ARCHITECTURE PORTFOLIO Gabriela Gonzales Allende
M.ARCH | 2021
RESUME EDUCATION 08/2019 - 04/2022
CONTACT Kent State University | College of Architecture and Environmental Design Master of Science in Architecture and Environmental Design & Master of Architecture. Overall GPA: 3.88
08/2010 - 01/2014
Universidad Nacional San Antonio Abad del Cusco | College of Architecture Bachelor of Architecture Ranked in the top fifth of graduating class. Thesis accepted with recognition of Excellence
RELEVANT EXPERIENCE 08/2019 - Present
Kent State University, Kent, Ohio | Graduate Assistant - Teaching Assitant for Structural Systems and Global Architecture History - Generated structural modules in grasshoper for a biotensegrity research project
10/2018 - 05/2019
INGEP, Lima, Peru | Architect Designer - Elaborated architectural proposals of educational infrastructure projects. - Elaborated valuations and technical specifications for the public infrastructure projects’ design and manufacturing schedule. - Supported the BIM team by elaborating 3D imagery
05/2017 - 10/2018
San Sebastian District Municipality, Cusco, Peru | Urban Planner - Coordinated the diagnosis and land management proposal of a rural area near an archeological center. - Supported the technical team by analyzing land use and landscape changes. - Supported the urban cadastre‘s team by zoning and delimiting formal and informal neighborhoods. - Supported by the valuations of consulting projects.
07/2016 - 12/2016
Municipality of Calca, Cusco, Peru | Urban Planner Intern -Generation of urban and rural cadastres - Urban land Registry data -Updating and Monitoring of the urban and rural zoning of the province of Calca.
09/2014 - 12/2014
Regional Government of Cusco, Peru | Architect Intern - Assistant in the building process - Assitance on planning and Scheduling Control -2D drawing and 3D BIM modeling
SEMINARS 08/2015
Seminar: Sustainability and bioclimatic Design, Cusco, Peru
E-mail ggonzal6@kent.edu gabrielagonzallende@gmail.com Phone 234-253-4430 Address 1015 S. Willow Street Extension Kent, Ohio 44240, USA
SKILLS Rhinoceros
Revit
Archicad
AutoCad
Audodesk Maya
Vray for Rhino
Lumion
Adobe Suite
Qgis
Languages English
School of Architect of Cusco, Dr. Arq. John Bellew Hertz (10 hours) 11/2015
Seminar: International meeting of architects caral letter to the world, Lima, Peru | School of Architect of Peru
Portugues
Panelist: Jorge Arditi , Roderick Hackney – International consultant. Rodolfo Tisnado – Founder of AS Architecture Studio. (20 hours) 05/2018
Seminar: Social and Economic Sustainability of Historic Centers, Cusco, Peru Provincial Municipality of Cusco (1 week)
Spanish
Advance
Intermediate
Fluent
CONTENT
1 OPENYARD OFFICE AND STORE
P 01-10
VILLAGE 2 APPLE URBAN PLAN
P 11-20
3 SACLLO URBAN PLAN
P 21-28
4 MIAMI RETAIL STORE
P 29-38
II 5 EPISODE DOMESTICITY
P 39-44
OPENYARD
A P P L E
ACADEMIC INDIVIDUAL WORK TYPE: CULTURAL/OFFICE/RETAIL SITE: CLEVELAND, OHIO
P A R K
I I I
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Public Courtyard | Rhinoceros + Photoshop
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01. MANIFESTO The idea of the project originates from the spatial qualities of the concept of porosity. This is also linked to the exploration of the different degrees of interaction between a public and a private space. Consequenlty, the building simply manifests the complex nature and needs of the both space types site into a built form and function.
“
“
All Architecure has a public nature, I believe, so I would like to make a public space - Tadao Ando
To further this concept, the proposal opens to free its green courtyard and merge it with the outdoor public space. The privacy requirements for an office and retail building are carefully organized as follows: - The first floor contains The first floor contains shops and galleries, as a transition between public space and semi-private space. - The second floor covers workshop spaces and customer service, while on the third and fourth floors are the offices. - In this way, the architectural program is organized increasing stage by stage, floor by floor, privacy and security requirements.
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Access to courtyard and store | Rhinoceros + Photoshop
Exterior view of galleries | Rhinoceros + Photoshop
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Interior of galleries | Rhinoceros + Photoshop
Aerial View | Rhinoceros + Photoshop
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02. CONCEPT DIAGRAM The project’s idea came from the courtyard typology, which also is the origin of the apple park project in Cupertino. However, the proposal takes another approach. The apple park encloses its green spaces , encapsulates it and keep it private without any relation with the exterior. On the other hand, the proposal looks to irradiate its green spaces, carving its walls, letting it be public to take “bring back nature” to the urban scale and be part of it.
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1. Original Courtyard
2. Public access
3. Courtyard extension
4. Adaptation to topography
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GALLERY
OTB
iPLAY
OPEN WORKSHOPS
OTB
OTB
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Key Plan
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1
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FIRST FLOOR
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4
3
2
1
0
SECOND FLOOR
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OPEN OFFICE
OPEN OFFICE OPEN OFFICE
OPEN OFFICE OFFICE MEETING
INDIVIDUAL INDIVIDUAL OFFICE OFFICE
OFFICE MEETING
INDIVIDUAL INDIVIDUAL OFFICE OFFICE
OTB
CONFERENCE ROOM
INDIVIDUAL OFFICE
OTB
INDIVIDUAL OFFICE
OTB
TEAM OFFICE
OTB
OPEN OFFICE
TEAM OFFICE
OPEN OFFICE OTB
CONFERENCE ROOM
OTB
OTB
OTB
OTB
OTB
BREAK
BREAK INDIVIDUAL OFFICE INDIVIDUAL OFFICE OTB
OTB OTB
OTB
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FOURTH FLOOR FOURTH FLOOR
APPLE VILLAGE A
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ACADEMIC TEAM WORK TYPE: URBAN DEVELOPMENT SITE: CLEVELAND, OHIO
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01. CONCEPT The study area includes residential, retail, industrial zones, located along the Cuyahoga River in Cleveland, Ohio. It means a condense mixture of uses, a fragmented land occupation, but also a place of multiple opportunites to connect the city through differents levels of interaction. An brief overview of the area, shows us not only multiple dialogues and the lack of them, but one main geographic component of the fabric of the city, the River. It becomes the mean to integrate and generate new uses and dynamics in the area. Consequently, the project’s aims to bring back the river for the inhabitants, for the urban environment through the landscape as a structuring network. Thus, the project development rises from the study of typologies, which explore the connection with the river, and buildings layout.
Floating Deck
Interactive Building
Floating Garden
Wetlands
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Master Plan | Rhinoceros + Photoshop
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Access and circulation Map | Rhinoceros + Photoshop
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Program Map | Rhinoceros + Photoshop
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Urban Plaza | Rhinoceros+ Photoshop
Community Forest | Rhinoceros+ Photoshop
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Floating Deck | Rhinoceros+ Photoshop
Botanic Garden | Rhinoceros+ Photoshop
SEÑOR DEL CALVARIO HILL
COMMUNITY OF SACLLO
ary im
Pr
P1
PAN DE AZUCAR HILL
49°
P2 188°
a
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P3 198°
HUCHUY QOSQO - SECTOR
D:\PLANES\PE SACLLO\00QACYAQAHUANA PE SACLLO - HUCHUY QOSQO\PLANOS\BASE PROP\ORTOS TIFF\HQ-1.tif
INHABITED AREA
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P13 194°
D:\PLANES\PE SACLLO\00 PE SACLLO - HUCHUY QOSQO\PLANOS\BASE
PROP\ORTOS TIFF\QOSQO CHICO.tif
HUCHUY QOSQO ARCHAEOLOGICAL SITE
P12 193°
180°
P6
P.E. SACLLO
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PROFESSIONAL TEAM WORK YEAR: 2017 SITE: CALCA, CUSCO, PERU
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01. DESCRIPTION The development of the project “Cableway Huchuy Qosqo – Calca” aims to optimize the tourist services of the Archaeological Site of Huchuy Qosqo, one of the most important prehispanic architectural and cultural vestigeslocated in the Sacred Valley of the Incas. Consequently, It is needed a set of actions and strategies to organize the territory around the project. It involves territorial planning and communal development of two rural areas since they will be prone to accelerated growth in terms of their occupation and settlement due to they are part of the direct influence zones of the project. Understanding that the cableway in full function, will be a morphic focus generating economic and tourist activities, a very different scenario is foreseen to the current one (which is mainly for productive agricultural use); that is why the need arises to develop a technical normative and strategic instrument that allows to provide planning according to the sustainability policies of the Sacred Valley of the Incas.
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Low density residential area | ArchiCad + Photoshop
Connection node between residential roads | ArchiCad + Photoshop
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Connection node between residential area with main road | ArchiCad + Photoshop
Medium density residential area | ArchiCad + Photoshop
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AREA PROTECCION LINEA TELEFERICO
ZP-SA
ZONA DE PROTECCION DE SITIO ARQUEOLOGICO
EP-1
EDUCACION PAISAJISTA 1
ZA
ZONA AGRICOLA
0.01
22
HOSPITAL TIPO B
OU
COMERCIO RURAL LOCAL
0.10
HP
RESIDENCIAL RURAL PRODUCTIVA
CR-1
10
RESIDENCIAL RURAL CAMPESTRE
RRP
0.70
RRC
0.10 0.70 0.50
BLUE
8520500.0000
0
VIA NACIONAL PE-28B
0.30
CYAN
8521000.0000
8521000.0000
250 8520500.0000
253 252
0.15
251
0.15
250
0.15
242
0.40
240
0.01 0.40
201 170
0.05
162
0.01
160
0.01 0.40
152 150
0.10
131
0.01
130
0.01
104
ZA-1
0.05 0.10
70
0.01
51 50
0.01
44
0.18
40 30
0.05
24
0.20
0.10
0.15
90
ZA-1
BORDE DE INTERVENCION
0.18
YELLOW GREEN
ZP-SA
COMUNIDAD CCACLLA HUCHUY QOSQO
ZAF
0.15
9
ZT-HQ
0.20
8
ZP-N
0.13
WHITE
ZA-1
0.01
0.01
ZA-1
RED
Em cópias deste desenho com formato diferente do A1 atender à escala gráfica
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PLAN ESPECÍFICO C.C. SACLLO - HUCHUY QOSQO
Arq. Jussara Chihuantito M. Equipo Técnico
DEPARTAMENTO PROVINCIA DISTRITO SECTOR
CUSCO CALCA C.C. SACLLO - HUCHUY QOSQO
P-04B
PLAN ESPECÍFICO C.C. SACLLO Y HUCHUY QOSQO
CALCA
INDICADA
PROPUESTA ZONIFICACIÓN
1
1
08
2018
MIAMI STORE
R
E
T
A
I
L
S
T
O
R
E
ACADEMIC INDIVIDUAL WORK YEAR: 2019 SITE: MIAMI DESIGN DISTRICT
31 |
01. MANIFESTO The shopping experience is going through a new stage, the digital one. Although physical shopping experience has been gradually displaced, it still has characteristics and qualities that make it attractive to the users, the ability to generate interaction. Indeed the ability to be the medium, a platform to tell a story, to discover advantages of new digital tools. Thus, the proposal seeks to be the space for a hybrid shopping experience. The organization of spaces began with the display of the walls which as a fabric, it unfolds itself to define the main access, the route around the building, and to enclose spaces.
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33 |
A mainly commercial axis and public space are the primary quailities of the urban context.
The public space extends toward the inside of the building through the street’s texture and a compatible use.
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The torsion of one the building components extend the visual perception of the public space.
Meeting and rest public and semipublic areas inside the building.
35 |
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FLOOR PLANS 37 |
N.E 39TH STREET
15
15
1
1 14 13 12 11
OPEN TO BELOW FITTING AREA
1
DIOR
ZEGNA
2 FASHION CONSULTANT
1
RETAIL
OP BE
1 2 3 4
4
5
5
6
6
7
7 8
26
DOWN
9
8
DOWN
9
25
24
11 22
m 21
20
12
10
11 20
19
17
18
16
18
17
16
19
t 15 Tex 14
21
t 15 Tex 14
13
m
sto
sto
ELECTRICAL ROOM
12
13
MEP CHASE
23
Cu
Cu
23 22
26
25
10
24
ELECTRICAL ROOM
MEP CHASE
RETAIL
1
CASHIER COUNTER
Custom Text
20 19 18 17
15
15
PH OGRA
YS
Custom
16
PHOT
Text
PLUMBING CHASE
FIRE PUMP ROOM DINING
STORAGE
IO
DOWN
22 21
14
16
14
A STUD MEDI
EXHIBITION
25 24 23
13
17
13
27
12
RESTROOM
18
12
9
19
11
8
20
10
7
21
9
26
6
22
8
30
5
BVLGARI
23
7
28
4
24
6
29
3
25
5
11
26
4
10
27
3
DOWN
2
28
2
UP
DOWN
Y
UP
ITION EXHIB
DISPLA
1
6
2
EXHIBITION
3
2
UP
1
2
UP
UP
TRANSFORMER ROOM
ZEGNA
8 7
2
28
UP
DOWN
DOWN
3
27
2
28
4
26
3
27
5
25
4
26
9
24
5
25
11
23
6
24
10
22
7
23
13
21
8
22
20
9
21
Custom Text
10
20
19
19
12
18
18
DINING
17
17
14
16
16
AMP
WATER PUMP ROOM
PALM COURT 1
First Floor
15
15
1
1
9
16 17 18
6
4
26
3
27
19 20
2
28 UP
DOWN
21 22 23 24 25 26 27
ZEGNA
1
OPEN TO BELOW
5
5
4
4
3
3
2
UP
1
1
2 UP
28 DOWN
DIOR 2
EXHIBITION
8 7
5
25
2 1
OPEN TO BELOW
2
11 10
24
4
RETAIL
6
6
7 26 DOWN
7 9
25
10
24
11 m 21
17
18
16
19
20
8
9 10
11 18
17
12
13
16
19
20
t 15 Tex 14
21
t 15 Tex 14
MEP CHASE
22
sto
m
ELECTRICAL ROOM
23
Cu
sto
OPEN TO BELOW
12
25 24
8
OPEN TO BELOW
26
23 22
13
DOWN
Cu
ELECTRICAL ROOM
13 12
23
6
3
UP
14
Custom Text
FASHION BAR AND FITTING AREA
5
ZEGNA 2
OPEN TO BELOW
7
22
Custom Text
1/16" = 1'-0"
21
9 8
20
11 10
19
13 12
18
Level 01
14
17
FASHION LAB
16
OPEN TO BELOW
MEP CHASE
TION EXHIBI
RETAIL
1
30 29
3
28
4
27
5
26
6 Custom Text
25 24 23 22 21
11
20
12
4 5 6 9 14
17
19 18 17
15
8 13
18
14
7 11 12
19
13
1 10
21 20
9
BVLGARI
23 22
8
3
26 25 24
10
2
28 27
Custom Text
DOWN
2
29
7
UP
30
UP
Y LOBB
DOWN
ITH AMPH
16
15 16
PLUMBING CHASE
R EATE
PLUMBING CHASE
4 3 2 1
STA GE
1
Second Floor
PUB
| 38
15
1 14
16
13
17
12
18
11
19
OPEN TO BELOW
10
20
9 Custom Text
21 22
FITTING AREA
23 24 25
4
26
3
1
27 28
DIOR
ZEGNA
RETAIL
OPEN TO BELOW
2
2 UP
5
4
3
2
1
2
6
2 DOWN
DIOR
8 7
5
UP
6
7 8
DOWN
26
9
25
10
24
11
23
Cu sto
22
m 21
t 15 Tex 14
20
17
18
16
19
12
13
ELECTRICAL ROOM
MEP CHASE
ITION EXHIB
DOWN
UP
1
30
2
A STUD MEDI
29
3
28
4
27
5
26
6
EXHIBITION
IO
30 29 28 27
DOWN
26
25
Custom Text
BVLGARI
25
BVLGARI
24
24
23
23
22
22
21
7 8 9 10
21
20
11
20
19
12
19
18
13
18
14
17
17
DIO Y STU
16 15 14 13
15
Custom
16
PH OGRA PHOT
12 11
Text
PLUMBING CHASE
10 9 8 7 6
TER ITHEA AMPH
5 4 3 2 1
UP
STAGE
1
Third Floor
15
1
1/16" = 1'-0"
13
17
12
18
11
19
10
20
9 Custom Text
21
FASHION BAR AND FITTING AREA
22 23 24
7 6 5
25
4
26 27
2
28 UP
1
DIOR
ZEGNA
OPEN TO BELOW
2
5
4
3
2
1
2 UP
2
1/16" = 1'-0"
EXHIBITION
8
3
DOWN
DIOR
Level 01
14
16
OPEN TO BELOW
6
7 8
26 DOWN
9
25
10
OPEN TO BELOW
24
11
23
Cu
22
sto m 21
17
18
16
19
20
t 15 Tex 14
12
13
ELECTRICAL ROOM
MEP CHASE
RETAIL
DOWN
UP
30
1 2
29
3
28
4
27
5
26
6 Custom Text
25
BVLGARI
24 23 22
7 8 9 10
21
11
20
12
19
13
18
14
17
15
BVLGARI
16
PLUMBING CHASE
4 3 2 1
IC PUBL
SPACE
1
Fourth Floor
DOMESTICITY
ENCAPSULATED EPISODES II ACADEMIC INDIVIDUAL WORK TYPE: DOMESTIC SCENARIO MEDIA: VIDEO ANIMATION
41 |
01. DESCRIPTION This project originates in the compositional exploration of three-dimensional artefacts projected in silhouettes, whose relationship of full and empty spaces gives rise to the spaces. The manipulation and tectonic qualities reflect the spatial relationships of the enclosures and the elements assumed as influences. The aim of the project is to speculate the notions of domesticity from the breakdown of the multiple layers that make up the interiority. Thus, the design is developed in a context-less environment, defined only by variables manipulated in section.
1. Multiscalar habitat + Porosity
2. Acuatic environment and inhabited spaces
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43 |
1. Episode I
2. Episode II
3. Episode III
4. Episode IV
| 44
THANKS
ggonzal6@kent.edu gabrielagonzallende@gmail.com
www.linkedin.com/in/gabriela-g-allende-221673173