H A L L E O N A R D P R E S E N TS
CHRISTINE BASS Transformative Vocal Techniques for Your Choirs: Tested, Tried, and True
FMEA
2027 SPONSORED BY:
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2027 FMEA
Transformative Vocal Techniques for Your Choirs Christine Bass
CHORAL SELECTIONS Title
Composer/Arranger
Voicing
Item Number
Page
Shoshone Love Song
Roger Emerson
SATB
08754242
3
How Can I Keep from Singing?
arr. Dilworth
SATB
08745990
14
The May Night
arr. Frackenpohl
SATB
00007777
25
Three Madrigals
Emma Lou Diemer
SATB
48003439
33
The Barber of Seville Overture
arr. Runswick
SATTBB
08743751
44
Trashin the Camp
arr. Hogan
SATB
08742091
60
Transformative Vocal Techniques for Your Choirs: Tested, Tried, and True Christine C. Bass christinebass.com “Excellence is …expecting more than others think is possible.” Ronnie Oldham FIVE BASIC ELEMENTS • Posture • Breathing • Support • Resonance • Articulation Posture • Your body is your instrument • The Alexander Method - 6 points of balance • Feet apart / sternum lifted / head tall but relaxed Breathing • Understanding the vocal anatomy • Open throat / suppressed yawn vocal tract • Fan to the pharynx wall • Fat inhale to skinny exhale • Quite breath • Column of air Support • Electric guitar analogy • Abdominal attack • Squats and weights Resonance • ‘Ah-Meter’ • Duh mouth / bright eyes • Sympathetic vibrations • Core • Up and over Articulation • Kinesthetic movements • Agility • Pum / Bim / Dum / Mum / Ding
Hal Leonard Repertoire Packet: SATB unless otherwise noted Shoshone Love Song Roger Emerson #HL 08754242/ How Can I Keep From Singing arr Rollo Dilworth #HL 08745990/ May Night, Brahms ed. A. Frackenpohl, #HL 00007777/Three Madrigals, Emma Lou Diemer #HL 48003439/ Barber of Seville Orchestra Overture, Giocchino Rossini #HL08743751/ Trashin’ the Camp from Tarzan, arr. Moses Hogan #HL 08742091 Instructional Products Available on Hal Leonard: Vocal Transformation / Where The Boys Are /
Front-Loading Your Choral Rehearsal: Constructing For Success
08754242
SAT(B) US $1.80
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
Shoshone Love Song (The Heart’s Friend) Traditional Native American Lyric Music by ROGER EMERSON Available for SAT(B), 3-Part Mixed, 2-Part and TTB
3
Shoshone Love Song (The Heart’s Friend) For SAT(B)* and Piano Duration: ca. 2:30
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
Tenderly (Π= ca. 84)
b & b b b 43
œœ œ œœ œ
Fm
P legato b & b b b 43 ˙˙ ..
Piano
œœ
D bmaj7
bbbb ˙
Soprano
&
a tempo
V
œ œ
˙
œ œ
˙
œ œ
Fair
is
the
œœ œœ œœ
E b/G
is
a tempo
Fair
is
a tempo
.
& 5
bbbb
a tempo
Fm
a tempo
b & b b b ˙˙ ..
the
is
? b b ˙. bb 5
the
œœ
the
œœ œ œœ œ
œœ
˙. ˙.
œœ
Copyright © 1995 by EMERSONGS This arrangement Copyright © 2012 by EMERSONGS International Copyright Secured All Rights Reserved
4
Eb
rit.
U
œ.
j œ
œœ
˙˙
œ
white
star
of
œ
œ.
j œ
white
star
of
œ
œ.
j œ
white
œ
A b(add9)
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star
of
star
œ J
œ.
white
˙˙ . .
*Available separately: SAT(B), 3-Part Mixed, 2-Part and TTB
D bmaj7
œœ œ œœ Uœ œ œ
˙˙ . .
˙
Fair
Fair
Bass
œœ
œ œ
bbbb ˙
Tenor
œœ œ œœ œ
Fm
˙
.
b & b bb ˙ . Alto
Eb
œœ
˙˙
Pedal freely
5
œœ œ œœ œ
Traditional Native American Lyric Music by ROGER EMERSON (ASCAP)
œœ
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of
œœ
b & b bb œ
œ
œ
‰
œ
œ
‰
œ
œ
‰
twi - light,
b & b bb œ
twi - light,
b V b bb œ For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
twi - light,
? bb b œ b
œ
œ
twi - light,
& 8
D b(add9)
œ bbbb œ
œœ
œœ
‰
œ œ œ
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and the
sky
and the
sky
sky
clear - er
at
day’s
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œœ
Fm
œœ
E b/G
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bb V b b ˙.
˙.
Fair
end.
˙.
Fair
˙.
Fair
˙.
∑
end.
11
SHOSHONE LOVE SONG – SATB
?
˙˙ ..
œœ
œœ
5
œ
˙
∑
œœ
œœ
13 A little more intensity
∑
œœ
œ
˙. ˙. ∑
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œ
and the
œ œ œ
œ œ ˙.
˙˙ . .
œœ
œ
day’s
end.
b b ˙. & b b ˙.
day’s
at
bb &bb . ˙
bb &bb
at
clear - er
end.
œœ
clear - er
sky
bb & b b ˙.
A b(add9)
day’s
and the
bb & b b ˙˙ ..
? bb b b
at
œ œ œ
œ œ ˙.
œ
clear - er
œ œ œ
œ œ ˙.
3
Fair 13 A little more intensity
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Fm
˙˙ ..
œœ
œœ
œœ
4
bb &bb ˙
œ œ
is
bb &bb œ
is
bb Vbb ˙ is
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
white
star
the
œ
œ.
œ œ
the
? bb b ˙ b
œ œ
is
the
E b/G
bb œ œ & b b œ œœ œ ˙. ? bb b ˙ . b
white
white
sky
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sky
b V b bb ˙ .
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of
œ.
œ
white
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star
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clear - er
b & b bb ˙
of
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clear - er
of
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twi - light,
twi - light,
twi - light, D b(add9)
œœ
˙˙ ..
b & b bb ˙ .
j œ
œ œ œ.
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14
of
star
A b(add 9)
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j œ
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the
j œ
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œ
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˙˙ ..
œ
at
day’s
œ
end.
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œ
˙.
at
day’s
œ
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day’s
end.
sky
clear - er
at
day’s
end.
Fm
E b/G
b œ & b bb œ
˙. ? b b ˙. bb
œœ
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17
SHOSHONE LOVE SONG – SATB
œœ
œœ
˙. ˙.
œœ
œœ
6
œœ
and the
œ œ
and the
œ œ
and the
˙.
at
œ
œ œ
end.
clear - er
œ
and the
˙.
sky
? b b ˙. bb
œ œ
˙.
A b(add9)
œœ
˙˙ ..
œœ
œœ
œœ
bb &bb Œ bb &bb Œ
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
bb Vbb Π? bb b Πb
Œ
F 21 ‰ œj ˙ But she F (he) ‰ j ˙ œ But she F j (he) ‰ œ ˙
Œ
˙
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Fœ ‰ J
But
she (he)
But
she (he) 21
bb œ œ & b b œ œœ œ
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b & b bb ˙
she (he)
b V b bb ˙
she (he)
? bb ˙ bb
she (he)
D bmaj9
bb b b œœœ œœœ œœœ &
? bb ‰ j ˙ bb ˙. œ ˙ 23
œ œ
is
œ œ
is
œ œ
is
œ œ
is
œ œ
is
œœ œ
SHOSHONE LOVE SONG – SATB
œ
œ
dear - er,
œ.
‰
œ
œ
œ.
‰
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‰
dear - er,
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7
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20
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is
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she, (he,)
˙.
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˙.
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˙.
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‰ j ˙ ˙. œ ˙
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5
6
&
bbbb œ
my
b & b bb œ
my
b V b bb œ For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
my
? bb b œ b
my Eb
bb œ &bb œ
˙
heart’s
heart’s
heart’s
heart’s
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bbbb
V
&
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b & b b b ˙˙
30
˙
Œ
∑
friend!
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F (add 9)
˙. n˙.
œ ‰ œ œ˙ œ n œ ˙. J
dim.
∑
rit.
∑
rit.
∑
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∑
rit.
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∑ œœ œœ œœ
∑
˙.
∑
D bmaj7
Œ
n˙.
∑
? bb bb
˙
˙
∑
bbbb
∑
˙.
friend! dim.
˙
Œ
˙
friend! dim.
˙
Œ
Tenderly
˙.
friend! dim.
˙
? b b b ‰ œ ˙˙ b ˙ J . 26 bbbb
dim.
Eb
œœ œœ
SHOSHONE LOVE SONG – SATB
Fm
œœ
˙˙ . .
˙. ˙˙ . .
∑
Tenderly
œœ œœ œœ
Fm
œ œ
33
P ˙ & ˙ .. a tempo
˙.
Fair a tempo
∑
˙.
Fair a tempo
∑
˙.
Fair
˙a.tempo
∑ Eb
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U œ
rit.
U
˙˙ 8
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∑
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b & b bb ˙
œ œ
is
the
b & b bb ˙
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b V b bb ˙
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is
the
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
is
? bb ˙ bb &
E b(add9)/G
bbbb Œ
white
moon
b V b bb ˙ .
j œ
star
œ
of
j œ
œ.
œ œ œ
‰ œ œ
œ œ œ
‰ œ œ
œ œ œ
‰ œ œ
twi - light,
twi - light,
white
œ
star
of
twi - light,
the
white
star
of
twi - light,
œ.
Ab
œ J
œ œ œ
Œ
‰ œj ˙ ˙.
34
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of
œ.
white
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moon
star
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œ˙ œ œœ
b & b bb ˙ .
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the
œ œ
is
œ
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D bmaj7
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to
sky’s
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end.
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to
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sky’s
˙.
end.
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œ
œ
˙.
to
sky’s
end.
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rov - ing
to
sky’s
end.
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b & b bb Œ
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‰ œj ˙ ? b b ˙. bb
37
SHOSHONE LOVE SONG – SATB
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œ
œ˙
Œ
‰ œj ˙ ˙. 9
and the
‰ œ œ
and the
E b/D b
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˙.
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and the
˙.
moon
? b b ˙. bb
and the
œ
œ
˙. Œ
œ œ œ
‰ œj ˙ ˙.
7
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
8
bb &bb
41 A little more intensity
∑
bb &bb
∑
bb Vbb
∑
? bb b b
Fair
b & b bb œ œ œ twi - light,
b & b bb œ œ œ twi - light,
b V b bb œ œ œ twi - light,
? bb b œ œ œ b &
œ bbbb œ
? b b ˙. bb
E b/D b
œ œ
the
œ white
j œ œ
œ.
the
j œ
œ.
star
of
j œ
œ.
white
star
of
œ œ œ.
œ J
˙.
Fair
˙
is
œ œ
the
white
œ
star
œ.
of
Fair
is
the
white
star
of
˙
41 A little more intensity Fm9
Œ
E b(add9)/G
œ œ
œ
‰ œj ˙ ˙.
40
D bmaj7
is
˙.
‰ œj ˙ ? bb b ˙ . b
twi - light,
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Fair
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˙
∑
bb &bb Œ
˙
˙.
Œ
œ œ œ˙ œ œœ
‰ œj ˙ ˙.
‰ œ œ ˙.
and the moon
œ
and the moon
œ
œ œ
Œ
‰ œj ˙ ˙.
œ œ œ
sky’s
œ œ œ
œ
rov - ing
‰ œ œ ˙
Ab
œ J
to
œ
rov - ing
to
sky’s
and the moon
‰ œ œ ˙.
rov - ing
to
œ œ œ
sky’s
and the moon
rov - ing
to
sky’s
Œ
œ œ œœ ˙
‰ œ œ ˙.
œ œ
44
SHOSHONE LOVE SONG – SATB
œ œ œ
Fm9
œ œ œ
Œ
‰ œj ˙ ˙. 10
E b(add9)/G
‰ œj ˙ ˙.
œ œ
b & b bb ˙ .
end.
b & b bb ˙ .
end.
b V b bb ˙ . For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
end.
? b b ˙. bb
end.
A b(add9)
b & b bb Π? bb bb
47
œ œ œ
b & b bb
fair - er,
œ œ œ.
fair - er,
b V b bb œ œ œ . fair - er,
? bb b œ œ œ . b fair - er,
b œ œ & b b b œ˙ . œ œ Fm9
? b b b ‰ œj œ˙ œ œ b ˙.
50
SHOSHONE LOVE SONG – SATB
Œ
‰ œj
Œ
Œ
‰
Œ
Œ
‰ œj
Œ
Œ
But
j œ
‰ ‰
she (he)
‰
F ‰ j ˙ ˙. œ ˙
worth
œ œ
D bmaj9
œœ œœ œ œ œ œœ
‰ j ˙ ˙. œ ˙ 11
œœ œ
is
is
œ œ
is
œ œ
is
œœ œ
œ œ œ.
lov - ing,
œ œ œ.
lov - ing,
œ œ œ.
worth
lov - ing,
worth
lov - ing,
œ œ
more
˙
œœ œœ œ œ œ œœ
œ œ
˙
˙
49 D bmaj9
˙
more
œ œ
But
‰ œJ
worth
˙
˙
she (he)
she (he)
œ œ
more
œ œ
But
˙
more
˙
she (he)
‰ œj ˙ ˙. ‰
9
But
œ œ œ
Œ
‰ œj ˙ ˙.
b & b bb œ œ œ .
Œ
49
œ œ œ. œ œ œ˙ . œ œ
Fm9
‰ œj ˙œ œ œ ˙.
‰ ‰ ‰ ‰
10
&
bbbb ˙
œ
.
she, (he,)
b & b bb ˙ .
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
˙
my
heart’s
œ
˙
˙
˙.
˙
n˙.
˙
Œ
˙.
˙
Œ
friend! cresc.
my
heart’s
friend! cresc.
she, (he,)
my
heart’s
friend! cresc.
she, (he,)
my
heart’s
friend!
œ
? b b ˙. bb
D bmaj9
b b œœœ œœœ œœœ b & b
? bb ‰ j˙ bb ˙. œ ˙ 53 bb b b ˙f 57
She (He)
bb b b f & ˙
She (He)
b b b ˙f b V
She (He)
f ? bb ˙ bb
She (He)
57 D bmaj9
b b b œœœ œœœ b œœœ b & f ? bb ‰ j ˙ bb ˙. œ ˙ 57
œ
Eb
œ œ
œœ œ
˙ ˙ œœ
‰ j˙ œ ˙ ˙. œ œ
is
F (add9)
œ œ
˙. n˙. cresc. œ ‰ œ ˙œ œ n œ ˙. J
œ œ œ.
‰
fair - er,
œ œ
œ œ œ.
fair - er,
‰
œ œ
œ œ œ.
‰
œ œ œ.
‰
is
is
œ œ
is
œœ œ
SHOSHONE LOVE SONG – SATB
fair - er,
fair - er,
œ œ œ˙ . œ œ ‰ œj ˙œ œ œ ˙.
Fm9
12
Œ
˙.
she, (he,)
b V b bb ˙ .
&
cresc.
œ œ nœ ˙. ˙˙ . .
Œ
œ œ
˙
œ œ
˙
œ œ
˙
œ œ
˙
œ œ
she (he)
she (he)
she (he)
she (he)
D bmaj9
œœ œœ œ œ œ œœ
‰ j ˙ ˙. œ ˙
is
is
is
is
œœ œ
b & b bb œ b & b bb
œ.
‰
œ
dear - er,
œ.
‰
œ
œ.
‰
œ
œ.
‰
œ
dear - er,
œ
b V b bb œ For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
dear - er,
? bb b œ b
dear - er,
&
bbbb
Fm9
œ˙ . œ
œ
? b b b ‰ œj œ˙ b ˙.
60
&
bbbb
b & b bb
œ œ
œ
rit. e dim.
˙.
my
heart’s
˙.
she, (he,) rit. e dim.
œ
my
˙
˙.
she, (he,) rit. e dim.
œ
my
heart’s
she, (he,)
my
heart’s
D bmaj9
œœ œœ œ œ œ œœ
‰ j ˙ ˙. œ ˙
˙.
˙
b V b bb n ˙ .
friend!
? b b ˙. bb
friend!
Slowly
b & b bb ˙ . n˙. ? b b b ‰ œ œ˙ œ n œ œ b ˙. J 63 F (add9)
SHOSHONE LOVE SONG – SATB
U̇
œœ
œ œ
U
u
PU n˙.
∑
PU ˙. Oo.
∑
˙
Œ
∑
˙
Œ
∑
œ œ n œ œ œ
U
‰ œj ˙˙ ˙.
Œ
13
U̇
œ œ
Œ
˙. ˙˙ . .
heart’s
Eb
œœ œ
rit. e dim.
friend!
U
œ
˙.
˙
friend!
˙
she, (he,) rit. e dim.
œ
Slowly
œ
˙.
11
U
œœ œœ œœ
Fm
P & ˙˙ ..
P U̇ . Oo.
P U̇ . Oo.
Oo.
œœ
F
U ˙.
ggg n ˙ . ggg gg ggg U ggg ggg ˙˙ ..
08745990
SATB US $1.70
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
How Can I Keep from Singing? WORDS AND MUSIC BY REV. ROBERT LOWRY ARRANGED BY ROLLO DILWORTH
14
PERFORMANCE NOTES The text and tune for this popular hymn can be traced back to Rev. Robert Lowry, a Philadelphia-born minister and composer (18261899). Lowry is credited with having written approximately 500 songs, with “How Can I Keep From Singing?” (composed in 1860) becoming one of the most well known.
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
Similar to the African American spiritual tradition, the themes of hope and perseverance can be found throughout the verses of this hymn. This setting begins with a unison statement of the original melody in a syncopated, gospel-style pattern. This rhythmic pattern continues throughout the arrangement as the vocal lines open into 4-part harmony beginning at measure 13. A call and response texture is found at measure 20 just prior to the close of the first verse. Beginning at measure 28, the lower voices take over the melody as the upper voices respond. At measure 36, all voices become equal again as the second verse concludes. At measure 52, the melody is once again in the top voice and the dynamic level moves to forte, signifying moods of confidence and conviction. In measure 60 through the first half of measure 66, the accompaniment drops out of the texture, and the words come to life through the use of metric compression and expansion. In the second half of measure 66, the accompaniment resumes, and the vocal parts drive to a dramatic finish! This piece should be sung with consistent rhythmic energy and vitality. Enjoy!
15
This SATB arrangement is dedicated to Michael Pihos, a former Park View, Glen Crest, and Glenbard South student from Glen Ellyn, IL who had a profound love and passion for music.
How Can I Keep from Singing? For SATB* and Piano Performance Time: Approx. 3:15
Arranged by ROLLO DILWORTH Moderato (q = ca. 96)
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œœ œœ œ œ . œ œ œ
by
œ œ
wing - ing.
42 n ˙˙˙ 42
34 œœ
œ ˙ 43 œœ œ ˙
are
bb 1 & b b 4 n œœœ
3 4 œœ
j œ
œ
60
bb 1 & b b 4 n œœœ
j œ
41
œ How
‰ j Œ œ Œ
œ œ œœ . œ œ œœ ... œœ œœ œœœ œœœ œ œ An œœœ œ œœ .. œ œ œ œ œ œ œ œ œœ
bb Ó & b b œ. œ œ œ Ó Œ 69
can
I
? bb b b
keep,
Ó Œ œ œ œ œ. œ œ œ œ Ó
I keep, œœ can œœ œœ œœ œœ ‰ Ó
how
∑
how can
b Ó & b bb œ . œ œ œ œ Œ œœ œœ œœ œœ œœ can
? bb ‰ bb
I keep,
Œ
b & b b b œœ .. œœ ˙˙ œ. œ ˙ ? bb b œ . œ ˙ b sing - ing,
I keep,
div. ‰ œœ œœ .. œœœ ˙˙˙ J
œ œœ . œœ ˙˙ . ‰ Jœ œ . œ ˙ from sing - ing, div.
œœœ œ œ ˙ œœœ œ œ ˙
˙˙ .. ˙.
œ ‰ Jœ
from
div.
œœ .. œœ œœ œ œ œœ .. œœ œœ œœ œœ œ œ œ œ œ. œ œ œ ˙ œ. œ œ œ ˙
from sing - ing?
24
how
j ‰ œœ
˙˙˙ .. .
div.
œœœ ... œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œ œ œ œ œ œ bbb œ . œ œ œ œ œ œ œ œ œ œ . ‰ œ b & œœ .. œœ œœ œœ œœ œ œ œ œ œœœ ... œœ œœ œœ œœ œœ œœ œ . J œœ . œ œ œ œ œ œ œ . ? bb b œ . œ œ œ ˙ . œ œ œ œ œ œ ‰ œ . œœ œœ œœ œœ œœ œœ b œ. œ œ œ ˙ J
HOW CAN I KEEP FROM SINGING? – SATB
œœœ
œœœœœ œ ‰ œ œ œœ œœœ œ œ
. œ ˙. ‰ œœœ œœœ .. œœœ ˙˙˙ ... J œœ œœ . œœ ˙˙ .. . . ‰œ œ . œ ˙ J
11
b œœœ œœœ œœœ œœœ œœœ ‰ œ œ œ œ œ
b œœœ œœ œœœ œœœ œœœ œœœ œ œ œ œ œ œ
75
keep,
∑
I keep,
‰ œj œœ .. œœ œœ œœ ˙˙ J how can I keep œœ œœ .. œœ œœ œœ ˙˙ ‰J
b b b œ œ œ A œ ≈ œ œ œAn œœœ b & œœœ ... œ œ œ . œ œ nœ œœœœ n ? bb b œ œ œ œ œ Œ b œœœ œ œ 72 how can
I
‰ j œ. œ œ œ Ó œ Ó Œ
A œœ œ œ œ œ A œœœ œœœ œœœ œœœ œœ ‰ œ œ œ œ œ œœœœ .. œœ œœ A œœ ≈ nœ & .. œ œ n œ œœœ œ œ n œ ? bb b œ œ œ œ œ œ œ ‰ œ Œ œ œ œ b œœ œœœ œ œ 69 œœœ œ œ bbbb
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
how can
˙˙ .. ˙˙ .. ˙˙˙ ...
Œ Œ
œ¨ œœ .. œœ œœ œœ œœ œœœ œ. œ œ œ œ œ. œ œ œ œ œ. œ œ œ œ œ œ Ë
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
00007777 SATB US $1.60
THE MAY NIGHT (DIE MAINACHT)
By JOHANNES BRAHMS Arranged by ARTHUR FRACKENPOHL
25
26
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
27
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
28
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
29
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
30
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
31
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
32
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
For the Senior High Schools of Arlington, Virginia
THREE MADRIGALS for SATB Chorus & Piano
I. “O Mistress mine, where are you roaming?” Emma Lou Diemer Fast, but gently Œ. = 120
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
Soprano Alto
Tenor Bass
Piano
&œ
stay
?
P j Œ œ œ
j œ œ
∑
∑
∑
‰ œ œ œ œ œ œ. Œ. p j ‰œ # œœ œœ œœ . ‰
‰ œ œ œ œ œ œ. Œ. j ‰œ # œœ œœ œœ . ‰
& 68
∑
?6 8
∑
‰ œ œ œ œ 6 & 8 Œ. œ œ. P j ‰œ # œœ œœ œœ ?6 . ‰ 8
‰ œ œ œ œ œ œ. Œ. j ‰œ # œœ œœ œœ . ‰
j œ œ
j œ œ
j œ œ œ œ
and hear!
Your true
∑
‰ œ œ œ œ & Œ. œ œ. j œ œœ ‰ # œœ œ ? œ. ‰
Œ.
Unis.
love’s com - ing,
j œ œ
j œ œ œ œ
O mis - tress mine, where are you roam-ing? Oh,
‰ œ œ œ
œ J
That can sing both
∑
∑
œ #œ #œ #œ. high
Œ.
and low,
Unis.
P œ #œ #œ high
and
‰ œ œ œ œ ‰ œ œ œ œ œ #œ #œ #œ. œ œ. J Œ. j œ œœ ‰ # œœ ‰ œœ # # œœ .. ‰ œœ # # œœ .. œ. œ . . # œ œ # œ œ #œ ‰ #œ J J
© Copyright 1962 by Boosey & Hawkes, Inc. This arrangement © Copyright 2008 by Boosey & Hawkes, Inc. Copyrights for all countries. All Rights Reserved. 979-0-051-45417-4
Engraved & Printed in U.S.A.
IMPORTANT NOTICE: The unauthorized copying of the whole or any part of this publication is illegal.
33
& œ #œ #œ #œ. high
? #œ.
low,
and low,
œ bœ bœ œ. high
œ#œ#œ #œ.
high and
low.
œ.
and low.
Œ.
∑
& œ #œ #œ #œ. For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
œ ‰ ‰ J
∑
3
∑ ‰ œ œ œ Jœ > F Trip no fur - ther,
œ b œ b œ ‰ œ n œ ‰ b œœ b œ ‰ œ. œ j bœ œ œ œ œ œœ .. œœ œœ > ‰ œœ b œ . cresc. ‰ œœ # # œœ .. F œ #œ #œ. nœ. ? #œ. . .. œ b œj b œ œ b J bœ œ bœ > F ∑ ∑ ∑ ‰ b œœ œœ œœ b œœ & > J trip no fur - ther, pret - ty sweet - ing; Jour-neys end in > > > F ‰ b œ œ œ j b œ œj œ b œ ∑ œœ >œœ b œœ b œ œ œ b œœ œ b Jœ œ œ b œœ b >œœ ? œ J œ œ bœ œ J J J J > > > > > > pret - ty sweet - ing, trip no fur - ther, pret - ty sweet - ing; Jour - neys end in >œœ b œœ b >œœ j j œ œJ j ‰ b œœ œœ b œœ b œœ b œœ œœ œœ b œœ ‰ b œ œœ & œœ .. œ bœ œ bœ bœ œ œ bœ œ œ. œ œ > > > > > >œœ b œ ‰ b œœ ? . œ j j j .. .. .. b œ œ b œ œ b œ œ b œ J œ œ œ b b b b œ. œ bœ bœ œbœ bœ œ bœ bœ > > > > f > >˙ . j 9 6 œœ ‰ ‰ Œ . œ œ b œ ‰ b œ œ b œ œ b œ b œ b œ œ . & œ œ œ œ b œœ 8 œœ b œœ œ œ 8 ˙ J > J > > > lov - ers meet - ing, Ev- ’ry wise man’s son doth know. f > >˙ . > > œœ > œ œ œ b œ œ b œ œ b œ b œ b œ b œ œ œ œ œ œ ˙ œ . ? 9 6 œ œ œ b œ b œ J 8 J 8 ‰œ J ‰ ‰ Œ. > b >œœ œœ >œœ œœ b œœ œœ >œœ b œœ b œœ >œ œœJ 6 ‰ œ œ œ œ ‰ œ œ œ œ œ b 9 œ œ œ. & bœ bœ œ œ œ 8 ‰ 8 .œ œ. J Œ Œ. j P# œ j # œ œ œ œ œ ‰ ‰ œ œ > > > ? b œœ b Jœœ œœ œœ b œœ 98 ‰ œœ b œœ b >œœ b œœ œœ œ œœJ 68 œ . œ œ ‰ œ . œ œ‰ 34
4
&
∑
P œ œ ?œ J What
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
Unis.
is love?
‘Tis not
œ œ J
∑
œ œ œ œ J
here af
P ‰ œ œ œ
j œ œ
Unis.
-
ter;
j œ œ œ œ
Pre - sent mirth hath pre - sent laugh - ter;
∑
∑
‰ œ œœ . œ œ œ & Œ. j œ œœ ‰œ # œœ œ ? . ‰
‰ œ œ œ œœ . œ Œ. j œ œœ ‰œ # œœ œ . ‰
‰ œ œ œ œœ . œ Œ. j œ œœ ‰œ # œœ œ . ‰
‰ œ œ œ œœ . œ Œ. j œ œœ ‰œ # œœ œ . ‰
& ‰ œ œ œ Jœ
œ #œ #œ #œ.
œ #œ #œ #œ.
œ bœ bœ œ.
?
What’s to come is
∑
still
un-sure,
still
un-sure,
still
still
un - sure,
still
un - sure:
œ #œ #œ #œ.
Œ.
œ #œ #œ #œ.
un - sure:
Œ.
œ #œ #œ #œ. œ bœ bœ ‰ bœ nœ & ‰ œ œ œ Jœ œ # œ # œ # œ . œ cresc. ‰ œ ‰ œ #œ. ‰ œ #œ. ‰ œ #œ. ? # œ . œ # œœ . # œ # œ . œ # œœ . # œ # œ . œ # œœ . # œ # œ . œ b œ . J J J & œ. ? & ‰ b œœ ? œ.
œ‰ ‰ J ∑ bœ ‰ œœbœ œ bœ.
∑
F b œ œ >œ b œ ‰ œ œ œ œJ In de - lay
>œ . œœ .. F . b b œœ . >
there
∑ lies
œœ >œœ .. œ. œ J œœ b œj b b œœ .. bœ > œœ œ
35
no plen - ty,
b >œœ b œœ œœ b œœ b œœ J
F ‰ b œœ œœ œœ b œœ > J
b >œœ
In de - lay
there
In
de - lay
there
> œœ ‰ bb œœœ œ J œœ b œj b b œœ .. bœ > œœ œ
œœ >œœ b œœ J J >œœ b œœ œ œJ
œœ b œj bœ
& b œœ >
lies
> ? b œœ
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
b >œœ & bœ ? &
. b b œœ . >
j b œœ œœ œœ b œœ > no plen ty, > b œœ œœ b œœ b œœ J b œœ bœ J ∑
>œœ œ œœ
Then come kiss
me, sweet
Then come kiss
‰ œ œ œ œ & Œ. œ œ. j ‰ # œœ œ œœ œ ? œ. ‰
? œ.
en - dure,
me, sweet
b >œœ
lies
and twen - ty!
œ œ œ œ œ œ œ J ‰
and twen - ty!
Youth’s a stuff
œœ œ J œœ J
œ J
Youth’s a stuff
will
œ œ œ œ œ. J
will
not
en - dure,
√ -----------------------------------------------------
œ œ œ œ.
rit.
dim.
œ œ œ not
b œœ J
> œœ b œœ œœ J J no plen - ty; > œœ b œœ œœ J J
5
‰ œ ‰ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ. œ œ. œ œ. Œ. Œ. Œ. √ ----------------------------------------------------j j j ‰ # œœ œ œœ ‰ # œœ œ œœ ‰ # œœ œ œœ œ. œ œ œ ‰ œ. ‰ œ. ‰
& œ œ œ œ. not
there
> b œœ
œœ b >œœ b œœ >œœ b œœ b œœ >œœ œ œ œ œ ‰ bœ bœ œ J J f >œœ >œœ >œœ œ œ b œ b b œ œ b œ ‰ œ j b . œ J J œ b œ . b œ bœ > Unis. p œ œ œ œ œ œ œ œ œ ‰ œ œ œ ‰ J J
œ œ J
?‰
b œœ J
œœ b œœ œ œ
pœ œ œ
Unis.
f ‰ b œœ b œœ œœ > In de - lay fb œ b œœ >œœ œ ‰
not
œ.
dim.
en - dure,
en - dure.
˙.
œ œ œ not
˙.
rit.
π U̇ . π U̇.
en - dure.
(√ )------------------------------------------------------------------------------------------------------------|
U̇. ‰ œ ‰ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ . . . & . œ œ œ Œ Œ. Œ. π dim. rit. (√ )-----------------------------------------------------------------------------------------------------------j j j U̇˙ .. ‰ # œœ ‰ # œœ ‰ # œœ œ œœ œ œœ œ œœ ˙. œ œ œ œ œ . . ? œ. ‰ ‰ ‰
|
36
Words – Wm. Shakespeare – Twelfth Night
6
II. “Take, oh, take those lips away” & 44
Slowly Π= 80
Sop. Alto
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
Tenor Bass
? 44
∑
p
j bw œ œ . b œ . œ œ œ œ œ b œœ œœ œœ œœ œ b œœ œœ œœ b w
Take, oh, take those lips
∑
a - way That so sweet - ly were for - sworn;
pœ b œ . œ b œ œ œ œ œ œ œ bœ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ J
ww
√ -----------------------------------------------------------------------------|
bœ bœ œ œ b œ œJ j œ b œ œJ 44 j œ bœ œ œ œ œ & œ œ bœ œ œ œ bœ œ œ œ bœ œ œ Piano π œœ ? 44 œ & Œ b œ ˙ Œ bœ ˙ Œ bœ ˙ w œ ˙. œ ˙. œ ˙. œ w œ œ ° ° °° °° ° 6 j b œ œ œ . & œ œ b œœ . œ œœ b œœ ˙˙ œœ b b œœ œœ œ b œ œ ˙˙ œœ Œ Ó œ bœ œ And those eyes,
the break of day,
P ? b œœ œœ œœ œœ
bring a - gain,
Lights that do mis - lead the morn.
œ œ œ bœ bœ œ ˙ œ Œ Ó ? # œœ œœ œœ .. œœ # œœ œœ ˙ œ œ bœ b œ œ ˙ b ˙ b œ œ J œ bœ bœ œ œ œ œ ˙ œ œ œ œ Œ Ó Ó & P œœ œœœ b œ œ œ˙ œ˙ ∑ ? Ó œ & #œ œ œ # œ œ œ œ œ bœ ° ° ° œ ° ° 11 P p ° Unis. F ∑ œ bœ ˙ & œ œœ œ œ œ œœ ˙ œ œœ ˙˙ œ œ ˙ But my kiss-es
b œœ œœ ˙˙
b pœœ œœ ˙˙
bring a - gain;
∑
Unis.
Fœ b œ ˙
Seals of love,
œ˙ b œ ˙ ˙ b˙ p F œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ b œ b œ b œ b œ n œ b œ œ œ œ œ ˙ œ œ˙ œ˙ œ˙ œ˙ œ˙ œ˙ ? œ˙ œ˙ b œ bœ ° ° ° ° ° ° ° ° ° ° œ ˙ œ &
œ œ ˙
œ œ ˙
37
œ œ ˙
pU œ œ ˙
j & œ bœ œ. œ œ œ ˙ seals of love,
but sealed in vain,
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
j œ œ . b œ œ œ œ . œ œ b œœ œœ œœ œœ
œ pU̇
œ
œ œ ˙˙ b b ˙˙
œ œ bw
7
pœ b œ œ . œ œ b œ œ œ œ œ œ œ. œ œ œ œ œ œ J
sealed in vain.
rit. e dim. ? œ bœ œ. œ œ œ ˙ J
œ˙ b œ ˙ ˙ &b ˙
p
Tempo I
Very slow
rit. e dim.
16
Take, oh, take those lips
a-wayThat so
√ --------------------------------------------
U̇
œ b œ œJ œ œj œ b œ œJ œ œj u œ bœ œ bœ œ œ - p U p œ œ rit. e dim. œ œ˙œ œ b œ b œ œ ˙ œ œ œ- - - œ- b œ- ? œ b œ ˙ ? b œ ˙ ? ? bœbœ &œ & & b œ b œ bœ ˙ œ ˙ œ œ b œ œ œ ° ° ° ° ◊ ° ° ° ° ° 21 j b w b œ œ bœ œ . & œ b œœ œœ œœ b w œœ b b œœ œœ œœ œ œ b œœ . œ œœ œ ˙˙ sweet - ly were for - sworn;
œ ? œ b œœ œœ œœ
And those eyes,
ww
# œœ œœ œœ ..
(√ )-------------------------------|
the break of day,
Lights that
do mis -
œ œ œ bœ bœ œ œ bœ
œœ # œœ œœ ˙ b˙ J
œ œœ b b œœ œœ œ bœ œ œ bœbœ bœ œ œ œ œ b œ b œ œ œœ bœ œ œ œ œ & œ bœ œ œ # œ b œb œ œœ # œ œ b b œœ œ œœ œ ?œ #œ #œ œ œ ? œ&b œ ˙ œ œ œ œœ œ bœ bœ œ œ bœ ˙ œ œ ° ° ° œ ° œ ° œ ° bœ bœ œ œ bœ ° ° ° °° 26 π p rit. e dim. & œœ b b œœ œœ œœ b ˙ ww ww ww ˙˙ b˙ lead
? b œœ
the
œœ œœ b œ bœ
morn, rit. e dim.
b b ˙˙
the
& œœ b b œœ œœ œœ bœ œ œ œ œ rit. e dim.b œ ? bœ œ œ bœ œ bœ œ bœ ° °°°
bœ
bœ bœ °
˙˙
œœ
morn.
p w w
œ œœ p
œ ˙ bœ
œ œ ° 38
œœ
œ˙œ
°
w w
π w w
√ -----------------------------|
œœ
œ œ
œ˙b œ
°
œœ
˙
&œ
w
π œ bw œœ w
°
°
Words – Wm. Shakespeare – Measure for Measure
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
8
III. “Sigh no more, ladies, sigh no more!”
Sop. Alto
& 68
∑
∑
Tenor Bass
?6 8
∑
∑
Piano
4
Gaily Œ. = 112
& bœ œ œ bœ. > >sigh no more, . œ. œœ. œœ. b œ b & b œœ œœ b œ œ > > bœ bœ ? & ? &
F
bœ œ œ œ œ œ > > Sigh no more, la - dies, Unis. F > b œ œ œ >œ œ œ
. œ. . œ. . œ. . œ. . œ. b œ œ œ b œ œ b œœ. œœœ. 6 œ œ b œ œ œ œ b œ œ œ b œ œ œ œ œ œ œ œ œ œœ &8 œ > > > > > f> bœ b œ b œ bœ bœ bœ ?6 8
? b >œ œ œ b >œ .
8
Unis.
> bœ
> œ f b >˙ . bœ bœ œ œ bœ >sigh no more, no more! f > > bœ œ b˙. b >œ œ œ b œ > bœ
j bœ Œ.
œœ. œœ. b bœ œ
> bœ
> f bœ
cresc.
ev - er,
bœ bœ œ bœ.
ev - er, One foot in
sea,
bœ
> bœ
> ? b bbœœœœ
b œ bP J œ bœ œ j bœ bœ. b œ- . P ‰ bœ. b œ- .
One foot
bœ.
Men were de - ceiv - ers
. . b bb œœœ œœœ
œœ. œœ. œ œ
P
b >œ b œ œ b >œ b œj
in
sea,
bœ bœ œ cresc.
one foot
j ‰ ‰ b œ bœ b b œœ- .. bœ
j bœ ‰ ‰ œ. œ b œ- . 39
in
b >œ b œ œ b >œ b œ J
> bœ
œœ. œœ. b >œ b œ œ > b œ b œj œ œ bœ bœ >
> b b œœœ œœœ J
œœ œ J
bœ bœ œ bœ. one foot in
bœ.
sea,
sea,
bœ bœ œ
one foot in
j ‰ ‰ b œ bœ b b œœ- .. bœ j bœ ‰ ‰ bœ. œ b œ- .
11
& bœ bœ œ bœ
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
j F œ nœ nœ #œ nœ
F œ nœ nœ #œ nœ J
one foot in sea
and
sea
on shore,
? bœ
and one
j & b b œœ ‰ ‰ n œ . n œ- . bœ
& œ. nev
? Œ.
œ ‰
-
er.
Pœ Œ J
Then
j & œœ ‰ ‰ Œ . œ S ? j ‰ ‰ Œ. œ œ & œ
19
?
.
bon
œ.
œ. & œ. > > ? œœœ ...
-
œ
ny,
œ œ œ œœ œ
one
j œ œ œ #œ œ
Œ.
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9
10
∑
23
& bœ œ œ œ p> cresc.
œ bœ œ œ œ J
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
Hey non - ny non - ny,
hey!
hey non - ny non - ny hey non - ny non - ny
hey! hey!
F> œ œ bb œœ œ œœ œœ J
∑
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&
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> b œ œ b >œ j b œ bœ &
> bœ
37
> b œ > and bœ œ bœ bœ ? J dumps so dull
heav - y!
bœ
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
>œ b œ œ b >œ j b bœ & b œ >œ ? b œ b œœ œœ bœ J >
> bœ
œœ b b >œœ œ bœœ J
& bœ bœ œ bœ
F œ nœ nœ #œ J
of
men
men
was
ev
? bœ
j & b b œœ ‰ ‰ n œ . n œ- . bœ F ? b œj ‰ ‰ n œ . œ n œ- . 45
& œ.
leav
? Œ.
-
P bœ bœ bœ œ J
Fraud of
was
-
er
œ ‰ Œ.
j & œœ ‰ ‰ Œ . œ S ? j ‰ ‰ Œ. œ œ
Then sigh
bœ bœ œ bœ Fraud
of men,
bœ
j œ bœ bœ œ bœ
the
of men,
men,
the fraud of
œ bœ bœ œ bœ J cresc.
men,
the fraud of
ev - er so,
j œ œ œ #œ œ
was ev - er so,
j œ œ œ #œ œ
nœ
so,
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was ev
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41
fraud
P
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11
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# œœœ ‰ ‰ œœœ ... J
# œœœ ‰ ‰ J
12 49
& ?
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bon
-
ny,
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
œ #œ
œ J
œ œ œœ œ
53
œ #œ
Con - vert - ing
œ
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non
-
ny, hey non - ny
j j P> cresc. Œ. œ b œ œ b œ œ œ œ œ b œ œ ? bœ œ œ œ œ bœ œ œ œ œ b œ œ œ œœ œ œœ J J J P> Hey non - ny non - ny, hey non - ny non - ny, hey non - ny non - ny, . œ. . . . . . . œ. . . . œœ bœœœ œœœ œ œ œ œœœ b œ œ b œ œ b œ œ œ b œ œ b œ œ œ œ œœ œ œ œ œ œ & > > > p b >œ > cresc. > b œ b œ bœ bœ bœ ? bœ bœ Hey non - ny
56
non
& bb œœ
hey non
? bb œœ
hey
&
? bœ bœ >
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non
ny,
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non - ny,
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> > bœ œ œ œ > >
hey non - ny non - ny
43
08743751
SATTBB a cappella US $1.60
The Barber of Seville Overture For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
Music by GIOACCHINO ROSSINI Arranged by DARYL RUNSWICK
44
The Barber of Seville Overture Performance Notes
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
This arrangement is all about two things: virtuosity and visuals. It is not intended to be performed at a comfortable tempo throughout. Part of the humour comes as a result of the voices trying to perform lines which sound effortless in the hands of an accomplished orchestra player, but are slightly too difficult to sing. The various instrumental sounds are for you to decide on. It’s good if they can match Rossini’s original, but funnier if some can be exaggerated, for instance in m. 69, where the Altos can make their answer to the Tenors’ beautiful slow phrase just before a bit throaty and somewhat horrible-sounding, as Robin displays perfectly in our current version. It may also be helpful to listen to our original recording contained on the A Tribute to the Comedian Harmonists CD. Above all, this is a fun piece, not a transcription, and as usual, you are free to interpret it in whatever way works best for you. Enjoy! – The King’s Singers
45
The Barber of Seville Overture For SATTBB a cappella
Performance Time: Approx. 3:20
Arranged by DARYL RUNSWICK
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
Soprano
Alto
Tenor I*
Allegro ( B = ca. 84)
[
! Y 22
Baritone
Doo doo doo
dm
dm
dm
dm
dm
! Y 22 # Y 2 2
g C T mp CC C T h
h
C
CC
C
g
T
T h
C
CC
C
g
doo
(etc.)
(etc.)
dm
h
C T C T C T C T h h h
(etc.)
h
C T C T C T C T h h h
dm
h
C T C T C T C T h h h h
C T C T C T C T h h h
T T
C C
C T C T C T C T h h h
dm
dm
h
C
CC
C
C T C T C T C T h h h
S
(etc.)
h
mp # Y2 C T C T C T C T 2 h ] h h h dm
h
C C S
C C
doo
(etc.)
mp # Y2 C T C T C T C T h h h 2 h Dm
C T C T C T C T h h h
S
C T C T C T C T h h h
dm
h
C C S
h
mp C T C T C T C T h h h h dm
Allegro ( B = ca. 84)
(for rehearsal only)
R
mpC C C C Õ! Y 22 h T h T h T h T
Dm
Piano
mpg T C C C
Q
Dm
Bass
(Optional Soprano tacet to m. 12)
Doo doo doo
! Y 22
Õ! Y 22
mpg T C C C
R
Q
Dm
Tenor II
Music by GIOACCHINO ROSSINI
g
(etc.)
T
T h
C
CC
C
g T T
h
C
CC
C
g T
T h
C C
CC
C T
h
CC
CC
C
CC
C T h
C
CC
C T h
C
CC
C
g T
T h
C
CC
C
g T
T h
CC C
CC T
C
* Optional Alto
d Copyright © 1985 by The K.S. Music Co. Ltd. International Copyright Secured All Rights Reserved
46
[
4
g T C C C
! Y C C S
h
g T C C C
! Y C C S
C C
h
C C C C !Õ Y h T h T h T h T
C C h T h T
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
C C C C !Õ Y h T h T h T h T # Y C T C T C T C T h h h h
CC
# Y
4
[
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h
C
CC C
T h
C
CC
C
g T T
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C
CC
C T
C
C C C
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C C C
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CC
C
CC
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WC h
T h
CC C
C
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T h
CC
C T C T C T C T h h h h
C
CC
CC
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THE BARBER OF SEVILLE OVERTURE – SATTBB
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47
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CC
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doo - dl - ee doo - dl - ee doo - dl - ee
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C T C h h C T C h h
CC
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C T C T C T C T h h h C C C C h T h T h T h T
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C
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C C C C h T h T h T h T
C C
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C T C T h h
C C C
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C T C T h h
C C C C
C T C T C T C T h h h h g
T Cg C C
C C C C C C C h T h T h T h T g
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C T C T C T C T h h h h
C C
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#
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10
WC
C C
g
T T
C
S
bah bah bah
C
C C
C
[
Q
! Y
S
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
sf C
S
! Y
g T sf cresc. C C C C C C bah
bm
S
C
11
! Y
(etc.)
g T sf cresc. C C C C C C
bm
# Y
[
C
g T
g T S
(etc.)
bah
(etc.)
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C
C
cresc.
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dm
dm
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C C
bm
Dm
Dm
dm
dm
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dm
dm
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C C C C
C
C C C
C C C
C
C C C
C
C
C
C T C T C T C T h h h (etc.) mp g R T C C C h
Doo doo doo
h
C
T
h
C
CC
T
h
C
CC
C
THE BARBER OF SEVILLE OVERTURE – SATTBB
T
h
C
CC
CC
C
16
T
48
C C
C C
C C
C C
C
C C
C
C
C
C
C C
C
C
C
C C
C
C
C C C
C
C
C C
C
C
C
C C C
C C
C
bah-yah bah-yah bah-yah bah-yah
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
S
C C S
C C
g T C C C
g T g T g T g T C C C C
(etc.)
h
C T C T C T C T h h h h
C T C T C T C T h h h h
C C S
S
C C
doo
(etc.)
C
C C
C T C T C T C T h h h
h
C T C T C T C T h h h h g C T
C
doo
(etc.)
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C
g T g T g T g T C C C C
Doo doo doo
(etc.)
C C
bah-yah bah-yah bah-yah bah-yah
16 mp g T C C C C C S
C T C T C T C T h h h h
C C
bah-yah bah-yah bah-yah bah-yah
C
C
C
C C
C
C C C C C
C C
bah-yah bah-yah bah-yah bah-yah
C C
C
C C
bah-yah bah-yah bah-yah bah-yah
C C C C
g T g T g T g T C C C C
CC
C
C
C C C C
C C
5
bah-yah bah-yah bah-yah bah-yah
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C C C C
C
C C
R
bm
bm
#
C
C
R
mpg g g g T T T T Y ! C C C C
! Y
C C
(etc.)
Bah
# Y
C
Bah bah bah bah bah bah bah
C C C C
Bah cresc.
!Õ Y
]
f T C C h
sf cresc. C C C C C
!Õ Y
C C C C
Bah bah bah bah bah bah bah
Q
! Y
# Y
f T C C h
(etc.)
C T C T C T C T h h h h h
CC C
CC T
C
h
C
CC
C
g T T
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C
CC
C
g T T
h
C
CC
CC
C
C T C T C T C T h h h g C C S T C C C
T
C T C T C T C T h h h h h
CC
C
CC
C
T h
C
CC
C
g T T
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C
CC
C
T
C
h
C
CC
CC
C
T
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g g g g ! Y C C C C C C C h g g g g ! Y C T C T C T C T
6
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
C C !Õ Y h T h T !Õ Y C C h # Y C T C T h h
# Y C T C T ] h h ! Y # Y
18
[
h
g
CC
CC
C
T
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C
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T h h
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CT
CC
C
C T C T h g gg g C CC C C
g
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C
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C h
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CC
C
C T
C h
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CC
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C T C T C T C T h h h g T g C C C C C C C C C C C h T h T h T h T
CC C
T h
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CC T h
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g
C
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CC
C T h
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CC
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C h
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C C
C C C C
C C C
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CCC CC
C h
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C
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C
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C
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THE BARBER OF SEVILLE OVERTURE – SATTBB
CC
T W CCC
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hg g C T C T C C
Q
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g
C
C
C
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g
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C
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T T
dm
G T
C
C
49
h
T
C
C
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C
C
C
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doo - dl - ee doo - dl - ee doo
doo - dl - ee doo - dl - ee
T CC
C XC G
T
dm
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T
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CC
CC T
C
C C
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Q
doo - dl - ee doo - dl - ee doo
!Õ Y h C
C C C C
C T C T C T C T h h h h g T g T g T g T C C C C
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57
h
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74
T
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71
h
C
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# WW
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77
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81
C T h
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h
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C C
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doo
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CC h
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* Brass sound THE BARBER OF SEVILLE OVERTURE – SATTBB
h
CC C
doo
C
g T T h
CC C
C
C
g T T
58
B C
C T h
C
g
T
C B B
S
S
T
C
Doo doo
CC
h
T
doo
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doo
g g g C T C T C T
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doo
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CC
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CC
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CC
g T g T g T C C
C
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h
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T hC
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g T CC
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doo
CC h
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C C
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80
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(etc.)
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doo Brr*
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doo
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15
80
Q
CO C CO C CO C CO C CO C CO C WB
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(etc.)
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!
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BO
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doo
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g T S
C T C T C T h h h S
bm
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G
C C C C C C C C C C C C G
C T C T C T h h h
bah
W Õ! W S For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
S
G
Did-dl - ee (etc.)
W Õ! W S
[
C C C G
S
WW
G
B
BC
T h
C
doo
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16
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Õ!
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85
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88
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C
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C
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C g
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g
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C
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CC C
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CC h
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CC h T
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S BO S
S BO
THE BARBER OF SEVILLE OVERTURE – SATTBB
S W BB
W BC h T
S
C T C T C h h
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bm
C T C T C h h h h
CC hg C
doo
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59
CC C
g g
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doo
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T h
S
T
C
G C C C
Did-dl-ee
R
T
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CCC C
S
C
G
C C
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C
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gG CC C C
h
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g
T h
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T
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doo
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h
R
h
g G CC C C
T
h
C h
C
T
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doo
h
C
T C
h
C
CC
g
S
C
S
C h T S T
h
T
(etc.)
C
G G G C C C C C C C C C C C C G
T
C
C
C
C T C T C h h h
S
S
C T S
(etc.)
S
C
(etc.)
h
T
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C C C G
Doo
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g
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S
doo
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C
R
doo
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bah
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CCC
T
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bm
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S
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G C WC C C
B
C C C h T h T h T
T
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C T C T h h T
C C
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h
CC
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C T C T h h
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g T S
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Õ!
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W Õ! W S
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C C CO T hC T
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g
S
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g C T
S
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doo
W Õ! W S For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
g T
(etc.)
g C T
C
T
h
T C
T
doo
h
T
g
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h
C C C
T
08742091
SATB
US $1.95
from Walt Disney Pictures’ TARZAN™
Trashin the Camp (Pop Version) Words and Music by PHIL COLLINS Arranged by MOSES HOGAN Available for SATB and TTBB
POP CHORAL SERIES
TARZAN™ Owned by Edgar Rice Burroughs, Inc. And used by Permission. COPYRIGHT © 1999 Edgar Rice Burroughs, Inc. and Disney Enterprises, Inc. All Rights Reserved.
60
67
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
08742093 ShowTrax CD
from Walt Disney Pictures’ TARZAN™
Trashin’ the Camp (Pop Version)
For SATB* div. and Piano with Optional Rhythm Performance Time: Approx. 2:15
Arranged by MOSES HOGAN
Moderately, in 2 ( B = ca. 98)
# Y Y Y c|
Tenor Bass
Q
Y B ! Y Y |c B (Optional f al lib.) # YY |c B Y B
Forpromotional promotional or or clinic purposes only. Performing or or copying copying from from this For clinic purposes only. Performing this book book isis prohibited prohibitedby bylaw. law.
N.C.
Piano
# YY
4
# YY
7
# YY
C
Y
Y
CC C
ì
B
T h B
Q
h
C
C
ì
B BB
T
Y Y BBB
R
ba-oom
R
g
T h
C
C C
beht
zat
ì
C
h
C YC
S
C h
C
C
C
beht
doom
bat
C
C
C
C
beh
C YC C
Q
g
Q C
C
C C
C
Q
* Available for SATB and TTBB ShowTrax CD also available
© 1998 Edgar Rice Burroughs, Inc. and Walt Disney Music Company This arrangement © 1999 Edgar Rice Burroughs, Inc. and Walt Disney Music Company All Rights Reserved Used by Permission
61
68
C
C
C
S
ba - oo - wee
C
C C
n’doo-wee
(Cont. Finger Snaps)
za-dom
h
C
g C C> > C YC S
ì
(For rehearsal only)
R
C
C
S
C C
T
CC CC B >> B > C Y> C B
XC
h
T
B
S
C
mf
R
Finger Snaps
Q
Y CC
C
Dey
C
ba-oom
T
C
CC
C
CC
X CC
Unis.
XC
Q
g C C> > C YC 5
Y CC
R
Y
Y ! YY
T h
Q
Y
Y ! Y Y X CC # YY
T
Words and Music by PHIL COLLINS
C
S
d
# Y T WC C C XC C C YY h Y ! YY
baod
T
WC
# Y YY
g
C XC
10
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
fC S WC C
Y ! YY
Alto
CC
C
C
R
C
S
S
T h
Q
C
zeh
T C
h
S
C
C
C
C XC
C
Q
C C
C
S
YC
C R
Y
CXC C YC C
> C C WC CC
Y> C # YY C S Y
Q
Q
C C
R
C
C
C
C XC
Q
YC C
(Cont. Bass Drum)
TRASHIN’ THE CAMP – SATB
62
69
Q
S
h
C T CC C> h> f > C > C T h
Q Q R
C T
R
T C h
C S
g T CC CC >> > C > C T h R
C C C C C C C
Q
Q
Q
C C
C
da-ooh.
Q
C C
3
C
dap.
S
T
C T h
dee-bat-’n- dee
C
za.
R
C C C C
dap
C
C C C C
C C
CO C
C
Q
Za-be-dap zoo-be - doop za-be-dap za-be
Y ! YY 17
h
CWC C
Y ! YY ]
g
C
CXC C YC C
C
T
Add Bass Drum
# YY
T
zep
Q
> C C WC
YYY
Y> C # YY C S Y
[
C
Q
Bass
13
C
C
g
zep
Za-be-dap zoo-be - doo za-be-dap za-be doo dat-’n- dee
# Tenor YY Y ] !
T C
C C
Sop. only
Soprano
zep
C C
C
R
R
g T CC C C >> > C > C T h
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
[
C
Q
13
C T C T C T h T h h h
C
’n - de - de - um-zup
C
C
[
4
!
# Y YY ] Y ! YY # Y YY
Forpromotional promotional or or clinic purposes only. Performing or or copying copying from from this For clinic purposes only. Performing this book book isis prohibited prohibitedby bylaw. law.
Alto f )add C WC C S CX C C
YYY
21
21
[
Sa - be-dap
> C CC
] !
24
Y
# YY
[
Y ! YY 29
# YY ] !
Q
R
CC
Dwee
dap
C
Q
Q
A∫
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ì f S div. CCC XW CCC CCC
Q
YB # YY Y BB Y
YC
C
C
Q
C
sfpg S C O CCC h dwee doo. sfp CC OO div. CC S C h Q
CC C
zoo - be - doop
S
C
R
S
fC C C CC CC CC
CC CC C C
Za - be-dat
za - be
za - be - da - be-doo zhi
63
70
C
C C
C
C
Q
C C C
B
RR B
R
X CC
CC Y CC
C
R
CCC CC CC
CC CC C C
-
C
C C> > C
C XC
C
oh.
ì
CC CC C C
doo-dat -’n - dwee
Q
A∫ E∫
Q
29 (Add Snare Drum) TRASHIN’ THE CAMP – SATB
C
T g C C> > YC T hC
CC CC CC Y CC C CCC C C C C CC
R
C
Q
BB
R
Q
C
dap.
BB
A
ì
CC X CC CW C
C
C
C
doo-dat -’n-dwee
AA
E∫
R
C
C
C C C C
C C C C
C
AA A
Q S
C
sa - be
CC OO
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E∫
B
C XC C
Q
Hand Claps
BB
CC
A
Za - be-dap
YYY
C
AA
fA
sa - be-dat
YC C C C
Q
C C
C WC
A
Q
Y
zoo-be - doop
C C
C XC C C C C
C
(Top note: two Sopranos)
Y
YYY
C
Y> CC C S
Y ! YY # YY
Q
C WC C X C
C
C C C WC
(
Q
S
R CCC
dap.
[
R
S
Y ! YY
ì
Q
Za - be-dap
Q
Y ! YY R
T C CC C>> > C > C T h
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
32
[
Y C ! Y Y CC # YY ]
CC
-
Y C
!
35
Y
[ ] !
38
doop
Y S
YYY
# YY
CC CC C C
oh.
Y
Y> C C S R
R
CC CC CC Y CC C CCC C C C C CC CC CC CC C C C
CC CC C C
Za - ba-dat
za - be
Q
CCC
CC W CC CC CX C C
CC C
-
CC CC C C
oh.
CC CC C C
doo-dat -’n -dwee
Q
A∫ E∫
Q
Q
TRASHIN’ THE CAMP – SATB
64
71
zoo - be -
Q
R C
CC X CC CW C
Za - be-dap
T CC CC >> > C > C T h CC
za - be
S
37
g
Q
Za - be - dat
Q
Q R
CC CC C C
Q
Q
Q
CC CC CC C C C
za - be - da - be-doo zhi -
S
da-ooh.
za - be - da - be-doo zhi
CC CC CC C C CC C C C Y CC CC C
C
R
CC CC CC C C C C CC
A∫ E∫
Y C ! Y Y CC # YY
C
S
CC
R
doo-dat -’n -dwee
YYY
# YY
CC
> C
E∫
CC C
C W X CC
zoo - be - doop
Q
g
CC
5
> C
S
CC
E∫
Y> C C S
R R
Q
AA
Q
Wee
CCC
A AA
dap.
Q
Q
Q
A∫
Q
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
# Y YY ]
# Y R YY
CC W CC CC CX C C
S
(Cont. Hand Claps to end)
[
CC OO
C YYY C
6
!
S C
CO
# Y ] YY YYY
!
CC
dop
S Q
Forpromotional promotional or or clinic purposes only. Performing or or copying copying from from this For clinic purposes only. Performing this book book isis prohibited prohibitedby bylaw. law.
] Õ!
CC
S
Tenor only
Beep
Y ! YY
46
]
Y ! YY CC
YYY
Õ!
Y ! YY
CC A
C
>
T Cg C R
YC
ì
beep.
Q Q
YC Q
R
S
Q
Q
CC OO
T R
S
65
72
Q
Q
CC CC CC G
Ski-bi-doo
g C T C C XCYCXC C CXC C
div. CC C C C CC C C G
CCC
Q
CC CC CC OO C C CO h
Ski-bi-doo bweep - bwee-ow.
g C T C C C C XC
TRASHIN’ THE CAMP – SATB
Õ!
sim.
C
Q
XC YC XC C
Q
Ski-bi-doo beep.
Q
CC BB
S
g C XCYCXC C CXC C C T C C > > >
CC CC CC G
S
Q
45
Q
Q
T
Q
C
Wooh!
Q
C T C
S ì
S
Q
Fm E∫ E∫
bweep - bwee-ah.
# YY Y C Y
50
CC
S C
g C XC YCXC C CXC C C T C C
# YY Y C Y
[
Q
CC
AA
C
Q Q
A
AA
doo.
h
Cm7
Y ! YY
C
CC OO div. CC
42
YYY
h
wee
# Y YY
[
CC
g
Q
YC C
XC YC XC C
mf YY Y S C ! C [
C
53
Y BB !Õ Y Y B ]
C
Sum - ba - mm
R
Y ! YY
bap.
S
Q
g # Y C T YY CXC C C C
YC
Y ! YY C
S
[
C
C
Y !Õ Y Y R
C C
C
Sum - ba - mm.
]
Y ! YY # YY
57
]
S
R CC
T CC
Y Õ! Y Y
CCC
C C
T
Q
beep.
Q
# YY Y C Y
60
YC
C
Q C
CXC
CC
CC CC CC G
CC
g C T C C C
Q
YC C
CC BB
C
C C
C
XCYCXC C R
C
Ba - mm.
R
W W W X XW AAA
Q
WWW
Za- be-dap
CC CC CC OO C C CO h
C C C C
TRASHIN’ THE CAMP – SATB
WWW
CC W CC CV C
CC
CC CC CC X CC C CCC C C C C CC
C
fC C C CC CC CC
CC CC C C
Za-be-dat
za - be
zoo - be - doop
S
za -be - da-be-doo zhi -
div. Add Bass
#
S
E
C
CC
R S
C
R
Q
C (Snare Drum out) 66
73
Ski-bi-doo
g C T C C C XC C
XC YC XC C
S
CC CC CC G
S Q
fC CC V CC CCC WC
WWW
61
T
Scoo-bi-doo beep.
Q
YC
CC OO
CC CC CC G
S
Q
bweep-bwee-ow.
Y ! YY
C
Q
Q CCC
C
Sum - ba - mm.
C XC YCXC C
g C T C C Y C XC C
div.
S
Ski-bi-doo bweep bwee-ow.
Q
YYY !
S
Beep
53
[
C
C
Q
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
For promotional or clinic purposes only. Performing or copying from this book is prohibited by law.
C
C
7
WWW R !
8
[
W W W CC C ! CC
# W W W CCC
CC CC CC CC C C C C
-
] Forpromotional promotional or or clinic purposes only. Performing or or copying copying from from this For clinic purposes only. Performing this book book isis prohibited prohibitedby bylaw. law.
S
T
Solo
oh.
doo-dat -’n dee
WWW
!
63
WWW
[
doop
# WWW S ] !
66
wop
wop
wop - a - doo-wop
Q
CC
T CO B
wah.
CC V CC CC C WC C
S
Za - be-dap
C Q
Q
Q
Q Q Q
R
CC
C
C V W CC zoo - be -
CC CC CC C C C
CC CC C C
Za - be-dat
za - be
za - be - da - be-doo zhi
Q
CCC
Q
C R
CC
CC C
-
C
Q
E
S
CC CC CC X CC C CCC C C C C CC
WWW
# WWW
C
Q
W W W CC ! C
C
C C C
C
dat.
A
# WWW
!
A
R C
fg C
C
Shoo-be
C C C C C
doot-’n doot-’n doo-doot
CC CC CC CC CC C C C C C C CC
Q
oh.
doo-dat-’n dee
Q
TRASHIN’ THE CAMP – SATB
67
74
Q
da- ooh.
Q
Q Q
Q
A
C T C h
doo.
WWW B !
[
CC V CC CC C WC C
# WWW
Za - be-dap
CC CC CC C C C
CC CC C C
Za - be-dat
za - be
Q
wat
G C C
C
wat
wat
wat
CC
CC C
R C
C
wat whoo
dat.
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