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As of 3/22/2026. An *asterisk denotes individuals who are deceased.
Jane & Steve Akin, Patty & Jay Baker, Glenda & Rich Struthers
Karen & Gary Gregg, Jenny & *Rich Housh, Nancy G. Lauridsen, Sandi & Tom Moran, Susan Regenstein & Barry Frank, Melissa & David Shockley, Patrick Trompeter & Monica Orcutt, John & Carol Walter, Jane Wilson
Anonymous, Marsha & Gary Bertrand, Grampy’s Charities - Jim & Jonatha Castle, Bev & *Art Cherry, Judy & Kim Davis, Nancy & Tom Gallagher, Marguerite Hambleton, Barbie & Paul Hills, Patricia & George Kraus, Diane Landgren, Laird A. Lile, Simone & Scott Lutgert, Sherie Marek, James & Brigitte Marino, Bettina McKee, Cynthia & Mike Scholl, Debbie & Bruce Yarde
Robert & Marianne Becker, Patricia & Jim Bosscher, Cheryl & Randall W. Byrnes, Kathleen Cain, Bob & Laurie Champion, Robert & Joan Clifford, Sheila & Chris Cole, Bobbi & David Drobis, Dyan Fazzone, Kathleen & Brendan FitzGerald, The Habbershon Family, Matthew Hagan, Vicki Herche & Graeme Murray, Mitchell Hertz & Anne Carlucci, Steven & Sarah Jackson, Liz & Jim Jessee, Sarah Raup Johnson, Tom & Carol Joseph, Larry Kaye & Casey Skvorc, Pamela & Bob Krupka, Tammy & Mike Kutsch, Debra & Vince Maffeo, Joanne & Jeffrey Miller, Geraldine Moss, Kimberly Moss & Bob Fisher, F.E. & Jack Nortman, Joan & Mahendra Parekh, Gail Kern Paster, Anthony & Beverly Petullo, Jenna & Stéphane Rambaud, Patricia Sweet & Bill Marsh, Julie & Steve Vanderboom, Jane Walsh, Tereska & *Jerry Whitson, Joanne Wyss
Anonymous, Mary & Phil Beuth, Lee & Peter Bewley, Richard & Jane Borchers, Charlie & Elise Brown, Michael & Judy Cheteyan, John & Patricia Cochran, Norman & Suzanne Cohn, Jim & Shirley Curvey, Kyla & Rich de Asla, Mary F. Drazan, Sandy & Bill Haack, Libby & Ed Harshfield, Ken & Karen Heithoff, Jean & *Leo Hertzog, William & Anastasia Hoeft, David & Jerri Hoffman, Catelyn Juliano & David Deutsch, Heidi & James Kargman, Barbara K. Lupient, Mary Lou & Bob Maier, Jennifer & Michael Manley, Phil McCabe, Carolyn & *Don McCulloch, Gerry McGraw, Pat & Tony McMunn, Anne McNulty, Dan & Ann Meyer, Heidi & Brian Miller, Kristin & John Miller, Susan Mullin, Karen & Dennis Nally, Louise & Larry Ost, Cindy & Tony Panzica, Ann Ratner, Dottie & John Remondi, Marilyn Romeo, DeAnna & Rick Rondinelli, Ric & Louise Rust, Kathy & Ned Sachs, Pam & Fred Sasser, Janet & Peter Swinburn, Lisa & Warren Thomson, Bruce Tomason & Susan Rosen, The Vincent Von Zwehl Memorial Fund, Kathy & *Paul Weaver, Scott, Hetty, & Michael Weinstein, Blaine & Tom Wells, Kristen & Michael Wynn

Dear Friends,
I am so pleased to welcome you to Gulfshore Playhouse. Whether it is your first time or your fiftieth, I am so glad you’re here. We have quite a lot in store for you at what has become one of the region’s most bustling cultural centers. Throughout the day, our lobby welcomes visitors enjoying everything from a morning coffee to light bites and cocktails at happy hour. Our education wing is bursting with students of all ages participating in lectures, private lessons, group classes, and performance opportunities. And, of course, our theatres are full, featuring a vibrant array of plays and musicals ranging from world premieres to beloved classics.
I am also thrilled to announce our upcoming 26-27 season! Flex passes are now on sale for what promises to be an extraordinary year. We begin in the Struthers Studio with a musical revue of the great Kander and Ebb, presented in an intimate cabaret style with small tables and drinks. The World Goes ‘Round features live musicians onstage and singers performing iconic hits like “New York, New York” and “All That Jazz.” You won’t want to miss it.
Opening the Moran Mainstage is a project I am especially excited about: my own new adaptation of A Christmas Carol. We will produce the world premiere of this holiday classic right here in Naples — made in Naples, for Naples. In the spring of 2027, our stages will be “on fire” with a diverse lineup, including the world premiere of Brent Askari’s Fundraiser: A Play. You may remember his play The Refugees, which we premiered in 2024; this new work is even funnier and just as poignant. We will also mount Heist, a thrilling new play that feels like Ocean’s Eleven on stage, produced in partnership with two nationally renowned theatres. The season continues with the legendary musical Guys and Dolls, followed by the thought-provoking new Broadway hit JOB. We will conclude the season on the Mainstage with Tartuffe, Molière’s delightful 17th-century masterpiece that remains just as relevant today.
Whether you join us for one show, a single class, or a full season of events, we can’t wait to welcome you home. Here, we strive to feed your mind and soul, enhancing your quality of life through enrichment and engagement. We hope your life is better because we’re here.
I look forward to seeing you at the theatre.
Warm regards,
Kristen Coury Founder, CEO, and Producing Artistic Director
CORPORATE SEASON BENEFACTOR
CORPORATE SEASON AMBASSADORS



CORPORATE EXECUTIVE PRODUCERS+


CORPORATE EXECUTIVE PRODUCERS







GRANTS AND ENDOWMENTS






On behalf of the Board of Directors, I am delighted to welcome you to this season at Gulfshore Playhouse. We are coming off an extraordinary inaugural year in the magnificent Baker Theatre and Education Center, and I am thrilled to welcome you back for our second season in this new home.
As Chairman of the Board, one of my greatest joys has been seeing the excitement and pride our community feels in having a theatre of this caliber here in Naples. We’ve watched our audience grow, expanded our reach through education programs, welcomed neighbors and friends into our lobby and bar, and opened our doors to events for organizations and businesses across the region. The growing awareness of the art being produced and the activities happening daily at Gulfshore Playhouse are wonderful signs for the future.
With growth comes greater responsibility. The cost of producing theatre at this level continues to rise, as does the need for expanded staff and resources. Yet the impact of this work could not be clearer. Theatre enriches our lives and strengthens our community. It takes the vision of leadership, the creativity and hard work of a dedicated staff, the guidance of an experienced Board, the generosity of donors, and the loyalty of an engaged audience to make it all possible.
This season promises many exciting productions and opportunities—far more than I can highlight here. I encourage you to discover the many ways you can take part in all that Gulfshore Playhouse has to offer. Thank you for being here. I hope this season brings you joy, inspiration, insight, and unforgettable experiences.
Thank you,
Steve Akin Chairman of the Board

Gulfshore Playhouse is proud to recognize Platinum Dry Cleaners as Season Ambassadors. Their generous support plays a vital role in sustaining our professional theatre productions and educational programs, helping to ensure the arts continue to thrive throughout our community.
For more than 35 years, Platinum Dry Cleaners has been a leader in fabric care, serving Southwest Florida’s formal, business, and leisure clientele with exceptional quality and attention to detail. Based in Naples, this full-service operation includes two retail locations, a 12,000-square-foot processing facility, a fleet of delivery vehicles, and a dedicated team of 40 professionals. From everyday garments to couture pieces, preservation services, and home textiles, Platinum Dry Cleaners is known for its meticulous care and commitment to excellence, now expanding its focus on convenient, time-saving home delivery services.
Special thanks to Craig and Chris Bamberg for being such outstanding partners and for serving as the Official Dry Cleaners of Gulfshore Playhouse. We are deeply grateful for your continued support and partnership.



Experience the 2026/2027 Season as a Member of the Director’s Circle.

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Invitation to Opening Nights
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Invitation to Our ‘Art Everywhere’ Trip
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Your support at this level fuels the magic on and off the stage:
• Bringing world-class professional theatre productions to Naples.
• Offering educational programming that inspires and engages audiences of all ages.
• Become a champion of the arts and help create unforgettable moments for our community.
CONTACT A MEMBER OF OUR ADVANCEMENT TEAM TO JOIN THE DIRECTOR’S CIRCLE TODAY AND BE PART OF THE MAGIC!
BOOK BY Douglas McGrath
WORDS AND MUSIC BY Gerry Goffin & Carole King Barry Mann & Cynthia Weil
MUSIC BY ARRANGEMENT WITH Sony Music Publishing
ORCHESTRATIONS, VOCAL & INCIDENTAL MUSIC ARRANGEMENTS Steve Sidwell
ADDITIONAL MUSIC ARRANGEMENTS BY Jason Howland
ORIGINALLY PRODUCED ON BROADWAY BY Paul Blake Sony Music Publishing Mike Bosner
SCENIC DESIGNER
Ann Beyersdorfer**
SOUND DESIGNER Mike Tracey**
DIALECTS Patrick Mulryan
PRODUCTION STAGE MANAGER Danny Kuenzel*
COSTUME DESIGNER Johanna Pan**
ASSISTANT LIGHTING DESIGNER Mackenzie Scales
WIG DESIGNER Bobbie Zlotnik
PRODUCTION STAGE MANAGER Meg Lydon*
CASTING Michael Cassara, CSA
COO & MANAGING DIRECTOR Joel Markus
MUSIC DIRECTOR Lon Hoyt
LIGHTING DESIGNER Dalton Hamilton**
INTIMACY DIRECTOR Erica Mansfield
ASSISTANT MUSIC DIRECTOR John Conway
ASSISTANT STAGE MANAGER Laura Swygert*
DIRECTOR OF PRODUCTION Ray Inkel
CEO & PRODUCING ARTISTIC DIRECTOR Kristen Coury
CHOREOGRAPHER Dann Dunn
DIRECTED BY Matt Lenz
SHOW SPONSOR:


The Director is a member of the Society of Stage Directors and Choreographers, Inc., an independent national labor union.
(*) Denotes actors and stage managers employed in this production that are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States. (**) Denotes a member of United Scenic Artists, Local USA 829
Carole King
Goffin
Cynthia Weil
Barry Mann
Julia Bain*
Oliver Prose* Don Kirshner
Abe Goldfarb* Genie Klein
Neil Sedaka/Righteous Brother/Lou Alder
Nick/Righteous Brother
The Drifters
Lucille/Shirelle
Janelle Woods/Shirelle
Rachel Coloff*
Gia Marino
Jack Mastrianni*
Sean William Davis*
Tiffany Francés*
Candace*
Uptown Soloist/Shirelle/Dance Captain ��������������������������������� Tiana Marie Williams*
Little Eva/Shirelle ��������������������������������������������������������������������������� Sydney Archibald*
Marilyn Wald ����������������������������������������������������������������������������������������� Caiti Marlowe*
Swings ������������������������������������������������������������������� Gavin Blonda, Daniel Jerome Hurt, Kianna Kelly-Futch, Jillian A � Smith
Conductor/Keyboard I ����������� Lon Hoyt
Keyboard II ����������������������� John Conway
Guitar I �������������������������� Miles Ahlstrom
Guitar II ������������������������ Charles Stevens
Drumset I ������������������������� Warren Odze
������������������������������ Chuck Bergeron
Reeds �������������������������������� Don Rhynard
Trumpet ���������������������� Miguel Santiago
Trombone �������������������� George Mancini
Orchestra Contractor ����������� Jim Dallas
Carole King ��������������������������� Gia Marino
Cynthia Weil �� Gia Marino, Caiti Marlowe
Barry Mann ���������������������� Gavin Blonda
Don Kirshner ���������������� Jack Mastrianni
Gerry Goffin ������������ Sean William Davis
Betty/Marilyn Wald ������� Jillian A � Smith
Drifters ������������������� Daniel Jerome Hurt
Shirelles ������������������ Kianna Kelly-Futch
RUN TIME 2 hours and 30 minutes including a 15-minute intermission.
“So Far Away” ���������������������������������������������������������������������������������� Carole King
“Oh! Carol” ��������������������������������������������������������������������������������������
“1650 Medley”
“It Might as Well Rain Until September”
Neil Sedaka
Ensemble
Carole King
“Be Bop a Lula” ����������������������������������������������������������������������������������� Ensemble
“Some Kind of Wonderful” ���������� Carole King, Gerry Goffin and The Drifters
“Happy Days/Cynthia”
Cynthia Weil
“Take Good Care of My Baby” ��������������������������� Gerry Goffin and Carole King
“Who Put the Bomp” ����������������������������������������������������������������������� Barry Mann
“Will You Still Love Me Tomorrow?” ���������������������������������������������� Carole King
“He’s Sure the Boy I Love” ������������������,������������� Cynthia Weil and Barry Mann
“Will You Still Love Me Tomorrow?” ���������������������������������������������The Shirelles
“Up on the Roof” ������������������������������������������������ Gerry Goffin and The Drifters
“On Broadway” ��������������������������������������������������������������������������������The Drifters
“The Locomotion” ������������������������������������������������������ Little Eva and Ensemble
“You’ve Lost That Lovin’ Feelin’” ��� Barry Mann and The Righteous Brothers
“One Fine Day” �������������������������������� Janelle, Backup Singers and Carole King
“Chains” ������������������������������������������������������������������ Carole King and Ensemble
“Walking in the Rain” ���������������������������������������� Barry Mann and Cynthia Weil
“Pleasant Valley Sunday” ������������� Marilyn Wald, Gerry Goffin and Ensemble
“We Gotta Get Out of This Place” ��������������������������������������������������� Barry Mann
“Will You Still Love Me Tomorrow?” (Reprise) ����������������������������� Carole King
“Uptown” �������������������������������������������������������� “Uptown” Singer and Ensemble
“It’s Too Late” ��������������������������������������������������������� Carole King and Ensemble
“You’ve Got a Friend” �� Carole King, Barry Mann, Cynthia Weil and Don Kirshner
“Tapestry”����������������������������������������������������������������������������������������� Carole King
“You Make Me Feel Like A Natural Woman” �������� Carole King and Ensemble
“Beautiful” ���������������������������������������������������������������Carole King and Company
“I Feel the Earth Move” (Bows) ������������������������������Carole King and Company
“Be Bop a Lula” by Tex Davis and Gene Vincent. Sony/ATV Songs LLC (BMI) and Three Wise Boys Music LLC (BMI).
“Beautiful” by Carole King. Colgems-EMI Music Inc. (ASCAP).
“Chains” by Gerry Goffin and Carole King, ScreenGems-EMI Music (BMI).
“Happy Days Are Here Again” by Milton Ager and Jack Yellen. EMI Robbins Catalog Inc. (ASCAP). Special lyrics by Douglas McGrath and Cynthia Weil.
“He’s Sure the Boy I Love” by Barry Mann and Cynthia Weil. Screen Gems-EMI Music Inc. (BMI).
“I Go Ape” by Neil Sedaka and Howard Greenfield. Screen Gems-EMI Music Inc. (BMI) and Universal/BMG (BMI).
“It Might As Well Rain Until September” by Gerry Goffin and Carole King. Screen GemsEMI Music Inc. (BMI).
“It’s Too Late” by Carole King and Toni Stern. Colgems-EMI Music Inc. (ASCAP).
“Little Darlin’” by Maurice Williams. Cherio Corporation (BMI) 100%.
“The Locomotion” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).
“Love Potion #9” by Jerry Leiber and Mike Stoller. Sony/ATV Tunes LLC (ASCAP).
“Oh! Carol” by Neil Sedaka and Howard Greenfield. Screen Gems-EMI Music Inc. (BMI) and Universal/BMG (BMI).
“On Broadway” by Barry Mann, Cynthia Weil, Jerry Leiber and Mike Stoller. Screen Gems-EMI Music Inc. (BMI).
“One Fine Day” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).
“Pleasant Valley Sunday” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).
“Poison Ivy” by Jerry Leiber and Mike Stoller. Sony/AW Tunes LLC (ASCAP).
So Far Away” by Carole King. Colgems-EMI Music Inc. (ASCAP).
“Some Kind of Wonderful” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).
“Splish Splash” by Bobby Darin and Jean Murray. EMI Unart Catalog Inc. (BMI), Trio Music Co. Inc. (BMI) and Alley Music Corp. (BMI).
“Stupid Cupid” by Neil Sedaka and Howard Greenfield. Screen Gems-EMI Music Inc. (BMI) and EMI Longitude Music (BMI).
“Take Good Care of My Baby” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).
“There Goes My Baby” by Jerry Leiber, Mike Stoller, Ben King, George Treadwell and Lover Patterson. Sony/ATV Songs LLC (BMI).
“Up on the Roof” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).
“Walking in The Rain” by Barry Mann, Cynthia Weil and Phil Spector. Screen GemsEMI Music Inc. (BMI). EMI Blackwood Music Inc. obo Mother Bertha Music (BMI).
“We Gotta Get Out of This Place” by Barry Mann and Cynthia Weil. Screen Gems-EMI Music Inc. (BMI).
“Who Put the Bomp” by Barry Mann and Gerry Goffin. Screen Gems-EMI Music Inc. (BMI).
“Will You Love Me Tomorrow” by Gerry Goffin and Carole King. Screen Gems EMI Music Inc.(BMI).
“Yakkety Yak” by Jerry Leiber and Mike Stoller. Sony/ATV Tunes LLC (ASCAP).
“(You Make Me Feel Like) A Natural Woman” by Gerry Goffin, Carole King and Gerald Wexler. Screen Gems-EMI Music Inc. (BMI).
“You’ve Lost That Lovin’ Feelin’” by Barry Mann, Cynthia Weil and Phil Spector. Screen Gem-EMI Music Inc, (BMI), EMI Blackwood Music Inc. obo Mother Bertha Music (BMI).

Hello and welcome to Beautiful: The Carole King Musical!
Firstly, it is truly thrilling to be back with you at Gulfshore Playhouse. As you know, it’s a very different situation than it was back in 2012 when I was here to direct the hilariously fun, and totally silly, Ken Ludwig farce, The Fox on the Fairway.
And flashing forward…what a complete joy to help guide this winning and wonderful musical story to the glorious, new Gulfshore stage. Like many, or perhaps most of you I grew up with Carole King’s music underscoring many of the most meaningful moments of my life. Her songs and melodies resonate with me deeply, and evoke so much that is profoundly personal –and yet somehow totally universal at the same time. As a director of lots of musicals, I’m constantly in awe of how music invites us to reflect on our own journeys: the risks we take, the relationships that shape us, and the moments when we choose, or are pushed to believe in ourselves.
While Beautiful celebrates the life journey of a true legend and music superstar, I admire that it’s not just about someone seeking fame and fortune. First and foremost, I think it’s about the importance of friendship, love – and the cost of following one’s undeniable passion. It’s about evolving as an artist, learning to trust one’s own voice (quite literally in this case) and finding courage when life presents the most unexpected and challenging turns - all the while, learning to balance the unique trials of a career driven by passion with the needs of family and real life. Carole, and of course her talented and complicated lyricist, husband Gerry Goffin’s story and music remind us that resilience and vulnerability often walk hand in hand. Her songs capture the exhilaration of first success, the heartbreak of people changing, and the quiet triumph of self-discovery.
In creating this fresh, new production for Gulfshore Playhouse, our talented, heartfueled company of artists has embraced the spirit of collaboration at the center of Carole’s story. The friendships depicted in her story reveal that affecting art rarely happens in isolation. I’m grateful to all involved and am happily reminded that the best creative “stuff” happens through open and honest connection.
Thank you for joining us for this celebration of music, friendship, courage, compassion and connection! I can’t think of anything more needed in this moment. Enjoy!
Matt Lenz Director
Carole King (Words and Music) Pop music would be very different without the contributions of Carole King, who at age 17 wrote her first #1 hit with Gerry Goffin, "Will You Love Me Tomorrow," for the Shirelles. The dozens of chart hits Goffin and King wrote during this period became legendary, but it was 1971's Tapestry that took King to the pinnacle, speaking personally to her contemporaries and providing a spiritual musical backdrop to the decade. More than 400 of her compositions have been recorded by over 1,000 artists, resulting in 100 hit singles and six Grammys.
Gerry Goffin (Words and Music) born in Brooklyn in 1939, Gerry Goffin met Carole King at Queens College, and their musical collaboration began almost immediately. They married in 1959, and that same year wrote their first hit song "Will You Love Me Tomorrow?" (The Shirelles). The duo penned more than 50 Top-40 hits including "The Locomotion," "Natural Woman" and "Up on the Roof." In 1987, Goffin and King were inducted into the Songwriters Hall of Fame, and the Rock and Roll Hall of Fame in 1990. Goffin has left an indelible mark on American music.
Barry Mann (Words and Music) has written the melodies of some of the most influential pop songs in musical history. In addition to "You've Lost That Lovin' Feeling," the most-played song of the last century, and the songs heard in Beautiful, he composed later standards like "Somewhere Out There" (winner of two Grammys), "Here You Come Again," "Sometimes When We Touch," "Just Once" and "Don't Know Much." Together he and Cynthia Weil have amassed an incredible 112 pop, country, and R&B awards from Broadcast Music Inc. for significant radio air play. He has been inducted into both the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.
Cynthia Weil (Words and Music) was the acclaimed lyricist of classic songs such as "You've Lost That Lovin' Feeling," the most-played song of the 20th century. In addition to the songs heard in Beautiful, she set the words to later standards including "Somewhere Out There," "Here You Come Again," "He's So Shy," "Just Once" and "Don't Know Much," to name just a few. Weil was inducted into the Songwriters Hall of Fame, the Rock and Roll Hall of Fame, honored with multiple Grammy nominations and two Grammy awards for "Somewhere Out There" as the Motion Pictures Song of the Year and Song of the Year. Weil passed away on June 1, 2023.
Douglas McGrath (Book Author) was a filmmaker and playwright. Most recently, he directed the HBO documentary "Becoming Mike Nichols." He collaborated with Woody Allen on the screenplay for Bullets Over Broadway, for which they were nominated for an Academy Award. He wrote and directed the Oscar-winning Emma from the Jane Austen novel; Company Man; Charles Dickens's Nicholas Nickleby, which won the Best Ensemble Cast from the National Board of Review; Infamous; and the HBO documentary, "His Way," nominated for an Emmy for Outstanding Nonfiction Special. His play Checkers opened the 30th anniversary season of New York's acclaimed Vineyard Theatre. His book for Beautiful: The Carole King Musical was nominated for Tony, Drama Desk and Outer Critics Circle awards. He began his career as a writer for "Saturday Night Live" in what was incontestably the worst year in the show's history. He has written essays on the arts and politics for the New Republic, the New Yorker, The Nation, The New York Times and Vanity Fair. Douglas McGrath passed away on November 4, 2022.

Gulfshore Playhouse operates under agreements between the League of Resident Theatres (LORT), a consortium of regional theatres throughout the nation; Actors Equity Association (AEA), the union of professional actors and stage managers in the United States; the Stage Directors and Choreographers Society (SDC), an independent national labor union; and United Scenic Artists (USA), a union of scenic, costume, lighting and sound designers.

The National Alliance for Musical Theatre, founded in 1985, is a notfor-profit organization serving the musical theatre community. The 165 organizational members and 75 individual members, located throughout 33 states and abroad, are some of the leading producers of musical theatre in the world, and include theatres, presenting organizations, higher education programs and individual producers.


Gulfshore Playhouse is an Associate Member of the National New Play Network.

Actors’ Equity Association (AEA) was founded in 1913 as the first of the American Actor unions. Equity’s mission is to advance, promote and foster the art of theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production. AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.




The Carole King Musical
Julia Bain (Carole King) is excited to be making her Gulfshore debut in this incredible show. National Tour: Waitress (U/S Jenna, Dawn). Off-Broadway: Teeth (Playwrights Horizons, New World Stages). Select Regional: 42 Balloons (Carol Standby, Chicago Shakespeare Theater), All Shook Up, Marvelous Wonderettes, Sylvia (New London Barn Playhouse). Education: BFA Musical Theatre, Ithaca College. Endless thanks to Michael Cassara and her team at Henderson Hogan! IG: @juliabain
Zachary Freier-Harrison (Gerry Goffin) is delighted to make his Gulfshore debut! Favorite credits include The Baker's Wife (New York Debut Production), Tina - 1st National Tour (Roger), and Floyd Collins (Broadway Workshop). He is also a writer, producer, and star of “Three Ways Out” (Dances with Films Premiere). Zach has headlined with Symphony Silicon Valley, soloed at the Telluride Chamber Music Festival, and once received a standing ovation from Chita Rivera at NYC's Birdland Jazz Club! A Palo Alto Native, Zach studied Theater and Cognitive Science at Northwestern University. A tremendous thank you to Nicolosi, my family, and, of course, Marisa. @zachdfh

Madison Claire Parks (Cynthia Weil) is thrilled to make her Gulfshore debut in a role she has wanted to play for the last 10+ years! Madison recently completed her two year run and over 700 performances understudying Glinda in the Broadway National Tour of Wicked. Off-Broadway, Madison starred as Luisa in the historic long-running production of The Fantasticks, Genevieve in the New York premiere of The Bakers Wife with J2 Spotlight, and as Katherine in The Day Before Spring with The York Theatre Company. She most recently returned OffBroadway to The York in the new musical, Monte Cristo. Other favorite roles include: Doralee in 9 to 5: The Musical (Musical Theatre West), Clara in The Light in the Piazza (CCAE), Nellie Forbush in South Pacific (Rubicon Theatre Co & Harrisburg Symphony), Sarah Brown in Guys & Dolls (TUTS), Sibella in A Gentleman’s Guide to Love and Murder (TheatreSquared), and Laurey in Oklahoma! (North Shore Music Theatre). Thank you to Gray Talent, Michael Cassara, and the entire team here at

Gulfshore Playhouse for making this possible! Endless love and gratitude to Mom, Dad, and Chris. As always; for gramma. madisonclaireparks.com
Oliver Prose (Barry Mann) is an actor/singer based in Brooklyn, NY. He originated the role of Alex Mann in the Kander and Ebb musical New York, New York on Broadway. Other acting credits include: Fiddler on the Roof (Alliance Theater), Jesus Christ Superstar (Fulton Theater), Master Harold…and the Boys (Arizona Theater Company), Footloose (Maine State Music Theater), and Kimberly Akimbo (AEA 29-hour Reading). He has performed in concerts at venues such as 54 Below, Joe’s Pub, Lincoln Center, and The Green Room 42. He is a graduate of NYU Tisch with a BFA in Drama.


Abe Goldfarb (Don Kirshner) is an actor, writer and director based in Brooklyn, NY. He studied at the Bristol Old Vic Theatre School. He's been on Broadway (in Beetlejuice), voiced Pokémon (several) and emceed burlesque shows all over the world (seriously). He’s written and acted for IFC’s Neurotica and directed two features, The Horror at Gallery Kay and the multiple award-winning First Time Caller (with J.D. Brynn), in which he also starred. Deepest thanks to Mom, Rosebud and Chloë.
Rachel Coloff (Genie Klein) is thrilled to be making her Gulfshore Playhouse debut! Her favorite Off-Broadway roles: Cardinal Franco in Popesical, Debbi in Old Jews Telling Jokes at the Westside Theatre, Mother in Enter Laughing at the York Theatre, Mrs. Einsford-Hill in My Fair Lady with The New York Phil at Lincoln Center. Regional: Yente in Fiddler On The Roof, at Barrington Stage, and Golde in Fiddler On The Roof, at The Human Race. Broadway: Ensemble/Swing/Baroness in Candide w/Hal Prince, Elton John’s Lestat, FrumaSara/Shandl/Yente in Fiddler On The Roof, and SoupySue in the Tony award-winning® Urinetown. Nat’l Tours: Martha u/s White Christmas Tour, and Genie Klein in Beautiful: The Carole King Musical.



Sydney Archibald (Little Eva/Shirelle) is delighted to be part of the Beautiful cast. Select credits include National Tour of Hairspray! Regional: Memphis (Felicia), Cinderella (Gabrielle), Ain’t Misbehavin’ (Charlaine), and Newsies (Katherine). Sydney sends endless gratitude to the Gulfshore Playhouse creative team for their artistry and leadership!
Gavin Blonda (Swing/U/s Barry Mann) is an NYC-based actor, and so stoked to be making his Gulfshore Playhouse debut! Recent credits include: My Fair Lady (Freddy) Interlakes Theatre, The Sound of Music (Rolf) CDA Summer Theatre, and Spring Awakening (Georg) Victorian College of the Arts. A Seacoast NH native, and a proud recent alumnus of the University of New Hampshire. Love to his family, and Leslie.
gavinblonda.com
Reggie Bromell (Drifter) is grateful to be making his debut at Gulfshore Playhouse. Originally from New Jersey and currently a NYC based actor, Reggie's career has taken him across the country and abroad. His National and International Tour credits include Memphis, Pippin, Dreamgirls, and Ain’t Too Proud: The Life and Times of the Temptations. On the regional stage, Reggie has appeared in Beautiful: The Carole King Musical (Ogunquit Playhouse), Austen’s Pride (A.C.T. of CT), Dreamgirls (North Shore Music Theatre), and In The Heights (Mason Street Warehouse). He also spent time out west at Tuacahn, where he appeared in productions of Wonderland, Mary Poppins, and Joseph...Dreamcoat. Reggie also had the privilege of being in the Original Cast of Hairspray for Royal Caribbean, where he played the role of Seaweed onboard the Symphony of the Seas. Reggie would like to thank the entire team here at Gulfshore Playhouse for this opportunity, as well as his agents over at HAA for their continued support and belief in his journey. A special thank you to his loving partner, Logan, for being his rock through every city and every curtain call. He also sends endless love to his parents for their unwavering support as he pursued his dreams from the very beginning. Reggie is proud to stand with his community today and every day. #blacklivesmatter Follow the journey on Instagram: @reggiebromell


Jamonté (Drifter) is excited to return to his home state for his debut at Gulfshore Playhouse in Beautiful: The Carole King Musical. As a Florida native and New York City–based performer, his credits include Hairspray (U.S. National Tour and Australia’s International Tour) as Seaweed and Duane, and Rock and Roll Man Off-Broadway as Frankie Lymon. He would like to thank his family, friends, and The Hell’s Kitchen Agency for their continued support!
Sean William Davis (Nick/Righteous Brother/U/s Gerry Goffin) is a proud NYC-based actor and a disappointed Miami Dolphins fan. He is overjoyed to make his Gulfshore Playhouse debut in his third production of Beautiful! Select credits: Gleb Vaganov in Anastasia (Carbonell Nomination) Slow Burn Theatre, Miles Gloriosus in Forum.. (Carbonell Nomination) Maltz Jupiter Theatre, and Edward Rutledge in 1776 at Virginia Musical Theatre. He’s traveled to almost 50 countries while performing on Norwegian Cruise Lines. When not on stage, he can be found supporting local zoos, lifting weights, or listening to a thrilling audiobook. Represented by @thecollectivetalent! Much love to his family, friends, and his love, Caiti, for the endless support!

Tiffany Francés (Lucille/Shirelle) hailing from the Motor City, Detroit Michigan, Tiffany is ecstatic to make her Gulfshore Playhouse Debut! Her favorite credits include Broadway: Ain’t Too Proud: The Life and Times of The Temptations (Josephine); Off-Broadway: The Harder They Come (The Public Theater); 1st National Tour: Ain’t Too Proud; Regional: Hair! (Two River Theatre), Memphis (Mason Street Warehouse) Smokey Joe's Cafe (Ivoryton Playhouse), Beautiful: The Carole King Musical (North Shore Music Theatre, St.Louis Stages). BFA Music Theatre Performance (Western Michigan University) She thanks her loving parents and village, along with Clear Talent Group. Ecclesiastes 3:4, Δ∑Θ, @tiffanyfrances_
The Carole King Musical

Candace (Janelle Woods/Shirelle) born and raised in Brooklyn, New York, Candace is a passionate performer who is grateful for the musical gifts God has blessed her with. Her love for storytelling through song and performance continues to guide her journey both on and off the stage. Some of her favorite roles include Deena in Dreamgirls, Duckling Donna in Summer: The Donna Summer Musical, and bringing beloved Disney characters to life like Nala in The Lion King and Princess Tiana in Princess and The Frog. Each role has allowed her to grow as an artist and travel the world while connecting with audiences in meaningful ways. Candace is thrilled to be making her debut at Gulfshore Playhouse as Janelle in Beautiful: The Carole King Musical. She is incredibly excited to bring this vibrant story to life, once again. With dreams of one day performing on Broadway, she continues to pursue her craft with faith, dedication, and joy. Romans 12:2. Follow her journey on Instagram @alwayscandace7


Daniel Jerome Hurt (Swing/U/s Drifter) is excited to be working with Gulfshore Playhouse for the first time! A NJ/NYC-based performer and 2023 graduate of Montclair State University (BFA Musical Theatre), his recent credits include Bert in Disney’s Believe and Simba in The Golden Mickey’s with Disney Cruise Line, a Drifter in Beautiful: The Carole King Musical at Rocky Mountain Rep, and Tom Collins in RENT at NCC Summer Theatre. He thanks God, his family, and his agents for their continued support.
Kianna Kelly-Futch (Swing/U/s Shirelle) is thrilled to be a part of Beautiful: The Carole King Musical at Gulfshore Playhouse! She’s a Washington, DC native with a Bachelor of Music in Musical Theatre from the Manhattan School of Music. Kianna was recently seen on Tina: The Tina Turner Musical National Tour as Swing and Assistant Dance Captain. Her regional credits include Beautiful: The Carole King Musical (Pioneer Theatre Company, Asolo Repertory Theatre), Bye Bye Birdie, and A Bronx Tale (Argyle Theatre). All glory to God for the journey, support, and joy of storytelling! Jeremiah 29:11. IG: @kiannakellyfutch

Torrey Linder (Drifter) is excited to be performing Drifter hits again! Previous credits are Beautiful: The Carole King Musical (Broadway National Tour, Asolo Rep, The Rev), The Color Purple (Signature theatre, DCPA), Elf (National Tour), Dirty Dancin’ (National Tour), Scottsboro Boys (Playhouse on Park). Recent play credit is The Mousetrap (Barnstormer’s Theater). This show is near and dear to my heart and we can’t wait to share it with you. Be blessed!

Theatre: Guys & Dolls (Sky Masterson U/S Rusty Charlie), Nat'l Tour, Maltz Jupiter Theatre, Ogunquit Playhouse, Tuacahn, Cape Cod Playhouse: Beautiful The Carole King Musical (Drifter/ Ensemble). Regional: Ragtime The Musical (Coalhouse Walker Jr), Five Guys Named Moe (Four Eyed Moe), Into The Woods (Jack), Annie at The Muny (Ensemble), Actually (Tom). Director and Choreographer: Five Guys Named Moe (MNM Theater Company), Beautiful: The Carole King Musical, Heartbreak Hotel (Riverside Center for the Performing Arts). Vocalist and Performer with Avery Sommers. Jacquez is the proud creator of Dom & Dave comedy sketches. He would like to thank God and his family for their support and it is an honor to share the stage with two of my loved ones! Peter 4:10.

Marlowe (Marilyn Wald/U/s Cynthia Weil) is overjoyed to make her Gulfshore Playhouse debut! Caiti is beyond happy to be back in sunny Florida where she grew up. Favorite credits include Audrey (Little Shop of Horrors, Slow Burn Theatre), Judy (9 to 5, LPAC), and Cynthia Weil (Beautiful, Maltz Jupiter Theatre). Over the past 5 years Caiti has also been singing at sea as lead production vocalist on both Norwegian Cruise Lines and Oceania Cruise Lines. Caiti also just returned from a tour of the mid western US with her band, The SheGees: A Female Fronted BeeGees Tribute Band. Much love to Mom & Kev, and her fiancee Sean who she is honored to share the stage with tonight. Represented by The Collective Talent Agency. caitimarlowe.com @_caiti


Gia Marino (Betty/U/s Carole King/Cynthia Weil) is beyond thrilled to be making her Florida debut with this incredible cast and team! Originally from San Diego, California, Gia is a recent graduate of Millikin University’s BFA Musical Theatre program. Post-grad, she’s been loving her time developing new works and exploring the plethora of vintage shoe stores New York City has to offer. Regional: Finding Neverland (Wendy), Starcadia: A New Musical (Venus), A Chorus Line (Cassie), and The VAGUE Parody Project. All my love to my family, partner, and community! For Nana, with my whole heart. @iamgiamarino
Jack Mastrianni (Neil Sedaka/Righteous Brother/Lou Adler/U/s Don Kirshner) is thrilled to be returning home to Gulfshore Playhouse, where he played Arpad in She Loves Me in 2024. Broadway/NYC: A Christmas Story (Scut Farkus, Original Broadway Cast), Radio City Christmas Spectacular (Patrick), Crooked Cross and Becomes a Woman (Mint Theatre Company). Select Regional: West Coast Premiere of The Fantasticks Reimagined (Coachella Valley Repertory), Beautiful The Carole King Musical (Ogunquit Playhouse, Cape Playhouse, Tuacahn Center for the Arts), The True (Capital Repertory Theatre), and Altar Boyz (Short North Stage). Other favorite roles: Rolf (The Sound of Music), Scarecrow (The Wizard of Oz), Dickon (The Secret Garden), Artful Dodger (Oliver!), Jack (Into the Woods), Gordon Schwinn (A New Brain). Jack received a BFA in Musical Theatre from the University of Michigan School of Music, Theatre, and Dance. He also trained at the London Academy of Music and Dramatic Art in London, England. Many thanks to John Mara Jr./Mara Entertainment, and Michael Cassara. Love to Mom and dad, Matt and Lauren. Go Blue! jackmastrianni.com @jackmastrianni

Jillian A. Smith (Swing/U/s Betty/Marilyn Wald) is overjoyed to be making her Gulfshore Playhouse (and Florida!) debut. She was last seen at the San Francisco Playhouse as Eliza Doolittle in My Fair Lady. Other favorite regional credits include Anya in Anastasia (Hillbarn Theatre), Cinderella in Into the Woods (San Francisco Playhouse), Erma in Anything Goes (42nd Street Moon), Helga in Cabaret (Center REP), and Olive (Alternate)

in The 25th Annual Putnam County Spelling Bee (Theatreworks Silicon Valley). Jillian trained in ballet at the Bolshoi Academy in Moscow, and received her BA in Computer Science & Theater from UC Berkeley. Endless gratitude to this wonderful cast & crew, Michael Cassara, my family, and my incredible community that always reminds me You’ve Got A Friend! @jillians_1
Tiana Marie Williams (Uptown Soloist/Shirelle/Dance Captain) is excited to make her Gulfshore debut! She is a proud BFA alumni of Indiana University. Her past credits include: Disney On Classic’s The Lion King (Nala- Japanese Tour), Beautiful (Lucille/Shirley), Natasha, Pierre, and the Great Comet of 1812 (Natasha), Disney Cruise Line’s Aladdin (Jasmin U/s) and The Little Mermaid (Arista), Disney’s Victrophonics (Lead Singer), Something Rotten (Portia U/s), The Wiz (Dorothy), Ragtime (Sarah), The Pirates of Penzance (Mabel U/s), The Threepenny Opera (Lucy Brown), and Film: All of My Dreams with TV star, Andrea Navedo. In her spare time, she focuses on her content creation on TikTok (@tianamwill). Tiana thanks God, her family, and her community for their love and support! tianamwilliams.com
Matt Lenz (Director) Previously at Gulfshore Playhouse: The Fox on the Fairway. Broadway: Hairspray, Catch Me If You Can, Charlie and The Chocolate Factory, The Velocity of Autumn (Associate Director on original productions), Disney's Beauty and The Beast. Off-Broadway: Pageant: The Musical (Drama Desk nomination), The Irish Curse, Idaho! The Comedy Musical, The Great Daisy Theory, Fingers and Toes, and Alan Ball’s Tense Guy. National and international tours include: The Music Man (current US tour), Hairspray (US, UK, Australia, Germany, and South Africa), Charlie and The Chocolate Factory (current Global tour, US & Australia), The Sound of Music (US & Global), A Christmas Story: The Musical, Cheers: Live Onstage, Catch Me If You Can, and The Who’s Tommy. Regional: Numerous plays and musicals at Paper Mill Playhouse, the Ahmanson/CTG LA, the MUNY, Ogunquit Playhouse, George Street Playhouse, Cape Playhouse, North Carolina Theatre, Maltz Jupiter Theater, La Mirada, Zach Theatre, Gulfshore Playhouse, Casa Manana, Gateway Playhouse, Short North Stage, and the Forestburgh Playhouse. Matt is a member of the SDC, a teaching artist for the Broadway Dreams Foundation and the Founding Artistic Director of the In The Works ~ In The Woods Festival of new plays and musicals in upstate New York. mattlenzdirector.com @magicmattlenz
Dann Dunn (Choreographer) has created and maintained professional works as a Director, Choreographer, and Live Events Producer around the world with Tony, Oscar, Emmy, and Grammy award-winning Artists. NYC: Miracle On 34th Street, Sesame Street On Broadway! (Madison Square Garden), The Adventures of Tom Sawyer (Symphony Space). National Tours: CATS, The Music Man, Sesame Street Live!, First Date (revival workshop). International: The Music Of Andrew Lloyd Webber, La Traviata. Regional highlights: Walnut Street Theatre, Bucks County Playhouse, Delaware Theatre Company, The Fulton, Arden Theatre, Kennedy Center, Riverside Theatre, Ogunquit Playhouse. Contributing Choreographer: Norwegian Cruise Line, The Red Cross, Modell’s Sporting Goods, Merck Pharmaceuticals, The National Liberty Museum, Radio City Music Hall, Disney, The Jimmy's, Siegfried and Roy, Macy’s, and The X Games. Dancer: Mariah Carey, Anastacia, Mark Kanemura (Lady Gaga, Janet Jackson, So You Think You Can Dance?). TV: "Good Morning America," "The Today Show," PA Cardiovascular Health Project (Emmy Award), Macy’s Thanksgiving Day Parade, "Sesame Street Workshop." Dann was honored to join the Fosse legacy training under Gary Flannery, dancing back-up for Chita Rivera, and working beside Ann Reinking on the National and International companies of CHICAGO. Also an Educator, Dann is Faculty alumni of NYC’s famed Camp Broadway, teaching musical theatre around the world, has been on Guest Faculty at eight universities, and is the Co-Founder and former Artistic Director of Music Theatre Philly, an award-winning professional training ground in Philadelphia. Dann is currently the Associate Artistic Director at Gulfshore Playhouse, having directed this season's White Christmas. @thedanndunn.
Lon Hoyt (Music Director/Conductor/Keyboard I) Broadway: Beautiful, Escape to Margaritaville, Rock of Ages, On Your Feet, Catch Me If You Can, Hair, Lennon, Hairspray, The Rocky Horror Show, Footloose, Street Corner Symphony. Off-Broadway: Piece of My Heart, Song of Singapore, and Forever Plaid. Regional: My Very Own British Invasion (Papermill Playhouse), Diner (Sheryl Crow), Some Lovers (Burt Bacharach), The Nightingale (Sheik/Sater). Film: Annie, Hairspray, Joyful Noise, Band Slam, Boys on the Side. Other: Hairspray (3 National Tours, Toronto, Las Vegas, London, Johannesburg, Cologne, Hollywood Bowl, NBC Hairspray Live), Hair (Hollywood Bowl). Upcoming projects: The Funkentine Rapture, A Joyful Noise. Actor: Tommy, Starlight Express, Leader of the Pack, Baby, RockNRoll! The First 5000 Years. Love to the 3Ls and M&W.
John Conway (Assistant Music Director/Keyboard II) began studying piano in his early teens, spending thirty minutes a day on the prescribed lesson material and another two hours in Elton, Billy, Joni, and Carole songbooks. The first record he bought was Isaac Hayes’ soundtrack from Shaft. After spending several years in more than a few bands, he figured on giving musical theatre orchestras a try. Through this involvement, he’s experienced all 50 states and 20 something countries (give or take). Prouder moments include serving as AMD/key 1 on AMT San Jose’s production of Children of Eden and the world premiere of Memphis at North Shore Music Theatre. Less proud moments include tickling the ivories in the men’s suits and furnishings foyer of west coast department stores (actually-for a day gig, one could do worse). John greatly appreciates the opportunity to be involved in the Gulfshore Playhouse production of Beautiful!
Ann Beyersdorfer (Scenic Designer) is a New York City based set and production designer. Broadway Associate Design: Company, Tammy Faye, How to Dance in Ohio, Ink, Jitney, and The Children. National Tours: The Music Man (Big League), Company (Work Light), Anastasia (Stage Entertainment, Networks). Select Regional Theatre Design: Goodspeed (A Chorus Line, The Mystery of Edwin Drood), The Muny (Bring it On, The Little Mermaid, Les Misérables, Beauty and the Beast, West Side Story, and Camelot), Stages St. Louis (Murder for Two, Newsies), Southwark Playhouse in London (Afterglow), Maltz Jupiter Theatre (Beautiful), Syracuse Stage (Relentless, Primary Trust, Yoga Play, What the Constitution Means to Me), Lincoln Center (Carmen), The Alliance Theatre (Knead). TV Design: "Saturday Night Live" (production designer on the Film Unit, NBC), "Matt Rogers: Have You Heard of Christmas" (production designer, Showtime), "Vir Das: Landing" (production designer, Netflix). Ann is a 2026 Woman to Watch on Broadway, a Los Angeles Drama Critics Circle Award Winner (2022), and is a Live Design/LDI 30 Under 30 recipient (2018). annbeyersdorfer.com
Johanna Pan (Costume Designer) is a costume and sometimes scenic designer for Theatre, Film, Dance and Opera, a textile and visual artist. They first discovered theatrical design while competing in the creative thinking competition Odyssey of the Mind and has never looked back. Johanna’s artistic practice is centered around decolonizing the imagination, breaking down the notions of feminized labor, and anti-racism. They continue to harbor hope for a more sustainable humankind in the face of adversity. BFA: Ithaca College, MFA: NYU/TISCH, @jpandesign
Dalton Hamilton (Lighting Designer) works around the country as a designer, associate, and programmer. His work extends from theater, opera, and dance to corporate events and theme park entertainment. Credits include: Bay Street Theater, Gulfshore Playhouse, Tuacahn Center for the Arts, Maltz Jupiter Theatre, Drury Lane (Chicago), Nashville Repertory Theatre, Ogunquit Playhouse, FreeFall Theatre, American Stage, Norwegian Cruise Line, City Springs Theatre Company, and the Straz Center for the Performing Arts. Dalton has also been an Associate Designer for numerous theme park shows at Busch Gardens Williamsburg under Lighting Designer Ken Billington for the past 11 years. Other notable Associate/Assistant credits include The Prince of Egypt (West End) with Lighting Designer Mike Billings, Dungeons & Dragons The Twenty-Sided Tavern (Chicago & Off-Broadway), and Rogers: The Musical, Hawkeye Series (Marvel Studios: Disney+) with Lighting Designer Mike Wood. Proud member of United Scenic Artists, Local USA-829. daltonhamiltonlightingdesign.com | @dhlightingdesign
Mike Tracey (Sound Designer) select designs include: Rolling Thunder, 3 Summers of Lincoln, The Lonely Few, Dreamgirls (national tour), F#%king Up Everything, Newsies (regional), Jersey Boys (regional), West Side Story (regional), Spamalot (regional), Million Dollar Quartet (regional). Select associate design work includes, Buena Vista Social Club, Waitress, Jagged Little Pill, Springsteen on Broadway. mtsounddesign.com
Mackenzie Scales (Assistant Lighting Designer) is a New York City based lighting designer and assistant lighting designer. She is so happy to be back with the incredible crew at Gulfshore Playhouse! Some of her recent projects include: Sweet Charity (Assistant Lighting Designer), Anything Goes (Assistant Lighting Designer) at Gulfshore Playhouse; Water for Elephants (Assistant Lighting Designer) First National Tour; Water for Elephants (Lighting DMC) Imperial Theatre; Millions (Assistant Lighting Designer), A Christmas Carol (Associate Lighting Designer), Water For Elephants (Assistant Lighting Designer) at the Alliance Theatre; Camino Real and Spirit of the People (Associate Lighting Designer) at Williamstown Theatre Festival. Mack hopes you enjoy the show!
Erica Mansfield (Intimacy Director) is thrilled to return to Gulfshore Playhouse, where she previously served as Intimacy Director for Who’s Afraid of Virginia Woolf, Sweet Charity, She Loves Me, Anything Goes, Dial M for Murder, and Noises Off. Currently, her work can be seen in the touring production of Mamma Mia! as both cast member and Intimacy Director. Other recent intimacy direction projects include the Memoirs of an Amorous Gentleman workshop directed by Rob Ashford and Almost Famous at ACT. She trained with IDC and is also a certified Lactation Education Counselor, yoga teacher, Pilates mat instructor, and visual stylist for Hearst news stations. On the creative team side, Erica has worked as Associate Director/ Choreographer on Jersey Boys at Casa Mañana, Phantom at WBT, and Fiddler on the Roof at both Paper Mill Playhouse and The Muny. As a performer, Erica has appeared in 12 Broadway shows, three national tours, the Radio City Christmas Spectacular, and on television in "The Marvelous Mrs. Maisel," "The Best Man," "Law & Order," "FBI," "Saturday Night Live," "The Tonight Show Starring Jimmy Fallon," "PBS: 50 Years of Broadway," and The Kennedy Center Honors.
Patrick Mulryan (Dialects) as a Voice and Dialect Coach, Patrick is currently represented on Broadway by Harry Potter and the Cursed Child (Lyric) and OffBroadway by The Play that Goes Wrong (New World Stages). Past Broadway credits include David Henry Hwang’s Yellow Face (Roundabout) starring Daniel Dae Kim and Francis Jue (who won a 2025 Tony® for his performance) and Left on Tenth starring Julianna Margulies and Peter Gallagher and directed by Susan Stroman. Past off-Broadway credits include Antigone (This Play I Read in High School) (Public Theater); Calf Scramble (Primary Stages); Picnic at Hanging Rock (Greenwich House), Corruption at Lincoln Center Theater (directed by Bartlett Sher). Regional: Lost in Yonkers at Hartford Stage (co-directed by and starring Academy Award nominee Marsha Mason) and Sweat at the Huntington Theater Company for which the cast received the Elliot Norton Award for Outstanding Ensemble. At Gulfshore Playhouse: Anything Goes, White Christmas, The Mousetrap, The Importance of Being Earnest. Directing credits include Indian Ink, Raison d’être: an Evening of Pirandello (also adaptor), and Goblin Market (JJewell Productions) which he directed in New York at 59E59 and abroad at the Edinburgh International Fringe Festival. Acting credits include Menier Chocolate Factory (London), Roundabout Theatre, EST, Barrow Street/TFANA, La MaMa, McCarter, Old Globe, Trinity Rep, and the Guthrie. Patrick is a member of the Voice and Speech faculty at the Juilliard School in the Drama Division. Upcoming Projects include Girl, Interrupted at The Public.
The Carole King
Bobbie Zlotnik (Wig Designer) is an NYC-based hair designer and is ecstatic to return to Naples for one of this favorite shows. Bobbie is quite familiar with Beautiful; having served as a hair swing for the entire run of the Broadway and 1st National Tour, later becoming Production Wig Supervisor for the 2nd National Tour in 2019. Previous GSP shows include: Who’s Afraid of Virginia Woolf, Sweet Charity, Anything Goes, Lady Day, Dial M, White Christmas, She Loves Me, and The Importance of Being Earnest. Off-Broadway: Emojiland (Drama Desk Nom.), Gene & Gilda, Charles Busch’s Ibsen’s Ghost, Gatsby Immersive, Fairycakes, Forbidden Broadway, and countless others. National Tours; Here You Come Again, Emojiland, Cocomelon LIVE, On Your Feet (also Drury Lane, Ogunquit Playhouse & La Mirada). Film/TV; The Devil Wears Prada 2, The Gilded Age, "The Marvelous Mrs. Maisel," "Stranger Things," "RuPaul’s Drag Race," "Getting Curious With Jonathan Van Ness." Select Regional Credits: Williamstown Theatre Festival, Cape Playhouse, The Lex, Sharon Playhouse, Syracuse Stage, and many more! Up-coming: Frozen (Syracuse Stage) and summer seasons with The Cape Playhouse, Sharon Playhouse and Peterborough Players. BobbieZlotnik.com
Danny Kuenzel (Production Stage Manager) is back once again managing her second production of Beautiful The Carole King Musical. This is also her third production of the Gulfshore Playhouse 2025-26 season having already completed White Christmas and the world premiere of Circle Forward. Prior to this season she managed GP’s Sweet Charity, Dial M for Murder, Anything Goes, Into the Breeches, Winter Wonderettes, Barefoot in the Park, Steel Magnolias, The 39 Steps, Another Revolution, and Bedlam’s Saint Joan. Other regional credits include: Saugatuck Center for the Arts, Mason Street Warehouse, Clarence Brown Theatre, Arkansas Repertory Theatre, Pioneer Theatre Company, Indiana Repertory Theatre, Weston Playhouse Theatre Company, The Alley Theatre, Drury Lane Oakbrook, and the Contemporary American Theatre Festival. Danny is a proud 20+ year member of Actors’ Equity Association, the union for performers and stage managers. This one is for all of the lovely human beings that have helped to make her life so beautiful.
Meg Lydon (Production Stage Manager) is so excited to be calling her first show here at Gulfshore! Meg works as a freelance stage manager and events technician, and is currently based in Halifax, Nova Scotia. Recent work has been at the Neptune and Spatz Theatres in Halifax, and at Portland Stage in Maine, where she worked on about 18 productions over the last five years. Infinite thanks to Joel Markus for getting me started on this crazy journey, to the whole team for having me aboard, and to Darren, always.
Laura Swygert (Assistant Stage Manager) returns for her third season with Gulfshore Playhouse. Previous GP credits include Every Brilliant Thing, Noises Off, Barefoot in the Park, Steel Magnolias, Mud Row. Other stage management credits include Virginia Repertory Baskerville, On Air, Lexington Theatre Company White Christmas, 42nd Street, Jersey Boys, Great Lakes Theater Sunday in the Park with George, Cortland Repertory Xanadu, The Cake. Many thanks to her mentors Kelli, Danny, Brandon, and Casey. Lots of love to her mom, Gran, Max, Bert, and Arthur.
Michael Cassara, CSA (Casting Director) casts theatre and film in New York City and is thrilled to return to Gulfshore Playhouse for a 17th season, having cast over 70 productions here since 2009. Recent credits include American Eclipse (Michael John LaChiusa, dir. Bill Rauch), An American In Paris (Int’l Tour, dir Christopher Wheeldon), Spamilton (NYC/Chicago/Pittsburgh CLO/tour), Forbidden Broadway (last five editions/albums), and over 750 plays and musicals since 2003. Regional credits include Weston Theater Company, Argyle Theatre, Hangar Theatre, Ogunquit Playhouse, Actors Theatre of Louisville, Denver Center, Asolo Rep, and many more. Resident Casting Director for the National Alliance for Musical Theatre (NAMT) since 2013. Michael is a native Clevelander and serves on the BFA faculty at Wright State University. Member, Casting Society of America (CSA). BFA, Otterbein University. MichaelCassara.net @michaelcassara
Joel Markus (COO & Managing Director) is thrilled to be in his eighth season as Gulfshore Playhouse’s COO & Managing Director. Joel enjoys working side by side with Kristen to produce Broadway caliber theatre while focusing on cultivating a great staff and culture. In his time at Gulfshore Playhouse, Joel has helped grow and quadruple the theatre’s budget, triple the staff, has co-managed the design and construction of the new $75M Baker Theatre and Education Center, the production shop construction project, has been instrumental in joining LORT (most recently, being on the negotiating committee for LORT and Actors’ Equity Association), and navigated and guided the organization through the pandemic and Hurricane Ian. Joel was recognized as one of the top COOs in SWFL by the Community Foundation. Joel’s thirty year career has taken him to some of our nation’s leading professional regional theatres. He most recently spent seven seasons at America’s oldest theatre, Walnut Street Theatre in Philadelphia. Joel has played integral roles in the production of hundreds of plays over ten seasons at the Indiana Repertory Theatre, four years at Geva Theatre Center in Rochester, NY, five summers at the Weston Playhouse in Vermont, American Players Theatre in Spring Green, Wisconsin, and North Shore Music Theatre in Beverly, Massachusetts. Joel is a graduate of Indiana University and originally from Miami, Florida.
Kristen Coury (CEO& Producing Artistic Director) is the Founder, CEO and Producing Artistic Director of Gulfshore Playhouse. She founded the Playhouse in 2004, and shortly thereafter started producing with no staff and virtually no funding. Under her leadership, the Playhouse has grown to a staff of 83 people with an annual budget of $14.5M with no long-term debt. Kristen led the charge to create the iconic $75M state-of-the-art Baker Theatre and Education Center at the gateway to downtown Naples, which opened on November 1st, 2024. As part of this project, Coury ignited one of the largest public/private partnerships in City of Naples history, initiating a land-swap with the Wynn family and subsequently donating over an acre of land to the City upon which to build a public parking garage. While in New York, she worked on Broadway for Walt Disney Theatrical Productions, and for Andrew Lloyd Webber’s company, The Really Useful Group, and made her feature film directorial debut with an independent film entitled Friends and Family. Kristen is also a frequent investor in Broadway productions, most recently A Beautiful Noise: The Neil Diamond Musical. Kristen has directed nearly 50 productions for the Playhouse. Most recently, she directed the inaugural show in the Baker Theatre and Education Center, Anything Goes. This season, she also directed Edward Albee’s Who’s Afraid of Virginia Woolf? and Oscar Wilde’s The Importance of Being Earnest. Kristen was named one of the Men and Women of the Year by Gulfshore Life in 2013 and again in 2024. She also received the Murray Hendel Award for Civic Achievement in 2023. She served two terms on the board of Theatre Communications Group, the national advocacy group for professional theatre and is currently a member of the board of the Greater Naples Chamber of Commerce. Kristen is very honored to have been appointed to Florida Council for arts and culture by Senate President Kathleen Passidomo. She was named one of the Top 100 Most Influential Business Leaders in Collier County by Naples Illustrated for the last four years, and, this year, was listed in the 2025 Edition of Florida Trend Magazine as one of the 500 Most Influential Business Leaders in the State of Florida.
Carol Joan Klein is born on February 9th in Manhattan to Eugenia and Sidney Klein.
While attending high school, she forms a band called the Co-Sines and changes her name from Carol Klein to Carole King.
King meets Gerry Goffin while attending Queens College. She also records her first song, “The Right Girl,” for ABC Paramount under the name Carole King.
The song “Oh! Carol!” by King’s ex-boyfriend, Neil Sedaka, is a top-10 hit; its success inspires her to pursue her own songwriting career. King and Goffin join the staff at Aldon Music, the publishing company founded by Don Kirshner, where they meet lyricist Cynthia Weil and songwriter Barry Mann.
King and Goffin get married after she becomes pregnant with their first child.
Their daughter, Louise, is born in March.
King and Goffin write “Will You Love Me Tomorrow” for The Shirelles. The song becomes a no. 1 Billboard hit, the first song by a Black girl group to do so.

Don Kirshner launches the label Dimension Records and signs Goffin and King as a songwriting team. For Aldon and Dimension Records, they write a string of hits including “The Loco-Motion” by Little Eva, “One Fine Day” by the Chiffons, and “Natural Woman” by Aretha Franklin.

Many of the chart-topping hits from the late 1950s and early 1960s are part of a genre known today as the “Brill Building sound.” This is a reference to the Brill Building in Manhattan, which housed more than 160 tenants from the music industry. It’s a bit of a misnomer because just as much music was actually written and recorded in a less architecturally significant building across the street at 1650 Broadway, where much of Beautiful is set.
The countless, ear-catching hits of this genre were the product of a multicultural melding. Many of the songwriters, like King and Goffin, were Jewish Brooklynites who grew up listening to Tin Pan Alley artists like Irving Berlin but were influenced by the fresh sounds of rhythm and blues, rock “n” roll, and Latin music. Many of their songs were made famous by Black recording artists, and interestingly, the songwriting roster included an unprecedented number of women.
“Expressing the optimism and outrage of the early civil rights movement, [the Brill Building catalog] amalgamated black, white and Latino sounds before multiculturalism became a concept…and integrated audiences before America desegregated its schools.” Always Magic in the Air: the Bomp and Brilliance of the Brill Building Era by Ken Emerson.
King moves to Laurel Canyon with her two daughters after separating from Gerry Goffin. She forms The City group, a shortlived music trio.
King meets James Taylor who becomes one of her most frequent collaborators.
Tapestry, her second solo album, is released and tops the Billboard charts for 15 weeks, wins four Grammy Awards, and has since sold more than 25 million copies worldwide.
BARRY MANN AND CYNTHIA WEIL met at Aldon Music and formed a lifelong professional and personal partnership. Together, they wrote songs like You’ve Lost "That Lovin’ Feeling" and "On Broadway" in addition to numerous other chart-topping hits. They also composed and wrote songs for movies, most notably “Somewhere Out There” for the 1986 animated film An American Tail, which won two Grammy Awards and was nominated for an Oscar. In 2004, they created a musical revue called They Wrote That? They were married until Cynthia’s death in 2023.
DON KIRSHNER was dubbed “the Man with the Golden Ear” by Time. An American music publisher and producer who founded Aldon Music with Al Nevins in 1958, and contracted several of the most important songwriters of the “Brill Building” school, including Carole King, Gerry Goffin, Neil Sedaka, Neil Diamond, Paul Simon, Phil Spector, Barry Mann, Cynthia Weil, and more.
THE DRIFTERS were formed in 1953 to serve as backing for Clyde McPhatter and are still active today. The group has featured 60 different vocalists across 65 years. Rudy Lewis led the Drifters for their hit song “On Broadway” in 1963, which reached number 5 on the pop charts and number 4 on the R&B chart. Their most successful single was “Under the Boardwalk” which was recorded in 1964.

The Drifters in New York City in 1959. (Left to right) Charlie Thomas, Ben E. King, Dock Green, and Elsbeary Hobbs. Credit: Britannica.com
GERRY GOFFIN was a lyricist who met Carole when they were students at Queens College in 1958. After he passed away in 2014, King said, “His words expressed what so many people were feeling but didn’t know how to say.” He’d been writing lyrics since he was a boy, but it wasn’t until he met Carole that he was able to put music to them. They continued working together for a time after their divorce in 1960, but eventually their partnership dissolved. However, three of the songs on Tapestry were Goffin-King collaborations. They were inducted into the Rock and Roll Hall of Fame in 1990. He passed away in 2014.
LITTLE EVA was born Eva Narcissus Boyd. She grew up near Brighton Beach in Brooklyn. She was nicknamed “Little Eva” because she was named after her aunt, also named Eva. Her music career began when she auditioned as a singer for The Cookies, singing “Will You Love Me Tomorrow?” and joined that group as a backup vocalist on recording days. King and Goffin hired Little Eva as a babysitter for $35 a week and later asked her to record the demo for “The Loco-Motion” but when Don Kirshner heard it, he decided to release it as a single. The song became a #1 Billboard hit in August 1962. She continued touring and releasing records until 1971 when she retired from the business to spend time with her children. She passed away in 2003.
THE SHIRELLES were an American girl group, one of the first to achieve mainstream success with their no. 1 hit “Will You Love Me Tomorrow?” The group consisted of four members: Shirley Owens, Doris Coley, Beverly Lee, and Addie “Micki” Harris. Despite their success, they faced discrimination and racism, often paid less than their male counterparts and getting barred from performance venues due to their race. The group disbanded in the late 1960s after producing numerous hits. They were inducted into the Rock and Roll Hall of Fame in 1996.
THE RIGHTEOUS BROTHERS was the musical duo of Bill Medley and Bobby Hatfield whose sound was sometimes dubbed “blueeyed soul.” Their first major hit was “You’ve Lost That Lovin’ Feelin’,” produced by Phil Spector, was one of the most successful pop singles of its time and remains one of the most played songs in radio history.






















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Kristen Coury, CEO & Producing Artistic Director | Joel Markus, COO & Managing Director
CEO & Producing Artistic Director ................. Kristen Coury
Associate Artistic Director ................................... Dann Dunn
Line Producer ........................................... Audrey Zielenbach
Director of Education .......................................... John Perine
ThinkTheatre Coordinator ...................... Meredith Singleton
ArtReach Coordinator ................................... Frances Barnett
COO & Managing Director ................................... Joel Markus
Director of Facilities ........................................... Joe Salemme
Assistant Director of Facilities ........................... Mark Murray
Director of Events/Food & Beverage ................... Erin Burney
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Supervisor of Events/Food & Beverage .............. Justin Kallie
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Art Director ............................................................. Trevor List
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Assistant Patron Services Manager ................... Joan Cannon
Patron Services Assistants ............................... Zoë Bradshaw, Timothy Coryell, Sara Ross, Sabina Valery
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Company Manager ........................................ Emily Lostracco
Assistant Company Manager ................. Chanda Hawthorne
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Assistant Front of House Manager ................... Zachary Klein
Director of Production .............................................. Ray Inkel
Associate Production Manager .................................. Lila Sell
Technical Production Manager ......................... Brooke Oteri
Technical Director - Moran Mainstage ............... John Forton
Technical Director - Struthers Studio .................... Alex Riggs
Scene Shop Supervisor .............................. Anthony Knudson
Stage Supervisor ................................................ Andrew Geier
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Scenic Art Supervisor ........................................... James Allen
Assistant Scenic Arts Supervisor .................. Katherine Burns
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Properties Supervisor ..................................... Jonathan Willis
Assistant Properties Supervisor .................. Gwendolyn Rygg
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Properties Technician ....................................... Rylee McNeal
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Drapers .......................................... Lana Grant, Sarah Greene
First Hands ................................ Mya Nunez, Gabby DePrizio
Wardrobe Supervisor ................................... Marissa Mascolo
Assistant Wardrobe Supervisor ..................... Emma Madden
Wig & Makeup Supervisor ............................... Rebecca Mack
Assistant Wig & Makeup Supervisor .................. Joan Harlow
Costume Technicians .................................. Suvonna Bynum, Sarea Kelly, Viva Sammatova
Stage Management Production Assistants ...... Dylan Gellett, Connor J. Reilly, Bailey Shea
Associate Scenic Designer ............................. Gabriela Nuñez
Assistant Costume Designer ................................. Tessa Hunt
Stage Crew ........................................................ Logan Gottlieb
Follow Spot ...................................................... Lindsey Burgos
Wig Crew ................................................................ Anna Cagle
Wardrobe Crew .................................................. Lincoln Ward
