Issuu

F R O N T I E R S

PHOTOGRAPHY ESSAY

D AW N ’ S P R O M I S E

JANUARY 2026 PROUDLY SERVING THESE COMMUNITIES: DC Ranch Country Club l Desert Highlands Golf Club Grayhawk Golf Club l Happy Valley Ranch l McDowell Mountain Pinnacle Peak Country Club l Scottsdale National Golf Club Club l Troon North Golf Club2and S e r v i n g o u r c o m mSilverleaf u n i t y S i n c eCountry 1999 0 2 6 surrounding January area 1

ECRWSS Local Postal Customer

PRSRT STD US POSTAGE PAID DENVER, CO PERMIT NO. 5377

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SANDERSON LINCOLN

Serving our community Since 1999

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Historic Spanish Village | 7212 E. Ho Hum Rd. # 7 | Carefree, AZ 85377 Hours: Tue.–Sat. 10 a.m.–5 p.m. By appointment Sun. and Mon. 480.575.8080

GraceReneeGallery.com 4

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Serving our commuinty Since 1999

CREATING COMFORT, CURATING SOPHISTICATION: INSIGHTS FROM SUE B.

Our latest showroom vignette demonstrates how comfort and sophistication work in harmony to create spaces that feel both luxurious and livable. At the heart of this setting lies a wedge-shaped sofa — perfect for curling up with a book or enjoying a cinematic escape. Upholstered in sumptuous chenille and complemented by off-white nutria fur pillows, it invites you to sink in and stay awhile.

SUE BICKERDYKE Allied ASID

A gray boucle chair and an off-white leather chair introduce a sophisticated interplay of color and texture, while meticulous stitching transforms the leather chair into a sculptural statement piece. Anchoring the space is a tribal-patterned area rug in serene blues and grays, its sumac weave ensuring both durability and contemporary Southwest flair. The coffee table, crafted from petrified wood, radiates earthy elegance and harmonizes with the rich tones of Amy Lay’s bison painting. Flanking the artwork are three-panel mixed-media pieces by AxtonGedding, which offer endless arrangement possibilities. Sliced agate drink tables add organic luxury. The vignette is adorned with a curated selection of accessories — blue glass, onyx, and oversized pottery vessels — each chosen to enhance the palette. Peeking over the back of the sofa, a covey of bronze quail by Bryce Pettit adds a whimsical yet refined touch, completing the composition. Every element, from furniture to art, is thoughtfully selected to inspire and delight — proving that true luxury lies in the perfect balance of beauty and comfort.

Creating Comfort, Curating Sophistication

36889 N. Tom Darlington Dr. Suite B1, Carefree, AZ | 480-595-0171 | suebickerdyke.com Hours: Mon. thru Sat. 9am - 5pm Appointments are Welcome at sue@suebickerdyke.com Allied ASID Serving our community Since 1999 2 0 2 6 January

THIRD THURSDAY ART NIGHT FEATURING AMY LAY

THU R S DAY, JA NUARY 1 5 F RO M 4 TO 7 PM Artist Speaking at 5:15PM

AMY LAY

ARTIST AMY LAY Oil and Charcoal on Canvas

Three Lovelies, 36” x 48”

Creating Comfort, Curating Sophistication 6

36889 N. Tom Darlington Dr. Suite B1, Carefree, AZ | 480-595-0171 | suebickerdyke.com Hours: Mon. thru Sat. 9am - 5pm Appointments are Welcome at sue@suebickerdyke.com Allied ASID

January 2 0 2 6

Serving our commuinty Since 1999

THIRD THURSDAY ART NIGHT

T HU R S DAY, JA NUARY 1 5 F RO M 4 TO 7 P M

RENE PALOMINO

Agave, 42”x 59”

TREVOR SWANSON

Sky Reaches, 28”x 60”

JOE & MARY GIDDINGS

Platters 22” Round

SUE KRZYSTON

The Gourd Rattle, 24” x 30”

BRIT HANSEN

Candy Cactus, 36” x 36”

BRYCE PETTIT Quail Family, life size

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fu l l s e rv i c e i n t e r i o r d e s i g n & fu r n i s h i n g s w w w. o m d e s i g S e rn v i ng g r o uo r cu o mp m u. i c n to y Sm i n c e -1 9 94 9 80.915.0129 January 2 0 2 6

Broadway Stars Laura Benanti & Norm Lewis | 1/16

Counterpoint | 2/13

Morgan Freeman’s Symphonic Blues Experience | 1/8

Jazz at the Lincoln Center Presents: The Great American Crooners | 2/9

The Dreamboats | 1/31

Patti LuPone | 2/16

David Foster & Katharine McPhee | 3/28

The Barricade Boys: Broadway at the Movies | 2/2

Festival Orchestra | 2/22 - 3/1

NORTH SCOTTSDALE’S

PREMIERE CONCERT DESTINATION 50+ CONCERTS FROM OCTOBER – APRIL 480.422.8449 | AZMUSICFEST.ORG Serving our community Since 1999

SEASON SPONSOR

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What's inside

Frozen Frontiers

photo essay

Turning a Page

January 2 0 2 6

Community

Driving Change

RECIPE

Serving our commuinty Since 1999

Serving our community Since 1999

2 0 2 6 January

Shelly Spence

MANAGING EDITOR Joseph J. Airdo

GRAPHIC DESIGNER Meaghan Mitchell

CONTRIBUTING WRITERS Joseph J. Airdo Francine Coles Shannon Severson

PHOTOGRAPHERS Francine Coles Loralei Lazurek

ADVERTISING SALES Cindi Calcinari 860-966-3271 cindi@imagesaz.com

Images Arizona P.O. Box 1416 Carefree, AZ. 85377 623-341-8221 shelly@imagesaz.com imagesarizona.com

From the Publisher

PUBLISHER

There’s something profoundly hopeful about January mornings in Arizona. As the first light touches snow-dusted peaks and frost-silvered desert, the landscape itself seems to exhale and begin again. The new year arrives not with fanfare but with quiet renewal — dawn painting the sky in colors no artist could replicate, mountain trails leading to sanctuaries most will never discover. This month’s issue of Images Arizona celebrates winter’s hidden gifts and the spirit of renewal that comes with turning the calendar. Each new year offers a fresh canvas — the promise of a day not yet written, adventures not yet begun. We’ve filled these pages with invitations to explore not the well-trodden paths, but the earned destinations where beauty reveals itself only to those willing to slow down, to show up, to be present. These truths — that renewal requires presence, that the most rewarding destinations demand intention — extend far beyond mountain trails. They shape how artists approach their work, how communities nurture new initiatives, how individuals commit to growth. Throughout these pages, you’ll encounter people and places embodying this spirit: those who show up consistently, who embrace change with courage, who create beauty through dedication. The landscape teaches us, but so do the talented, generous, innovative souls who call Arizona home. This is the gift of beginning again — and we’re honored to share it with you. From our family to yours, we wish you a year filled with discovery, wonder and moments that take your breath away.

Submission of news for community section should be in to shelly@imagesaz.com by the 5th of the month prior to publication. Images Arizona is published by ImagesAZ Inc.

Happy New Year!

January 2 0 2 6

Photography by Loralei Lazurek

Shelly Spence Publisher, Images Arizona

Serving our commuinty Since 1999

Arizona Concours d’Elegance SCULPTURE IN MOTION Celebrating 140 years of Mercedes-Benz. Set on the beautiful grounds of the Scottsdale Civic Center. Benefiting Make-A-Wish ® Arizona.

Saturday Seminars: January 17, 2026 Concours: January 18, 2026 TICKETS NOW AVAILABLE ArizonaConcours.org

PHOTO: MIKE TOBIAN Serving our community Since 1999

2 0 2 6 January

INTERNATIONALLY

ACCLAIMED

AMERICAN ABSTRACT ARTIST

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

G R A C E R E N E E G A L L E RY P R E S E N T S

David Rothermel Come meet David and view his bold, colorful paintings on display in our gallery located in Historic Spanish Village. Wind down from your week while enjoying wine and light appetizers with the artist.

Thursday, February 19 4–7 p.m.

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ARTIST

DAVID

ROTHERMEL

FEBRUARY 19,

2026

FEATURED SELECTED COLLECTIONS:

Phoenix Children’s Hospital Revlon, Inc. General Motors Corporation Pennsylvania State Museum Joe Walsh/Eagles National 3M Corporation Hilton Hotels President George W. Bush Two Dolphin Hotel Union Pacific Railroad

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Historic Spanish Village 7212 E. Ho Hum Rd. # 7 | Carefree, AZ 85377 480.575.8080 GraceReneeGallery.com

Serving our community Since 1999

2 0 2 6 January

Frozen Frontiers Arizona’s Hidden High Country Writer Joseph J. Airdo West Fork // Photo Courtesy of USDA Forest Service, Coconino National Forest

he first heavy snow changes everything. Gates swing shut across forest roads. Plowed pavement gives way to unmarked white. The crowds that mobbed these lakes and trails all summer vanish, leaving the high country to those who understand that Arizona’s most compelling landscapes emerge only when wrapped in winter silence.

Between December and early April, when road closures turn casual destinations into earned expeditions, Arizona’s mountains reveal a different character entirely. This isn’t the Arizona of resort brochures or commercial ski hills. These are places where preparation matters, where solitude becomes the reward, and where the landscape — simplified to snow, trees and occasional wolf tracks — offers something increasingly rare: the chance to be genuinely alone in transformed wilderness.

January 2 0 2 6

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ALPINE HEART

Hannagan Meadow sits at 9,100 feet along Highway 191, serving as the spiritual center of the White Mountains. The historic lodge provides warmth and lodging, but the real attraction sprawls beyond — vast meadows rimmed by dense spruce-fir forests, Nordic ski trails disappearing into the timber, and elk emerging at dawn from the tree line. Families return here season after season, generation after generation, to the same sledding hills and snowshoe trails their parents and grandparents knew. Just west lies Williams Valley Winter Recreation Area, where old-school sledding happens without commercialization. No groomed runs, no ticket windows, no infrastructure — just a beloved community hill and the instruction to bring your own sled. The nearby Railsto-Trails rest stop on Route 260 offers steeper terrain for serious sledders, while Toboggan Hill Trailhead near Greer continues the tradition with nothing more than a Forest Service parking lot and slopes worn smooth by decades of use. But the White Mountains’ most evocative winter destinations require genuine effort. Crescent Lake, a 100-acre alpine gem at 9,000 feet, sits just 2 miles north of Big Lake yet becomes completely vehicle-inaccessible from December through early April. The snowshoe approach — the only approach — rewards with a frozen mirror reflecting subalpine forest and the satisfaction of reaching a place most will never see in winter. Winter fish kills necessitate spring restocking, making this a truly seasonal destination that exists fully only when buried under snow.

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Pole Knoll Recreation Area near Greer spreads 18 miles of interconnected trails through terrain at 9,000 feet. Originally designed in the 1980s by a U.S. Forest Service employee seeking somewhere to ski after work, these routes carry evocative names: Red Tail, Osprey, Raven, Meadowlark. The Summit Trail climbs 800 feet to White Mountains views, while gentler loops wind through ponderosa and aspen groves. Unlike commercial operations, Pole Knoll remains beautifully undeveloped — trails, snow, silence.

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EAST VALLEY

For wilderness seekers, Escudilla Mountain shelters Arizona’s third-highest peak at 10,916 feet in the far eastern mountains. Winter transforms the 6.6-mile round trip into genuine mountaineering, gaining 1,600 feet through territory that shelters Mexican wolves, elk and

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These are places where preparation matters, where solitude becomes the reward and where the landscape — simplified to snow, trees and occasional wolf tracks — offers something increasingly rare: the chance to be genuinely alone in transformed wilderness.

USDA Photo by Lance Cheung

black bears. Recent trip reports note total solitude — entire days without encountering another human. Mount Baldy Wilderness, while its 11,421-foot summit remains off-limits on Apache land, offers the East and West Baldy loop exploring the Little Colorado River’s headwaters through subalpine forest. Winter transforms this 16-mile journey into an expedition through ancient Douglas firs where you’ll likely be the only hikers for miles. The Blue Range Primitive Area — the only such designation remaining in the National Forest System that hasn’t been reclassified as wilderness — offers 173,762 acres of rolling ponderosa hills and deep canyons along Arizona’s eastern border. Winter visitors find wolf tracks, ecological diversity despite 2011 Wallow Fire impacts and profound isolation.

NORTH OF THE NOISE

While Snowbowl draws weekend crowds, Flagstaff’s winter magic happens elsewhere. Arizona Nordic Village offers more than 40 kilometers (24 miles) of groomed trails and 15-plus miles of marked snowshoe routes through ponderosa pines northwest of the city. What distinguishes this sanctuary isn’t just the trail system but the remote yurts and cabins scattered across acres of forest. Weekdays feel nearly private — watching snow sift through trees, hearing only the swish of skis and Steller’s jays overhead.

January 2 0 2 6

Serving our commuinty Since 1999

Hart Prairie // Photo Courtesy of Coconino National Forest, U.S. Forest Service

Lake Mary, just southeast of Flagstaff, transforms completely under winter conditions. While Lower Lake Mary often lies dry, Upper Lake Mary sometimes freezes solid enough to invite ice anglers and lakeside wanderers. Locals flock here for sunrise walks along wind-scoured dikes, watching for elk herds in meadows beyond. When access roads close, the basin becomes stark, beautiful and visited only by those seeking genuine off-season peace. Mormon Lake reaches peak magic after deep snowfall. When conditions allow, local enthusiasts groom a network of cross-country trails weaving through meadows and old-growth pines. The Mormon Lake Ski Touring Center provides a low-key hub far from commercial operations. On bluebird mornings, the frozen lake glows against snow-dusted ponderosas. Hart Prairie Road and the trail to Bismarck Lake offer less-traveled routes on the San Francisco Peaks’ western flanks. Forest Road 151 winds through ponderosa and aspen glades with Hochderffer Hills to the west and the peaks looming between branches. When winter closes roads to vehicles, snowshoers and skiers discover this meadow-studded landscape transformed, following the 1.5-mile trail to Bismarck Lake where elk, deer and raptors gather.

Big Lake // USDA Photo by Lance Cheung

USDA Photo by Lance Cheung

Lockett Meadow and Inner Basin Trail, famous for fall aspens, become winter destinations when snow closes Forest Road 552. Winter buries the meadow and Inner Basin under deep snow, creating opportunities for backcountry skiing and snowshoeing to 9,792 feet. The narrow road that intimidates summer visitors becomes impassable, turning this into a trek-in destination where elk herds emerge at dusk. For serious backcountry enthusiasts, Kendrick Peak Wilderness harbors the 10,418-foot highpoint of Kaibab National Forest. The 9-mile round trip gains 3,000 feet through fire-scarred ponderosa transitioning to higher elevations. Winter transforms this into a serious undertaking, with snow accumulations past 9,400 feet and ice-covered upper sections requiring microspikes. Isolation increases dramatically in winter — you might encounter only a ranger with a dog.

Serving our community Since 1999

Photo Courtesy of Coconino National Forest, U.S. Forest Service

2 0 2 6 January

USDA Photo by Lance Cheung

Big Lake // USDA Photo by Lance Cheung

Kachina Peaks Wilderness along the south face of the San Francisco Peaks offers the 5-mile Kachina Trail through old-growth forest at 8,800 to 9,500 feet. The trail crosses dramatic lava cliffs from 600,000-yearold eruptions and winds through ancient Douglas fir, limber pine and fern meadows. Winter snow accumulations make this genuine backcountry territory, far from Snowbowl’s crowds.

THE RIM’S HIDDEN EDGE

The Rim Lakes area — Woods Canyon and Bear Canyon — sees road closures that create both challenges and opportunities. Woods Canyon sits atop the rim surrounded by ponderosa pine, Douglas fir and oak, its 52-acre surface freezing over in harsh winters. Those willing to approach on snowshoes or cross-country skis find solitude in terrain mobbed during summer.

Fay Canyon // Photo Courtesy of Coconino National Forest, U.S. Forest Service

region. The 158-acre lake, with an average depth of 60 feet, freezes solid from December through March. It is inaccessible by vehicle but perfect for adventurous ice anglers. Summer crowds disappear entirely as winter transforms the lake into a windswept sheet of ice where only the most dedicated anglers venture. Christopher Creek area along the Mogollon Rim receives reliable snowfall averaging 15 inches annually, with February typically bringing 4.6 inches. The See Spring Trail follows Christopher Creek to cascading springs at the rim’s base, becoming a winter landscape of iced-over cascades and snow-laden pines. Summer camping territory transforms into a quiet winter retreat accessible from Payson.

Willow Springs Lake near Payson becomes an ice fishing destination known primarily to locals in the

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Serving our commuinty Since 1999

In your corner & around the corner.

Lake Mary // Photo by Rocky Chrysler

SOUTHERN SANCTUARIES

Arizona’s sky islands receive surprising snowfall, creating alpine environments in unexpected places. Mount Graham in the Pinaleño Mountains near Safford stands as the state’s most prominent peak at 10,720 feet. Winter road closures from Oct. 15 through April 15 force hikers to start from Shannon Campground at 9,170 feet, creating a genuine winter ascent. Swift Trail becomes a snow-covered service road through pick-up-sticks forests, with summit temperatures cold and winds howling across this isolated sky island. Rose Canyon Lake, at 7,000 feet on Mount Lemmon, closes its gates from mid-October to mid-April. Determined anglers and hikers walk the mile-long paved road down to this 6-acre alpine lake surrounded by ponderosa pines. The transformation from summer crowds to winter silence is complete — serene lake views, snow-dusted pines and mountain solitude unexpected just 30 miles from Tucson.

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EARNING WINTER

Pinnacle Peak/Pima 480-515-5223

These destinations share requirements: preparation, respect and a genuine appetite for solitude. Summer’s casual accessibility vanishes behind snow gates and road closures. Crowds evaporate. The landscape simplifies — snow, trees, silence, occasional wildlife tracks. Pack layers. Carry emergency gear. Check road conditions. Remember that cell service disappears in these sanctuaries. But for those willing to earn their winter experience, Arizona’s hidden high country offers something increasingly rare — the chance to encounter true solitude in landscapes transformed by snow into something approaching the sacred.

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Serving our community Since 1999

2 0 2 6 January

Community

Writer Joseph J. Airdo

JAN. 16 A NIGHT ON BROADWAY WITH LAURA BENANTI AND NORM LEWIS Presented by Arizona Musicfest, Tony Award winner Laura Benanti and Tony Award nominee Norm Lewis unite for a special evening of Broadway music. $53+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-4228449; azmusicfest.org

THROUGH JAN. 16 ZOOLIGHTS The Phoenix Zoo’s beloved holiday tradition transforms more than two miles of trails into a winter wonderland with millions of dazzling lights, animated animal lanterns, a floating 50-foot LED tree, immersive light shows, Glow Garden and interactive displays. Enjoy the immersive light tunnel, s’mores by the fire, photos with Santa, wildlife lanterns, holiday treats, carousel rides and more. See website for prices. 5:30– 10:30 p.m. Phoenix Zoo, 455 N. Galvin Parkway, Phoenix. phoenixzoo.org

THROUGH JAN. 18 A PIVOTAL POINT IN TIME: ART IN SCOTTSDALE IN THE 1970S In celebration of its 50th anniversary, Scottsdale Center for the Performing Arts presents this retrospective exhibition honoring artists who shaped the city’s creative scene during the 1970s. Works by Dorothy Fratt, Billy Schenck, Fritz Scholder, Ed Mell, Genevieve Reckling, Rip Woods, Philip C. Curtis, Beth Ames Swartz, Mark McDowell and others serve as a visual time capsule

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reflecting the era when the center first opened. Free. See website for hours. Center Space, Scottsdale Center for the Performing Arts, 7380 E. Second St., Scottsdale. scottsdaleperformingarts.org

THROUGH FEB. 22 IN YOUR WILDEST DREAMS The Phoenix Zoo’s Savanna Gallery presents a vibrant and imaginative exhibition celebrating the intersection of creativity and conservation. Featuring the work of four talented artists, the exhibit offers bold color palettes, whimsical depictions of animals, and thoughtful reflections on the natural world. This unique blend of artistry and advocacy encourages visitors to rethink our relationship with wildlife while enjoying a joyful, visually captivating experience. $39.95. 9 a.m.–4 p.m., Savanna Gallery inside the Savanna Grill, Phoenix Zoo, 455 N. Galvin Parkway, Phoenix. phoenixzoo.org

JAN. 3 VRBO FIESTA BOWL PARADE The 53rd annual parade features larger-than-life balloons, elaborate

Serving our commuinty Since 1999

floats, marching bands and community groups on a 1.5-mile march through central Phoenix leading into the College Football Playoff Semifinal. More than 3,000 participants celebrate Arizona’s community traditions in this beloved holiday event. Free. 10 a.m. See website for route and viewing options. fiestabowl.org

JAN. 10 NEIL BERG’S THE ‘70S Presented by Arizona Musicfest, this concert relives the golden age of rock ‘n’ roll with hits and stories from iconic artists including Elton John, Fleetwood Mac, Queen, The Rolling Stones and David Bowie. $54+. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480422-8449; azmusicfest.org

JAN. 11 YOUNG MUSICIANS WINTER CONCERT This showcase features some of the state’s most talented young artists, including winners of the Arizona Musicfest Competitions. The performance highlights a diverse range of musical styles, from classical to

contemporary. $28.50. 1 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-422-8449; azmusicfest.org

JAN. 16–FEB. 1 APPROPRIATE In this 2024 Tony Award-winning drama by Branden Jacobs-Jenkins, the reunion of three estranged siblings at their late father’s Arkansas estate takes a dark turn when a disturbing discovery is made in the clutter. As they sift through a lifetime of hoarding, old resentments and toxic family secrets surface, forcing them to confront uncomfortable truths about their heritage and privilege. See website for prices and times. The Theatre Artists Studio, 12406 N. Paradise Village Parkway E., Scottsdale. 602-765-0120; thestudiophx.org

JAN. 16–MARCH 29 ARIZONA FINE ART EXPO This 10-week juried art show features more than 120 renowned and emerging artists working in onsite studios. Visitors can watch the creative process in mediums ranging from painting and sculpture to glass and jewelry, or explore the two-acre sculpture garden. $12; discounts available. 10 a.m.–6 p.m. 26540 N. Scottsdale Road, Scottsdale. 480-837-7163; arizonafineartexpo.com

JAN. 17–MARCH 29 CELEBRATION OF FINE ART Under the signature big white tents, 100 artists set up working studios for the 36th annual exhibition, allowing collectors to connect directly with creators. The event features 40,000 square feet of art in diverse mediums, a sculpture court and the weekly Art Discovery Series on Fridays. $12; discounts available. 10 a.m.–6 p.m. 7899 E. Mayo Blvd., Scottsdale. 480443-7695; celebrateart.com

Serving our community Since 1999

2 0 2 6 January

Community

Writer Joseph J. Airdo

JAN. 18 ARIZONA CONCOURS D’ELEGANCE Arizona’s premier collector-car event showcases 100 rarely seen vehicles in a professionally judged exhibition. The upscale lifestyle gathering features classes celebrating 140 years of Mercedes-Benz, 125 years of Indian motorcycles, midcentury station wagons, dune buggies, European sports/racing cars, and modern supercars. Enthusiasts are encouraged to dress in period costumes, with awards for best outfits and top vehicles. Proceeds support local arts programs and Make-A-Wish Arizona. $75+. See website for schedule. Scottsdale Civic Center, 7380 E. Second St., Scottsdale. 480-499-8587; arizonaconcours.org

JAN. 17–18 EXPERIENCE POLYNESIA The Musical Instrument Museum presents a musical journey through the Pacific, exploring the rich history and diverse cultures of the Polynesian islands. Included with paid museum admission; free for members. 9 a.m.–5 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

JAN. 17–25 BARRETT-JACKSON SCOTTSDALE AUCTION Celebrate automotive history as thousands of rare, unique and valuable vehicles cross the auction block at Barrett-Jackson’s world-class event in Scottsdale. Enjoy live entertainment, thrill rides, celebrity appearances, food and shopping in the vast Exhibitor Marketplace. See website for prices and schedule. WestWorld of Scottsdale, 16601 N. Pima Road, Scottsdale. 480421-6694; barrett-jackson.com

JAN. 17–APRIL 12 CURT WALTERS: RESILIENCE

highlighting 20 exceptional paintings by the artist widely recognized as the greatest living painter of the Grand Canyon. The display features works from the 1980s to the present, coinciding with the release of the book “Resilience: The Life History and Grand Canyon Art of Curt Walters.” $28; discounts available. 9:30 a.m.–5 p.m. Western Spirit: Scottsdale’s Museum of the West, 3830 N. Marshall Way, Scottsdale. 480686-9539; westernspirit.org

JAN. 18 GARRISON KEILLOR AT 83 Presented by Arizona Musicfest, the beloved storyteller and humorist brings his signature blend of standup, storytelling and song to Scottsdale with special guests Heather Masse and Rich Dworsky. Keillor’s performance centers on the theme of cheerfulness, featuring “News from Lake Wobegon,” sung sonnets and duets ranging from Bob Dylan to Paul Simon, concluding with an audience sing-along of American classics. $66+. 7:30 p.m. La Casa de Cristo Lutheran Church, 6300 E. Bell Road, Scottsdale. 480-422-8449; azmusicfest.org

Western Spirit: Scottsdale’s Museum of the West presents an exhibition

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Serving our commuinty Since 1999

JAN. 22–FEB. 28 BLITHE SPIRIT Don Bluth Front Row Theatre presents Noël Coward’s “delightfully wicked” comedy where “’Til Death Do Us Part’ no longer applies.” Novelist Charles Condomine’s skepticism is shattered when an eccentric medium accidentally summons the ghost of his deceased first wife, Elvira, who is determined to reclaim her husband from his living spouse. $38+; discounts available. See website for times. Don Bluth Front Row Theatre, 8989 E. Via Linda, Suite 118, Scottsdale. 480-314-0841; donbluthfrontrowtheatre.com

JAN. 27 6,000: A NIGHT OF CHANGE Pearl at the Mailbox hosts a human trafficking awareness event in Desert Mountain featuring a keynote by author and survivor Sheri Lopez. Marking the release of her book “6,000,” the evening explores grooming prevention and includes a Mexican dinner buffet. See website for prices and location. 6 p.m. 602-321-0074; pearlatthemailbox.org

JAN. 30–FEB. 1 SCOTTSDALE WATERFRONT FINE ART & WINE FESTIVAL Thunderbird Artists’ 15th annual celebration transforms the canal banks of Old Town Scottsdale into a sophisticated showcase of fine art, music and wine. Patrons can browse original works from 125 juried artists — including featured abstract painter Jennifer Rae Ochs — while sampling wines, spirits and microbrews from producers like Sunbeat Cellars, King Frosch and Desert Diamond Distillery. $5. 10 a.m.–5 p.m. Scottsdale Waterfront, 7135 E. Camelback Road, Scottsdale. 480-8375637; thunderbirdartists.com

JAN. 31 THE DREAMBOATS Presented by Arizona Musicfest, this Canadian quartet brings back the golden age of rock ‘n’ roll, infusing the sounds of the 1950s and 1960s with fresh, contemporary energy. The group delivers a high-energy performance featuring hits reminiscent of icons like Elvis Presley, Chuck Berry and the Beatles, keeping the spirit of the era alive for a new generation. $47+. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480422-8449; azmusicfest.org

JAN. 31 PARADA DEL SOL PARADE & TRAIL’S END FESTIVAL Kick off Scottsdale’s Western Week as more than 150 colorful floats, horses, marching bands and community groups march down Scottsdale Road in the beloved Parada del Sol Parade. The fun continues with the Trail’s End Festival — an all-ages block party in Old Town Scottsdale with live music, a kids zone, and a variety of food and merchandise vendors. Free. Parade: 9:30 a.m.–noon; Festival: noon–5 p.m. See website for parade route and event highlights. scottsdaleparade.com Serving our community Since 1999

2 0 2 6 January

Community

Writer Joseph J. Airdo

JAN. 23–24 ALESSA JEWELRY SHOWCASE Experience the visionary artistry of Alessa Jewelry, where five generations of craftsmanship meet contemporary design. Founded by Yuvraj Pahuja, each collection weaves together his Indian heritage and global influences, creating pieces that celebrate unity in diversity. Free. 10 a.m.–5 p.m. Grace Renee Gallery, Historic Spanish Village, 7212 E. Ho Road, Carefree. 480-575-8080; gracereneegallery.com

JAN. 31–FEB. 1 ARTISTS OF SCOTTSDALE RANCH FINE ART SHOW The Artists of Scottsdale Ranch presents its 17th annual fine art show and sale, featuring work from 20 regionally and internationally recognized artists in mediums including oil, acrylic, watercolor, mixed media, ceramics, glass, fiber, metal, and jewelry. The event also includes a silent auction benefiting Tina’s Treasures Cancer Care Boutique at the HonorHealth Virginia G. Piper Cancer Center. All proceeds from the auction, featuring donated artwork and contributions from local businesses, support women recovering from cancer surgery. Free. 9:30 a.m.–4 p.m., Scottsdale Ranch Community Center, 10585 N. 100th St., Scottsdale. 480-862-6212; artistsofscottsdaleranch.com

JAN. 31–FEB. 1 KIERLAND FINE ART AND WINE FESTIVAL Vermillion Promotions and Kierland Commons present a curated selection of fine art and wines from 16 of Arizona’s top wineries. The event features live music, gourmet chocolates, artisan cheeses and charcuterie against the backdrop of North Scottsdale’s upscale shopping district. Free. 10 a.m.–5 p.m.

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Kierland Commons, 15205 N. Kierland Blvd., Scottsdale. 623-734-6526; vermillionpromotions.com

FEB. 1 FEEL THE LOVE The Women’s Orchestra of Arizona presents a romantic afternoon program featuring Saint-Saëns’ “La Princesse Jaune” overture, selections from Bizet’s “Carmen Suite No. 2,” the first movement of Tchaikovsky’s Violin Concerto with soloist to be announced, and a medley of musical-theater favorites. Free; donations appreciated. 3 p.m. North Scottsdale United Methodist Church, 11735 N. Scottsdale Road, Scottsdale. womensorchestra-arizona.org

FEB. 2 THE BARRICADE BOYS Presented by Arizona Musicfest, this West End sensation returns with their new show, “Broadway at the Movies.” The performance blends pop, rock and swing classics with stories from their careers in major productions including “The Phantom of the Opera” and Wicked.” $58+. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org

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WOOF GANG BAKERY & GROOMING OPENS IN DC RANCH Recently opened at DC Ranch Crossing, this boutique-style pet store offers premium pet food, oven-baked treats and fun accessories. Owners Jeremy and Jolene Gardner established the location to provide a welcoming neighborhood hub for pet health and happiness. The store also features a full-service grooming spa with expert stylists dedicated to a calm, safe experience for every dog. Woof Gang Bakery & Grooming, DC Ranch Crossing, 18291 N. Pima Road, Scottsdale. woofgangbakery.com

S U R PA S S I N G E X P E C TAT I O N S O N E S A P P H I R E AT A T I M E

DAVID GROSS FINE GEMSTONE COLLECTION

Each bespoke jewel the David Gross Group creates has its own character, its own story. The spectacular quality of each gemstone is further enhanced by the finest craftsmanship and elegant award-winning design. Left: 13 carat asscher cut sapphire with trapezoid diamonds Center: 11 carat royal blue sapphire with diamonds Right: 10 carat emerald cut blue sapphire with diamonds

7212 E. Ho Hum Rd. # 7 | Carefree, AZ 85377 Hours Tue.–Sat. 10 a.m.–5 p.m. By appointment Sun. and Mon. 480.575.8080

GraceReneeGallery.com Serving our community Since 1999

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ALESSA JEWELRY SHOWCASE

JANUARY 23–24

Friday and Saturday 10 a.m.–5 p.m. ..

Experience the visionary artistry of Alessa Jewelry, where five generations of craftsmanship meet contemporary design. Founded by Yuvraj Pahuja, each collection weaves together his Indian heritage and global influences, creating pieces that celebrate unity in diversity.

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STUDIO RENN SHOWCASE

FEBRUARY 10–21

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Tuesday through Saturday 10 a.m.–5 p.m.

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Discover Studio Renn’s world of beautifully imperfect fine jewelry, where abstraction meets artistry. Each piece celebrates the off-center and unexpected — antique-cut diamonds set in blackened gold, signature Cacti settings, and designs that blur the line between art and adornment. Experience jewelry that invites you to immerse yourself in imagination.

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GOLDEN GEOMETRIES THE ARTISTRY OF ALEX ŠEPKUS

FEBRUARY 20–21

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Friday and Saturday from 10 a.m.–5 p.m.

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Enter the extraordinary world of Alex Šepkus, where microscopic artistry meets unparalleled vision. Each 18-karat gold masterpiece showcases intricate geometric patterns and textures that transform jewelry into wearable sculpture. Experience these collectible treasures that have captivated museums and connoisseurs worldwide.

Historic Spanish Village | 7212 E. Ho Hum Rd. # 7, Carefree, AZ | 480.575.8080 | GraceReneeGallery.com

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Serving our commuinty Since 1999

LUMINOUS BY BROOKE WITH ROBERT PROCOP ..

MARCH 3

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Tuesday 4–7 p.m.

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Experience an evening of celestial wonder as Brooke Shields and renowned gemologist Robert Procop unveil Luminous — a collection three years in the making. This immersive celebration features extraordinary jewels inspired by lunar cycles, accompanied by authentic moon and Mars meteorites.

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Grace Renee Gallery is a refreshingly beautiful way to explore fine contemporary art in the breathtaking shadows of the Sonoran Desert foothills of Carefree, Arizona. Artfully designed jewelry, inspiring sculptures, spectacular wall art, stunning ceramics and more await.

UPCOMING EVENTS

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MARCH 3–14

Tuesday–Saturday 10 a.m.–5 p.m.

OPULENCE! A HIGH JEWELRY EXTRAVAGANZA

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Immerse yourself in the pinnacle of luxury with our high jewelry showcase featuring David Gross, Robert Procop, David Weisz and many others. Master jewelers, each representing generations of expertise, present exceptional gemstones set in breathtaking designs.

Historic Spanish Village | 7212 E. Ho Hum Rd. # 7, Carefree, AZ | 480.575.8080 | GraceReneeGallery.com Serving our community Since 1999

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Writer Joseph J. Airdo // Photography Courtesy of Col. Mark Tillman

An Arizona Aviator’s Air Force One Legacy

Above & Beyond O

n the morning of Sept. 11, 2001, Col. Mark Tillman gripped the controls of the world’s most recognizable aircraft as chaos erupted across America. From the cockpit of Air Force One in Sarasota, Florida, he watched the second plane slam into the World Trade Center’s South Tower on a small television screen. In that moment, the weight of command crystallized: the safety of the President of the United States — and the continuity of American government — rested entirely in his hands. “By the time the second plane hit the tower we knew the country was under attack and at that point the decision was made to do like we always do for the continuity of government — relocate the president of the United States,” Tillman recalls, his voice still carrying the gravity of those moments that redefined a presidency and a nation. Today, the man who commanded Air Force One through America’s darkest hours lives quietly in Scottsdale, his extraordinary career a testament to Arizona’s remarkable tradition of producing the military’s most elite aviators. From his home near Pinnacle Peak — where dust and horses once defined the landscape — Tillman reflects on a journey that took him from Williams Air Force Base to the pinnacle of military aviation, then back to the desert he’s always called home.

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THE ZERO FAIL MENTALITY Tillman’s path to Air Force One began, fittingly, in Arizona. After earning his chemical engineering degree from Tulane University, he found himself at Williams Air Force Base near Mesa in 1981, transitioning from rocket propulsion engineer to pilot. The five years he spent there as a T-37 instructor pilot weren’t just about learning to fly — they were about absorbing a philosophy that would define his career. “Everyone at Air Force One trains constantly,” Tillman explains. “Nobody wants to be the one on the crew who fails, so you’re always pushing yourself to be better than everyone around you. There are 200 to 300 people all striving for the same standard of excellence.” That standard — what the Presidential Airlift Group calls “Zero Fail” — became more than doctrine; it became identity. When President Bush selected Tillman as the nation’s 12th presidential pilot in 2001, he inherited command of an operation where perfection wasn’t aspirational — it was mandatory. “We simply don’t let the president down,” Tillman says. “That’s the beauty of a highly trained crew. We’re the experts in the air — fixed-wing assets. That’s what we’re about.”

Serving our commuinty Since 1999

We simply don’t let the president down. We’re the experts in the air — fixed-wing assets. Col. Mark Tillman

From Williams Air Force Base instructor to commander of the world’s most important aircraft, Col. Mark Tillman’s career embodies the “Zero Fail” mentality that defines presidential aviation operations.

THE DAY THAT CHANGED EVERYTHING The morning of Sept. 11 tested every principle Tillman had learned. As President Bush attended a reading event at Emma E. Booker Elementary School, Tillman and his crew monitored reports from New York. When the second tower was hit, the mission became clear: protect the president and ensure government continuity, regardless of his desires to return immediately to Washington. “He couldn’t get back to Washington right away, as much as he wanted to,” Tillman remembers. “We simply weren’t sure whether Washington was safe. We sat in Sarasota, Florida, watching the north and south towers get hit. Then, as the president was moving toward us, the Pentagon was hit. We were told there were still more aircraft that had been hijacked.” The challenges multiplied exponentially. Communication systems failed. Reports flooded in of truck bombs and car bombs in Washington. Secretary of State Colin Powell was airborne, returning from Peru. Defense Secretary Donald Rumsfeld disappeared into the chaos at the Pentagon. “We could not gather the secretary of state and secretary of defense together to speak with the president,” Tillman explains. “Those were challenging times. But we did what we’ve always done.” What they had always done was train for the unthinkable. Tillman executed what he describes as a near-vertical takeoff from Sarasota, spiraling Air Force One upward at maximum climb rate to avoid potential surface-to-air threats. The fog of war created false alarms and conflicting reports, but the crew’s training held firm. “All the training we had prepared us to make it happen,” he reflects. “The radio operators established communication with all the right people around the world. Everything played out as it should have when facing a serious threat against the United States.”

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President George W. Bush and Col. Mark Tillman in the cockpit of Air Force One moments before the covert descent into Baghdad International Airport for his surprise Thanksgiving 2003 visit to troops — the first time a sitting president flew into an active war zone.

INTO THE WAR ZONE If Sept. 11 tested Tillman’s crisis management skills, President Bush’s surprise Thanksgiving visit to Baghdad in 2003 showcased his ability to execute the impossible. The mission — flying a sitting president into an active war zone for the first time in history — required absolute secrecy and flawless execution. “The beauty of it was that it came from the very top down,” Tillman recalls. “The president’s mission was clear: ‘I’m going to have Thanksgiving dinner with the troops.’ But he gave me specific instructions — if anything goes wrong, the mission is aborted immediately. He wasn’t going to take any chance that service members could be injured because of his visit.” The operational security was extraordinary. Of the 70 people who flew that day, only four crew members knew the destination until the last moment. Even the troops in Baghdad remained unaware

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until Air Force One emerged from the darkness at Baghdad International Airport. “They were alerted at the last second, and they reacted perfectly — did everything exactly as they should have,” Tillman says, his admiration evident. “The same was true for the U.S. military protecting BIAP in Baghdad. They didn’t need to know the president was coming. Our ground support included Delta Force and others, and only one person was initially briefed.” The mission nearly faced compromise when a commercial airliner pilot radioed London air traffic control, asking if the aircraft below was Air Force One. Despite controllers’ denials, the pilot responded with knowing laughter: “OK, cheerio, Air Force One.” Tillman immediately briefed the President on the potential security breach, but no intelligence reports surfaced, and the mission continued.

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TOP LEFT Col. Mark Donnelly and his parents with President Bill Clinton — a proud moment connecting his mother’s World War II-era aviation inspiration to his command of the world’s most famous aircraft. // Photo Courtesy of Col. Mark Donnelly

BOTTOM LEFT Col. Mark Donnelly with President George W. Bush and First Lady Laura Bush aboard Air Force One, where attention to both security and comfort defined every presidential mission. // Photo Courtesy of Col. Mark Donnelly

TOP RIGHT Col. Mark Donnelly with President George W. Bush during the early months of the Bush administration, representing the seamless transition of presidential flight operations between commanders. // Photo Courtesy of Col. Mark Donnelly

The Presidents’ Pilots Col. Mark Tillman represents just one chapter in Arizona’s remarkable tradition of producing presidential pilots. The state’s connection to the elite world of presidential aviation extends back decades, with multiple commanders of Air Force One calling Arizona home. Col. Mark S. Donnelly, who served as the 11th presidential pilot from 1997 to 2001, flying for both President Clinton and early George W. Bush, embodies the deep Arizona roots that seem to cultivate exceptional aviators. Donnelly earned his private pilot’s license at age 16 from Sawyer Aviation in Phoenix, riding his bike to Deer Valley Airport when his mother couldn’t drive him. “My mother was a pilot, and she inspired my interest in flying,” Donnelly recalls. “She earned her private pilot’s license during World War II, which was pretty amazing.” After attending pilot training at Williams Air Force Base — the same Arizona facility where Tillman would later serve — Donnelly rose through the ranks to command Air Force One during a period he describes with characteristic humor. “We used to joke that we operated on ‘Clinton standard time’ because President Clinton, when he engaged with someone, would stay involved in the conversation until he was truly finished,” Donnelly Serving our community Since 1999

describes. “During one flight on a 12-passenger Gulfstream, President Clinton stuck his head into the cockpit to thank us and, by the way, started talking to us about golf. We chatted for maybe five minutes about golf before he climbed out of the plane and went on his way.” After retiring from Southwest Airlines, Donnelly has remained deeply connected to Arizona’s aviation community, particularly through sport flying. “I’m also a glider pilot,” he explains. “After I retired from the airline, I bought a sailplane and now I fly out near the town of Maricopa. What I really enjoy is the challenge: using my skill and knowledge of air currents and the atmosphere to stay aloft.” Donnelly and Tillman are also joined in Arizona’s presidential pilot tradition by Col. Scott Turner, a Scottsdale native who served as the 13th presidential pilot under Barack Obama. Turner’s journey from local high school graduate to Air Force Academy distinguished graduate to commander of Air Force One represents the full circle of Arizona’s contribution to elite military aviation. This concentration of presidential pilots in one state speaks to something beyond coincidence — perhaps the vast skies and pioneering spirit of Arizona naturally cultivate the kind of aviators capable of shouldering the ultimate responsibility of presidential flight operations. 2 0 2 6 January

Now a Scottsdale resident and sought-after leadership speaker, Col. Mark Tillman reflects on his journey from Arizona’s desert training grounds to the cockpit of Air Force One during America’s most challenging hours.

Cols. Mark Donnelly (left) and Mark Tillman in the Air Force One cockpit during the transition of presidential command. // Photo Courtesy of Col. Mark Donnelly

President George W. Bush prepares to meet with troops at Al Asad Air Base, Iraq, during one of the numerous missions Col. Mark Tillman flew into combat zones throughout the commander in chief’s presidency.

THE MAN BEHIND THE OFFICE Flying presidents requires understanding not just aircraft systems and security protocols, but the human beings who occupy the world’s most powerful office. Tillman’s observations of President Bush reveal a leader far different from his public persona. “President Bush and his family, including Mrs. Bush, are deeply devoted Christians with extraordinary moral character,” Tillman reflects. “Their ability to connect with all Americans was remarkable. I was amazed by how President Bush would greet people at the foot of the stairs and remember their names.” The president’s compassion revealed itself most powerfully in his interactions with military families, particularly those who had lost loved ones. “He took such pride in meeting them — especially the families of the fallen — sitting with them, listening, and talking about the profound loss they’d experienced,” Tillman recalls.

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That compassion extended to Tillman’s own family. His daughter, who calls herself “handicapable” and uses a walker and wheelchair, became a particular favorite of the president’s. “Every time he’d come to the cockpit, he’d ask me, ‘How’s my little buddy doing?’” Tillman remembers. “He would invite her to the T-ball games at the White House — the Challenger events. At one of the games we attended, before opening the game, he asked if his little buddy was there. She made her way to the front, and he handed her a baseball and gave her a hug. That’s what he’s about — he takes care of people.”

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BACK TO BASE After eight years at the controls of Air Force One, Tillman faced a choice available to few: where to spend the rest of his life. The answer brought him full circle to Arizona, specifically to Scottsdale, where Bruce Halle of Discount Tire offered him a position flying corporate aircraft. The transition from flying the First Family to serving the Halle family proved remarkably seamless, reflecting shared values that transcended the difference between government and corporate service.

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“After the military, I always wanted to move back here,” he admits. The Scottsdale he remembered from his Williams Air Force Base days — “kind of a dusty horse town” — had transformed into a sophisticated desert metropolis, but the essential appeal remained.

Stagecoach Village Art & Wine Festival

From his Cessna 340, which he owned until recently, Tillman would take visitors on aerial tours showcasing Arizona’s hidden beauty.

Kierland Fine Art & Wine Festival

“The beauty up there isn’t just the Grand Canyon — though that’s obviously spectacular,” he explains. “The entire state is beautiful. Flagstaff with snow-capped mountains, then back through Prescott — it’s incredible how much beauty exists when people think it’s just a hot desert.” Today, Tillman channels his Air Force One experiences into speaking engagements, sharing leadership principles forged at 40,000 feet during national crises. The core message remains unchanged: Trust your team, train relentlessly, and never accept failure as an option. From his Scottsdale home, Tillman represents more than just one man’s remarkable career. He embodies Arizona’s extraordinary contribution to American aviation history — a tradition that includes multiple presidential pilots who chose to call the state home. As Tillman looks back on his journey from Williams Air Force Base instructor to commander of the world’s most important aircraft, the arc seems both improbable and inevitable. In the desert where he learned to fly, he found his calling. In the crucible of national crisis, he proved his worth. And in the Arizona landscape he’s always loved, he’s found his peace.

Jan. 9-11, 2026 Mar. 20-22, 2026

Jan. 31Feb. 1, 2026

Wigwam Fine Art Festivals

Feb. 13-15, 2026

Tubac Festival of the Arts Feb. 4-8, 2026

Oro Valley Art & Wine Festival Feb. 28Mar. 1, 2026

High Street Art Festival Mar. 7-8, 2026

SanTan Art & Wine Festival

Mar. 28-29, 2026

“Place Where Butterflies Land” Kim Seyesnem Obrzut

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2 0 2 6 January

Writer Shannon Severson

Arizona Concours d’Elegance Celebrates Automotive Artistry Photo Courtesy of Jammie Cheatham

Rolling Revelry W

ith wheels bumping along miles of rocky, rutted wagon trails, a woman and her two sons set out on an unprecedented journey through Germany’s BadenWuerttemberg region. The trip was fraught with challenges — steep hills that required pushing from her sons and local farmers, a clogged fuel line repaired with a hairpin, a short-circuited wire and snapped drive chain, and suspicion from perplexed onlookers — but Bertha Benz completed the 12-hour, 65mile trip to see her mother in August 1888.

fully curated vehicles for a juried event that co-chairman Chuck Stanford Jr. says is part “rolling art exhibit and part high-quality auto show.” The elite event is made possible by a dedicated team of nearly 200 volunteers, and all profits are donated to Make-A-Wish Arizona, the founding chapter of the organization that grants wishes to children with life-threatening medical conditions. Wish Kids even attend the show,

Without her husband Karl’s knowledge, Bertha took the first long-distance road trip in the world’s first automobile, and the publicity jump-started public interest in — and demand for — the fledgling Benz Motorcar Company’s invention. Germany memorialized Bertha’s route in 2008, and Mercedes-Benz will celebrate its 140th anniversary in 2026. Here in Scottsdale, “Sculpture in Motion” is the theme of the eighth annual Arizona Concours d’Elegance on Sunday, Jan. 18. One of just 100 replicas of the original Benz Patent-Motorwagen that launched a revolution in personal transportation will be on display, along with 100 carePhotos Courtesy of Jammie Cheatham

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are interviewed by the emcee and collaborate to award a special trophy to their favorite vehicle of the day. “It’s a cool aspect of the event,” Stanford says, estimating that more than $300,000 has been donated to that worthy organization over the history of the concours. Scottsdale Arts is a key partner, lending the lush grounds of the recently renovated Scottsdale Civic Center as the setting for an open-air museum that welcomes discriminating automobile and art enthusiasts alike. “We are thrilled to partner with the Arizona Concours d’Elegance again this year,” says Gerd Wuestemann, Ph.D., president and CEO of Scottsdale Arts. “We are looking forward to another great event featuring these rolling works of art, with Scottsdale Civic Center serving as a magnificent backdrop.”

Photo by Bob Golfen

Stanford says the various stages and amphitheater at the venue spotlight sponsors and advertisers while creating excitement for the awards presentation. The winners of each class drive to “center stage” to receive their trophies. From those, a Best of Show winner is selected from both the pre- and postwar eras. “Show cars are always grouped by pre- or postwar,” Stanford explains. “There was a period when, due to World War II, very few cars were produced from 1940 to 1947, but the technological advances during that time were significant. A 1950s car is dramatically different from a 1930s car.” 1910 Maxwell AA // Photo by Bob Golfen

Attendees can also choose their era when it comes to fashion — and win prizes for doing so. Dressing in period fashion or classic garden-party looks is a hallmark of this refined event. Smartly dressed vehicle owners and visitors spend the day meandering through up to 15 classes of vehicles, admiring the curves and chrome amplified by warm Arizona sunshine that dances across the fine leather coachwork of a gray Art Decostyle 1934 Cadillac V-16 Convertible Coupe or the sleek headlights of a limited-edition, fly yellow 2003 Ferrari Enzo that looks fast even at a full stop. While luxury vehicles and granting the wishes of critically ill children are at the heart of this glamorous event, Stanford says they also like to have a little fun with rotating specialty categories each year. “Fun in the Sun” is one such class this year, celebrating the beach movies of the 1960s and 1970s. A metallic purple 1968 Meyers Manx gives Newport Coast

1964 Fiat 500 Transformible // Photo Courtesy of Real Italian Autos

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Every car has a story, and some of the stories are truly unique and exciting. Some have won races or been owned by famous people. Others have been in the same family for 100 years.

1964 Amphicar // Photo by Guynes

1967 Lamborghini Miura // Photo by Bob Golfen

1950 Jeepster // Photo by Reavis

dune buggy adventure vibes, while the pale green 1964 Fiat 500 stirs up visions of summer days by the water in some far-flung town hugging the cliffs of the Ligurian Sea on Italy’s Riviera. “It’s the first time we’ve done something like this — to have a nostalgic, whimsical class of cars,” Stanford says, noting that he was prompted by collectors who had some of these fun, throwback vehicles that were classics in their own right but might not normally be part of a show like the Arizona Concours d’Elegance. After all, people connect with different cars for different reasons.

As the Scottsdale-Phoenix area is a car town with Cars and Coffee meetups on any given weekend, it can be tricky to find vehicles that truly stand out. Stanford and his co-chair, Ed Winkler, lead a yearround committee to seek out exceptional cars — both in design and provenance. “In Scottsdale, people bring out million-dollar cars without a second thought,” Stanford points out. “To pull together a display of cars attendees have never seen is our mission. We search far and wide to get an extreme selection of vehicles from the dawn of motoring right up to modern-day supercars.”

EXPERIENCE

Arizona Concours d’Elegance

Sunday, Jan. 18 // 9 a.m.–4 p.m. // Scottsdale Civic Center // 3939 N. Drinkwater Blvd., Scottsdale $90+ (discounts for youth, students and active military) // arizonaconcours.org

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The high standards of 50 international judges set the Arizona Concours d’Elegance apart from many other shows. Each judge is an expert in the cars they are judging and spends time with every owner and every car, meticulously poring over the details of each rolling work of art’s condition, authenticity and provenance. It is the only Arizona car show to be ranked as a Plus show by the standards of the International Chief Judge Advisory Group. “We take the judging rules very seriously,” Stanford reveals. “We are particular and nonpolitical. Ratings are based on score sheets and not personal preference — also known as ‘French rules’ — meaning historical importance, originality and authenticity take priority over a car just being pretty.

1967 Lamborghini Miura // Photo by Bob Golfen

“Many old cars have been dressed up or modified over the years because a restorer took liberties and made them more attractive or stylish than the original factory version. ICJAG Plus also means the Arizona Concours d’Elegance is very well-administered and organized — and very particular about the integrity of the judging. That helps bring wonderful cars to the concours and allows us to get important cars from top collectors.” The ICJAG points system rates 20 different categories. Each entry begins with 100 points, and marks are subtracted from there. A subjective “bonus” of up to three points can be added as special recognition of provenance. There may be scratches on the hood, for example, but if those scratches are there because of a successful racing career at Le Mans, those imperfections become part of a vehicle’s legacy. “Every car has a story, and some of the stories are truly unique and exciting,” Stanford shares with enthusiasm. “Some have won races or been owned by famous people. Others have been in the same family for 100 years.”

1932 Alfa Romeo 8C 2300 // Photo by Rob Mains

It’s those stories — the history, artistry, fine craftsmanship and dedication to preserving these mobile works of art — that drive Stanford, Winkler, their dedicated volunteers and Scottsdale Arts to present this distinctive event. The growing number of Arizona Concours d’Elegance attendees and collector submissions is evidence that, year after year, this spectacular event rolls on — and just keeps getting better. arizonaconcours.org

1963 VW Bus // Photo Courtesy of Arizona Concours d'Elegance

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photo essay Photographer Karen Shaw

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Writer Joseph J. Airdo // Photography by Karen Shaw

Photographer Karen Shaw captures the transformative beauty of Arizona sunrises, inviting us to rediscover the hope and possibility that greet each new day.

Dawn’s Promise T

here is something profoundly hopeful about witnessing a sunrise — particularly in January, when the world collectively exhales and begins again. In the early morning stillness, before obligations and noise intrude, the sky transforms into a theater of possibility. Colors bloom across the horizon in strokes no human hand could replicate, reminding us that nature remains the greatest artist of all. For photographer Karen Shaw, these ephemeral performances over Arizona’s high desert have become both meditation and mission. Morning after morning, she positions her kayak on the glassy surface of Watson Lake near Prescott, camera ready, waiting for light to ignite the granite cliffs and marshy riparian areas that frame her compositions. Each dawn presents a fresh canvas — literally and metaphorically — offering what Shaw describes as “the promise of a new day and a chance to begin again.”

sciousness. Yet Shaw’s dedication transcends seasonal symbolism. Her practice embodies a deeper truth: that beauty surrounds us daily, freely offered, requiring only our presence and attention to receive it. The resulting images capture more than scenic vistas. They document moments of grace that most of us sleep through, and in doing so, they issue a quiet invitation. Shaw photographs not to hoard these experiences but to share them, hoping viewers will “appreciate just how beautiful this area is and discover the many wonderful locations where they can experience these sunrises for themselves.” In an era of endless digital distractions, Shaw’s work reminds us that some of life’s most profound experiences remain analog, requiring nothing more than an early alarm and willingness to step outside. The sunrise, after all, performs for an audience of anyone willing to show up.

This sentiment resonates particularly in January, when resolutions and renewal dominate our collective con-

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photo essay

Watson Lake draws me back morning after morning, both for kayaking and for the remarkable variety of sunrise scenes it offers. The tall granite cliffs and marshy riparian areas create unique compositions that transform with each day’s light. Karen Shaw 42

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Sunrises are a fresh canvas to create on — they represent the promise of a new day and a chance to begin again. Karen Shaw

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photo essay Photography has taught me to breathe, to be still and to take it all in, and to be patient. I love how I feel photography has brought out the artistic part of me. Karen Shaw

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Meet the Photographer Karen Shaw’s path to becoming a photographer began not with a camera, but with movement. Born and raised in Southern California, she has spent a lifetime in motion — hiking, mountain biking, kayaking and rock climbing through some of the West’s most spectacular terrain. For years, she documented these adventures casually, capturing memories without necessarily pursuing artistry. That changed nine years ago when she retired to Prescott. The move provided two essential ingredients for artistic development: time and inspiration. “Since retiring in the Prescott area, I definitely have more free time to create and discover new beauty,” Shaw explains. “The wide open spaces and abundance of lakes provide a much better backdrop than urban sprawl!” What began as casual photography evolved into something more intentional. Shaw found herself drawn repeatedly to Watson Lake, where the interplay of water, granite and light offered infinite compositional possibilities. “I see something different — or in a different way — every time I go out,” she says, noting that the lake became both studio and sanctuary, a place where technical skill and spiritual practice merged. Her approach balances preparation with spontaneity. Shaw positions herself strategically — “in a new spot on the lake each time, ideally with interesting foreground subjects and clouds in the sky” — then employs technical precision to capture what unfolds. She balances lower ISO settings with higher aperture numbers, ensuring adequate light while achieving greater depth of field. The result: images that feel both crisp and dreamlike. Beyond landscapes, Shaw has developed a particular fascination with the migratory birds that pass through the Prescott region. Photographing from her kayak, she has discovered “so many beautiful and unique species” that travel through Arizona’s high desert. This dual passion — for dramatic skies and delicate wildlife — reflects her broader artistic philosophy: that photography has taught her “to breathe, to be still and to take it all in; and to be patient.” That patience yields dividends. Shaw’s work has been published in regional magazines celebrating the Prescott area, and now in Images Arizona — an achievement she considers a highlight of her photographic journey. More importantly, her images fulfill their intended purpose: they inspire viewers to seek their own encounters with Arizona’s magnificent mornings.

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hen Gregg Tryhus was first asked to help envision relocating Arizona State University’s golf teams from Karsten Golf Course to Papago, he saw more than just a new practice facility. He glimpsed the future of Arizona golf itself — a future where collaboration trumps competition, where nonprofits share resources instead of siloing them, and where the state’s $6 billion golf industry speaks with a unified voice. That vision became reality this fall, when the Arizona Golf House officially opened its doors at Papago Golf Club, becoming the nation’s first collaborative hub uniting the state’s leading golf nonprofits under one roof. “Gov. Doug Ducey told me, ‘If golf isn’t organized at the table, it’ll end up on the menu,’” Tryhus recalls, explaining the catalyst that transformed his initial vision into something far more ambitious than a simple office building. “That led to the formation of the Arizona Alliance for Golf — uniting nonprofits and private organizations to advocate for golf.” The stakes, as Tryhus knows intimately, are higher than most Arizonans realize. Golf’s annual water usage comprises less than 2% of the state’s total, while agriculture accounts for more than 70%.

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Yet when water restrictions loom, it’s often golf courses that face scrutiny. Agriculture generates $23 billion in economic impact; golf generates $6 billion. Neither figure includes property taxes, real estate absorption, hotel stays, or the presence of 700,000 golfers calling Arizona home. “We didn’t need to reinvent what already existed,” Tryhus says. “We just needed to amplify it, improve messaging and show people how they can participate.” The 11 major nonprofits now headquartered at the 14,000-square-foot facility represent Arizona’s golf ecosystem writ large. The Arizona Golf House tenant list reads like a comprehensive directory of the state’s golf community: Arizona Alliance for Golf, AZ Caddie and Leadership Academy, AZ GOLF, Cactus and Pine Golf Course Superintendents Association, Evans Scholars Foundation, First Tee – Phoenix, Greater Southwest Club Management Association of America, Junior Golf Association of Arizona, LPGA*USGA Girls Golf – Phoenix, Southwest PGA, and Youth on Course. For Tryhus, who spent six years volunteering with ASU’s athletic department helping restructure the Sun Devil Club, the journey to this moment required patience and strategic partnerships. When Michael Crow asked him to help relocate

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Driving Change Arizona Golf’s New Collaborative Hub Tees Up Unprecedented Unity

the university’s golf teams, an innovative partnership between ASU, the City of Phoenix, and the Arizona Golf Community Foundation was formed, with Tryhus positioning himself as a third-party link between public and private sectors. “Phoenix leased Papago to ASU, which assigned it to the foundation, with ASU — under Dr. Morgan Olsen and his team — keeping asset management and oversight rights,” Tryhus explains. “From there, with a significant gift from the Grubb Foundation, we developed what’s now Lou’s Bar & Grill — a highly successful community restaurant. We created Evie’s Pavilion, a versatile meeting space, and secured a state-of-the-art facility for the ASU teams and improved the golf course.” Early planning considered a traditional office building with enclosed suites, but budget and timeline constraints prevented that vision from materializing within the three-year construction window. In hindsight, Tryhus says, the delay proved fortuitous. “Not building that old-fashioned office building turned out to be lucky, especially given the shift in the last six to eight years toward collaborative workspaces,” he reflects. “Instead of sectioned-off offices with walls, Golf House is designed for open communication — people sit next to one another, and collaboration happens naturally.”

Gregg Tryhus, founder of the Arizona Alliance for Golf, has spent more than 30 years building relationships across Arizona’s golf industry to create the collaborative vision now realized at the Arizona Golf House.

The architectural philosophy, designed by Douglas Fredrikson Architects, built by Wespac Construction and overseen by ASU’s architecture and construction teams, between June 2024 and May 2025, reflects what Tryhus calls “moderately spartan” luxury.

Writer Joseph J. Airdo // Photography by Loralei Lazurek Serving our community Since 1999

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“There are glass garage doors that open to bring the outdoors in, along with straightforward heating and air-conditioning systems,” Tryhus says. “The facility features a public area that anyone can rent for events, as well as a boardroom available for private functions.” This revenue-generating public space serves a crucial function: it allows the Arizona Golf House to avoid charging rent or operating expenses to the nonprofit tenants working in the back of the building. The design intentionally blends public gathering areas with private tenant spaces that remain connected and accessible — a physical manifestation of the collaborative spirit Tryhus envisioned from the start. “Because of this setup, people are already talking, sharing ideas, and working together,” he notes. “Scheduling conflicts are easier to avoid, and the ability to walk down the hall and, for example, ask someone for help with the AZ Caddie program or get data on how many First Tee kids live in a certain part of town becomes effortless.” The collaboration extends beyond daily operations. Katie Prendergast, executive director of the Arizona Alliance for Golf, oversees all implementation efforts

With 700,000 golfers in Arizona, the possibilities for making a positive impact on the quality of life for everyone are endless. Gregg Tryhus “Golf is good for everyone,” says Gregg Tryhus, whose vision for the Arizona Golf House extends beyond the game itself to workforce development, youth mentorship and environmental stewardship.

and a board featuring influential leaders including Visit Phoenix President and CEO Ron Price, Arizona Lodging and Tourism President and CEO Kim Sabow, and Experience Scottsdale President and CEO Rachel Sacco. “We’re not just delivering hospitality day to day but working alongside people who shape that industry,” Tryhus says. “Now, the very individuals who lead these major organizations are active members of the Arizona Alliance board. They realize that golf is deeply embedded in the heart of Arizona’s hospitality network.” The interconnected ecosystem Tryhus has built extends beyond the Golf House itself. He describes four overlapping circles: Papago, the Alliance, Golf House, and the Arizona Golf Fund — a philanthropic vehicle established through the $2.1 billion Arizona Community Foundation, founded by Bert Getz.

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Gregg Tryhus (center), founder of the Arizona Alliance for Golf, stands with former Gov. Doug Ducey (left) and longtime Valley of the Sun automotive industry leader and philanthropist Dan Grubb (right), whose leadership on the alliance board has embedded the Arizona Golf House within the heart of Arizona's hospitality network.

“With Katie and Jock Holiman, we’ve created a website and portal for the Arizona Golf Fund, providing those who want to give back a clear pathway to help protect and grow the game by helping the nonprofits serve Arizona on an even larger scale,” Tryhus explains. The Arizona Golf House’s impact on youth programming particularly animates Tryhus. The resident nonprofits collectively reach more than 150,000 kids annually through various mentorship and educational programs — a figure most Arizonans don’t realize. “Whether it’s your daughter or son who wants to get involved — become a junior caddie, join First Tee, or try any other program — all the opportunities are accessible there,” he says. “It used to be difficult to find and connect with these nonprofits; now, they’re centralized.” For Tryhus, the mission transcends golf instruction. It’s about instilling values.

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“If we teach kids to finish what they start, play it as it lies, handle their challenges and treat others with respect, the game can truly shape their futures in positive ways,” he says. “That’s the real mission.” Looking ahead, the Arizona Golf House is designed to become a center for workforce development, offering real-world training, internships, and career placement in golf, hospitality, tourism, and philanthropy. The facility will also serve as a research hub, collaborating with Arizona State University, University of Arizona, Grand Canyon University, and Northern Arizona University on projects ranging from drought-tolerant grass strains to improved water-use efficiency. Several tenant organizations already maintain robust internship programs. AZ GOLF regularly recruits interns. The Club Management Association of America Southwest Chapter partners with Northern Arizona University and other local higher education institutions. The Junior Golf Association of Arizona trains ASU interns each summer, and First Tee – Phoenix recently welcomed its first ASU intern with plans to expand.

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“Arizona probably has the most sophisticated statewide irrigation systems in the country — because we have to,” Tryhus notes, addressing the sustainability concerns that prompted the Alliance’s formation. “Water here is extremely expensive.” He cites Gov. Bruce Babbitt’s “brilliant” 1986 decision to cap golf courses at just 90 acres of turf — a strict limitation requiring careful site selection and responsible management. “We never overwater,” Tryhus emphasizes. “In fact, we’re laser-focused on figuring out how to use less water for grass and actively reducing our turf footprint. We’re continuously removing grass and making every effort to be responsible stewards of our water resources.” But sustainability, in Tryhus’ view, encompasses more than agronomy and research efforts. It means workforce development, helping people find meaningful careers, and protecting the industry that supports 66,000 jobs across Arizona. It also means Papago, managed daily by Daryl Crawford and Mike Conner of Troon, needed to be designed and operated as the sustainable and profitable business it has become.

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“Perhaps most importantly, sustainability to me also means safeguarding the values the game brings: economic impact, integrity, respect, all of it,” Tryhus says. “By allowing all these elements to work together — environmental, economic and social — we’re supporting the values that shape our way of life.” The choice of Papago Golf Club as the site carries symbolic weight. As a public and municipal facility, it represents golf’s democratic promise — affordability and accessibility for everyone, regardless of economic status. “I believe the Alliance’s role is to protect the game, which has always been a significant part of my life,” Tryhus reflects. “When I was given the opportunity to help move the ASU teams to Papago, I saw the chance to help Papago become what it was meant to be — a place where golf is accessible to everyone. Once you establish that, no one can take it away because it’s a public facility. It’s not the kind of place someone can

just sell out from under you, and that’s what made the effort worthwhile for me.” Having worked in Arizona’s golf industry for more than 30 years, Tryhus leveraged deep relationships to bring the Golf House vision to fruition. Those same relationships now populate the Alliance board and tenant organizations, creating an interconnected network poised to amplify golf’s impact across the state. The Alliance’s tagline — “Golf is good for everyone” — was created by Mike Petty, who has been involved with Tryhus from the beginning. It reflects their shared belief that the game’s benefits extend far beyond those who play it. Property values increase in golf communities. Heat island effects diminish where courses provide tree canopy and green space. Charitable fundraising flows through golf tournaments, generating more than $100 million annually for Arizona nonprofits. The WM Phoenix Open alone, hosted by the Thunderbirds at

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Gregg Tryhus leveraged deep industry connections and strategic partnerships with ASU, the City of Phoenix, and the Arizona Golf Community Foundation to transform Papago Golf Club into Arizona’s hub for community golf.

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TPC Scottsdale, has raised $110 million for Arizona charities since 2012.

as mentors to kids. The possibilities for positive impact multiply exponentially.

“It’s not just about golfers — the benefits extend to nongolfers in a very real way,” Tryhus insists.

“With 700,000 golfers in Arizona, the possibilities for making a positive impact on the quality of life for everyone are endless,” Tryhus says.

As the Arizona Golf House enters its operational phase, Tryhus sees his role shifting from visionary to facilitator to cheerleader. The infrastructure is built. The partnerships are forged. The nonprofits are collaborating daily under one roof. Now comes the work of maximizing that collaborative advantage. “What’s next is for the tenants to take this as far as they can in the Arizona golf world,” he says. “Golfers will continue to give their time, money and advocacy to help protect the game. The system is in place.” His vision for long-term impact is both ambitious and pragmatic: if each of Arizona’s 700,000 golfers learns the industry’s economic and environmental statistics, they become advocates — at home, in coffee shops, on golf courses with friends. Golfers have always served

Standing at Papago Golf Club, where the Sonoran Desert landscape frames perfectly manicured fairways and the new Arizona Golf House gleams in the afternoon sun, Tryhus’ vision feels both realized and just beginning. The building is complete. The organizations are collaborating. The foundation is laid. What happens next depends on how Arizona’s golf community embraces the opportunity Tryhus has created — not just to play the game, but to protect it, grow it and ensure its values shape future generations. “I truly believe that,” Tryhus says, returning to the Alliance’s central message. “Golf is good for everyone.” azgolfhouse.org

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Writer Joseph J. Airdo // Photography Courtesy of the Scottsdale Book Festival

Scottsdale’s Inaugural Book Festival Celebrates Stories, Community and Local Voices

Turning a Page O

n a bright January morning, the Scottsdale Civic Center will transform into a literary oasis — a sprawling celebration where stories leap from pages into the hands of readers hungry for connection, imagination and the tactile pleasure of a physical book.

were able to buy one or we gave one away, when they got to see the characters — those moments really stuck with me.”

The inaugural Scottsdale Book Festival arrives Saturday, Jan. 24, bringing more than 150 authors, publishers and literary voices to the heart of Old Town for a free, daylong event that founder Michael Ivery envisions as something far more meaningful than just another cultural gathering.

Those moments, combined with Arizona’s persistent literacy challenges, sparked an idea that would consume the awardwinning DJ and event producer for months. With two decades of festival experience under his belt and a long-standing relationship with the city of Scottsdale, Ivery saw an opportunity to create something the Valley desperately needed: a centrally located, large-scale literary event that embodied education, literacy, community and diverse voices — all free to the public.

A children’s book author himself — creator of the “Tubba and Friends” series — Ivery witnessed something profound while visiting classrooms and libraries: an undeniable truth that contradicts prevailing narratives about young readers and screentime.

Running from 10 a.m. to 5 p.m., the outdoor event features panel discussions on topics ranging from comic book writing to children’s literature influences, story time sessions for families, book signings and a curated marketplace where local food vendors, bookstores and literary organizations converge.

“Kids want to read,” he says. “Young kids especially want to read, and parents want their kids to read. They just don’t want them on their tablets all the time. Seeing kids come to life when they had a physical book in their hands, when they

But Ivery’s most revolutionary decision may be his unwavering commitment to local authors: writers at every stage of their careers, representing every imaginable genre and background.

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Everyone has this really cool story. And that’s been so rewarding — that it’s everyday people with everyday jobs, high or low, left or right, who want to be a part of this. They want to bring something. They’re bringing their books, their stories to a bigger platform. Michael Ivery

“I went out looking for authors from all walks of life — from beginning authors to established ones, with a real focus on the local scene,” Ivery says. “We now have more than 100 exhibitors — authors of all levels and from all different genres.” The diversity extends beyond genre classifications. As Ivery reviewed submissions, he discovered doctors, lawyers, stay-at-home parents, cartoonists and comic book

writers — everyday people with extraordinary stories to share. “Everyone has this really cool story,” he says. “And that’s been so rewarding — that it’s everyday people with everyday jobs, high or low, left or right, who want to be a part of this. They want to bring something. They’re bringing their books, their stories to a bigger platform.”

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That inclusive philosophy permeates every festival element, from vendor selection to programming choices. Ivery personally vetted food trucks and businesses, asking each the same essential question: Do you support literacy? Do you support the arts and culture? “Everything you’ll see at the festival — from food vendors to local vendors, publishers and authors — was all part of the bigger plan of saying, ‘We’re here. We’re a community of readers, a community of writers, a community of multicultural, diverse voices,’” Ivery says. Scottsdale’s central location during peak tourism season positions the festival as an accessible destination for Valley residents and winter visitors alike, though Ivery insists the location matters less than the mission. What the festival represents, ultimately, is a vision of Arizona’s literary future — one where physical books triumph over tablets, where local voices find platforms,

where literacy becomes a communal celebration rather than an educational statistic. “I encourage people to come out and support the literary arts and literary voices,” Ivery says. “By offering something like this to the Valley, we open another door to say, ‘Arizona has more to offer than nightclubs and beer bars’ — things that aren’t necessarily supportive of the educational and artistic sides of our community.” His final invitation borrows from childhood nostalgia, channeling the spirit of a beloved PBS series that taught generations to love reading. “It’s like ‘Reading Rainbow’: ‘Take a look — it’s in a book,’” Ivery says. “People should take that chance and come turn a page with us.” scottsdalebookfestival.com

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Saturday, Jan. 24 // 10 a.m.–5 p.m. // Scottsdale Civic Center // 7380 E. Second St., Scottsdale // Free // scottsdalebookfestival.com

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Writer Susan Kern-Fleischer

Doug Fountain and Jon Linton Bring Heritage and Healing to EXPO Doug Fountain, a Spirit Lake Dakota Sioux sculptor and direct descendant of Chief Sitting Bull, creates masks and totems using thousands of hand-prepared feathers — each representing a prayer of thankfulness.

Spirit & Lens T

wo artists arrive at the 22nd annual Arizona Fine Art EXPO carrying more than their work — they bring transformation. Doug Fountain, a Spirit Lake Dakota Sioux sculptor descended from Sitting Bull, turns thousands of hand-washed feathers and prayers into masks and creates contemporary totems with a primitive edge. Jon Linton, a documentary photographer who spent years bearing witness to homelessness and war, now points his camera toward healing: the light and geometry of Southwest landscapes. Both are among more than 30 new artists joining the show this year, and both understand that making art is an act of reclamation. The Arizona Fine Art EXPO opens Jan. 16 and runs daily for 10 weeks through March 29 under the “festive white tents” on the southwest corner of Scottsdale and Jomax roads. More than 90 diverse artists work in 124 patron-friendly studios within a 44,000-square-foot space, where guests can meet the artists, watch them create, and learn about their inspiration and techniques. Art is for sale and commissions are welcomed. Rick Long, who co-owns Arizona Fine Art EXPO with his wife, Ji, said this year’s show promises to be one of the most memorable yet. “Our goal is to support the artists and provide immersive, memorable experiences for guests that showcase our artists’ creativity and skills,”

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Long says. “We’re excited to welcome more than 30 new artists to this year’s show. We also devoted a lot of time to expanding our sculpture garden, and we’ll be offering more entertainment this year throughout the show.”

SYMBOLS OF STRENGTH AND SURVIVAL When Doug Fountain was growing up in Florida, he never thought much about his Spirit Lake Dakota Sioux heritage or the fact that he was a direct descendant of the legendary Chief Sitting Bull. His mother, one of 11 children, grew up on the Spirit Lake Nation Reservation in north-central North Dakota. She didn’t talk much about her experience attending the Fort Totten Industrial School, a U.S. government-run boarding school for Native American children. It wasn’t until his grandmother came to visit that he learned how the school was a harsh assimilation center. Fountain’s father served in the U.S. military and later became a builder, working in architecture and construction. Fountain credits his passion for three-dimensional art and his innate ability to work with his hands to his father, whose ancestors came from England and France. After high school, Fountain attended college in Florida and in Colorado, where he trained as an architectural engineer and then as a professional photographer. He also minored in music, and to this day, he strives to create contemporary sculptures that “sing.” A self-taught artist who spends part of the year living in Phoenix, Fountain believes he was called to his creative work to elevate the awareness of tradition in the culture of Native Americans — to their universal love and respect for the Earth and all its elements. “Each dot represents a prayer of thankfulness, each triangle represents unity and each rectangle represents family,” he says of his art. “These symbols represent the strength of character, their struggle to survive, and their honor and deep respect for Mother Earth and Father Sky. All these elements come together to create the journeys and experiences of our lives.” He describes his artistic process as “mind-boggling” and says it can sometimes take a full year to create one mask. The process begins with materials. He sources his feathers from a large aviary in Florida that breeds more than 1,100 birds. The feathers he purchases have fallen off the birds. Over the span of one year, he works with thousands of feathers, which require a rigorous, labor-intensive cleaning

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I’m always seeking truth through my camera lens, and I use my camera as a social justice instrument. Jon Linton Photographer Jon Linton shifted his lens from documenting war zones and homelessness to capturing the healing light of Southwest landscapes after experiencing compassion fatigue.

The Long Quiet

Fountain credits his success and the enormous interest in his work to his firm belief in positive affirmations, a genuine belief in himself and his joy in creating it.

process — hosing, multiple tub washes with protective gear, a gentle machine cycle, then dried to restore natural oils. He creates each mask using a layering technique. He says he must be extremely focused, especially when it comes to adding the feathers. “I will sometimes look at a mask 10 times before finding the right feathers that work,” he says. While the Sioux never created totems, Fountain was inspired by other cultures. He began creating colorful totems to achieve a different look from his masks. “I love totems from the Pacific Northwest, and I was inspired by the elegant architecture of the Greeks and Romans,” he says. “I have always been drawn to the shapes and forms on totems, and I like that I can create contemporary totems with a primitive edge.”

“The biggest reward is when I learn that my art has touched someone’s spirit,” he shares. “The greatest lesson I’ve learned over the years is to honor your heart and live by your heart.”

FROM WITNESS TO HEALER In some ways, fine art photographer Jon Linton has come full circle — back to that memorable, peaceful time 15 years ago when he photographed wild mustangs at Monument Valley. It was a black-and-white photograph that would change his career. While visiting Santa Fe, Linton had the chance to show his street and landscape photography to renowned photographer Ray Belcher. “Ray stopped at that photograph and told me that it was magical. He encouraged me to show my work and said that photographers could go a lifetime and never capture such an incredible moment in time,” he says.

He creates the structures on a 3D printer and wraps them with a fiberglass tape. “It’s a lightweight foam core that is very dense,” he explains. “I do a scratch coat of plaster and then I do a textured layer of Venetian plaster where I add color and wax. I start with a trial using cutting and palette knives.”

Linton cherishes his many adventures exploring the Southwest, but he is equally passionate about advocating for the homeless and other underserved populations. In 2007, he began documenting and helping unhoused men and women living on the streets of

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Arizona Fine Art EXPO

Jan. 16-March 29 // 10 a.m.-6 p.m. // 26540 N. Scottsdale Road, Scottsdale // $12; discounts available // 480-837-7163 // arizonafineartexpo.com

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“I’m always seeking truth through my camera lens, and I use my camera as a social justice instrument,” Linton shares. “I captured imagery of war-torn villages and displaced Ukrainians and raised money to feed people in those villages. When I returned in June 2022, I had a small exhibition in Bisbee, and used the funds to support a Ukrainian orphanage.” While he will always advocate for human rights, Linton found himself feeling exhausted and empty. “I experienced compassion fatigue,” he says. “I decided that the ills of society that I had seen along with the horrors of war had left me essentially broken. I needed some time for myself, and I decided to concentrate solely on my fine-art photography.” Linton is back to exploring the vast beauty of the Southwest and seeking soulful moments, like the time he photographed the wild mustangs at Monument Valley.

The Miles Between by photographer Jon Linton

Phoenix. His “I Have a Name” street photography series expanded to other cities as Linton traveled with volunteers in a colorful outreach bus to bring attention to the unhoused crisis. Recently, philanthropist Adam Bronfman was so compelled by Linton’s street photography that he felt inspired to produce a film, “I Have a Name,” that captured the homeless crisis in a new light. Linton’s passion for social justice also extended internationally. In 2022, he accompanied a painter friend to Ukraine to document the war atrocities from the Russia-Ukraine war.

“I’m honored that ‘I Have a Name’ lives on as a film in a very meaningful way. It also allows me to focus on my creative life, and my work has gotten stronger as a result,” he says.

He is also looking forward to exhibiting his new black-andwhite and color photography at the Arizona Fine Art EXPO, where he will have a double booth to showcase his work in a more in-depth, expansive way. “I’m proud to be one of the artists who is leading the way to make Arizona Fine Art EXPO one of the premier shows in the West,” he says. arizonafineartexpo.com

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Writer Joseph J. Airdo

How an Unsung Desert Hero Nurtures Giants Photo by Jonathan Geiger

The Saguaro’s Secret Ally

n the wake of recent saguaro losses across Arizona, a question echoes through our communities: Will new giants rise to take their place? The answer lies in an intricate dance of survival, where an unassuming shrub plays a starring role in the life cycle of the Sonoran Desert’s iconic sentinel. The humble bursage bush, often dismissed as a nuisance by homeowners and landscapers alike, holds the key to the saguaro’s future. This vital “nurse plant” stands as nature’s silent guardian, orchestrating a remarkable partnership that has shaped our desert landscape for millennia. In the harsh Sonoran environment, where temperatures soar and water is scarce, this unassuming shrub creates microhabitats essential for the survival of countless desert species, most notably our beloved saguaros. “Of the 40 million seeds produced by a saguaro in its lifetime of nearly 200 years, only one or two may grow to maturity,” explains Brenda Olive, Desert Awareness Committee’s volunteer coordinator. “If the seed is lucky enough

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to be eaten by a bird that defecates a scarified seed that lands in a bush, it has a chance. The most likely bush to take care of the seedling is the bursage bush.” This extraordinary botanical partnership unfolds over decades, beginning in the deepest shade of the bursage’s protective embrace. Like a devoted parent, the bush shields its adopted saguaro child from the desert’s harshest elements, providing the perfect conditions for the cactus’ precarious early years. “It provides shade and hides the young cactus among its woody interior for the first 10 years,” Olive says. “During the first five years, the saguaro focuses on establishing its root system, which spreads in all directions just below the surface. By the end of 10 years, it appears just above the bursage bush.” The bursage bush’s nurturing influence extends far beyond its role as saguaro guardian. Throughout the Sonoran Desert, these modest shrubs create vital nurseries for an

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Of the 40 million seeds produced by a saguaro in its lifetime of nearly 200 years, only one or two may grow to maturity. Brenda Olive

Photos by Jim Morefield

impressive array of desert flora, fostering biodiversity in what might otherwise be barren expanses. “Many other plants get their start underneath the protection of these bushes as well,” Olive notes. “I’ve had an ocotillo get its start that way as well as tree seedlings, cholla and the pincushion cactus, also known as the smallest cactus in the Sonoran Desert.” In addition to its role as nature’s nursery, the bursage bush serves as a critical component in the desert’s complex ecological web, providing both environmental stability and sustenance for wildlife. Photo by Sheila Sund

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Photo Courtesy of Saguaro National Park

“The bursage bush also exists for erosion control to keep the desert floor intact when the monsoons appear,” Olive explains. “During the summer months, I have witnessed the quail and cactus wren feeding on the seeds within the burs of the bursage bush when there was nothing else to eat. Those seeds are very nutritious.” Yet despite its profound ecological importance, the bursage bush faces an uncertain future. Modern development practices and aesthetic preferences often lead to the wholesale removal of these essential plants, creating gaps in the desert’s natural succession that may take generations to repair. “As I drive through our area, I see very few yards with bursage bushes. It appears to be the first plant bladed away when construction begins,” Olive laments. “When they begin to grow back, they are treated like an unwanted weed. They are trimmed into balls regularly, so no burrs develop. They even cut them down to their base for some odd reason.”

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Serving our commuinty Since 1999

Photo by John Fowler

The Saguaro Story The consequences of losing these essential plants could be devastating for future generations of saguaros, which already face significant survival challenges. A stark reminder of their fragility comes from history: “When the Southern Pacific Railroad from Texas to California was being constructed, workers tried to transplant hundreds of saguaros of all different sizes, and all of the saguaros died,” Olive shares. “This was the first time a plant was protected by the U.S. government and turned into a national monument called the Saguaro National Monument, today a national park.” As stewards of the Sonoran Desert’s legacy, residents and developers alike bear the responsibility of preserving these vital nurse plants. Each bursage bush protected today represents countless future possibilities — from towering saguaros to thriving wildlife populations. Understanding and appreciating these humble heroes of the desert landscape is the first step toward ensuring their survival. “Now that you have read what it takes for a saguaro to get a start in life, you know it is a process that depends on one other important plant,” Olive concludes. “The bursage bush is critical for the growth of our mighty saguaros. Therefore, please leave it on your property and thank it for being there!”

For five decades, the Desert Awareness Committee has educated residents about our unique desert ecosystem. Its first book, “The Fragile Desert,” remains a cornerstone resource for understanding the Sonoran Desert’s complex web of life. This excerpt from the book’s signature chapter reveals the remarkable journey of our iconic saguaro: “Saguaros grow slowly. A 10-year-old plant may be only inches high. The first decade of life is the most risky. Around 50 years of age, the saguaro produces flowers. The first flowers appear in early May; they open at night and close in the heat of the day, never to open again. “The first arm appears at approximately 60 years of age. Maturity is reached around 150 years of age. Fertilization occurs as birds, bees, moths and bats feed on the pollen and nectar. In June, the fruit turns red and ripens. It falls to the ground where coyotes, squirrels, insects, javelina and rabbits feed on the fruit and seeds. “Saguaros grow in the Sonoran Desert and nowhere else in the world. A saguaro 50 feet tall may weigh 10,000 to 12,000 pounds.” For copies of “The Fragile Desert” or information about desert education programs, contact the Desert Awareness Committee through the Holland Center at 480-488-1090. hollandcenter.org

Serving our community Since 1999

2 0 2 6 January

MULLED APPLE CIDER

January 2 0 2 6

thefancypantskitchen.com

Writer and Photographer Francine Coles

Recipe

This fragrant mulled cider transforms humble apple cider into an aromatic elixir perfect for Arizona’s crisp winter evenings. The interplay of warming spices — cinnamon, ginger, nutmeg and cloves — mingles with bright citrus notes to create a sophisticated cold-weather beverage that fills your home with the essence of the season. Unlike its spiked cousin, this alcohol-free version celebrates the pure, complex flavors of quality apple cider enhanced by carefully balanced aromatics.

Makes: 2 quarts

INGREDIENTS: 2 quarts apple cider 1/2 medium orange 2 cinnamon sticks, or 1/4 teaspoon ground cinnamon 4 whole cloves 2 bay leaves 1/2 teaspoon ground nutmeg 1/2 teaspoon ground ginger, or 1 rounded teaspoon freshly grated ginger 1 tablespoon light brown sugar (optional, for added sweetness)

DIRECTIONS: 1. Pour apple cider into a large pot or Dutch oven. Squeeze juice from the orange half directly into the cider, then add the juiced rind to the pot for additional flavor.

2. Add cinnamon sticks, cloves, ginger, bay leaves and nutmeg to the pot, stirring gently to 3. 4. 5.

distribute the spices. Bring mixture to a boil over medium-high heat, then reduce to low and maintain a gentle simmer for 15 minutes, stirring occasionally to coax out the spices’ aromatic oils. Taste and adjust sweetness, adding brown sugar if desired. Stir until fully dissolved. Strain through a fine-mesh sieve to remove spices and orange rind. Serve immediately in heatsafe mugs or glasses, garnished with fresh orange zest, thin apple slices or cinnamon sticks.

The strained cider keeps refrigerated for up to four days; simply reheat gently on the stovetop or in the microwave, taking care not to boil.

Serving our commuinty Since 1999

Serving our community Since 1999

2 0 2 6 January

January 2 0 2 6

Serving our commuinty Since 1999