5. Polaroid
6. Safe sex
php/PSPA127/9.%20
6.Koeck R. , Les Roberts (2010), The City and the Moving Image Urban Projections. New York: Palgrave Macmillan
7. Hubbard P. (2006), City. New York: Routledge
8. Βαΐου Ν.,
Α. (2012),
9. Hubbard P. (2006), City. New York: Routledge
P., 2006).9
10. Σωτηροπούλου Χρ. (2001)
11. Νικολαΐδου Α.(2012),
(1994-2004).
14. Koeck R. , Les Roberts (2010), The City and the Moving Image Urban Projections. New York: Palgrave Macmillan
15. (Σημειώσεις)
16. (Σημειώσεις)
κοινό.
ενδιαφέρον
και Siegfried Kracauer(1927),19
«πόλη-κινηματογράφος-νεωτερικότητα».
Στα κείμενα
R., Les Roberts, 2010).
Walter Benjamin(1985)18
17. Koeck R. , Les Roberts (2010), The City and the Moving Image Urban Projections. New York: Palgrave Macmillan
18. Benjamin, W. (1985), One Way Street and Other Writings. London: Verso
19. Kracaeur,S (1960), Theory of Film. The Redemption of Physical Reality (1960). New York: Oxford University Press
Man With a Movie Camera(1929), Dziga Vertov
20. (Σημειώσεις)
21. (Σημειώσεις)
22. Σηφάκη Ε., Πούπου Α., Νικολαϊδου Α. (2011), Εισαγωγή, στο
(επιμ.), Πόλη και
κινηματογράφος:
Berlin: Symphony of a Great City (1927).Walter Ruttmann
25.Ferro, M. (2002),
ο Marc Ferro (2002)25
(1994-2004).
27. Sorlin,P.(2004),
1939-1990.
28. (Σημειώσεις)
29. Koeck R. , Les Roberts (2010), The City and the Moving Image Urban Projections. New York: Palgrave Macmillan
R., Les Roberts, 2010).29
Germania anno zero(1948). Roberto Rossellini
P., 2006).31
Lang),
ga Vertov),
P., 2006).32
de Sica),
Blade Runner(Rid-
(2012),
31. Hubbard, P. (2006) City. New York: Routledge
32. Hubbard, P. (2006) City. New York: Routledge
33. (Σημειώσεις)
34. (Σημειώσεις)
35. (Σημειώσεις)
ing on a ruined map (1992),
38. Bruno, G. (1993), Streetwalking on a ruined map. Cultural theory and the City filmsof Elvira Notari.Princeton, NJ: Princeton University Press
39. Clarke B. D. (ed.) (1997)The Cinematic City, New York/London: Routledge
41. (Σημειώσεις)
42. (Σημειώσεις)
43. (Σημειώσεις)
R., Les Roberts, 2010).44
44. Koeck R. , Les Roberts (2010), The City and the Moving Image Urban Projections. New York: Palgrave Macmillan
Metropolis (1927). Fritz Lang, Berlin: Symphony of a Great City (1927).Walter Ruttmann, Man With a Movie Camera(1929). Dziga Vertov, À propos de Nice(1930). Jean Vigo, κλπ.
Ο Kracauer, όπως
Benjamin,
[33]
Fritz Lang. Metropolis (1927), Joe May. Asphalt (1929), F. W. Murnau. The Last Laugh (1924), G. W. Pabst. Joyless Street (1925), Walter Ruttmann. Berlin: Symphony of a Great City (1927), Robert Siodmak, Edgar Ulmer, and Billy Wilder. People On Sunday (1929)
[34]
Howard Hawks. The Big Sleep (1946), John Huston. The Maltese Falcon (1941), Robert Siodmak. Phantom Lady (1944), Billy Wilder. Double Indemnity (1944)
[35].Χαρακτηριστικές
Jean-Luc Godard. Breathless (1960),François Truffaut. The 400 Blows (1959), Agnès Varda. Cléo from 5 to 7 (1962)
[36] Χαρακτηριστικές
Jean-Luc Godard. Alphaville (1965), Fritz Lang. Metropolis (1927), William Cameron Menzies. Things to Come (1936), Ridley Scott. Blade Runner (1982)
[41]
David Harvey, The condition of Post- Moder-
E.Soja Post-Modern Geographies, The reassertion of space in critical social theory,
[42]
Koeck R. , Les Roberts (2010), The City and the Moving Image Urban Projections. New York: Palgrave Macmillan, Westwood S., Williams J. (1997), IMAGINING CITIES. New York: Routledge, Hallam J., Kronenburg R., Koeck R., Les Roberts Cities in Film: Architecture, Urban Space and the Moving Image. An International Interdisciplinary Conference University of Liverpool, 26-28th March 2008.
[43]
Castro, T. (2009). ‘Cinema’s Mapping Impulse: Questioning Visual Culture’, Castro, T. (2010). ‘Mapping the City Through Film: From “Topophilia” to Urban Mapscapes’, Conley, T. (2007). Cartographic Cinema. Minneapolis: University of Minnesota Press, Roberts, L. (2010). ‘Projecting Place: Location Mapping, Consumption, and Cinematographic Tourism’, Roberts, L. (2012).’Cinematic Cartography: Projecting Place Through Film’, Hallam, J. and Roberts, L (eds). Locating the moving image: New approaches to film and place. Bloomington: Indiana University Press, 2014, κλπ
45. Πούπου Α. (2011),
46. Hall S. (2017), Το έργο
S. Hall(2017)
47. Παναγιωτοπούλου Α. (2020), Αναπαραστάσεις
49. Graham, B. (2002)
Heritage as knowledge: Capital or culture?, Urban Studies
50. Hall S. (2017),
Polaroid.
πηγη: https://www. inkasfilms.com/el/movie/ polaroid/
5. Polaroid (2002),
Coti
Georges Lerquin
Inkas Film & TV Productions, KINO A.E., PPVA.E..
po-viografies-sto/
inkasfilms.com/el/movie/ polaroid/
16/6/00, Κατσουνάκη, 16/6/00, Δανίκας, 16/6/00).Ταυτόχρονα, αναγνωρίστηκε η
‘Polaroid’» (Δανίκας, 16/6/00) «αντιπροσωπευτικοί
7, 2004
2004.
55.
διαθέσιμο: https://www. epohi.gr/article/25181/opaikths-pou-egine-kolektiva
(Γυναίκα, Μarie Claire, Playboy, Nitro, Downtown, Max, Ciao, Diva, Madame Figaro, Net, Pop Corn, Status,
contre plongé
πηγή: https://www.iathens.gr/tainia/safe-sex/
6. Safe sex (1999), M.Ρέππας/
60.
(2004).
61.
(1994-2004).
συγκεκριμένους
«βγαίνουμε», τι φοράμε,
67. Bannister, J., and N. Fyfe. 2001. “Introduction: Fear and the City.” Urban Studies
68. Mίχα Eιρ., 2004,
στο
Γεωγραφίες, τεύχος 7, 2004
(Bannister and Fyfe, 2001).67
https://www.iathens.gr/tainia/from-theedge-of-the-city-1998/
Α.(2012),
πόλης του ελληνικού
κινηματογράφου (1994-2004).
Διδακτορική διατριβή,
http://www. cinephilia.gr/index.php/ tainies/hellas/1517-apotin-akri-tis-polis
πηγή: https://www.lifo. gr/now/greece/17-hroniameta-tin-akri-tis-polis-ostathis-papadopoylos-
(2015),
1.
2.Θρακομακεδόνες
3.
6.
7.
8.
81.Sorlin, P. (2004),
1939-1990,
Νικολαΐδου Α.(2012), Πόλη και κινηματογραφική
ελληνικού κινηματογράφου(1994-2004). Διδακτορική
Μέσων και Πολιτισμού.
Παναγιωτοπούλου Α. (2020), Αναπαραστάσεις
I., 2004, “Mετανάστες
Ψημμένος, Ι. (1995), Μετανάστευση
7, 2004
Ferro, M. 2002), Κινηματογράφος και ιστορία. Αθήνα: Μεταίχμιο.
Hall S. (2017), Το έργο της αναπαράστασης. Αθήνα: Πλέθρον.
Sorlin,P.(2004), Ευρωπαϊκός Κινηματογράφος. Ευρωπαϊκές κοινωνιες 19391990. Αθήνα: Νεφέλη.
Bannister, J., and N. Fyfe. 2001. “Introduction: Fear and the City.” Urban Studies
Benjamin, W. (1985), One Way Street and Other Writings. London: Verso
Bruno, G. (1993),Streetwalking on a ruined map. Cultural theory and the City filmsof Elvira Notari.Princeton, NJ: Princeton University Press
Clarke B. D. (ed.) (1997)The Cinematic City, New York/London: Routledge
Conley,T. (2007). Cartographic Cinema. Minneapolis: University of Minnesota Press
Graham, B. (2002) Heritage as knowledge: Capital or culture?, Urban Studies
Hallam J., Kronenburg R., Koeck R., Les Roberts (2008) Cities in Film: Architecture, Urban Space and the Moving Image. An International Interdisciplinary Conference University of Liverpool, 26-28th March 2008.
Hallam, J. and Roberts, L (eds)(2014). Locating the moving image: New approaches to film and place. Bloomington: Indiana University Press
Hubbard P. (2006), City. New York: Routledge
Koeck R. , Les Roberts (2010), The City and the Moving Image Urban Projections. New York: Palgrave Macmillan
Kracaeur,S (1960), Theory of Film. The Redemption of Physical Reality. New York: Oxford University Press
https://k-lab.zone/20-chronia-antiratsistiko-festival/
https://ellinikoskinimatografos.gr/ den-mou-aresei-na-vlepo-viografies-sto/
www.epohi.gr/article/25181/o-paikths-pou-egine-kolektiva
http://www.cinephilia.gr/index. php/tainies/hellas/1517-apo-tin-akri-tis-polis