Συναρμογές ανάμεσα στον χώρο και τη νέα υλικότητα

(Braidotti, 2010:414).

Οι

Gernot Böhme (70)

The Weather Project (81) | Your blind passenger (83)

Deleuze (72)

Abstract

The role of matter has remained central to the making and the thinking of architecture. Although many approaches have been made , in their attempt to capture its essence, they have been trapped into a dialectic tension between form and materiality, between material consistency and immaterial modes of perception. Such bipolarities are reconsidered in contemporary studies, leading to an increasing awareness of the complexity of the material world and its heterogeneous components.

The project tries to follow the reconceptualization of matter, and consequently the processes of materialisation, through contemporary philosophy and architectural theory. Matter approached as an active ability, rather than an inert- predetermined property of things, is researched by an interdisciplinary field of studies, -ecology, politico- economic and socio- cultural studies- and can offer a new understanding of space, as an open field of dynamic relationships.

Τhis project intends to elicit design methodologies, related to material expressivity, and to detect at the same time sensational perceptions and experiences that question the established relationships between subject, body and environment.

In this context, the project is developed in two parts with two chapters each:

In the first part, we are introduced to the concept of matter. We examine narrations about matter in philosophy and architecture, in order to highlight its importance. Starting from matter in relegation through the idealistic origins of modernism, we proceed to the material turn in phenomenology, the significance of ordinary things and empiricism.

Lastly, we introduce a contemporary theory about matter, the New Materialism. Some key points of the new-materialistic ontology, as well as interpretations of thinkers from different scientific fields are analysed. The chapter ends with a comparison between new materialism and phenomenology, with regard to their approach of matter.

In the second part, we examine relations between materiality, corporeality and space, in order to understand how these concepts can offer a new understanding of lived experience. The first chapter investigates the material aspect of atmosphere, seeking new interpretations in the concepts of body and affect.

The last chapter attempts to explore the new-materialistic subjectivity, which stays in an open dialogue with posthumanism. It is analysed from both a sociological and a conceptual point of view, through the nomadic theory and the cartographic understanding of matter and meaning.

Connections between philosophical theory, art and architecture are attempted throughout all the chapters in order to put emphasis on the main problematic.

(Donna Haraway)

MATTER MATTERS

(Coole, Frost, 2010: 1)

(De Landa, 2004: 17),

(Barad, 2012:153),

Cézanne

2007: 16).

(McCarter, Pallasmaa, 2012:29).

Corbusier (1959: 31)

Guattari, 2017: 503).

(Gomez, Parcell, 1994:

(Parr, 2010 : 216),

Febvre

Husserl (Heidegger, Merleau-Ponty, Sartre

(Norberg- Schulz, 2009: 9).

Kovar (2017: 20-21).

(Norberg-Schulz, 2009: 9)

Simone Scott (2016: 46),

2009: 6-7).

(Norberg-Schulz, 2009:

(Carman

Hansen, 2005).

(Merleau-Ponty, 1964 : 162-163)

Ο Merleau

Pallasmaa,

(Pallasmaa, 2007:

(McCarter and Pallasmaa,

(McCarter and Pallasmaa, 2012 : 85)

Nigel Thrift

(Fox, Alldrem,2018:1).

Derek McCormack,

Braidotti, Karen Barad και Elisabeth Grosz,

Jane Bennett, η

(Dolphin, Van der Tuin, 2012:108)

Brian Massumi

Deleuze.

Merleau-Ponty, Marx, Spinoza

Canguilhem, Foucault,

(Dolphin, Van der Tuin, 2012: 111). [3]

(Coole and Frost 2010: 6).

Derrida.

(Parr, 2010: 159).

Στο Wexner Centre του Peter Eisenman (1989),

(Ballantyne,2002: 156).

Tschumi (1994:

(Wigley, 1988:17).

(Parr: 2010, 160).

(Colebrook, 2002: xxiv).

(De Landa, 2006),

(Ingold, 2014:59),

(Barad, 2012: 135).

Ο

(DeLanda, 2002:

(Bryant, Srnicek and Harman,2011: 384).  Ο DeLanda

(Bryant, Srnicek and Harman,2011: 385).

Parnet,2002:

Bennett,

Deleuze, Guattari,

(Potts 2004: 19).

(Braidotti, 2013: 60)

(Fox, Alldrem,2018:6).

Barad, De Landa, Braidotti

Karen Barad

(contextual).

(intra-actions) (1996:179)

Harold Norman Fisk

Braidotti (1954)

(Braidotti, 2000: 158).

Rosi Braidotti

(Barad, 1996:176),

(constructedness)

(Braidotti: 2013:171).

Manuel De Landa

De Landa (1952),

(nonequilibrium)

Deleuze, Guattari

(DeLanda 1996).

(Elizabeth Kugler, 2008: 7).

(Deleuze, Guattari, 1994: 17)

(Deleuze, Guattari, 2003: 195-196)

Sartre

Merleau-Ponty

Katsushika Hokusai , ‘Mount Fuji viewed from the

One Hundred Views of Mount Fuji, 1834

Rodowick:

O Merleau-Ponty

(Merleau-Ponty, 1991:78).

1991:78).

Cézanne, Mont Sainte-Victoire seen from Les Lauves, 1902-1906

Merleau Ponty (Córdoba, 2012)

(Merleau-Ponty, 1991:18).

Merleau- Ponty

Merleau-Ponty

Mont Sainte- Victoire,

1960

(Deleuze, 2003: 43).

Francis Bacon,

(Deleuze, 2003:61),

(Voss, 2013:1 14).

Velazquez,

(Günzel, 2014: 43).

Merleau Ponty

Daniela Voss

(Voss, 2013: 123).

Deleuze

Robert Alexander Gorny, «A Diagrammatic Cartography of Discourses on Architectures of Life and/or Death», 2019)

(Deleuze, 1998: 54–65).

Οι Deleuze, Guattari (1987: 167)

◀ Fina Miralles, Dona-arbre, 1973

Möbius strip

■Bill Brandt, Baie des Anges, France, 1959

Stangret

«the atmosphere in which we live weighs upon every one with a 20,000-pound force, but do you feel it?» (Marx, 1978: 577)

(Gandy, 2017) Σημειώσεις

Thomas Baldwin

A balloon prospect from above the clouds (1786)

Αριστερά:

Thomas Baldwin, A balloon prospect from above the clouds (1786)

(McCormack, 2008, Stewart, 2007),

(Brennan, 2004),

με ποιότητα (Böhme, 2006),

(Ngai, 2005),

(Thrift, 2008),

(Rodaway, 1994)» (Anderson, 2009).

(Gandy, 2017).

(Griffero, 2014a: 6).

Dufrenne

Gernot Böhme).

Gernot Böhme

(Böhme, 1993:114)

,

(Gandy, 2017).

(Deleuze, Gilles and Felix Guattari. 2017: 321).

(Bjerknes , Dynamic meteorology and hydrography,

(Anderson, 2009: 78).

◀«The Blur Building is an architecture of atmosphere—a fog mass resulting from natural and manmade forces. Water is pumped from Lake Neuchâtel, filtered, and shot as a fine mist through 35,000 high-pressure nozzles. A smart weather system reads the shifting climatic conditions of temperature, humidity, wind speed and direction and regulates water pressure at a variety of zones.»

Diller Scofidio, Blur Building, Swiss expo 2002

Olafur Eliasson

Olafur Eliasson (Borch, 2014: 93).

Your uncertain shadow (colour), 2010

The Weather Project

◀Your blind passenger (2010)

The Notion Motion (2005)

Your Activity Horizon (2005)

(Frichot,

Eliasson:

Olafur Eliasson στο (Hirsch

Miessen 2012:

Michel Tournier

Céline Tuloup, Relevé topographique 01, 2009

Sonja Bäumel, what would a microbe say?

Braidotti

(Braidotti, 2014:35).

(Braidotti, 2013:

(Braidotti, 2014: 37).

(Braidotti, 2014:

Rick and Morty, Multiverse theory

Virginia Woolf

Η Rosi Braidotti (2014:61),

(post-identitarian) (Van der Tuin, Dolphin, 2012:33)

(Braidotti, 2014: 61).

Gertrude Stein

(Braidotti, 2014: 261).

(Braidotti, 2014: 110).

(Braidotti, 2014: 110).

Guattari,

▶H Βιετναμέζα καλλιτέχνης Tiffany Chung εξετάζει τις ουλές της αποικιοκρατίας, συσχετίζοντας

πραγματικά ιστορικά γεγονότα -πολέμους εθνικής απελευθέρωσης, γενοκτονίες, μεταναστεύσεις

και φυσικές καταστροφές- με

πιο δυνητικές, αισθητηριακές

και ετεροτοπικές συναντήσεις, σε «ένα αρχαιολογικό έργο για μελλοντική μνήμη». Εμπνευσμένη

Donna Haraway

(Witzgall, 2014: 17),

Braidotti,

(Marks, 1998).

Donna Haraway (1988) (material-semiotic),

(Haraway, 1988:

(Dolphin, Van der Tuin, 2012 :111).

[3]

1988:595)

(Haraway, 1988: 587).

[4]

(2012: 593)

Vicki Kirby (1997: 126–7),

(Nail, 2018: 35-40).

(interlocking frames).

(enabling

(Massumi, 2002:

Παράθεση του Lawrence Halprin στο (Osbaldeston, 1980: 335–337)

The Sea Ranch, “Driftwood City”, July 1966

Lawrence Halprin

Cook (2000:

Anna Halprin, the San Francisco Dancers’ Workshop (1959),

(1949: 34).

(Halprin,

(Thrift 2000: 235);

(Halprin, 1963: 209).

(Halprin 1966, 87).

Motation

1965: 130).

1965:

(Hirsch, 2014: 44).

Lawrence Halprin,This is my Beloved, 1946

(Halprin,

Gins

Arakawa και

Madeline Gins (1941-2014)

Shusaku Arakawa (19362010)

Rabaté (2003: 5),

(Arakawa, Gins, 2002:53).

(Harrison, 2013: 80).

Arakawa, Gins

[9] Here is what architecture means to us: a tentative constructing toward a holding in place Walk into this building and you walk into a purposeful guess. The built world floats a hypothesis or two as to how and by what the apportioned out comes to be everywhere, the everywhere. (Arakawa, Gins, 2002: 23)

(Arakawa, Gins, 2002: 23).

Critical Holder Chart 2, 1991

(Lecercle, Kral, 2010: 25).

Arakawa,

Architectural body

1983:

(Arakawa, Gins, 2002: 2). (Lecercle, Kral, 2010: 135)

(Kawash, 1998: 22)

(Gins, Arakawa,

(Kawash, 1998: 22).

Οι

συστηματικά αποκαλείται βιόσφαιρα» (Arakawa, Gins, 2002: 48). Επιθυμώντας

Snail House

(Latour, 2007: 71),

(Ingold, 2010: 116).

(Alaimo, Heckman, 2008: 238).

(Barry, 2018).

Gins, 2002:3).

Yoro: site of Reversible Destiny

1995, Gifu Prefecture, Japan, 18,100 sq m

Yoro: site of Reversible Destiny

Delville (2003:

ο Bernhard Waldenfels (Govan, 1997: 210)

“Out of Balance”:

Gins, 1997:

Jesse Reiser (Govan, 1997 :217),

(Govan, 1997: 218).

Shûsaku Arakawa, For example (a critique of never), 1971

(1997: 218).

Shûsaku Arakawa, Why Not (A Serenade of Eschatological Ecology), 1969

Bioscleave House: Life- Span Extending Villa

1999-2008, East Hampton, NY, 2,700 sqft

Το Bioscleave House: Life- Span Extending Villa

Arakawa,

Bioscleave House

Arakawa, 2002:

(Deleuze, Guattari, 2017: 381),

» (Guattari 2013: 232).

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Merriman, Peter. 2010. «Architecture/Dance: Choreographing And Inhabiting Spaces With Anna And Lawrence Halprin». Cultural Geographies 17 (4): 427449.doi:10.1177/1474474010376011.

Michels, C. 2015. «Researching Affective Atmospheres». Geographica Helvetica 70 (4): 255-263

Potts, A. 2004. “Deleuze on Viagra (Or, what can a Viagra-body do?)”. Body & Society 10 (1): 17–36.

Rogowska-Stangret, Monika. 2017. «Corpor(E)Al Cartographies Of New Materialism». The Minnesota Review 2017 (88): 59-68. doi:10.1215/00265667-3787390.

Ρόζη, Λίνα. 2012. “Περιπλανήσεις

4: 83-117

Voss, Daniela. 2013. “The Philosophical Concepts of Meat and Flesh: Deleuze and MerleauPonty”, Parrhesia 18 : 114–125.  Σωτήρης, Παναγιώτης. 2003.

Wolfe, Cary. “Critical Ecologies of Posthumanism”. In New Geographies 9: 177-

Wieczorek, Izabela Zofia. 2015. Active Materiality: The Agency of Matter from the Phenomenological Perspective.  phD diss. Higher Technical School of Architecture of Madrid (ETSAM).

Colebrook, Claire. “Materiality” https://www.academia.edu/19843157/ Materiality

Colebrook, Claire. “Matter Without Bodies” https://www.academia. edu/1186008/matter_without_bodies

Córdova, Chad A. “Merleau-Ponty and Cézanne : Describing and Painting Existence”. http://www.revue-circe.uvsq.fr/merleau-ponty-and-cezannedescribing-and-painting-existence/

De Landa, Manuel. 1996. “The Geology of Morals: A Neo-Materialist Interpretation.” http://www.t0.or.at/delanda/geology.htm

De Landa, Manuel. σειρά διαλέξεων στο European Graduate School: “Deleuze and the New Materialism”, “Intensive Thinking in Deleuze›s Materialism”, “Subjectivity and Thought in Gilles Deleuze”, “Dualities of Meaning in Gilles Deleuze”. https://www.youtube.com/user/egsvideo/ playlists

De Lange, Michiel. 2009. “Digital nomadism: A critique”. http://www.uu.nl/ medewerkers/MLdeLange/0

Hansson. 2009. “The Topology-approach to Culture and Manuel DeLanda.”  https://www.shorturl.at/gCGHR

https://olafureliasson.net/archive/artwork/WEK101003/the-weather-project. 13/12/2009

Rogowska-Stangret, Monika. 2017. “Body”. Newmaterialism.eu. https:// newmaterialism.eu/almanac/body/body.html

Rogowska-Stangret, Monika. 2018. “Situated Knowledges”. Newmaterialism.eu. https://newmaterialism.eu/almanac/s/situated-knowledges.html.

Mehaffy, Michael. 2010. “Quality of Life by Design: The Science of a Structuralist Revolution”, The Athens Dialogues E-journal, http://athensdialogues.chs. harvard.edu

Cindy Sherman, Untitled (#238), 1987-1990 https://www.christies.com/img/LotImages/2015/CKS/2015_ CKS_12352_0075_000(cindy_sherman_untitled_1987-1990).jpg

10

Michel Szulc Krzyzanowski, Sequences, 1970-1985 http://www.szulc.info/images/works/sequences/foto24.jpg

14

https://www.thoughtco.com/thmb/IoHazf0GJ_-0_HFf9Xyg1IHHWro=/768x0/ filters:no_upscale():max_bytes(150000):strip_icc():format(webp)/classification-680797775-5899d92d5f9b5874ee2492ec.jpg

16

https://assets.rbl.ms/18340363/origin.jpg https://instantkaamos.files.wordpress.com/2010/05/des-diag.jpg

17

Michelangelo, The Atlas, 1530-34 http://www.accademia.org/wp-content/uploads/2014/02/prisoner-atlas.jpg

18

Jacques Tati, Playtime, 2003 https://media.timeout.com/images/37193/630/472/image.jpg

19

Giovanni Strazza, The Veiled Virgin https://pbs.twimg.com/media/ELI5_WqU0AAP8AO.jpg

Pallasmaa, Juhani. 2007. The Eyes Of The Skin: Architecture and the Senses. Chichester: Wiley: 47

20

Andrei Tarkovsky, Stalker, 1979 http://2.bp.blogspot.com/-m2D7-Kfgq78/Vo29FrTRQ_I/AAAAAAAADfE/1JyYB5U5Dxc/s1600/f9d93dcc-616e-4576-adbc-11ce5f52c6ed1%2B-%2Bcopia.jpg

22

Peter Zumthor, Poetic Landscape, 1998 https://i.pinimg.com/originals/e9/81/da/e981dad7040d68477c6338aaeb770c5a. jpg

23

Merleau Ponty

https://upload.wikimedia.org/wikipedia/commons/9/98/Maurice_Merleau-Ponty. jpg

24

Myvanwy Gibson, Chiasms

https://pro2-bar-s3-cdn-cf2.myportfolio.com/54a051157f77df2477bcd785972d5677/d6c4cc40-dc52-45b9-ba07-e207762549df_rw_1920.jpeg?h=3ce1e140137cecab3077ccf9d7a00399

25

Thom Faulders, Mute Room, 2000

https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcR7ZkI10X7BmeDmQAG_JoYErUWiilNPY8a8jAkP1LJfbyfFpfEC&s

26

Bill Brandt, Untitled, 1959

https://0.api.artsmia.org/800/1911.jpg

30

Studio Roland Snooks, graphic design in New Geographies magazine (Daou, Pérez-Ramos. 2017. New Geographies 08: Island. Harvard University Press)

32

Gilles Deleuze

https://www.kit.ntnu.no/en/content/janne-vanhanen-deleuze-and-senses

34

Rob Daurio & Chelsea Spencer, graphic design in New Geographies magazine (Ibañez, Katsikis. 2014. New Geographies 06: Grounding Metabolism. Harvard University Press)

35

Ayala Tal. About Becoming - After Deleuze and Guattari, Illustrating the process of Becoming. Pencil on paper, Digital. 2016 https://www.ayalatal.com/single-post/2018/03/18/How-to-become-a-body-without-organs

36

(Zaroukas, Ireland. Actuating Auto(poiesis) στο Systema. 2015, Volume 3. Issue 2. 34–55)

38

Chris Davis,“Visualization of wiki structure using prefuse visualization package” https://commons.wikimedia.org/wiki/File:Visualization_of_wiki_structure_using_prefuse_visualization_package.png#/media/File:Visualization_of_wiki_structure_using_prefuse_visualization_package.png

39

Refik, Anadol, Generative Sketches, Grid Studies, 2013 http://blog.refikanadol.com/generative-sketches-grid-studie/

40

Harold Norman Fisk, Ancient Courses of the Mississippi River, Plate 22, Sheet 9 https://www.researchgate.net/publication/281844931_Reckoning_with_%27The_ Crookedest_River_in_the_World%27_The_Maps_of_Harold_Norman_Fisk_ Southern_Quarterly_Special_Issue_on_the_Mississippi_River_as_Twentieth-Century_Southern_Icon_52_Spring_2015_30-44

41

Karen Barad

https://ucsc.academia.edu/KarenBarad

Rosi Braidotti

https://rosibraidotti.com/

42

Manuel DeLanda

https://www.researchgate.net/project/The-New-Materiality

43

Astronaut Bruce McCandless

https://www.nasa.gov/image-feature/nasa-celebrates-50-years-of-spacewalking

44

S.Reilly, Resolving Kasimir, liquid graphite on aluminum . 48’ x 48’

https://sreilly.com/pours/#masonry

45

Wim Wenders,

1987,

46

Katsushika Hokusai , ‘Mount Fuji viewed from the sea,’ από τη σειρά One Hundred Views of Mount Fuji, 1834 https://theconversation.com/how-hokusais-great-wave-came-into-theworld-77750

49

Paul Cézanne, Portrait of Gustave Geffroy, 1895 https://www.musee-orsay.fr/en/collections/works-in-focus/search/commentaire/ commentaire_id/gustave-geffroy-9857.html?no_cache=1

50

Cézanne, Mont Sainte-Victoire seen from Les Lauves, 1902-1906 https://en.wikipedia.org/wiki/Mont_Sainte-Victoire_(C%C3%A9zanne)

51

Merleau-Ponty www.revue-circe.uvsq.fr/merleau-ponty-and-cezanne-describing-and-painting-existence/

52

Deleuze on Francis Bacon’s “Three Studies of Lucian Freud”, 1969 https://www.francis-bacon.com/artworks/paintings/three-studies-lucian-freud

53

Πάνω: Fracis Bacon, Three Studies for a Portrait of George Dyer, 1963 https://medium.com/@apitargue/francis-bacon-and-the-art-of-a-dark-portrait2a916697c471

Κεντρο: Diego Velázquez, Portrait of Pope Innocent X, 1650

Fracis Bacon, 1953, Study after Velázquez›s Portrait of Pope Innocent X https://de.phaidon.com/agenda/art/articles/2013/february/08/the-truth-behindfrancis-bacons-screaming-popes/

Κάτω δεξιά: λεπτομέρεια από Francis Bacon, ‘Three Studies for Figures at the Base of a Crucifixion’, 1944

https://www.tate.org.uk/art/artworks/bacon-three-studies-for-figures-at-the-baseof-a-crucifixion-n06171

54

Paul Cézanne, Self Portrait, 1873

Francis Bacon, Head of a Man, 1960

https://www.odincathcart.com/blog/2015/4/18/francis-bacon-redux

61

Ricardo Leite, Marshall McLuhan

https://butdoesitfloat.com/After-Sputnik-there-is-no-nature-only-art

64

Eadweard Muybridge, Unmarried female (nude) throwing large handkerchief over her shoulders, 1872-1885

https://www.royalacademy.org.uk/art-artists/work-of-art/movements-unmarriedfemale-nude-throwing-large-handkerchief-over-her

65

Ayala Tal, How to Become a Body Without Organs, Mar 2018

https://www.ayalatal.com/single-post/2018/03/18/How-to-become-a-body-without-organs

66

Relació del cos amb elements naturals, Cobriment del cos amb palla, Fina Miralles, 1974, Sabadell

http://lab.pikaramagazine.com/cadaques-fina-miralles/

67

Αριστερά:

Hélène Jousse. Ruban de Moebius

https://a-galerie.fr/pt/?page=1-26/artistas/helene-jousse

Bill Brandt, Baie des Anges, France, 1959 http://photographmag.com/reviews/bill-brandt-shadow-and-light/ Άνδρες κουβαλούν φρύγανα, Ανάφη, 1941 https://www.lifo.gr/team/gnomes/52660

Κάτω δεξιά: Ayala Tal, How to Become a Body Without Organs, Mar 2018 https://www.ayalatal.com/single-post/2018/03/18/How-to-become-a-body-without-organs

68

Thomas Baldwin, A balloon prospect from above the clouds, 1786 https://www.researchgate.net/publication/318582065_Urban_atmospheres/figures?lo=1&utm_source=google&utm_medium=organic

69

Ben Anderson

https://transmediale.de/content/ben-anderson

70

Εξώφυλλο του Atmospheres, Peter Zumthor http://www.ondiseno.com/noticia_en.php?id=2631

72

Bjerknes , Dynamic meteorology and hydrography, 1910

73

74

(Hann, Rachel. n.d. Beyond Scenography)

Diller Scofidio + Renfro “Blur Building” https://dissolvingsounds.com/diller-scofidio-renfro-blur-building/ https://www.flickr.com/photos/projectes_grup12b/4560999319/

76

Olafur Eliasson, Beauty, Projector, water, nozzles, wood, pipe, pump, 1993 http://theseenjournal.org/art-seen-international/multiple-shadow-house-macm/ 77

Olafur Eliasson

https://the-talks.com/interview/olafur-eliasson/

78

Olafur Eliasson. Your uncertain shadow (colour). 2010 https://www.highsnobiety.com/p/olafur-eliasson-tate-modern/ Olafur Eliasson. Blue and orange and grey to purple movie. 2010. Watercolour and pencil on paper

https://where-you-are.com/olafur-eliasson

Olafur Eliasson. Thirteen purple to grey movie. 2010. watercolor and pencil on paper

http://www.tanyabonakdargallery.com/artists/olafur-eliasson/emodal/works-onpaper_2

Olafur Eliasson’s artificial sun blazes in the Turbine Hall of Tate Modern, 2003. Photograph: Dan Chung/The Guardian

https://www.theguardian.com/artanddesign/2018/oct/02/how-we-made-olafureliasson-the-weather-project

79

The weather project, Tate Modern, London, 2003

Πάνω: http://photodelusions.blogspot.com/2005/04/olafur-eliasson-weather-project.html

Οι δυο κάτω: https://olafureliasson.net/archive/artwork/WEK101003/the-weather-project

80

The weather project, Tate Modern, London, 2003

https://olafureliasson.net/archive/artwork/WEK101003/the-weather-project

82

Your blind passenger (2010)

https://olafureliasson.net/archive/artwork/WEK100082/your-blind-movement

The Notion Motion (2005)

https://www.flickr.com/photos/de_buurman/7216302778

Your Activity Horizon (2005)

https://www.bmiaa.com/contact-olafur-eliasson-paris/

88

Céline Tuloup, Relevé topographique 01, 2009

http://www.celinetuloup.com/images/releve/releve1-1.jpg

89

Sonja Bäumel, what would a microbe say?

http://www.sonjabaeumel.at/works/bacteria/what-would-a-microbe-say/ 90

Nomadic line of flight

https://www.researchgate.net/profile/David_Cole10/publication/296223711/figure/fig1/AS:669558968942603@1536646706652/A-Nomadic-Line-of-Flight.png

Rick and Morty

https://imgix.bustle.com/inverse/60/5d/38/ef/af60/4e42/bc48/7f99d9d33 ea9/124190599529724781050665622062503894226461ojpg.jpeg

Bojack Horseman

https://nofilmschool.com/sites/default/files/styles/article_wide/public/640.jpg?itok=PPSW3nr-

91

Dessert

https://66.media.tumblr.com/0a64d542186f7b2c13c43837095a862b/tumblr_ozzt0yZpYr1qck43so1_1280.jpg

92

Leslie Shows,Tutela, 2015

https://www.leslieshows.com/files/gimgs/LeslieShows_Tutela.jpg 93

Tiffany Chung, one giant great flood 2050, 2012 https://www.flickr.com/photos/wynnie/5744471681/in/photostream/lightbox/ 94

Edward Burtynsky, Ölfusá River #1, 2012 http://lenscratch.com/wp-content/uploads/2016/02/Burtynsky_Water_11_Olfusa-River_Iceland.jpg

95

Donna Haraway

https://pbs.twimg.com/media/DKFcDsSUEAAst31.jpg

96

Seana Reilly, Rafting Lessons, 2016 https://sreilly.com/eames/wp-content/uploads/RaftingLessons_web.jpg

98

Lawrence and Anna Halprin

https://tclf.org/sites/default/files/microsites/halprinlegacy/images/intro-about/05Wisconsin.jpg

Sea Ranch master plan,1963

http://searanch.ced.berkeley.edu/s/sea-ranch/ item/1435#?c=0&m=0&s=0&cv=0&xywh=-234%2C-39%2C3518%2C1314

99

The Sea Ranch, “Driftwood City”, July 1966

http://www.the-offbeats.com/wp-content/uploads/2016/12/anna-halprin_driftwood-city-sea-ranch-ca-experiments-in-environment-workshop-july-4-1966-courtesy-lawrence-halprin-collection-the-architectural-archives-university-of-pennsylvania_3-1-385x257.jpg

https://searanch.ced.berkeley.edu/files/large/f7abe4496207f4eaa17a04f26ec77f771c8eb536.jpg

https://searanch.ced.berkeley.edu/files/large/f1207011c767318118fcc0fdcc402636b3f9132e.jpg

https://searanch.ced.berkeley.edu/files/large/3461eecfc9d0dd952da8671f88b9afd75f7d61a3.jpg

100 Sketches

http://www.landscapeonline.com/research/lasn/2010/02/img/Halprin/Halprin-12. jpg

http://www.landscapeonline.com/research/lasn/2010/02/img/Halprin/side-4.jpg

Sea Ranch Ecoscore,1968

https://experiments.californiahistoricalsociety.org/wp-content/uploads/2016/03/ Sea-Ranch-Ecoscore.jpg

101

Creative synergy of Anna and Lawrence

https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcR2_PXlhTycuNqkxlVRBx68SkH_2_FKao-63Z3ZKrY04WNXY2_Q&s https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcTJ8GWujqqxENYyvlKa6DFKdDaIBtPpyWwM0IV_EDIwQA4OOYkS&s

102

Lawrence Halprin, Motation Study, 1969

https://pbs.twimg.com/media/BtjY8s1CEAEms-M.jpg

103

http://intangiblestudio.co.uk/ipfc/wp-content/uploads/2014/03/score-3-small.jpg

Lawrence Halprin,This is my Beloved, 1946

https://images.squarespace-cdn.com/content/v1/5be8f898c258b4e5d3113cce/1544171175419-UIP3PGDGBNAWP2ASSMNB/ke17ZwdGBToddI8pDm48kOv50mLW-1ogMY_Z1YeXelR7gQa3H78H3Y0txjaiv_0fDoOvxcdMmMKkDsyUqMSsMWxHk725yiiHCCLfrh8O1z5QPOohDIaIeljMHgDF5CVlOqpeNLcJ80NK65_fV7S1UTKcyKjQJ4DsSO7yZZLjgch8XiYqwQWpgY_gPyZ0Skcy5ESbinAOb_piFJn_RiqNrQ/LHALP030_crop.jpg?format=1500w 104

Jim Ellis Freeway Park, 1976

https://cdn.archpaper.com/wp-content/uploads/2019/11/Image-2-1-645x814.jpg 105

Anna Halprin, The Branch Dance, 1957

https://static01.nyt.com/images/2017/05/28/arts/28GUIDE3/28GUIDE3-jumbo. jpg?quality=90&auto=webp

106

The Mechanism Of Meaning

Govan, Michael. 1997. Reversible Destiny: Arakawa/ Gins. New York: Guggenheim Museum: 76, 93, 88, 65

107

Arakawa and Gins

https://gagosian.com/quarterly/2019/01/24/essay-losing-nothing-arakawa-madeline-gins/ 108

Critical Holder Chart 2, 1991

https://3.bp.blogspot.com/-yPSIFWuYOWQ/Wor-CP6EcwI/AAAAAAAAVuA/ DVMpstw4hHQ6yG23yAKk58ejzLcX_i8LwCLcBGAs/s1600/Critical%2BHolder%2BChart%2B2%2B%2528detail%2529.jpg

109

Govan, Michael. 1997. Reversible Destiny: Arakawa/ Gins. New York: Guggenheim Museum: 184-185

110

The body of a deafferent

Govan, Michael. 1997. Reversible Destiny: Arakawa/ Gins. New York: Guggenheim Museum: 163

111

Ubiquitous Site study, 1985-97

Govan, Michael. 1997. Reversible Destiny: Arakawa/ Gins. New York: Guggenheim Museum:147

Reversible Destiny Lofts, 2005 https://i.vimeocdn.com/video/501768044_780x439.jpg

112

Yoro: site of Reversible Destiny, top view

Govan, Michael. 1997. Reversible Destiny: Arakawa/ Gins. New York: Guggenheim Museum: 194 114

Details

Govan, Michael. 1997. Reversible Destiny: Arakawa/ Gins. New York: Guggenheim Museum: 198,199

https://www.ana-cooljapan.com/destinations/img/gifu/thesiteofreversibledestinyyoropark/467-03.jpg

Shûsaku Arakawa, For example (a critique of never), 1971

Govan, Michael. 1997. Reversible Destiny: Arakawa/ Gins. New York: Guggenheim Museum: 166

115

Shûsaku Arakawa, Why Not (A Serenade of Eschatological Ecology), 1969

Govan, Michael. 1997. Reversible Destiny: Arakawa/ Gins. New York: Guggenheim Museum: 164 116

Living area

https://s3.amazonaws.com/files.collageplatform.com.prod/image_cache/1010x580_fit/57e1a75587aa2c703cbd6ecf/ed75e85cb632341fa5c9f18ddd87e2a3.jpeg

Ground Plan

Harrison, Ariane Lourie. 2013. Architectural Theories Of The Environment: Posthuman Territory. New York: Routledge:81 https://thefunambulistdotnet.files.wordpress.com/2013/03/bioscle-

ave-lines-and-terrain.jpg

117 Details

https://i.pinimg.com/564x/ed/d6/b1/edd6b17ce35cbf6c51c217dbaf2e5d99.jpg

https://i.pinimg.com/564x/e2/75/28/e27528a63ace3cc9655807182677f6c8.jpg

Harrison, Ariane Lourie. 2013. Architectural Theories Of The Environment: Posthuman Territory. New York: Routledge:85

122

Jean Dubuffet, The Man in a Cap, 1953

https://i.pinimg.com/564x/5f/30/82/5f30829fa803efa8cd877926c87c639d.jpg

126

Arman, L’Affaire du courrier,1961 http://images.artnet.com/artwork_images/425931579/566808.jpg

οπισθόφυλλο

Cindy Sherman, Untitled (#235), 1987-1990 https://www.christies.com/img/LotImages/2015/CKS/2015_ CKS_12352_0076_000(cindy_sherman_untitled_1987-1990).jpg

Derrida

Bernard Tschumi, The Manhattan Transcripts Project, New York, New York, Episode 4: The Block 1980-81

https://www.moma.org/media/W1siZiIsIjM0OSJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDIwMDB4MjAwMFx1MDAzZSJdXQ.jpg?sha=8874d92f40fcb5ab

ένθετο:

Michel Desvigne

https://i.pinimg.com/originals/b0/93/1e/b0931e0e56543aa0cbe0672eabb68e66.jpg http://micheldesvignepaysagiste.com/sites/default/files/mdp_issoudun_0.jpg

ένθετο:

Chora James Corner. 1999. “The Agency of Mapping: Speculation, Critique and Invention.” In Mappings, edited by Denis Cosgrove. London. Reaktion. 98

ένθετο: H ύλη-εικόνα του Bill Morrison

https://miro.medium.com/max/2703/1*2fL2mHaVEWUmvodebue03Q.png https://miro.medium.com/max/2500/1*lN4h3ixVbGiboAlNGSWY2A.png https://miro.medium.com/max/2670/1*8bdZlPR7403mEx_gapCdPA.png https://encrypted-tbn0.gstatic.com/images?q=tbn%3AANd9GcS-7xXvLV0UZSYEV5inNziiayrFjag2_fJXKWZROV503FO-eGmU https://images.static-bluray.com/reviews/7193_5.jpg