Mobil

Firma

Fax

Straße u. Hausnr.

E-Mail

PLZ

Nur für Händler:innen (Handelsregisterauszug notwendig):

Ort

Rechnung bitte mit MwSt.-Ausweis (Regelbesteuerung)

Land

Ihre Umsatzsteuer-ID:

Werden Sie Ihre Käufe in ein Nicht-EU-Land exportieren? Ja

Bitte beachten Sie, dass Bargeldzahlungen in unserem Haus gemäß der Richtlinien zur Geldwäscheprävention auf maximal 10.000 Euro begrenzt sind. Wir danken Ihnen für Ihr Verständnis und Ihre Kooperation.

Lot-Nr.

Schriftliche Gebote: Zuschlag erfolgt − auch bei Vorliegen höherer Gebote − zum niedrigst möglichen Preis. Werden bei einem Objekt mehrere gleichlautende Gebote abgegeben, erhält das zuerst eingegangene Gebot den Zuschlag.

Ort, Datum

Bitte beachten Sie, dass aufgrund der neuen Geldwäscherichtlinie der Rechnungsname mit dem Zahlungsabsender bzw. der Zahlungsabsenderin übereinstimmen muss.

Objekttitel

Gebote müssen spätestens 24 Stunden vor der Auktion eingehen. Alle Gebote sind bindend und beinhalten nicht das Aufgeld in Höhe von 28 % inkl. MwSt. (Differenzbesteuerung). Verbindlich ist die angegebene Katalognummer.

Nein

Höchstgebot (o. Aufgeld) Telefon-Gebot

Telefonische Gebote: Für das Zustandekommen bzw. die Aufrechterhaltung der Telefonverbindung übernimmt das Auktionshaus keine Haftung. Telefongespräche können während der Auktion aufgezeichnet werden. Jedes abgegebene Telefongebot ist bereits ein verbindliches Gebot zum Limit der jeweiligen Katalognummer − auch bei nicht Zustandekommen der Telefonverbindung bzw. Nichterreichbarkeit.

Unterschrift

Friedrich-Ebert-Straße 11+12 | D - 40210 Düsseldorf | Tel.: +49 (0) 211 / 30 200 10 | Fax: +49 (0) 211 / 30 200 119 info@kunstauktionen-duesseldorf.de | www.kunstauktionen-duesseldorf.de

Versteigerungsbedingungen: Mit Ihrer Unterschrift erkennen Sie die Versteigerungsbedingungen, die ausführlich in jedem Katalog abgedruckt sind, als verbindlich an. Alle Unklarheiten können Sie jederzeit vor Unterzeichnung des Gebotsformulars mit uns klären. Informationen zum Datenschutz und zur Geldwäscheprävention in unserem Hause finden Sie auf unserer Website unter www.kunstauktionen-duesseldorf.de.

05.24

Nein

BIDDING FORM

E-MAIL: INFO@H-AUKTION.DE Have you registered with us before? Yes

FAX: +49 (0) 211/30 200 119

No Client No

New clients will be asked to complete our Bidder Registration Form

Telephone daytime Telephone evening

Last name, first name Mobile Company Fax Address Email City

For trade buyers only (extract from the commercial register):

Country Important note! The 5th EU Money Laundering Directive obliges us to ask you for a copy of your identity card for bids over €7,500. Otherwise we are not allowed to register you as a bidder. Please note that cash payments are limited to a maximum of € 10.000 in accordance with our money laundering prevention guidelines. Thank you for your understanding and co-operation.

Lot-No

P lease tick if you are requiring an invoice under the normal VAT rules (instead of a margin scheme invoice). If registered for VAT in the EU please enter your registration here:

Will you export your purchases to a Non-EU-Country: Yes

Please be advised that due to the new EU Money Laundering Directive payments must be sent from the invoiced party, rather than from a third party.

Maximum Bid €

Brief description

Bids must be received at least 24 hours before the auction begins. All bids are binding and irrevocable, the listed catalogue numbers are valid. A buyer‘s premium of 28 % (including VAT) will be added to the hammer price and is payable by the buyer as part of the total purchase price. Absentee written bids: We will attempt to execute an absentee bid at the lowest possible price taking into account the reserve price. If identical absentee bids are received for the same lot, the written bid received first will take the precedence. We cannot accept liability for any reasonable error or failure to place such bids.

(excluding buyer‘s premium)

Telephone bids: We will endeavour to excute these bids on your behalf but we will not be liable for any errors. Telephone bids may be recorded. Each telephone bid is already a bid at the level of the catalogue price, even if the bidder is unavailable at the time of sale, or the connection should be lost during bidding.

Phone Bid

Information on data protection and prevention of money laundering in our company can be found on our website www.kunstauktionen-duesseldorf.de

Conditions of Sale: By signing this form you agree that you have read and understand our conditions of sale and wish to be bound by them. You should ask any questions you have about the conditions of the sale before signing this form.

Place, date

Your signature

05.24

Post/ZIP Code

BIDDING FORM

E-MAIL: INFO@H-AUKTION.DE

Maximum Bid €

Brief description

(excluding buyer‘s premium)

Phone Bid

Information on data protection and prevention of money laundering in our company can be found on our website www.kunstauktionen-duesseldorf.de

Place, date

Your signature

05.24

Lot-No

FAX: +49 (0) 211/30 200 119

Friedrich-Ebert-Straße 11 + 12 40210 Düsseldorf Tel.: + 49 (0) 2 11 / 30 200 10 WhatsApp: + 49 (0) 160 / 30 200 10 Fax: + 49 (0) 2 11 / 30 200 119 info@kunstauktionen-duesseldorf.de www.kunstauktionen-duesseldorf.de