Issuu

ArchivAl Art And urbAn spAce:

Connections between the archive and the city through examples of contemporary art

In the words of Walter Benjamin ‘to live means to leave traces’. The archive is a way of recording and keeping the trace left behind by an activity. Thus, the cause of the connection between urban space and the notion of the archive, is primarily the reading of the city as a field where human existence leaves its mark. Urban space is a place where the events are re-written, an archival place. A key question is how are these traces and the data regarding the city preserved? Are there archives of all the events that have ever happened and are happening, of all that has existed and exists in the city?

In contemporary art, and especially since the 1990s, there has been a turn in the interest of many artists towards memory, history and therefore archival material, thus introducing a new tendency called archival art. The simultaneous “outspread” of exhibitions and curatorial practices towards the city, but also the appearance of projects that organize city communities, prompts the search for the connection of the archive with the city.

In this research, the concept of the archive is explored; examples of archival art that concern the urban space are analyzed- artworks that either stem from or take place in the city. The relationship between the events that occur in the urban space is studied through artistic archival acts, with an emphasis on the production of art from the 1990s until today in the western world.

Keywords

archive, archival art, urban space, exhibition, contemporary art, fact, event

in Barcelona, Horace Vernet, 1822.

Mnemosyne Atlas του Aby Warburg

Passagen-Werk του Walter Benjamin

Thessaloniki’s Weak Monuments

South London Black Music Archive

1 Αναφορικά

“to store historical records or documents in an archive” (“archiving” Cambridge Dictionary. Πρόσβαση στο: https://dictionary.cambridge.org/dictionary/english/archiving (19/12/2022).)

2 “Το να κατοικεις,

” (Benjamin, Walter. & Demetz, Peter. (1986) “Paris, Capital of the Nineteenth Century,” in Reflections Essays, Aphorisms, Autobiographical writings. New York: Schocken Books.)

3 Farge, A. (2004) Η

6 Carbone, Kathy. (2020) “Archival art: Memory practices, interventions, and productions,” Curator: The Museum Journal, 63(2), σσ. 257–263. doi.org/10.1111/cura.12358. σελ. 258

7 Yale, Elizabeth. (2015) “The History of Archives: The State of the Discipline,” Book History, 18(1), σσ. 333. doi.org/10.1353/bh.2015.0007.

(2015)

Yale, Elizabeth. (2015) “The History of Archives: The State of the Discipline,” Book History, 18(1), σ. 342.

10 “The role of the archive in contemporary culture, due to its metaphorical potential and as a tool for knowledge and critical practice” (Carvajal, F., Dávila Freire, M. & Tapia, M. (εκδ) (2020) “Presentation,” in P. Abufom et al. (μεταφ.) Archives of the Commons II The Anomic Archive Buenos Aires-Paris, σσ. 12.)

11 “On the other, the renewed interest of artists and historians in the archive has given visibility and relevance to its features.” (Carvajal, F., Dávila Freire, M. & Tapia, M. (εκδ) (2020) “Presentation,” in P. Abufom et al. (μεταφ.) Archives of the Commons II The Anomic Archive. Buenos Aires-Paris, σ. 12.)

(Kennedy, L. (2019) The Prehistoric Ages: How Humans Lived Before Written Records, History.)

2 Yale, Elizabeth. (2015) “The History of Archives: The State of the Discipline,” Book History, 18(1), σσ. 332.

3 Μπάγιας, Α. (1999).

(MOMA)

σελ 12.

5 Πρόκειται

«Exhibition History».

(What are archives? | International Council on Archives. πρόσβαση

https://www.ica.org/en/what-archive (πρόσβαση στις 12/11/2022). )

6 Μετάφραση του όρου documentary.

7 Στη μεθοδολογική

(Eliassen, Knut. (2014) Archives of Michel Foucault.

4-6)

Madness and Civilization: A History of Insanity in the Age of Reason (1961), The Birth of the Clinic: An Archaeology of Medical Perception (1963) και The Order of Things: An Archaeology of the Human Sciences (1966). “Η

(Gutting, Gary. and Oksala, Johanna. (2022) Michel Foucault, Stanford Encyclopedia of Philosophy. Stanford University.)

9 Lawlor, Leonard. & Nale, John. (εκδ.) (2014) “Archive”, στο The Cambridge Foucault Lexicon. Cambridge: Cambridge University Press, σσ. 20

‘Archivez, archivez, il en restera toujours quelque chose!’

Pierre Nora12

Jacque Derrida

(archival impulse).

10 “I do not consider this mass of things said, from the side of language, but from the side of the operations that give birth to it.” (Eliassen, Knut. (2014) Archives of Michel Foucault. σελ 19)

11 Eliassen, Knut. (2014) Archives of Michel Foucault. σελ. 6.

12 “Αρχειοθετήστε,

(Ricoeur, Paul. (2004) Memory, History, Forgetting. Μετάφαση: Kathleen Blamey and David Pellauer. Chicago: The University of Chicago Press. σ. 203.)

13 Τον

1994 o Jacque Derrida

Memory: The Question of the Archives

Freud Museum

(Mal d’archive)

14 Επιστρέφει

Courtauld Institute of Art.

(Derrida, Jacque. (1996)

A Note Upon the Mystic Writing-Pad του Freud,

Beyond the Pleasure Principle (1920). (Merewether, Charles. (2006) “Introduction,” in Charles Merewether (ed.) The archive. London: Whitechapel & The MIT Press (Documents of Contemporary Art, σελ. 11)

15 Yale, Elizabeth. (2015) “The History of Archives: The State of the Discipline,” Book History, 18(1), σελ. 334.

16 Derrida, Jacque. (1996) Η έννοια

ΕΚΚΡΕΜΕΣ. σελ. 11.

17 Boscacci, Louise. (2015) “The Archive in Contemporary Art: a literature review,” International Journal of Liberal Arts and Social Science, Vol. 3 (No. 8). σελ. 3.

18 Derrida, Jacque. (1996)

σελ. 15.

19 ο.π. σελ. 126

20 Manoff, Marlene. (2004) “Theories of the Archive from Across the Disciplines,” Portal: Libraries and the Academy, 4(1), σελ. 10.

(2020)

(Hannes Grobe, Alfred Wegener Institute for

(εικόνα 2)

Dell’Historia Naturale, Ferrante Imperato, 1599, η

(Chaliakopoulos, Antonis. (2021) The Pre-Modern Museum: What Is A Cabinet Of Curiosities?.)

26 Pearce, Susan M. (2002)

Α.Καζάζης, Π.Μπίκας. Αθήνα: Βάνιας. σελ. 122.

27 Παπαστάμου, Ευαγγελία.Α. (2015) Πράξεις

έργου.

σ. 21.

28 Archive, archiving, archivization:

(the action or process of doing something (“-ation” The Britannica Dictionary.)

29 Derrida, Jacque. (1996)

35.

30 Manoff, Marlene. (2004) “Theories of the Archive from Across the Disciplines,” Portal: Li-

braries and the Academy, 4(1), σελ. 12.

31 Manoff, Marlene. (2004) “Theories of the Archive from Across the Disciplines,” Portal: Libraries and the Academy, 4(1), σελ. 10.

32 “Medium is the Message” (1964)

33 Manoff, Marlene. (2004) “Theories of the Archive from Across the Disciplines,” Portal: Libraries and the Academy, 4, σελ. 9.

characteristics (What are archives? | International Council on Archives.)

Foucault. Eliassen, Knut. (2014) Archives of Michel Foucault. σελ. 5.

37 Farge, Arlette. (2004)

38 Derrida, Jacque. (1996)

16.

39 Mambrol, Nasrullah. (2019) Analysis of Derrida’s Archive Fever, Literary Theory and Criticism.

43 Manoff, Marlene. (2004) “Theories of the Archive from Across the Disciplines,” Portal: Libraries and the Academy, 4, σελ. 15.

Desires Will Leave the House and Take to the Streets

Mnemosyne

Atlas του Aby Warburg

1 Rosengarten, Ruth. (2013) Between Memory and Document: The Archival Turn in Contemporary Art. Cork: Fundação Berardo.

(2012)

Benjamin H.D. Buchloh (1998) Warburg’s Paragon? The End of Collage and Photomontage in Postwar Europe

4 Johnson, Christopher D. About the Mnemosyne Atlas, Mnemosyne. Meanderings through Aby Warburg’s Atlas. Cornell University. https://warburg.library.cornell.edu/about.

(εικόνα 3)

Οι πίνακες 79, 45, 46 (από αριστερα)

dle.net/10442/14487

6 Buchloh,B.Η.D.(1999) ‘Gerhard Richter’s Atlas:The Anomic Archive’, Οκτώβριος 88 (Άνοιξη). σελ 123.

7 Καραμπά,

(2015) ‘Το

8 Buchloh,B.Η.D.(1999) ‘Gerhard Richter’s Atlas:The Anomic Archive’, Οκτώβριος 88 (Άνοιξη). σελ 124.

Passagen-Werk

του Walter Benjamin

(documentation)

(Deep storage The Museum of Modern Art https://www.moma.org/calendar/exhibitions/4631?installation_image_ index=8 )

11 Benjamin, Walter (2003) The Arcades Project. Μετάφραση Howard Eiland & Kevin McLaughlin. Cambridge: Harvard University Press. σελ. 289.

(2015) ‘Το

13 Verhoeff, N. and Van Es, K. (2019) “Situated Installations for Urban Data Visualization: Inter

(Marcel

Proust, Paul Valery, Louis Aragon, Andre Breton, Georg Sinunel, Ernst Bloch, Siegfried Kracauer, Theodor Adorno),

“You are passing through a great city that has grown old in civilization-one of those cities which harbor the most important archives of universal life…”

Walter Benjamin 11

facing the Archive-City,” στο P. Dibazar and J. Naeff (επιμ) Visualizing the Street: New Practices of Documenting, Navigating and Imagining the City. Amsterdam University Press, σελ. 119.

14 Featherstone, Mike. (2006) “Archive,” Theory, Culture & Society, 23(2-3), σσ. 591–596.

15 Simon, Cheryl. (2002) Introduction: Following the Archival Turn, Visual Resources, 18(2), σελ. 102.

16 Benjamin, Walter (2003) The Arcades Project. Μετάφραση Howard Eiland & Kevin McLaughlin. Cambridge: Harvard University Press. σελ. 9-11.

(εικόνα 5)

Passagen Werk στην

Robert Rauschenberg, Richard Prince και Independent Group

Gerhard Richter.20

Atlas

17 Simon, Cheryl. (2002) Introduction: Following the Archival Turn, Visual Resources, 18(2), σελ. 102.

18 Carbone, Kathy. (2020) “Archival art: Memory practices, interventions, and productions,” Curator: The Museum Journal, 63(2), σελ. 258.

19 Καραμπά, Ελπίδα. (2012) “

Κούρος και Ελπίδα Καραμπά (επιμ) Archive Public. Επιτελέσεις

Τοπικές παρεμβάσεις. Πάτρα: CubeArt Editions, σελ 67.

20 Foster, Hal. (2004) “An Archival Impulse,” The MIT Press, 110(Autumn 2004), σελ. 3.

21 Allan, Hannah. (2015) The archival context of contemporary practice: how might temporal artistic process function as trace within the archive?

Manchester Metropolitan University. σελ 11

22 Καραμπά, Ελπίδα. (2012) “

(επιμ) Archive Public.

CubeArt Editions,

23 Καραμπά,

24 “O Buchloh,

(2015) ‘Το

Gerhard Richter’s “Atlas”:

Επίσης,

(Foster, Hal. (2004) “An Archival Impulse,” The MIT Press, 110(Autumn 2004), σελ. 5.)

25 “Όπως η Ann Stoler την οριοθέτησε το 1990” (Παπαστάμου, Ευαγγελία.Α.

26 Rosengarten, Ruth. (2013) Between Memory and Document: The Archival Turn in Contemporary Art. Cork: Fundação Berardo.

27 Foster, Hal. (2004) “An Archival Impulse,” The MIT Press, 110(Autumn 2004), σελ. 4.

30 Allan, Hannah. (2015) The archival context of contemporary practice: how might temporal artistic process function as trace within the archive?

Manchester Metropolitan University. σελ 11.

31 Rosengarten, Ruth. (2013) Between Memory and Document: The Archival Turn in Contemporary Art. Cork: Fundação Berardo.

32 Μετάφραση

(από Rosengarten, Ruth. (2013) Between Memory and Document: The Archival Turn i8n Contemporar Art. Cork: Fundaçao Berardo)

Documenta

Documenta 11

Deep Storage: Collecting, Storing, and Archiving in Art (1997) της Ingrid Schaffner (εικόνα 8) και Archive Fever: Uses of the Document in Contemporary Art (2008) του Okwui Enwezor. (διάγραμμα)40

34 Steyerl, Hito. (2005) The Politics of Truth-Documentarism in the art field στο Harvanek, V., Schaschl-Cooper, S. & Steinbrugge, B. (Επιμ.) The need to document. Zurich, JPR Ringier: 53-64.

38 Foster, Hal. (2004) “An Archival Impulse,” The MIT Press, 110(Autumn 2004), σελ. 5.

39 Ο Hal Foster

rant, Pierre Huyghe, Philippe Parreno, Douglas Gordon, Liam Gillick και

Sam Du

Dion and Renée Green. Η Ruth Rosengarten στο Between Memory and Document: The Archival Turn in Contemporary Art,

Glenn Ligon, Lorna Simpson, Roni Horn, João Penalva, Francis Alÿs, Vivan Sundaram, Zoe Leonard and Taryn Simon.

Deep Storage: Collecting, Storing, and Archiving in Art

επιμ. Ingrid Schaffner, Μόναχο & Νέα Υόρκη* (έκθεση)

Interarchive: Archival Practices and Sites in the Contemporary Art Field

επιμ. Hans Peter Feldmann & Hans Ulrich Obrist (έκθεση & βιβλίο)

Gerard Richter’s Atlas. The Anomic Archive, Benjamin Buchloh (κείμενο)

Art and the Artifact, The Museum As Medium, James Putnam (έρευνα)

Ghosting:The Role of the Αrchive within Contemporary Artist’s Film and Video (επιμ. project)

H bottom-up

What are Archives? | Animating the Archives, TATE

ICOM. (Museum definition (2022) International Council of Museums. Προσβάσιμο

: https://icom.museum/en/resources/standards-guidelines/ museum-definition/ (πρόσβαση στις: 18/12/2022).)

45 Τσιάρα, Συραγώ.

46 Τσιάρα, Συραγώ.

213.

Thessaloniki’s Weak Monuments, Built Event Το event Performing Urban Archives

thessAloniki’s WeAk MonuMents, Built EvEnt

Thessaloniki’s Weak Monuments

2 Nora, Pierre. (1989) Between Memory and History: Les Lieux de Mémoire, στο Representations, Special Issue: Memory and Counter-Memory, 26 (Spring 1989 ). σελ. 7.

3 Clarke, Paul. (2008) ‘Archival Events and Eventful Archives’ στο Arkive City, επιμ. Julie Bacon, Belfast/Newcastle: Interface and Locus+, σελ. 171.

4 Γιώργος Τζιρτζιλάκης.

ennale 2.: biennale2.thessalonikibiennale.gr/programme.php?lang=el&byear=2009&ptype=2&prg_id=52)

DESCRIBING A PERSON.: antonas.blogspot.com/2010/09/weak-monuments-in-armenia.html )

7 Αντονάς, Αριστείδης. (2013)

Τέχνη, 04, Αθήνα: AICA Hellas. σελ 246.

Gabriela Salgado, Bisi Silva και

(Thessaloniki Biennale 2. PRAXIS.

(2009) Thessaloniki Biennale 2. : biennale2.thessalonikibiennale.gr/

. Thessaloniki Biennale 2.: biennale2.thessalonikibiennale.gr/programme.php?lang=el&byear=2009&ptype=2&prg_id=52

9 Pharmakis, Gregorios. (2011) Weak Monuments, Antonas / Weak Monuments.: antonas.pbworks.com/w/page/13336891/weak%20monuments

10 “Ως πρόσκτηση (accession ή accessioning)

(Schwirlitch, Anne - Marie.& Reed, Barbara. (2000)

J. Ellis (επιμ.),

(Deleuze, Gilles. (2004) How do we recognise structuralism? στο Desert Islands and Other Texts 1953-1974, Lapoujade, David (επιμ.) Taormina, Michael (μεταφ.) SEMIOTEXT(E) FOREIGN AGENTS SERIES. σελ 174)

(εικόνα 11)

Στιγμιότυπο από

(Events or/and Facts)

Alain Badiou

Peuton penser la politique?.

Badiou

12 Phokaides, Petros. (2009) Weak Monuments 5, Antonas / Weak Monuments 5. : antonas. pbworks.com/w/page/13336885/weak%20monuments%205

13 Pharmakis, Gregorios. (2011) Weak Monuments, Antonas / Weak Monuments.: antonas. pbworks.com/w/page/13336891/weak%20monuments

(2013)

AICA Hellas. σελ 241.)

15 Antonas, Aristede. (2010) Murder remains, Works on literature and architecture.

antonas.wordpress.com/2010/09/14/murder-remains/

(εικόνα 13)

17 Antonas, Aristede. (2010) Murder remains, Works on literature and architecture.

antonas.wordpress.com/2010/09/14/murder-remains/

20 Pharmakis, Gregorios. (2011) Weak Monuments, Antonas / Weak Monuments.: antonas.pbworks.com/w/page/13336891/weak%20monuments

21 Antonas, Aristede. (2010) Murder remains, Works on literature and architecture.: antonas. wordpress.com/2010/09/14/murder-remains/

22 Pharmakis, Gregorios. (2011) Weak Monuments, Antonas / Weak Monuments.: antonas.pbworks.com/w/page/13336891/weak%20monuments

23 Antonas, Aristede. (2010) Murder remains, Works on literature and architecture.: antonas. wordpress.com/2010/09/14/murder-remains/

24 Η Arlette Farge

chives (PUA).

EvEnt perforMing urbAn Archives

event Performing Urban Ar

Cecilie Sachs-Olsen

Queen Mary University of London

2015.

Cultural Geographies,

25 Colomina, Beatriz. (1994) Privacy and Publicity: Modern Architecture as Mass Media, Cambridge, ΜΑ: The MIT Press. σελ. 11-12

26 Performing urban archives (2015) Past events - Performing urban archives - School of Geography.: qmul.ac.uk/geog/events/archive/performing-urban-archives.html

27 Ricoeur, Paul. (1990) Time and narrative (volume 3). Μετάφραση David Pellauer and Kathleen. Blamey. Chicago: The University of Chicago Press. σελ 38

28 “The archival context of contemporary practice: how might temporal artistic process function as trace within the archive?” (Allan, Hannah. (2015) The archival context of contemporary practice: how might temporal artistic process function as trace within the archive?

Manchester Metropolitan University. σελ 67)

29 Lawn, Katy. (2016) Workshop: Performing the urban archive (and messages from the fu-

To Park Fiction

pArk fiction κΑι pro-test lAb

ture...), Landscape Surgery.: landscapesurgery.wordpress.com/2016/12/21/workshop-performing-the-urban-archive/ 30

(Definitions. Situationist International Online.: cddc.vt.edu/sionline/si/definitions. html )

31 Theory of the Dérive. Guy Debord. Les Lèvres Nues #9 (November 1956) reprinted in Internationale Situationniste #2 (December 1958) Translated by Ken Knabb. Situationist International Online.: cddc.vt.edu/sionline/si/theory.html

32 Κούρος, Πάνος. (2012) “

(επιμ) Archive Public.

Πάτρα: CubeArt Editions, σελ. 31.

33 Park Fiction - Introduction in English (2013) Park Fiction.: park-fiction.net/park-fiction-introduction-in-english/

34 Schäfer, Christoph. Skene, Cathy with the Hafenrandverein. & Hoffman, Karl. (2007) “Re -

Το Park Fiction

(εικόνα 16)

Park Fiction

Documenta 11, Christoph Schäfer, 2002

bellion on level P” στο W. Bradley and C. Esche (επιμ.) Art and Social Change. A critical reader. London: Tate Publishing, Afterall, σελ. 288.

35 Park Fiction - Introduction in English (2013) Park Fiction.: park-fiction.net/park-fiction-introduction-in-english/

36 Schäfer, Christoph. Skene, Cathy with the Hafenrandverein. & Hoffman, Karl. (2007) “Rebellion on level P” στο W. Bradley and C. Esche (επιμ.) Art and Social Change. A critical reader. London: Tate Publishing, Afterall, σελ. 284.

“κοινωνιάς-πόλης”.

(Παραδόσεις 23). σελ. 235.

38 Κούρος,

(2012) “

(επιμ) Archive Public.

CubeArt Editions,

(εικόνα 17)

(εικόνα 18) δεξιά

για επιγραφή“Park” , Hans-Christian Dany and Christoph Schäfer, 1995

Park fiction becomes park fact

(εικόνα 20)

Park Fiction becomes park fact

Pro-test lab

42 The Pro-Test Lab – by Nomeda & Gediminas Urbonas. The Drouth.: thedrouth.org/the-protest-lab-by-nomeda-gediminas-urbonas/

43 ο.π.

46 pro-test lab archive (2020) US:Urbonas Studio.: nugu.lt/us/?p=34

47 dossier: Nomeda & Gediminas Urbonas. US: Urbonas Studio.: nugu.lt/dossier/

48 Καραμπά, Ελπίδα.

49 The Pro-Test Lab – by Nomeda & Gediminas Urbonas. The Drouth.: thedrouth.org/the-protest-lab-by-nomeda-gediminas-urbonas/

50 About SDV (2016) salon de vortex. : salondevortex.wordpress.com/about/ 51

(εικόνα 24)

851 Αθήνα-Νίκαια, Salon de Vortex, 2015

(εικόνα 25) Αντιπαραθέμενα

Derrida, Jacque. (1996)

54 Salondevortex (2016) Nice!, NICE! A poetic exploration about the possibility of return, of memory, homeland and loss.: nicesdv.wordpress.com/

(2015) 851 Athens-Nikaia, salon de vortex. : salondevortex.wordpress. com/2015/05/18/851-athens-nikaia/

26)

nice!

(2016) SDV Presents: Nice! \An Exhibition and a book, salon de vortex.: salondevortex.wordpress.com/2016/01/24/nice-west-side-stories/

nice! Is it possible to return?

(microhistory)

60 Κούρος, Πάνος. (2004) “Μνημονικές

, (45–

61 Halbwachs, Maurice. (1992) On collective memory. Επιμέλεια Lewis.A. Coser. Chicago: The University of Chicago Press. σελ. 34.

62 Κούρος,

(2004) “Μνημονικές

πηγή:nicesdv.wordpress.com/nice-visuals/alexandra-giannakandropoulou/

64 Derrida, Jacque.

66 Sigurður Gylfi Magnússon. “What Is Microhistory? Theory and Practice. – (2013).” Routledge (2013) σελ

(crowdsourcing).

south london blAck Music Archive, BArBy AsAntE

Το crowdsourcing

(εικόνα 29)

South London

Black Music Archive: Legacy Tunes Barby Asante, 2012

68 To The Leaders of

Peckham Space

(Artist talk: Barby Asante, South London Black Music Archive (2021) Peckham Platform.: peckhamplatform.com/all-resources/artist-talk-barby-asante-south-london-black-music-archive/ )

70 South London Black Music Archive. BARBY ASANTE.: barbyasante.com/work/south-london-black-music-archive

tate.org.uk/art/art-terms/s/socially-engaged-practice)

London Black Music Archive

ΤΟ

oPEn sourcE ΑρχειΟ pAd.MA

72 Artist talk: Barby Asante, South London Black Music Archive (2021) Peckham Platform.: peckhamplatform.com/all-resources/artist-talk-barby-asante-south-london-black-music-archive/

10 Theses on The Archive April 2010, Beirut.

1. Don’t Wait for the Archive

2. Archives are not reducible to the particular Forms that they take

3. The Direction of Archiving will be Outward, not Inward

4. The Archive is not a Scene of Redemption

5. The Archive deals not only with the Remnant but also with the Reserve

6. Historians have merely interpreted the Archive. The Point however is to Feel it

7. The Image is not just the Visible, the Text is not just the Sayable

8. The Past of the Exhibition Threatens the Future of the Archive

9. Archives are governed by the Laws of Intellectual Propriety as opposed to Property

10. Time is not Outside of the Archive: It is in it. (εικόνα 31)

Colomina, Beatriz. (1994) Privacy and Publicity: Modern Architecture as Mass Media, Cambridge, ΜΑ: The MIT Press.

Benjamin, Walter (2003) The Arcades Project. Μετάφραση Howard Eiland & Kevin McLaughlin. Cambridge: Harvard University Press.

Derrida, Jacque. (1996) Η έννοια του

Παπαγιώργης. Αθήνα: ΕΚΚΡΕΜΕΣ.

Farge, Arlette. (2004) Η

(Ιστορία).

Halbwachs, Maurice. (1992) On collective memory. Επιμέλεια Lewis.A. Coser. Chicago: The University of Chicago Press.

Pearce, Susan M. (2002) Μουσεία, Αντικείμενα

Α.Καζάζης, Π.Μπίκας. Αθήνα: Βάνιας.

Ricoeur, Paul. (2004) Memory, History, Forgetting. Μετάφαση: Kathleen Blamey and David Pellauer. Chicago: The University of Chicago Press.

Ricoeur, Paul. (1990) Time and narrative (volume 3). Μετάφραση David Pellauer and Kathleen. Blamey. Chicago: The University of Chicago Press.

Rosengarten, Ruth. (2013) Between Memory and Document: The Archival Turn in Contemporary Art. Cork: Fundação Berardo.

Τερζόγλου,

(2021)

(2009)

(2013)

AICA Hellas.

Benjamin, Walter. & Demetz, Peter. (1986) “Paris, Capital of the Nineteenth Century,” στο Reflections Essays, Aphorisms, Autobiographical writings New York: Schocken Books.

Carvajal, F., Dávila Freire, M. & Tapia, M. (εκδ) (2020) “Presentation,” in P. Abufom et al. (μεταφ.) Archives of the Commons II The Anomic Archive. Buenos Aires-Paris, σσ. 12–13. (Έκδοση του σεμιναρίου Archives of the Commons II The Anomic Archive, Μαδρίτη, 28-30/09/2017) πρόσβαση στο: https://redcsur.net/wp-content/uploads/2021/03/ArchivoAnomico_Ingles_ PDF_lectura-1.pdf

Clarke, Paul. (2008) ‘Archival Events and Eventful Archives’ στο Arkive City, επιμ. Julie Bacon, Belfast/Newcastle: Interface and Locus+, σσ. 162-173.

Deleuze, Gilles. (2004) How do we recognise structuralism? στο Desert Islands and Other Texts 1953-1974, Lapoujade, David (επιμ.) Taormina, Michael (μεταφ.) SEMIOTEXT(E) FOREIGN AGENTS SERIES. σσ. 170-192.

Καραμπά, Ελπίδα. (2012) “ Τέχνη αρχείου: μια δημοκρατική

(επιμ.) Archive Public. Επιτελέσεις

CubeArt Editions, σσ. 55–56 & 65-79.

Κούρος,

(2012) “

(επιμ.) Archive Public. Επιτελέσεις αρχείων στη δημόσια τέχνη. Τοπικές παρεμβάσεις. Πάτρα: CubeArt Editions, σσ. 41–54.

Lawlor, Leonard. & Nale, John. (επιμ.) (2014) “Archive,” στο The Cambridge Foucault Lexicon. Cambridge: Cambridge University Press, σσ. 20–23. doi: 10.1017/CBO9781139022309.006.

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The archive. London: Whitechapel & The MIT Press (Documents of Contemporary Art), σσ. 10–17.

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Antonas, Aristede. (no date) Weak monuments in Armenia, ANTONAS ACCUMULATION OF ENTRIES DESCRIBING A PERSON. Προσβάσιμο στο: http://antonas.blogspot.com/2010/09/weak-monuments-in-armenia.html (πρόσβαση στις: 15/01/2023).

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*bookworks.org.uk/publishing/shop/the-bureau-of-the-centre-for-the-studyof-surrealism-and-its-legacy/

** https://park-fiction.net/park-fiction-desires-will-leave-the-house-and-taketo-the-streets/