123 Asian Art

ASIAN ART

Auction 123 | 8 December 2022

ASIATISCHE KUNST

Vorbesichtigung: 2. Dezember bis 6. Dezember 2022

Exhibition Time: 2 December to 6 December 2022

Ihr Auktionsexperte/ Your auction expert:

Friedrich-Ebert-Straße 11+12 | D - 40210 Düsseldorf

Tel.: + 49 (0) 211 / 30 200 10 | Fax: + 49 (0) 211 / 30 200 119

info@kunstauktionen-duesseldorf.de | www.kunstauktionen-duesseldorf.de

1 | A BLUE AND WHITE ‚PHOENIX TAIL‘ VASE

China, late Qing Dynasty

Porcelain. H. 44.5 cm. The vase is decorated with continuous riverside landscape scenes. On the bottom is mark „Kangxi Nianzhi“. With traces of use, partially damaged and restored.

€ 200,-

4 | A BLUE AND WHITE ‚SHOU‘ POT

China, Qing Dynasty

Porcelain. H. of the pot 18 cm. The pot has a wooden cover. With traces of use, partially damaged.

€ 150,-

2 | A BLUE AND WHITE „PRUNUS“ VASE AND A SMALL „FLOWERS AND BIRDS“ BEAKER

VASE

China, Qing Dynasty

Porcelain. H. 25.9-30 cm. Both have a mark „Kangxi Nianzhi“ on the bottom. With traces of use, partially damaged.

€ 160,-

5 | A BLUE AND WHITE ‚FIGURAL‘ JAR AND LID

China, late Qing Dynasty

Porcelain. H. ca. 33 cm. The jar is decorated ladies and boys in garden, with a mark „Kangxi Nianzhi“ on the bottom. With traces of use, partially damaged and stained.

€ 400,-

3 | A BLUE AND WHITE ‚DRAGON‘ JARDINIERE

China, Qing Dynasty

Porcelain. H. 22.5 cm, D. 27 cm. The jardiniere is decorated with a central band of two dragons amongst peonies and other plants. On the bottom is a mark „Kangxi Nianzhi“. With traces of use.

€ 360,-

7 | A BLUE AND WHITE ‚LANDSCAPE‘ JUG

China, Qing Dynasty

Porcelain. H. 13.8 cm. With traces of use, partially chipped.

€ 200,-

6 | A BLUE AND WHITE ‚FIGURAL‘ DEEP BOWL

China, Qing Dynasty

Porcelain. H. 9.9 cm, D. 20.8 cm. The bowl is painted with five playing boys in medallion in the center and geometric patterns at the rim. The exterior is decorated with panels relating the „romance of the Western Chamber“. On the bottom is a mark „Daqing Kangxi Nianzhi“. With slight traces of use, partially cracked and chipped.

€ 300,-

8 | A BLUE AND WHITE PLATE FROM THE SHIPWRECK ‚NANKING CARGO‘

China, circa 1750

Porcelain. D. 23.3 cm. The plate is decorated with a river landscape in the center and peony sprays at the rim. On the bottom is a label of the art dealer Bernheimer München and a label of Christie‘s Amsterdam 1986 (Lot 3535). With slight traces of use, partially chipped.

€ 100,-

9 | THREE BLUE AND WHITE „HUNTING“ DISHES

China, Qing Dynasty

Porcelain. D. ca. 20 cm. The plates are decorated with a hunting scene in the center below a lotus border and eight buddhist emblems, with a mark „Daming Chenghua Nianzhi“ on the bottom. With slight traces of use, partially damaged and cracked.

€ 200,-

10 | TWO BLUE AND WHITE ‚FLORAL‘ DISHES AND A ‚FIGURAL‘ SAUCER

China, Qing Dynasty

Porcelain. D. 12.8-21.5 cm. The saucer has a mark „Kangxi Nianzhi“ on the bottom. With slight traces of use, partially bumped.

€ 100,-

11 | ELEVEN BLUE AND WHITE SMALL DISHES

China, Qing Dynasty

Porcelain. D. ca. 13.3-15.6 cm. including three ‚floral‘ dishes and two ‚fish‘ dishes as well as six ‚four occupations‘ dishes, all with mark on the bottom. With traces of use, partially damaged.

€ 150,-

12

| THREE BLUE AND WHITE DISHES

China, Qing Dynasty

Porcelain. D. 26.6-27.8 cm. i ncluding an underglaze blue and copper-red ‚buddhist lion‘ dish, a blue and white ‚squirrel and grapes‘ dish and a celadon blue and white ‚landscape‘ dish with mark „Chenghua Nianzhi“. With traces of use, partially damaged, one with wax seal from customs for Cultural relics.

€ 250,-

13 | WEI HONGTAI ATTRIBUTED, A BLUE AND WHITE SEATED FIGURE OF BUDAI

China, republic Period

Porcelain. H. ca. 29.5 cm. The Buddha holds pouch in his right hand and mala in his left, wears a robe decorated with bats and clouds in underglaze blue. On the bottom is a mark „Wei Hongtai Zao“. With slight traces of age, partially damaged or cracked.

Provenance: From a private collection in Düsseldorf, family-owned since the 1960s.

€ 500,-

14

| A RED-GLAZED GLOBULAR VASE

China, late Qing Dynasty

Porcelain. H. 40.2 cm. The vase has a globular body under a tubular neck and is entirely glazed in red thinning slightly around the mouth rim. With slight traces of use, partially damaged or scratched.

€ 400,-

15 | A WUCAI ‘FLORAL’ GU-VASE

China, late Qing Dynasty

Porcelain. H. 39.2 cm. The vase is decorated with flowers and butterflies in panels and banana leaf patterns. With traces of use, partially stained.

€ 600,-

18 | A PAIR OF GE STYLE FAMILLE ROSE ‚BATTLE SCENE‘ VASES

China, late Qing Dynasty

Porcelain. H. 45.6 cm. The vases are painted with battle scenes and flanked with two lion-mask handles. On the shoulder and on the foot are brown decorative borders with relief ornamentation. On the bottom is a mark „Hongwu Nianzhi“. With traces of use.

€ 150,-

16 | A WUCAI ‚FIGURAL‘ VASE

China, late Qing Dynasty

Porcelain. H. 43.5 cm. The body of the vase depicts the famous General Yue Fei as a baby. At that time the Yellow river flooded, the mother picked up the baby, sat in a vat and floated with the flood until they were finally washed ashore and rescued. With traces of use.

€ 200,-

19 | A GE STYLE FAMILLE ROSE ‚BATTLE SCENE‘ VASE

China, late Qing Dynasty

Porcelain. H. 43.8 cm. The vase is painted with battle scenes and flanked with two handles. On the shoulder and on the foot are brown decorative borders with relief ornamentation. With traces of use, partially damaged.

€ 100,-

17 | A PAIR OF FAMILLE VERTE ‚FLORAL‘ DOUBLE-GOURD VASES

China, late Qing Dynasty

Porcealin. H. ca. 23.2 cm. The vases are decorated with pheasants on magnolia branches beside peony and rockwork. With traces of use, partially cracked and abraded.

€ 1.200,-

20 | A GE STYLE FAMILLE ROSE ‚BATTLE SCENE‘ VASE AS LAMP AND TWO SMALLER VASES

China, late Qing Dynasty

Porcelain. H. of vases ca. 25.5-44.5 cm. The vases are painted with battle scenes and flanked with two handles. On the shoulder and on the foot are brown decorative borders with relief ornamentation. With traces of use, damaged and restored.

€ 120,-

21 | TWO QURQUOISE GROUND FAMILLE ROSE ROSEWATER DISHES

China, Qing Dynasty

Porcelain. D. 32.5 - 37.2 cm. Both dishes are molded and scalloped in flowerhead shape, painted in the center with quail pecking beside rose bushes, surrounded by leaf, finger citron, peach and pomegranate panels on the turquoise ‚cracked ice‘ ground. With traces of use, partially damaged and abraded.

€ 1.500,-

24 | A FAMILLE ROSE ‚MANDARIN DUCKS‘ JUG

China, Qing Dynasty

Porcelain. H. 11 cm. The jug is decorated with two large panels depicting mandarin ducks swimming amidst lotus plants. With traces of use, partially damaged and restored, overall stained.

€ 100,-

22 | A FAMILLE ROSE ‚COCKEREL‘ DISH

China, Qing Dynasty

Porcelain. D. 27.5 cm. The dish has a sloping rim and a scalloped edge, is painted with cockerel and peonies in the center and heart-shape panels at the rim. With slight traces of use, partially bumped and abraded.

€ 120,-

25 | TWO FAMILLE ROSE HIGH-FOOTED SMALL DISHES

China, 19th/20th century

Porcelain. H. ca. 5 cm, D. ca. 13 cm. Both have foliate rim and high foot. One is painted with peacock, flowers and butterflies, and the foot is painted with wave patterns. The other is painted with interlocking branches, flowers and round phoenix patterns. Both have mark „Daiqing Tongzhi Nianzhi“ on the bottom. With traces of use, partially stained.

€ 120,-

23 | A FAMILLE ROSE ‚FIGURAL‘ BOWL

China, Qing Dynasty

Porcelain. H. 9.1 cm, D. 20 cm. The bowl is decorated with various panels depicting figural scene. With traces of use, partially damaged.

€ 200,-

26 | AN IRON-RED-DECORATED ‚BAGUA‘ FOOTED BOWL, A FAMILLE ROSE ‚FRUITS‘ FOOTED PLATE AND A PINK GLASS BOTTLE VASE

China, late Qing Dynasty or later

Porcelain/glass. H. ca. 4.3-13.7 cm. On the bottom of the footed bowl is a mark „Daqing Tongzhi Nianzhi“. With traces of use, partially damaged and abraded.

€ 100,-

27 | SIX VARIOUS PORCELAIN OBJECTS

China, Qing Dynasty

Porcelain. D. ca. 8-14.9 cm. including a blue and white „lotus“ stem dish, two blue and white saucers, a blue and white cup, a famille rose „dragon“ causer and a famille rose bowl. Five of them have mark on the bottom. With traces of use, partially damaged.

€ 250,-

28 | SIX VARIOUS PORCELAIN OBJECTS

China/Japan, 19th century

Porcelain. D. of the dishes ca. 12-14.5 cm. including two famille rose dishes decorated with flowers and fruits with mark on the bottom, two dishes and a cup as well as a jar in underglaze blue with gold paint. With traces of use, partially damaged.

€ 120,-

30 | TWENTY-THREE FAMILLE ROSE SMALL DISHES

China, republic period

Porcelain. D. ca. 9-13.8 cm. including seven ‚floral‘ or ‚fruit‘ mini dishes and a footed dish, as well as fifteen ‚floral‘ or ‚characters‘ dishes, twenty-one of which are with mark. With traces of use, partially damaged or rubbed.

€ 150,-

29 | TEN PIECES OF FAMILLE ROSE PORCELAIN

China, republic period

Porcelain. H. 6-27.2 cm. i ncluding a hat stand, a small vase, three pots, and five other various pieces of porcelain, eight of which are with mark. With traces of use, partially damaged, abraded and stained.

€ 300,-

31 | TWENTY-ONE PIECES OF FAMILLE ROSE PORCELAIN

China, republic period

Porcelain. D. of cups and bowl ca. 5.4-18.3 cm, L. of the spoons ca. 12 cm. including fourteen various small cups, six spoons and one bowl, eleven of which are with mark. With traces of use, partially damaged and abraded.

€ 150,-

32 | TWO QIANJIANGCAI ‚FIGURAL‘ VASES

China, 19th/20th century

Porcelain. H. ca. 42.8 cm. The vases are decorated with fairies or ladies. With traces of use, partially damaged and abraded.

€ 140,-

33 | A QIANJIANGCAI ‚FIGURAL‘ VASE

China, 19th/20th century

Porcelain. H. ca. 45.5 cm. The vase is decorated with Taoist immortals. With traces of use, partially damaged and abraded.

€ 100,-

35 | A QIANJIANGCAI ‚FIGURAL‘ HAT STAND AND A ‚FLOWERS AND BIRDS‘ JAR WITH LID

China, 19th/20th century

Porcelain. H. ca. 22.5-28.7 cm. Both have a mark on the bottom. With traces of use, partially cracked and abraded.

€ 120,-

34 | A FAMILLE ROSE JAR AND A QIANJIANGCAI JAR WITH LID

China, 19th/20th century

Porcelain. H. of the jars ca. 19-27 cm. including a qianjiangcai ‚flowers and birds‘ jar with lid and a famille rose ‚figural‘ jar with a wooden lid. With traces of use, partially damaged and cracked.

€ 200,-

36 | TWO QIANJIANGCAI VASES AS LAMP AND A JAR

China, 19th/20th century

Porcelain. H. ca. 27-43.7 cm. including a vase as lamp decorated with birds and flowers, a vase as lamp decorated with bergamot, peach and pomegranate etc. as well as a jar decorated with deer and cranes. With traces of use, partially damaged, lid of jar lost.

€ 150,-

37 | A LARGE IMARI ‚CRANE‘ DISH

Japan, 19th century

Porcelain. D. ca. 56.5 cm. The dish is decorated with flowers in underglazed blue in the middle with four big panels on the rim, two are painted with cranes and two with figures. With traces of use.

€ 200,-

38 | A GOLD PAINTED FAMILLE ROSE ‚FLORAL‘ DISH

Japan, 19th century

Porcelain. D. 23.5 cm. The dish has a foliate rim and is painted with flowers and butterflies. With traces of use, partially abraded and bumped.

€ 300,-

40 | A GILT BRONZE STANDING FIGURE OF BUDDHA

Thailand, 19th/20th century

Bronze. H. ca. 32.7 cm. The buddha stands in samabhanga on a lotus base placed on a stepped pedestal, both hands in abhaya mudra. With traces age, partially abraded.

€ 80,-

39 | FOUR PIECES OF SATSUMA WARE

Japan, probably early 20th century

Earthenware. D. of dishes 21.5 cm, H. of vases 30.8-39.5 cm. including two vases and two dishes, all decorated with figures, three of them have a mark on the bottom. With traces of use, partially damaged.

€ 200,-

41 | A BRONZE STANDING FIGURE OF BUDDHA

Thailand, 19th century

Bronze. H. 32.7 cm (40 cm with base). The hands of buddha are raised in abhaya mudra, the feet of the figure are missing. The figure is fixed on a wooden base. With traces of age and gilding, partially damaged.

€ 120,-

42 | A GILT BRONZE STANDING FIGURE OF BUDDHA

Thailand, 19th/20th century

Bronze. H. ca. 93.5 cm. The buddha stands in samabhanga on a lotus base placed on a stepped pedestal, both hands in abhaya mudra. With traces age, partially damaged.

€ 500,-

43 | A GILDED COPPER ALLOY SEATED FIGURE OF BUDDHA

Thailand, 19th century

Copper alloy. H. 19.2 cm. The Buddha sits on a tiered throne. Part. damaged, with traces of age.

€ 400,-

46 | A BRONZE SEATED STATUE OF GUANYIN

China, Ming Dynasty

Bronze. H. ca. 21.5 cm. Guanyin is seated in dhyanasana on a lotus base, wearing an elaborate pierced crown and beaded jewelry, holding a cup in the left hand and probably a willow branch in the right. With traces of age and gilding, partially damaged.

€ 1.800,-

44 | A BRONZE SEATED STATUE OF SHAKYAMUNI

China, Ming Dynasty

Bronze. H. 30 cm. shakyamuni sits in dhyanasana on a lotus base. With traces of age and gilding, partially abraded and damaged.

€ 280,-

47 | A BRONZE SEATED STATUE OF GUANYIN

China, Ming Dynasty

Bronze. H. ca. 30 cm. Guanyin sits in dhyanasana wearing an elaborate pierced crown and beaded jewellery on a lotus base. With traces of age and gilding.

€ 300,-

45 | A BRONZE SEATED STATUE OF SHAKYAMUNI

China, Ming Dynasty

Bronze. H. 28.6 cm. shakyamuni sits in dhyanasana on a lotus base with both hands in dhyana mudra. With traces of age and gilding, partially damaged. Provenance: From a North German private collection.

€ 3.000,-

48 | A GILT BRONZE SEATED FIGURE OF AMITAYUS

China, 18th/19th century

Bronze. H. 10.5 cm. Amitayus is seated on a lotus base, with both hands in dhyana mudra. With traces of age, vase in the hands and some stone inlays lost.

€ 2.600,-

49 | A GILT BRONZE SEATED FIGURE OF SHAKYAMUNI

China (Tibet), probably 15th century Bronze. H. 22.8 cm. s hakyamuni is seated on a double-lotus base with the hands in bhumisparsa mudra. A vajra is placed on the base before him. The base is sealed with a double-vajra. With traces of age, partially damaged and abraded.

€ 8.000,-

50 | A GILT BRONZE SEATED FIGURE OF A LAMA

China (Tibet), 16th/17th century

Bronze. H. 8.8 cm. The lama is seated on a lotus base with Tibetan characters engraved on the back, with both hands in dhyana mudra, wearing a robe with engraved vine patterns. With traces of age, partially scratched.

€ 600,-

51 | A GILT BRONZE SEATED FIGURE OF TSONGKHAPA

China (Tibet), 17th century or later

Bronze. H. 17.8 cm. The lama sits on a lotus throne with hands in dharmachakra mudra, holding the stems of two lotus blossoms with his book and sword. With traces of age, partially damaged.

Provenance: From an old private Collection in Düsseldorf.

€ 300,-

52 | A THANGKA DEPICTING GREEN TARA

China (Tibet), 19th century

Distemper on cloth. 52x35 cm. The Green Tara sits in the palace with buddha seated on the top of the tower, flanked with Ekajati and Brikuti, surrounded with other buddhas and protective deities. With traces of age, partially damaged.

€ 800,-

53 | A THANGKA OF THE FIELD OF ACCUMULATION OF SHAKYAMUNI

China (Tibet), 19th century

Distemper on cloth, framed and under glass. 77.5x55.5 cm (71.5x94.3 cm with frame). The buddha sits at the center with Vajradhara at the heart, surrounded by gurus of the lineage of Maitreya and Manjushri, with deities, buddhas and bodhisattvas as well as protectors below. With traces of age, partially damaged und stained.

Provenance: From an old private Collection in Düsseldorf.

€ 500,-

55 | TWO CARVED WOOD BOOK COVERS

China (Tibet), probably 18th century or later

Wood. 9.3x29.2x1.5-14x37x2.3 cm. Both book covers are carved with s hakyamuni seated on lotus base over a lion throne, flanked by other buddhas or bodhisattvas. With traces of age and use, partially stained and abraded.

Provenance: From an old private Collection in Düsseldorf.

€ 100,-

54 | FOUR GAU BOXES

China (Tibet), 19th/20th century

silver/metal. H. 6.3-18.5 cm. including two boxes with silver cover depicting the „eight auspicious symbols“ centered by a kirttimukha mask, a silver box with depicting Vaisravana on the front and a karttrika on the back as well as a box depicting Chintamani on the front cover. With traces of use and age, partially damaged and stained.

Provenance: From an old private Collection in Düsseldorf.

€ 150,-

56 | A KAPALA

China (Tibet), 19th/20th century

s kull/silver. L. of the bowl ca. 17.2 cm. The skull bowl is inside lined with silver and decorated with gemstones on the sides. The bowl stands on a triangular stand. With traces of age, partially damaged.

Provenance: From an old private Collection in Düsseldorf.

€ 120,-

57 | A WOODEN SILVER-MOUNTED AND INLAID LID BOX

China (Tibet), 19th/20th century

Wood/silver etc.. H. 9.2 cm, D. 13.8 cm. With traces of use and age, partially damaged, one stone lost.

€ 80,-

58 | A SILVER ‚EIGHT AUSPICIOUS SIGNS‘ BUTTER LAMP

China(Tibet), 19th/20th century silver. H. 7.2 cm, 285g. With traces of use.

€ 350,-

61 | TWO GHANTAS AND A PRAYER WHEEL

China (Tibet)

silber/bronze etc.. H. ca. 17.5-23.3 cm. The prayer wheel is partially silver. With traces of use, partially damaged.

Provenance: From an old private Collection in Düsseldorf.

€ 200,-

59 | A BRONZE VAJRA

China (Tibet), probably 18th century or later

Bronze. L. 12.3 cm. With traces of age, partially damaged.

€ 200,-

60 | THREE BRONZE VAJRAS

China (Tibet)

Bronze. L. 16.8-24.6 cm. With traces of age, partiallz damaged.

Provenance: From an old private Collection in Düsseldorf.

€ 200,-

62 | TWO KARTTRIKAS

China (Tibet), probably 19th century

Bronze/iron. H. 15-16.5 cm. Both are decorated with dragons. With traces of use and age, blade corroded.

Provenance: From an old private Collection in Düsseldorf.

€ 120,-

63 | NINE METAL MOUNTED LEATHER FLINT STRIKERS

China, 19th/20th century

Leather/silk/metal. W. ca. 4.5-11 cm. i ncluding eight made of leather and one with silk. With traces of use, partially damaged and stained, some of them with wax seal from customs for Cultural relics.

€ 450,-

64 | A GILT-SPLASHED BRONZE CYLINDRICAL CENSER

China, probably Qing Dynasty

Bronze. H. 10.6 cm, W. ca. 15.5 cm, 1390g. The censer is supported on a short foot ring and cast with two lion-mask handles. surrounding the mouth rim is a band of interlocking stems and a band of stylized lappets is above the footing. The censer is decorated with scattered irregular gilt splashes. On the bottom is a mark „Daming Xuande Nianzhi“. With traces of use and age, partially scratched.

€ 300,-

67 | A BOXWOOD MASK NETSUKE OF HANNYA

Japan, 19th century

Boxwood. H. 5 cm. The netsuke is signed at the back „Toyomasa, carved at the age of 74“. With traces of age, damaged and restored. For comparison is No. 9 in A. Ducros, Paris Edo: Convention Netsuke & Sagemono 1994.

€ 200,-

65 | A BRONZE INCENSE STICK HOLDER

China, Ming Dynasty

Bronze. H. 28.5 cm. The prismatic holder has a hexagonal base, hollowed out on six sides, cast with immortals, flanked with dragon handles. The base is engraved with the words „Chun Gong Zhi(?) Yong“. With traces of use and age.

€ 180,-

68 | SIX TSUBA (SWORD GUARDS)

Japan, 18th/19th century

iron and copper alloy. H. 6.8-8.2 cm. including two tsuba in mokkogata form decorated with „magpie and prunus“ as well as flowers, four tsuba from circular to oval inlaid in gold, one of them is decorated with a literato standing under a pine tree, one is decorated with pavilions, and one is pierced with a net design. One tsuba has signature. With traces of use, partially damaged.

€ 500,-

66 | A BRONZE BRUSH WASHER

China

Bronze. W. 18 cm. The brush washer is in the form of a peach decorated with bats and is supported on two gourds. With traces of use.

€ 600,-

69 | A PAIR OF CLOISONNÉ ‚SAMURAI‘ PLATES

Japan, Meiji period

Cloisonné. D. 46 cm. The two plates are decorated with figures in a mountain landscape. With traces of use, partially damaged.

€ 200,-

70 | A LARGE BRONZE FIGURAL GROUP

Japan, Meiji period

Bronze. H. 43 cm. Depicted are a fruit seller and a boy who is eating a piece of fruit. On the ground is a lying stretcher with two full fruit baskets. The figural group is sealed „Nihon Tokyo Udagawa Kazuo sei“. With slight traces of use, the older man‘s hat is loose.

€ 2.400,-

71 | A PAIR OF BRONZE ‘CHRYSANTHEMUM’ VASES

Japan, 19th/20th century

Bronze. H. 13.5 cm. The vases are applied in metalwork with chrysanthemums and birds. With traces of age, minimally damaged.

€ 80,-

73 | THREE SILVER BOXES WITH LID

China

silver/Gemstone. W. 5.5-7cm, 225g. Two boxes are carved with bamboo and dragons, one is inlaid with stones. With traces of use, partially damaged.

€ 200,-

72 | TWO HAND MIRRORS

China, 19th/20th century

Jade, silver and other materials. L. ca. 20-26 cm. One of both is encased in silver, with a belt buckle as handle. The back of the mirror is engraved with the eight Daoist emblems and inlaid with a jade medallion and colored gemstones. The other is similar in shape and made of copper alloy. With traces of use, partially damaged or deformed.

€ 500,-

74 | A SILVER SUGAR BOWL AND A MILK POT

China, early 20th century

s ilver. H. ca. 7.2 cm, 280g. Both have dragon-shaped handles, honeycombed surface, and hallmarks „Province Zhe“ „Meihua““Zuwen“ on the bottom. With traces of use, partially deformed.

€ 150,-

75 | A JAPANESE EXPORT SILVER TEAPOT

Japan, early 20th century

silver. H. ca. 21 cm, 739g. The teapot is with lobed body and applied with bamboo leaves forming the handles and finials, marked on side and bottom, possibly mark of MiMATsU AKirA ZO. With traces of use, partially deformed and scratched.

€ 800,-

76 | A GOLD LACQUERED WOOD RELIEF

China, 19th/20th century

Wood. Ca. 43x30x4.6 cm. The relief is carved with figures, the surface is painted in gold lacquer. With traces of age, partially damaged or cracked and restored.

€ 120,-

77 | A GOLD LACQUERED WOOD RELIEF

China, 19th/20th century

Wood. Ca. 84.8x16x4 cm. The relief is carved with prunus and magpies, the surface is painted in gold lacquer. With traces of age, partially damaged or cracked.

€ 100,-

79 | A SMALL ALTAR INLAID WITH GOLD LACQUERED WOOD RELIEF PANELS

China, 19./20. century

Wood. Ca. 19x43x19 cm. The altar is decorated on four sides with inlaid figural relief panels. With traces of use, partially damaged.

€ 100,-

78 | A GOLD LACQUERED „BRIGHT FUTURE“ WOOD RELIEF

China, Qing dynasty or later

Wood. 107.5x24 cm. A wood carving of golden pheasant and peony, lacquered in gold on the surface. Partially damaged and stained.

€ 160,-

80 | A BAMBOO ‚MAGPIE AND PRUNUS‘

BRUSH POT

China, late Qing Dynasty

Bamboo. H. 13.8 cm. The brush pot is carved magpie standing on prunus tree in low relief, inscribed with verses „There‘s nothing precious in Jiangnan, only a bunch of spring to present you. After Wang Wenzhi in s ummer of the year Bingzi(1876?).“, signed „Xiao shan“ with seals. With traces of use and age, partially cracked.

Provenance: From a North German private collection, purchased at the auction „From The Scholar‘s Studio“ in June 2005, Nagel Auktionen, lot 252.

€ 500,-

81 | A WOODEN MOTHER-OF-PEARL-INLAID LID BOX

China, 19th century

Wood. 25x24.5x10.3cm. The box is decorated with ornamental and vegetal inlays of engraved motherof-pearl. inside is equipped with padding. With traces of age, partially damaged or cracked.

€ 450,-

82 | A LACQUERED WOOD STANDING FIGURE OF KOMOKUTEN

Japan, Edo period

Wood. H. ca. 80.5 cm. The Komokuten, also known as the guardian of the west stands on a demon placed on a rectangular base, with his hair tied to a knot above his head, holding a scroll in his left hand. With traces of age, partially damaged and restored, the pen in right hand lost.

€ 1.600,-

85 | TWO LARGE JUMU SQUARE-CORNER CABINETS

China, middle Qing Dynasty or later Wood. Ca. 211.5x106x50 cm. Both cabinets have single-panel doors carved with lotos branches inside meander border around the center stile and opening to reveal the interior with two shelves above two drawers and a trapdoor at the bottom. With traces of use, partially damaged and cracked.

€ 6.000,-

83 | A LACQUERED WOOD STANDING FIGURE OF AN AMIDA TRIAD

Japan, Edo period

Wood. H. 59 cm. The central figure of Amitabha stands on a lotus platform with robes and detachable nimbus in gold lacquer, accompanied by two attendants s eishi and Kannon bowing down in a greeting position for welcoming and escorting the dying devotee back to the Western Paradise. With traces of age, partially damaged.

Provenance: From a private collection in North Rhine-Westphalia, family-owned since the 1960s.

€ 3.000,-

84 | A LACQUERED WOOD SEATED FIGURE OF AMIDA BUDDHA

Japan, Edo period

Wood. H. ca. 57.5 cm. The Buddha seats in dhyanasana on a lotus platform surmounting a hexagonal base with several floors, with right hand in abhaya mudra and left hand in dhyana mudra resting on his thigh. He is dressed in a monastic robe with an elegant pleat covering his shoulders. With traces of age, min. damaged.

Provenance: From a private collection in North Rhine-Westphalia, family-owned since the 1960s

€ 2.200,-

86 | A HONGMU COMPOUND CABINET

China, 19th/20th century

Wood. 200x100x40 cm. The cabinet is of square-corner form and has panel doors carved with Buddhist lions playing with balls, the sides are carved with scrolling dragons. With traces of use, partially damaged.

€ 800,-

89 | A PIECE OF EMBROIDERY

China, late Qing Dynasty or later

Embroidery, framed and under glass. 67.5x37 cm (72.5x41.5 cm with frame). The pieces is decorated with ladies in garden. With traces of age.

€ 150,-

87 | A HONGMU RECESSED-LEG TABLE

China

Wood. 101x35.3x84.5 cm. The panel is set in the rectangular frame ends with everted ends, above the cloud-shaped spandrels. With traces of use.

€ 1.000,-

90 | FIVE PIECES OF EMBROIDERY INCLUDING SLEEVE BANDS

China, late Qing Dynasty

Embroidery, framed under glass. 38x11-52x11.7 cm with frame. i ncluding one piece embroidered with peonies and butterflies in knot stitch etc., one piece embroidered with pheasants and flowers in Panjin stitch etc., one piece embroidered with butterflies and flowers in three-blue stitch, one piece embroidered with mother and child as well as another with eight immortals. With traces of age, partially damaged and stained.

Provenance: From a private collection in North Rhine-Westphalia, acquired in Tianjin City at the beginning of the last century, and thence by descent.

€ 300,-

88 | TWO HONGMU ARMCHAIRS

China, 19th century

Wood. 48x62x96.5 cm. The backsplat carved in openwork with the character „shou“ surrounded by bats and gourds, the arms are similarly carved. With traces of use, partially cracked or damaged.

€ 360,-

91 | FOUR COUNTED-STITCH SLEEVE BANDS

China, late Qing Dynasty

Embroidery, framed under glass. 51.2x10.251.3x13 cm with frame. i ncluding one piece embroidered with flower and bird, one piece embroidered with lotus and carps, one piece embroidered with figures, and one piece embroidered with pavilions landscape. With traces of age, partially damaged and stained.

Provenance: From a private collection in North Rhine-Westphalia, acquired in Tianjin City at the beginning of the last century, and thence by descent.

€ 400,-

92 | TWO VOLUMES OF THE IMPERIAL ENCYCLOPAEDIA

China, 19th/20th century

Print on paper, thread-bound edition. 20x13x4.3 cm (with two wood covers). These two volumes include the rolls 1 to 6 and 126 to 130 of the part „Procivilities“ under the subdivision nature, cover general overview, agriculture, medical science, acupuncture, etc. With traces of age, partially yellowed, stained and with creases.

€ 100,-

95 | KATSUSHIKA HOKUSAI, HOKUSAI MANGA (2 VOLS.)

Japan, probably first half of the nineteenth century Woodblock-printed illustrated book. Ca. 22.5x15.6 cm. including vol. 11 (probably 1819-1834) and vol. 7 (probably 1849, both published by Eirakuya Toshiro and others. With traces of age and use, partially damaged and stained.

For comparison, see the collection number 1979,0305,0.428.11 of the British Museum.

€ 80,-

93 | FRANÇOIS-MARIE MARCHANT DE BEAUMONT, BEAUTÉS DE L‘HISTOIRE DE LA CHINE, DU JAPON ET DES TARTARES (2 VOLS.)

France, 1825

Book. 17.1x10.5 cm. The book contains the main events in the history of China, Japan and the Tatars, as well as the introduction of their government, religion, customs, science, art and commerce, published in Paris in 1825 by Alexis Eymery with hardcover. With traces of use and age, partially damaged and stained.

€ 100,-

96 | KATSUSHIKA HOKUSAI, FUGAKU HYAKKEI (3 VOLS.)

Japan, probably 1849

Woodblock-printed illustrated book. Ca. 22.5x15.6 cm. The books contain the works of the series „One Hundred Views of Mount Fuji“. All three have an orange red paper cover with printed title slip, published by Eirakuya Toshiro and others. With traces of age and use, partially damaged and stained. For comparison, see the collection number JIB109 of the Metropolitan Museum of Art.

€ 180,-

94 | AN ALBUM OF WORKS BY SESSHU Japan, 1910

Woodblock print. Ca. 31.2x39x4.5 cm. The album contains 22 woodblock prints with silk binding, edited by shiichi Tajima, published by shimbi shoin. With traces of age and use, partially stained and damaged, the cover is torn off.

€ 80,-

97 | TEN VARIOUS BOOK PAGES OR PAINTINGS

Japan, 19th/20th century

Woodblock print/color on paper. Ca. 12.1x12.333x23.5 cm. including ten book pages or paintings on topics such as maps, flowers and birds as well as figures. With traces of age, partially damaged and stained.

€ 200,-

98 | KANO MOTONOBU (IN THE STYLE OF), JUROJIN UNDER THE PINE

Japan, probably Edo period ink on paper, mounted as hanging roll. 86x24 cm. With red pot-shaped seal lower right and original wooden box. With traces of age, partially damaged and stained.

€ 150,-

101 | A LANDSCAPE PAINTING DEPICTING LINGZHI HUNTING

China, Qing Dynasty

i nk on silk, mounted as hanging scroll. 115x47.5 cm. The painting depicts a wanderer looking for Lingzhi in mountain landscape, signed „Jiang Liushou“, with two seals. With traces of age, browned, partially stained, damaged and restored.

€ 2.000,-

99 | A LARGE PORTRAIT OF AN ELDERLY CIVIL OFFICER

China, Qing Dynasty

ink and color on paper, mounted as a hanging scroll. 161x89 cm. The painting depicts a seated official from the Qing Dynasty in official costume, with a signature „Yayun Xuan Tu“ on the folding fan in his hand. With traces of age, partially damaged and stained.

€ 300,-

102 | YIN JINHUA, LANDSCAPE PAINTING

China, probably 1926

ink on silk, mounted as a hanging scroll. 123x65.5 cm. The painting depicts a house surrounded by pine trees in a mountain landscape, with five artist‘s seals and two collector‘s seals. With traces of age, partially damaged and stained.

€ 200,-

100 | A LARGE PORTRAIT OF AN ELDERLY COURT LADY

China

ink and color on paper, mounted as a hanging scroll. 161x89 cm. The painting depicts a seated court lady from the Qing Dynasty in official costume and coronet. With traces of age, partially damaged and stained.

€ 300,-

103 | SUN LUQING, LANDSCAPE PAINTING

China, 1939

ink and color on paper, mounted as a hanging scroll. 68x32.5 cm. s igned „Jimao Chunzhong Luqing Xieyu Chongqing“ with two seals. With signs of age and creases. sun Luqing (1900-1992), wife of the famous politician Chen Lifu (1900-2001), graduated from the shanghai Art Academy, was a student of Liu Haisu (1896-1994).

€ 300,-

104 | YING YEPING, LANDSCAPE OF HUANGSHAN

China, 1966

ink on paper, mounted as hanging scroll. 90x57.5 cm. inscribed with a poem and signed, with seals “Ying Yeping” “Tianzhen Lanman shi Wushi“. With slight traces of age and creases.

Provenance: From a private collection in North Rhine-Westphalia, acquired in 1975 by a member of the delegation during Chancellor Helmut Schmidt‘s first visit to China and since then in the family possession.

€ 1.500,-

105 | YUN SHOUPING (WITH SIGNATURE OF), THE HANSHAN TEMPLE

China

Color on silk, mounted as a hanging scroll. 50.6x36.7 cm. With inscription „Ancient Hanshan Temple“, signed „shouping“ and with two bell seals. The frontispiece is inscribed with the poem „A Night Mooring by Maple Bridge“, signed „Xian Ke“ and with one seal. With slight traces of age, slightly stained.

€ 120,-

106 | A MOUNTED SET OF TWELVE BODHI LEAF PAINTINGS OF LUOHAN

China, Qing Dynasty

Color on Bodhi leaf, mounted on paper. Pro page 21.5x15 cm, Covers 31.3x20 cm. including twelve Bodhi leaves, nine with paintings depicting Luohan, two with four heavenly kings, one with Guanyin, signed „Ding Yunpeng“ and with seal. All pieces are within two wood covers. With traces of age, partially damaged.

€ 800,-

108 | TWO RICE PAPER LANDSCAPE PAITINGS

China, late Qing Dynasty

Color on rice paper, framed and under glass. 18.5x30.7 cm (ca. 26.6x37.4 with frame). With traces of age, partially damaged.

€ 100,-

107 | ZHU JIABAO, A CALLIGRAPHIC COUPLET

China, 19th/20th century

i nk on paper, mounted on paper. 127.5x30 cm each. „Peaceful s trolling by the Peng river, Happy Wandering in the sheng Mountain“, with two seals „Zhu Jiabao Yin““Po Nong“. With traces of age and creases, with label of state-owned antique and curio store of Beijing city and wax seal from customs for Cultural relics, mounting partially damaged. Zhu Jiabao (1860-1923) was a Chinese politician, Governor of Jilin Province and later Anhui Province.

€ 300,-

109 | TWO RICE PAPER FIGURE PAITINGS

China, late Qing Dynasty

Color on rice paper, framed and under glass. Visible size 32x20 cm (ca. 75x64 with frame). including a painting depicting a general with soldier and a painting depicting a lady with maid. Visible part with traces of age, partially damaged.

€ 100,-

110 | THREE PERSIAN MINIATURE PAINTINGS

Central or South Asia, probably 19th/20th century i nk and color on paper or carton, one of three framed under glass. 12x12-27.5x15.5 cm (24.5x18-43.9x31.3 cm with mounting). With traces of age, partially stained and damaged.

€ 120,-

111 | GAO JINLONG, LIGHT AND SHADOW

China, 1991

ink and color on silk. 73x71 cm (89.2x87.5 cm with frame). signed „Jinlong Bi“, with three seals. Partly stained, with slight traces of age. Gao Jinlong (1953-) is a Chinese painter from shanghai who has lived in Yunnan since 1970. He dedicated himself to minority research and shows particular interest in the ethnic group of the Dai.

Provenienz: Acquired at the artist‘s solo exhibition „Land behind the clouds“, Worpsweder Kunsthalle 1993.

€ 450,-

114 | RYONOSUKE FUKUI, WOMAN PORTRAIT

Japan

Oil on canvas. 53x38 cm (74.5x58.5 cm with frame). signed lower right. With traces of age.

€ 800,-

112 | KEIKO MINAMI, PETITE FILLE AU BALLON Japan

Etching, framed and under glass. 50x30 cm (60.8x49.8 cm with frame). signed lower right, with handwriting „´epreuve d‘artiste“. With slight traces of age.

€ 150,-

115 | RYONOSUKE FUKUI, GIRL

Japan

Oil on canvas. 65.5x50.5 cm (81.5x66.3 cm with frame). signed lower left. With traces of age.

€ 1.000,-

113 | ISHIKAWA KINICHIRO, VIEW OF VILLAGE

Japan/China

Watercolor on paper. 35x20 cm. signed lower right. With slight traces of age.

i shikawa Kinichiro (1871-1945) was a Japanese painter who had taught in Taiwan at different institutes. He was the enlightener of modern Western art in Taiwan and the founder of art education in school in Taiwan.

€ 400,-

116 | SUPRIYADI KUSNUN, AN OLD MAN SMOKING

Indonesia, 1957

Oil on canvas. 70x55 cm (87x72.5 cm with frame). signed lower left. With slight traces of age.

€ 300,-

117 | EIGHT VARIOUS ADVERTISING POSTERS WITH PREDATOR MOTIFS

China, 20th century

Print. Ca. 17.5x12.7-26.6x19 cm. With slight traces of age, minimally damaged.

Provenance: From the Collection Rommel in Nordrhein-Westfalen, purchased in Hong Kong in the second half of the 20th century.

€ 600,-

120 | SIX VARIOUS ADVERTISING POSTERS WITH JUVENILE MOTIFS

China, 20th century

Print. Ca. 18.8x13.2-24.5x19.2 cm. With slight traces of age, minimally damaged.

Provenance: From the Collection Rommel in Nordrhein-Westfalen, purchased in Hong Kong in the second half of the 20th century.

€ 480,-

118 | SIX VARIOUS ADVERTISING POSTERS WITH BIRD MOTIFS

China, 20th century

Print. Ca. 20.6x12.9-25.5x18.7 cm. With traces of age, minimally damaged.

Provenance: From the Collection Rommel in Nordrhein-Westfalen, purchased in Hong Kong in the second half of the 20th century.

€ 400,-

121 | FOURTEEN VARIOUS ADVERTISING POSTERS WITH BEAUTY MOTIFS

China, 20th century

Print. Ca. 15x12.3-27.3x19.7 cm. With slight traces of age, minimally damaged.

Provenance: From the Collection Rommel in Nordrhein-Westfalen, purchased in Hong Kong in the second half of the 20th century.

€ 960,-

119 | FIVE VARIOUS ADVERTISING POSTERS WITH CHILDREN MOTIFS

China, 20th century

Print. Ca. 21.6x17.6-26.8x18.6 cm. With slight traces of age, minimally damaged.

Provenance: From the Collection Rommel in Nordrhein-Westfalen, purchased in Hong Kong in the second half of the 20th century.

€ 400,-

122 | SEVEN VARIOUS ADVERTISING POSTERS WITH WORKING WOMEN MOTIFS

China, 20th century

Print. Ca. 23x19.5-26.9x18.3 cm. With traces of age, minimally damaged.

Provenance: From the Collection Rommel in Nordrhein-Westfalen, purchased in Hong Kong in the second half of the 20th century.

€ 560,-

125 | TEN VARIOUS ADVERTISING POSTERS FOR TEXTILE INDUSTRY

China, 20th century

Print. Ca. 27x21.2-38.7x27 cm. including posters depicting beauties designed by Zhang Mingshan and Hang Zhiying. With slight traces of age, minimally damaged.

Provenance: From the Collection Rommel in Nordrhein-Westfalen, purchased in Hong Kong in the second half of the 20th century.

€ 1.160,-

123 | TWENTY-SEVEN VARIOUS ADVERTISING POSTERS FOR TEXTILE PRODUCTS WITH BEAUTY MOTIFS

China, 20th century

Print. Ca. 20.5x14 cm. With slight traces of age, minimally damaged.

Provenance: From the Collection Rommel in Nordrhein-Westfalen, purchased in Hong Kong in the second half of the 20th century.

€ 1.100,-

124 | TWELVE VARIOUS ADVERTISING POSTERS FOR TEXTILE PRODUCTS

China, 20th century

Print. Ca. 21.3x12.8-26.2x18.2 cm. With slight traces of age, minimally damaged.

Provenance: From the Collection Rommel in Nordrhein-Westfalen, purchased in Hong Kong in the second half of the 20th century.

€ 960,-

127 | TWELVE VARIOUS ADVERTISING POSTERS FOR CIGARETTES

China, 20th century

Print. Ca. 21.3x13.1-29.3x20.2 cm. including posters for „Pirate Magnums“ cigarettes etc. With slight traces of age, minimally damaged.

Provenance: From the Collection Rommel in Nordrhein-Westfalen, purchased in Hong Kong in the second half of the 20th century.

€ 960,-

126 | TEN VARIOUS ADVERTISING POSTERS FOR CIGARETTES

China, 20th century

Print. Ca. 29.5x11-26.9x19 cm. including a poster for ruby Queen cigarettes painted by Ni Gengye as well as posters for Hatamen cigarettes etc. With slight traces of age, minimally damaged.

Provenance: From the Collection Rommel in Nordrhein-Westfalen, purchased in Hong Kong in the second half of the 20th century.

€ 800,-

128 | FOUR VARIOUS ADVERTISING POSTERS FOR CIGARETTES

China, 20th century

Print. Ca. 38.7x18-38.7x27.1 cm. including a poster depicting the butterfly lovers designed by sun Zhiyin etc. With traces of age, partially stained.

Provenance: From the Collection Rommel in Nordrhein-Westfalen, purchased in Hong Kong in the second half of the 20th century.

€ 480,-

129 | EIGHT VARIOUS ADVERTISING POSTERS FOR TEXTILE INDUSTRY

China, 20th century

Print. Ca. 26.4x23-39x26.8 cm. including posters designed by Yu Yiqing and Ke Lianhui etc. With slight traces of age, minimally damaged.

Provenance: From the Collection Rommel in Nordrhein-Westfalen, purchased in Hong Kong in the second half of the 20th century.

€ 880,-

130 | UTAGAWA HIROSHIGE I, ARAI, WATARIBUNE CHAKUGAN GOSEKISHO

Japan, 1855

Woodblock print, framed and under glass. 36x24.6 cm (52.5x40 cm with frame). From the series „Gojusan tsugi meisho zue“, signed „Hiroshige hitsu“, with censor‘s seals „aratame“ „Hare 7“, published by Tsutaya Kichizo. With traces of age.

€ 200,-

131 | UTAGAWA HIROSHIGE I, HAMAMATSU, MEISHO ZAZANZA NO MATSU

Japan, 1855

Woodblock print. 37.5x25.5 cm (53.5x40.8 cm with frame). From the series „Gojusan tsugi meisho zue“, signed „Hiroshige hitsu“, with censor‘s seals „aratame“ „Hare 7“, published by Tsutaya Kichizo. With traces of age.

€ 200,-

133 | UTAGAWA HIROSHIGE I, SHITAYA HIROKOJI

Japan, 1856

Woodblock print, framed and under glass. 37.5x25 cm (54.2x40 cm with frame). From the series „Meisho Edo hyakkei“, signed „Hiroshige ga“, with censor‘s seals „aratame““Dragon 9“, published by Uoya Eikichi. With traces of age.

€ 500,-

132 | UTAGAWA HIROSHIGE I, YOKKAICHI, NAKO NO URA MIEKAWA

Japan, 1855

Woodblock print. 35.2x24.2 cm. The print depicts the Nako Bay and the Mie r iver, from the series „Gojusan tsugi meisho zue“, signed „Hiroshige hitsu“, with censor‘s seals „aratame““Hare 7“, published by Tsutaya Kichizo. With traces of age, partially damaged and stained.

€ 150,-

134 | UTAGAWA HIROSHIGE I, TSUNOHAZU KUMANO JUNISHA ZOKUSHO JUNISO

Japan, 1856

Woodblock print, framed and under glass. 36.2x23.6 cm (52.5x40 cm with frame). From the series „Meisho Edo hyakkei“, signed „Hiroshige hitsu“, with censor‘s seals „aratame““Dragon 7“, published by Uoya Eikichi. With traces of age.

€ 500,-

135 | UTAGAWA HIROSHIGE I, KAI INUME TOGE

Japan, 1858

Woodblock print. 36.5x24.8 cm. The print depicts the inume Pass in Kai Province, from the series „Fuji sanjurokkei“, signed „Hiroshige ga“, with censor‘s seal „Horse 4“, published by Tsutaya Kichizo. With traces of age.

€ 400,-

136 | UTAGAWA HIROSHIGE I, SHIMABARA DEGUCHI NO YANAGI

Japan, round 1834

Woodblock print, framed and under glass. 24.3x34.3 cm (41x50.5 cm with frame). From the series „Kyoto meisho no uchi“, signed „Hiroshige ga“, published by Kawaguchiya shozo. With traces of age, partially cut.

€ 150,-

139 | UTAGAWA HIROSHIGE II, KAMEIDO TENMANGU SHRINE

Japan, 1862

Woodblock print, framed and under glass. 35x24.5 cm (50.8x39.8 cm with frame). From the series „Toto sanjurokkei“, signed „Hiroshige ga“, with censor‘s seal „Dog 6 aratame“, published by sagamiya Tokichi. With traces of age.

€ 140,-

137 | UTAGAWA HIROSHIGE, KOJI MACHIDORI GOFUKUDANA

Japan, 1858

Woodblock print. 33.5x21.3 cm. The print depicts kimono fabric shops on the Kojimachi s treet, from the series „Edo meisho“, signed „Hiroshige ga“, with censor‘s seal „Horse 3“, should published by Yamadaya shojiro with misprint. With slight traces of age.

€ 200,-

140 | UATAGAWA HIROSHIGE I AND UTAGAWA KUNISADA I, MARIKO

Japan, 1854

Woodblock print, framed and under glass. Visible size 34.5x23.5 cm (51.5x36.4 cm with frame). The print depicts the local specialty dumplings and a lady serving tea, frome the series „s ohitsu gojusan tsugi“, signed „Toyokuni ga““Hiroshige ga“, with censor‘s seals „aratame““Tiger 12“, published by Maruya Kyushiro. Visible part with traces of age, partially stained.

€ 100,-

138 | UTAGAWA HIROSHIGE I, TWO UKIYO-E Japan, first half of the 19th century

Woodblock print, framed and under glass. 22.8x34.5/22x35 cm (38.8x49.8/38.5x51 cm with frame). including the „Kameido Tenmangu“ from the series „Edo meisho“ as well as „Massaki yukibare no zu“ frome the series „Toto meisho“. With traces of age, partially stained.

€ 100,-

141 | UTAGAWA HIROSHIGE UND KATSUSHIKA HOKUSAI, TWO UKIYO-E Japan

Woodblock print, framed and under glass. 8.4x12.712.5x17.8 cm (20x24.2-25.8x31 cm with frame). including one piece painted by Utagawa Hiroshige depicting Tenjin Festival of Tenmangu shrine and one piece painted by Katsushika Hokusai depicting the Hakone Lake. With traces of age.

€ 80,-

142 | UTAGAWA TOYOKUNI I, UKIE SHIN YOSHIWARA NO ZU

Japan, Edo period

Woodblock print. 33.5x22.1 cm. signed „Utagawa Toyokuni ga“, published by Enomotoya Kichibei. With traces of age, partially stained.

€ 500,-

145 | KATSUSHIKA HOKUSAI, TOKAIDO YOSHIDA

Japan, 1830/31

Woodblock print, unopened under passepartout.

Visible size 24.5x36.5 cm. From the series „Fugaku sanjurokkei“, signed „s aki no Hokusai iitsu hitsu“, published by Nishimuraya Yohachi. With traces of age, partially stained.

€ 1.000,-

143 | UTAGAWA TOYOHARU, UKIE NANIWA TENMATENJIN YOMATSURI NO ZU

Japan, 1911

Woodblock print. 38.7x25.7 cm. The print depicts a festival in honor of s ugawara Michizane taking place at night at the Tenman Tenjin shrine in Osaka, published by Keibunkan in Meiji 44. With traces of age, partially stained and worm-eaten.

€ 100,-

144 | ISODA KORYUSAI, A HASHIRA-E Japan, probably 1775

Woodblock print, framed and under glass (unopened). Visible size 66x11 cm (80.5x20.5 cm with frame). The hashira-e depicts a courtesan playing a hand drum, signed „Koryusai ga“. With traces of age, partially browned.

For comparison, see the collection number 21.8336 of the Museum of Fine Arts Boston.

Provenance: Acquired from E. Pranger Oriental Art Amsterdam.

€ 400,-

146 | KATSUSHIKA HOKUSAI, SHUNGA

Japan, round 1814

Woodblock print, framed and under glass. Ca. 25.5x36.5 cm (42.5x57.7 cm with frame). From the series „Ehon tsui no hinagata“. With traces of age, partially damaged.

€ 400,-

149 | KITAGAWA UTAMARO, SHUNGA

Japan, early 19th century

Woodblock print, framed and under glass. Ca. 26x38.5 cm (37x44.5 cm with frame). With traces of age, partially stained.

€ 200,-

147 | KATSUKAWA SHUNCHO, SHUNGA

Japan, late 18th century

Woodblock print, framed and under glass. Ca. 21.5x31 cm (41x57 cm with frame). With traces of age, partially stained.

€ 120,-

148 | KITAGAWA UTAMARO, SHUNGA

Japan, early 19th century

Woodblock print, framed and under glass. Ca. 24.7x36 cm (42.5x57.7 cm with frame). With traces of age, partially stained.

€ 200,-

150 | KIKUKAWA EIZAN, UTAGAWA TOYOKUNI, FOUR SHUNGA

Japan, early 19th century

Woodblock print, framed and under glass. Ca. 22.5x27 cm (43.2x47 cm with frame). With traces of age, partially stained and damaged.

€ 480,-

151 | KITAGAWA HIDEMARO, MITATE YORITOMO HO TSURU Japan, 1806

Woodblock print, framed and under glass. 38x25 cm (57x40.5 cm with frame). The print depicts the parody of the story of Yoritomo releasing cranes at Yuigahama, signed „Hidemaro ga“, with censor‘s seals „Kiwame““Tiger 11“, published by i seya soemon. With traces of age, partially damaged and staind.

€ 280,-

152 | SHUNKOSAI HOKUSHU, NAKAMURA UTAEMON Japan, 1822

Woodblock print. 37.2x24.2 cm. The print depicts the actor Nakamura Utaemon as Tabacconist s ankichi in the play „Keisei somewake Tayuna“, signed „ s hunkosai Hokushu ga“, published by s hohonya seishichi. With traces of age, partially damaged and stained.

€ 150,-

154 | UTAGAWA KUNISADA I, KODORI KO Japan, 1863

Woodblock print, mounted under passepartout. Ca. 34.8x24 cm. From the series „Nijushi ko toji no kanamono“, signed „Oju Toyokuni rojin hitsu“, with censor‘s seal „Boar 12 aratame“, published by iseya Kanekichi. With slight traces of age.

€ 80,-

153 | UTAGAWA KUNISADA I, SHINJUKU Japan, 1858

Woodblock print, framed and under glass. 35.8x24.5 cm (52.8x41.2 cm with frame). From the series „Edo meisho hyakunin bijo“, signed „Toyokuni ga“, with censor‘s seal „Horse 3“, published by Yamamotoya Heikichi. With slight traces of age, punched.

€ 100,-

155 | UTAGAWA KUNISADA I, FURYU HARU NO KYO

Japan, round 1850

Woodblock print. Ca. 36x24.5 cm. signed „Toyokuni ga“, with censor‘s seals „Fuku““Muramatsu“, published by izumiya ichibei. With traces of age, partially stained.

€ 240,-

156 | UTAGAWA KUNISADA I, TWO SETS GENJI-E

Japan, round 1852

Woodblock print. Ca. 35x24.2-35.5x25 cm. including including a set of two prints published by Yamaguchiya Tobei with censer‘s seals „Hama““Magome““Mouse 5“ and a set of two prints published by Kiya sojiro with censer‘s seals „Fuku““Muramatsu“. With traces of age, partially stained.

€ 320,-

157 | UTAGAWA KUNISADA I, NIKKI DANJO

Japan, 1849

Woodblock print. 37x25.3 cm. The print depicts the actor Matsumoto Kinsho as Nikki Danjo in the play „Date Zensei sakura no iromaku“, signed „Kochoro Toyokuni ga“, published by i zumiya i chibei. With traces of age, partially damaged and stained.

€ 100,-

158 | UTAWAGA KUNISADA I, MINAKUCHI CHOEMON Japan, 1852

Woodblock print. 36x26.2 cm. The print is from the series „Tokaido gojusan tsugi no uchi“, signed „Toyokuni ga“, with censor‘s seals „Mera““Watanabe““ r at 3“, published by i seya Kanekichi. With traces of age, partially damaged and stained.

€ 100,-

160 | UTAGAWA KUNISADA I, ISSUN TOKUBEI

Japan, 1855

Woodblock print, framed and under glass. Visible size 35.5x24.8 cm (51.8x40.5 cm with frame). The print depicts the figure i ssun Tokubei in the play „Gonin Otoko ikiji no Tateire“, signed „Toyokuni ga“, with censor‘s seals „aratame““Hare 4“, published by Yamadaya shojiro. Visible part with traces of age, partially damaged and stained.

€ 80,-

159 | UTAGAWA KUNISADA I, YUJO OYOBI FUKUSUKE Japan, 1854

Woodblock print, framed and under glass. Visible size 36x24.5 cm (51.8x40.8 cm with frame). The print depicts actor as a courtesan and fukusuke in the theater Kawarazaki, from the series „shiki no uchi“, signed „Toyokuni ga“, with censor‘s seals „aratame““Tiger 3“, published by Ebisuya shoshichi. Visible part with traces of age, partially stained.

€ 100,-

161 | UTAGAWA KUNISADA I, RYOGOKU Japan, 1860

Woodblock print, framed and under glass. Visible size 34.5x23.2 cm (46.2x35 cm with frame). The print depicts two actors with ryogoku Bridge in the background, frome the series „Toto Fuji sanjurokkei“, signed „Toyokuni ga“, with censor‘s seal „Monkey 3 aratame“, published by Tsujiokaya Bunsuke. Visible part with slighte traces of age.

€ 120,-

162 | UTAGAWA KUNISADA I, THREE UKIYO-E DEPICTING KABUKI CHARACTERS Japan, 1852

Woodblock print, framed and under glass. Each page ca. 35x25.5 cm (59.8x100 cm with frame). The print depicts the characters in the theater „Jiraiya“, signed „Toyokuni ga“, with censor‘s seals „Fuku““Muramatsu““Mouse 6“, published by izumiya ichibei. With traces of age.

€ 180,-

163 | UTAGAWA KUNISADA I, TWO UKIYO-E DEPICTING KABUKI CHARACTERS

Japan, 1859

Woodblock print, framed and under glass. Each page ca. 35.5x24.5 cm (52.7x63 cm with frame). The print depicts the characters Jijo s hiraito and Nenoi Taro, signed „Toyokuni ga“, with censor‘s seals „Goat 10 aratame“, published by Maruya Jinpachi. With traces of age.

€ 80,-

166 | UTAGAWA KUNISADA I, AN UKIYO-E DEPICTING KABUKI CHARACTER

Japan, early 19th century

Woodblock print, framed and under glass. 38x26 cm (56.8x40.8 cm with frame). The print depicts the actors s eki s anjuro and Karoku Nakamura, signed „Gototei Kunisada ga“, with censor‘s seals „kiwame“, published by Kawaguchiya shozo. With traces of age, partially stained.

€ 80,-

164 | UTAGAWA KUNISADA I, TWO UKIYO-E DEPICTING KABUKI CHARACTERS

Japan, mid 19th century

Woodblock print. ca. 36.5x25.5 cm. including one piece published by Yamamotoya Heikichi depicting Nuregami Chogoro and one piece published by Yamaguchiya Tobei depicting actor iwai Kumesaburo iii as both Dote no Oroku and Palace Maid Takegawa. With traces of age, stained.

€ 100,-

167 | UTAGAWA KUNISADA II, SHAKA HASSO KI IMAYO UTSUSHI-E NO. 2

Japan, 1860

Woodblock print, framed and under glass. Visible size 33x22 cm (46x23.5 cm with frame). The print depicts the life of the immortals, from the series „shaka hasso ki imayo utsushi-e“, signed „Kunisada ga“, with censor‘s seal „Monkey 6 aratame“, published by Tsujiokaya Bunsuke. Visible part with slight traces of age.

€ 100,-

165 | UTAGAWA KUNISADA I, AN UKIYO-E DEPICTING KABUKI CHARACTER

Japan, 19th century

Woodblock print, framed and under glass. Ca. 38x26 cm (56.8x40.8 cm with frame). The print depicts the character segawa Kikunojo, signed „Gototei Kunisada ga“, with censor‘s seals „kiwame“. With traces of age.

€ 80,-

168 | UTAGAWA KUNISADA II, IMAYO GENJI IKI NO KYOKUSUI

Japan, 1867

Woodblock print, mounted under passepartout. Ca. 36.8x24.8 cm. The print depicts the winding stream party, signed „Oju Kunisada ga“, with censor‘s seal „rabbit 1 aratame“, published by Wakasaya Jingoro. With slight traces of age.

€ 60,-

169 | UTAGAWA KUNIYOSHI, DAIKAKU

INUMURA

Japan, round 1835

Woodblock print, framed and under glass. 36.5x24.5 cm (57x40.8 cm with frame). From the series „Kyokutei-o seicho Hakkenshi zui-ichi“, signed „ichiyusai Kuniyoshi ga“, published by Nishimuraya Yohachi. With traces of age.

€ 300,-

170 | UTAGAWA KUNIYOSHI, KANADEHON CHUSHINGURA KUDANME (ACT IX)

Japan, 1835

Woodblock print. 36.8x24.8 cm. Published by Edoya Matsugoro. With traces of age, partially damaged and stained.

€ 200,-

172 | UTAGAWA KUNIYOSHI, KOSHO KICHIZA

Japan, 1849

Woodblock print. 35.7x24.7 cm. signed „ichiyusai Kuniyoshi ga“, with censor‘s seals „Hama““Magome“, published by ibaya s enzaburo. With traces of age, partially damaged and stained.

€ 200,-

171 | UTAGAWA KUNIYOSHI, TAIRA KIYOMORI

Japan, round 1843

Woodblock print, framed under glass. 35.5x23.7 cm (43.8x33.8 cm with frame). From the series „Meiko hyaku yuden“, signed „ichiyusai Kuniyoshi ga“, published by izumiya ichibei. With traces of age, partially damaged and stained.

€ 80,-

173 | UTAGAWA KUNIYOSHI, TAIRA NO KOREMOCHI

Japan, 19th century

Woodblock print, framed and under glass. 37x24.8 cm (56.5x41 cm with frame). The print depicts the Taira no Koremochi killing the demon woman with a long sword, signed „ ichiyusai Kuniyoshi ga“, with censor‘s seals „kiwame“, published by Yamaguchiya Tobei. With traces of age.

€ 300,-

174 | UTAGAWA KUNIYOSHI, THREE UKIYO-E DEPICTING KABUKI CHARACTERS

Japan, round 1850

Woodblock print, framed under glass. 35x25.2 cm (40x30 cm with frame). signed „ichiyusai Kuniyoshi ga“, with censor‘s seals „Fuku““Muramatsu“, published by Otaya Takichi. With traces of age, partially creased, cut and stained.

€ 120,-

175 | UTAGAWA FUSATANE, MOMIJI GOYURAN NO ZU

Japan, 1879

Woodblock print, framed and under glass. Each page ca. 37x25 cm (84x48.7 cm with frame). The print depicts the scene of empress and court ladies enjoying the autumn foliage, signed „Oju Osai Fusatane hitsu“, published by ishikawa Torokichi. With traces of age, partially damaged and stained.

€ 100,-

176 | UTAGAWA TOYOKUNI I/III, TSUKIOKA YOSHITOSHI, FOUR UKIYO-E

Japan, 19th century

Woodblock print, one piece unopened under passepartout. Ca. 37x2538.8x26.6 cm. i ncluding „Omatsuri s asuke“ by Utagawa Toyokuni i , „Hidenoyama Dohyouiri“ and „ichimura Uzaemon“ by Utagawa Toyokuni iii as well as „sakurada mon ga inohen“ by Tsukioka Yoshitoshi. With traces of age, partially damaged and stained.

€ 180,-

177 | KEISAI EISEN, WOMAN BY PLUM TREE AT NIGHT

Japan, round 1850

Woodblock print. 36x24.5 cm. signed „Keisei Eisen ga“, with censor‘s seal „kiwame““Fuku““Muramatsu“, published by Tsutaya Kichizo. With traces of age, partially damaged and stained.

€ 80,-

178 | UTAGAWA SADAHIDE, NIKKO GOKAIDO SENJU-SHUKU

Japan, 1865

Woodblock print, framed and under glass. Each page ca. 35.5x23.5 cm (53.5x89.2 cm with frame).

s igned „Hashimoto Gyokuransai s adahide ga““Gyokuran sadahide ga“, with censor‘s seal „Ox 5 aratame“, published by Daikokuya Kinzaburo. With slight traces of age, partially stained and damaged.

€ 180,-

179 | HASEGAWA SADANOBU, DAIJINGU SHRINE AT KASHIMA IN HITACHI PROVINCE

Japan, 19th century

Woodblock print, mounted under passepartout. 24.5x37.5 cm. The picture depicts the Kashima shrine and the surrounding waters in Kashima City, i baraki Prefecture, from the series „ rokujuyoshu Meisho Zue“. On the left side signed „Hasegawa ga“ with seal of the engraver, and the seal „Wataki-han“ of the publisher on the right. slightly yellowed, with small wrinkles.

€ 100,-

180 | UTAGAWA YOSHIIKU, NIKI NAONORI

Japan, 1867

Woodblock print, framed and under glass. 35x24 cm (57x40.8 cm with frame). From the series „Eimei nijuhasshuku“, signed „ichiyusai Kuniyoshi ga“, with censor‘s seal „Hare 5 aratame“, published by s anoya Tomigoro. With traces of age, partially stained.

€ 80,-

181 | OCHIAI YOSHIIKU, THREE UKIYO-E DEPICTING KABUKI CHARACTERS

Japan, 1862

Woodblock print, framed under glass. 35.5x70 cm (52.4x85.3 cm with frame). These three ukiyo-e as group depict three characters, Hirai Gompachi, Teranishi Kanshin and Banzuiin Chobei, in the kakubi „Ukiyozuka hiyoku no inazuma“, signed „Yoshiiku ga“, with censor‘s seal „Dog 9 aratame“, published by Omiya Kyujiro. With traces of age, partially creased, damaged and stained.

€ 120,-

183 | YOSHU CHIKANOBU, ICHIKAWA DANJURO ETC.

Japan, 1878

Woodblock print, framed and under glass. Visible size each page ca. 35x24 cm (84.3x48.3 cm with frame). The print depicts the famous actors in the Meiji era, signed „Chikanobu fude“, published by Hasegawa s onokichi. Visible part with slight traces of age.

€ 200,-

182 | TOYOHARA KUNICHIKA, VARIOUS KAKUBI ACTORS

Japan, 1863

Woodblock print. 35.8x24.5 cm. The print is signed „Kunichika ga“, with censor‘s seals „aratame““Pig 11“, published by izutsuya shokichi. With traces of age, reinforced with tape on the back.

€ 50,-

184 | YOSHU CHIKANOBU, KAIKA YOSAN NO ZU

Japan, 1879

Woodblock print, framed and under glass. Each page ca. 35.5x24.5 cm (84.5x46.8 cm with frame). The print depicts the scene of people raising silkworms and making silk, signed „Chikanobu fude“, published by Yamamura Kinzaburo. With traces of age, partially damaged and stained, worm-eaten.

€ 80,-

185 | YOSHU CHIKANOBU, GENPEI SEISUI-KI NO. 2

Japan, 1885

Woodblock print, framed and under glass. 35x23.8 cm (50.8x36 cm with frame). The print depicts Tokiwa Gozen saving her mother and son on the condition that she be a concubine to Taira no Kiyomori after the Heiji rebellion, from the series „Genpei s eisui-ki“, signed „Yoshu Chikanobu fude“. With traces of age, partially punched and stained.

€ 50,-

186 | YOSHU CHIKANOBU, SHIN SHIMIZU HANA NO GOSHOZOME

Japan, 19th century

Woodblock print, mounted under passepartout. Ca. 33.5x22.5 cm. The print depicts the actors in the play „ s hin s himizu Hana no Goshozome“, signed „Yoshu Chikanobu fude“. With slight traces of age.

€ 60,-

188 | OHARA KOSON, PIGEONS UNDER CHERRY BLOSSOMS

Japan, 20th century

Woodblock print, framed and under glass. Visible size 32.5x16.5 cm (46x29.5 with frame). signed lower right „Koson“ with seal, published by Daikokuya. Visible part with trace of age, partially stained.

€ 100,-

187 | YOSHIDA TOSHI, SARUSUBERI NI TSUDOU

Japan

Woodblock print. 50x30 cm. signed lower left with seal, signed lower right also with pencil. The print depicts birds gathering around a sarusuberi tree. With slight traces of age.

€ 150,-

189 | OHARA KOSON, TWO WAXWINGS

Japan, 20th century

Woodblock print, framed and under glass. Visible size 32.5x16.5 cm (46x29.5 with frame). signed lower right „Koson“ with seal, published by Daikokuya. Visible part with trace of age, partially stained.

€ 100,-

190 | AN IRON TSUBA (SWORD GUARDS)

Japan, probably Edo period iron. H. 7.5 cm. The tsuba is in marugata form and pierced with a Cherry blossom. With traces of age.

Expertise: With a certificate of NBTHK.

Provenance: From a North German private collection.

€ 120,-

191 | AN IRON TSUBA (SWORD GUARDS)

Japan, middle Edo period

iron. H. 7.3 cm. The tsuba is in marugata form and pierced as a sack, signed „ s hoami““Etake“. With traces of age.

Expertise: With a certificate of NTKK.

Provenance: From a North German private collection.

€ 120,-

192 | AN IRON TSUBA (SWORD GUARDS)

Japan, middle Edo period

iron. H. 6.9 cm. The tsuba is in marugata form and decorated with flags, signed „Umetada Kazumanosuke““Tachibana Muneyoshi“. With traces of age.

Expertise: With a certificate of NTKK.

Provenance: From a North German private collection.

€ 120,-

193 | AN IRON TSUBA (SWORD GUARDS)

Japan, middle Edo period

iron. H. 7.8 cm. The tsuba is in marugata form and decorated with landscape, signed „Murata Mashige“. With traces of age.

Expertise: With a certificate of NTKK.

Provenance: From a North German private collection.

€ 120,-

194 | AN IRON TSUBA (SWORD GUARDS)

Japan, probably early Edo period

iron. H. 8.5 cm. The tsuba is in nadekakugata form and decorated with landscape, signed „Ginryu““Aizu shouami“. With traces of age.

Expertise: With a certification of NBTHK.

Provenance: From a North German private collection.

€ 120,-

195 | SEVEN IRON SUKASHI TSUBA (SWORD GUARDS)

Japan, 18th/19th century

iron. H. 6.4-7.3 cm. including six tsuba in marugata form and one in kikukagata form. With traces of age.

Provenance: From a North German private collection.

€ 390,-

197 | SEVEN IRON SUKASHI TSUBA (SWORD GUARDS)

Japan, 18th/19th century

iron. H. 5.6-7.8 cm. including six tsuba in marugata form, one in mokkogata form. Two of them are designed with monkeys. With traces of age.

Provenance: From a North German private collection.

€ 330,-

199 | EIGHT INLAID TSUBA (SWORD GUARDS)

Japan, 18th century or later

iron. H. 6.6-7.6 cm. including eight tsuba in three forms, seven of them are inlaid with brass, one tsuba is inlaid with bamboo in silver. With traces of age.

Provenance: From a North German private collection.

€ 500,-

196 | SEVEN IRON SUKASHI TSUBA (SWORD GUARDS)

Japan, 18th/19th century

iron. H. 6.4-7.6 cm. including three tsuba in marugata form, two in nadekakugata form, one in Otafukugata form signed „Bushu ju“ “Masakata“ and one in Kirikomi mokkogata form. With traces of age.

Provenance: From a North German private collection.

€ 390,-

198 | SEVEN INLAID TSUBA (SWORD GUARDS)

Japan, 18th century or later

iron. H. 6.1-7.7 cm. including seven tsuba in three forms with depiction of plants and animals, some of them are inlaid with brass, partially also with silver. With traces of age.

Provenance: From a North German private collection.

€ 550,-

200 | SEVEN IRON ‚FIGURAL‘ TSUBA (SWORD GUARDS)

Japan, 18th/19th century

iron. H. 5.9-8.7 cm. including seven tsuba in mokkogata or nademarugata form, all of them are inlaid with brass and some of them also partially with silver, one tsuba decorated with figures under pine near water is signed. With traces of age.

Provenance: From a North German private collection.

€ 550,-

201 | SEVEN IRON ‚ANIMAL‘ TSUBA (SWORD GUARDS)

Japan, 18th century or later

iron. H. 5.6-7.5 cm. including seven tsuba in five forms, four of them are inlaid or carved with dragon, one is decorated with bat, one with bear under pine as well as a signed tsuba carved with a spider-webb design with a silver spider inlaid. With traces of age.

Provenance: From a North German private collection.

€ 500,-

203 | SEVEN IRON ‚LANDSCAPE‘ TSUBA (SWORD GUARDS)

Japan, 18th century or later

iron. H. 6.4-8.5 cm. including seven tsuba in marugata or kakumarutaga form, some of them are inlaid with brass, partially also with silver. With traces of age.

Provenance: From a North German private collection.

€ 390,-

205 | SEVEN VARIOUS IRON TSUBA (SWORD GUARDS)

Japan, 18th century or later

iron. H. 5.5-7.4 cm. including tsuba in Nanban style, one is signed „Tamamaru“. With traces of age.

Provenance: From a North German private collection.

€ 390,-

202 | SEVEN IRON ‚BIRD‘ TSUBA (SWORD GUARDS)

Japan, 18th century or later

iron. H. 5.5-8.3 cm. including seven tsuba in five forms, most of them are inlaid with brass, a tsuba depicts ducks on the front is signed „Yamashiro no kuni Fushimi no ju Kaneie“. With traces of age.

Provenance: From a North German private collection.

€ 450,-

204 | SIX VARIOUS TSUBA (SWORD GUARDS)

Japan, 18th/19th century iron/brass. H. 6.7-7.5 cm. including four iron tsuba in three forms and two shinchu tsuba in marugata form, one shinchu tsuba decorated with bambus is signed „Kishu ju““Teimei“. With traces of age.

Provenance: From a North German private collection.

€ 420,-

206 | FIVE VARIOUS TSUBA (SWORD GUARDS)

Japan

Metal. H. 5.7-7.4 cm. With traces of age.

Provenance: From a North German private collection.

€ 200,-

207 | THREE SIGNED KOZUKA (KNIFE HANDLE)

Japan, 18th century or later

Copper alloy. L. 9.4-9.6 cm. including two signed shibuichi kozuka with bird motif each with signature „Masuyama“ and „Goto Mitsuhide“ as well as a brass ‚figural‘ kozuka with signature „Yasuchika“. With traces of age, partially deformed.

Provenance: From a North German private collection.

€ 300,-

208 | FOUR SHAKUDO NANAKO KOZUKA (KNIFE HANDLE)

Japan, 18th/19th century

Copper alloy. L. ca. 9.4 cm. including four kozuka with inlays in form of a bunch of s unflowers, a bead-chasing dragon, a lion among flowers and twelve zodiac animals on shakudo nanako ground. With traces of age, partially scratched.

Provenance: From a North German private collection.

€ 420,-

210 | SEVEN VARIOUS KOZUKA (KNIFE HANDLE)

Japan, 18th century or later

Copper alloy/iron. L. ca. 9.8 cm. including two iron kozuka decorated with flowers, a partially gilt kozuka inlaid with a rabbit as well as four other kozuka depicting samurai outfit, lobster and plants or fruits. With traces of age, partially deformed.

Provenance: From a North German private collection.

€ 420,-

209 | SEVEN VARIOUS KOZUKA (KNIFE HANDLE)

Japan, 18th century or later

Copper alloy. L. ca. 9.8 cm. including seven kozuka inlaid with figures, animals or articles for daily use on nanako ground. With traces of age, partially damaged.

Provenance: From a North German private collection.

€ 450,-

211 | EIGHT VARIOUS KOZUKA (KNIFE HANDLE)

Japan, 18th century or later

Copper alloy. L. ca. 9.4 cm. including two shibuichi and six copper alloy kozuka. One of the copper alloy kozuka is inlaid with shakudo, one with silver, and one ‚figural‘ kozuka with signature „shozui“. With traces of age, partially deformed.

Provenance: From a North German private collection.

€ 450,-

212 | THREE KOZUKA (KNIFE HANDLE)

Japan, 18th/19th century

Copper alloy/silver. L. 9.5-9.8 cm. including a kozuka depicting a boat crossing under the bridge near Edo Castle, a partially gilt shakudo kozuka depicting a fight probably in heaven as well as a silver kozuka depicting a boat in waves. With traces of age.

Provenance: From a North German private collection.

€ 300,-

213 | FOUR ‚FIGURAL‘ KOZUKA (KNIFE HANDLE)

Japan, 18th century or later

Copper alloy. L. ca. 9.6 cm. including one kozuka carved with Jurojin with signature „Hamano Naoyuki“, one carved with a monk with signature „Hisayuki“ and one inlaid with a warrior with signature „s omin“. With traces of age, partially deformed.

Provenance: From a North German private collection.

€ 360,-

214 | THREE PAIRS OF SHAKUDO ‚ANIMAL‘ MENUKI (HILT ORNAMENTS)

Japan, 18th century or later

Copper alloy. L. 2.8-3.7 cm. including three pairs of menuki in form of a pair of Qilin, two swimming carps and two galloping horses, partially gilt. With traces of age.

Provenance: From a North German private collection.

€ 300,-

215 | THREE PAIRS OF ‚ANIMAL‘ MENUKI (HILT ORNAMENTS)

Japan, 18th century or later

Copper alloy. L. 2.7-4 cm. including three pairs of menuki in form of lions or Qilin, partially gilt. With traces of age.

Provenance: From a North German private collection.

€ 250,-

217 | FIVE PAIRS OF ‚FLORAL‘ MENUKI (HILT ORNAMENTS)

Japan, 18th century or later

Copper alloy. L. 3.5-5 cm. including five pairs of menuki depicting bouquets and gourd vines etc., one of which is made of shakudo, and the remaining four are partially gilt. With traces of age.

Provenance: From a North German private collection.

€ 400,-

216 | FIVE PAIRS OF ‚ANIMAL‘ MENUKI (HILT ORNAMENTS)

Japan, 18th century or later

Copper alloy. L. 3.7-4.3 cm. i ncluding a shakudo pair depicting hoofed animals, a shakudo pair depicting cranes, two pairs depicting mice and a pair depicting squirrels, all partially gilt. With traces of age.

Provenance: From a North German private collection.

€ 450,-

218 | THREE PAIRS OF SHAKUDO ‚FIGURAL‘ MENUKI (HILT ORNAMENTS)

Japan, 18th century or later

Copper alloy. L. 2.6-4 cm. including three pairs of menuki all partially gilt, the pair in the form of literati leaning on the table and the guqin also with signature „Mogarashi Nyudo soten“. With traces of age.

Provenance: From a North German private collection.

€ 300,-

219 | THREE PAIRS OF ‚FIGURAL‘ MENUKI (HILT ORNAMENTS)

Japan, 18th century or later

Copper alloy. L. 2.2-3.5 cm. including three pairs of menuki in form of monks and mythological figures, partially gilt. With traces of age.

Provenance: From a North German private collection.

€ 250,-

220 | FOUR PAIRS OF ‚FIGURAL‘ MENUKI (HILT ORNAMENTS)

Japan, 18th century or later

Copper alloy. L. 2.3-4 cm. i ncluding four pairs of menuki all partially gilt in the form of literati, actors, Hotei and farmer as well as fisher. With traces of age.

Provenance: From a North German private collection.

€ 320,-

222 | THREE VARIOUS PAIRS OF MENUKI (HILT ORNAMENTS)

Japan, 18th century or later

Copper alloy. L. 3.8-4 cm. including three pairs of menuki in the form of shells, fans and fruit, partially gilt. With traces of age.

Provenance: From a North German private collection.

€ 250,-

221 | THREE PAIRS OF SHAKUDO MENUKI (HILT ORNAMENTS)

Japan, 18th century or later

Copper alloy. L. 3-3.7 cm. including three pairs of menuki in the form of lobster, bean flower and kabudo, partially gilt. With traces of age.

Provenance: From a North German private collection.

€ 300,-

223 | FOUR VARIOUS PAIRS OF MENUKI (HILT ORNAMENTS)

Japan, 18th century or later

Copper alloy. L. 2-4.8 cm. including two pairs of menuki in the form of dragon, one pair in the form of samurai outfit, all partially gilt. With traces of age.

Provenance: From a North German private collection.

€ 360,-

224 | THREE PAIRS OF GILT FUCHI-KASHIRA (HILT BAND AND POMMEL)

Japan, 18th century or later

Copper alloy. L. 3.3-3.8 cm. including three pairs of fuchi-kashira depicting insects among flowers and waves, one fuchi with inset and flower signed Yoshinaga. With traces of age, partially abraded.

Provenance: From a North German private collection.

€ 250,-

227 | FOUR PAIRS OF NANAKO FUCHI-KASHIRA (HILT BAND AND POMMEL)

Japan, 18th century or later

Copper alloy. L. 3.3-3.8 cm. including two pairs of fuchi-kashira depicting galloping horses, one pair depicting flowers and insect as well as a pair of depicting phoenix and an old man under prunus tree. With traces of age, partially abraded and damaged. Provenance: From a North German private collection.

€ 250,-

225 | THREE PAIRS OF SHAKUDO NANAKO FUCHI-KASHIRA (HILT BAND AND POMMEL)

Japan, 18th/19th century

Copper alloy. L. ca. 3.8 cm. including two pairs of fuchi-kashira depicting working scenes and outing scene as well as a fine pair of fuchi-kashira depicting a lion with peony in mouth, all partially gilt. With traces of age, partially abraded.

Provenance: From a North German private collection.

€ 390,-

228 | THREE PAIRS OF NANAKO ‚FIGURAL‘ FUCHI-KASHIRA (HILT BAND AND POMMEL)

Japan, 18th century or later

Copper alloy. L. 3.3-3.8 cm. All partially gilt. With traces of age.

Provenance: From a North German private collection.

€ 150,-

226 | TWO PAIRS OF SHAKUDO NANAKO FUCHI-KASHIRA AND A KASHIRA

Japan, 18th century or later

Copper alloy. L. 3.5-3.8 cm. i ncluding a pair of fuchi-kashira depicting birds on willow and a pair depicting bouquets as well as a kashira depicting a prunus branch. With traces of age, partially damaged.

Provenance: From a North German private collection.

€ 200,-

229 | THREE PAIRS OF FUCHI-KASHIRA (HILT BAND AND POMMEL)

Japan, 18th century or later

Copper alloy. L. 3.3-3.8 cm. i ncluding a pair of shibuichi fuchi-kashira depicting quiver with signature „ishiyama“, a pair of shibuichi fuchi-kashira depicting birds flying over waves as well as a pair of shakudo fuchi-kashira depicting garden landscape with signature „Awa“, all partially gilt. With traces of age, partially abraded and damaged.

Provenance: From a North German private collection.

€ 300,-

230 | THREE VARIOUS PAIRS OF FUCHI-KASHIRA (HILT BAND AND POMMEL)

Japan, 18th century or later

Copper alloy. L. 3.1-3.8 cm. including three pairs of fuchi-kashira depicting morning glory, bamboo as well as reed and waterfowl. With traces of age.

Provenance: From a North German private collection.

€ 150,-

231 | TWO FUCHI AND TWO KASHIRA

Japan, 18th century or later

Copper alloy. L. 3.1-3.8 cm. i ncluding a nanako fuchi depicting lions and peony with signature „Yanagawa Naomasa“, a shibuichi fuchi depicting horses on water with signature „Nara Masanaga“, a shibuichi kashira depicting new moon as well as a gilt silver kashira depicting insects among flowers. With traces of age, partially damaged.

Provenance: From a North German private collection.

€ 200,-

233 | AN ASSOCIATED GROUP OF A KOZUKA AND A PAIR OF MENUKI

Japan, 18th century or later

Copper alloy. L. 4.1-9.6 cm. including a pair of gilt shakudo menuki and a nanako-ground kozuka depicting insects among flowers. With traces of age, partially scratched.

Provenance: From a North German private collection.

€ 120,-

232 | A GROUP OF FUCHI-KASHIRA AND A KOGAI

Japan, 18th century or later

Copper alloy/iron. L. 3.3-19.5 cm. i ncluding two pairs of iron ‚figural‘ fuchi-kashira, a partially gilt kashira depicting calabashes, a partially gilt fuchi depicting a prunus branch as well as a kogai carved with dragon in clouds. With traces of age, partially scratched.

Provenance: From a North German private collection.

€ 150,-

234 | AN ASSOCIATED GROUP OF A KOZUKA, A PAIR OF MENUKI AND A PAIR OF FUCHI-KASHIRA

Japan, 18th/19th century

Copper alloy. L. 3.5-9.6 cm. i ncluding a pair of shakudo nanako fuchi-kashira, a nanako-ground kozuka and a pair of menuki, all partially gilt and depicting or in the form of Japanese samurai warriors battling on boats, the fuchi is signed „Mogarashi soten“. With traces of age, partially scratched.

Provenance: From a North German private collection.

€ 200,-

235 | AN ASSOCIATED GROUP OF A KOZUKA, A PAIR OF MENUKI, A PAIR OF FUCHI-KASHIRA AND A TSUBA

Japan, 18th/19th century

Copper alloy. L. 3.3-9.5 cm. i ncluding a pair of shakudo nanako fuchi-kashira, a shakudo nanako kozuka, a shakudo nanako tsuba and a pair of menuki as well as part of a fuchi, all partially gilt and depicting or in the form of lions. With traces of age, partially damaged.

Provenance: From a North German private collection.

€ 300,-

236 | A MOUNTED WAKIZASHI

Japan, probably 19th century steel etc.. L. with koshira-e ca. 71 cm. The sword has configuration of honzukuri and irorimune with O-Kissaki and shallow toriizori, the forging pattern flowing muji hada and finished with choji gunome midare and yakizume. The koshira-e comprises a black-lacquer saya, a tsuka mounted with brass fuchi-kashira decorated with crane and vine plants, menuki formed as crane, an iron tsuba decorated with water birds and a kozuka with eagle. With traces of use.

Provenance: From a North German private collection.

€ 500,-

237 | A MOUNTED TANTO

Japan, probably 19th century steel etc.. L. with koshira-e ca. 52.5 cm. The sword has configuration of hirazukuri and irorimune with shallow toriizori, the forging pattern flowing ko-itame hada and finished with notare gunome ko-midare and Komaru. The koshira-e comprises a black-lacquer saya, a tsuka mounted with fuchi-kashira decorated with branches, menuki formed as figures with fish or bell in hands, an iron tsuba decorated with branches and a kozuka with cloud pattern. With traces of use.

Provenance: From a North German private collection.

€ 500,-

238 | A TANTO BLADE

Japan

steel. L. 27.7 cm. With traces of use, partially damaged and scratched.

Provenance: From a North German private collection.

€ 150,-

239 | A LARGE BLUE AND WHITE ‚HUNDRED BOYS‘ BEAKER VASE

China, late Qing Dynasty

Porcelain. H. 60.5 cm. Damaged and restored.

€ 100,-

240 | A BLUE AND WHITE „FIGURAL“ PEARSHAPED VASE

China

Porcelain. H. 32.8 cm. The vase is painted with General Meng Tian and his soldiers. With traces of use.

€ 500,-

242 | A BLUE AND WHITE AND POLYCHROME INCISED ‚FIGURAL‘ VASE

China

Porcelain. H. 39.5 cm. With a mark „Daming Wanli Xinmao ruchengjia Cang“ on the shoulder. With traces of use, partially scratched and abraded.

€ 700,-

241 | A BLUE AND WHITE ‚DRAGON‘ GARLICMOUTH VASE

China

Porcelain. H. 41.8 cm. With a mark „Qianlong Nianzhi“ on the bottom and a label „Mr. Detlef Bartel, suite 1525, Friendship Hotel, Beijing“. With traces of use.

€ 300,-

243 | A BLUE AND WHITE ‚FIGURAL‘ TRIPOD CENSER

China

Porcelain. H. 13.3 cm, D. 18.9 cm. With traces of use, partially scratched.

€ 650,-

244 | A BLUE AND WHITE ‚XI‘ POT AND A TEA CADDY

China, 19th/20th century

Porcelain. H. ca. 20.5 cm. The tea caddy has a mark „ruoshen Zhencang“ on the bottom. With traces of use.

€ 120,-

245 | A BLUE AND WHITE ‚ANTIQUES‘ TEAPOT

China, late Qing dynasty

Porcelain. H. 20.4 cm. The teapot is decorated with antiques in two large panels and geometric patterns. With traces of use, partially damaged and restored.

€ 1.000,-

248 | A COPPER-RED DECORATED ‚LOTUS‘ PEAR-SHAPED VASE

China

Porcelain. H. 29.6 cm. With three labels on the bottom. With traces of use, partially stained.

€ 800,-

246 | A BLUE AND WHITE ‚FLORAL‘ TEAPOT

China, Qing Dynasty

Porcelain. H. ca. 23 cm. Partially painted in gold. With traces of use, partially damaged and restored.

€ 1.000,-

249 | A WHITE-GLAZED APPLIQUÉDECORATED EWER

China

Porcelain. H. ca. 38 cm. On the bottom is a mark „CHiNA“. With traces of use, partially damaged and cracked.

€ 1.000,-

247 | A SMALL UNDERGLAZE BLUE AND COPPER-RED ‚ZODIAC‘ VASE

China

Porcelain. H. 15.5 cm. On the bottom is mark „Qianlong Nianzhi“. With traces of use, partially damaged.

€ 100,-

250 | A FUNNEL-SHAPED BOWL

China, Ming Dynasty

Ceramic. H. 11 cm, D. 19 cm. The bowl with beige glaze stands on a wooden base. With traces of age.

€ 300,-

251 | A CARVED YAOZHOU ‚CASH‘ ROUND BOX AND COVER

China

stoneware. D. 9.5 cm. With traces of use.

€ 400,-

254 | A ROBIN‘S EGG-GLAZED GU-FORM VASE

China

Porcelain. H. 21 cm. The vase is covered in a turquoise glaze with darker blue streaks, with a mark „Daqing Qianlong Nianzhi“ on the bottom. With traces of use, on the bottom a wax seal from customs for Cultural relics.

€ 240,-

252 | A JIAN ‚HARE‘S FUR‘ TEA BOWL

China

stoneware. H. 7.2 cm. With slight traces of use.

€ 500,-

255 | A GUAN-STYLE PEAR-SHAPED VASE

China

Porcelain. H. 22.3 cm. With slight traces of use.

€ 1.200,-

253 | A BRONZE-MOUNTED BOWL WITH COVER China/France, 17th century and later Porcelain/Bronze. H. 23 cm, D. 20 cm. The bowl with cover consists of two turquoise glazed bowls from China of the Kangxi period and the gilded decorative bronze mounting from France of the Louis XV period, with a knob in the shape of a coral stick with shell. With traces of age, partially damaged and restored.

Provenance: Formerly from the Müller-Frei Collection in Zurich.

€ 600,-

256 | A SMALL GREEN-GLAZED BOTTLE VASE

China

Porcelain. H. 17.2 cm. With slight graces of use, partially damaged.

€ 400,-

257 | A LARGE COPPER-RED-GLAZED BOTTLE VASE

China

Porcelain. H. 35.5 cm. The body is covered with a copper-red glaze thinning at the rim. On the bottom is a mark „Daqing Qianlong Nianzhi“. With traces of use, partially damaged.

€ 2.000,-

260 | A WHITE-GLAZED INCISED ‚EIGHT AUSPICIOUS SIGNS‘ MONK‘S CAP EWER

China

Porcelain. H. 23.4 cm. With traces of use, partially damaged.

€ 800,-

258 | A BLACK-GLAZED ‚THREE FRIENDS OF WINTER‘ VASE

China

Porcelain. H. 24.2 cm. With traces of use.

€ 500,-

261 | AN INCISED YELLOW-GLAZED ‚DRAGON‘ BOWL

China

Porcelain. H. 6.8 cm. On the bottom is a mark „Daqing Guangxu Nianzhi“. With traces of use, partially scratched.

€ 800,-

259 | A BLUE-GLAZED DOUBLE-GOURD VASE

China

Porcelain. H. 16.5 cm. With slight traces of use and scratches.

€ 400,-

262 | TWO SMALL VASES AND A BRUSHREST

China

Porcelain. H. 4.8-10 cm. including a green-glazed vase, a ge-style small vase and a ‚Lingzhi‘ brushrest with mark „Caihua Tangzhi“. With traces of use, partially damaged.

€ 600,-

263 | A YELLOW-GROUND BISCUIT-GLAZED MOLDED VASE

China

Porcelain. H. 36.5 cm. The vase is applied with elephant-head handles above a molded body encircled with bands of banana-leaf pattern and a band of ruyi head. On the bottom is a seal mark „Daqing Daoguang Nianzhi“. With slight traces of use, partially scratched.

€ 650,-

266 | A FAMILLE ROSE ‚FLORAL AND COAT OF ARMS‘ BOWL

China, probably 18th/19th century

Porcelain. D. 14 cm. The bowl is decorated with coat of arms and several flowers. With slight traces of use, partially chipped and cracked.

€ 80,-

264 | A WUCAI ‚FIGURAL‘ OLIVE-FORM VASE

China, late Qing dynasty

Porcelain. H. 20.9 cm. The vase is decorated with figures and geometric patterns, with a mark „Kangxi Nianzhi“ on the bottom. The vase stands on a bronze base. With traces of use, partially abraded.

Provenance: From a North German private collection.

€ 300,-

267 | A PAIR OF FAMILLE ROSE ‚FLORAL‘ FLOWERPOTS

China

Porcelain. H. ca. 15.3 cm. The bottom is drilled. With traces of use.

€ 200,-

265 | A FAMILLE ROSE ‚FLORAL AND COAT OF ARMS‘ CUP

China, probably 18th century

Porcelain. H. 3.9 cm, D. 7.2 cm. With traces of use, partially chipped and abraded.

€ 100,-

268 | TWO OVERLAY GLASS SNUFF BOTTLES AND A FAMILLE ROSE TWO-TIERED BOX WITH COVER

China, late Qing Dynasty or later

Glass/porcelain. H. ca. 6.2-10.2 cm. i ncluding a red-overlay white snuff bottle decorated with Chilong, a blue-overlay white snuff bottle, and a two-tiered ‚floral‘ box with cover. With traces of use, partially damaged.

€ 80,-

269 | A PORCELAIN PLATE DEPICTING THE HAVOC IN HEAVEN

China

Porcelain. H. ca. 33 cm. After the design of Mr. Liu Jiyou. With traces of use.

€ 800,-

272 | TWELVE FAMILLE ROSE CUPS AND SAUCERS

Japan

Porcelain. H. of the cups 5.5-6 cm, D. of the saucers 10.2-12.8 cm. including ten small cups and saucers signed „Osaka Fukumura“ decorated with flowers and birds, two small eggshell cups and saucers signed „Yagi zo“ decorated with landscapes. With traces of wear and small cracks.

€ 100,-

270 | THREE COLORIZED BLUE AND WHITE ‚FLORAL‘ BOWLS WITH COVER

Japan

Porcelain. D. of the bowls 12.5 cm. On the bottom of the bowl and the cover is a mark „Fugui Changchun“. With traces of use, partially damaged and abraded.

€ 100,-

273 | A SATSUMA SEATED FIGURE OF AMITABHA

Japan

Pottery. H. 21.5 cm. The Buddha sits in dhyanasana and wears a robe decorated with flowers. On the bottom is a signature „shunyama“. With traces of age and cracks.

€ 300,-

271 | FIVE BLUE AND WHITE ‚FLORAL‘ CUPS WITH SAUCERS

Japan

Porcelain. D. of saucers ca. 12.8 cm, H. of cups ca. 7.7 cm. Each has a mark on the bottom. With slight traces of use.

€ 100,-

274 | A LARGE SATSUMA FLOOR VASE

Japan, probably early 20th century Earthenware. H. 91.5 cm. The vase is decorated on the body with four panels surrounded by dragons and phoenixes respectively, each filled with scholars, samurai and birds. The remaining parts are completely with finely painted flowers or animal creatures on a wavy background. With traces of use, damaged and with large cracks.

€ 100,-

275 | A POTTERY ‚FISH‘ BOWL

Probably Persia

Pottery. H. 8 cm, D. 18.3 cm. The bowl is decorated with floral decor on the inside and outside as well as fishes in the center. on the bottom and on the outside are labels. With traces of use, partially damaged and cracked.

€ 400,-

€

| A

276 | A SCHIST STATUE OF BUDDHA india, Gandhara style

schist. H. 112 cm. This face of Buddha exudes both ancient Greek and Asian native styles and is framed with the rippling hair and ushnisha by the circular nimbus. His monastic robe wraps around his neck in thick layers, forms U-shaped folds on his legs and also reveals the body outline. The hems of the robes are gathered in a soft roll clutched by his left hand to keep the garment tort and in place, while his right forearm terminates with a mortise. The sculpture‘s base is carved in low relief depicting three-layers open lotus flowers on three sides.

Provenance: The Buddha statue was in private collection in Japan until 1972, and was purchased by the current collector from Zenith oriental Art in the Netherlands in 2013.

€ 5.000,-

279 | A SANDSTONE HEAD OF A SCHOLAR China, Ming style

s andstone. H. of the head 7 cm. Damaged, with traces of age.

€ 200,-

277 | A PART OF A CARVED STONE FRIEZE India, probably 12th century stone. H. 21.3 cm. The frieze is carved depicting a man and a Makara head etc. The frieze is mounted on a stand. With traces of age, partially damaged.

€ 1.000,-

280 | TWO STONE CARVED STANDING FIGURES OF WORSHIPPERS

China, 19th/20th century

s tone. H. ca. 50 cm. Both figures are carved with hands holding an offering dish, standing with the body slightly turned on a square base. Partially damaged.

€ 600,-

281 | A BRONZE SEATED FIGURE OF A JAIN TIRTHANKARA

India, probably 12th/13th century or later Bronze. H. 13.2 cm. Tirthankara is seated in vajrasana on a cushion with both hands in dhyana mudra resting on soles. With traces of age.

€ 1.200,-

284 | A BRONZE STANDING FIGURE OF BUDDHA

Thailand

Bronze. H. 90.5 cm. The figure shows traces of lopburi style and is mounted on a wooden base. With traces of age, partially damaged and restored.

Provenance: From a North German private collection.

€ 1.000,-

282 | A BRONZE STANDING FIGURE OF SHIVA WITH MANDORLA

India, 17th/18th century

Bronze. H. 19/28 cm. The figure and the mandorla are mounted on a wooden base. With traces of age, feet missing.

€ 700,-

285 | A SEATED FIGURE OF AVALOKITESVARA

Indonesia (Java), Srivijaya style

Bronze. H. 24.5 cm. The four-armed deity sits in dhyanasana on a rectangular plinth, backed by a halo and a mondorla with flame border. With traces of age and cuprite encrustation, partially damaged.

€ 700,-

283 | A BRONZE STANDING FIGURE OF VISHNU

India, 19th century

Bronze. H. 51.5 cm. With traces of age.

€ 600,-

286 | A COPPER ALLOY STANDING FIGURE OF MAHAKALA

China (Tibet)

Copper alloy. H. 13 cm. The four-armed Mahakala wears a skull crown and garland of severed heads, holding a kapala, a karttrika, a khadga and khatvanga in his hands. With traces of use, partially damaged and stained.

Provenance: From an old private Collection in Düsseldorf.

€ 150,-

287 | A BRONZE STANDING STATUE OF YAMANTAKA

China, 19th/20th century

Bronze. H. 22.4 cm. Yamantaka has nine faces, the middle one is a bull face with two horns, with a total of twenty arms, each holding a different weapon, holding Vajravetali in his arms, striding in alidhasana on prostrated figures over a lotus base. The head and base are detachable, the bottom is sealed. With traces of age and small scratches on the surface.

€ 150,-

290 | A BRONZE SEATED FIGURE OF AMITAYUS

China, 18th century or later

Bronze. H. 14.2 cm. Amitayus is seated on a lotus base, with both hands in dhyana mudra, the head is partially gilt and colorized. With traces of age.

€ 1.400,-

288 | A BRONZE SEATED FIGURE OF VAJRASATTVA

Nepal, 19th/20th century

Bronze. H. 13.2 cm. The Vajrasattva is seated in vajrasana on a lotus base, the hands holding vajra and ghanta. The bottom is sealed. With traces of age, partially damaged.

€ 200,-

291 | A BRONZE SEATED FIGURE OF AMITAYUS

China, 18th/19th century

Bronze. H. 9.8 cm. Amitayus is seated on a lotus base, with both hands in dhyana mudra. With traces of age.

€ 800,-

289 | A BRONZE FIGURE OF VAJRAPANI

China(Tibet), 19th/20th century

Bronze. H. 24.6 cm. Vajrapani stands in alidhasana on a lotus base with his right hand holding a vajra and his left hand at his chest holding a lasso, wearing a tiger-skin tied around his waist and a snake garland. The base is detachable. With traces of use and age, partially damaged.

€ 400,-

292 | A BRONZE SEATED FIGURE OF AMITAYUS

China, probably 19th century

Bronze. H. 9.8 cm. The bottom plate is carved with „Na mo miao de zang fo“. With traces of age.

€ 400,-

293 | A GILT BRONZE SEATED FIGURE OF SHAKYAMUNI

China, 18th century

Bronze. H. 13.7 cm. shakyamuni is seated on a lotus base, with both hands in dhyana mudra. With traces of age, partially scratched.

€ 1.200,-

296 | A BRONZE STANDING FIGURE OF SHAKYAMUNI

Probably Tibet

Bronze. H. 24.5 cm. shakyamuni stands on a lotus plinth with his right hand in varada mudra and his left hand holding a robe tail. He wears a robe in the i ndian Gupta style, backed by a mandorla with flame border. With traces of age, partially stained.

€ 120,-

294 | A GILT BRONZE SEATED FIGURE OF SHAKYAMUNI

China, Ming style

Bronze. H. 19.5 cm. shakyamuni sits in dhyanasana with the right hand in varada mudra and the left hand in dhyana mudra on the soles. The figure is mounted on a lotus throne. With traces of age, partially abraded and restored.

€ 4.000,-

297 | A GILT BRONZE SEATED FIGURE OF DHRITARASHTRA

China, 18th/19th century

Bronze. H. 12 cm. Dhritarashtra sits on a double cushion, holding the vina in both hands. The figure is mounted on a wooden stand. With traces of age. Provenienz: Formerly from an old French private Collection, purchased at Nagel Auktionen in May 2009, Los 130.

€ 1.200,-

295 | A BRONZE SEATED STATUE OF SHAKYAMUNI

China

Bronze. H. 14.2 cm. Traces of age.

€ 80,-

298 | A GILT BRONZE SEATED FIGURE OF TARA

Nepal, 18th/19th century

Bronze. H. 19.5 cm. Tara is seated in lalitasana on a lotus base with her hands holding lotus stems, backed by a separately cast flaming nimbus and aureole. With traces of age, partially abraded, scratched and deformed.

€ 1.600,-

299 | TWO GILT BRONZE SEATED MINIATURE FIGURES OF BODHISATTVA

China, 18th century or later

Bronze. H. ca. 5.7 cm. With traces of age, partially scratched.

€ 300,-

302 | TWO BRONZE SEATED FIGURES OF BUDDHA

China/Mongolia, 19th/20th century

Bronze. H. 17.3-22.5 cm. With traces of age, partially damaged, one with traces of gilding.

€ 500,-

300 | A GILT BRONZE SEATED MINIATURE FIGURE OF A LAMA

China (Tibet), 18th century or later

Bronze. H. ca. 3.8 cm. With traces of age, partially scratched.

€ 400,-

303 | A TRANSPORT CASE WITH RELIEF DECORATION

China(Tibet)

Copper. L. 63.5 cm. The case is decorated with relief decoration of various deities and colorful stones. With traces of use, partially damaged or deformed.

€ 80,-

301 | A BRONZE SEATED FIGURE OF PADMASAMBHAVA

Nepal

Bronze. H. 14.2 cm. Padmasambhava sits in vajrasana on a lotus base with his hands holding vajra and bowl. Behind him is a nimbus. With traces of age. Provenance: From the Peter Pichler Collection in Munich.

€ 1.200,-

304 | A THANGKA DEPICTING VAJRAKILA

China (Tibet), 19th/20th century

Distemper on cloth, mounted on a wooden board. Ca. 64x56.5 cm. Vajrakila stands in alidhasana on a lotus base with his three-faced head with angry expression, holding his consort, surrounded by a flaming mandorla and wrathful divinities. With traces of age, partially damaged and stained.

€ 150,-

305 | A THANGKA DEPICTING PALDEN LHAMO MANDALA

China (Tibet)

Distemper on cloth. 69x52 cm. The Palden Lhamo locates in the center of the mandala with relics and donors. The upper part of the mandala is painted with Maitreya, Padmasambhava, Green Tara, etc., the lower part with Dorje Legpa and rahula, in elegant colors. With small wrinkles and stains.

€ 250,-

308 | A GAU BOX AND THREE METALMOUNTED TSAMPA BOWL

China

Wood/metal. H. of the Box 9 cm, D. of the bowls 9.612.4 cm. including a gau box decorated with eight auspicious signs in an original fabric bag and three metal-mounted wooden tsampa bowls, one of which is silver-mounted. With traces of use, partially damaged.

€ 100,-

306 | A THANGKA DEPICTING TARA MANDALA AND A THANGKA DEPICTING

PADMASAMBHAVA

China (Tibet)

Distemper on cloth. 72x50-75x58.5 cm (105x71 cm with frame). With traces of age, partially damaged and stained.

€ 150,-

307 | A THANGKA DEPICTING AMITAYUS MANDALA

China (Tibet)

Distemper on cloth. 80x52 cm. With small wrinkles and stains.

€ 100,-

309 | A LEATHER WALLET

China (Tibet)

Leather/metal. W. 13 cm. The wallet is decorated on all sides with metal fittings depicting birds and lions, with a stone insert in the middle. The wallet also has a belt. With traces of use, partially damaged.

€ 200,-

310 | A DAGGER AND A LEATHER WALLET

China (Tibet)

Leather/Metal/Gemstone. L. 11.8-37.5cm. Both have carved decorative metal sheets on the surface. With traces of use, partially damaged.

€ 150,-

311 | EIGHT VARIOUS PIECES OF JEWELERY

China (Tibet)

silver/Metal/Gemstone. H. ca. 2.5-13.2 cm. including three seals, a piece of jewelery with a turquoise inlay, etc., seven of which are made of silver or silver-mounted. With traces of use and age, partially damaged.

€ 200,-

314 | TEN BRONZE OPIUM WEIGHTS

China/Burma, 18th/19th century

Bronze. H. ca. 3.8-7.2 cm. Ten opium weights are in different sizes, including eight in the shape of Hintha bird or Hamsa duck and two in the shape of a bull. With traces of use.

€ 100,-

312 | A KARTIKA AND FIFTEEN BETEL-NUT CUTTERS

South asia etc., 19th/20th century

Metal. L. ca. 10-21 cm. The cutters are in various shapes and sizes. With traces of use and age.

€ 160,-

315 | THIRTY-SEVEN BRONZE OPIUM WEIGHTS

China/Burma, 18th/19th century or later

Bronze. H. ca. 1-4.3 cm. including thirty-seven opium weights in the shape of Hintha bird or Hamsa duck etc. in different sizes. With traces of use.

€ 200,-

313 | SIXTEEN BETEL-NUT CUTTERS

South asia, 19th/20th century

Metal. L. ca. 11.5-20.5 cm. The cutters are in various shapes and sizes. With traces of use and age.

€ 160,-

316 | A BRONZE FIGURE OF AN ARMADILLO

South Asia, probably 19th century

Bronze. H. 9.8 cm. With traces of age, partially damaged.

€ 400,-

317 | A BRONZE STANDING FIGURE OF A DAOIST OFFICIAL

China, probably 17th/18th century

Bronze. H. 22 cm. The official wears a cloth hat and long flowing robes, his holds a tablet in hands. With traces of age and gilding, partially damaged and restored.

€ 400,-

320 | A BRONZE ‚FIGURAL‘ BRUSH REST

China

Bronze. H. 6.3 cm. The brushrest is carved as Li Bai reclining beside a wine jar. With traces of use, partially damaged.

€ 120,-

318 | A BRONZE STANDING FIGURE OF GUAN YU

China, Ming style

Bronze. H. 32 cm. With traces of use, partially damaged.

€ 1.800,-

319 | A BRONZE FIGURE OF A RIDING IMMORTAL

China, probably Qing Dynasty

Bronze. H. 31.8 cm. With traces of use, partially damaged and restored.

€ 220,-

321 | A BRONZE TRIPOD CENSER

China, probably Qing Dynasty

Bronze. H. 11.4 cm, 1163g. The censer is raised on three legs, cast with upright handles and decorated with a raised rib. On the bottom is a mark „Daming Xuande Wunian Jiandu Gongbu Guanchen Wubangzuo Zao“. With traces use and age.

€ 300,-

322 | A BRONZE BOMBÉ CENSER

China, probably Qing Dynasty

Bronze. H. 7.9 cm, 1289g. The globular body has two dagger-shaped handles, with a mark „Daming Xuande Nianzhi“ on the bottom. With traces of use and age.

€ 700,-

323 | A BRONZE BOMBÉ CENSER

China, probably Qing Dynasty

Bronze. H. 5.6 cm, 655g. The globular body has two lion-mask handles, with a mark „Daming Xuande Nianzhi“ surrounded by two dragons in relief on the bottom. With traces of use and age.

€ 360,-

325 | A BRONZE TRIPOD CENSER

China, probably Qing Dynasty

Bronze. H. 4.7 cm, 353g. The censer is supported on three short feet and cast with two upright loop handles, with a mark „Daming Xuande Nianzhi“ on the bottom. With traces of use and age.

€ 480,-

327 | A LARGE BRONZE LION-FORM CENSER

China, probably Qing Dynasty

Bronze. H. 33 cm, L. ca. 34 cm. With traces of age and use, partially damaged and restored.

Provenance: From a North German private collection.

€ 1.200,-

324 | A BRONZE BOMBÉ CENSER

China, probably Qing Dynasty

Bronze. H. 6.5 cm, 617g. The globular body is flanked on either side with a dragon-headed handle, with a mark „Daming Xuande Nianzhi“ on the bottom. With traces of use and age.

€ 700,-

326 | A BRONZE TRIPOD CENSER

China

Bronze. H. 13 cm. With a mark on the bottom. With traces of use, damaged.

€ 150,-

328 | A LARGE BRONZE TIERED CENSER

China

Bronze. H. ca. 98 cm. The brazier is comprised of four sections, including a basin raised on elephant-mast legs with three hollowed-out sections and domed cover. With traces of use, partially damaged.

€ 2.000,-

329 | A HANDLED VASE DECORATED WITH TAOTIE-MASKS

China

Bronze. H. 24.2 cm. With traces of use and age.

€ 150,-

332 | A PAIR OF CLOISONNÉ ENAMEL ‚LOTUS SCROLL‘ CENSER

China

Cloisonné. H. ca. 19 cm. With a mark „Daqing Qianlong Nianzhi“ on the bottom and a lion finial on the cover. With traces of use, partially damaged.

€ 400,-

330 | A LARGE BRONZE FLOOR LAMP

Japan, Meiji period

Bronze. H. 166 cm. The lamp holder is decorated with cranes, hollow flowers, clouds and dragons, „Prunus and magpie“ and other themes from top to bottom. With traces of use and small scratches, without electrical components.

€ 700,-

333 | A PAIR OF CLOISONNÉ ENAMEL ‚FLORAL‘ VASES

China

Cloisonné. H. 38.6 cm. The vases are decorated with flowers in two panels. With traces of use, partially damaged.

€ 250,-

331 | A PAIR OF CLOISONNÉ ENAMEL BIRDFORM RITUAL VESSEL

China, 19th/20th century

Cloisonné. H. ca. 23.8 cm. With traces of age.

€ 400,-

334 | TWO PAIRS OF CLOISONNE ENAMEL VASES

Japan, 19th/20th century

Enamelware. H. 20.5-31.2 cm. including a pair of black-ground vases decorated with magpies on prunus and a pair of black-ground vases with cover decorated with stylized flowerheads. With traces of use, partially damaged or deformed.

€ 200,-

335 | FOUR CLOISONNÉ ENAMEL VASES

Japan/China, 19th/20th century Cloisonné. H. 22.5-26.5 cm. including a pair of „floral“ vases, a „dragon“ vase and a „floral“ vase with cover. With traces of use, partially damaged or deformed.

€ 160,-

336 | AN ENGRAVED DAGGER

Probably Caucasus

Metal. L. 49.8 cm. Letters „JCMrHD“ are engraved on the blade. With traces of use, partially damaged.

€ 750,-

338 | A STEEL SHIELD (SIPAR)

Persia, 19th century

iron. D. 37 cm. The shield has an everted rim and four steel bosses. The surface of the shield is lightly engraved with foliate vines and floral motifs. The inner side of the shield is partially covered with red fabric. With traces of use, partially deformed.

€ 500,-

337 | TWO KRISES

South East Asia

Metal/wood. L. 42-50 cm. Both krises with wooden hilt and sheath. With traces of use and age, partially damaged and cracked.

€ 80,-

339 | A STONE CARVED FIGURE AND A SEAL

China

s tone. H. 10-14.5 cm. With traces of use, partially damaged.

€ 80,-

340 | NINE HUMAN FIGURES MADE OF VARIOUS MINERALS

China

Various minerals including malachite, tiger eye etc.. H. ca. 3.7-12 cm. including three Buddha figures, a Guanyin figure under a pine tree, two reclining scholars, a pair of fishermen with a fishing rod and a figure of an elderly gentleman. With traces of use, partially damaged.

€ 180,-

341 | SIX OBJECTS MADE OF VARIOUS MATERIALS

China

Various materials including jade, soapstone, ceramics, etc.. H. ca. 2.8-12.5 cm. including a vase with lid, a bowl with lid, a jug in the shape of a cow, a sealing stone, a yuanbao and a water container in the shape of a cicada. With traces of use, partially damaged.

€ 60,-

343 | TWELVE ANIMAL FIGURES MADE OF VARIOUS MINERALS

China

Various materials including jade, rock crystal, carnelian etc.. H. ca. 1.8-6.6 cm. including herbivores such as ibexes and camel, predators such as tiger and dogs, and mythical creatures. With traces of use, partially damaged.

€ 150,-

345 | TEN BIRD FIGURES MADE OF VARIOUS MINERALS

China

Various materials including jade, aventurine etc.. H. ca. 8.5-19 cm. With traces of use, partially damaged.

€ 100,-

342 | FIVE ANIMAL FIGURES MADE OF VARIOUS MINERALS

China

Various materials including jade. H. ca. 6.3-15 cm. including a large lion, three elephants and two playing bears. With traces of use, partially damaged.

€ 50,-

344 | FOUR BIRD FIGURES MADE OF VARIOUS MINERALS

China

Various materials including jade. H. ca. 8.5-19 cm. including a pheasant, an eagle, a pair of roosters and a crane with lotus flowers. With traces of use, partially damaged.

€ 60,-

346 | AN AGATE BRUSH WASHER

China, late Qing Dynasty or later

Agate. D. 13.5 cm. The brush washer is carved with vine and cicada. With traces of use, partially damaged.

€ 150,-

347 | A ‚CHILONG‘ BELT BUCKLE AND A ‚CHILONG‘ SEAL

China

s tone. L. 8.8-10.2 cm. The belt buckle is carved and pierced with dragon-head terminal, facing a chi-dragon. The seal is surmounted by a chi-dragon. With traces of use.

€ 500,-

350 | TWO PAIRS OF CUFFLINKS

China

Probably gilded silver. L. 1.7-2.1 cm. One pair is rhombic and the other is round, both carved with characters „Fu“ and „ s hou“ and with hallmark „WC18“ (?) on the back. The rhombic cufflinks have another mark „Yu“ on the back, and the round cufflinks „Fu Ji“. With traces of use.

€ 250,-

348 | A JADE CARVED VASE

China

Jade. H. ca. 19 cm. The vase is decorated with a pheasant and ruyi scepters. The vase stands on a wooden base. With traces of use, partially damaged.

€ 250,-

351 | A LARGE WOOD CARVED SEATED FIGURE OF KSITIGARBHA

China

Wood. H. ca. 139 cm. The bodhisattva sits in lalitasana atop a lotus base on an octagonal platform, holding cintamani in the left hand and originally the khakkhara in the right. With traces of age, partially damaged and restored, surface abraded, khakkhara lost.

€ 300,-

349 | TWO INSIDE-PAINTED GLASS SNUFF BOTTLES

China

Glass. H. ca. 7.7-8 cm. One is painted with landscape, the other with figures of „Eight immortals“. With traces of use, partially damaged.

€ 80,-

352 | A CARVED WOOD FIGURE OF SHOUXING

China

Wood. H. 36 cm. With traces of age, partially damaged and cracked.

€ 80,-

353 | EINE HOLZGESCHNITZTE FIGUR VON GUANYIN

China

Holz. H. 36.6 cm. Part. besch., mit Gebrauchsspuren und rissen.

€ 80,-

356 | TWO HARDWOOD FLOWER STANDS

China

Wood. H. ca. 62.5-77 cm. The parts of the flower stands are connected by tenon and mortise, the top is inlaid with marble slab, partially carved. With traces of use, partially damaged and restored.

€ 200,-

354 | A CARVED WOOD SCULPTURE OF THREE DEER China

Wood. H. ca. 42 cm. With traces of age, partially damaged and cracked.

€ 200,-

357 | TWO HARDWOOD FLOWER STANDS

China

Wood. H. ca. 47-50.5 cm. The parts of the flower stands are connected by tenon and mortise, the top is inlaid with marble slab, partially carved. With traces of use, partially damaged and restored.

€ 200,-

355 | A CARVED AND LACQUERED WOOD SEATED FIGURE OF AN OFFICIAL China, probably late Qing Dynasty

Wood. H. 25.5 cm. With traces of age, partially damaged and cracked as well as stained, the cover board on the back lost.

€ 100,-

358 | A HARDWOOD FLOWER STAND

China

Wood. H. ca. 50 cm. The parts of the flower stands are connected by tenon and mortise, the top is inlaid with marble slab, partially carved. With traces of use.

€ 100,-

359 | TWO LARGE HARDWOOD ROUNDCORNER CABINETS

China, 19th/20th century

Wood. Ca. 209x118x53.5 cm. The single-panel doors open to reveal a shelved interior with two drawers in the middle and a storage space with sliding door at the bottom. With traces of use, partially damaged.

€ 1.000,-

362 | A PAIR OF WOODEN ARMCHAIRS

China, 19th/20th century

Wood. Ca. 38.5x52x89 cm. The back of the chair is carved with figure. With traces of use.

€ 250,-

360 | A WOODEN ROUND-CORNER CABINET

China, 19th/20th century

Wood. 164x99.5x50.5 cm. The cabinet has two pairs of doors, of which the upper doors opening to reveal the shelved interior, with two drawers in the middle. With traces of use, partially damaged and restored.

€ 400,-

361 | A HARDWOOD ROUND-CORNER CABINET

China

Wood. 182.5x96x55 cm. The sides and doors have hardwood frames that enclose panels composed of weaved bamboos. The doors open from the center stile to reveal shelved interior with two drawers in the middle. With traces of use, partially damaged.

€ 400,-

363 | A BLACK LACQUERED „FIGURAL“ FIVETIER CORNER ETAGERE

China, late 19th century

Wood. H. ca. 162 cm. The five tiers are painted with different themes like dragons, fruits and flowers as well as daily life of scholars. Partially damaged, with traces of use.

€ 225,-

364 | A MIRROR WITH LACQUERED WOOD FRAME

China

Wood. Ca. 95.5x75.5 cm. The frame is decorated with bats and vines. With traces of use, partially damaged.

€ 200,-

365 | A POLYCHROME PAINTED CHEST

China, 19th/20th century

Wood. 123x96x56 cm. The chest is of rectangular form and decorated with polychrome painted panel on the front depicting noble women with court attendants. On top are two lids open to reveal a large storage place. At the bottom are three drawers painted with flowers. With traces of use and age, partially damaged.

€ 300,-

368 | A WOODEN CHEST (BANDAJI)

Korea, 19th/20th century

Wood. 39.5x80x79.5 cm. The chest of rectangular section has a drop-front door hinged at the midsection with large decorative metal hinges engraved with flowers, two c-shaped handles at the top edge and a fantailed lock plate decorated with flowers mounted with a thick L-shaped hasp. The chest has five drawers inside. With traces of use and scratches, partially damaged, key missing.

€ 700,-

366 | A WOODEN TWO-SECTION TANSU

Japan, Meiji period

Wood. 97x89.5x44 cm. The tansu chest is formed as two parts. The upper part set with two drawers, the lower part with two drawers as well and a hinged door opening to reveal two small drawers, each with iron lock plates and lifting handles to the sides. With traces of use, partially damaged.

€ 200,-

369 | A PHARMACY CABINET

Korea

Wood/metal. Ca. 66.5x26.4x78.5 cm. The cabinet has 32 drawers and a double door, each drawer is carved with the names of medicines. With traces of use, partially damaged or scratched.

€ 150,-

367 | A WOODEN CHEST (BANDAJI)

Korea, 19th/20th century

Wood. 95x103.5x41 cm. The chest of rectangular section has a drop-front door hinged at the midsection with decorative metal hinges. With traces of use, partially damaged.

€ 150,-

370 | A THREE-DRAWER LACQUER BOX

Japan (probably Shizuoka)

Lacquerware. 15.5x13.5x8.5 cm. With traces of use, partially damaged.

€ 50,-

371 | A LACQUER WRITING BOX (SUZURIBAKO)

Japan

Lacquerware. 24.3x19.2x4.6 cm. The rectangular box is decorated on the cover with the character „shou“. The interior is fitted with a slate inkstone, a water dropper, a writing brush and a inkstick. With traces of use, partially scratched.

€ 50,-

374 | SEVEN OLD PHOTOGRAPHS

China, 1938

Photography. Ca. 12.5 x 17.5 cm. The photos show the gold panning on the Yangtze river near the city of Luzhou in sichuan Province. Each photo has a handwritten or typed short description in German on the back. With traces of age, paper curled.

€ 150,-

375 | A JAPANESE PHOTO ALBUM

Japan, 19th/20th century

Photography. Covers 14.7x19.6 cm, photos 9.1x13.8 cm. The album contains 50 hand-colored landscape and portrait photos between two lacquered covers. With traces of age and use, partially damaged and stained.

€ 200,-

372 | A WOOD CARVED PIPE CASE (KISERU) AND TOBACCO BOX (TONKOTSU)

Japan

Wood/mother-of-pearl. H. of the tonkotsu ca. 9.5 cm, L. of the kiseru 20.5 cm. The tonkotsu is in the shape of Daruma with inlaid eyes made of motherof-pearl and a detachable face as lid. With traces of use, partially damaged, scratched and cracked.

€ 100,-

373 | THREE OLD PHOTOGRAPHS

China, first half of the 20th century

Photography, mounted on carton. 20x26.5-22.5x29 cm (32x39 with carton). including a photo of „The show Window of Edward Evans Printer shop“ printed by s hanghai Zhaofang Photo s tudio, and two photos of „Group Photo of the Workshop“ printed by a photo studio on Xihu road in Guangzhou, one of which has the words „MAN Engine Factory, somewhere in Guangdong“ written in German on the back. With traces of age.

€ 250,-

376 | EIGHTEEN SHANGHAI LANDSCAPE POSTCARDS

China, early 20th century

Letters. Ca. 9x14 cm. The collection contains six colorful shanghai landscape postcards issued by the Tabaqueria Filipina in shanghai on the Nanjing road, which were sent from shanghai to Hamburg in the year of 1909 and 1910, four of which were affixed with a 5 Pfennig Germania stamp (Deutsches reich, China version); four black and white shanghai landscape postcards sent from shanghai to Hamburg in 1909 and 1910 issued by Kamogawa & Co., three of which were affixed with a 5 Pfennig Germania stamp (Deutsches reich, China version); and eight black and white shanghai landscape postcards, three of which were affixed with 10 Pfennig Germania stamp ( r eichspost, China version), two with 10 Pfennig Germania stamp (Deutsches reich, China version) and two with 5 Pfennig. With traces of age.

€ 150,-

377 | FIVE CHINESE FOLK CUSTOM POSTCARDS

China, early 20th century Letters. Ca. 9x14 cm. The collection contains Chrom Edit. Kingshill series No. 9, 18, and 23. Three cards are respectively affixed with a 10 Pfennig Germania stamp (Deutsches reich, China version), two postmarked in Tianjing and one in s hanghai. Partially yellowed and damaged.

€ 50,-

378 | QIU YING (IN THE STYLE OF), LANDSCAPE

China

i nk and color on silk, mounted as hanging scroll. 92x67.5 cm (inscription 29x67.5 cm). The painting is signed „Qiu Ying shifu Zhi“, with seal „Qiu Ying Zhiyin“ and other five collector‘s seal. The hanging scroll also contains inscription above the painting on paper in three scripts with signatures and seals. With traces of use, partially damaged and stained.

€ 600,-

380 | XU GU (WITH SIGNATURE OF), THE DRUNKEN LI BAI

China

ink on paper, mounted as hanging scroll. 129x32.3 cm. signed „Xu Gu“, with seal „Xu Gu“. With traces of age, partially damaged.

€ 120,-

379 | A LANDSCAPE PAINTING

China

ink and color on paper, mounted as hanging scroll. 88x36.5 cm. signed „Ziping“, with seal „Zhang Peijun“. With traces of age, partially stained.

€ 120,-

381 | A PAINTING DEPICTING A LADY IN GARDEN

China

i nk and color on silk, mounted as hanging scroll. 83.5x37.5 cm. signed „Yu Jingyu“, with seal. With traces of age, partially stained.

€ 120,-

382 | QI BAISHI (WITH SIGNATURE OF), AUTUMN CHRYSANTHEMUM

China

ink and color on silk, mounted as a hanging scroll. 68.6x34.7 cm. signed „Jiping Laoren Qihuang Couhe“, with seal „Qi Da“. With traces of age, partially stained.

€ 300,-

383 | A PORTRAIT OF GUAN YU

Japan, 19th/20th century

i nk on paper, mounted on paper. 89x28.3 cm. signed lower right „Nagasawa Ga“, with seal. With traces of age, partially damaged and stained.

€ 140,-

386 | TWO MINIATURE PAINTINGS

Central Asia, probably 19th/20th century

i nk and color on paper or carton, framed under glass. 19.5x14.5-23.5x14 cm (35.2x30.237.8x27.8 cm with mounting). including a Persian and an indian miniature painting. With traces of age, partially stained.

€ 100,-

384 | TWO BIRD-AND-FLOWER PAINTINGS

China

ink and color on paper, mounted on paper. 30x3030x37 cm. i ncluding one painting signed „Zhu Cheng“ and the other signed „shang Yanzhi“. With traces of age, partially stained.

€ 80,-

387 | FOUR VARIOUS BOOK PAGES OR PRINTINGS

Japan, 19th/20th century

Woodblock print, framed under glass. Ca. 19.5x23.6-41x30.8 cm with frame. including a ukiyo-e by Kikukawa Eizan, two book pages and two Uta-garuta cards. With traces of age, partially damaged and stained.

€ 60,-

385 | A DEPICTION OF PLAYING CHILDREN

China, 19th/20th century

Woodblock print, framed and under glass. Ca. 90.7x52.9 cm. The print depicts a child pretending to be a new official while other children cheer. With traces of age, partially damaged.

€ 200,-

388 | A COMPLETE SERIES OF 5 BOOKS ON THE ART COLLECTION OF FORMER INDONESIAN PRESIDENT SUKARNO

Japan, 1964

Book. Each book ca. 39.5x32x6.5 cm. Compiled by Lee Man-Fong, published by publishing committee of collection of paintings and statues of President sukarno, printed by Toppan Printing Co., Ltd. Tokyo. With traces of age, partially stained.

€ 250,-

389 | FOURTEEN BOOKS ABOUT CHINESE KULTURE AND ART Germany etc.

Book. Thirteen of these books are in German. With slight traces of use.

€ 120,-

391 | TWELVE BOOKS ABOUT HIMALAYAN ART Germany etc.

Book. Eleven of these books are in German. With slight traces of use.

€ 120,-

390 | EIGHT BOOKS ABOUT CHINESE ART Germany etc.

Book. six of these books are in German. With slight traces of use.

€ 100,-

392 | THREE PORTFOLIOS BY HIRMER PUBLISHERS MUNICH Germany, 1955-56

Lithograph, mounted under passepartout. Portfolio ca. 54.5x42x1.2 cm. including the portfolio „Utamaro“ with 10 sheets, published in 1956; the portfolio „HirO sHiGE, Landschaften“ with 8 sheets, published in 1956; and the portfolio „CHiNEsisCHE FArBHOLZsCHNiTTE, aus Zehnbamboshalle und s enfkorngarten“ with 8 sheets, published in 1955. With traces of age and use, slightly yellowed.

€ 100,-

Hargesheimer Kunstauktionen Düsseldorf GmbH (im Nachfolgenden als Hargesheimer Kunstauktionen bezeichnet) versteigert in einer öffentlichen Versteigerung gemäß §§ 474 Abs.1 Satz 2, 383 Abs. 3 Satz 1 BGB als Kommissionärin im eigenen Namen und für Rechnung ihrer Auftraggeber:innen (Kommittent:innen), die unbenannt bleiben.

1. BESCHAFFENHEIT/GEWÄHRLEISTUNG

1.1. Sämtliche zur Versteigerung kommenden Gegenstände können vor der Versteigerung besichtigt und geprüft werden. Dabei haften Interessent:innen für von ihnen verursachte Schäden an den ausgestellten Objekten.

1.2. Die zur Versteigerung gelangenden Kunstwerke sind ausnahmslos gebraucht. Sie haben einen ihrem Alter und ihrer Provenienz entsprechenden Erhaltungszustand. Die Zustandsbeschreibungen im Katalog beinhalten nur Anhaltspunkte für wesentliche und wichtige Beschädigungen, die nach Auffassung von Hargesheimer Kunstauktionen den optischen Gesamteindruck des Gegenstandes beeinträchtigen oder stören. Das Fehlen eines solchen Hinweises besagt nicht, dass sich der Gegenstand in einem guten Erhaltungszustand befindet oder frei von Mängeln ist. Interessent:innen können vor der Auktion einen Zustandsbericht für jedes Kunstwerk anfordern. Dieser Bericht, mündlich oder in Schriftform, enthält keine abweichende Individualabrede und bringt lediglich eine subjektive Einschätzung von Hargesheimer Kunstauktionen zum Ausdruck. Die Angaben im Zustandsbericht werden nach bestem Wissen und Gewissen erteilt. Sie sind keine Garantien oder Beschaffenheitsvereinbarungen, sie dienen ausschließlich der unverbindlichen Information. Gleiches gilt für Auskünfte jedweder Art, sei es mündlich oder schriftlich. In allen Fällen ist der tatsächliche Erhaltungszustand des Kunstwerkes zum Zeitpunkt seines Zuschlages vereinbarte Beschaffenheit im Sinne der gesetzlichen Bestimmungen (§§ 434ff BGB).

1.3. Die Katalogbeschreibungen sind keine Garantien im Rechtssinne. Alle Angaben im Katalog beruhen auf den bis zum Zeitpunkt der Drucklegung veröffentlichten oder sonst allgemein zugänglichen wissenschaftlichen Erkenntnissen. Hargesheimer Kunstauktionen behält sich vor, Katalogangaben über die zu versteigernden Gegenstände zu berichtigen. Diese Berichtigung erfolgt schriftlich am Ort der Versteigerung und mündlich durch den Auktionator unmittelbar vor der Versteigerung. Die berichtigten Angaben treten an die Stelle der Katalogbeschreibung.

1.4. Eine Haftung von Hargesheimer wegen etwaiger Mängel wird ausgeschlossen, sofern Hargesheimer seine Sorgfaltspflicht erfüllt hat. Die Haftung für Leben, Körper- und Gesundheitsschäden bleibt davon unberührt.

1.5. Der Versteigerer bzw. die Versteigerin verpflichtet sich jedoch, wegen rechtzeitig vorgetragener, begründeter Sachmängel, die die Echtheit der Gegenstände betreffen, innerhalb der Verjährungsfrist von zwölf Monaten, bei sonstigen Mängeln innerhalb der Verjährungsfrist von sechs Monaten vom Zeitpunkt des Zuschlags an seine Ansprüche gegenüber dem Einlieferer bzw. der Einlieferin (Auftraggeber:in) – nötigenfalls auch gerichtlich – geltend zu machen. Im Falle erfolgreicher Inanspruchnahme des Einlieferers bzw. der Einlieferin erstattet der Versteigerer bzw. die Versteigerin dem Erwerber bzw. der Erwerberin den Kaufpreis samt Aufgeld, jedoch keine sonstigen dem Käufer bzw. der Käuferin entstandenen Kosten und Aufwendungen. Voraussetzung ist jeweils, dass keine Ansprüche Dritter an dem Kunstwerk bestehen und das Kunstwerk am Sitz von Hargesheimer Kunstauktionen in unverändertem Zustand zurückgegeben wird.

1.6. Ansprüche auf Schadenersatz gegen Hargesheimer Kunstauktionen wegen Rechts- oder Sachmängel sowie aus sonstigen Rechtsgründen (inkl. Ersatz vergeblicher Aufwendungen sowie Ersatz von Gutachterkosten), sind ausgeschlossen, soweit sie nicht auf vorsätzlichem oder grob fahrlässigem Handeln von Hargesheimer Kunstauktionen oder auf der Verletzung wesentlicher Vertragspflichten durch Hargesheimer Kunstauktionen beruhen.

2. DURCHFÜHRUNG DER VERSTEIGERUNG / GEBOTE

2.1. Die im Katalog angegebenen Preise sind Limitpreise.

2.2. Hargesheimer Kunstauktionen behält sich das Recht vor, während der Versteigerung Nummern des Katalogs zu vereinen, zu trennen, außerhalb der Reihenfolge auszubieten oder zurückzuziehen.

2.3. Alle Gebote gelten als vom Bieter bzw. von der Bieterin im eigenen Namen und für eigene Rechnung abgegeben. Will ein:e Bieter:in Gebote im Namen eines Dritten abgeben, so hat er bzw. sie dies 24 Stunden vor Versteigerungsbeginn unter Nennung von Namen und Anschrift des bzw. der Vertretenen und unter Vorlage einer schriftlichen Vollmacht mitzuteilen. Andernfalls kommt der Kaufvertrag bei Zuschlag mit dem Bieter bzw. der Bieterin zustande.

2.4. Jeder Bieter bzw. jede Bieterin erhält nach Vorlage eines gültigen Personaldokuments und Zulassung zur Auktion von Hargesheimer Kunstauktionen eine Bieternummer. Nur unter dieser Nummer abgegebene Gebote werden auf der Auktion berücksichtigt. Von Bieter:innen, die noch unbekannt sind, benötigt Hargesheimer Kunstauktionen spätestens 24 Stunden vor Beginn der Auktion eine schriftliche Anmeldung mit gültigem Personalausweis. Hargesheimer Kunstauktionen behält sich das Recht vor, eine zeitnahe Bankauskunft, Referenzen oder ein Bardepot für die Zulassung zur Auktion anzufordern. Es liegt im Ermessen von Hargesheimer Kunstauktionen eine Person von der Auktion auszuschließen.

2.5. Der Preis bei Aufruf wird vom Versteigerer bzw. von der Versteigerin festgelegt; gesteigert wird im Regelfall um circa 10% des vorangegangenen Gebotes in Euro. Gebote können während der Auktion persönlich im Auktionssaal sowie bei Abwesenheit vorab schriftlich, telefonisch oder mittels Internet über den Online-Katalog auf der Website von Hargesheimer Kunstauktionen oder einer von Hargesheimer Kunstauktionen zugelassenen Plattform abgegeben werden.

2.6. Alle Gebote beziehen sich auf den Zuschlag und erhöhen sich um das Aufgeld, Mehrwertsteuer sowie ggf. Folgerecht und Zollumlage.

2.7. Bei gleich hohen Geboten, unabhängig ob im Auktionssaal, telefonisch, schriftlich oder per Internet abgegeben, entscheidet das Los. Schriftliche Gebote oder Gebote per Internet werden von Hargesheimer Kunstauktionen nur mit dem Betrag in Anspruch genommen, der erforderlich ist, um ein anderes abgegebenes Gebot zu überbieten.

2.8. Gebote in Abwesenheit werden in der Regel zugelassen, wenn diese mindestens 24 Stunden vor Beginn der Versteigerung bei Hargesheimer Kunstauktionen eingehen und, sofern erforderlich, die weiteren Informationen gemäß Ziff. 2.4. vorliegen. Das Gebot muss das Kunstwerk unter Aufführung von Katalognummer und Katalogbezeichnung benennen. Im Zweifel ist die Katalognummer maßgeblich; Unklarheiten gehen zu Lasten des Bieters bzw. der Bieterin.

2.9. Die Bearbeitung der Gebote in Abwesenheit ist ein zusätzlicher und kostenloser Service von Hargesheimer Kunstauktionen, daher kann keine Zusicherung für deren Ausführung bzw. fehlerfreie Durchführung gegeben werden. Die in Abwesenheit abgegebenen Gebote sind den unter Anwesenden in der Versteigerung abgegebenen Geboten bei Zuschlag gleichgestellt.

2.10. Das schriftliche Gebot muss vom Bieter bzw. von der Bieterin unterzeichnet sein. Bei schriftlichen Geboten beauftragt der Interessent bzw. die Interessentin Hargesheimer Kunstauktionen, für ihn bzw. sie Gebote abzugeben.

2.11. Telefonische Gebote können von Hargesheimer Kunstauktionen aufgezeichnet werden. Mit dem Antrag zum telefonischen Bieten erklärt sich der Antragsteller bzw. die Antragstellerin mit der Aufzeichnung von Telefongesprächen einverstanden. Hargesheimer Kunstauktionen haftet nicht für das Zustandekommen und die Aufrechterhaltung von Telekommunikationsverbindungen oder Übermittlungsfehlern.

2.12. Internet-Gebote können sowohl als sog. „Vor-Gebote“ vor Beginn einer Versteigerung als auch als sog. „Live-Gebote“ während einer im Internet live übertragenen Versteigerung sowie als sog. „Nach-Gebote“ nach Beendigung der Versteigerung nach Maßgabe der nachstehenden Regelungen abgegeben werden. Gebote, die bei Hargesheimer Kunstauktionen während einer laufenden Versteigerung via Internet eingehen, werden im Rahmen der laufenden Versteigerung nur dann berücksichtigt, wenn es sich um eine live im Internet übertragene Versteigerung handelt. Im Übrigen sind Internet-Gebote nur dann zulässig, wenn der Bieter bzw. die Bieterin von Hargesheimer Kunstauktionen zum Bieten über das Internet durch Zusendung eines Benutzer:innennamens und eines Passwortes zugelassen worden ist. Sie stellen nur dann gültige Gebote dar, wenn sie durch den Benutzer:innennamen und das Passwort zweifelsfrei dem Bieter bzw. der Bieterin zuzuordnen sind. Die über das Internet übertragenen Gebote werden elektronisch protokolliert. Die Richtigkeit der Protokolle wird vom Bieter/ Käufer bzw. von der Bieterin/Käuferin anerkannt, dem jedoch der Nachweis ihrer Unrichtigkeit offen steht. Live-Gebote werden wie Gebote aus dem Versteigerungssaal berücksichtigt. Auch bei Internet-Geboten haftet Hargesheimer Kunstauktionen nicht für das Zustandekommen der technischen Verbindung oder für Übertragungsfehler.

2.13. Der Nachverkauf ist Teil der Versteigerung. Bei Nachgeboten kommt ein Vertrag erst dann zustande, wenn Hargesheimer Kunstauktionen das Gebot annimmt.

2.14. Die Abgabe eines Gebotes in jeglicher Form bedeutet die Anerkennung dieser Versteigerungsbedingungen. Der Versteigerer bzw. die Versteigerin nimmt Gebote nur aufgrund der vorstehenden Versteigerungsbedingungen entgegen und erteilt dementsprechend Zuschläge.

2.15. Das Widerrufs- und Rückgaberecht bei Fernabsatzverträgen (§§ 312 b ff BGB) findet auf Schrift-, Telefon- und Internetgebote keine Anwendung.

3. ZUSCHLAG

3.1. Der Zuschlag erfolgt nach dreimaligem Aufruf an den Höchstbietenden bzw. die Höchstbietende. Mit dem Zuschlag kommt zwischen Hargesheimer Kunstauktionen und dem Bieter bzw. der Bieterin, dem bzw. der der Zuschlag erteilt wird, ein Kaufvertrag zustande. Der Zuschlag verpflichtet zur Abnahme und Zahlung.

3.2. Der Versteigerer bzw. die Versteigerin kann den Zuschlag zurücknehmen und die Sachen erneut ausbieten, wenn irrtümlich ein rechtzeitig abgegebenes höheres Gebot übersehen worden ist oder wenn der bzw. die Höchstbietende sein bzw. ihr Gebot nicht gelten lassen will oder sonst Zweifel über den Zuschlag bestehen. Der Versteigerer bzw. die Versteigerin kann den Zuschlag unter Vorbehalt erteilen oder verweigern, wenn ein besonderer Grund vorliegt. Wenn trotz abgegebenen Gebots ein Zuschlag nicht erteilt wird, haftet Hargesheimer Kunstauktionen dem Bieter bzw. der Bieterin nur bei Vorsatz oder grober Fahrlässigkeit.

3.3. Bei einem unter Vorbehalt erteilten Zuschlag bleibt der Bieter bzw. die Bieterin einen Monat an sein Gebot gebunden. Ein unter Vorbehalt erteilter Zuschlag wird nur wirksam, wenn Hargesheimer Kunstauktionen das Gebot innerhalb eines Monats nach dem Tag der Versteigerung schriftlich bestätigt.

VERSTEIGERUNGS BEDINGUNGEN

4. KAUFPREIS UND ZAHLUNG

4.1. Neben der Zuschlagssumme ist vom Käufer bzw. von der Käuferin ein Aufgeld von 28% zu zahlen. Hierin ist die gesetzliche Umsatzsteuer bereits enthalten, welche jedoch wegen Differenzbesteuerung nach § 25a UStG nicht ausgewiesen wird. Bei Objekten, die durch einen Stern (*) als regelbesteuert vermerkt sind, wird auf den Zuschlag ein Aufgeld von 24% berechnet. Auf die Summe von Zuschlag und Aufgeld wird die gesetzliche Umsatzsteuer von z.Zt. 19% erhoben.

4.2. Von der Mehrwertsteuer befreit sind Ausfuhrlieferungen in Drittländer (außerhalb der EU) und – bei Angabe ihrer Ust.-Identifikations-Nr. als Nachweis der Berechtigung zum Bezug steuerfreier innergemeinschaftlicher Lieferungen – auch an Unternehmen in anderen EU-Mitgliedsstaaten, unter der Voraussetzung, dass sie für gewerblichen Gebrauch einkaufen. Alle anderen Käufer:innen aus EU-Ländern unterliegen der Mehrwertsteuer. Ausländischen Käufer:innen außerhalb der Europäischen Union wird die Mehrwertsteuer erstattet, wenn der deutsche zollamtliche Ausfuhrnachweis erbracht wird. Bei Versand durch Hargesheimer gilt der Ausfuhrnachweis als gegeben.

4.3. Für Katalogpositionen, die mit zwei Sternen (**) gekennzeichnet sind, ist wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagspreis zu entrichten.

4.4. Während oder unmittelbar nach der Auktion ausgestellte Rechnungen bedürfen der Nachprüfung; Irrtum bleibt insoweit vorbehalten.

4.5. Die Zahlung des mit dem Zuschlag fälligen Gesamtbetrages ist in bar, per Banküberweisung oder per Kreditkarte (zuzüglich 3% bezüglich anfallender Spesen) zu entrichten. Schecks werden nur erfüllungshalber angenommen. Alle Steuern, Kosten, Gebühren der Überweisung oder der Scheckeinlösung (inklusive der Hargesheimer Kunstauktionen in Abzug gebrachten Bankspesen) gehen zu Lasten des Käufers bzw. der Käuferin. Persönlich an der Versteigerung teilnehmende Käufer:innen haben den Kaufpreis sofort nach erfolgtem Zuschlag an Hargesheimer Kunstauktionen zu bezahlen und in Empfang zu nehmen.

4.6. Bei Geboten in Abwesenheit gilt unbeschadet der sofortigen Fälligkeit die Zahlung binnen 10 Tagen nach Rechnungsdatum noch nicht als verspätet.

4.7. Die Gegenstände werden grundsätzlich erst nach vollständiger Bezahlung aller vom Käufer bzw. von der Käuferin geschuldeten Beträge ausgehändigt.

5. ABHOLUNG UND GEFAHRTRAGUNG

5.1. Der Zuschlag verpflichtet zur Abnahme. Abwesende Erwerber:innen sind verpflichtet, die Gegenstände unverzüglich nach Mitteilung des Zuschlages bei Hargesheimer Kunstauktionen abzuholen. Hargesheimer Kunstauktionen organisiert die Versicherung und den Transport der versteigerten Gegenstände zum Käufer bzw. zur Käuferin nur auf dessen schriftliche Anweisung hin und auf seine Kosten und Gefahr. Übersteigen die tatsächlichen Versandkosten die vorab berechnete Pauschale, so wird die Differenz dem Käufer bzw. der Käuferin nachträglich in Rechnung gestellt.

5.2. Mit dem Zuschlag geht die Gefahr an dem ersteigerten Gegenstand auf den Käufer bzw. die Käuferin über, das Eigentum wird jedoch erst bei vollständiger Bezahlung an den Käufer bzw. die Käuferin übertragen.

5.3. Hat der Erwerber bzw. die Erwerberin die Gegenstände nicht spätestens drei Wochen nach erfolgtem Zuschlag bzw. nach Mitteilung bei Hargesheimer Kunstauktionen abgeholt, wird Hargesheimer Kunstauktionen den Erwerber bzw. die Erwerberin zur Abholung der Gegenstände binnen einer Woche auffordern. Nach Ablauf dieser Frist hat Hargesheimer Kunstauktionen das Recht, die Gegenstände auf Kosten und Gefahr des Erwerbers bzw. der Erwerberin bei einer Spedition aufbewahren zu lassen. Vor einer Aufbewahrung unterrichtet Hargesheimer Kunstauktionen den Erwerber bzw. die Erwerberin. Für die Lagerkosten wird 1 Euro zzgl. Umsatzsteuer pro Tag und Objekt berechnet. Unabhängig davon kann Hargesheimer Kunstauktionen wahlweise Erfüllung des Vertrages verlangen oder die gesetzlichen Rechte wegen Pflichtverletzung geltend machen. Zur Berechnung eines eventuellen Schadens wird auf Ziff. 4 und 7 dieser Bedingungen verwiesen.

5.4. Hargesheimer Kunstauktionen trägt in keinem Fall eine Haftung für Verlust oder Beschädigung nicht abgeholter oder mangels Bezahlung nicht übergebener Gegenstände, es sei denn, Hargesheimer Kunstauktionen fiele Vorsatz oder grobe Fahrlässigkeit zur Last.

6. EIGENTUMSVORBEHALT, AUFRECHNUNG, ZURÜCKBEHALTUNGSRECHT

6.1. Das Eigentum am ersteigerten Gegenstand geht erst mit vollständigem Eingang aller nach Ziff. 4 und 7 geschuldeten Zahlungen auf den Käufer bzw. die Käuferin über.

6.2. Der Käufer bzw. die Käuferin kann gegenüber Hargesheimer Kunstauktionen nur mit unbestrittenen oder rechtskräftig festgestellten Forderungen aufrechnen.

6.3. Soweit der Käufer bzw. die Käuferin Kaufmann bzw. Kauffrau ist, verzichtet er bzw. sie auf seine bzw. ihre Rechte aus §§ 273, 320 BGB.

www.kunstauktionen-duesseldorf.de

7. VERZUG

7.1. Der Kaufpreis ist mit dem Zuschlag fällig. Zahlungsverzug tritt 14 Tage nach Vertragsschluss, also Zuschlagserteilung oder Annahme des Nachgebotes ein. Zahlungen sind in Euro an Hargesheimer Kunstauktionen zu leisten.

7.2. Bei Zahlungsverzug werden Verzugszinsen in Höhe von 1% pro Monat berechnet. Der Erwerber bzw. die Erwerberin hat das Recht zum Nachweis eines geringeren oder keines Schadens. Im Übrigen kann Hargesheimer Kunstauktionen bei Zahlungsverzug wahlweise Erfüllung des Kaufvertrages verlangen oder nach angemessener Fristsetzung vom Vertrag zurücktreten. Im Fall des Rücktritts erlöschen alle Rechte des Käufers bzw. der Käuferin am ersteigerten Gegenstand und Hargesheimer Kunstauktionen ist berechtigt, Schadensersatz in Höhe des entgangenen Entgelts auf das Kunstwerk (Einliefererkommission und Aufgeld) zu verlangen. Wird der Gegenstand in einer neuen Auktion nochmals versteigert, so haftet der säumige Käufer bzw. die säumige Käuferin außerdem für jeglichen Mindererlös gegenüber der früheren Versteigerung sowie für die Kosten der wiederholten Versteigerung; auf einen etwaigen Mehrerlös hat er keinen Anspruch. Hargesheimer Kunstauktionen hat das Recht, ihn bzw. sie von weiteren Geboten in Versteigerungen auszuschließen.

7.3. Einen Monat nach Eintritt des Verzuges ist Hargesheimer Kunstauktionen berechtigt und auf Verlangen des Einlieferers bzw. der Einlieferin verpflichtet, diesem Namen und Adressdaten des Käufers bzw. der Käuferin zu nennen.

8. EINWILLIGUNGSERKLÄRUNG DATENSCHUTZ

8.1. Der Bieter bzw. die Bieterin ist damit einverstanden, dass sein bzw. ihr Name, seine bzw. ihre Adresse und Käufe für Zwecke der Durchführung und Abwicklung des Vertragsverhältnisses sowie zum Zwecke der Information über zukünftige Auktionen und Angebote elektronisch von Hargesheimer Kunstauktionen gespeichert und verarbeitet werden. Sollte der Bieter bzw. die Bieterin im Rahmen der Durchführung und Abwicklung dieses Vertragsverhältnisses seinen bzw. ihren vertraglichen Pflichten nicht nachkommen, stimmt der Bieter bzw. die Bieterin zu, dass diese Tatsache in eine Sperrdatei, die allen Auktionshäusern zugänglich ist, aufgenommen werden kann. Der Datenerhebung und weiteren Nutzung kann durch Streichen dieser Klausel oder jederzeit durch spätere Erklärung gegenüber Hargesheimer Kunstauktionen mit Wirkung für die Zukunft widersprochen werden. Informationen zu Datenschutz finden Sie auf unserer Internetseite: https://kunstauktionen-duesseldorf.de/datenschutzerklaerung

9. SONSTIGE BESTIMMUNGEN

9.1. Politisch exponierte Personen sowie ihre unmittelbaren Familienmitglieder unterliegen der Auskunftspflicht im Sinne des Geldwäschegesetzes (GwG). Aufgrund der neuen Richtlinien für das GwG sind wir verpflichtet, bei schriftlichen Geboten über 7.500,- € sowie bei Saal-, Live- und Telefongeboten eine Ausweiskopie des Bieters zu hinterlegen. Bei juristischen Personen (z.B. GmbHs) benötigen wir zusätzlich den Handelsregisterauszug oder einen vergleichbaren amtlichen Registerauszug.

9.2. Diese Versteigerungsbedingungen regeln sämtliche Beziehungen zwischen dem Käufer bzw. der Käuferin und Hargesheimer Kunstauktionen. Allgemeine Geschäftsbedingungen des Käufers bzw. der Käuferin haben keine Geltung. Mündliche Nebenabreden bestehen nicht. Änderungen bedürfen zu ihrer Gültigkeit der Schriftform.

9.3. Erfüllungsort und Gerichtsstand für den kaufmännischen Verkehr ist ausschließlich Düsseldorf. Es gilt deutsches Recht; das UN-Abkommen über Verträge des internationalen Warenkaufs (CISG) findet keine Anwendung.

9.4. Vorstehende Bestimmungen gelten sinngemäß auch für den freihändigen Verkauf der zur Auktion eingelieferten Gegenstände und insbesondere für den Nachverkauf, auf den, da er Teil der Versteigerung ist, die Bestimmungen über Käufe im Fernabsatz keine Anwendung finden.

9.5. Sollte eine der vorstehenden Bestimmungen ganz oder teilweise unwirksam sein, wird die Gültigkeit der übrigen davon nicht berührt. Die unwirksame Bestimmung ist durch eine wirksame zu ersetzen, die in ihrem wirtschaftlichen Gehalt der unwirksamen Bestimmung am nächsten kommt. Entsprechendes gilt, wenn der Vertrag eine ergänzungsbedürftige Lücke aufweist. In Zweifelsfällen ist die deutsche Fassung der Versteigerungsbedingungen maßgeblich. Übersetzungen in andere Sprachen dienen nur der inhaltlichen Orientierung.

Frank Hargesheimer | Susanne Hargesheimer (Versteigerer | öffentlich bestellte und vereidigte Versteigerin für Kunst und Antiquitäten) Stand 4. Mai 2022

GENERAL TERMS AND CONDITIONS

Hargesheimer Kunstauktionen Düsseldorf GmbH (hereinafter referred to as „Hargesheimer Kunstauktionen“) conducts auctions in a public auction in terms of Section § 474, Para.1 Line 2 and Section § 383 Para. 3 Line 1 of the German Civil Code (BGB) as a commissioner on his own behalf and on account of the clients (the „consigner”), who remain anonymous.

1. CONDITION, WARRANTY

1.1. The items to be auctioned may be viewed and examined prior to the auction, potential buyers being liable for any damage caused by them to the items exhibited.

1.2. The works of art that are up for auction are, without exception, used items and sold as is. They are in a state of repair that corresponds to their age and provenance. Objections to the state of repair are only mentioned in the catalogue if, in the opinion of Hargesheimer Kunstauktionen, they adversely affect the visual impression of the work of art as a whole. Lack of information regarding the state of repair does therefore not justify any claims based on a guarantee or agreement on the condition. Potential buyers may request a condition report for every work of art. This report, be it verbal or written, does not contain any differing, individually negotiated terms, and expresses Hargesheimer Kunstauktionen subjective assessment only. The information contained in the condition report is provided to the best of our knowledge and belief. It does not constitute any guarantee or agreement on the condition and serves the purpose of the provision of nonbinding information only. The same applies to general information of any kind, be it verbal or written. In all cases the actual state of repair of the work of art at the time of the acceptance of the bid is the agreed condition in terms of statutory provisions (Sections § 434 et seq. of the German Civil Code (BGB)

1.3. All information contained in the catalogue is based on knowledge published until the date on the auction and on other general scientific knowledge available to the public. Hargesheimer Kunstauktionen reserves the right to correct catalogue information on the works of art that are to be auctioned. Said correction is made by written notice at the location of the auction and/or orally by the auctioneer immediately before the specific work of art is auctioned. The corrected information will replace the description in the catalogue.

1.4. Hargesheimer Kunstauktionen expressly excludes any liability for potential defects, provided that Hargesheimer has complied with its duty of care obligations.

1.5. Irrespective of the provisions of Clause 1.2., the information in the catalogue relating to authorship of the work of art shall form part of the condition that is agreed with the buyer. The auctioneer assumes no liability for defects as far as he has fulfilled his duty of diligence. But he commits himself to assert complaints which have been brought forward in due time within the limitation period to the consigner. Thereby, the limitation period regarding the authenticity is set at twelve months, for any other defects six months after the sale. In the event of successfully taking recourse to the consigner, the auctioneer will refund the purchasing price including the commission to the buyer.

1.6. Damages claims against Hargesheimer Kunstauktionen for legal and material defects and on other legal grounds (including compensation for futile expenses or cost for expert opinions) are excluded unless they are due to intentional or grossly negligent conduct by Hargesheimer Kunstauktionen or to the breach of significant contractual duties by Hargesheimer Kunstauktionen or are caused by injury to life or limb or damage to heal.

2. CONDUCT OF AUCTIONS, BIDS

2.1. The estimates stated in the catalogue are reserve prices.

2.2. Hargesheimer Kunstauktionen reserves the right to combine, separate, offer out of sequence or withdraw numbered lots during an auction.

2.3. All bids are considered as submitted by the bidder on his own behalf and for his own account. If a bidder wishes to bid on behalf of a third party he must notify this 24 hours prior to the start of the auction, stating name and address of the party he is representing and submitting a written power of attorney. Otherwise the purchase contract is concluded with the bidder when the bid is accepted.

2.4. After presentation of a legal personal-document and admission to the auction, each bidder will be given a bidder’s number by Hargesheimer Kunstauktionen. Only bids using this number will be included in the auction. Bidders, so far unknown to Hargesheimer Kunstauktionen, have to submit a written application no later than 24 hours before the auction, together with a document of identification. Hargesheimer Kunstauktionen may ask for a recent bank reference or other references for the admission to the auction.

2.5. The initial bid price is determined by the auctioneer; bids are generally submitted in Euros at maximum 10% above the previous bid. Bids may be made in person in the auction room or via the live auction during the sale. In absentia bids may be made in writing, by phone or over the internet or via a platform that has been approved by Hargesheimer Kunstauktionen.

2.6. All offers are based on the so-called hammer price and increase with premium, VAT and customs charges where applicable.

2.7. When there are equal bids, irrespective of whether they were submitted in the auction hall, by phone, in writing or over the internet, a decision shall be made by drawing lots. Written bids or bids submitted via the internet shall only be taken into consideration by Hargesheimer Kunstauktionen to that amount that is required to outbid another bid.

2.8. Absentee bids are generally permitted if the bidder has applied to Hargesheimer Kunstauktionen for permission at least 24 hours prior to the start of the auction and has, as far as possible, provided additional information pursuant to fig. 2.4. The application must specify the work of art, along with its catalogue number and catalogue description. In case of doubt, the catalogue number is decisive; the bidder shall bear the consequences of any uncertainties.

2.9. Hargesheimer Kunstauktionen provides the service of executing absentee bids for the convenience of clients free of charge. Hargesheimer Kunstauktionen therefore provides no guarantee for the effectuation or flawless execution of bids. This does not apply where Hargesheimer Kunstauktionen is responsible for a mistake made intentionally or through gross negligence. Absentee bids shall be equivalent to bids made in the auction.

2.10. The written bid must be signed by the bidder. In the event of written bids, the interested party authorises the auctioneer to submit bids on his behalf.

2.11. Telephone bids may be recorded by Hargesheimer Kunstauktionen. By applying for telephone bidding, the applicant declares that he agrees to the recording of telephone conversations. Hargesheimer Kunstauktionen is not liable for setting up and maintaining telecommunications connections or for transmission errors.

2.12. Bids via the internet can be submitted as “pre-bids” prior to the beginning of the auction, as “live bids” during a live web-cast auction, or as “post-bids” after conclusion of the auction according to the provisions stated hereinafter. Bids received by Hargesheimer Kunstauktionen via internet during an auction will only be taken into account for the respective auction if it is a live, web-cast auction. Furthermore, bids via internet are only admissible if the bidder has been authorised by Hargesheimer Kunstauktionen to bid over the internet by providing him with a user name and password. They only represent valid bids if they can be unequivocally matched to the bidder by means of such user name and password. Bids via internet are recorded electronically. The accuracy of the corresponding transcripts is accepted by the bidder/buyer, who is nevertheless free to furnish evidence that the transcript is inaccurate. Live bids are considered equivalent to bids submitted in the auction hall during the auction.

2.13. The after sale is part of the auction. In the event of post-bids, a contract is concluded only after Hargesheimer Kunstauktionen accepts the bid.

2.14. By making a bid, either verbally in the auction, by telephone, written by letter, by fax, or through the internet the bidder confirms that he has taken notice of these terms of sale by auction and accepts them.

2.15. With distance contracts, the right of return and rescission shall not apply to written, phone or internet bids unless the bid was made in the after sale.

3. THE AUCTION

3.1. A bid is accepted after the auctioneer has called the highest bidder’s bid three times. When a bid is accepted a purchase contract is concluded between Hargesheimer Kunstauktionen and the bidder whose bid was accepted. A purchaser is obliged to fulfill his obligations to pay for the item and to collect the purchased item.

3.2. Hargesheimer Kunstauktionen may refuse to accept the bid or accept it subject to reservation. If a bid is refused, the previous bid remains valid. If several individuals place the same bid and there is no higher bid after three calls, the decision will be made by drawing lots. Hargesheimer Kunstauktionen may revoke acceptance of the bid and re-offer the item if a higher bid that was made in due time has been overlooked by accident, if the highest bidder does not want his bid to stand, or if there are other doubts as to the acceptance. If no bid is successful even though several bids were submitted, Hargesheimer Kunstauktionen is liable to the bidder only for intent or gross negligence.

3.3. A bidder remains bound to a bid that has been accepted subject to reservation for a period of one month. A bid accepted subject to reservation only becomes valid if Hargesheimer Kunstauktionen confirms the bid in writing within one month after the date of the auction by submitting a corresponding invoice.

GENERAL TERMS AND CONDITIONS

4. PURCHASE PRICE AND PAYMENT

4.1. In addition to the bid award, the buyer must pay a premium of 28%. This includes statutory VAT, which will however not be stated due to the margin scheme in terms of Section § 25a of German Turnover Tax Law. An exception are lots with an asterisk (*) before the catalogue number. They are to be sold with V.A.T. and are calculated in line with Statutory VAT of currently 19% respectively will be levied on the sum of bid award and premium.

4.2. For buyers who have a right to deduct input tax, the invoice may, if desired, (after prior notification) be made out in line with standard taxation. VAT is not charged on shipments to foreign countries (i.e. outside the EU) nor – when the VAT-ID no. is stated – to companies in EU member states. If parties participating in an auction take purchased items into foreign countries themselves, they will be reimbursed the turnover tax as soon as Hargesheimer Kunstauktionen has the export and acquirer certificate.

4.3. For items marked with two asterisk (**), a flat-rated charge of 2% of the hammer price will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).

4.4. Invoices issued during or immediately after the auction must be verified; errors remain reserved to this extent.

4.5. Payment of the total amount due upon acceptance of a bid must be made in cash, by bank transfer or by credit card (plus 3% in respect of any charges incurred). All taxes, costs, transfer or encashment fees (including the bank charges deducted by Hargesheimer Kunstauktionen) are to be borne by the buyer. Purchasers who participate in person at the auction must pay Hargesheimer Kunstauktionen the purchase price immediately after the bid is accepted. Without prejudice to the fact payment is due immediately, bids made in absentia may be paid within 14 days of the invoice date without being considered delayed. Default in payment commences two weeks after the date of the invoice.

4.6. The auctioned items are generally only handed over after full payment of all amount owed by the buyer has been received.

5. COLLECTION AND ASSUMPTION OF RISK

5.1. Acceptance of a bid imposes an obligation to collect the item. Buyers who are not present must collect their items immediately after Hargesheimer Kunstauktionen has advised them that the bid has been successful. Hargesheimer Kunstauktionen shall organise the insurance and shipment of the work of art to the buyer only upon the latter’s written instructions and at his cost and risk. Since the purchase price is due immediately and the buyer is obliged to promptly collect his items, he will find himself in default of acceptance no later than two weeks after acceptance of the bid or post-bid, so that then at the very latest, and irrespective of the still undelivered items, the risk will be passed on the buyer. Each lot is at the sole risk of the buyer from the fall of the hammer.

5.2. If the buyer has not collected the items from Hargesheimer Kunstauktionen at the latest three weeks after his bid has been accepted and/or after he has been notified, Hargesheimer Kunstauktionen will call upon the buyer to collect the items within one week. At the end of said period Hargesheimer is entitled to have the items kept in a warehouse at the cost and risk of the buyer. Hargesheimer Kunstauktionen shall inform the buyer prior to storage. Any purchases that have not been collected within three weeks from the date of the invoice will be subject to handling and storage charge at 1 Euro + 19 % VAT per lot per day. Irrespective of this, Hargesheimer Kunstauktionen may demand performance of the contract or assert statutory rights for breach of duties. For the purpose of calculating any loss, reference is made to fig. 4 and 7 of these terms and conditions.

5.3. Hargesheimer Kunstauktionen shall under no circumstances be liable for loss of or damage to items that have not been collected or not handed over due to non-payment, unless Hargesheimer Kunstauktionen acted intentionally or with gross negligence.

6. RETENTION OF TITLE, OFFSET, RIGHT OF RETENTION

6.1. Title to the work of art passes to the buyer only upon receipt of all payments owed under fig. 4 and 7 in full.

6.2. Against claims by Hargesheimer Kunstauktionen, the buyer can only offset claims that are undisputed or that have been legally and finally determined.

6.3. Insofar as the buyer is a merchant registered in the commercial register, he waives his rights under Sections §§ 273, 320 of the German Civil Code (BGB).

7. DEFAULT

7.1. The purchase price is due upon acceptance of the bid. If payment is made in a foreign currency, any exchange rate losses and bank charges will be borne by the buyer.

7.2. In the event of default in payment, default interest of 1% per month is charged. The buyer is entitled to provide evidence that the loss is less or that there is no loss. In addition, in case of default in payment, Hargesheimer Kunstauktionen may elect to demand performance of the purchase contract or may rescind the contract after setting a suitable period for performance. In the event of rescission, all of the buyer’s rights to the purchased work of art shall lapse and Hargesheimer Kunstauktionen shall be entitled to demand damages amounting to the lost fee for the work of art (consignor commission and premium). If the item is re-auctioned at a new auction, then the defaulting buyer is additionally liable for any shortfall in proceeds compared with the earlier auction and for the costs of the repeat auction; he is not entitled to any excess proceeds. Hargesheimer Kunstauktionen has the right to exclude him from further bids in auctions.

7.3. One month after default has occurred, Hargesheimer Kunstauktionen is entitled to and, if the consigner demands it, required to provide the latter with details of the name and address of the buyer.

8. DATA PRIVACY DECLARATION

8.1. The buyer agrees that his name, address and any consignments being stored electronically and processed by Hargesheimer Kunstauktionen for the purpose of fulfilling and performing the contractual relationship, as well as to provide information about future auctions and offers. Should the buyer not meet the contractual obligations, within the scope of fulfilling and performing this contractual relationship, then he consents to this fact being added to a list which will be accessible to German auction houses. The buyer is entitled to object to the future collection and use of data by removing the said clause or by submitting notice to Hargesheimer Kunstauktionen at a later date. Information on data protection can be found on our website: https://kunstauktionen-duesseldorf.de/datenschutzerklaerung

9. MISCELLANEOUS PROVISIONS

9.1. Persons with political exposure and their immediate family members are subject to the obligation to provide information within the meaning of the Money Laundering Act (MLA). According to the new guidelines for the MLA, we are obliged to deposit a copy of the bidder’s identity card in the case of written bids over € 7,500 as well as auction hall, live and telephone bids. In the case of legal entities (e.g. GmbHs), we also require an extract from the commercial register or a comparable official register.

9.2. These Auction Terms and Conditions shall govern all relations between the buyer and Hargesheimer Kunstauktionen. The buyer’s General Commercial Terms and Conditions shall not apply. There are no verbal ancillary agreements. Amendments must be made in writing to be valid.

9.3. Insofar as it is possible to agree, Düsseldorf shall be the place of performance and jurisdiction. The law of the Federal Republic of Germany shall apply exclusively. The UN Convention on Contracts for the International Sale of Goods (CISG) shall not apply.

9.4. The aforementioned provisions apply mutatis mutandis to the private sale of items consigned for auction.

9.5. If any of the above provisions are invalid in whole or in part, the validity of the remaining provisions shall be unaffected. The invalid provision shall be replaced by a valid regulation which most closely resembles the commercial content of the provision which was invalid. The same applies if the contract reveals a loophole in need of amendment. In cases of doubt the German version of the Consignment Conditions shall prevail.

Frank Hargesheimer | Susanne Hargesheimer

(Auctioneer | publicly appointed and sworn auctioneer for arts and antiques)

Date: 4 May 2022

Schrittfolge der Steigerung | Bid Increments

102201.1005.50024.000130.000

152401.2006.00026.000140.000

202601.3006.50028.000150.000

302801.4007.00030.000160.000

403001.5007.50033.000170.000

503301.6008.00036.000180.000

603601.7008.50039.000190.000

703901.8009.00042.000200.000

804201.9009.50045.000220.000

904502.00010.00050.000240.000

1005002.20011.00055.000260.000

1105502.40012.00060.000280.000

1206002.60013.00065.000300.000

1306502.80014.00070.000330.000

1407003.00015.00075.000360.000

1507503.30016.00080.000390.000

1608003.60017.00085.000420.000

1708503.90018.00090.000450.000

1809004.20019.000100.000500.000

1909504.50020.000110.000550.000

2001.0005.00022.000120.000600.000

Bitte beachten Sie, dass der / die Auktionator:in die Schrittfolgen nach eigenem Ermessen auch variieren kann.

Please note that the auctioneer may vary the bidding increments at his / her discretion.

Zeitplan | Schedule

Pro Stunde werden ca. 100 Positonen aufgerufen. Approximately 100 lots are auctioned per hour.

Mitglied im

All lots in this catalogue with a reserve price of min. 1.500 € have been searched against the Art Loss Register’s database.

Druckfehler, Irrtümer und Änderungen vorbehalten. All errors and misprints reserved.

Abkürzungsverzeichnis | List of abbreviations

Abb. Abbildung attr. attributed B. Breite Bd. Band ber berieben besch. beschädigt best. bestoßen bez. bezeichnet

BM Blattmaß bzw. beziehungsweise ca. circa D. Durchmesser deutl. deutlich(e) DM Druckmaß doubl. doubliert

E. A. Epreuve d‘artiste ehem. ehemals erg. ergänzt g Gramm

Ges.-Gew. Gesamtgewicht

Ges.-H. Gesamthöhe Ges.-L. Gesamtlänge gest. gestempelt

Gew. Gewicht

H. Höhe handschriftl. handschriftlich hrsg. herausgegeben insg. insgesamt jew. jeweils Jh. Jahrhundert

L. Länge

Lit. Literatur maroufl. maroufliert min. minimal Nr. Nummer num. nummeriert ortsbez. ortsbezeichnet part. partiell rest. restauriert sign. signiert

SM Sichtmaß

Sitz-H. Sitzhöhe T. Tiefe teilw. teilweise tlg. teilig u. und unbed. unbedeutend vgl. vergleiche zugesch. zugeschrieben zus. zusammen z. T. zum Teil

HARGESHEIMER

Kunstauktionen Düsseldorf GmbH

Friedrich-Ebert-Straße 11+12

D - 40210 Düsseldorf

Telefon: +49 (0) 211 / 30 200 10

Fax: +49 (0) 211 / 30 200 119

info@kunstauktionen-duesseldorf.de www.kunstauktionen-duesseldorf.de

GESCHÄFTSFÜHRUNG

Frank Hargesheimer (Kunsthistoriker M.A.)

Telefon: +49 (0) 211 / 30 200 120

E-Mail: fh@kunstauktionen-duesseldorf.de

Auktionator

Altmeistergemälde | Handzeichnungen | Skulpturen Bronzeplastiken | Uhren | Möbel

MITARBEITER:INNEN

Janine Kauermann (Kunsthistorikerin M.A.)

Telefon: +49 (0) 211 / 30 200 10

E-Mail: jk@kunstauktionen-duesseldorf.de

Assistenz der Geschäftsleitung | Public Relations | Rechnungswesen | Zollabwicklung

Ulrike Bednarski

Telefon: + 49 (0) 211 / 30 200 10

E-Mail: ub@kunstauktionen-duesseldorf.de Empfangsassistenz | Rechnungswesen | Zollabwicklung

Sofya Efanova (Dipl.-Kunstwiss.)

Telefon: + 49 (0) 211 / 30 200 113

E-Mail: se@kunstauktionen-duesseldorf.de

Gemälde des 19. Jahrhunderts

Kathrin Fischer (Kunsthistorikerin M.A.)

Telefon: + 49 (0) 211 / 30 200 118

E-Mail: kf@kunstauktionen-duesseldorf.de Alte Grafik | Kunsthandwerk | Dosen | Miniaturen | Spazierstöcke | Vintage

Nataliya Ovchynnykova (Kunsthistorikerin M.A.)

Telefon: + 49 (0) 211 / 30 200 123

E-Mail: no@kunstauktionen-duesseldorf.de Silber | Russische Kunst & Ikonen

Olga Syngaivska (Kulturwissenschaftlerin M.A.)

Telefon: + 49 (0) 211 / 30 200 10

E-Mail: os@kunstauktionen-duesseldorf.de Porzellan | Glas | Keramik | Jugendstil

Mareike Thye (Kunsthistorikerin M.A.)

Telefon: + 49 (0) 211 / 30 200 114

E-Mail: mt@kunstauktionen-duesseldorf.de Schmuck | Armband- und Taschenuhren

www .kunstauktionen-duesseldorf.de

Steuernummer: 133 5832 1587

Finanzamt Düsseldorf-Mitte

Amtsgericht/Registergericht Düsseldorf 88 HRB 57157

Firmensitz Düsseldorf

Deutsche Bank BIC: DEUT DE DDXXX

IBAN: DE46 3007 0010 0614 9900 00

Sparkasse Düsseldorf BIC: DUSS DE DDXXX

IBAN: DE98 3005 0110 1007 8379 56

Susanne Hargesheimer (Kunsthistorikerin M.A.)

Telefon: +49 (0) 211 / 30 200 122

E-Mail: sh@kunstauktionen-duesseldorf.de Öffentlich bestellte und vereidigte Auktionatorin Ikonen | Russische Kunst

Laura Weber (Kunsthistorikerin M.A.)

Telefon: + 49 (0) 211 / 30 200 10

E-Mail: lw@kunstauktionen-duesseldorf.de

Moderne & Zeitgenössische Kunst Sicong Zhou (Kunsthistoriker M.A.)

Telefon: + 49 (0) 211 / 30 200 117

E-Mail: sz@kunstauktionen-duesseldorf.de Asiatische Kunst

Udo Fischer

Telefon: + 49 (0) 211 / 30 200 121

E-Mail: uf@kunstauktionen-duesseldorf.de Fotografie | Bildbearbeitung

Sebastian Maaß

Telefon: + 49 (0) 211 / 30 200 121

E-Mail: sm@kunstauktionen-duesseldorf.de Fotografie | Bildbearbeitung | Social media

Jürgen Bennemann (Dipl.-Designer)

Telefon: + 49 (0) 211 / 30 200 121

E-Mail: jb@kunstauktionen-duesseldorf.de Grafikdesign | Bildbearbeitung | Satz

Henner Paul Hink (Dipl.-Designer)

Telefon: + 49 (0) 211 / 30 200 10

E-Mail: hph@kunstauktionen-duesseldorf.de Design, Onlineauktionen

Dietmar Hillmann

Telefon: + 49 (0) 211 / 30 200 10

E-Mail: info@kunstauktionen-duesseldorf.de Antike Teppiche | Versand | Logistik

Hans Weyers

Telefon: +49 (0) 211 / 30 200 10

E-Mail: hw@kunstauktionen-duesseldorf.de Versand | Logistik

AUSZUBILDENDER

Alexander Albrecht

Wichtiger Hinweis!

Die 5. EU Geldwäscherichtlinie verpflichtet uns dazu, Sie ab Geboten, die 7.500 Euro übersteigen, um eine Kopie Ihres Personalausweises zu bitten. Andernfalls dürfen wir Sie nicht als Bieter:in registrieren.

Bitte beachten Sie, dass aufgrund der neuen Geldwäscherichtlinie der Rechnungsname mit dem Zahlungsabsender bzw. der Zahlungsabsenderin übereinstimmen muss.

Weitere Informationen zu unseren und Ihren Pflichten nach dem Geldwäschegesetz sowie zur Verarbeitung Ihrer personenbezogenen Daten finden Sie auf unserer Webseite unter www.kunstauktionen-duesseldorf.de.

Important note!

The 5th EU Money Laundering Directive obliges us to ask you for a copy of your identity card from bids exceeding 7,500 euros. Otherwise we are not allowed to register you as a bidder.

Please be advised that due to the new EU Money Laundering Directive payments must be sent from the invoiced party, rather than from a third party.

Further information on our and your obligations under the Money Laundering Act and on the processing of your personal data can be found on our website at www.kunstauktionen-duesseldorf.de.

Важно!

Согласно

оплата. Дополнительную информацию об обоюдных обязательствах в соостветствии с действующим Законом по борьбе с отмыванием денег, а также об обработке Ваших персональных данных Вы можете получить на нашем сайте www.kunstauktionen-duesseldorf.de.

重要提示：

按照欧盟第五条反洗钱指令的规定, 如果您的出价总额超过7500欧元，务必请您提供您个人有效证件的复印件。 否则您将不能作为竞拍者在我公司注册， 进而参加我们的拍卖。

请您注意，根据欧盟最新反洗钱指令，您如果在我公司购买货品，账单上的姓名必须和付款人的姓名一致（汇款人 或信用卡的持有者的姓名必须和账单上的姓名一致)。

更多关于此反洗钱法规所要求的条款信息以及对您个人信息的处理方法，可详见我们的主页: www.kunstauktionen-duesseldorf.de.

Aspetti importanti per gli nostri clienti!

La 5° direttiva UE sul riciclaggio di denaro sporco ci obbliga a chiedervi una copia della vostra carta d‘identità per le offerte superiori a 7.500 Euro. Ci riferiamo all’adempimento obbligo di legge comprese la nuova quinta direttiva EU sul riciclaggio di denaro . Altrimenti non possiamo registrarLe come offerente.

Si fa notare che a causa di quelle norme nuove antiriciclaggio il nome sul conto e il nome del speditore del pagamento devono essere gli stessi.

Potete trovare ulteriori informazioni sui nostri e sui vostri obblighi ai sensi della legge sul riciclaggio di denaro e sul trattamento dei vostri dati personali sul nostro sito web all‘indirizzo www.kunstauktionen-duesseldorf.de.

Avis important!

La 5e directive européenne sur le blanchiment de capitaux nous oblige à vous demander une copie de votre carte d‘identité pour les offres dépassant 7.500 euros. Autrement nous ne pouvons pas vous enregistrer comme enchérisseur/ enchérisseuse.

S’il vous plaît prenez en considération que – dû aux nouveaux directives concernant le blanchiment d’argent – au cas de règlement par virement le nom sur la facture doit correspondre avec l’expéditeur du versement.

Vous trouverez de plus amples informations sur nos obligations et les vôtres en vertu de la loi sur le blanchiment d‘argent et sur le traitement de vos données personnelles sur notre site web à l‘adresse www.kunstauktionen-duesseldorf.de

Sind Sie bereits Kunde:in Ja Nein

Kund:innennummer

Neukund:innen bitten wir zusätzlich die Bieter:innenregistrierung auszufüllen

Nachname, Vorname

Firma

Straße u. Hausnr.

Wichtiger Hinweis! Die 5. EU Geldwäscherichtlinie verpflichtet uns dazu, Sie ab Geboten, die 7.500 € übersteigen, um eine Kopie Ihres Personalausweises zu bitten. Andernfalls dürfen wir Sie nicht als Bieter:in registrieren.

Bitte beachten Sie, dass aufgrund der neuen Geldwäscherichtlinie der Rechnungsname mit dem Zahlungsabsender bzw. der Zahlungsabsenderin übereinstimmen muss.

Werden Sie Ihre Käufe in ein Nicht-EU-Land exportieren? Ja Nein

Katalog-Nr.Objekttitel

Gebote müssen spätestens 24 Stunden vor der Auktion eingehen. Alle Gebote sind bindend und beinhalten nicht das Aufgeld in Höhe von 28 % inkl. MwSt. (Differenzbesteuerung). Verbindlich ist die angegebene Katalognummer.

Schriftliche Gebote: Zuschlag erfolgt − auch bei Vorliegen höherer Gebote − zum niedrigst möglichen Preis. Werden bei einem Objekt mehrere gleichlautende Gebote abgegeben, erhält das zuerst eingegangene Gebot den Zuschlag.

Ort, Datum

1. Telefon 2. Telefon

Nur für Händler:innen (Handelsregisterauszug notwendig): Rechnung bitte mit MwSt.-Ausweis (Regelbesteuerung)

Ihre Umsatzsteuer-ID:

Telefonische Gebote: Für das Zustandekommen bzw. die Aufrechterhaltung der Telefonverbindung übernimmt das Auktionshaus keine Haftung. Telefongespräche können während der Auktion aufgezeichnet werden. Jedes abgegebene Telefongebot ist bereits ein verbindliches Gebot zum Limit der jeweiligen Katalognummer − auch bei nicht Zustandekommen der Telefonverbindung bzw. Nichterreichbarkeit.

Höchstgebot (o. Aufgeld) Telefon-Gebot (X)

Versteigerungsbedingungen: Mit Ihrer Unterschrift erkennen Sie die Versteigerungsbedingungen, die ausführlich in jedem Katalog abgedruckt sind, als verbindlich an. Alle Unklarheiten können Sie jederzeit vor Unterzeichnung des Gebotsformulars mit uns klären.

Informationen zum Datenschutz und zur Geldwäscheprävention: Informationen zum Datenschutz und zur Geldwäscheprävention in unserem Hause finden sie auf unserer Website unter www.kunstauktionen-duesseldorf.de.

Unterschrift

BIDDING FORM

Have you registered with us before? Yes No

Client No

New clients will be asked to complete our Bidder Registration Form

Last name, first name Company Address

Post/ZIP Code City

Important note! The Fifth EU Money Laundering Directive obliges us to ask you for a copy of your identity card, if the bid exceeds 7.500 €. Otherwise we are not allowed to register you as a bidder.

Please be advised that due to the new EU Money Laundering Directive payments must be sent from the invoiced party, rather than from a third party.

Will you export your purchases to a Non-EU-Country: Yes No

Lot-No Brief description

For trade buyers only (extract from the commercial register):

Please tick if you are requiring an invoice under the normal VAT rules (instead of a margin scheme invoice).

If registered for VAT in the EU please enter your registration here:

Maximum Bid € (excluding buyer‘s premium)

Phone Bid (X)

Bids must be received at least 24 hours before the auction begins. All bids are binding and irrevocable, the listed catalogue numbers are valid. A buyer‘s premium of 28 % (including VAT) will be added to the hammer price and is payable by the buyer as part of the total purchase price.

Absentee written bids:

We will attempt to execute an absentee bid at the lowest possible price taking into account the reserve price. If identical absentee bids are received for the same lot, the written bid received first will take the precedence. We cannot accept liability for any reasonable error or failure to place such bids.

Telephone bids: We will endeavour to excute these bids on your behalf but we will not be liable for any errors. Telephone bids may be recorded. Each telephone bid is already a bid at the level of the catalogue price, even if the bidder is unavailable at the time of sale, or the connection should be lost during bidding.

Conditions of Sale: By signing this form you agree that you have read and understand our conditions of sale and wish to be bound by them. You should ask any questions you have about the conditions of the sale before signing this form.

Place, date Your signature

Information on data protection and prevention of money laundering: Information on data protection and prevention of money laundering in our company can be found on our website www.kunstauktionen-duesseldorf.de

BIDDING FORM

Bids must be received at least 24 hours before the auction begins. All bids are binding and irrevocable, the listed catalogue numbers are valid. A buyer‘s premium of 25 % (including VAT) will be added to the hammer price and is payable by the buyer as part of the total purchase price.

Absentee written bids:

We will attempt to execute an absentee bid at the lowest possible price taking into account the reserve price. If identical absentee bids are received for the same lot, the written bid received first will take the precedence. We cannot accept liability for any reasonable error or failure to place such bids.

Telephone bids:

We will endeavour to excute these bids on your behalf but we will not be liable for any errors. Telephone bids may be recorded. Each telephone bid is already a bid at the level of the catalogue price, even if the bidder is unavailable at the time of sale, or the connection should be lost during bidding.

Conditions of Sale: By signing this form you agree that you have read and understand our conditions of sale and wish to be bound by them. You should ask any questions you have about the conditions of the sale before signing this form.

Place, date Your signature

Information on data protection and prevention of money laundering: Information on data protection and prevention of money laundering in our company can be found on our website www.kunstauktionen-duesseldorf.de

Friedrich-Ebert-Straße 11 + 12 40210 Düsseldorf

Tel.: + 49 (0) 2 11 / 30 200 10

WhatsApp: + 49 (0) 160 / 30 200 10

Fax: + 49 (0) 2 11 / 30 200 119 info@kunstauktionen-duesseldorf.de www.kunstauktionen-duesseldorf.de